Fall Guys has been a smash success, and absolutely everyone loves the silly beans and the way they swarm across ridiculous stages in pursuit of a goal. Theres just enough in each level, like cotton candy landscapes and giant, silly billboards, to ignite fans imagination about the world. And they want answers to the difficult questions. Specifically, how do these Fall Guys live, and what, exactly, do they look like?

Well, it turns out that not even the developers at Mediatronic are sure, especially in light of several recent tweets.

Senior concept artist Tudor Morris provided a sketch on Twitter, which suggests that every single Fall Guy is stuffed with a giant, spooky skeleton. I dont like this very much! Morris wrote the following explanation on his Instagram, which may either soothe or further unsettle players.

You have have options for how you interpret this, but I refuse to comment to elaborate:

1) This was a lunchtime sketch that has no meaning and was done as a joke

2) This is a canonical representation of whats inside a fall guy, we knew from the start that they werent as marketable like this so we gave them nice little cuddly suits.

The important thing to bear in mind is that, whatever the interpretation you take away, they are very happy little beans.

Well! Its good to know that these beans are happy, because it simply wouldnt do if they were miserable while they chased eggs and jumped on brightly colored hexagons. Meanwhile, principal concept artist Ash Kerins has a much sunnier view on the anatomy of each little bean, which also showed up on Twitter.

The developers arent the only one who have speculated about the origin and creation of the Fall Guys. Fan artists online are also up to the task, coming up with many ways that these beans are assembled and prepared for a life of eternal platforming combat. What if theyre not born... but created?

Another Tweet suggests that the Fall Guys could be like towering mechas, ready for combat.

Even the games publisher, Devolver Digital, got in on the wild speculation train by quote-tweeting a piece of art back in August. Devolver quote tweeted a gif of the Fall Guys being ground into the goo that shows up on maps like Slime Climb.

This is canon, they wrote, with an air of finality that they have not earned. Please respect our decision.

We may never know the truth behind these mysterious beans or why theyre so hungry for crowns. Even Mediatronic and Devolver seem to disagree with several key points of this games mythos. Perhaps the upcoming season 2 will answer some questions, but it might just increase the mystery.

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Not even Fall Guys devs can agree on the anatomy of the titular beans - Polygon

If there's one thing Netflix is good at (er, they're good at lots of things actually), it's adapting best selling books in TV shows. They did it with Mindhunter; they did it with You, and now they're doing it with Anatomy Of A Scandal.

The book by Sarah Vaughan, which came out in January 2018, tells the story of a high profile couple, whose marriage begins to unravel when he's accused of a heinous crime. Barrister Kate is prosecuting the case, and is not only convinced James is guilty, but also determined he'll go down. It's SUCH a good thriller. Here's everything you need to know about the Netflix adaptation, from release date to cast:

In September 2020, Deadline first announced an adaptation was in the works. Their report revealed Big Little Lies creator David E. Kelley and former House Of Cards showrunner Melissa James Gibson were collaborating to create the series, which will be directed by S.J. Clarkson of Succession and Jessica Jones fame.

The series will be six episodes, each lasting one hour.

Anatomy of a Scandal

6.55

Now this is mainly why we're so excited. The cast is STELLAR.

Sienna Miller will play Sophie, the Oxford graduate and mother of two who has her seemingly perfect life turned upside down by the scandal surrounding her husband, James.

Rupert Friend from Homeland and The Boy In The Striped Pyjamas will play James, the handsome, privileged and charismatic man, who works as a Westminster politician.

As for 'steely' Kate? Downtown Abbey's Lady Mary Crawley aka Michelle Dockery will take on the role of the barrister, who is experienced in sexual assault cases and sees this as the career move of a lifetime.

Getty Images

Hard to know. Filming in London hasn't yet begun, given the filming restrictions caused by coronavirus lockdown, so we could have a while to wait. But worth it!

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Anatomy Of A Scandal is being adapted into a Netflix TV show - Cosmopolitan UK

What will be the economic architecture of the world after the Covid-19 crisis? This question involves understanding the major trends at work for twenty years now.

The world that will emerge from this crisis will be marked by these major trends, which, for some, will be reinforced by this crisis. However, this crisis has created too specific disruptions, in particular in the field of transport and energy. It has also provoked an awareness of the centrality of sovereignty, and in particular of economic sovereignty. Finally, the economic and monetary policies that have been put in place to combat the economic effects of the epidemic and of containment will have long-term consequences on international financial balances.

An acceleration of the change of the world?

Since 2000, we have witnessed the rise of an Asian bloc to the detriment of what we might call the Western bloc, that is to say the United States, the European Union and the United States. Japan. This Asian bloc is heterogeneous, as is the Western bloc. In each of these bloc politics is the main factor of homogeneity. But, these blocs also correspond to an economic reality: that of the countries of old industrialization against the countries, which it is better to call new industrialization than emerging ones.

