Gene Editing: The Next Step In Evolution – Daily Beast

With humans on the cusp self-evolution, a new report emphasizes the need for a societal conversation that were not likely to have.

Last week, a U.S. patent court and a prestigious science academy weighed in on a potent new method for editing human DNA with the funny-sounding name of Crispr-Cas9.

The media gave it the standard important science story treatment, with the Economist publishing a cover story about how gene editing and other reproductive techniques were replacing sex for making babies. This comes a couple of years after the customaty wow! stories that typically herald a major discovery like Crispr-Cas9, followed by a steady stream of reports about this technique that allows scientists to inexpensively cut and paste stretches of DNA almost at will.

Crispr-Cas9 is not, however, like most scientific discoveries. The culmination of decades of probing the secrets of whats encoded in our DNA, Crispr takes Homo sapiens on a new journey that almost certainly will allow us to do something weve long talked about, and have watched play out in science fiction films: the ability of a species (namely, us) to self-evolve.

We have within our grasp the technology to change evolution, said Paul Berg, a genetics pioneer from Stanford, about Crispr-tech. This could change the course of biological life.

Nor is Crispr-tech following the usual pattern of scientific and technological breakthroughs, which typically take decades or even centuries to perfect, and for society to absorb them.

For instance, it took us thirty or forty years to properly build and learn to use the Internet. Even with genetics, the pace has been one of mostly incremental discoveries over decades, with society very slowly absorbing the basics of the science, and what it means for real people beyond what they saw in Jurassic Park and Gattaca.

People now know that glitches in a persons DNA can cause cancer and rare and tragic diseases in children. And that genetics can tell you if youre predisposed to lactic intolerance (which you probably already knew), or if your ancestry is predominately Italian, Native American, or Southeast Asian.

Gene editing, however, is not following the usual, slow-roll-out pattern of most new discoveries. Crispr-Cas9 is still in its early days, but scientifically is moving at warp speed, playing out in years rather than decades.

Invented just five years ago, the technology allows DNA to be edited with an ease and at a lower cost than previous versions of the technology. Last year, a Pennsylvania high school senior named Michael Zhang even won a prestigious Intel Science Talent Search award for a project using Crispr.

The ability to cut and paste DNA virtually at will has tremendous promise to treat or cure diseases caused primarily by genetic glitches, such as Huntingtons Disease and sickle-cell anemia. The technology also has the potential to allow scientists to one day go beyond fixes for diseases to enhance people by editing in favorable traits like greater stamina, or possibly a higher IQ or good looks, although not right away.

Crispr stands for Clustered Regularly Interspaced Short Palindromic Repeats, a natural process used by bacteria to remember the DNA of invading viruses so that that they can identify and destroy similar intruders, aided by DNA-slicing enzymes. In 2012 Jennifer Doudna of the University of California at Berkeley and Emmanuelle Charpentier of Swedens Umea University demonstrated in Science how to co-opt this process and intentionally edit DNA in any organism by using a slicer enzyme called Cas9.

Since Doudnas and Charpentiers breakthrough, a Crispr frenzy has generated thousands of scientific papers in hundreds of labs around the world. It has inspired the formation of companies like Editas, Intellia, and CRISPR Therapeutics that expect the gene editing market to one day generate billions of dollars. (All three companies have issued IPOs in record time). Last November, doctors began the first human trials in China using Crispr for patients with aggressive lung cancer.

Crispr-techs rapid deployment has also launched a brisk debate among scientists and bioethicists. In 2015, 18 prominent scientists and experts in law and ethicsled by Nobel Laureate David Baltimore and Jennifer Doudna published a call in Science magazine for a moratorium on some uses of this technology. As I reported at the time:

The group, which met in Napa, California, last January [2015] for a one-day summit, fretted about a possible slippery slope that might occur from using disease-curing applications that everyone wants, toward uses with less compelling or even troubling implications.They call on scientists to impose a voluntary stoppage while societal, environmental, and ethical implications of such activity are discussed among scientific and governmental organizations.

The group was particularly concerned about editing the germline cellsthe sperm and eggthat could pass alterations down to offspring. These are different than the somatic cells that make-up you and me and our organs and other body parts. They are not involved in reproduction, and wont impact progeny if edited.

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Not surprisingly, the Crispr-rush has led to a battle over rival patents. Last week, the Patent Trial and Appeal Board issued a 51-page ruling that sided with one of the first parties to file early patents, the Broad Institute in Boston. They won against an even early filer, the University of California at Berkeley. At issue was Berkeleys claim to patent uses of Crispr-Cas9 in all cells, versus the Broad claiming a patent for use in certain cells, including human cells. If this sounds confusing, it is, indicating that the legal wrangling over Crispr is just beginning.

Also last week the National Academies of Sciences (NAS) issued a 243-page report prepared after the call for the moratorium in 2015, and a subsequent international summit on gene editing held in December, 2015, in Washington, DC, sponsored by the NAS.

The report provides a detailed assessment of where the science is, and the ethical and societal issues. It lists a number of recommendations, most notably that in rare and limited cases, germline editing might be allowable to save lives, but only following much more research, according to the report, and only for compelling reasons and under strict oversight. One magazine called this a yellow light, although it does represent a big shift from traditional bioethics, which strictly forbade any modifications to the human germline.

The report is dense and written in academic-speak, but it does a good job of elucidating the science and the conundrums. It also cites polls suggesting that the public seems to be in favor of gene editing to treat grave illnesses and to save lives, but is very wary of using this technology for so-called "enhancement."

Last weeks pronouncements are important in beginning to create a scientific and societal undergirding for Crispr-tech. Yet we still seem a long way off from a societal zeitgeist. Even Hollywood has yet to start spinning Crispr-inspired plotlines, at least that Im aware of.

Nor does the politics of the moment bode well for a proper public conversation about Crispr-techor really about any new and fast-moving scientific enterprise that confronts us with a species-level set of risks and benefits. A failure to elevate this discussion, however, could cause this inevitable and rapidly moving technology to overrun our ability to absorb the implications, and our ability to make intelligent decisions about the future of us, our children, and humanity.

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Gene Editing: The Next Step In Evolution - Daily Beast

Sunday with a Scientist makes evolution fun – Lincoln Journal Star

Elizabeth Rcz knows she'll hear about the Sunday with a Scientist event for weeks.

Rcz, who is finishing her Ph.D. from the University of Nebraska-Lincoln's School of Biological Sciences, helps out with exhibits at the event and also gets to watch her 5-year-old son's reactions to the hands-on experiments.

"He loves it," she said. "He'll talk about the small things for days. ... He remembers the little details amazingly and sort of processes it over the next week."

On Sunday, the University of Nebraska State Museum celebrated Darwin Day with specialized exhibits focusing on evolution.

The celebration is part of the monthly Sunday with a Scientist series, where UNL students and professors set up interactive displays and games to get kids involved in science.

"It's always fun to see someone learn and take home a message from it," Abhilesh Dhawanjewar said.

