Coexistence at the beach – Opelika Observer

Yeah, but now Im getting old, dont wear underwear I dont go to church and I dont cut my hair Jimmy Buffet Pencil Thin Mustache

Some of you know that before I retired, I spent my twilight years, professionally speaking, researching, and eventually writing a book about the Alabama-Florida Gulf Coast since World War II. The project involved spending a lot of time down there, so much time that my publisher began to wonder if I would ever finish I promise, it is almost done. Just one more Mullet Toss. Even a serious scholar like myself can get sidetracked by half-naked women throwing fish. Well, The Rise and Decline of the Redneck Riviera is available on amazon.com and in your favorite upscale bookstore shameless plug. In putting a book together an author has to decide what goes in and what is left out. Because one of the things I left out was a chapter titled Here Come the Christians, Im gonna tell you what was in it, so you can clip this column and when you buy the book you can stick it between pages 188 and 189. Of course, there have always been Christians on the coast. Coastal communities have churches a plenty. Go inland a bit and you find even more. Its still the Bible belt you know. But generally speaking, tourists dont do church. It just doesnt fit the laidback hedonism that Jimmy B. sings about. And the weekly rental cycle works against it. You check in on Sunday afternoon, check out Saturday morning. Yet for some the beach is synonymous with church. They are the ones who go down to the coast for spiritual renewal. The ones who go to a church retreat. Though Church groups had been slipping off to the coast for years, this recent wave of coastal Christian retreating can be traced to the early 70s, and roughly corresponds to the rise of the Moral Majority and the Evangelical Right. Young Evangelicals, like young folks everywhere, wanted to go to the beach. But Evangelical parents, like parents everywhere, did not want their children exposed to the sin and degradation they had heard existed there. So parents and preachers decided to take their kids down as a group, maybe with other kids from likeminded churches, so they could keep them insulated and isolated. They rented a motel carefully chosen to be away from bars and nightclubs where the youth could devote their time to sun, surf, and scripture. (Co-ed swimming allowed so long as the girls wore t-shirts over their already modest bathing attire.) Then after a week or so of carefully orchestrated, heavily chaperoned fun and fellowship they headed home, usually with stories about the ones who almost got caught doing what they werent supposed to do. Pretty soon some motels began to cater entirely to a church clientele, who were cleaner, neater, and less trouble than the regulars. Christian Retreats sprouted up all along the coast. But remember, these were Evangelicals, so it was not long before they began to leave their little islands of spirituality and go out to save souls. The odds seemed to favor the sinners for, as a young missionary I know observed, Its pretty hard to witness to someone who is drinking a beer and wearing a thong. Still, they were out there trying. In time the Evangelical impact was felt in other ways. Since Evangelicals didnt spend money at bars and clubs, every motel they took over meant less business for local watering holes. Evangelicals also put pressure on businesses in the area to clean up their acts crack down on underage drinking, cancel wet T-shirt contests, and cover up topless dancers. In other words, take the redneckery out of the Riviera. Particularly troubling to beach-bar-bunch was the way the invaders began pressing local governments to enforce the rule that says alcohol cant be sold within 500 feet of a church or school. If a Christian retreat was declared a church, then bars and such within the limit would have to close down. Which was just fine with Evangelicals. Until the rule backfired. Down on the coast a church was having difficulty finding property for its new worship center. No one would sell the congregation a site because locals feared that the presence of a church would hinder growth in the area. Put a church there and the property around it becomes less valuable commercially because businesses built there couldnt serve alcohol. So, the preacher went to the county commissioners and asked that his congregation be authorized to waive the 500-foot ordinance so they could buy the land and build. And the commissioners agreed. This allows the church to be a presence in that community, the preacher told the press. Its a good thing. Now some folks wont think so. Some folks will think its a deal with the devil, a compromise that should not be made. But me, I side with the preacher. I also side with business folks. Then again, you knew I would.

Harvey H. (Hardy) Jackson is Professor Emeritus of History at Jacksonville State University. He can be reached at hjackson@cableone.net.

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Coexistence at the beach - Opelika Observer

Gig review: Catfish and The Bottlemen at Don Valley Bowl, Sheffield – Yorkshire Evening Post

15:42 Tuesday 18 July 2017

Sheffield, are yis good? hollers Van McCann, guitar draped loose, as several thousand teenage girls respond with wails of rapture.

Llandudnos most famous son is on ebullient form, and with good reason; only a song into Catfish and the Bottlemens show at the Don Valley Bowl and three different variants of coloured smoke are billowing across the grass verges, engulfing a crowd high on the Welsh quartets swaggering two-pronged guitar assault.

Their knack for throwing crunchy, catchy riffs together, cribbed from the mid-noughties indie songbook, is a wholly unfashionable one less old dog, new tricks, more new dog, old tricks. But on a drizzle-soaked South Yorkshire evening, their rock n roll anachronisms remain boisterously potent, thanks to their slick live chops and their frontmans brash wantonness.

Winding up a short UK tour, this is as much a victory lap as anything else for the group, coming on the back of arguably their most successful year. As such, they stick to the hits; across an hour-plus set bolstered by occasional jams, they lean heavily on debut record The Balcony, its brash brand of in-yer-face chunky riffs and laddishly romantic lyricism lending themselves well to the response McCann and cohorts Benji Blakeway, Bob Hall and Bondy Bond incite.

Their frontman oozes cookie-cutter bad-boy charisma; when he wiggles his hips during the throbbing bass breakdown for Soundcheck, the response is a deafening scream. On Pacifiers buffed-up scuzz, he drawls with an assured confidence; on the low-slung surge of Anything, his darts his tongue out with a lazy swipe, to audible swoons. He is a magnetic throwback; a sexed-up black hole of a performer with an inextinguishable gravitational pull.

Such is the fervour McCann inspires, his bandmates often fall into his shadow, but they vamp along gamely, with rambunctious runs through Twice and 7.

At one point, the stage is almost flooded by inflatable crocodiles thrown from the audience, the emblem of the bands second album The Ride. Its a strangely whimsical offering on a night of less quirky fare; when the glossy air-punch anthemics of Cocoon arrive, it quickly dispels any notion of capriciousness, instead regaling with a faux-nostalgic hedonism.

From the bottom of our hearts Sheffield, thank you, their bandleader proclaims earnestly before energetic closer Tyrants.

Game-changers they aint but Catfish and the Bottlemen tap into youthful rebelliousness with a chutzpah it would be boorish to undermine. New dog, old tricks indeed.

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Gig review: Catfish and The Bottlemen at Don Valley Bowl, Sheffield - Yorkshire Evening Post

Montreal’s Ancient Future Festival Reveals 2017 Lineup with Hudson Mohawke, the Underachievers, Sam Paganini – Exclaim!

tienne de Crcy, Omar Souleyman, Project Pablo and more will also perform at the 3rd annual event

Published Jul 18, 2017

The festival will take place at the Quai de l'Horloge and at Hangar 16 in the Old Port of Montreal on September 8 and 9. On those days, the event will feature the likes of Hudson Mohawke, the Underachievers, Sam Paganini, Kevin Saunderson, tienne de Crcy, Omar Souleyman, Victor Ruiz, Eagles & Butterflies, Branko (Buraka som Sistema), Mall Grab, Johnny Trika, Mad Rey et Folamour, Kgoon, Grandbuda and more.

Also a spotlight will be shone on local acts such as Project Pablo, Atroxx, Rico Shae, Kris Tin, Nymra & Sofisticated, Zepha, Obsolte Collective and TGV.

Speaking of the festival, organizers stated, "At the edge of the river, the musical experience is a paradox between nature and the building where the past and the future confront. An independent and eco-responsible festival where landmarks are deconstructed to give way to hedonism and the unpredictable."

To learn more about programming and tickets, head to the festival website here.

Learn more aboutAncient Future Festivaland other summer festivals on Exclaim!'sSummer Festival Guide.

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Montreal's Ancient Future Festival Reveals 2017 Lineup with Hudson Mohawke, the Underachievers, Sam Paganini - Exclaim!

Dance Like Nobody’s Watching To Shock Machine’s Unlimited Love Video – The FADER

As a member of the now-departed Klaxons, James Righton channeled pure adolescent hedonism and a nostalgia for '90s rave culture into a short-lived but memorable phenomenon. Now working solo under the name Shock Machine, he's about to release his debut album. Today the video for new single "Unlimited Love" is premiering on The FADER.

The song itself is a giddy and romantic ode to unbridled romance with nods to Todd Rundgren and more modern psych like Tame Impala. The accompanying visuals complement this kaleidoscopic style with bright pops of color appearing throughout, chiefly from Righton's sharply cut suits, which thankfully don't restrict him from dancing wildly and expressively to the song.

