Ransomware Gangs Have Become the High-Seas Pirates of the Internet – On the Wire (blog)

SAN FRANCISCOAs bad as the ransomware problem is right nowand its plenty badwere likely only at the beginning of what could become a crisis, experts say.

Lots of people are being infected and lots of people are paying. The bottom line its its getting worse and its going to continue to do so, Jeremiah Grossman, chief of security strategy at SentinelOne, said during a talk on the ransomware epidemic at the RSA Conference here Monday.

Seven-figure ransoms have already been paid. When youre out of business, youll pay whatever you have to in order to stay in business. Youre dealing with an active, sentient adversary.

Ransomware gangs have sprung up all over the world within the last couple of years, and many of them have found success quite quickly. The barriers to entry for a ransomware attacker are incredibly low and once he has the infrastructure set up, an attacker can scale his operation almost infinitely. The only real limiting factor to financial success for these attackers is the number of users they can trick into infecting themselves. And that has not proven to be a real obstacle.

Podcast: Jeremiah Grossman on Ransomware

Grossman, who has been studying the economics of the ransomware problem, compared the model to that of maritime pirates who have tiered organizations with division of labor and financial backers who help them launder the profits when theyre successful.

The closest parallel Ive found is high-seas piracy, he said. They need intelligence on targets and a trusted financial system to launder the money. Ransomware is much less risky and it requires much less equipment and upfront costs. You dont have the risk of getting shot and you can do it from anywhere in the world. And attribution is incredibly difficult.

The ransomware market seems to be headed in the same direction as real-world kidnapping, where high-profile targets take out insurance policies to pay ransoms. Grossman said it probably wont be long before the insurance companies latch onto the ransomware game, too.

The insurance companies are going to see a large profit potential in this. Kidnapping and ransom insurance is still very boutique. This economic model will probably apply equally well to ransomware, he said.

And, as in physical abductions, the bad guys have all of the leverage.

Time is on the adversarys side. Theyll wait you out. Theyll leverage fear and anxiety, Grossman said. Do we know how to fix ransomware? Probably. We need to start thinking of this as an economic model.

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Ransomware Gangs Have Become the High-Seas Pirates of the Internet - On the Wire (blog)

Nigeria Rescues Oil Tanker From High-Seas Pirates – OilPrice.com

The Nigerian Navy has rescued an oil tanker from pirates near Bonny Island, even as the number of high-seas hijackers is at an 18-year low, according to the International Maritime Bureau (IMB).

Nigerian Navy Captain Sulieman Dahun said the naval forces rescued the MT Gas Providence oil tanker, which came under pirate attack on Wednesday in River State, just off Bonny Island.

The vessels 21 crew members were rescued after sending off a distress signal received by the Navy.

It was the second failed hijacking attempt in the area this week. A Nigerian naval vessel also thwarted at a pirate attack on a second oil tanker, MT Rio Spirit.

In 2016, there were 36 recorded incidences of high-seas piracy in Nigeriamore than double the number of incidences the year before. There has also been an increase of high-seas kidnappings in Nigeria.

That said, from a global perspective, the new attacks come at a time of dwindling piracy on the high seas, with the number of pirates at a low not seen in nearly two decades, according to the IMB. Related:Time Bomb In Oil Markets: Goldman Sachs Issues Warning

At the same time, the number of kidnappings for ransom on the high seas has increased as pirates change their modus operandi. Globally, 62 people were kidnapped from vessels and held for ransom last year, which represents a three-fold increase from 2015.

For all of last year, the IMB recorded a total of 191 incidences of high-seas piracy, down from 246 incidences the previous year. The last time the number of high-seas attacks has been this low was in 1998.

In late January, International Maritime Organization Secretary-General Ki-Tack Lim told the American Media Institute that globally, high-seas piracy in on a downward trend thanks to improved coordination of security efforts, including the NATO-led anti-piracy effort off the Horn of AfricaOperation Ocean Shield.

By Damir Kaletovic for Oilprice.com

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Queen Mary 2 to Host High Fashion on the High Seas – Cruise Hive – Cruise Hive

The iconic ocean liner Queen Mary 2 is hosting a high fashion experience on the high seas with celebrity guest Iris Apfel. The trans-Atlantic voyage will feature the 95-year-old fashion icon and design diva, who owned the textile firm Old World Weavers for 44 years and contributed to design restorations at the White House for nine presidents.

Apfels fathers family owned a business designing and selling glass and mirrors, and her mother owned a fashion boutique.

Apfel is known for her unique and often irreverent style of mixing high fashion with oversized costume jewelry, topped with her large round signature eyeglasses. She recently told reporters, Everyone should find their own way. Im a great one for individuality. I dont like trends. If you get to learn who you are and what you look like and what you can handle, youll know what to do.

During the crossing, passengers can enjoy Q&A sessions with Apfel. There will also be runway shows with fashion models, and a screening of the documentary film Iris, directed by Albert Maysles. Also in attendance on the voyage will be other fashion celebs including designer Julien Macdonald, historian Colin McDowell, and industry consultant Gail Sackloff.

When asked about her secrets for a long and happy life, Apfel stated, I have no secrets. I have no advice except to love life and not give in to yourself. At a certain age, you have to push a bit to be honest. Once you do, youll find theres a lot out there and you wont think of yourself. Get out there and help somebody. There are so many people that need a hand. Life is there, and its wonderful, she concluded.

Apfel continues to remain active, appearing in a Citron commercial, lecturing about style, and collaborating with WiseWear and Smart Jewelry. Her distinct style has inspired museum exhibits at the Met (NYC), Nassau County Museum of Art (NY), Museum of Lifestyle & Fashion History (Boynton Beach, FL) and the Peabody Essex Museum (Salem, MA). The latter two venues are building collections and dedicated galleries of Apfels clothing, accessories and furnishings collected over the last 70 years.

The humorous New Yorker once called herself a geriatric starlet. She said, Someone once told me, You are not pretty, and you never will be. But it doesnt matter. You have something else you have style.

The Queen Mary 2 fashion voyage will leave from Southampton, England on August 31 and arrive in New York City on September 7 to coincide with New York Fashion Week.

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Queen Mary 2 to Host High Fashion on the High Seas - Cruise Hive - Cruise Hive

Ohio Continues with Next Phase of InsideOut Initiative to Combat Win-at-All Costs Sports Mentality – Norwalk Reflector

Discussion on the initiative will continue at one-day forums sponsored by the Cleveland Browns at FirstEnergy Stadium on Monday (Feb. 13) and the Cincinnati Bengals at Paul Brown Stadium on Tuesday (Feb. 14), where school teams comprised of a small group of coaches and administrators will be trained to create a school-specific implementation action plan to help reclaim the educational purpose of sports. Approximately 130 coaches and administrators representing 40 different high schools in Ohio are expected to attend the forum in Cleveland, while another 115 coaches and administrators representing 35 different high schools in the state and a few in Indiana and Kentucky have signed up to be part of the conference in Cincinnati.

In October, Ohio became one of the first states to launch this initiative, thanks to comprehensive funding from the National Football League Foundation. In the Columbus suburb of Dublin, the OHSAA, OIAAA and NFL Foundation hosted approximately 90 leaders in the educational and sports communities to discuss the initiative and plan for its implementation.

First piloted by the NFL in Colorado and Texas in 2015, the InsideOut Initiative encourages educational leaders, state athletic associations and local NFL teams to partner together to address the brokenness of the sports culture since, without intentional leaders, coaches and supportive communities, sports are more likely to undermine the development of the very character it claims to build. The initiative is engaging stakeholders in strategic conversation to re-define the role of interscholastic sports in the lives of students and communities.

This initiative is something that we have talked about for several years, and now were seeing it come to fruition, said Dan Ross, Commissioner of the OHSAA. This is needed in todays society and will help us reemphasize what the real purpose is of our interscholastic athletic programs, which is to provide educational opportunities. Were certainly pleased that the InsideOut Initiative is in Ohio and will provide guidance for our schools.

