How digital clubbing became the saviour of queer nightlife during the coronavirus pandemic – i-D

On a mission to prove that nightlife is alive and well, our Clubbing Isn't Dead series explores the late night happenings of different cities, scenes and live-streamed video conference platforms.

As trivial as it sounds, one of the things I miss most about the halcyon age before coronavirus hit is the experience of going to clubs. The heat, the sweat, the proximity, borrowing a water bottle from a stranger and happily gulping down their saliva -- it all seems unimaginable now. Two weeks into the lockdown, I look back now and think of every time I left the club early as a tragic waste.

This is far from being a unique lament: as well as being a leisure activity, clubbing acts as an important pressure valve for lots of people -- something which I would argue is particularly true for queer people. Thankfully, a number of DJs and promoters have risen to the challenge of recreating the club experience within the new parameters we find ourselves in. Last Saturday, I decided to check out Club Quarantine, one of the indisputable leaders of the trend. Launched just last week by Torontonian DJ D-Nice, its already providing a vestige of hedonism for bored and locked-down queers across the world.

In its short existence, Club Quarantine has already hosted appearances from a diverse range of legends including Rihanna, Charli X, Bernie Sanders and, uh, Oprah (who interviewed DJ D-Nice afterwards). It wouldnt be an exaggeration at all to describe it as a genuine global phenomenon. Given that the LGBT+ community have always been at the forefront in developments in internet culture -- from early dating/ hook-up apps providing a template for their straight successors to the strong presence weve always had on social media -- its no surprise that queers are at the vanguard of coronavirus nightlife. Its a nice idea but, more importantly, is it actually fun?

Club Quarantine is broadcast over Zoom -- a video-chat platform designed for corporate meetings and working from home. Unlike the cheerier Houseparty, the interface of the app itself has a chilly corporate aesthetic which seems ill-fitting for an untrammelled night of decadence. When you log in, you can see yourself in a little box on the top of the screen and if you click on a grid you can see a segment of everyone else whos tuned in. The main screen is alternately streaming the DJ and people chosen at random. Knowing you can be seen by other people feels surprisingly exposing, but not entirely in a bad way -- the simple fact of being on display gave me a kind of energy boost. This is the chief difference from simply watching a stream or a Boiler Room set on YouTube -- you feel less stupid dancing alone than you would do dancing to a stream. Maybe it simply appeals to a narcissistic desire to show off for an audience on the internet, but other people dancing to the exact same music as you are does provide a communal experience, or at least a glimmer of one.

When I first tried Queer House Party [a similar night to Club Quarantine], I thought it would feel really contrived and that we would just be alone in the living room starting at the TV, but it was a really joyful and fun night, says Cara English, who works for trans youth charity Gendered Intelligence and is an enthusiastic early adopter of this genre of night. It took me by massive surprise, she says. I had a friend and his flatmate at the party too and he said it was the closest he's felt to seeing people in real life in weeks, like we were actually at the club together. I don't think it's the same as being at an IRL party but in many ways it was better. If people were wasted they couldn't annoy you, no one could smoke around you.

Perhaps the most important aspect of queer clubbing is the sense of community it provides, the opportunity to socialise with people like yourself. How does this translate in a digital context? Surprisingly well. You can also send a message to anyone there, and theres a communal group chat at the side, where you see people saying things like Im so glad I found this. and I felt so lonely before, and making affirmative statements about trans rights, which made me more inclined to abandon the cynicism I had when I initially logged in. You could flirt with people, you could theoretically meet and fall in love with someone, which does allow for that anything could happen atmosphere which makes clubbing so appealing. My contribution to the group chat mostly consisted of such penetrating insights as Wheyy!!, what a tune! and does anyone know the name of this DJ!?. But it probably wasnt the forum for in-depth analysis of those Financial Times graphs about global infection rates -- I dont think the conversation really needed to be any deeper than it was.

Just like any queer club night worth its salt, theres a real variety in who is using it and what they appear to be getting out of it. Some people are dancing topless in over-the-top outfits, gold lam hot-pants and stuff, while others are just vaguely swivelling in their desk chairs. Some people are racking up lines of white powder and others are sipping cups of tea. Surprisingly no one was exposing their genitals -- I would have thought that digital flashing would be an unavoidable aspect of a platform like this. Some people are with their friends and look like theyre having genuine, non-digital fun which simply made me feel envious rather than less lonely. I guess the problem with the concept is that it looks like much more of a fun thing to dip in and out of when youre actually hanging out with people IRL, which means it doesnt really solve the problem of social distancing isolation. But I also found the idea that this was happening every night comforting. Even outside of the context of the pandemic, this would be an excellent thing to do if you just found yourself too skint to go out on a Saturday. Its also highly accessible to disabled people, which is great. For these reasons, I hope this night and others like it (most notably, Queer House Party) outlast the pandemic.

Inspired by Club Quarantines success, established queer promoters are now looking to Zoom as their next venue. Hannah Williams, co-founder of South London queer night Suga Rush, is currently in the process of setting up a digital version of the night. We decided to do this for two reasons, she says. Firstly, we want to get people to donate to our old venue The Chateau's relief fund for their artists and workers, because obviously the situation is bleak right now for unemployed and precariously employed people.Secondly, we want to do it because it's quite silly and should be quite cute and fun -- it would be be nice to do something lighthearted rather than trawling through Twitter to read more horrendous news articles from the last few hours. Also, I think people want an excuse to dress up and look hot again.

Even for experienced promoters, organising a club night of this nature poses a completely new set of challenges. I think there's something, perhaps inherent to tiny queer clubs, about seeing everybody being so unconcerned and present, says Hannah, that creates a kind of mutual understanding in clubs. Im worried we wont be able to recreate that and I'll miss that a lot. I'm worried about looking like a dick. I'm worried no one will turn up. I'm worried I won't be able to play the music properly or my laptop won't work! But I guess it's all a learning curve. Cara agrees that there are aspects of the conventional night out experience which are hard to capture. Sometimes you need the sweat, the deafening reverb and the wasted conversations with strangers in the smoking bit and the falafel on the way home, she says. When the night ended and we just found ourselves in our living room, we thought oh... this is convenient and all but where's the night bus drama?

The experience of a digital club night can look pretty grim and cheerless on a screenshot, but what a static image fails to capture is how vibrant it actually feels. Every single panel is pulsing with life. So what use is it to say that I ultimately found it nowhere near as satisfying as the real thing? Could anyone really have expected otherwise? Just like Houseparty isnt as good as an actual house party, a queer club night on Zoom is never going to be as fun as an actual club. But its the best weve got and its really nice that people are trying.

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How digital clubbing became the saviour of queer nightlife during the coronavirus pandemic - i-D

In the Studio with Ruby Barber, the Florist Behind Berlin-Based Mary Lennox – W Magazine

Ruby Barbers studio, photograph courtesy of Becca Crawford.

Flowers have no place in Ruby Barbers apartment. I shouldnt say this but I really enjoy not having them around, confesses the floral designer behind the avant-garde botanical studio Mary Lennox.

The same cannot be said for her workspace, an airy studio in Berlins Schneberg neighborhood. The afternoon light that filters through its large bay windows stains the terracotta floor and walls a plummy red. In this wash of color, the bundles of cherry branches, heaps of silky pampas grass and paper-leafed mandarins that cover Barbers work table take on the saturated, overripe glow of a Flemish still life. Its no wonder that the likes of Chanel, Gucci and Versace have tapped Barber to breathe life into their campaigns, runway presentations, and boutiques.

When Barber started Mary Lennox (named for the spoiled British schoolgirl in Frances Hodgson Burnetts The Secret Garden), she was in her early twenties and focused on, you know, flowers in a vase. Now that the neat-headed, bare-stemmed bouquet has gone the way of the promise ring and the sweater set, Barber has loosed unruly tangles of hops vines and dusty cones of amaranth from the confines of the vase and allowed them to take over the entire room. Theres a heady chaos to Barbers installations, a hint of hedonism where order once reigned. Roses and tulips have given way to dark, waxy grapes as long as pinky fingers for Italian gin maker Villa Ascenti, frothy masses of raw cashmere for Loro Piana, and dense mists of Queen Annes Lace that creep across hallways and condense in the air like sentient storm clouds, in an immersive installation she created for Chanel.

To take in Barbers designs is to feel the line between flower shop and art gallery melt away. The materials have begun to take on a life of their own, she says of her gravity-defiant creations. Its getting harder and harder to identify them as flowers.

Barber spends her days scouring Berlins parks for dry materials and visiting local growers in Brandenburg and Potsdam, returning to her studio to assemble dripping, plumed constructions from the spoils. While her regular haunts supply the materials for most of her creations, some of Barbers favored brambles can only be found further afieldand sometimes for just a week or two at a time. In late summer, Dutch hydrangea farms dispose of several wheelbarrows worth of sun-crisped heads. On the island of Mallorca, the narrow country roads are littered with perfect gold-fringed palm fronds. In the southern Italian countryside, overgrown family greenhouses shelter dead plants that have dried perfectly in place. No work needs to be done to make an installation from these things, Barber says. Natures done the work already.

The daughter of two contemporary art gallerists, Barbers rise has coincided with a shift in the fashion and visual art worlds, where a growing appetite for living designs has put her abstract installations in high demand. Theres an increasing desire in modern times to feel close to nature. People want more and more to incorporate that natural language into their lives, and brands are starting to understand that. But Barbers designs, commissioned to reinvigorate established labels, are so rich in color and texture as to risk eclipsing them altogether. At last years Saut Herms, an equestrian competition sponsored by the French house at the Grand Palais in Paris, Barber hung enormous downy columns of tea-colored amaranth like stalactites from the glass-paneled ceilings of the Grand Palais. For Loro Pianas Fall/Winter 2020 presentation, her team scoured the Lombardy region of Northern Italy, sourcing a medley of local plants to construct a garden inside of the mid century modern venue.

The year has been a whirlwind for Barber; a steady stream of projects kept her bouncing between Hamburg, Paris and Milan until Germanys recent lockdown order resulted in a sort of forced retreat. Its a relief in a way, and a chance to think about the sort of work I actually want to do, she says of the imposed hiatus. Perhaps, while shes confined to her apartment, Barber will make an exception to her no-flowers-in-the-home rule. Her window looks out onto a park, so she can keep an eye out for the first blooms.

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In the Studio with Ruby Barber, the Florist Behind Berlin-Based Mary Lennox - W Magazine

The Weeknd Falls Victim to Old Habits on ‘After Hours’ – The – The Heights

Take off my disguise is the first line that The Weeknd sings on his latest album, After Hours. Its an ironic request, considering how little Abel Tesfaye, more commonly known by his stage name The Weeknd, really reveals on this project. After a rough breakup with supermodel Bella Hadid, Tesfaye is back with the same story hes always sold, one of dead-eyed hedonism and ever-present demons. Except now, on After Hours, listeners can enjoy the heady clash between this clichd origin story and Tesfayes regrettable platitudes about lost love and regret and all that. Over the course of 14 bloated songs, he warbles, he whines, he gets lost in wave after wave of overblown synth melodrama, but strip away all the grandeur and youre left with little in the way of real substance.

