Lim Heng Swee, Malaysian illustrator and visual artist has devoted his work to putting a smile on your face. These doodle a day projects definitely did the trick for me!

Thanks Lim!

Proteus Gowanus Interdisciplinary Gallery and Reading Room--my hands down favorite gallery in New York!--is having an excellent sounding benefit party this Saturday evening, and you are invited. Free food and wine and a variety of paradisical and profane amusements await! Oh, and its a good cause, too; Support Proteus Gowanus and you also support Observatory and the Morbid Anatomy Library, who number among its projects in residence!

Very much hope to see you there.

Photography: Marijana Gligic
Hair: Milica Shishalica

That’s one of the coolest haircuts I’ve ever seen.  Love the red, love the anatomy, love the model.

Project RED is the brainchild of photographer/designer, Marijana Gligic and hairstylist, Milica Shishalica who founded CUT Team, which brings together people from many creative fields, including photography, hairstyling, makeup, fashion, and set design.  The successful combination of these creative fields is made strikingly apparent in these photography that marry cutting edge hair and makeup with medical imaging and anatomy.

This weekend please join the Morbid Anatomy Library (as seen above) and sister space Observatory as we open our spaces to the public as part of the Atlantic Avenue Artwalk.

Following are the full details; Very much hope to see you there!

Atlantic Avenue Artwalk
Saturday and Sunday, June 4th and 5th
1-6 PM
543 Union Street at Nevins, Brooklyn
Free and Open to the Public

Directions: Enter the Morbid Anatomy Library and Observatory via Proteus Gowanus Gallery

R or M train to Union Street in Brooklyn: Walk two long blocks on Union (towards the Gowanus Canal) to Nevins Street. 543 Union Street is the large red brick building on right. Go right on Nevins and left down alley through large black gates. Gallery is the second door on the left.

F or G train to Carroll Street: Walk one block to Union. Turn right, walk two long blocks on Union towards the Gowanus Canal, cross the bridge, take left on Nevins, go down the alley to the second door on the left.

For more about the Morbid Anatomy Library, click here. You can find out more information about the Atlantic Avenue Artwalk, and get a full list of participants, by clicking here. You can find out more about Observatory and the exhibition now on view by clicking here.

Photo by Shannon Taggart.

During the decade of the 1870s, three young women found themselves in the hysteria ward of the Salpetriere Hospital in Paris under the direction of the prominent neurologist Jean-Martin Charcot. All three — Blanche, Augustine, and Genevieve — would become medical celebrities. The stories of their lives as patients on the ward are a strange amalgam of science and religion, medicine and the occult, hypnotism, love, and theater. The illness they suffered from was hysteria. This disease was not an arcane preoccupation of the doctors that treated them, but an affliction that would increasingly capture the public imagination. Stories about hysterical patients filled the columns of newspapers. They were transformed into fictional characters by novelists. Hysterics were photographed, sculpted, painted, and drawn. Every week, eager crowds arrived at the hospital to attend Charcot's demonstrations of hysterics acting out their hysterical symptoms. And it wasn't only medical students and physicians who came to view the shows, but artists, writers, actors, socialites, and the merely curious. Hysteria had become a fascinating and fashionable spectacle. But who were these hysterical women? Where did they come from? What role did they play in their own peculiar form of stardom? And what exactly were they suffering from?

... To what degree their disease was socially determined and to what degree it was physically determined is impossible to say. If they showed up at a hospital today, suffering from the same symptoms, they would probably be diagnosed with schizophrenia or conversion disorder or bipolar disorder. They would undoubtedly be diagnosed with eating disorders because they had bouts of willful starving and vomiting. However, if these women were alive today, they might not have become ill to begin with and no doubt would suffer from other symptoms.

I am convinced that Blanche, Augustine, and Genevieve were neither frauds nor passive receptacles of a sham diagnosis. They really did "have" hysteria. Located on the problematic border between psychosomatic and somatic disorders, hysteria was a confusion of real and imagined illness. In an era without demons and before Freud's unconscious, hysteria fell into a theoretical vacuum...