We are excited to engage key educational leaders and sports organizations from across the state of Ohio in a conversation that reinforces the purpose of education-based athletics, said Jody Redman, a former college athlete and current high school athletics/activities association associate director and co-founder of the InsideOut Initiative along with Joe Ehrmann, a former pro football player and current educator and the author of InsideOut Coaching: How Sports Can Transform Lives. The goal is to win we play, plan and prepare to win every game but this isnt the purpose of education-based athletics. The purpose is the human growth and development of the inner lives of students and connecting them to caring adults in their school communities.

In addition to the OHSAA, OIAAA and National Football League Foundation, the initiative also has support from the Ohio School Boards Association (OSBA); the Buckeye Association of School Administrators (BASA); the Ohio Association of Secondary School Administrators (OASSA), and the Ohio Association of Elementary School Administrators (OAESA).

More details about the InSideOut Initiative can be found at http://www.insideoutinitiative.org/.

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Ohio Continues with Next Phase of InsideOut Initiative to Combat Win-at-All Costs Sports Mentality - Norwalk Reflector

Microsoft Executives to Keynote Summit EMEA 2017 Conference – Yahoo Finance

TAMPA, Fla., Feb. 13, 2017 /PRNewswire/ --Dynamic Communities, the supporting organization behind the official user groups for Microsoft Dynamics AX (AXUG), Dynamics CRM (CRMUG), Dynamics NAV (NAVUG), and Microsoft Power BI (PBIUG) products, announces Microsoft executives to keynote Summit EMEA, held 4-6 April 2017 at the RAI in Amsterdam. Microsoft, the charter sponsor for Summit EMEA 2017, is a key proponent of this event and heavily integrated in the programming being offered to attendees.

The Summit EMEA 2017 Microsoft executive keynote and general session presenters include:

In addition to the Microsoft keynote and general session involvement, Microsoft personnel will be leading 25+ sessions dedicated to recently unveiled Microsoft Dynamics 365. Dynamics 365 will empower business users with built-in insights and intelligence within the business applications they're working in. Attendees will have direct access to Microsoft personnel, product insights, practical answers to Dynamics questions, and peer to peer expertise that will provide gains in product knowledge and streamline business operations.

"We are excited to be part of Summit EMEA 2017, the premier conference for European-based Microsoft Dynamics users," said Chris Rothwell, Microsoft UK Dynamics Business Lead. "The knowledge sharing opportunity at the event is phenomenal, with access to other users, product experts as well as Microsoft engineering and product managers."

Click here to learn more about Summit EMEA keynote speakers and join us at the largest gathering of Dynamics users in Europe, 4-6 April in Amsterdam by registering today: http://www.summitemea.com/pricing.

Dynamic Communities is the business management organization that supports technology-centric user groups and associations providing necessary resources and business operations such as staff, systems and event production. Dynamic Communities is independent from Microsoft; however, the two organizations maintain an intentional close working relationship so that our members can provide a collective voice to Microsoft on user concerns, needs, and requests.

To view the original version on PR Newswire, visit:http://www.prnewswire.com/news-releases/microsoft-executives-to-keynote-summit-emea-2017-conference-300406583.html

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How Does Long-Term Space Travel Affect Humans? – Voice of America

Astronaut Scott Kelly launched into space on a one-year mission to the International Space Station (ISS) in 2015. He was weightless for 340 days.

His identical twin brother, retired astronaut Mark Kelly, stayed on Earth.

Astronauts Scott Kelly, left, and Mark Kelly backstage at the fIfth annual Breakthrough Prize Ceremony on Sunday, Dec. 4, 2016 at the NASA Ames Research Center in Mountain View, Calif.

Because they are identical twins, Scott and Mark Kelly share almost all the same genetic material, or DNA. They agreed to let scientists study them before, during, and after Scotts mission to find out what a year floating in space may do to the human body.

The investigation is known as the Twins Study ... and the first results are now in.

Genetic changes

In the Twins Study, researchers are looking at 10 aspects of the human body. They are doing the investigation for NASAs Human Research Program. NASA is the American space agency.

The researchers who are involved in NASA's Twin Study. (Courtesy NASA)

They introduced some early findings at a conference in Texas last month. At the conference, researchers said that some genetic changes occurred in Scott Kelly while he was in space.

John Charles is the chief scientist for NASAs Human Research Program. He says researchers expected some of those changes. But there was a surprise: a change to Scotts telomeres.

Telomeres sit on the end of chromosomes. Chromosomes are the part of cells that hold DNA.

Usually, as people age, their telomeres become shorter. But when he was in space, Scott Kellys telomeres did the opposite: They became longer.

Charles says usually astronauts have shorter telomeres than other people. He thinks this may be because their intense training on Earth is stressful.

NASA astronaut Scott Kelly inside the cupola of the International Space Station, an area that provides a 360-degree viewing of the Earth and the station.

So being in space, Charles says, may actually be less stressful.

Theyre eating well, theyre sleeping we hope well, they have work that is meaningful to them. Theyre exercising, they have two hours everyday for exercise, a luxury many of us on Earth would like but cant afford...

Scott Kellys telomeres shortened again when he returned to Earth.

Microbiomes

Researchers are also looking at the twin brothers microbiomes. Those are the microorganisms, mostly good bacteria, that all humans carry in their intestines to help with digestion.

Scott Kelly with lemons in space. Researchers studied how diet affected his microbiome as part of NASA's Twins Study.

Scott and Mark had different microbiomes, but NASA says that is probably because the men had different diets and different environments.

Charles says Scott Kellys microbiomes showed the astronaut was very healthy going into space, and stayed healthy while he was there.

Bone loss

Scientists also compared the two mens bones. They expected Scott to have more bone loss, a known problem connected to weightlessness in space.

Sure enough, Scotts bone formation decreased during the second half of his mission. But over the year, the hormone that helps with bone and muscle health increased.

Researchers say the increase is probably connected to all the exercising Scott did every day to combat the bone and muscle loss.

So, while his bones did change, they may end up being just as strong as before.

Astronaut Scott Kelly working in the International Space Station. (Courtesy NASA)

Fine motor skills

The researchers also studied the mens fine motor skills how their hands and fingers work.

To test the skills, the twins performed tasks with their fingers on a tablet computer screen. The early results show that Scotts accuracy and reaction time may have decreased while he was in space.

Next steps

As for now, the Twins Study is continuing. NASAs John Charles says the results will give the agency a new and powerful tool to prepare astronauts for long space flights, including going to Mars one day.

If we understand their bodies and how they change in these long duration space missions beyond Earth, then we can better train them, better equip them, better prepare them, better support them for the missions that they are going to undertake.

Charles says the Twins Study will also take mental and emotional factors into account. Because long space flights to and from Mars will mean years away from loved ones on Earth, scientists are studying how to reduce feelings of isolation.

Expedition 46 Commander Scott Kelly on his third spacewalk outside the International Space Station, Dec. 21, 2015. (Courtesy NASA).

There is something really to think about as we consider sending people off to long duration missions off to Mars, where they wont have instantaneous communication whenever they feel like it...

But, Charles says, do not expect answers soon.

This is a painstaking, tedious process that will only gradually provide the results that were expecting from this mission. So that, give us a year or so to continue the analysis, and let the investigators talk amongst themselves and talk with our colleagues and make sure they have the right results...

Then, he says, there might be some surprises when researchers truly understand what happened genetically to Scott Kelly in space and Mark Kelly on the ground.

Im Anne Ball.

Anne Ball wrote this story for Learning English with material from Reuters. Kelly Jean Kelly was the editor. We want to hear from you. Write to us in the Comments Section and visit us on our Facebook page.

Check your understanding of the story by taking this listening quiz.

_____________________________________________________________

telomeres n. the items on the end of a chromosome.

stressful adj. full of or causing stress or making you feel worried or anxious

hormone n. a natural substance that is produced in the body and that influences the way the body grows or develops

accuracy n. freedom from mistake or error

instantaneous adj. happening very quickly, in an instant

painstaking adj. done with great care and effort

tedious adj. boring or too slow or long

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How Does Long-Term Space Travel Affect Humans? - Voice of America

artificial intelligence: the fear of a technological singularity … – ETtech.com

By Debkumar Mitra, Gray Matters

In 2016, a driverless Tesla car crashed killing the test driver. It was not the first vehicle to be involved in a fatal crash, but was the first of its kind and the tragedy opened a can of ethical dilemmas.

