National Nurses Week 2020: What Experiences Have Shaped Your Nursing Career? – HealthLeaders Media

2020 is designated as the Year of the Nurse and of the Midwife by the World Health Organization. Unfortunately, it's also been the year of the coronavirus pandemic. And so, as it came time for me to write my annual article to commemorate National Nurses Week, I felt a little strange. I admit, I have always been a bit of a Nurses Week curmudgeon. The 'I Heart Nurses' coffee mugs and trinkets always seemed a little superficial and too light and fluffy to celebrate the truly spectacular things nurses do each and every day. This year, with nurses on the frontlines of the battle against COVID-19, it seems inappropriate to casually salute nurses with a Happy Nurses Week!

However, as I thought about it, though the Year of the Nurse and of the Midwife and Nurses Week 2020 are taking place during a more somber than expected time, this year really has shown the public nurses' capabilities.

For the past 18 years, the public has ranked nurses as the No. 1 profession when it comes to honesty and ethics in Gallup's annual poll, so nurses have held the public's respect for almost two decades. But this year, nurses have gone above and beyond what the public imagines they do. They have had to change the way they function on a daily basis.

"As a bedside ICU nurse, when you add personal protective equipment [PPE], your whole routine changes. It's hot. It's hard to talk. Your glasses fog up when you have a mask on. You're motioning to others outside the room in a kind of horrible game of charades [to get] what you need. You have to cluster your care. You worry about every step you take and everything you touch inside and outside the room, and you wash your hands till they're raw," Megan Brunson, RN, MSN, CCRN-CSC, CNL, American Association of Critical-Care Nurses' president and night shift supervisor for the cardiovascular ICU at Medical City Dallas, told me during a recent interview.

In some cases, nurses have found themselves at risk of infection as they faced shortages of necessary PPE. Some have even lost their lives as a result of COVID-19.

Yet, nurses have consistently cared for frightened and severely ill patients. Each day they go into work, they go in with the intent of giving patients the best care they can in order for them to recover from the virus (and other illness and diseases). When patients pass away despite nurses' best efforts, they must process a tsunami of emotions, including sadness and grief.

The COVID-19 pandemic is something no one imagined going through. Even though it is exhausting and leaving nurses raw as they go through it, I hope that someday they will be able to look back and find a way this experience changed them as nurses, and that it will be positive.

With that in mind, this Nurses Week, I chose to share stories from four nurses who reflect on the experiences that have shaped them during their nursing careers.

And by the way, I am not going to say, "Happy Nurses Week." Instead, I am telling nurses:

The pivotal career moment for Adele A. Webb, PhD, RN, FNAP, FAAN, Executive Dean of Healthcare Initiatives at Strategic Education, Inc., with main hubs located in Herndon, Virginia; and Minneapolis, was when she was a pediatric nurse. A young child with HIV was admitted to the pediatric emergency department where she worked. The child's mother was HIV positive as well. It was around 1990, so healthcare workers were aware of how HIV was transmitted. Still, what Webb witnessed was shockingthe majority of her colleagues refused to care for the patient or touch them when they went in the room.

"One other colleague and I provided all their care. The child didn't live for long and it was at that point that I thought, 'There is really something wrong with the fact that we have this amount of fear in our profession," she recalls. "I don't know if it was because we were in middle class suburbia and they thought this could never happen around there. But the reactions were stunning to me because we had taken care of plenty of patients with [diseases] that were contagious and put us at risk. But I think it was the fact that to people with HIV/AIDS, it was a death sentence and people became afraid for their lives. To have such a visceral reaction and actually say, 'I'll quit before I'll provide care.' I'd never seen anything like that before."

It was at that point Webb's entire career changed. She began learning everything she could about HIV, and she changed jobs in order to work in an area where there were a high number of HIV patients.

"I became involved with the World Health Organization by reaching out and saying, 'I'm willing to go.' I was actually deployed, and I've worked in over 50 countries educating nurses and other kinds of providers, like health workers, about how to care for people with HIV," she says. "And it became my life's mission. I wanted to make sure that people that needed the care could get it."

Webb says she felt a responsibility to HIV patients.

" [P]eople need help and that's why I'm in nursing. I want to help people," she says.

Webb's international work also gave her a new perspective.

"What you learn about when you work internationally, is that there are some problems that are insurmountable and how lucky we are [here]. That's a message I continue to carry back to my colleagues," she says.

She says it also helped her to develop "stamina."

"I'm a stick-to-the-[finish type of person]. I started this, I'm going to do it because it needs to be done, in spite of the fact that a lot of people didn't want me to do it," she says.

In addition, she says her work with HIV patients gave her a high level of compassion.

"These aren't just people that you see for an hour and a half in the emergency room. You see how families are being devastated and so it gives you a higher level of compassion and understanding," she says.

Through his career experiences, Dan Andrews, MBA, BSN, RN, CEN, Director of Operations at CHI Saint Joseph Health in Nicholasville, Kentucky, has developed the motto: "Be safe, be nice, and be prepared."

"This job is tough. It's physically and emotionally demanding [at times] but it also can be so rewarding. If you live by those three tenets, you will make it rewarding. I wouldn't change my career path for anything," he says.

One experience that helped him develop this three-pronged philosophy took place in his hometown in Michigan. In addition to working as a nurse, he was also a volunteer firefighter. During his volunteer shift, there was a house fire where one child died, and another was burned and taken to a hospital.

Fast forward to Andrews' 11 a.m. nursing shift in the emergency room the next day.

"My first patient of the day was the child who was burned in a house fire. He had received some second-degree burns to his hand and needed some [debridement]. His parents had taken him to another hospital immediately after the situation, but they weren't happy there, so they came to our hospital," he says. "By God's grace, I was given the opportunity to take care of this little one. Just knowing the story, having been at the fire the night before and working hard to try to save his brother, just allowed me to really connect and bond with the family."

That experience helped Andrews develop his perspective about the nursing profession.

"It taught me that nursing is not a profession. It's a way of life. Being a nurse is really at your core. Nursing doesn't just happen within the walls of a hospital or a facility. I've been blessed throughout my career to work on an ambulance. I've worked on a helicopter, I've been in the military, and [I] worked in hospice going into other people's homes to help in end-of-life situations. It really just opened my eyes to the fact that, again, nursing is a way of life. We can't just compartmentalize it. It's who you are," he says.

Andrews says he advocates for preparing patients and families for whatever the next step may be.

"I've had an opportunity to take care of a lot of sick people from trauma situations, medical situations. One of the things I always say to folks, especially newer nurses, is that there comes a time when you stop taking care of the patient and start focusing on the family to prepare them more for what's coming next. So, when there's not much more we can do for the patients, let's take care of the family because they're the ones that will be left behind. Preparation and education are a few of the things I try to stress to newer folks that I'm able to mentor along the way."

In addition to a nurse being changed by their experiences, they also have the opportunity to change the lives of their patients and families.

"I think I was able to see that some of the things that we do, in fact, change people. Although she never said it, I feel like because I was honest and sincere and could share some of my feelings with the mom (of the boy who was burned), she was able to heal a little bit by knowing that even though she had suffered a loss, she felt that we truly cared for her child who was still alive. He could have been just another patient, but because of the connection we had [our interaction] was really a lot more sincere," Andrews says. "The golden rule is still be nice to others and treat them how you want to be treated. That makes all the difference in a bad situation."

Before Iain Holmes, DNP, RN, NEA-BC, Associate Chief Nurse at Albany Stratton VA Medical Center in Albany, New York, became a nurse in 2011, he worked in horse racing, which interestingly, may have helped him develop attributes that transferred nicely to his new career as an RN.

"I think taking care of racehorses was a great steppingstone to being able to take care of the people of my community," he says. "[When you are running] a premier racing stable you check legs every day, you want your whole group to feel well, and now I analyze and assess well-being."

Holmes transition from racing to nursing took place after he began volunteering at a hospital.

"I was working with racehorses and started volunteering at the hospital because while racing is a lot of fun you go from race meet to race meet. Upon volunteering, I realized that I really enjoyed interacting with patients and making patients feel better and the pathophysiology of disease and the pharmacology of medicine," he says.

Holmes recalls how an interaction with a patient helped him develop a core value of his nursing career.

As a novice nurse in the ED, he took care of a college student whose parents were out of town.

"I remember how we couldn't quite tell what was wrong with her and she was feeling quite unwell," Holmes says. "I left my shift and I kind of went on my way."

Three years later, he needed a rental car while his car was in the shop.

"The person who was renting me the car realized that I was the nurse that took care of her. She told me that she was incredibly scared, and the care I provided to her was wonderful, and I was the shining light in a scary moment, so to speak. What stuck with me is that as a nurse, and as a person, I have a profound ability to determine how people feel in all sorts of situations. That is something that I work on every day. I want people to know that I truly care," he says.

In addition to taking pride in the care they provide, nurses can cultivate caring through active listening and addressing people's needs, he says.

"In every interaction I'm doing, I am trying to ensure those goals are being met. Are we making this person feel better by knowing that they're cared for and addressing their needs? Do they feel scared? Do they feel that they don't have answers to questions because they feel that people aren't listening to them? And then you go with what you've uncovered," he says.

Holmes says he advocates for developing emotional intelligence as a strength and putting others first.

"It comes back to being more than just someone who delivers medicines and treatments. [You want to be] someone who really cares for the well-being of that community and make others feel like an appreciated member of the community, whether they're a patient or an associate."

Terry McDonnell, ARNP, MSN, DNP, Chief Nurse Executive and Vice President of Clinical Operations and Facilities at Seattle Cancer Care Alliance was influenced by both her experiences as a family member and as a nurse. Nursing is her second career and she came to it after a series of family illnesses.

First, when her son was eight, he was diagnosed with a severe form of group A strep bacterial pneumonia. He spent 25 days at the hospital, was in and out of the ICU, had multiple major surgeries, and chest tubes. McDonnell was dedicated to advocating for her son and spent as much time at the bedside as possible, picking up medical lingo and concepts along the way.

McDonnell got to know her son's primary nurse quite well, and over the course of his ICU stay, the nurse asked McDonnell, " 'Have you ever thought about going into nursing?' And I looked at her like she had 15 heads and I said, no, I never have. She said, 'You should really think about it."

Then, McDonnell's father experienced interstitial pneumonitis and was admitted to the ICU at Massachusetts General Hospital for a prolonged hospital stay before he succumbed to the disease.

Once again, McDonnell took on the role of bedside patient advocate for her father. Impressed by her healthcare knowledge, her father's primary nurse in the medical ICU suggested she considering going into nursing.

"My father passed away on his 57th birthday, and I said to my husband, 'You know, I only need to be hit in the head so many times until I get it.' That was the end of October. By January, I was back in school doing prerequisites and, by September, I'd fully matriculated into the Mass General direct entry program," she says.

Just as nurses influenced her life, McDonnell would go on to influence her patients as well.

"I had gotten to know this wonderful, wonderful patient. Just a dear, darling elderly gentleman, newly diagnosed lung cancer. And my first day off orientation he threw a massive PE and literally died in my arms. The thing is that will shake you to your core, but also you are struck, as a nurse, by the honor and the privilege that we have of being with our patients through the good, the bad, the scary, and sometimes when they leave this earth. I will never forget the look of trust on his face as he left this world. His family wasn't there. It was myself and my colleagues that were there with him," she recounts. "That's one of those moments that really formed who you become. I don't think I've ever forgotten the respect and the privilege that we all carry as nurses being on this journey with our patients."

McDonnell says she's learned there is a story behind everything.

"There's always a story. Nothing is ever as it seems. One of my instructors early on in nursing school counseled us to always look for the story. And [by doing that] you learn to pause," she says. "You're always observing. You're always learning. There's always new information."

"The one thing I've learned that I've carried forward and how I've shaped my leadership is no matter who you're with, whether it's a patient, whether it's a colleague, whether it's a student, whether it's an observer, you always have something to learn. And you always want to treat someone the way you want your family treated."

Jennifer Thew, RN, is the senior nursing editor at HealthLeaders.

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National Nurses Week 2020: What Experiences Have Shaped Your Nursing Career? - HealthLeaders Media

Jesse Kline on COVID-19: Keeping government secure and saving taxpayer money with open source – National Post

In this era of social distancing, many have turned to videoconferencing as a means of staying in touch with friends, family and colleagues. And although it dragged its feet for quite some time, the House of Commons has now gone virtual, as well. But why is Parliament relying on a foreign company thats selling a piece of software with a raft of known security issues, instead of finding a made-in-Canada solution that would allow us to protect our data and save taxpayer money?

On Tuesday, the full House convened for the first time over Zoom, the videoconferencing software that has become a household name during this pandemic, with its user base exploding from 10 million daily users in December, to 300 million today. Zoom, however, has come under increased scrutiny about its substandard security and lax privacy controls.

The company outright lied about using end-to-end encryption. We learned that it has access to decryption keys, meaning it can potentially snoop on conversations. A team from the University of Toronto found that the software was sometimes sending encryption keys through servers located in communist China, even if none of the participants in the call were from that country. And the term Zoombombing has entered the lexicon, with many meetings being spied on or actively disrupted by people spouting racism and displaying Nazi imagery.

A parliamentary spokesperson told CBC that the version of the software being used by the House has added security features and that most parliamentary proceedings are open to the public anyway, so privacy is less of an issue (cabinet meeting are being held using something else entirely).

Fair enough. But given that the FBI has warned teachers not to use Zoom and many companies such as Daimler, Ericsson, SpaceX and Postmedia and governments including Germany, Taiwan and Singapore have banned its use outright, it seems like Parliament should have had some reservations about it.

Much has been made in recent weeks about future-proofing Canada to withstand future crises by producing more supplies here at home. As Ive written previously, this is problematic because protectionism doesnt ensure we have adequate supplies of a given product and its impossible to predict exactly what we will need to meet the next emergency.

When it comes to software, however, its a different matter entirely, because there is a huge variety of free and open source software packages available that are already powering much of the worlds critical infrastructure and can easily be adapted to Canadas needs.

For the uninitiated, open source refers to software that is developed in the open and given away for free. It is often written by teams that can include many people, from unpaid volunteers, to employees of some of the worlds largest tech firms. Even if youve never heard of open source, chances are that you are running it, or using technology that is based on it.

A majority of websites run on open source. The open source Linux operating system is the basis for Googles Android and Chrome OS systems, and powers a plethora of Internet of Things devices, from routers, to smart TVs, to home automation systems.

Another videoconferencing platform thats seen a sharp increase in popularity is Jitsi. While its run by a company called 88, which offers free and paid plans, its also open source, meaning anyone can run a Jitsi server and anyone with enough knowledge can audit its source code to figure out exactly how it works and whether there are any potential security vulnerabilities.

The advantage of the government selecting open systems, like Jitsi, instead of proprietary ones, like Zoom, is that it would allow government to run all its systems in-house, instead of relying on foreign companies to transmit and store data.

It would also give government the ability to conduct security audits of its systems, which is much easier to do when you can see the code that a software package was built with, rather than trying to figure out how a black box works without being able to open it up.

And while there would be an initial cost to purchasing the necessary hardware and ensuring the government has the proper expertise to implement and maintain it, there would be significant savings for taxpayers in the long run, as the government would be able to stop paying for costly software licenses.

Jitsi is already being used by companies like WeSchool, an Italian firm that runs online classroom software that is being used by 500,000 educators and students during this crisis. And in February, the South Korean government began switching its desktops from Windows 7 to Linux, which it expects will save it significant sums of money in the future.

Security researchers have warned the government that Zoom is a privacy disaster waiting to happen. In order to protect our critical information technology infrastructure, especially that which is tasked with running our democratic institutions, from foreign interference and espionage, we need to seriously look at running these systems in Canada, with software we can trust.

Finding open source solutions is the best way to go about doing that.