Filmed and directed by Righton himself alongside directorial newcomer Sam Taylor-Edwards, "Unlimited Love" features scenes shot in both London, and Bucharest. "I wanted a simple performance video. Something bold and strong, something that captured the essence of how I perform live," Righton told The FADER via email.

Shock Machine is out on August 25. Check out the "Unlimited Love" video below.

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Dance Like Nobody's Watching To Shock Machine's Unlimited Love Video - The FADER

We Asked the Happiest People at Lovebox About Their Worries – Noisey

Ah, Lovebox. A true melting pot. For two days in July, the festival welcomes individuals from all walks of life to the green pastures of an east London park, so they can partake in some carefully controlled hedonism between the hours of 12PM and 10PM, or as some preferred to sit under a tree and repeat the phrase, "I'll be fine in a minute"

This year, the event celebrating 15 years spanned a huge scope of punters. This was partly down to Frank Ocean, the supernova Friday headliner, counting fans in every demographic; we met Essex lads sporting identikit testicle-crushing Topman jeans, patellas artfully exposed, who waxed as emotionally about the artist FKA Christopher Breaux as queer art students in towering rainbow platform heels. But it was also testament to an excellently curated line-up, designed to pull in crowds with wildly different Spotify favourites, from Slen, Kaytranada, Mac Miller and Rex Orange County to 67, AJ Tracey and Mist. Saturday was the electronic lover's wet dream; a roster including Andy C, Annie Mac and Chase in Status had teens with clenched jaws and cross-body bags thrusting their phones above pulsing crowds, capturing the drop on Insta Stories for posterity. Standard festival fun. Friday though? Friday was a moodt.

The presence of Sampha, Solange and Frank on one date was potent, their politically significant releases injecting an electric current into proceedings. Add to the mix acts like Ray BLK and energy was built to almost unbearable levels. Solange, a clear festival highlight, snatched everyone's collective wig at the Noisey stage with a set featuring a note so Minnie Riperton-high the girl next to me cried. Then, it was just Frank left to deliver the final, transcendent coda; 50,000 people singing "Solo", seeming to set a blissful seal on proceedings. But I wanted to go further. Sure, everyone looked pretty joyful but what burdens were bubbling away under the face glitter? We decided to hold an impromptu therapy session. Wisdom goes that those most in need are the ones who seem least likely so we hit up the happiest-looking people to dig deep into their inner fears.

Noisey: You all look very chipper do you ever get stressed? Will: I was when we going through security and the dogs were out. Spencer: My virginity stresses me I'm never going to lose it. Elliot: My only worry is that Tottenham won't win the League.

Who are you going to see to blank out your worries? Will: Kaytranada! Those vibes. Very funky. I want him to bring Craig David out.

Noisey: You guys seem very chill is this for real? Ashley: Anxiety is actually a huge thing for me; music definitely helps. Solange and Frank's albums have got me through panic attacks I've experienced. Brianna: We're from California and getting here was quite stressful. We were two hours late and on edge but once we stepped through the gates and saw everyone's vibes it put my mind at ease. How do you deal with something like anxiety on a daily basis? Ashley: I listen to music and work out a lot. Weight training is great I hate cardio. Brianna: Working out for sure. I really like Crossfit.

Is there anyone on the line-up who particularly soothes your stress like exercise? Ashley: Being a woman of colour, Solange makes me feel like my worries are heard. She's so angelic and calming. Brianna: She puts my mind at ease and helps me be comfortable in myself, like loving my hair; I can come here in my braids!

Noisey: Hi happy people, tell me your problems. Alero: I'm a stressed person! I overthink things. I don't want to lose myself; I'm scared of losing purpose or doing stuff I normally wouldn't because I feel down.

Wow, that's real. How do you push those thoughts aside? Nicolai: Partying a lot! Alero: Getting a psychiatrist or a therapist is a good start.

Are your worries playing on your mind today? Nicolai: Nah, fuck them! Alero: Ditto fuck them when I've finished my vodka Red Bull.

Noisey: You both have huge smiles. Let me wipe them off. Are you secretly stressing? Bronwen: No! I don't worry about anything, I'm a really laid back person. Daniel: I try not to worry but my work makes me stressed. There's a lot of pressure there.

What's your remedy for that? Daniel: Going to festivals and enjoying myself. I let my hair down at weekends.

What about today have you managed to detach yet? Daniel: All my worries were gone as soon as I realised I wasn't at work. Bronwen: He had his playlist on this morning when he was getting ready, it was a very chilled situation.

Who's going to do the best job of blanking out your worries? Bronwen: Jamie xx, he's really upbeat. "Loud Places" is a great song, he did it at Glastonbury and it was really good. Isn't that about a breakup? Bronwen: I don't read into the lyrics that much! That's too deep for me.

Noisey: As the officially designated voice of the Lovebox youth, what about the world worries you? Kate: I worry about where the world is going. I don't know where my place is. The current political situation makes me scared but I voted Labour and Jeremy Corbyn gives me a lot of hope. Things like Lovebox, where people come together and celebrate it's such a good thing for the UK. Natalia: I worry a lot. Climate change freaks me out.

That's a lot of stress to carry how do you deal with it? Kate: It's always at the back of your mind but you try and get on with life and enjoy yourself. Natalia: I volunteered at Wireless Festival with Greenpeace; I recycled plastic and paper and that made me feel better.

Is there anyone here today who might be able to help with your burden? Stee: Mac Miller he speaks the fucking truth! Kate: Frank Ocean; he's the reason I came. I'm bi and he really speaks to me. He understands me. Blonde got me so deep.

Noisey: You look full of magic beans. Is this your normal mode? David: I'm from California and thanks to my recently-elected President, I'm stressed on a daily basis. But right now I'm having a great time I've been dancing my butt off for an hour. Although there's a lot of gentleman shufflers I've been trying to make dance too.

Trump is enough to make anyone antsy. He doesn't seem to be bothering you now though. What's the opposite of stressed? I'm currently that.

What's your advice for reaching the level of chill you're on right now? I go to a lot of festivals I just went to Coachella as well. I love movies too; I'm a teacher and run a film club. I took all my kids to see Baby Driver and they loved it.

Who should I go and see today if I want to de-stress? Mac Miller. He always helps me let go completely. "Dang!" gets me going in the best way.

Noisey: Hello boys. You seem to be on a very cheerful wave. Noah: We're here to see Frankie boy! Although I'm more worried about him not turning up than I've ever been about anything else in my life.

What stresses you beyond the confines of Victoria Park? Dan: Probably family. I've got a little girl who is two years old. I have general fears about what's going on in the world, especially with recent events in London. Noah: The government. They're scary fuckers. Especially Tony Blair!

How do you blank out those thoughts? Dan: We get spangled! Noah: I just try to ignore them. It works terribly, nothing changes.

Your worries don't seem too close today Noah: Tony is a million miles away from my mind right now. Dan: I've got some thoughts niggling away, but nothing on a national scale. Hopefully if I can get spangled, they'll go altogether. But they'll be back tomorrow.

Which artist is the best cure for your worries? Dan: Frankie! Noah: The sweet aroma of Frank has been wafting over London for days, like mother's cooking. I don't even know where we are, I just followed my nose.

Noisey: Hello, you two look exceedingly happy. Is this your normal mode? Martin: I'm more chilled than Jean is. I do worry though, about politics, the environment, the chances for young people. We're separating when we should be coming together.

It's a lot to deal with. How do you manage your stress? Jean: Yoga and exercise mostly. Martin: Running, swimming and music. We're here to see Solange and Frank Ocean. If Frank doesn't do it for me later, nobody will. I played both his albums again this morning and can't choose a favourite.

Is Lovebox living up to its joyful reputation? Jean: Absolutely. All my worries are gone. This is the first festival I've ever been to so I'm just soaking up the atmosphere.

Thanks, you happy-looking people.

You can find Moya on Twitter and photographer Zo on Instagram.

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We Asked the Happiest People at Lovebox About Their Worries - Noisey

What’s the Best Song, According to Science? – Gizmodo

Some songs stick to your soul like ectoplasm. Whether youre at the club or Chuck E. Cheese, sometimes you hear a certain song that brings you back to a moment in your life youd forgotten. Good music is fun but ephemeralthe best music stays with you forever, sometimes a little too long. Seriously, stop buying Phish t-shirts.

Obviously, all artand tasteis subjective. But is there one songor one kind of songthats generally more enjoyable? Recently, author Tom Cox tweeted some musings on the philosophy behind what makes the best song ever. A significant portion of the internet, however, argued that he was full of shit because the best song of all time is Totos classic 1982 hit, Africa.

This week on Giz Asks, we talked to neuroscientists and music enthusiasts about why our brains just cant get enough of certain songs.

Neuroscientist and Director of the Science Gallery at Kings College London

The best way to test a song is still a human. We can measure how people respond to songs in a bunch of ways including brain scans, measures of chemicals in the the brain, including dopamine (which is associated with the internal reward system reward, perhaps you give yourself a pat on the back for selecting a great playlist). Actually measuring foot tapping or the smile muscles is probably just as good as most more scientific methods.