With autonomous systems such as driverless vehicles there are two main grey areas: responsibility and ethics. Widely discussed at various forums is a dilemma where a driverless car must choose between killing pedestrians or passengers.

Here, both responsibility and ethics are at play. The cold logic of numbers that define the mind of such systems can sway it either way and the fear is that passengers sitting inside the car have no control.

Any new technology brings a new set of challenges. But it appears that creating artificial intelligence-driven technology products is almost like unleashing the Frankensteins monster.

Artificial Intelligence (AI) is currently at the cutting-edge science and technology. Advances in technology, including aggregate technologies like deep learning and artificial neural networks, are behind many new developments such as that Go playing world champion machine.

However, though there is great positive potential for AI, many are afraid of what AI could do, and rightfully so. There is still the fear of a technological singularity, a circumstance in which AI machines would surpass the intelligence of humans and take over the world.

Researchers in genetic engineering also face a similar question. This dark side of technology, however, should not be used to decree closure of all AI or genetics research. We need to create a balance between human needs and technological aspirations.

Much before the current commotion over ethical AI technology, celebrated science-fiction author Isaac Asimov came up with his laws of robotics.

Exactly 75 years ago in a 1942 short story Runaround, Asimov unveiled an early version of his laws. The current forms of the laws are: 1. A robot may not injure a human being or, through inaction, allow a human being to come to harm 2. A robot must obey orders given it by human beings except where such orders would conflict with the First Law 3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law

Given the pace at which AI systems are developing, there is an urgent need to put in some checks and balances so that things do not go out of hand.

There are many organisations now looking at legal, technical, ethical and moral aspects of a society driven by AI technology. The Institute of Electrical and Electronics Engineers (IEEE) already has Ethically Aligned Designed, an AI framework addressing the issues in place. AI researchers are drawing up a laundry list similar to Asimovs laws to help people engage in a more fearless way with this beast of a technology.

In January 2017, Future of Life Institute (FLI), a charity and outreach organisation, hosted their second Beneficial AI Conference. AI experts developed Asilomar AI Principles, which ensures that AI remains beneficial and not harmful to the future of humankind.

The key points that came out of the conference are: How can we make future AI systems robust, so that they do what we want without malfunctioning or getting hacked? How can we grow our prosperity through automation while maintaining peoples resources and purpose? How can we update our legal systems to be more fair and efficient, to keep pace with AI, and to manage the risks associated with AI? What set of values should AI be aligned with, and what legal and ethical status should it have?

Ever since they unshackled the power of the atom, scientists and technologists have been at the forefront of the movement emphasising science for the betterment of man. This duty was forced upon them when the first atom bomb was manufactured in the US. Little did they realise that a search for the atomic structure could give rise to nasty subplot? With AI we are at the same situation or maybe worse.

No wonder at an IEEE meeting that gave birth to ethical AI framework, the dominant thought was that the human and all living beings must remain at centre of all AI discussions. People must be informed at every level right from the design stage to development of the AI-driven products for everyday use.

While it is a laudable effort to develop ethically aligned technologies, it begs another question that has been raised at various AI conferences. Are humans ethical?

(The author is the CEO of Gray Matters. Views expressed above are his own)

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artificial intelligence: the fear of a technological singularity ... - ETtech.com

Utah Jazz: Brad Stevens Praises Gordon Hayward’s All-Star Ascension – Purple & Blues

Feb 11, 2017; Salt Lake City, UT, USA; Boston Celtics head coach Brad Stevens reacts during the second half against the Utah Jazz at Vivint Smart Home Arena. Boston won 112-104. Mandatory Credit: Russ Isabella-USA TODAY Sports

The Utah Jazz Continue To Struggle Without Rodney Hood by Hayden Van de Maat

Utah Jazz vs. Los Angeles Clippers: Keys to the Game by Jared Woodcox

Ever since he was announced as an All-Star reserve last month, Utah Jazz wing Gordon Hayward has noted that opposing players and coaches have gone out of their way to congratulate him for the achievement. However, none have had the same perspective on his career trajectory as Boston Celtics coach Brad Stevens.

Long before Hayward was the muscle-bound baller(sporting the Associations answer to the hipster haircut) and elite talent he is today, he was the skinny kid from Brownsburg, Indiana that nearly brought anNCAA title to the Butler Bulldogs on a halfcourt heave.At the time, Stevens was his coach.

Before the Jazz and Celtics did battle on Saturday, Stevens was asked abouthis former players path to stardom. Perhaps more than anyone, he understands Haywards evolution. He also understands that Hayward hada little bit of help from the Jazz

When asked about Haywards physical growth, Stevens spoke at length about how the added strength has aided him not only defensively, but on offense with his ability to drive the basketball

Want your voice heard? Join the Purple and Blues team!

In the end, it was Stevens Celtics squad that got the win on Saturday. Nevertheless, Hayward served up another All-Star effort, scoring 31 points and nailing four three-pointers.

With Hayward set to enter the free agent market this summer, Stevens and the Celtics will undoubtedly look to sell him on Boston as a potential destination. For now, though, Hayward will represent the Jazz and the Western Conference in the All-Star Game on February 19 in New Orleans.

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Utah Jazz: Brad Stevens Praises Gordon Hayward's All-Star Ascension - Purple & Blues

WWE News: The Ascension’s Viktor responds to WWE excluding … – Sportskeeda

What's the story?

One-half of The Ascension, Viktor, has responded to a video posted by WWE of a match that included them from a few years ago, however, the team are not featured in the clip whatsoever. The response came just a few minutes after SmackDown Live GM Daniel Bryan also commented on their exclusion through Twitter.

You can read both Bryan and Viktors tweetbelow:

In case you didn't know...

Over the last few weeks, Daniel Bryan has been progressively mentioning The Ascension more and more, starting off on Talking Smack following their victory on SmackDown Live last week. Bryan, who is now retired, actually teamed up with Viktor on the independent scene andwere together called "Double Meat".

The heart of the matter

As you can see in the tweet above, Bryan attempts to draw attention to the fact that The Ascension were involved in a match where the former WWE Champion teamed up with Roman Reigns.

Viktor responded, continuing to buildthe idea that the company doesnt really care all too much about the tag team, despite their improved booking in recent weeks.

What's next?

The Elimination Chamber may have been a sign that the former NXT Tag Team Champions are going to be taken more seriously going forward. Given the lack of quality in that division on the blue brand, it makes sense, and you could build the two men as a legitimate threat heading into WrestleMania 33if they are given that long awaited push.

Sportskeeda's take

It really has been a shame to see what The Ascension have become over the last few years. To this day they are still the longest reigning champions in the history of NXT, and they deserved better than what they got when they were called up to the main roster.

We hope that WWE soon sees the error of their ways because pretty soon it could be too late to revive them. Obviously, Konnor's suspension didn't help a while back, but just look at where Roman Reigns is now following his first violation.

Send us news tips atfightclub@sportskeeda.com

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Elimination Chamber 2017 Results: American Alphas Defeats The … – Business 2 Community

American Alphas retain their WWE smackdown tag team champion belts at Elimination Chamber.

At the start, Rhyno hit the gore to eliminate Breezango from the tag team turmoil match. The Vaudevillains came out and were quickly acknowledged by Heath Slater who jumped on them from the top rope to the outside. Rhyno and Slater defeat the Vaudevillains and up next are the Usos.

The Usos eliminated Rhyno and Slater which sent out the American Alphas. With their new threads, the Usos almost cut into Gable with a vicious tag team move. Nonetheless, American Alpha eliminates the Usos who would not leave and continued their assault. American Alphas escaped a near fall.

What did you think of the match? Let us know in the comments section.

In their quest to become synonymous with tag team excellence, SmackDown LIVE Tag Team Champions American Alpha have welcomed all challengers, and theyll get exactly that at SmackDown LIVEs next pay-per-view, WWE Elimination Chamber.