Graph 1

Source: IMF, World Economic Outlook database

During his long tenure as Prime Minister of Japan, Abe managed to formulate his own foreign policy strategy and take measures to implement it. In addition, the Abe administration was characterised by an unprecedented concentration of power in the hands of the prime minister, his advisers and the administration. The high stability of power and great foreign policy activity made Abe one of the most recognisable and respected politicians in the international arena.

In 2000, the China-India-Russia combined represented only 15% of world GDP, while the United States, the European Union and Japan combined weighed more than 47%, or three times as much. In 2020, the two blocks are tied at around 31.5%. If we take into account the immediate effects of the Covid-19 crisis, this movement is even expected to grow. The IMF has made forecasts which indicate that China and emerging countries should recover much faster from the shock of this crisis than the so-called "advanced" countries, ie countries of former industrialization. The world should see the shift to Asia amplify in the coming years.

Graph 2

Source: IMF staff estimates

The death of oil has been greatly exaggerated (bcc, Mark Twain)

The Covid-19 pandemic has had a profound influence on the energy market and on oil production. The persistence of the pandemic means that air transport, among other things, will not return to its 2019 level before, no doubt, 2024. This implies a weak demand for kerosene as estimated by the International Energy Agency Forecasts of global oil demand and post-crisis economic growth are determined by different assumptions. In the optimistic scenario, there is a rapid economic recovery in a more or less flattened "V" shape in the first half of 2021, but the demand for oil does not fully return to the pre-pandemic trend. In the more pessimistic scenario, oil demand will not reach 2019 levels until 2023, and its growth will remain well below the pre-pandemic trend. The current evolution of the pandemic suggests that we are closer to this pessimistic scenario. These two scenarios also assume that zero-emission vehicles will represent 60% of new vehicle sales by 2040, because investments are high in these technologies. Therefore, they both forecast a slowdown in demand for oil to peak in the mid-2030s at around 105-108 Mb/d. What will be the consequence?

In the medium term, OPEC will have to manage the probable return of part of the 5.7 Mb / d of unused production in OPEC countries (Venezuela, Iran and Libya) and non-OPEC countries (Syria and Yemen). ). OPEC will also have to deal with the resumption of US hydrocarbon production (particularly shale oil), a recovery that may be slow due to falling investment, as demand and the price of oil rise. US production of hydrocarbons has fallen by more than 2 billion barrels / days, due to the closure of existing wells, reduced storage capacity and reduced demand.

The impact of Covid-19 on oil demand will therefore be profound, particularly in the event of a deep and long recession associated with a protracted pandemic. Without aggressive intervention by OPEC, the average crude oil price could thus remain below $ 50 / barrel until mid-2022. During the second half of this decade, supply and demand are expected to move closely towards equilibrium as non-OPEC production, especially from Russia, begins to decline and US hydrocarbon production reaches a low. tray. The price of oil is expected to rise to around $ 80-90 / barrel (optimistic scenario) or $ 70-80 / barrel (pessimistic scenario), even without OPEC intervention.

As we can see, however, despite all voluntarist proclamations one can hear here and there, oil will remain a major source of energy for at least the next thirty years.

The return of economic sovereignty

A more direct change brought about by the Covid-19 pandemic is the realization of the importance of economic sovereignty. Of course, a number of countries, China, Russia, but also the United States and India, were acutely aware of the importance of this sovereignty. The European Union, for its part, had adopted a very negligent attitude on this subject. The strong disruption of international trade caused by the pandemic caused a real shock on this point. Of course, there is no question of returning to more or less self-sufficient economies. But, the economic, social, and even strategic damage caused by free trade policies are globally more taken into account today.

This will accelerate the return of nations and the crisis of multilateralism that we could already observe. The economy is once again becoming a breeding ground for strategy. Through the policy of economic sanctions, which the United States has used and abused since well before the election of Donald Trump, we are witnessing an acceleration of the fragmentation of the world economic space. American pressure on Huawei, or on the Chinese social network "TikTok" is an example. De-globalization had passed from the stage of possibility to that of concrete fact; with the effects of the pandemic it will pass from that of fact to that of major fact.

This return to economic sovereignty induces the great revenge of politics over "technology", the triumph of decisions over the automaticity of standards. However, " technology" is embodied today mainly in economics and finance. The pandemic heralds the return of sovereignty, and being sovereign is above all having the ability to decide. The countries will then be referred to logic of bilateral relations, or even to regional logic. It will then be necessary to seek allies.