He and Rudy Villegas, both graduate students at UNL's School of Biological Sciences, helped kids learn about plant seed dispersal by crafting miniature parachutes.

"What we really wanted to come up with was an activity with plants because everyone thinks they're really boring because they don't move," Villegas said. "We had a video, too, to try to kind of blow their minds with the cool stuff plants can do."

The event is beneficial for graduate students because it offers them an opportunity to share and talk about their work while also benefiting elementary-aged children, saidJen Shaughney, who helps to coordinate Sundays with a Scientist.

Each month has its own theme, so Shaughney said that with Darwin Day being on Feb. 12, it was a natural fit. About 150 to 300 people usually attend the event, which takes place on the third Sunday of every month.

LaVonne Uffelman, who brought her four grandchildren, enjoyed the variety of activities and had a hard time convincing the kids to leave.

"There's something for everyone," she said. "Even grandma got to learn something."

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Sunday with a Scientist makes evolution fun - Lincoln Journal Star

Horses buck evolutionary ideas – Science News

A cautionary tale in evolutionary theory is coming straight from the horses mouth. When ancient horses diversified into new species, those bursts of evolution werent accompanied by drastic changes to horse teeth, as scientists have long thought.

A new evolutionary tree of horses reveals three periods when several new species emerged, scientists report in the Feb. 10 Science. The researchers found that changes in teeth morphology and body size didnt change very much during these periods of rapid speciation.

This knocks traditional notions that rapid diversification of new species comes with morphological diversification as well, says paleontologist Bruce MacFadden of the University of Florida in Gainesville. This is a very sophisticated and important paper.

The emergence of several new species in a relatively short time is often accompanied by the evolution of special new traits. Classic notions of evolution say that these traits such as longer teeth with extensive enamel are adaptive, enabling an animal to succeed in a particular environment. In horses, the evolution of such teeth might permit a shift from browsing on leafy, shrubby trees to grazing on grasses in open spaces with windblown dust and grit.

You cant live on a grassland as a grazer and have short teeth, says MacFadden, an expert in horse evolution. Youll wear your teeth down and thats not a recipe for success as a species.

Similarly, a big change in body size can indicate a move to a new environment. Animals that live in forests tend to be smaller and more solitary than the larger herd animals that live in open grasslands.

Paleontologist Juan Cantalapiedra and colleagues compiled decades of previous work to create an evolutionary tree of 138 horse species (seven of which exist today), spanning roughly 18 million years. The tree reveals three major branchings of new species: a North American burst between 15 million and 18 million years ago, and two bursts coinciding with dispersals into Eurasia about 11 million and 4.5 million years ago.

The researchers expected to see evidence of an adaptive radiation, major changes in teeth and body size that allowed the new horse species to succeed. But rates of body size evolution didnt differ much in sections of the family tree with low and high speciation rates. And rates of change in tooth characteristics were actually lower in sections of the tree with fast speciation rates, the team reports.

Its very tempting to see some change in body size, for example, and say, Oh, thats adaptive radiation, says Cantalapiedra, of the Leibniz Institute for Evolution and Biodiversity Science at the Museum fr Naturkunde in Berlin. But thats not what we see.

Cantalapiedra and his collaborators speculate that during the periods of rapid speciation, the environment was so expansive and productive that there just wasnt a lot of competition to drive the evolution of adaptive traits. Perhaps, for example, North American grasslands were so rich and dense that there was enough energy for various species to evolve without having to develop traits that gave them an edge.

That scenario might be special to horses, says MacFadden, but it might not. Similarly, classic adaptive radiation scenarios might be true in many cases, but as this work shows, not always.

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Horses buck evolutionary ideas - Science News

Will Protests Alone Produce The Evolution We Want? – Collective Evolution

We're creating a positive news network. We need your help.

These worldwide protests have been a big wake-up call, and alerted masses of people to the fact that there are vast numbers who want change. People are starting to see that we all want the same things. But it is time to take the next step.

As long as there are demonstrations against what those in charge are doing, we the people send the message that we hope to be listened to and for their actions to change. We hope that these ones in control at the top will start to work for the same things we want: peace, health, freedom and harmony for all people, and care of the earth.

If that were their agenda, that is what we would already have.

Marching against their actions now in the hope that our outrage will make them change their behaviour is doing two things: placing our faith in these people, and threatening them. We are saying both, I believe you will listen and change your actions, and Youd better change your actions, or else!

That is where we will be pushed to. Those who have been in control all this time wont stop until they have no other choice. They hope to see things descend into chaos, so that people will look to them in desperation to create order again.

It is time now to move the choice away from them and onto us. We actually have a choice right now. To be free. The world we all want will not be made by the same peoplewhogot us to where we are today. It will be made by us.

We ourselves have placed conditions on our peace and freedom. We have believed that when we start earning enough, or have achieved xyz, or an event has happened, then we will feel peaceful and be free. True peace, happiness, and freedom dont appear as a result of outer conditions. They also cannot be found in any other moment than right now. This moment is all we truly ever have.

All of the chaos and unrest weve seen is happening toforce us to realize that we cant rely on outer conditions to bring our inner peace. It is happening so that we will turn within ourselves. There is a part of every one of us that is absolute peace, love, strength, and freedom. It cannot betaken away by anyone.

When Nelson Mandela was persecuted and jailed, did he lose himself to anger? When Jesus was ridiculed and killed, did he shout at those who were insulting him and cower in fear? When Mother Theresa saw the pain and suffering every day in Calcutta, did she become so traumatized she couldnt face it anymore and gave up? No. They had each been on their own journey within, and connected with the truth of who they were. They knew they could withstand anything and live in their truth.

I have seen this in working with survivors of trauma, and in myself when I was faced with my deepest pain. What I have seen is that when people go through something that feels like it just might break them, the way through it is to go within. All you want to do is run from the pain. You want to fight whoever caused it, eat, drink, or drug it away so you cant feel it, never leave the house again so you are never reminded of it, or throw yourself into work or partying to forget it.

You can never run far enough. Feelings of pain will never stop having a hold on you until you face them.

Going within means coming face to face with the pain whenever it hits you. Breathing through it. Allowing it to be there, part of your experience in that moment. Then something beautiful happens. The pain doesnt destroy you. And you realize that you are not the pain.

You are the eternal being underneath this pain, that can never be destroyed. You are a brave one that chose to come and live on this planet and be faced with pain like this so that you could learn through experience. You came here so that you could connect with the deep truth of who you are, and live that truth no matter what is going on around you. Now is the time to live that truth.

Find out why we are in the most important time in our history.

Your life path number can tell you A LOT about you.

With the ancient science of Numerology you can find out accurate and revealing information just from your name and birth date.

Get your free numerology reading and learn more about how you can use numerology in your life to find out more about your path and journey. Get Your free reading.