After Jason Jordan & Chad Gables open challenge resulted in an out-of-control brawl on the Jan. 31 edition of SmackDown LIVE, General Manager Daniel Bryan declared on Talking Smack that American Alpha must defend the titles in a Tag Team Turmoil Match on Sunday, Feb. 12.

Their challengers include The Usos, Heath Slater & Rhyno, Breezango, The Ascension and The Vaudevillains, a formidable field of five tandems, with no fewer than four sets being former tag team champions.

The Tag Team Turmoil Match the same type of bout that Jordan & Gable won on the Nov. 22, 2016, edition of SmackDown LIVE to move into championship contention in the first place begins with two teams. Once one team is eliminated, a new duo enters the match. This continues until one team is left standing tall.

Photo Credit: WWE

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Elimination Chamber 2017 Results: American Alphas Defeats The ... - Business 2 Community

Chandler, East Ascension driving toward a higher goal as postseason arrives – The Advocate

The sounds filtering out of the East Ascension High gymnasium early Saturday morning were not unusual. There was the rhythm of multiple basketballs hitting the court and the squeak that sneakers make when a player cuts to the basket. It is music to Dennis Chandlers ears.

Stop hold up right there, the soft-spoken EAHS girls basketball coach said. The player walks toward him and Chandler says, That was a bad decision run it again.

The player nods and then executes the next three-on-three scrimmage so well that a teammate gets a layup. Then the Spartans run it again and again.

What might seem boring to some is the process that has helped East Ascension build a 23-1 record, its best in recent years for Chandler, who is now in his 19th year at the school. The Spartans will ride a 22-game winning streak into the Class 5A playoffs.

EAHS likely will be ranked No. 2 when the LHSAA releases its girls playoff pairings Monday. Working toward being No. 1 means winning a state title for most people. For Chandler and the Spartans, there is more to it.

I love this team, guard Lariah Ealy said. The most important thing weve learned from coach Chandler is to give your all. If you dont, you end up shortchanging yourself and your team. When we come to practice, we fix what we need to fix. We like the work.

The work is nothing new for the 57-year-old Chandler, who is in his 34th year of coaching. He spent 14 seasons at Tallulah-based McCall, now known as Madison Parish. His 1993 and 1994 teams won back-to-back Class 3A girls state titles.

East Ascensions deepest playoff run in recent years was a quarterfinal berth in 2009. The Spartans lost to Walker in overtime that year. This EAHS team is the product of what Chandler calls a three- to four-year process that kicked into high gear with a first-round playoff loss to a 27-1 Mandeville team last February.

We lost by double figures, but they saw it that night. The girls realized we werent that far away from those teams, Chandler said. Theyve always worked, but that game gave them confidence. And theyve worked even harder.

Post player Sharan Turner added, That game with Mandeville gave us hope. It pushed us.

Chandler will keep on pushing.

The good part about it is theres a lot of room for improvement, Chandler said. We have six seniors but we also have a group of freshmen and sophomores who are talented. Depth is important for us.

Ill tell them every day, 'You still havent met my standards.' Its about getting better. It doesnt matter who the opponent is. The goal should be to always take it to another level.

Post player Ashlyn Donaldson is a transfer from Walker who has added elements on and off the court. She has played with a partial ACL tear, displaying toughness. Donaldson also speaks to her EAHS teammates about being part of Walkers run to the 5A title game two years ago.

Our strength is our bench, Donaldson said. If we continue to work and keep our minds right, I like our chances. There are no set plays for a particular person here. This is basketball and you have to make decisions on the court.

Chandler insists that his players meet standards on and off the court. Representing the school properly is a demand, not a suggestion.

If all a child learns from me after four years is how to shoot a layup and how to run an offense and a defense, I think Ive failed them, Chandler said. There should be something they should take from this and apply to their life. The lessons are there.

The Mississippi native returns to Tallulah when he can. Chandlers former McCall players follow the Spartans by social media, sometimes sending him messages.

While the McCall teams represent a gold standard of the past, the golden opportunity that looms now also makes Chandler smile.

These kids have been resilient, Chandler said of the Spartans. There have been a couple of games where they refused to lose. It takes that. Now it goes one game at a time.

Follow Robin Fambrough on Twitter, @FambroughAdv

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Chandler, East Ascension driving toward a higher goal as postseason arrives - The Advocate

Artificial intelligence predictions surpass reality – UT The Daily Texan

In a 2015 interview with Elon Musk and Bill Gates, Musk argued that humanitys greatest concern should be the future of artificial intelligence. Gates adamantly voiced his alignment with Musks concerns, making clear that people need to acknowledge how serious of an issue this is.

So I try not to get to exercised about this problem, but when people say its not a problem then I really start to get to a point of disagreement, Gates said.

The fears surrounding unchecked advances in AI are rooted in the potential threat posed by machine superintelligence an intelligence that at first matches human-level capabilities, but then quickly and radically surpasses it. Nick Bostrom, in his book Superintelligence, warns that once machines possess a level of intelligence that surpasses that of our own, control of our future may no longer be in our hands.

Once unfriendly superintelligence exists, it would prevent us from replacing it or changing its preferences. Our fate would be sealed, Bostrom said.

For Musk, Gates and Bostrom, the arrival of superintelligent machines is not a matter of if, but when. Their arguments seem grounded and cogent, but their scope is too far-sighted. They offer little in the way of what we can expect to see from AI in the next 10 to 20 years, or of how best to prepare for the changes to come.

Dr. Michael Mauk, chairman of the UT neuroscience department, has made a career out of building computer simulations of the brain. His wide exposure to AI has kept him close to the latest developments in the field. And while Mauk agrees in principle with plausibility of superintelligent AI, he doesnt see its danger, or the timeline of its arrival, in the same way as those mentioned before.

I think theres a lot of fearmongering in this that is potentially, in some watered-down way, touching a reality that could happen in the near future, but they just exaggerate the crap out of it, Mauk said. Is (the creation of a machine mind) possible? I believe yes. Whats cool is that it will one day be an empirically answerable question.

For Mauk, hype of the sort propagated by Musk, Gates and Bostrom is out of balance, and doesnt reflect what we can realistically expect to see from AI. In fact, Mauk claims that current developments in neuroscience and computer science are not moving toward the development of superintelligence, but rather toward what Mauk calls IA, or Intelligent Automation.

Most computer scientists are not trying to build a sentient machine, Mauk said. They are trying to build increasingly clever and useful machines that do things we think of as intelligent.

And we see evidence of this all around us. IA has grown rapidly in recent years. From self-driving cars to Watson-like machines with disease diagnosing capabilities superior to that of even the best doctors, IA is set to massively disrupt the current social and economic landscape.

Students and professionals alike should sober any fears about a future occupied by superintelligent AI, and instead focus on the very real, and near future reality where IA will be profoundly impacting their career. And theres a beautiful irony to this. As humanity works to adapt to a world with greater levels of Intelligent Automation, along with its many challenges increased social strife, economic restructuring, the need for improved global cooperation it will inadvertently be preparing itself to face a potential future occupied by superintelligent AI.

Hadley is a faculty member in biology and a BS 15 in neuroscience from Southlake.

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Artificial intelligence predictions surpass reality - UT The Daily Texan

Another Expert Joins Stephen Hawking and Elon Musk in Warning About the Dangers of AI – Futurism

In Brief

In2012, Michael Vassar became the chief science officer of MetaMed Research, which he co-founded, and prior to that, he served as the president of the Machine Intelligence Research Institute. Clearly, he knows a thing or two about artificial intelligence (AI), and now, he has come out with a stark warning for humanity when it comes to the development of artificial super-intelligence.

In a video posted by Big Think, Vassar states, If greater-than-human artificial general intelligence is invented without due caution, it is all but certain that the human species will be extinct in very short order. Essentially, he is warning that an unchecked AI could eradicate humanity in the future.

Vassars views are based on the writings of Nick Bostrom, most specifically, those found in his book Superintelligence. Bostroms ideas have been around for decades, but they are only now gaining traction given his association with prestigious institutions. Vassar sees this lack of early attention, and not AI itself, as the biggest threat to humanity. He argues that we need to find a way to promote analytically sound discoveries from those who lack the prestige currently necessary for ideas to be heard.