We still dont have good models to enable us to describe what makes a good song yet alone artificially create one. Deep learning networks may be able to develop an artificial classifier that would learn what an individual likes and predict whether a new song would be a hit or miss for that individual. But Im not sure if that would be scientific because in the end even the people who build the network dont know what lies beneath its decision.

On genres, the interesting thing is that how you hear music is determined by your early life experience up to two years or for some musical elements six months. Beyond that age your brain is kind of fixed for things like quarter tones or off-beats so if you want your kid to dig a particular style make sure they get exposed to it early.

Postdoctoral Associate in the Department of Psychology at New York University, researching the relationship between music and the brain

Theres some interesting research that shows that people fall on a spectrum in terms of their musical hedonism. A small group have what youd call musical antidilia, so these are people that dont like music at all. Its not that they get a viscerally negative reaction, its just that they dont really listen to it, they dont really get music, they dont really respond in a viscerally positive way to it.

Most people in the world do respond positively to music. There are people on the other end of the spectrum who are hyper hedonic and really, really, really love music and get really jazzed about it. Part of it is an individual difference or a personality trait of how much you respond to music. So thats a big part of it: people who respond to music more overall, and then people who respond less to music no matter what it is.

The challenge in psychology, but especially when were looking at music, is the fact that theres individual differences. Taste is so varied in terms of music. In several studies about musical chills or really positive responses to music, they have the participants in the study bring in their own music to listen to. So you would have to have a comparison of highly pleasing music versus non-pleasing music. So the highly pleasing music is totally different from one person to another.

Science tends to focus more on the response to music rather than the particular qualities of it, since its so hard to pick a song that everyone across the board likes, unless you pick a group of participants that have very homogenous taste which is also kind of challenging. If we knew what made the perfect song, someone would be making millions of dollars off it.

Professor of Psychology and Neural Science at New York University

There are numbers about whats on average how fast music is, whether or not you like it. Lets say you take a whole bunch of musicclassical, rock, single instruments and ensemblesyou can calculate the mean rate. On average, the rate music is played at because is about two hertztwo cycles per secondwhich translates into 120 beats per minute. Across musical styles and eras, theres a typical mean rate of music, which is kind of surprising. Its faster than the heartbeat and slower than speech.

One of the hard things from a scientific point of view is trying to figure out how taste works is to account for the huge range of taste across people and across, even, your own age. Songs from puberty are particularly well-remembered for some reasonlike the first time you fell in love, or something. But then, maybe in retrospect you think, Wow, what the fuck, I liked Blondie? It shows that even your own aesthetic experience changes pretty drastically over the course of your lifetime.

So from an individual point of view, what makes you happy, stimulated or excited changes even within you over time.

Actually, Toto turns out to be remarkably good and sophisticated according to musicians. Toto was a group of hardcore, highly respected studio musicians. They crafted those songs pretty carefully and were incredibly successful with those four albums. And musicians actually really love Toto.

Science says Africa is the best song ever made. Says a scientist.

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What's the Best Song, According to Science? - Gizmodo

Woman seriously injured after falling off stage at Guns N’ Roses show – The Times of Israel

A woman was seriously hurt on Saturday after falling and hitting her head at a Guns N Roses concert in Tel Aviv when trying to climb onto the stage in the middle of the show.

The fan was one of nearly 62,000 people an Israeli record who had gathered at the citys Yarkon Park to hear the concert.

Some Hebrew media reports said that the woman, in her late 20s, appeared to be drunk when she tried to climb up the side of the stage during the performance. She then fell off and injured her head.

Medics at the show gave her first aid and she was transferred to Tel Avivs Ichilov Hospital while unconscious and on a respirator. However, medics said her injuries were not life threatening.

In total, 55 people required treatment at the show, according to the Ynet news site.

This was not the first medical emergency at a concert this summer. In May, a woman went int labor at a Justin Bieber concert.

The promoter of the show for the American hard rock band said earlier this month that the concert would be the largest ever held in the country.

The hard rock band, which formed in 1985, sold 61,900 tickets, more tickets for an Israel show than any other band, said promoter, Guy Beser, of Bluestone group. Britney Spears had 55,000 fans at her show earlier this month at the same venue.

Guns N Roses has sold over 100 million records, making it one of the best-selling bands of all time.

The band, which was founded in 1985, with its first studio album, 1987s Appetite for Destruction, featuring the number-one single Sweet Child O Mine, was known for a new brand of hard rock and for hedonism reminiscent of the early Rolling Stones.

Its May 1993 concert in Tel Aviv was part of a major, two-year world tour following the 1991 twin albums, Use Your Illusion I and Use Your Illusion II, which sold a combined 35 million copies worldwide.

It was that tour which led to tremendous tensions in the band, following significant drug and alcohol abuse by members of the group. The band was last in Israel during that 1993 tour, although Axl Rose performed in Israel in 2012 with a different mix of band members.

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Woman seriously injured after falling off stage at Guns N' Roses show - The Times of Israel

Crisis in leadership as bright minds avoid public service – The New Indian Express

Image used for representational purpose only.

This is a recurrent topic in many political analyses, we ask ourselves why the world has reached an incomprehensible free fall process of the quality of leadership in the world. So many commentators focus on the lack of competence in political leaders, and how the brightest minds dont want to serve in the public office. This is by and large true, but it misses the real problem and is extremely partial in its approach. There is also a crisis in leadership in the private sector.

It would only be logical to think that in 21st Century, when the world has never been richer and more countries under democratic regimes, that a larger number of people are educated, or that science has ever been more advanced, that we would have the best leaders in our history. We should have the ablest, competent, stable, prudent and wise leaders. Well, we dont.

There are some exceptions, but thats not enough. Does this mean that there is a collective crash of intelligence and common sense? Well no, but it does mean that some of the best dont choose public service anymore, and that business leadersno matter how brilliant, creative and great managers they can be lack other essential tools, such as sufficient knowledge of history and geopolitics. Many business leaders are educated in the principles of competence, excellence and merit; others simply ignore those principles. But in too many cases the ignorance of history and geopolitics gravely hinders their ability to manage.

The crisis we are suffering is far from simple. Its a combination of flawed elites, political and all others, that are followers not leaders, and the representative democracy under severe fire from the extreme and far Right and Left. Democracies can withstand the burden of a flawed political class, but not if combined with fierce attacks from the extremes and even questioned by some mainstream media and thinkers.

The trend is worrying and only getting worse. When we see some of the leaders elected to the executive branch of government in some of the most important countries, one wonders how they are going to react in a serious crisis, how will they preserve peace and stability if, in fact, many of those leaders are actually the source of instability and conflict. Examples include the heads of the states or governmentseven local government such as the Mayor of Rome and her intensively criticised management of the Eternal City.

This column is too short to analyse such a deep problem, but it intends to give the reader food for thought. Why is this happening? One of the main questions that comes to my mind is why values and principles, common to all humanity, are not more present in decision-making? Why dont we all have, and especially leaders, a greater sense of transcendence of depth and of the bigger picture, and above all the greater good?

It is true that we live in times of greater Corporate Social Responsibility, of fair trade and growing solidarity, but that is mainly the civil society putting pressure on the top more than a top bottom inspirational movement. There are some extraordinary exceptions to the ruleBill Gates, Warren Buffet, Amancio Ortega, and Real Madrid Foundation. In India, examples of responsibility, generosity and solidarity include Bharti Foundation, Munjal Hospital in Ludhiana, Adani Foundation and many others.

Making a better world is not only about generosity and giving back, it is about governing, managing and deciding under a strong set of universal principles, solid education, culture of excellence, merit, capacity and unbreakable work ethics. The world is ruled by immediacy, impatience, egoism and even hedonism.

Not that a certain degree of self-indulgence is bad, the problem is when it overwhelms everything else. It is said that cable news changed politics, that Internet changed our work and leisure, that social media and mix of all the above are changing the world. Progress is essential to humanity, but it should be at the service of humanity and not the other way around. And so should politics and businessno mankind under the boot of either or both.

Gustavo de Aristegui, Former Spanish ambassador to India

gmdea1967@gmail.com

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Crisis in leadership as bright minds avoid public service - The New Indian Express

Clean raving: how club culture went wild for wellness – The Guardian

Norman Cook, aka Fatboy Slim, addresses the Morning Gloryville crowd. Photograph: Jack Pasco

The stench of dead flesh and discarded bones wafts through a chattering crowd dressed in sequins, wacky wigs and neon Lycra. Its 7am, and hundreds of ticket holders are waiting near Brixtons meat market to enter a rooftop beach venue in south London.

