The Anatomy of Populist Economics – Project Syndicate

PARIS For at least the past year, populism has been wreaking havoc on Western democracies. Populist forces parties, leaders, and ideas underpinned the Leave campaigns victory in the United Kingdoms Brexit referendum and Donald Trumps election as President of the United States. Now, populism lurks ominously in the background of the Netherlands general election in March and the French presidential election in April and May.

But, despite populisms seeming ubiquity, it is a hard concept to pin down. Populists are often intolerant of outsiders and those who are different; and yet Geert Wilders, the far-right Dutch populist leader, is a firm believer in gay rights. In the US, Trumps presidential campaign was described as an anti-elite movement; and yet his administration is already practically a subsidiary of Goldman Sachs.

While todays populist resurgence comes from the nationalist right, some of the leading populist exponents in recent decades such as Venezuelas late president, Hugo Chvez were firmly on the left. What they share is a zero-sum view of the world, which necessitates the creation of scapegoats who can be blamed for all problems. Moreover, because populist leaders claim to embody the uniform will of a mythical people, they consider democracy to be a means to power, rather than a desirable end in itself.

But populists have more in common than an obsession with cultural boundaries and political borders. They also share a recipe for economic governance, one that Project Syndicate commentators have been tracking since long before todays brand of populism began dominating the worlds headlines. Guided by their insights, we can begin to understand the origins of todays populist resurgence, and what is in store for Western countries where its avatars come to power.

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The Anatomy of Populist Economics - Project Syndicate

Anatomy Of A Bicycle Accident: Who’s At Fault? – CBS Local


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Anatomy Of A Bicycle Accident: Who's At Fault?
CBS Local
It happened in a flash. As reporter Sandra Torres was preparing for a live shot at Adams and Canal, a bicyclist collided with a taxi. Banged-up biker Lance Cooper broke a bone in his hand. He initially thought the cabbie ran a red light, but after ...

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Ford’s Bridgend engine plant the anatomy of its decline – just-auto.com (subscription)

Employees at Ford's Bridgend Engine Plant, UK, building the 1.6-litre EcoBoost engine

A confluence of factors, many of them rooted in history, are behind theexpected decline in output at Ford's Bridgend plant which will lead to the loss of 1,100 jobs over the next five years.

Firstly, the much-talked about megatrend of engine downsizing has had a marked effect on the addressable market of Bridgend's bread and butter engine of recent years, the Sigma or Zetec-SE, and its proposed successor the Dragon engine (understood to be a 1.2 and 1.5L petrol engine family). The Sigma engine family was introduced in 1995 and produced at both the Bridgend and Valencia, Spain engine plants initially (latterly it's been built further afield). The petrol engine spanned 1.25-1.6L capacity (with a special 1.7L variant developed for the Ford Puma by Yamaha) and its performance was sufficient to make some parts of the bigger capacity Zetec engine 1.6-2.0L petrol engine redundant. They do say what goes around comes around and this became apparent in 2011 when the three-cylinder Fox engine, built in Cologne, Germany and Craiova, Romania was introduced. The Fox engine, necessary to support the required reduction in fleet CO2 emissions under European rules, epitomises downsizing and eroded much of the Sigma's addressable market.

The second major factor is the programme consolidation, known as One Ford, that Ford embarked upon as its signature strategy under Alan Mullaly. While singular global vehicles and platforms may be the visible front for One Ford, it's also a back-office operation for significant components like powertrains. Therefore, whereas in the past, Ford might have been happy to let legacy and older engine programmes continue manufacturing past their European or US market sell-by date in developing markets it is no longer the case. Also, it's the case that regulatory standards in emerging markets are rapidly converging on those in Europe thus enabling a consolidated global approach like One Ford. Thus, the Dragon engine will not only be built in Bridgend but also in India (the lead plant), Brazil, China, Russia and Mexico.

One Ford has had, and will have, other ramifications for Bridgend. It prompted Ford to disband PAG (Premier Automobiles Group) comprising Volvo, JLR and Aston Martin with the first two providing Bridgend with incremental volumes through Volvo's SI6 engine and also JLR's AJ126 and AJ133 engine. The dissolution of PAG saw that the newly independent Volvo and JLR had to develop their own engine programmes. This first saw Bridgend stop building the SI6 engine for both Volvo and JLR. While volumes for the JLR engines have climbed in recent years it is now reported that the JLR contract ends in 2019. At around that time it is thought that JLR will replace the AJ126 V6 with an inline six engine derived from its Ingenium engine programme. Whether the V8 AJ133 will continue manufacture somewhere else is unknown but it's not hard to conceive that boosted versions of the Ingenium inline six could supersede it.

Finally, the uncertainty that Brexit brings over future tariff and trade arrangements will not have helped. In a single European market this is not such a problem. Sure, there is some ForEx risk being outside the Eurozone but the uncertainty brings an added complication that Ford could do without on top of the issues outlined above. Of course, this factor is amplified for Ford in the UK as it no longer manufactures vehicles in the country after shuttering the Dagenham vehicle plant in 2001 and the Southampton Transit plant in 2013. While Dagenham continues to be Ford's centre of excellence for diesel engine manufacture the mounting opposition to diesel in European cities, together with the pressures of manufacturing in a global environment, do start to raise some questions about its longevity after the disclosure of phased job losses at Bridgend.

Ford to lose more jobs at UK engine plant - report

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Style anatomy with Pinky Durrani – The Express Tribune

The artist, graphic designer, and now creative head of the clothing line Pinx, talks to us about her style evolution

The artist, graphic designer, and now the creative head of the clothing line Pinx, talks to us about her style evolution. Having developed a passion for fashion from a very young age, she breaks down her signature look and her beloved fusion style statements

Understanding your body is the key to looking good and a trait found amongst all impeccably dressed fashionistas. While people shy away from talking about their bodies, these brave souls explain how they work their anatomies to their advantage

How would you describe your body type?

I would say Im curvy and sporty.

Has your body type changed over the last five years?

Absolutely, and for the better! I feel a more positive and healthier change in my body.

How has your style changed over the years?

Its more fusion now, and a lot more versatile. I tend to wear tunics, which can easily blend with both Eastern and Western ensembles. I prefer that to wearing a typical shalwar kameez.

In your opinion what is your most troublesome area?

Definitely my arms they have always been my biggest problem area.

How do you dress your body according to your body type?

I prefer wearing ensembles that flow. I love my boot-cut pants paired with a nice, short, breezy top that gives my silhouette some movement. I dont like fitted clothes.

In your opinion what is the biggest mistake a person can make while dressing here?

Following fashion trends rather than thinking about ones own body type. We seriously need fashion police here, because everyone is copying others and people arent authentic.

Which silhouettes suit your body the most?

Smart-casual wear suits me best. When it comes to Eastern outfits, I usually opt for long, embroidered formals.

What is the one piece of clothing you shy away from wearing and why?

Cap-sleeves anything! I find that particular cut very unflattering.

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Style anatomy with Pinky Durrani - The Express Tribune

The Anatomy of Who We Are – Psychology Today (blog)


Psychology Today (blog)
The Anatomy of Who We Are
Psychology Today (blog)
Riccelli thinks this may be indicative of behaviors key to neurotic personalities: (These anatomical features) may be associated with problems in the suppression of reactionsinvoluntary suppression of negative emotion, for example. Meanwhile ...

