Construction begins for Acura Grand Prix of Long Beach – Long Beach Press Telegram

Construction has officially begun for the Acura Grand Prix of Long Beach, which will roar back into town April 17-19.

Over the next seven weeks, the temporary 1.97-mile track will come together anew, using more than 2,400 concrete blocks.

The grandstands that will seat more than 187,000 fans are already taking shape.

To aid in the process, Honda Manager of Motorsports Communications T.E. McHale handed over the keys of two new Honda Ridgeline trucks which will help workers from Laborers International Union of North America local 1309 do their job.

Representatives from the Acura Grand Prix of Long Beach, Honda Motorsports and Laborers International Union of North America (LIUNA) Local 1309 gathered to kick off construction and track set set up for the 46th Acura Grand Prix of Long Beach will run April 17-19, in Long Beach on Tuesday, February 25, 2020. Construction of grand stands and the temporary race track has begun for the 46th Acura Grand Prix of Long Beach. Acura handed over the keys for two new Honda Ridgeline trucks to the Grand Prix Association of Long Beach to assist with construction. (Photo by Brittany Murray, Press-Telegram/SCNG)

Grand Prix Association of Long Beach President & CEO Jim Michaelian speaks to the press as construction, grand stand, and track set set up has begun for the 46th Acura Grand Prix of Long Beach will run April 17-19. Over the next seven weeks the temporary race track will form using more than 2,400 concrete blocks in Long Beach on Tuesday, February 25, 2020. (Photo by Brittany Murray, Press-Telegram/SCNG)

Construction, grand stand, and track set set up has begun for the 46th Acura Grand Prix of Long Beach will run April 17-19. Over the next seven weeks the temporary race track will form using more than 2,400 concrete blocks in Long Beach on Tuesday, February 25, 2020. (Photo by Brittany Murray, Press-Telegram/SCNG)

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Construction, grand stand, and track set set up has begun for the 46th Acura Grand Prix of Long Beach will run April 17-19. Over the next seven weeks the temporary race track will form using more than 2,400 concrete blocks in Long Beach on Tuesday, February 25, 2020. (Photo by Brittany Murray, Press-Telegram/SCNG)

Construction, grand stand, and track set set up has begun for the 46th Acura Grand Prix of Long Beach will run April 17-19. Over the next seven weeks the temporary race track will form using more than 2,400 concrete blocks in Long Beach on Tuesday, February 25, 2020. (Photo by Brittany Murray, Press-Telegram/SCNG)

Downtown residents will notice the construction, of course, but there will not be any street closures until the Wednesday before the race, according to Chris Esslinger, Director of Communications for the Grand Prix Association of Long Beach.

Esslinger noted there could be brief traffic delays as large pieces of equipment are moved but these delays will be rare, and the crews are careful not to work during peak traffic hours.

The flags and banners are already hung in anticipation of the race, featuring the NTT INDYCAR SERIES, IMSA WeatherTech SportsCar Championship, Pirelli GT4 America SprintX, SPEED Energy Stadium SUPER Trucks, Super Drift Challenge and the Historic Formula Atlantic Challenge.

Last year, Acuras lead-sponsor role was announced just 65 days before the race. Grand Prix President & CEO Jim Michaelian praised Acuras presence at last years race, despite the short time they had to prepare.

Now that Acura and the Grand Prix Association have had 362 days to plan: Fans will see an extensive expansion of the Acura presence, Michaelian said. There will be more event promotions, sweepstakes and advertisements.

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Construction begins for Acura Grand Prix of Long Beach - Long Beach Press Telegram

UCLA takes first Pac-12 Beach Volleyball Pair of the Week honor – Pac-12.com

PAC-12 BEACH VOLLEYBALL PAIR OF THE WEEK:Savvy Simo(SR/Rancho Santa Fe, Calif.)/Abby Van Winkle (SO/San Clemente, Calif.) Helped the top-ranked Bruins to a 5-1 weekend at the Outrigger Duke Kahanamoku Beach Classic, with all five wins coming against ranked teams before closing out the opening weekendwith a hard-fought 3-2 decision against then-No. 3 LSU.After Simo played on court four last year and Van Winkleon court three, the duo has paired upon court one, a court they had never played on until this season, taking down 2019 first team AVCA All-Americans Claire Coppola/Kristen Nuss from LSU in straight sets the first meeting but lost in three sets the second time around. It is the first time this duo has been honored with the Pac-12 weekly nod, but Simo's third-career recognition.

Also Nominated: Natalie Anselmo/Carly Lowry, ARIZ; Kate Baldwin/Lexi Sweeney, ASU; Madison Dueck/Alexia Inman, CAL.

2020 PAC-12 BEACH VOLLEYBALL PAIR OF THE WEEK

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UCLA takes first Pac-12 Beach Volleyball Pair of the Week honor - Pac-12.com

The Winter Surfers of Rockaway Beach – The New York Times

First light. Two figures stand on the boardwalk and scan the break. They look over a beach bleached of color, past wind-tattered WARNING flags, out to where waves are shattering against rock jetties. Then the two pick up their boards and shuffle across the snow and the sand and into the water, in a hurry to join the line of surfers bobbing offshore.

The winter season at Rockaway Beach, with its big waves and storm-fueled swells, attracts a devoted breed of surfer. The kind who wakes before dawn, who battles the A train, who navigates turnstiles with a surfboard, who when the waves are right will even surf in a gale.

Surfers change into their wetsuits on the boardwalk. (To do so anywhere but at the beach is frowned upon.) With only faces exposed, they look like seals in various states of physical fitness.

Chris Williams strips out of his clothes, but keeps his winter hat on. Hes a nursing student, and didnt have class this morning. So he went surfing.

Im not very good, he laughs, his breath pluming the air. But Williams appreciates the Rockaways, how its both peaceful and wild. And close.

Williams tugs on his wetsuit (winter suits are five millimeters thick and cumbersome). Then boots, hood, gloves. The technology makes winter surfing seem not so crazy, or so cold. Still, Williams says, that first slap of icy ocean water to the face is brutal. And its hard afterward, on the subway, trying to tie your shoes.

Some days the waves are a mess, but that doesnt stop Cindy Lai.

If you dont learn how to surf lousy waves, she says, dropping in an unprintable adjective, how are you going to learn? The waves today are definitely unprintable. Ugly, chaotic, formless, mean.

Lai leans into the wind and stares at the water. Beach foam whips at her ankles. After tucking her hair into her hood, she stretches: shoulder rolls, rotational lunges, side lunges with a twist. Shes a personal trainer in Chelsea.

She says she meditates on the subway ride here; when shes in the ocean, her mind is free. Lai paddles into the waves; they push her back.

Unfriendly! she shouts, her voice buffeted by the wind, the smile on her face intact. Lai retreats, moves down the beach, tries again. Ten minutes later she is still trying to get out past the waves but they wont let her.

After days of gnarly waves, the weather switches. Thick waves curl evenly to shore with a low rumble. Twenty surfers float outside the break, waiting. A wave rears up. One surfer tips forward and face-plants, board flipping skyward in a white polyurethane flag of surrender.

Another wave rises up. Another surfer leaps up and cuts down the face of it, knees bent, arms low, gaining balance, leaving behind a crash of white, gathering speed as time slows, as wave and surfer shoot from one side of the break all the way to the other until finally the wave eases and the surfer drops. In that moment, despite this taking place at a distance, the language spoken within that body is clear: euphoria.

A morning frost covers the beach. Dune grasses shiver. This doesnt stop the regulars. One man has been coming to the beach and bodysurfing. Without a wetsuit. He catches the waves inside the surfers and rides them to shore, a bare-chested bald torpedo. He stays out there an impossibly long time (the water temperature is 42 degrees) before coming in and running around the sand in tight little circles. He towels off, skin steaming. Drinks from a thermos. Pulls on pants, socks, multiple sweaters, a scarf. Clothed, he looks like a normal New Yorker.

Warren Sampson doesnt love surfing in the cold. He grew up in the Rockaways, but learned to surf in Jamaica. After serving 12 years in the Marines, hes now in school and works at Breakwater Surf Co. He also started a nonprofit school where he and his cousin teach surfing to local children. But thats in good weather.

You have to fight through it, Sampson says of winter surfing. He mutters something about mental fortitude, then paddles out to the break.

Sampson catches a few waves. A few waves catch him, flipping him around like hes not 200 pounds and built like an anchor, which he is. Thirty minutes later Sampson returns to shore, sore and breathless. Hes beaming: Im done!