Theyre here for the fourth birthday of Morning Gloryville, an event that pitches itself as a non-alcoholic rave. The crowd here includes everyone from young families to yuppies, Instagramming teens, and Ibiza casualties who have traded in booze and drugs for protein bars and bikram. The rave is held in a big open plan space, decked out with posters that read: I am in charge of how I feel and today Im choosing happiness. As the morning unfolds, the scene becomes increasingly bizarre. Couples kiss as if it were New Years Eve; a grown woman holds a bucket and spade; there are impromptu yoga sessions, head massages, and a polyamorous collective appears, dressed as glittery unicorns. All the while, Fatboy Slim DJs in a Lucha libre mask.

Extroverts are everywhere, and I have the lurching feeling that if I lock eyes with anyone long enough they might rope me into something I dont want to do: dancing on stage to Balearic house, for instance, while holding an inflatable slice of watermelon. Everyone is, of course, stone cold sober.

The heaving crowd is a sign of something bigger: the current appetite for combining music events and healthy living. Morning Gloryville was set up by Samantha Moyo who, having left hedonistic days behind her, wanted to keep seeking the communal thrills and escapism of raving. Her parties soon went from passion project to a fully functioning empire, often attracting big-name DJs who have abandoned the excessive lifestyle that can come with being a touring musician, including Roger Sanchez and Fatboy Slim.

The absence of bar profits might have represented an impossible financial hit for Moyos parties, had the stars not aligned in other areas. The popularity of the events has rocketed as the trend for clean living has grown a trend that is captured on Snapchat, Facebook and Instagram, with images of Morning Gloryvilles parties spreading out across social media.

The unexpected relationship between clubbing and clean living has been building for a few years now. In 2014, for example, there was a craze for voga, a fitness class combining yoga and voguing. Then there is Ministry of Sounds role. Eric Prydzs notoriously raunchy aerobic video for the song Call On Me led to Ministry creating a series of wildly successful workout compilations, and this year it even opened its own workout space in south London, with a club-standard sound system. But the latest wave is more bohemian. It includes the club Awakening, a conscious rave where cacao and smoothies are served, there are classes in hip-hop hot yoga, and meditation sessions are accompanied by expert gong practitioner Mona Ruijs of Sound Interventions. In the last few weeks alone I have been alerted to an event that combines guided group meditation with classic album listening parties; a music festival that boasts a pop-up eco spa; another with a deep listening, meditation and laughter class; and an album by a singer who is also described as a sound therapist. The party picture website The Cobrasnake once a photo stream of It girls and fashion freaks at clubs and gigs recently turned its attention away from hedonism to concentrate instead on its Cobra Fitness hiking club.

The pairing of wellness and music is now mainstream, and highly profitable. In the wake of the digital boom, the music industry found itself in a state of flux at the start of the 21st century there were numerous record shop and label closures and a 40% decline in revenue as piracy took its toll. Festivals and live events have shrewdly merged with the 3tn global wellness market to help them stay afloat. It also helps that we are in the age of experience as currency where a Snapchat story of your best mate hula hooping to Basement Jaxxs Bingo Bango at a wellness event may have more online capital than a video of them showcasing their Black Friday haul of beauty products.

Of course, there are also actual health benefits to be gained from some of these events. I attended one hosted by Secret Yoga Club, during which Simone Salvatici, an ambient and experimental composer, played an assortment of Tibetan bowls and shamanic percussion instruments (and at one point, it seemed, a bunch of twigs). His immersive performances are designed to be therapeutic, and recall both stirring whale song and the work of doom metal group Sunn O))). As I looked around the room, I had the feeling that many who were there wouldnt have been seen dead murmuring om in a renovated asylum on a Wednesday night five years ago, but now seemed to welcome a chance to escape Twitter feeds full of snark and grim news (while also toning their biceps).

The wellness trend is perhaps most obvious at some of the festivals taking place this summer. This weekend you can do voga at the London festival Citadel, which will also host SwingTrain, a fitness session set to swing music, and Lovercise, a workout class for single people set to tragic love songs and bump and grind tracks. Green Man in the Brecon Beacons has Nature Nurture, a health and holistic rejuvenation area, as well as a shamanic hideaway, and Isle of Wight now has a Yogassential Deck where you can get a massage or a fresh juice, as well as working out. Glastonbury is a veteran of the wellness trend with its Healing Fields, and this year Radio 1 Breakfast Show DJ Nick Grimshaw described it as probably the most vegan-friendly place on earth (perhaps forgetting, as some pointed out, that Glastonbury is located on a dairy farm).

Wilderness festival in Oxfordshire was an early adopter of the trend and this year hosts spa treatments, mindfulness and exercise classes and a yoga session set to the most hedonistic of all musical genres, psytrance. Tessa Clarfelt, a programmer for the event, believes that before parties such as Morning Gloryville, there was a spiritual absence in some music lovers lives.

I think that the coming together and the community aspect of [events like Morning Gloryville] is a really large part of it, says Clarfelt. Once a month at 6am, which is quite a ceremonial moment, the sun is coming up, you group together with people who are friends or people you dont know, and you get this new connection. She suspects people are getting tired of fun meaning going out and getting drunk, and are instead warming up to the more Californian approach to wellbeing.

While Morning Gloryvilles Moyo says she favours dance music that gives you a big rush, the increasing links between club culture and spirituality are bringing more ancient sounds to the fore. Moyo believes there is much more appreciation of gongs and chimes and didgeridoos, at the moment, for example, because everyone left, right and centre is trying ayahuasca or going to see a shaman. Chillout music is growing in popularity, with the types of sounds you might hear in a yoga session being listened to now more than ever. One musician who has been exploring ambient sound for decades is Laraaji, discovered by Brian Eno on the streets of 1970s New York. He has released a string of acclaimed albums, and is behind the aforementioned meditation and laughter workshop where, without any jokes being told, people force themselves to laugh together until they feel genuinely happy. He has run the sessions for years, but says that in the age of 24-hour news cycles full of Trump and terror, people need this kind of healing and music more than ever. Ambient music can provide [an] escape, he says, even if its temporary, without feeling like youre abandoning your duty and responsibility as a planetary being.

Its this kind of musical quest that a generation of Instagrammers and yoga enthusiasts has embarked upon and, of course, commercialised. And just like any trend co-opted by commerce, there is a sense that the link between music and clean living may soon start to pall, and to seem quite unhealthy. Many of us are tired of the pseudoscience peddled in this area, and the excesses of websites such as Gwyneth Paltrows Goop (with its $30 pots of Spirit Dust and $66 yoni eggs), and are questioning those who profit from our health-based paranoia. The high costs of many of these luxury events its not unusual for a hot yoga session to cost 20 or more will also ensure they remain the preserve of the wealthy. As a newly politicised generation grows up, it seems likely that Instagram health gurus will soon seem like vacuous relics of the past. But while the more commercial strands of the music-mindfulness movement may disappear, the marriage of spirituality and sound will endure.

Since the beginning of time music has been a spiritual experience, says Moyo. Laraaji agrees. He says that music reminds us there is still beauty, equilibrium, and a consciousness that isnt perturbed by whats going on in this fleeting global moment. If youre trapped in the inner city, or a stressful relationship, ambient music can offer a fast way out.

As can Fatboy Slim playing anthems before breakfast. As the clock reaches 10am, and the morning rave continues, I start to wonder what these people do for a living. But its difficult to deny the confidence of Gloryvilles audience there is something oddly rebellious about sober people dancing their way to ecstatic joy. At least until they are flung back into Brixtons pungent meat market.

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Clean raving: how club culture went wild for wellness - The Guardian

News Bites | Loewe Releases Ibiza-Inspired Record, Erdem x H&M – The Business of Fashion

Welcome to News Bites, BoF's regular compilation of the stories that have got the industry talking.

Loewe will todayrelease a 12-inch vinyl in collaboration withSoulwax and Michel Gaubert.

Jonathan Andersons parents used to have an apartment in Ibiza, so some of his most impressionable summers were spent goggling at the goings-on in such temples of e-soaked hedonism as Manumission. The Andersons let their boys off the leash early. But that meant when Jonathan came to Loewe, his visions of Spain were shaped by Balearic bliss, not by bullfights, or haute bourgeois Madrid. That higher state of consciousness has helped turn the 173-year-old house into a hotbed of sunny sensuality, quirky craft and idiosyncrasy that often borders on the Dali-surreal. And now it has a soundtrack.

Anderson is obsessed with curation. Its determined the shape of his work and his life. So adding a 12 vinyl object to the many other elements hes drawn into his orbit at Loewe completed a circle. Hes giving credit for the actual curating to his soundtrackist Michel Gaubert, who brought in Belgian DJ duo (and longtime Ibiza aficionados) Soulwax to create a track called "Close to Paradise," the kind of subtly uplifting anthem you imagine playing as the sun sets over the Caf del Mar. It evokes the prelapsarian moment on the White Island before the charter flights started disgorging planeloads of party-crazed visigoths. Four denizens of those early days murmur about their experiences over the gentle pulse of the music. People who are rooted in what we know of Ibiza today, Anderson calls them.