National Postjkline@nationalpost.comTwitter.com/accessd

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Jesse Kline on COVID-19: Keeping government secure and saving taxpayer money with open source - National Post

The best Skype alternatives for video calls on your smartphone – AndroidPIT

Skypeis synonymous with video calls. Ever since it was bought over by software giant Microsoft, there has been a growing clamor for Skype alternatives - and it seems that this call has been heard and answered many times over. Check out different, exciting video telephony apps for the home, office, and on-the-go here. Read on to find out what their respective pros and cons are.

The freemium Discord app places a strong emphasis on community focus. Unlike a conventional instant messenger, everything in Discord revolves around groups that have been sorted out and separated based on its respective servers. Within the service or app, you are able to switchfrom one server to another. Numerous functions, including the video chat function, are free, and this makes Discord a decent Skype alternative for groups.

While it is less well-known commercially, Tox plays its role well. So far, only 1:1 video calls are possible. Thanks to an open-source approach, there are several compatible clients for Android, iOS, and desktop operating systems. Some clients allow group chats (partly based on IRC).

The decentralized system works peer-to-peer, i.e. without a server and thus without mass data storage. Messages are encrypted end-to-end.

Signal's set up would be extremely familiar to WhatsApp users due to the similarities, which makes the switch particularly painless. All you need to do is download the app, register your phone number, protect chats using a PIN, and import your address book. Metadata, messages, and video chats are encrypted and not stored on the server - making this a simple and secure Skype alternative!

The paid WhatsApp alternative, Threema, is currently testing outvideo calls as a beta feature.

Google had long announced that it was going to stop its Messenger service. However, as long as it still works, we will list Hangouts as an alternative to Skype. This is especially so on Android smartphones, making it an obvious video chat solution as you already have a Google account. Such a degree of integration enables youto reach many of your contacts quickly. The Hangouts group video calls' quality has been consistently impressive.

German app Wire is marketed as a collaborative platform.As such, you can use it to host a video conference with friends or colleagues, simply chat, or view each other's screensand send files. After 30 days, however, certain features will be restricted.

Jami is a Swiss army knife when it comes to communication. Other than Web-based video calls, this free open source app also delivers SIP-based calls to the telephone network. This makes it a feature-packed alternative to the commercially-minded Skype.

In Jami, you can register as an anonymous user. It is optional to include alink to your email address or phone number, a move that ensures a high degree of privacy.

The free, open-source, and decentralized Zoom and Skype alternative Jitsi provides the highest degree of control. Other than public servers, you are also able to set it up on a private one. This can be configured quickly and in an affordable manner with a Raspberry Pi working alongside a basic Internet connection as actual video communication is done on a peer-to-peer basis.

Usage is completely anonymous; as you will never be asked for personal data.

Zoom is surprisingly user-friendly. The video service can be scaledfor meetings with up to several hundred participants. However, you must first register with a valid e-mail address. It is important to use a different password each time for your meetings, because Zoom has been criticized for data leaks, among other things - which has since been patched.

Using it is simple: create a video chat room, share an invitation link, wait for the participants, and begin talking. The free version limits video calls to 40-minute sessions, although you can restart them immediately and as often as you like.

Facebook Messenger and WhatsApp can perform video calls. In fact,WhatsApp recently raised the limit of its video chatting to eight concurrent participants. Due to dubious privacy terms, Facebook products are only suitable for professional use to a limited extent. Private users will benefit the most because they can meet almost all their contacts via one of the popular apps.

What is your favorite video call tool? What do you use to replace or complement Skype? What other discoverieswould you like to share with us that you think we might have missed? What do you consider to be the most important feature to consider when it comes to video calls? Share your experiences and suggestions in the comments section.

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The best Skype alternatives for video calls on your smartphone - AndroidPIT

Group video calls of up to 100 participants, with encryption and noise cancellation – Explica

If you are looking for a free group video call service that allows up to 100 participants and is safe, you are in luck. Google has just announced that starting today, Google Meet will be free for anyone using a Google account.

Until now, Google Meet was a premium service that was used only in business and education with G Suite accounts, but the company has decided to open the service from May 4. They justify the date by claiming that they want the experience to be safe and reliable from the start. The good thing is that from that moment, you can start calls from Gmail.

The movement by Google is great news for millions of people who want to make quality group video calls these days, and is a great alternative to other services that are widely used these days, such as Skype, Jitsi Meet or Zoom. From some of these applications, Google has been borrowing ideas such as the grid view or the cancellation of environmental noise. On mobile, for example, Google Meet will receive a feature that will make images in low light look better.

One of the things Google Meet stands out the most, like Hangouts, is in image quality. It is something that we could see from the hands of our Xataka colleagues, although this also implies better data consumption. However, what can attract more users in the face of the image crisis that Zoom has gone through due to doubts about its security is that it is Google who guarantees the security and privacy of calls for up to 100 participants. Video calls are limited to 60 minutes on the free plan, but until September there will be no time limit.

Google Meet video calls will have no time limit until September 30

In that sense, Google reminds us that all data is encrypted in transit between the client and Google in browsers and mobile applications.. Meet recordings stored on Google Drive are also encrypted by default. To avoid problems such as zoombombings, they will not be able to participate in the so-called anonymous users, and the hosts will have full capacities to admit participants.

Unlike services like Jitsi Meet, the pity is that Google Meet does not allow to make group video calls without installing an application on the mobile, so many users may have some more problem getting to connect and start a conversation.

ShareGoogle Meet is now free for everyone: group video calls of up to 100 participants, with encryption and noise cancellation

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Group video calls of up to 100 participants, with encryption and noise cancellation - Explica

Zoom security: I’ve researched problems with video conferencing for years here’s what you need to know – The Conversation UK

The video conferencing app Zoom gained about 2 million new users in the first two months of 2020 and that was before the World Health Organization declared the coronavirus outbreak a pandemic. With so many people now relying on video conferencing for contact with their friends, family and colleagues, its no wonder Zoom has seen a significant increase in its company stock price. But the firm has also attracted some negative press recently for issues related to its privacy and security.

I worked in the video conferencing industry for 10 years. During this time, I started a PhD on whether such systems meet the needs of organisations that have to communicate under adversarial circumstances, such as international NGOs and opposition groups under oppressive regimes. My near-finished research shows that Zoom has indeed had plenty of problems, but is far from the only platform with security and privacy issues.

A number of issues with Zoom have attracted public attention, most notably call hijacking or Zoom-bombing. Calls that are not set to private or password-protected can be accessed by anyone who inputs the nine- to 11-digit meeting code, and researchers have shown how valid meeting codes could easily be identified (something Zoom now says it prevents).

Zoom has also recently had to make changes to its iPhone and iPad apps to stop Facebook being able to collect data about users. And last year it was forced to fix a problem that could have allowed websites to turn on Mac users cameras without permission.

Another issue, recently highlighted by The Intercept, is that Zoom claims its calls can be encrypted, but doesnt use the kind of end-to-end encryption that many people have come to understand as standard for private communication services. Messages or calls sent with end-to-end encryption are effectively locked with the receiving users public key that anyone can access, but can only be unlocked by the users private key. This system is used by messaging apps such as WhatsApp to ensure only a messages recipient can read it not even the apps provider has access.

Zoom instead uses the AES-256 ECB method of encryption, which shares the key used to encrypt calls with Zooms servers around the globe. This potentially gives them full access to the audio and video streams, although the company has stated no user content is available to its employees or servers once encrypted.

Researchers have also found that encryption keys even up on Zoom servers based in China (where the company has development sites) even when no Chinese participants are in the call. This opens the possibility that the Chinese government, famed for its control of internet communications in the country, could eavesdrop on calls. Zoom has now started offering paying customers the ability to opt out of having data routed through China or other regions.

While Zoom has developed measures or options to at least partly address all of the issues highlighted and said it will freeze the development of new features for 90 days so it can focus on improving security the litany of problems that have already been identified should provoke serious thought among its users. On top of this, Zooms privacy policy is arguably not user-friendly. By downloading the app, you essentially grant the company permission to do with your personal data whatever they want.

The problem for anyone looking for a more private system is that many of Zooms competitors have their own similar security issues. For example, Microsofts Skype and Teams services also use forms of encryption that give the company control over the keys.

So what are the alternatives? The most secure options are arguably those that use end-to-end encryption and are built with open-source code because it can be publicly reviewed to check it doesnt have any hidden problems.

Signal is a messaging app that falls into this category and also provides video calling from smartphones, but not desktop video calls or video conferencing with multiple parties. Jitsi is also open source and provides end-to-end encrypted video calls via a web browser, and is working on doing the same for multi-party video conferencing.

If these options dont suit you, then there are things you can do when using Zoom or other video calling services that have potential security issues to maximise your privacy and safety.

In response to the issues raised in this article, a Zoom spokesperson said:

Zoom takes user privacy, security, and trust extremely seriously. Zoom was originally developed for enterprise use, and has been confidently selected for complete deployment by a large number of institutions globally, following security reviews of our user, network and datacenter layers.

During the COVID-19 pandemic, we are working around-the-clock to ensure that businesses, schools, and other organizations across the world can stay connected and operational. As more and new kinds of users start using Zoom during this time, Zoom has been proactively engaging to make sure they understand Zooms relevant policies, as well as the best ways to use the platform and protect their meetings.

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Zoom security: I've researched problems with video conferencing for years here's what you need to know - The Conversation UK

Author Traces The History Of Chicago And Other American Cities In Pursuit Of Utopia – WBEZ

Utopia has endured as a concept ever since philosopher Thomas More imagined the word and such a world more than 500 years ago. For centuries, novelists and scholars have adopted utopia as a muse to imagine living in a better place.

In his new book City on a Hill: Urban Idealism in America from the Puritans to the Present, Alex Krieger gives a domestic history by tracing different movements and promises in the U.S. for paradise. Since this countrys founding theres been Thomas Jeffersons blueprint for an egalitarian republic (albeit only for white men); the idealism of the small town; romanticizing the suburbs as an escape from the disease-ridden, overcrowded city; Walt Disneys carless EPCOT new town vision; and the epicenter of accessible pleasure for all, Las Vegas, Krieger notes in his book. Failures abound, too: Manifest Destiny, Native American removal, ugly urban renewal and a host of terrible housing policies cementing segregation.

The search for utopia hardly ever produces utopia. Im not naive to believe that but that does not prevent the search for utopia or ideal aspirations, said Krieger, a professor at the Harvard Graduate School of Design. The Chicago native gave a rescheduled spring utopia lecture on Monday, but virtually, sponsored by the Chicago Architecture Center.

Krieger crisscrosses the country in the book, and of course often lands in the middle in Chicago. Its where industrialist George Pullmans paternalism attempted to marry company and labor; where the Worlds Columbian Exposition put the city on a pedestal for tens of millions of people to see; and where long before Henry Ford the precision of assembly lines in the stockyards anointed Chicago as Hog Butcher of the World. Our greenspace, park design and lakefront are unmatched. Renowned Chicago planner Daniel Burnham made no small plans.

Krieger also describes Chicago as the original Amazon, connecting railyards and the Great Lakes to deliver goods.

Chicago certainly was the logistical utopia of the planet towards the end of the 19th century, Krieger said, referring to the catalogue shopping of Sears, Roebuck & Company and Montgomery Ward. You could acquire anything dresses, homes, guns.

In the book, Krieger writes that there are not many accounts of Chicago as utopia.

In fact, there was much to dislike and even fear about this unruly cauldron of urbanization in the decades before and after the arrival of the twentieth century, Krieger writes. Reformers condemned the exploitation of workers during industrialization, as activism sought to change those conditions.

During his talk Monday, Krieger said the lessons learned a century ago from the activism of Jane Addams ring true today especially as society is in a COVID-19 paralysis. One of the things I want us to return to is Jane Addams sensibility of sharing our wealth and our options, he said.

Krieger said its hard to predict what land use policies or even utopian visions emerge from the pandemic. Will sidewalks be wider, as urbanists have long advocated for? Will there be more green space in cities as social distancing stays with us like nighttime summer mosquitos?

We did not stop building skyscrapers in Manhattan after 9/11 even though that was predicted immediately afterwards, Krieger said. Yet, I think this [pandemic] will have a slightly longer impact for two reasons.

He said density will be a concern and people will be wary of urban environments. And it has become much more difficult to find a place to live in cities because of inequality and housing costs.

But Krieger said theres something else more important to take on with these issues of inequity, the built environment and the air we breathe.

If we consume a little bit less or move a little bit less, maybe well gain a little bit more time to tackle on the most important challenge, which is not the pandemic, Krieger said.

The real catastrophe is climate change, and recognizing the great correlation between it and the current pandemic, he said.

Natalie Moore is a reporter on WBEZs Race, Class and Communities desk. You can follow her on Twitter at @natalieymoore.

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Author Traces The History Of Chicago And Other American Cities In Pursuit Of Utopia - WBEZ

Timing of the martian dynamo: New constraints for a core field 4.5 and 3.7 Ga ago – Science Advances

Abstract

The absence of crustal magnetic fields above the martian basins Hellas, Argyre, and Isidis is often interpreted as proof of an early, before 4.1 billion years (Ga) ago, or late, after 3.9 Ga ago, dynamo. We revisit these interpretations using new MAVEN magnetic field data. Weak fields are present over the 4.5-Ga old Borealis basin, with the transition to strong fields correlated with the basin edge. Magnetic fields, confined to a near-surface layer, are also detected above the 3.7-Ga old Lucus Planum. We conclude that a dynamo was present both before and after the formation of the basins Hellas, Utopia, Argyre, and Isidis. A long-lived, Earth-like dynamo is consistent with the absence of magnetization within large basins if the impacts excavated large portions of strongly magnetic crust and exposed deeper material with lower concentrations of magnetic minerals.

Global magnetic fields are intimately tied to a planets interior, surface, and atmospheric evolution. For terrestrial planets, magnetization acquired by rocks in an ancient field can be preserved over billions of years and thus provide a window into a planets earliest history. Mars has no current global magnetic field; however, magnetic field measurements made by the Mars Global Surveyor (MGS) spacecraft (1) in orbit around the planet unequivocally demonstrated the presence of rocks magnetized in a past dynamo field. The first billion years of Mars history [from ~4.5 to 3.6 billion years (Ga) ago] included massive volcanism forming most of the volume of the Tharsis province by ~3.9 Ga ago (2), the formation of major impact basins such as Hellas, Argyre, Isidis, and Utopia, and atmospheric and climatic conditions very different from those today as evidenced via surface morphological signatures such as valley networks (3) and erosional features (4).

Establishing the timing and duration of the martian magnetic field, relative to these major events in martian history, is critical to, e.g., understanding whether large impacts played a role in initiating (5) or inhibiting (6) a dynamo, or whether the change in surface climatic conditions after ~3.7 Ga ago (3) was linked to the cessation of a core dynamo. Most hypotheses regarding timing of the martian dynamo are based on the presence of magnetic fields over the heavily cratered southern hemisphere and their absence over the interiors of the large basins: Hellas, Argyre, and Isidis (1, 79). An early dynamo [e.g., (1, 7, 8)] that had ceased by the time of basin excavation around 3.9 Ga ago (Fig. 1) remains the most accepted scenario. In this interpretation, the unmagnetized basin interiors and magnetized exteriors result from demagnetization within the basin during its formation in the absence of a global field. Furthermore, in this scenario, although a dynamo is inferred to have been present at the timing of formation of ~4.2- to 4.3-Ga old basins (7), the earliest history of the dynamo field was unknown. A late dynamo that started (9) after basin formation has also been proposed (Fig. 1) based on magnetic signals observed over younger volcanoes and lava flows (1013), active or emplaced after 3.9 Ga ago. Although such spatial correlations are suggestive, a critical limitation is that it has not been possible to identify whether buried units of unknown age (likely predating 3.9 Ga ago) or datable surficial units give rise to the magnetic field signatures (10).