Rockaway Beach, even in winter, is always in flux: waves, clouds, creatures. Nothing stays in one place for long. Sandpipers racing, sea gulls hovering, snow geese rolling over waves (they almost look as if theyre surfing). Dawn sky sliding from pink to gray. Container ships scud the horizon. Overhead, a winged leviathan, Japan Airlines Flight 006 from Tokyo, breaks through the clouds and descends toward John F. Kennedy Airport. A line of surfers floats offshore, waiting.

I need this, Steve Horney says as he scans the break. Its a crisp morning, with small waves. Horney has the beach to himself.

Discovering the Rockaways changed Horneys perspective on living in New York. Hes a physical therapist in the West Village; he has come out as often as he can this winter. After surfing hell go to Locals, the cafe and surf collective where he rents a locker to store his boards. Hell have a hot shower and an herbal tea before riding the A train home. But not yet.

Theres really something special about right here, right now, he says. He tucks his beard into his hood. Stretches his legs, arms, core. Then he walks into the surf, lifts himself onto his board, and paddles out into the ocean.

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The Winter Surfers of Rockaway Beach - The New York Times

Denby Fawcett: Clearing The Homeless Out Of Kuhio Beach Pavilions – Honolulu Civil Beat

City parks and recreation director Michele Nekota hopes by next month to issue a request for proposals for vendors to operate concessions in two pavilions at Kuhio Beach Park in Waikiki.

Nekota says the city will expedite the process with the new businesses up and running in the pavilions in four to six months. We would like to get them going as soon as possible, she says.

The goal of leasing out this public land at Kuhio Beach Park is to deny the area to hard-core homeless who have commandeered the pavilions for years.

But city officials are unwilling to describe the purpose quite as directly as that because, I suspect, of a concern that such a statement would ignite legal challenges from the American Civil Liberties Union of Hawaii for alleged discrimination.

The pavilions at Kuhio Beach park are frequently occupied by homeless people. The city now says it will lease out the pavilions to vendors.

Denby Fawcett/Civil Beat

All the city will say is that the new concessions will provide needed services for the public.

It has already leased two of the four pavilions fronting Kuhio Beach.

One current vendor has a three-year contract that can be extended for two more years to run an eatery called Grass Shack Bistro in the pavilion closest to Honolulu Police Departments Waikiki substation.

Another structure known as Pavilion No. 3 was leased out by the city last month to a beach services provider to rent surfboards and beach equipment as well as offer surfing lessons and outrigger canoe rides. That contract went to a nonprofit organization called Pacific Island Beach Boys, whose president is longtime Waikiki waterman David Carvalho.

City spokesman Alexander Zannes says the city offered just a six-month revocable permit because it wasnt certain a beach-service vendor in a roadside pavilion was a good idea or how it might affect other nearby city concession stand operators like Dive Oahu.

Pavilions No. 2 and No. 4, soon to be leased out, are still largely taken over by squatters.

All four of the pavilions at the beach were once open sided but that will change. The city has hired a contractor to install black aluminum folding grill fences for security each day after the concessions close for business.

Primatech Construction will install the gates and the city expects them to be up as early as May.

When I was young, the Kuhio Beach pavilions were called the hau arbors. Card, cribbage and chess players used them regularly. Always open, they served as shady places for the public to enjoy the sea air and beautiful ocean views.

This is another loss for the public, says Dr. Mary Flynn. Flynn is a retired pathologist who lives in Maunalani Heights.

I also feel bad about the loss of the pavilions as public open spaces because of the comfort they provided for Waikiki workers. Walking down Kalakaua Avenue to my gym, I often passed small groups of hotel maids gathered around the arbors tables to enjoy cold drinks, snacks and camaraderie between their shifts.

Or in very early mornings I watched workers in their hotel uniforms come from Mass at St. Augustines Church to relax over coffee in the arbors before starting work.

Two of the pavilions have already been leased to concession operators like this one who provide beach services.

Denby Fawcett/Civil Beat

But times have changed. In 2018, the pavilions were so filthy and crime ridden that then city Councilman Trevor Ozawa tried but was unsuccessful in winning approval for legislation to have them demolished.

The pavilions are not available to the public now because of the inappropriate activities going on in them, says Honolulu Deputy Managing Director Georgette Deemer. The activities that are provided by the concessions will allow the public to come back to use them.

Rick Egged, president of the Waikiki Improvement Association, says hed like the city to move as quickly as possible to lease out the pavilions.

I would love to see the old days come back but I dont see how that could happen, he says. The days of chess and checkers and old folks enjoying the scenery are gone. If the pavilions are left empty they fill up with people engaged in undesirable activities.

Some passersby are scared to enter the pavilions because of the emotional volatility of the mentally ill homeless and the stench of feces and urine. A few people monopolize tables by stretching their sleeping bags across them and dozing off.

Homeless squatters are required to vacate the pavilions only from 2 a.m. until 5 a.m., the hours that Kuhio Beach Park is closed.

And all people in the pavilions are required to remove their personal property from the structures from 6 a.m. until 9 a.m. to allow city workers to clean the areas, which they do each morning by leaf blowing and power washing at each pavilion.

The frustrated workers say the police do not regularly enforce the posted requirement for pavilion users to move their things to make way for the daily cleaning, so the workers are often like a maid service cleaning up around the occupants.

Homeless in the pavilions cannot be told to leave because of the sit-lie law. The citys anti-loitering ordinance applies only to sidewalks, not the pavilions and the grassy areas around the pavilions, which are part of Kuhio Beach Park.

Even the states most tireless advocate for the homeless agrees that the situation at Kuhio Beach has become dire.

There is a lot of nastiness going on in the pavilions. Bringing in concessions is not a bad thing, says Connie Mitchell, the executive director of the Institute for Human Services, Hawaiis oldest and largest homeless services provider.

She says when all four concessions are operating and the homeless no longer can monopolize the pavilions, many of them will move out to the sand on Kuhio Beach where dozens are already sleeping.

People have to be prepared for that, Mitchell says. The people in the pavilions are the chronic homeless with mental health, alcohol and drug abuse problems. There is no structure, no system in place yet to motivate them to seek treatment on their own. There is no carrot. Their illnesses have robbed them of the ability to made good decisions for themselves.

Advocates for the homeless say chasing them out of the pavilions is unlikely to persuade them to move to shelters or seek services.

Denby Fawcett/Civil Beat

Government and private service providers have had some success helping many of Hawaiis homeless residents, but unsheltered addicts and mentally ill vagrants in Chinatown and Waikiki and other locations still represent the states biggest challenge.

Mitchell says the states new assisted community treatment law can help some cases but it can take time to get a judge to order a mentally ill homeless person to accept medical intervention against his or her will. And she says Hawaii still lacks the needed number of treatment facilities.

Marc Alexander, the citys housing director, has been working with IHS to come up with creative ways to reach the service-resistant homeless like the men and women inhabiting the beach pavilions.

He points to the citys new HONU program as offering help to otherwise service-resistant homeless all over the island.HONU is short for Homeless Outreach and Navigation for Unsheltered Persons.

When police see a homeless person breaking a city law, the violator is given the option of arrest or transportation to shelter and services at the citys tent facility in Waipahu.

Alexander says the HONU facility is expected to move soon to the Old Stadium Park, which would be closer for transportation of Waikikis homeless.

Last year at a visitor public safety conference, Honolulu Police Chief Susan Ballard said she intended to make Waikiki uncomfortable for the homeless.

But thats a tall order. Waikiki can be welcoming to many people, even the homeless who often benefit from the kindness of visitors ready to share half of their sandwich or pass out a few dollars to panhandlers.

HPD spokeswoman Sarah Yoro did not say specifically what the chief is doing to make Waikiki unwelcoming other than to point out that police are telling homeless where to go for services and shelter and reminding them they have to vacate the pavilions between 2 a.m. to 5 a.m.

She said the number of complaints and concerns from the public dropped after the city leased out the first two pavilions at Kuhio Beach to private concessionaires.

Last year, HPD officers issued more than 8,000 citations to all kinds of violators, not just homeless, for various offenses in Waikiki.

Interestingly, one of the concessions the city said it would like to see in the pavilions in the future would be a locker facility for beach goers to store their valuables to prevent theft. That would be much safer than people hiding their wallets and car keys in the sand while they swim.

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Denby Fawcett: Clearing The Homeless Out Of Kuhio Beach Pavilions - Honolulu Civil Beat

Beach Haus Brewery: The Place to Be for Unbeatable Views of the St. Patrick’s Day Parade – TAPinto.net

BELMAR, NJ Boasting the best views of the Belmar/Lake Como St. Patricks Day Parade on Sunday, Beach Haus Brewery will once again be in the middle of all the action.

Located at Main Street and Eighth Avenue, the landmark brewerys glass-enclosed upstairs taproom and open-air deck directly overlooks the March 1 parade offering birds-eye views of the marchers, bands and floats as they pass by the reviewing stand less than one block away.

