Universities and Tech Giants Back National Cloud Computing Project – The New York Times

Leading universities and major technology companies agreed on Tuesday to back a new project intended to give academics and other scientists access to the computing resources now available mainly to a few tech giants.

The initiative, the National Research Cloud, has received bipartisan support in both the House and the Senate. Lawmakers in both houses have proposed bills that would create a task force of government science leaders, academics and industry representatives to outline a plan to create and fund a national research cloud.

This program would give academic scientists access to the cloud data centers of the tech giants, and to public data sets for research.

Several universities, including Stanford, Carnegie Mellon and Ohio State, and tech companies including Google, Amazon and IBM backed the idea as well on Tuesday. The organizations declared their support for the creation of a research cloud and their willingness to participate in the project.

The research cloud, though a conceptual blueprint at this stage, is another sign of the largely effective campaign by universities and tech companies to persuade the American government to increase government backing for research into artificial intelligence. The Trump administration, while cutting research elsewhere, has proposed doubling federal spending on A.I. research by 2022.

Fueling the increased government backing is the recognition that A.I. technology is essential to national security and economic competitiveness. The national cloud legislation will be proposed as an amendment to this years defense budget authorization.

We have a real challenge in our country from China in terms of what they are doing with A.I., said Representative Anna G. Eshoo, Democrat of California, a sponsor of the bill.

Funding for the project, the terms for paying the cloud providers and what data might be available would be up to the task force and Congress.

This is a logical first step, said Senator Rob Portman, Republican of Ohio, another sponsor of the proposed law. The task force is going to have to grapple with how you pay for it and how you govern it. But you shouldnt have to work at Google to have access to this technology.

The national research cloud would address a problem that is a byproduct of impressive progress in recent years. The striking gains made in tasks like language understanding, computer vision, game playing and common-sense reasoning have been attained thanks to a branch of A.I. called deep learning.

That technology increasingly requires immense computing firepower. A report last year from the Allen Institute for Artificial Intelligence, working with data from OpenAI, another artificial intelligence lab, observed that the volume of calculations needed to be a leader in advanced A.I. had soared an estimated 300,000 times in the previous six years. The cost of training deep learning models, cycling endlessly through troves of data, can be millions of dollars.

The cost and need for vast computing resources are putting some cutting-edge A.I. research beyond the reach of academics. Only the tech giants like Google, Amazon and Microsoft can spend billions a year on data centers that are often the size of a football field, housing rack upon rack with hundreds of thousands of computers.

So there has been a brain drain of computer scientists from universities to the big tech companies, lured by access to their cloud data centers as well as lucrative pay packages. The worry is that academic research the seed corn of future breakthroughs is being shortchanged.

Academic work can be crucial particularly in areas where profits are not on the immediate horizon. That was the story with deep learning, which dates to the 1980s. A small band of academics nurtured the field for years. Only since 2012, with enough computing power and data, did deep learning really take off.

There have been smaller efforts for university research to tap into the big tech clouds. But the current concept of an ambitious public-private partnership for a National Research Cloud came in March from John Etchemendy and Fei-Fei Li, co-directors of the Stanford Institute for Human-Centered Artificial Intelligence.

They posted their idea online and sought support from other universities. The academics then promoted the idea to their political representatives and industry contacts.

The federal government has long backed major research projects like particle accelerators for high-energy physics in the 1960s and supercomputing centers in the 1980s.

But in the past, the government built the labs and facilities. The research cloud would use the cloud factories of the tech companies. Academic scientists would be government-subsidized customers of the tech giants, perhaps at rates below those charged to their business customers.

Many university researchers say that buying rather than building is the only sensible path, given the daunting cost of hyper-scale data centers.

We need to get scientific research on the public cloud, said Ed Lazowska, a professor at the University of Washington. We have to hitch ourselves to that wagon. Its the only way to keep up.

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Universities and Tech Giants Back National Cloud Computing Project - The New York Times

IDology’s ID verification, anti-fraud technology added to Microsoft Azure AD for frictionless onboarding – Biometric Update

IDologys multi-layered ExpectID identity verification and anti-fraud technology has been integrated with Microsoft Azure Active Directory (Azure AD) External Identities for a seamless user experience during the onboarding process, the company announced.

Were pleased to enable our customers to utilizeIDologys ExpectID solutionswithMicrosoft Azure Active Directory, SueBohn, Partner Director of Program Experience, Microsoft Identity Division, at Microsoft Corp. said in a prepared statement. Our B2B and B2C customers can obtain the power of a multi-layered solution that rapidly detects fraud and provides identity verification, while not compromising on end-user experience.

Identity verification in a secure and fast manner is a key product feature which ensures frictionless onboarding and helps meet consumer demands for a frictionless experience, according to the announcement. IDologys Second Annual Consumer Digital Identity Study found that 83 million Americans do not proceed with the account signup process if they experience friction.

In todays threat-heavy environment, detecting and preventing fraud require more than basic identity matching, Christina Luttrell, COO of IDology, said in a prepared statement. ExpectID accesses thousands of data sources and analyzes multiple layers of identity attributes that seamlessly work together to instantly verify identities and detect fraud so that Azure AD External Identities customers can quickly greenlight legitimate individuals with confidence or dynamically escalate to other methods if needed.

ExpectID performs data analysis and helps companies build trust, ensure security and prevent revenue loss by identifying third-party contractors, guests, customers and other third parties. Azure AD customers can now install the identity verification and management product across all external identities for seamless verification, convenience and security.

biometrics | fraud prevention | identity management | identity verification | IDology

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IDology's ID verification, anti-fraud technology added to Microsoft Azure AD for frictionless onboarding - Biometric Update

India welcomes FDI in internet technology, but foreign entities will have to abide by law of land – Deccan Herald

Three days after banning the use of 59 Chinese apps in India, New Delhi on Thursday said that it would continue to welcome foreign investments in the area of internet technology, but foreign entities would have to abide by the laws of the land.

While we will continue to welcome foreign investments in India, including in the area of internet technologies, this will have to be in accordance with the rules and regulatory framework established by the Government, Anurag Srivastava, the spokesperson of the Ministry of External Affairs (MEA), said.

Beijing on Tuesday firmly opposed Indias move to ban the use of 59 apps linked to China, stating that New Delhi abused the national security exception to the rules of the World Trade Organization (WTO).New Delhi dismissed the allegation by Beijing. India has one of the most open regimes in the world for attracting Foreign Direct Investment (FDI). In the last few years, the Government has taken a host of measures for creating a more investor-friendly regime. Similarly in the area of digital technology and the internet, India has adopted a very open regime, said the MEA spokesperson.

He noted that India was today one of the worlds largest markets for digital and internet technologies with more than 680 million subscribers. The worlds largest software and internet applications companies are present in India. Naturally while operating in India they have to abide by our rules and regulations issued by the relevant ministries and departments, including those pertaining to data security and privacy of individual data, he added.

The Embassy of the Peoples Republic of China (PRC) in New Delhi expressed serious concerns over the ban imposed by the Government of India. It stated that the ban selectively and discriminatorily targeted the apps developed by the companies based in the communist country on ambiguous and far-fetched grounds.

New Delhis move to ban the apps came amid continuing military stand-off along the disputed India-China boundary in eastern Ladakh. Prime Minister Narendra Modis government stated that the apps had been used in activities prejudicial to sovereignty and integrity of India, defence of India, security of the state and public order.

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India welcomes FDI in internet technology, but foreign entities will have to abide by law of land - Deccan Herald

Color Star Technology Announces that Masa, Asia’s "Guitar Guru," has Joined its Education Platform – PRNewswire

BEIJING, July 2, 2020 /PRNewswire/ --Color Star Technology Co., Ltd. (Nasdaq CM: HHT) (the "Company", "we" or "HHT") is pleased to announce that Color China Entertainment Limited ("Color China"), a wholly-owned subsidiary of Color Star Technology, has just signed a cooperation agreement with a renowned guitarist, Zhengyan You (a.k.a. Masa). Masa will take on the role of a Star Teacher of the "Color World" online education platform, created by Color Star.