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Will Protests Alone Produce The Evolution We Want? - Collective Evolution

Students compete in robotics competition at University of New Haven – WTNH Connecticut News (press release)


WTNH Connecticut News (press release)
Students compete in robotics competition at University of New Haven
WTNH Connecticut News (press release)
WEST HAVEN, Conn. (WTNH) It was robot versus robot at the University of New Haven Sunday. Nearly 200 middle school and high school students converged at the West Haven campus for a robotics competition. An event coordinator says these events do ...

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Students compete in robotics competition at University of New Haven - WTNH Connecticut News (press release)

Robotics competition reveals hours of hard work by students | WBMA – Alabama’s News Leader

JEFFERSON COUNTY, Ala.

Students from across the state battling for robotic supremacy.

The premise is that students take classroom skills then apply those same skills in a practical manner.

Two engineering students from Oak Mountain High School, and their mentor, tell ABC 33/40 the students design the robots all by themselves.

400 students represented 40 schools. Oak Mountain High School Student Ryan Cruce said the goal of the robotics competition was simple. Cruce told ABC 33/40, "Score as many points as possible. Out score the other team." This year's theme is stars and cubes. For every match, two alliances face-off. Each alliance can score points by throwing or pushing the objects under the fence onto their opponents side of the square. Cruce explained the design of his robot is based on real-word equipment like a bulldozer. "I just thought of it," said Cruce. "I just of something that would be able to score game objects without having to throw stuff over."

Classmate Omar Zuaiter said what happens at the robotics competition comes from hours of work in the classroom. Zuaiter said, "The classroom we design and we use the engineering design process, so that we can come up with the best robots possible for the competition."

Paula Hughes is the engineering teacher for the OMHS robotics team. Hughes said the students are easily engrossed by the design process. Hughes said, "I think they just enjoy designing something that they can see actually work." Hughes said her students, often design the robots, without much of her help. "I try to guide them and answer any questions that they may have," Hughes said. "But they come up with bot design, do all of the programming, all of that on their own."

This saturday's competition was a qualifier for the larger state meet. The state championship will be March 4th at Jacksonville State University.

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Robotics competition reveals hours of hard work by students | WBMA - Alabama's News Leader

With New Invention, Virtual Reality’s Potential for Magic Gets Real – New York Times


New York Times
With New Invention, Virtual Reality's Potential for Magic Gets Real
New York Times
I have seen a lot of great V.R. experiences, and nothing comes close to what the Void is doing, said Cliff Plumer, a former Lucasfilm technologist and manager who joined the virtual reality start-up the Void as its chief executive on Feb. 9. If ...

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With New Invention, Virtual Reality's Potential for Magic Gets Real - New York Times

How Valve is Taking a Nintendo-like Approach to Virtual Reality – UploadVR

Valve is building hardware for virtual reality, and its taking cues from one of the console industrys brightest minds.

VR is still in its early stages in terms of revenues relative to the industry as a whole, but Valve is pushing virtual realityforward by following the methodthat legendary Nintendo designerShigeru Miyamoto used in the development of devices like the DS handheld or the Wii motion-controlled console. Miyamoto, creator of the Mario and Zelda franchises, has repeatedly worked on hardware and software in conjunction with one another to ensure that the companys games and systems take full advantage of their capabilities.

Valves prototype grip controllers. Photo by GamesBeat/Jeffrey Grubb

Valve wants to emulate that process with SteamVR.

One of the questions you might ask us is, Why in the world are you making hardware, Valve founder Gabe Newell said during a roundtable interview with several media outlets including GamesBeatlast week. Were building three VR games. What we can do now is we can be designing hardware at the same time that were designing software. This is something that Miyamoto has always had. Hes had the ability to think about what the input devices and design of systems should be like while hes also designing games. And our sense is that this is going to enable us to build much better entertainment experiences for people.

Newell said that Valve isnt suddenly looking to make a significant profit from hardware devices because the margins are typically not great on those kinds of products. Instead, he explained that in order to move VR forward, Valve needs to think about software and hardware developing in unison.

It feels like weve been stuck with mouse-and-keyboard for a really long time, said Newell. The opportunity to build much more interesting kinds of experiences for gamers is there, we just had to expand what we could do. But its not about building hardware, its about making bigger leaps forward by working on these things together.

All the senior members of Valves VR team acknowledged that its efforts could flop because they dont know whats going to work. But the company thinks that any potential failure could provide useful data for anyone else working in the space, and since SteamVR is open, someone else could swoop in with a successful idea that Valve couldnt think of.

The presumption is that when youre trying to build something new, youre going to have a lot of failures, said Newell. So you want to be in a position so you know if something could work. If youre not failing, then youre probably not exploring the potential space.

But Valve is determined to do that exploring, and Newell specifically points to Nintendo as an example of how to do this kind of experimentation.

Because you can always be surprised, said Newell. Personally, I thought the DS was kinda stupid. I thought Sony was going to crush Nintendo in that generation of handheld devices. I was totally wrong. I hadnt worked on it. I hadnt tried to design any games for it. And clearly the DS ended up the winner.

On the flipside, the first time I played Wii Sports, I was like, Oh, my god theres so much potential here. But it turned out that Wii Sports pretty much nailed it, and that was it. And there was less innovation that I expected.

So Newell is wary of his initial instincts.

You can still find out that there was more or less [to an idea] than you thought, said Newell. And you find out by making a bunch of experiments and getting a bunch of other people to try things.And the assumption is that as we continue this ongoing evolution of game design, tools, and hardware, were going to find stuff that really creates game experiences that take advantage of the unique characteristics of VR.

And so Valve will keep iterating on its hardware and software, and everyone will get to see if the company ends up with a success like the Nintendo DS or a flop like the Wii U. Either way, Newell and his team are prepared.

This post by Jeff Grubb originally appeared on VentureBeat.

Tagged with: controllers, Gabe Newell, Valve Software

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How Valve is Taking a Nintendo-like Approach to Virtual Reality - UploadVR

Inside an IMAX virtual reality arcade – VentureBeat

We dont know yet if VR arcades in the United States are going to find success, but it is looking like IMAX VR is going to give it a great try.

We went inside the big-screen companys flagship VR center in Los Angeles this week, and got a good look at their plans for arcade roll-outs this year including centers spread across the globe. In short, I saw a series of well-designed spaces equipped with some of the best virtual reality hardware and software available.

Above: The IMAX VR arcade.

Image Credit: UploadVR

Visiting virtual worlds in the center costs about $1 per minute right now (Each experience is approximately 5 to 15 minutes long and featured experiences range between approximately $7-$10). That could change as more content is introduced to the location over time.

The first arcade in Los Angeles is not connected with a multiplex, but future IMAX VR centers in Los Angeles, New York and overseas will be connected to movie theater locations. The idea is youll head out to the movies and before or after the big show youll visit the VR arcade for a few minutes.

Above: The reception area of the VR arcade.