An early dynamo [a] predating Hellas, Isidis, and Argyre (1). The basin age range is shown according to the isochron (cyan) and N(50) (blue) age (47). Early dynamo termination by 4.13 Ga [b] is based on magnetic field signatures of a larger basin population (7, 8). The age of magnetization of meteorite ALH84001 [3.9 to 4.1 Ga; (48)] overlaps the early dynamo time frame [c]. A late dynamo [d] postdating the major basins (913). New constraints from MAVEN data (stars) over the BB, around the Utopia basin, and LP that indicate a dynamo at ~4.5 and ~3.7 Ga. The timing of Utopia is uncertain (dotted line). The map displays Mars Observer Laser Altimeter topography (49) with BB, Utopia, and LP marked (stars).

Here, we present new constraints on the timing and strength of the martian dynamo from Mars Atmosphere and Volatile EvolutioN (MAVEN) magnetic field data (14) acquired globally at altitudes as low as ~130 km at night [(15); table S1]. These data reveal a high-fidelity, highspatial resolution (15, 16) picture of the martian crustal magnetic field (table S1 caption and fig. S1) that allows detection of signals too weak or wavelengths too short to have been observed by MGS. We use nighttime MAVEN data collected below 200 km altitude to demonstrate that a dynamo likely operated at the time of formation of the northern hemisphere lowlands and the dichotomy boundary, providing new information on the earliest existence of a global magnetic field. Furthermore, we provide the first identification of a datable surface unit as the source of martian magnetization that postdated major basin formation. We suggest scenarios for the martian dynamo that can reconcile these observations with the strong magnetizations in the southern hemisphere and the absence of magnetic fields over the major basins.

The earliest known feature on Mars is the dichotomy boundary, at which strong magnetic signatures present in the southern hemisphere end abruptly (Fig. 2) (1). MGS results showed hints of weak signals over the northern hemisphere, but these were near the noise level of MGS-based models (17, 18). MAVEN data clearly reveal short-wavelength, low-intensity magnetic fields over the northern hemisphere (Fig. 2 and fig. S1). These can also be seen in a new MAVEN-based model (16) but have not been previously discussed. Some, located around longitudes 180 to 200, have no correlation with surface geological features and do not have a distinct gravity signal (fig. S2). Others are concentrated around the rim of the Utopia basin but are absent within the basin interior.

(A) Magnetic field strength, |B|, from all nighttime MAVEN tracks at altitudes less than 200 km. (B) MOLA topography (49). Polar stereographic projection from 20S to the North pole, showing the basins Borealis (solid black ellipse), Utopia (U), and Isidis (I) (dashed-dotted circles), and the equator (white-black dashed line). Uncertainties in the magnetic field from measurement error are less than 1 nT (14).

The spatial distribution and the strength of the magnetic fields over the northern hemisphere, as well as the transition in field strength across the dichotomy boundary, support the interpretation that a large impact (19, 20) formed the Borealis basin (BB) and the dichotomy boundary 4.5 Ga ago (Fig. 2) (21). We propose that magnetization in the BB was acquired at the time of basin formation in the presence of a global dynamo field. The localized nature of the magnetic fields within the BB can be explained as follows. Volcanic activity at Tharsis and Elysium continued into the Amazonian (22), and intrusion-related reheating above the Curie temperature in the absence of a global magnetic field can explain the absence of magnetic signals over most of northern Tharsis (23, 24) and around Elysium. The lack of a gravity signature associated with the magnetic signals in the BB (fig. S2) further supports the idea that the magnetization therein is not the result of extensive later intrusions or a buried basin, but that it was acquired while the BB was cooling. The presence of magnetic fields around the rim of the ~3.8-Ga old (25) to ~4.1-Ga old (26) Utopia basin and their absence within its interior are consistent with, but do not require, formation of Utopia in the absence of a global field, i.e., the early dynamo scenario (27). We return to this later in the context of the absence of magnetic field signals over the major basins Hellas, Utopia, Isidis, and Argyre.

A second key observation is that the northern hemisphere signals are mostly weak and only robustly detected below 200 km altitude, in contrast to the strong fields over the southern highlands. The excavation of most of the crust during the BB impact could have removed magnetic minerals capable of carrying a strong magnetization, revealing lower concentrations of less strongly magnetic lithologies (19). Earths mantle has a much lower concentration of magnetic minerals than the crust (28, 29) and comprises more ultramafic mineralogies. The magnetic properties of martian meteorites with ultramafic cumulate mineralogies, whose compositions are consistent with martian mantle models, have been shown to be one to two orders of magnitude weaker than those of nakhlites or basaltic shergottites (30). The increase in field strength across the dichotomy boundary then reflects the transition in crustal and magnetic properties associated with the edge of the BB. If the martian dynamo were active at the time of the impact, then impact- and decompression-generated melts would nucleate and grow some magnetic minerals capable of recording this field as the magma differentiated, cooled, and solidified. The thermoremanent magnetization (TRM) susceptibility of these cooled melts would likely be different from the magnetic properties of the crustal ejecta carried southward. The final magnetization would depend strongly on both the bulk chemistry of the melt (likely different from and depleted in volatiles, relative to the pre-BB martian crust) and the intensity and stability of the martian dynamo. For example, the existence of a single hemisphere dynamo that would only produce strong magnetic fields in the south as suggested in (31) would also allow weak and patchy magnetizations to form in the northern hemisphere. Furthermore, as proposed in (31), a hemispheric field could actually result from the thermal conditions in the mantle produced during the formation of the dichotomy; i.e., the BB could give rise to both hemispheric heterogeneities in the magnetic structure of the crust and hemispheric structure in the ambient field. The extent to which the strong magnetization of the southern hemisphere crust reflects magnetization that predated, but was unaffected by, the BB formation or magnetization acquired or modified during/after the BB-forming impact by the ejecta and deposition of material is unknown. In summary, the sharp spatial correlation of the transition from weaker to stronger anomalies associated with the dichotomy boundary suggests that either a thinner magnetic source layer or a different magnetic mineralogy plays a role in explaining the northern hemisphere observations, possibly aided by a weak ambient field, at least in the northern hemisphere, at the time of the BB formation (31).

We focus next on magnetic field observations at Lucus Planum (LP), interpreted as pyroclastic flows in the Medusa Fossae Formation sourced by Apollinaris Patera (AP) (32). Stratigraphically, LP is divided into an upper unit, the Amazonian and Hesperian transition unit, (AHtu), and a lower unit, the Hesperian transition unit (Htu) (22). The Htu unit globally has a 1- model age range of 3.71 to 3.96 Ga old (22) and, in the LP region, a model age of 3.690.07+0.05 Ga old (hereafter 3.7 Ga old), obtained from crater counts on Htu exposures in nearby occurrences of the Medusae Fossae Formation (33). Htu is up to ~1.5 km thick (Fig. 3E) and is overlain in places by a thin (less than 200 m thick) younger unit AHtu (Fig. 3; see the Supplementary Materials), which is 3.49 Ga old with a 1- range of 1.39 to 3.64 Ga old (22). In what follows, LP refers to just the lower Htu unit.

(A to C) Magnetic field over AP and LP below 200 km altitude. (A) |B| from MAVEN nighttime tracks. (B) |B| and (C) Br along four tracks close to the fresh LP crater. AP and LP are indicated by arrows and dashed black lines, respectively. The magnetic field is shown by the colors along the tracks. The white wiggles show |B| and Br as a function of distance along the track, and the scale bar in (B) denotes the amplitude. (D) Geological map (22) with track for topographic profile shown in (E). (F) A Mars Reconnaissance Orbiter Context Camera (CTX, 6 m/pixel resolution) image of the fresh crater highlighted by the red box in (D) and (E). Unit abbreviations are as follows: eNh, Early Noachian highland; HNt, Hesperian and Noachian transition; eHt, Early Hesperian transition; mNh, Middle Noachian highland; Nve, Noachian volcanic effusive; Hve, Hesperian volcanic effusive.

MGS data above AP (fig. S3) have been interpreted as evidence for a late dynamo (11, 12), although the low-altitude data were argued to be contaminated by external fields (34). Critically, it was not possible to identify whether the datable, young surface unit or an underlying unit of different age carries the magnetization (7, 34).

Long-wavelength MAVEN data also show signals spatially associated with LP and AP (Fig. 3A); nevertheless, the same source depth problem persists. However, several low-altitude MAVEN tracks lie close to a fresh-looking, ~35-km-diameter crater that penetrates the Htu flows. The AHtu unit is not present in the vicinity of the fresh crater. A 75% decrease in |B| (Fig. 3B) and a change in sign of the radial field component, Br (Fig. 3C), are observed, suggesting a change in magnetization across the crater. This is supported by a recent global model that shows a local minimum in the surface field spatially associated with the crater (fig. S4) (16). The elevation of the crater floor is approximately coincident with the base of the Htu unit (Fig. 3, D and E), indicating that the 1- to 1.5-km-deep crater locally penetrates most or all of this unit. The inferred crater depth is also consistent with depth-diameter, d/D, predictions (35). For the deepest complex craters in volcanic terrain, d = 1.89 km for D = 35 km, and for all craters, d = 1.04 km (35).

We tested whether the observed reduced field amplitudes over the crater could reflect demagnetization associated with the crater and its immediate surroundings. We set up a forward model in which a cylindrical hole (representing the crater and disrupted material in the surroundings) was placed in a homogeneously magnetized layer estimated from a local inversion (see Materials and Methods; fig. S5), representing the Htu unit (see Materials and Methods). The model predicts up to a 60% decrease in field strength, explaining most of the observed signal (fig. S6). This test, combined with the spatial association of magnetic field signal with the LP flow (fig. S3), indicates that a substantial fraction of the magnetization is carried within the LP unit and can be associated with a datable unit for the first time. If the pyroclastic flow acquired a thermal remanence during its emplacement, these results suggest that a martian dynamo was operating 3.7 Ga ago, after formation of the large basins.

The terrains surrounding LP show non-zero magnetization, suggesting that some magnetization may be carried by units below the surficial LP pyroclastic flow. We estimated this for the Late Amazonian volcanic (lAv) unit to the northwest and the HNt unit to the northeast of LP (Fig. 4A) to isolate the magnetization associated with LP (Fig. 4 caption). For a 1- to 2-km-thick LP layer, the magnetization bounds are 8 to 32 A/m. Natural remanent magnetization (NRM) intensities of terrestrial pyroclastic flows and martian synthetic basalts (36) as well as estimated NRMs of martian meteorites (30) are all comparable to magnetizations inferred for LP (Fig. 4C). The magnetization, M, is related to the field strength in which the flow cooled (Bancient) and the thermoremanent magnetic susceptibility, TRM, by Bancient = M0/TRM, where 0 is the magnetic permeability of free space. For TRM susceptibilities of 0.1 to 1, compatible with the higher NRMs in terrestrial pyroclastic flows, an Earth-like ancient field strength is plausible (Fig. 4B).

(A and B) The distributions of vertically integrated magnetization spatially associated with the Htu and AHtu units of LP (blue) as well as the HNt (brown) and lAv (yellow) units. The dashed lines represent the median for each distribution (15.7, 31.7, and 47.7 A for lAV, HNt, and LP, respectively). (B) Resulting estimations of the ancient field strength for LP layer thicknesses of 1 and 2 km versus thermoremanent susceptibility, TRM, after subtraction of the median values of the vertically integrated magnetizations underlying the lAv and HNt from that for LP (dashed and solid lines, respectively). In SI units, TRM is dimensionless. (C) Compilation of NRM intensity ranges (bottom axis) of terrestrial pyroclastic deposits (see the Supplementary Materials), martian synthetic basalts with mean and median of 1.3 and 7.7 A/m (36), and estimated NRMs derived from 27 martian meteorites (range in red) with a mean and median of 1.7 and 4.4 A/m [table 2 from (30)]. The vertical lines correspond to the lines in (B).

Our results demonstrate that the martian dynamo was active 4.5 and 3.7 Ga ago. The existence of a dynamo field before and after the large basins Hellas, Utopia, Isidis, and Argyre requires an explanation for the general absence of magnetic fields over those basins. The impact demagnetization hypothesis is based on the argument that magnetization is absent within, but present around, the basin. Although this is true, unexplained observations worth noting are as follows: (i) Large tracts of Noachian crust surrounding the basins Hellas and Argyre are also unmagnetized or very weakly magnetized (fig. S7). Shock demagnetization can affect the basin exterior (27) but fails to explain the heterogeneity of magnetization around the basin or the extensive Noachian aged areas in the southern hemisphere with similarly weak or no magnetization. (ii) Short-wavelength signatures may be present in the interior of the basins (fig. S7) (16, 17), although lower-altitude tracks or surface measurements are necessary to confirm this.

Can the absence of magnetic field signatures over the basins be explained if a dynamo was operating during basin formation? At least two possibilities exist: (i) The giant impacts excavated large fractions of the crust, possibly removing material capable of carrying strong magnetizations. For crater diameters, D, up to ~500 km, the excavation depth, d, is ~0.1D, i.e., up to 50 km (37). Transient crater diameter estimates for Argyre, Isidis, and Hellas range from 750 to 1400 km (38). Although the d/D ratio for such large basins is uncertain, the depths would exceed 50 km, effectively penetrating and removing magnetized crust. The observations of very weak fields over the BB, cf. the surrounding southern highlands, suggest that this is plausible. Weak, small-scale signals may exist within the Argyre, Isidis, Hellas, and Utopia basins but require more lower-altitude observations for definitive identification. Material excavation, with only weak or small-scale subsequent magnetization, would produce a magnetic field signature at MGS and MAVEN altitudes barely distinguishable from basin-localized demagnetization. (ii) We also cannot exclude a fortuitous scenario in which a dynamo field at the time of basin formation was substantially weakened or intermittent, as a result of a reversing dynamo field (39). (iii) Alternatively, the dynamo was inactive during the time of basin formation, for example, because of inherently changing dynamo processes (i.e., from a thermally to a compositionally driven dynamo).

Evidence for a dynamo both ~4.5 and ~3.7 Ga ago has major implications for Mars evolution. Assuming a thermo-chemically driven magnetic dynamo, Mars must have sustained sufficiently vigorous core convection at its very earliest times and at the time of LP flow emplacement. Furthermore, the observations at LP suggest that a substantial fraction of the magnetization is carried in a thin, shallow magnetized unit. The resulting magnetizations are consistent with magnetization of pyroclastic flows in a 3.7-Ga old surface field with a strength similar to that of Earths present field. Excavation during large impacts may have played a key role in establishing a heterogeneous distribution of magnetic carriers in the martian crust, particularly removing magnetic minerals from the interior of major basins. This scenario allows a dynamo to plausibly persist from 4.5 to 3.7 Ga ago, thereby opening the possibility for a range of new magnetization processes to affect the martian surface, including depositional and crystallization remanence. For example, morphological evidence for water in the form of valley networks at the surface of Mars is dated between the Noachian and the Early Hesperian (3), before and overlapping with the timing of formation of LP and hence the dynamo. Water circulating in the martian crust in the presence of a field could have resulted in hydrothermal alteration facilitating magnetization or remagnetization of magnetic minerals (40).

Furthermore, the results link to current and planned missions e.g., the interior structure is a primary goal of the InSight mission currently operating on the martian surface (41). The dynamo timing results presented here provide a major step forward in understanding Mars thermal evolution, especially when combined with existing constraints on heat flow, mantle temperature, interior composition, and physical models of structure of the martian core. Also, if a global magnetic field protects the atmosphere from solar wind energetic particles, a prolonged dynamo would delay the effects of some of the atmospheric removal processes and hence have implications for martian atmospheric loss rates (42). This is important for addressing one of the main MAVEN goals of atmospheric escape rates through time (42). The collection of martian samples and their return to the Earth will finally be underway with sample collection by the Mars 2020 rover to be launched next year. An extended dynamo, consistent with the new results here, is of key importance for the Jezero landing site selected for Mars 2020, because units that could be sampled might have formed at a time of an active dynamo field (43). Future laboratory investigation of return samples will be the next major step in Mars exploration and, if magnetized, for planetary paleomagnetism.