Opener Alone Again might as well serve as a diagram of all the ways Tesfaye goes wrong over the course of the album. His mumbly delivery is barely intelligiblenot a huge loss, the lyrics are almost embarrassingly self-serious. It might be too much to ask Tesfaye to lighten up a bit, but can he at least steer clear of lines that could be sourced from a 2010s emo pop song? Watery arpeggios and aggressive shots of buzzy synths would be effective if they were administered in smaller doses. But on Alone Again, Tesfaye ends up engulfed by what should be background noise.

This seems to be a common theme throughout the album. Its true that hazy soundscapes have always been Tesfayes realm of choice. More than that, his signature gloomy alt-trap production is what makes Tesfaye The Weeknd. But on After Hours, his production has gone rogue, upstaging Tesfaye himself. Its as if the producers, in search of maximum impact, opted to turn every possible dial on the soundboard all the way up and call it a day.

At several points, though, Tesfaye is able to cut back the overgrowth and achieve some clarity. If other tracks borrow 80s elements in moderation, Scared To Live practically transports listeners to a tinsel-heavy 1980s prom. A punched-up drum beat punctuates Tesfayes version of an old-school ballad, which has the commercial potential its looking for, but not much in the way of creativity. The song crescendoes and mellows down at all the right places. Its catchytake it from Elton John and Bernie Taupin. The post-chorus incorporates a snippet from the chorus of Your Song. But unfortunately, Scared To Live is no match for the latter.

The zippy Heartless, one of the three lead singles from After Hours, injects a much-needed dose of energy into the album. Tesfaye tosses off boast after witty boast as a nimble trap beat skitters beneath him. He finds himself swimming in angst in the bridge before the mask quickly comes on again.

Tesfaye is at his most interesting when he roots his apathy in something tangible. His lyrics often fall flat because they paint in broad strokes. While it might be true that After Hours revolves around a failed relationship, to reduce it to a break-up album would be to ignore a key player in the story, the other woman, so to speak. Throughout the album, Tesfaye is constantly caught between two impulses: regret and temptation. He wallows in vice of every kind, and the ultimate symbol of this corruptive tendency is the city itself. L.A., and to a lesser extent Las Vegas, cast looming shadows over the entire project. The symbol becomes explicit in Escape From LA. LA girls all look the same / I cant recognize / The same work done on they face, he sings with equal parts disgust and infatuation. And in Blinding Lights, Tesfaye roams the empty streets of Sin City looking for trouble.

Things fall into place, miraculously, on the title track. The production is sparsetheres plenty of room for Tesfayes vocals to drift around. A note pangs insistently, the sound of broken glass clinks gently. The anticipation is ratcheted up so masterfully you dont even realize you need the beat until it arrives, two minutes in. Tesfaye has finally stumbled upon the kind of infectious melody hes famous for, and on After Hours, he milks it for all its worth.

Theres no doubt that many of Tesfayes fans will be satisfied with this project. It delivers up everything you might want out of an album from The Weeknd: endless self-loathing, a liberal amount of reverb, and plenty of cocaine references. But with his fourth album, Tesfayes bleak outlook seems to have worn him out. He can hardly do more than float along, supported by incessantly grandiose production and half-baked lyrics. If theres anything to learn from After Hours, its that Tesfaye has many vices. But his most unforgivable one might be an unwillingness to evolve.

Featured Image Courtesy of Republic Records

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Michelin-starred meals that can be delivered to your home during lockdown – Telegraph.co.uk

Box sets arent the only thing to binge on while you social distance at home: some of the most famous names in London dining have responded to the coronavirus closures by offering home delivery. Read on to find out about the most delicious ways to survive lockdown all come with a comforting side order of knowing that youre supporting the restaurant trade in its darkest hour.

The Michelin-starred Mayfair restaurant has launched an all-day offering to provide round-the-clock sustenance for the self-isolating residents of central London. Enjoy a leisurely breakfast or brunch until 3pm, starting the day with a black truffle-topped croque monsieur or seasonal fruits in a lemon verbena infusion, with perhaps some seeded sourdough and home-cured charcuterie to graze on, or 30g of Beluga caviar.

For lunch and dinner, Hides signature Nest Egg may not have been deemed robust enough by chef Ollie Dabbous to survive a journey by scooter, but there are barbecued langoustines in a pandan leaf broth with baked pumpkin and peanuts, glazed guinea fowl with white miso, celeriac and kaffir lime, and chocolate tartlet with saffron and sunflower all with a suggested wine pairing from Dabbous backer, Hedonism.

If youre stuck for what to feed the kids, Huntsham Farm pork sausages with crispy potato cake and seasonal greens is a posh spin on bangers and mash youll wish came in an adult portion.

Order from: Supper London, within a 2.5-mile radius

Quite possibly the most upmarket Chinese takeaway that London has to offer, Michelin-starred Hakkasan is now available at home, where youll need to light some incense and download the Hakkasan playlist on Mixcloud to get the full clubby effect.

Set menus include the banquet meal for two (135), on which youll find the likes of crispy duck salad, rib-eye in black pepper and merlot and roasted silver cod in Champagne. Alternatively, order individually from the a la carte; the hot-and-sour flavours of the crispy fresh water prawns or intensely savoury black truffle roast duck are both top shouts.

Wash it all down with something from the fabulous wine list: Ruinart Blanc de Blancs followed by Antinori Tignanello, say. For the last word in at-home authenticity, track down the recipe for Hakkasans strawberry and basil martini online.

Order from: Deliveroo and Supper London, within a 2.5-mile radius

For the fully immersive Hakkasan experience, order some daytime dim sum from its teahouse spin-off Yauatcha.

All the dumpling classics are here, though in our experience, steamed dim sum travels better than the fried stuff. Major on scallop shui mai with prawn and tobiko caviar, edamame truffle dumpling with water chestnut, or crystal jade dumpling with pine nut, and save the crispy duck rolls and venison puffs for when we can all eat out again.

Bulk out the dim sum with some stir-fried scallops and prawns or a Mongolian lamb claypot, and top it all off with one of the exquisite pastries; the pastel-coloured macarons are a jewel box of sweet treats.

Order from: Deliveroo and Supper London, within a 2.5-mile radius

Sushi delivery is hardly the novelty it once was but how many restaurants will bring you 160g of pure-breed Japanese wagyu alongside your spicy tuna tataki?

Sushi and steak isnt all thats on offer with Zumas home delivery service, however. There are spiced lamb chops and whole roasted lobster as well as the all-time classics of chicken robata skewers, marinated black cod, prawn tempura and edamame with sea salt that have been on the menu since Zuma opened its doors in Knightsbridge in 2002.

To drink, there are champagnes, beers and wine (including half bottles), though sake is the best thing to add to your order Zuma has one of the best lists of rice wine in London.

Order from: Supper London, within a 2.5 mile radius

The new home delivery service of this famous Mayfair Indian offers a timely opportunity to try the cooking of recently installed executive chef Sameer Taneja. Whats more, for every meal ordered, the restaurant will donate a meal to NHS workers.

Alongside the expected lamb samosas and chicken tikka, look out for more individual creations such as tandoori king prawn marinated in kasundi mustard and raw mango, or wild sea bass marinated in coriander and chilli chutney testament to Tanejas time spent in some exalted Michelin-starred kitchens.

Vegan and vegetarian options, such as paneer malai tikka (mace and cardamom-spiced cottage cheese with mint chutney) and baingan bharta (smoked and mashed aubergine tossed with green peas, onion, tomato and ginger), are no less appealing.

Spice-friendly drinks, meanwhile, range from Meantime and Cobra beer to Killermans Run Shiraz and Ebner-Ebenauer Gruner Veltliner.

Order from: Supper London, within a 2.5-mile radius

Run by two talented young chaps with a brilliant pedigree former Anglo front-of-house Nick Gilkinson and ex-Petersham Nurseries chef Joe Fox Townsend has responded to Covid-19 with an approach every bit as creative as youd expect for a restaurant within the Whitechapel Gallery.

Townsends signature dishes are now available to order direct from the restaurant, ready to eat at home. Start with a snack of fried Wensleydale with heather honey and smoked chilli ahead of potato dumplings with potted brown shrimp and purslane, with ginger and treacle pudding with clotted ice cream for pud.

Wine delivery is also part of the service and you can stock up on an Essentials box of supplies when youre ordering, including fresh eggs, dried pasta, chopped tomatoes and milk and butter. All thats missing is a 16-pack of Andrex.

Order from: Townsend Restaurantfor delivery within eight miles.

French-born, New York-based chef Dominque Ansel has launched an at-home range for delivery from his Belgravia bakery. There are freshly made breads such as thyme and sea-salt focaccia and fresh pastas and sauces like macaroni with three-cheese sauce but ordering any of this is merely a cover for stockpiling the former winner of the Worlds Best Pastry Chef awards bid for immortality: the Cronut.

The croissant/doughnut hybrid, named one of Time magazines best inventions of 2013, is released in a different flavour each month. Currently its pineapple upside down cake, filled with homemade pineapple jam and creamy vanilla cake ganache, which can now be scoffed without shame in the privacy of your own home.

Order from: Deliveroo and Uber Eats or, if you live within five minutes of the Belgravia bakery, you can request an at-home drop-off from Dominique Ansel

Read more: The best high-end home delivery food boxes

Read more: 'I have a secret kitchen gadget thats better than any box of ingredients in isolation'

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I used to live for travel in fact, I just wrote the book on it. But theres no running away now – The Guardian

Ive just published a novel called Sweetness and Light, a kind of thriller set in the seedy underbelly of expat hangouts on the international tourist circuit. It was a love letter to travel, something I always thought of as a wonderful, consciousness expanding thing. Once in a while you would find yourself in an unfamiliar place and experience a true intellectual or spiritual epiphany through exposure to different cultures and unfamiliar places. You would realise, fundamentally, were all in this together.

As of last weekend, this all seems hopelessly nostalgic.

As I write this, Ive got friends all over the world who a week ago were living and working overseas and are now being corralled into cramped holding areas in airports, trying desperately to get home. The Covid-19 outbreak, and the consequent implosion of social and political norms, has thrown into sharp relief how much about travelling we take for granted.

Some of those friends are tossing up whether to stay where they are: in countries where deeply ingrained social and political contracts seem to be containing the virus better than we are. This is a confronting idea in times of crisis its hard to shake the feeling that home is the safest place to be. Or that there might be better homes out there.

Im one of the lucky ones: Ive never had to worry that the invisible lines on the map would become impermeable; that freedom of movement was anything but an inalienable right. Travel was something I used to live for, in the halcyon days before I became aware that every flight I took inched the world closer to climate crisis, viral pandemic and/or economic collapse.

In the space of a week, aeroplanes went from a symbol of privilege, to a flying petri dish of nightmares, real and imagined, to something I would only get on in the case of emergency, to something jarringly absent from our skies. Australia is a big country. It suddenly feels claustrophobic.