Image Credit: IMAX

HTC is betting big on VR arcades in China. An arcade version of its Viveport VR content store is designed to make it easier for groups to set up a location equipped with a variety of worlds to visit. Theres an assumption that out-of-home VR experiences are going to be very popular in Asia where many people have less space and money to install their own equipment. It remains to be seen whether similar arcades in the United States and elsewhere will find success, but IMAX is looking to make a strong go of it.

This will be a breakthrough for the U.S. I think, said HTCs Viveport president, Rikard Steiber.

A lot of thought clearly went into the design of this first flagship IMAX location, and it is equipped with hardware which should exceed or at least rival the setups early adopters have at home.

For VR enthusiasts in the Los Angeles area looking to introduce friends, family or coworkers to VR this center should be strong competition for anything youve set up personally.

Above: IMAX VR arcade visitors may don these backpacks.

Image Credit: IMAX

IMAX is making clear it is providing a premium experience partnering with the HTC Vive for a series of room-scale pods complemented by Subpac haptic vests and a D-Box motion chair. Powerful PCs are stored out of sight overhead with wires running down on balancers meant to manage the wires and keep them out of the way while moving freely around the room.

Heres the roll-out plan for the next pilot centers:

IMAX has signed agreements to open an additional five IMAX VR centres in the coming months, including a pilot Centre in the UK with ODEON & UCI Cinema. The Company is also currently in conversations to open additional pilot centres in Japan, the Middle East and Western Europe. These pilot locations will test several factors including the overall customer experience, pricing models and the types of content featured. If successful, the intent is to roll out the concept globally to select multiplexes as well as to commercial locations such as shopping centers and tourist destinations.

While most of the pods were equipped with HTC Vives, a pair of StarVR headsets were also at the IMAX location, powered by some of the beefiest graphics cards available hidden away in computers overhead.

StarVR is a headset from Starbreeze that features an ultra-panoramic view compared to the first headsets you can buy for your own home. It is still very much a developer kit, though, and only runs at 60 frames per second (FPS) compared to the Vives 90 FPS.

Above: Playing John Wick in VR.

Image Credit: IMAX

StarVRshould probably come with an experimental sign so visitors to the center know it is not at the same level of polish as the Vive. I tried a rooftop assault version of the John Wick Chronicles VR game in the headset with a realistic gun accessory tracked usingPhaseSpace.

I delighted in a moment when I spotted an attacker coming from my left, in my periphery, who would have been completely unnoticed if I had been wearing a Vive.

But the combo of software and hardware which uses different optics and screens compared with the Rift and Vive lacked a level of smoothness Ive come to expect from room-scale VR.

The same cord management system is used for both the Vive and StarVR systems, relying on a pair of balancers to keep the cord out of the way but let it extend when taking a step.

The waiting area includes poster-size displays previewing experiences and breaking them down by available times and intensity.

According to IMAX, the company established a $50 million VR fund together with strategic investors such as Acer, CAA, China Media Capital, Enlight Media, The Raine Group, Studio City and WPP to help finance the creation of at least 25 interactive VR content experiences over the next three years for use across all VR platforms, including in IMAX VR centres. The center currently features content from ILMxLAB, Sony, Lionsgate, Starbreeze, Survios, and Ubisoft.

Theres also a sampler that allows visitors to try out a great cross-section of introductory VR experiences.

Star Trek: Bridge Crew is among the experiences coming to the center soon, and IMAX is working with Google to develop a cinema-grade VR camera planned for launch in mid-2018 to capture 360-degree content in 3D. IMAX is planning to leverage the resulting content for its VR centers.

IMAX is pretty clear this is a test for the company, but it is definitely a serious one.Wed love to see how busy the center is in the coming weeks and months, as well as what foot traffic looks like at centers rolling out inside theaters. Thats the data IMAX needs to decide whether its experiment is a success. Well both certainly be watching.

The flagship IMAX VR center is located at 157 South Fairfax in Los Angeles, CA 90036 across from the Grove. The phone number is 323-452-4081 and the link to buy tickets is available here.

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Inside an IMAX virtual reality arcade - VentureBeat

VR Sales Numbers Are Wet Blanket on Adoption Hopes – Fortune

This time its different, right? Unlike the virtual-reality fad that fizzled 15 years ago, boosters say todays version of VR techbacked by the likes of Facebook ( fb ) , Google ( googl ) , and Samsungis going to be big.

Well, maybe not. Sales figures for 2016 are in, and theyre not exciting: The VR industry shipped 6.3 million devices and pulled in $1.8 billion in revenue, according to research firm Super Data. Thats below expectations, though analysts say it isnt terrible for an emerging technology.

Whats more telling is whos buying. Though VR has promise for business, most customers now are gamers. They love itVR game users reportedly engage in 40 sessions a month on average. But such hard-core fans aside, most people lack a compelling reason to shell out for the gear. Research firm Magid says that while interest in music and virtual travel is growing, theres a lack of clear value proposition besides early adopter enthusiasm.

One field that could drive sales? Porn, which has been a catalyst for other early Internet technologies. But VR may be out of luck there too. Early users have found the depiction of virtual partners strange and almost grotesque, says Super Datas Stephanie Llamas. And the content is still limited.

A version of this article appears in the March 1, 2017 issue of Fortune with the headline "Time for a (Virtual) Reality Check."

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VR Sales Numbers Are Wet Blanket on Adoption Hopes - Fortune

Virtual Reality to Make MRIs Less Scary – Financial Tribune

Monday, February 20, 2017

A London hospital is using VR to make medical testing more comfortable for children. Kings College Hospital teamed with the Google Play Specialist team to create an app thatwhen worn before an MRIhelps kids understand the procedure through an immersive VR experience. The app provides a 360-degree view of the process while a radiographer explains how it worksincluding what happens during and after the scan, The Next Web reported. If youre lucky enough to never have had one, MRIs require the patient to remain perfectly still. This can be understandably difficult for kids. According to Kings representatives The VR technology allows children to feel as though they are inside an MRI scanner and experience what it will be like on the day. Children have the opportunity to get accustomed to the loud tapping noises that happen during the scanas well as learning that they need to keep still for the duration of the scan.

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Virtual Reality to Make MRIs Less Scary - Financial Tribune

Blind love and immortality haunt ‘The Invention of Morel’ | Chicago … – Chicago Sun-Times


Chicago Sun-Times
Blind love and immortality haunt 'The Invention of Morel' | Chicago ...
Chicago Sun-Times
Andrew Wilkowske is the Fugitive and Valerie Vinzant is Faustine in the Chicago Opera Theater production of "The Invention of Morel." (Photo: Liz Lauren).
Review: From Stewart Copeland, 'Invention of Morel' a brilliant piece ...Chicago Tribune

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McGraw One Step From Hoop Immortality :: Notre Dame Women’s … – Notre Dame Official Athletic Site

Feb. 18, 2017

By Leigh Torbin

SPRINGFIELD, Mass. - Notre Dame's Karen and Kevin Keyes Family Head Women's Basketball Coach Muffet McGraw has taken the penultimate step towards the sport's ultimate lifetime honor as she is included on the list of 14 finalists for the Naismith Memorial Basketball Hall of Fame's Class of 2017, announced on Saturday.