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Jimmy Kimmel vs. Matt Damon: Anatomy Of An Epic Hollywood Feud – ETCanada.com

In an interview with NPR, Kimmel explained the origins of his signature signoff. We had a bad show The guests were bad, and I was feeling pretty bad about myself at the end of the program. And I decided to say, for the amusement of one of our producers who was standing next to me I want to apologize to Matt Damon. We ran out of time. And he got a kick out of it, the producer, so I just started doing it every night to amuse him. Matt Damon was just the first name that popped into my head. I was trying to think of an A-list star, and somebody we absolutely would not bump if he was on the show. The legs on this bit are unbelievable to me. I mean, people laugh every time I say it. Repeating the same joke every single night, youd think eventually people would get tired of it, but they dont.

While the show-ending line kept getting laughs, Damon himself got into the act when Kimmel's then-girlfriend, Sarah Silverman, enlisted the "Bourne Identity" star to appear in the video for her self-explanatory 2008 song, "I'm F***ing Matt Damon".

Kimmel turned the tables on Silverman and Damon in 2009 when Damon's old pal Ben Affleck appeared in Kimmel's response song video, "I'm F***ing Ben Affleck".

This was followed by Kimmel sidekick Guillermo appearing on the set of "The Bourne Ultimatum" only to get beaten up by Damon, who was not too thrilled to see Kimmel's show promoting the upcoming movie as "The Guillermo Ultimatum". Says a ticked-off Damon: "I mean, are you f***ing kidding me?"

Damon got his revenge when Kimmel's fake lover Affleck was joined by John Krasinski, Matthew McConaughey, Patrick Dempsey, Keith Urban, Sting, and Rob Lowe to eject Kimmel from the Handsome Men's Club with the big twist that it was Damon who engineered the entire thing.

In Kimmel's trailer for "Movie: The Movie", a dejected Matt Damon (inexplicably costumed as a bunch of grapes) winds up being cut from the star-studded faux-movie, leading him to send out this pithy response.

In 2013, Damon finally managed to get revenge on Kimmel for all those bumpings, kidnapping the host and hijacking the show, with the help of Andy Garcia and the late Robin Williams.

Kimmel fired back by sending Guillermo to crash the junket for Damon's sci-fi flick, "Elysium", which he took over by promoting a movie HE made, called "Estupido." As Guillermo explains (in Spanish, via subtitles), his film is "about a stupid man who has a friend named Ben, who is also stupid. And he's from Boston. He is very stupid."

Kimmel made Damon pay for his takeover when he and the rest of the cast of "Monuments Men" visited the show, with Damon shuttled off to the side to sit in a tiny stool while the rest of the cast sat in couches.

Finally, the pair decide it's time to try to repair their relationship when Damon visits the show wearing a Dr. Phil disguise. The whole thing, however, is a setup to show a clip of what happened when Kimmel and Damon attended couples counselling. Try to contain your shock, but it did not go well, especially when Damon reveals that he lives "at the show, in a dressing room," in perpetual hope of not being bumped.

When Ben Affleck returned as a guest, he took to the stage wearing a ginormous suit that surprise! actually contained Matt Damon, smuggling him onto the show until Kimmel figures out the pair's scheme.

Kimmel was incensed when he cut to a remote in Vegas, where his Aunt Chippy was playing blackjack until she was accosted by "Matthew from South Detroit," who was actually, as Kimmel described, overrated actor and simpleton Matt Damon.

Damon and Kimmel attempt to give couples counselling another go, but Damon's feelings are hurt when Kimmel is dismissive of his idea for promotional "Bourne" bumper stickers, such as the one that says "Honk if you're Bourney."

When Kimmel decided to run for vice-president, Damon took the low road in a faux political-style attack ad designed to trash-talk the host. Declares Damon solemnly: "If Jimmy Kimmel f***ed Ben Affleck, who's he gonna f*** next? America?"

After Emmy host Kimmel lost to John Oliver at the 2016 Emmys, Matt Damon joined Kimmel onstage, crunching an apple while gloating at Kimmel's loss, reminding him how humiliating it is to have lost "and now you gotta stand out here for the rest of the night in front of everybody." He asked the crowd to try to make Kimmel feel better by giving "the big loser" a round of applause.

Following the New England Patriots' stunning comeback at the 2017 Super Bowl, Damon once again tried to sneak his way onto the show, this time disguised as Pats QB Tom Brady. It doesn't take Kimmel long to figure out Damon's ruse. As he's being escorted offstage by security, Damon yells: "I won the Super Bowl and I won your stupid show!'

Jimmy Kimmel and wife Molly McNearney welcomed their first child a few years ago, and the couple are now expecting a second but is Kimmel really the father? Damon believes HE's the father, and they all appear on Maury Povich's show (with Maury played by Martin Short) to take a paternity test. "We dont know if you're a boy or a girl, but you have a choice of daddies," Damon tells the fetus inside McNearney's belly. "One daddy could be an Emmy loser the other daddy could be an Oscar winner! Do you wanna play with daddy's Oscar?" Tracy Morgan drops in for a twist ending to prove who's REALLY the father.

So will the feud rear its ugly head while Kimmel hosts the Academy Awards. You can count on it. "Im going to do everything I can to make sure that he doesnt win or doesnt know that he won," says Kimmel of his plans for Damon. "My goal is to keep him offstage." Responded Damon: "I'm just sad Chris Rock isn't hosting the show, someone who's actually funny."

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Jimmy Kimmel vs. Matt Damon: Anatomy Of An Epic Hollywood Feud - ETCanada.com

Ransomware 2.0: Anatomy of an emerging multibillion business … – CSO Online

Technically speaking, almost all components of ransomware, such as spear phishing, watering hole attacks involving popular and trustworthy websites, antivirus evasion techniques or data encryption algorithms, are well-known and have been used separately by hackers since years. However, modern ransomware certainly merits a classification as one of the most evolving sectors of cybercrime in 2017.

Though it is quite difficult to calculate the overall damage caused by ransomware in 2016, some researchers state that cybercriminals received over $1 billion in ransom payments last year. Others mention a 3,500% increase in the criminal use of infrastructure that helps run ransomware campaigns. Carbon Black says that ransomware is the fastest growing malware across industries, up 50% in 2016. Technology (218%), utilities and energy (112%) and banking (93%) saw the highest year-on-year ransomware growth last year.

Due to an important lack of qualified technical personnel and other resources, law enforcement agencies are globally unprepared to detect, prevent and prosecute this type of digital crime. Moreover, more and more cases of ransom payment by the police have become public, while those police officers who dare to resist take a substantive risk. There is the Texas police who lost eight years of their investigative work and all of the evidence by refusing to pay cybercriminals. This sad statistic explains why the majority of despaired victims of cybercrime fail to report it to the law enforcement agencies.

Attackers can easily rent a Ransomware-as-a-Service (RaaS) infrastructure for as low as $39.99 per month, making up to $195,000 of monthly profit without much effort in comparison to other niches of digital fraud and crime. The business of ransomware has become so attractive that some cybercriminals dont even bother to actually encrypt the data, but just extort money from their victims with fake malware. The victims are so scared by media stories about ransomware, combined with law enforcement agencies inability to protect them or at least to punish the offenders, that they usually pay.