Local crustal field modeling is based on the equivalent source dipole method (44). The magnetized layer is represented by evenly distributed (every 90 km) dipoles placed at mid-depth of a 40-km-thick layer. Dipoles within 75 of the observation point contribute to every orbital measurement (45), and the inversion optimizes the misfit between satellite data and the model prediction, by solving for the direction and strength of each dipole, without overfitting noise. Our solution method is conjugate gradient least squares that minimizes the root mean square difference between the data and an iteratively fitted model. The preferred solution is picked using the corner of the L-curve (46). We perform the inversion 100 times with randomly selected 50% subsets of the full dataset above the model area and 10% of the data in the buffer region and present the mean of all inversions (fig. S5A) and corresponding standard deviation (fig. S5B).

We use all nighttime MAVEN data down-sampled to 1 Hz (available on the Planetary Data System) below 400 km altitude, as well as nighttime (~2 a.m.) MGS Mapping Orbit data (~400 km altitude) binned in 10-km altitude and 0.1 longitude and latitude bins. Binning of the MGS data is necessary because of the large dataset collected throughout the mapping phase of the mission (1999 to 2006). Nighttime low-altitude (<350 km) data for MGS data are not available for the modeled area.

We set up a forward model in which a cylindrical hole (the crater) is placed in a homogeneously magnetized layer representing the Htu unit. Thus, we isolate the signal that is caused by the crater cavity itself while ignoring any additional signal due to heterogeneities of magnetization that we would expect in a pyroclastic flow. We use the estimated dipole moments from our inversion (fig. S6A) in the vicinity of the crater to estimate the magnetization of the Htu unit, assuming a 1.5-km-thick layer [Mr, M, M] = [24, 36, 7.8] A/m. This represents the near-surface layer, mapped as Htu (Fig. 3D), which is ~3.7 Ga and ~1.5 km thick. We considered a dense and broad mesh, with dipoles placed every 4 km laterally to 700 km outside our modeled region as a buffer. We allowed the crater to penetrate part of or the entire magnetized unit (i.e., we allowed a thinner magnetized layer below the crater interior) and find that the observed drop can best be modeled if the full unit is penetrated. We note that the magnitude of the LP magnetization is not critical to our calculations because we examine the percentage change in the magnetic field associated with the unmagnetized crater (the hole). The observed magnetic field east of the fresh-looking crater (fig. S5) is best explained if an adjacent crater is also demagnetized. This second crater is more degraded and is ~35 km in diameter, suggesting that it penetrates a depth similar to that of the fresh crater. The crater age is unknown; superposition relationships indicate that it is older than the fresh crater but postdates the emplacement of the LP flow. The forward model predicts up to a 60% decrease in field strength, assuming that the demagnetization is associated with a hole 1.5 times the diameter of each crater, i.e., the width of the craters and ejecta blankets (fig. S5B), explaining most of the observed 75% decrease in the data.

This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial license, which permits use, distribution, and reproduction in any medium, so long as the resultant use is not for commercial advantage and provided the original work is properly cited.

A. Morschhauser, A model of the crustal magnetic field of Mars, thesis, Wilhelms-Universitaet Mnster (2016).

H. J. Melosh, Impact Cratering. A Geologic Process (Cambridge Univ. Press, 1989), vol. 126.

R. C. Aster, B. Borchers, C. H. Thurber, Parameter Estimation and Inverse Problems (Elsevier Academic Press, ed. 2, 2011).

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Timing of the martian dynamo: New constraints for a core field 4.5 and 3.7 Ga ago - Science Advances

Island Utopia – Inkstick

Even in ordinary times, Taiwan the sweet potato-shaped isle my family has called home for generations possesses something of a mythic and unreal quality. It is famously coveted by the Peoples Republic of China, which has taken to advancing its claims by forcing a series of disguises on the nation of 24 million. Thus the many different names that Taiwan is burdened with (Chinese Taipei at the Olympics; Taiwan, Province of China on website menus; even Southeast Chinas Taiwan in Chinese state media) and the protean nature of its geopolitical status, which shifts with the level of knowledge and especially the national allegiances of the beholder. Google the phrase Is Taiwan and the first suggested response is a country. The unspoken word preceding country is of course: real.

In the time of COVID-19, Taiwan appears more than ever like a mirage. It has arguably handled the coronavirus outbreak better than any other country, but it is excluded from effective participation in the World Health Organization (and other United Nations specialized agencies) due to Chinese pressure. In recent weeks, stung by accusations that it mismanaged the crisis out of deference to the PRC, the WHO has tried instead to shift the spotlight away from Taiwans domestic accomplishments and the medical aid it is now providing to the United States, Europe, and Southeast Asia. In an interview with the Hong Kong broadcaster RTHK that aired March 27, the Canadian epidemiologist and WHO advisor Dr. Bruce Aylward sidestepped a question about Taiwans potential membership by pleading difficulty hearing. Then he hung up the call. When the reporter dialed him again, he had only this to say: Well, weve already talked about China. The effect was akin to shadowboxing: the WHO desperately trying to avoid a plucky contender whose existence it frequently denies. (For a time in February, the WHO even resorted to describing Taiwan as Taipei and environs.) Soon after his interview inadvertently drew greater attention to Taiwan, Aylwards own profile was scrubbed from the website introducing the WHOs leadership team.

These days, however, it is not merely a sleight of hand by United Nations technocrats that makes Taiwan seem less than real. With a third of the global population subject to some form of shelter-in-place order as of April 13, and nearly 90% of students around the world out of class, who would believe in an island nation where life continues more or less as normal? Where schools and restaurants are open and there has been virtually no community spread of the novel coronavirus despite its closeness to the original epicenter of the pandemic? Where the populace just resoundingly re-elected its first female president (Tsai Ing-wen) and the current vice president (Chen Chien-jen) is a celebrated epidemiologist? You would have to see it to believe it, only now you cannot, for the borders are shut as of March 21st to nearly all foreigners in a bid to prevent new cases of the virus.

The empty airports are an especially difficult sacrifice for a place that relies heavily on tourism to counter its politically-enforced isolation. In 2019, Taiwan received more than 11 million visitors, an all-time high. For the ruling Democratic Progressive Party, the hope was that these sojourners would see the country for what it actually is a place with its own government, currency, passport, customs, and most importantly, a unique sense of identity and history. They hoped visitors would, charmed, tell this story to their friends and governments back home.

APPEAL OF THE UNFAMILIAR

The appeal and believability of that story depended on Taiwans likeness with the rest of the nations that make up our world. The goal was mutual recognition, the currency for participation on the global stage. But for most of us in the West, there is little to recognize in the stories coming out of Taiwan right now, stories of rigorous contact tracing and factories producing masks by the millions every day. Instead, as we queasily eye the logarithmic curves in our own countries and seethe against incompetent and uncaring leaders, the news about Taiwan takes on the timbre of a fairy tale. The appeal has been flipped: the story draws us in precisely because Taiwan stands apart, and that difference only serves to make it shimmer slightly, to seem less like a model that might actually be followed than a comforting fable set somewhere far, far away, where human life is still flourishing. It reminds me that this week I will teach my students Thomas Mores 1516 book Utopia from my couch instead of my seminar room. In this early modern classic, the traveler Ralph Hythloday (his made-up last name translates roughly to nonsense purveyor) regales his hosts despairing of the social and economic abuses in their own societies with tales of a mysterious, hitherto unknown island whose citizenry can boast of many things, including a well-ordered government and robust good health.

The COVID-19 disaster offers Taiwan the rare opportunity to demonstrate that mutual care and coordination need not be limited by formal diplomatic ties or the lack thereof.

In mid-March, I had to make a choice about a spring break trip to Taiwan that would by necessity have turned into a much longer stay, so quickly was the window closing for even nominally-safe travel. I am a professor at a small liberal arts college in the rural Midwest. With the abrupt end of in-person classes came the possibility of spending an extended period of time in a place I am hopelessly in love with but live nowhere near. At the last moment, however, I could not bring myself to drive to the airport and get on the plane. I had been teaching full classes of students all week. I had woken up with unusual aches in my body, after thirteen uninterrupted hours in bed, three days in a row. I could not say with certainty that I was not a carrier of the virus I could not say for sure that I would not fall ill on the suddenly full flight. Either scenario would have made me a vector of disease in a place whose lack of official diplomatic support renders it vulnerable and thus, by necessity, self-sufficient. In the quietness of the prairie spring I have had plenty of occasion to regret my choice, now that I know I am not sick and that my American passport and expired Taiwanese one will no longer gain me admittance. But this is just the starkest reminder to date of what it means to be the second generation of a diaspora, drawn to a homeland constructed in my mind out of longing and nostalgia a place that often bears little resemblance to its reference point and is therefore always out of reach, no matter the moment.

OPPORTUNITY FOR INCLUSION

Among those who care deeply about Taiwans uncertain fate in a world system that all but shuns it, there has been hope that its stellar performance in pandemic control and the evident danger of excluding so many people from global health coordination will win it more diplomatic space. Seventeen years ago, the outbreak of the first SARS virus provided an opportunity for Taiwan to gain limited access to the WHO. Initially, the WHO denied requests from Taiwanese officials and scientists for virus samples, antibody tests, and the latest research on treatment and vaccines. SARS was ultimately implicated in the deaths of 73 people in Taiwan. Not until the first fatalities occurred there did the WHO send specialists (and only after the PRC lifted its initial objections). Then, as now, there was an outcry against leaving Taiwan out.

Nonetheless, all this was followed in 2005 by the signing of a secret memorandum between Beijing and the WHO Secretariat that explicitly limited the latters interactions with Taiwan to times of acute emergency, and which requires the pre-approval of the Chinese Ministry of Health. Thus, Beijing has already shown it can respond to calls for Taiwans participation in the WHO by employing this same organization to acquire new methods of control over Taiwanese citizens. This time around, the result of the positive press covering Taiwans heroic efforts to save its citizens and donate personal protection equipment to hard-hit countries might well be the drafting of new WHO memoranda by the PRC to actualize its claims over Taiwan in other words, the heaping of unreality onto illusion, of misrepresentation on to the lack thereof.

Yet a different outcome is possible however remote it may be. In a post-World War II order that rations dignity, access, and protection to an artificially low number of nation states, it is no wonder that the highest political aspiration of many Taiwanese is for their homeland to be accepted as a normal country. But Taiwans predicament also points the way to a more flexible and inclusive way of thinking about the global, one that makes room for the emergence of new polities and for a variety of multilateral relationships. The COVID-19 disaster offers Taiwan the rare opportunity to demonstrate that mutual care and coordination need not be limited by formal diplomatic ties or the lack thereof. To showcase these humanitarian efforts, nearly 27,000 Taiwanese and their allies crowdfunded an advertisement that appeared in the April 14th print edition of the New York Times. It begins: In a time of isolation, we choose solidarity. A place so often dismissed as unreal and lesser knows what it means to adapt in the face of difficult circumstances. As we think about how to reorganize our broken world after the pandemic, here is a clarion call to let the anomalies and the exceptions, the outcasts and the nowheres lead the way forward.

Catherine Chou is an assistant professor of early modern European history at Grinnell College. She tweets at @catielila and is in the very beginning stages of a book on decolonizing Taiwan in the era of the PRCs rise.

Link:

Island Utopia - Inkstick

Picture this: Utopia – British Journal of Photography

My Future is Not a Dream 03. Whose Utopia Series. 2006. Inkjet print. 120x150cm Cao Fei, courtesy of Cao Fei, Vitamin Creative Space and Sprth Magers.

Justine Kurland, Alfredo Jaar, Rhiannon Adam, Cao Fei and others, reflect on the idea of Utopia amid the current crisis the first in a series of articles inviting artists to respond to a theme with image and text

In 1516, Sir Thomas More conceived of the word utopia from the Greek expression for no place or nowhere ou-topos. The almost identical word eu-topos translates as good place. There exists the essence of the term a perfect world that can never really be. Mores book of the same name, which outlined his conception of utopia, sparked decades of interpretations of the phenomena in literature, art, theatre, and film from carnivalesque communities to more puritanical worlds.

Utopia, by its very nature, can never exist. But, amid a worldwide pandemic that has altered, and in many ways suspended the chaotic world we knew, what does the word evoke for you?

Perhaps it is a place where we are free to touch again, be outside among others, travel to somewhere we love. Or can a kind of utopia be found amid this crisis, which is almost dystopian in the illness and death it has wrought? For above desolate city streets, stars have returned, oceans have quietened, and the pollution of our planet has momentarily slowed.

We asked different artists this question Justine Kurland, Alfredo Jaar, Rhiannon Adam, Jabulani Dhlamini, Cao Fei, Tabita Rezaire, Tereza Zelenkova, and Mikhael Subotzky, responded; their replies can be found below.

Fine art photographer Justine Kurland is well-known for her dreamy images of women care-free runaway adolescents, schoolgirls, mothers, and soon-to-be mothers, clothed and naked captured in utopian American landscapes often cast in a gorgeous golden glow. Before the birth of her son, Casper, Kurland spent most of her time travelling across America in search of subjects to photograph, an approach she continues to this day.

I intended my photographs as a counter-response, an opening through which to imagine a way out. I wantedand neededto create a version of motherhood that was bearable

My fifteen-year-old chose to quarantine with his father, rather than stay with me. I console myself with a set of justifications: his father has a nicer apartment; his father doesnt hassle him about screen time, bedtime, or homework; his father is a better cook. But the rejection is real and inevitable, considering the primacy of our bond. Alone in my apartment this month, I am devastated by my premature and accidental barrenness, a childless mother in an unnatural inversion of the Bertha (Underwood) Morgan song Motherless Child.

My series of photographs picturing mothers and children, Of Woman Born, takes its title from Adrienne Richs seminal book, in which she writes about the impossibility of motherhood and how its explicit subjugation to patriarchy precipitates a descent into domestic hell. I intended my photographs as a counter-response, an opening through which to imagine a way out. I wantedand neededto create a version of motherhood that was bearable.

The mothers in my photographs live in a world without men, in maternal bliss, embracing the pleasures of an animal existence. But when I look at Oneonta Gorge, Log Jammed Crevice, I see Casper instead, balanced on my hip as I manoeuvre my camera on its tripod. He had made up a little chant, something like, We photograph mama babies, we photograph mama babies, we photograph . and sang to me as I made pictures. The original utopian impulse of the work now bends toward the memory of that sound.

Artist, architect, and filmmaker Alfredo Jaar creates work in response to hardship and injustice, confronting many of the most appalling atrocities of recent history, including the Rwandan genocide and 1993 Sudan famine. His work addresses issues from unfamiliar perspectives and encourages viewers to question their comprehension of the subjects at hand.

I cannot help but think of Dantes Inferno as our present condition, suffering deserved punishments for the sins that have defined our lives

This photograph was taken in Naples in December of last year. It seems a very long time ago. It shows a 19th-century statue of Dante Alighieri that was sculpted by Tito Angelini. It sits in the middle of Piazza Dante, a beautiful public square to which I return often to pay my homage to the great poet.

Dantes magnum opus, The Divine Comedy, is a book I return often to, and now it sits, once again, on my night table. I cannot help but think of Dantes Inferno as our present condition, suffering deserved punishments for the sins that have defined our lives.

While Dantes fictional journey guides us through the nine circles of Hell in Inferno, we find ourselves not in a world of fiction, as some would make us believe, but facing science in its most disruptive capacity. Dantes Inferno is the perfect dystopia, one mere pause on our journey before we reach Purgatorio and finally Paradiso, our most desired utopia.

Rhiannon Adams work sits at the intersection of art photography and social documentary. In 2015, Adam travelled to the remote island community of Pitcairn in the South Pacific and created the first in-depth photographic series there Big Fence / Pitcairn Island. Her images employ ambient light, filtered through the hazy abstraction of degrading instant-film materials and colour negative film.

