"Ife," a film about two woman in love faces an uphill battle in a country where homophobia runs rampant – MSN Money

The Equality Hub A new film, titled 'Ife,' about two women in love, is challenging queer stereotypes in Nigeria's movie industry

Two women lay in bed in a tight embrace, one is stroking the other's hair and whispers that she is in love with her.

These intimate scenes wouldn't be out of place in a Hollywood movie, but in Nigeria's film industry, Nollywood, they are near taboo.

But Nigerian filmmaker Uyaiedu Ikpe-Etim says she is tackling the subject head-on in her new film titled "Ife," to create space for queer characters in the country's prolific movie industry.

"Ife'" means love in the Yoruba language, spoken in West Africa, and most prominently in southern Nigeria.

LGBTQ characters are described poorly in Nollywood and are viewed in problematic roles that encourage violence or judgment from viewers, Ikpe-Etim says.

"I'm queer so 'Ife' is dear to my heart. I wanted to represent LGBTQ characters in a different light than how they are shown in past stories, to change how heterosexuals view them," she explained.

The story centers on two women Ife and Adaora and the uncertainty surrounding their relationship. It is created in partnership with Equality hub, an NGO in Nigeria focused on fighting social injustices against sexual minorities.

"They come into problems when they are not certain of the future of their relationship considering that these two women live in Nigeria which is a homophobic country," she said of the storyline.

In the West African nation where homophobia runs rampant, Ikpe-Etim is an advocate for the country's lesbian, gay, bisexual, trans, and queer (LGBTQ) community.

Homosexuality is frowned upon in Nigeria. The Same-Sex Marriage (Prohibition) Act of 2014 says anyone found guilty of same-sex marriage faces up to 14 years in prison.

A 2019 survey by The Initiative for Equal Rights (TIERS), a Nigerian human rights organization, found that 75% of people in the country support the continued enforcement of the anti-gay laws.

Ikpe-Etim, 31, says "Ife" has no fixed release date yet but will be out before the end of the year.

What is certain is that it faces an uphill battle with Nigeria's film censors, who have said they may "go after the producers," if they find that the film promotes homosexuality.

The National Film and Video Censors Board (NFVCB) is the government agency set up to regulate films and videos in Nigeria.

Adedayo Thomas, executive director of the NFVCB, told CNN the board will not approve films that promote themes that don't conform with the country's "constitution, morals and traditions."

"We are monitoring the progress of the movie, and if it goes against the law by promoting homosexuality, we will be forced at some point to go after the producer and executive producer," he added.

According to Thomas, Ife was never submitted to the NFVCB before its trailer was released, making it impossible to classify or censor the film.

"We look at the content of the film and we look at the end. For example, in a movie that glorifies fraud, we look at how it ends, did the fraudster meet their waterloo? How the movie ends will determine our censorship. You wouldn't watch your kid to watch a film that glorifies fraud," he told CNN.

"Ife's" producer Pamela Adie says agencies like NFVCB suppress the creativity of filmmakers.

"If there is a demand for films like Ife and if people want it, and the censor's board does not approve then it means they are indirectly stifling the creative powers of filmmakers. To deny a film simply because of queer characters is discrimination," she said.

Nollywood has always had a problematic relationship with its queer characters, portraying them as mentally ill, under the influence of witchcraft or troubled.

In Emotional Crack, a 2003 film, one of the lead characters, Camilla falls in love with Crystal, a married woman who suffered domestic abuse from her husband.

Both women kicked off a relationship that eventually ended when Crystal became unsure of remaining in a same-sex relationship.

While the film was one of the country's early introductions into LGBTQ relationships, it repeated damaging stereotypes like branding Camilla as violent, predatory, and suggested that Crystal's lesbianism was as a result of being mistreated by a man.

Similarly, in a 2010 film, "Men in Love," the affair of the lead couple was tagged a "strong satanic bond."

Adie told CNN that she wants to challenge other filmmakers in Nollywood to create more nuanced queer stories devoid of the usual stereotypes.

"My hope is that Ife shapes things up, and mainstream Nollywood starts to think about stories that portray the reality of LGBT Nigerians," she explained.

The 36-year-old added that "Ife" is one of few films with a focus on lesbians in Nigeria, "a lot of representation has been geared towards gay men," she says.

Nigeria is not the only country with strict rules regarding films with strong LGBTQ representation.

In April 2018, Rafiki was banned by Kenya's Film and Classification Board (KFCB) because of its intent to "promote lesbianism," in the East African nation.

Despite the challenges around creating queer centered films in Nigeria, Adie says there has been an outpouring of support for "Ife" from audiences in the country.

"It is something that is groundbreaking. We have received support, from when we released the poster to the trailer. It feels like people didn't know they wanted this kind of content till now."

Continued here:

"Ife," a film about two woman in love faces an uphill battle in a country where homophobia runs rampant - MSN Money

A Nollywood film about two women in love faces an uphill battle in a country where homophobia is rampant – The Philadelphia Tribune

Two women lay in bed in a tight embrace, one is stroking the other's hair and whispers that she is in love with her.

These intimate scenes wouldn't be out of place in a Hollywood movie, but in Nigeria's film industry, Nollywood, they are near taboo.

But Nigerian filmmaker Uyaiedu Ikpe-Etim says she is tackling the subject head-on in her new film titled "Ife," to create space for queer characters in the country's prolific movie industry.

"Ife'" means love in the Yoruba language, spoken in West Africa, and most prominently in southern Nigeria.

LGBTQ characters are described poorly in Nollywood and are viewed in problematic roles that encourage violence or judgment from viewers, Ikpe-Etim says.

"I'm queer so 'Ife' is dear to my heart. I wanted to represent LGBTQ characters in a different light than how they are shown in past stories, to change how heterosexuals view them," she explained.

Homophobia in Nigeria

The story centers on two women Ife and Adaora and the uncertainty surrounding their relationship. It is created in partnership with Equality hub, an NGO in Nigeria focused on fighting social injustices against sexual minorities.

"They come into problems when they are not certain of the future of their relationship considering that these two women live in Nigeria which is a homophobic country," she said of the storyline.

In the West African nation where homophobia runs rampant,Ikpe-Etim is anadvocate for the country's lesbian, gay, bisexual, trans, and queer (LGBTQ) community.

Homosexuality is illegal in Nigeria. The Same-Sex Marriage (Prohibition) Act of 2014 says anyone found guilty of homosexuality faces up to 14 years in prison.

A 2019 survey by The Initiative for Equal Rights (TIERS), a Nigerian human rights organization, found that 75% of people in the country support the continued enforcement of the anti-gay laws.

Censorship of queer films

Ikpe-Etim, 31, says "Ife" has no fixed release date yet but will be out before the end of the year.

What is certain is that it faces an uphill battle with Nigeria's film censors, who have said they may "go after the producers," if they find that the film promotes homosexuality.

Adedayo Thomas, executive director of the NFVCB, told CNN the board will not approve films that promote themes that don't conform with the country's "constitution, morals and traditions."

"We are monitoring the progress of the movie, and if it goes against the law by promoting homosexuality, we will be forced at some point to go after the producer and executive producer," he added.

According to Thomas, Ife was never submitted to the NFVCB before its trailer was released, making it impossible to classify or censor the film.

"We look at the content of the film and we look at the end. For example, in a movie that glorifies fraud, we look at how it ends, did the fraudster meet their waterloo? How the movie ends will determine our censorship. You wouldn't watch your kid to watch a film that glorifies fraud," he told CNN.

"Ife's" producer Pamela Adie says agencies like NFVCB suppress the creativity of filmmakers.

"If there is a demand for films like Ife and if people want it, and the censor's board does not approve then it means they are indirectly stifling the creative powers of filmmakers. To deny a film simply because of queer characters is discrimination," she said.

Stereotyping queer characters

Nollywood has always had a problematic relationship with its queer characters, portraying them as mentally ill, under the influence of witchcraft or troubled.

In Emotional Crack, a 2003 film, one of the lead characters, Camilla falls in love with Crystal, a married woman who suffered domestic abuse from her husband.

Both women kicked off a relationship that eventually ended when Crystal became unsure of remaining in a same-sex relationship.

While the film was one of the country's early introductions into LGBTQ relationships, it repeated damaging stereotypes like branding Camilla as violent, predatory, and suggested that Crystal's lesbianism was as a result of being mistreated by a man.

Similarly, in a 2010 film, "Men in Love," the affair of the lead couple was explained away by a "strong satanic bond."

Adie told CNN that she wants to challenge other filmmakers in Nollywood to create more nuanced queer stories devoid of the usual stereotypes.

"My hope is that Ife shapes things up, and mainstream Nollywood starts to think about stories that portray the reality of LGBT Nigerians," she explained.

The 36-year-old added that "Ife" is one of few films with a focus on lesbians in Nigeria, "a lot of representation has been geared towards gay men," she says.

Outpouring of support

Nigeria is not the only country with strict rules regarding films with strong LGBTQ representation.

In April 2018, Rafiki was banned by Kenya's Film and Classification Board (KFCB) because of its intent to "promote lesbianism," in the East African nation.

Despite the challenges around creating queer centered films in Nigeria, Adie says there has been an outpouring of support for "Ife" from audiences in the country.

"It is something that is groundbreaking. We have received support, from when we released the poster to the trailer. It feels like people didn't know they wanted this kind of content till now."

View original post here:

A Nollywood film about two women in love faces an uphill battle in a country where homophobia is rampant - The Philadelphia Tribune

Why George Orwell’s Quote on ‘Self-Censorship’ Is More Relevant Than Ever | Brad Polumbo – Foundation for Economic Education

Rule One: Speak your mind at your own peril. Rule Two: Never risk commissioning a story that goes against the narrative. Rule Three: Never believe an editor or publisher who urges you to go against the grain. Eventually, the publisher will cave to the mob, the editor will get fired or reassigned, and youll be hung out to dry.

The above is a quotation from George Orwells preface to Animal Farm, titled "The Freedom of the Press," where he discussed the chilling effect the Soviet Unions influence had on global publishing and debate far beyond the reach of its official censorship laws.

Wait, no it isnt. The quote is actually an excerpt from the resignation letter of New York Times opinion editor and writer Bari Weiss, penned this week, where she blows the whistle on the hostility toward intellectual diversity that now reigns supreme at the countrys most prominent newspaper.

A contrarian moderate but hardly right-wing in her politics, the journalist describes the outright harassment and cruelty she faced at the hands of her colleagues, to the point where she could no longer continue her work:

My own forays into Wrongthink have made me the subject of constant bullying by colleagues who disagree with my views. They have called me a Nazi and a racist; I have learned to brush off comments about how Im writing about the Jews again. Several colleagues perceived to be friendly with me were badgered by coworkers. My work and my character are openly demeaned on company-wide Slack channels where masthead editors regularly weigh in. There, some coworkers insist I need to be rooted out if this company is to be a truly inclusive one, while others post ax emojis next to my name. Still other New York Times employees publicly smear me as a liar and a bigot on Twitter with no fear that harassing me will be met with appropriate action. They never are.

Weisss letter reminds us of the crucial warning Orwell made in his time: To preserve a free and open society, legal protections from government censorship, while crucial, are not nearly enough.

To see why, simply consider the fate that has met Weiss and so many others in recent memory who dared cross the modern thought police. Here are just a few of the countless examples of cancel culture in action:

These are just a few examples of many. One important commonality to note is that none of these examples involve actual government censorship. Yet they still represent chilling crackdowns on free speech. As David French put it writing for The Dispatch, Cruelty bullies employers into firing employees. Cruelty bullies employees into leaving even when theyre not fired. Cruelty raises the cost of speaking the truth as best you see ituntil you find yourself choosing silence, mainly as a pain-avoidance mechanism.

These recent observations echo what Orwell warned of decades ago:

Obviously it is not desirable that a government department should have any power of censorship... but the chief danger to freedom of thought and speech at this moment is not the direct interference of the [government] or any official body. If publishers and editors exert themselves to keep certain topics out of print, it is not because they are frightened of prosecution but because they are frightened of public opinion. In this country intellectual cowardice is the worst enemy a writer or journalist has to face, and that fact does not seem to me to have had the discussion it deserves.