Hysteria may be an illness of the past, but the medical and ideological notions of femininity that lie behind it offer insights into the illnesses of the present and the way they are perceived. And while modern medicine no longer talks about hysteria, it nonetheless continues to perpetuate the idea that the female body is far more vulnerable than its male counterpart... Why has my study of a disease that is no longer officially a medical diagnosis compelled me to collect information on these new disorders? Why do the lives of three women who lived more than a hundred years ago feel so relevant today and resonate so strongly with the lives of women who are my contemporaries?

--Excerpt from the introduction to Medical Muses: Hysteria in Nineteenth-Century Paris, Asti Hustvedt, 2011

I have long been on the lookout for a scholarly yet accessible book--in English!--that could answer my many questions about the 19th century phenomenon of hysteria as spectacularly manifested at Charcot's Salpêtrière Clinic (depicted in the painting above). Asti Hustvedt's newly-released Medical Muses: Hysteria in Nineteenth-Century Paris--the cover of which you see above--has proven to be just the book I have been waiting for.

Hustvedt--whose memorable essays on hysteria and popular culture you might remember from the Zone Decadent Reader--uses the stories of 3 of the great divas of the Salpêtrière stage as a framework to examine the history of Charcot and his clinic and to adeptly and compellingly tease out the taxonomically-troubling overlaps that make hysteria so fascinating. Her examination of these overlaps--which include science and art, mind and body, the clinic and the carnival, miracles and medicine, theatre and hospital, the mind and the body, the occult and the scientific--beautifully frame the central paradox of hysteria, its simultaneous realness and imaginariness, baffling to this "era without demons and before Freud's unconscious."

This book is sensitive, informative, nuanced, insightful, engaging (I read it in a day and a half!) and extremely thought provoking; it is well illustrated with many images from Iconographie Photographique De La Salpêtrière (as seen in photos above) and provides a wonderful discussion of the relationship between these photographs and the understanding of the condition. It also provides a persuasive examination of contemporary maladies carrying on the hysterical tradition in a variety of ways.

This book is, to my mind, the long awaited perfect book on hysteria. For those of you with an interest in the topic, I simply cannot recommend this bo
ok more passionately!

You can find out more--and purchase a copy for yourself!--by clicking here. You can also come pay it a visit at The Morbid Anatomy Library; more on that here. You can read an extended excerpt of the book on the NPR website by clicking here and can find out more about the Zone Books Decadent Reader by clicking here.

Images:

• Painting: Une leçon clinique à la Salpêtrière, 1887, André Brouillet's. Photograph: AKG Images/Erich Lessing. Found here.
• Photographs: From the book Iconographie Photographique De La Salpêtrière (1877-1880), sourced from Wikipedia Commons and The Waring Historical Library online exhibit Dr. John-Martin Charcot and the Theater of Medicine.

The Skin I Live In is Pedro Almodovar’s latest film, based on Thierry Jonquet’s novel Mygale. The film recently premiered at Cannes and stars Antonio Banderas, Elena Anaya, and Marisa Paredes. According to /Film the story revolves around a plastic surgeon, Dr. Robert Ledgard (Banderas), who “manages to cultivate a skin that is a real shield against every assault. In addition to years of study and experimentation, Robert needed a further three things: no scruples, an accomplice and a human guinea pig. Scruples were never a problem. Marilia, the woman who looked after him from the day he was born, is his most faithful accomplice. And as for the human guinea pig….”

The movie sounds totally creepy and also great.

Under Glass: A Victorian Obsession
An Illustrated Lecture and Show and Tell with with Glass Parlor Dome Collector John Whiteknight
Date: TONIGHT: Thursday, June 2nd
Time: 8:00 PM
Admission: $5
Part of the Out of the Cabinet: Tales of Strange Objects and the People Who Love Them Series, presented by Morbid Anatomy and Morbid Anatomy Scholar in Residence Evan Michelson

A smoking monkey dressed as a Marquis, a Wild West scalping scene created in beeswax, a cemetery scene made from the deceased's hair, and stuffed pug dog puppies, all under glass domes!!!!!

The bell jar, or glass parlor dome, is synonymous with our memory of the Victorian Age (1837 - 1901). During the 19th century, these blown glass forms were referred to not as domes but as shades, and graced nearly every parlor, protecting a broad variety of treasures--including miniature tableaux, waxworks, natural history specimens, taxidermy of exotic birds and pets, automatons, and delicate arrangements of hairwork, featherwork, and shellwork--from dust and curious fingers.