Also a finalist for enshrinement in 2016, McGraw will learn if is she is one of the latest enshrines on April 3 at the men's basketball Final Four in Glendale, Arizona. Joining McGraw as women's committee finalists are Rebecca Lobo, Kim Mulkey and the pioneering teams from Wayland Baptist University as a collective unit.

McGraw, who guided the Irish to the 2001 national championship and seven Final Four appearances, is the winningest single-sport coach in Irish lore with 756 wins. Over her 30-year coaching career, McGraw is 844-267 (.760), making her the sixth-winningest active coach nationally and the 10th-winningest all-time at the Division I level. She is the sixth-winningest female coach in women's basketball history and one of just four women to ever win 750 games at a single school.

She is the 2017 recipient of the Wooden Awards' Legends of Coaching Award, becoming just the third female to receive this honor, joining Tennessee's Pat Summitt and Stanford's Tara VanDerveer. She is the fourth women's coach to be recognized with this honor, joining Summitt, VanDerveer and UConn's Geno Auriemma.

Among her countless other career highlights:

* She is one of five coaches (men's or women's) in Division I history with 800 wins, seven Final Fours and five NCAA title game appearances, joining the elite company of Summitt, Auriemma, Duke men's coach Mike Krzyzewski and the late North Carolina men's coach Dean Smith, all of whom are enshrined in the Naismith Memorial Basketball Hall of Fame.

* McGraw is the only coach to be named the consensus national coach of the year three times, sweeping the Associated Press, Women's Basketball Coaches Association, Naismith Award and United States Basketball Writers Association honors in 2001, 2013 and 2014.

* Only four coaches have ever competed in the national championship game five times and McGraw is joined in this lofty regard by Hall of Famers Summitt, Auriemma and Louisiana Tech's Leon Barmore. The Irish reached the sport's final game in 2001, 2011, 2012, 2014 and 2015.

* Her decades of consistent winning includes guiding the Irish to 14 Sweet 16 appearances in the past 20 years, making Notre Dame one of just five teams nationally to do so.

* McGraw's 29 20-win seasons ties Georgia's Andy Landers, for seventh in Division I history.

* Over the past six seasons, only UConn (209) has won more games than Notre Dame's even 200.

* Under McGraw, Notre Dame has made 23 NCAA Championship appearances, including a current string of 21 consecutive NCAA tournament berths, marking the fifth-longest active run of consecutive appearances and seventh-longest streak at any time in NCAA tournament history. During this current streak (1996-2016), Notre Dame has won at least one NCAA postseason game 19 times.

* Notre Dame's current stretch of 25 consecutive winning seasons, all under McGraw, is the ninth-longest in NCAA history.

* McGraw has led the Irish to eight regular season or tournament conference championships. Notre Dame is presently three-time defending champions of the Atlantic Coast Conference.

* Her lasting legacy of mentoring successful people along with merely successful players is reflected in having perfect NCAA Graduation Success Rate (GSR) score in seven of the past nine years (2007-16). In that time, Notre Dame is one of four programs in the country to record a perfect GSR score and go on to play for the national title later that same season (something the Fighting Irish have now done four times, most recently in 2015).

McGraw's current Irish team is ranked No. 7 in the nation and stands at 24-3, marking the 11th year in a row and the 23rd time in the past 24 seasons that Notre Dame has won at least 20 games. Notre Dame leads the ACC with a 12-1 conference record as it aims for its fourth straight ACC regular season crown and sixth consecutive outright regular season conference title overall, including the final two years in the BIG EAST. The Irish return to the court at 5 p.m. on Sunday when they face No. 21 Syracuse at the Carrier Dome live on ESPN2.

-ND-

Leigh Torbin, athletics communications associate director at the University of Notre Dame, has been part of the Fighting Irish athletics communications team since 2013 and coordinates all media efforts for Notre Dame's women's basketball and men's golf teams. A native of Framingham, Massachusetts, Torbin graduated from the University of Massachusetts in 1998 with a bachelor's degree in sports management. He has previously worked full-time on the athletic communications staffs at Vanderbilt, Florida, Connecticut and UCF.

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McGraw One Step From Hoop Immortality :: Notre Dame Women's ... - Notre Dame Official Athletic Site

Head Case Scottish writer: ‘Decapitate me after death, freeze my … – Herald Scotland

DJ Maclennan is hoping for a good death. When the time comes, the Isle of Skye writer wants to be surrounded not just by his family, but by the emergency volunteer stand-by team from Cyronics UK.

Since 2007, he has been paying 50 a month to the Alcor Institute in the town of Scottsdale, Arizona. For that they will 'cryopreserve' his head (it costs significantly more to keep the whole body) in a tank of liquid nitrogen, keeping it there, the company promises on their website, for decades or centuries until a future medical technology can restore that person to full health.

All going well, within ten minutes of MacLennan breathing his last, that team, made up of enthusiastic amateurs, none of whom have professional medical training, will take control of his body. Theyll start by giving the cadaver oxygen, and chest compressions before placing it in an ice bath.

Then they administer drugs to stabilise biological systems and prevent clotting and brain damage through cell destruction. Once thats done they remove the corpse to their mortuary, cut open carotid arteries jugular veins and replace the blood with an an antifreeze solution. Within 24 hours of death, the body must have been cooled to at least -20C. Then, and only then is it ready to transport over to Americas west coast, where the head will be removed.

The problem for MacLennan is he needs the NHS and the Procurator Fiscal to let this happen, and right now that looks unlikely. Bodies in Scotland cant be released to family until theres a death certificate, and every death certificate needs a cause of death.

If that death is unexplained or sudden, then it gets reported to the Procurator Fiscal who takes over legal responsibility for the body until a cause can identified.

That often requires time or even a post-mortem, both of which make cryopreservation impossible, and the 40,000 or so MacLennan will have paid to Alcor over his lifetime would be for nothing.

Unfortunately, while we will always be sympathetic to requests by members of a family, this has to be balanced with the need for an independent and thorough investigation and a post mortem examination will sometimes still be required, the Procurator Fiscal tells the Sunday Herald.

None of Scotlands 14 health boards, or the NHS National Services Scotland, have any policy or guidelines on cryonics. Some of them are even openly hostile to the idea. NHS Western Isles said they would not facilitate volunteer medics, who may have no medical experience to operate on a dead person, regardless if this was the wish of the dead person.

The Scottish Government also has no policy, and say theyre waiting on the results of an information gathering exercise undertaken by the Human Tissue Authority, who were mobilised into action in the wake of last years high profile legal row between the parents of JS, the 14 year old dying of cancer who wanted her body to be cryopreserved.

Mr Justice Peter Jackson, who sat on that case, suggested there needed to be proper regulation of cryonic preservation in this country if it is to happen in future.

That was in part a response to fears expressed by JSs doctors over the Cryonics UK standby team. The medical staff said the volunteers were under-equipped and disorganised. The groups ambulance had broken down, and was replaced by a van.