The new generation of ransomware attacks IoT and smart devices, locking not only mobiles and smart TVs, but also doors in hotels and air conditioning systems in luxury smart houses. Criminals switch from file encryption to database encryption and web applications, demonstrating a great scalability of ransomware tactics.

To increase their profits, hacking teams behind the ransomware campaigns now threaten to send the victims sensitive data to all of their contacts instead of just deleting it. Cryptocurrencies allow attackers to receive online payments almost without any risk of being traced and prosecuted. Despite the media hype around blockchains ability to reinvent and improve the world, so far only the cybercriminals have entirely leveraged the full potential of this emerging technology.

A simple business model, high profits, accessibility and affordability of resources to deploy large-scale attacking campaigns, and low risks in comparison to other sectors of (cyber)crime, assure the flourishing future of ransomware. All of this without mentioning the problem of global inequality actually causing the cybercrime, which I briefly described in Forbes recently.

Nonetheless, it does not mean that organizations should give up. The FBI confirms the skyrocketing problem of ransomware, but suggests relying on prevention rather than paying ransom to the criminals. PwC also suggests to plan and prepare the organization to this kind of incident in order to have internal capabilities to recover without suffering important financial losses.

Some cybersecurity vendors, like SentinelOne, contractually guarantee protection and provide a financial insurance for their clients. Others, like Kaspersky, offer free tools to decrypt data compromised by popular malware. Last, but not least, Europols No More Ransom public-private partnership with other law enforcement agencies and leading cybersecurity companies, provides a comprehensive collection of free tools to recover the data and clean the systems infected with ransomware.

Below are six essential steps that will help you avoid paying ransoms:

By following those rules, any company and organization can significantly reduce their risk of having to pay ransom. Attackers would rather target easy and unprepared victims, instead of spending their efforts on any particular organization. Properly implemented security standards, like ISO 27001, can also prevent the vast majority of costly ransomware incidents.

However, keep in mind that information security starts with factual security, not with a paper-based compliance. If your IT infrastructure is secure in practice, you will not only easily pass the majority of compliance and regulation requirements, but you will also defend your business from many vectors of cybercrime, including the growing monster of ransomware.

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Ransomware 2.0: Anatomy of an emerging multibillion business ... - CSO Online

Maggie Finally Gets the Spotlight on Grey’s Anatomy and It’s a Giant Bummer – Cosmopolitan.com

When I found out that Maggie's mother was going to show up on Grey's Anatomy, I was a little sulky about it at first. Why is Grey's always trotting out new guest stars? Why do the characters we've fallen in love with disappear forever? I know the answer to that second question is, "Because a whole bunch of them are dead and a few more of their performers are dead to Shonda." Still, it's a little bittersweet to meet Maggie's mom when who I'd really love to see again are family members like Derek's mother or sister or ex-wife. Or Teddy! Or Mama Burke. And the list goes on and on. I am 100% aware that this is almost entirely Trump-induced "Sure wish things were the way they used to be!" melancholy, but I stand by it.

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That said, I ended up liking Maggie's mother, Diane, just fine, and not just because she's played by the inimitable LaTanya Richardson Jackson. It's always exciting to learn a little more about Maggie, who I still feel like I only know between three to five facts about, in spite of the fact that this is her third season on the show.

Diane tells Maggie she's come for both a visit and for some elective plastic surgery with Jackson. But when she's in an examining room with Jackson, she shows him a rash on her breasts and asks if he can remove it. He can't; it's a rare and aggressive form of cancer called inflammatory breast cancer. He offers to set Diane up with doctors back in Hawaii, to fly in when Diane needs surgery, and to come to dinner with Diane and Maggie, so that he can be there to answer Maggie's questions. I've tried to come up with an articulate way about how that emotional availability makes me feel, and all I can come up with is OMG JACKSON FOREVER.

But Diane never gets a chance to tell Maggie. When Maggie comes home to Meredith's house and finds Diane and Jackson there, she flips out, still angry at the fact that Diane showed up, inserted herself into Maggie's world, met her friends, and made plans on her behalf. That segues into what Maggie's really mad about: her mom divorced her father, moved far away, and "destroyed our family." It feels really abrupt and awkward, but then again, that's sort of how Maggie is: holding feelings inside of her brain and heart for so long that when they spill out, they're super-sized and a little bit spazzy. Diane tells Maggie that her life in Seattle is beautiful, and that Maggie should call her when she's ready to share it with her mom. She leaves, but since Maggie still doesn't know about her cancer (and since Jackson still does), we'll likely see her again soon.

Meanwhile, the battle against Eliza rages on, with most of the attendings still refusing to work with her. Bailey retaliates by suspending Meredith and giving her job to April, and it seems very inconsiderate of April to accept, since that is not the proper way to behave toward someone who let you have a caesarean section on their dining room table. Eliza insists that Arizona is afraid of Eliza being fired or quitting because then there will be NOTHING STOPPING THEIR LOVE and that terrifies her. Also, Catherine gives a speech about being a dragon at one point? It's all still very awkward.

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Throughout the episode, Owen and several other doctors work on a patient who was found wrapped in thick razor wire, having fallen from a wall she and her husband built to protect their house. It's properly harrowing to watch, and I did so almost entirely with my head in the comfort and safety of my sweater. Obligatory aside: pretty dark anytime says anyone even tangentially related to building a wall, huh?

I'm hesitant to type this, and hesitant to even believe this chapter of our lives has come to an end, but I think the question of whether Alex will go to jail is finally, finally settled. PROBABLY. Let's not jinx it. DeLuca bursts into the District Attorney's office and announces that he wants to drop the charges (I'd like to point out that I totally called this development LAST YEAR), but he's pretty deflated when the DA tells him he actually can't. The charges are the state's, not his. He thinks for a moment, then announces that if he's put on the stand, he'll blow the case by saying Alex didn't brutally attack him they were just in a fistfight that went too far. And just like that, Alex walks free. Bailey gives him his job back and everything, and he finally apologizes to DeLuca.

It's a sincere and heartfelt apology (especially given that we're talking about ALEX here), but it sends DeLuca into a bit of a rage. He tells Alex he gave him "every chance to say that" months ago. Alex says that he tried to, and then DeLuca claims he should'vetried more times? It's strange. If the guy you beat half to death asks you to get and stay away from him, the right thing to do is to listen, not pester him until he accepts your apology. And even though DeLuca claims Alex could've tried to make contact through one of his friends, I seem to remember DeLuca getting really standoffish when Arizona and Meredith mentioned Alex to him. Regardless, it seems like they're on non-hostile terms now, and as hard as I roll my eyes at DeLuca sometimes, I was still really touched when he gave Alex his reason for helping him: "Because Jo's been through enough." There's still no word about what this means for Alex and Jo, even though she shows up at Meredith's house for a long, erotically charged hug on the front porch. (I watched the hug three times to confirm and am comfortable with "erotically charged" as my assessment.) Neither one of them says a word, which seems fine, since their communication issues never played a part in this long, strife-riddled affair.

Also, Amelia is still hiding from Owen. Actually hiding. Not avoiding his phone calls, hiding in an apartment and refusing to answer when he knocks on the door. She does sometimes stand near the door while he's knocking, so that'sprogress. I've typed all of that out in a very judgmental manner, but now that I have, maybe Amelia has the right idea.