The questioning of the "global" character of the companies linked to the INTERNET, the desire of several countries to build their "digital sovereignty" is an example of the struggle that is looming for economic sovereignty. This resurgence of politics does not mean that, in our societies, certain spaces are not governed by the technical order, and that there are spaces dominated by technical legitimacy. But, these dimensions will now become second in relation to the political, which will recover its rights.

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Long Trends and Disruption: The Anatomy of the 'Post World' of the Covid-19 Crisis - Valdai Discussion Club

Training Grounds

Melendez was born and raised in Tampa, Florida, where she danced from age 4 at a small recreational studio. "I did everything from ballet to contemporary, jazz to acro," says Melendez. At 8, she switched to All American Dance Factory and Classical Ballet School, studying and competing in the standard comp-kid fare of jazz, acro, contemporary and hip hop. Yet Melendez found herself drawn to ballet's clear structure. "My first ballet competition was Youth America Grand Prix in 2011," she remembers. "I did it on flat because that was my first year on pointe." Before long, she became a regular in the top five at ADC|IBC, World Ballet Competition, YAGP and New York City Dance Alliance.

Melendez says there wasn't any one lightbulb moment that made her realize ballet was her dream. But that doesn't mean the ballet world wasn't taking notice of her. In 2015, the Ballet West Academy had already offered 15-year-old Tatiana admission to their year-round program when she was spotted at ADC|IBC by Houston Ballet II's ballet master Claudio Muoz, who was judging. "My eyes went right to Tatiana, because her jumps and turns had phenomenal energy," Muoz recalls. That "raw, incredible talent" netted Melendez a full scholarship to the Professional Program at Houston Ballet Academy. After taking time to consider Houston Ballet's rep (contemporary-leaning), her connection with Muoz (strong and encouraging), and friends' testimonials about the year-round program (glowing), Melendez moved into student housing.

In Houston, Melendez saw no shortage of stage time. She was cast in The Nutcracker and Stanton Welch's Cinderella, on top of all her academy performances. She was also one of a few academy dancers picked by company member Oliver Halkowich for his contemporary piece Full Circle.

Between shows, she worked hard. "At my competition studio, we never had pas de deux or full pointe classes," Melendez says. "The grueling academy schedule really polished my technique." Muoz says that in just two years Melendez transformed her own dancing: "Tatiana is the most incredible hard worker I ever saw. She became a beautiful swan, with a classical heart and contemporary soul."

Going Pro, With Cons

After graduation, Melendez headed to Fort Worth, where she'd landed a trainee contract with Texas Ballet Theater. It was a tough transition. "I went from training all day every day, to one morning class followed by standing on the side during hours of rehearsal," she says. Melendez's gifts were far from ignored, though. As a trainee, she danced in the corps of productions like Swan Lake and Beauty and the Beast, was one of six lead women in Ben Stevenson's world premiere Martinu Pieces, and led multiple performances of The Nutcracker as Clara.

At the end of the season, however, Melendez's worst nightmare came true. Her contract was not renewed because, at 5' 1", she was considered too short for the company. "My height had always been an insecurity," Melendez says. "Once, at a ballet competition, someone told me as I came offstage that I would never make it because I'm 'not built for dance.' "

From left: Candy Tong, Melendez and Eriko Sugimura in Dwight Rhoden's Love Rocks

Justin Chao, Courtesy Complexions Contemporary ballet

Disappointed, Melendez threw herself into auditioning for classically based companiesonly to be told over and over that, while her technique was great, her size was a nonstarter. "Being told 'no' so many times was really discouraging, because my height is something I can't change," she says. Melendez had even started talking herself into taking a year off from dance when she decided at the last minute to attend Complexions' open call in New York City. "Complexions was always a dream in the back of my head, but I never thought it'd be attainableit wasn't even on my list of places to audition," she remembers.

Taking Flight

Thus began what Melendez calls the hardest, happiest two days of her life. More than 400 dancers showed up to the Complexions' open call in April 2018, but after technique classes and "the fastest I've had to learn choreography, ever," Melendez made it all the way through the final cut. By the end of the two nonstop days, she felt sure that Rhoden's daring, athletic contemporary movement was her true callingbut still assumed she wouldn't get the job.

She needn't have worried. As Desmond Richardson, Complexions' co-founder and co-artistic director says, "Tatiana clearly made her presence known from the moment she walked through the door. I remember Dwight and I saying, 'Wow, she's really something.' Her professionalism, her innate sense of musicality and the sheer force of her were quite nostalgic to me." Rhoden adds, "What made Tatiana stand out was her fearlessness. She applied corrections, dynamics and ideas immediately in the audition. She knows how to cross the t's and dot the i's."