Tonight, join parlor dome collector, scholar and author of the upcoming book Under Glass, A Victorian Obsession John Whitenight as he shares treasured objects from his more than 30 years of collecting, traces the art and history of the parlor dome in an illustrated lecture, and muses on the peculiar allure of the glass parlor dome, that extraordinarily thin bubble of glass which is at once barrier and invitation, creating an enchanted world which teases the viewer by saying, “ look at me, study me and enjoy me, but do not touch."

John Whitenight has collected antiques since he was a young boy. Along with his fever for collecting came a thirst for knowledge and a love affair with all things involving the Victorian era. Currently,his private collection consists of over 175 domes from four inches high to well over three feet high. As voracious for information as for new specimens, he has, over the years, become something of a scholar on domes and the various art forms beneath them. Feeling that this is an area that has been grossly overlooked in the study of 19th century decorative arts, Mr. Whitenight has decided it was time to put these wonderfully whimsical and eccentric Victorian concoctions into the spotlight where they belong; to this end, he is hard at work on a lavishly illustrated book on the topic entitled Under Glass, A Victorian Obsession.

Hope to see you there!

You can find out more about this event on the Observatory website by clicking here; you can access this event on Facebook here. You can get directions to Observatory--which is next door to the Morbid Anatomy Library (more on that here)--by clicking here. You can find out more about Observatory here, join our mailing list by clicking here, and join us on Facebook by clicking here.

Image: Tonight's lecturer John Whiteknight with a small part of his extensive collection of Victorian glass domes.

Last week, my friend Michael Sappol of the History of Medicine Division of the National Library of Medicine sent me a fascinating clipping relating to a book published in 1817 and entitled, amazingly, Thesaurus of horror; or, The Charnel-House Explored!! (exclamation marks and all! See above title page for verification). I asked him if he would be so kind as to write a guest post for this blog on the subject; he and his colleague, Jim Labosier, kindly and thoroughly obliged!

Following is the story in their own words and images:

How the National Library of Medicine got its "Thesaurus of Horror!"
In the spring of 1872 John Shaw Billings (1838-1913), on a quest to make the Surgeon General’s Library into “a great national medical library,” corresponded with Dr. Henry S. Jewett, the son of an old medical acquaintance, Dr. Adams Jewett of Dayton, Ohio. Billings asked for assistance in collecting books and medical journals. Jewett passed on the letter to his father, who offered Billings a variety of titles, including John Snart’s Thesaurus of Horror; or, the Charnel-House Explored!! (London, 1817), about which he wrote, “No Lib[rar]y is complete without the HORRORS!!”

Billings wrote in blue pencil on the letter “Wanted!!”

and accepted the Thesaurus, which still resides in the collection of the National Library of Medicine.

One of many contemporary works on premature burial (and perhaps a source for Edgar Allan Poe’s 1844 story, “The Premature Burial”), the Thesaurus comes equipped with this extensive subtitle:

…being an historical and philanthropical inquisition made for the Quondam-Blood of its Inhabitants! by a contemplative Descent into the Untimely Grave! Shewing, by a number of awful facts that have transpired as well as from philosophical inquiry, the re-animating power of Fresh Earth in Cases of Syncope, &c. and the extreme criminality of Hasty Funerals: with the surest methods of escaping the Ineffable Horrors of Premature Interment!! The Frightful Mysteries of the Dark Ages Laid Open, which not deluged the Roman Empire, but Triumphed over All Christendom for a Thousand Years! entombing the sciences, and subsequently reviving all the ignorance and superstition of Gothic Barbarity!

Snart (d. 1834?), a British optician who was strongly anti-Catholic and anti-Jewish, also wrote An Historical Inquiry Concerning Apparent Death and Premature Interment (1824); The Power of Numbers Exemplified by the Laws of Permutation (1819); Table of Four Hundred and Fifty Specific Gravities (1813); Mathematical Synopsis (1816) and several articles on astronomy.

You can peruse this book in its entirety on Google Books by clicking here. Also, I highly encourage you to click on the images to view much larger, entirely readable versions!