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Maggie Finally Gets the Spotlight on Grey's Anatomy and It's a Giant Bummer - Cosmopolitan.com

The 10 Best Television Episodes of 2019 – Esquire

There are rare occasions when one episode of television just takes your breath away. Or makes you laugh. Or think harder. That's the power of television: in the course of about an hour, a single episode can get fully seared in your memory. Fortunately for TV lovers, 2019 was full of a whole slew of incredible television. Taking a bit of inspiration from the realities of 2019 itself, series like Watchmen, Pose, and even Grey's Anatomy (yes, it's still on) tackled the social ires that plague our communities, but there's something extra poignant about seeing those topics seep into the entertainment we consume in our down time. Television has always had a way of making the taboo a bit more digestible, but the stories told on television this year took it to a whole new level.

But beyond the social messaging, some series simply found a way to tell a damn good story, message or not. The second season of Fleabag punctuated the decade with some of the sharpest comedy we've seen in years. Big Mouth continues to find a way to weave in animation with smart storytelling season after season. And even though some of these series didn't see Emmy or Golden Globe nominations, they still managed to occupy a place in our minds.

10. "Duke," Big Mouth

Duke narrates a central mystery: how did jazz legend Duke Ellington, whose ghost lives in Nick Birchs attic, lose his virginity? This Very Special Episode takes Nick, Andrew, and Jay back in time to Washington D.C. circa 1913, or as Duke describes it, Americas puberty, and my puberty, too. What follows is a singularly unusual episode of Big Mouth, one filled with romance, wistfulness, and a rare, cheeky bit of privacy. In an age where teenagers are more logged on than ever, an episode of television preserving the intimate mystery of Dukes first time is a welcome revelation. Adrienne Westenfeld

9. "Chase Drops His First Album," The Other Two

Comedy Centrals The Other Two remained a bit of a blip on the comedy radar this year, mostly adored in critical circles, but the heartfelt comedy from Chris Kelly was at its best in its inaugural season when it tackled the line between comedy and tragedy. In a bottle episode that kept its entire cast on a plane for Chases album drop, Cary (Drew Tarver), Brooke (Helne Yorke), and Pat (Molly Shannon) wrestle with the complex task of when to reveal to Chase (Case Walker) that his father died from alcoholism.Justin Kirkland

8. "Janets," The Good Place

The Good Place has been a nugget of gold for all four seasons its been on air, but the quirky NBC comedy is at its best when it leans all the way into the weird. Janets is the epitome of that type of strangeness. Stuck in a void while Michael (Ted Danson) and Janet (DArcy Carden) attempt to save the Soul Squad from eternal damnation, the core four are kept in Janets void, but theres a catch: they all appear as Janet. Carden was tasked with the impossible feat of playing four different characters who all interact with one another. What easily could have been a shtick of an episode turned into a true testament to the comedic force that Carden is, as well as how inventive network sitcoms can be.Justin Kirkland

7. "This Is Not For Tears," Succession

In the hall of fame for television episodes that fulfill that old surprising and inevitable chestnut dispensed in writing workshops around the country, This Is Not For Tears is a standout. After a season spent building dread and suspense around which Roy family member would become the blood sacrifice laid at the shareholder altar, this season finale solves the mystery, only to subvert expectations at the final second. This Is Not For Tears pays off the long saga of tortured gamesmanship between Logan and Kendall, allowing Kendall to rise like a phoenix from the debasement hes suffered for two seasons. Adrienne Westenfeld

6. "Episode 4," Years and Years

Years and Years was one of those series that floated under the radar for most of this year, but it packs one of the biggest punches of the 2019. Actually, the insane realism of the sci-fi show that speculates on what global politics could look like over the next 15 years might hit a bit too close to home for most. In Episode 4, the tragic repercussions of immigration reform are on full display when Daniel (Russell Tovey) attempts to get his fiance, Viktor (Maxim Baldry) back to England via a small motorized raft. The results make for one of the most heart-wrenching, brutal twists on television this year.Justin Kirkland

5. "Ariadne," Russian Doll

Russian Doll might have been the first truly great series of the year, but of all its parts, the final installment is the one that really sells the series as something remarkable. After multiple episodes of seeing Nadia Vulvokov (Natasha Lyonne) die over and over, the season finale explores why this show about death was actually about living all along. Lyonnes character arc provides a concrete foundation for a series that very easily could have saccharine, and its final episode gave an emotional conclusion that felt neither forced, nor arbitrary.Justin Kirkland

4. "Never Knew Love Like This Before," Pose

Pose turned up the intensity in Season Two by jumping forward in time and highlighting activism within the HIV community. The true shock of the season hit in Episode Four though, when Candy, a trans woman and mainstay of the ballroom scene, was brutally murdered in a motel. The episode highlighted the unceremonious treatment that trans women, particularly those of color, receive in death. But more than the injustice of Candys death, Never Knew Love Like This Before shined a light on the tight knit community that mourned her death. For a show set in 1990, its incredible just how much this particular episode resonates in 2019. Justin Kirkland

3. "Episode 6," Fleabag

In twelve formally daring, perfectly compact episodes, Fleabag excavated themes of family, grief, trauma, and spirituality, all through a remarkable arc of growth and self-knowledge. In the final episode of the series, creator and star Phoebe Waller-Bridge crystallized these themes into a perfect, gutting ending, which sees Fleabag offer her heart to the Catholic priest for whom shes fallen, only for him to choose God over her. Fleabags compulsion to break the fourth wall as an emotional crutch comes full circle in the episodes final moment, when a heartbroken Fleabag tells us goodbye, choosing instead to embrace her life in all its agonies and ecstasies. As Fleabag ends the story shes been telling us all along, what emerges is a poignant celebration of being present in ones life. Adrienne Westenfeld

2. "Silent All These Years," Grey's Anatomy

For a series that has been on the air for 15 years, Greys Anatomy could get a pass for sticking with whats comfortable. But under the guidance of showrunner Krista Vernoff, the series has reclaimed its cultural currency by skewering social issues via the work done at Grey Sloan Memorial Hospital. Most powerfully, the series aired Silent All These Years earlier in 2019. Set with two dual storylines, a series regular discovers that her birth was the result of a sexual assault, while back at the hospital, a patient comes in after being raped. Traumatized by the experience, women (comprised of real-life actors, extras, writers, and technical crew) line the halls of the hospital so that the woman can go into surgery without having to see a man. It remains one of the most powerful images to emerge from television this year.Justin Kirkland

1. "This Extraordinary Being," Watchmen

In the short run that Watchmen had this year, the series has already exceeded the high expectations its viewers had for it. Still, no episodeWatchmen or otherwisehas managed to have the impact that This Extraordinary Being had. Acting as an origin story for Hooded Justice, This Extraordinary Being also served as a painfully relevant meditation on racism in America and how the subtleties of prejudice can be just as damaging as overtly racist acts. Pulling off an origin story fo
r a character known by so many is a difficult task on its own. Pairing it with a nuanced discussion on race in America is sheer brilliance.Justin Kirkland

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The 10 Best Television Episodes of 2019 - Esquire

Greys Anatomy and Station 19 crossover is packed with drama and disasters – Republic World – Republic World

Grey's Anatomyand Station 19returned on TV with new episodes on January 23, 2020. The two shows started with a crossover filled with a high dose of drama and disaster. WhileStation 19saw the squad looking at a car-in-a-barsituation, the team of Grey's Anatomy is ready to heal the injuries along with its regular drama.