Simon Plant and Melendez performing Dwight Rhoden's WOKE

Stephen Pisano, Courtesy Complexions Contemporary Ballet

Melendez says that joining Complexions was a complete 180, in the best way possible. Because the company is made up of just 17 dancers, she and other new members were immediately thrown into learning repertoire, performing across the country and internationally, and collaborating with Rhoden in the studio. "Working with Dwight one-on-one is incredible," she says. "Performing choreography actually made on you, using your strengths, is so satisfying. Especially in this work called WOKE that's about issues of social justice, I've really had to dig deep and bring a different dancer out from within myself."

Though she's occasionally felt homesick for the classics, Melendez believes that dancing with Complexions allows her to dance as the fully mature version of herself. "As much as Clara was a fun role, and as much as I love watching classical ballet, I don't want to always be typecast as a little girl," she explains.

After a season and a half of whirlwind touring (so far to New Zealand, Europe and throughout the U.S.) and intense creative process, Melendez's newfound routine with Complexions has sadly been put on pause in the age of the coronavirus. At home in Tampa with family, she has used the hiatus to pursue her other creative passions of drawing and photography, and to teach Complexions rep as part of the company's virtual offerings. Melendez is looking forward to getting back to work with Complexions, and to continued guest appearances with classical companies, like Italy's Roma City Ballet. "Growing up, I thought I had to focus on ju
st ballet or just contemporary if I wanted to be good," she says. "Now I see that having kept my feet in both worlds will help me dance as many roles as I can for as many choreographers as I can to the fullest capacity I canwhich is all I've ever wanted to do." We'd like to see someone try to stop her.

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The Anatomy of Arabesque: Why Placement and Turnout Are Key to Achieving This Crucial Position - pointemagazine.com

Every single Greys Anatomy episode shares its name with a song titleeven 1-800-799-7233, the episode named after the National Domestic Violence Hotline.

So with that in mind, weve combed the current Billboard Hot 100 for pop hits that could be the namesakes for Season 17 episodes, and weve even dreamt up loglines for these imagined episodes. (Dont worrywere not going anywhere near WAP.)

In the (imagined) series premiere, Grey Sloan is overloaded by coronavirus patients and victims of one of the many wildfires impacting the Pacific Northwest.

Owen (Kevin McKidd) and Teddy (Kim Raver) finally have it out over her pre-wedding hookup with Koracick (Greg Germann), and in so doing, they reopen old wounds from their years of romantic strife.

Richard (James Pickens Jr.) and Catherine (Debbie Allen) are exposed to COVID-19 at one of his physical therapy sessions, and as they quarantine together for two weeks, they reach a verdict about their relationship.

Jessica Brooks/ABC

When they scrub in on a marathon operation, Meredith (Ellen Pompeo) helps Jo (Camilla Luddington) process Alexs abrupt departure, sharing from personal experience that there is love after The One.

Link (Chris Carmack) realizes hes out of his depth with a complicated orthopedic case, so sends Catherines private jet to NYC to pick up Grey Sloans original ortho god: one Calliope Iphegenia Torres (Sara Ramirez).

This years batch of Catherine Fox Award nominees include multiple Grey Sloan docs as well as Arizona Robbins (Jessica Capshaw) and Nicole Herman (Geena Davis).

Sparks flyliterally and figurativelywhen Schmitt (Jake Borelli) tags along on an all-night rescue mention with strapping Station 19 firefighter Travis Montgomery (Jay Hayden).

Kelsey McNeal/ABC

Maggie (Kelly McCreary) and Hayes (Richard Flood) embark on a rare heterotopic heart transplant on a toddler, piggybacking a donor heart onto their young patients original heart.

Meredith, preoccupied with the prospect of developing Alzheimers like her mother did, teams up with Amelia (Caterina Scorsone) to test an experimental preventative treatment involving flickering light.

A cabin depressurization aboard a jetliner sends scores of passengers with ruptured eardrums to Grey Sloan. (Sorry! We had to!)

Greys Anatomy, Season 17 Premiere, Thursday, November 12, 9/8c, ABC

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10 Pop Hits That Could Be 'Grey's Anatomy' Episode Titles - TV Insider

Pot stills are special vessels they possess this ability (superpower, really) to transform this slightly acidic, alcoholic, carbonated liquid into a more refined, grown-up version of itself. To some, theyre just a shiny pot with a funny looking arm, used to produce higher-proof alcohol; while not untrue, pot stills can be quite diverse. Coming in a range of heights, widths, shapes, and materials from round to square, squat to tall, and copper to clay each still can have its own character. Some might even have unique damage or dents that the distiller believes is the secret sauce.

Many of these characteristics can impact the process or the flavor profile of the spirit. Either way, the still is the heart and soul of the distillery and their uniqueness should be celebrated. However, there are some components that are essential to operation, which can be categorized as: safety, practical features and heating, reflux and flavor development, and condensing and collection. Certainly, there can be variations within each category, and this is what makes distillation such an exciting venture.