Many tech giants have spoken extensively about their fears regarding the development of AI. Elon Musk believes that an AI attack on the internet is only a matter of time. Meanwhile,Stephen Hawking cites the creation of AI as the best or worst thing to happen to humanity.

Bryan Johnsons company Kernal is currently working on a neuroprosthesis that can mimic, repair, and improve human cognition. If it comes to fruition, that tech could be a solid defense against the worst case scenario of AI going completely rogue. If we are able to upgrade our brains to a level equal to that expected of AI, we may be able to at least stay on par with the machines.

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Another Expert Joins Stephen Hawking and Elon Musk in Warning About the Dangers of AI - Futurism

Elon Musk jokes ‘I’m not an alien’ while discussing how to contact extraterrestrials – Yahoo News

Between building self-driving cars, spaceships and tunnels, Elon Musk has been thinking about artificial intelligent smarter than humans, alien life contacting Earth and dying on Mars.

Barely a week goes by without the Tesla and SpaceX boss dreaming up a new plan which borders on science fiction, so it was perhaps inevitable that his attention would soon turn to alien life.

IBT Media to host AI and Data Science in Capital Markets event

Speaking at the World Government Summit in Dubai on 13 February, Musk said a "super" form of artificial intelligence (AI), far smarter than the most intelligent human, would be developed in years rather than decades.

But greater intelligence poses a concern for Musk. "One of the most troubling questions is AI. I don't mean narrow AI like vehicle autonomy, where it is narrowly trying to achieve a simple function. But deep AI, or what is known as general AI, where you can have AI that is much smarter than the smartest human on Earth. This I think is a dangerous situation."

EmDrive: UK scientist claims 'new physics' explains galaxy rotation and theoretical space propulsion

Developing this form of 'digital superintelligence' within the next "10 to 20 years" will be like being visited by an alien, Musk said.

Shifting gears to consider the probability of alien life, Musk went on: "I think this is one of the great questions in physics and philosophy. Where are the aliens? Maybe they are among us I don't know. Some people think I'm an alien. I'm not, but of course I'd say that wouldn't I?"

Former trade minister Lord Digby Jones backs Donald Trump visit to home town of Birmingham

Musk added: "If there are superintelligent aliens out there then they probably are observing us. That would seem quite likely, and we are just not smart enough to realise it." By applying some "back-of-an-envelope calculations", Musk reasoned it would be "nothing in the grand scheme of things" for an alien civilisation to populate the entire galaxy in 10 million to 20 million years.

Speaking of being a multi-planetary species, as Musk wants humans to be, he was asked about him famously wanting to die on Mars. "We're all going to die someday and if you're going to pick some place to die, then why not Mars? If we are born on Earth, why not die on Mars? Seems like maybe it'd be quite exciting.

"I think, given the choice of dying on Earth or dying on Mars, I'd say yeah sure, I'll die on Mars. But it's not some kind of Mars deathwish. And if I do die on mars, I just don't want it to be on impact."

Musk also used his speech in Dubai to remind us of his plans for intertwining humans brains with computers in what is known as a neural lace. "Over time I think we will probably see a closer merger of biological intelligence and digital intelligence," he said. "It's mostly about the bandwidth, the speed of the connection between your brain and the digital version of yourself".

Musk recently tweeted to say he was "making progress" on the brain/computer interface, and said he would make an announcement "maybe" in February 2017.

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Elon Musk jokes 'I'm not an alien' while discussing how to contact extraterrestrials - Yahoo News

As US, Russia eye stagnant space budgets, India ramps up investment – Ars Technica

Enlarge / A fully integrated Polar Satellite Launch Vehicle is readied for flight on Feb. 15, 2017.

As the United States' NASA and Russia's Roscosmos, the world's most accomplished space agencies, face stagnant or even reduced budgets, India is increasing its space exploration spending for 2017-18 by more than 20 percent, from about $1.1 billion to $1.4 billion. Budget documents recently released by the agency show particularly healthy increases for space technology and space science, reflecting a belief by the Indian government that investing in space exploration will benefit the country in the long term.

The increases will provide initial funding for two new ambitious Indian space science missionsone to Mars and another to Venus. Although the budget documents do not provide much detail, reports in Indian newspapers suggest that the "Mars Orbiter Mission II" may include some kind of lander, with alaunch in 2021 or 2022; the "Mission to Venus" will be a more straightforward orbiter. With plans for a Martian lander, it appears that India is trying to compete with thespace programof China,its regional Asian rival.

At the same time its budget prospects are brightening, India is gearing up for one of its highest-ever profile launches this week. The country's workhorse Polar Satellite Launch Vehicle rocket will carry a payload of more than 100 small satellites into orbit, breaking the record of most satellites deployed in a single launch. The majority of the satellites in theFeb. 15 launch will come from the US-based Planet, which is sending 88 of its "Dove" satellites to Sun-synchronous orbit at an approximate altitude of 500km. Once there, the small, 4.7kg satellites will join an existing constellation of Planet satellites to image the Earth daily.

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As US, Russia eye stagnant space budgets, India ramps up investment - Ars Technica

Psychedelic drugs like magic mushrooms and LSD have key … – Yahoo Finance

Scientists are increasingly hopeful that certain types of psychedelic drugs will one day be approved for medical purposes like treating depression and anxiety.

But what makes a psychedelic a psychedelic? How is it different from other drugs like cocaineor alcohol? And what makes a "trip" on one psychedelic like acid, for example distinct from a trip on another?

Here's a quick chart to put that into perspective:

Psychedelic drugs chart_2017 BI_Graphics BI Graphics

(Business Insider/Mike Nudelman)

Exactly howpsychedelics impact the brain is still somewhat of a mystery to scientists, but we're finding out more and more in recent years.

What we do know, however, is that psychedelics have a fundamentally different effect on the brain thanaddictive drugs like alcohol andcocainedo. Cocaine, for example, elicits a deep, euphoric sensationby temporarily flooding the brain's reward and motivationcenters. Insome people, this cantrigger a cycle of reinforcement that traps them in addiction, even when the same amount of the drug no longer results in a characteristic "high." The psychedelic drug psilocybin, on the other hand (the psychoactive ingredient in magic mushrooms), appears to fundamentally alter the infrastructure of the brain's prefrontal cortex and change how information in this area of the brain is exchanged.

This is one of the reasons thatmanyscientists believe it's unreasonable to label psychedelics as"recreational" drugs in the patients I've interviewed who've participated in clinical trials onpsilocybin, the psychedelic trip itself soundsanything but recreational. In most cases, in fact, users describe feeling panicky, anxious, and afraid during the trip. It's whatthe drug appears to do to them afterthe trip itselfthat gives researchers hope. In many cases, patients describe lasting behavioral changes including improved relationships and increased optimism about life,for example.

Psilocybin isn't the only psychedelic drug that researchers are studyingfor its potentially therapeutic effects, however. They're also looking at LSD ("acid"), DMT (ayahuasca), and more.Each drug has a different trip length and varies in terms of its legality across the globe.

Methods for producing, brewing, and taking the drugs differ as well.

While magic mushrooms are typically either grown and eaten, brewed into tea, or ground up and taken in pill form, LSD is made synthetically and usually processed into strips that can be absorbed by placing them on the tongue.

Ayahuasca, on the other hand, is usually consumed as a beverage. It's brewed from the macerated and boiled vines of the Banisteriopsis caapi (yage) plant and the Psychotria viridis (chacruna) leaf, and it has been used for centuries as a traditional spiritual medicine in ceremonies among the indigenous peoples of Bolivia, Colombia, Ecuador, and Peru.Ayahuasca's effects come from mixing the drug dimethyltryptamine, or DMT, from the chacruna plant, and the MAO inhibitor from the yage plant, which allows the DMT to be absorbed into the bloodstream.

NOW WATCH: What magic mushrooms do to your brain and state of mind

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Psychedelic drugs like magic mushrooms and LSD have key ... - Yahoo Finance

Evian Christ’s Trance Party tours UK with Laurel Halo, MssingNo – FACT

The trance-themed rave travels to Manchester, Glasgow and Sheffieldin March.