States are shutting borders and families dispersed across the continents are having to make snap decisions to uproot and abandon homes, careers, partners, in order to be close to loved ones before the lockdowns.

When I started writing Sweetness and Light, I imagined the sort of book you might pick up from the bookshop to read on an aeroplane. It published into a world where both airlines and bookshops are shuttering up. Being a novelist has never seemed more farcically anachronistic.

In the novel I tried very hard to evoke a world where travellers are undone by their own hubris and privilege, where a vaguely sinister religious fundamentalist preyed on complacency and confusion.

A society with few uniting principles beyond hedonism and the acquisition of wealth is always going to be sorely tested under hardship

Then I turn on the television to find that an administration whose political rise was framed around stopping the boats had failed to prevent landfall of what is, for all intents and purposes, a medieval plague ship. The prime minister deals with it by handing down new policy at midnight in the form of a sphinx-like riddle and all I can do is throw my hands up in defeat. On a purely narrative level, I cant compete with this level of absurdity.

Maybe this was inevitable. A society with few uniting principles beyond hedonism and the acquisition of wealth is always going to be sorely tested under hardship. But I didnt expect us to figuratively shit the bed and literally shiv each other over toilet roll so quickly.

Ive never wanted to get out of Sydney more, and Ive never been more cognisant of the hubris and selfishness of running away from ones problems a thing Ive literally just written the book on.

It was my hope that this book would make people think about what they took for granted about their own travel habits those foundational, opaque layers of privilege that so many of us abused for so long. In some ways, its a horror story about the limits of empathy, the dehumanising of people born across the border from you.

Its about people who talk about wanting to find themselves, when what they mean is they want to find themselves in an economy where the exchange rate lets them live life with the consequence of a Monopoly game. Now Covid-19 has made clear that none of us are insulated from whats coming.

As a species we are careening into unprecedented territory, a viral epidemic that far outstrips our global capacity to treat it and an extant global crisis in trust and empathy.

The planes are grounded, and for the feckless and flighty like me, theres no running away from whats coming. It could be that those layers of privilege, comfort and safety we never think to appreciate are on their way out. Once again, the epiphany: were all in this. And were in it together. Stay inside. Look after each other. And please buy my book.

Sweetness and Light by Liam Pieper is out now through Penguin Random House.

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I used to live for travel in fact, I just wrote the book on it. But theres no running away now - The Guardian

The Church and the Plague – Medieval and Modern Times (Part three of four) – FSSPX.News

Plague was recurrent during the middle ages and up to the industrial age. In general, for many centuries, whatever organized medical care existed in Catholic Europe was offered under Church auspices through the monasteries and religious orders.

The Black Death is the plague to which all others are usually compared. This bubonic plague that swept again throughout the world between 1347 and 1354, killing up to 40-50 % of Europes population. The mortality was such (25 million people) that many believed it to be the end of the world. Indeed, it changed the face of the European world: bereft of laborers, the value of land declined, undermining the foundations of the feudal system and easing the way for centralized monarchies. For many, religious fervor was renewed, and new manifestations of piety appeared. Others, however, reacted with a pessimism that threw them into despair or a senseless hedonism, which were in turn reflected in the arts and literature. Many others responded with random acts of violence against those thought to have caused the plague, not only Jews but also people affected by other illnesses, as well as beggars and foreigners.

Amidst that upheaval, priests stepped into sickrooms, materially and spiritually assisting the sick and the dying, knowing that they faced an unseen enemy that very likely would kill them. Nonetheless, thousands of priests took those steps anyway, risking their lives to give hope and comfort to those in pain and fear.

Widespread diseases reappeared continuously throughout the world even into our century, and every time the Churchs response was the same.

During the plague that ravaged Milan in 1567, St. Charles Borromeo was convinced that God permitted it as a punishment for the sins of the people. Still, it also offered an occasion for purification and conversion. Therefore, the decisive remedy was to be found in prayer and penance.

Because in their efforts to curb the contagion, the civil authorities had forbidden religious meetings and processions, St. Charles blamed them for putting all their trust in human means, without a thought for the divine. When frightened people quarantined themselves in their homes, he ordered the erection of crosses in the main squares and street junctions so that the people could attend Masses and public rogations from their windows.

He ministered to the sick himself and encouraged his clergy to do the same, for, where the world saw death and desolation, he saw the possibility of saving souls. Even more, he encouraged the priests, telling them that service in a time of epidemic is the stuff of martyrs. In his words, this was a desirable time now, when without the cruelty of the tyrant, without the rack, without fire, without beasts and in the complete absence of harsh tortures which are usually the most frightful to human weakness, we can obtain the crown of martyrdom.

During the plague that struck Marseille in 1720, Msgr. de Belsunce dedicated himself, personally, along with the resources of the Church, to the assistance of the sick. His words mirrored St. Charles attitude: God forbid that I abandon the people of whom I am obliged to be a father. I owe them my care and my life since I am their Pastor.

Closer to our times, the influenza pandemic of 1918-1919, also known as the Spanish Flu, is considered one of the worst pandemics in history. An estimated 50 million deaths worldwide were attributed to it, far more than the total casualties of World War I. One of its victims, Jacinta of Fatima, offered her sufferings for the conversion of souls.

In the United States, deaths from the Spanish flu have been estimated at around 675,000. In every State, all places of public gathering were closed against the spread of the disease, churches included. The ban was obeyed, although many argued that keeping the churches open would help to appease the panic and fear in which epidemic thrives.

In any case, everywhere, the Church remained at the forefront of the medical and spiritual battle against the disease. Thus, when the Board of Health of Philadelphia ordered the closing of all schools, and suspended church services until further notice, Archbishop Dennis Dougherty offered the use of archdiocesan buildings as temporary hospitals. He further enlisted all priests, non-cloistered nuns, and the lay members of the Society of St. Vincent de Paul to aid the victims of the flu.

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The Church and the Plague - Medieval and Modern Times (Part three of four) - FSSPX.News

An acclaimed Bengali pulp fiction writer turns a voyeuristic eye on the secrets of Calcutta by night – Scroll.in

In these times of social distancing, Calcutta Nights, a recently translated crisp vintage work from 1923, beams up from the past the whole human mess of city life as we may fail to experience for a long time now enticing , contagious with its mirth, sorrow and decadence, yet ultimately safe. Calcutta-ness is both a cult and a code.

That Calcutta, totem pole of cult, is a distilled city, a Xanadu rich with local detail yet universal, contemporary yet not belonging to any particular period, a continuum of experience. No wonder then, that this wondrous city, simultaneous epicentre of renaissance, nationalism, reform movements and debauchery, should inspire city sketches, first made popular in the mid and late 19th century by the inimitable Hutum Pyachar Naksha. Decades later Hemendra Kumar Roy, prolific and popular author of detective fiction, adopted a nom de guerre to have a go at chronicling the scintillating night life of Calcutta in the 1920s.

If books were bordello windows, their sepia light beckoning, Calcutta Nights would be one such, quite literally. A salacious account of what the night unravels, the book takes you behind the scenes, reports on the microcosm of hedonism, the power plays, symbiotic relations, the intimacies of a prostitute with her regular customer, the paanwali bartering and trading with the police, the beggar, the opium-smoker. What sets this book apart is the flawed and reluctant author.

A prolific writer of detective fiction, primarily for children and young adults, Roy probably stumbled upon this diverse and rich material probably while researching for his more innocuous detective novels armed with a stout stick, he says, and at great personal risk. Against his better judgment, he writes about city la nuit, worried and embarrassed about the task at hand, the adirasa or eroticism that he has failed to avoid while raising the curtains of hell.

In his introduction, he rushes to reassure his readers that none of them will find Calcutta Nights obscene. It is, rather, written with the noble intention of sounding a warning to fathers of young girls and boys. Our Meghnad Gupta, author in hiding, is no Samuel Pepys, the veritable diarist of 17th century London who wrote himself into his salacious scenes, boasting about his own ardour and peccadilloes.

The city Roy writes about is a city of men, consumed by men. In the authors own words this book is written for an adult male audience, a sweeping exclusion that predictably rankles this reviewers entitled, liberal, feminist bourgeoise self. Said outrage is difficult to cull at first. Then, as the book shines with its vivid portrayals, the puritan author becomes part of the setting and it is possible to turn the judging gaze right back at him, to see him in all his troubled light.

Here was an author writing about hedonism at a time when the wave of nationalism was peaking, his puritan acuity often criss-crossing with an awakening of socialism. His feelings about the women he writes about swing from condescension and humble misogyny (empathetic and damning at the same time a tone often taken when writing about giants by the best of Bengali literary stars, Sarat Chandra Chatterjee included) to genuine insight.

A pacy read, the depiction is vivid and colourful. Despite his protestations the author is clearly an insider therein lies the strength and authenticity of this sketch. The description is atmospheric. Roy bring alive, with cinematic realism, the night in which owls flutter awayand gradually the swarthy ugly faces begin to peep and snoop.

And slowly Chitpur Road transforms itself weary clerks disappear, the streets are filled with the scented babus, their faces aglow with Hazeline snow seeking verandthe a belles. Kapure babus, hothat-babus, ingo- bingos, the rich, the white, the Marwari, Chinese, European women of loose morals, courtesans of Chitpur, lustful ladies of Kalighat, the poor prostitute, the wanton widow each scene, as the chapters are aptly called, presents to us a glossary of social categories.

One of the most striking sketches is that of the Bhikiripara or beggars quarters. There are fabulously sensational bits, revealing the authors Roy had translated Bam Stokers Dracula penchant for the supernatural and the fantastic. Particularly recommended are scenes from the Nimtala Crematorium and the one featuring a prostitute who beckons men into her room where a dead man lies, his throat slit open.

Translator Rajat Chaudhuri craftily balances archaic words with new ones, never upsetting the tonal authenticity of a period piece. Ultimately he strikes the right cadence the voice often changing as it travels from Chitpur bordellos to the jazzy evenings in the Anglo quarters or the dim Chinese taverns.

For its depiction of the crowded and dense interplay of lives in the Calcutta of those days, this book is a perfect curl-up for these epic-dammed solitary afternoons. A treasure trove for every city addict has been discovered.

Calcutta Nights, Hemendra Kumar Roy, translated from the Bengali by Rajat Chaudhuri, Niyogi Books

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An acclaimed Bengali pulp fiction writer turns a voyeuristic eye on the secrets of Calcutta by night - Scroll.in

Coronavirus: 5 books that open up new worlds and help you escape lockdown loneliness – YourStory

More than a third of the worlds population is homebound as governments across the globe take unprecedented measures to quell the spread of coronavirus and flatten the curve.

This means our streets have emptied out, our theatres, malls, parks, and bars see no footfall, and generations of people used to a fast-paced life now have a lot of time on their hands and nowhere to go.

We have helped you along the way in these dark times of staying put at home, keeping healthy, and staving off anxieties. From movies and YouTube videos to diet plans and tips on keeping stress at bay, YS Weekender has you sorted. If you are still restless and perturbed by all that is happening outside your door, we suggest the best balm for the soul: books.