Sandra Oh Creates History At Golden Globes 2019

The Station 19 squad crashed into Joe's bar. Grey's residentsHelm and Simms appeared to be in particularly bad shape. Parker suffered from a head injury and Casey gotPTSD. Ben tried to get everyone out of the back door, but it was blocked by a cement truck. The firefighters of Station 19 raced towards this chaos while Vic worried about the fact that herhot doctor lover was among the people present in the bar. Levi,on the other hand, urged the car driver Joan to drive faster as Don was atrisk of dying of a heart attack.

'Adorable, I Am Crying': Sandra Oh Wins Golden Globe, Her Parents' Reaction To Her Speech Is Winning Million Hearts

Vic and Andy had a one to one regarding grieving and loss, as she herself had lost Ripley. Ben made Joan perform CPR on Don and use EKG paddles as well. They successfully restart his heart. But in an attempt to cut off her seatbelt, Joan stabbedherself in the carotid artery and died.

Ellen Pompeo Supports Gabrielle Union, Blasts NBC Amidst 'AGT' Controversy

As of the Grey Anatomy's end of things, Meredith was forced to admit that Cristina's hunky Irish pediatrician gift is pretty good-looking. Amelia can't seem to admit that she knows where her baby was conceived. Amelia feared that Owen Hunt might be the father of her baby while he is off to get engaged with Teddi. Meredith is also concerned about DeLuca being in the bar during the accident. There is also a mention of the fact that Alex is still in Iowa.

Ellen Pompeo Reacts To The News Of Justin Chambers' Departure From 'Grey's Anatomy'

Ellen Pompeo Aka Dr Meredith Grey's Best Moments In 'Grey's Anatomy'

Image Courtesy: Grey's Anatomy Instagram

Get the latest entertainment news from India & around the world. Now follow your favourite television celebs and telly updates. Republic World is your one-stop destination for trending Bollywood news. Tune in today to stay updated with all the latest news and headlines from the world of entertainment.

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Greys Anatomy and Station 19 crossover is packed with drama and disasters - Republic World - Republic World

The #1 Human Anatomy and Physiology Course | Learn …

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Yoga Anatomy-2nd Edition: Leslie Kaminoff, Amy Matthews …

Leslie Kaminoff is a yoga educator inspired by the tradition of T.K.V. Desikachar, one of the world's foremost authorities on the therapeutic uses of yoga. Leslie is the founder of The Breathing Project, a New York City educational nonprofit organization dedicated to the teaching of individualized breath-centered yoga.

An internationally recognized specialist with over 32 years experience in the fields of yoga and breath anatomy, Kaminoff has led workshops for many of the leading yoga associations, schools, and training programs in the United States. He has also helped to organize international yoga conferences and has actively participated in the ongoing national debate regarding certification standards for yoga teachers and therapists.

Kaminoff has been a featured yoga expert in publications such as Yoga Journal and The New York Times, as well as online at WebMD, FoxNews Online, and Health.com. He is the founder of the highly respected international yoga blog eSutra, coauthor of the best-selling first edition of Yoga Anatomy, and creator of the DVD Breath-Centered Yoga with Leslie Kaminoff and the highly successful online course yogaanatomy.net. He resides in New York City and Great Barrington, Massachusetts.

Amy Matthews has been teaching movement since 1994. She is a certified Laban movement analyst, a BodyMind Centering teacher, and an infant developmental movement educator. She is registered with ISMETA (International Somatic Movement Education and Therapy Association) as a somatic movement therapist and educator, and with IAYT (International Association of Yoga Therapists).

Matthews coteaches the BodyMind Centering and yoga programs in California and New York City for the School for Body-Mind Centering. She was on the faculty of the Laban/Bartenieff Institute of Movement Studies for 10 years. Together, Matthews and Kaminoff lead The Breathing Project's advanced studies program for movement professionals committed to extending their professional skills and knowledge.

Visit link:
Yoga Anatomy-2nd Edition: Leslie Kaminoff, Amy Matthews ...

Anatomy of a Play: Josh Jacobs 35-yard scamper – Silver And Black Pride

Josh Jacobs was one of the few bright spots this past weekend for the Raiders. Sprinkled throughout their epic drubbing at the hands of division rivals Kansas City Chiefs, the Raiders got some quality plays from the rookie RB.

The biggest run of the night was a 35-yard sprint around the offensive left side that gave the Raiders a chance to score at the end of the half. But how did the Raiders manage to get such a wide open running lane for Jacobs?

Lets go back to the very first play from scrimmage from the Raiders offense. They lined up in 11 personnel (1 Back, 1 TE) and ran a play-action boot targeting Darren Waller in the flat. Waller is lined up off the line of scrimmage next to the LT and comes across the formation.

The next player to look at is Chiefs Safety Daniel Sorensen. Sorenson comes on a blitz and is able to disrupt this play by getting in Carrs face.

Fast forward to Jacobs 35-yard run at the end of the half. A few things are the same:

Sorensen thinks he recognizes the play and abandons his gap in the run game in hopes that he can make a big play on what appears to be a bootleg. Only this time the Raiders are actually running the ball and the void Sorensen leaves allows Jacobs to accelerate into the second level.

Of course, there werent enough examples of plays like this coming to fruition for the Raiders. Its telling that a non-scoring play was their best play of the game. The last several weeks the offense has taken a step back. Theyll need to create more explosive offense if they have a chance of righting the ship this week against the Titans.

The rest is here:
Anatomy of a Play: Josh Jacobs 35-yard scamper - Silver And Black Pride

How Little Women Throws a Dance Party – The New York Times

In Anatomy of a Scene, we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series each Friday. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel.

Theres a moment in Greta Gerwigs new film adaptation of Little Women that ignites the screen with as much energy as a fire that sets ablaze a characters dress in the scene prior.

Jo March (Saoirse Ronan) is at a party with Theodore Laurie Laurence (Timothe Chalamet). He asks her to dance. But shes accidentally scorched a part of her dress and doesnt want other guests to see. Laurie takes Jo outside, and they have their own mini-dance party on the front porch bathed in the light of the larger party inside.

They dance in ways that are refined, silly, playful and buoyant all at once. The moment, choreographed by Monica Bill Barnes, has a bit of a punk-rock rebellion quality to it, but also keeps with the time.

I wanted it to feel both totally modern and period accurate, Gerwig said during an interview at The Times.

I didnt want them to be doing dances they wouldnt necessarily know. But I did want it to feel joyful and young, like kids dance.

Gerwig said the idea for this dance came from a Saturday Night Live sketch that features Gilda Radner and Steve Martin, where the two meet in a nightclub and trip the light fantastic.

For our film, we wanted it to be this shimmery moment that feels like maybe it almost didnt even happen, she said.

Original post:
How Little Women Throws a Dance Party - The New York Times

The Anatomy of a Bogus North Korea Story – AlterNet

Photo Credit: Astrelok / Shutterstock.com

Reports involving Official US Enemies, especially North Korea, grow more distorted and scarier with each re-telling in the media. This is a distortion process honed by our media over the decades of US imperial saber-rattling and military build-up since the 1950s.