Ive visited many places that people dream of, but there is a fine line between a dream and a nightmare so I try to keep my eyes open

Utopia conjures many things for me it takes me back to writing papers on More at Cambridge when the dead of night would meet the first chink of light in the morning. The pressure cooker. The cycle of it all. The treadmill. I read that book and remembered my fathers idealism and all the chaos that led to. Reading about an impossible dream, a fog, a haze. I knew then, what I know now, that a belief in utopia is a dangerous thing, and Im a realist.

It also takes me to Pitcairn a place shrouded by mystery, perpetuated by distance. Smoke and mirrors. The pot of gold at the end of a rainbow always out of reach, a bubble due to burst, Icarus flying too close to the sun. The inevitable downfall of expectation. The lie we tell ourselves. utopia, more often than not, rings of dissatisfaction. A relentless quest. An unattainable goal. By definition, utopia cannot be. Its a lesson to be careful what you wish for. Ive visited many places that people dream of, but there is a fine line between a dream and a nightmare so I try to keep my eyes open.

Right now, as I am sitting in a flat in London, with the sun streaming through the glass roof, and the relative silence of Hackney penetrating my consciousness, I lust after an adventure, a quest, a search. The stranger danger, the adrenalin rush of a project. Each beginning like a first date, wondering whether youll still want to go home with it at the end of a night. My utopia right now is that liminal space between control and chaos, thats what I wish for. Thats what I crave. The unpredictable nature of a new start. For now, all seems familiar, suffocatingly so.

This image is of a clich a sunset and a horizon. But clich is clich for a reason. This was a moment that was beautiful, and still, or rather, where I felt still. My restlessness momentarily quelled. Sometimes I take a picture just for me, and this was one of those. I wanted to remember that feeling, of being where I was meant to be. I sat, on grimy Bombay Beach on the banks of the landlocked Salton Sea in the midst of Californias desert, a place where many dreams had come to die and watched the sun recede.

And I thought about the possibility, beginnings, endings, little heartbreaks, the thrill of rejection and journey for acceptance. I was starting a new project, and everything was new and fresh and a little dangerous. For now, thats all on hold, with travel on lockdown, but my utopia would be to be back there, amidst the detritus left by humanity, navigating the dregs, finding my place. Searching for that mysterious something that is just out of reach like this swing set at sea that grain of bizarre, the ellipsis between logic and feeling.

Thats when I feel new, reborn. And thats what Im missing, as right now Im just holding my breath.

Jabulani Dhlaminis work reflects his upbringing during apartheid and his views and experiences of contemporary South Africa. His practice draws on the pain and trauma of that past to understand and interrogate the present.

The image was taken in 2019, in Ladysmith, KwaZulu-Natal, South Africa. It is based on the concept of home as the perfect space in my mind. There was a funeral but, regardless of that, the moment gave me an ideal peace of mind.

Cao Fei employs photography, video, installation, and other digital media, to interrogate the changing face of contemporary China, perpetually reshaped by economic growth, rapid globalisation, and urban development. A number of major themes run through her oeuvre, notably the tension between the virtual and the real; utopia and dystopia.

Should utopia be regarded as the beacon, as in Charles Baudelaires Les Phares, igniting to shine through the darkness, or is it just a classic, unreachable and delusional mirage in our cold reality?

I took this photograph in 2006, during the filming of my multi-part project Whose Utopia in a lighting factory in the Pearl River Delta region an industrial hub in southern China that serves as a site of nationwide migration by people seeking expanded work opportunities in the countrys blossoming economy.

The photograph is an illustration of a melancholy vision of individualism within the constraints of industrialisation, which permeates the lives of an entire populace in contemporary Chinese society. In 2006, China was eager to integrate its economy into the global system, as the power of the global market was equally eager to penetrate China by means of multi-national corporations. As a result, the local economy was forced onto a global stage while young labourers from many inland provinces were entering this new international labour division.

I was deeply curious about the life of these emigrant factory workers in the Pearl River Delta region: how they achieve a totally new experience, new standard and new meaning in the overwhelming trend of globalisation, hence allowing us to see how they light up their utopia in a new reality. These workers utopia not only represented an ideal that energises their own lives, but also further exemplified how globalisation is reshaping the Pearl Delta River region, and even China as a whole. In this sense, utopia became a contemporary myth that drives us, as well as a mirror that reflects the very reality we live in.

It is important to remember that this photograph was taken 14 years ago. If Whose Utopia serves as a melancholy statement echoing Samir Amins argument that globalisation is essentially a reactionary utopia, then when the concept of utopia is reexamined in the midst of the Covid-19 pandemic, one would discover that we are now faced with a hollow utopia: globalisation, once a widely romanticised idea, is on the edge of its own demise our modern utopia seems to end up as a broken mirror.

In four decades, China has learned how to grasp the benefits of globalisation and has become a world economic champion. As the worlds second-largest economy, China is no longer a peripheral player in global affairs, but an economic powerhouse in direct competition with Europe and the US. However, Chinas long-term economic prosperity has also produced some of its unavoidable byproducts: the shrinking of demographic dividend and the increase of manufacturing cost both regarded as the preludes of the so-called Flying Geese Paradigm. The perpetual Sino-US trade war has also triggered a painful reshuffle of the global production chains, creating a rather vicious cycle along with the prevailing nationalistic sentiment and the increasingly unstable geopolitical dynamics. The recent shift it back initiative by the US and Japan is the latest anti-globalisation effort, following the current global economic re-pivot, which moves production chains from China to elsewhere, or back home.

As the neoliberal engine is losing its momentum, the possible demise of globalisation is forcing us to predict the unpredictable: What sort of crisis will occur upon our modern civilisation? An economic recession? Or wars? Or something that could cause a major setback to our civilisation? The pandemic will eventually disappear, but the global economy simply cannot be on hold forever, as well as the trajectory of every society.

Does the concept of utopia still make sense in our time? Is utopia even deserved to be properly discussed today? Should utopia be regarded as the beacon, as in Charles Baudelaires Les Phares, igniting to shine through the darkness, or is it just a classic, unreachable and delusional mirage in our cold reality?

Tabita Rezaire blends spirituality and healing, with an exploration of the online world. Rezaires practice centres on unearthing remedies to dilute the injustices, and oppressions, which pervade the digital realm, and the real world, beyond it.

Beyond the frenetic drive for growth motivated by profit and the insatiable thirst of capitalism, are other worlds. Worlds we dream, worlds we draw, worlds we sing. Worlds where visions are real, where flowers speak, and water heals. Worlds in which we value the land, protect each other, honour the science of our ancestors, and align with the rhythm of cosmic geometries.

Darkness pervades Tereza Zelenkovas distinctive black-and-white images surreal stills, which are both alluring and disconcerting. Themes of mysticism, death, and the sacred, run through her work, which is enigmatic, giving viewers the space to unravel each photograph with their imagination.

A particularly interesting phenomenon is the lack of silence and solitude within the home environment; these have somehow been transferred and imposed onto public space

It has been a month-and-a-half since the government here in the Czech Republic announced a state of emergency and dramatically reconfigured our everyday freedoms and habits. Initially, I spent days glued to news updates, with all future plans connected to any regular, preconceived sense of existence put on hold. At first, our lives were lived from hour to hour, later from day to day, until we eventually settled on living one week to the next.

Any longer-term foreseeable future remains hazy, shape-shifting from one public contradictory announcement to the next. For the first time in my life, the near future has become completely unpredictable and the only thing I can rely on is the present moment. Even the daily counts of how many people were, are, or are going to be infected, are just numbers, which will keep changing until we can fully grasp what has happened long after the current events have taken place.

We are told that life will never be the same again and that things cannot return to as they were before: the new normal, they call it. Judging from the imminent economic backlash in conjunction with largely conservative populist governments around the world, it seems like the world wont be a better place for a while. From our current perspective, paradoxically, even the past status quo presents itself as a utopian version of anything that might come in the future.

If Im to think of the past as a form of utopia, this photograph springs to mind. I took it during one summer spent with a group of my friends in rural France. It was a period that we gave to ourselves to research, make new work, and to enjoy some time together away from our busy lives in the city. The idea of luxuries, such as undisturbed time to think and work, spending the majority of our time in outdoor, open spaces, or being in close proximity with friends, seems quite remote these days.

The combination of being a mother of a four-year-old chatterbox, who has been separated from other children her age, and a work-from-home scenario, is not ideal. I am grateful that we have all the comforts of living in a spacious apartment, without a shortage of food and other supplies, but having work obligations while looking after a family can be difficult and the tensions are sometimes high.

A particularly interesting phenomenon is the lack of silence and solitude within the home environment; these have somehow been transferred and imposed onto public space. The parks and streets were eerily deserted in the first weeks of lockdown, while homes became loud, un-restful and busy.

Everything is slowly starting to re-open here in Prague but the future is still uncertain. Similarly, any notion of truth becomes an increasingly rare commodity among the countless available attempts at grasping the situation. As the whole world is experiencing something unprecedented in recent history, there are no words of wisdom that could shine a light on the end of the tunnel. I feel that the only way I can appropriately conclude is using the sentence that we all say way too often these days: This is so crazy!

Mikhael Subotzys work derives from his attempts to situate himself within the historical, social and political narrative of his home, South Africa, and the places beyond that, which he visits. One of his earliest series Umjiegwana, The Outside, and Beaufort Westinterrogates the relationship between everyday life in post-apartheid South Africa, and the social structures, and complex histories, lingering beneath it.

Perhaps utopia will only be relevant as a concept once we are gone, and the greens of our golf courses have faded into the coming dryness of winter

I took this photograph in the winter of 2008, shortly after a wave of xenophobic violence that swept through South Africa caused the deaths of 62 immigrants and the displacement of over 200, 000 vulnerable people.

The photograph functions through a very straightforward dichotomy the hugely ironic juxtaposition of the UNHCR tents with the advertising board declaring Pleasure Personified in relation to the golf resort that was intended for this empty land.

The issue of xenophobic violence has hardly disappeared since then, but I now see much more in the juxtaposition than the material conditions of the refugees. Our consciousness of the land itself has changed with recent political developments and personally, I now notice the colour of the grass in the juxtaposition far more than the more obvious text.

I realise that the grass is never really greener on any side in a world that has only become more divided, populist and cruel to immigrants in the 12 years since I took that photo in the tragic winter of 2008.

I dont know if this golf course was ever built, but this morning I woke up to pictures of lions and hyenas on the greens of the Skukuza Golf Course in the Kruger National Park, taking advantage of the absence of humans. Perhaps utopia will only be relevant as a concept once we are gone, and the greens of our golf courses have faded into the coming dryness of winter.

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Picture this: Utopia - British Journal of Photography

Weekend Hot Topic, part 2: Movies that should be video games – Metro.co.uk

This is not what Harrison Ford looks like nowadays (pic: Lucasfilm)

GameCentral readers name the films and TV shows they think should be turned into video games, from Blade Runner to Death Note.

The question for this weeks Hot Topic was suggested by reader Grackle, who, inspired by the recent Predator: Hunting Grounds, asked what movie or other licensed property do you think would work well as a video game?

A lot of the suggestions have already been games at some point, especially in the 80s and 90s, but there was still a great desire to see definitive versions of films like The Terminator and RoboCop, as well as newer franchises like Fast & Furious.

Indiana Jones and the fountain of youthWe are long overdue a return for Indiana Jones as far as Im surprised. I have zero interest in a new film but I would love to see a new game, especially if they can somehow get Harrison Ford to do the voiceover. Given how good the graphics would be in the next gen they could get him to look exactly like his old self and basically create a whole new film that didnt have to be set in the 60s or whatever. Plus it would be a game!

Admittedly Id love if it was a graphic adventure, or even a remake of Fate Of Atlantis, but Ill settle for anything as long as isnt just straight action or an Uncharted clone.

I know thats going to be the temptation but an Indy game should be about talking to people with dialogue choices and solving puzzles, not just non-stop action. If you ask me Uncharted games always drag on because theres nothing else to them but Indy could have much better pacing if it was scripted like a film, with slow moments and fast. I think itd be great.Wallace

Wider worldGutted that the Predator game was no good, but no surprise there I suppose. To be honest I think these things only work if theres a big expansive world already to adapt, like Star Wars or Marvel. When youre trying to adapt just a two-hour movie that has maybe four or five action scenes it just doesnt work.

Given that I would say that Blade Runner has some of the most potential. Its only two movies but the world is huge and you could easily make something that had no action or lots. I doubt theres ever going to be a third film so this could be a really good way to continue the franchise.

I even think theres a reasonable chance it could happen if Cyberpunk 2077 is a huge hit, as whoever owns the film rights is going to get the notion that they can get a piece of that pie. And if that doesnt work out they should do a new Dune game. Film buffs will get the connection.Baker

Slow and tediousOne movie series that I always wanted to have a top-end video game has actually now got one in the pipeline: Fast & Furious. Though unfortunately what Ive seen so far of the game doesnt fill me with enthusiasm.

I always thought that a Fast & Furious game could be modelled to be essentially a Need For Speed with a much more memorable character set and storyline. It could also obviously have good multiplayer aspects, being a racing game. Ill admit I dont know an enormous amount about the planned Crossroads game but even the visuals looked very questionable.

Other movie-game should-have-beens Ive previously read about range from Escape From New York, Hunger Games (which I think would really work well), The Purge and a review line which I saw from the Solo: A Star Wars Story movie that said it would have worked really well as a kind of Star Wars Uncharted, if it was made as a video game instead of a movie, which I thought was interesting.NL

E-mail your comments to: gamecentral@ukmetro.co.uk

This is the wayYou know what would be nice? Some decent Star Wars games. EA has had the Star Wars so long now the whole sequel trilogy has been and gone and they didnt make a single game based on it. I mean, no loss there but talk about being late to the party.

I suspect the same thing is going to happen with The Mandalorian, even though lots of people have been saying they should make a bounty hunter game for ages.

I guess theyll just continue with Fallen Order but I wouldnt say that was any better than okay. The characters were super boring and I really dont have much interest in seeing them again. Id much rather play as a scoundrel than a Jedi and so far EA is not making that dream come true.Syril

Bomb #20One movie that springs to mind is John Carpenter and Dan OBannons Dark Star from 1974. The main game could play a bit like Elite, with the player travelling between and destroying unstable planets. Random mini-games could include stargazing, having to feed the alien, playing the bottle organ, the knife game, and navigating electromagnetic storms.

Every so often there would be a bomb malfunction, triggering a (potentially) final mini-game of having to teach the bomb phenomenology this could play like the Paradroid mini-game involving circuit diagrams and logic gates. If unsuccessful, the bomb would detonate inside the ship and the game would end, but during the credits the player could control an atmosphere-surfing Lieutenant Doolittle en-route to his doom.

A Dark Star game would probably be pretty shallow and short-lived, so best suited to a smartphone/tablet. It would have been awesome if released by Llamasoft/Jeff Minter back in the day.

Stay safe, Covid-19 and whatnot.Graham Wade

Original conceptI guess there are obvious reasons, what with all the Japanese schoolchildren and all that but Im amazed there hasnt been an official Battle Royale game yet. Theres probably some mods or something but it seems a bit unfair that Fortnite and co. have taken so much inspiration, and the name, from the film but it doesnt get anything out of it.

It would be one of the few chances to get a story mode out of one of these games too, but I doubt itll happen.Korbie

Catch up on every previous Games Inbox here

Noteworthy ideaId suggest an indie game for my comic (anime) to game idea, due to there being no real reason to go full on triple-A game for this. How about Death Note but with a twist. Obviously the story is known but we could have an alternate universe version where you can either be the antagonist or protagonist without being Light Yagami, the main bad guy, or L the super detective who investigates the crimes.

The Death Note story revolves around a notebook owned by a God of Death called Ryuk, that he somehow manages to loose. The book gives the ability for a name to be written in and that person dies from a heart attack no matter where they are in the world. Light (Kira) uses this to create a new utopia of a world by getting rid of all criminals and people he has classified as bad. Then he goes mad and goes beyond what he initially planned.