Thanks so much to Jim Labosier & Michael Sappol, History of Medicine Division, National Library of Medicine for this post!

I’m uncomfortable. Are you?

Sexually charged work by New York based design studio, Mirko Ilic Corp.

[via Behance]

I must confess that I have never actually read any H. P. Lovecraft's works, though I am, of course, well aware of the strong cult following he has engendered with many like-minded folk. Today I came across a link to an article about his favorite artists, and it reads--perhaps not surprisingly--like an illustrated who's who of my favorite historical artists of the fantastic and the grotesque--including Gustave Doré, Henry Fuseli and Francisco Goya--with a few great artists that I had never heard of thrown in for good measure, including John Martin, whose fantastic "The Great Day of His Wrath" (1851) you see above.

This article--by illustrator and graphic designer John Coulthart--is a terrific resource for aficionados of the gothic and fantastic in art; you can read it in its entirety (which I highly recommend!) and see lots of great images not included in this post by clicking here.

Found via i09.

This Week at Observatory: An artist's investigation into the Mütter Museum's famous Hyrtl Skull Collection! Meditations on the allure and history of the Victorian bell jar featuring a show and tell from an amazing private collection!

Full details follow; hope very much to see you there.

The Hyrtl Simulacrum
An illustrated lecture with artist Jeanne Kelly
Date: Tuesday, May 31
Time: 8:00 PM
Admission: $5
Presented by Morbid Anatomy

The Hyrtl Simulacrum is a multimedia, interactive augmentation to the museum experience that makes curiosity contagious and infects others with a sense of wonder. It uses museum artifacts as the foundation for creative historical fictions. These fictions are discovered through digital forensic facial reconstructions and analog interaction with story machines.

The stories begin with 8 of the 138 human skulls that combine to make up the Hyrtl collection, found in the Mütter Museum in Philadelphia, PA. Durning the late 1800's Dr. Joseph Hyrtl wrote what he knew about each person directly onto their skulls. The Hyrtl Simulacrum grew from these short stories written directly on bone. A famous Viennese prostitute, a tight-rope walker who died of a broken neck, a child murderer and a Tai bandit are only a few of the very real people chosen from the collection to become characters in this new narrative.

Combining her love of artistic anatomy, conceptual visual narrative, history, science and good story telling, the project has grown to include high-resolution CT scans of the original skulls, vintage photography, a variety of forensic reconstruction techniques, digital painting and image editing, large wooden interactive curiosity cabinets with miniature handmade dioramas inside and much more.

You can catch a preview of The Hyrtl Simulacrum at the Kellen Gallery at 2 West 13th St., where it will be on view through May 23rd.

Jeanne Kelly is an award winning conceptual artist, designer and all around creative. Research as design, scholarship as artistic medium, institutional insertion, collective narratives, public interventions and scripted spaces are the focus of her current work. In the creation of her own work and in collaboration with others, she has utilized everything from welding, painting and wood carving to flash animation, video projection and 3d modeling. Focusing over 20 years experience in the arts, she aims to enhance the current ideas of curation through the augmentation of the museum experience through fine art, interaction and narrative. Jeanne received her BFA in Painting and Printmaking from Virginia Commonwealth University and her MFA in Design and Technology from Parsons The New School for Design.

Under Glass: A Victorian Obsession
An Illustrated Lecture and Show and Tell with with Glass Parlor Dome Collector John Whiteknight
Date: Thursday, June 2nd
Time: 8:00 PM
Admission: $5
Part of the Out of the Cabinet: Tales of Strange Objects and the People Who Love Them Series, presented by Morbid Anatomy and Morbid Anatomy Scholar in Residence Evan Michelson

A smoking monkey dressed as a Marquis, a Wild West scalping scene created in beeswax, a cemetery scene made from the deceased's hair, and stuffed pug dog puppies, all under glass domes!!!!!

The bell jar, or glass parlor dome, is synonymous with our memory of the Victorian Age (1837 - 1901). During the 19th century, these blown glass forms were referred to not as domes but as shades, and graced nearly every parlor, protecting a broad variety of treasures--including miniature tableaux, waxworks, natural history specimens, taxidermy of exotic birds and pets, automatons, and delicate arrangements of hairwork, featherwork, and shellwork--from dust and curious fingers.