What begins as a hyper-qualified, even sober analysis, is laundered through initial reports and subsequent reports and more reports and finds its way on the airwaves of Fox News, ultimately morphing into a whole new media creature, rounded up to the scariest interpretation of facts with each link in the media chain and ending with an almost apocalyptic fervor.

One recent such example was so egregious and naked it bears special mention. What started out as an exercise in idle speculation by an obscure geopolitical research firm, within a week, morphed into a major story featured on Fusion, the LA Times, and Fox News.

Small Virginia-based security contractor Strategic Sentinel noticed that on Google Earth some islands had emerged off the coast of North Korea and decided to speculate as to what their purposes was in a May 1st article in The Diplomata respected foreign policy magazine focusing on Asia-Pacific affairs. One of those purposes, of course, was military. The piece hedged a lot but effectively ran with the premise that the islands North Korea was building were largely to house missiles and for sinister military application.

Theres only one problem: The basis of the whole story was overreaching at best and bunk at worst. Long-time North Korea observer 38North laid out, in detail four days later why the story didnt add up:

On May 1, 2017, The Diplomat published an article by Damen Cook based on a report by Strategic Sentinel, which purported to show that the North Koreans had constructed several military facilities on small islands surrounding the city of Sohae. The methodology and conclusions in this report, however, demonstrate a lack of understanding of both North Koreas military infrastructure and recent history

In the Strategic Sentinel analysis, they suggested that a series of islands near Sohae (which is not a city) are being used for ballistic missiles (BM), anti-ship cruise missiles (ASCM), or surface-to-air-missiles (SAM); however, there is no credible evidence to support this claim. In fact, there is ample evidence to refute it...

As best as can be determined, it seems [Strategic Sentinel] looked at a few Google Earth satellite images (but forgot to look at the Landsat imagery) and drew conclusions based on pre-existing expectations.

The report would go on, playing down and refuting many of Cooks core claims. The entirety of which should be read.

Ryan Barenklau, Cooks partner at Strategic Sentinel, disagrees with 38Norths reading of events, telling AlterNet, he didnt find the debunking by to be fair.

I feel as if the piece has too much emotion from the writer and that the piece was a knee jerk reaction, Barenklau told AlterNet in an email. If you read the original article, you will see that we completely agree that these islands may only be for agriculture and never will be used for military purposes.

This debunking by 38Northregardless of what one thinks of its meritswas too little too late. The Diplomat added a 142-word update further qualifying their claims after being contacted by analysts from 38North (but before 38North published their rebuttal three days later). This would have little effect, North Koreas Mysterious Nuke Islands of Doom were too tempting to pass up and the media was off to the races:

Fusion: North Korea Is Building Mysterious New Islands In The Yellow Sea

LA Times: North Korea is building mysterious artificial islands that would be perfect for missile launches

The Independent:North Korea 'building mysterious artificial islands' apparently equipped with military installations

Daily Mail: North Korea 'is copying China and creating artificial islands to use as military bases

The Express: North Korea's man-made islands being primed for nuclear attacks, expert warns

Fox News: North Korea's mystery islands: Man-made keys could be new nuclear launch sites

To further hype the threat, Fox News turned to reliable North Korea fear-monger Gordon Chang--who's carved out quite a career rounding up to the most dire assessment of North Koreas actions. He fed Fox News the expected red state red meat, complete with a gratuitous book plug:

While their purpose is unknown, suspicions are high that the islands could be used to launch missiles. Those speculations are not far off the mark, according to Gordon Chang, author of Nuclear Showdown: North Korea Takes on the World.

North Korea is never up to any good, Chang said in an emailed statement to Fox News. The new facilities, whatever their purpose, will be used for evil deeds, mischief, or troublemaking of some sort.

My sense is that the facilities on the new islands will be used for missile launches of some kind, especially because they are near Sohae.

In less than a week, an analysis that began as qualified speculationeven if overreachingmorphed into a full blown media panic. Grainy, decontextualized Google Earth images were enough to justify bold claims about a sinister Bond Villain-like plot to menace East Asia.

I do not like the way the media has been reporting this article, Strategic Sentinels Ryan Barenklau told AlterNet. The original purpose of this article was to examine islands that were being built up by DPRK and theorize if they could be used for military purposes, how would DPRK go about doing that. I definitely disagree with how Fox News has taken the article.

Strategic Sentinel did, however lend quotes the LA Times article that while more qualified than Fox News, was so only in degree not substance. One problem is that government contractors writing reports and providing quotes for respected publications like The Times is that these analyses often double as marketing efforts. Indeed, the LA Times story is currently Strategic Sentinels pinned tweet. And don't let their .org url fool you, Strategic Sentinel is a pro-profit defense contractor thatwhile currently without anyis more than open federal government contracts.

When it comes to marketing. I would definitely like to think that these articles show potential clients what we are capable of doing, Strategic Sentinels Ryan Barenklau told AlterNet. Any marketing that we do get from the pieces I am happy with, but I personally make it my mission not to hype anything. I do not want my company to be known as partisan or having ulterior agendas.

Nevertheless, here we are. The average media consumer isnt going to follow the links and parse all the nuance. 60% of Americans get their news from headlinesand North Korea Building Islands for Bombs is all theyre going to come away with it. This is consistent with what well call the North Korea Law of Journalism, which states that the editorial standards are inversely proportional to a country's Enemy Status as it relates to the U.S. State Department.

Because North Korea is seenfairly or notas the baddies, journalists can always round up to the most speculative, ungenerous reading of their actions and get away with it. There is no pro-North Korean public relations firm thatll call up the editor at The Diplomat or LA Times. No AIPAC like Israel has, no US government PR rep like the CIA does, no Gulf-funded think tank to run spin for the Qataris. Given these conditions, any story about North Korea can spread without challenge, because, frankly whos going to object?

One common rejoinder to this line of criticism is that North Korea, by its very nature, is difficult to report on and so more leaps must be taken. But this begs the question. There is no law of nature saying reporters have to idly speculate on the internal affairs of North Korea, especially given the way in which that speculation
will be weaponized by a rightwing media perpetually eager for war. Those operating in the space should factor this in, and do their best not to feed the media beast, lest a bogus North Korea story spread unchecked with their names all over it.

Adam Johnson is a contributing analyst at FAIR and contributing writer for AlterNet. Follow him on Twitter @AdamJohnsonNYC.

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The Anatomy of a Bogus North Korea Story - AlterNet

Jean-Michel Basquiat: The Anatomy of Suffering – Center for Research on Globalization

The Chiostro Del Bramante, a cloister-turned-gallery in the heart of Rome, is currently presenting Jean-Michel Basquiat: New York City a generous selection of work spanning the short, but immensely prolific, career of this extraordinary artist. The extensive exhibition includes nearly one hundred significant works on loan from the Mugrabi Collection, which includes acrylics and oils, as well as drawings, silkscreen prints, and ceramics completed between the years of 1981 and 1987.