Masa, who is widely known as a "Guitar Guru" in Asian pop music, has participated in the production of thousands of albums since he entered the entertainment industry in 1974. His albums include top pop music stars in Chinese music, such as Wenzheng Liu, Dayou Luo, Qin Cai, Rui Su, Qin Qi, Xiang Fei, Jie Wang and so on. Multiple record labels and fellow artists have also been known to reach out to Masa for cooperation. His music has influenced musicians throughout the ages, solidifying Masa as a representative of guitar performance in Asian pop music.

No matter the genre, classical, pop or rock, Masa's performances were widely praised. Many producers, guitarists and entertainers of Chinese pop music are honored to be able to learn from Masa.

On June 26, 2020, we have invited Masa to join Color World as a teacher, as we believe that there will be a great demand for his teachings in the Asian market. The addition of Masa allows our students, regardless of whether they are ordinary music lovers or professional practitioners, to be able to learn and improve with the best, as is the original intention of Color World. We hope that more entertainment enthusiasts will be able to learn what they are truly interested in, and that they can also improve their skills professionally. The signing of this contract with Masa also marks the beginning of Color World's development of its reach into the Asian market. Sean Liu, the CEO of Color Star, said, "In the future, we will cooperate with more top artists and producers in Asia, including music, film, television, animation, dance and other industries. We believe that Color World has the potential to bring richer content to our students." In the future, Color China will continue to sign contracts with top artists from China, South Korea, Japan, Thailand and other countries. We believe that their additions will greatly improve Color World's competitiveness in facing the Asian market of over 2 billion consumers.

About Color Star Technology Co., Ltd.

Color Star Technology, is a holding company whose primary business is offering both online and offline innovative education services. Its business operations are conducted through its wholly-owned subsidiaries Color China Entertainment Ltd. and CACM Group NY, Inc. The Company also anticipates providing an after-school tutoring program in New York via its joint venture entity Baytao LLC, and providing online music education via a platform branded "Color World."

Forward-Looking Statements

Certain statements made herein are "forward-looking statements" within the meaning of the "safe harbor" provisions of the Private Securities Litigation Reform Act of 1995. Forward-looking statements may be identified by the use of words such as "anticipate", "believe", "expect", "estimate", "plan", "outlook", and "project" and other similar expressions that predict or indicate future events or trends or that are not statements of historical matters. Such forward-looking statements include the business plans, objectives, expectations and intentions of the parties following the completion of the acquisition, and HHT's estimated and future results of operations, business strategies, competitive position, industry environment and potential growth opportunities. These forward-looking statements reflect the current analysis of existing information and are subject to various risks and uncertainties. As a result, caution must be exercised in relying on forward-looking statements. Due to known and unknown risks, our actual results may differ materially from our expectations or projections. All forward-looking statements attributable to the Company or persons acting on its behalf are expressly qualified in their entirety by these factors. Other than as required under the securities laws, the Company does not assume a duty to update these forward-looking statements. The following factors, among others, could cause actual results to differ materially from those described in these forward-looking statements: there is uncertainty about the spread of the COVID-19 virus and the impact it will have on HHT's operations, the demand for the HHT's products and services, global supply chains and economic activity in general. These and other risks and uncertainties are detailed in the other public filings with the Securities and Exchange Commission (the "SEC") by HHT. Additional information concerning these and other factors that may impact our expectations and projections will be found in our periodic filings with the SEC, including our Annual Report on Form 20-F for the fiscal year ended June 30, 2019. HHT's SEC filings are available publicly on the SEC's website at http://www.sec.gov.HHT disclaims any obligation to update the forward-looking statements, whether as a result of new information, future events or otherwise.

For investor and media inquiries, please contact:

Color Star Technology Co., Ltd.Contact: Investor RelationsFinancialBuzzIR[emailprotected] Tele: +1-877-601-1879

SOURCE Color Star Technology Co., Ltd.

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Color Star Technology Announces that Masa, Asia's "Guitar Guru," has Joined its Education Platform - PRNewswire

BT Young Scientist & Technology Exhibition to go virtual in 2021 – The Irish Times

The BT Young Scientist & Technology Exhibition (BTYSTE) is going virtual for 2021 because of continued health and safety concerns around Covid-19.

The move means that for the first time in the exhibitions 56 years it will not be staged physically. Instead it will be transformed into a spectacular virtual showcase for January 2021, according to BT Ireland. The measure is an indication of how the Covid-19 pandemic is likely to affect staging of public events extending into next year.

Europes longest-running science event is scheduled go ahead from January 6th to 9th with students exhibiting virtually and judging taking place across digital platforms.

A total of 1,800 projects were entered into the 2020 contest, while 550 finalists from 244 schools showcased their entries in January. Some 50,000 people viewed the exhibition at the RDS, which has hosted it since 1966 its second year.

Members of the public in Ireland, and globally, will be able to visit the exhibition online and enjoy a full calendar of events including special acts, the Primary Science Fair, business events and the exhibits, BT Ireland confirmed.

The exhibition is retaining its 200 prizes with 7,500 going to the overall winner and an opportunity to represent Ireland at the EU Contest for Young Scientists in Salamanca, Spain, in September 2021.

BT Ireland managing director Shay Walsh said: With the unprecedented global events of the past few months, we have seen first hand the important role that science and technology is playing in finding solutions to this global pandemic.

He said they had looked at the exhibition with a new lens and wanted to ensure it remained firmly on the educational calendar.

Mr Walsh said he wanted to encourage students, teachers and schools to get involved in the virtual event and be part of something truly special in January.

Exhibition head Mari Cahalane said: People who have experienced the exhibition over the past 56 years understand it is about much more than a science competition. Its about imagining an idea and then bringing that idea to life through research and development. Were going to emphasise that in its truest form by bringing the BTYSTE virtual for 2021.

While the exhibition inspires thousands of young people each year to explore near-endless possibilities in science, technology, engineering and maths, the exhibition team sought this year to do something new in light of current circumstances, she added.

We will be holding information sessions online for students and teachers over the comings months and our website is the best source http://www.btyoungscientist.com for up-to-date information for students looking to get started on their entries.

The online entry process remains the same as previous years, but project entry fees have been waived. To enter, an individual or group must submit a one-page proposal outlining their project idea ahead of the closing date of September 22nd. There are four categories: technology; social and behavioural science; biological and ecological science and chemical, physical and mathematical science.

The Primary Science Fair is open to primary-level students from 3rd to 6th class and will run alongside the main exhibition online.

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BT Young Scientist & Technology Exhibition to go virtual in 2021 - The Irish Times

A music and arts festival for Mumbaikars – Times of India

Unrated is an alternative arts & music fundraiser concert hosted on a Real-Time Live 3D Virtual Events platform with a Mission for Raising INR 1 Million Funds for COVID-19 Warriors. Transhuman Collective, an award-winning immersive experience design consultancy and production company introduces its open to all Real-Time Live Virtual Event called UNRATED on 18th and 19th July, 2020 from 6:30 pm onwards. Transhuman Collective has been successfully creating and delivering some of the most spectacular events for brands and Govt bodies over the years. The aim behind UNRATED is to raise funds for the COVID-19 warriors. In association with GiveIndia, Transhuman Collective will be engaging the audience in a never seen before experience through UNRATED. The mission is to raise INR 1 Million in order to provide PPE Kits to COVID-19 warriors. In view of the ongoing circumstances, the minds behind Transhuman Collective thought of creating and providing a unique concept that will engage and motivate audiences across the globe. The event is sure to be one of the best campaigns as UNRATED is a festival by the artist and for the artists.