Although, there is one area where minimal variation should exist safety.

Distillation is an inherently dangerous process. Heating a solution to remove and concentrate alcohol by vaporization creates a risk for fires and explosions. Therefore, equipment must be designed and operated by trained professionals to prevent such events from occurring. Additionally, the distillery must have standard operating procedures (SOPs) to ensure correct and safe operation of the equipment.

Outside of fire suppression systems, SOPs, and facility layout, still design should incorporate a few key elements to minimize the risk of explosion or collapse. Pressure relief valves (PRVs) are spring-loaded safety valves that are designed to vent excess pressure to atmosphere when its setpoint is exceeded. However, one must also consider the flammable vapors inside the still and what might happen when they are released. Anti-collapse valves (ACVs) are installed to prevent still collapse due to the formation of a vacuum.

While the activation of the ACV possesses less risk to the operation or distillers safety, it does signal the occurrence of an event that could cause damage to the still. These valves are critical in minimizing the risks of explosion, damage to equipment and property, and injury of personnel. Although, safety doesnt stop here and should be woven into every aspect of still design and operation.

Aside from charging and discharging lines, manways are another essential element; this is a medium-sized opening with a sealed door that allows for cleaning, inspection, and maintenance activities. While it sounds like an entrance, stills are not designed to have people inside and only trained professionals under strict supervision should enter them. When done inappropriately, entering the still can pose serious safety risks and violate safety regulations.

Sight glasses provide a window into the soul of the wash still, which gives the distiller valuable information about what is happening inside. For example, during this initial distillation, foaming can occur inside the still due to the still charge containing a lot of particulate (yeast and/or grain) and dissolved carbon dioxide; the sight glass gives the distiller visibility to prevent flare-ups.

Excessive foaming can lead to entrainment (aka puking) of solids or liquid in the passing vapor and into the spirit, negatively impacting quality. When observed, the distiller can mitigate entrainment by reducing the heat input.

Still heating methods have evolved as the industry has matured and two major types are in use: direct and indirect. Direct-fire is a more traditional practice, where more archaic fuels include the use of wood or coal. While direct-fire stills are still in use, most have been upgraded to more efficient gas burners or electrical elements.

Indirect-fire utilizes steam as the heating medium, typically delivered by coils and/or pans within the pot. Steam is generally preferred due to enhanced safety, improved consistency, and increased operational efficiency.

Although direct-fire has advantages, such as the creation of unique flavor profiles; this is due to the localization of heat and its intimate interaction with components within the wash or beer. In fact, some distilleries have attempted to switch to steam but quickly reverted back due to a shift in flavor profile.

While important, the heating method employed only plays a smaller role in flavor development, especially when compared with elements impacting reflux and rectification level.

During distillation, reflux is essentially a purification step (aka rectification) where liquid is vaporized and condenses back into itself. Rectification is closely tied to the volatility of the components of the matrix. Compounds with lower volatility (water) will readily participate in reflux, therefore enriching compounds with higher volatility (ethanol) in the spirit-stream. In general, this creates a lighter flavor profile with higher alcohol content.

In batch distillation, there are several design elements that can impact the level of reflux, such as: the shoulders, neck, lyne arm, and the pot itself.

Inherently pot design is critical for practical reasons; but, standing out in importance from a rectification standpoint are the pots fill level and construction materials. Fill level impacts the amount of surface area that can participate in heat exchange with the environment; higher fill levels decrease the heat transfer surface area. Heat transfer is also impacted by construction materials; copper is commonplace due to its excellent heat transfer properties. This exchange helps facilitate reflux on the walls of the pot, neck, and shoulders of the still.

Thus, the shape, curvature, width, and height can all have an impact. Above the pot and shoulders is a frustoconical section called the neck. Common designs include plain, ball, lantern, and tray-inserts (in order of rectification). Pot stills with trays within their necks are referred to as hybrid stills, or batch rectifiers, as trays are key design elements of continuous distillation.

Connecting the neck to the condenser is the lyne arm. While the lyne arms primary function is directing vapors to the condenser, it also provides an opportunity for condensation or reflux. Depending on the angle of the lyne arm connection (aka swan neck), there can be an impact on the flavor profile with obtuse angles providing more reflux and acute angles providing the least.

Other rectification design elements exist, such as dephlegmators and purifiers. While not always essential, they provide another opportunity to create a unique spirit. Commonly, these devices use cooling water to condense the passing vapors. Dephlegmators are located in the neck of a hybrid still and the condensed liquid naturally refluxes down. Installed in a downward-sloped lyne arm, purifiers require additional piping to route the condensed liquid back to the pot.

While these partial condensers can be optional, complete condensation of the vapor is requisite in making the final spirit.