Evian Christ is taking his Trance Party on another tour of the UK next month with Laurel Halo, MssingNo and more.

Travelling to Manchester, Glasgow and Sheffield, the tour also features Total Freedom, Visionist and Actress, who appears as a special guest at the Sheffield gigonly.

Evian Christ will perform at each date, andwill be the sixth in a series of Trance Parties from the Warp artist since he launched now legendary raveback in 2013.

According to a tweet from Barcelonas Sonar Festival, Evian Christ will be releasing his long-awaited debut album on Warp later this year. Last year, he produced Danny Browns Pneumonia, which featured on the rappersAtrocity Exhibition album.

Check the dates below, and buytickets via the Evian Christ website. Hes even giving away what sounds likesome exclusive trance edits to get you in the mood.

Evian Christ Trance Party 6 dates:

Mar 23 Manchester, UK @ Hidden Mar 24 Glasgow, UK @ The Art School Mar 25 Sheffeld, UK @ Hope Works (with Actress)

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Evian Christ's Trance Party tours UK with Laurel Halo, MssingNo - FACT

What Happens When A Bass Head Interviews Armin Van Buuren About Trance [Exclusive] – Your EDM

What happens when a bass head interviews Armin van Buuren about trance? Actually, something pretty magical.

As a bass head, Im used to interviewing bass artists and producers in similar veins of music, and as such, the topics can sometimes become quite repetitive; realistically, the bass music world is pretty small. But when you put me in a room with someone like Armin van Buuren, whos been in the music industry for 20 years, founder of Armada and A State Of Trance, one of the biggest DJs in the world, Im going to have a lot to ask.

My interview with Armin came two days after I saw hisArmin Only set at the Forum in Inglewood, certainly one of the largest productions Ive ever seen for a solo DJ performance. Beyond the five-hour set time, the entire night was marked by incredible theater production and acrobatic performances from dancers on stage, as well as appearances from a variety of guest vocalists, many of whom were featured on Armins latest album,Embrace.

Though I arrived nearly two hours after the show had started, it was still well in full swing, with the massive swell of chords behind Adagio For Strings playing as we were finding our seats. Live trumpeterEric Vloeimans was on stage holding a note, while a ballerina danced behind him, telling an intense love tale and from there, the night continued to inspire.

I met up with Armin at the office of his theater and production designer in Venice on Monday, and we spoke about many things, as candidly as possible. With him, I didnt want our interview to be some regurgitated questions from a notepad on my phone; it ended up being a 30 minute conversation in which I learned a lot.

Check it out below.

Armin: *laughing* Yeah no of course. Im all for freedom of speech and freedom of opinion.

Armin: Well it depends on what kind of show you want to see from me. I mean if you come to A State of Trance (ASOT), obviously its pure about trance, its more about the melody, more about the classical Armin sound I guess. Armin Only for me is Id say like Christmas Dinner with Armin Van Buuren. Who doesnt want to have a Christmas Dinner?

If you look at my history, Ive never been just about trance. Even though a lot of people call me just a trance DJ, and if you want to put a label on my forehead, please put trance on there. But Ive never looked at just one genre or style, I like to mix it up, I like to be creative with the term. Some trance fans hate me for it, but I like to be a little more eclectic. Not so much for my fans per-say but also to keep it exciting for myself. Im a big dance music lover, I love a lot of bass stuff. Im a massive drum n bass fan, I love techno, you know? I think at the end of the day well all die techno DJs. *laughing* I mean, my studio partner Benno [de Goeij] always says we start with trance and we end up making white noise because were old. *laughing* Its probably very true. You know, what I try to do with Armin Only is try to go to the next level you know? With the production, the show, I think that there is a lot of undiscovered territory between the world of theater and the world of dance music.

Armin: Yeah well its, you know, I think there is a next level in dance music to be taken. Obviously its about the music, and the music is the most important thing, but I think you can enhance. We can learn a lot from the world of theater and live performance. I dont want to say that all of a sudden dance music has to be played live by live instruments, but you can really enhance a performance by having good choreographed singers, dancers, visuals, lasers and everything else coming together. So to me its a great creative set up. Financially, it was the worst decision ever, too. *laughing* But creatively its inspiring to work with people that dont come from dance music at all. For example, the trumpet player, Eric Vloeimans, if you Google him youll see that hes one of the worlds most renowned trumpet players.

Armin: Yeah! Hes extremely talented. He comes from a world of a lot of jazz musicians, he plays with classical acts. He never does anything with dance music, at all. If you google him youll see that he has a massive name to hold up. He played with a lot of great jazz musicians. It shows you also that Im a massive fan of jazz music and I want to try and incorporate the sound of the trumpet into my sound. Which is sort of, uncharted territory. Its kind of exciting to go out of your way a little bit. Not to say Oh look how cool I am, Im trying new things. Its more for keeping it exciting for myself, because it is very You know, no matter what musical genre youre in, its very tempting to just stay within your own safe path and a lot of these DJs do that.

Thats not criticizing them, thats fine. If thats your way, thats great, but for me I cant do the same thing over and over again. So for me, trance has never been this [puts hands close together] or this [spreads hands far apart], it has always been very varied. Theres very different tastes in trance music, just like there is a lot of different tastes in bass music you know? You might like the one artist in bass music, you might not like the other types of bass music, so yeah its just trying to give people a little more. Its definitely very different from a normal DJ set, like I played at Create at the after party, thats just me with a bunch of music and two decks. Great, love that, and I will always keep doing that, I love the old school way of DJing, but with Armin Only Im trying to move forward.

Technologically, you know we designed this whole time code system, which is the back end of this. Its still freestyle DJ sets, so the show you saw, of course, the individual tracks were choreographed and they were planned, but when I play those tracks its still random. So the set I played in Oakland was different than the set I played at the Forum. Im not playing exactly the same set. So that makes it exciting for me, it makes it exciting for the crew, like if someone gives me a stick with a track five minutes before the show I want to be able to play it. I think thats the essence of DJing. So its exciting to try and find a mix between pre-programmed stuff, like obviously the intro is pre-programmed, but still theres live elements to it, theres the classical ballet, theres the trumpet and theres the live snare roll. I find it exciting to try and see where the the two worlds can meet.

Armin: Yeah not for this show but I use them a lot.

Armin: Well I actually toured for two and a half years with the Myobracelets, it was a great experience because you can control the lights with that, and its fun to point at people out in the crowd. Now I use the drum computer, the Pioneer, to add drums to my set which is exciting, and we have the time code system.

Armin: Uhm I really like the collaboration between me and Vini Vici, I never thought that the psytrance world was so specific and its almost like a religious way of producing like I only heard about that in the world of hardstyle, I mean those guys that are real hardstyle producers, they can probably talk to you about kick production for about four days non-stop. Its all about the kick, hardstyle is about the kick. Its not even the low end, its about the mids and the way it has to be distorted and the way it has to be just right and in the psytrance world its even more

So one of the most exciting things is that even though Im forty years old now and in the industry for twenty years Im still learning every day. You know working with Eric Vloeimans, jazz trumpet player, or working with Kensington, a rock band, they come from a completely different world. You know I was in the studio in Miami with Kensington, you know, mixing Heading Up High and we went from mixing dance stems to drums, and how to crossfade that. It took a year to mix that track, just to get all the parts so that everybody was satisfied; so the band, the management, my management, you know the producer that I work with. Its incredibly satisfying to sort of constantly also as a producer reinvent yourself and I think that is the most fun that I have had in my career since last year. You know being in LA, working with a lot of different artists and working with a lot of different people is just inspiring, I find it very very inspiring.

Armin: No there have been DJs that have had similar high numbers. I wanna stress that Ive never done it as a competition.

Armin: Its more like every week I find inspiration from these new tracks that I find online and you know it used to be vinyl. When I started the show it was all vinyl. Now its online and Soundcloud and all that. I told myself Im not doing A State of Trance just for the sake of high numbers. Every week theres a track that inspires me. And now, actually finally enough, I went back with the radio show to do its original formula. I missed doing that.