The concert will not only feature the most eclectic music artists but also visual and graffiti artists, like Ash Roy, Calm Chor, Artist Vinayak, Ox7gen, Zokhuma, Nate08, Helium Project and Nelsonto name a few. It will also feature Live visual artists and street artists like Cursorama, Vj Decoy, Samvida+Viktor, Daku, Arthat and Yantr.

The industry has been noticing various virtual events that have been hosted in India, but somewhere there was a lack of a never seen before concept. Transhuman Collective along with their team of enthusiasts conceptualised a multiple immersive technology like Realtime 3D technology, sound reactive lights, augmented reality, holographic, projection mapping etc to offer a one of a kind experience to their audience. Thereby, the organizers built their own Real Time LIVE 3D Virtual Events platform called TransSpace.

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A music and arts festival for Mumbaikars - Times of India

Experience never seen before immersive music and art festival with transhuman collective ‘UNRATED’ – RadioandMusic.com

MUMBAI: Are you set to travel a million miles away from the Earth?

Transhuman Collective, an award-winning immersive experience design consultancy and production company introduces its open to all Real-Time 3D Virtual Event called UNRATED on 18th and 19th July, 2020 from 6:30 pm onwards.

Transhuman Collective has been successfully creating and delivering some of the most spectacular events for brands and Govt bodies over the years. The aim behind UNRATED is to raise funds for the COVID-19 warriors. In association with GiveIndia, Transhuman Collective will be engaging the audiences in a never seen before experience through UNRATED. The mission is to raise INR 1 Million in order to provide PPE Kits to COVID-19 warriors.

In view of the ongoing circumstances, the minds behind Transhuman Collective thought of creating and providing a unique concept that will engage and motivate audiences across the globe. The event is sure to be one of the best experiences as UNRATED is a festival by the artist and for the artists. Some of the best Alternative Artists will be performing LIVE to enthral the audiences in their 3D Avatars. Ash Roy, Calm Chor, Vinayak^a, Ox7gen, Zokhuma, Nate08, Helium Project and Nelson, to name a few. The Real-time 3D event will also feature Live visual artists like Cursorama, Vj Decoy, Samvida+Viktor, Naveen Deshpande and public art artists like Daku, Arthat and Yantr.

The industry has been noticing various virtual events that have been hosted in India, but somewhere there was a lack of a never seen before concept. Transhuman Collective along with their team of enthusiasts conceptualised this event with multiple immersive technologies like Realtime 3D, sound reactive virtual lights, augmented reality, holographic, projection mapping etc to offer a one of a kind experience to their audience. Thereby, the organizers built their own Real-Time LIVE 3D Virtual Events platform called TransSpace.

TransSpace is a platform for the brands to create cinematic stories, immersive brand launches, video conferences, webinars, music festivals, among others. The aim is to create a spellbound portrayal of live events for the artists to explore the new virtual medium connecting with the audience. The aim is to enthral the audience to celebrate the indomitable spirit of COVID-19 warriors and the passion of the donors to make this journey endearing.

Looking at the nationwide lockdown scenario, I truly believe that each and every one needs to do their bit. Hence, we at Transhuman Collective along with our group of friends from the alternative music and arts community have come together actively to host UNRATED. We are glad to offer a space with a unique and never seen before concept. The event is open to all across the globe in a hope of raising INR 1 million to provide PPE kits for our medical health workers. Our ambition is to get this message out loud and far, says, Soham Sarcar, Co-Founder, Transhuman Collective.

Sidhraj Shah, Co-Founder, TransSpace, says, Given the prevalent times, the necessity for collaborations and standing united is the need of the hour. Through TransSpace we have created a platform for the brands to create cinematic stories, immersive brand launches, video conferences, webinars, music festivals, among others. We aim to augment the audiences experience of watching a LIVE event virtually with a strong narrative to support. The goal here is to create a gripping narrative which the audience connects to and create a canvas for the artists to explore the new virtual medium.

The event will be live on YouTube / Vimeo and Twitch

Social Media Links

TRANSHUMAN COLLECTIVEFacebook: https://www.facebook.com/transhumancollective/Instagram: https://www.instagram.com/transhumancollective/

UNRATEDInstagram: https://www.instagram.com/unrated.live/

TRANSSPACEInstagram: https://www.instagram.com/transspace.india/

Donation Link: https://unrated.giveindia.org./

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Experience never seen before immersive music and art festival with transhuman collective 'UNRATED' - RadioandMusic.com

This startup is ensuring babies get a good nights sleep with its smart mattress – YourStory

For any new parent, sleep is very important. Not just for themselves but even for their newborn. Studies suggest thata good nights sleepis extremely important for the cognitive growth of infants. And to get a good nights sleep, the mattress plays an important role.

To address this problem, Sameer Agarwal, Swapnil Rao, Aneesha Pillai, and Deepak Gupta founded NapNap in 2017. The Mumbai-based startup is an end-to-end consumer products company, focussed on the global mothercare and baby care segment.

The NapNap Team

According to the founders, its flagship product,NapNap Mat, is a portable baby mattress that mimics a mothers womb using a precise combination of vibrations and white noise to soothe infants and lull them to sleep within minutes.

Based on clinical trials conducted by Harvard Medical Center and Beth Israel Deaconess Medical Center (Boston, USA), NapNap Mat regularises infant breathing and treats apnea among preterm babies by 50 percent.

Sameer comes with over 12 years of experience in Sales and Business Development, Operations and Finance. Before founding NapNap Mat, he co-founded Art Should Tempt and ClassHopr. Swapnil has over 12 years of experience in product development, brand building, and marketing. Before founding NapNap Mat, Swapnil co-founded Mobizon Media and Transhuman Collective.

Deepak has over 12 years of experience in Quality and Systems Engineering. He earlier founded Future Foundry a product design firm. Aneesha brings over eight years in Engineering, Leadership, and General Management. She has an MBA from JBIMS and has previously worked with JP Morgan.

Sameer and Swapnil got the initial idea to start up in the space after one of their friend had a preterm baby. The baby was in distress due to lack of sleep.

Once they had the idea, they reached out to Deepak Gupta and Aneesha Pillai, who were their engineering classmates. The team had been dabbling with product design and they got together and decided to engineer the product based on the scientific data.

The four of us built the first few prototypes and did the initial round of testing in the market before hiring our first employee. Once we had the market acceptance and the product was flying off the shelf, we didn't need to try hard to attract great talent, says Sameer. They are now a team of 16.

While there are a number of mattress brands in the country, the concept of a vibration-therapy-based baby bed is new in the Indian ecosystem.

So, creating a new category and educating the masses about the benefits of using a NapNap Mat was one of the biggest hurdles faced by the team in the initial months.

Apart from this, consumer product companies require high capital infusion and its even higher when someone creates something totally new and deploys resources towards R&D as theres no reference point. So, managing capital initially to create an MVP in the market was quite a challenge and required lot of planning, says Sameer.

When the baby is still in the womb, it gets accustomed to the sounds and vibrations of the mothers body processes, and when the baby is born, it is suddenly in an unfamiliar territory.

Any little change in temperature, movement, and unfamiliar sound makes the infant feel extremely uncomfortable, and the baby reacts by crying due to distress, and hence finds it difficult to fall asleep.

The product works best for babies up to one year old. The startup claims the mat improves breathing, boosts sleep, reduces crying, reduces colic, it is travel friendly, and safe. It can be used in strollers, car seats, cribs, activity mats, bassinets, etc.

The NapNap mat

Indias mattress market is estimated to be worth Rs 10,000 crore, according to media reports. Startups like Cuddl,SleepyCat, Wink&Nod, and Sunday Mattress are all taking sleep seriously and are using advanced tech and raw materials to build their products. There is also The Sleep Company and Sequoia-backed Wakefit operating in the space.