In addition to the festivities outside, Beach Haus will keep the party going inside, as Marty Mckernan will perform medleys of Irish folk songs, sing-a-longs and pub favorites and the Monmouth County Police & Fire Pipes & Drums will make an appearance, playing their way through the brewery.

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And in celebration of the day, Beach Haus will once again feature a beer that has quickly become a parade favorite and made collaboratively with another Belmar business. Beach Haus Parade Day Coffee Stout is an Irish-style beer made with locally roasted beans from Turnstile Coffee, known for its specialty coffees.

And as it offers every day, Beach Haus will have more than 16 other beers on tap.

Doors open at 10:30 a.m. two hours before the parade kicks off in Lake Como and proceeds down Main Street. Cost is $5 to enter.

All guests age 21 and older are welcome. Guests under age 21 must be accompanied by a paying parent or guardian.

And while youre at Beach Haus Brewery, dont forget to take a tour of the 30-barrel brewhouse, where theres a beer for everyone.

For more information and a full list of brews, visit Beach Haus Brewerys website byclicking here. Also follow it onFacebook,InstagramandTwitterto find out the latest brewing news.

The brewery, located at 801 Main Street, can be reached at 732 202-7782 or by email atinfo@beachhausbeer.com.

TAPinto Belmar/Lake Como offers its marketing partners targeted advertising, content marketing, email marketing and sponsorship opportunities to help them brand their products or services, and improve their bottom line. Our advertisers enable us to continue to provide you with local online news for free.

To learn how you can promote your business to our readers, email cgoetz@tapinto.netto request more information about business marketing opportunities.

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Beach Haus Brewery: The Place to Be for Unbeatable Views of the St. Patrick's Day Parade - TAPinto.net

Massive desalination buoy washes up on Hobe Sound beach – WPTV.com

HOBE SOUND, Fla. A massive and mysterious object is causing a lot of buzz after washing up on Hobe Sound beach Monday morning.

Ken Mears and Mike Gomes took pictures of the debris, which was found in the sand in the 100 block of N. Beach Road, at the north end of Jupiter island.

The CEO of Oneka Technologies confirmed to WPTV that the object is a wave-powered desalination buoy, which uses the power of waves to turn saltwater into drinking water.

According to CEO Dragan Tutic, the buoy had been tethered off Fort Pierce since 2017.

Engineers were performing maintenance on the buoy on Friday when rough weather rolled through and the buoy detached.

The object has a large, round yellow top with a long metal arm coming out of it.

The underside is loaded with metal rods, wires, and chains, and there appears to be a tank attached to the bottom as well.

Officials said the device should be removed from the beach by the end of the week.

In April of last year, a large, disc-shaped object washed up on Palm Beach and created a very similar buzz.

It turned out to be a a fish aggregating device, or FAD, which is a floating object that fishermen use to attract fish like marlin, tuna, and mahi-mahi.

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Massive desalination buoy washes up on Hobe Sound beach - WPTV.com

Ports of Los Angeles and Long Beach Plan to collaborate on cargo operations – Logistics Management

In a move that was much anticipated by industry experts, the ports of Los Angeles and Long Beach have announced that they will strengthen collaborative measuresin their San Pedro Bay cargo operations.

Americas two largest and most competitive ports have a long and successful history of collaborating on key issues, said Port of Los Angeles Executive Director Gene Seroka. This agreement significantly expands these efforts and underscores our shared commitment to lead and succeed.

In his recent 2020 State of the Port address, Seroka, the Executivehinted that such a deal might be driven because the port is stronger when we act togetherbecause we are all connected.

He went on to outline many of the challenges and achievements that are occurring within Southern Californias supply chain. In his closing comments he noted that ...we are truly at an inflection point.

Port of Long Beach Executive Director Mario Cordero, observed that the Our two ports are the fastest way to move goods between Asia and U.S. markets and manufacturers.

The kind of cooperation that will flow from this agreement ensures we will continue to be the most efficient gateway for shippers, he added.

The nations largest seaport complex will work in concert with industry stakeholders to identify and address operational issues to unlock additional efficiencies and lower costs for shippers while improving sustainability, business continuity and security.

The two neighboring ports that share the San Pedro Bay move 37% of the nations containerized imports and 25% of its exports. More than 3 million jobs nationwide are connected to the complex. Meanwhile, the ports continue to face competitive challenges for market share.

The newly approved memorandum of understanding (MOU) is an opportunity to explore five areas of additional cooperation that will enhance competitiveness: cargo transfer predictability, digital connectivity, cybersecurity, establishing metrics and workforce development.

The Los Angeles Board of Harbor Commissioners approved the MOU on Feb. 20. The Long Beach Board of Harbor Commissioners approved the MOU on Feb. 24. Both votes were unanimous.

The first steps will be for the staffs of the two ports to establish a work plan that will prioritize efforts, create work groups and define objectives for each of the areas outlined in the MOU.These efforts will be done in collaboration with stakeholders from marine terminals, labor, drayage, railroads, shipping lines, cargo owners and more.

The MOU is entered into pursuant to authority granted under Federal Maritime Commission Agreement No. 201219, which permits the ports of Long Beach and Los Angeles to collaborate on issues such as the environment, supply chain optimization and infrastructure development.

Pacific Merchant Shipping Association, president John McLaurin, notes in the most recent edition of West Coast Trade Report thatSan Pedro Bay ports saw their combined percentage of containerized import tonnage slide in December to 26.9% from 30.4% a year earlier.

"The two experienced an equally sharp drop in the declared value of containerized imports to 33.8% from 37.7%," he said.

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Ports of Los Angeles and Long Beach Plan to collaborate on cargo operations - Logistics Management

Miami Beach Chefs to be Honored At City Hall Ceremony – Miami New Times

The South Beach Wine & Food Festival (SOBEWFF) is over till next year, but its impact still resonates in South Florida.

According to the SOBEWFF website, a report generated with the Greater Miami Convention & Visitors Bureau's research division in 2018 concluded the festival has an estimated economic impact of more than $34 million on Miami-Dade County, including Miami Beach, where signature SOBEWFF events such as Burger Bash and the Grand Tasting Village are held.

Of course, the festival wouldn't be complete without the chefs who spend time away their restaurants to cook at the various parties, events, and dinners during the five-day extended culinary weekend.

Tomorrow several local chefs will be recognized in a ceremony at Miami Beach City Hall.

Miami Beach CommissionerMichael Gngora will present 18 chefs with a certificate of recognition for their role in "helping shape the city's food scene and reputation as a major culinary destination." In a news release, Commissioner Gngora said, "The festival is an outstanding vehicle to highlight the incredible culinary talent based right here in our own back yard, alongside some of the worlds most well-known chefs, restaurants, and food personalities."

The chefs chosen to receive this recognition were participants at this year's SOBEWFF, which has raised more than $30 million for the Chaplin School of Hospitality & Tourism Management at Florida International University since the festival's inception, according to SOBEWFF.

The chefs to be honored at the ceremony, which is open to the public, are as follows:

City of Miami Beach Chef Recognition Ceremony. 5 p.m. Wednesday, February 26, at Miami Beach City Hall, Commission Chambers, third floor, 1700 Convention Center Dr., Miami Beach. Admission is free.

Laine Doss is the food and spirits editor for Miami New Times. She has been featured on Cooking Channel's Eat Street and Food Network's Great Food Truck Race. She won an Alternative Weekly award for her feature about what it's like to wait tables.

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Miami Beach Chefs to be Honored At City Hall Ceremony - Miami New Times

Cal State Long Beach Continues Reversing The Number Of College Dropouts – Patch.com

From California State University Long Beach:

Cal State Long Beach continues to be at the forefront of reversing the number of college dropouts nationwide.

The national dropout rate hovers around 50% over a six-year period, according to UC Berkeley professor and author David Kirp. However, Cal State Long Beach, through its connection with the Long Beach College Promise program, has seen its graduation rates increase yearly.

The progress Cal State Long Beach has made in this area is why Kirp touts the university as a success story in his book, "The College Dropout Scandal." He called the national trend a "scandal."

"It means that at four-year schools, students are leaving with debt and no degree to show for it," Kirp said Monday in a chat with President Jane Close Conoley at the Martha B. Knoebel Dance Theater. "And that leaves them without the credential to get the kinds of jobs that will allow them to pay off their debt. In fact, it's not short-term; it's life-changing."

Cal State Long Beach has increased its four-year graduation rate for those who enrolled as first-time freshman to 34% in 2019 from 16% in 2015. This improvement is a combined result of the College Promise and a CSU-wide initiative to increase graduation rates by 2025.