A State of Trance radio was actually fired from the radio station it was on at Episode 186 because they moved into a different direction with the radio station, and thats when I started doing Ableton mixes which is back in 2003 when Ableton was still in 2.0 or 3.0. So I was one of the first to do that and I really loved it. I thought it was great because I was able to do the radio show in different languages, but I missed the connection with the music because basically what I was doing was: I was skipping through the tracks and I was only listening to the beginning and end of every track to mix them. I missed listening to the entire track, mixing them live, sort of have that live radio feel and now everybody does podcasts in Ableton. Which is fine, nothing wrong with that again, not criticizing but I dont think thats making radio, at least in my mind.

You know making radio is actually doing everything in one take to me, you know live mixing and those sorts of things. So I built my own radio studio, and I opened it last week in Amsterdam, custom built radio studio for A State of Trance which also includes visuals. So from this week on, every week, youll be able to watch ASOT on Facebook, Youtube and a bunch of other channels for free. I think thats the next level in radio, in visual radio and also I want to go more in detail with the specific tracks Im playing. So whether its an album special or just a new release with a big artist, Ill try to get that artist in the studio or have them Skype in and tell us something about the track so you know its next level for a radio show.

Armin: Very difficult. Its an unbelievably big undertaking. First of all, we rehearsed for three weeks in Holland in a very very big hall, because we built the entire stage just for rehearsing. So every individual track was rehearsed and thats what I learned from [my theater director]Jos Thie. He actually lives here, its very rare that you see him but hes a very famous TV director and knows nothing about dance music. He comes from the world of theater production. He did massive theater productions. And to get him involved, and again hes not a dance music fanatic, he doesnt know anything about dance music, but to have him look at my world and have him be like Okay so you want a singer right? You want a singer to perform? and I said Yeah.

And weve all seen those DJ sets where theres a vocalist that just awkwardly walks in, theres a mic thats plugged into the DJM-900 and then the singer starts singing, its like uhhhhh You know you dont really want that. I think what you should do with a live vocalist and this is what Jostold me, if you want to do a live performance or anything it almost needs to be better than the vocal coming from the record. I mean why would you do it live otherwise? It has to enhance your experience listening to the song, right? Otherwise you can just play the original track because it sounds better. Its already recorded so why the hell would you do it live? But I really learned that people do appreciate vocalists singing the song live and trying to interact with the crowd and its so much fun to do with that.

Armin: Well that was a big part of it. We really thought long and hard about how we were going to do the stage design because I was in the Forum with the Intense show and we had a completely different stage, but the idea behind the stage obviously is that the crowd embraces me. Because thats the catwalk so.

Armin: You know, this is also about learning from Jos. Shows like these are more about the individual moments rather than the entire set. So if Im in a club or at a festival, Ill play a set, a coherent set, so a set that tells a story. Ill build up BPM wise, key wise, Ill try to have some surprises obviously but theres some form of flow to your set which is what I try to do as a DJ. But with the Armin Only show I still try to keep that flow but its more like, if you play a crowd that big and you play for that long, its really hard to keep the attention from the crowd. Their attention span becomes really short.

Armin: Thank you and well I guess mission accomplished! It was always my dream of discovering this sort of uncharted territory like I said and I think Im not saying this show is perfect but I think that this is a way that dance music could be headed. Trying to keep it more exciting for the crowd than just playing the tracks. You know, really enhancing those particular moments for example with the intro or with Adagio, I mean that was a drone that goes on for 2 minutes and 10 seconds and theres a drone just laying there in D sharp that just goes and then theres a trumpet player going over that and I talked long and hard with Jos and with Sander about that and I was like Am I really gonna do this? Am I really gonna have a trumpet player in a dance music show for 2 minutes and 10 seconds and a ballet?

But everyone gets the story, thats the funny thing.

We kinda wrote it on the spot when we were rehearsing because that wasnt a thing. I just wrote a drone and I put a break in the track and I put the drone there and then Eric started playing this beautiful trumpet and when he did that the first time we were all like Wow this is a magical moment, and then we had this little story that we he starts playing Adagio he turns his back to the dancer and the dancer sees that he doesnt want her anymore and its kind of this love story and everybody gets it! People were like That was really moving, and its a very simply story but because its so small and so little the effect when the beat drops back its like BOOM! You know? Its because its so simple you know? So going from really small moments and really trying to find that emotion, I guess thats what we really all want from music right? And a normal DJ set doesnt really give me the opportunity you know? Like if youre playing at Ultra or EDC or any big festival its not really possible to just have a trumpet player playing on a drone for 2 minutes. *laughing*

Armin: Yeah! So this show gives me more creative freedom in that sense.

Armin: And what was happening I mean its really strange, I mean the track is called Adagio for Strings and we did it with a trumpet, its not called Adagio for Trumpet. *laughing*

Armin: When I started writing for this show, obviously its based on my last artist album Embrace and yeah, you think about How am I going to do a 4-5 hour show around this album? How am I going to keep that interesting? So I just started to write a lot of music, new music for this show and try to come up with different ideas. Half of the ideas didnt even make the show. Its a big Actually I dont even have an idea what the hell Im doing with this show. *laughing* But its just, Im just trying to do what I do in the studio. When Im in the studio Im just trying to make something that I want to listen to. Because you know what, when Im making music theres no people there. Its just maybe some guys Im working with but theres no crowd there. So you never know if what you think or hope would work actually works in reality. Thats also the reason why and why Im coming back to radio, why Im so happy I have my radio show because actually I think it gives me an advantage over the rest. If you do a radio show, you get to test your music, not only for your own ears but also thanks to social media people actually talk back. I find that magical.

Armin: So I get to use I get to use your ears! Like if you were a trance fan youd listen to the show, I get to use your ears. And no matter what you mean like we all have a right to say this song is shit or this song is great, but you know it happened a million times that I got a song song and I was so excited about it and Id go on air and say this is the new song by such and such, its so great, its my tune of the week and then the week after it doesnt even get 2% of all the votes, and the other way around as well. Sometimes I get a track, I listen to it and its by some big artist thats hot right then and Ill listen and be like Im not really digging this and I play it and the listeners go Oh my god this is so great! So when you read those comments you kind of start to understand that track better. Im not perfect, sometimes I really have to see those comments online and sort of interact with my fans.

Armin: Yeah. Every week still, to this day. Every week theres a track that I go I mean, its the most boring answer you can give to an answer but I say always the tracks on my radio show. Other DJs inspire me man, I mean now especially, now that Im forty, I get so inspired by twenty one and twenty two year olds. Last year in Miami every single DJ was inspiring me. I went to Martin Garrix, I went to Oliver Heldens, I went Armand Van Helden, and all these DJs have such different approaches and I find it so exciting and so refreshing. I think that at the moment you have no reason to be negative about dance music, even though some of it is commercial. I think even though we have this bit of dance music on the radio and its commercial, there also is this massive underground that is flourishing and its so great. I mean twenty years ago it was completely unthinkable to have a festival with multiple genres and now its like you can listen to bass or drum n bass or whatever you want. Its a festival for you and I think that its phenomenal! I mean theres not a lot of dance music thats out there that I dont like.

Armin: Exactly! Thats my point, especially within the trance scene right now there seems to be a group of people that are very negative and they claim they can say what is trance and what is not and its basically if its not what they like then its not trance. Im like excuse me, are you the one that decides that? Also, trance is so broad, it used to be this and now you have the Arty stuff, the Above and Beyond stuff, which is fantastic. Then you have the Dash Berlin sort of EDM-pop kind of thing which is also phenomenal I think. Then you have Simon Patterson and Bryan Kearney, the more like tech-y psytrance kind of stuff, then you have the uplifting stuff that they call Orchestrance with the massive breakdowns and all the emo stuff, which is also fantastic. I want ASOT to be the home for all these sub-genres. Im not trying to exclude somebody or say this is not trance and this is not trance. If you think that Im not trance, fine, then Im not for you. Great, youre the customer so youre always right. But for me, everything I play is trance or dance music or whatever so I dont really want to I never look at Beatport at just in the trance genre, I also look at techno. Sometimes theres an amazing Remember that rack Oxia Domino or something which is also on Compact? Which is another techno label. Its almost a classic trance record when it was labelled techno. Thats what I mean though, music gets exciting if you cross that border and try to get out of your safety zone and open up a little bit.