Similarly, the British philosopher Bertrand Russell noted in a 1922 speech It is clear that thought is not free if the professional of certain opinions makes it impossible to earn a living.

Some might wonder why its really so important to protect speech and thought beyond the law. After all, if no ones going to jail over it, how serious can the consequences really be?

While understandable as an impulse, this logic misses the point. Free and open speech is the only way a society can, through trial and error, get closer to the truth over time. It was abolitionist Frederick Douglas who described free speech as the great moral renovator of society and government. What he meant was that only the free flow of open speech can challenge existing orthodoxies and evolve society. From womens suffrage to the civil rights movement, we never would have made so much progress on sexism and racism without the right to speak freely.

Silence enshrines the status quo. As John Stuart Mill put it:

If the opinion is right, they are deprived of the opportunity of exchanging error for truth: if wrong, they lose, what is almost as great a benefit, the clearer perception and livelier impression of truth, produced by its collision with error.

This great discovery process through free-flowing speech first and foremost requires a hands-off approach from the government, but it still cannot occur in a culture hostile to dissenting opinion and debate. When airing a differing view can get you mobbed or put your job in jeopardy, only societys most powerful or those whose views align with the current orthodoxy will be able to speak openly without fear.

Orwell and Russell were right then, even if were only fully realizing it now. Self-censorship driven by culture, not government, erodes our collective discovery of truth all the same.

Here is the original post:

Why George Orwell's Quote on 'Self-Censorship' Is More Relevant Than Ever | Brad Polumbo - Foundation for Economic Education

Who The Democratic And Republican Party Censors Are, For The ‘News’ You See & Hear – Scoop.co.nz

Thursday, 23 July 2020, 11:06 amArticle: Eric Zuesse

Eric Zuesse,originally posted at StrategicCulture

Back in July of 2016, I did a two-partarticle, American Samizdat Publication Forbidden in U.S., which went down therabbit-hole of news-suppression (censorship) in the UnitedStates but left, for the future, a more detailed descriptionof the money-track back to the individuals who control thatcensorship in serving the economic interests of the samebillionaires who control both the Democratic NationalCommittee and the Republican National Committee both ofAmericas two national political Parties (and they thusdetermined, forexample, in the Democratic Party, that Bernie Sanders wouldnever get that Partys Presidential nomination, though hehad the highest approval-rating of any politician in thecountry, and far higher than Hillary Clinton, Donald Trump,and Joe Biden ever had yet the billionaires fooledthe majority of Democratic Party primary voters to thinkthat he was too radical to be able to beat Trump, eventhough, in all polled hypothetical matchups against Trump,Sanders beat Trump by far higher margins thanClinton did, and basicallyequal to whatBiden did, so the electability issue wasfabricated by the billionaires press, in order to get acandidate who was acceptable to the billionaires tobe running against Trump).

A dictatorship functions bynews-suppression and other forms of censorship, even morethan it does by its own lying. It functions by deceit, butthe main way it deceives is by prohibiting the truth to bepublished on any of the billionaires (or other rulinggroups) media including all of the media that havelarge audiences.

News-suppression used to becontrolled by the CIAs OperationMockingbird, in which the owners andtop executives of the major news-media took theCIAs orders and trusted it to represent in the mostreliable way the collective interests of Americaswealthiest persons, so as to weaken those individualsforeign economic competitors. However, gradually, after the1976 Frank-Church-led U.S. Senate hearings into the CIAsdeceptions of the American public, Americas wealthiest the same people whom Wall Street firms also represent relied increasingly upon the nonprofits (foundationsetc.) that they controlled, in order to transfer some ofthis censorship-function over to those nonprofits privatize the censorship function. It was done so that thesame people who controlled the U.S. Government would be ableto continue controlling it and would allow into thebillionaire class new members (mainly technocrats) of thenations aristocracy. This would enhance the U.S.aristocracys collective control over the U.S. Government.There is less need, than before, for the CIA to do thecensoring. (So: the group collectively also constitutesits own gatekeepers. They dont rely onlyupon market-forces in order to determine who is us,and who is them, but any misbehaving member willincreasingly become treated as being one ofthem, and this will be reflected in the groupsnews-media. Its an oligarchy here, and not only anaristocracy. It is an exclusionary aristocracy.)

HughWilfords 2008 THEMIGHTY WURLITZER: How the CIA Played Americadescribed how, starting in the late 1960s, Americassuper-rich began transferring (privatizing) some of theircensorship-functions away from the Government, and intotheir own controlled news-media andnonprofits.

As the former Washington Postreporter Carl Bernstein headlined on 20 October 1977, THECIA AND THE MEDIA, in the wake of the ChurchCommittees report, and described that Senate reportscontext:

During the 1976 investigation of the CIAby the Senate Intelligence Committee, chaired by SenatorFrank Church, the dimensions of the Agencys involvementwith the press became apparent to several members of thepanel, as well as to two or three investigators on thestaff. But top officials of the CIA, including formerdirectors William Colby and George Bush, persuaded thecommittee to restrict its inquiry into the matter and todeliberately misrepresent the actual scope of the activitiesin its final report. The multivolume report contains ninepages in which the use of journalists is discussed indeliberately vague and sometimes misleading terms. It makesno mention of the actual number of journalists who undertookcovert tasks for the CIA. Nor does it adequately describethe role played by newspaper and broadcast executives incooperating with the Agency.

Ever since that time,the CIAs direct control over U.S. media has eroded andbecome privatized largely into the billionairesnonprofits, even while the CIAscontrol over the media in U.S.-allied foreignaristocracies has continued unabated, so as to extendyet further the American empire.

At the top in Americaare the billionaires who donate the most to politicians, andwhose tax-exempt foundations collectively carry out whatused to be the CIAs Operation Mockingbird thecensorship-function.

Two organizations especiallyshould be cited here as leaders of todays Americanbillionaire-class and privatized censorship operations, andany reader here should keep in mind that the largest fundersof these two organizations are themselves only hints at thebillionaires who control each one of them, and, furthermore,since these are only two such organizations, there might beother similar organizations that, perhaps in other ways, areequally important as these two determiners of the news thatthe vast majority of the U.S. public are, and will be,blocked from seeing and hearing (such as this).

Firstis a crucial operation that serves the Democratic NationalCommittee, the DNC (for links to sources, click onto theURL):

https://www.prwatch.org/cmd/index.html

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The Center for Media and Democracy (CMD)is a nationally recognized watchdog that leads in-depth,award-winning investigations into the corruption thatundermines our democracy, environment, and economicprosperity.

The Koch brothers and their networkof billionaires are operating with a reach and resourcesthat exceed those of political parties and they are usingthat power to erode the integrity of our elections and saptaxpayer dollars away from investments in publicinfrastructure, education, and healthcare to benefit narrowspecial interests and globalcorporations.

CMDs investigations, publicinformation requests, and lawsuits have ignited nationalconversations on money in politics and the distortion ofU.S. law and democracy at every level of government andin every region of the country. We believe in the publicsright to know how government operates and how corporationsinfluence our democracy and the true motivations fortheir actions. When necessary, CMD litigates to defend thatright and ensure those in power follow thelaw.

Since CMD first exposed ALEC in 2011, morethan 100 corporations have dropped ALEC, including Verizon,Ford, Coca-Cola, Wal-Mart, General Electric, and Google. Asa result of that ongoing investigation and other reporting,CMD is often contacted by whistleblowers wanting to make adifference. CMD has also researched the array of groups thatare part of ALEC, including numerous Koch-funded entitiesand national and state think tanks that are affiliatedwith the State Policy Network.

CMD files morethan 1,000 public information requests each year. Thisinvestigative watchdog work has broken through in thenational debate. For example, CMD exposed EPA AdministratorScott Pruitt's deep ties to the fossil fuel industry andrevealed lobbyist efforts to hide Chamber of Commercemembers overwhelming support for raising the minimum wageand providing paid sick leave, among other groundbreakinginvestigations.

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The fightto keep our democracy from becoming a plutocracy doesn'thave a scrappier warrior than the Center for Media andDemocracy. Bill Moyers

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CMDs groundbreakingexposs are featured on ExposedbyCMD.org.The watchdog also publishes SourceWatch, an encyclopedia ofcorporations, corporate special interest groups and theirleaders; specialized investigative websites, includingALECExposed.org;and its founding website, PRWatch.org.

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CMDs investigations have beenrecognized for their excellence and impact. Our recentawards for investigative journalisminclude:

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Deadly Spin: An Insurance CompanyInsider Speaks Out on How Corporate PR Is Killing HealthCare and Deceiving Americans

Toxic SludgeIs Good For You: Lies, Damn Lies and the Public RelationsIndustry

Trust Us, We're Experts: HowIndustry Manipulates Science and Gambles With YourFuture

Mad Cow USA

Weaponsof Mass Deception: The Uses of Propaganda in Bush's War onIraq

Banana Republicans: How the Right Wingis Turning America Into a One-party State

The Best War Ever: Lies, Damned Lies and the Mess inIraq

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Second is a crucial operationthat serves the Republican National Committee, the RNC (forlinks to sources, click onto the URL):

Read more:

Who The Democratic And Republican Party Censors Are, For The 'News' You See & Hear - Scoop.co.nz

Will Trump ban TikTok in the USA? – Vox.com

TikTok was never supposed to be political. When it launched in the US in 2018, the video app was marketed as a fun place to discover goofy content and experiment with its sophisticated editing software and vast music library. Yet nearly two years and 165 million nationwide downloads later, TikTok has been a platform for teachers strikes, QAnon conspiracy theories, Black Lives Matter protests, and a teen-led campaign to sabotage a Trump rally in Tulsa, Oklahoma. The TikTok algorithm is perfectly suited to spread political content faster and to a wider audience than any social media app in history, whether the company wants to admit it or not.

Now TikTok is proving itself to be political in a much broader way, one that challenges the very existence of the app. White House officials are talking seriously about attempting to ban it (how the government would choose to do so is less clear) in the wake of rising tensions with China, where TikToks parent company ByteDance is based.

There are two major factors at play when we talk about the risks TikToks ownership could potentially pose: data privacy and censorship. While the former is potentially easier to understand (the Equifax hack, where members of the Chinese military were charged with stealing the personal information of 145 million Americans, is perhaps the most famous example), the latter, which includes how TikTok instructs its moderators and changes its algorithm, could have more existential and more difficult-to-predict consequences for the US at large.

Will a ban actually happen? President Trumps chief of staff, Mark Meadows, said in July that a decision could come in weeks, not months. But the conversation is a lot more complicated than Is China stealing our data? although thats likely how the Trump White House would prefer to frame it. TikTok has become a straw man for fears over a serious competitor to Silicon Valley: If a generation of kids is synonymous with an app owned by China, what does that mean for Americas role in global technology?

Experts in cybersecurity and Chinese tech make it clear that the issue is not black and white, and that serious concerns about national security are likely rooted not in xenophobia but in the fact that the Communist Party of China (CCP) under President Xi Jinping has a track record of surveillance, censorship, and data theft. There are also those who warn that the US banning TikTok and other Chinese-owned apps could set a dangerous precedent for a less free and open internet ironically, the sort of internet modeled after that of China.

The governments interest in TikToks ties to China and its communist leadership stems from last fall, when Sens. Marco Rubio (R-FL), Chuck Schumer (D-NY), and Tom Cotton (R-AR) called for an investigation into the company. Their statements came after reports from the Guardian and the Washington Post revealed that TikTok had at one point instructed its moderators to censor videos considered sensitive by the Chinese government.

By November, the Committee on Foreign Investment in the United States (CFIUS), which investigates the potential national security implications of foreign acquisitions of US companies, announced that it would be reviewing ByteDances acquisition of Musical.ly, the app that would become TikTok. Meanwhile, TikTok has been steadfast in its claim that it does not send US user data to China and does not remove content sensitive to its government and would not if it were asked. Two Chinese intelligence laws from 2014 and 2017, however, require companies to assist with any government investigation and hand over all relevant data without refusal.