Picture credit: Unsplash

So here are some recommended reads that will whisk you away into worlds and times that are far different from the current one we live in:

This 1933 cosy classic is exactly what the doctor ordered for 2020. Tuck the present far into the dim recesses of your mind and slip into this early twentieth-century tale of a young socialite plucked from her city life and dropped, quite unceremoniously, into the rural English countryside.

Our heroine does not like to sit around so she takes on the mantle of fixing things not the farm or the animals, but the people. A hilarious novel, the book is punctuated with Floras funny observations, including the scorching, Nature is all very well in her place, but she must not be allowed to make things untidy.

Light and witty, this book will bring you a lot of comfort, cold or not.

As news every day in early 2020 looks more and more surreal, why not escape into a delicious work of fantasy? And from none other than the immensely talented fantasy fiction main man Brandon Sanderson himself.

Warbreaker is set in both Idrisa land of restraint and dullness, where life is hard and colourless (quite literally)and Hallandrenthe lap of luxury, hedonism, vibrancy and magic, where the gods live it up. Gods here are great men and women who returned to earth after some noble sacrifice and now live in great decadence.

Our story follows the lives of two sisters, Vivenna and Siri, who are the daughters of the king of Idris, as they set off for Hallandren. Each sister tumbles into a whole host of adventures, which includes the intriguing magic system of Breath and Colours, mercenaries who are ruthless killers, and gods who have lost their human touch and, instead, plot against each other.

This Dickensian coming-of-age tale by the great John Irving follows the lives of the quirky Berrysfather Win, mother Mary, children Frank, Franny, John, Lilly, and Egg. The family lives in and runs a hotel by converting an abandoned girls school in New Hampshire.

The Berrys live a life of laughter and adventure. John, our narrator, is nave and adores his sister Franny, who is bold and beautiful. A socially awkward Frank bonds with Lilly, who does not grow physically after a point, and little Egg who remains babyish.

Then there is their dog that is hilariously brought back to life after a taxidermy experiment and turns up in the unlikeliest places, scaring people, sometimes even to death. The novel is stuffed to the brim with entertaining characters and situations, be it the show bear and its master, a family overhaul to Vienna where Hotel New Hampshire (version 2) springs up, and its inhabitants of friendly prostitutes and radical Commies.

We have a theme, looks like: 20th century English classics = cosy comfort. Here is another gem that will give you all the feels. Dodie Smith, the author of the popular childrens novel The Hundred and One Dalmatians, spins a tale of family love and coming-of-age ruminations.

The eccentric Mortmains are living in the ruins of a dilapidated castle, trying to keep up with a genteel lifestyle even as they deal with mounting debts, leaky roofs, and broken stairs.

Narrated by daughter Cassandra, the book is a journal of the teenager, as she observes her family with clear-eyed honesty softened by plenty of love and compassion.

There is her one-hit wonder father, who suffers from writers block and sequesters himself in the tower of the castle; the bewitching stepmom Topaz, a beautiful model for artists whose quirks include moon-bathing in the nude; Rose, her sister who is a typical English beauty looking to marry rich; and Thomas, the youngest child. Their lives forever change when the Cottons, a wealthy American family, become their landlords.

We have saved the best for last. Station Eleven is a masterpiece. A slow-burn post-apocalyptic novel, it is set in the time after civilisation collapsed following a swine flu pandemic, and a scattered population tries to find its bearings.

Set 20 years after Year Zero, the year a flu wiped out most of the worlds population, we follow a motley crew of charactersa travelling group of actors and musicians called the Travelling Symphony. They come across people both good and bad, as individuals and groups are left to fend for themselves in a world ravaged by disease.

Our world is definitely not ending but this book shows how it is important to come together as a race in turbulent times. Between its pages are many lessons to be learnt set in an immersive, imaginative plot.

(Edited by Teja Lele Desai)

How has the coronavirus outbreak disrupted your life? And how are you dealing with it? Write to us or send us a video with subject line 'Coronavirus Disruption' to editorial@yourstory.com

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Coronavirus: 5 books that open up new worlds and help you escape lockdown loneliness - YourStory

Playlists Curated by Hotels and Resorts That Make You Feel a World Away – AskMen

Cooped Up Indoors? These Songs Will Transport You to a Better Place

If youre like most people, these last few weeks of social distancing have taken a serious toll on your mental and physical health.

Your old routine going to the gym, seeing friends, even commuting to work every morning has been totally disrupted, replaced by a quasi house arrest in which youre not even supposed to entertain friends.

RELATED: How to Stay Sane When Youre Cooped Up Indoors

Unless you preferred to never leave your home before this crisis, chances are youre going a bit crazy. After all, there are only so many hours you can spend playing video games, streaming the latest movies and television shows, or doing home workouts in your underwear. At a certain point, you need something to look forward to, something exciting on the horizon to make the lonely present that much more bearable.

Thankfully, a group of hotels across the world (think Jamaica, Italy, Guatemala to Iceland) have curated playlists to help transport you, imaginatively, to their beautiful locales.

Playlist: Hedo Hustle(r) - Nude Edition

After weeks and weeks of social distancing, youre going to want to release all that pent up energy, and what better way to do it than with these high-energy, highly sensuous tunes. Youve heard of music you can dance to? This is music you can twerk to.

Playlist: Hedo Hustle(r) - Prude Edition

If you love pleasure but arent about pure hedonism, thats OK, too. This list of songs is still sensuous without all that sexuality.

Playlist: Grace Bay Beach Vibes

The Turks & Caicos boast some of the worlds best beaches and bluest waters, and this playlist will have you feeling the sun while hearing the sounds of those crystal clear lapping waves.

Playlist: The Land of Eternal Spring

If you think relaxation requires salt water beaches and ocean views, you havent visited Lake Atitlan in Guatemala. Give this playlist a listen to get a sense of the sumptuousness resort vibe and the pristine beauty of its location.

Playlist: Tuscan Vibes by Il Salviatino

Tuscany is famous for its scenic beauty, but the guests of Il Salviatino, tasked with curating this playlist, didnt just evoke its majestic hills; they also captured the upbeat rhythms of nearby Firenze (Florence, for us English-speakers).

Playlist: Aruba Marriott Island Vibes

The temperature inside your apartment might rise when you bump these island jams, evocative of Arubas blue waters and golden sands. If paradise exists on earth, its probably a beach on Aruba just sayin.

Playlist: Barnsley Boot-Scootin Boogie

The South is famous for comfort food, but these tunes prove the cooking isnt the only warm and reassuring thing about Southern living. If youve never been to Georgia, youll still feel the heat with these feel-good country jams.

Playlist: Icelandic Eclectic

If sun and sand isnt your preference, you might prefer the crisp snow and endless skies of Iceland. This playlist, curated by musician and Hotel Ranga Social Media Marketing Manager Ingibjrg Fririksdttir, evokes Icelands ethereal beauty and the utter strangeness of its remote location. Enjoy!

Playlist: Caliente Caribe

The most underappreciated part of America isnt actually part of the mainland its beautiful Puerto Rico, where island beauty, Latin music and the cobblestone streets of Old San Juan have been beguiling visitors for decades. You might not be able to fly there tomorrow, but this playlist will transport you there all the same.

Whether your dream vacation destination involves sunny beaches, mountains, sand, snow or the finest wines and liquors, these playlists will evoke the best of each place, offering you a little respite from the dreariness of the quarantine and an imaginative escape to paradise.

You Might Also Dig:

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Playlists Curated by Hotels and Resorts That Make You Feel a World Away - AskMen

Oliver Craske: Indian Sun, The Life and Music of Ravi Shankar review – a master receives masterly treatment – The Arts Desk

Ravi Shankar was one of the giants of 20th century music. A musician, composer and teacher, he had an extraordinarily fruitful career that spanned nine decades and reached the entire world. He did more to build a bridge between the music and spirituality of India and the West than any of his contemporaries.

He is probably most widely-known known for his relationship with George Harrison and the association of the sitar with the psychedelic explorations of the 60s. There was however, a good deal more, as we discover in an outstanding, forensic and deeply sympathetic biography by Oliver Craske: the brilliantly original soundtracks for instance, he produced for Satyajit Ray and Jonathan Miller, his deep influence on Americas minimalists, not least Philip Glass, collaborations with Yehudi Menuhin and experiments with the orchestration of solo-focused Indian classical music. And most of all his revitalisation as a performer and teacher of a rich and complex musical tradition that reached back to the 16th century Mughal court and well beyond.

Craske was, in many ways, the ideal author for this first biography: he was close to Indias master musician, and collaborated with him on his vivid autobiography Raga Mala (1997). Craske is also a serious student of Hindustani vocals, and has an Indian wife. Writing such a penetrating portrait requires the ability to mirror Shankars lifelong dedication to cultural conversation, a task that is at one level impossible as with all authentic translation. And yet, this book does a great deal to bridge the gap, and describe the challenge that Raviji (as he was known to those around him) faced in choosing to connect two very different worlds: the East, where divine presence infuses all thought and action, and the West, where a more materialistic outlook has held sway for centuries. For those not so familiar with Indian music, the author includes a number of passages in which he explains the fundamentals of the raga system and the intricate rhythmic patterns or tal, as well as the universe of microtones and the art of sliding from one tone to another that is so characteristic to music from the East in general.

Raviji often spoke of a core sadness at the heart of his being

Craske deftly traces a number of interconnected threads in Shankars immensely productive and frantically busy life: his conscious mission to acquaint the world with Indian music classical and devotional, his perpetual passion for expanding the realm of his own traditions, a guilt-ridden struggle with a very complicated - yet at times joyous - personal life, and a series of long-lasting and intimate creative relationships with Western musicians, not least Yehudi Menuhin, George Harrison, and Philip Glass.

The biography stalls a little when the author takes us through year after year of tours, gigs and meetings, often without sufficient dates. There is just too much detail. Luckily, Craske is a very fluent, sober and clear writer. The book takes off when we plunge into a particular constellation of events, such as the arrival of brother Uday Shankars dance troupe in New York in the early 1930s, when Ravi played in the orchestra as a young child, or the celebrated Monterey Rock Festival in 1967, which brought to a climax Shankars emergence as a countercultural superstar, not least in the exhilarating finale to D A Pennebakers celebrated film of the event.

As a trusted friend of the family, Craske has had access to the entire Shankar archive, and interviewed just about every surviving key witness to his life, excluding Sue Jones, Norahs mother. As his widow Sukanya felt totally secure in her husbands love and devotion, this in no way precluded a thorough exploration of every aspect of Ravijis life, not least his abundant and very free relationships with a great deal of women. He was a charismatic and attractive man, not just for his looks, but because he was gentle and attentive, and had the knack for making those around him feel important, without ever resorting to flattery. Although theres a good deal that comes straight from the musicians autobiography, Craske has gone further and delved into Shankars letters not least to one of his first disciples Harihar Rao, many of which give an insight that goes beyond the mans reliance in interviews on a well-rehearsed narrative, designed to please the listener, a performance rather than a real opening onto his inner world.

