We Asked Experts Whether You Should Wear a Hazmat Suit in Public – Futurism

In a grim new trend, people around the world are wearing hazmat suits in public an apparent bid to avoid catching the coronavirus SARS-CoV-2, which causes the sometimes-deadly disease COVID-19.

A UK newspaper spotted one shopper pushing a cart in full hazmat gear and what appeared to be a gas mask in Somerset, England. A second individual, it reported, was seen walking the streets of Bath with what appeared to be 27 rolls of toilet paper.

Everyone in the shop was looking at him, a witness told the paper. I was shocked and so were a lot of people and the staff.

According to local news and social media, more hazmat-clad shoppers have showed up in a Walmart in Maine, Costcos in California and Florida, and supermarkets in Australia and New Zealand. Many more social media users have posted hazmat sightings at stores without specifying a specific location.

In Nashville, one user even uploaded a pic of a man at a rooftop bar wearing a hazmat suit with yes cowboy boots.

They might want to dress down, however. Experts say the suits, often called personal protective equipment (or PPE), are unlikely to be an effective defense against the coronavirus. Even worse, they say, would be if public demand for the suits created a supply problem for first responders and medical workers.

There are plenty of sensible distancing strategies one can employ to reduce contact and risk of transmission, said Ashwin Vasan, a professor at Columbia University Medical Center. This is not one of them.

The bleak trend comes as grocery stores are struggling to keep up with demand as people stock up on supplies as the outbreak spreads.

Tara Smith, a professor of epidemiology at Kent State University, told Futurism that the phenomenon was already on her radar. A Facebook friend, she said, had just posted a photo of yet another hazmat-wearing shopper at a Walmart in the Dallas-Fort Worth area.

I am very skeptical that people know how to use them correctly, Smith said, adding that without proper training and fitting, its unlikely that the shoppers are using the suits and masks effectively. Gloves only protect you if you take them off the right way; otherwise you just contaminate your hands when you remove them. And if the gloves are contaminated and youre touching other objects (like your food products) then you just bring that contamination home anyway.

That tracks with photographic evidence. The man spotted wearing a hazmat suit in New Zealand, for instance, was widely mocked for skipping the gloves, leaving his hands exposed.

Mari Armstrong-Hough, a professor of public health at New York University, said that shes seen even more evidence that members of the public arent wearing the suits properly. In one photo, she said, she noticed that a hazmat-wearing individual had pulled down his or her mask using, she pointed out, what was probably an unwashed glove.

As a general principle, she said, people not trained in how to use PPE often manage to do little good for themselves, contaminate themselves in the process of removing equipment, and perhaps even increase their risk of exposure by letting down their guard about the important things like maintaining distance and frequent handwashing.

Of course, she added, speaking of a photo she saw of a hazmat-wearing person in New York, because its Brooklyn, Im not 100 percent sure we can rule out the possibility of performance art.

Even before COVID-19, it was already common in some places for people to wear surgical masks in public. Its not entirely clear whether that technique is effective against the coronavirus, but its already led to shortages that are ominous during a pandemic.

Now, a number of public incidents during the coronavirus outbreak have pushed hazmat suits further into the general publics consciousness. Supermodel Naomi Campbell, for instance, donned a hazmat suit to Los Angeles International Airport this past weekend.

Its not a funny time, its not a humorous time, Im not doing this for laughs, she said later. This is how I feel comfortable traveling if I have to travel; Im trying to keep it to a minimum.

Before Broadway shut down because of the virus, a prominent ticket seller offered an ominous disclaimer that audience members should wear hazmat suits in any crowded venue in NYC during this pandemic.

Even more bizarre was an incident this weekend in which a hazmat-wearing man entered a Las Vegas Walmart and started spraying items with an unknown substance before being apprehended by police.

Priya Duggal, the director of the genetic epidemiology program at the Johns Hopkins Bloomberg School of Public Health, told Futurism that he interprets most people wearing hazmat suits in public as seeking attention.

Practicing good social distancing techniques including avoiding large gatherings, simply washing hands, and limiting contact with others should be enough to decrease transmission of COVID-19, he said. Its not perfect, but it does work. Wearing a hazmat suit may also work but its potentially creating a false sense of security for the individual while increasing anxiety in those around them.

Armstrong-Hough, though, was more circumspect, framing the public hazmat sightings as a symptom of widespread fear and poor communication from authorities.

On the other hand, if youre, say, a patient in treatment for cancer without family nearby and you need to go buy orange juice, New York must feel like a scary place right now, she said. To me, the social-political angle is important here. How have we reached a state of such uncertainty that people are suiting up to traverse Brooklyn? Poor messaging from political leaders, slow roll-out of testing, and whiplash policy changes have injected unnerving uncertainty into peoples daily lives.

As ordinary people struggle to sort out their risk and responsibility in pandemic, she said, maybe its not surprising that some people are going to extremes.

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We Asked Experts Whether You Should Wear a Hazmat Suit in Public - Futurism

This MIT and Harvard-Built App Could Slow the Spread of Coronavirus – Futurism

SO, HERES THE IDEA: Everyone installs an app, and anyone who tests positive for the coronavirus hits a button on the app andthen anyone whos crossed paths with that person gets an alert. Sounds great in theory, but in practice there are tons of reasonable concerns, privacy and user adoption among them. And would it even work? Well, a super-squad of developers with backgrounds from MIT, Harvard, the Mayo Clinic, Google, and Facebook are trying to find out.

The app, which is available for free, and was developed by a team of 43 tech workers and academics in their spare time, is called Private Kit: Safe Paths and the beta can be downloaded now for iOS and Android.

Its developers claim to first and foremost address the privacy concerns of anyone using it by only sharing encrypted data culled by the app with a network that doesnt have any kind of central node. No one entity holds all the users data. Instead, data transfer only occurs at the choice of the users, with individualized access given to, say, researchers (or someone trying to do contact tracing).

That still doesnt solve the mitigating major issue of needing widespread adoption of the app, and they would need the backing of a massive health organization to help it. AsWiredreports, the team behind Safe Paths have already sought the approval of the World Health Organization:

[MIT Media Lab professor Ramesh Raskar] has been rallying other researchers and tech executives to the effort, and he has been in contact with the World Health Organization, the US Centers for Disease Control and Prevention, and the US Department of Health and Human Services. They are giving us guidance on what will work, he says, although none has yet endorsed the idea.

And, as Wired also notes, this isnt the first time an app has been developed to potentially combat the spread of disease before, pointing to an app developed in 2011 by Cambridge University scientists called FluPhone. The problem there? Only one percent of the people in Cambridge downloaded it.

Another obvious issue with widespread adoption of an app like this isnt a matter of choice so much as resources. The solution here, to a large degree, operates on certain middle-class assumptions. We know there are large swaths of the human population even in urban centers who dont own phones, or people (like undocumented immigrants) who would potentially balk at the idea of installing anything on their phone that keeps track of their locations.

That said, these solutions, however nebulous and far-fetched, seem to be far friendlier ideas than the stark alternatives. Take the country of Israel, for example, where as The Guardian reports, they just went and decided to do, well, this:

Israels government has approved emergency measures to track people suspected or confirmed to have been infected with the coronavirus by monitoring their mobile phones, immediately raising privacy concerns in the country. The cabinet unanimously approved the use of the technology developed initially for counterterrorism purposes in the early hours of Tuesday morning.

Meanwhile, as The Guardian also points out, other ostensibly less militant measures have resulted in not-so-great results. South Korea, for example, went with

messages that trace the movements of people who have recently been diagnosed with the virus. A woman in her 60s has just tested positive, reads a typical text, Click on the link for the places she visited before she was hospitalised, it adds. Clicking on the link takes the user to the website of a district office that lists the places the patient had visited before testing positive.

Needless to say, some potentially humiliating outcomes have arisen from this approach:

As South Korean media pored over their movements, citizens looked on with a mixture of horror and fascination as their private lives were laid bare, leading to speculation that they were having an affair and that [a] secretary had undergone plastic surgery.

Perhaps the lesson here is that were going to be better off choosing how to help our communities do contact tracing, ourselves, before a choice and a far worse one gets made for us.

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This MIT and Harvard-Built App Could Slow the Spread of Coronavirus - Futurism

10 Cyberpunk Sci-Fi Books Too Twisted To Be Made Into Films – Screen Rant

Fans of the cyberpunk genre, with its dystopian futures, cybernetic implants, and virtual worlds have been treated to a number of winning contributions lately. Altered Carbonhas returned for another season on Netflix, Westworldcontinues to be successful on HBO, and Neal Stephenson'sSnow Crashis set to be developed by Amazon Prime. Early cyberpunk can trace its roots to sci-fiin the '50s, but the true archetypes of the genre saw a meteoric rise in the '80s, with film adaptations of Philip K. Dick's book "Do Androids Dream of Electric Sheep" intoBlade Runner,and later William Gibson's short story "Johnny Mnemonic" into a film starring Keanu Reeves in the '90s.

RELATED:10 Shows To Watch If You Like Altered Carbon

Even now, as fans look forward to anotherMatrixfilm, from a trilogythattook inspiration from the best cyberpunk stories, there are some tales that may be too "out there" to ever bemade into movies. Some are simply too cerebral, too complex, and too bogged down by techno-babble, while others are too graphically violent and sexual. Here are10 Cyberpunk Sci-Fi Books too twisted to be made into films.

The first of a trilogy by Peter Watts,Starfishfocuses on a deep trench mining facility below the Pacific, which extracts energy from shifting tectonic plates that civilization needs to function in the dystopian world above. Only a certain sort of person can be a part of the Rifter project - the kind that faila psych evaluation.

Readers become acquainted with murderers, psychopaths, andthe like as they become surgically altered with technological enhancements to live on the ocean floor (think The Abyss), and Watts manages to make certain members of their ilk sympathetic. The novel is still difficult to stomach, due to its unfathomably sinister characters in its claustrophobic setting.

In the futuristic world Jeff Somers has created forThe Electric Church,anyone can live forever as long as they're willing to die first. Their consciousness gets transported to cybernetic bodies, where they live as "monks" of the Electric Church, the latest religion to hit the System of Federated Nations.

RELATED:Star Wars: 10 Cool Ways Mythology & Religion Inspired The Franchise

There's something eerie about the eternally serene monks, but they're capable of violence all the same, willing to stop at nothing to protect the leader of the Electric Church. A contract killer named Avery Cates makes a deal with the System Cops to take out the leader or get on the bad side of the law.