The College Promise teams the city's K-12 schools with Long Beach City College and Cal State Long Beach to ensure the success of its students by offering continuous support from the time a student enters kindergarten and into their career.

Kirp wrote in his book that Cal State Long Beach "has turned into a go-to school. With nearly 100,000 applicants, the seventh-highest number nationwide, it could admit a class composed entirely of students with 24-karat credentials. Instead, it accepts local students with substantially weaker grades and SAT scores. Those students are likelier to graduate than their classmates from outside the region. "

Kirp said Monday that a program such as the College Promise addresses the student success problem and boosts graduation rates, which in turn shrinks the opportunity gap of the new generation of students.

"I went around the country looking for schools that were doing good things, and the hope is that places like Long Beach State University and what the city is doing, would actually get other people interested," he said. "And that other institutions would be willing to go out on a limb to make the kind of efforts that all the successful schools have made."

Kirp found that Cal State Long Beach and Georgia State were among the best in promoting student success through personal connections, such as counseling programs. He said many new-gen students come from communities and families who don't have the knowledge or resources to help them.

"The bottom line is the personal connection," Kirp said, pointing out that depression and loneliness can derail college plans.

"It's been my experience here to think at Long Beach, and other places you mentioned, about how we need to be for students to succeed instead of how students need to be in order to succeed with us," Conoley said.

"(We have to ask) are we student-ready? Instead of are you student ready to come here. I think that's a pretty profound switch in mindset."

Kirp said he thought student success was the top priority of every university and college. He called himself "nave."

"The No. 1 priority at many universities is where are you in the U.S. News and World Report rankings, and that drives a whole array of decisions about selectivity and where it is you end up investing in resources," Kirp said.

He added that campus leaders need to make student success their No. 1 priority and it can't be rhetoric, adding that "everyone featured in that book has got to have the guts to do as much as possible along that line."

This press release was produced by California State University Long Beach. The views expressed here are the author's own.

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Cal State Long Beach Continues Reversing The Number Of College Dropouts - Patch.com

Witness The Essence of Trance [25 Years of RAM] – EDMTunes

RAM is out with his 25 years mix of Essence Of Trance. Covering 4 discs and 320 minutes of music, this is epic in both size and scope. Are you ready? You better be!

Our Dutch DJ, producer, promoter and label runner lived a lifetime of trance25 years (and a month!). Since his first DJ booking, hes been experiential at every nook of trances progression. Last month, he sold out his open-to-close show at Amsterdams famed Paradiso concert hall. Now, we get to listen to it forever on this album.

Experience his own quintessential musical history, through mixing and compiling in this career-defining move. RAM has left nothing to chance. From 400 down to 78 tracks, he worked hard at cutting down his quarter-decade-spanning list of music.

You will see highly recognizable names featured in remixes. Each song flows together to the next, and we love this about albums. Its like one giant set that never ends. We are honored to hear this set-list.

The album is grouped into four headings: Moments, Magic, The Journey,andPassion. For every main headliner weve seen, theres an arsenal of the undergrounds most beloved waiting with remixes. That is to say, Ralphie B, Vincent de Moor, Chakra, X-Cabs will be in here. Plus, Salt Tank, Signum, The Thrillseekers, DT8 Project, York, Gaia and more.However,Tisto, BT, Armin van Buuren, Paul Oakenfold, A&F, John OCallaghan, Solarstone, Dash Berlin, Gareth Emery also take to the decks.

Disc 1: This is about my memories, about countless unique and unforgettable moments Ive collected throughout 25 years of DJ-ing.

Disc 2: The magic of music, [especially trance], has a strong impact on the human bodyThe power of melody, harmony, and rhythm packed in a soul work from someone to someone. That is what music is about for me, magic!

Disc 3: Music takes me where I go. I am so grateful for my journey. I have seen many beautiful places around the world and [connected] with thousands of people. The best thing about this journey is that it never gets boring.

Disc 4: My passion for music has always inspired my being. Never give up on your dreams, have faith, trust, and believe you can achieve whatever your dreams and passions are.

For me it is all about melodic, emotional trance and the feelings this music gives me. Due to evolutions in electronic music, I have played different types of trance in my career. Instead of creating 4 mixes with different subgenres, I have chosen for tracks that fully connect to my essence of trance. The tracks on this compilation inspired and motivated me for the last 25 years, I hope you enjoy it as much as I do. RAM

Listen now and let us know which musical identity you resonate with.

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Witness The Essence of Trance [25 Years of RAM] - EDMTunes

Fahad Faasil’s ‘Trance’ takes on the business of religion – Gulf News

Faahad Faasil in 'Trance' Image Credit: Supplied

Indian National Award-winning director Anwar Rasheed returns after seven years with a story about the business of religion.

The film is led by Fahadh Faasil and an ensemble cast of accomplished actors, including Gautham Menon, Soubin Shahir and Nazriya Nazim. Faasil in particular has earned rave reviews for his role. With his chameleon ability, Faasil has carried many films on his capable shoulders. His body of work includes diverse roles and he has an ease with which he brings alive his characters, from the arrogant businessman Arjun of Chappa Kurushu, the playboy Dr Arun of Diamond Necklace, Cyril of 22 Female Kottayam to the OCD software geek Harikrishna of North 24 Kaatham. Faasil won the Indian National Award for his role as a petty thief in Thondimuthalum Driksakshiyum.

Trance has been receiving appreciation for its bold content, stylish filmmaking and stellar performances.

Heres everything you need to know about the film.

Vincent Vadakkan is clearly on a high. The ad-filmmaker from Bengaluru marks his debut in Malayalam cinema as a writer with Trance and spoke to Gulf News tabloid about his new journey.

What is Trance about?

A: This story follows the journey of Viju Prasad, a motivational trainer who is transformed to become Pastor Joshua Carlton by an independent group of people in a Corporate set-up and spirituality is their business. However, Trance is also about sibling relationships and psychological elements, and not just the business of religion. It dwells also on the psychological turmoil the protagonist endures the journey inside his mind.

What sparked this story?

I had seen some of my family members being part of religious groups. Not to forget troll videos of such groups. The format is the same. All you need is a hall and a crucifix for anyone to start an organisation like this. They claim this is Christianity, but Christianity is beyond all this noise. Post release of Trance I have been asked if I am a non-believer. I am a believer in Christ but not into the middle men.

Trance has been in the making for a long time, tell us how it developed.

I quit my career with Oglivy in 2014 to write my story. My first draft was ready by the end of 2015. I narrated it first to Fahad, who liked it and spoke to Anwar about the story. Anwar liked the story and the project was on. Its a human intense subject and after several discussions and revised drafts, Trance was ready. Anwar has the ability to bring out the best in you. When I felt this was the best I could do, he pushed me to stretch myself further. Filming took two years.

Sketching many characters must have been quite a challenge. Were there moments when you got stuck?

Trance constitutes many characters that have been played by a team of accomplished actors. There was so much content in the film; the film could run for three to four hours. We had to edit to two hours plus. While sketching, every character had to be given a clear importance keeping in mind the huge star cast.

There were many instances when I got stuck with writers block but you do come out of it. In fact when stuck with Trance, I went on to write another story.

Is Trance inspired from people around?

Not really. One back story of a character was inspired from a real life incident. It is the character Vinayakan plays; he is one of the Pastors followers. I read the story in a news report about how things are done in the name of faith.

How did Gautham Menon come on board?

We wanted somebody suave and stylish, a Malayali bred outside Kerala to play Solomon Davis, the brain behind the business venture. Anwar had watched Gautham Menons interview and he liked the way he conducted himself. He felt that Gautham was perfect to play the role.

For me, it went beyond my dreams. I never thought Gautham Menon will play the villain in my first script. It was good spending time with him. You can sit the whole day listening to him. We spoke about films and writing. He is too good and has a style.

How did Fahad prepare for his character?

We gave Fahad references to his character. He did not imitate them but came up with his own version of Joshu. It was an intense role for him- there was a lot of screaming loud in scenes, besides pausing on some words and stressing on other words. Fahad got it bang on.

What were the shooting challenges?

Since Anwar Rasheed is the director and producer, we did not have a producer breathing down our necks. The biggest challenge came while filming with a crowd. They had to perform and not merely stand around. And, the performance had to be synchronised. We briefed them on it. For one scene, Anwar told them to think about the problems in their lives and perform. After he said cut they continued in that state, so immersed they were in their problems. Assistant directors rushed to wake them up from their stupor. They had got carried away, some were in tears.

For me every shot was amazing to see my story unfold on-screen. Each frame is a masterpiece. Towards the tail end, we shot with a crowd with smoke around and Fahad in his climax attire. It was almost a heavenly feeling. I got goosebumps.