Craskes central theme is a psychological one: the key to Ravi Shankars restlessness, and butterfly-like succession of relationships with women often several at the same time - lies, he argues, in childhood trauma: repeated rape in his native city of Varanasi (this is the biographys central revelation) and an almost totally absent father. He had three father-substitutes his brother the dancer and choreographer Uday, his stern but loving music teacher Allauddin Khan, and his spiritual guru Tat Baba. But he had great difficulty with his own son Shubho born of his mostly very difficult relationship to his first wife, Annapurna, his music gurus daughter. After Shubhos death, Shankar found a less equivocal substitute in George Harrison, whom he unconditionally loved.

Raviji often spoke of a core sadness at the heart of his being, a void which he spent a lifetime trying to fill with music, people and, perhaps more important, a very rich spiritual life focused on the extraordinarily powerful and apparently supernatural relationship he had with Tat Baba. Craske understands, with his heart as well as his head, the importance of a deep connection with the life of the spirit. It is perhaps this aura of spiritual aspiration that attracted people so strongly to Raviji. He lived his devotion without pretence, the spirit filled every note that he played, and this devotees focus made him very critical of those who sought hedonism in the drug experience, using his music as a soundtrack to trips that he felt were poor substitutes for authentic connection to the divine.

The inner yearning that drove Ravi Shankar fuelled his incomparable creativity a torrent of work, not always of the very highest order, as Craske demonstrates. He drove himself relentlessly, until the very end, the final twenty years of his life hardly less prolific than before, with the unstinting support of his immensely devoted and well-organised wife Sukanya. There was also his delight in his very talented daughter Anoushka, matched by a less intimate but strong relationship with his other daughter, the equally gifted Norah Jones. Paradoxically, this powerhouse of creative force was deeply vulnerable, subject to frequent periods of illness from early childhood and regularly in hospital for major interventions during the last 25 years of his life. This unusual degree of openness and sensitivity plagued him, but the wounds he carried, emotionally and physically, may have enabled the flow of new ideas and passion for exploration that never ceased until the day he died.

Continued here:

Oliver Craske: Indian Sun, The Life and Music of Ravi Shankar review - a master receives masterly treatment - The Arts Desk

Shelf isolation: stylish reads to keep your spirits up – The Guardian

The Mirror and the Light by Hilary Mantel

It is the present we must reckon with, observes Thomas Cromwell in the final part of Mantels trilogy. You can say that again, mate. At 900 pages, The Mirror and the Light has arrived eerily perfectly formed for the present we are reckoning with and I dont just mean that the hardback version is the perfect size for putting under your laptop to avoid double chin on Zoom calls. Cromwell is a master of optics and power dressing five centuries ahead of his time: he sees the visual messaging in every embroidered cloak and the symbolism in every jewellery love gift. Also, the square necklines are very this-season Rixo.Jess Cartner-Morley

Even if you have yet to surrender to a full day in sweatpants, life probably feels less than glamorous at the moment. What better world to get lost in, then, than one described by F Scott Fitzgerald. The Great Gatsby is the obvious choice, but if you pine after a cancelled holiday to, say, the south of France, the authors last novel is a good way to get your Riviera fashion fix. From bathing suits and corsages to the notion of dressing for dinner, there is plenty of style inspiration to stockpile.Leah Harper

If you have ever felt sheepish about having an interest in style, I urge you to read this book. It argues that clothes are far from a trivial or superficial pursuit, through potted fashion history and reflection from luminaries such as Jane Austen and Nancy Mitford. Most memorable, though, are the stories of women in horrific circumstances who have used clothing as balm; the image of a seamstress customising her fellow prisoners uniforms in Ravensbrck concentration camp during the second world war has stayed with me since I read it a decade ago. The book is a great read for where were at now joyful, hopeful and free of judgment. It seems to say: whatever makes you feel better, whatever you enjoy when life is otherwise bewildering, you should absolutely go for it. Hannah Marriott

Looking at the intergalactic fashions created by designer Larry LeGaspi is wonderfully escapist. Rick Owens, who curated this coffee table book after realising there was a LeGaspi-shaped hole in the internet, credits the designer as a big influence on his own otherworldly fashion aesthetic. Stage looks for Kiss, Labelle and Divine are just some of the treasures in this warm, magical scrapbook of 70s album covers, interviews, design sketches and backstage photos. Think Close Encounters of the Studio 54 kind.Priya Elan

If you havent read this fashion classic, now is the time, if only for the genesis chapter of the LBD: It was a warm evening, nearly summer, and she wore a slim cool black dress, black sandals, and a pearl choker. For all her chic thinness, she had an almost breakfast-cereal air of health, a soap and lemon cleanness, a rough pink darkening of the cheeks. The book that invented the Little Black Dress is full of sage style advice. Its tacky to wear diamonds before youre 40, and even thats risky. They only look right on the really old girls.Jess Cartner-Morley

If its a complete change of mood you want, look no further than Alexa Chungs 2013 memoir-cum-picture-book. This scrapbook-style collection of the kinds of images beloved by fashion Instagram Annie Hall, Anna Karina, Twiggy and, of course, Alexa herself is ideal to fill the void between Zoom dates and online yoga. A pleasant, if surface-level, dip into the world of the not-yet-designer, filled with fun soundbites such as: I am obsessed with moisturising. I am also obsessed with cigarettes so I like to think the two balance each other out. It feels surprisingly dated at times but thats not necessarily a bad thing right now. Leah Harper

I wanted to see Kim Kardashian dressed up as Big Ben. I hoped Katy Perry would use a sundial as a fascinator. But this years Met Gala, which was to take place on 4 May, has been postponed. Luckily, the set text on which red carpet outfits were to be based is still ripe for enjoyment. Orlando is a funny, surreal, exuberant novel about a poet who lives from Elizabethan times until the early 20th century. It questions the very nature of time, which feels great right now. It is also brilliant on clothes as a symbol of something hid deep beneath The man has his hand free to seize his sword, the woman must use hers to keep the satins from slipping from her shoulders. More than simply keeping us warm, Woolf argues, clothes change our view of the world and the worlds view of us, which makes me think I should raise my Google Hangouts game at some point. Hannah Marriott

Set in the frock department of an upscale Sydney department store in 1959, this book was described as a deceptively smart comic gem by The New York Times Book Review when it was first published in 1993. Hilary Mantel has said it is the book I most give as a gift to cheer people up. The sassy attitude and jazzy aesthetic will appeal to fans of The Marvellous Mrs Maisel, while its thoughtful comedy of manners delivers just the right degree of escapism.Jess Cartner-Morley

If youre after a chilling insight into modern society, look no further than Bret Easton Elliss American Psycho. Not for the faint-hearted, this bitter black comedy depicts stomach-wrenching brutality, although its main focus is the yuppie Wall Street mentality of the sharply dressed protagonist Patrick Bateman. The narrative jumps suddenly from his thrill at purchasing a new pair of A Testoni loafers to scenes of extreme violence. Bateman is obsessed with his image; from the finest clothes, as instructed in GQ, to the wealthy friends he hates, to being seen in the hottest clubs with the most attractive hardbodies he can find. Its a portrayal of dissatisfaction that arises from presenting a perfect exterior but being hollow beneath, something more apt in todays Instagram culture than ever. Not an easy read, but an engrossing one, and you will know what type of suit you can wear with cashmere socks once you are done.Peter Bevan

Audrey Withers, wartime editor of British Vogue, earned herself the nickname Austerity Withers for her gung-ho, can-do spirit. Beginning her editorship the day the blitz began in London, she achieved no mean feat in keeping the print magazine on shelves throughout the war. Vogue, she liked to say, was put to bed in a bunker like everyone else in London. This recent biography features jolly cameos from Cecil Beaton and Elizabeth David, but it is the stories of how her Vogue adapted its lifestyle to the zeitgeist, with features on growing your own vegetables and cutting your own hair, that make it perfect for today.Jess Cartner-Morley

When The Beautiful Fall came out in 2006, Karl Lagerfeld took author Alicia Drake to court for invasion of privacy. This fact should be enough to make anyone want to read the tale of Lagerfeld of fellow designer and frenemy Yves Saint Laurent from the 50s onwards. A mixture of gossip, hedonism, glamorous muses and fashion history, you will finish this with more knowledge of Parisian fashion over a key 40-year period, yes, but also an unmistakable desire to go disco dancing till the sun comes up, once quarantine is lifted. Lauren Cochrane

Continued here:

Shelf isolation: stylish reads to keep your spirits up - The Guardian

Beckerman column: When the toilet runs, catch it – Monmouth Daily Review Atlas

As I was banging away on my laptop in the living room, I soon became aware of a constant swooshing sound coming from down the hall. Having been down this swooshing road before, I knew immediately what the problem was.

Our toilet was running.

Whats wrong with the toilet? asked my husband when he noticed that the toilet seemed to be flushing forever.

Its running.

I know its running, he said. Why is it running?

Maybe someone is chasing it, I said.

He rolled his eyes. Toilet paper might be in short supply, but the bad mom jokes were a plenty.

I realized, though, that we did indeed have a problem. We couldnt let a plumber come in because of the whole social distancing thing. We also couldnt let our handyman in for the same reason. I thought maybe my husband could download a copy of Plumbing for Dummies and try to fix it himself, but I suspected that he would be as good a plumber as he was an electrician which was not all that good considering hed once tried to fix a light switch, blew all the circuit breakers, and nearly burned down the house. When Id asked him how he could have screwed it up so monumentally, he simply replied, Its all in the wrist.

When the kids were little we lived in a tiny house that had one bathroom. At the time, my son had finally somewhat mastered the art of the toilet and my daughter was in the throes of potty training. It was inevitable that one day our toilet would revolt, and when it did, we couldnt get a plumber for two days. We quite literally did not have a pot to well, you know. But we did have my daughters potty. For the four of us. For two days. It actually made the idea of an outhouse look good.

The bad news now was that our kids had grown and we no longer had a potty to use. The good news was, we had a second bathroom. Still, I thought it behooved us to get the running toilet to stop running before we had another issue, like a leak, which we also wouldnt be able to get anyone in to fix for us.

The fact that the running toilet was in what we had designated as my husbands bathroom allowed me to:

a) point fingers and say it was his fault, and

b) tell him he had to find a way to fix it, and

c) stockpile air freshener in case he couldnt.

This was good in theory, but with my husbands checkered history in home repair, it seemed we had a better chance of solving the problem without causing a Noahs Ark-sized deluge if I took charge. I looked online and within minutes I found a possible solution.

Im no plumber, I said to my husband. But I suspect that the problem is the doohickey inside the thingamabob thats not working right.

He looked at me in utter confusion.

The DOOHICKEY! I repeated loudly. In there! I pointed to the tank.

He shrugged. Id seen more enthusiasm from a slug.

Argh, I said. I think we just need to do this.

I walked over to the side of the toilet, adjusted the top of the tank, and jiggled the handle. The toilet started to slow down and then went quiet.

Howd you do that? asked my husband in amazement.