At the center ofVurt,the kaleidoscopic cyberpunk novel by Jeff Noon is a psychedelic drug, which when used transports people to an alternate dimension -- another reality, if not another state of mind. Each "vurt" has a corresponding color; blue for entrancing dreams, black for illegal pleasure and pain, and pink for absolute bliss.

RELATED:Psychedelic, Man: 10 Sci-Fi Movies Inspired By Mind-Altering Experiences

When Scribble's sister Desdemona takes a yellow "metavurt," she goes to a place few have ever experienced and becomes trapped at the edges of her own consciousness. Scribble has to seek out a means to bring her back to reality, stay ahead of shadowcops, and remain immune to the siren song of the metavurt himself.

Neal Stephenson's critically acclaimed '90s cyberpunk novelSnow Crashis currently heading to Amazon Prime with a serialized adaptation, which will probably turn out to be the lovechild ofAltered CarbonandStargate.But what about Stephenson's second book, The Diamond Age,which deals with a society taken over by nanotechnology?

The nanotechnology caused the implosion of socio-economic and political infrastructure, to the point where humans cluster in "phyles" of like-minded individuals. A young girl of the "Neo-Victorian" phyle takes up the bulk of the novel, which is 500 pages, and just when a reader thinks they're following her story-within-a-story, there's a swerve towards a Chinese revolution,some violent assault, and a Mouse Army.

In Gareth L Powell's version of reality, the United Kingdom and France joined in the '50s to make Brittany, the setting for a massively multiplayer online roleplaying game featuring a popular macaque - an intelligent monkey WWII dogfighter who is the star. The immersive videogame reality aside, the story is difficult to adapt for several reasons.

While the main protagonist is ex-journalist Victoria Valois, her storyline runs parallel to the heir of Brittany's route as a fugitive for breaking into a research lab in Paris. It takes the entire novel to figure out what the role of the ubiquitous macaque is, and by that time, it resembles the Simpsons' episodeHail to the Chimp.

Somewhere between current reality and Star Trek, Peter Watts setEchopraxia,a novel exploring similar concepts to hisRifterTrilogy -mainly what sort of biological and technological ramifications the world could encounter given current progress in those areas.

In this book, a sequel toBlindsight,the dead can transmit messages from Heaven back to their relatives, there are genetically engineered vampires, and combat veterans that have literal switches to turn off their humanity during wartime. As fascinating as Watts' future world is, its central premise that consciousness is an evolutionary dead-end might turn off film fans.

Rudy Rucker borrowed a bit fromBlade Runnerand a bit fromWestworldto createThe Ware Tetralogy,with the first bookSoftwaresetting up the protagonist, software engineer ("pheezer") Cobb Anderson who was the first person to create robots/androids with real brains. When readers meet him, he's retired in Florida, while his robots ("bops") have flourished.

RELATED:10 Most Terrifying Robots In Sci-Fi Movie History

Eventually, his creations rebel against their human overlords, leaving Earth behind to set up their own colony on the moon. They extend an invite to their creator, offering him not only a place in their lunar society, but the chance at immortality. All they want in return is his body and his soul... and possibly Earth.

Haruki Murakami's mesmerizingHard-Boiled Wonderland and the End of the Worldhas been touted as early cyberpunk by fans of the genre, but the complexity of its plot requires only the most determined to commit since it tells two stories over alternating chapters that eventually intertwine at the conclusion.

In the first story, a data processor who can use both hemispheres of his brain simultaneously is recruited by a top-secret federal project to assist a mad scientist, one who has removed all sound from the world. In the second, a man arrives at a mysterious village to have his eyes surgically altered to read the dreams contained in unicorn skulls.

There's something eerie about viewing theHouse of Mouse as exactly the sort of megacorp that would show up in a dystopian future, with the company nearly replacing the federal government. But Cory Doctorow'sDown and out in the Magic Kingdomtakes it a step further by introducing murder and mayhem tothe magical world of Disney.

RELATED:10 Hidden Details You Didnt Know About The Sights (& Smells) In Disney Parks

The protagonist is named Julius, and he thrives in a post-scarcity world where much like in Star Trek, his every need is met, but something is rotten in the Magic Kingdom.While working at Disney World repairing attractions when most of humanity is interested in VR, he falls into the crosshairs of assassins, and has to figure out how to stop dying repeatedly.

Like other authors of cyberpunk, Daniel Suarez began his professional life in software technology and uses it to great effect inDaemon,about a dying programmer who sends out an autonomous "demon" program to unleash a virus (so named after the "mailer daemon" that once bounced back emails).

As the program rampages, it begins to kill people, until finally, it has created its own dark web where its supporters can congregate. These supporters use this shadowy section of cyberspace to coordinate their attacks, resulting in society's complete downfall and the rise of a New World Order.

NEXT:10 Western Books Too Twisted To Be Made Into Films

NextGame of Thrones: 5 Starks Who Got Fitting Endings (5 Who Deserved More)

Kayleena has been raised on Star Wars and Indiana Jones from the crib. A film buff, she has a Western collection of 250+ titles and counting that she's particularly proud of. When she isn't writing for ScreenRant, CBR, or The Gamer, she's working on her fiction novel, lifting weights, going to synthwave concerts, or cosplaying. With degrees in anthropology and archaeology, she plans to continue pretending to be Lara Croft as long as she can.

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10 Cyberpunk Sci-Fi Books Too Twisted To Be Made Into Films - Screen Rant

The best series of genre Cyberpunk, Drama and Action Adventure that is Altered Carbon has been released. – Insta Chronicles

The popular Netflix show Altered Carbon season two was released in February 2020. The series has explored a cyberpunk humans society where rich people are immortal. Its been made possible thanks to alien technology. People had loved the primary season and had been talking and speculating various theories about it. This season kept fans expecting two long years, and it had been inevitable that it might draw comparisons and plenty of dissection. Today, we shall dissect ten such things within the second season that made no sense in the least.

Season Two begins 30 years after the epic conclusion of Season One and finds Takeshi Kovacs (Anthony Mackie), the lone surviving soldier of a gaggle of elite interstellar warriors, continuing his centuries-old quest to seek out his lost love Quellcrist Falconer (Rene Elise Goldsberry). After decades of planet-hopping and searching the galaxy, Kovacs is sent back to his home of Harlans World with the duty to find Quell. Haunted by his past and liable for investigating a series of brutal murders, Kovacs is stunned to get his new mission to unravel the crime, and his pursuit of seeking out Quell is one and, therefore, the same. With the help and assistance of the loyal A.I. Poe (Chris Conner), Kovacs will now get associated with new friends and supporters to destroy his enemies and find the truth about who is Quellcrist Falconer?

At the start of season 2, the war has not been won, but probably delayed because the basic causes are still there around. The online television series, Laeta Kalogridis, created it and was supported by the novel of an equivalent title in 2002 by English author Richard K. Morgan. The first season is released on Groundhog Day,2018, with 10 episodes and second season with February 27, 2018, with 8 episodes. The third season was getting to release on Saint Joseph,2020, but as per the sources, its been resleeved. Its one the simplest cyberpunk, drama, and action-adventure.

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The best series of genre Cyberpunk, Drama and Action Adventure that is Altered Carbon has been released. - Insta Chronicles

Happy Birthday William Gibson: Interesting facts about the pioneer of cyberpunk in fiction – Hindustan Times

The man who coined the term cyberspace in the 1982 short story Burning Chrome, William Ford Gibson was born on March 17, 1948. Widely credited with pioneering the science fiction subgenre known as cyberpunk, Gibson began his career as a writer in the late 1970s, thematically, focusing on effects of cybernetics, technology and computer networks on human lives.

His futuristic debut novel Neuromancer, which was published in 1984, follows a washed-up computer hacker, Henry Case, who is hired for a job, which pits him against a powerful AI. Neuromancer was the first novel to be put under the genre of cyberpunk fiction, going on to becoming the first novel to win Nebula Award, Philip K Dick Award and Hugo Award.

Neuromancer was the beginning of a trilogy, which came to be known as the famed dystopic Sprawl series. After having lost his father early in life, the author and his mother would move to Wytheville. However, Gibsons mum too passed when he was 18.

Gibson never graduated, and instead immersed himself in counterculture as he travelled between California and Europe. As a youngster, the author consciously rejected religion and instead took refuge in science fiction as well as authors as Burroughs and Henry Miller. In 1967 the author elected to move to Canada in order to avoid being drafted to the Vietnam War.

Before becoming an author, Gibson worked as a teaching assistant for three years on a film history course. During this time, Gibson met punk musician and author John Shirley and they became lifelong friends. It was Shirley who persuaded the author to publish his early short stories and take writing as a serious career option.

Gibson was subsequently introduced to Bruce Sterling and Lewis Shiner through Shirley, and in 1982, after a week in Austin, Texas, the four along with Rudy Rucker would go on to form the core of the radical cyberpunk literary movement.

Gibsons early short stories focus on cybernetics and cyberspace on human lives and their thematic intermingling, going to develop into a bleak film noir feel in 1981.

Reports say that after watching the 1982 cyberpunk film Blade Runner, Gibson, who had already written two-thirds of his debut novel Neuromancer, he re-wrote two-thirds of the book twelve times, fearing it would be a failure.

However, on its publication, Neuromancer quickly became an underground hit, going on to win a triple crowns in science fiction.

It was Gibsons novels Pattern Recognition (2003), Spook Country (2007) and Zero History (2010) which put him into mainstream bestseller lists.

The author, who is credited with renovating science fiction, at a time when the genre was considered to be widely insignificant, has gone on to publish the 2014 novel The Peripheral, followed by Archangel in 2017. He last published Agency, which was a sequel to The Peripheral, which was released on January, 2020.

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Happy Birthday William Gibson: Interesting facts about the pioneer of cyberpunk in fiction - Hindustan Times

Cyberpunk, Final Fantasy 7 or Last of Us 2: What is the BIGGEST game of the year? – Express

A few weeks ago a fight broke out in the office. Voices were raised, fingers were pointed and feelings were hurt, as we argued which of Cyberpunk 2077, The Last of Us Part 2 and Final Fantasy 7 Remake was the biggest game of 2020.

The answer of course is Cyberpunk 2077, a game so impressive that most people were positive it was being developed for next-gen consoles like the PS5 and Xbox X.