What was your Trance moment?

A: Sitting inside the theatre with the audience at the first days show, I was eager to know how people will react to some dialogues. Listening to their clapping and watching the reactions was encouraging. I was overwhelmed.

TAMIL DIRECTOR GAUTHAM MENON ON HIS ACTING GIG

Role call

I was surprised to receive a call from Fahadh Faasil who mentioned that director Anwar Rasheed wanted to meet me for a project. Anwar came down to Chennai and offered me the role of Solomon Davis. For me, it was about the director, actor and I had heard so much about Amal Neerads crew. I believe everyday is a learning. I wanted to be in the midst of this brilliant team.

The role

Solomon Davis believes in business and money a no-holds-barred man. He is very quiet and scheming, even if he is saying a few things, there is a layer that he does not reveal. He is also someone who gets down to getting things done. With grey shades to him there is a mysterious air about him. Anwar described the character well. I made sure I got the lines right. I enjoyed playing Solomon, except for the last scene-you will understand when you watch the film.

Being directed

There were only four to five shots a day. In between shots I had three to four hours to myself. Working in the Malayalam industry was a nice and learning experience. The crew spend so much time setting up a shot and you understand why they get it perfect. I loved being directed by Anwar. In Trance small roles were taken on big actors. They worked like a family. When shooting we were hanging around and chatting. I enjoyed their company. I am looking forward to being a big part of the Malayalam industry and in talks with actors including Fahad Faasil. I like the way the audience accepts new films.

On Fahad Faasil

He is the best actor in India. Trance is completely Fahads story and journey and he has portrayed it brilliantly.

OSCAR-WINNER RESUL POOKUTTY ON DESIGNING THE SOUND

The filming involved huge crowds, as many as two to five thousand people. Fahad had apprehensions and called me up to say When I am doing my voice right, I am not getting the body language right and when my body language is right, I am not getting the voice correct. I told him you just go ahead with it. For me every flaw is seen as an advantage. While shooting in sync, its not about doing everything right but about being live with it. There are a lot of accidents that happen and these go to make a scene memorable and super-human like-the result is a brilliant performance.

The director was very pro-sync. No one complained when we asked for retakes or asked for more time, Anwar even pushed the release by a week for me to finish the mix comfortably. We did this film with so much love.

The protagonist goes through some situations in life that required a series of psychological analysis through sound. Trance is a state of mind. What takes him into that state of mind? We arrived at a soundscape through careful use of sounds to emulate a feeling of trance. Prior to Trance, I worked on a film, Thaakkol, based on the Christian tradition. For Thaakkol, I was analysing sounds of Christianity and went into the deep aspect of this community through sound. The very sound palette used as identification in Thakkol was used as subversion in Trance.

In the second half, the story moves to another plane where sound is used stylishly and in a very unorthodox way. We had to strike a balance with quiet moments, slow paced moments and not make it a harsh experience. Sound has the ability to sub-consciously affect you and there is a conscious use of the same in Trance.

Dont miss it!

Trance releases in the UAE on February 27.

Continued here:

Fahad Faasil's 'Trance' takes on the business of religion - Gulf News

Manju Warrier joining Padavettu to Trance release, here are the weekly highlights of Mollywood – Times of India

From new announcements to big releases, the week that followed the Valentines Day was quite good for M-Town. From the Lady Superstar of Mollywood Manju Warrier joining the Nivin Pauly-starrer Padavettu to the grand release of Anwar Rasheeds Trance, heres taking a look at the most interesting news from Mollywood this week.Manju Warrier joins the Nivin Pauly-starrer 'Padavettu' Manju Warrier is on a race to chase some of the good projects in showbiz. After bagging a role in the Mammootty-starrer 'The Priest', the Lady Superstar has now joined Nivin Pauly-starrer 'Padavettu'. Manju is teaming with Nivin for the first time. Thank you @nivinpaulyactor @sunnywayn for making me a part of #padavettu. So excited to be part of this sure-shot blockbuster!, Manju wrote on her social media handle after joining the movie's set.

'Hridayam' goes on floors Yet another stellar movie in Mollywood! Vineeth Sreenivasans directorial, Hridayam, which has Pranav Mohanlal and Kalyani Priyadarshan in lead roles went on floors this week. Makers of the movie have started shooting at Palakkad. Mohanlal and Sreenivasan have worked together for Priyadarshans directorials which were huge hits and hence their kids are teaming up together for Hridayam. The movie also brings back the popular production house Merryland Cinemas back.

Antony Varghese in 'Dev Fakir' After giving a top-notch performance in critically acclaimed 'Jallikattu', Antony Varghese Pepe has signed yet another movie titled 'Dev Fakir'. Directed by Zac Harriss, the movie is scripted by 'The Great Father' fame Haneef Adeni. The actor will be seen in a 'mass' avatar in the film. Antony Varghese has also signed up for a couple of movies including 'Falimy' and 'Ajagajantharam'.

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Manju Warrier joining Padavettu to Trance release, here are the weekly highlights of Mollywood - Times of India

Mickey Hart’s Ghosts of Congo Square – Relix

Mickey Hart reflects on New Orleans key role in the development of American music.

To celebrate Mardi Gras 2020, were revisiting this article from ourApril/May 2019 issue ofRelix, honoring 50 years of Jazz Fest.

Congo Square deserves to be recognized, Mickey Hart asserts. It is sacred ground, and we need to recognizeits importance. American-based music emerged from theculture that inhabited Congo Square in the 1800s. Most peoplehave no idea what has happened there, but we should never forget.We need to take care of it.

Among his many passions, the Grateful Dead drummer hasmaintained a focus on the history and mythology of music, whichhe has explored in books such as Planet Drum: A Celebration ofPercussion and Rhythm, Drumming at the Edge of Magic, SpiritInto Sound: The Magic of Musicand Songcatchers: In Search of theWorlds Music.

As Hart looks back on his development as a musician and a musicologist, he explains that, while he was drawn to the drums from an early age, his scholarly exploration of the instrument didnt manifest itself until years later. At first, I had no idea about any of this, he says. It reached out to methe ghosts of Congo Square grabbed me around the neck and wouldnt let me go. All I was doing was dancing and listening to Tito Puente, Machito, Tito Rodrguez and all the great Latin bands that were coming out of New York in the 30s, 40s, 50s. These rhythms hit the city street, and they transformed into dance music, into what we know as Latin music now. Thats how music worksyou usually base your knowledge on the body of work that preceded you, and you practice it and learn it, and then you make your own music with it, eventually. Thats what happened to the Grateful Dead, and thats what happened to me.

When I started writing my books Drumming at the Edge ofMagic and Planet Drum, back in the 70s and 80s, he continues,that was when I did all the research to find out what the historywas to what I was doing. Why was I practicing 12-15 hours a day?I had no idea. I was putting myself into a trance but I didnt knowanything about all that stuff back then. It took about 12 years ofresearch to write Drumming at the Edge of Magic, tracing whywe drum, what rhythm is all about and the history of itthebrotherhood and the sisterhood. Where did it come from? Whyam I drumming until I collapse? Why do I do these things to playmusic? Why do we play in the driving rain? Whats it all about? Andthen I discovered these rhythm cultures, which are some of themost powerful cultures on the planet. So, it was just in the ether;it was in the air. I was totally into big-band music. So, you bringyour influences forward into whatever you do, and you change itand you mutate it. It all started on the docks of New Orleans in the1800s, and wound up right here today.

Youve said that there isnt a more important city to the birth of American music than New Orleans. Can you trace the origins of that sound?

When you think about the music of New Orleans, you have to start in West Africa with the slave trade. The diaspora traveled to Brazil, Central America, Haiti, Cuba and, eventually, to New Orleans. There was a Haitian revolt beginning in the 1790s, which resulted in an influx into New Orleans of the West African slave trade. [Haiti expelled the French colonial government during a revolution that lasted from 17911804.] In many cases, these slaves brought musical instruments.

Now, the interesting part of all this is that, when they got there,the instruments were taken away. They were allowed to practicein Haiti, Puerto Rico and the Caribbean but, as soon as theygot to New Orleans, the slave owners, fearing Vodun practicescelebrating the gods Ogun, Shangoall these great gods of WestAfricalimited this practice and they did what they could toCatholicize those same gods.