Condensation of vapor into liquid (distillate) is usually performed by one of two condenser types: shell and tube or worm and tub. Before the advent of the modern shell and tube condenser, worm and tubs were state-of-the-art. All vapor is routed through a coiled pipe (normally copper) in a tub of cooling water and the condensed vapor is collected.

While not as efficient as their modern-day equivalent, they do have some advantages by providing potentially richer and stronger flavor profiles (i.e. meatiness). Shell and tube condensers are made of tubes within a metal cylinder (shell) filled with water; vapor enters the tubes and condenses on the water-cooled surface. Once condensed, the distiller embarks on the most critical steps of the batch distillation: cuts and collection.

Collection generally occurs through an
intermediary glass box en route to collection vessel(s), called the spirit safe. This is the first opportunity the distiller has to assess and analyze the newly condensed distillate, typically by measuring alcohol with a hydrometer in the spirit safe. With this information, the distiller can determine when to divert to heads, hearts, or tails collection or to terminate distillation altogether.

Samples may also be taken for external assessments, such as appraisal of aromatic properties. Sensory and alcohol level are often used to determine cut points, although it could also be time-based. As with most elements of still design, variation exists; regardless, some version of a spirit safe is integral as the cutting process plays a vital role in final distillate quality.

Pot still to pot still, a Sherry Butt-load of variations can exist. While not entirely responsible for the amount of diversity within the whisk(e)y space or other distilled spirits categories, these differences can play a significant part. Personally, its exciting as a distiller and consumer to reflect on and appreciate this.

Even though some anatomical elements are essential, such as safety features, heat, and the pot itself, still design can be quite dynamic. From frustoconical configurations to dephlegmator, the distiller has many options to contemplate as the still will inevitably become the distillerys heart and soul (dents optional).

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Still Anatomy 101: Exploring The Anatomical Depths Of Batch Distillation - The Whiskey Wash

The Scarlet Witch has gone through a litany of changes throughout both her comic book and MCU career that showcase how unique and boundless she is.

Elizabeth Olsen's portrayalof Wanda Maximoff in the Marvel Cinematic Universe has seen Scarlet Witch's popularity skyrocket. Like other heroes in the Marvel Universe, she has particularly unique skills and anatomy, all of which have factored into her progression as a character.

Scarlet Witch was created by Stan Lee and Jack Kirby and first appeared in 1964'sX-Men #4. Wanda has always been an incredibly complex character full of rich storylines that delve deep into her personal relationships with her twin brother,husband and children, buther notable appearances in Avengers:Infinity War and Endgame didn't have nearly enough time to do anything but paraphrase her odd family bonds.

However, her MCU appearances did showcase Wanda's supreme ability and outright power on a battlefield. Still, her scenes didn't scratch the surface of her real power. Scarlet Witch has gone through a litany of changes throughout both her comic book and MCU career that showcase how unique and boundless this protagonist truly is.

RELATED: Captain America: Sharon Carter Realizes What Her Greatest Strength Is

Wanda and her twin brother Pietroare commonly referred to asmutants, but their powers and abilities have a much more complicated origin. Their powers come from the demon Chthon and were manipulated by the High Evolutionary.

The High Evolutionary played an instrumental role in Wanda's path to becoming the Scarlet Witch. High Evolutionary's claim to fame is the serum that allows him to manipulate and unlock the human genetic code. He decided to build a futuristic citadel in Transia on the Wundagore Mountain to conduct his experiments. While he was trying to cure his lycanthropy with dark magic, he summoned an ancient demon known as Chthon.

Herbery banished the demon but he found traces of its power remaining in a pair of twin infants that were born on themountain --Wanda and Pietro.The High Evolutionary experimented on the twins. Their Chthon influence offered him a window into its world and he wanted to tap into its raw power. However, his experiments were unsuccessful and he left the children with a Romanicouple who had lost their own children.

Related:SWORD: Marvel Ties X of Swords to Empyre with a New Series

Wanda eventually fell in love with Vision in the seminal storyVision and the Scarlet Witch by Bill Mantlo, Rick Leonardi, Ian Akin, Brian Garvey, George Roussos and Janice Chiang. Billy and Tommy are referred to as Vision and Scarlet Witch's children, but theywere in no way conceived in a conventional way.

Tommy and Billy are missing shards of a demon brought to life with Wanda's magic. At one point, the children are reabsorbed by the demon they come from, but are reincarnated into their current forms of Wiccan and Speed. Wiccan shares his mother's powers, while Speed has identical powers to his uncle Quicksilver.

Wanda unleashed the full of extent of her chaos magic and it created a reality-altering event known as the House of M, byBrian Michael Bendis, Olivier Coipel, Tim Townsend, and Frank D'Armata.Wanda has a mental breakdown and uses her massive power to change reality so she can get her children back.