Tonight, join parlor dome collector, scholar and author of the upcoming book Under Glass, A Victorian Obsession John Whitenight as he shares treasured objects from his more than 30 years of collecting, traces the art and history of the parlor dome in an illustrated lecture, and muses on the peculiar allure of the glass parlor dome, that extraordinarily thin bubble of glass which is at once barrier and invitation, creating an enchanted world which teases the viewer by saying, “ look at me, study me and enjoy me, but do not touch."

John Whitenight has collected antiques since he was a young boy. Along with his fever for collecting came a thirst for knowledge and a love affair with all things involving the Victorian era. Currently,his private collection consists of over 175 domes from four inches high to well over three feet high. As voracious for information as for new specimens, he has, over the years, become something of a scholar on domes and the various art forms beneath them. Feeling that this is an area that has been grossly overlooked in the study of 19th century decorative arts, Mr. Whitenight has decided it was time to put these wonderfully whimsical and eccentric Victorian concoctions into the spotlight where they belong; to this end, he is hard at work on a lavishly illustrated book on the topic entitled Under Glass, A Victorian Obsession.

You can find out more about these events on the Observatory website by clicking here; you can access these events on Facebook here. You can get directions to Observatory--which is next door to the Morbid Anatomy Library (more on that here)--by clicking here. You can find out more about Observatory here, join our mailing list by clicking here, and join us on Facebook by clicking here.

Hambuster from Hambuster Team on Vimeo.

You may like having a good lunch in a quiet place as a park… But what if your lunch doesn’t? In the street everyone can hear you scream, but honestly who cares?

Hambuster is a graduation movie co-directed by five students from Supinfocom Arles. ?This production is a 6 min short film and it was all done in 3D stereoscopic.

I can’t believe this is a student project!  Apart from the awesome visuals, there’s some wonderfully rendered anatomy in there.

More info at hambuster.com

[spotted by Elena]

'Dopamine in a synaptic cleft' -Kyle Miller 16x20, Oil on Panel, 2010

'Dissecting the elephant' -Kyle Miller 16x20, Oil on Panel

It it’s not blindingly apparent, medical student and artist, Kyle Miller used his two favorite artists, Frank Netter, M.D. and Salvador Dali as his inspiration for the pieces above. He also called upon his experience in family medicine and psychiatry to weave the surreal around the structured anatomy.

Visit Kyle’s website, kyleraymiller.com, to read the interesting stories behind these pieces.

Tonight at Observatory! Hope very much to see you there!

A Virtual Tour of the Anatomical Collections of the University of Groningen
An illustrated lecture with Dr. Rolf ter Sluis, Curator and Director of the Groningen University Museum
Date: TONIGHT May 24th
Time: 8:00 PM
Admission: $5

Tonight, join Dr. Rolf ter Sluis--curator and director of the Netherlands based Groningen University Museum--for a virtual tour of the museum's historic and amazing anatomy and pathology collections. The majority of the collection consists of preparations in spirit, but also includes dry preparations where the veins have been injected with coloured wax, wax and Papier-mâché models, skeletons and skulls, preserved tattooed skin, and much more.

The core of the museum collection is drawn from the private collections of two important 18th century medical scientists, Petrus Camper and Pieter de Riemer. The collection of Camper, professor of medicine from 1763 - 1774, and his son Adriaan Gilles Camper consisted of anatomical, comparing anatomical and biological preparations, fossils, minerals and instruments. The collection was donated to the museum after Camper’s death in 1820 and there are still around 200 of his preparations in the museum collection. Another important part is the collection of the medical scientist Pieter de Riemer (1769 - 1831). He was especially interested in anatomy, surgery and obstetrics. The De Riemer collection, containing more than 900 preparations, came into the hands of the university in 1831.

Dr. Rolf ter Sluis is the Curator and Director of the Groningen University Museum. He also studied history and worked for 25 years as a registered nurse in Anaesthetics before taking on his role as curator and director of the collection.