Paula's, Ibiza | Source: Courtesy

One of his own early memories was the boutique Paulas Ibiza, the inspiration for a capsule collection for Spring/Summer 17. Loewe is launching the 12 with a party on Friday night at the islands Museu dArt Contemporani (digital downloads follow on iTunes and Spotify in August), and a pop-up of Paulas archives from the 70s. The boutiques founder Armin Heinemann will also have massive baskets of old stock so everyone can play dress-up.

Ibiza is one of those places you can let go and experiment with something youre not, says Anderson, with gleeful anticipation. You feel anything is possible. Thats how I feel about Loewe. There are no boundaries. And there arent many brands where you could do this. Which, as the Ibicencan sun rises on Saturday morning over Loewe's all-night party people, will surely seem like an understatement. Tim Blanks

Erdem Moralioglu is the latest designerto announce a collaboration with H&M.

The Canadian-born, London-based designer, whose designs are wornby celebrities and royalty alike, has developed collections for both men and women, to go on sale globally in H&M stores and online on November 2.

I am so happy to collaborate with H&M, and to explore my work on a whole new scale including a menswear collection which I have never done before," Moralioglu said in a press release announcing the partnership. "Its also such a thrill to work with Baz Luhrmann, one of the most important storytellers of our time.

The collection is set to be a celebration of some of the designer's most well-known themes. Meanwhile,Moulin Rouge director Baz Luhrmann has directed a teaser film for the collaboration, which was released on YouTube Thursday afternoon.

For me fashion is always about more than just clothing, it is a form of expression - a stand alone art form," said Luhrmann. "I am excited to be collaborating with Erdemand H&M to reveal the story of this unique collection. Tamara Abraham

Do you have a story for News Bites? Email newsbites@businessoffashion.com.

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News Bites | Loewe Releases Ibiza-Inspired Record, Erdem x H&M - The Business of Fashion

Norfolk vodka brand joins London’s jet set – Business Weekly

Norfolks own Wild Knight English Vodka, which only hit the market 12 months ago, is now sharing shelf space with some of the worlds finest drinks at luxury wine emporium, Hedonism.

Set amidst Mayfairs designer backdrop and surrounded by exclusive names such as Claridges and Vera Wang, Hedonism has become the first London outlet to stock Wild Knight.

Sitting aside super-select labels such as Krug, Cristal and Chteau Lafite, this hand-distilled, pure vodka is in truly exceptional company within one of the UK capitals most elite retailers.

Ben Murray, spirits buyer at Hedonism, commented: We wanted Wild Knight Vodka in Hedonism because it looks good, it tastes good and it's a point of difference to have a characterful English barley vodka.

Matt Brown, co-founder of Wild Knight, is thrilled at the labels latest accolade. He said, Wild Knight is an ultra-premium English vodka so it's important that we link up with high-end outlets like Hedonism that reach out to our ideal audience.

Working with Hedonism is a fantastic opportunity to showcase our vodka to a discerning market.

PHOTOGRAPH SHOWS: Ben Murray, spirits buyer at Hedonism

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Norfolk vodka brand joins London's jet set - Business Weekly

Why campus boys make the best husband materials – The Standard

There is this awesome writer I just discovered recently. She goes by the name Ivy Aseka (check out her work on The Standard newspaper), Im not sure it is her real name or nom de plume. Thats beside the point. She wrote an article The campus girl is not a wife." In the article, she went ahead and slammed hard on the campus girl, implying that they are too busy indulging in hedonism, debauchery, fornication, adultery and laziness to actually learn anything about being proper wives that our mothers are.

I might go ahead and say she is right, or she is hateful, or disloyal to her gender or her generalization of the campus girls is preposterous, or dispute everything but hell, what do I know about being a wife! Instead, I decide to take this time while the campus girls are still picking their dropped jaws from the floor carpeted with the hard reality and explain to you why the campus boys are a husband materials.

The campus boy has the spending habits locked. Notwithstanding the what he spends on, he has his priorities right and budgets down to the cents. Most of the campus boys are better than average cooks. This is because cooking is cheaper than buying already cooked food which further improved my point on their good management skills. Their food might not be up to the gourmet standard but it will be easily palatable with no risk of gastric distress. When I say cook I mean intricate delicacies such as spaghetti, fried beef, sukuma wiki, rice, cabbage not noodles and soya meat. This means they can help the wife cook. I ask you ladies who would not want a culinary expert for a husband. Maybe culinary is an exaggeration but we can let it slide. No!

They adapt to the existing economic situation effortlessly. A good example, when the sugar prices hiked sinfully the campus boys do not trouble anyone for a rise in pocket money. No, they simply rolled with the punches and categorized breakfast under the luxuries docket with the likes of Hennessey, Ciroc and Moet. When it comes to beverages, alcoholic in nature or not. They do not partake expensive nor cheap. They drink the average ones which is unimpressive but they do not give a hoot as long as they stay solvent till the next pay check or M-Pesa beep. One problem though, when there is considerable surplus the campus boy will throw a party and floss so hard youll think he has received dividends from a government bond. Which is a good quality of a husband, sometimes. When possible the wife might need the shiny staff, he is just getting himself used to spending hard for when that time beckons.

The campus boys are no strangers to libraries and course books, this is because that one female that gets his heart beating in a funny way might need help in the exam room and what better way to get on her good side than to help her avoid a supplementary exam. Yeah. You can add wise to the resume of a campus boy because you have to agree, thats is kinda smart.

Playing with the law of supply and demand to get her to notice you. She needs answers you provide answers, at no price. The problem will come when you all fail, she will set your plans back ages and probably kill your sexual life since shell tell everyone.

Campus boys have a healthy ego, they know how low to stoop before it becomes desperate. Most of them have savings account and have started planning for their futures. They have ensured their lifestyles are in tune with their incomes. They are master sailors and can adjust their sails to align with the winds, this is one quality that will make them the greatest husbands since they have already learnt the art of picking battles. Their sexual prowess are unmatched. Im not encouraging how they get the expertise but come on ladies, you do not want a husband who is learning at the job. Yo want a salty sailor, and that comes at a price. He has to sail through different conditions to get there.

Ultimately, the campus boy leaves the university for years baptized with the fire of day to day life. Forged under the pressure of hardship to the arcane husband material that is required by the society. There might be a few things that might need nipping along the way like ogling, hanging out with his boys

But you will have to understand him. A man needs his vices. To all the campus girls, in fact to all the ladies out there find yourself a campus boy and make of him a husband. It will be easier compared to picking a villagers and starting from scratch teaching him that wearing a vest inside a t-shirt makes him look like a cassava farmer, husband helping out in the kitchen will not lead to Armageddon or DJ afro movies are not as funny as they think.

This is a citizen journalism website. The views expressed here do not represent that of the Standard Group Ltd. Read the terms and conditions

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Why campus boys make the best husband materials - The Standard

I demand a critical reappraisal of Kesha’s brilliant, brilliant music – Salon

Kesha is one of the great musical artists of our era.

Not only has her music inspired me for years, observed from a certain perspective it can be compared favorably to the works ofMozart and Michael Jackson.

Although Keshas reputation among music snobs hasnever been particularly high, its not like her initial work was overwhelminglypanned by critics.On Metacritic,Animal has decisively mixed reviews with a 54 rating while Warrior ranks only slightly better with generally favorable results and a 71 rating. Still, this is insufficient compared to what she offers.

A wanderer passing through those aggregators would walk away with the impression that she was mediocre, like most of the pop stars who briefly light up the musical firmament before evaporating from memory.

Animal teems with choruses that stick with the listener for days, from the blissful Your Love Is My Drug to the catty Backstabber. Equally prevalent, however, are heavily processed vocals, which make it hard to tell whether the California cutie can actually sing, wrote Billboard about Animal.

Too many cooks in the kitchen notwithstanding, it amounts to 12 songs here with some 40 perfectly crafted hooks, wrote the Boston Globe aboutWarrior.

Allfail to give a great artist her due.

Of course, Keshas recent single Prayingoff of her forthcoming Rainbowreceived critical acclaim, and rightly so. Its a beautiful and haunting ballad about depression and personal resilience, one that is inextricably linked to her struggle against a powerful music producerwho she accused of rape and was forced to work with anyway by both Sonyand the court system(the judge described locking her into the contract as the commercially reasonable thing to do).

Yet, while Praying is likely to be remembered as the moment when Ke$ha became Kesha that is, when heroverproduced image of a party girl transformed into that of asoulful artist this does a terrible injustice to her pre-Prayingoeuvre. I can attest first-hand that her early work does indeed provide an inspiring background soundtrack to my own artistic efforts as a writer.