L, the young detective has to get to the bottom of this and work out who Kira is. In the game there could be a new cast of characters in a Cluedo type affair, where you will have to find the culprit before they find and eliminate you. Or be the Death Note murderer and try to create that utopia by evading the hunt for you by the super detective.

The gameplay would be based on questioning suspects, reading reports, watching TV spots, etc. and piecing clues together to dwindle down the suspects to one, before the antagonist finds out about you and tries to stop you.

Alternatively, getting rid of key people from the antagonist side of things to ultimately clear suspicion on you, whilst you try to achieve your goal, is what playing from the other angle can be like. If you are clumsy and not careful with your ill doings, then instead of you eliminating the protagonist, the super detective will catch and imprison you.

Something like this can be fun without having to have a complex world to design. A more simplistic setup can be used instead. Using a manga/anime look in a comic strip or some other clever development tool to create the world to play in is all thats needed.

Its a popular franchise so a fanbase is already there to try it. For all I know, a game like this already exists. I think itll be fun anyway.Alucard

GC: There are several Death Note video games, but weve never played any of them.

E-mail your comments to: gamecentral@ukmetro.co.uk

The small printNew Inbox updates appear every weekday morning, with special Hot Topic Inboxes at the weekend. Readers letters are used on merit and may be edited for length.

You can also submit your own 500 to 600-word Readers Feature at any time, which if used will be shown in the next available weekend slot.

You can also leave your comments below and dont forget to follow us on Twitter.

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Weekend Hot Topic, part 2: Movies that should be video games - Metro.co.uk

Beyond the Shelf – Jacksonville Journal-Courier

Angela Bauer, abauer@myjournalcourier.com

While Jacksonville Public Library remains closed because of the COVID-19 pandemic, heres a closer look at some of its offerings beyond the book shelf:

All of the following items are available as e-resources by visiting jaxpl.org and clicking on Online Resources & Databases or within the apps described. If you need any assistance using any of the librarys resources, please e-mail Sarah at ssnyder@jaxpl.org.

ADULT FICTION

The City We Became by N.K. Jemisin (available as an e-book on the Libby and Overdrive apps): What makes a city feel the way it does? Is it the art and the music? The people and how they view themselves? What about the infinite, miniscule details of the place, whether they are recognized or ignored completely? Three-time Hugo Award winner N.K. Jemisin shows us her version of the answers, and they add up to something bigger than the sum of its parts. In this book, a magical novel of breadth and precision, Jemisin builds a version of New York City that is more than the borders of its boroughs. This New York is alive, literally. Cities are living organisms complete with enemies that must be fought off. Adventure awaits.

ADULT NON-FICTION

Hidden Valley Road by Robert Kolker (available as an e-book on the Axis 360 app): Twelve children. Six diagnoses of schizophrenia. Two parents navigating a meager mental health care system in mid-century America. At the center of this book are the Galvins, who are unlike any family youll ever read about. Hidden Valley Road blends two stories in alternating chapters. The first is about the overwhelmed Galvin parents, Don and Mimi, and how raising a boisterous Catholic family of eight sons from the 1950s to the 70s may have allowed mental illness to hide in plain sight. A boys will be boys attitude excused much aberrant behavior. The second story in the book details the thankless psychiatric research that has gone into defining schizophrenia and establishing treatments. Hidden Valley Road is a must-read for anyone who seeks to understand how far weve come in treating mental illness and how far we still have to go.

FILM TO WATCH

The Florida Project (available on the Kanopy app): Set on a stretch of highway in a budget motel managed by Bobby (Willem Dafoe), just outside the imagined utopia of Disney World, the film follows 6-year-old Moonee and her rebellious mother over the course of a summer. Dafoe was nominated for an Oscar, a Golden Globe and a BAFTA for his performance.

MUSIC ALBUM

3.15.20 by Childish Gambino (available on the Freegal app): Back with his first full-length project since 2016s Awaken My Love, Donald Glover aka Childish Gambino has released a sprawling record with a much more varied palette than his last effort. On 3.15.20, Glover is much more willing to take sonic risks, offering ballads supported by minimal acoustic guitar work right next to massive booming drum patterns. The album benefits from these twists and turns and it makes a much better canvas for Glover to present his lyrics. Glover has absolutely found his way by using every ounce of his influences and points of departure to create a record worthy of praise and exploration.

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Beyond the Shelf - Jacksonville Journal-Courier

Arquettes plan to start production of new film in Trumann – Arkansas Online

David Arquette and his wife, Hope native Christina McLarty Arquette, are planning to start production on their new film in Arkansas in June, according to a report by online news site Deadline Hollywood.

While many Hollywood productions are shuttered due to covid-19 precautions, the couple, along with partners HCT.media, have converted a former factory in Trumann to film Ghosts of the Ozarks, Deadline reports.

Its such a vast amount of space, we can build it so everyone can social distance, Christina McLarty Arquette told the website.

The Arquettes say the crew and cast, which includes Tim Blake Nelson (Watchmen, O Brother, Where Art Thou?), will be tested and their temperatures taken regularly, Deadline reports. They will also be placed in quarantine before filming starts.

We have everything in line," David Arquette said. "We have the ability to be able to still produce things with a reasonable expectation of social distancing, take everybodys temperature, and we have flexibility with quarantining people before they get there.

The film was written by Tara Perry and Bald Knob native Jordan Wayne Long of HCT.media. It will be directed by Long and Matt Glass and tells the story of a young doctor who travels to a remote Ozarks utopia in 1866.

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Arquettes plan to start production of new film in Trumann - Arkansas Online

Albert Serra on the Utopia of Libert and Pushing the Mental Borders of His Audience – The Film Stage

The New York Film Festivals Dennis Lim delivered director Albert Serra to me in the lobby of the Elinor Bunin Munroe Film Center during the 57th edition of the festival last fall. Serra was traveling solo for the American debut of Libert, which picked up a Special Jury Prize at Cannes Film Festival when it premiered in the Un Certain Regard section.

We didnt know where to record our conversation so we intruded on the festival staffs lounge. Serra set up two U-shaped leather chairs facing each other. He grabbed us drinks from the bar and moved in close. Talking to the director is a lot like watching his movies; you listen and watch closely for long, unbroken amounts of time. You dont analyze Serras filmthey analyze you. Some directors refuse to speak about their own workespecially with the pressbut Serra will gladly dissect his own, even if he objects to your questions, as you will see in our conversation.

Libert follows Madame de Dumeval, the Duke de Tesis, and the Duke de Wandlibertines expelled from the puritanical court of Louis XVI in 1774who intend to spread libertinage from Paris to Berlin. To further their cause they need the help of Duc de Walchen (Helmut Berger), a German seducer and freethinker, who is lonely in a country where hypocrisy and false virtue reign.

In our conversation, Serra discusses his artists sexual language, Liberts utopia of liberty, not knowing whats real and whats fake in his movies, upsetting uptight liberals, and what it means to create contemporary trash.

The Film Stage: The groups sexual language involves bondage and capture. Can you discuss the inspiration behind these elements?

Albert Serra: The film was inspired by Marquis de Sade. Theres complexity to this idea of freedom and desire how these two concepts can be matched if they can. If you think about sex, its always a relationship with somebody else or a lot of people or several people, whatever. I was talking yesterday about this friction and it is inevitable friction. Sometimes it can be very harmonious, but perfect harmony doesnt exist. Friction in itself creates more possibilities. Maybethere are people that can be super happy to live without desire, but with time, things tend to change, and the proper nature of desire is to get tired of the same practice with the same people in the same body. If you have a harmonious moment, in general, it will not last. This is our psychological experience as human beings. The permanent non-satisfaction of desire. Give a man everything he desires and everything will immediately not be everything. It means that you always need something else.

To create utopia you have to force things, it never happens naturally. There is some first moment where there is some resistance. Maybe forcing something, you will get yours and you realize the value of what youre doing and maybe your desire and your body adapts to this idea of inevitable friction in a pleasant way. Sometimes pain and pleasure get confused because its the first moment of you dont not knowing exactly what you are feeling. You dont know exactly if youre being forced to feel something or if you really like it. In this moment of confusion that is something nice.

Its part of the utopia of liberty, because not everybody can feel the same things at the same time. So there is always somebody that is feeling less or feeling differently.

Is that why you created an intimate environment and let improvisation happen?

I will not say improvisation. That sounds like we didnt know what we are doing and, in fact, we know what we are doing and the name of what we are doing is performance. Its really accepting the fatality as the characters of the film accept the fatality of their desire, the arbitrary weight of their desire. We accept the fatality even if its a film with a budget with some constraints. We accept the fatality of living unique moments. Its not improvisation. It starts from the very beginning with accepting that what you do at that moment wont happen again, we wont be able to shoot in the same intensity so every new moment will be different. Its totally acceptable as we dont know what we are doing. As we dont know what we are looking for, even.

Its not about improvisation. We have a very close and conceptual setup. The people, the place, the aesthetics. Its quite strong to think before the frame of where we will play this game. But then, everything gets forgotten and everything can happen. The non-communication aspect of my way of working, its fatalityits really a vision of fatality, but genuine fatality. Its not how we are pretending to accept these as if it were real, but the fact we are controlling through the process of production. No, we really accept this, thats all. These actors for me are not just actors representing somebody, but they are real artists themselves, working with their own fatality in front of the camera that is very subtle but its very precise. Thats all. This is a very different approach not common in cinema.

The actress who was hung by her hands from the tree and the actor who was whipped and screaming, was that really happening?

You never know until which point. I think this is the magic of the thing; because there is representation, its boring, since there is the real. Its like a documentary, people here are enjoying what they are doing. So here we are at a strange point. But even if I dont know myself, as I never asked anyone to do anything, people were enjoying it and somehow suffering. For me because of intimacy, again, this concept, its very personal to say, How is somebody enjoying it?

Obviously there are a lot of fake things, but there are also some real things. This idea corresponds with our idea of the night, the logic of the night. Sometimes we wake up the day up after and we say, Fuck, I dont remember what I did or what was real or if I said something wrong. It was very confusing and it was nice because the film reflects this confusion and the confusion of the night. But I am not capable of saying how much of this is real. It looks real, no?

Talking about the logic of the night, which has to do with the removal of the hierarchies, so on what basis are the characters choosing to sleep with each other?

Its arbitrary, because of this idea of giving, not receiving. This idea when you are in a place where its totally arbitrary, it means that you have not focused on what you are expecting, what you are feeling, what are your desires or what are your rights. You think about what other people feel, so you make a strange combination, and you simply act as a base. Add in the confusion of the points of view. This idea that you are a hunter but you are also the prey.

When its about giving, I think the arbitrary aspect is stronger. Okay, give to simply give. This gives the egalitarian aspect of the film. At the beginning, it looks like there is some hierarchy because there is some like some aristocrat. Gradually, slowly, this is totally destroyed and you see that there is no hierarchy at all.

What youre wanting to give the audience in Libert isnt necessarily a pornographic type of pleasure or eroticism. Your average film festival audience is kind of uptight liberals

Im trying to provoke them. Also with the title, Libert, it means if you dont do this, you are not free. All of these people that have sex in the movie are free. So its pushing the mental borders on people, I have to admit that its a provocation. Why dont you do this, why are you so boring? The confrontational aspect of this is important. I want them to be a little bit confronted. Its always true with this subject of sex. When people talk about sex in film they are not talking about the film itself, but about themselves. The very personal way the film is dealing with its subject. It touches something, and I was happy with this because it opens, in a weird way, I think in a very healthy way. The film allows you to project your own things because of its confused points of views.

In one of your interviews, you said with Libert youre creating contemporary trash. What does that mean?

Its not just a decorative historical film. Its more about the totally rotten way we relate to each other nowadays, physically. Harmony is lost. The possibility of harmony in the relation with bodies, I think its lost in general and I think its because of social media. It creates a lot of pain in people because they have such a strong control of their own image they are scared of everything. They are scared of everything you are not able to relate to give in a general or arbitrary way. It will not be nice anymore. Probably.

Its a very pessimistic approach. Its totally insane to think like this because I like to be optimistic but I dont see the way out of this problem of extreme difficulties of creating harmonies with bodies in the future. But maybe its my opinion, maybe Im wrong. I dont know, Im not a prophet or a visionary, but from what I feel, people are so in control of their own image. Being in control of your own image is worse than being in control of your own body or yourself, in general.

Libert is now playing in Film at Lincoln Centers Virtual Cinema.

Excerpt from:

Albert Serra on the Utopia of Libert and Pushing the Mental Borders of His Audience - The Film Stage

The Best Movies and TV Shows Coming to Netflix, Amazon and More in May – The New York Times

For more recommendations on what to stream, sign up for our twice-weekly Watching newsletter here.

The summer movie season may be delayed this year or even canceled but the streaming services still seem to be treating May as the time to start trotting out blockbusters. The accomplished television creators Ryan Murphy, Greg Daniels, Loren Bouchard and Hannah Gadsby all have new projects arriving next month. And popular series like Unbreakable Kimmy Schmidt and Homecoming are returning. The end of the month will also bring the debut of HBO Max, a new service that will combine HBOs existing content with original programming and a healthy assortment of titles from the WarnerMedia catalog.

Here are our picks for the best new movies and TV series premiering in May, as well as a roundup of some other notable titles thatll be available to stream. (Note: Streaming services occasionally change schedules without giving notice.)

Hollywood

Starts streaming: May 1

The writer-producer Ryan Murphy took some flak a few years back for his backstage melodrama Feud, which depicted the real-life rivalry between Bette Davis and Joan Crawford in ways both entertaining and factually shaky. For Murphys latest Hollywood-focused mini-series (created with Ian Brennan), he defies the accuracy police further by inventing an entire alternate history of the American movie business after World War II. Darren Criss, Patti LuPone, Jim Parsons and Dylan McDermott all veterans of past Murphy projects join Samara Weaving, Queen Latifah and Mira Sorvino for a story populated by real big-screen stars of decades past (including Rock Hudson, Hattie McDaniel and Anna May Wong) as well as fictional characters, all interacting in a version of late 1940s Hollywood where women, people of color and openly gay people achieve positions of power. The scenario may not be true per se, but with Hollywood, Murphy aims to offer an appealing counterfactual.

The Eddy

Starts streaming: May 8

The La La Land and Whiplash filmmaker Damien Chazelle returns to the world of jazz and to the daily chaos that always seems to surround musicians for The Eddy, a mini-series for which he serves as a producer and a director. Andr Holland plays Elliot Udo, a persnickety ex-pianist who runs a struggling Parisian nightclub and demands a lot of its house band, led by the equally strong-willed Maja (played by Joanna Kulig, from the excellent Polish drama Cold War). Powered by a diverse ensemble cast, the intricate and episodic story written by Jack Thorne deals with themes of passion, loyalty, family and regret. Chazelles fans will also appreciate the shows style, which is kinetic and immersive, using a you are there approach to capture the pressures of the music business and the thrills of collaboration.

Unbreakable Kimmy Schmidt vs. The Reverend

Starts streaming: May 12

The delightful Netflix sitcom Unbreakable Kimmy Schmidt aired a superb series finale last year, which brought the heroine back to where her story began: the crumbling New York apartment building where she met her first real friends, after spending her young adult years held captive by a religious zealot. You can consider the new special, Unbreakable Kimmy Schmidt vs. The Reverend, to be an epilogue, allowing the shows creators, Tina Fey and Robert Carlock, to pit Kimmy (Ellie Kemper) against her nemesis, Reverend Richard Wayne Gary Wayne (Jon Hamm), for one more cathartic standoff. It also offers another chance for Fey and Carlock to explore their series-long fascination with life-changing choices and roads not taken. An interactive experience, this special lets the viewer decide what Kimmy and her friends do, in a story where her wedding day is complicated by the reverends return.