In a statement to Vox, a TikTok spokesperson wrote:

Protecting the privacy of our users data is of the utmost importance to TikTok. Theres a lot of misinformation about TikTok right now. The reality is that the TikTok app isnt even available in China. TikTok is led by an American CEO, with hundreds of employees and key leaders across safety, security, product, and public policy in the U.S. TikTok stores U.S. user data in Virginia, with backup in Singapore, and we work to minimize access across regions. We welcome conversations with lawmakers who want to understand our company. Were building a team here in Washington, D.C. so lawmakers and experts can come to us with questions or concerns. We know that actions speak louder than words, which is why were opening Transparency Centers in LA and DC so that lawmakers and invited experts can see for themselves how we moderate content and keep our users data secure.

In early July, Secretary of State Mike Pompeo told Fox News that the US was considering a TikTok ban after months of rising tensions with China and a ban of more than 50 Chinese apps including TikTok in India the week prior. Since then, TikTok users have been panicking over the potential loss of the internets greatest time waster; the Senate just advanced a bill to ban TikTok from all government devices. Facebook, too, is closing in: The company announced it will launch its copycat product, Instagram Reels, in the US in August.

Banning TikTok isnt as straightforward as it may sound in a country built upon the First Amendment, but there are several ways it could take place. The first is that CFIUS could force ByteDance to sell off TikTok to a US-owned company by determining it a national security risk (thats what happened to Grindr after it was sold to a Chinese company). Another is that it could put TikTok on whats called the entity list so that US companies like Apple and Google would be forced to remove it from their app stores. Adi Robertson at The Verge has a thorough examination of all these possibilities, but lets get to the real issue at play.

The case for banning TikTok, for many cybersecurity professionals, is relatively simple: The risk is simply too great, no matter how wonderful the content on the app may be. Kiersten Todt, managing director of the Cyber Readiness Institute, says that despite what TikTok claims, If the Chinese government wanted that data, they would be able to get that data.

While that may not scare the apps large user base of teenagers who are pretty sure the Chinese government doesnt care about their scrolling habits, Todt says its possible China could be building dossiers on high-profile individuals, including information like passwords, bank accounts, internet addresses, or geolocation, all of which could then be cross-referenced with even more personal data on other apps.

Ive been in the national security space for a couple of decades, and there is decades worth of evidence and data around Chinese interest, intent, and capability to hack the US, whether thats through intellectual property or through data theft, Todt says. The Chinese government hacked the broadest database of personnel in the US government. Theyre the only ones who have done that.

Todts other concern relates to Chinas role in the global tech wars at large. Artificial intelligence is only as good as the data that goes into it, and so if China continues to collect all of this data from populations around the world, its artificial intelligence has a lot more data input into it. How might it aggregate that data for the purposes of innovation, research and development and science? she asks. That can sound xenophobic, but it is a national security statement, just as we are cautious about Russia and Iran and North Korea for different reasons.

There are other arguments for banning TikTok, ones that relate to moderation and censorship. I find the data privacy issue to be a bit of a red herring, says Jordan Schneider, host of the ChinaTalk podcast and newsletter. The Chinese government has many likely more impactful ways of getting blackmail or corporate secrets or just general information about individual US nationals.

Instead, Schneider argues that the problem is the Chinese Communist Partys potential ability to influence conversation about politics on the app. People today are very concerned about the amount of power [Facebooks] Mark Zuckerberg has to value one type of speech over another or impacting elections by tweaking the algorithms and end up changing peoples opinions on certain things. So imagine if someone with the equivalent of Mark Zuckerbergs level of power over the US has no choice but to do what the CCP wants it to do? My sense is that is the case with ByteDance. He uses recent examples of Chinese disinformation campaigns on Twitter, Facebook, and YouTube around topics like the Hong Kong protests and Taiwanese independence.

I think theyve probably learned the lesson of 2016, which is that Russia can interfere in elections and basically get away with it, he says. What might that look like? For the average TikTok user, it wont really look like anything. You can just push certain videos more than others, and theres no open API to double-check these things, Schneider says. At the end of the day, the Chinese government clearly has the leverage to push ByteDance to do this sort of thing, and would honestly be dumb not to, because the prize is enormous, which is the ability to influence who the next president of the United States is.

It would be easy to leave it there, but Samm Sacks, a senior cybersecurity policy fellow at Yale Law Schools Paul Tsai China Center and New America who has testified before the Senate Judiciary Committee, warns against conflating Chinese tech companies with the CCP. There is much more of a push and pull in that relationship there, particularly around the security services access to private data, she says.

Plus, she argues that the incentive to censor content and steal user data is worth less than owning one of the worlds most important global tech companies. TikTok was intended to thrive and fly on its own overseas, and so its not necessarily in the Chinese government or ByteDances interest to set up the company to be secretly beholden to Beijing. Theres a commercial incentive at play that I think we have to take into account.

TikTok has, for many people in American politics and tech, become an existential threat that no amount of distancing itself from China building headquarters in the US and London, hiring a former Disney executive as its CEO will undermine. TikToks terms of use and black box algorithm are virtually identical to Facebooks policies, but its success has foreshadowed a potential end to Silicon Valleys dominance. Unspoken in many tech executives dismissal of TikTok is protectionism and, arguably, xenophobia.

Should the US government ban TikTok, Sacks says, it would be an important step toward the US government controlling the way that Americans use the internet, which is ironically a step toward Beijings own cyber-sovereignty, the very thing weve been railing against for years.

It also would likely be against the USs commercial interests. It offers a blueprint for others around the world to think, Maybe we dont trust the way that Silicon Valley companies are handling our data, so lets just ban them, too, she says. Were already starting to see the rise of digital sovereignty in Europe and in India in these really important markets, and when we think about the so-called tech competition with China, particularly with artificial intelligence and machine learning, what is it thats going to give US companies an edge? Its access to large international data sets. If we are increasingly closed out of markets around the world and access to that data because weve helped create a blueprint for how to do it with China, I could see those same tools turned around on us.

Instead, Sacks has called for a comprehensive federal data privacy law that would be applied to all platforms, not just Chinese-owned ones, that would create standards for better data security, algorithmic transparency, and better management of online content. All of the things that I think were using is China as a foil and saying, That company is a threat, lets stamp them out, [could be dealt with by] developing our own vision for how we want to govern the internet in a more democratic, secure way, she says.

China aside, a TikTok ban would have serious effects on American youth culture, where hundreds of teenagers have now built massive followings and spread important political messaging on an app that allowed them to reach huge audiences. Its changed not only the experience of being online but the experience of being a young person.

TikTok has serious flaws conspiracy theories in particular, some related to QAnon, Pizzagate, and the coronavirus, have thrived unchecked on the app but theres still no evidence that the Chinese government has anything to do with any of those. Would setting a precedent against any one Chinese-owned tech company solve the immediate issues that affect American social media users, namely misinformation, content moderation, and transparency? Or would it allow Silicon Valley companies like Facebook to continue to mimic competitors software and grow ever larger and more powerful? Its now in the hands of the government to decide.

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Will Trump ban TikTok in the USA? - Vox.com

We need to take back control of the internet – Spiked

Theresa Mays online harms agenda made a comeback this week. A new select-committee report tries to capitalise on widespread fear of the coronavirus in order to advance this censorious programme, which was not expected to be implemented until 2023. A barely noticed Ofcom report released last week is even more concerning. It lays out how parts of this controversial online-harms project are to be snuck into UK law indefinitely via an EU directive in just a few weeks time.

How we got here is important. And it demonstrates exactly why we were right to vote to leave the anti-democratic EU and why our illiberal elite was so in favour of it the EU allows politicians to implement their often unpopular agendas without public scrutiny.

The Online Harms Bill was unveiled by Therea May’s Conservative government in April last year in a panicked flurry after 14-year-old Molly Russell tragically killed herself after viewing online images of self-harm. The rushed proposals included a duty of care on tech firms and a regulator with the power to issue heavy fines to platforms which do not censor sufficiently. Initially, these harms included trolling and disinformation. The definition of harm was kept deliberately vague and expansive so that it could include new threats as they emerge. The dangers of these proposals for internet freedom have been pointed out before on spiked. And there is still a very real danger of mass censorship and the end of an open internet.

Julian Knight MP, chair of the Digital, Culture, Media and Sport (DCMS) Select Committee, which is behind the recent demands, insisted on Tuesday that the government get on with the world-leading legislation on social media that weve long been promised. His latest report discusses much more than self-harm videos. It calls for censorious action on anti-5G and anti-vaccination conspiracy theories, bigoted attacks on Asians linked to the virus, and, of course, Russian bots.

The report was, conveniently, released on the same day the Intelligence and Security Committee published its long-awaited report into Russian interference in British democracy. The calls for mass censorship were placed in a context of alleged attacks by the Kremlin. According to Knight, the proliferation of dangerous claims about Covid-19 has been unstoppable and without due weight of the law, social-media companies have no incentive to silence people.

Mays government published the initial Online Harms White Paper the month before I broke the news that it was to delay the unenforceable Internet Age Verification System (or Porn Block Law, as we called it at the tabloids). The age-verification policy was officially abandoned a few months later. Perhaps mistakenly, some of us had hoped this would lead Boris Johnson to take a more liberal approach than his authoritarian predecessor and that he would drop the online-harms agenda outright. But then, in October, culture secretary Nicky Morgan told parliament that online-harms legislation would, in fact, be pursued because of the failure of the porn-block law.

Meanwhile, Damian Collins, one of the agendas loudest proponents, was ousted as chairman of the DCMS Committee in favour of Julian Knight, shortly after Boriss re-election.

Now that Collins will no longer play a role in overseeing any official arbiter of truth online as some have framed the online-harms agenda he has recently set up an unofficial arbiter of truth. He is the founder of an independent, expert fact-checking service for coronavirus called Infotagion. Lord Puttnam, the chair of the Lords Democracy and Digital Technologies Committee, who made similar calls to rush through the online-harms agenda in June, is another founder. Infotagion answers questions like, Is the Illuminati behind the coronavirus? and Is the Covid-19 lockdown intended to create a police state? with answers such as, FALSE: DO NOT SHARE Lockdown measures are to reduce social contact to slow the spread of Covid-19. Collins and Co clearly do not have much faith in the intelligence of the electorate.

So who do they want to put in charge of regulating social media? The DCMS committee has given some hint in a previous report on fake news. It called on the government to use Ofcoms broadcast-regulation powers, including rules relating to accuracy and impartiality as a basis for setting standards for online content. In other words, they want our tweets, posts and YouTube videos to be controlled and mediated in a similar way to Sky News and the BBC.

And it looks like they are going to get their way. Ofcom revealed last week that it is pushing ahead with plans to regulate all UK-based video-sharing platforms. It will introduce interim measures, based on the Online Harms White Paper, to ensure the UK complies with the little-known EU-wide Audiovisual Media Services Directive. Ofcom put out a Call For Evidence on 16 July to help it finalise guidance, in which it described how it will enforce appropriate measures to protect young people from potentially harmful content and all users from illegal content and incitement to hatred and violence.

In other words, a form of the online-harms agenda pertaining to video at least has been foisted on the UK via the EU. Despite Brexit. And it will be enforced in autumn by Ofcom, just as censorious hardliners like Collins and the DCMS committee have demanded. Ofcom was chosen to do this because, according to last weeks report, the government concluded that the Online Harms White Paper process would not be completed in time before the EUs transposition deadline of autumn 2020 and before the UK fully leaves the Brexit transition period.

Outrageously, the directive will be made law in the UK in just a few weeks, with no serious parliamentary or public debate. And it will remain law after the transition period ends a few months later because all EU regulations will automatically be brought into domestic law. Ofcom adds that it will continue to work with EU bodies, which the UK will have no influence over, to enforce it and protect children from hate and content which could impair their moral development whatever that means.

Ofcom is completely unsuitable for this job. Social media is more like a town-hall meeting than a television broadcast. Normal people speaking online and in videos should not be regulated like broadcasters (which are already overregulated). And they should certainly not have to apologise or face punishment when they are wrong or one-sided.