Another colleague is convinced that The Last of Us Part 2 is the biggest game of the year, to the point of incredulity that it's even up for debate.

Then there are the Final Fantasy 7 fans who have waited so long for a remake that there's no way anything else could possibly measure up.

There's no denying that all three games have their merits, and that Coronvirus not withstanding, 2020 is going to be a banner year for gaming.

But in order to settle the argument once and for all, Express Online has decided to hand things over to you, the readers.

Which is the highest-profile game of 2020, the main event, the title you're looking forward to most?

Is it CD Projekt's futuristic RPG Cyberpunk 2077? Is it Naughty Dog's Last of Us sequel? Or is the return of Square Enix's magnum opus an event without equal? Let us know by taking the poll below.

With an April 10 release date, Final Fantasy 7 Remake will be the first of the three blockbuster games to launch.

With Final Fantasy 7 Remake's release date just over a month away, fans can get a taste for the action by playing the recently released PS4 demo.

Available as a free PS4 download, the Final Fantasy 7 Remake demo drops players into the early stages of the game.

"The new demo features a lengthy segment from the very beginning of the game: the iconic bombing mission against the Shinra Electric Power Company, and the subsequent escape," reads a PlayStation Blog post.

"Youll control two of the games cast spiky-haired ex-SOLDIER Cloud Strife, and the ballistically-limbed Barret Wallace and enact a dangerous plan to infiltrate and destroy Mako Reactor 1."

Final Fantasy 7 Remake will be followed by PS4 exclusive The Last of Us 2 on May 29.

The Last of Us Part 2 sees a 19-year-old Ellie embark on what Sony describes as a "brutal journey of retribution".

While very little has been seen of the game in action, The Last of Us 2 is said to feature broader and more complex environments for players to explore.

As for Cyberpunk 2077, the ambitious open-world game was recently given a September 17 release date on PS4 and Xbox One.

Set in the futuristic location of Night City, players control a mercenary named V.

"You play as V, a mercenary outlaw going after a one-of-a-kind implant that is the key to immortality," reads the official description.

"You can customise your characters cyberware, skillset and playstyle, and explore a vast city where the choices you make shape the story and the world around you."

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Cyberpunk, Final Fantasy 7 or Last of Us 2: What is the BIGGEST game of the year? - Express

Xbox Series X Could Offer The Definitive Version Of Cyberpunk 2077, And Here’s Why – Pure Xbox

Our friends over at Eurogamer's Digital Foundry have just delivered a massive helping of Xbox Series X specifications and info, and one of the most exciting pieces of news relates to how the console will handle games produced for older Xbox systems.

We already knew that Microsoft was aiming for full backwards compatibility with all Xbox software, but what Digital Foundry has seen takes things to an entirely new level. Xbox One games, for example, won't run in emulation and will benefit from the full processing power of the Series X; that means your existing games will get a boost in terms of resolution and frame rate. During its time at Microsoft's HQ, Digital Foundry saw Gears of War: Ultimate Edition running at 4K resolution, and came away very impressed indeed.

Microsoft's objective is to apply these enhancements as well as 'auto HDR' to all Xbox titles across the ages which is a show-stopping feature, if you ask us. The other good news? This process is handled by Microsoft's backwards compatibility team, so the developer of the original game doesn't have to lift a finger.

Peggy Lo, compatibility program lead, had this to say:

Hopefully you realise that we are still quite passionate about this. It's a very personal project for a lot of us and we are committed to keep doing this and making all your games look best on Series X.

While the notion of seeing your favourite classic Xbox games running in higher resolutions and with silky-smooth frame rates is enticing enough, it's worth returning to the fact that more recent games are going to really benefit from Series X's raw power. Digital Foundry was shown an updated version of Gears 5 produced in two weeks which featured 60FPS cutscenes, improved contact shadows and ray traced screen-space global illumination.

Coalition technical director Mike Raynor was keen to stress that more optimisation will follow, and that existing Xbox One owners won't have to fork out money for a 'remastered' version of the game:

Gears 5 will be optimised, so the work you've seen today will be there, available at launch on Xbox Series X. The title will support Smart Delivery, so if you already have the title in whatever form you'll be able to get it on Series X for free.

This could be something of a game-changer as the upcoming console war looms ever closer; not only will Xbox One owners benefit from seeing their existing library of games running even better on the Series X, we could see instances where Microsoft's new console provides the best platform to experience the hottest current-gen titles of 2020.

If the rumours of Cyberpunk 2077's poor performance on PS4 and Xbox One are to be believed, the Series X which will offer the ability to drastically improve the performance of the Xbox One version could be the definitive system to play it on this year at least until the PS5 gets it inevitable update of the game, of course, but that might not be until next year, and you might have to pay extra for it.

What do you make of Microsoft's efforts to ensure top-notch backwards compatibility with its existing games? Do you think this will be something that the average person on the street will appreciate, or is the company simply preaching to the converted? Let us know with a comment below.

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Xbox Series X Could Offer The Definitive Version Of Cyberpunk 2077, And Here's Why - Pure Xbox

‘Altered Carbon: Resleeved’ Review: Breezy, bloody and raunchy, the anime is a visual treat for cyberpunk fans – MEAWW

This review is spoiler-free

Season 2 of 'Altered Carbon' wasn't the last we saw of the dystopian cyberpunk drama. Three weeks after the release of the Anthony Mackie-starrer, comes an animated version helmed by 'Cowboy Bebop' writer, writer Dai Sato.

It also makes sense to bring in a more Samurai version of the series as the plot is set in the events between season 1 and 2 and deals with the introduction of Tanaseda Hideki (Played by James Saito in the series, and voiced by Kenji Yamauchi in the anime).

'Reseleeved' encompasses all the elements from the live-action series the generous splattering of blood, the explosive action, raunchy sex and cutting edge-tech. The 90-minute film also makes an attempt to join the storylines from Season 1 and the ending might either spawn a sequel for another animated series.

The plotline is simple: Takeshi Kovacs is given another state-of-the-art combat sleeve and is tasked with protecting a teen Yakuza tattoo artist from CTAC and some really badass ninjas.

Deception has always been one of the elements behind Altered Carbon's success and when Kovacs takes the mission, he realizes there is more to the reason behind the tattoo artist, Holly Togram (voiced by Ayaka Asai) who's hunted by two parties.

In Gena, a CTAC soldier, Kovacs finds an able ally as the duo face-off against a horde of enhanced ninjas to save the girl. Multiple storylines come into play with Gena having her own past as a storyline.

Her story will be a revelation and raises some serious questions about some of the recurring characters in season 2 of the live-action series while Hideki is shown to be one of Kovacs mentors after the supposed death of Quellcrist Falconer.

'Resleeved' may not have the wry humor or the rage-filled broody character of Mackie's Kovacs, but its version of the lead character is heavily modeled on Kinnaman. Be it the insanely jacked physique that clearly defines the hard-worn string musculature or the swagger, it gives an honest shot in showing Kinnaman as an anime character.

Chris Conner's Poe was a revelation. The AI was instrumental in both seasons and in the anime, we get to see Ogai (voiced by Jouji Nakata) who is the owner of the hotel, The Wild Geese. Again, another attempt where we see a Japanese version of Poe who's got some top-notch weaponry as part of the hotel's defense systems.

As far as the antagonists go, the film really keeps things tight and simple making 'Resleeved' a predictable affair. But, it does make up for the mainstream plot with some blitzkrieg action. The fight sequences bring in the feeling of being an active part of an FPS game and almost every ten minutes sees an action sequence.

'Altered Carbon' was ranked highly on Rotten Tomatoes and while the second season did see a dip in the audience score, the animated version promises to win back some fans who were disappointed with the second installment. 'Reserved' is breezy, bloody and aggressive.

Cyberpunk fans can pretty much give this a whirl for the visual treat it is.'Altered Carbon: Resleeved' is available for streaming on Netflix.

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'Altered Carbon: Resleeved' Review: Breezy, bloody and raunchy, the anime is a visual treat for cyberpunk fans - MEAWW

Unchecked Smart Cities are Surveillance Cities. What We Need are Smart Enough Cities. – EFF

We can have beautiful cities without turning our cities into surveillance cities.

Cities across the U.S. are forcing operators of shared bikes and scooters to use dangerous and privacy invasive APIs developed by the Los Angeles Department of Transportation. These APIscollectively called the mobility data specification, or MDSrequire that operators share granular location data on every trip taken. The location data that cities are demanding is incredibly sensitive and relates to the movements of real people. And some cities, like Los Angeles and soon Santa Monica and Washington, D.C., even require that the data be shared with a five-second delayessentially in real-time.

The local authorities demanding access to individual trip data are failing to comply with existing privacy protections in the law. Meanwhile, cities cannot point to even a single use case to show why they need access to the individual level trip data. That means cities are recklessly and illegally stockpiling sensitive location data that they do not need.

As City Labs recent investigative deep-dive into MDS reports, LADOTs APIs were designed to enable cities to operate as the air traffic controllers of our streetsto send out real-time route instructions and control the path of individual vehicles. That vision is not only unrealistic, but it would necessitate real-time surveillance of all of our movements on city streets, no matter our mode of transportation. What some cities are trying to paint as a vision of a future utopia is actually just a scene straight out of Minority Report.

Think this wont impact you if you dont use shared bikes or scooters? Think again. Cities hope to use MDS as a model for regulating all forms of connected vehiclesincluding carsin the future.

In California, EFF is asking the legislature to step in and protect Californians from LADOTs invasive APIsby placing sensitive individual trip data off-limits for planning purposes, and by limiting local authorities to aggregate and deidentified trip data. Such guardrails are necessary to protect the privacy interests of people who rely on shared mobility devices, and to clearly tell local authorities that they do not have a free pass to operate outside of the law.

As we told the legislature last month during a hearing of the Senate Transportation and Judiciary Committees, when cities start demanding individual level trip data, they are no longer just smart citiesthey are surveillance cities. Turning our cities into surveillance cities is not necessary to achieve the laudable planning goals of city and regional transportation agencies. What we need are smart enough citiescities that harness the power of data and technology in a way that respects everyones privacy interests.

Local transportation planning agencies across the country are currently demanding that operators of shared mobility devices turn over individual trip data as a condition of getting a permit to operate within their jurisdictions. They hope to someday obtain the same data for other forms of transportation.