Hannah Gadsby: Douglas

Starts streaming: May 26

Given all the controversy and acclaim generated by Hannah Gadsbys 2018 stand-up special Nanette, the Australian comedian faced a tough challenge in delivering a follow-up especially since Nanette was in part about her realization that telling jokes is an inadequate way to process trauma. According to the warm reviews that greeted Gadsbys new show Douglas when she took the new material on tour last year, the sequel to Nanette remains a personal, thoughtful and righteously impassioned piece of comic performance art, with pithy punch lines about patriarchal privilege, the price of success and our enduring obsession with putting labels on people and art.

Also arriving:

May 1

All Day and a Night

The Half of It

May 5

Jerry Seinfeld: 23 Hours to Kill

May 8

Dead to Me Season 2

May 11

Have a Good Trip: Adventures in Psychedelics

Trial by Media

May 13

The Wrong Missy

May 15

She-Ra and the Princesses of Power Season 5

White Lines

May 19

Patton Oswalt: I Love Everything

May 22

The Lovebirds

May 30

Space Force

Spaceship Earth

Starts streaming: May 8

Our current pandemic crisis has led many of us to think more about the future of the human race, and to wonder whether careful planning and advanced technology could help us survive whatever ecological or epidemiological catastrophes await us in the decades ahead. Matt Wolfs absorbing documentary Spaceship Earth wont be much of a comfort, alas. The filmmaker behind the fine docs Wild Combination, Teenage and Recorder brings his keen critical eye and his interest in our shared cultural past to the story of Biosphere 2, the experimental terrarium project that was supposed to prove how humans could thrive within a closed system. With Spaceship Earth, Wolf considers how admirable idealism is often thwarted by cruel reality.

Also arriving:

May 8

Into the Dark: Delivered

Solar Opposites

May 15

The Great

May 22

The Painter and the Thief

May 29

Upload

Starts streaming: May 1

For everyone still missing The Good Place, here comes another heartfelt and philosophical afterlife comedy, this time not from Michael Schur, but from Greg Daniels, who was Schurs writing and producing partner on The Office and Parks and Recreation. Upload is a shade or two darker than The Good Place, but it displays an equally sharp and satirical wit. Robbie Amell plays a successful coder who dies young, in a near future where the wealthy store their consciousness in a boutique cloud server, which allows them to experience eternity in a customizable simulation of a resort hotel with opportunities galore to spend more of their money. As the hero flirts with the friendly customer service representative assigned to his account, he investigates the mysteries surrounding his death, and belatedly laments the ways his societys techno-utopia relies on the have-nots to support the haves.

Homecoming Season 2

Starts streaming: May 22

The first season of Homecoming adapted a popular fiction podcast into one of 2018s best TV series: a low-key political thriller about a therapist investigating her own half-forgotten connection to a shadowy military operation. The second season brings back a few characters including Walter Cruz (played by Stephan James), an ex-soldier still trying to recover his own hazy memories but introduces a new protagonist, played by Janelle Mone, and a new story. Mone plays an amnesiac who wakes up in a boat in the middle of a lake, then gradually discovers her connection to the Geist Group, the organization at the heart of Homecoming Season 1. These new episodes lack the first batchs director, Sam Esmail, but it remains a visually stylish and character-driven drama, using conspiratorial paranoia as the backdrop to a study of loneliness and belonging.

The Vast of Night

Starts streaming: May 29

In this smart and energetic science-fiction drama, two industrious late 1950s New Mexico teens one a radio DJ, one a telephone operator spend a wild night using all the resources at their disposal to determine if an unusual audio frequency has an alien origin. The movies director, Andrew Patterson, works similar magic with his meager budget, making a film that opens splashily with a impressively well-choreographed take that moves through an entire small town and then settles into a series of lower-key scenes that work more like a stage play or a radio drama. Sierra McCormick and Jake Horowitz are captivating in the lead roles, whether theyre chasing E.T.s through the wilderness or sitting still in front of a microphone. The Vast of Night is a charmer; and its also the rare arty genre picture that film buffs can watch with their children.

Also arriving:

May 8

Jimmy O. Yang: Good Deal

May 15

The Last Narc

Seberg

On the Record

Starts streaming: May 27

Originally slated to run on Apple TV Plus, this eye-opening documentary spotlighting the testimony of several women whove accused the hip-hop pioneer Russell Simmons of sexual assault was dropped after one of its original producers, Oprah Winfrey, pulled her support. An emotional world premiere at Sundance helped turn On the Record into a must-see; and the film ultimately became HBO Maxs first high-profile acquisition. Despite the tough subject matter, this is a remarkable, far-reaching piece of journalism from the co-directors Kirby Dick and Amy Ziering, who use the case against Simmons as an opening onto a larger conversation about how some celebrities can be so entrenched in popular culture that they become almost untouchably powerful.

Also arriving:

May 1

Betty

May 5

Natalie Wood: What Remains Behind

May 10

I Know This Much Is True

May 27

Craftopia (HBO Max)

Legendary (HBO Max)

Love Life (HBO Max)

The Not Too Late Show with Elmo (HBO Max)

Central Park

Starts streaming: May 29

Fans of the animated sitcom Bobs Burgers know that some of the shows funniest and most wondrous moments come when the characters burst into song. Now the creator Loren Bouchard has made what amounts to a cartoon version of a Broadway musical, featuring the voices of Kristen Bell, Tituss Burgess, Josh Gad, Daveed Diggs and Leslie Odom Jr. Set in New York City, Central Park has Stanley Tucci playing the ruthless hotel magnate Bitsy Brandenham, who has designs on filling the park with high-rises. Odom plays Owen, a park manager with a crusading reporter wife (Kathryn Hahn) and two adventurous kids (voiced by Bell and Burgess). Like Bobs Burgers, this is a colorful, warmhearted comedy that balances an earthy sense of humor with some lively musical numbers.

Original post:

The Best Movies and TV Shows Coming to Netflix, Amazon and More in May - The New York Times

During a pandemic, some companies struggle to provide the community they promise – TechCrunch

Rae Witte is a New York-based freelance journalist covering music, style, sneakers, art and dating, and how they intersect with tech. You can find her writing on i-D, The Wall Street Journal, Esquire and Forbes, among others.

Achieving a sense of community has been the pursuit of businesses trying to attract the experience-over-items millennials and Gen Z who want their consumerism to have a positive impact on the world. Thats what brands want activism, human connection and how to be local, Olu Alege, owner of the New York-based boutique strategic branding agency No Noise, said.

Community is defined as a group of individuals with a common characteristic or interest within a larger society. The key to building a positive community is allowing members to speak and be heard and, subsequently, be provided for as they contribute. The same rules apply to building a business on the concept of community, and this foundation doesnt suddenly change during a pandemic. Sure, the needs fluctuate (as do the funds), but voicing the need hearing them and attempting to accommodate them should not.

The world is collectively shifting during the COVID-19 pandemic. The demand for community is arguably greater, as shelter-in-place directives have resulted in extreme isolation for some. And while these extraordinary circumstances have seen some purveyors of community step up, others have unfortunately fallen short and instead haphazardly execute community as a talking point rather than a reality that benefits communities.

Co-working places and social clubs like SoHo House, WeWork, The Wing and New Yorks Ethels Club hawk community to small businesses and entrepreneurs by bringing loosely like-minded people or those with similar lifestyles into the same space.

Brick-and-mortar retailers like Nikes Live locations have leveraged localized data to bring specific communities back out to shop in-store. Shopifys Los Angeles locations initiative is to foster community by offering educational programming and other resources within their permanent physical space. Both brands saw the value in organizing communities and adopted the concept to further their core business.

Even before COVID-19 upended everyday life, cracks in the business of community began to hurt beloved brands, as pulling the curtain back revealed unethical treatment of team members and work environments unaligned with their outward-facing brand or company mission.

Fitness brand and inclusive community Outdoor Voicess smoke and mirrors utopia came crumbling down when 14 employees anonymously sharedwith BuzzFeed Newsstories of verbal abuse and a real life Mean Girls office environment.

The Wings downfall came when 26 employees shared with The New York Times stories of racism, virtue-signaling inclusivity and white-washed feminism. Seemingly, their motto empowering women through community was intended for a smaller set of women than their PR and marketing let hopeful members believe, despite each employee also being a card-carrying Winglet.

And WeWork has been bleeding employees, investors and direction in the wake of Adam Neumanns exaggerated investment in himself, such as when he personally trademarked the word We and subsequently net $5.9 million when WeWork was renamed We Co.

Since early March 2020, when we saw the shutdown of major sport events, the cancellation of conferences like CES and the postponing of festivals like Coachella, weve also seen these offenders continually fail their community with a lack of communication and foresight resulting in acts of desperation over safety in the face of coronavirus.

Despite Neumanns exit from WeWork in fall of 2019, company culture doesnt change overnight, and their shaky idea of community persisted as the U.S. declared a state of emergency. WeWork opted to stay open despite shelter-in-place orders in cities with their largest locations, offering renters slashed rates and even incentivizing employees to come in with a $100 daily bonus, according to an internal memo received by The New York Times.

A number of The Wings staff learned of the layoffs via this story on Vice that went up at 11:19 am EST on the day employees were supposed to be informed by 6:00 pm EST. SoHo House members shared that the club took until March 27 to allow members who requested it to pause memberships (which wouldnt start until June 1), offering promises of complimentary food and drink until then.

The glaring disconnect in these self-appointed authorities of community is the lack of care for the people that contribute to the communitys foundation and convenience-based investment in its members.

I have a problem with these companies that tend to talk about it when its convenient, when its okay for everyone to do it, Alege shared. Some will argue that its for the better of the business, but that argument says more about the claimant than circumstance, as there are communities and businesses that are stepping up in this time of need.

Whether or not information is provided is where I feel like you can see the differences in a companys mission, Alege points out. He goes on to say companies that communicated to their teams and had everyone on board in preparation for an impending recession, or actively started to take precautions as the virus spread through other areas first, inherently care more for their teams and community, even if and when layoffs happen.

Brooklyns Ethels Club is the first private social and wellness club created intentionally for people of color with priority of their identity and experiences. On March 13, the club announced the precautionary shutdown of their HQ in anticipation for COVID-19.

Upon making the decision, Ethels Club founder and owner Naj Austin said she took a lap around the club and asked some members their thoughts and what theyd like to see from Ethels Club should they shut down the space for a month or so.

They were like, Oh, itd be really cool if we could still have the community, somehow. Can you do it online? In my head, Im thinking we have no capacity for this, but I guess were going to have to figure it out, Austin added.In exactly the same way that Ethels Club was started by talking to our customers about what they wanted to see out of it we used the same formula. It very much felt like we were starting the company all over again.

Giving herself and her team a deadline of five days, they decided to pause the 225 members dues and open up a digital membership nationally for $17 a month. Theyve added more than 300 digital-only members to the existing members.

The new digital membership still focuses on social and purposeful wellness. In the morning we have programming thats meant to intentionally address how you start your day, so super uplifting, assuming that you open your phone and read the news first thing. How can we combat that? How can we make your day successful? Austin said.

Strategically timed sessions include topics like Radical Self Care For Radical Times, full body at-home workouts and writing workshops, with the final session of each evening being loosely focused on celebrating the day. When were in the new normal, I think people will still need this. I think people need the structure in this new world as people work from home more and just for whatevers going to be on the other side. Austin says this is to give members something to depend on, in this time where that is lacking.

They also launched their digital clubhouse, an Ethels Club members-only directory and portal for members to communicate.

A community-based business model adopted by existing brands should be offering tools to foster the community. Communities formed on Instagram, Twitter and Slack have simply transformed without disappearing.

IG Live has brought a plethora of wellness professionals live streaming offering workouts to meditation and resulted in legendary music producers Swizz Beatz and Timbaland bringing other recording artists together. This has resulted in the likes of T-Pain versus Lil Jon and Teddy Riley and Babyface going head to head and playing through their hits, as other musicians, producers and fans converse in the comments.

Animal Crossing has seemingly established itself among these platforms as well, offering a place for existing communities to congregate despite being unable to be physically in the same room.

New York-based DJ, Jubilee shared what the game has offered in this time, where she wont be internationally touring for gigs like she normally does. Yesterday I did a photo shoot with my DJ friend Teki Latex that lives in Paris. He had a bunch of us over at 10 pm his time. He even styled some of us and he got a photographer. It was so ridiculous, but it was also really fun and cute.

With such uncertainty around when she will see her worldwide community, it seems Animal Crossing has allowed space for Jubilee and other creatives to still socialize, collaborate and have some variety in their creative output.

Despite mounting privacy issues, Zoom has offered the quickest fix for those still working, while no-invite-necessary Houseparty offers video conferencing plus games for users to play together.

Community-less platforms (and their users) like Netflix have benefited in this time of desperate need for community via the Netflix Party Chrome plug-in, which allows people to watch Netflix programming together from different locations.

Meanwhile, Venmo has been watching whats transpired on their platform and started to send money to people who have been using Venmo for good. A quick search of #venmoitforward will show Venmo sending $20 to people who are pouring into their community, whether its sending money to healthcare workers for lunch or extra cash to musicians and DJs live streaming their performances.

As we persevere through this pandemic under an administration built on divisiveness, community is becoming increasingly important, as a slow response from federal leadership has left a lot of additional responsibilities on local governments and essential workers. Whether youre keeping it among your established community or participating or building new ones, doing your part can be as simple as staying home, and now more than ever, with access to the internet, you can find some sense of community.

Read the original:

During a pandemic, some companies struggle to provide the community they promise - TechCrunch

Bodies on the Market – lareviewofbooks

MAY 1, 2020

CASUAL SEX, hookups and breakups, ghosting, loneliness, no-fault divorces, single households, and sologamy (e.g., single women who essentially marry themselves) are all forms of moral decay, according to Eva Illouz. They are symptoms of what she calls in her absorbing, yet deeply equivocal, new book, The End of Love unloving or negative relations.

Illouz is an eminent Israeli sociologist who has filled half a shelf with volumes about how popular culture, social media, psychotherapy, and, not least, consumer capitalism influence modern forms of love, and modern subjectivity in general. In her first book, Consuming the Romantic Utopia (1997), one of my all-time favorite works of contemporary sociology because of its ambitious breadth, analytic insight, depth of scholarship, and expository clarity, Illouz argued that love is not only shaped by ones class background but also serves as a cornerstone of modern Western economies. In that book, Illouzs outlook was basically positive: love was an emotion that couples could revel in and, at least for the middle class, was supported by an economy of gift exchange and leisure activities. By contrast, her new book shifts focus and tone, with her views becoming much darker and riddled with moral ambiguity, if not outright contradiction.

Illouz cleaves to a well-worn declension narrative in The End of Love: Desire, during the 19th century and most of the 20th century, was channeled into norms, scripts, and symbols authorized by religion and elite society. These were, to be sure, patriarchal, but they nevertheless pointed young people in the direction of courtship practices and choices that led to marriage and family, not to mention national solidarity. Today, however, consumer capitalism, with its pervasive fetishization of the market, has led people to think of themselves as goods, commodities that inevitably become less profitable over time and must be replaced by new ones. Worse, sexual desire has come to be defined in terms of what Illouz calls a scopic regime of action: the fashion-cosmetics complex, the mass media, and, not least, pornography have turned desire into a visual performance. Exploited for profit, the display of eroticized bodies, particularly womens bodies, has become a commonplace, in advertising and the workplace, and sexual desire has become an essential unit of the economy.

According to Illouz, the consumer economy has penetrated the innermost crannies of subjectivity; as a result, the private sphere has been distorted by an ideology of radical personal freedom. The result is what she calls negative [social] relations, which have replaced mature, companionate forms of love. Illouz draws examples of such unloving from literature and the mass media, but the bulk of her data comes from interviews she conducted with almost 100 subjects. These individuals were young and old, male and female, but predominantly heterosexual and staunchly middle class, from Europe, Israel, and the United States, and reading their stories stirs up the guilty pleasure of browsing magazines in a dentists office waiting room.