One journalist covering the report suggested that the recent Darren Grimes interview with David Starkey, which contained a racist remark, would be the type of content which could be reported and even censored by Ofcom. However, that particular exchange was shown on YouTube and because YouTube is owned by Google and headquartered in Ireland, the video would, in fact, be regulated by an Irish body. Bizarrely, content made in Britain for a British audience could be censored by another EU state according to this interpretation of EU law. The platforms likely to come under UK jurisdiction are Twitch, TikTok, LiveLeak, Imgur, Vimeo and Snapchat, according to Ofcom.

Its hard to know what to make of this complex web of control and restriction. But self-harm videos are already dealt with by existing laws. And contrary to claims made by Knight and the DCMS committee, there is already too much censorship of online commentary about the Covid virus of everyone from journalists to scientists. Rather than a regulated internet, a free and open internet is needed more than ever. Rebel voices are essential in science. They are even more valuable in this era of mass conformism and should not be silenced because they go against the grain of establishment orthodoxy.

Unfortunately, the censors are winning. Social media and video platforms abandoned the principles of free speech some time ago, when they started deleting speech they considered hateful. Now, during the pandemic, they appear to have fully abandoned the principles of open inquiry and scientific method, too. They now routinely delete things they label misleading, removing the right to be wrong and presupposing that moderators know more than scientists who happen to be in a minority. The European Commission has unsurprisingly been pushing this agenda, meeting with the tech firms behind closed doors and forcing them to sign a new code of conduct and a pledge to remove fake news.

After Brexit, it should be, finally, time for our parliament and our people to have a say about what legislation and rules should govern our internet. Boris Johnson should repeal the EU version of the online-harms agenda and abandon the plan to implement the May governments proposals. After an initial backlash to those last year, the government insisted it would not force the blocking or deletion of legal content. It also gave some vague assurances to protect free speech. We must keep the pressure on and make sure this latest coup doesnt go unopposed.

Liam Deacon is the Brexit Partys former head of press.

Picture by: Getty.

To enquire about republishing spikeds content, a right to reply or to request a correction, please contact the managing editor, Viv Regan.

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We need to take back control of the internet - Spiked

Netflix Cancels Production of Turkish Original If Only Over Censorship of Gay Character – Variety

Netflix has canceled production of Turkish original If Only over government censorship of a gay character in the script, a source close to the streamer has confirmed.

The announced show was to have been produced by Turkish production powerhouse Ay Yapim and has been described in promotional materials as the story of Reyhan who is unhappy and disappointed in her marriage with Nadir. Ay Yapim has declined to comment.

Turkish authorities denied permission for If Only production to take place in the country after reviewing the script, in which one of the five characters was gay. Netflix refused to change the script and opted instead to cancel production of the show, while paying all preproduction costs, the source said.

Ay Yapim also produces another Netflix Turkey original, Love 101 (pictured), which recently stirred controversy in Turkey when speculation began circulating on Twitter in April that a character on the show would be revealed to be gay, reportedly irking Turkeys media authority. A Netflix spokesman has confirmed the show does not have a gay character.

Off the back of If Onlys cancellation, local reports in Turkey speculated that Netflix would pull all of its productions in the country. Variety has confirmed, however, that the streaming giant will continue with other projects.

Netflix remains deeply committed to our Turkish members and the creative community in Turkey. We are proud of the incredible talent we work with, the Netflix spokesperson said. We currently have several Turkish originals in production with more to come and look forward to sharing these stories with our members all around the world.

Netflix currently has five Turkish originals in various stages of production. The streamers first Turkish original The Protector has been a global hit and is considered a game-changer in terms of disrupting production models and storylines in Turkeys TV market.

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Netflix Cancels Production of Turkish Original If Only Over Censorship of Gay Character - Variety

Artist holds his tongue in protest of pandemic censorship in China – New York Post

SHANGHAI To protest censorship during the COVID-19 outbreak, a Chinese artist known as Brother Nut kept his mouth shut for 30 days, using metal clasps, gloves, duct tape and other items.

In the project #shutupfor30days he also sealed his mouth with packing tape with 404, the error code for a webpage not found, written across it, a nod to the blocking of online content that is common in China for sensitive issues.

If you ask me how an artist should digest unfair treatment, such as violence or censorship, my first reaction is: keep fighting, with art, said Brother Nut.

The 39-year-old artist has built a reputation for statement-making projects in a country where the room for dissent has shrunk and censorship has intensified under President Xi Jinping.

China faced a barrage of criticism over the virus that emerged late last year in Wuhan, from being slow to sound the alarm to the treatment of a doctor who tried to alert authorities about the outbreak but was reprimanded by police for spreading rumors.

The doctor, Li Wenliang, became a symbol of the outbreak in China and later died from coronavirus.

Sometimes I feel my job is similar to that of an NGO or a journalist seeking to raise awareness of social issues and the moves to counter them, said the soft-spoken, long-haired artist during an interview at a cafe in Shanghais M50 art district.

Brother Nuts previous performances include tugging a battery-powered vacuum cleaner around Beijing and creating a solid brick from polluted air.

In 2018, he invited a heavy metal band to play in a village polluted with heavy metals, prompting local environmental authorities to investigate the contamination.

To speak up for investors who lost their savings in a financial scam, Brother Nut staged a torch relay dubbed Good Luck Beijing, which in Chinese sounds similar to Beijing Olympics.

He was later detained for 10 days by police.

Threats and calls from police are commonplace, which he said makes him angry, rather than fearful, although he does not want his real name to be published.

Brother Nut acknowledged that during last months project to maintain silence, he sometimes spoke to himself while eating.

We need expressions of art whenever and wherever. Theyre like flowers growing in cracks and allow us to dance in the most desperate time, he said.

See the article here:

Artist holds his tongue in protest of pandemic censorship in China - New York Post

Bari Weiss Resigns From The New York Times, Alleging That ‘Self-Censorship Has Become the Norm’ – Reason

Bari Weiss, one of the most polarizing journalists in the country, has resigned from the opinion section of The New York Times, citing a "hostile work environment" and an institutional yielding to an increasingly extreme ideological "orthodoxy."

"The truth is that intellectual curiositylet alone risk-takingis now a liability at The Times," Weiss wrote in a scorching resignation letter self-published Tuesday morning. "Why edit something challenging to our readers, or write something bold only to go through the numbing process of making it ideologically kosher, when we can assure ourselves of job security (and clicks) by publishing our 4000th op-ed arguing that Donald Trump is a unique danger to the country and the world? And so self-censorship has become the norm."

This is the latest development in a remarkably turbulent and potentially far-reaching eight-week period within America's leading liberal institutions. Beginning with the videotaped police killing of George Floyd in Minneapolis in late May, then the subsequent protests, riots and crackdowns, the country's newspapers and universities and cultural organizations have experienced social media-fueled waves of internal revolts and leadership changes, frequently though not solely over questions of race.

One main fault-line, illustrated most starkly in the opposing open letters published last week about free speech and cancel culture (the first of which, in Harper's Magazine, was signed by Weiss and 152 others, including 15 Reason contributors), is the divide between those journalists and academics who feel like they are defending the very foundations of liberalism, and those who feel like they are chipping away at the institutions of systemic prejudice. To witness the two sides talking angrily past one another, open up your Twitter feed.

In Weiss's telling, the Times is retreating from the ethic of journalistic open inquiry and pluralistic debate, replacing it with a pre-baked notion of what readers ought to think.

"The lessons that ought to have followed the [2016 presidential] electionlessons about the importance of understanding other Americans, the necessity of resisting tribalism, and the centrality of the free exchange of ideas to a democratic societyhave not been learned," she charged. "Instead, a new consensus has emerged in the press, but perhaps especially at this paper: that truth isn't a process of collective discovery, but an orthodoxy already known to an enlightened few whose job is to inform everyone else.[T]he paper itself has increasingly become a kind of performance space. Stories are chosen and told in a way to satisfy the narrowest of audiences, rather than to allow a curious public to read about the world and then draw their own conclusions. I was always taught that journalists were charged with writing the first rough draft of history. Now, history itself is one more ephemeral thing molded to fit the needs of a predetermined narrative."

That last sentence in particular is surely a reference to the paper's controversial 1619 Project, helmed by Pulitzer-winner Nikole Hannah-Jones, that seeks "to reframe American history, making explicit how slavery is the foundation on which this country is built." Hannah-Jones, who spearheaded the intentionally publicized internal revolt last month that resulted in the resignation of Opinion Editor James Bennett, has been a longtime public critic of Weiss.

"My own forays into Wrongthink have made me the subject of constant bullying by colleagues who disagree with my views," Weiss wrote, at the beginning of a three-paragraph section that carries the distinct whiff of both drama and potential legal action. "They have called me a Nazi and a racist; I have learned to brush off comments about how I'm 'writing about the Jews again.' Several colleagues perceived to be friendly with me were badgered by coworkers. My work and my character are openly demeaned on company-wide Slack channels where masthead editors regularly weigh in. There, some coworkers insist I need to be rooted out if this company is to be a truly 'inclusive' one, while others post ax emojis next to my name. Still other New York Times employees publicly smear me as a liar and a bigot on Twitter with no fear that harassing me will be met with appropriate action. They never are."

It is both easy and appropriate to be mostly irritated by the overhyped internal personnel battles of elite coastal institutionsincluding at New York magazine, which today lost star columnist Andrew Sullivan a few weeks after having spiked one of his pieces. In a country beset by an 11.1 percent unemployment rate, 139,000 coronavirus deaths, massive economic uncertainty, and the mental degradations of extended familial quarantine, it's hard to get exercised about a well-paid writer/editor noisily walking away from her job.

I have zero doubt that Bari Weiss (who is a friend), will not just land on her feet, but probably find herself at or near the center of a new media grouping of some kind. "As places like The Times and other once-great journalistic institutions betray their standards and lose sight of their principles," she wrote, almost teasingly, "Americans still hunger for news that is accurate, opinions that are vital, and debate that is sincere."

But even if you don't care about the ongoing nervous breakdown of the media, that doesn't mean the breakdown doesn't care about you. The New York Times, for better and worse, has been the go-to model for the country's other newspapers for at least the past half-century; what happens on 8th Avenue definitely does not stay on 8th Avenue. Basic media literacy suggests paying attention when an entire industry that contributes to the way we interpret the world announces loudly that it is rethinking its basic orientation.

More immediately, the name-and-shame defenestrations of the past two months have long since jumped the banks from media/academia to the more prosaic corners of the economy. "Showing up for work as a centrist at an American newspaper," Weiss observed, "should not require bravery." Nor should it at a restaurant or software company, but there we might well be going.

Bonus links: In January 2018, Weiss came on The Fifth Column podcast to talk about, among other things, how she left The Wall Street Journal editorial page after it became too pro-Trump. And in July of that year, Nick Gillespie interviewed her for the Reason Podcast.

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Bari Weiss Resigns From The New York Times, Alleging That 'Self-Censorship Has Become the Norm' - Reason

Censorship in a time of coronavirus – Ynetnews

Israel's fight against the second wave of the coronavirus is thoroughly out of control.

Regulations are pulled out of thin air (shutting restaurants only to open them again too late to save the ditched produce), there is no organized database upon which to make decisions, people are confused due to the clueless leadership, and above all there is dwindling public trust in the government.

At war: Prime Minister Benjamin Netanyahu and Likud MK Yifat Shasha-Biton

(Photos: Adina Wellman and Alex Kolomoisky)

To those who are looking for political motive behind every struggle or argument, this is no longer about left or right, it is about life itself.

This theater of the absurd reached a crescendo on Saturday night, when Prime Minister Benjamin Netanyahu decided to fire his own Likud party's head of the Knesset coronavirus committee, MK Yifat Shasha-Biton, after she made it clear she was not going to automatically agree to every government decision.

Finance Minister Israel Katz also decided to reprimand his ministry's director-general Karen Turner-Eyal after she defended the head of the budget department Shaul Meridor against social media attacks from Netanyahu and other Likud members.

Meridor came under fire for daring criticize Netanyahu and Katz's plan to distribute money "to everyone" as part of their financial aid program.

The prime minister's son Yair Netanyahu even went so far as to brand anyone at the Finance Ministry who thinks before automatically reciting his father's talking points as "terrorists."

Under fire: Shaul Meridor

(Photo: Rafi Kotz)

It is not for nothing that Turner-Eyal said the comments directed at her colleague Meridor were "extremely violent."