I shook my hand.

Its all in the wrist.

You can follow Tracy on Twitter @TracyBeckerman and become a fan on Facebook at http://www.facebook.com/LostinSuburbiaFanPage.

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Beckerman column: When the toilet runs, catch it - Monmouth Daily Review Atlas

What’s the difference between pandemic and epidemic? – ChicagoNow

Source: Reusableart.com

As a word maven, I am enjoying something during all the stories about the novel Coronavirus pandemic. I am enjoying the use of the specific, but previously rare, word "pandemic" itself.

On the other hand, I'm reluctant to write that we're "in the middle of" a pandemic -- not because I'm worried about the word pandemic, but I'm worried about "in the middle." It always reminds me of my mother, who did a lot of sewing. When she needed to cut two things from a piece of fabric, she wanted to find the middle. To do that, she would hold one end of the fabric. I would hold the other and bring it up to her hands. Then we knew where the middle was, the same distance from both ends. Without knowing the end, how can you say we're in the middle? (I get the same way about "middle age.")

But at least I'm hearing the word pandemic, not just epidemic. My old faithful dictionary, Webster's New Twentieth Century, second edition, calls pandemic "a type of epidemic that affects large numbers, whole communities, or the majority of a place at the same time." Epidemic is "a disease prevalent in a locality, an epidemic disease; also, the rapid spreading of such a disease."

The prefix pan- is defined on Dictionary.com as "a combining form meaning all, occurring originally in loanwords from Greek (panacea; panoply), but now used freely as a general formative (panleukopenia; panorama; pantelegraph; pantheism; pantonality), and especially in terms, formed at will, implying the union of all branches of a group (Pan-Christian; Panhellenic; Pan-Slavism)."

So a pandemic is an epidemic affecting us all, or the majority of a place.

The majority of a planet, perhaps?

Margaret Serious has a page on Facebook. Stop by for a socially distanced visit.

Are you ready for something different to read? A Sustaining Book to Help and Comfort, or comments about word usage? Then subscribe today and have Margaret Serious delivered!Type your e-mail address in the box and click the "create subscription" button. My list is completely spam-free, and you can opt out at any time.

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What's the difference between pandemic and epidemic? - ChicagoNow

Visiting the Bottom of the Mariana Trench Sounds Pretty Appealing Right Now – Popular Mechanics

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A retired naval officer and wealthy investor will begin carrying paying passengers into the Challenger Deep in the Mariana Trench, the deepest point on Earth. The eight-day trip, which includes three dives into the Deep, will cost $750,000 per person.

Victor Vescovo has already visited the Challenger Deep twice, and was just the fourth person in the world to get there. In 2015, he created an exploration company he named Caladan Oceanic, after the water-covered planet in Frank Herberts Dune saga.

The group has two fully booked expeditions scheduled for May, and so far, there have been no changes to those plans. Visitors will ride out to the very remote site aboard a 224-foot repurposed research ship called Pressure Drop. Pressure Drop, too, is retired from the U.S. Navy, where she was called Indomitable.

Indomitable served for nearly two decades as a surveillance ship, and another 11 as a National Oceanic and Atmospheric Administration (NOAA) research vessel. Now, as Pressure Drop, she exclusively carries the specially equipped deep-ocean submarine Limiting Factor. (Three careers and counting makes sense for a vessel born in 1985, right?)

Bloomberg reports that Vescovo is excited to share the exhilarating and unusual feelings of deep water with his passengers. Even the most ardent recreational SCUBA diver doesnt go much further than about 100 feet, and the typical Navy submarine goes about 800 feet down. Researchers who study the ocean floor take special crafts to do that work, and they often use autonomous vehicles to collect data and samples more safely. Still, the ocean floor is wildly unfamiliar to us, and an estimated 80 percent remains unexplored and undocumented.

Mike MarslandGetty Images

Once you get a ways down, the surroundings look so unfamiliar that people might be discombobulated by them. But then, pretty quickly, everything goes completely dark. Then its just really peaceful, and theres virtually no sense of motion in any direction, Vescovo told Bloomberg. You arent weightless like you are in space, but theres no sense you are falling down or even turning slightly.

Thats interesting, because studies show that just over half of humans can see their own movements even in complete darknessbut thats believed to be a result of our brain activity, not any external signals. And at such depths, even adjusted and controlled air pressure cant account for how alien the darkness and sense of unfamiliarity will be. The media often compare Mariana expeditions to space flight, but in a way, weve explored more of our immediate space than we have of the deep ocean.

Carrying passengers is a moneymaker that will help Vescovo underwrite his continued research in the deep ocean. And, well, he has a beef to settle with fellow megamillionaire and Challenger Deep visitor James Cameron.

The blockbuster director has been upset with Vescovos claims that he made it 52 feet deeper into the Deep, because Cameron says the bottom is flat and you can't go any deeper. Vescovo said then that he planned to confirm his finding during his 2020 trips.

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Visiting the Bottom of the Mariana Trench Sounds Pretty Appealing Right Now - Popular Mechanics

Welders wanted: SpaceX is hiring to ramp up production of stainless steel Starship – Space.com

The coronavirus pandemic isn't shrinking every part of the job market.

For example, SpaceX is looking to hire lots of folks to help ramp up production and testing of its ambitious Starship Mars-colonizing architecture over the coming months and the company recently issued a public recruiting pitch.

"The design goal for Starship is three flights per day on average [per ship], which equates to roughly 1,000 flights per year at greater than 100 tons per flight. This means every 10 ships would yield 1 megaton per year to orbit," Jessica Anderson, a lead manufacturing engineer at SpaceX, said last week during the launch webcast for the company's latest batch of Starlink internet satellites.

Related: SpaceX's Starship and Super Heavy rocket in picturesUpdates: The coronavirus pandemic impacts on space exploration

"This is a significant effort, and we are looking for highly skilled engineers and welders to help us make this a reality," Anderson added. "If you're interested in joining the team, please take a look at SpaceX.com/careers."

At the moment, that website lists more than 600 current SpaceX job opportunities, most of them based at the company's headquarters in Hawthorne, California. But about 60 of the offered positions are at SpaceX's South Texas facility, near the village of Boca Chica, where Starship is being built.

The Starship system consists of a 165-foot-tall (50 meters) spacecraft called Starship, which SpaceX founder and CEO Elon Musk has said will be capable of carrying up to 100 people. Starship will launch to Earth orbit atop a huge rocket called Super Heavy, then make its own way to the Red Planet, the moon or anywhere else a mission may demand.

Both Starship and Super Heavy will be fully and rapidly reusable. For example, Super Heavy will come back to Earth for vertical landings shortly after liftoff, as the first stages of SpaceX Falcon 9 and Falcon Heavy rockets already do. And the company wants each Starship to fly often as well, as Anderson noted during last week's Starlink webcast.

Reuse won't apply just to the Starship spacecraft that deliver payloads to Earth orbit. The vehicles that go to the moon, Mars and other distant destinations will also fly multiple missions, Musk has said. Starship will feature six of SpaceX's Raptor engines and therefore be powerful enough to launch itself off the lunar or Martian surface, without the need for Super Heavy. (Mars and the moon are much smaller than Earth and thus have a weaker gravitational pull.)

Super Heavy will be powered by up to 37 Raptors, Musk has said. So, while SpaceX aims to carry out brief flight tests in the near future with the current Starship prototype, known as the SN3, and longer demo missions shortly thereafter with the SN4, "ramping up our Starship and Raptor production line is what matters most," Anderson said.

SpaceX wants to get Starship fully up and running fast. If all goes well with development and testing, the system could start flying its first operational missions probably satellite launches to Earth orbit by 2021, company representatives have said.

And there's one crewed mission on the docket already. Japanese billionaire Yusaku Maezawa booked Starship for a round-the-moon trip, with a target launch date of 2023.

Mike Wall is the author of "Out There" (Grand Central Publishing, 2018; illustrated by Karl Tate), a book about the search for alien life. Follow him on Twitter @michaeldwall. Follow us on Twitter @Spacedotcom or Facebook.

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Welders wanted: SpaceX is hiring to ramp up production of stainless steel Starship - Space.com

When you can see the ‘train’ of Starlink satellites flying over Greater Manchester and the UK – Manchester Evening News

Sky-watchers are in for a treat over the next few days as a glowing satellite formation flies over the UK.

Last week, the Manchester Evening News reported that the International Space Station could be visible in the sky at the end of March and the beginning of April.

And now - at least until April 4, 2020 - a cluster of satellites known as Starlink will also be making its way over.

People will be able to watch as dozens of tiny satellites - which will look like moving stars - will fly across the sky in train-like straight line.

A sighting has already been observed by a reader who told Devon Live: "I've just been outside and I have seen at least 30 satellites following each other in a line and there's more following. Weird!"

Weather-permitting, Starlink should appear as a string of very bright lights in a line formation. So make sure you look up at the sky over the next few nights!

Starlink - the name of a satellite network - was created by a private spaceflight company called SpaceX.

The mission of the project - which continues to be developed - is to provide remote locations across the world with low-cast internet.

The U.S. Federal Communications Commission has granted the company permission to fly 12,000 satellites as part of the project - and this number could eventually be increased to 30,000.

To put those figures into perspective, there are 2,218 satellites currently orbiting the Earth as stated in the UCS Satellite Database.

According to spacenews.com, SpaceX has launched 120 of its planned 12,000 small broadband satellites into low orbit around the Earth.

But the project has faced back-lash as astronomers fear that SpaceX's bright satellites will interfere with other observations of the universe.

According to findastarlink.com, the Starlink satellites will be flying over the UK during the next few days.

Here are the times the satellites should appear flying over Greater Manchester, and in brackets if they will be of good or dim visibiliy.

March 31, 2020

8.17pm: Starlink-4 (old) will be visible over Greater Manchester travelling from south west to east for six minutes (dim).

9.52pm: Starlink-4 (old) will be visible over Greater Manchester travelling from west to south east for six minutes (bright).

April 1, 2020

4.39am: Starlink-5,6 (new) will be visible over Greater Manchester travelling from south east to east for two minutes (dim).

6.11am: Starlink-5,6 (new) will be visible over Greater Manchester travelling from west to east for five minutes (dim).

8.52pm: Starlink-4 (old) will be visible over Greater Manchester travelling from west to east for six minutes (bright).

10.28pm: Starlink-4 (old) will be visible over Greater Manchester travelling from west to west for six minutes (dim).

April 2, 2020

4.59am: Starlink-5,6 (new) will be visible over Greater Manchester travelling from south to East for three minutes (bright).

9.28pm: Starlink-4 (old) will visible travelling from west to east for six minutes (bright).

11.03pm: Starlink-4 (old) will visible travelling from west to west for fiive minutes (dim).

April 3, 2020

5.21am: Starlink-5,6 (new) will be visible over Greater Manchester for four minutes travelling from west to east (bright).

8.27pm: Starlink-4 (old) will be travelling over Greater Manchester for six minutes from west to east (bright).

10.03pm: Starlink-4 (old) will be travelling over Greater Manchester for six minutes from west to south west (bright).

