Gareth Emery Starts Next Era of His Career with Highly Anticipated Single, Youll Be OK – EDM.com

Trance legend Gareth Emery gave resolution to fans worldwide earlier today by revealing the first song off of his upcoming album. Youll Be OK has been teased in Emerys sets for nearly a year now, bringing listeners a huge sense of relief to finally have the track in its final, streamable form.

After over 25 versions and 10 months, Youll Be OK is finished, Emery explained to fans yesterday in an apologetic Instagram post. Following his last release, You Are" featuringEmily Vaughn,- which won the cover of Spotifys Mint playlist - Youll Be OK is nothing short of a trance anthem. The stunning vocals of Annabel bring vibrant life to lyrics written by Emery himself and are carried forward effortlessly by the lush synth chords we have come to know and love from this four-on-the-floor father figure.

With this record dawns a new era in Emerys career. His upcoming album, The Lasers, will be the first that has not been colored, hindered, or otherwise altered by the agenda of a third-party record label. In Emerys words, [There are] no music industry bros telling me how my songs should sound. Just me, making music, for you.

Stream or Download Gareth Emery's "You'll Be OK" featuring Annabel.

Twitter:twitter.com/garethemeryFacebook:facebook.com/garethemeryInstagram:instagram.com/garethemerySoundCloud:soundcloud.com/garethemery

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Gareth Emery Starts Next Era of His Career with Highly Anticipated Single, Youll Be OK - EDM.com

Dulquer Salmaan And Anwar Rasheed To Team Up Again? – Filmibeat

News

oi-Akhila R Menon

Dulquer Salmaan, the charming actor is currently only a high with two back to back successes at the box office. The actor is totally busy in his acting and production careers, with some highly promising projects lining up. As per the reports, Dulquer Salmaan is all set to team up with hitmaker Anwar Rasheed once again.

If the rumours are to be true, Anwar Rasheed is all set to join hands with the Varane Avashyamund actor for his upcoming directorial venture. The director, who usually takes long breaks between his outings as a director, is reportedly all set to break the tradition by planning his new outing immediately after the release of his latest film, Trance.

According to the rumour mills, lady superstar Manju Warrier and young actress Aishwarya Leksmi have been approached to appear as the female leads in the untitled project. However, none of these reports are officially confirmed yet.

In 2017, it was rumoured that Dulquer Salmaan and Anwar Rasheed are planning to team up for a cop drama. However, the director later slammed reports and clarified that he is working on the Fahadh Faasil starrer, Trance. The actor-director duo's first collaboration Usthad Hotel was a critical and commercial success and won the National Film Award of 2012 For Best Film Providing Wholesome Entertainment.

Anwar Rasheed's last outing, the Fahadh Faasil starring psychological drama Trance has earned mixed to positive reviews from the audiences and critics. The movie has emerged as an average grosser at the box office, as the coronavirus scare has created a negative impact in its theatrical running.

Dulquer Salmaan, on the other hand, is on a high with the successes of his latest releases Varane Avashyamund and Tamil flick Kannum Kannum Kollaiyadithaal. The young actor will be next seen in the upcoming Sukumara Kurup biopic, which has been titled as Kurup.

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Dulquer Salmaan And Anwar Rasheed To Team Up Again? - Filmibeat

Stepping back to ’90s with new north-east music event – Aberdeen Evening Express

A new 90s music event will be held in the north-east.

RE-LIVE will take place at the Thainstone Exchange in Inverurie this summer with the headlining acts now announced.

Pops stars N-Trance and world-renowned DJ Seb Fontaine will be wowing crowds on July 25.

N-Trance are best known for their 1995 smash hit Set You Free while Fontaine is widely recognised for his Radio 1 show.

He was also one half of the duo Reflekt that produced the dance anthem Need To Feel Loved.

The line-up also includes The Complete Stone Roses, a Robbie Williams tribute and a Britpop Essential Selection.

Organiser Russell Aitchinson said: We are thrilled to be bringing this new event to Inverurie and the surrounding area. The 90s are currently having a huge resurgence and we are delighted to have secured two original acts to perform.

N-Trance were massive in the 90s and everyone knows their hits, while Seb Fontaine is still one of the most popular DJs on the circuit and continues to sell out shows around the world.

The Complete Stone Roses always put on a great show and along with all our other acts they will create an unbelievable day of 90s and 2000s nostalgia.

Tickets for the concert are on sale now from skiddle.com

A shuttle bus service will run from Inverurie and Kintore town centres.

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Stepping back to '90s with new north-east music event - Aberdeen Evening Express

Behind the greatest showman with Isaac Lomman – PerthNow

Theres two sides to the charismatic Isaac Lomman the entertainer and the helper.

This is the mesmerising hypnotist in full showman mode, and its the side most of Adelaide is used to seeing, with his eight years at Fringe, plus corporate shows and events.