Shasha-Biton, Turner-Eyal and Meridor are people who decided as part of their job to voice their concerns and expert opinion on the government's decisions decisions which are often controversial or downright motivated by foreign interests and political schemes.

They refused to align themselves with the narrative imposed on them from above. Yes, such officials might be a bit more "courteous" and express their thoughts via channels other than social media.

But to go for their heads? Is that how the Israeli government plans to fight the coronavirus pandemic?

Finance Minister Israel Katz and Director-General Karen Turner-Eyal

(Photo: Orel Cohen)

The preoccupation with what Meridor says or what Turner-Eyal is is tweeting is characteristic of a leadership that does not know how to handle a crisis such as the coronavirus.

True, the fight against the contagion is a tough one. It is much easier to blame political rivals, threaten anyone who does not toe party line and pit one against the other.

The politicians and the financial experts who criticize the government's decisions and warn of ill-advised plans are those certain they are doing their jobs as part of the fight against the contagion.

You can criticize them or disagree with them, but that is not the issue.

The problem is that anyone who thinks differently is being figuratively burned at the stake.

With such an attitude, it will be impossible to defeat the coronavirus.

Read the original here:

Censorship in a time of coronavirus - Ynetnews

Is Metacritics New Review Decision Leaning Towards Censorship? – Fortress of Solitude

Metacritic is implementing a 36-hour review delay to ensure that people actually had enough time to play a game before sharing their thoughts about it online.

Speaking to Game Spot about the new policy, a spokesperson for Metacritic said

We recently implemented the 36 hour waiting period for all user reviews in our games section to ensure our gamers have time to play these games before writing their reviews. This new waiting period for user reviews has been rolled out across Metacritics Games section and was based on data-driven research and with the input of critics and industry experts.

Although Metacritic says the delay isnt in response to user reactions to any particular game, the announcement does come a few weeks after The Last of Us Part II was released. The game was review bombed on the site.

Review bombing happens when users give a large number of negative reviews to a game, typically as low as possible, in order to drop its overall score. The popularity of the game is then harmed, which has an impact on sales and the revenue it can generate.

Its worth noting that a lot of negative reviews on Metacritic (and other review sites) are based on reactions to leaks regarding games, not people actually playing them.

By delaying user reviews, anyone visiting the site after the release of a game wont be bombarded by unfounded hate towards it. And reviews from critics and gaming publications wont get lost in the noise.

Review bombing has been a major problem for every site which aggregates scores based on reviews of video games, films, TV shows and music albums. The most notorious incident being an attempt to drag down Captain Marvels score on popular review site Rotten Tomatoes.

Some gamers might view the move as an attempt to stifle their opinions, and perhaps it is. But is that really a bad thing?

Ever since the rise of social media, Joe Public has been given a platform to shift the narrative in various areas of the entertainment industry. It only takes a second for a seemingly harmless comment or tweet to spiral out of control, forcing studios to change their CGI graphics, fire a director or change their casting choice.

The truth is cancel culture hides under the guise of an opinion, which everyone is entitled to, regardless of the facts laid out in front of them.

However, there needs to be a line drawn between the need to express and opinion and causing financial ruin to a company. A few cranky gamers shouldnt have the power to create multiple accounts and bombard a platform with low scores, essentially destroying something that doesnt belong to them.

Perhaps Metacritic is leaning toward censorship, but what we really should be wondering is why arent we doing it everywhere else too?

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Is Metacritics New Review Decision Leaning Towards Censorship? - Fortress of Solitude

Spare us the Twitter zealots and their pious left censorship – Sydney Morning Herald

Anyway, this was nothing compared to what the British writer Ian McEwan inspired on Twitter when he apparently poisoned the world by writing a novel narrated by a foetus. This was a sinister plot to humanise zygotes and, thus, outlaw abortion forever. According to NASA, which can heat-map Twitter outrages from space, there are about 4 billion collective spasms of strange and performative outrage each day, so the Foetal Narrator Controversy is naturally consigned to obscurity.

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Except in my memory, where Ive installed a plaque to commemorate it. The contagious apoplexy that McEwans (unread) book generated seemed to me a form of significant but undiagnosed illness, and one regret of deleting my Twitter account is not being able to cite the unhinged responses I received from folks when I asked them, sincerely, if they were serious.

You can say that ridiculing Twitters exotic grievances is an easy sport. Sure, except that years ago it seemed to me that Twitter wasnt merely reflecting, but engendering and magnifying, a kind of wickedly censorious piety. And one that was increasingly influencing journalists and artists. Ive had editors more interested in avoiding controversy than in judging the accuracy and value of my work.

Online, piety has no trouble finding affirmation. But the thing with piety is that it stubbornly resists private examination. This might work for the seminary, but it seems ruinous for a writer. Unless youre an awful one. In which case, this is an optimal environment to work in so, congratulations on being born to an age that enthusiastically supports your mediocrity.

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I suspect the most politically pious in this country wont be satisfied until certain professions have yielded their specific values and functions in deference to a vision of society that is perfectly liberated from aggravation. Its a vision of a giant creche.

All contest would be outlawed. Literature would become dogma. Universities would moonlight as daycare centres. The law would abandon its duty to evidentiary thresholds and the presumption of innocence, and become a place of infinite credulity. Comedy would cede the joys of irreverence, and prefer applause to laughter. Journalism would reject curiosity, exploration and corroboration, in favour of politically sanctioned advocacy and authentic personal essays. Increasingly, newsrooms will serve their readers a narrow, ideologically curated diet.

Ive disagreed with plenty of Bari Weisss work, but I agreed with her this week when she wrote, in her open letter resigning as an opinion editor at The New York Times, that a new consensus has emerged in the press ... that truth isnt a process of collective discovery, but an orthodoxy already known to an enlightened few whose job is to inform everyone else.

These days, its quite common to hear: It is imperative that a writer of non-fiction write only about experiences theyve had. When confronted with this stupidity, I experience my own violent irrationality and consider applying the credo in extremis by torching all newsrooms and the history sections of libraries.

A common defence of the lefts censoriousness however venomous and trivial is that it is merely free speech deployed against anothers. Thats fundamentally true, and its also disingenuous: the threat of mobilised zealotry is chilling speech.

I cant prove the negative here I cant measure the things not written or said. But I can tell you that Ive spoken to a few eminent writers about this authors of works wed consider classics who have told me they would not dare to publish the work today. One writer told me she had not slept the night she spoke to me about such things, so fearful was she that Id publish it. Thats a problem.

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Its also a problem when scholars are sacked for tweeting links to academic papers, when good faith cannot be distinguished from bad, when writers self-censor or have to explain that their insistence on complexity is owed to intellectual integrity and not, say, their belief in white supremacy or Satan.

Increasingly, those who have contributed to a culture of outrageous sensitivity are being impaled on the swords they helped sharpen. Past months have resembled a kind of woke purge. Which makes schadenfreude very easy to indulge, but well need to resist that dubious pleasure lest we perpetuate this cycle of mob-ruled destruction of careers and reputations.

This isnt either/or. It shouldnt be truth versus freedom. It shouldnt be inferred that criticism of this censoriousness means that the critic doesnt believe there arent righteous battles being fought. But you cant tell me that elements of this online piety arent absurd, indulgent or destructive.

You cant tell me that middle-class folk arent publicising interpersonal spats as proof of systemic violence, or that were not partially cannibalising culture in a moment of historic uncertainty and vast, easily industrialised disinformation. Or that I cant resist or make fun of Jacobin zealotry. You cant.

Martin McKenzie-Murray is a freelance writer.

Martin McKenzie-Murray is a regular contributor and a former Labor political speechwriter.

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Spare us the Twitter zealots and their pious left censorship - Sydney Morning Herald

Glenn Greenwald was cancelled from the Harper’s Letter warning about "cancel culture" – Boing Boing

On July 7, 2020, a group of 150 elite writers and academics, ranging from David Brooks to J.K. Rowling, signed their names to a letter in Harper's Magazine crying the alleged censorship of so-called "cancel culture" which is to say, angry voices on the Internet who disagree so vehemently with views they consider abhorrent that they use their right to free expression to boycott those views. "The Letter," as it's come to be known, was spearheaded by Thomas Chatterton Williams, and gestures broadly towards a few high-profile instances of "cancelling" without actually committing to any details or specific arguments beyond vague platitudes about "free speech"; supposedly, most of the signatories did not even read the final content of the actual letter before agreeing to add their name in support of these generic notions.

About a week later, evenmore writers and media professionals most of whom were far less renowned than Chomsky or Brooks or Rowling, including myself presented "A More Specific Letter on Justice and Open Debate," that addressed the specific instances alluded to in the original The Letter, while also pointing out the plainly transparent irony that, if you're a marquee name publishing a letter about a censorship inHarper's fuckingMagazine, you are, by definition, not actually being censored or cancelled. If you're a famous intellectual or writer, and people get pissed at you for, say, repeatedly spewing transphobic bullshit, and they stop buying your books because we live in a capitalist society and they do not want to financially support rhetoric that they consider to be hateful or harmful, then that's not censorship. It is, quite literally, free speech, and using good free speech to drown out bad free speech, which is exactly how all of the idealist platitudes about free speech say that it's supposed to work.

Are there times when this might go too far, and do some serious harm? Sure. And that sucks. But historically and despite the existence of "free speech" ideologies and laws this is something that has more often affected queer people, and people of color, and labor organizers, and so on. "The Letter" only seemed to arise as a reaction to the underdogs holding elite writers and thinkers accountable.

The "Cancel Culture" debate has continued to rage online, but nowhere has its Schadenfreude been in greater effect than in the promotional efforts of the man behind The Letter, Thomas Chatterton Williams. To be clear: Williams has shared some interesting ideas, some of which have made me pause and reflect, and many of which I disagree with. That's fine.

Less than a week after publishing The Letter, Williams boasted on Twitter about kicking a guest out of his home because of his ideas:

Williams deleted the original tweet, then deleted a follow-up tweet in which he explained that his wife made him delete the original tweet. Williams did not seem to recognize the irony in cancelling his own house guest something which is honestly fine, don't be a dick when you're in someone else's home or blaming his own spouse for cancelling his initial comments and then deleting those as well.

Later on his press tour for The Letter, Williams admitted that he had considered inviting Glenn Greenwald to sign it as well, but the committee decided that his views for too noxious, and no one wanted to associate themselves with him:

Don't get me wrong; Greenwald says some obnoxious things sometimes. He also says some intelligent and insightful things (I would argue that his greatest intellectual flaw is largely in his inability to see beyond the haze of his own gleeful Schadenfreude, but that's a topic for another time). On Twitter, Greenwald who acknowledged having some lovely interactions with Williams! said that, " its been obvious from the start that the Letter was signed by frauds, eager to protect their own status, not the principles." Which pretty much sums it up.

But Williams' own missteps on his publicity tour are painfully ironic proof that "Cancel Culture" is not the newfangled phenomenon that he thinks it is. Rather, it's something people have always done to protect their own comfort. And that's fine just, apparently, not when it threatens the comfort of comfortable people.

There are, undoubtedly, issues with "cancellation." But it's a non-partisan issue, and tends to hurt more people with lower social statuses. It's not some terrifying new threat growing within the hallowed walls of liberal arts colleges; in fact, people have been decrying the threat of "cancellation" by liberalsin theNew York Times opinion section for at least 50 years now. It's hardly the existential threat that elite voices have made it out to seem except that it's an existential threat to their status as unquestionable intellectuals.

You can watch Greenwald's System Update about the "Cancel Culture" scam above.

Margaret Keane was born in Westmeath, in the Republic of Ireland, and later moved to Coventry in the United Kingdom, where her and her husband raised six children. Throughout her life, Margaret remained active in the Gaelic Athletic Association, and after she passed away in 2018 at the age 73, her family wanted a gravestone []

Zoom performs work of China internet censors against users in the U.S.