Horizontal marketplaces like Amazon, Flipkart, Snapdeal, and ShopClues also offer branded and unbranded mattresses.

With an ecosystem of smart, inter-connected products, NapNap is redefining how technology and data will enable parenting in the future. NapNap is leading this change by solving one parenting problem at a time. It works with single mothers and gives them a platform to generate wealth in all forms (not just money), says Sameer.

The NapNap Mat is ISO 9001-2015 certified and is also certified by a CPSC-approved lab, and considered safe for 0-2 year old babies. It also meets British safety standards for babies.

The startup claims to have scaled 10X in the first year of its launch. Its average order value is Rs 2,000, and its ARR is Rs 2 crore, with gross margin of 66 percent.

NapNap, which has six products in the pipeline, is available on all online marketplaces in India, including Amazon and FirstCry. It has also expanded its presence to markets outside India, such as Dubai and Australia, and soon plans to start operations in the UK.

Since we go direct-to-customer, we can manage to keep the MRP fairly lower and still deliver a very high quality product by offsetting channel margins, says Sameer.

NapNap has raised a pre seed round led by ThinQbate Ventures LLP and Hatcher Plus. It is currently looking to raise a seed round.

The team aims to become the biggest baby mattress company in the world in the next few years.It aims to pacify babies across the globe using technology, design, and innovation. It also aims to scale and consolidate the Indian market for NapNap Mat and NapNap Nursing cover.

We aim to push traction in the UAE, the UK, and Australia market, launch version 2.0 of the NapNap Mat, launch Shusher + (white noise device), and also launch peripheral products (swaddle, feeding bottle, and pacifier), says Sameer.

Want to make your startup journey smooth? YS Education brings a comprehensive Funding Course, where you also get a chance to pitch your business plan to top investors. Click here to know more.

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This startup is ensuring babies get a good nights sleep with its smart mattress - YourStory

Who exactly was Jeffrey Epstein? A history of the mogul and his crimes – Film Daily

If you dont pay much attention to the news until recently, then chances are youre a bit confused by Jeffrey Epstein and just what he did. Who is Jeffrey Epstein? Why do people not believe that he committed suicide? Why was Jeffrey Epstein in jail? While weve covered many, many, many aspects of Epstein and hes crimes, its time for some back to basics facts.

Who is Jeffrey Epstein exactly? The story is complicated, sordid, and terrible on so many levels. Jeffrey Epstein was a predator in life. While many people focus on his death, the actions that preceded it should be given your due attention. Heres everything you need to know, just the basic facts, about who Jeffrey Epstein was in life.

Jeffrey Epstein was an investment banker, who, specifically, had clientele with assets worth more than $1 billion. Epstein operated his business in the US Virgin Islands for tax reasons. Epstein himself was also quite wealthy, but the source of that wealth remains pretty unknown.

Still appearances matter, Epstein had cultivated an image with his townhouse, his large charitable donations, and worked with people such as Bill Clinton, Donald Trump, and Queen Elizabeths son Prince Andrew. Epstein, however, also had a criminal past and this is where things get dark.

Jeffrey Epstein was a registered sex offender. In 2008, Epstein pled guilty to felony charge of solicitation of prostitution involving a minor, and was sentenced to 18 months in prison. He served 13 and registered as a sex offender.

Epstein was arrested in July 2019 on charges of sex trafficking in New Jersey after returning to the US from France. According to the indictment, Epstein sexually exploited and abused dozens of minor girls at his homes in Manhattan, New York, and Palm Beach, Florida, among other locations.

The indictment continued that Epstein paid certain of his victims to recruit additional girls to be similarly abused. The indictment also alleged that some of Epsteins victims were as young as 14. After Epsteins arrest, a search of his New York residence found nude photographs of underage girls.

He was denied bail.

If there is something youve heard about Jeffrey Epstein, then chances are it had to do around his suicide. On July 24, 2019, Epstein was found injured in his cell. In Aug. 2019, Epstein died of what was ruled a suicide. The Federal Bureau of Prisons released the following statement:

On Saturday, August 10, 2019, at approximately 6:30 a.m., inmate Jeffrey Edward Epstein was found unresponsive in his cell in the Special Housing Unit from an apparent suicide at the Metropolitan Correctional Center (MCC) in New York, New York. Life-saving measures were initiated immediately by responding staff.

Staff requested emergency medical services (EMS) and life-saving efforts continued. Mr. Epstein was transported by EMS to a local hospital for treatment of life-threatening injuries, and subsequently pronounced dead by hospital staff.

Conspiracy theories popped up pretty much immediately. People believed that Epsteins high profile social circle wanted him silenced forever. Others believed that it was due to Epsteins own thoughts regarding eugenics and transhumanism that led to his death. Or, as a good part of the population believed, Epstein killed himself rather than being convicted and sent to prison.

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Who exactly was Jeffrey Epstein? A history of the mogul and his crimes - Film Daily

Fake News: What is the Epoch Times and Why Did It Arrive On My Doorstep? – Lost Coast Outpost

Rendering by Freddy Brewster

A worldwide campaign to spread conspiracy theories and misinformation has arrived in Humboldt County in the form of a weird newspaper with the headline: How Chinas Communist Regime Endangered the World. Last Saturday, residents in Eureka and Arcata received unsolicited copies of the Epoch Times, a far-right and pro-Trump newspaper funded by Falun Gong.

Who is Falun Gong, you might ask?

Well it is not a person. Instead it is a religious movement that started in China in the 1990s and has since moved its headquarters to New York. Falun Gong involves a bit of regulated breathing and meditation exercises and was founded by Li Hongzhi. The movement grew in popularity in China and was eventually banned because the Chinese government deemed it an evil cult.

How does a religious movement get banned in China?

Well, China has been known for crushing dissent and members of Falun Gong are just that. According to interviews with NBC News, members of Falun Gong believe the world is headed toward a judgment day, where those labeled communists will be sent to a kind of hell, and those sympathetic to the spiritual community will be spared.

The Epoch Times started in May 2000 and originally focused solely on pushing anti-communinist messaging and generally stayed out of American politics, however that eventually changed.

In October 2009, Li Hongzhi gave a speech at the Epoch Times where he urged the paper to change its course to essentially become more of a newspaper that builds its own revenue and reputation.

As The Epoch Times has made its way from its start-up to where it is today, it has become quite influential, Li Hongzhi said at the meeting. This tells us, then, that even though while running the paper peoples cultivation states may have often been inadequate, the main current has been good and made indelible achievements. Thats excellent. And as for its future prospects, things should only get better and better as you continue, and ordinary people will attach ever greater importance to the paper.

The Epoch Times has exploded in reach over the last few years with 6.1 million followers on Facebook, 67,400 followers on Instagram, 278,000 followers on Twitter and spent around $1 million on countless YouTube ads. The Epoch Times also charter a new course when it came to going to bat for an American politician. Its publishers are all-in for Trump and see him as an ally in the fight against communism in China.

According to analysis by NBC News, over a six-month period in 2019 the Epoch Times spent $1.5 million for nearly 11,000 ads promoting President Trump, more than any organization outside of the Trump campaign itself.

There is nothing nefarious about showing blatant support for a political figure; mainstream news outlets do it all the time on both sides of the political aisle. However, most of them do not peddle baseless conspiracy theories, align themselves with QAnonand publish misinformation about COVID-19. (Although, there is some debate about this too.)

So why did the Epoch Times end up on peoples doorsteps in Humboldt County?

It was actually part of an international campaign to deliver the paper. Residents in the United Kingdom also found the paper on their doorstep, along with residents in the Bay Area, in Colorado and even Canada.

One LoCO reader in Eureka was so upset about the incident she emailed us the following:

So if you were one of the (un)lucky ones to find a copy of the Epoch Times in your mailbox or on your front step consider reusing it. You can make papier-mch, or airplanes, or use it for a fire starter for your wood burning stove. Or just line the bottom of a bird cage with it because, after all, the paper is total shit.