But its the more casual Isaac whos chatting with Watch today. He cant quite resist the cocked eyebrow for much of our shoot. Its rather ingrained in fact he tells us hes teaching his two daughters Willow, 6, and Elodie, 3 the hypnotist eyebrow.

Hes also taught them a little hypnosis to help them if they have trouble sleeping, perhaps scared of the dark. Getting the pair to close their eyes and imagine a fairy, focusing and visualising and feeling all the positive feelings which come with that, means theyll go to sleep with the comfort of this little guardian fairy.

It was this helping of people that first attracted Isaac to the art of hypnosis. Hed been working in sales and marketing, and was overlooked for a promotion. Hed also developed a keen interest in neuro-linguistic programming, closely related to hypnotism. Isaac undertook courses and discovered he had quite the ability and talent to easily take people to a deep trance and help them deal with all manner of phobias and pain.

Returning to Adelaide, he opened an office to help people quit smoking, hitting the stage to promote that office, quickly falling in love with the theatrics of stage hypnosis.

I was so passionate about helping people, its only really the last year or so Ive reconnected with that passion and desire, Isaac says.

That was always my original intention, but then it was sort of subverted. Dont get me wrong, I love doing the Adelaide Fringe. When I look back over the last 10 years flying around the world and doing, some shows with 1500 people and on cruise ships, those are really great things.

But having someones family daughter coming up and saying you helped my dad quit smoking and because he quit smoking, he could get dentures which changed their whole family. Those are the moments I started thinking about and I know its what I need to get back to.

Once the craziness of this years Fringe winds up, Isaacs looking forward to getting right back into helping people and further developing his techniques such as hypnosis in childbirth.

Hypnobirthing is the trademarked name Isaac terms his technique comfortable childbirth, for an approach that teaches the practice of relaxation as well as breathing and mindfulness techniques to make the experience calmer and more pleasant for both mother and baby.

Its been popular with plenty of famous faces actresses Jessica Alba and Angelina Jolie are said to be fans of the method.

Catherine, the Duchess of Cambridge also revealed she not only used hypnobirthing throughout all three of her labours, but also to overcome the crippling effects of her intense morning sickness, hyperemesis gravidarium.

Isaacs own wife Danni employed it during the birth of their second daughter, in a trance the whole time, leaving hospital an hour or two after the complication-free birth. Hes also worked with a good friend, helping her achieve her desires of a pain-free delivery.

My approach is not necessarily affirmations or relaxation, Isaac explains. Im going for anaesthesia in hypnosis while in labour. We change a lot of the societal suggestions that women get over their whole life. Thats the starting point and actually, if you want to, and you tap into this state of mind you can have a far more painless, or a completely free-of-pain experience.

He also employs some self-hypnosis prior to his own performances. I go into a bit of a trance and I review what Im doing this for, he says. My mantra is Im going to give these people an experience they will never forget.

Its also important to Isaac for him to leave a sense of positivity in clients or his on stage subjects. A couple of things were instilled in me early, such as never waste a trance, he says. Always leave people feeling better than when they came to you. But beyond that part of my character and mission is having people feeling better about everything.

I like people to see the show and have their mind-blown, but also the other side that theres more to our reality and then the people on stage are feeling good about it and they can recognise it as a skill rather than something that makes them silly or gullible.

So, no, fans of the talented showman neednt fear hell retire completely from the stage he really does love doing the shows too much.

Theres no danger of it going away, Isaac shares. The great thing is I chose this career with the idea I can do stage shows til Im 70. Its about getting a balance with helping people. Its given me more energy and focus during Fringe. In the past few years it has been a bit plug and play, the same kind of stuff which was OK.

Now Im ready to try new stuff, doing street hypnosis, giving more experiences. Its been really good and its all come from reconnecting with the original purpose of hypnotherapy.

ISAAC LOMMAN, HYPNOTISED, GLUTTONY, THE MAY WIRTH, TODAY, 6.30PM. ISAACLOMMAN.COM.AU/HYPNOTHERAPY-ADELAIDE

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Overcoming winter’s alienation (The alienation of winter) High Country News Know the West – High Country News

Before I ever experienced winter, I wanted to love it. As a child in India, I watched Home Alone repeatedly, entranced by the images of the season: people sledding, gifts under a tree, crackling fireplaces. Just the idea of snow something Id never seen was wondrous.

When I turned 10, we moved to Canada, and I finally got to experience winter. Unfortunately, it wasnt quite what Id imagined. Snow was beautiful, yes, but painful to touch, even using the cheap gloves wed bought at Walmart. Our electric fireplace stopped working after the first couple of winters, and we couldnt afford to get it fixed.

On weekends and holidays, my friends disappeared for skiing or snowboarding lessons. I didnt bother asking my parents if I could do the same: I knew there was no money for the lessons, let alone the ski passes, skis, goggles or any of the other items Id need for the slopes.

So I ended up staying inside most winters, watching TV, sinking into the couch and into a dull depression. This type of alienated winter hibernation, I think is unfortunately common for immigrants in North America. Our families generally earn less, making it harder for us to afford the lessons, passes and equipment required for most winter sports. And in a season that can be particularly challenging for those affected by depression, people of color who are the majority of Americas immigrants are also less likely to access appropriate mental health care.