The local authorities making these demands are not balancing their planning goals with the privacy interests of residents who rely on these new modes of transportation. And they do not even seem to believe that individual level trip data is personal information.In a letter opposing a location privacy bill sent last June, five California cities argued that removing customer identifiers like names should be enough to protect rider privacy.That is simply not the case. Human mobility patterns are highly unique, and that makes anonymizing location data a notoriously difficult technical challenge. Studies have shown that when it comes to location data, removing names is not enough to protect privacy.

The local authorities demanding individual trip data are violating multiple privacy protections in existing law. In California, for example, they are failing to comply with the California Electronic Communications Privacy Act, which provides that a government entity shall not compel the production of electronic device information from any person or entity other than the authorized possessor of the device, except in specific circumstances not present here (such as when they have a warrant). They are also failing to comply with the California constitutional right to privacy, which prevents governments from collecting and stockpiling unnecessary information about Californians, and from misusing information gathered for one purpose in order to serve other purposes[.]

Local authorities demanding individual trip data are also failing to comply with the Fourth Amendment. The Supreme Court was clear in Carpenter v. United States that location data is incredibly sensitive personal information, and that it is protected by the Fourth Amendments reasonable expectation of privacy.And in the administrative search context, the Court requires that subjects of searches have an opportunity for a neutral decision maker to weigh in on the legality of the search before complying. The MDSs ongoing searches of operators trip data provide no such opportunity for review.

Courts have already been clear that similar searches violate the Fourth Amendment. The Southern District of New York held in 2019, for example, in a case involving New York Citys demand for Airbnb user data, that [existing] Fourth Amendment law does not afford a charter for such a wholesale regulatory appropriation of a companys user database. Cities are ignoring Fourth Amendment precedent with their invasive and unreasonable demands for individual trip data.

Whats more, the cities demanding access to this sensitive location data have not shown that they actually need this data. At EFF, we have yet to hear a single use case that would necessitate it.

The key for transportation research and city planning is patterns of movement. Cities dont need time-stamped route information for a specific individual; they need to know where most people go, and when most people go there. Thats why there are so many data aggregators out there helping cities make sense of all the data they are getting. Data on individual level trips is not necessary or even useful to cities for city planning purposes. The idea that you will never know what you might find until you have the data is not compelling when you are talking about incredibly sensitive personal information, like granular location data. It might be interesting for cities to force their residents to all wear GPS ankle monitors so they could better understand residents mobilities, but that doesnt mean they should be allowed to do so. There have to be limits on cities ability to collect sensitive location data.

For enforcing scooter caps and equitable distribution of scooters, cities dont actually need trip data at all; all cities need is data regarding where scooter are parked. Data about specific scooter locations when they are not tied to individual trips does not raise the same privacy concerns as when they are tied to the movements of particular individuals.

To ensure the veracity of data, there are technical auditing solutions that can be implemented on the operator side to avoid the need for sensitive data to change hands. Cities can also pass rules that impose liability for providing inaccurate or false data, and then enforce those rules with auditing and monetary penaltiesall without any harm to privacy.

We want to be clear: we do not think that cities should be blocked from accessing all data whatsoever. At EFF, we agree that local public agencies should be able to collect some data in order to ensure that new transportation devices are deployed safely, efficiently, equitably, and sustainably. But local agencies do not need to collect sensitive, personally identifiable information about riders in order to achieve their goals. Civic planning authorities can and should be using sufficiently aggregated and deidentified datadata that is incapable of being tied back to an individual rider, even in combination with other data. This is the solution for ensuring that privacy is not sacrificed in the name of transportation planning.

We can have beautiful cities without turning our cities into surveillance cities. And what we need to get there are clear limits from the Legislature that rein in efforts by local authorities to obtain access to sensitive individual trip data.

Continued here:

Unchecked Smart Cities are Surveillance Cities. What We Need are Smart Enough Cities. - EFF

Animal Crossing: New Horizons Review: The Game We All Need, Right Now – Forbes

Animal Crossing

It looks, at least at first, like a vacation. You book your ticket through Nook Inc., by all appearances a cheerful travel agent, coordinating with Dodo Airlines for a trip to a deserted island somewhere in the hemisphere of your choice. But its different. For whatever reasonpersonal, political, biological or otherwise, it will never be clearyour cheerful little character has decided to book a one way ticket. I wear a sailor shirt and jeans, and I am never going back.

Animal Crossing: New Horizons is the latest entry in Nintendos pleasant little life simulator series, but the setting marks an interesting break. In the past I was just moving to a town, a normal thing that one might do, even if the town is inhabited by strange and friendly anthropomorphic animals. Now, I am striking out into the wilderness to build a utopia on a deserted island. My guide is Tom Nook, a scheming raccoon whose calm, half-lidded eyes belie the essential fervor with which he will pursue his latest venture, a grand social experiment far beyond the construction business he ran on the mainland. My companions on this first day are a disaffected pink rhino and a fitness-obsessed elephant, their motivations for abandoning society as unclear as my own. Joining us are Tom Nooks two sons, Timmy and Tommy, the mother nowhere to be seen and never mentioned. We pitch our tents on the first day, and I go out to shake cherries out of a tree at Nooks request. We gather around a bonfire and drink cherry juice as the sun goes down, toasting the start of our new life without a thought to what we left behind. This is life now, here on the island. And we will make it a good one.

Animal Crossing: New Horizons

Its impossible to review Animal Crossing: New Horizons here on March 16, 2020, without writing in the shadow of the coronavirus. That might not be true of all gamesDOOM Eternal will still be DOOM Eternal, even if it is perhaps more needed now than it would have been last year. But there is something about the particular escapism of Animal Crossings simple life that feels particularly vital at a time when death tolls and infection rates are rising, whole cities are shutting down, the global economy is fumbling to a halt and millions of people are choosing to spend their days indoors, alone. In the past few weeks, a collective howl to just release the game earlyhas come up on social media in a way that it cant quite for any other game. We need a new life right now because this one is looking tenuous.

The game is simple: you live on the island and you make it better. You start in a tent, you upgrade to a house, and then you improve the house. You catch butterflies and fish. You collect fruit, and you sell them to Tom Nooks sons as Nook Sr. talks constantly about the island way. You give gifts to your friends and they reward you with clothing and housewares. If you support Tom Nooks amorphous goals, he will give you Nook Miles, which you can use to fly to even more isolated islands to find lost souls camping out alone in the wilderness who can be persuaded to join your growing community. There is a museum where you can bring all the bugs, fish and fossils you can find to create a slowly expanding record of your own achievement: for the most part you are alone in its silent, impressive beauty, but sometimes you will see another island inhabitant peering into the fish tank that you stocked. You can build a wardrobe at your little workbench, choose a custom color and place it in your house to put on a hat when it rains.

Its a game of rhythms. There are always bugs and fish, you can spend your spare time catching those when theres nothing else to do. Every so often you can go to the beach to check for seashells. You can hit a rock for minerals once a day. If you find a rare fruit not available on your island you can plant a tree, but it will take a few days to grow. If you request construction, it will be available in the morning. Larger buildings might take a full day to complete. I havent seen it in the review period, but as the seasons passes we will see different fish and bugs, different environments and different clothes on your friends. You could put on warmer clothes in cold seasons, but you dont have to. It is after all, utopia.

Two weeks into my play and my island is unrecognizable from when I first moved in. My and my friends tents have been replaced by permanent houses, my own with three rooms stocked with haphazard furniture, an espresso grinder on the floor next to my record player. My two original companions are joined by a friendly green eagle, a squirrel with a flight helmet, and a small, nervous, bearded creature of indeterminate species. I found a drunk seagull on the beach one day that I havent seen since. Theyre joined by the owl that runs the museum, a hedgehog that sells clothes on the weekends, a travelling carpet-selling camel, and a weird little rodent thing that sells turnips on Sundays. The turnips fluctuate wildly in price, and you can make a lot of money selling them at the right time throughout the week because this utopia veers wildly between aggressive capitalism and essential collectivism. Ive got a sleeping bag that I put on the beach next to a little camping lantern and a palm tree that will be full grown at the time of publication. I lie on it sometimes.

Animal Crossing: New Horizons

There are games that you play in quick sessions, and there are games that stretch into weeks, months, and years. Animal Crossing: New Horizons is one of the latter. These games are never about what they are about, whether youre shooting aliens to earn powerful guns, slashing demons with axes to collect ever grander armor, or planting orange trees so that you can see them blossom. Thats just window dressing. They are about the feeling that you get when you log into the game every day and make progress: that you can earn your bells and build your island, and that nothing can really take it away from you. Not a stock market crash or a malicious strand of RNA worming its way through cells and society. Furniture and clothing are made available randomly through rotating stocks at stores and the whims of your gift-giving friends. But even if you throw something out, its added to a list where you can buy it again as long as you want. Nothing is lost, ever.

Much has been made of Nintendos decision to limit Animal Crossing: New Horizons to one island per Switch, with limited cloud saves and a procedure for recovering data that would have felt dated a decade ago. I can understand, in a practical way, why these are insane, anti-consumer decisions that are bound to cause unnecessary heartbreak. But I also understand them. The utility of Animal Crossing relies on a sense of being real. Theres only one island on on Switch because that island is real, and it lives on that Switch. Youre not meant to change date to switch the season because its just not that season yet. It seeks peace in surrender, core to the Animal Crossing experience.

I havent talked a lot about the game itself, really. Theres a bunch of stuff old and new here, like the ability to choose where people live, the way the island evolves, the DIY system that lets you make your own stuff, streamlined inventory management, the multiplayer system, the way you can now create and destroy land at a whim, etc. If you want to know more about that stuff, Im sure there will be lots of other reviews that will go into them. But know that if youre overwhelmed with the world, stuck inside, or adrift in a life that you know will look totally different next week get Animal Crossing.

For a score, Im going with 10. It is by no means perfect, but, we would never want it to be.

A review code was provided for the purposes of this review.

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Animal Crossing: New Horizons Review: The Game We All Need, Right Now - Forbes

What does the new Finnish government say about the country’s commitment to equality? – Equal Times

In December 2019, 34-year-old Sanna Marin from Finlands Social Democratic Party became the worlds youngest head of state. Her centre-left government consists of five parties, all led by women, four of them 35 or under. The cabinet has a female majority, and even the parliament has near gender parity with 93 women MPs out of a total of 200.

Marins government has made Finland a poster child for gender equality worldwide, although it has long been considered one of the most gender equal countries in the world, with women acquiring the right to both vote and stand in elections as early as 1906.