Born in Brooklyn, New York to a Haitian father and Puerto Rican mother, Basquiats stunning and breathtakingly rapid ascent to fame and stardom was paralleled by few, if any, other artists in the twentieth century. At Sothebys recently, Basquiats painting of a skull, Untitled (1982) sold for $110.5 million a record price for an American painter, placing him in the art history pantheon alongside Pablo Picasso and Francis Bacon. We can be pleased that Yusaku Maezawa, the Japanese billionaire who bought the painting, intends to share his taste for art with the public. However, if we are to truly approach these works at all, it is necessary to get beyond the din of the market the screeching vultures as the late John Berger puts it and give our attention to the sophistication and wit of this painter, the sincerity and exuberance of his canvases.

Untitled, 1982 (Source: Sothebys New York via artnet News)

From the first early portraits in the exhibit, we see Basquiats confident and energetic line, which he used to tremendous expressive effect throughout his career. We also find Basquiats characteristic use of haloes; and most recognizably, the three-pronged gold crown, which he would use to establish the dignity and worth of something or someone, or simply as an assertion of the artists power.

The crown features prominently in Loin (1982), a painting of a horned bull alongside a bloody knife. On the one hand, we seem to have a sacrificial offering: loin as in a cut of beef, a tenderloin. On the other hand, a symbol of sacred strength and power (the bull was in fact one of Zeus divine manifestations, a form he took when he seduced and abducted Europa). In this case, the loin is the creative, generative potency of the artist himself, in what amounts to a kind of self-portrait. Similarly, Pablo Picasso, who influenced Basquiat greatly, depicted himself as a quadruped in his etching Minotauromachy (1935) and included an image of a bull in Guernica (1937), a painting which Basquiat credited as being among one of his all-time favorites.

Loin, 1982(Source: David Bird / Pinterest)

There is no escaping violence in Basquiat, and while it is sometimes presented upfront with the intention to arrest and confront the viewer there is often an indeterminate sense of menace. In Side View of an Oxens Jaw (1982) Basquiat may be invoking the story of Samson a Biblical figure who slew the masses of Philistines armed with only the jawbone of an ass. Basquiat would explicitly revisit Samson in one of his most successful paintings, Obnoxious Liberals (1982) identifying himself with the black hero/martyr that reappears in so much of his work.

Hand Anatomy (1982) brings our attention to one of the fundamental themes of the show and Basquiats work throughout his career. Basquiats knowledge of art history was apparently encyclopedic: he painted in dialogue with many of the masters who preceded him and his works are full of such references. Leonardo da Vinci looms large in this sense, not only as a painter (Basquiat seems to have regarded Da Vinci as among his favorite artists), but as a student of human anatomy and physiology. Da Vinci is known to have secretly dissected human cadavers (a practice widely condemned at the time) to understand more fully the inner workings and processes of the human body. Basquiat may have been attracted to this readiness to go underground, as it were; and like da Vinci, he had to escape and outmaneuver the conventions of ordinary social morality to bring to light something that we are almost afraid to see; something that by its very nature interrogates our tendency to conform to established modes of understanding and discourse.

The exhibition includes several works that Basquiat and Andy Warhol painted together. The two had a highly-publicized friendship which led to an exhibition of their collaborative works at the Tony Shafrazi Gallery in Soho in 1985. Warhol and Basquiat: Paintings was panned by the critics, a reception which contributed to the dissolution of their personal and professional relationship. In Thin Lips (c. 1984-1985) (which is to say, false promises) the two artists satirize Reaganomics. Basquiats work was political throughout, and sometimes his works are most-effectively political when the content is not explicitly so.

Andy Warhol and Jean-Michel Basquiat (Source: WideWalls)

At his best, Basquiat can be viewed as an American shaman: an artist who brought meaning to a fragmented society by acting as a conduit to another realm of consciousness. In his appropriation of so-called primitive art and renaissance iconography especially the halo (which sometimes becomes a crown of thorns) he created a unique vocabulary that he developed as a way of exploring a broken world. Much like the writer William Burroughs, who was a profound influence on the painter, Basquiat is charting a kind of guide to the underworld employing Ancient Egyptian glyphs and petroglyphs, as well as hobo signs, in his mapping of the in-visible.

Basquiats art is inseparable from language that is, from the power and sometimes the impotency of names, lists and phrases: and even among his earliest pieces we find him charting words and letters in semi-incantatory ways. He saw the disintegration and brutality of everyday life in America: for Basquiat, the world is in tatters, and because of this, his work tends to lack a center as well as a privileged point of reference. If we could talk about the metaphysics of Basquiats world, then it was one of violent explosiveness he taps into the dehiscence of being to create something altogether unsettling, evocative, and distinct.

Basquiat does not abandon, but transforms, the project of high modernism inasmuch as his paintings are indeed an autobiographical search for wholeness. There is, we might say, a therapeutic intention underlying his work: he seemed to want (at least at times) to heal the self to repel ghosts (as one of his late works states).

Some of the later paintings seem to suggest that he saw the end was near: for example, the extraordinary painting Riding with Death (1988), or the final piece included in this show Gravestone (1987), a work which consists of three doors joined together and the word perishable partially blotted out at the top center. This was, on the one hand, a tribute to Andy Warhol (who died that year), and it evokes the painted panel altars of medieval and renaissance art. Like so much of his work, it represents Basquiats pattern of salvaging and resurrecting the rejected and discarded. But one must wonder if this piece could also be seen as a requiem for the artist himself, as he was coming to terms with his own self-destruction (he died in 1988 from a heroin overdose).

Gravestone, 1987 (Source:Cie Cefeg / Pinterest)

Much of this exhibition concerns, we might say, the anatomy of suffering, and at the same time the strength, resilience and protest that comes from the stripping down, the peeling away of the outer layers to reveal the blood vessels, the muscles and tendons, and the skeleton itself. In Rusting Red Car in Kuau (1984) with its engine (that is, its anatomy) visible, we are witness to another form of Basquiats self-portraiture.

Basquiats work remains immensely provocative, often disconcerting, barbed and defiant scathing in his critique of the racism, greed and moral apathy of American society. He takes a wrecking ball not only to false barriers between conceptualism and expressionism, painting and writing, imp
rovisation, and composition; but to the various social, political, and artistic edifices we have built atop lies. As Berger observed, if Basquiat is an artist whose work is about seeing through lies, then we cannot deny his timeliness and the claim his work ultimately makes on us.

Sam Ben-Meir, PhD is an adjunct professor at Mercy College. His current research focuses on environmental ethics and animal studies.[emailprotected] Web: http://www.alonben-meir.com

Featured image: basquiat.com

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Jean-Michel Basquiat: The Anatomy of Suffering - Center for Research on Globalization

‘Grey’s Anatomy’ Fans Weren’t Pleased With That McDreamy Scene in the Latest Episode: Here’s Why – Us Weekly

Breaking our hearts (again). Meredith Grey (Ellen Pompeo) looked back on the death of Derek Shepherd (Patrick Dempsey) on the most recent episode of Greys Anatomy, and not all viewers were delighted to hear his name mentioned.

Fans seem to have a love-hate relationship with the show bringing up Derek. On one hand, everybody loves remembering the good ol' days of McDreamys time at Grey Sloan. However, some devotees seem to feel that whenever they are almost over the character's death, series creator Shonda Rhimes decides to make them relive the terrible moment over and over again.