More:

Fake News: What is the Epoch Times and Why Did It Arrive On My Doorstep? - Lost Coast Outpost

Fake News and Alternative Facts – KCPW

The Hinckley Institute Radio Hour(Original Air Date: August 25, 2019) This week on the program, we air a forum looking at the vilification of / and distrust in/ the mediathe network of journalists, reporters, editors, producers and newscasters that gather and dispense the news. Referred to by many names: the press, the media, the fourth estate or the great bulwark of freedom; these organizations and individuals play an essential role in democracy and society and enjoy a long history in America, enshrined in the Constitution through the First Amendment in 1791.

Since its inception in the United States, the press has had no official designation or test of certification and is merely a profession guided by a set of ethical standards built on the publics trust. But based on a Galluppoll, trust in the media reached an all-time low in 2016 and has continued to receive unprecedented levels of mistrust from the American populace. Central to this drop in trust is the corresponding rise in accusations of fake news, alternative facts and media bias. But where did these accusations begin? How does one spot a real fake news story? And why is trust in the media important?

Addressing these questions and other concerns surrounding the press is Jennifer Napier-Pearce, editor of the Salt Lake Tribune.

This forum was recorded on April 10, 2019.

Podcast: Play in new window | Download (50.2MB)

Subscribe: Apple Podcasts | Android |

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Fake News and Alternative Facts - KCPW

Take care before you share: Nazma Aapi is back with her witty yet important message on fake news – Hindustan Times

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See the article here:

Take care before you share: Nazma Aapi is back with her witty yet important message on fake news - Hindustan Times

The little things pop-ups, notifications, warnings work to fight fake news, new evidence shows – Nieman Journalism Lab at Harvard

The growing stream of reporting on and data about fake news, misinformation, partisan content, and news literacy is hard to keep up with. This weekly roundup offers the highlights of what you might have missed.

In 2017, Facebook released a set of Tips to spot false news. Developed in collaboration with First Draft, the tips were promoted at the top of users news feeds in 14 countries in April 2017 and printed in full-page newspaper advertisements in the United States, the United Kingdom, France, Germany, Mexico, and India, write the authors of a study published this week in PNAS. A variant of these tips was later distributed by WhatsApp (a Facebook subsidiary) in advertisements published in Indian and Pakistani newspapers in 2018. These tips are therefore almost surely the most widely disseminated digital media literacy intervention conducted to date.

The researchers tested the effectiveness of these tips on audiences in the U.S. and India and found that they worked.

Strikingly, our results indicate that exposure to variants of the Facebook media literacy intervention reduces peoples belief in false headlines. These effects are not only an artifact of greater skepticism toward all information although the perceived accuracy of mainstream news headlines slightly decreased, exposure to the intervention widened the gap in perceived accuracy between mainstream and false news headlines overall. In the United States, the effects of the treatment were particularly strong and remained statistically measurable after a delay of approximately 3 weeks. These findings suggest that efforts to promote digital media literacy can improve peoples ability to distinguish between false and mainstream news content, a result with important implications for both scientific research into why people believe misinformation online and policies designed to address the problem.

A brief intervention which could be inexpensively disseminated at scale can be effective at reducing the perceived accuracy of false news stories, the authors conclude, helping users more accurately gauge the credibility of news content they encounter on different topics or issues.

Consumer Reports Kaveh Waddell (hes an investigative reporter at the Consumer Reports Digital Lab, which launched last year and which Im looking forward to reading more from) points out that Facebook itself could surely shed further light on the these research findings: The company should know how many people clicked on the media literacy list, how long they spent on that page, whether they later changed their reading or sharing habits, and how long any effects lasted. But its not sharing. These scholars did an amazing job of looking at the scale of the intervention with the tools they had available, but Im just so disappointed that there isnt a way for an independent audit of what happened on the platform, First Drafts Claire Wardle told Waddell.

On the topic of brief interventions, Facebook is taking a cue from The Guardian and will show a warning if users try to share a story thats more than 90 days old. (If they still want to share it after that, they can.) Other types of notifications may be coming, too. From Facebooks John Hegeman, VP of feed and stories:

Over the past several months, our internal research found that the timeliness of an article is an important piece of context that helps people decide what to read, trust and share. News publishers in particular have expressed concerns about older stories being shared on social media as current news, which can misconstrue the state of current events. Some news publishers have already taken steps to address this on their own websites by prominently labeling older articles to prevent outdated news from being used in misleading ways.

Over the next few months, we will also test other uses of notification screens. For posts with links mentioning COVID-19, we are exploring using a similar notification screen that provides information about the source of the link and directs people to the COVID-19 Information Center for authoritative health information. Through providing more context, our goal is to make it easier for people to identify content thats timely, reliable and most valuable to them.

(OK, now do it for Trumps posts.)

The Shorenstein Center has a report on COVID-19 misinformation in Black online communities in the United States an especially crucial topic since Black people are disproportionately affected by the coronavirus, dying of it at a higher rate than White people. Brandi Collins-Dexter identified four main strands of misinformation circulating some organic, some targeted directly at the community by outsiders.

1. Black people could not die from COVID-192. The virus was man-made for the purposes of population control3. The virus could be contained through use of herbal remedies4. 5G radiation was the root cause of COVID-19

Our research makes clear that the health misinformation surrounding COVID-19 poses an immediate threat to the health of Black people, and is a symptom of an information ecosystem poisoned by racial inequality, Collins-Dexter writes.

While there is much to be learned about COVID-19 and how it works, it is clear that misinformation and conspiratorial frames that suggest that Black people are somehow inoculated from the disease are both dangerous and patently untrue. Black lives are consistently put in danger, and it is incumbent upon community actors, media, government, and tech companies alike to do their part to ensure that timely, local, relevant, and redundant public health messages are served to all communities.

The Washington Posts Christopher Ingraham has a very useful, detailed roundup of three recent studies focused on conservative medias role in fostering confusion about the seriousness of the coronavirus. Taken together, they paint a picture of a media ecosystem that amplifies misinformation, entertains conspiracy theories and discourages audiences from taking concrete steps to protect themselves and others.

Continued here:

The little things pop-ups, notifications, warnings work to fight fake news, new evidence shows - Nieman Journalism Lab at Harvard

Author says 2400-year old coin artifact may be proof that Atlantis is real – EconoTimes

Atlantis is one of the most popular myths in history, with many wondering whether the city is actually real, based on the stories that have been told over time. An author and researcher may have unraveled the mystery behind the mythical city through a 2,400-year-old coin that archaeologists have discovered.

The author of Atlantis Revealed, Christos Djonis, has his own theory of the ancient city through a 2,400-year-old coin that was discovered by archaeologists around 20 years ago. According to Djonis, the story of Atlantis was a legend passed on, and its inspiration may have been derived from the Americas. In May, Djonis spoke about this theory in the Ancient Origins channel on Youtube, saying that according to the texts of Plato, Atlantis was in the Mediterranean as opposed to the Atlantic or some other place.

Roughly 20 years ago, in 1996, Mark McMenamin, a professor of geology, discovered and interpreted a series of enigmatic markings on the reverse side of a Carthaginian gold coin minted in 350 BC as an ancient map of the world. In the center of this world map, there is a clear depiction of the Mediterranean Basin, an image to the right of it is interpreted to represent Asia, while the image to the left is interpreted to represent the American continent, recalled Djonis.

The same kind of world map would also be found in other specimens of the coin, said Djonis. He then revealed that the coin also happened to be minted around the same time Plato told the story of Atlantis and how there is a large continent across the Pillars of Hercules.