The Human Tissue Authority will in the next few months produce two pieces of guidance, one for medical professionals and one for members of the public. Though they werent willing to tell the Sunday Herald what was in those guidelines.

Given this is a procedure thats been going on for 30 years it's surprising that there's no policy for it in the place in the UK, MacLennan says.

He is happy to talk about cryonics, and has written books on the process, as part of an attempt to normalise it a little bit and take the Frankenstein factor out if it.

Cryonics is potentially exponential technology, he argues. When people see the price coming down there'll come a point when they see a benefit. The cost will be finite and the benefit will potentially be infinite, because if it works the benefits are potentially infinite.

But this is currently a niche issue. No one is sure, but it seems there are around 100 people in the UK who have opted for cryopreservation.

In Scotland, the NHS and the Procurator Fiscal have yet to deal with any cases of Cryonics.

Professor Clive Coen from Kings College London believes there should be a ban on the marketing of cryonics, saying the idea of preserving a whole body was ridiculous and a whole brain only slightly less ridiculous.

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Head Case Scottish writer: 'Decapitate me after death, freeze my ... - Herald Scotland

When Screening for Disease, Risk is as Important to Consider as … – University of Virginia

Physicians and patients like to believe that early detection of cancer extends life, and quality of life. If a cancer is present, you want to know early, right?

Not so fast.

An analysis of cancer screenings by a University of Virginia statistician and a researcher at the National Cancer Institute indicates that early diagnosis of a cancer does not necessarily result in a longer life than without an early diagnosis. And screenings such as mammograms for breast cancer and prostate-specific antigen tests for prostate cancer come with built-in risks, such as results mistakenly indicating the presence of cancer (false positives), as well as missed diagnoses (false negatives). Patients may undergo harsh treatments that diminish quality of life while not necessarily extending it.

Yet the benefits of early diagnosis through screening often are touted over the risks.

It is difficult to estimate the effect of over-diagnosis, but the risk of over-diagnosis is a factor that should be considered, said Karen Kafadar, a UVA statistics professor and co-author of a study being presented Sunday at a session of the 2017 meeting of the American Association for the Advancement of Science. How many diagnosed cases would never have materialized in a persons lifetime, and gone successfully untreated? Treatments sometimes can cause harm, and can shorten life or reduce quality of life.

Kafadar is not advocating against screening, but her findings show that frequent screening comes with its own risks.

As a metric for evaluation, reduction in mortality is considered the standard. So if a disease results in 10 deaths per 100,000 people in a year, and screening reduces the deaths to six per 100,000 people, then there seems to be an impressive 40 percent reduction in mortality.

However, a more meaningful metric, Kafadar said, may be: How much longer can a person whose case was screen-detected be expected to live, versus a case that was diagnosed only after clinical symptoms appeared? This issue becomes harder to discern how long a patient survives after a diagnosis versus how long the patient might have lived anyway. Some cancer cases might never become apparent during a persons lifetime without screening, but with screening might be treated unnecessarily, such as for a possibly non-aggressive cancer. And some aggressive forms of disease may shorten life even when caught early through screening.

Kafadar and her collaborator, National Cancer Institute statistician Philip Prorok, gathered long-term data from several study sources, including health insurance plans and the National Cancer Institutes recently completed long-term randomized control trial on prostate, lung, colorectal and ovarian cancer, to consider several factors affecting the value of screening over-diagnosis, lead time on a diagnosis and other statistical distortions to look at not just how many people die, but also life extension.

People die anyway of various causes, Kafadar said, but most individuals likely are more interested in, How much longer will I live? Unfortunately, screening tests are not always accurate, but we like to believe they are.

Because the paper considers together the factors that affect statistical understanding of the effectiveness of screening, rather than looking at each of these factors in isolation as previous studies have done, it offers a new statistical methodology for teasing out the relative effects of cancer screenings benefits and risks.

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When Screening for Disease, Risk is as Important to Consider as ... - University of Virginia

These are ‘The Breaks’: Inside VH1’s ‘grounded’ new hip-hop series … – Screener

Between shows like Empire, Star and The Get Down, its pretty safe to say hip-hops been enjoying a television renaissance for a while now. And with Mondays (Feb. 20) series premiere of The Breaks onVH1, we have a feeling were only at the beginning of an untapped world of story possibilities.

The series starring Wood Harris, Mack Wilds, Afton Williamson and David Call continues where the film left off: Not only diving further into hip-hops business beginnings, but exploring the bond between Nikki (Williamson), DeeVee(Wilds) and David (Call) as they pursue their music dreams.

While there will seemingly be drama aplenty, the series will continue adhering to Dan Charnas highly acclaimed book, The Big Payback: The History of the Business of Hip-Hop, which is a detailed documentation of the movement, and its evolution.

To get a further understanding of how the VH1 series will tackle the subject matter and where The Breaks will fit in todays television landscape, Screener sat down with executive producersSeith Mann (The Wire, The Walking Dead) and John J. Strauss during Januarys TCA Winter Tour.

RELATED: Hip-Hop Evolution is a nice companion piece to Netflixs The Get Down

John J. Strauss: To me, good entertainment is about characters and engaging an audience. If you look at any given time in the history of television, there have been multiple law shows on the air, multiple medical shows on the air, multiple procedurals on the air So, I dont really see it like were competing for space in the world of hip-hop, as much as we have a very particular set of characters and a very particular point of view. I think the world that were presenting is really grounded, gritty, realistic and dramatic. It has people who you are going to be invested in. I think thats really what its about.

Seith Mann: Inspired by, but not necessarily based on real people. They are inspired by the types of characters that you found in the hip-hop community and culture in the late 80s and early 90s. In terms of why now Im not sure I know exactly why now. I know that I was very interested in telling a story that would get into the history of how this music how this nascent subculture became this dominant world power. At the same time, as Im interested in that and doing research on my own across the country, Dan Charnas is finishing his book that covers that exact subject matter! So, I feel like there is a certain zeitgeist that is happening or has happened that were a part of, you know?

Seith: I wouldnt call it our bible because we take a lot of dramatic license. We are telling a fictitious story, but we are attempting to tell a story about characters that didnt necessarily exist. But they couldve existed you know what I mean? So, the book

John: It keeps us straight especially with the history of the era. He writes all the way from the 70s to the present, but its so comprehensive. Hes been great, too hes an executive producer on the show and hes been sort of our policeman saying stuff like, This never happened. This did happen. This cant happen. This should happen.

Seith: Hes our banker. He always talks about and we all agree, its one of the things that is very important for us in the room we are telling a fictitious story about characters that didnt exist and companies that didnt necessarily exist but we want to believe that they did exist. We want these characters to represent the kind of people that transformed the world. What Dan started talking about, that we all leaned into, was the notion of an authenticity bank. We can only make so many withdrawals from the authenticity bank before our show becomes bullsh**t, so were very rigorous about making sure we dont take too many withdrawals. You know, thats a delicate dance when youre telling dramatic fictitious stories.