Riggs Remembers

During the Thursday, February 23, episode, a schizophrenic patient who was missing from her parents for more than a decade was reunited with them at the hospital. The parents even had a funeral for their daughter after she vanished because they assumed she was gone for good. However, rather than empathizing with the parents, Nathan Riggs (Martin Henderson) thought they lost faith in finding their child.

They gave up on her, Riggs said to Maggie Pierce (Kelly McCreary). They will never forgive themselves. The ordeal apparently reminded him of fiance Megan Hunt (Bridget Regan), who went missing in a helicopter and was never found.

Meredith Talks McDreamy

Pierces conversation with Riggs was tough for her, so she decided to talk to Meredith about the experience. The women spoke about how they cant imagine what Riggs must feel every day when he thinks about Megan's possible whereabouts. Meredith said she could relate to Riggs because she felt a similar way after McDreamys death.

When Derek died, there was one day where I didnt know where he was, Meredith said. I pretended everything was going to be OK, but inside, I was going crazy. I guess its like that for Nathan every day.

Check out what fans were saying on Twitter about the brief mention of McDreamy.

Grey's Anatomy airs on ABC Thursdays at 8 p.m. ET.

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'Grey's Anatomy' Fans Weren't Pleased With That McDreamy Scene in the Latest Episode: Here's Why - Us Weekly

Anatomy of a masterpiece: 13 reasons why the ‘funniest video of the year’ is pure comedy gold – Telegraph.co.uk

13. The off-camera action

The stage has emptied of three of its players, but that's not to say they've left our mind. Just as you start to imagine the rollicking now being dished out, a child's wail can be heard from behind the wall (O:38in the video). Those kids are suffering for the art they've given us and still Prof Kelly goes on, professional to the end, talking aboutNorth Korea and VX gas and things that surely are not at the forefront of his mind right now.

We salute you, Mr Kelly, and offer astanding ovation to your family. And we hope you understand, as laughter ricochets around the internet, that our joy is not mean-spirited. We're laughing because we can see on screen a reflection of our own families, in all their hilariouschaoticbrilliance.

Perhaps Homer Simpson put it best."It's funny," said the father-of-three, "because it's true."

The rest is here:
Anatomy of a masterpiece: 13 reasons why the 'funniest video of the year' is pure comedy gold - Telegraph.co.uk

TV Ratings Thursday: ‘Grey’s Anatomy’ and ‘Chicago Med’ rise … – TVbytheNumbers

Masked Scheduler's Ratings Smackdown

In Vegas for the NCAA Tournament opening games. This city feels like one continuous episode of "Cops" to me. "Cops" had an extraordinary run on FOX, and here is my small contribution to the history of the show. For much of its run, each episode would focus on a city. Vegas of course was prominently featured. In the final few years of its FOX tenure, we shifted to themes. I was thinking one day of doing a themed episode about busting prostitutes, and were lots of segments from which to choose. Suddenly it hit me: What about a Holiday episode of "Cops" entitled "HO HO HO"? I pitched it at a Current meeting, and the rest is history. One of my proudest moments.

Broadcast primetime live + same-day ratings for Thursday, March 16, 2017

Note: CBS live coverage of the NCAA Tournament may result in greater adjustments than usual for the network.

The numbers for Thursday:

Thursday was a good night to be a medical drama on the broadcast networks. Both Greys Anatomy (2.0 rating among adults 18-49) and Chicago Med (1.4) improved on last weeks numbers, with Greys rising 0.1 for ABC and Chicago Med up 0.2 for NBC.

CBS NCAA Tournament coverage drew a 1.3 for the night, pending updates, even with the early numbers for the opening Thursday of the 2016 tournament. It was up a littlein viewers (4.6 million vs. 4.17 million last year).

ABCs Scandal and The Catch both matched their numbers from a week ago. Superstore (1.1) was also even with its last new episode on NBC, and The Blacklist: Redemption equaled last weeks preliminary 0.8 (it adjusted down in the finals). Kicking and Screaming dipped a tenth to 0.6 for FOX, while Masterchef Junior was steady at 1.1.

Network averages:

Late-nightmetered market ratings(adults 18-49, households):

11:35 p.m.

The Tonight Show Starring Jimmy Fallon: 0.7/4, 2.2/6

Jimmy Kimmel Live: 0.5/3, 2.0/5

The Late Show with Stephen Colbert: n/a, delayed by NCAA Tournament overrun

12:35 a.m.

Late Night with Seth Meyers: 0.4/3, 1.1/4

Nightline: 0.3/2, 1.2/4

The Late Late Show with James Corden: n/a, delayed

Definitions: Rating: Estimated percentage of the universe of TV households (or other specified group) tuned to a program in the average minute. Ratings are expressed as a percent. Fast Affiliate Ratings: These first national ratings are available at approximately 11 a.m. ETthe day after telecast. The figures may include stations that did not air the entire network feed, as well as local news breaks or cutaways for local coverage or other programming. Fast Affiliate ratings are not as useful for live programs and are likely to differ significantly from the final results, because the data reflect normal broadcast feed patterns. Share (of Audience):The percent of households (or persons) using television who are tuned to a specific program, station or network in a specific area at a specific time. Time Shifted Viewing:Program ratings for national sources are produced in three streams of data Live, Live +Same-Day and Live +7 Day. Time-shifted figures account for incremental viewing that takes place with DVRs. Live+SD includes viewing during the same broadcast day as the original telecast, with a cut-off of 3 a.m. local time when meters transmit daily viewing to Nielsen for processing. Live +7 ratings include viewing that takes place during the 7 days following a telecast.

Source: The Nielsen Company.

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TV Ratings Thursday: 'Grey's Anatomy' and 'Chicago Med' rise ... - TVbytheNumbers

‘Grey’s Anatomy’ Season 13 Photos Tease Japril’s Montana Episode – Moviefone

Are you ready for Japril to get some alone time in Montana? "Grey's Anatomy" star Sarah Drew told Moviefone that Season 13's April and Jackson (Jesse Williams) standalone episode would be "pivotal for the two of them, individually and also as a pair," and now we have more details and images to go with the tease.

Episode 16, "Who Is He (And What Is He To You)?" airs Thursday, March 16 at 8 p.m. on ABC. Here's the synopsis:

"Dr. Jackson Avery and Dr. April Kepner travel to Montana in order to perform a complicated surgery on a young patient, but Jackson's mind is elsewhere, and April is forced to step up and get him back on track."

The episode was directed by Kevin McKidd (Dr. Owen Hunt), and both he and executive producer Debbie Allen (Dr. Catherine Avery) were featured in some of the behind-the-scenes photos ABC shared to promote the episode:

What's on Jackson's mind? He does look lost in thought, especially in that closeup photo.

Sarah Drew told Moviefone the trip to Montana is for a throat transplant case:

"But it's a really incredible opportunity for them to be kind of still and have to face one another with nothing else distracting them out of the normal environment. And we're really, really proud of it. Kevin McKidd directed it. It's very different, tonally, than a lot of the other episodes. There's a lot of quiet space and stillness. It's not like frantic and moving super-fast. And it's really lovely."

Before we get to this very lovely-sounding episode, we still have Episode 15, "Civil War," which airs March 9. (There is no episode on Thursday, March 2.) Here are more details on "Civil War."

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'Grey's Anatomy' Season 13 Photos Tease Japril's Montana Episode - Moviefone