Im not sure which musicians other writers like to use as a score their creative process, but Im pretty sure most will not proclaim (at least openly) that the individual is Kesha. Acknowledging this here is likely to earn me open scorn by some, derisive snorts from others. Yet they are wrong, critically and objectively.

AsI explained to my longtime friend Sean Davis a PhD student in Music Studiesat Temple UniversitysBoyer College of Music and Dance, where he has also taughtMusic Theory Keshas music is very energetic and has a certain ironic cheekiness to it in terms of its vulgarity and hedonism. Naturally its lively feeland clever wordplay makes for mental fuel when in the thick of my own creative endeavors. That alone could justifymy appreciation for the artist Kesha, bornKesha Rose Sebert. I could let the matter rest there.

But I wont.

There aredeeper ways inwhich toabsorb her brilliance,one also summed up by an aspect of my conversation with Davis. In discussing the remarkable biographical similarities between Wolfgang Amadeus Mozart and Michael Jackson, both of whom were child music prodigies who suffered from serious emotional issues as adults due to the mistreatment they suffered at the hands of the entertainment industry (and their parents) as young people, Keshas name arose.

While Kesha is perhaps not a musical prodigy like those individuals (Im going to omit the controversy over her IQ scores), she undeniably became very successful at a young age and (if you believe her accusations against Dr. Luke, which I do) was heinously exploited by the music industry. Although onecouldnt have known the latter when first hearing the scintillating Tik Tok or Die Young upon release, one must admit that there is a certain canny self-aware effortlessness to her performances that comes across. In balance, it is starkly reminiscent ofboth Jackson and Mozart.

Its hard to explain how to distinguish between artistswho seem to sweat and groan and labor mightily to produce their work and those for whom it comes with a gracefuljoie de vivre. You cant dissect it, but you know it when you see it.

When listening to Keshas earlier work, just as when one listens to Prayer, the palpable sensethat her musical performancesare both fun and natural is simply unavoidable so much so that the transcendent ease of her artistrybecomesinfectious, invigorating, galvanizing. While some might toil away in their studios to The Goldberg Variations, those with true ears and open minds find better inspiration in Kesha. Certainly, it is the case for me in my own work.

Yes, its easy to notethat, for many, Kesha representsa guilty pleasure. This is reductive. A true intellect will find that there is nothing to feel guilty about. Shame me all you want for loving Kesha. I have none.

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I demand a critical reappraisal of Kesha's brilliant, brilliant music - Salon

Hyundai has come a long way with its outstanding Ioniq Hybrid – Philly.com

In 1986, shortly after I started writing about cars, a Hyundai operative showed up at the Inquirer with the South Korean automakers first U.S. offering: the Excel Sedan. He came back to retrieve it a week later.

Well, how did you like it? he asked, brandishing a salesmans hopeful smile.

Well, I replied, when I tried to roll down the drivers window, the window crank came off in my hand.

The smile dropped to less than half mast. Suffice it to say that the Excel was a lousy car that almost nipped Hyundais American adventure in the bud.

After spending a recent week with Hyundais newly minted Ioniq Hybrid, I was struck by just what ancient history the Excel had become, and what a quantum leap Hyundai has taken.

The Ioniq I drove was nicely realized from the standpoint of both styling and workmanship.

It also boasted enough lovely, innovative engineering to give it EPA mileage numbers that crown it king of the hybrid hill. The base Blue model has EPAs of 59 city and 57 highway for a combined rating of 58. (The more upmarket Limited model I drove was 55 and 54 for a combined 55.) This surpasses the EPAs mustered by the Toyota Prius. The perennial hybrid gold standard is rated at 54 city, 50 highway, and 52 combined.

The Ioniq, a compact hatchback, will ultimately come in three flavors. The Hybrid and an all-electric model are already here. A plug-in hybrid follows later this year.

Like its corporate cousin, the Kia Niro, the Ioniq utilizes a 104-horsepower, 1.6-liter gas engine buttoned to a six-speed, dual-clutch automatic transmission. That exceptionally efficient engine it packs goodies such assodium-filled exhaust valves and direct injection shares the work with a 43-horse electric motor.

Under mild demand, the Ioniq can get along solely under the auspices of the electric motor. If your accelerator foot gets heavier, the engine is fired up and seamlessly joins the electric oarsman.

The Ioniq Hybrid is more fun to drive than its leisurely zero-to-60 time of 9.5 seconds might suggest. Its fully independent suspension makes this an agile car, and its responsive, accurate steering adds to the festivities.

The testers fun quotient was also enhanced by placing it in Sport mode. That keeps the engine on all the time, cracks the whip on the gear changing, stiffens the steering, and gives you a tachometer readout.

The Ioniq is handsome in a clean, civil fashion, and the fastback slope of the roof and rear window make the car resemblea stylish sedan more than a hatchback. It also contributes to the Ioniqs exceptional aerodynamics. The trade-off? The roof slope means tall, rear-seat passengers will find their heads encountering the headliner before the headrest. And the steeply raked, split liftgate window diminishes visibility.

The testers interior was comely in a spare way with a welcome Bauhaus need for form to follow function. Cargo space was a generous 26.5 cubic feet with the backseat up. The volume with the rear seat down was not available.

The Ioniq starts at an affordable $22,200. And that price includes an industry-exclusive lifetime warranty on that expensive hybrid battery. The more upscale Limited tester was very well-equipped for its price point ($27,500). Standard safety gear and hedonism included blind-spot detection with cross-traffic alert, lane-change assist, power sunroof, and leather seating. In addition to the battery guarantee, the Ioniq has exceptional warranties on the car itself (5 years/60,000 miles, bumper-to-bumper) and the power train (10 years/100,000 miles).

Base price: $27,500. As tested: $31,460. Standard equipment: 1.6-liter engine, electric motor, front drive, and an extensive array of safety gear and conveniences, including leather and a blind spot alert. Options: Includes a $3,000 package, which contains aids like automatic emergency braking, smart cruise control, lane departure warning, headlights with dynamic bending light function, rear parking sensors, and a navigation system. Fuel economy: 55 MPG city and 54 highway. Engine performance: Produces leisurely acceleration. Handling: Crisp. Ride comfort: Fine. Styling: Stylish but civil. Warranty: 5 years/60,000 miles bumper-to-bumper. Four Bens: Excellent

Published: July 14, 2017 5:00 AM EDT

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Hyundai has come a long way with its outstanding Ioniq Hybrid - Philly.com

Exploring the world’s first dog glamping site at NOS Alive music festival – Metro

A snuffle, a snort, and a scratch and there she is.

Thats Lua, up there, poking her head through the gate a resident at the worlds first dog glamping site at NOS Alive festivalin Lisbon, Portugal.

The hills are well and truly alive round here. A few miles down the road in the citysPasseio Martimo de Algs, theyre alive with the sound of music, a stellar line-up of big hitters like Foo Fighters, Depeche Mode, The Weeknd and The xx and providing one of Europes most vibrant and colourful destination festivals.

Up here though, its a chorus of barks and howls that flood Tiago Patels doggy daycare site.

Announced back in June, NOS Alives link-up with Tiago Patel was borne of a simple idea: why should humans be the only ones allowed a little escapism over a music festival weekend?

Dogs need this space they need to be dogs, Tiago tells metro.co.uk, gesturing to a group of pooches squabbling over a pine-cone nearby.

Its like a child, as soon as they are naughty it is seen as a problem that must be solved, but its natural they need to be a child, to get it out of their system.

The premise is foolproof. Bring your dog to the festival gates at the start of the festival, and theyre whisked off to Tiagos farm, which hosts lucky pups all year round.

While youre enjoying the music and madness of NOS Alive, the canines get to roam their very own festival site, getting back to their natural instincts in the same carefree, hedonistic ways their owners are enjoying down the road.

With eighteen dogs on-site for the festivals duration, everywhere we go were followed by a tail of at least three eager-for-a-petting pups.

Theres all ages and breeds here, from a shuffling, podgy old beagle to a grand Alsatian.

One golden dachshund is particularly amorous, flopping herself on anyone wholl give her some attention. Free love, indeed.

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Luas a new arrival, only getting a day ticket for the festivals closing day.

She might have missed out on the likes of Fur Fighters, Bone-obo and Royal Bloodhound over the last few days, but the Saturday night do plays host to De-paw-che Mode and, er, Fleet Foxes (that one does the terrible punning all by itself).

Shes in her element, leaping about and legging it around the place like a novice festival sesher, trying to catch everything at once.

Tiago himself, meanwhile, is as much of a character as each of the pups in his care. Coming off like a Portuguese long-lost-relative of TVsDog WhispererCesar Millan, as he walks us through the ten-acre site, his heels swarmed by doting doggies, he enthuses about his surroundings.

Its not hard to see why from a wide open plain of grass, to a rope swing and a big old fire-pit nestled in the heart of the tiny woodland, theres more for the dogs here than there are in most humans festival campsites, and decidedly fewer pint cups and bottles of wee.