Women comprise half of all university graduates in Finland and the female-to-male labour participation rate is 88.5 per cent, compared with a world average of 65.8 per cent and an EU average of 81 per cent. Anu-Tuija Lehto, a legal adviser at the Central Organisation of Finnish Trade Unions (SAK) says that a key contributor to gender equality in Finland is that fact that the state has enabled women to fully participate in the workforce. For example, parents are offered affordable public childcare in addition to generous parental leave. Also, we have free school meals, says Lehto, while southern and central European countries still do not have that. This means that someone has to be at home, cooking for the children.

However, Finland is not a utopia for equality. On average women are paid 83 cents on every euro that a man earns. There is a high level of gender segregation in the Finnish labour market, with women comprising 90 per cent of workers in fields such as childcare, healthcare and cleaning, while men dominate fields such as construction and road haulage by a similar percentage.

Violence against women remains a major societal issue. In 2016, two-thirds of people living with disabilities reported experiencing discrimination. And a 2019 report from the European Commission against Racism and Intolerance found that: Racist and intolerant hate speech in public discourse is escalating; the main targets are asylum-seekers and Muslims.

We need circumstances where women are not discriminated against in their careers or in redundancies or anything else. Changing attitudes means practical things in the workplace, says Lehto, suggesting that an informal chat between colleagues during coffee breaks is a good place to start dismantling sexist or racist attitudes. And even though Finlands law on gender equality is more than three decades old, other forms of equality have only been enshrined in law since the 2000s, when EU directives brought them in.

While the Finnish state guarantees every child the right to day care, the previous centre-right coalition government restricted the number of weekly hours the children of unemployed parents were entitled to. Although in practical terms this was a relatively small change it was a significant shift away from the principle of all children being treated equally, and the policy was quickly reversed last year.

Iiris Suomela, a Green League (also known as the Greens) MP tells Equal Times: The child homecare allowance, which is the smallest parental benefit, is mainly used by women and especially those who are less educated and on lower incomes. So, in intersectional terms, the situation is feeble.

Ninety-seven percent of those using the child homecare allowance are women. A fifth of fathers do not use any parental benefits, which puts Finland behind other Nordic countries. The government has promised to improve the quality of daycare by reducing group sizes and introducing quality standards, and to reform the parental leave system to incentivise more fathers to stay at home by giving both parents a quota of leave that cannot be used by the other parent.

How do Finlands attempts to achieve gender equality translate to the highest positions of power?

Theodora Jrvi, who is studying for a PhD in political, societal and regional change at Helsinki University, sees proportional representation as one of the key factors behind the rise of women in Finnish politics.

The Finnish electoral system enables the rise of individuals better than systems where votes just go to the party. In a closed list the party decides who gets to Parliament, whereas Finlands open list system makes it possible for voters to affect this, as long as the party gets enough support, she explains.

Suomela says parties benefit from setting a diverse list of candidates. The electoral system requires that we have different people as candidates. For example, in [my constituency] we had 19 people standing. There have to be people from different backgrounds, because you have to get votes from different kinds of people.

Jrvi points out that the leaders of the parties in government got most votes in their own parties or constituencies, with the exception of the Greens whose leader Maria Ohisalo came second in vote share after long-time minister and ex-party leader Pekka Haavisto. It is important to note that these positions of power reflect voters choices, not just the parties internal preferences for leadership, Jrvi explains.

At 25, first-term MP Suomela is the youngest in the current parliament. She says there are many challenges for women in politics.

Behavioural norms for young women are very strict. When a female minister swears on TV, there is a massive uproar, but when a middle-aged man from the other side of the political spectrum uses abusive language, or is even suspected to have committed a crime, it does not cause a similar reaction, she says, referring to a recent incident where the education minister and leader of the Left Alliance Li Andersson described an opposition politician as talking bullshit. On the other hand, several MPs with the far-right Finns Party (the largest opposition party) are under investigation or have been convicted for incitement against an ethnic group.

Suomela also points out that political crises often provide fertile ground for sexism. Finlands first female prime minister Anneli Jtteenmki only held the position for two months in 2003 before being forced to step down, and the 2000s have seen three other female ministers across parties resign due to public pressure in a country where political scandals are rare.

When women have encountered crises in ministerial positions, situations that men would have survived have often proved fateful for women, says the MP, adding that sexism makes it easier to scapegoat women.

But Suomela sees equal treatment as a question of democracy. If voters choose people for positions of power and then they get treated differently, thats disrespectful towards thousands of voters.

Prime Minister Marin grew up in a low-income family with her mother and her mothers female partner. She was also the first person in her family to attend university. Greens leader Maria Ohisalo has spoken out about her experience of childhood poverty and growing up in the shadow of her fathers alcoholism, in a contrast to the middle-class image usually associated with politicians in Finland and elsewhere.

After elections in April 2019, Finlands five coalition parties negotiated an ambitious programme that aims to make Finland carbon-neutral by 2035, amongst other measures to improve equality and boost investment in the welfare state. Lehto of SAK says the trade unions are content with the government programme and its many references to equality. It is clear that women have participated in writing it, she says.

Many Finns seem to agree: in February, a poll showed that 64 percent of the population are satisfied with Marins government. But that does not mean it is without its internal tensions. The coalition government had only been in power for six months when the prime minister who had formed it, Antti Rinne, had to step down when the Centre Party withdrew its confidence in him following a long and fraught postal workers strike. Marin who was the first deputy leader at the time received praise for her performance during the election campaign when she stood in during a period when Rinne was on sick leave, and was quickly lifted up to lead the government when he stepped down.

The wide coalition was pieced together from parties with differing priorities. They coalesced around social democratic and human rights values after the far-right Finns Party came a close second only 0.2 per cent away from the winning Social Democrats in the election.

The Centre Party in particular, which draws its support from the rural areas and is losing votes to the right-wing populists, is often seen at odds with the Greens who would like to see more ambitious climate targets.

Since the election, the Finns Party has continued its ascendancy in the polls. It leads in popularity with over 20 percent support and dominates media attention with a constant flow of racist and offensive remarks such as celebrating an arson attack on a house that was due to house asylum seekers and the Ebola epidemic in the Democratic Republic of Congo.

Suomela comments: Popularity matters when you can use it for making policies that you agree with. If that support gets too much emphasis, it can lead to other parties starting to follow the policies that increase inequality and fuel prejudice, which can further those aims even more than the party could do in power. We should have the courage to stick to what the majority of the people want, which is politics that furthers human rights, equality, and is climate friendly. We need to have the courage to show that politics works, and it can improve peoples lives. It is not a zero-sum game where we need to stamp on other peoples rights to get something better.

Excerpt from:

What does the new Finnish government say about the country's commitment to equality? - Equal Times

Cao Fei on the limits of truth and virtuality – Artforum

March 15, 2020 Cao Fei on the limits of truth and virtuality

For millions of lives, the novel coronavirus currently rocking the globe has induced a secession from real to virtual space, where ubiquitous social distancing mandates are simultaneously heeded and safely transgressed. Who better to speak to this momentgravid with apocalyptic and utopian frissonthan Cao Fei? The Beijing-based artist has devoted her practice to addressing social upheavals and breakneck urbanization through virtual, augmented, and mixed realities that chart new capacities for alienation and love. Here, she discusses Blueprints,a multimedia exhibition at Serpentine Galleries in London, on through May 17, 2020.

MY WORLD IS AUTONOMOUS. It functions as a counterpoint to reality, and can be entered and exited freely. Its a place for a walk, a trance, a look around or a weep. It is capricious, far away from our hardcore world, which is always about institutions, flaunting, declaration, confrontation, and resistance. Perhaps I am a pessimistic romanticist simply good at fantasizing. In ancient China, literati who were exiled turned to nature, meticulously representing the details of their landscape. Wasnt that also a counterpoint to reality, in a way?

For Blueprints, I revisited several major threads of my HX exhibition last year at the Centre Pompidou: Sino-Soviet relations, computation in modern China, urbanization in Beijing, as well as connected histories like Chinese sci-fi and the legacy of collective-owned workers cinemas. While departing from these earlier inquiries, my film Nova, 2019, and the related virtual reality piece The Eternal Wave, 2020, have more complex and open structures. I dont see my works as being about depersonalization. They tend to follow the same character arcs under different circumstances; I let these characters bonding take center stage. Think of the workers in Whose Utopia, 2006, the lovers in Asia One, 2018, the couple conversing fondly in La Town, 2014, the contemporary female architect and the formerly incarcerated person in Prison Architect, 2018, and China Tracys curious expedition of the virtual world in i.Mirror, 2007. Nova is about a father-son relationship that spans history and spacetime.

The immersiveness of virtual reality has been greatly exaggerated. In fact, the obstruction of immersion is VRs greatest drawback. Its cumbersome headset, dizzying eyepieces, the lag between intent and control, distractive scene transitions, and popup notifications are constant reminders of its distance from reality. It hardly reaches the empathy effect provided by cinema. Im interested in expanding VRs boundary, to look beyond beauty, shock, and interactivity. Im interested in virtual reality as agitprop, or whether or not it can disrupt experience as we know it. How will VR change our memories, our dreams?

At the end of the day, it doesnt matter that well never get to know the truth, including the historical truth. We can only look for its traces. My recent work considers Chinas first computers. Where are the workers today who built them alongside Russian industrial advisers? What technologies and ideologies did those Russian industrial advisers leave behind exactly? In the Serpentine Galleries, weve reconstructed the foyer and kitchen of Beijings Hongxia Cinema, built in the 1950s. Its name means red dawn. My studio is now housed in this old theater, whose audiences mostly consisted of computer workers from a nearby factory. The building will soon be bulldozed to make way for high-rises. We spent a lot of time retrieving the original film projector and old tickets, realia that became part of the reconstruction effort.

But my work is neither about ordering and archiving things nor about revealing forgotten histories. Those are jobs for museums. I just built a circus on top of the ruins, raised the curtain, and did some magic tricks. Blew sand from the ground, the sand turned into rain. We are sandwiched between the real world and cyberspace, and through acceleration and diffusion of attention, we accept such changes rapidly. Before doubts are even formed, our thoughts are interrupted by funny videos sent by friends, or by our ecstasy for the hundreds of likes that a selfie earns in ten minutes. More is less. Everything is a datum and everything performs for data. We critique and dance at the same time. By the time we are about to leave this world, we might feel like we have never lived.