Armin: Oh wow thats very cool! Yeah Gareth has always been very much on the forefront. I know Roxanne and Gareth well, and Ive always been a massive supporter of Gareth, hes done a lot of good for the scene. To be honest, I think of Saving Light, I even played it at the Forum, I didnt expect it to be number one but I think its great for trance. But you know I find sometimes, Beatport is not necessarily representative for whats happening on the dance floor. Maybe Im silly, but sometimes I feel theres no charts out there that are representing the dance floor adequately. I look at the Beatport top 100 and if I play any of the top 30 tracks my crowd would leave. Not to say its good or bad music but you know, I feel that the top 20 or 30 is not one hundred percent representative. It does mean something of course.

Armin: Yeah, 1001tracklists is important, I find that more representative of whats going on on the dance floor than I do with Beatport. But then again, having said that I love Beatport for its interface, for the fact that I can get WAV files there. I hope it will never die, because Beatport is amazing and it saved my life so many times. *laughing* You know, really I think its an amazing website and I think what those guys are doing is phenomenal. I just wish that we had a chart that was more representative of whats actually happening on dance floors.

Armin: Yeah but I mean it does say something. I know DJ Mag gets so much shit, and to a certain extent I can agree with the comments, but having said that I think what is good about any award show, charts, DJ Mag, whatever; what is good about it is the fact that we talk about it. That debate is needed in the scene very much, because even though you may not agree with the results of DJ Mag, I think that if you see a DJ that comes into the DJ Mag top 10 that you dont know, he must do something right. Yes, there is a lot of cheating going on, but you cannot cheat your way into the top 10, theres no way. There must be some truth to it. Maybe the numbers are not correct but it does say something. I do think its good for dance music because it does point a lot of attention to new talent that is coming up and it does really say something about the scene, whether the charts correct or not.

Armin: Yeah for me its a whole revival of the 92, 93 sound, and hes a phenomenal producer and amazing guy.

Armin: But yeah, it feels like that whole sound is coming back again, its just amazing. I think everything that is happening is amazing in that sense.

Armin: You know what, heres a bold statement. I dont really think that you can speak of dance music anymore. Because if you look at the top 40 right now, almost every track is produced in a dance music way. So, my statement is that electronic music has spread like an oil stain through all genres of music almost.

Most music is produced in a dance music way or a sequence. Most kicks even in rock records now are processed. You know, I find it very difficult to state. Im very interested in this, I like to read a lot of biographies, and if you look at for example lets take the Beatles. They started to involve Moog synthesizers on Sgt. Peppers Lonely Hearts Club Band and this was a very important moment in time. Why? Because at that point in 1964 the synthesizer was regarded as a devil-ish instrument. You know it wasnt an instrument because it was electronic and it wasnt real, it was not a real instrument so the fact that the Beatles had the guts to incorporate a Moog synthesizer on Sgt. Peppers Lonely Hearts Club Band was at that point in time a very essential point.

Heres where Im going: fast forward to this time and what theyre basically doing is theyre trying to involve unconventional instruments into their sound. This has always been essential for any music development, so my answer to your question is what does the future for dance music hold? I think its mixing and merging. I mean bass or trap music comes from, you know I hear elements, clear elements from jungle and two step. You know the two step sound from the late 90s, early 2000s in the UK. Speed garage, you remember that sound? So all these production elements, all these new sounds that are coming, theres these wiz kids that make the most amazing plug-ins that make the most amazing sound. Ableton is made for the birth of dance music.

So what you see is that technology has always had a massive, MASSIVE, influence on the development of sound.

Take Skrillex for example, without Ableton there would be no Skrillex, or the sound would be very different at least. Ableton has just opened so many doors for so many producers which is phenomenal, I think. So, my point is that I think in the future dance music will be mixing and merging and the development of new techniques has a massive role in that. So if you look in the KVR audio, the website, you see all these new plug-ins that are coming and they will have an effect on the sound of the future. And what I find exciting about trance music is if you look at I dont know many about other genres or styles but what I find exciting about trance music is that you can really see these eras in trance.

For example, in 2007 minimal became really big, and you saw that the trance producers were trying to incorporate the minimal sound into their tracks. Right now, whats really a trend in dance music is that a lot of DJs are trying to involve the impact of a psytrance produced track into trance. So a lot of the psytrance tracks, a lot of the trance producers look at psytrance because psytrance is so minimalistically produced compared to uplifting trance that the impact is a lot bigger because the kicks are not that long, you know sometimes in a trance track the bassline and kick are really fighting especially in a big room and then theres 3 notes of bassline so what you hear in a big room is this one big noise but in psytrance all the bass noises are a lot shorter, its like really short, so you can really hear right now in trance and a lot of trance uplifting producers try to copy that impact that a psytrance track has and I think thats amazing. Theres a development happening right here and right now. So thats just an example of what I think will happen in the future, theres just going to be a lot of mixing and merging.

Armin: Well Im super excited for the big show that Im doing on the 12th and 13th of May, Im finally doing the Amsterdam Arena which is a stadium and Im super excited about that. I hope people will appreciate the new radio show formula that Ive got going on and I hope you guys will let me know and tune in every weekend, and even if you dont have time to tune in live you can always go to Facebook or YouTube and watch the episode. Ive got a lot of new stuff coming up and Im excited and I hope to see you guys somewhere. Also, thank you for all the support weve had. Guys like you are becoming more and more important, its great. You guys are really influencing the scene which is very good I think.

All images viaAlive Coverage, Marc van de Aa

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What Happens When A Bass Head Interviews Armin Van Buuren About Trance [Exclusive] - Your EDM

Maidstone: DJ Nathan Martin starts trance event at Social Chill Bar in Week Street – Kent Online

A spur of the moment Facebook Live video stream on a Sunday morning has led to a new dance event in Maidstone.

When DJ Nathan Martin started playing trance tunes on his personal profile he was not prepared for hundreds of viewers and a raft of excited comments.

The 37-year-old, who was resident DJ at Banks Bar in Bank Street for 10 years and has played at world-famous club Ministry of Sound in London, said: The viewing numbers were going ridiculous and lots of people were commenting on how they missed trance.

DJ Nathan Martin. Picture: Banks Bar

Nathan, from Maidstone, approached Social Chill Bar in Week Street, where he hosts monthly night Debut, and decided to start a daytime event.

The first Trance, featuring former Ikon resident DJ Paul Johnson, Rascal Van Russ from Londons daytime Trance Sanctuary event, warm-up act Alex Faulkner, and Nathan, takes place from midday to 6pm on Saturday, February 18.

Search for Trance on Facebook or follow @tranceevents_uk on Twitter.

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Maidstone: DJ Nathan Martin starts trance event at Social Chill Bar in Week Street - Kent Online

Andrew Bayer & Ilan Bluestone Drop Massive Heater: Trance Fans Rejoice – EDM Sauce

Wow oh wow! This is not a drill everybody! Two of the biggest names in trance music have come together to produce arguably the most well orchestrated collaborative project that Anjunabeats as a label has ever seen.Andrew Bayerand Ilan Bluestone have teamed up to create a track entitled Destiny which contains an alarming amount of simultaneouspower and bliss. The track seems to be a perfect 50/50 split between the styles of both producers, sparking an incredible fire within the track that allows foe the build ups and the breakdowns to grab you by the heart strings and take you on an emotional journey. The track seems to fit its name with spot on accuracy, as the sounds and silences combine together to take the listener down the path to find their own destiny. A powerful experience this track is indeed,

With the two being announced as the headliners of the Anjunabeats North American Tour in a special back to back format, this song could be the precursor to what fans all over the continent will receive in their headlining sets. Something tells is this may not be the only collaboration they have ready for release, and hopefully attendees will be lucky enough to catch more from the duo over the course of their headlining slots. Either way, today is a great day for the trance community, and we can only hope for more! Check out the track below!

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Andrew Bayer & Ilan Bluestone Drop Massive Heater: Trance Fans Rejoice - EDM Sauce