Hes a staunch believer of allowing dogs to live out their natural instincts, sitting by as they develop their own hierarchy around him.

At one point Lua gets a swift telling off from the other dogs clearly theyre not too keen on their new mate peaking too early.

Tiago and his handful of helpers camp on-site for the weekend, in a fenced off corner of the woods.

As we go to leave, one more night of Heineken-fueled hedonism ahead of us, he invites us to come bring a tent one time, and spend a full weekend with the dogs.

As lovely as our Lisbon hotel may be, a night with the pooches might just be enough to drag us back to the tinned lager and festival tents of our youth. Wed be barking mad to say no.

NOS Alive returns to Lisbon, Portugal from 12th-14th July 2018.For more information on Tiago Patel, head here.

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Exploring the world's first dog glamping site at NOS Alive music festival - Metro

Wimbledon 2017: The tech behind the world’s top tennis tournament – Ars Technica UK

Sebastian Anthony

The second room. This one deals more with uploading content to the Web, security, load balancing, etc.

Sebastian Anthony

IBM's presence at Wimbledon is entirely transient - they turn up, run things for a couple of weeks, then disappear. As such, the "servers" are all just ThinkPad and MacBook laptops.

Sebastian Anthony

A server rack - containing more laptops.

Sebastian Anthony

A highlights screen showing that commentators, players, and other behind-the-scenes people get access to.

Sebastian Anthony

A cool map showing all of IBM's various data sources across the venue.

Sebastian Anthony

A shot of (apparently) the IBM software generating highlights from tennis matches. You see the four variables it tracks...

The Championships at Wimbledon, which consumes some 28 tons of strawberries, 10,000 litres of cream, and 320,000glasses of Pimm's per year, is notable for its seemingly unchecked luxuriant hedonism. But while most companies, organisations, and institutions are looking to cut costs, Wimbledon has stuck to itsmantra. Don't do things cheaper; do things better.

Case in point:Wimbledon's use of technology is really quite impressive. I've been lucky enough to follow Wimbledon's techover the last three years, and it's been very encouraging to see a massive endeavour like The Championships dive deeper and deeper into technology. You might think that after 140 years Wimbledon could be stuck in its ways, but far from it. When technology is the only viable way of providing consistent, significant gains for players, visitors, andhundreds of millions of people spectating remotely, you don't try to fight it; you embrace it.

Of course, Wimbledon is embracing tech in a distinctly Wimbledon way. This year, for example, The Championships aretrialling free Wi-Fibut because they don't yet know how people will behave with free Wi-Fi, it's only available in three specific locations (near the food court, in the ticket resale area, and on the west side of court 12). The tournament continuesthrough this weekend, but its team has already started analysing the data. It turns out that, thankfully, the Wi-Fi users on court 12only use their phones between points. When play begins, Wi-Fi usage stops. If the trial is a success, Wi-Fi could be rolled out across Wimbledon in 2018.

When the overall excitement level crosses a threshold (0.8?), the software goes back through its video bufferand creates a highlight clip of the point. For now, a human editor still goes through every clip before being published. A human editor is still required to tease out video clips from more nuanced matches, too; the IBM software doesn't yet understandthe context of individual matches or player pairings. But given that other IBM software at Wimbledontracks match contextmostlyso that commentators can add some extra flavourit seems like an obvious improvement to the auto-highlight tech in future years.

Sebastian Anthony

Perhaps most excitingly, Wimbledon is now storing the 3D state of tennis matches via the Hawk-Eye camera system available on some of the courts. Hawk-Eye, which uses multiple cameras to track the ball and resolve line judging disputes, outputs a constant stream of data that IBM can process into a useful format.But actuallydoingsomething with that data is a risky affair, because it isn't clear who owns it. Some tennis players, as you can imagine, aren't keen for some wily big data/machine learning software to reveal the secrets of their play styleto the world.

Sebastian Anthony

On a simpler level,if Wimbledon blankets the All England Lawn Tennis Club withWi-Fi, it will be able to use each device's unique MAC address to track the movement of most visitors aroundthe venue. Not for creepy reasons, I'm assured, but to iron out bottlenecks and inefficiencies. Should there be another toilet here? A strawberries-and-cream stand there? An everlasting font of Pimm's here? Venue-wide Wi-Fi wouldalso allow Wimbledon to push notifications to visitors as they move around, beacon-style.

Two years ago, an IBM engineer told me they were in discussions with the UK's mobile network providers to trackvisitors through cellular triangulation, but this year I was told that no such partnership was ever struck. Doing it via Wi-Fi (and perhaps augmented with Bluetooth) is probably more sensible, anyway.

Finally, Wimbledon has released a significantly overhauled mobile app for this year's Championships. Over the last few years, there has been a big shift from people following Wimbledon on a desktop browser to their mobile devices. The mobile app is meant to provide a better experience than the mobile websitebut to be honest, if you're into tennis, you should probably just download the free app (iOS/Android) and see what you think.This year there's a new feature called Ask Fred that apparently uses some IBM Watson-type tech to answer your questions. The app also has the ability to look through some 360-degree cameras that have been placed on each court.

Now read about how evolution can only take us so far in sports, but embracing technology would be far more exciting...

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Wimbledon 2017: The tech behind the world's top tennis tournament - Ars Technica UK

Party Report: Hideout Festival 2017 – Deep House Amsterdam (press release) (blog)

Upon touching down at Croatias Split Airport for 2017s, seventh edition of, Hideout Festival, I truly didnt know what to expect from it, the location or the crowd.

I can admit here that, contrary to (Im sure) many out there, Im not necessarily a person drawn to the tropics, an over amount of sunshine, or beach culture in general. In fact, my previous weeks Iceland excursion was, at first, much more up my alley with its constant overcast, rain, and sub 10 degree temperatures. So, going from cold Reykjavik pretty much immediately to the sunny shores of the Adriatic seemed a bit too drastic a weather change for me, and one I wasnt sure how Id react to.

Well, to my pleasant surprise, the massive happening that is Hideout Festival turned into one of the most pleasant and comfortable festival experiences I have recently experienced, with some 20,000 fans flying in from around the world for a weeks worth of proper dance music hedonism. Aside, there were also some 150 artists on hand to man the festivities. These artists spanned the musical spectrum from Grime (Stormzy, AJ Tracey, Wiley, Kurupt FM) to Drum n Bass (DJ Hype, Shy FX, My Nu Leng) to House (Heidi, Jamie Jones, Steve Lawler) to Techno (Marco Carola, Paco Osuna, Alan Fitzpatrick), and everything in between.

To go in depth into everything that went down at Hideout would simply be an impossible feat. The event, which spanned seven proper days, included its primary hub of world renowned festival locations scattered across Zrce Beach (Papaya, Aquarius, Kalypso, Euphoria, Noa), each pseudo open air venues, featuring state of the art production elements, as well as all the frills that come with tropical clubbing (pools, bikinis, cabanas, bottles, etc). These venues programmes included all day soirees, while also occurring around the area were a host of boat parties, secret events, and scattered does for the curious and the (more importantly) awake. For example, the seminal house act Basement Jaxx were on hand for a hidden beach party, while BBC Radio 1 broadcasted live from the event on its Friday, bringing sets from the likes Danny Howard, Dusky, Skream, B.Traits and Eats Everything to their devoted fanbase. As for the boat partys, well, barring the unfortunate rain out of Wednesdays events, other boats featuring the likes of Solardo and Denis Sulta were a natural jump off (not overboard, thank godbut as a kick start to the rest of the night). Of course, however, it was our own collaboration with Detroits MK and his Area10 brand, which featured Doorlyand the man himself, setting sale on the SS Champagne (I made up the SS partnot sure if they use that nautical term in Europe, t be honest), which was a high point event for us, and for the festival. 3 hours of sold out funk, house, and soul from MK and Doorly really set the vibes right from the sea to the shoreand the crystal clear waters and picturesque sunset werent too shabby either!

Musically, and again it is difficult to be everywhere, highlights came from a variety of locations and artists. Aside from the funk of our aforementioned boat party, several appearances and sets stood out to mesome that I knew who and what was going on and some that I didnt. I can tell you for sure that the sunrise sets at each of these venues will always be a site to beholdI attended twoAlan Fitpatrick (Noa) and Heidi (Papaya). Heidi is something of a Hideout favorite, who also hosted her Jackathon Pool Party that same day, while Alan Fitzpatrick is simply a crowd favorite. Each of these artists, though different in sound, possesses a similarly dynamic stage presence, which exudes fun and energyclearly on display for the faithful who made it to the end of each respective nights musical programs.