As told to Zack Hatfield

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Cao Fei on the limits of truth and virtuality - Artforum

Germany has an unholy new alliance: climate denial and the far right – The Guardian

A dead bird of prey lying in the grass near a windfarm is the stark image on the home page of a new German website. Climate change we have got a couple of questions is the headline that greets visitors, but the questioners already seem to know the answers to their 16 questions. Due to an alleged climate emergency, new laws are to be passed prescribing a new way of life for us, one that will have adverse environmental effects and could lead to the deindustrialisation of Germany.

Klimafragen.org is the latest attempt to question the scientific and social consensus around the climate crisis in Germany. The authors, all from well-known climate-denier institutions and conservative political circles, list areas where they say Germanys climate policy still has blindspots, notably over climate models, sea levels, energy conversion and counter-opinions. Parliamentary groups in the Bundestag, they argue, should provide answers to their questions, although some are based on outdated findings. According to the organisers, about 33,500 people have signed up, seeking answers.

A similar petition fizzled out in September 2019: then, Fritz Vahrenholt, a former Social Democratic party (SPD) environment minister in Hamburg, ex-chief executive of a subsidiary of the energy giant RWE and well-known climate change denier, wrote to members of the Bundestag. His letter outlined his own model calculation, according to which plants can absorb very much more CO2 than science suggests. The author of a study he cited later contradicted this interpretation.

Deniers of manmade climate change dont have an easy time in Germany. For years, a stable 80% of the population has been convinced of climate change, supports a switch to greener energy and backs tougher climate goals. Environmental campaigners regularly receive increased donations and report growing membership. In contrast to the US, UK or Australia, there is barely a single major German company that openly opposes climate science. And the media rarely give a platform to anyone sceptical about the scale of the climate crisis.

But what the deniers now have instead is a platform in the German parliament. The far-right Alternative fr Deutschland (AfD) challenges the scientific consensus on climate, describes climate policy as hysteria and mocks Greta Thunberg and the Fridays for Future school strikes movement, and has seats in the Bundestag and in all the German regional parliaments. The AfD has abandoned the previous cross-party consensus on the findings of the Intergovernmental Panel on Climate Change (IPCC) and the Paris climate agreement. It sees itself as the defender of disputed diesel technology, rails against the supposed eco-madness and rewards climate change deniers even those who challenge all the serious scientific findings with invitations to address parliamentary committees. Strategically, the AfD is using climate politics as a key way to distinguish itself from the established parties. Its leader, Alexander Gauland, sees climate as the third big issue for the AfD after the euro and the refugee crisis.

The party receives public funding, yet is now the main destination for climate crisis denial. And increasingly the view that all this stuff about climate catastrophe cant possibly be true is openly heard in the mainstream. After the IPCCs special report on agriculture, for example, Gero Hocker, a Free Democratic party (FDP) MP, accused the experts of not looking hard enough at the details but without backing up his accusation. His party colleague Nicola Beer describes the supposed appearance of more extreme weather events as fake news. A magazine published by the German Rotary Club published a piece that described the climate crisis as an instrument in the struggle against capitalism. Climate change is a highly ideological, subversive concept that has made a utopia of climate salvation [and] a goal of political action and a moral commandment, it said.

The pushback on climate is partly down to the fact that the government has for so long shirked its responsibilities, according to Martin Kaiser of Greenpeace Germany. Rather than seeing the switch to a low-carbon economy as an opportunity and communicating accordingly, even members of Angela Merkels cabinet have talked about how expensive, difficult and disputed energy conversion is. If the government is always in the business of playing off the social cost against ecology, rather than bringing the two together, we shouldnt be surprised if populists take them at their word, Kaiser says.

Deniers remain on the defensive. The Fridays for Future protests have been defining the debate, and while Germanys coal phase-out isnt due until 2038, the switch is now inevitable and has about 40bn of finance behind it. A climate protection law will steer Germany to net-zero emissions by 2050. Business lobbies are pressing for greater clarity on climate goals and renewables. And the Greens, who have for decades led the demand for greater ambition in terms of climate protection, enjoy 20% support in the polls a new government in 2021 looks unlikely without them.

Carel Mohn, editor-in-chief of the factcheck website klimafakten.de, which is financed by the Mercator Foundation and the European Climate Foundation, doesnt foresee a huge challenge from denialists. More worrying in his view are the yes, but sceptics who supposedly advocate environmental protection but then get in the way of real progress. The debate is also concerning because it shows just how weak, badly organised and ill-prepared for their job those politicians meant to be well informed on climate really are. He can barely think of a single official authority that issues rebuttals when politicians come out with demonstrably false statements on meat consumption, forestry protection or air transport.

Sometimes, though, you can rely on the climate deniers to trip themselves up, as the AfD group in the Bundestag often does. In a recent parliamentary question it asked for verification that 97% of scientists agree on the causes of global warming. The environment minister returned to the house to confirm that the figures were inaccurate: its 99.94%.

Bernhard Ptter writes for the German newspaper Tageszeitung

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Germany has an unholy new alliance: climate denial and the far right - The Guardian

Lil Uzi Vert saves the world – Observer Online

The year is 2050, and after 30 years of trials and tribulations, intense social and political reform, scientific development and the abolition of country music, society has reached a state of perfection. Climate change has been reversed, diseases (and viruses) cured, poverty eliminated and war eradicated. Sweeping advancements and revolutionary ideas have propelled all of the arts to an elevated status in civilization. In music, three artists remain, each representing one of the three remaining genres. They are 100 gecs, Billie Eilish and Lil Uzi Vert.

What inspired humans everywhere to so drastically change their ways of life and work together to achieve utopia? And why is Lil Uzi Vert so popular?

The answer to both questions is simple the pair of albums, Eternal Atake and LUV vs. The World 2, released by the Philadelphia-born rapper only days apart in March of 2020. These two musical works contain such multitudes of joy and excitement, depth and emotion and long-awaited rap bangers that they changed the world.

Before the arrival of Eternal Atake, Uzi had already been propelled to stardom by 2016s Bad and Boujee, a trap rap hit and Twitter favorite created in collaboration with Migos, as well as 2017s XO Tour Llif3, the clearest indicator at the time that emo rap could crack into the mainstream. He was a celebrity: both goofy and shy, an incredibly well-dressed rap star. And, in a sign of the genres close relationship with internet culture, he also became a meme more than once.

In the years between 2017s Luv Is Rage 2 and Eternal Atake, Uzi was more celebrity than artist, making headlines for his lack of new music rather than any actual releases. There was a retirement from rap and a very public dispute with his label. Fans began to wonder if a new album would ever arrive. There were a couple of loose singles, New Patek the best among them, but the long-promised Eternal Atake seemed an eternity away.

And then it was delivered from on high, beamed down from another world by Uzi himself: Eternal Atake, a collection of 16 brand new tracks and two previously released singles perfectly calibrated to bring peace and happiness to our planet. There was praise. There was rejoicing. And only a week later, LUV vs. The World 2 arrived as well, a companion mixtape a second gift, really consisting of 14 more songs.

Eternal Atake is an hour of pure Uzi, potentially overwhelming for some, but the perfect amount for others. He raps at breakneck speed on nearly every track, spitting verse after verse about his favorite topics. Theres talk of cars Mercedes, Maybachs, G Wagons and Lambrogihinis and plenty of women, but, above all, Uzi raps about fashion. He loves statement pieces, designer jeans, stylish fits and big name brands. Versace, Balmain, Commes Des Garcons, Chanel, Raf Simmons, Louis Vuitton, Off White and more get shoutouts galore. But this love for all things designer hits its peak when Uzi turns the Spanish luxury fashion house Balenciaga into one of the albums undeniably catchy and simple choruses, shouting, Balenci, Balenci, Balenci, ad nauseam on standout track POP. If youre a fashion brand that wasnt mentioned on the album, the question bears asking: Are you really even a brand at all?

Of course, no one, not even Lil Uzi Vert, can always be happy. Im Sorry finds Uzi performing in the emo rap genre he helped popularize, reminiscing over a breakup and apologizing for everything he did wrong. Album closer P2, or Part 2, serves as a sequel to the hit XO Tour Llif3. P2 picks up where the original left off, using a similar beat, flow and dark subject matter to create an appropriate ending to the album.

All Uzis rapping is done over beats that feel incredibly current, representing the best of a new direction in rap music. The albums production brings together playful and melodic keys with booming bass and trippy, futuristic sound effects. Its definitely not trap music, but something a few links down the chain, so to speak. The beats match Uzis energy, moving from bouncy and fun to ethereal and light as the album progresses.

Just as the dust was starting to settle from the release of Eternal Atake, Uzi followed it up by releasing the mixtape LUV vs. The World 2. Unlike the album, which has only one feature from R&B singer Syd, LUV vs. The World 2 includes contributions from a smattering of current hip-hop players such as Future, 21 Savage, Gunna and Young Thug. The mixtape may be more scattered than Eternal Atake, but it still manages to pop off in every way possible. When theres more Uzi, theres more fun, and early tracks Myron, Bean (Kobe) and Yessirskiii stand out as the best of the bunch.

To snap back to reality which is, admittedly, much less fun than the hypothetical future in which Eternal Atake and LUV vs. The World 2 bring about universal peace Uzis music (probably) wont change the world. But even so, the projects are still two fun, popping rap albums to crank up to 11 and enjoy while dancing approximately 6 feet away from your friends.

Album: Eternal Atake and LUV vs. The World 2

Artist: Lil Uzi Vert

Label: Atlantic

Favorite tracks: Baby Pluto, POP, Myron, Yessirskiii

If you like: Kanye West, Playboi Carti, Grimes

Shamrocks: 4 out of 5

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Lil Uzi Vert saves the world - Observer Online

Hitting the nihilism on the head – Camden New Journal newspapers website

Mark Stanley in Run

RUN Directed by Scott Graham Certificate 12a

THE Aberdeenshire town of Fraserburgh is the setting for this moving and well-cast drama.

A port, it has a long association with trawler fishing and processing the catches. It is depicted as a place of hard employment and few thrills.

This setting provides a backdrop to a family hewn from the granite, suggesting the environment breeds a certain dourness coupled with hardiness and stoicism in the men and women who live there.

Finnie (Mark Stanley) has grown up in the town and once got his kicks as a boy racer, screaming his souped-up car along the dark roads, slamming it round corners, and finding a sense of escape from the long nights through revving engines.