Previously, a historian claimed that the mythical city may have been submerged along the coast of Britain all this time. According to historian Matthew Sibson, there is a big chance the city may be found in Rockall, and the man-made features found in the water pose as possible evidence of a lost civilization.

Sibson went on to explain his claim, also referencing the texts from Plato that describe the mythical city. Sibson noted that the size of the city, as described by Plato may have been exaggerated, and rather it is an island than a city that would lead to other islands that would be the way to the opposite continent, which would be the Americas across the Atlantic ocean. Rockall would match the size and would serve as a way to get to the Americas through Iceland and Greenland.

The rest is here:

Author says 2400-year old coin artifact may be proof that Atlantis is real - EconoTimes

We shouldn’t need Ministers to develop the west – Galway Advertiser

We have had many types of politician represent us over the years. Those who have made us proud, those who have entertained us; shamed us; those who you wouldnt with any confidence send to the shop, and those who have delivered in spades for the region. All of them had their merits, their demerits, their strengths and failings, all obvious only to the differing eyes of the beholders.

Perhaps the biggest trick that Ministers of the past carried out was the multiplication of their truth in the role that they played in diverting back to us the money that was justly ours. We all know of Ministers who delivered for their area. We saw the signs that you are entering X country; we know of caricatured TDs who are able to convince their constituent they were delivering, by catering for them on a one by one basis.

The modern electorate is no fool and can spot a shyster when it sees one. So for us to be downbeat at the perceived injustice that has been afforded the west merely because we do not have a senior Minister is something we just have to get over. A lot has been made of this issue over the last few days, as if we should throw up our arms and give up and move to Rockall.

Modern politics is less and less about the personalities of the Ministers involved. Of course, there are those who will shout loudest for their constituents, but there is more than enough to go around to the regions if the cases are made adequately on our behalf by all the TDs we have elected, and not just those with a Mercedes under their bum.

If Ministers are to be truly ministerial, then they have to be forced to think nationally. The onus is on our TDs and senators to lobby those ministers. With three parties in power, there are enough local representatives of each party in influential positions to be able to bring our concerns to their table. Increasingly, we are seen the diminution of the power of the Minister to influence the progression of projects in their own areas.

Do I think that the west of Ireland would be a better place merely because Dara Calleary did not get the promotion he probably deserved? No, I dont. I have faith and trust in the political system to ensure that this region gets its desired share.

We live in a part of the country that has a lot to offer. Here in the capital of the west in Galway city, there is much to enthuse about. Our inclusion this week in the Top Ten techie places to be based in the world is one such indicator of our status. We cannot tie our future prosperity anymore to the awarding of half a million euro employment contracts to Ministers. We have to be able to work the system better, to use what we can to highlight the issues that arise.

We have seen how the change of life forced on us by the pandemic has already made things possible that six months ago would be laughed out of court. Widen the paths, make it safer for cyclists, let the fittest in our communities look after their most vulnerable. These were all niceties last Spring. Now, they are a reality.

Now those who would have screamed climate change or walkways or cycling healthier living or sustainable development are no longer deemed loonies. They are no longer a They. They are a We. When push came to shove, we were forced into new ways of thinking and living. With this people power and more enlightened public representation, let us look at new ways of getting our political point across.

What we need to do is to take matters into our own hands, to not put our fate or faith in the hands of others.

By this time next year, the skyline of Galway will have changed shape, move forward another five and it will be even more so. The arrival of Covid-19 has illustrated just how possible it is for the impossible to become possible.

Let us keep the momentum going that existed pre-Covid, but let us add what we learned to the mix.

This is our region, only we can force the change to make the the place we all want to work, live, holiday or study in.

Good luck to all who have become Ministers I wish you all the best of listening. Because you will need it.

We cannot tie our future prosperity anymore to the awarding of half a million euro employment contracts to Ministers. We have to be able to work the system better, to use what we can to highlight the issues that arise.

We have seen how the change of life forced on us by the pandemic has already made things possible that six months ago would be laughed out of court. Widen the paths, make it safer for cyclists, let the fittest in our communities look after their most vulnerable. These were all niceties last Spring. Now, they are a reality.

Now those who would have screamed climate change or walkways or cycling healthier living or sustainable development are no longer deemed loonies. They are no longer a They. They are a We. When push came to shove, we were forced into new ways of thinking and living. With this people power and more enlightened public representation, let us look at new ways of getting our political point across.

What we need to do is to take matters into our own hands, to not put our fate or faith in the hands of others.

By this time next year, the skyline of Galway will have changed shape, move forward another five and it will be even more so. The arrival of Covid-19 has illustrated just how possible it is for the impossible to become possible.

Let us keep the momentum going that existed pre-Covid, but let us add what we learned to the mix.

This is our region, only we can force the change to make the the place we all want to work, live, holiday or study in.

Good luck to all who have become Ministers I wish you all the best of listening. Because you will need it.

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We shouldn't need Ministers to develop the west - Galway Advertiser

From ’30 Rock’ to ‘Community,’ Who Decides What Old TV Episodes Are Too Insensitive to Keep in Circulation? – TheWrap

How TV platforms and producers are handling old episodes with blackface and other outdated, insensitive content

On Friday, The Office proved how far some older shows will go to wipe their slate clean of racially insensitive material, by re-editing one of its episodes to remove a scene featuring a character in blackface. That came the same week that other sitcoms including Community Scrubs and 30 Rock all had episodes pulled that included characters in blackface.

Those subtractions come amid a larger push that has forced the producers and distributors of older shows to re-evaluate their content for things that may have seemed fine years ago, but look badly outdated in 2020. The decision to pull or re-edit episodes, or in some cases add a disclaimer, is often a collaborative one. At least, thats the desirable approach.

Even more desirable would be not waiting for a moment of public backlash to right old wrongs. (Themost desirable possibility, of course, would be to not create offensive material in the first place.)

Also Read: 'The Office' Season 9 Christmas Episode Re-Edited to Remove Blackface Scene (Exclusive)

One somewhat regular check-up on old material tends to occur when series get licensed for another life on a new platform. Then, old episodes need to be rechecked for numerous reasons, including music rights, according to one industry insider. At that time, socially problematic issues can arise and the episode(s) in question can be re-edited if need be, and in extreme cases, pulled.

Through corporate processes like these, most of the truly problematic stuff would have been removed (quietly) years ago. Saturday Night Live, which has been around since 1975, is a good example of this. The culture has changed so much in the last 45 years that what was acceptable as edgy art in the early days might not be in 2020. But because Lorne Michaels show has existed on so many platforms (like the short-lived SeeSo, and soon, Peacock), some Saturday Night Live library material that wouldnt fly in the current climate hasnt actually been available for many years.

Examples of such previously scrubbed material include Jimmy Fallon doing a Chris Rock impersonation in blackface in 2000, and the Chevy Chase-Richard Pryor job interview sketch from the 70s, in which Chase uses the n-word and other racial epithets during a word-association round. Those can both be found in ripped form on YouTube, but the skits do not exist within the archives of official SNL licensing partnerships.

Also Read: Netflix Pulls 'Community' Episode 'Advanced Dungeons & Dragons' Due to Blackface Scenes (Exclusive)

In 2020, social media sometimes knows of a problem before a platform does. Want to get the attention of a network executive? Make an old show trend for all the wrong reasons. Along with Scrubs, late-night hosts Jimmy Fallon and Jimmy Kimmel have been called out for previous instances of wearing blackface. In recent weeks, the list of shows that have either been taken down completely or shed specific episodes includes W/ Bob and David, Chris Lilleys Summer Heights High, Angry Boys, We Can Be Heroes and Jonah From Tonga, and British comedies like Fawlty Towers and Little Britain.

And then there are the self-policing producers. On Monday, Tina Fey and partner Robert Carlocktook it upon themselvesto reach out to each platform where their sitcom 30 Rock is available, including Hulu and Amazon Prime, and ask that four episodes be taken down. When Scrubs creator Bill Lawrence was asked on Twitter if he would follow suit, he replied it was already in the works. One day later, those episodes were removed.