However, on Sunday, the slaves were allowed to practice their rituals in two placesone in Congo Square and the other in Lake Pontchartrain. Here, they were supervised because they were afraid of slaves going into a trance, and these were trance-based religions from West Africa. So, they were allowed to play on Sundays, and between 6-8 p.m. there would be a shot. Thats when they would move into a trance. They would bring in the loa, which inhabited their bodies, in what is a classic possession trance ritual. And these trance-based religions were driven by the trance drums, often using the bat, specifically, which would become congas. Pontchartrain and Congo Square became the real nexus of everything in American backbeat. All the American music like jazz, rap, rock-and-roll, bluesthat all came out of this influx of slaves into New Orleans, where all these trance-based religions were driven by the drums.

If we jump ahead to 1900, then compare the beats of New Orleans to Ghana across the ocean. To what extent were those sounds transformed by interacting with other sounds on American soil?

They mutated, although the rituals were the same. They were going after the loa, going after the trance. And thats the important thing to understand. It was for pleasure, but their pleasure was contacting the gods, and the only way to do that was through these dances. There was no dance without a rhythm, and no rhythm without a dancethey were inseparable. These public gatherings were really frowned upon. So they used to call them entertainments.

Eventually, they were able to keep their drums. After the 1800s, they were allowed to start to have their drums and practice their own rituals. For awhile there, people were selling tickets for others to watch them. There were people in buggies up on the hillsthe whites were watching the rituals from their hillside in New Orleans, watching Pontchartrain and Congo Square. All of this came to an end in 1870 or 1875 when the first Jim Crow Act forbid blacks to freely assemblethats when the dances stopped.

But, a lot of things came out of that, like the instrumentsthe bass drums, the wood blocks, the cymbals, all the African instruments. Sometimes they changed form, but they were pretty much the same instruments.

Meanwhile, the music traveled by way of the Mississippi Riverover to Kansas City and up to Chicago, and it wound up every placein America.

You also cant forget Storyville [New Orleans red light district];thats where ragtime began. You also have the brass bands emergingat this time as well.

New Orleans is Mecca; its the birth place of American music.Its where all those rivers came together and birthed what weknow as our music. And all this history goes back to those fieldson Congo Square.

In Drumming at the Edge of Magic, you also describe how all these rhythms led to a new American instrument.

Yes, the effort to power these new rhythms led to the creation of the drum set, which is incredible. Its one of the only great American instruments and it took the tom-toms from the East, the cymbals from Turkey and some of the other things I just mentioned. Wetook all these different elements from around the world, and wemade what we call a contraption, which was shortened to traps,the American drum set.

Can you talk about the clave rhythm, which also is a product of the diaspora?

The clave means key. The key to everything; the key to the rhythms. That was picked up by Latin music like Tito Puente, Machito and all those New York bands who were playing the clave that was coming out of the rhythms of West Africa. They picked up on it and realized you had to revolve around this one rhythm. All these rhythmic patterns had some version of the clave, which was a repeated pattern where everybody knew the first part of the rhythm and the second part, and it repeats over and over. The one thing that stays constant is the clave. It was derived from the West African rhythms and, of course, it was taken into the new lexicon of the New World.

Thats what you hear in Bo Diddleyhe picked up on it. Buddy Hollythats clave! The Rolling Stones, the Grateful Dead. We all love clave. I was teethed on clave. Thats where I came from. One of the things I brought into the Grateful Dead was a bit of the clave. Bill and I played that really well; we love clave. Not everyone loves clave because it has a rolling rhythm to it, which is not so easy for people to pick up on. But once you do, you realize it is the key to everything, rhythmically.

This article originally appeared in the April/May 2019 issue of Relix. For more features, interviews, album reviews and more, subscribe here.

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Mickey Hart's Ghosts of Congo Square - Relix

Trance Box Office Collection and Review – Primetime

Language: Tamil

There was gigantic promotion encompassing Karthick Narens Mafia Chapter I, his second discharge after the profoundly amazing and discussed Dhruvangal Pathinaaru. It has an energizing star cast the charming Arun Vijay, a fine entertainer like Prasanna and the flawless Priya Bhavani Shankar, and is bankrolled by driving makers Lyca Productions. The trailer and character blurbs of the Narcos-style spine chiller had turned into a web sensation and the pre-discharge buzz excessively was certain.

Mafia is bundled as a ultra-snappy film with a slender storyline and looks increasingly like another age wrongdoing arrangement on a gushing stage. It is moderate paced despite the fact that the run time is just 112 minutes, arrives at a crescendo in its take out large uncover peak, which is the feature. The shocking turn toward the end looks increasingly like a base for the one-line story for a Chapter II. The film doesnt satisfy everyones expectations and desires you would foresee out of a Karthick Naren film.

It appears the screenplay was assembled in the wake of marking Arun Vijay and Prasanna together in the film. The fight lines are obviously drawn, as the slogan of the film says the tracker versus the brute. The story depends on the go head to head between the Narcotics Control Bureau boss Aryan (Arun Vijay), who is attempting to chase down Diwakar (Prasanna), the medication master taking on the appearance of a good specialist. At an early stage, we are given a great deal of measurements that opiates use is expanding in the state which has seen a 60 percent spike and 300 revealed passings due to overdose of medications like cocaine.

Aryan chooses to take on the medication cartel, alongside his associates Sathya (Priya Bhavani Shankar) and Varun after his chief and another enemies of medications social dissident Mugilan (Thalaivasal Vijay) are shot dead. In the interim, Diwakar with the support of influential individuals in high places, attempts to frustrate his endeavors to reveal the medication mafia. What follows is a fascinating wait-and-see game between the two preceding their ways cross in the peak.

The primary half is loaded with character presentation and trudges alongside a feebly composed story. It additionally does not have the vitality that one may anticipate from such a plot. Nonetheless, Karthick causes it to up in the pacey second half, with the amazement and astounding peak wind. As it were, the unexpected turn toward the end raises the crowds desires for Chapter II. Arun Vijay is essentially tremendous and looks crushing as Aryan, while Prasanna as the smooth and calm enemy leaves an effect. Furthermore, Priya Bhavani Shankar might not have a lot of screen space yet one single scene in the peak when she weapons down a trouble maker shows the entertainer in her. Another major in addition to of the film is the music and sound plan. Jakes Bejoys experience score makes the correct state of mind and lifts the film. The activity scenes are arranged in an alternate example. In any case, there are excesses of moderate movement scenes, particularly in the principal half to show the swag for character presentation.

In general Mafia: Chapter I is gorgeously cut however has next to no substance. Be that as it may, the peak has aroused the desire meter for Chapter II. Actually, only for the brief peak shock wind we are going with a higher rating than it would have merited.

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Trance Box Office Collection and Review - Primetime

Armin van Buuren announces all ages ‘This is Blah Blah Blah’ show – We Rave You

In May this year,Armin van Buurenwill embark on his series of shows titledThis Is Me. Some of the most special shows of his career so far, it will celebrate his achievements and successes through his music career when he started all the way up to present day, and will be uniquely intimate in the iconic venue Ziggo Dome. Now, these shows have the age limit of 18+ (like most electronic shows that go on through the evening), but Armin has announced something that will allow children to be involved in the action too. Together with events companyALDA(who have been responsible for hosting a lot of Armins events in the past and will be alongside him for the This Is Me shows), van Buuren has announced his This Is Blah Blah Blah show.

The all ages show will be aimed at those under 18 who still share the same passion for trance music as adults, and who wouldnt usually get to see the trance king in action. The afternoon show slots into the schedule of the other shows and will also take place in the Ziggo Dome. Explaining his reasoning behind the show and its concept, Armin had this to say:

I want to spark the younger fans with my love for music, having fun on stage, doing what I love most. Thats why I decided to add an all-ages show to the This Is Me series on Saturday May 23rd, called This Is Blah Blah Blah. This one is for all my fans who arent able to visita regular 18+ show. But most of all, this one is dedicated to my kids.

Taking place on Saturday23 May, you can now sign up the Armin van Buuren This Is Blah Blah Blah ticket pre-sale by clicking here, which starts Thursday 27 at16:00 CET. Get ready to be a part of something truly special!

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Armin van Buuren announces all ages 'This is Blah Blah Blah' show - We Rave You

Groove Cruise Returns to the West Coast with Groove Cruise Cali – EDM Identity

After taking over Catalina Island last year for an epic edition of Groove Island, Groove Cruise Cali returns for another sailing from Los Angeles!

Whether its the infectious atmosphere brought forth by the GC Fam or the fantastic artists they book, theres nothing quite like the party that happens on the high seas while aboard Groove Cruise. Now, after a successful sailing out of Miami earlier this year, Whet Travel has announced that theyll be returning to the West Coast with a fresh edition of Groove Cruise Cali.

This year, Captains who set sail on Groove Cruise Cali on October 15-18will be treated to 72-hours of nonstop music to dance the day and night away from over 50 DJs, plenty of artist interactions and exclusive experiences, and six costume parties to attend among other fun activities on board the NCL Bliss.