Additional musical highlights came from the always reliable The Martinez Brothers, who took to Noa on the events Thursday alongside a heavyweight crew of Marco Carola and Amsterdams own Joey Daniel. My travel mates to the event, The Martinez Brothers once again showed their chops for selection and party starting (not to mention, maintenance), before Music Ons main man closed things down in typical dramatic fashion. Finally, I will also give a shout out to a great b2b set, which also came on Thursday, in the form of Steve Lawler b2b Darius Syrossian (Aquarius). Always having been a personal favorite, going way back to his Dark Drums days, Lawler must have surely been itching to get down given the cancelattion of his Wednesday ViVA pool party. With Do Not Sleeps Darius Syrossian, a game partner in musical crime, the two went strong into the wee hours, solo and b2boh, that night also featured some guys named Hot Since 82 and Skream(who seemed to be everywhere during the week) as well.

As you can see, the scope of this event is huge. I havent even gotten to speaking about the ridiculously colorful elrow takeover of Kalypso, by way of their famed Rowlympics concept, which went down each day & night and in typical jovial fashion. That event featured everyone from Andres Campo, Lord Leopard, Patrick Topping, Jasper James, Waze & Odyssey, and many of the artists already mentioned here.

All in all, Hideout was an extremely pleasant surprise to me. Thought the crowd veered towards the younger side of the spectrum, the alcohol was flowing like water, and inhibitions were DEFINITELY minimized, their still was a certain chaotic order to the whole thing. For one, its hedonism felt in placealmost necessary, to be honest, with nothing standing out as too out of control (all things considered, of course). Also, for an alcohol heavy, spring break type event, I was not witness to a single fight, conflict or sexual assault situation, which is a testament to the crowd, especially on the events latter hours. Though other festival locations that dot Croatias extensive coastline may feature more historical landmarks, Pag Island and Zrce Beach (as well as its surrounding township) does hold all the quirks one would come to expect from holiday, seaside locations, from pristine weather (the occasional torrential rainstorm aside) to some of the freshest seafood around, and an overall affordability that always comes welcome when traveling to Eastern Europe. It was a well organized, well run, and personable event, with many of its top brass cavorting around with fans, press, artists, and locals, all of which seemed up for it at all moments.

So, thank you to Hideout Festival and its crew for providing an event that was simply FUN. No pretention; no frowns; no fightsjust an all around good time!.

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Party Report: Hideout Festival 2017 - Deep House Amsterdam (press release) (blog)

Steve Vizard’s Vigil at Arts Centre Melbourne reveals trauma … – The Age

THEATRE VIGIL Book & Lyrics: Steve Vizard, Music: Joe Chiadamo Arts Centre Melbourne, Until July 8

Eddie Perfect lambasted the lack of support for Australian musicals on social media recently. He was right to be angry. When something as sparkling and original asVigilcomes along (nurtured to fruition by institutions like the Adelaide Cabaret Festival and The Arts Centre) you get a sense of what we're missing out on.

The talent pool underVigilruns deep indeed. It has sprung to life from Steve Vizard's witty character-based comedy, his brisk gift for lyrics and narrative and emotional intelligence; from Joe Chiadamo's melodic songs, which range through terrain as diverse as parody and heartfelt ballad; and the divine Christie Whelan, whose star quality is no secret, but who gets to spread her wings as a performer here embracing a rare chance to make the audience ache with sorrow, as well as cackle with delight.

Careening between hilarity and desolation, this intense one-woman musical compresses a gamut of conflicting emotion into one final evening between mother and daughter.

Whelan plays Liz, a wild child who rocks up to her mum's hospital ward on Christmas eve, after a long stint overseas. She plans to whip out overdue gifts, borrow some money and bugger off again, but the spectre of death intervenes.

As Liz holds vigil over her silent mother, a welter of grievance and memory, love and pain pours out of her. Trauma lurks underneath her rootless hedonism, and fortunately for us, Liz is a whiz at defensive humour giving Whelan an opportunity to showcase sharp comic impersonations, sketch comedy inFast Forwardmode, and musical hijinks, including a scream of a song (a kind of solo duet) where she embodies male and female lust at a suburban barbecue.

Under the laughter, suffering. Whelan is deeply moving when her character's guard drops, and nails Chiadamo's strongest melody, One More Breath, through three clever variations that capture the shock of unexpected grief, regret at time wasted, and resolve to seize the day.

A few weak spots exist moments where the comedy is slightly overstretched, one confessional number where I heard an uglier, more bitter song in my head than what Whelan performed butVigilremains a captivating new musical.

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With brilliant composition, writing, acting and vocals, with direction and design that augment intimacy at every point, the show makes you want to laugh and weep, sometimes both at once. A must-see for music theatre fans, and anyone who has ever lost a loved one will well up at the labile emotional odyssey it portrays.

This review was written from a preview.

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Steve Vizard's Vigil at Arts Centre Melbourne reveals trauma ... - The Age

Reporter strips naked to quiz nude swingers on their love of wife-swapping in bizarre telly segment – The Sun


The Sun
Reporter strips naked to quiz nude swingers on their love of wife-swapping in bizarre telly segment
The Sun
Standing without a thread on them, couples at the clothing-optional Hedonism II resort in Negril spoke on camera about how they got into swinging and embarrassing moments they've had. Carli asked one nude couple what they ask each other once they ...

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Reporter strips naked to quiz nude swingers on their love of wife-swapping in bizarre telly segment - The Sun

Claude Speeed is the trance-inspired ambient nomad documenting Berlin’s rave sadness – FACT

FACT Rated is our series digging into the sounds and stories of the most vital breaking artists around right now. This week, Scottish producer Claude Speeed tells John Twells how his new album Infinity Ultra emerged from the moments before and after hedonism.

IN SHORT NAME:CLAUDE SPEEED FROM:EDINBURGH MUST-HEAR: MY SKELETON (LUCKYME, 2014) FOR FANS OF:TIM HECKER, KONX-OM-PAX, LORENZO SENNI

If you were looking closely at LuckyMe post-rock band American Mens 2010 debut Cool World, youd have noticed a track named after Grand Theft Auto 2 protagonist Claude Speed. It was around this time that the bands Stuart Turner decided to adopt the moniker for himself (adding an extra e) and begin penning what would become Infinity Ultra, his second solo album.

Id been making a lot of stuff I enjoyed listening to, but would sound dumb if it had drums on it, and the drummers were really good, he explains. It felt a bit ridiculous to say to them OK theres gonna be a lot of tracks where you dont have to do anything at all. So I felt like I needed some other outlet for that kind of music.

For one reason or another, however, Turners initial solo experiments were shelved when he quit his day job as a corporate lawyer in 2012 and traveled to Asia, with his modest studio setup for company. A MacBook Air and a pair of headphones, along with a field recorder, provided the backbone of debut album My Skeleton, which acted as a kind of travelogue for Turner, documenting his trip. In contrast, Infinity Ultra is a set of tracks the producer has collecting for years.

The first track is legitimately the first Claude Speeed track. I wrote that in 2011 and havent really changed it since then, he tells me. I realized at some point that Id done all these other tracks that I was really into, but they werent consistent with each other so they wouldnt make a record. Eventually, Turner played the tracks together and had a lightbulb moment this was the album hed been trying to desperately to make. It had been right there all along. Not very conceptual, he laughs. But thats what happened.

When I make music, it tends to be fairly sad music in the end.

Instead of focusing on a specific concept, with Infinity Ultra, Turner has allowed his life experiences over the last few years seep into the music as they happened. So while the album started life in Edinburgh, much of it has been colored by his move to Berlin, where hes been based for about five years. The syrupy ambience and near-devotional qualities of My Skeleton are still present, just about, but theres a vivid dancefloor glow thats hard not to attribute to Germanys de facto capital of club culture.

I think thats something to do with the rave sadness of Berlin, Turner says, pensively. Especially when I first arrived, I went to parties really more than I should have and was out a lot, and the music I made was really sad, even though I was having a lot of fun. Hes not talking about a comedown either (when he made the move, he was straight-edge), but the absence of hedonism: a level of calm thats hard to describe as anything but sad. I was partied out, like a character in a film. And you see that a lot, and that influences the sound. Thats what Im interested in. For someone else it might express itself in terms of really dark techno, but thats not my thing, so thats not the way it comes out.

Its really not. Infinity Ultra is woozy and cinematic, especially on VHS-warped opener BCCCC, pulling in influence from trance (Ambien Rave, Fifth Fortress), noise (Super 800 NYC) and post-rock (Enter the Zone) as the album develops. It might be informed by Berlin, but Turner doesnt make dance music his tracks are vignettes, hinged on memory and melancholy. Im not a sad person, he assures me. But I feel if Im being honest when I make music, it tends to be fairly sad music in the end. And I like listening to sad music as well.

Infinity Ultra is out on July 14 via Planet Mu.

John Twells is on Twitter

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Claude Speeed is the trance-inspired ambient nomad documenting Berlin's rave sadness - FACT