Now the father of two and tied to a fish processing production line, the cheap thrills of the past have gone but not been replaced.

Partner Katie (Amy Manson) sees he needs geeing up she buys herself a party frock and him a new shirt, but his response is theres nowhere to go and what is the point.

He looks, perhaps enviously, at his teenage boy (Anders Hayward), who is now behind a wheel himself and zipping into curves while playing loud bassy music.

The drama unfolds after an argument at home sees Finnie steal his sons car and take it for a spin, picking up his sons pregnant girlfriend Kelly (Marli Siu) en route. Cue some soul searching at high speeds, like a version of Fast and Furious for psychoanalysts.

Mark Stanley is fantastic: it seems extraordinary he is the same actor who starred in a release last week called Sulphur and White, in which he plays a City banker. The character here is the complete opposite and he has done both with real conviction. Stanleys downplayed approach makes it completely believable, his end-of-the-world sensibility haunts each scene. He is backed by a wonderful cast.

There is a theme of Bruce Springsteen lyrics running through the story Finnie is a fan and that he relates to the Blue Collar Blues Springsteen sings about is another clever trick in bringing this moving story alive.

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Hitting the nihilism on the head - Camden New Journal newspapers website

Drinking Beer in Bushwick Amid a Pandemic – The Cut

Photo: South_agency/Getty Images

Please note the story youre reading was published more than a day ago. COVID-19 news and recommendations change fast: Read the latest here to stay up-to-date. Weve lifted our paywall on all stories about the coronavirus.

On any given weeknight at the Bushwick tiki bar Happyfun Hideaway, there are dozens of Tecateslurping, margarita-sipping young Brooklynites. When the weather takes a warm turn, that number doubles as droves of drinkers show up in the backyard, Telfar bags in hand. On Wednesday night, however, despite the onset of spring weather, the crowd had thinned, as people across New York began to grapple with the question of how to navigate life in the middle of a pandemic.

At 9 p.m., six young people sat inside: one man, blasted and teetering upon his stool, two men eating each others faces, and three more chatting in a grimy corner.

In the last hour, Trump had mandated a travel ban, the NBA season was canceled, and Tom Hanks announced he had tested positive for the virus, but the mood among the Gen-Zers at the bar remained light. The kissing couple was soon replaced by another heavy-petting duo. I went to the grocery store today, purred one of them. The bartender said, I think people are scared, but its overblown. Theres an arc to everything.

On the patio, conversation between college students returned to coronavirus every few sentences. The thing is, young people shouldnt travel. As a young person you should stay away from traveling and large crowds, a young woman studying at Pratt argued. Her Kurt Cobainlooking companion retorted, But Ive never had the money to go to L.A., talking about cheap airline tickets. The conversation lulled, briefly, before he added,Each cigarette you roll is a work of art.

They drifted from conversations about moving apartments back to the viruss impact on their graduations, from breakup drama to information theyve gathered about the virus (I dont think my sister made that up. She works in politics).

The boy joked about video-chatting into his class at NYU, telling the professor he tested positive in order to get out of class, and made snarky comments about a neighborhood DJ: Im glad the coronavirus has derailed his career.

A couple of young women on the patio displayed similar nonchalance. One shook my hand, then immediately lit a cigarette, putting her fingers to her lips without pausing to apply hand sanitizer. Asked whether or not they felt any hesitation going out for drinks, they chimed together, Oh! No! No! Not at all! Have they done any prepping? God no. Last I checked theres plenty of toilet paper on the shelves. When I asked if they would consider canceling their weekend plans, they said no. Im still on Resident Advisor [an online electronic music community]like, Whats up?!

Its chilling. Its something you cant really avoid, even if it was as deadly as some people think it is, said another Pratt student to her friend, a blonde-bobbed NYU grad. I use the subway every day, so Im fucked either way Now that I need to take care of today, Im just like Why would I think about the future?

For members of my generation, the COVID-19 pandemic is our first major crisis, and its hard to see my peers corona-nihilism outside of the major political and historical events that have happened during our lifetimes. We are an age group (18 to 23) that, for the most part, doesnt remember 9/11 or the 2008 financial crisis. We dont know the existential dread of impending war or impending bankruptcy. The 2016 election was a crisis, but it was also one we were able to tangibly react to, through student activism and renewed interest in policy.

Texting with nearly a dozen friends my age, living in places from Alabama to Los Angeles to New York, I asked if they were worried about the virus. For the most part, they are worried, but mostly about marginalized communities and health-care workers and the possibility of becoming walking death traps for the elderly. As for themselves, one friend in New Haven said, Self-isolation for a month is a lot in a college students life. Also, on a less serious level, Ive had to cancel a bunch of dates.

Knowing they arent the primary target of the virus, they tweet things along the lines of The way boomers are feeling about coronavirus is the way millennials and gen z folks feel about climate change all the time, and make coronavirus memes. One is a drinking guide to online lectures; another reads, Well Id rather be dead in [insert name of a shitty college town], then alive in my hometown. They make TikToks, one to the tune of Thats Amore: When the class moves online, and the boomers all die, thats corona!

As tasteless as these conversations might seem to older folks, its also difficult to imagine my generation not reacting this way. Born into a dying world, ultraconscious of the overheating planet, our nihilism makes sense. But then, this prideful sense of invincibility may well just be characteristic of anyone that age. Per Didion, [O]ne of the mixed blessings of being twenty and twenty-one and even twenty-three is the conviction that nothing like this, all evidence to the contrary notwithstanding, has ever happened before. In this case, its true for Gen-Z, corona is a coming-of-age crisis, the likes of which we havent seen before, and its hard to know whether or not to have a Wednesday night tiki drink.

This morning, a college sophomore texted me, If I havent died yet from my Juul or the nasty ass bar I work in, I think Ill survive the coronavirus.

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Drinking Beer in Bushwick Amid a Pandemic - The Cut

The saddest generation: Why Gen Z is the most anxious generation ever – Digiday

Alex is a 22-year-old social media manager for a startup. Six months ago, while standing in a crowded No. 3 express train on the way to work, he had a panic attack.

I was staring at my phone, trying to simultaneously respond to a Slack message from my boss but also scrolling through Instagram and texting a friend when I thought I was going to die, says Alex (who didnt wish to use his last name because he doesnt want to be known as the depressed guy at work). I literally thought I was being crushed under what felt like a mountain of work, overwhelmed, and messages were coming at me from everywhere, and I just wanted to die.

Its a common feeling for Becky, a 20-year-old college student. Im anxious all the time, she says. What about? Being in school. Feeling pressure to have a social life. Politics. My friend is studying abroad in Spain and I read a story on Twitter about someone who got their kidney stolen in Spain. The coronavirus. Everyone I know has cancer.

The young are more anxious than ever. Young people and for that matter, old people everyone is anxious. Everyone has too much to do. The U.S. is the most overworked nation in the world.

But the specific strains of depression, anxiety and nihilism are unique to Generation Z, the cohort born between 1996 and 2016, many of whom are now graduating college and entering the workforce for the first time. It even shows up on TikTok, that platform favored by the youth, where a new genre of videos are about making yourself feel better: I woke up depressed, heres what I did, is a popular class of content. Its used as a way to bond with others on the same medication: Yo, where my Citalopram girls at? asked juliakempner08 in one video.

Studies show that depression, anxiety and thoughts of suicide are increasingly more common in this cohort than ones before. A 2019 study showed undergraduate students of the Gen Z cohort had double the rates of those issues than others.

There is of course the argument that this generation is more likely to be open about mental health issues than others, meaning that everyones always been anxious, they just talk more about it. But it doesnt account for, argues Psychology Today, the increased suicide rates.

Greg Lukianoff is the co-author, with Jonathan Haidt of The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting up a Generation for Failure. There has been a dramatic surge in anxiety, and depression among young people over the last 10 years versus the 15 before that. Because of changes in medical trends and cultural taboos, its hard to compare depression and anxiety reports from much earlier than that meaningfully. To the extent teen suicide rates are a proxy for teen distress, we do know that the suicide rates for older teens peaked in 1991, and were very near those peaks now, he says.

An exclusive, inside look at whats actually happening in the video industry, including original reporting, analysis of important stories and interviews with interesting executives and other newsmakers.

For Lukianoff (and Haidt) the big factor is tech and the preponderance of social media, which he says takes high school-style bullying into the real world and beyond. When I tell people to imagine the worst of junior high school 24 hours a day forever, it rightfully gives people a shudder.

After his panic attack, Alex the social media manager went to his mom, who took him to a therapist, and was diagnosed with depression. He was prescribed medication, and has since taken to 30 minutes of meditation a day. Hes also perhaps most importantly gone off all (personal) social media. Its ironic since my entire existence depends on it, but I had to. A whole group of us have.

Its what Lukianoff has observed as well: Social media allows people to gather together in like-minded groups, and this includes people who are more depressed or anxious finding each other. Research into real-world social groups shows that depression can spread among people in a social relationship; if much of the peer group is anxious and depressed, you are more likely to be, as well.

Plus, it creates feelings of FOMO, stress and therefore, sadness. Becky says she spends much of her time at night refreshing. I refresh and see what other people are doing. Its a way of checking in. Do I look as good? Whats she wearing? Can I afford it? How does she have friends?

Jessica, a 20-year-old student at Pace University says she hears about people counting posts. I havent posted in two months. Do people think Ive done nothing?

There are a few historical shadows under which millennials grew up that have little to no significance for Gen Z, also contributing, potentially to a different way of looking at the world. Most millennials were young children during the 9/11 terror attacks. Millennials came of age, and many entered the workforce, during a recession. They helped elect the first black president in history. Technological evolution was fast and rollicky during their adolescence and young adulthood.

For Gen Z, all of that is table stakes. Most havent known an America that isnt at war, and they unlike every generation before them, were born into, almost, a social media age.

Sunny, a 22-year-old employee in corporate finance, says it started for her in college as well, where her peer group sat around burnishing their LinkedIn profiles. Social media, she says, feels like a constant status update how high is your status?

And it continues on into the workforce as well. I would say my anxiety has changed, she says. The college anxiety was about academia. College had a blank dream of a job I was chasing. Now I want a dream career. There is a lot of pressure of constant next steps. Ive been working for like a month, but Im already thinking of what happens next. Its nonstop. Sometimes I cant breathe.