Related: Check out our interview with Whet Travels Founder Jason Beukema for a deeper look at what Groove Cruise is all about!

Speaking of the NCL Bliss, this ship for this sailing is one of the best in the fleet with over 30 unique restaurants appealing to any taste and an amusement park featuring a racetrack, waterslides, mini-golf, aqua park, and laser tag. There will also be single staterooms offered for those who are traveling to Groove Cruise solo or cant find a roommate to split with.

Register now for your chance to win a stateroom for two and get first access to bookings.

While were not sure who will be taking the stage during Groove Cruise Cali if past lineups are any indication then were sure its going to be a fantastic time. Expect plenty of house, techno, and trance to dominate the lineup and keep your feet moving, sea legs or not!

The public on-sale begins March 4 via GrooveCruise.com with online with payment plans starting at just $92! Dont forget to use code EDMIDENTITY for a $50 per person discount!

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8 DJs Discovered By Tisto – EDM.com

Among the shifting sands of the electronic music industry, one name has remained steadfast.Tisto(real name Tijs Michiel Verwest) has been producing music since the '90s, and his life's work has elevated dance music to where it is today. Without his influence, the electronic music and festival industry would have completely different DNA.

When Verwest is not producing super hits, it seems that he's following social media closely, always ready to extend his support to artists who catch his attention. In honor of Tisto's discerning ear, we've compiled a list of some of the world's biggest DJs who all interacted with Tisto early in their careers.

Having regularly toured through Dutch clubs since he was 14, Hardwell'scareer was already formidable at a young age. In 2010 Tisto reached out via Twitter, and in 2011 they released the collaborative track Zero 76. The song has been billed as one of the iconic dance anthems of the 2010s, and no doubt helped contribute to Hardwells spot among the top electronic music acts in the world.

Sied van Riel is said to have been discovered by Tisto sometime in 2006. After van Riel released his first single, Fearless, Tisto is rumored to have called him one of the hottest producers around. Van Riel would go on to release several singles the following year, and in 2008, his single Rush would be featured on Tistos In Search Of Sunrise 7.

Sander van Dien

Insomniac

Though First State have changed members a few times, the duo was comprised of Sander van Dien (the only current member of First State) and Ralph Barendse when they first caught Tistos ear. Tisto featured the track Falling from First States 2007 album Time Frame on In Search of Sunrise 6.

In 2012,Oliver Heldenswas completely unknown. In 2013 he sent a version of Gecko, written while in the back of his parents car on family vacation, to several labels. Tisto replied by signing Gecko to his label, Musical Freedom. Heldens track would go on to take first place in the UK Top 40 in 2014, and remain in the top 5 of both that chart and theBeatport Top 100 Tracks for six consecutive weeks. Heldens career skyrocketed soon after, and he continues to tour all over the world.

Unknown before 2016, Ryan Shepherds music and skill found the limelight after Tisto signed the track Fill Me In to his AFTR:HRS label. It was originally a collaborative track between Shepherd and Loud Luxury, and Tisto is said to have reached out to Shepherd after being shown the piece by the latter act.

Another Dutch trance artist, Mark Normans first releases were through Tistos labels, Black Hole Recordings and Magik Musik (a Black Hole sub label). Dropping Stream in 2003, Lenden would go on to release nearly all his mixes and tracks through the former imprint.

One of EDM's youngest prodigies, Martin Garrixwas a 15-year-old bedroom DJ when Tisto discovered his work. Once again reaching out over Twitter, Tisto got into contact with the young producer and helped him with his breakthrough release, "Animals." With a little early help from Tisto, he has become one of the worlds most well-known electronic musicians.

Ruud Baan

Despite occasional rumors of rivalry or feud between these two gods of trance, Armin van Buuren only has good to say of Tisto. He was one of the guys who could get me my first gigs, and get my first compilation on Black Hole [Recordings] back in 1999, van Buuren said duringYour EDM's 2016asQme. Shortly after that first compilation, van Buuren and Tisto would go on to release Eternity and Wonder Where You Are? together in 2000, bolstering van Buurens already rising fame.

Brian Baker is a writer, photographer, and designer based out of St. Louis. You can find his portfolio here.

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Nanomedicine: Market by Recent Trends, Development and Growth Forecast by Regions and Applications 20202025 – Instant Tech News

Nanomedicine Market Research Report 2020 This Report Is Comprised with Market Data Derived from Primary as Well As Secondary Research Techniques. The Points Covered in The Report Are Primarily Factors Which Are Considered to Be Market Driving Forces. The Report Aims to Deliver Premium Insights, Quality Data Figures and Information in Relevance with Aspects Such as Market Scope, Market Size, Market Share, Market Segments Including Types of Products and Services, Application Areas, Geographies As Well. It presents the 360-degree overview of the competitive landscape of the industries. SWOT analysis has been used to understand the Strength, Weaknesses, Opportunities, and threats in front of the businesses. Thus, helping the companies to understand the threats and challenges in front of the businesses. Nanomedicine Market is showing steady growth and CAGR is expected to improve during the forecast period.

The Nanomedicine Market Report Incorporates Valuable Differentiating Data Regarding Each of The Market Segments. These Segments Are Studied Further on Various Fronts Including Past Performance, Market Size Contributions, Market Share, Expected Rate of Growth, And More.

The Major Players in the Nanomedicine Market are Profiled in detail in View of Qualities and Share of The Overall Industry.GE HealthcareJohnson & JohnsonMallinckrodt plcMerck & Co. Inc.Nanosphere Inc.Pfizer Inc.Sigma-Tau Pharmaceuticals Inc.Smith & Nephew PLCStryker CorpTeva Pharmaceutical Industries Ltd.UCB (Union chimique belge) S.AKey Businesses Segmentation of Nanomedicine Market

Product Type Coverage (Market Size & Forecast, Major Company of Product Type etc.):Regenerative MedicineIn-vitro & In-vivo DiagnosticsVaccinesDrug Delivery

Application Coverage (Market Size & Forecast, Different Demand Market by Region, Main Consumer Profile etc.):Clinical CardiologyUrologyGeneticsOrthopedicsOphthalmology

In Conclusion, Nanomedicine Market Report Presents the Descriptive Analysis of the Parent Market Based On Elite Players, Present, Past and Futuristic Data Which Will Serve as A Profitable Guide for All the Nanomedicine Market Competitors.

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Major Players: The report provides company profiling for a decent number of leading players of the global Nanomedicine market. It brings to light their current and future market growth taking into consideration their price, gross margin, revenue, production, areas served, production sites, and other factors.

Industry Overview: The first section of the research study touches on an overview of the global Nanomedicine market, market status and outlook, and product scope. Additionally, it provides highlights of key segments of the global Nanomedicine market, i.e. regional, type, and application segments.

Nanomedicine Market Dynamics: The report shares important information on influence factors, market drivers, challenges, opportunities, and market trends as part of market dynamics.

Regional Market Analysis: It could be divided into two different sections: one for regional production analysis and the other for regional consumption analysis. Here, the analysts share gross margin, price, revenue, production, CAGR, and other factors that indicate the growth of all regional markets studied in the report.

Global Nanomedicine Market Forecast: Readers are provided with production and revenue forecasts for the global Nanomedicine market, production and consumption forecasts for regional markets, production, revenue, and price forecasts for the global Nanomedicine market by type, and consumption forecast for the global Nanomedicine market by application.

Nanomedicine Market Competition: In this section, the report provides information on competitive situation and trends including merger and acquisition and expansion, market shares of top three or five players, and market concentration rate. Readers could also be provided with production, revenue, and average price shares by manufacturers.

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Nanomedicine: Market by Recent Trends, Development and Growth Forecast by Regions and Applications 20202025 - Instant Tech News

With strike looming, Becker County and Teamsters continue talks – Detroit Lakes Tribune

No date for the strike has yet been announced.

In a news release, County Administrator Mike Brethorst said the county was verbally notified on Thursday, Feb. 20, that the employees of the Courthouse and Human Services unions had authorized their union representatives to pursue a strike. The county is disappointed that this has occurred, he said, adding that a fair package was offered to the employees.

Becker County has offered a 2.25% general wage increase this year, plus steps on the salary schedule of approximately 3% for those eligible, which amounts to 5.25% increases, not including longevity pay.

For next year, the county has offered a 2.5% general wage increase plus steps on the 10-step salary schedule of approximately 3% for those eligible, which amounts to 5.5% increases, not including longevity pay.

Longevity pay is based on years of service and date of hire, according to the county's news release. It would add an extra 1% pay increase to eligible employees.