You can find out more about this event on the Observatory website by clicking here; you can access these event on Facebook here. You can get directions to Observatory--which is next door to the Morbid Anatomy Library (more on that here)--by clicking here. You can find out more about Observatory here, join our mailing list by clicking here, and join us on Facebook by clicking here.

Jim Edmonson of the Dittrick Museum has just written a wonderful post on his museum blog about a rare book from the 1830s entitled Le Livre Sans Titre (The Book without a Title). This beautifully illustrated tome is a graphic warning against the perils of self-abuse, or onanism, via the tale of a healthy and handsome young man's slow decline--symptom by terrifying symptom!--under the influence of the deadly vice.

Mr. Edmonson has generously scanned the lovely hand-colored images and translated the captions from French to English, creating a kind of inadvertent 1830s graphic novel; I have republished the highlights here as a warning to young men, lest you trace this young and comely man's tragic fall and ultimate demise:

He was young, handsome; his mother's fond hope

He corrupted himself! ... soon he bore the grief of his error, old before his time... his back hunches...

See his eyes once so pure, so brilliant; they are extinguished! a fiery band envelops them

Hideous dreams disturb his slumber... he cannot sleep...

His chest burns... he spits up blood...

His hair, once so lovely, falls as if from old age; his scalp grows bald before his age....

He hungers; he wants to satiate his appetite; food won't stay down in his stomach...

His chest collapses... he vomits blood...

Pustules cover his entire body... He is terrible to behold!

A slow fever consumes him, he declines; all of his body burns up..

His entire body stiffens!... his limbs stop moving...

He is delirious; he stiffens against death; death gains strength.

At the age of 17, he expires, and in horrible torment!

As mentioned above, this is an excerpt from a larger piece; you can read the entire story on The Dittrick Museum Blog by clicking here. And click on images to see much larger, more detailed images.

Thanks very much to Jim Edmonson for making this available for public consumption!

Vincent Price was born 100 years ago tonight--May 27th--as the Great Dreamland Fire blazed, ultimately to consume a never-to-be-rebuilt Dreamland amusement park at Coney Island. Bizarre coincidence? Cosmic reincarnation?

Join us tonight as we try to figure it out with Hendrick's drinks bearing his name, theatrical performances, and the unveiling of a new 19th Century-style disaster spectacle!

Full details follow; Very much hope to see you there.

Unveiling of a brand new 19th Century style disaster amusement! Free Hendrick's Gin! Disaster tunes of yester-year! Lord Whimsy! Stars of TV's Oddities! Vintage Coney Island films curated by Zoe Beloff! Rare appearance of the old Dreamland Bell!

All this and more await you next Friday at our Centennial Celebration of the Great Dreamland Fire. Please, come celebrate the end of an era with us!

Full invite below. Hope very much to see you there!!!

Centennial Celebration of the Great Dreamland Fire Featuring the Opening of Coney Island’s Newest Cosmorama
Presented by The Coney Island Museum, The Morbid Anatomy Library, and Atlas Obscura
Date: Friday May 27, 2011
Time: 7:00 PM
Admission: $25 (Tickets at the door, or purchase here)
Location: The Coney Island Museum, 1208 Surf Avenue, Brooklyn (map here)

Next Friday, May 27th, you are cordially invited to a party commemorating the "awful splendor" of The great Dreamland fire of May 27, 1911, the most devastating disaster to hit New York City in the pre-9-11 era, a fire which devastated a never-to-be-rebuilt-Dreamland 100 years ago on this day.

This event will mark the premiere of the Cosmorama of the Great Dreamland Fire, a 360 degree immersive cosmorama telling the story of the great fire in pictures, sound, and light. Based on Coney Island’s great immersive disaster spectacles, the cosmorama is the product of months of labor, thousands of dollars, and the expertise of artists and artisans from the Metropolitan Opera, and uses real boards from the original Coney Island boardwalk in its construction.

The party will also feature a complementary gin bar with custom cocktails, disaster tunes of yester-year curated by The Foppinton Brothers, vintage Coney Island films, a rare appearance of the old Dreamland Bell, celebrity appearances, anatomical give-aways, myriad performances, and much more!