April 4, 2020

4.14am: Starlink-5,6 (new) will be visible over Greater Manchester for one minute travelling from east to east (dim).

5.45am: Starlink-5,6 (new) will be travelling over Greater Manchester from West to East for 5 mins (bright).

If you're not from Greater Manchester click here to find the visible times for your location.

The Starlink app automatically calculates when the SpaceX Starlink satellites are expected to be visible above your current location.

When you open the app click a satellite number from the list provided and select your current location to reveal the visible times.

Results will display the start and end time of the sighting, the duration, directions for tracking, elevation co-ordinates and a visibility warning if the satellites will be hard to see.

There is also the option to set up 'remind me' alerts so you don't miss the chance to see Starlink.

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When you can see the 'train' of Starlink satellites flying over Greater Manchester and the UK - Manchester Evening News

Unsanitized: A Crisis to End All Crises – The American Prospect

The following is a guest version of Unsanitized from Mehrsa Baradaran, a professor of law at UC Irvine School of Law, and author of How the Other Half Banks and The Color of Money. She is also a Prospect board member.

Experts studying climate change, growing inequality, wage stagnation, and unsustainable debt have for years been trying to warn the public that, even though life seems normal for many people, these issues signal a critical crisis and ongoing epidemics. Communities across the US are suffering an epidemic of drug addiction, an epidemic of deaths of despair arising from poverty, an epidemic of anxiety because of the student loan crisis. Wave after wave of famines, crop failures, and wildfire crises (and now, an ominous swarm of locusts) have their origins in climate change. Yet business went on as usual, as the crises and epidemics raged slowly in the background.

Now, a global pandemic threatens all of us at once. The coronavirus has generated a tragedy of epic proportions; many lives will be lost in a short amount of time. Yet still, the other less acute epidemics will continue to rage on, unless we take this long pause as an opportunity to consider whether we want to reemerge from this crisis back to the way we were, or whether we want to shape a new way forward.

There are a few connected realities that have emerged from this crisis, which can guide us as we try to deal with our previous, ongoing crises:

First, our actions affect other people even when we arent aware. What were all learning during this pandemic is that, as we go about our normal lives, we put other people in grave danger. So it has always been with climate changeeach time we overconsume, buy gas, and basically maintain our current state of economic growth, we contribute to a warming planet that is causing climate disasters all over the world. All of our individual and collective actions can cause dislocation, death, famine, and scarcity. Our lives and fates have always been linked, because the earths resources are not unlimited. Each one of us who takes more than our share of resources causes harm somewhere else.

Second, the imperatives of economic growth conflict with lives lost. Our president has signaled that he would not let the coronavirus cure be worse than the disease. Other commenters, many of whom are not fans of the president, have been echoing this line of thinking. They characterize it as a trade-off; social isolation is going to hammer the economy as it slows the spread of the virus. Others have put it more crudely: sacrificing a portion of the population to death might be better than watching the stock market tank.

But the tension between human well-being and market well-being has always existed. The current structure of our economy relies on perpetual GDP growth, which requires that we favor a return on capital rather than human flourishing or ecological health. Usually, some group of humans has to sacrifice their labor, their land, or their health for the sake of economic growth. The drive toward profits has led to slavery, labor exploitation, sweatshops, and our current winner-takes-all economy. Economic growth has always come at a cost, whether manifested in the famines and starvations of the colonized world or todays corporate exploitation of labor and resources. People continue to die prematurely and live brutal lives of poverty and endless work.

Third, we can stop the status quo if we need to. To watch the entire world grind to a halt has been jarring and scary and disorienting. To see rigid rules and institutions adapt has also been stunning. Schools have quickly gone online, in-person meetings have become webinars and conference calls, and travel has been cancelled. We adapted quickly. We can live another way. We can consume less, take fewer carbon-emitting trips, and relax our work lives. This sudden and dramatic adaptability will be necessary as we consider our carbon future and attempt to halt a growth-based economy.

Fourth, downturns hit the economically vulnerable the hardest, and those at the bottom of the economy happen to be its most essential parts. About 40% of Americans could not access $500 if they faced an unexpected expense. Many Americans who work full-time cannot afford food and shelter if they go without wages for a month or two. Many of these workers also happen to be the grocery store clerks, nurses, sanitation workers, and delivery men and women we are all relying on right now. A deep irony of our economy has been that the workers who work the most in the hardest jobs earn the lowest salaries. In our current market system, firms are by law and design focused exclusively on earning profits for their shareholders. By squeezing their companies for maximum profits, investors and managers have replaced well-paid employees with benefits with low-wage or temporary workers to lower their costs of production. Meanwhile, shareholders have engaged in stock buybacks, evaded taxes through offshore loopholes, and lobbied for more tax cuts and subsidies, increasing the holdings of their billionaire owners. As increased wealth has accumulated at the top, the financial lives of the majority of Americans have become more precarious. The growing wealth of the 1 percent has come at the expense of the involuntary sacrifice of their workers. These so-called low skilled employees are now the main essential workers in the economy.

We were always on an unsustainable path. We have always been inflicted by ongoing pandemics. Perhaps we can use this time to consider what kind of world we want to emerge into. This crisis is already a tragedy of unprecedented proportions, but it would be an even greater tragedy if we did not use it as a wake-up call to address our nations ongoing epidemics.

The numbers are getting grim. As of this morning, the New York Times shows 123,617 U.S. cases (102,636 yesterday) and 2,133 deaths (1,646). Johns Hopkins University shows 124,686 cases (104,860) and 2,191 deaths (1,711). The death toll has doubled in just two days, a terrible sign if it continues. The COVID-19 Tracker shows 121,468 cases (101,369) and 2.045 deaths (1,593), with better news on testing: 762,015 tests completed (645,669 yesterday). Over 220,000 tests have been completed in the past two days, which is great. But Bill McBride asks some good questions about putting the increased testing capacity to use: who will handle tracking, follow-ups, database management, etc., so we can actually implement a test-and-trace system that will allow most people to return to their lives?

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Unsanitized: A Crisis to End All Crises - The American Prospect

18 Organizations to Support During National Farmworker Awareness Week – EcoWatch

Farmworkers feed the world. This is the rallying cry of the Student Action with Farmworkers (SAF), an organization that works with students, advocates, and farmworkers across the United States to create a more just agricultural system. The crucial contribution that farmworkers make to the food system has only heightened amid the C0VID-19 pandemic, as farmworkers are among the list of critical positions that the United States Department of Homeland Security encouraged to continue a normal working schedule.

Although a lower population density in agricultural regions may delay the spread of COVID-19, farmworkers may face heightened risks to the disease due to their exposure to environmental and chemical hazards. Most farmworkers also lack comprehensive healthcare benefits as well as paid sick leave. According to the U.S. Department of Labor just 47 percent of farmworkers report having health coverage, meaning they have no benefits to fall back on if they get sick.

From March 25-31, 2020 SAF is celebrating the 21st Annual National Farmworker Awareness Week at a time when it may be more important than ever to advocate for farmworkers' rights. SAF and their partner organizations aim not only to celebrate farmworkers but also to raise awareness about the many challenges that farmworkers continue to face. For instance, agriculture ranks among the most hazardous industries but farmworkers have considerably lower wages and less access to social benefits than others in hazardous occupations.

The week culminates on Cesar Chavez day, which commemorates the historic activist and founder of the United Farmworkers of America. To amplify the message of National Farmworker Awareness Week and support farmworkers during this uncertain time, Food Tank is highlighting 18 organizations that advocate for farmworkers' rights and wellbeing.

The AFL-CIO is the largest U.S. based federation of unions that protects the rights of workers in a variety of industries, including food and agriculture. They take action to prevent child labor in agriculture, support diversity in farming and land access, improve farm and food worker wages, ensure overtime pay, and fight for immigration policies that help agricultural workers attain employment security.

The Center for Good Food Purchasing encourages large institutions to adopt the Good Food Purchasing Program (GFPP) an initiative that facilitates shifts in institutional food purchasing toward local food economies, environmental sustainability, valued workforce, animal welfare, and nutrition. Implementation of the GFPP is currently being carried out in multiple cities and school districts across the U.S.

The CIW is a worker rights organization that exemplifies the power of farmworker community organizing. Their internationally recognized Worker-driven Social Responsibility paradigm led to significant advances in human rights within corporate supply chains. Through this approach, the CIW successfully negotiated agreements that improved worker labor standards and wages with Whole Foods, McDonald's, Subway, and Walmart through its Fair Food Program focused on Florida tomato growers.

CAGJ is a grassroots organization based in Seattle, WA that aims to strengthen local economies by transforming unjust trade and agricultural policies. Through community education, grassroots organizing, research and analysis, and media outreach they support healthy local food economies in which optimal labor rights are achieved.

Fairfood international works to create a food system in which value is distributed along the supply chain proportionally and food is produced with the wellbeing of people, animals, and the planet in mind. By advancing supply chain transparency they help the agri-food sector identify improvements in sustainability and solutions for the payment of a living wage in supply chains.

FWP is a global organization devoted to promoting fair trade for small producers and labor justice for workers. They emphasize that unfair trade policies and corporate-friendly business practices continue to harm people and the planet. Their solution is to educate and advocate for a just global economy that respects the environment and they have active campaigns supporting coffee, melon, and cocoa farmers and farmworkers.

FLOC is a labor union affiliated with the AFL-CIO that aims to give farmworkers a voice in the decisions that affect their economic security and wellbeing. Baldemar Velasquez founded the organization in 1967 and built it into a more than 20,000-member strong organization that mobilizes, educates, and trains farmworkers to advocate for their labor rights.

Farmworker Justice seeks to empower migrant and seasonal farmworkers to achieve fair wages, occupational safety, immigration status, and improved overall living and working conditions. They frequently engage with government officials and administrative agencies to advocate for improvements in U.S. labor laws, guest worker programs, and clearer paths to U.S. citizenship for the approximately 1.25 million seasonal workers on U.S. farms and ranches that lack authorized immigration status.

The Food Chain Workers Alliance is a Los Angeles, California based coalition of worker rights organizations. They advocate for improved wages and working conditions for the people who plant, harvest, process, pack, transport, prepare, serve, and sell food. The FCWA also leverages the Good Food Purchasing Program as a tool to win fair wages and improve working conditions within institutional supply chains.

The ILO is a United Nations agency devoted to promoting social justice and ensuring that internationally recognized human and labor rights are upheld. Their Decent Work Agenda focuses on working with stakeholders in their 187 member states to set labor standards and develop policies and programs that support decent work, fair globalization, and poverty reduction.

La Via Campesina is an international coalition of organizations that defend food sovereignty as a way to promote social justice and worker dignity. They built a movement that amplifies the voices of smallholder peasant farmers and aims to decentralize the power of corporate driven agriculture, which they argue is destructive to the environment and social relations.