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The saddest generation: Why Gen Z is the most anxious generation ever - Digiday

Stay home and Avoid The Hunt – Lexington Dispatch

Originally slated for release in 2019, Craig Zobel's The Hunt came under fire on conservative media for its story of liberals kidnapping Trump supporters and hunting them for sport.

The film eventually even caught the attention of President Trump himself, who issued a condemnation of the film from his Twitter account, causing a controversy that eventually led to the film being pulled from the schedule altogether.

Now the film has finally found its way into theaters, using the controversy as its main marketing draw, and to the surprise of no one who actually watched the trailer rather than just listening to the president's unhinged rambling on social media, The Hunt is more of a satire of liberals than it is of conservatives, casting the "liberal elites" as the villains and the hunted "deplorables" as the heroes on the run.

It's not hard to see that Zobel is going for some sort of "both sides" condemnation of our polarized electorate, casting the Trump supporters as wild-eyed conspiracy theorists whose worst fears have come true, and the wealthy liberals who hunt them as privileged elitists whose disdain for other side has lead them into an insular world of fake news just as bad as what they claim to be against.

The problem is that its satire is so broad, so blunt, and so misguided that absolutely nothing works. This is a film in which a villain, tasked with posing as an American ambassador, actually carries a box labeled "bribe money," which he uses to pay off foreign military agents. Subtle and clever this film is not.

The idea is that an innocent text message exchanged among friends who run a powerful multinational corporation leak to the press, leading fringe right-wing conspiracy theorists to concoct a wild story about "liberal elites" hunting conservatives for sport at a manor house in Vermont. They call the theory "Manorgate," and it spreads like wildfire on conservative media.

After losing their jobs in order for the company to save face, the liberals actually decide to hunt conservatives at a manor overseas for revenge, getting back at those who brought them down by making the conspiracy theory come to life.

This plan backfires spectacularly when they accidentally kidnap the wrong woman, mistaking Crystal (Betty Gilpin), a special ops veteran who served in Afghanistan, for another woman of the same name who made disparaging remarks about ringleader, Athena (Hilary Swank) on Twitter. Lots of blood, guts, and gore are splattered across the screen as Crystal calmly wreaks vengeance on the people trying to kill her, determined to get back home at all costs.

Gilpin turns in a strong performance; her laid back demeanor and Mississippi drawl seemingly at odds with the over-the-top decadence around her, but the film itself is one of the worst pieces of garbage to clog up multiplexes in recent memory. Zobel's brand of satire is messy and obvious, taking a kind of "everything but the kitchen sink" approach to see what lands, and very little, if anything, actually does.

The depiction of the liberals in the film is straight out of the Fox News "latte-sipping liberal" stereotype playbook, coming across as the kind of caricature that someone who thinks "did you just assume my gender" is the height of humor would come up with. The conservatives are likewise broadly drawn, shown as racist, gay-hating, gun-toting hicks that are everything the people trying to kill them think they are. For a film that seems to be pleading for understanding, its utter condescension toward everyone in the film consistently undercuts its message.

No one wins here and everyone is terrible, and that kind of nihilism not only makes The Hunt an unpleasant watch, it also seems to suggest that everyone is just as terrible as the other side believes. It doesn't seem to actually understand where anyone in this film is coming from. One of the liberals actually refers to one of her partners as "comrade," as if a bunch of wealthy white liberals would actually co-opt the language of Marxism.

This kind of utter lack of understanding of who it's depicting and why results in a film that has no idea what it's trying to say, but it's saying it loudly and constantly - proudly ignorant, arrogantly self-assured, with nothing to back itself up; just like the people its attempting to lampoon. The Hunt is reprehensible trash, neither as edgy or as smart as it thinks it is, offering up little more than empty shock value with nothing the least but constructive or interesting to say. This one's not worth risking the spread of coronavirus stay home and avoid this film like the plague.

Matthew Lucas, a former Davidson County resident, is a member of the Southeastern Film Critics Association and the North Carolina Film Critics Association. He now resides in Boone and has a blog where he posts regular movie reviews and commentary at http://www.fromthefrontrow.net.

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Stay home and Avoid The Hunt - Lexington Dispatch

R.E.M.’s end-times anthem is back on the charts here’s why – CBC.ca

On March 11, a pandemic was declared. On March 13, R.E.M.'s 1987 single, "It's the End of the World as we Know It (And I Feel Fine)," returned to the charts. As the outbreak spreads, so doesthe song's renewed ubiquity. It re-entered the iTunes Top 100 chart at No. 65 and as of March 17 at 4 p.m. PT, it had climbed all the way to No. 26.

Nate Sloan, co-host of the podcast Switched on Pop, and co-author of the bookSwitched on Pop: How Popular Music Works, and Why it Matters, calls the song's return to the charts "unprecedented."

"The only other time when music from past decades re-enters the charts is Christmas," Sloan explains. "That's when all of a sudden Bing Crosby, Frank Sinatraand a 1994 Mariah Carey song pop up on the charts. Otherwise, the entire ethos of popular music is newness. This is the driving commercial engine of popular music since the late 1800s. It's sort of against the very nature of the pop machine to revive past hits, so the fact that that's happening right now absolutely shows that this is a really unique and unprecedented moment."

On March 17, R.E.M.'s Michael Stipeposted a video of himself singing the chorus from the hit song, turning the video into a coronavirus PSA with a caveat: "I'm a former pop star," Stipejokes."But don't trust social media. Go to the CDC website. Go to trusted news services for your information."

The song actually entered the iTunes Top 100 four spots above its peak 1987 position on the Billboard Hot 100, a fact that Sloan finds "fascinating" but not surprising. Sloan admits that he personally didn't care much about music charts before Switched on Pop. Co-hosting a podcast for five years about Top 40 pop has been "instructive" and he's come to appreciate the broader cultural story a chart can tell.

"I missed out on what so many people were listening to," Sloan says. "Now what I realize is that you don't have to necessarily love or hate the most popular music at any given moment. But I think we should all recognize that it can be very instructive in terms of telling us what people are feeling and thinking, and concerned and anxious and joyous about in subtle ways. Charts are always taking the temperature of people's collective consciousness."

Sloan is also not surprised that this is the retro theme song people are playing on repeat right now.

"Music is something we immediately turn to in trying times," Sloan says. "Music is something that gives us comfort and brings us together and helps us understand the world. So it makes sense to me that that's one of the first places people turn when the world is going haywire. This song provides, sort of, a mantra for people to recite in this moment when everything seems very uncertain and up in the air. What can you do when you have no control? Just throw up your hands and say, 'I feel fine.'"

Sloan loves songs that feature dark lyrics juxtaposed with a happy melody. "That is kind of its own subcategory in some ways, where the music tells you one thing and the lyrics tell you something else. I always think that kind of tension is incredibly productive and engaging," he says, laughing.

As sub-genres of rock go, "cheery nihilism" has its place in the world, and Sloan has spent some time thinking about this song, which he admits is his favourite of R.E.M.'s long discography.

"When you get that lyric ['I feel fine'], you get this really catchy melodic hook as well, something that you can sort of sing along to, something that cuts through the noise and stream-of-consciousness lyrics of the rest of the song and provides this anchoring point, a moment of simplicity and collectivity against the backdrop of the chaos of the rest of the song," Sloan says. "That maybe mirrors the overall purpose that the song can serve for people right now, the way it sort of comes together and this crystalline moment of clarity every time the titular phrase hits."

Please note: Andrea Warner appeared as a guest on Switched on Pop in 2019.

Hang out with me on Twitter: @_AndreaWarner

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R.E.M.'s end-times anthem is back on the charts here's why - CBC.ca

Coronavirus: What will become of the world? – Free Press Journal

The fear is looming

When the disease was in China, it felt like it was far away. Now that it is in our neighbourhood, its seeming too close for comfort. We have begun to catastrophise within the darkness of uncertainty. We are feeling helpless, clueless, and powerless. And this is driving us to nihilism. Some of us are thinking about whether

- we will succumb to this virus

- well have access to a vaccine

- well be alive to see the end of this

- our jobs are safe anymore

- stock markets will ever stabilise

What the present is looking like

Our worry is not limited to our own health. Its extended to fretting over the health of parents, grandparents and children. A lot of us dont know how to entertain our kids during this extended school break. Or what we should do with so much spare time working from home. Were stocking up more food and supplies than our houses can accommodate. Were glued to social media, and obsessed with forwarding information without assuring its legitimacy. Memes and jokes are taking up more of our time than ever before. Anxiety is rippling through the ocean of humanity. The earth is quaking with uncertainty. What might become of us after this?

A dark future?

Natural as well as man-made disasters have the propensity to generate chaos, and render human beings powerless. There are bound to be immediate consequences like sadness and apprehension over the loss of loved ones, health, jobs, money, and security in general. Those with inadequate coping defenses resort to alcohol, nicotine, cannabis and other substances of abuse to help combat angst. However, in the longer term this lengthens psychological turmoil, resulting in more permanent depression and anxiety. Lower income individuals sense more stress because social distancing impacts their jobs and daily wages notably. Were already seeing unrest and vandalism in some countries over securing food and housing supplies. An incessant fear of the unknown can convert us all into nervous, guarded, and mistrusting human beings. And those already battling anxiety and depression stand greater tendency for catastrophic panic. Prolonged stress dilutes immunity further. If we dont contain the anxiety pandemic rightly, we might see a physically weaker human race, purely attributable to our psychological shortcomings.

There is hope

Countries are realising the need to strengthen healthcare systems and replenish health budgets. Taiwan, Hong Kong and Singapore governments adopted stringent measures for containing the disease, people obeyed; and saw positive results. Self-quarantine in Italy drove residents to unanimously sing together every evening from windows of their apartments an orchestra of a hundred homes altogether. In many cities, people are offering free babysitting, tuition classes, art lessons online, pick up and drop services for kids where needed; as well as food delivery for vulnerable older adults.

In spite of all the darkness, history has proven that some good always comes from the bad; that humans cognise, devise and improvise with time. The biggest yet simplest lesson humanity can learn, is that prevention is better than cure. And that we can take simple steps now, and in the future, to avoid the spread of any and many diseases. That cleanliness is important every day. And kindness doesnt need a time table. That children learn from observation how to relax in times of crisis and not go into a state of frenzy. And its good to spend time at home in general, not just during a pandemic.

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Coronavirus: What will become of the world? - Free Press Journal