Full line-up:

• Complimentary Gin Bar (!!!) courtesy of Hendrick’s Gin and Atlas Obscura
• Our incomparable host, Lord Whimsy, author of The Affected Provincial’s Companion, Volume 1
• Special guest appearance by Ryan Matthew, Evan Michelson and Mike Zohn of TV’s “Oddities”
• A rare appearance of the long submerged bell of the Dreamland Pier, 100 years after its climactic plunge into the depths of the cold Atlantic
• Puppet Vaudeville from Jonny Clockworks and "The Cosmic Bicycle" of "The ClockWorks Puppet Theatre"
• Vintage Coney Island Films from the collection of artist Zoe Beloff
• Giveaways of anatomical puzzle and other sundries complements of Kikkerland Design
• Custom Cocktails and Early 20th Century disaster tunes complements of The Foppinton Brothers
• The Accordion stylings of Matt Dallow
• “Reconstruction,” a performance featuring contortionist Jonathan Nosan and with musical accompaniment by Gordon Beeferman, Composer/Pianist
• Sword Swallowing, burlesque and Coney Island entertainment
• 19th Century waxworks, freak animals, and a real shrunken head
• Unlimited access all night long to the newly unveiled Cosmorama of the Great Dreamland Fire
• And, of course, More!

Tickets are available by clicking here or purchasing at the door. See you there!

"Glowskull" - Mixed media

'Electric Love" - Mixed media

When I saw these in the Street Anatomy Flickr group pool, I did a double take. Created by the incredibly talented Scott Saw, who has a ton of anatomical works that I will also be posting very soon.  In the meantime, take a look through his site, scottsaw.com!

To celebrate (or mourn, depending on your point of view) yesterday's anti-climactic non-rapture, Morbid Anatomy has put together a very exciting week of illustrated lectures to take place at Brooklyn's Observatory! On Tuesday, join Dr. Rolf ter Sluis for a virtual tour of the underknown European anatomical collection he curates; on Thursday, author Jay Kirk will tell us the story of Carl Akeley, that "brooding genius who revolutionized taxidermy and created the famed African Hall we visit today at New York's Museum of Natural History;" and on Saturday, practicing medical illustrator Shelley Wall will discuss "how sexual anatomy, gendered bodies, and dimorphic sex have been represented in the visual discourse of medicine."

Heady stuff! Full details for all events follow; hope very much to see you there!

A Virtual Tour of the Anatomical Collections of the University of Groningen
An illustrated lecture with Dr. Rolf ter Sluis, Curator and Director of the Groningen University Museum
Date: This Tuesday, May 24th
Time: 8:00 PM
Admission: $5

Tonight, join Dr. Rolf ter Sluis--curator and director of the Netherlands based Groningen University Museum--for a virtual tour of the museum's historic and amazing anatomy and pathology collections. The majority of the collection consists of preparations in spirit, but also includes dry preparations where the veins have been injected with coloured wax, wax and Papier-mâché models, skeletons and skulls, preserved tattooed skin, and much more.

The core of the museum collection is drawn from the private collections of two important 18th century medical scientists, Petrus Camper and Pieter de Riemer. The collection of Camper, professor of medicine from 1763 - 1774, and his son Adriaan Gilles Camper consisted of anatomical, comparing anatomical and biological preparations, fossils, minerals and instruments. The collection was donated to the museum after Camper’s death in 1820 and there are still around 200 of his preparations in the museum collection. Another important part is the collection of the medical scientist Pieter de Riemer (1769 - 1831). He was especially interested in anatomy, surgery and obstetrics. The De Riemer collection, containing more than 900 preparations, came into the hands of the university in 1831.

Dr. Rolf ter Sluis is the Curator and Director of the Groningen University Museum. He also studied history and worked for 25 years as a registered nurse in Anaesthetics before taking on his role as curator and director of the collection.