Office creator Greg Daniels went the extra mile by removing a scene in the hopes that the episode in question could still remain. We cut a shot of an actor wearing blackface that was used to criticize a specific racist European practice, Daniels told TheWrap. Blackface is unacceptable and making the point so graphically is hurtful and wrong. I am sorry for the pain that caused.

Also Read: 3 'Scrubs' Episodes Featuring Blackface Pulled From Streaming (Exclusive)

When it comes time to yank entire episodes, the platform distributing the series prefers to let producers make the official request to remove potentially offensive material. In most cases, the platform is (generally) paying for the opportunity to offer the program to subscribers and doesnt own or control the content. The platform would prefer the tough decision be a collaborative one with open communication between the parties.

With Community, it was Netflix who made the call to pull an episode of the former NBC comedy that had a character in blackface, an individual with knowledge of the decision told TheWrap. Community producer Sony Pictures TV declined to comment.

There are, of course, some exceptions to including everyone in the decision-making process. When Bill Cosby was accused and then later convicted of sexual assault, it was clear that presenting The Cosby Show to subscribers was just a bad idea. Hulu, which had the streaming rights, did not completely dump the series, though the service ceased promoting the classic sitcom to users and including it on any watch lists. While Hulu let the rights expire, The Cosby Show was still technically available for anyone who specifically searched for it. (Amazon Prime never pulled the series, where its still available today).

Then theres the case of Its Always Sunny in Philadelphia, the long-running sitcom that features blackface in a Season 6 episode. Last week, Netflix, which owns the Sunny rights overseas, pulled the episode but its still available on Hulu, which has the streaming rights to the FX comedy stateside.

Also Read: Tina Fey Pulls 4 '30 Rock' Episodes From Circulation, Apologizes for Blackface Use

Both Hulu and FX are owned by Disney, and the parent company has tied to the two brands with the launch of FX on Hulu. That gives Hulu and FX even more reason to try to make a mutually agreed-upon decision if creator and co-star Rob McElhenney doesnt make it for them. Representatives for McElhenney did not respond to TheWraps request for comment.

At press time, the episode was still up on the FX on Hulu site.

Instead of pulling content altogether, some platforms may prefer to put a thoughtful disclaimer on a property, as HBO Max did with Gone With the Wind. The streamer pulled the 1939 film, which has long been criticized for its sympathetic portrayal of the Antebellum South, two weeks ago. On Wednesday, the Oscar-winning drama returned with a video disclaimer and two short videos that discuss the historical context of the film.

Disney+ has also featured a disclaimer that read outdated cultural depictions on some of its decades-old content. But the call to feature disclaimers to pull insensitive material outright really depends on the level of offense and outcry.

Jenny Maas contributed to this story.

Don't even think of mimicking these celebrities.

Joni Mitchell

The singer posed in blackface on the cover of her album "Don Juan's Reckless Daughter" in 1977, and later went on to justify it by saying, "I have experienced being a Black guy."

Ted Danson

The "Cheers" star appeared at a New York Friars Club Roast in 1993 with then-girlfriend Whoopi Goldbergwearing blackface makeup to perform an offensive N-word-filled comedy routine.

Tom Hanks

The Oscar-winning actor came under fire in 2012 when video surfaced ofa 2004school fundraiser featuring Hanks and another man wearingblackface and stereotypical African clothing. Hanks later condemned the bit as "horribly offensive."

Jane Krakowski

The actress appeared in blackface in two episodes of the 2006-13 sitcom "30 Rock," in one case dressing as a Black man while co-star Tracy Morgan, who is African American, appeared as a white woman. Series creators Tina Fey and Robert Carlock pulled the episodes from circulation in 2020.

Tyra Banks

The host of"America's Next Top Model" took heat, as did her show, for a photo shoot in 2009 in which competingmodels were made to look "biracial." Styling techniques includedthe darkening of contestants'skin.

Paula Deen

Following the epicure'souster from the Food Network in the wake of her infamous N-word controversy, Deenposted a photo on Twitter from her show's 2011 Halloween episode featuring her son, Bobby, dressed as Ricky Ricardo, complete with brownface makeup.

Beyonc

The diva took heat for a 2011L'Officiel Paris cover with an "African Queen" theme for which the pop star's skin was darkened.

Jon Hamm

In a 2012 episode of "30 Rock," Hamm teamed with Tracy Morgan to re-create a parody version of a dated old TV show modeled on the stereotype-laden "Amos and Andy." Hamm doesn't so much blacken his face as dirty it, but the episode proved so problematic that creator Tina Fey pulled it from circulation in 2020.

Julianne Hough

The singer/dancer/actress drew criticism overa 2013 Halloween costume for whichshe donned dark makeup to masquerade asUzo Aduba's "Orange Is the New Black" character Crazy Eyes.

Shane Dawson

The YouTuber known for his outrageous characters in 2014 was forced to apologize for the use of blackface in some of his videos, including a parody of talk show host Wendy Williams.

Kylie Jenner

Fans of the reality star jumped all over a photo she posted to her Instagram account from a 2015 shoot, outragedthat herskin appeared to be darkened."This is a black light and neon lights people lets all calm down," Jenner responded.

Luann de Lesseps

The former countess and "Real Housewives of New York" star apologized for her 2017 Halloween costume as Diana Ross -- even though she insisted that she didn't actually do blackface. "I had bronzer on that I wear normally like the rest of my skin," she later told Andy Cohen on "Watch What Happens Live." "So I didnt add anything to or would ever, ever dream of doing a blackface. Ever."

Oliver Peck

The longtime "Inkmasters" star announced he was departing the show in 2020 after an old photo resurfaced of him wearing blackface while portraying an NBA player.

Jimmy Fallon

The late-night host came under fire for a 2000 "Saturday Night Live" sketch in which he impersonated former "SNL" cast member Chris Rock -- in full makeup.

Jimmy Kimmel

In June 2020, ABC late-night host apologized for a series of sketches from earlier in his career when he darkened his skin to impersonate Black stars such as NBA player Karl Malone and Oprah Winfrey. "I apologize to those who were genuinely hurt or offended by the makeup I wore or the words I spoke, he said of the sketches from "The Man Show" which he co-hosted from 1999-2003.

These celebrities offer a timely reminder that its never OK so dont try it

Don't even think of mimicking these celebrities.

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From '30 Rock' to 'Community,' Who Decides What Old TV Episodes Are Too Insensitive to Keep in Circulation? - TheWrap

Thunderchild II on the Hoist at Crosshaven Boatyard Ahead of Record Bid? – Afloat

The fully refurbished Thunderchild II was on the hoist at Crosshaven Boatyard in Cork Harbour yesterday, fuelling speculation that she is preparing for a new world record transatlantic crossing?

As regular Afloat readers will know, the record bid for the innovative Irish craft was postponed from 2019 until this summer.

The North Atlantic Challenge by Safehaven Marine of Youghals new 70ft XSV20 Thunder Child II was originally scheduled to be underway in mid-July 2019. But although the boat had her preliminary launch that February, pressure of work on other craft in the companys internationally successful pilot and patrol boat ranges at the busy factory saw a postponement of the Challenge until 2020. And while the preferred strategy is still in favour of the northern route, the plan now is to do it west to east.

Designed and built by Youghal-based Safehaven Marine, managing director Frank Kowalski describes the super-swift craft as a unique, hybrid hull design, asymmetrical catamaran, with a wave-piercing deep V mono-hull.

Valued at over 1m, it is designed for high speed, with minimal turbulence.

Measuring 23 m in length, it has a 5.3 m beam and boasts a Hyuscraft hydrofoil system fitted between the two catamaran hulls.