Starting on Wednesday afternoon, the trending list on the popular Chinese social media app Weibo will be banned for one week, the Cyberspace Administration of Beijing said, for interfering with online communication orders, disseminating illegal information, and other problems

You dont often find laundry duty on the list of everyones favorite household chores. Sure, it isnt usually back-breaking work, but if youve got a family, especially a family with young children, it can feel like the never-ending churn and ever-present hum of the washer and dryer never ends. Which isnt far from wrong. Procter []

Some pieces of tech arent really expected to have personality. They were created for function, compact black squares that do their duty, do it well, and do it in relative obscurity. Then there are creations like the Tivoo-Max Smart Alarm Clock and Speaker. Its the equivalent of the theater kid in high school loud, []

If you can say anything for the current state of our world, it certainly isnt boring. However, the constant churn of high-stakes activity happening around us every day is enough to make even a Buddhist monk feel a twinge of anxiety now and again. We all need a way to release those tensions, depressurize from []

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Glenn Greenwald was cancelled from the Harper's Letter warning about "cancel culture" - Boing Boing

Netflix and Turkish govt talks break down over local series with gay theme – report – Ahval

Negotiations between Netflix and officials linked to Turkeys ruling Justice and Development Party (AKP) over a gay character featured in a popular Turkish series by the streaming platform have ended in a faceoff, journalist Cneyt zdemir said on Saturday.

The dispute revolves a coming-of-age comedy drama Ak 101 (Love 101) that featured a storyline surrounding a gay high school student Turkeys state broadcasting regulator RTK wanted censored.

After days of talks, Netflix drew the line at AKP's homosexuality censorship and stopped shooting the show in Turkey, zdemir said on Twitter. It refused to accept the censorship.

Shortly before Ak 101 launched in April, RTK headEbubekir ahinsaid the TV watchdog would not tolerate a homosexual theme, adding that RTK would apply sanctions to Netflix if the series featured a gay character. The subsequent airing of the show was interpreted as the series being clear of any themes of homosexuality.

zdemir wondered how the negotiations between Netflix, RTK and Turkish Tourism Ministry officials went. Which roles were wished to be changed in the show? How many Netflix shows did RTK look to censor? he said.

Could Turkey become the first country in the world to ban Netflix?

RTK, which is controlled by allies of President Recep Tayyip Erdoan, hascome under fire for turning increasingly conservativeunder the 18-year rule of his Islamist AKP.

Turkey's LGBTI+ community has faced considerable discrimination and hostility under Erdoans rule. In 2019, the International Lesbian, Gay, Bisexual, Trans and Intersex Association (IGLA) said that Turkey, Azerbaijan and Armenia were theworst ranked countriesin Europe for LGBTI+rights.

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Netflix and Turkish govt talks break down over local series with gay theme - report - Ahval

Democrat Councilwoman Who Said Toms River Too White, Claims She Received Threats, Calls for Facebook Censorship – Shore News Magazine

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TOMS RIVER, NJ After declaring that Toms River Township is not racially diverse enough for her liking, Toms River Councilwoman Laurie Huryk, a Democrat on Tuesday said she had received a threat in the mail. She waved a piece of paper in front of her, but did not read the letter. She did not say whether or not she reported the alleged threatening letter to the Toms River Police Department.

Huryk claimed the threat was in response to social media postings online after she told the township at the last council meeting that Toms River needs to do a better job at making the community more inviting to a greater diversity of individuals. Huryk has yet to explain how her plan to make the community more diverse would work and didnt explain how the current demographics of the community negatively impact the township.

According to census.gov, Toms River is 82% white, 3% black. As compared to the United States on whole which is 60% white and 13% black. New Jersey is 55% white and 15% black, Huryk said. We need to take a look at ourselves to examine what we can do as a community to make Toms River more inviting to a greater diversity of individuals and that of our state and the United States.

Huryk noted that the townships 82% white population is much higher than the state and national average.

Now, she claims she is being threatened and that her statement was twisted and misrepresented.

At our last meeting, I quoted U.S. Census data followed by self reflection inclusion, diversity and unity, Huryks said. My words were twisted and my meaning misrepresented on social media, resulting in escalating hateful and divisive commentary messages, voice mails, culminating in this disgustingly racist, threatening letter sent to my home. Im not going to read it, its extremely offensive and threatening.

Its where I live, with my family. As leaders in the community, it is our responsibility to be part of the solution, to work towards unity and condemn deceitful, divisive and hateful behavior. For the most part, this council and the previous have been shining examples of bi-partisanship, save one, she said, referring to Councilman Daniel Rodrick who has been working overtime to expose political corruption in Toms River government. Weve demonstrated that we can disagree but come to compromise and present civil for the most part.

Rodrick has been a key detractor in the townships plans to turn downtown Toms River into a fledgling city and has been speaking out against political corruption by other members of the council in Toms River.

Huryk said she also fully supports the organization Stop Hate for Profit which has organized a financial advertising boycott against Facebook to financially harm the social media companys business until it increases censorship on Facebook contributing to the dissent against the Black Lives Matter movement.

Whatever weve done is not enough, we must be ever determined in our efforts to stop the seeding and division and continuously work towards equality, inclusion and diversity and unity, Huryk said. Hate for profit has real consequences for real people. It is our job to return our world to civility and to quell the divisiveness and deception all day and every day.

Stop Hate for Profit seeks to remove public and private groups focused on white supremacy, antisemitism, violent conspiracies and Holocaust denialism, which is a very noble object.

The group also wants anyone on Facebook who talks about vaccine misinformation or climate denialism to also be banned from the social media platform.

According to the National Review, Huryks plan for forcing an unnatural demographic change in Toms River is part of her Democrat partys national platform to abolish the suburbs.

A story published by the National Review, entitled Biden and Dems Are Set to Abolish the Suburbs investigated Democrat Presidential Candidate Joe Bidens housing plan for America that seeks to eliminate single family zoning, as evidenced by the townships plan to build 7 story buildings through the Toms River downtown area.

Biden has embraced Cory Bookers strategy for ending single-family zoning in the suburbs and creating what you might call little downtowns in the suburbs, said Stanley Kurtz of the National Review. Combine the Obama-Biden administrations radical AFFH regulation with Bookers new strategy, and I dont see how the suburbs can retain their ability to govern themselves.

Kurtz said that the Democrats latest platform attacking the predominantly white suburbs is geared towards winning elections for the party, not a plan for the greater good of the people who already live there.

They will lose control of their own zoning and development, they will be pressured into a kind of de facto regional-revenue redistribution, and they will even be forced to start building high-density low-income housing, Kurtz said. [That], of course, will require the elimination of single-family zoning. With that, the basic character of the suburbs will disappear. At the very moment when the pandemic has made people rethink the advantages of dense urban living, the choice of an alternative will be taken away.

Is Huryk concerned about diversity in Toms River or is she now just towing the Democrat political party line for Joe Biden heading in the 2020 Presidential election?

This week, in Oregon, a politician was caught writing himself a hate letter he claimed was sent to him online.

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Democrat Councilwoman Who Said Toms River Too White, Claims She Received Threats, Calls for Facebook Censorship - Shore News Magazine

The Falcon and the Winter Soldier is officially delayed on Disney+ – Winter is Coming

Image: Disney/The Falcon and the Winter Soldier

Disney has released its schedule of new movies and TV shows coming to Disney+ this August. Theres some good stuff on there, including the originalX-Men movie,Ant-Man and the Wasp and the 2017 remake ofBeauty and the Beast. But whats nowhere to be seen isThe Falcon and the Winter Soldier, the first of the studios high-profile Marvel Cinematic Universe shows.

And thats not too surprising. Production on the show, which follows Sam Wilson (Anthony Mackie) and Bucky Barnes (Sebastian Stan) in the wake of the events ofAvengers: Endgamehad to shut down due to the coronavirus. Although it started back up eventually, apparently it wasnt in time to get the series out in time for August.

Disney is working on other Marvel shows, likeWandaVisionandLoki. The studio was also teasing that the former could be out this year, but with this news, you wonder if it too wont be pushed back. We were always gonna get to a point where the coronavirus started delaying new shows, and it looks like that point has arrived.

As long asthe second season ofThe Mandaloriancomes out this year, Ill be happy; so far as I can tell, most of all of that was shot before the pandemic started shutting everything down, so it should hopefully be alright. Its scheduled for October, but Id take November. Theres no new release date forThe Falcon and the Winter Soldierset as of yet.

As long as were talking about Marvels misfortunes, did you know that US attorney general William Barr called them out in a speech yesterday for censoring their movies in order to appease China, which is the worlds second-largest film market? Hollywood now regularly censors its own movies to appease the Chinese Communist Party, the worlds most powerful violator of human rights, he said. This censorship infects not only versions of movies that are released in China, but also many that are shown in American theaters to American audiences.

As an example, Barr pointed to Disneys decision to rethink the character of the Ancient One, played by Tilda Swinton inDoctor StrangeandAvengers: Endgame. In the comics, this character is Tibetan, but because Tibet is a hot-button issue for China, she was made Celtic for the movie. TheDoctor Strangewriter admittedthis was done to avoid angering China, since if they do, its possible the country wont allow the film into Chinese theaters.

Its no secret that China is a huge deal for movie studios, and its true that lots of them clip and edit their films for that market, or even alter them at the outset likeDoctor Strange. Chinese government censors dont need to say a word, because Hollywood is doing their work for them, Barr claimed. Whether the US government wants to crack down on that sort of thing remains to be seen.

To stay up to date on everything fantasy, science fiction, and WiC, follow our all-encompassingFacebook pageand sign up for our exclusive newsletter.

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h/tThe Hollywood Reporter

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The Falcon and the Winter Soldier is officially delayed on Disney+ - Winter is Coming

Idris Elba Doesn’t Think Racist TV Shows, Films Should be Censored or Pulled, Should Come With Warning Instead – The Root

Photo: Emma McIntyre (Getty Images)

Actor Idris Elba spoke with Radio Times about his thoughts regarding media censorship. In the interview with the magazine (released Tuesday), he says he believes television programs and films that are censored or flagged for jokes deemed inappropriate or offensive should come with a warning label, not be removed from their distribution platforms.

Im very much a believer in freedom of speech, Elba notes, but the thing about freedom of speech is that its not suitable for everybody. Thats why we have a rating system. We tell you that this particular content is rated U, PG, 15, 18.

Elbas comments come after several shows pulled episodes involving characters wearing blackface from streaming platforms, including Scrubs, 30 Rock, and Its Always Sunny in Philadelphia. HBOMax also found itself in the censorship conversation by removing Gone With The Wind from its platform over the films racist depictions of Black characters. It was restored to the streaming service in late-June with a new disclaimer about the films complicated legacy.

While Elba says that its fair enough that those who are in charge of these programs are pulling offensive episodes from being viewed, the 5-time Emmy-nominated actor says that its important that people are aware that this content, however inappropriate, is freedom of speech.

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To mock the truth, you have to know the truth, he continues. But to censor racist themes within a show, to pull itwait a second, I think viewers should know that people made shows like this...I think, moving forward, people should know that freedom of speech is accepted, but the audience should know what theyre getting into. I dont believe in censorship. I believe that we should be allowed to say what we want to say. Because, after all, were storymakers.

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Idris Elba Doesn't Think Racist TV Shows, Films Should be Censored or Pulled, Should Come With Warning Instead - The Root

Self-censorship on the rise in HK –

In the past two weeks, Hong Kong publisher Raymond Yeung has hastily made changes to a draft paper copy of a book entitled To Freedom (), replacing the word revolution with protests, tweaking a banned slogan and cutting passages that advocate independence for the Chinese territory.

The changes were hard to make, he said, but impossible to avoid since China passed a National Security Law on June 30, making the broadly defined crimes of secession, subversion, terrorism and collusion with foreign forces punishable by up to life in prison.

This is really painful, Yeung said, as he flipped through pages of the collection of essays by 50 protesters, lawyers, social workers and other participants in the pro-democracy demonstrations that shook Hong Kong last year.

This is history. This is the truth, he said, holding up the book with blue sticky flags on many pages to mark changes made because of the new law.

Just as demand for political books was surging in Hong Kong after a year of protests, the territorys once unbridled and prolific independent publishers are now censoring themselves in the face of the new law.

Hong Kong authorities say freedom of speech remains intact, but in the past two weeks public libraries have taken some books off the shelves, shops have removed protest-related decorations and the slogan Liberate Hong Kong! Revolution of our times has been declared illegal.