John: We have a tremendous responsibility. We really do.

Seith: One of the things that was so gratifying in shooting this was people saying things like,Oh yeah, you got them Fila warmups! You know what I mean? Hip-hop has always been tied to fashion people are paying attention to that! Theyre paying attention to the music, the language were very rigorous that we dont let some slang that didnt come around till 1993 slip into our 1990 story.

Seith: A-F-R-O is in the show. He comes back!

Seith: For me, it was pretty amazing. You know, I come from a film school background, and Ive worked mostly with actors. I believe a lot of musicians and musical talents can act but its not a given that just because you have a presence on stage, that its going to translate in front of a lens.

Sowhen A-F-R-O was introduced to us by DJ Premier who was our executive music producer on the movie/pilot/whatever you want to call it, and now executive producer of the show he said,You guys really need to take a look at this guy!We looked at him and saw the same thing everybody else saw and was like,We gotta bring him in!

It really was like a family affair, because when we shot The Breaks he was 17 or 18 itwas all very new, and everybody just took care of him. Wood [Harris] worked very closely with him his first day on set, and then when he came back for the series, he was just like an old pro. He just got it, like fish to water!

John: Eight.

Seith: And see, this is what I love about John. When John came into this, he always raised the game. My number was seven. But Im going with Johns number.

John: I just feel that theres that much to do! Dont forget, we did eight episodes were not doing 22.

Seith: Yeah, its an eight-episode season.

John: And there are a lot of characters, man. Theres a lot of history!

Seith: Its like, with the movie we just scratched the surface of the world. With the first season, we dig deeper but theres just so much breadth, and so many interesting characters. How the music expanded, how the business expanded at the end of the day, its still about how the business grew and affected the culture around it.

The Breaks Season 1 premieres Monday, Feb. 20, at 9 p.m. ET/PT on VH1.

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These are 'The Breaks': Inside VH1's 'grounded' new hip-hop series ... - Screener

Museo Amparo – E-Flux

Toujours, the Museum as Witness A selection of works from CAPC Contemporary Art Museum Bordeaux February 18May 22, 2017

Museo Amparo 2 Sur 708 Centro Histrico 72000 Puebla, Pue. Mxico Hours: WednesdayMonday 10am6pm, Saturday 10am9pm

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Museo Amparo presents a selection of some of the most important works from the Collection of the CAPC Contemporary Art Museum Bordeaux, representative of different moments in its history. The show includes pieces from the early years after the Museums foundation as well as from the 1980s, when it became more established; it also highlights its role in presenting new generations of artists and curators that represent the zeitgeist of different periods.Toujoursreveals a collection in constant movement, aware of cultural constructs and the spirit and ideas of its time.

The exhibition titleToujours always in Frenchis taken from the sculpture by Jack Pierson that welcomes the visitors to the show. This word evokes the idea of the continuity of an institution, of a collection and of the works created by the artists that have shaped the history of the CAPC. With its different definitions, the idea of continuity also refers to the time that has passed since the Museums foundation, its activities, the consistency of its programs and the commitment of the teams that have worked there.

How does a piece of art transcend? The wordtoujoursalso alludes to the museums role as witness to history and to its main mission: acquiring, conserving, studying, and exhibiting its collection. This is why the show focuses on a selection of pieces that establish a dialogue between them. Conceptual pieces by artists such as Daniel Buren and Sol LeWitt, closely related to the Museums first program of exhibitions or presented in later shows organized by Harald Szeeman and Marie-Laure Bernadac, coexist with emblematic interventions by artists such as Annette Messager and pieces by more recent creators such as Leonor Antunes, Wolfgang Tillmans and Lili Reynaud-Dewar.

This selection of works seeks to underline the museums role and its historic responsibility in the construction of a collection. Each piece is a witness, an idea, an opinion and it forms part of the history of the period in which it was made. It can thus be said that the pieces acquire a new meaning, because a collection reflects the different ways in which artists are witnesses as well as active participants of their time.

Toujoursproposes an interpretation related to the current socio-political context and the continuity of certain historical phenomena. It also analyzes possible relationships between language, movement, and space. Each piece has its own cultural reference and when juxtaposed with others in a new context, a dialogue is established in which a new analysis can ariseanother point of view about the history of a place (which could be the museum) or about our common history.

Among the works included in the exhibition areWall Drawing no. 2, 196890 by Sol LeWitt that establishes a link between Minimalism and Conceptual Art.Encadrant-Encadr, 3 rythmes pour 4 murs, 1991, created specifically by Daniel Buren for his solo show at CAPC muse that year, occupies an important place in the CAPC collection.Inventaire photographique des objets ayant appartenu au jeune home dOxford, 1973, by Christian Boltanski, a representative piece of his ongoing research on memory, and the most recent acquisition, Somnium, 2011, by Rosa Barba, a film inspired on the novel of astronomer Johannes Kepler, considered the first science fiction novel. The images present an uncertain landscape, inhabited between fiction and reality.

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Museo Amparo - E-Flux

The Harlem Renaissance, Alexander Wang and the VLONE Pop Up Shop – Huffington Post

Its been a full two years since From Harlem to Paris: Black American Writers in France 1840- 1980 by Michel Fabre has lived on my bookshelf. Its really scandalous as to how I acquired such gold, signed by the author himself as it was protruding from a friends bookshelf at an ungodly hour of the night, I helped myself to literature ecstasy. Its a textbook that talks about the Harlem renaissance movement in detail, beyond Langston Hughes, that goes as far back as the New Orleans influence in black culture and travel in France and the beloved Sally Hemings, Thomas Jeffersons (beautiful) slave, who was known to be the first black person ever to travel to France during slavery. As Black History month slowly comes to an end, it would be pity if this book and Harlem was not compared to the recent happenings of New York Fashion Weeks Fall 2017 events and collections. After all, all roads lead to Harlems creative mecca, as told by Alexander Wang, Stella McCartney, and ASAP Mobs faithful push to rebrand Harlem as Manhattans truest fashion zeitgeist.

For one, rising streetwear brand VLONE debuted its highly sought after Nike collaboration in Harlem earlier this month. Creative Director ASAP Bari along with members of the ASAP Mob, including ASAP Rocky (rumored to be dating Kendall Jenner at the moment), and dozens of fans visited the Harlem basketball court inspired pop up shop situated on the west side of 116th street. In a basketball court -like room, VLONEs signature orange decorated custom Spalding basketballs, as Nikes Air Force 1s with Harlem World graffiti and spray painted on sneakers and tees. The brands tagline was also written in old script font Every Living Creative Dies Alone on the walls of the dimly lit very chic retail space. Sneakers went for hundreds of dollars; I suppose the line to get into this streetwear arcade was never ending. The VLONE popup shop was much more refined with a strong brand message to welcome in the heavy collaboration with the billion dollar athletic company. VLONEs value and popularity over the past year has tripled with proof from its products currently being auctioned off for thousands of dollars on eBay. With the brands having repped Harlem from the very beginning, theres a lot to connect to how much Harlem continues to breed people who are not only for the evolution of Black American culture setting the bar, but also how much influence it has with an international audience. As a writer currently residing in Harlem, I wasnt invited to attend the After-Party or given a press recap which was covered by mainstream outlets like Vogue, VLONE has literally floated to the top of whats cool and hip and has simultaneously put Harlem back on the map, once again, as a place that is very much rooted in carrying on tradition, and not just another Manhattan neighborhood undergoing gentrification.