Kingdom Under Glass: A Tale of Obsession, Adventure, and One Man’s Quest to Preserve the World’s Great Animals
An illustrated lecture and book signing with author Jay Kirk
Date: This Thursday, May 26th
Time: 8:00 PM
Admission: $5
***Books will be available for sale and signing

During the golden age of safaris in the early twentieth century, one man set out to preserve Africa's great beasts. In his new book Kingdom Under Glass: A Tale of Obsession, Adventure, and One Man's Quest to Preserve the World's Great Animals, Jay Kirk details the life and adventures of naturalist and taxidermist Carl Akeley, the brooding genius who revolutionized taxidermy and created the famed African Hall we visit today at New York's Museum of Natural History. The Gilded Age was drawing to a close, and with it came the realization that men may have hunted certain species into oblivion. Renowned taxidermist Carl Akeley joined the hunters rushing to Africa, where he risked death time and again as he stalked animals for his dioramas and hobnobbed with outsized personalities of the era such as Theodore Roosevelt and P. T. Barnum. In a tale of art, science, courage, and romance, Jay Kirk resurrects a legend and illuminates a fateful turning point when Americans had to decide whether to save nature, to destroy it, or to just stare at it under glass.

Tonight, join author Jay Kirk for an illustrated lecture based on his new book Kingdom Under Glass. Books will be available for sale and signing after the event.

Jay Kirk's nonfiction has been published in Harper's, GQ, The New York Times Magazine, and The Nation. His work has been anthologized in Best American Crime Writing 2003 and 2004, and Best American Travel Writing 2009 (edited by Simon Winchester). He is a recipient of a 2005 Pew Fellowship in the Arts and is a MacDowell Fellow. He teaches in the Creative Writing Program at the University of Pennsylvania.

Pub(l)ic Identities: Reading Medical Representations of Sex
An illustrated lecture with medical artist Shelley Wall
Date: This Saturday, May 28th
Time: 8:00 PM
Admission: $5

"It's a girl!" "It's a boy!"... The genitals, those body parts conventionally expected to remain most hidden, are also the first and most powerful shapers of our public identity. In this illustrated talk, medical artist Shelley Wall considers how sexual anatomy, gendered bodies, and dimorphic sex have been represented in the visual discourse of medicine. From early anatomical atlases through to present-day clinical illustrations and the Visible Human datasets, medical imagery has influenced ideas about sexual identity and what it means to be "normal".

Shelley Wall is a medical artist and professor in the Biomedical Communications graduate program, University of Toronto. Her research interests include biomedical representations of sex and gender, conventions in visualizing the embryology of sexual differentiation and intersex conditions, contemporary and historical visual prac
tices in relation to women's health, and medical humanities.

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If the Founding Fathers wanted to visit Body Worlds they could have. Or pretty darn close, at least - they just needed to visit one of the many European cabinets of anatomical curiosities, to see the work of anatomists like Honore Fragonard.

Fragonard's eighteenth-century ecorches were the clear precursors to Gunther von Hagens' "Body Worlds" exhibits: preserved, injected, partially dissected bodies in lifelike, dramatic poses, with ragged strips of muscle draped like primitive clothing over exposed vessels and nerves. The effect is eerie - like a Vesalius illustration sprung to (half-)life... --Bioephemera, "If the Founding Fathers wanted to visit Body Worlds..."

Much has been said--and rightfully!--about the "uncanny similarity" (as one might charitably say) between the anatomical works of Body Worlds' impresario Gunther von Hagens and the 18th Century allegorical anatomical ecorchés of Honoré Fragonard, cousin of well-known rococo painter Jean-Honoré Fragonard. Bioephemera says it very very well today--as quoted above--and follows with a really nice, extensive review of the new, wonderful, lavishly illustrated Blast Books publication Fragonard Museum: The Ecorches.

To read the entire post on the Bioephemera website--very much recommended!--click here. To order a copy of the book for your very own--also highly recommended!--click here.

The specimens you see above -- and more! -- are housed in the amazing Le Musée de l’Ecole Nationale Vétérinaire d’Alfort (née Musée Fragonard) right outside of Paris; to find out more about that museum, click here. Images as credited; to see more images from the Musée, click here. To visit the museum website, click here.

Image credits and captions:

• Top image: Fragonard's Horseman, found here.
• Second image: Fragonard's man with the mandible, inspired by Samson smiting the Philistines with an ass's jaw, found here.

All other images from the Bioephemera post. Captions, top to bottom:

• Nilgai/Doe of the Indies
• Human Bust
• Human Bust
• Installation view of The Musee Fragonard

Tons of old 1950s-esque anatomy going on here.

[spotted by Mike Moran]