To Freedom is the first political book Yeung has taken on as a part-time publisher.

After Beijing introduced the security law, the books original printer bailed, and two other printers declined, he said.

Another printer agreed to take it anonymously, but wants to get a better sense of how the law is implemented first.

The Hong Kong Trade Development Council, which organizes the annual Hong Kong Book Fair, told exhibitors not to display what it called unlawful books at this weeks planned fair.

The council postponed the fair at the last minute on Monday due to a recent spike in COVID-19 cases. It did not specify a new date for the event.

Three non-governmental pro-Beijing groups had teamed up to urge people to report stalls at the fair selling material promoting Hong Kong independence, a subject that is anathema to the Chinese government.

Every citizen has a duty to report crime, said Innes Tang (), chairman of PolitiHK Social Strategic, one group behind the campaign. We are not the police. We are not the ones to say where the red line is.

Jimmy Pang (), a veteran local publisher who has participated in every fair since it began in 1990, called this year the most terrifying year because of the security law and the economic downturn that was already hurting publishers.

He said the law has prompted publishing houses and writers to halt projects while printers, distributors and bookstores have turned down sensitive books.

For example, Breakazine, a local Christian publication, said it suspended the distribution of its mid-July issue called Dangerous Reading while seeking legal advice for navigating the security law.

Everyone is avoiding risks by suffering in silence, said Pang, a spokesman for 50 exhibitors at the fair.

Last year, a unit of Pangs Sub-Culture Ltd published Chan Yun-chis () 6430 () a book of interviews with surviving pro-democracy protesters in the run-up to the 30th anniversary of the 1989 Tiananmen Square Massacre, a subject heavily censored on the mainland.

In the future, there will be no sensitive books related to politics, he said.

Bao Pu (), the son of Bao Tong (), the most senior Chinese Communist Party official jailed for sympathizing with Tiananmen protesters, founded New Century Press in 2005 in Hong Kong to publish books based on memoirs and government documents and other sources that often differ from the official versions of events in China and could not be published on the mainland.

His customers were mostly mainland visitors, a lucrative niche in Hong Kong until China began to tighten border controls a decade ago, making it harder to bring back books to the mainland.

Given the drop off in demand, Bao Pu said he no longer plans to publish such books in Hong Kong. However, he urged other publishers to avoid self-censorship.

If everybody does that, then the law would have much more impact on freedom of speech, he said.

Comments will be moderated. Keep comments relevant to the article. Remarks containing abusive and obscene language, personal attacks of any kind or promotion will be removed and the user banned. Final decision will be at the discretion of the Taipei Times.

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Self-censorship on the rise in HK -

The Threat to Civil Liberties Goes Way Beyond Cancel Culture – Jacobin magazine

In recent years, there has been a marked and disquieting increase in the willingness of a raft of actors left, center, and right, both in government and in civil society, to engage in a practice and attitude of censorship and to abandon due process, presumption of innocence, and other core civil liberties.

There have been some attempts from different quarters at a pushback against this, but the most recent such effort at a course correction is an open letter decrying the phenomenon appearing in Harpers magazine. The letter, signed by some 150 public intellectuals, writers, and academics including figures like Noam Chomsky, Margaret Atwood, and Salman Rushdie, has provoked a polarizing response.

Current Affairs editor Nathan Robinson, for example, argues that all this is a right-wing myth, slander against the Left, that those perpetrating the alleged acts of censorship are in fact relatively powerless, and that when incidents of alleged cancel-culture censorship are investigated, one finds that the targets are doing just fine after all.

Because the Harpers letter was fairly anodyne and declined to mention any specific incidents, Robinson cherry-picks a small sample of occurrences that he imagines must be what the signatories are talking about and tries to demonstrate that these incidents were really nothing-burgers of no consequence, distracting us from real issues.

What is true is that to limit this discussion to the acts of the extremely online mob, to, say, British author Jon Ronsons concerns about Twitter public shaming, or to the ill-defined term cancel culture, entirely misses the far wider atmosphere of an aggressive and accelerating threat to civil liberties.

It is understandable that a brief open letter would not offer a catalog of episodes, but this is nevertheless unfortunate, as it allows Robinson and others to maintain a nothing to see here, please move along stance.

When we do in fact consider such a catalog, we find that to deny that this is happening, or to diminish it as inconsequential is untenable. There are simply too many examples.

Consider efforts to ban Boycott, Divestment, and Sanctions (BDS) activists, other opponents of the current Israeli government, and critics of Zionism tout court from campuses. Since 2016, the Ontario legislature has been the site of multiple efforts to condemn or criminalize BDS activity and pressing campus administrations to cancel Israeli Apartheid Weeks.

In 2014, the University of Illinois at UrbanaChampaign withdrew an offer of employment to English professor Steven Salaita after some faculty, students, and donors asserted that his tweets critical of the Netanyahu administration during the Gaza war were antisemitic. Due to the controversy, hes been driven out of academic employment and now works as a bus driver. Political scientist Norman Finkelstein, another critic of the Israeli occupation, was denied tenure at DePaul University in 2007 after a successful campaign by the Anti-Defamation League and lawyer Alan Dershowitz. He likewise has difficulty finding employment and says he struggles to pay the rent.

When appeals to academic freedom and due process are raised in all these cases, the response from the pro-Likudnik right has echoed the no platform rhetoric from the Left, arguing that criticism of the Israeli government is hate speech and thus should not be protected (and indeed, in Canada, unlike in the United States, hate speech is not constitutionally protected). They also copy the liberal-lefts demand for stay in your lane identitarian deference (in which only the oppressed group concerned may speak to an issue), asserting that non-Jews cannot comprehend Jewish suffering and so must shut up and listen.

Despite his cancellation, Salaita does not support the Harpers letter. This is perhaps understandable given that English professor Cary Nelson is a signatory but was also among those who led the charge against hiring Salaita. It must be equally galling to him that New York Times opinion writer Bari Weiss, another Harpers signatory, spent her Columbia University days campaigning against pro-Palestinian professors for alleged intimidation of Jewish students under the Orwellian guise of Columbians for Academic Freedom.

But while Nelson and Weiss may be guilty of egregious hypocrisy, hypocrisy does not undermine the letters argument for freedom of speech. Despite Finkelsteins cancellation, or indeed precisely because he knows his cancellation to be a breach of academic freedom, he remains an adamant defender of freedom of speech. He knows that the solution to his own censorship comes not from censorship of those who censor him, but from an end to censorship entirely.

The upturning of lives and livelihoods comes not just in the arena of the Israel-Palestine conflict with respect to Salaita and Finkelstein. In some cases, the religious rights efforts to de-platform is actively defended by the Left, such as when Iranian feminist Maryam Namazie was shouted down in 2015 by Islamic conservatives at Goldsmiths University and the universitys feminist society defended their use of the hecklers veto.

There are those who deny that the current chilly climate amounts to censorship, as censorship is only something that can be imposed by the state. Some concede that it is also something that elites can impose. But both positions deny that censorship is something that the crowd can impose. Yet there are many cases that involve independent schools, so this plainly cannot be the action of a state, even as this is quite clearly censorship. And the Islamic conservatives at Goldsmiths could in no way be described as elites. So to suggest that ordinary people cannot participate in censorship or inculcation of an illiberal environment is to be blind to the ways that such attitudes can operate at multiple levels in society.

Campuses are in any case far from the only sites of struggle. Over the past two decades, conservative governments such as those of George W. Bush, Canadas Stephen Harper, Australias Tony Abbott, and now Donald Trump have repeatedly muzzled climate scientists and other earth science and conservation biology researchers.

Conservatives who historically tended to oppose free speech and held the American Civil Liberties Union (ACLU) as chief in its pantheon of villains have suddenly rebranded themselves as free expressions greatest defenders. But while they were happy to defend alt-right provocateur Milo Yiannopouloss right to express xenophobic and misogynist comments, when he began talking about the messy complications of the age of consent among gay men, they threw him under the bus.

Donald Trump has worked to clamp down on trade unions salting workplaces, that is, the century-old practice of getting a trade-union-friendly person hired at a workplace that is targeted for unionization. And perhaps most notoriously, the same man who at Mount Rushmore denounced a far-left fascist [sic] cultural revolution, calling for free and open debate instead, only weeks before used the National Guard to teargas and clear nonviolent protesters from the streets of Washington for the sake of a cheap photo-op.

One might expect the liberal-left to be among the strongest defenders of free speech at work, and of the right of workers to say what they wish, but too many have enthusiastically called upon employers to fire workers for alleged reactionary speech outside of the workplace, in effect cheering on at-will termination of employment, and embraced the multibillion-dollar human resources departmentorganized and employer-supervised sensitivity training industry, imposing top-down workshops, where workers are petrified they might say the wrong thing.

How this enhancement of the semifeudal powers of bosses to deliver 24/7 monitoring of workers speech is going to advance the trade union movement is a mystery. Instead, they should join efforts to organize unions both as the greatest bulwark against workplace censorship and the greatest weapon we have in delivering sexual, racial, and economic equality, and, if anything, pushing for the extension of First Amendment protection to the workplace.

Authoritarian governments such as the Islamic conservative administration of Turkeys Recep Tayyip Erdoan have demanded that comedians who make fun of them be censored by other governments. Germany acceded to the request for prosecution. In a similar fashion, China has convinced tech giants and even the NBA to censor discussion of human rights domestically and overseas. Hollywood is no less acquiescent, deleting from movies anything that Beijing objects to, from references to torture by Chinese police to appearances of Winnie-the-Pooh (a symbol of democratic opposition).

Meanwhile, too many on the liberal-left, like turkeys voting for Christmas, urge ever-greater de-platforming of hate speech from these tech companies, only to discover how easily their own expression gets categorized as hate speech and taken down (as when various left-wing groups were kicked off Reddit along with pro-Trump ones).

Liberal governments have been little better. Former president Barack Obama may have given a salutary address criticizing cancel culture, but he also used the 1917 Espionage Act to prosecute more leakers and whistleblowers such as Chelsea Manning and Ed Snowden than all previous administrations combined.

Secularists in France and Quebec have produced a raft of laws banning burkas or the veil in various forms, thus engaging in the same practice of telling women what they can and cannot wear as those who elsewhere force women to wear burkas or the veil.

Similarly, the French government of center-left President Franois Hollande marched alongside millions in the streets in defense of free speech after the Charlie Hebdo attacks, but then proceeded to prosecute school students for expressing their sympathy for the attackers.

Libertarian groups, to their credit, have criticized much of this, but when it comes to censorship by the likes of Facebook, Google, YouTube, Twitter, and Reddit, there is a sudden quiescence. Despite such social media platforms becoming a de facto public square, these are private companies, note libertarians. This is simply the workings of the market. Their stance is simply, If you dont like what they are doing, then dont sign their Terms of Service agreements.

The galloping advance of censorship and restriction of civil liberties is not restricted to high politics and Silicon Valley. Local conservative politicians in some two-thirds of European Union member state Poland have declared their regions LGBT-free zones and tried to ban Pride parades as far-right thugs violently attack them. In the UK there have been regular efforts by municipalities of every political flavor, police, and private security firms to restrict leafleting by NGOs, campaigners, arts groups, and businesses, as well as ever stricter constraints on busking, homeless people begging, ball games, inappropriate dress, and other annoyances under such vehicles as Public Space Protection Orders and antisocial behavior laws. And whenever there are major international meetings, cities now regularly restrict protests to designated free speech zones.

And as any journalists rights organization such as Reporters Sans Frontires or the Committee to Protect Journalists will tell you, there has been a radical change in the terrain of war in the last couple of decades where both state and non-state actors increasingly view journalists as legitimate targets, from Western bombing of TV stations in Iraq through Turkish imprisonment of reporters to Russian arrest of those exposing Kremlin autocracy to Mexican cartels silencing news crews investigating missing women. Trump meanwhile takes every opportunity to attack the media as an enemy of the people, even encouraging physical assaults on reporters by his supporters. Some activists on our side seem to be of a similar opinion that the media are fair game, too.