Harlems burgeoning coolness within the fashion industry is again, flattering but not necessarily needed, as it has always been a place of beauty especially during the Harlem renaissance. In the early 20th century, the architecture, the music, the food had all became to be what is known as today. But yet again, high fashion always seems to exude this Christopher Columbus attitude when it comes to exposing something new to the mainstream. What I mean is, it appropriates certain things in cultures that have always been known to the individuals in which the cultures belongs to, but not necessarily identifiable to the greater majority. When Alexander Wang decided to debut his fall 2017 collections in a abandoned theater in Harlem, he forced the fashion crowd to trek their way uptown for a chic adventure. An invited fashion editor (perhaps sarcastically) tweeted about his lack of knowledge of the train routes that far uptown. Did Alexander Wangs team care to invite some of the movers and shakers of Harlem or the greater community? Probably not. If this is too much, then perhaps compare this same concept to when Riccardo Tisci hosted the Givenchy Summer 2015 runway collections in New York and actually came to Harlem to invite random people on 125th street to his show because thats how much he was inspired by the culture for that particular collection. Were Alexander Wangs clothes inspired by Harlem? What exactly compelled him to host his show in Harlem is a question left unanswered at this point. It may seem like a small act of whatever, but the fact of a matter is Harlem is still a community full of black people desperately trying to hold on to their homes and culture, in the light of gentrification and appropriation running rampant in pop culture. Overall, VLONEs ability to reclaim the streets and build credibility with hoodwear, thus making it appealing to mainstream that is reaches the pages of Vogue is a huge accomplishment when it comes to owning the true black identity todays complex but still very elitist fashion world.

Here are 3 Black American Writers Who Have Travelled to Paris:

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The Harlem Renaissance, Alexander Wang and the VLONE Pop Up Shop - Huffington Post

Cobbling together: the Brooklynites who gather to make handcrafted shoes – The Guardian

Keiko Hirosue hopes to see a change in how shoes are made in the US. Photograph: Maria Spann for the Guardian

It turns out that there are a lot of heels in the shoe business. You would be surprised how much [shoe design] in the corporate world is just copied! I was a little nobody and I wanted to say this isnt right to the director of Topshop, Elizabeth Dunn, a bespoke shoemaker and London transplant, tells me, her voice rising with emotion.

At Brooklyn Shoe Space, a professional shoemaker co-working space and collective that also offers classes for the public on how to make everything from simple moccasins to stitched oxfords and high heels, former employees of Big Shoe are hoping they can change the industry, one step at a time.

As Keiko Hirosue, the founder, talks, three other shoemakers in the collective have made their way to the childrens table where we are sitting, sharing their stories of leaving the corporate design world to strike out for themselves.

The toddler-height table was added at the shoe collective when one of the members, Ritika Wahal, a designer of childrens shoes, asked Hirosue if she could bring her son, then only 18 months old, to the workshop with her. Hirosue responded by getting small furniture and toys to keep the boy occupied while his mother worked on her shoe line at the wooden worktable two feet away. These days, Wahals son continues to visit the shoe collective, where his mother makes him shoes in everything from fine crocodile skin to novelty leather which he picks out himself.

Brooklyn Shoe Space taps into so many aspects of the current zeitgeist its a shared working space, part of the maker movement and marks a return to locally made, bespoke products while serving as a place for womens empowerment and support that it seems remarkable that independent shoe collectives are not popping up wherever young urbanites congregate. Yet.

All the women at the collective left corporate jobs in fashion design because they missed being close to the product, finding their own design inspiration and working with their hands, which they are eager to show me are calloused and abused from hours spent stretching leather over shoe lasts and hammering nails.

My fiance says I have the hands of a 60-year-old, Rebecca Heykes, a young shoemaker in a mod dress and boots of her own design tells me with a laugh. All around the workspace are in-process shoes, with hundreds of thin nails holding the leather in place, a testament to the hand-destroying work.

While all the shoemakers can talk endlessly about the joy of designing and painstakingly creating a prototype, none of them want to spend weeks making 30 identical pairs. So recently Heykes and Hirosue banded together with several investors to open their own manufacturing facility, renting space near their collective in the increasingly upscale neighborhood of Williamsburg, Brooklyn. In keeping with the spirit of their collective, they hired their two factory employees through a program that pairs recent immigrant women with meaningful work.

The two factory employees, who had no background in shoemaking, were taught the craft and now make about 50 pairs of handmade shoes a month for independent shoe lines.

There is no room for fast fashion at the collective, where weeks can sometimes be spent on creating a custom shoe for an individual client. Hirosue and the other women are big proponents of American-made shoes, on a small enough scale to ensure quality and careful attention to every detail.

They talk in hushed tones of Prince Charles John Lobb shoes, which they tell me are rumored in shoe circles to be the same pair he had made specifically for him more than 30 years ago. He gets them resoled over and over, Wahal tells me, leaning in closer.

Ultimately, Hirosue wants to see a change in how the US manufactures shoes, with prototypes made locally at collectives like hers instead of being packaged off to China or other countries that supply overseas low-wage labor to the fashion market.

But handmade shoes dont come cheap. The shoemakers sell their shoes at prices comparable to those at high-end designer shops, with stitched oxfords selling for around $400, simple sandals for $200 and one-off totally bespoke pairs of shoes selling for around $2,000.

While they continue making inroads with fashion brands across the river in Manhattan and hustling to find new boutiques to carry their individual lines, all of the shoemakers regularly teach classes at the workshop to help ends meet during slow times. Shoemaking students come from across the US, Europe, Asia and Australia, with a split of 40% men and 60% women.

Students typically spend five days learning the bare basics of shoemaking, walking away with an original pair. Hirosue herself started out as a hobby student, taking a quick class on fetish shoemaking when she first dipped her toe in the cordwainer waters 13 years ago. Once you start making, it is so addicting, she tells me.

The students who take classes at Brooklyn Shoe Space are a mix of those who simply want to make a special pair of shoes for fun and those looking for a little more technical knowledge before designing their own lines. Everybody wants to be unique and wants custom everything, Heykes explains, which has helped the shoe collective get about 10 inquiries a day from prospective students as well as designers. Being able to Instagram a pair of custom shoes and show off to friends also doesnt hurt when it comes to bringing in prospective students, Wahal adds with a smile.

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Cobbling together: the Brooklynites who gather to make handcrafted shoes - The Guardian