In July 2017 the 17-metre original Thunder Child set a record in circumnavigating Ireland, anticlockwise, via Rockall, in just over 34 hours.

It was previously indicated that between July and August 2020 the same five-member crew, aboard Thunder Child II will attempt an unprecedented 4,500 km transatlantic route from Killybegs to Newfoundland via refuelling stops at Greenland and Iceland.

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Thunderchild II on the Hoist at Crosshaven Boatyard Ahead of Record Bid? - Afloat

Malcolm Young’s five best rhythm guitar moments in AC/DC – Mixdown

'Meanstreak' -Blow Up Your Video,1988

Most of us wouldn't immediately associate the word 'funk' with AC/DC, but when you hear the groove on this deep cut from the band's 1988 albumBlow Up Your Video,there's simply nothing else that comes to mind. On 'Meanstreak', Malcolm embraces his inner groove thing and lays down one of the band's most danceable riffs to date, with his playing taking influence from the wave of funk-rock that swept the world in the '70s. Angus also delivers a mean solo in this track, making for what might be one of AC/DC's most underrated songs of the '80s - and maybe even all time.

This one is explosive! 'Riff Raff' delivers astop-start groove somewhat reminiscent of Led Zeppelin's 'Rock and Roll' or 'Black Dog', with Malcolm chugging out a classic 12 bar blues inspired progression drenched in distortionfor his bandmates to soar atop of. The energy on this trackis second-to-none, and Malcolm's guitar tone - courtesy of a mangled Gretsch and cranked Marshall stack - is classic AC/DC. Malcolm even once said that 'Riff Raff' was the ultimate AC/DC track, and when you strip everything back to its fundamentals, it's pretty hard to disagree with that.

Of course, 'Thunderstruck' is all about Angus'sjagged 16th note lead riff that powers through the song, which I'm sure all of us have butchered playing at least once in our lives while trying to impress someone. However, I'm going to throw a spanner in the works here and say that it's Malcolm's playing that makes 'Thunderstruck' such an iconic tune. The right-handpicking in this song is outrageously clean -it almost sounds like a bluegrass rhythm pattern on crack - and when you take into account that Malcolm used to use 0.12 gauge guitar strings, you can only imagine how tricky this riff would have been to play for as long as it goes on in the song. Syncopation at its very best.

If there was ever a song that made Malcolm the legend he is today, it'd have to be this banger. 'Let There Be Rock' sees Malcolm at his rhythmic best, smashing through the open chord changes in immaculate fashion throughout the song before cranking things up a notch for the face-melting finale of the track. Possibly the most fascinating aspectabout 'Let There Be Rock' is hearing Malcolm Young's isolated guitar track, which reveals the nuances of his playing and demonstrates how rock solid his rhythm really was. Plus, that guitartone is about as ballsy and raw as it gets.

Undeniably one of the best guitar riffs of all time, 'Back In Black' was actually written by Malcolm while AC/DC were touring behindHighway To Hellin 1979, with the rhythm guitarist using the iconic stop-start riffas a warm-up before taking the stage. When the band finally came around to recording the follow-up to that record (and their first album since the death of Bon Scott),Angus urged Malcolm to bring the ideaforward to the other members, feeling it would be the appropriately energetic way to introduce Brian Jones while simultaneously upholding Scott's inimitable legacy. Suffice to say, Malcolm turned in the goods for this one - what a legendary riff.

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Malcolm Young's five best rhythm guitar moments in AC/DC - Mixdown

Power Distribution Market 2020 With Top Countries Data: Industry Trends, Share, Size, Top Key Players Analysis and Forecast Research – Cole of Duty

Global Power Distribution Market Size, Status And Forecast 2020-2026

The Power Distribution Marketreport provides a detailed analysis of the area marketplace expanding, competitive landscape, global and regional market size, growth analysis. It also provides market share, opportunities analysis, product launches as well as recent developments with sales analysis, segmentation growth, market innovations and value chain optimization, SWOT analysis. Power Distribution Market latest report covers the current COVID-19 impact on the market. This has brought along several changes in market conditions. The rapidly changing market scenario and initial and future assessment of the impact is covered in the report.

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https://www.marketinsightsreports.com/reports/06302121721/covid-19-impact-on-global-power-distribution-market-insights-and-forecast-to-2026/inquiry?Mode=70

Top Companies: Siemens, General Electric, ABB, Eaton, Hager, Chint Group and others.

This report segments the global Power Distribution market on the basis of Types are:Fixed TypeDrawer Type

On the basis of Application, the Global Power Distribution market is segmented into:Power PlantIndustrial SitesCommercial SitesOthers

For comprehensive understanding of market dynamics, the Power Distribution Market is analysed across key geographies namely: United States, China, Europe, Japan, South-east Asia, India and others. Each of these regions is analysed on basis of market findings across major countries in these regions for a macro-level understanding of the market.

Browse the report description and TOC:

https://www.marketinsightsreports.com/reports/06302121721/covid-19-impact-on-global-power-distribution-market-insights-and-forecast-to-2026?Mode=70

Major Points from the Table of Content of Power Distribution Market:

-Market Overview:The report begins with this section where product overview and highlights of product and application segments of the global Power Distribution Market are provided. Highlights of the segmentation study include price, revenue, sales, sales growth rate, and market share by product.

Competition by Company:Here, the competition in the Worldwide Power Distribution Market is analyzed, By price, revenue, sales, and market share by company, market rate, competitive situations Landscape, and latest trends, merger, expansion, acquisition, and market shares of top companies.

Company Profiles and Sales Data:As the name suggests, this section gives the sales data of key players of the global Power Distribution Market as well as some useful information on their business. It talks about the gross margin, price, revenue, products, and their specifications, type, applications, competitors, manufacturing base, and the main business of key players operating in the global Power Distribution Market.

Market Forecast:Here, the report offers a complete forecast of the global Power Distribution Market by product, application, and region. It also offers global sales and revenue forecast for all years of the forecast period.

Research Findings and Conclusion:This is one of the last sections of the report where the findings of the analysts and the conclusion of the research study are provided.

The research includes historic data from 2015 to 2020 and forecasts until 2026 which makes the report an invaluable resource for industry executives, marketing, sales and product managers, consultants, analysts and stakeholders looking for key industry data in readily accessible documents with clearly presented tables and graphs.

Customization of the Report: This report can be customized as per your needs for additional data up to 3 companies or countries or 40 analyst hours.

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Power Distribution Market 2020 With Top Countries Data: Industry Trends, Share, Size, Top Key Players Analysis and Forecast Research - Cole of Duty

funded facility ready to receive and support Allied troops in Estonia – NATO HQ

A new NATO infrastructure facility has just opened its doors at the Tapa Base in Estonia. The hub is able to receive and facilitate the onward movement of NATO forces, including the Very High Readiness Joint Task Force (VJTF), and will be used for exercises and prepositioning of equipment. The majority of the project, worth 20 million EUR, has been funded through the NATO Security Investment Programme (NSIP).

The new infrastructure includes barracks for troop accommodation, storage space for equipment and vehicles, a medical centre and a helipad. The facility will serve as a ready-to-use field camp for short-notice exercises and deployments. It will help ensure the flexibility and rapid movement of NATO forces throughout the territory of Baltic Allies.

The project in Tapa shows burden-sharing in action. It is also an example of Allies meeting the commitments they made at the Wales Summit in 2014 and the Warsaw Summit in 2016, to enhance NATOs ability to quickly and effectively reinforce its Eastern Allies, said NATO Secretary General Jens Stoltenberg.

This is just one of more than 200 projects launched by NATO Allies to enable the Readiness Action Plan. Through common funding, infrastructure to support the prepositioning of military supplies, and of reception, staging and training is currently under construction in eight NATO nations.

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funded facility ready to receive and support Allied troops in Estonia - NATO HQ