In short, there is an epidemic of censorship and a retreat from an ethos of civil liberties across the board, in almost every country, by those of almost every political persuasion, and at all levels of society. And if the liberal-left denies that illiberalism is occurring when we are the ones perpetrating it, as Robinson does, then we have no leg to stand on when it comes to all these other, innumerable examples. Civil liberties are for everyone, and above all for those we oppose.

Some of these examples are plainly worse than others, but we do not win or lose our right to free speech at the advent of the most extreme and obvious cases of censorship. It is already lost with the smallest of infringements, at the edge cases, and the ones where all reasonable people would agree that the speech is indeed hateful.

David Goldberger, the Jewish ACLU lawyer so committed to free speech that he represented a group of Chicago Nazis in court in 1977 to defend their right to march through Skokie, Illinois, recognized that it was even or rather precisely in these sort of cases where the struggle for liberty is won or lost.

It is a particular shame when it comes to the Left, historically the first champion of civil liberties. Many progressives today are not aware that the struggle for free speech was a central project of the Left and something that was historically resisted by the Right. We know of Thomas Paines and John Stuart Mills pioneering articulation of these freedoms, but Karl Marxs entire philosophy grew in part out of his fury at Prussian official press censorship as a young man; Frederick Douglass recognized that there could be no struggle for abolition without a defense of freedom of speech, and that abridgment of that freedom is a double wrong, for it violates the rights of the hearer as well as those of the speaker; Eugene Debs was tried and convicted for sedition, and his trial and those of his comrades would set in play the crystallization of American free speech legal protections that are the envy of the world entire; and the New Left and counterculture of the Sixties that in many ways gave birth to the current left began with the Free Speech Movement at Berkeley in 1964 under the leadership of giants like Mario Savio.

As a result, too many modern progressives, particularly younger ones, have become indifferent to free speech, or, worse, come to view the defense of free speech as something foreign to the Left and a weapon of oppression.

This is a historic disaster. Throughout the twentieth century, from Stalins purges to the Chinese Cultural Revolution and the Killing Fields of Cambodia, it was precisely when the Left abandoned civil liberties and embraced groupthink supposedly in the service of some greater good, that those who claimed the mantle of emancipation perpetrated their greatest evils.

Robinson decries such comparisons to Maoism or what Rolling Stone journalist Matt Taibbi has critiqued as Twitter Robespierres, saying that it requires guns and concentration camps for something to count as totalitarianism. Yet if you read the heartrending personal accounts of those such as Victor Serge who experienced the purges and the show trials, or Gao Yuan who participated in the struggle sessions of the Red Guards, or Dith Pran who experienced the collective indoctrination of the Khmer Rouge, you notice a pattern of pathological interpersonal relations that repeats itself over and over: a fear of speaking out, peer pressure, status-seeking through denunciation, a rush to denounce before one can be denounced oneself, self-criticism, public humiliation, a hunt for heretics, ostentatious displays of piety, and assertions that certain identities (petty bourgeois, kulaks, those who wear glasses, etc.) are inherently epistemically untrustworthy. These terrors of the past of course required material, economic conditions for them to emerge, but they were also built upon a foundation of morbid intragroup psychological dynamics.

The executions, torture, and imprisonment of these events were not simply the product of an external, alien force imposed upon its victims as in the case of an invasion by a foreign army or a coup, but perhaps even more terrifyingly, they were also a horizontal process that involved a breakdown of trust between friends, old comrades, coworkers, students and teachers, husbands and wives, even between parents and children.

Of course, intragroup illiberalism is something common to all humans rather than unique to the Left. We also see similar group dynamics when we explore historical events not directed by our political camp. The witch hunts of sixteenth-century Salem was another notorious instance of intragroup terror, the dynamics of which were famously dramatized by Arthur Miller as an allegory for McCarthyism and the associated blacklist. Here again we might note, contra the arguments that non-state actors cannot engage in censorship or illiberalism, that neither Hollywood studios that fired or no longer hired left-wing actors, screenwriters, and directors, nor the trade union bureaucracy that purged alleged Communists as part of that process, were agents of the state.

Yet because the Left is the cradle of civil liberties, we have a special responsibility to guard against illiberalism. After the experiences of the twentieth century, we will forever have a solemn task to constantly be on our guard against any recurrence of the morbid group dynamics that helped give rise to them, and within our own movements before anywhere else.

There is a need to let progressives who support free speech know that they are not alone and to give them confidence to speak out against censorship and illiberalism on their campuses, in their organizations, in their communities, or wherever someone imposes it, whether this comes from the right, center, or left, from the state or civil society.

But beyond the need for the Left to recognize that freedom of speech and civil liberties are the prerequisite for our own ability to organize, we cannot leave the discussion at the level of liberal principle.

As necessary as liberal freedoms are, socialists have always known that they cannot be fully realized within a class society. Liberalism contradicted itself by insisting on free markets and the right to own property, which undermine the equal exercise of all other liberal freedoms. Neither a poor man nor a rich man in liberal society have any legal restriction on the ownership of a printing press, but only one of these men materially has the ability, the freedom, to make use of that press. There is no true equality before the law so long as there remains class inequality outside the law.

In Karl Marxs first printed article, published in 1842, a report on the debates on freedom of the press in the Rhenish Diet, he attacks censorship of the press and then also the defenders of the bourgeois conception of freedom of the press as suffering from pseudo-liberalism and half-liberalism:

The French press is not too free; it is not free enough. It is not under an intellectual censorship, to be sure, but it is under a material censorship Therefore the French press is concentrated in a few places; and if material power concentrated in few places has a diabolical effect, how can it be otherwise with intellectual power?

That is, as mid-twentieth century democratic socialist and Berkeley Free Speech Movement militant Hal Draper explains in his 1977 exposition of what pushed Marx to go beyond the radical liberal conceptions of his youth: Tying the exercise of a freedom, then, to possession of enough money to operate it is a form of censorship too, and not to be borne.

Put another way, civil liberties may be the necessary condition for the Left to be able to argue for and to organize the building of an egalitarian society, but the building of an egalitarian society is the necessary condition for the realization of civil liberties.

Thus the limitations of the Harpers letter are certainly not that it decries censorship, or that it is anodyne liberal centrism, but that it does not take its professed values seriously enough. In the fight for civil liberties, Marx was right: neither censorship nor half-liberalism will do.

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The Threat to Civil Liberties Goes Way Beyond Cancel Culture - Jacobin magazine

A high school newspaper was cut during the pandemic. Is it a sign of things to come? – Student Press Law Center

CALIFORNIA Cassandra Garcia, a rising senior at Rialto High School in Southern California is fighting to bring back a journalism course at her high school after her principal removed the class from the fall schedule without informing students or the adviser.

Garcia is a reporter for the Medieval Times, Rialtos student newspaper. The schools previous principal brought the journalism course back five years ago after it had been dormant for over a decade, the Medieval Times faculty adviser Cassandra Rodriguez said. The former principal made it clear to students that the school would cover printing costs for the newspaper; but students fundraised for operating needs.

On March 17 the day California Gov. Gavin Newsom announced schools would likely close for the year Rodriguez received her course assignments for the 2020-21 academic year. She was confused why the journalism class wasnt included.

Rodriguez said Rialtos principal Caroline Sweeney assured her the assignments werent permanent. It wasnt until May that Garcias counselor contacted her saying she needed to pick another elective, because the journalism course had been permanently dropped Rodriguez said she was never informed of the cancelation.

Garcia said Sweeney attributed the courses removal to budgeting, staffing and student enrollment.

Garcia and Rodriguez questioned Sweeneys budget argument, given the original plan to cut the course was made before COVID-19 had fully gripped the nation. As for staffing, Rodriguez, an English teacher, said she enjoyed the course so much she was heading back to college to pursue a degree in journalism.

Garcia said she was the only junior on the Medieval Times staff during the 2019-20 academic year, and the rest of staff was made up of more than 20 now-graduated seniors. She said that by March, though, she had already personally recruited five students to take the course.

Sweeney has not responded to multiple requests for comment.

[the paper] gives students a voice to be reckoned with

Seeking to revive the newspaper, Garcia contacted Student Press Law Centers legal hotline in June for information on any legal defenses students might have against the course cancelation.

SPLC Senior Legal Counsel Mike Hiestand advised Garcia to file a Freedom of Information request with her school district requesting any documents proving the school faced scheduling, budgeting, staffing or enrollment challenges when it chose to cut the Medieval Times.

The school district responded to the FOI more than a month later, saying Garcias request was impermissibly vague, ambiguous, and lacking in sufficient clarity to allow the District a reasonable opportunity to identify discrete records in its possession, custody or control that are responsive to the requests, according to the districts response letter.

Attempting to censor

Last year, a student wrote an editorial in support of abortion rights, which Sweeney attempted to censor.

Garcia said Sweeney was offended by the article and told students it would be an outrage if the story ran. The story eventually did run along with a front-page article explaining why the censorship threat delayed the article.

This past year was Sweeneys first at Rialto High, which Garcia said likely made her timid about what the students chose to print. It was a vast difference from the previous principal who had been there for six years and was outwardly supportive of the Medieval Times.

Rodriguez said Sweeney also successfully stopped a column about serial killers, titled Faces of a Madman from running in that same issue.

The 1977 California student free expression law gives student journalists in the state expansive protections from censorship and prior restraint. Retaliation against faculty advisers for content produced by students is also illegal under the code.

California was the first state in the nation to pass a law specifically protecting student media.

I was in that unfortunate position of kind of having to explain to [Sweeney] some of the rules and that did actually create some awkwardness I guess, Rodriguez said. She [initially] seemed supportive, but after that incident I feel like that just changed her outlook.

Garcia said without the journalism class, student journalists will miss out on important reporting experience, and the entire student body will suffer from not having their voices heard.

Though the newspaper is mainly written by the students of the Journalism course, students from throughout the school are interviewed and included in articles, Garcia wrote to Sweeney in a letter from May on why the course should not be cut. They are also encouraged to write submissions that will be featured in the newspaper or on our new online website.

The class really teaches them how to be informed citizens, and it really can just guide their whole path into adulthood

It gives students a voice to be reckoned with, Garcia wrote. Students feel included in some way which can be hard in high school with teenagers still trying to find their clique.

Rodriguez watched some of her very first students in the course graduate college with journalism degrees this spring. She isnt giving up on the program, she said, and she wants students like Garcia to have the basic skills they need for college journalism courses.

Especially with the way things are for a student to be able to have this outlet to be able to have this learning experience in high school at this age is so important, Rodriguez said. The class really teaches them how to be informed citizens, and it really can just guide their whole path into adulthood everything should be done to keep the class I mean its for the students.

She said, regardless of the cut, she still plans to get a journalism degree.

Knowing your rights

Student journalists legal protections vary state to state, but it is unconstitutional for public schools to cut funding to student media for content-based reasons. Proving a cut was retaliatory in nature can be difficult, though.

COVID-19 has also created an enormous financial burden for schools, and administrators are beginning to cut student journalism (and other programs) to save money. But student journalists can fight these cuts:

I ask nearly all of my callers whats going on with their schools and particularly their j-programs and even now, a month out [from the start of the academic year] many arent sure whats going to happen, Hiestand said. I have had a couple people in programs that are purely extracurricular say that along with other extracurricular programs and clubs it looks like their programs may be eliminated or curtailed. [Rialto] was one of the first curricular programs to say they were axing their program entirely.

Student media organizations facing problems like limited access or defunding because of the pandemic can present their administrators with this letter to argue their case.

News media has been deemed an essential service in every state during the COVID-19 pandemic. Student media should be no exception, said Hadar Harris, Student Press Law Centers executive director.

Moreover, young journalists provide a unique and essential perspective at this time. They understand and can identify issues that older journalists might miss, Harris writes. They speak their readers language and provide a trusted forum for young voices to share their concerns and have their questions answered.

If you suspect your program is being targeted, in whole or in part, because of the content of past, present or future student media coverage, contact SPLCs free legal hotline right away. Adviser retaliation and content-based financial changes are censorship, and our attorneys may be able to help.

Want more stories like this? The Student Press Law Center is a legal and educational nonprofit defending the rights of student journalists. Sign up for our weekly email newsletter.

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A high school newspaper was cut during the pandemic. Is it a sign of things to come? - Student Press Law Center