This alternate reality sees Magneto and the mutants rise to take control of the world. The X-Men and Avengers join forces to reverse the reality-altering Chaos magic. These events were incredibly impactful and led directly into the Secret Wars events.

RELATED: Thanos vs. Scarlet Witch: Who Would Win?

Chthon actually came back and possessed Wanda a couple of times. The most recent possession happened during Secret Empire,by Nick Spencer, Rod Reis, Joshua Cassara, Leinil Francis Yu, Gerry Alanguilan, Rachelle Rosenberg, Sunny Gho and Travis Lanham. Hydra uses Chthon to possess Wanda and turn her against the Avengers. It's actually Wanda's former fianc, Doctor Doom, who frees her from Chthon's grip so she canrejoin the Avengers.

Wanda Maximoff's MCU origin shares important similarities to her comic book beginnings, but it hasone major difference. Both versions of Wanda's character were heavily influenced and involved in the political turmoil sweeping her country. After her parents were killed by Stark weapons, she and her twin brother swore to get their revenge, which eventually led to her involvement with the Avengers.

However, Wanda's powers in the MCU weren't created by a demon's magic but an Infinity Stone:The Space Stonem,aka the Tesseract. Wanda and her brother signed up for radical experimentation to end the war in her country of Sokovia. These experiments led to the birth of their extreme powers. While Pietro doesn't make it out of Avengers: Age of Ultron,the Scarlet Witch becomes a staple member of the franchise.

KEEP READING: WandaVision: Reality Comes Apart in Disney+ Series' First Trailer

Punchline's One-Shot Gets a Variant Cover Featuring the Villain's Mug Shot

Jonathan Olsen-Koziol has been training for this his entire life. Since he was a young child he's been consuming and studying comic books, movies, video games, heroes, villains, story arcs, and pop-culture. Now he gets to relay a lifetime of passion and knowledge to the people! If his writings find you; hopefully you leave entertained. Jon graduated from Central Washington University with a Bachelor's in journalism and concurrently works as a head editor and digital content specialist for RespectMyRegion.com.

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For two of India's premier business groups, September 22 marked the beginning of a bitter end to an association that had begun 70 years ago.

After four years of rough litigations, Shapoorji Pallonji (SP) Group on September 22nd said it would be exiting Tata Sons as minority shareholder. This is likely to bring the curtains down on the decades-long partnership between the two Parsi business families that had soured since the ousting of Cyrus Mistry in 2016.

The time between Mistry's entry and exit was marred with rifts, charges and legal battles, turning Ratan Tata's legacy-building decision of handing the reins to an outsider (a non-Tata) into an eventual courtroom nightmare for both the parties involved. Heres a summarised timeline of how the Tata-Mistry relationship came to this pass, from a starry-eyed start to a disgruntled finish.Chairman-in-lawIn 2011, many were left witless when a 43-year old Cyrus Mistry who at the time was primarily known for heading SP Group was announced as Ratan Tatas successor and the sixth chairman of one of the nations largest businesses.

It was well known that SP Group and Tata Groups relationship existed outside of business too. During the long-drawn search for Tata's successor, there were expectations of Tatas half-brother Noel Tata who is married to Aloo Mistry, daughter of Pallonji Mistry taking the reins, doing the rounds till before the day of the announcement.

Cyrus Mistry had joined the Tata board in 2006 after taking his fathers vacated seat, and during his time there had impressed Ratan Tata with his "quality of work, astute observations and humility". Many business insiders recounted the resemblance that Mistry had with Tata, pointing at similar temperaments and hobbies.

Paradise lostThe Tata Group had pushed hard for the youth to pave the way forward in leading positions during hiring and promotions in those years. "Be your own man" is what Tata advised the fledgling chairman while passing the baton. And that Mistry did.

The ultimate blow which immediately preceded the unceremonious ouster and which many see as a direct factor behind Tata's ire was Mistrys June 2016 clearance for Tata Powers $1.4 billion acquisition of Welspuns solar farms without seeking the approval of Tata or other key shareholders.

"Tata Power is a cash guzzler but generates very little profit. Yet, when its embarking on its biggest buyout, a principal shareholder is kept in the dark. Thats unprecedented in Bombay House (Tata Group headquarters)," said an old-time group insider.

But for some, Mistry was somewhat inept for the role from the very start. They perceived him as precocious and wayward to the group's core values. There was a clear disconnect between how Mistry and Tata operated with regard to the old cadres ethos and vision. Some even complained that letters questioning future plans sent to Mistry only got lukewarm responses, adding to a growing schism between the Tata Sons chairman and Tata Trusts.