Those employees who are in the sweet spot and qualify for step hikes and longevity pay would see a double-digit pay hike over the next two years, according to the news release.

For example, an employee with six years of service would see a 6.25% proposed pay increase this year, and 6.5% proposed pay increase next year. Add it together and it equals a 12.75% total proposed pay increase over the two-year contract on top of base pay set for 2019, according to the news release.

On average, Becker County says it is offering general wage increases as good or better than comparable counties.

In the release, Becker lists several Minnesota counties that offered its workers comparable pay hikes. The average of those selected counties is 2.16% this year and 2.5% next year, according to the countys news release.

Commissioners were criticized by the union for giving themselves a larger percentage pay raise (2.5% for this year) than was offered to employees.

In response, the county noted that employees have received general wage increases every year for the past 10 years, for an average increase of 1.83%.

By comparison, commissioners received no increase in five of those 10 years. Over the same period, commissioners have seen an average increase of 1.19%. Commissioners also dont receive the average 3% hike in step increases and longevity pay.

In December, Becker County Commissioner Larry Knutson cast the only vote against salary increases for elected officials and commissioners.

The union is also asking that part-time workers be covered by county health insurance, and it criticized commissioners for hiring part-timers to avoid paying health insurance. Commissioners were also criticized for making themselves eligible for health insurance for what the union termed their part time jobs.

In response, the county noted in its news release that the Affordable Care Act has set 30 hours per week as the point where employers are to provide insurance.

Becker County believes that this is appropriate and that there is no compelling reason to expand coverage beyond the level set by Congress, nor can the county afford to do so, the county said in its news release.

Becker County offers health insurance contributions to employees who work 30 hours per week or more, according to their release. It has never made contributions to employees working less than 30 hours. Part-time employees do accrue vacation and sick leave.

Under state law, the union and county must initially participate in mediation for 45 days, and the two parties are then subjected to a 10-day cooling off period before the Minnesota Bureau of Mediation Services calls them back into mediation for a final session, according to the Teamsters.

If the session fails to produce an agreement, then the county employees are permitted to strike at a time of their choosing. The law provides striking county employees with union protections, and requires that terms of the expired labor agreement be followed until a successor agreement is negotiated, according to the union website.

Becker County said that the next step in the process will be to wait to receive official notice from the union. Pending notice, the county and union will continue to meet for negotiations.

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With strike looming, Becker County and Teamsters continue talks - Detroit Lakes Tribune

Longevity and Anti-senescence Therapy Market Analysis, Segmentation, Key Players, Opportunities and Forecast 2020 2026 – Galus Australis

This Longevity and Anti-senescence Therapy Market research report is focused at providing its reader with all the necessary details that can help them make necessary business decisions. It provides wholesome information that is necessary to understand the market inside-out.

ReportsnReports has recently added a new research report to its expanding repository. The research report, titled Longevity and Anti-senescence Therapy Market, mainly includes a detailed segmentation of this sector, which is expected to generate massive returns by the end of the forecast period, thus showing an appreciable rate of growth over the coming years on an annual basis. The research study also looks specifically at the need for Longevity and Anti-senescence Therapy Market.

Report Scope:

The scope of this report is broad and covers various therapies currently under trials in the global longevity and anti-senescence therapy market. The market estimation has been performed with consideration for revenue generation in the forecast years 2018-2023 after the expected availability of products in the market by 2023. The global longevity and anti-senescence therapy market has been segmented by the following therapies: Senolytic drug therapy, Gene therapy, Immunotherapy and Other therapies which include stem cell-based therapies, etc.

Revenue forecasts from 2028 to 2023 are given for each therapy and application, with estimated values derived from the expected revenue generation in the first year of launch.

The report also includes a discussion of the major players performing research or the potential players across each regional longevity and anti-senescence therapy market. Further, it explains the major drivers and regional dynamics of the global longevity and anti-senescence therapy market and current trends within the industry.

The report concludes with a special focus on the vendor landscape and includes detailed profiles of the major vendors and potential entrants in the global longevity and anti-senescence therapy market.

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Report Includes:

71 data tables and 40 additional tables An overview of the global longevity and anti-senescence therapy market Analyses of global market trends, with data from 2017 and 2018, and projections of compound annual growth rates (CAGRs) through 2023 Country specific data and analysis for the United States, Canada, Japan, China, India, U.K., France, Germany, Spain, Australia, Middle East and Africa Detailed description of various anti-senescence therapies, such as senolytic drug therapy, gene therapy, immunotherapy and other stem cell therapies, and their influence in slowing down aging or reverse aging process Coverage of various therapeutic drugs, devices and technologies and information on compounds used for the development of anti-ageing therapeutics A look at the clinical trials and expected launch of anti-senescence products Detailed profiles of the market leading companies and potential entrants in the global longevity and anti-senescence therapy market, including AgeX Therapeutics, CohBar Inc., PowerVision Inc., T.A. Sciences and Unity Biotechnology

Summary:

Global longevity and anti-senescence therapy market deals in the adoption of different therapies and treatment options used to extend human longevity and lifespan. Human longevity is typically used to describe the length of an individuals lifetime and is sometimes used as a synonym for life expectancy in the demography. Anti-senescence is the process by which cells stop dividing irreversibly and enter a stage of permanent growth arrest, eliminating cell death. Anti-senescence therapy is used in the treatment of senescence induced through unrepaired DNA damage or other cellular stresses.

Global longevity and anti-senescence market will witness rapid growth over the forecast period (2018-2023) owing to an increasing emphasis on Stem Cell Research and an increasing demand for cell-based assays in research and development.

An increasing geriatric population across the globe and rising awareness of antiaging products among generation Y and later generations are the major factors expected to promote the growth of global longevity and the anti-senescence market. Factors such as a surging level of disposable income and increasing advancements in anti-senescence technologies are also providing traction to the global longevity and anti-senescence market growth over the forecast period (2018-2023).

According to the National Institutes of Health (NIH), the total geriatric population across the globe in 2016 was over REDACTED. By 2022, the global geriatric population (65 years and above) is anticipated to reach over REDACTED. An increasing geriatric population across the globe will generate huge growth prospectus to the market.

Senolytics, placenta stem cells and blood transfusions are some of the hot technologies picking up pace in the longevity and anti-anti-senescence market. Companies and start-ups across the globe such as Unity Biotechnology, Human Longevity Inc., Calico Life Sciences, Acorda Therapeutics, etc. are working extensively in this field for the extension of human longevity by focusing on study of genomics, microbiome, bioinformatics and stem cell therapies, etc. These factors are poised to drive market growth over the forecast period.

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Global longevity and anti-senescence market is projected to rise at a CAGR of REDACTED during the forecast period of 2018 through 2023. In 2023, total revenues are expected to reach REDACTED, registering REDACTED in growth from REDACTED in 2018.

The report provides analysis based on each market segment including therapies and application. The therapies segment is further sub-segmented into Senolytic drug therapy, Gene therapy, Immunotherapy and Others. Senolytic drug therapy held the largest market revenue share of REDACTED in 2017. By 2023, total revenue from senolytic drug therapy is expected to reach REDACTED. Gene therapy segment is estimated to rise at the highest CAGR of REDACTED till 2023. The fastest growth of the gene therapy segment is due to the Large investments in genomics. For Instance; The National Human Genome Research Institute (U.S.) had a budget grant of REDACTED for REDACTED research projects in 2015, thus increasing funding to REDACTED for approximately REDACTED projects in 2016.

Recent Industry Trend:

The report contains the profiles of various prominent players in the Global Longevity and Anti-senescence Therapy Market. Different strategies implemented by these vendors have been analyzed and studied in order to gain a competitive edge, create unique product portfolios and increase their market share. The study also sheds light on major global industry vendors. Such essential vendors consist of both new and well-known players. In addition, the business report contains important data relating to the launch of new products on the market, specific licenses, domestic scenarios and the strategies of the organization implemented on the market.

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Scope of the Report:

Through following the Longevity and Anti-senescence Therapy Market through depth, the readers should find this study very helpful. The aspects and details are depicted by charts, bar graphs, pie diagrams, and other visual representations in the longevity and Anti-senescence Therapy Market study. This intensifies the representation of the pictures and also helps to improve the facts of the Longevity and Anti-senescence Therapy Market industry. At a substantial CAGR, the Longevity and Anti-senescence Therapy Market is likely to grow. Longevity and Anti-senescence Therapy Market reports main objective is to guide the user to understand the market in terms of its definition, classification, industry potential, the latest trends, and the challenges facing the Longevity and Anti-senescence Therapy Market.

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Longevity and Anti-senescence Therapy Market Analysis, Segmentation, Key Players, Opportunities and Forecast 2020 2026 - Galus Australis