The mission of Migrant Justice is to strengthen the capacity and power of the farmworker community to collectively organize for economic justice and human rights. By investing in leadership development, Migrant Justice enhances farmworker community members' skills in community organizing and capacity to produce systemic change. Among their accomplishments is the Milk with Dignity agreement with Ben & Jerry's Ice Cream, an industry contract to implement a worker-driven social responsibility program.

As an organization led by fisherfolk, NAMA was founded to promote healthy and economically secure fisheries and fishing communities. Their organizing efforts extend beyond human rights to include sustainability efforts that ensure the long-term resilience of marine food systems and the promotion of equitable access to fair markets for small and medium-scale community-based fisherfolk.

Oxfam international operates in more than 90 countries and is centrally focused on ending the injustice of global poverty. They place a large emphasis on food and farming in their work because they note that three-fourths of the world's hungry people live in rural areas, many of whom are farmers, fishers, herders, and laborers. Through Oxfam's Behind the Brands Campaign, consumers can track major food brand's progress in supporting farmworkers and the planet.

The Washington, D.C. based Solidarity Center is an international organization partnering with over 400 labor unions and human rights organizations in 60 countries to support workers' rights. Seafood, agriculture, and food processing are among the many industries that they aim to effect change in by providing technical and legal expertise, bolstering union's advocacy efforts, connecting workers to protective networks, and more.

Teamsters is one of North America's most diverse labor unions, representing workers in a wide range of industries from sanitation workers in New York to vegetable growers in California. The organization supports workers in advocating for contracts that ensure fair wages, health coverage, job security, paid time-off and retirement income. Once these contracts are negotiated, Teamsters works to hold companies accountable by invoking contract grievance procedures if necessary.

National Farmworker Awareness week ends on a day commemorating the founder of UFW, Cesar Chavez, because the organization is the nation's first union explicitly for farmworkers. Their work to protect labor rights in the agricultural sector continues today as they have facilitated dozens of UFW union contract victories that secured farmworkers' rights including fair wages, overtime pay, protections from occupational health hazards, and more.

Walk free tackles one of the world's most complex and prevalent human rights issuesmodern slavery. They devote resources and collaborative organizing efforts to drive behavior and legislative changes that liberate people trapped in slavery. They also conduct research to build a comprehensive database of the estimated 44 million people living in modern slavery and have campaigned to protect children working in the chocolate industry as well as farmworkers in the palm oil industry.

Farmworkers truly are the backbone of our food system and these 18 organizations work to ensure that their rights are being adequately met or exceeded. By continuing to work during the COVID-19 pandemic, farmworkers are risking their health to prevent disruptions in the food supply. National Farmworker Awareness Week provides a time to reflect on the contributions farmworkers make to society and raise awareness about the issues they continue to grapple with, especially in the face of global pandemic.

Student Action with Farmworkers has a number of resources and to help individuals and organizations engage in the 21st Annual National Farmworker Awareness week from March 25-31, 2020.

Reposted with permission from Food Tank.

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18 Organizations to Support During National Farmworker Awareness Week - EcoWatch

Sam Stubbs: Now is the time for employers to keep faith with workers – Stuff.co.nz

Now the initial wave of panic and uncertainty has passed, many big businesses will be thinking about how to prepare for an uncertain future.

Redundancies are often the first thing considered, and are enacted to cut costs, protect profits and please shareholders.

But as a KiwiSaver manager and shareholder in many of NZ's largest companies, our message is clear: Redundancies should be the last option.

Here are five simplereasons why.

READ MORE:* Full coronavirus coverage*Hundreds call cops to dob on lockdown cheats*At the going down of the sun

1. It fuels the recession.

Layoffs are the surest way of exacerbating a recession. The redundant worker loses income, and so do the supermarkets, cinemas, sports clubs, cafes and bars they spent money at. And it provides a bad example for others to justify their redundancies, turning it into an unnecessary downward spiral.

It's usually bad economics. The cost of redundancies is typically 3-6 months of an employees salary. That means it's 3-6 months before a company starts saving money from the redundancy.

DAVID WHITE/STUFF

Sam Stubbs is calling on businesses not to fuel the recession by laying off staff.

Most layoffs occur at the end of recession, not the beginning, so the companies often pay for the redundancy and find themselves re-hiring quite soon thereafter. The finance industry is notorious for this.

Underperforming companies are always restructuring in the good times, and firing their people quickly in the bad times. By contrast, great companies like Honeywell go to the nth degree to keep staff through the economic cycle.

2.It's bad for a companys' future.

The average time for an economic recession is 12-18 months. Given that this crash is caused by a virus, the recession may be savage, but also over faster than feared right now. Who knows. But however it pans out, in tough times companies often can't see the recovery just round the corner. And if they fire staff, when the recovery comes (and it will) they will be understaffed, and spend time and money rebuilding teams they fired in a panic.

3. It's bad for mental health.

There is nothing as demoralising, and destructive, as laying off an employee in a bad job market. Every worker typically has others dependant on their income. It's a blow to self esteem, and down right terrifying for some.

If companies believe they have any social license, it's first and foremost owed to the employees who depend on them. A company's culture is defined by how it treats its employees, especially in the bad times.

4. The Government is helping, big time.

Subsidies and loan support for all companies in trouble is a clear signal that the Government wants businesses to retain jobs, and they'll spend billions making that happen.

New Zealand Parliament

Finance Minister Grant Robertson unveils $12.1b package to help protect the economy against the coronavirus fallout.

For Government that's a sensible strategy, they may as well pay subsidies for salaries rather than in the form of benefits, and there is a simple dignity in someone keeping their job. It's good for shareholders too, because being fully staffed for the recovery means most businesses will make profits again sooner, and be paying taxes too.

5. Great and enduring companies are ultimately a combination of three things- an idea,money and people.

Great ideas are everywhere, you'll find most of them on the web. And money for good ideas is increasingly available. KiwiSaver managers alone will invest $70 billion in New Zealand in the next ten years. But great people are always hard to find, and nothing signals 'employees don't really matter around here' more than team mates losing their jobs early on.

As a shareholder in many of New Zealand's biggest companies, our perspective is very clear. Great companies value their employees first and foremost. From that will flow motivated teams delivering very satisfied customers and enduring profits. But let great people go, and what makes your company great goes too. As Richard Branson says, employees come first.

And there's no such thing as a company with demotivated staff delivering sustainable long term profits. That ended with slavery.

My business hero, Stephen Tindall, once said that a great person with an average idea is far more likely to succeed than an average person with a great idea. So keeping quality people matters most.

So how does a company adapt for recession without cutting jobs? History has shown some winning ways.

First, the CEO's and directors need to take a meaningful and public pay cut.

That's a strong signal about priorities, and will help save some jobs until better times.

CEO's and directors are no more entitled to their salary and job security than anyone else.

As leaders, they should take any pain first. Is it any wonder that Rod Duke runs Briscoes so successfully? He just took a 100 per centpay cut until things improve. Bravo.

SUPPLIED

Rod Duke, the head of Briscoes Group, has taken a 100 per cent pay cut until the coronavirus crisis is over.

By contrast, some CEO's have taken no pay cut, or have agreed to take one only as large as everyone else. That is not great leadership, because great leaders eat last.

Next, discretionary spending needs to be pared back. There are always ways to save money without cutting jobs. It's different for each business, but each one should know how.

Talk to your accountants and get advice. If a CEO hasn't done this before, many others have.

Next is tough conversations with creditors.

Banks have a big role to play here.

They make over $5 billion a year from Kiwis, so have a social license to do the right thing in tough times.

The Reserve Bank has just relaxed their capital requirements so they can be more lenient with lending, and the Government is underwriting 80 per centof the risk of many new loans. The banks have effectively had their success through this crisis underwritten by the Reserve Bank and Government. Remind them of that when re-negotiating your loans.

And if all that doesn't work, employees should be involved in planning how everyone can take some pain to save jobs. It might be unpaid leave for all, a four day week, or everyone taking a small salary or wage cut.

Any wage cuts should hurt more at the top than at the bottom, and there will be some on minimum wage for which any wage cut might be too big a deal. But where there's a will, there's usually a way.

Teams that survive the tough times intact will thrive when things improve. And remember, the economy has improved after every recession. Every single time.

As a KiwiSaver manager, we have a very clear message to the CEO's and directors of New Zealand's biggest companies, many of which we are invested in.

Right now it's better to have lower profits, or no profits, in order to keep your team employed. Doing so dampens the recession, so we all recover faster. And it's the right thing to do for the long term. Short term profits simply don't matter right now, keeping your team intact does.

We are stronger together. Kia Kaha.

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Sam Stubbs: Now is the time for employers to keep faith with workers - Stuff.co.nz

Apple Helps China Censor Citizens By Pulling The Plug On A Keyboard App That Encrypted Text Messages – Techdirt

from the don't-be-Big-Brother's-little-brother dept

China keeps being China, despite all the problems it has at home. The coronavirus traces back to Wuhan, China, and it has become clear the Chinese government is doing what it can to suppress reporting on the outbreak.

The country has a fine-tuned censorship machine that works in concert with its overbearing surveillance apparatus to ensure the government maintains control of the narrative. "Ensures" is perhaps too strong a term because, despite its best efforts, information always leaks out around the edges.

Citizens of China have found numerous ways to dodge censorship and surveillance over the years. But they're not being helped much by American companies, which have more often than not complied with government demands for apologies, takedowns, and other efforts that ensure access to the Chinese market at the expense of their Chinese users.

The latest news is more of the same. A clever keyboard app that encrypted messages has been nuked from the Chinese app store by Apple following a takedown demand from the Chinese government.

Apple yesterday removed Boom the Encryption Keyboard, an app that allowed Chinese internet users to bypass censorship, from the China app store, according to its developer.

[...]

According to an email sent by Apple to [app developer] Wang Huiyu, the app was removed because it contained content that is illegal in China. The app is still available in other regions, including Hong Kong, he said.

Boom encrypted messages by changing the originating English or Chinese to a blend of emoji, Japanese, and Korean characters. To decrypt the messages, users simply copied the characters sent to them, which were reverted to their original state on the keyboard below. Not enough to thwart targeted surveillance, but more than enough to dodge blanket censorship efforts like keyword blacklists.

The app's developer suspects Boom was targeted by the Chinese government because it was being used to spread an article about the virus that was censored by the government shortly after its publication.

The article in question is an interview with Ai Fen, a Wuhan doctor who said she was reprimanded for alerting other people about the novel coronavirus. The article, published on March 10 by Chinas Ren Wu magazine, was deleted within hours of its publication. Various versions of the article, including those reproduced in emoji, English, and even Hebrew, emerged after the deletion as people scrambled to save Ais story

This is the sort of information American companies should be helping to spread, not shutting down at the behest of the parties who want to see this information buried. If this were a one-off, it would be worrying. But it's just another data point in a long string of incidents where American tech companies have endangered users in foreign countries, seemingly for the single purpose of maintaining market share.

Filed Under: app store, boom, censorship, china, codes, content moderation, emoji, encryption, keyboardCompanies: apple

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Apple Helps China Censor Citizens By Pulling The Plug On A Keyboard App That Encrypted Text Messages - Techdirt