Mistrys decision to dispose of some Indian Hotels overseas properties, bundled with the move to shut UK steel operations, did not sit well with the latter. Tata Trusts believed that Mistry did not take shareholders and the groups global ecosystem into account. "Tata was unhappy with the decision to shut down or sell the groups steel business in Europe," said a person close to Tata. "He wanted the group to turn around the loss-making business rather than sell it."

Other areas of discontent included legal battles with NTT Docomo, the collapse in negotiations with Vodafone, and the sacking of Indian Hotels MD Raymond Bickson. In a few cases, things got so out of hand that Tata himself would have to get involved to mediate. Furthermore, some began questioning the Chairmans eye for talent. "The people he hired are not inspirational leaders, just individuals," said a former Tata Motors executive.

Coup d'tatAlthough Mistry's ouster came as a bombshell announcement, for insiders the decision was a long time coming.

According to sources, Mistry was not consulted regarding the appointments and was even offered an opportunity to resign beforehand, which he refused. The growing frustrations within the Tata Group were sure to end in confrontation, said Tata group insiders.

A day before the infamous Tata Sons board meet, a message was conveyed to Mistry from Tata Trusts Chairman Ratan Tata regarding what might be discussed in the meeting. On October 24th 2016, Tata Sons board announced the ousting of Mistry as Chairman, and Ratan Tata was named interim Chairman of the group. By February next year, Mistry was removed from the boards of all Tata Group firms.

Hell hath no fury, like a Chairman scornedAfter the ousting, Mistry accused the boards trustees of 'shadow control', alleging legacy issues in the group. Tata, on the other hand, justified the decision citing performance issues.

The days that followed saw accusations and counter-accusations intensify. Mistry denied the allegation outright that the board had not been consulted regarding Welspun Power acquisition.

Regardless, in early 2017, N Chandrashekaran at the time TCS chairman was named Tata Sons Chairman.

In December 2016, two Mistry family-backed investment firms Cyrus Investments and Sterling Investments moved the NCLT Mumbai alleging mismanagement and oppression of minority stakeholders by Tata Sons, further challenging Mistrys removal by the company's board. At this point, Tata Sons served Mistry a legal notice alleging breach of confidentiality.

The Mistry family filed a contempt plea alleging that Cyrus removal was in violation of the courts order under which the involved parties were not to initiate any actions against one another while the matter was under consideration. This ignited a back-and-forth court brawl spanning three years or so.

In March 2017, NCLT set the plea aside over maintainability issues, as the two investment firms didnt meet the criterion of 10 per cent ownership in Tata Sons under the Companies Act. The Mistry family owns 18.4 per cent in the company, but the holding is below 3 per cent when excluding preferential shares. NLCT also rejected the firms plea seeking waiver.

Objection!After a joust with NCLT that didn't go in their favour, the Mistry-backed firms moved the NCLAT, challenging NCLTs order and the rejection of their waiver plea. During this period, a proposal to turn Tata Sons into a private company was passed by its shareholders in August 2017. NCLAT allowed pleas by the two firms seeking waiver, but dismissed Mistry's other petition on maintainability.

In July 2018, NCLT Mumbai also dismissed the pleas challenging Mistrys removal and allegations of misconduct on Ratan Tata, saying it found no merit in these allegations on Tata group firms. Unfazed, the two firms approached the NCLAT against this order too.

A month later, Mistry approached the NCLAT in his personal capacity. NCLAT finally admitted the petition, and decided to hear it along with the main petitions filed by the two Mistry-backed firms. In May of 2019, the NCLAT reserved its order after completing the hearing and in December 2019, Mistry was restored as executive chairman of Tata Sons.

However, the NCLAT suspended implementation for four months to give time for the Tatas to file an appeal. And so they did, challenging NCLATs order in the Supreme Court, which stayed the order. Mistry claimed he did not seek to return as Tata Sons Chairman, but rather was protecting the Mistry familys rights as a minority shareholder.

In July this year, Tata Sons said in a filing that financial performance and the companys brand diminished under Mistrys leadership. Mistry-backed firms pointed at Tata Sons turning into a private company amid the NCLAT hearing in their affidavit to the SC, which Cyrus had earlier claimed was gone under nefarious circumstances.

New normal"The current situation has forced the Mistry family to sit back and reflect on the past, present and possible future for all stakeh
olders. The past oppressive actions, and the latest vindictive move by Tata Sons that impact the livelihoods of the wider SP Group community leads to the inexplicable conclusion that the mutual co-existence of both groups at Tata Sons would be infeasible," the SP Group said in a statement on September 22.

The SP Group has now made public its plan to sell its Tata stakes in order to raise capital. Tata Sons will now need to buy out the 18.37 per cent stake, which is valued at around $20 billion, bringing a possible end to the court battles and the 70-year long corporate partnership.

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Six degrees of separation: From starry-eyed start to messy finish, the anatomy of Tata-Mistry divorce - Economic Times