While consumer capitalism is largely to blame for the current situation, the real villain of The End of Love is sexual freedom, with its valuation of mutual hedonic rights, which separate emotion from marriage and intimacy. Sexual freedom killed the social rituals of courtship calculations of eligibility, proper etiquette, and expectations of emotional transparency and replaced them with the notion of consent given by a true self who knows her or his real desires and interests. In the broader capitalist context, consent is embedded in a metaphor of contractual relations, with lovers voluntarily entering into casual sex with the goal of accumulating pleasure while maintaining autonomy by insisting on no ongoing commitments. But such a contract metaphor, Illouz asserts, often fails to produce mutual consensus since lovers may have different goals and differing understandings of consent. In other words, while sexuality may be contractualized, emotions remain uncertain.

Although casual sex, facilitated by Tinder and other dating apps, is supposed to be based in egalitarian principles, the emotional detachment it promotes can be damaging, especially for women. Illouz stresses this point: men want sex with interchangeable partners while women seek personal recognition, the rejection of which devalues them and challenges their self-esteem. Moreover, the widespread practice of sexting tends to fragment the body, reducing it to specific body parts, and thus enhances the compartmentalization of identity. The bodys value becomes a market commodity in a way that, once again, devalues women in particular, because their bodies have a shorter shelf life than mens. Men look at womens bodies while ignoring the person, while women look at men more holistically. The masculine self uses the feminine other, just as modernity uses nature, as a standing reserve (a term Illouz borrows from Martin Heidegger).

In the past, legend has it, people began to have sex only after they had fallen in love. In earlier forms of dating, as Illouz argued in Consuming the Romantic Utopia, the tenor, accent, word choice, and topic of conversation attracted people who were unconsciously seeking to match their class backgrounds. Today, by contrast, the social evaluation of speech has been replaced, in internet communication, by instant binary appraisals of others, as either sexually attractive or not. At the same time, dating apps promote a fantasy of sexual abundance: the notion that someone new is always out there, ready and willing. The internet has facilitated the quick exit because it has made dating into shopping; breakups convert people into outdated goods; and the rapid turnover of partners entails a capacity and desire to do short-term investments.

Divorces, being more protracted, differ from breakups, requiring reasons and the mediation of social institutions. Divorces tend to be acrimonious, while breakups need not be. But divorce and breakups are affected by the same deterioration of norms that the valuation of emotional autonomy inspires. Today, when discussing their divorces, people tend to say they feel unloved, have lost or been subject to the loss of desire, or have grown apart. Women especially complain that men do not love them enough. Less likely to remarry, they nonetheless are more likely than men to instigate divorce proceedings, even though they want emotional commitment more than men do.

The landscape of contemporary love being what it is, Illouz condemns sexual freedom as glib. The pervasive atmosphere of uncommitment, instability, and betrayal contributes to the sexual exploitation of women. And, for people who are excluded from sexual access, it creates humiliation. Love requires norms and conventions, Illouz concludes. But then, in an odd move, she turns against her own call for a revival of a more formal kind of love. She denies opposing casual sexuality, denies that her book is championing a right-wing return to family values, to community, or to a reduction of freedom. And thus her book, which is nothing if not an absorbing and perceptive sociological account of love, or at least of one important contemporary dimension of it, ends in contradiction, leaving one to wonder why Illouz disowns what she so plainly advocates. In any event, this peculiar conclusion does not entirely invalidate the larger argument of The End of Love or seriously detract from the books many virtues.

David Lipset is professor of anthropology at the University of Minnesota.

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Bodies on the Market - lareviewofbooks

How Universal Basic Income changes the future – Mashable

Thats what has happened to Scott Santens, the first person in the world to crowdfund a basic income. (He donates everything he gets over $1,000 per month to other basic income advocates.) He hasnt stopped working he was a freelance writer before and a freelance writer after but he is able to pick and choose his projects now. He sees himself in a lifelong process of UBI advocacy, and puts more of his work out there for free on a Creative Commons license. Secure and free of money panic, hes more willing to give.

I think youll see a shift towards a gift economy, Santens said when I asked how a UBI-driven society might play out in the future. We can expect to see a lot more volunteering, a lot more unpaid work. Its more couchsurfing.com, less Airbnb, you know? Just give things to each other.

Santens hadnt been to Burning Man, which is currently the 21st centurys best known example of a gift economy. But as a veteran of the oft-misunderstood desert event, where coffee and ice are the only two things on sale, I could confirm: Once you experience the gift economy, its hard to forget. Tell people to be radically self-reliant in the desert for a week, and they go overboard with generosity to strangers. Gifts take endless forms, such as (to pick a random example from 14 years ago) the camp that brought tanks of liquid nitrogen and freezers full of cream in order to dispense ice cream for all.

This is true wealth, in a world where everyone has enough: Being creatively generous, going out of your way to earn as much delight and respect from as many of your neighbors as possible. This, not a Scrooge McDuck swimming pool of money, is what philanthropist billionaires from Andrew Carnegie to Bill Gates have had the luxury to seek all along. This also perhaps explains some of the stranger showboating behavior of billionaires who go to Burning Man, such as Elon Musk. And this, given the solid footing of UBI, will be a game the other 99 percent are able to play too.

Is this 22nd century utopia inevitable? Of course not. Were still human, and humans will find any way to ruin a good thing. Bregman says hes grown disillusioned since writing Utopia for Realists, partly thanks to the number of people he met on a book tour who were convinced, regardless of the data showing UBI experiments work, that it will never work.

The trouble with convictions like that: They create our reality. If were not open to new information, if we dont accept the idea that UBI could work, we will fail to update our concept of what work really means. In other words, well continue to let corporations make a lot of (digital) paper-pushing busywork for us.

We shouldn't underestimate capitalism's extraordinary ability to come up with new bullshit jobs, Bregman says. Bullshit jobs was a term coined by the London School of Economics David Graeber, who wrote a 2013 paper on the topic and received a flood of confessions from people who felt their work was pointless. Two years later, a survey of 849 UK adults found that 37 percent said their work was not a meaningful contribution to the world.

What happens if that number just keeps rising, along with the fear of unemployment that herds us into bullshit jobs just to keep food on the table? What if 75 percent or even 90 percent of us are essentially on corporate workfare? Will we all be sitting in cubicles watching algorithms making decisions on our screens, hoping desperately to catch an error in the code, focusing a lifetimes worth of mental energy on making the boss think were useful?

Maybe at some point in the dystopian future were all pretending to be working, Bregman says, but really were drowning.

Thats what makes the shift to UBI so essential and why the shift in our attitude needs to come with. Bregman, for his part, has written his follow-up Humankind to try to convince us, with yet another mountain of data, that humans are intrinsically good and kind, and therefore should be trusted with free money. But perhaps you will look back and see that our greatest teacher was the coronavirus pandemic itself. Perhaps it will not only lead to a basic income for all; perhaps it will remain in our memories as a reminder that we are, in the final analysis, a society that genuinely cares for everyone. And will go to extraordinary lengths to prove it.

Yours in hopeful quarantine,

2020

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How Universal Basic Income changes the future - Mashable

When coronavirus is over, I will remember freedoms stolen like a thief in the night – Chicago Sun-Times

When this storm has finally passed, I will shake another brothers hand, slap hard fives, skin to skin, embrace like the best of friends. The way we used to.

Before the arrival of coronavirus cold winds.

When this storm finally has been vanquished and it is safe to come out again, to break the barrier of personal space, to converse in intimate human circles over coffee or tea and chill, I will.

And I will stroll slowly across golden sands for miles of beach. No city code to breach. I will speak to everyone I pass. Lie blissfully upon emerald blades of park grass.

Watch daylight pass as the orange-red sun sinks from a purplish evening sky and childrens voices blend with the crickets song while fireflies twinkle before their widened eyes.

And though I no longer have a head of hair, I just might plop down in a barbers chair. Break my vow to allow someone beside myself to trim my beard. To rub my face with lilac tonic after lining me with a straight edge from ear to ear.

When this storm is over, I will remember when freedoms taken for granted were stolen like a thief in the night. And at the end of the tunnel we could see no sure sign of light.

When hospitals and morgues were swollen with the sick and the dead. When the hourly news and our conversations were filled with caution and dread.

Too many visions of gloved and masked humanity fill my head. Inescapable the daily count of the infected and the dead.

Desolate streets and shuttered stores, people locked behind unwelcoming doors. Anxiety pours like gushing rain. Undeniable strain. Economic drain. Some of us muse that there may be lessons to gain from this storm. Perhaps joy after pain.

And when this storm has finally passed, there will be no fear of pumping gas. No migraines over grocery shopping or using cash. No drive-up only restaurant orders and curbside pick-ups. No consternation over human touch.

When this storm has finally passed, I will attempt to clear my head of new phobias. Forever banish from my thoughts ever achieving any possible semblances of utopia scarred for life by the word pandemic, and having prayed to God for mercy while living in it.

I will purge my nostrils of the pungent scents of Lysol and bleach. I might even treat my feet: Pedicures and TLC. Outdoor downtown cafes on summer eves.

The crack of the bat on an afternoon at Wrigley. Live bigly. Country music and beer drifting on a late-night breeze. Rib fests, tank tops and sundresses. Our souls at ease.

I long for us to again be free ...

I long simply to sit beneath the umbrella on the veranda of my local coffee house. Choppin it up with the fellas, and chillin out.

Long to escape this frozen, quarantined world in which we find ourselves nowadays reflecting on the way we once lived, loved and played. Remembering the way we were not that long ago. And longing to return, even as coronas cold winds still blow.

But I cant help but wonder if we can ever return. Or is this the new normal? My heart still yearns.

I miss the Saturday movie theater matinee. And by the time this storm passes, I will have missed the sights and sounds of children at playfrolicking at crystal sprinkling water fountains and swimming pools. The pound of the basketball and squeaking shoes.

I miss the way we moved: Engaging as instruments in the human symphony of life. Breath-to-breath, hand-to-hand, eye-to-eye.

When the storm passes, I hope well try.

Email: Author@johnwfountain.com

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When coronavirus is over, I will remember freedoms stolen like a thief in the night - Chicago Sun-Times

The New York Drama Critics’ Circle Awards Were Presented to the Public for the First Time in History on STARS IN THE HOUSE – Broadway World

Stars in The House continued Wednesday night (8pm) for the 85th Annual New York Drama Critics' Circle Awards with Will Arbery, David Byrne, Adam Feldman, Jeremy O. Harris, Michael R. Jackson, Brian Stokes Mitchell, John Mulaney, Deirdre O'Connell, Heidi Schreck and Michael Shannon.

Presented by Adam Feldman, the show began with his remarks. "It's one night a year when critics and artists can put aside the tensions that sometimes exist between them. The sometimes perceived friction that can sometimes exist and just come together in the spirit of community and celebration to honor some of the best work in the year that has just past. Even this season which has been as we all know, an abbreviated one."

John Mulaney presented the first award of the evening to David Burns for AMERICAN UTOPIA. "The show is especially poignant right now because everything is poignant right now but also because this show is a story. It tells a story...of moving from isolation to community."

Jeremy O. Harris later presented an award to Michael R. Jackson for A STRANGE LOOP. "Michael R. Jackson's A STRANGE LOOP accomplishes the impossible because he gave an usher named Usher his very own musical. He made the invisible visible for all of us...He's working class, he's black, he's gay, he's fat, and he ascribes to the belief espoused by Bell Hooks that Beyonce is a terrorist."

Michael R. Jackson accepted the award with remarks, "I come to this award like pretty gobsmacked. This is the first kind of award like this that I've ever won...I feel like I'm on an episode of QUANTUM LEAP and I keep transporting through all these dimensions and coming back to theater as home where I can really express myself and tell stories and write songs...whenever we get to the other side of whatever this is...it will still be home for me."

The final award of the night was a special citation to the New York theatre community as a whole to its perseverance in the face of loss during the Covid-19 pandemic.

Brian Stokes Mitchell accepted the award on behalf of the community. "I am so honored to be here...The collective heart of our entire community I know goes out to everyone who has had a show running or a show about to open...and to everybody, cast, crew, musicians, producers, directors, choreographers, stage/company management, theater owners, everyone involved. A Broadway show is an amazing occasion to celebrate and to have that cut short or not allowed to happen at all is earth-shattering to so many lives on so many levels. This too shall pass. We don't know when or how yet and that's what makes this so hard but please know that this too shall pass."

Click HERE to watch the full episode!

New shows will be produced DAILY at the traditional theater times of 2pm and 8pm ET, featuring performances by stars of stage and screen, in conversation and song with Rudetsky and Wesley.

Current and past episodes can be found on the website starsinthehouse.com, as well as a donate button linking viewers to The Actors Fund.

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The New York Drama Critics' Circle Awards Were Presented to the Public for the First Time in History on STARS IN THE HOUSE - Broadway World

Dear Mr. President, Please Don’t Stop the Daily Coronavirus Briefings We Need Them. – The Jewish Voice

by Adam Weiss

Rumors are swirling that the daily coronavirus briefings with President Donald Trump may be coming to an end, and as a concerned New Yorker, and American, I truly hope that this is not the case.

Monday nearly became the third day in a row without a briefing from the White House, with first a cancellation and then two hours later an announcement that there would be one.

Im glad that they changed the course.

Without the White House briefings and President Trumps uplifting and hopeful reassurances, we are left with the doom and gloom daily press conferences from Governor Andrew Cuomo and Mayor Bill de Blasio. It is horrible.While Cuomo spends his time whining about federal money and supplies, de Blasio takes the stage daily to discuss his ideas about how to use the pandemic to turn New York City into a socialist utopia and to urge his constituents to snitch on each other for the grave crime of leaving their houses. The same man who essentially turned our city into one giant toilet when he decriminalized public urination in the street.

On Sunday, instead of letting us know when the city will open, the mayor announced that his wife, Chirlane McCray, will lead a coronavirus task force that looks into racial inequality. His social justice task force will be committed to making sure the city rebounds as a better and more just society than the one we left behind.

We do not need a new and improved socialist city. We need to be able to go to work and feed our families. Now.While millions of us worry about our homes, livelihoods, and sanity as we remain isolated from each other, De Blasio asserted that rebuilding will take the next 20 months of his administration and then far beyond that. We do not have time for this nonsense.

The great thing about the White House briefings is that, seemingly unlike our leaders in New York, the president very clearly actually wants the nation reopened. He provides information that is up to date and detached from any bizarre plans to reinvent society before it can happen. It is the leadership and transparency that we truly need in these confusing and troublesome times.

It isnt just local politicians that are a problem; there is also the issue of the media.

With many left-wing media outlets constantly spinning and speculating about every facet of the outbreak and attempting to use the virus as a political weapon, it is important to have a daily update with direct information straight from the man himself. It simply is not the time for hyper-partisan filtering of his messaging.

I am not alone in wanting unfiltered updates. According to a report from the New York Times, the president has been speaking directly to an average audience of 8.5 million on cable news during these briefings.

While the need for information isnt partisan, these updates may also help him in November, judging by the boost that they are giving his approval rating.

The whole nation is waiting with bated breath to find out when life will return to some type of normalcy. If President Trump wasnt on the frontline taking questions, the liberal media would be attacking him for that, too. He can never win with these people. Fortunately, he can win with voters.

Trumps approval boost is primarily coming from independents and even some Democrats, according to a report from the Times. In a close election, there may not be a more important voting demographic than the independents, and the liberal media knows it.

The reality of the situation is that Democrats and the media elites who despise the president are more scared of him being re-elected than they are of this deadly virus. These briefings have boosted confidence in the administration and are providing comfort to the very people who will be voting in the fall.

By getting up there every day and speaking directly to the people, President Trump is showing America that he is fighting for us as hard as he possibly can.I hope it continues.

Adam Weiss is the CEO of AMW PR, a New York political strategy and communications firm. His firm has represented Kimberly Guilfoyle, Judge Jeanine Pirro, Donald Trump Jr, Ed Henry, Corey Lewandowski, David Bossie, Governor Haley Barbour, and more

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Dear Mr. President, Please Don't Stop the Daily Coronavirus Briefings We Need Them. - The Jewish Voice