In 2001, Eric McCormack made history by winning the lead comedy actor Emmy for portraying a gay man on Will & Grace. Back then, the challenge was reflecting the gay experience as accurately as his co-star Debra Messings plotlines as a straight character in the NBC sitcom about two best friends.

We needed to show that the most accurate way to represent those two relationships was that they were always equal which, probably, they werent in the old days, McCormack says. It was easier to have handsome guys come on and date Deb Messing. Mine were handled with a lot more attention and a lot of being careful.

Today, as McCormack is eligible for a final nomination as the titular Will, his character is joined by a new class. The race includes Ben Platt, who portrays sexually fluid teenager-turned-early 20s politician Payton Hobart in Netflixs The Politician; Matt Bomers Jamie Burns, a man whose intimate connection with an old friend brings about carnage in Season 3 of USAs The Sinner; and Billy Porters Pray Tell in Pose, an HIV-positive ballroom emcee who got to explore a romance in the second season of the FX drama. The list of characters reflecting different facets of the queer experience and the fact that Platt, Bomer and Porter are all openly gay (McCormack is straight) shows how far TV has come since Will was standing more or less alone.

Porter, last years lead drama actor Emmy winner, has seen the shows storytelling grow even more complex in its second season. In addition to performing an intimate love scene, Porter was also a part of a story about the re-emergence of trauma from parental abuse. This allowed the actor to draw from personal experience.

Ive been waiting for this moment, Porter says. Ive been living for this moment to be able to tell my story. And as dark and as rich as the story is, I have a firsthand connection to it. I reached back to my memories and, every moment, just tried to share those with the world.

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That potential of creating art in part by drawing upon experience, and converting the tragic into catharsis is what queer actors taking on the spotlight allows.

We are at the forefront of telling our own narrative, says Porter, whose early career was marked by demands to play stereotypical roles when he was offered parts at all. Its not at the hands of other people who are outside the community anymore. Its so dreamy I just feel so blessed to have lived long enough to see this day.

Matt Bomers storyline on The Sinner provides less uplift than creepiness, but reflects the possibilities available beyond whats easily categorizable.

It was very important for Derek [Simonds, the shows creator] that it not be about a gay relationship, but about two men who had achieved this profound sense of intimacy where they had a shared sexual history, Bomer says. Its transcended that and become a romance with a philosophy and a sort of rage against society at large.

Just as his character exists beyond the nameable Bomer describes the season as Strangers on a Train mixed with Jekyll and Hyde mixed with Macbeth as interpreted by Patricia Highsmith so too does the actor see his own sexuality as existing somewhat apart from the character. (He played opposite Chris Messina, who is straight.)

What tends to be what I am hired for is to have chemistry, but I dont think its because of my comfort with my sexuality, he says. A lot of it just depends on the actors you get to work with and how open they are to come to set and drop the ego and play together and create something new.

All of which might have been too tangled for TV when Will & Grace was on the air in its first run in the 1990s and which made it a nostalgic throwback in its three victory-lap seasons. It knew its limitations: To do a really big, special episode of Will & Grace about the trans experience would have been taking on too much, McCormack says. But what we can do is show two very different gay men finding happiness, being in committed relationships, having a child.

While Will & Grace was built for a different TV moment one before characters on The Politician, Pose and The Sinner could probe queer life a bit more deeply and was a comedy besides, McCormack sees in its final seasons a depiction of Will that was as flawed and gratifyingly so as his three friends.

He wasnt on some sort of pedestal, McCormack says. Were all people, and were all growing.

So, too, is the medium, allowing for more complication in the lives of characters that existed in very different forms a generation before.

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From Will Truman to Pray Tell: The evolution of TV's queer leading men - NBC News