Over time, I grew to resent winter, the white landscape making me, in my brown skin, feel more out of place than I did in any other season.

But one year, I experienced the healing effect of wintertime in the mountains. Unexpectedly, snowshoeing then and now has helped me to not only survive this time of year, but also to learn to value its quiet grandeur.

ONE BRIGHT FEBRUARY MORNINGwhen I was 14, my father and I set off for Kananaskis Country, in the foothills of the Rocky Mountains, two hours from Calgary. Our rented snowshoes were in the backseat. His colleagues, who had organized the outing, were waiting for us at the start of the 9-mile Pocaterra Trail. We struggled with the unfamiliar gear, and they helped us then and throughout the day, every time we stumbled or when my new Camelbak started leaking. We must have slowed them down, but they didnt seem to mind. I remember one woman, who kept closing her eyes and tilting her face to the sun, her chest rising as she swallowed the white-cold air. The same air turned my nose beet-red and fogged up my glasses. I tugged my hat lower over my frizzy hair, wishing I could disappear.

My father picked up the motions quickly, drawing on athletic instincts from playing cricket in India. But I could barely lift my leaden legs to put one snowshoe in front of the other. Within minutes, I was wheezing from the altitude and exertion. About an hour into the trail, the others traversed the side of a hill, extending their arms to maintain their balance on the slope. I followed their example but fell, tumbling onto the hard-packed snow. Slowly, my legs now damp, I struggled to my feet. By the time I maneuvered across the slope, no humans were in sight. There was, however, a very large, very dark moose.

We stared at each other, his breath rising in great, steamy huffs. Mine remained trapped in my throat. After some seconds, he looked away, dipping antlers as large as swan wings towards the few blades of grass poking through the snow. He chewed on the frozen grass in a leisurely way, his neck and flank bulging sleekly with muscle. He could have pulverized me.

Yet I was not scared. A kind of dreamy peace settled over me, as if Id slipped into a trance, lulled by the sounds of his chewing and the contrast between his dark powerful body and the still white slopes.

Eventually, he raised his head to look at me again, a long look that I took to be full of meaning. Then he trotted off, disappearing into the pine trees. I dont know how long Id been standing there when I saw my father and his friends coming back, faces creased with worry. I didnt tell them about the moose. I didnt want to worry them, and I wanted to keep the moment for myself, like a dream that would dissolve as soon as I tried to grasp at it.

IN THE FALL OF 2016,just as I turned 29, I got a job in Colorado. As the leaves fell and the days shortened, the familiar dread swelled in my chest, heavy and gray as the winter sky. I felt both lethargic and anxious, trapped in the city, a man-made landscape of squat buildings, neon shop signs and slick walkways. Why leave the house? Soon, I was back in the winter routine I knew best: on the couch every night for hours, watching characters on TV exercise, socialize and live in ways that felt impossible for me.

Luckily, the season, as much as I hated it, was not a monolith. There were reprieves: warm mornings when I stood outside, watching the frost melt, savoring the sun on my face. How long had it been since I felt alive since I remembered that the world around me was alive?

Maybe, I thought, snowshoeing could help me regain that feeling, even when the skies turned steely once more.

Unfortunately, I still lacked a car or enough local friends to easily hitch a ride into the mountains. But Google led me to the Colorado Mountain Club. Soon, Id arranged a ride to a snowshoeing trip.

Equipped with old-fashioned wooden snowshoes and gaiters borrowed from a colleague, I joined a group of about a dozen people to snowshoe the Lost Lake trail, an hour and a half west of Denver. The sky was powder-blue, and our group, who ranged in age from their 20s to their 70s, chatted easily, stopping often to sharing their trail mix and Gatorade and to wait for slower members.

I was the only foreigner and woman of color, but I did not feel conspicuous. Unlike ski slopes, which require significantly greater financial resources, snowshoeing seemed more equitable: Whether your snowshoes cost $100 or $20 didnt really matter. It didnt require lessons or even much practice to master. For once, not being from here and not growing up wealthy did not feel like major disadvantages.

Ascending to the top, I marveled at how deep the snow was, how it shimmered on tree branches. And the silence there seemed a special quality to it: snow muffling sound, animals alive but unmoving, deep in hibernation. I could hear myself breathe; I never heard that in the city, never even thought to listen.

At the top was Lost Lake, huge and pale blue. Surrounded by alpine peaks and spruce groves, it would be beautiful in any season. But now, in deep winter, we could step onto its frozen surface. Underneath the thick sheet of ice, water and fish moved silently. Another world beneath this one: It seemed like a miracle.

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Now, I snowshoe regularly in wintertime. Sometimes, Im reluctant to go, especially when the sky has been gray for days and the urge to stay in bed and block out the world becomes overwhelming. Sometimes, even when I do go, the slow, hard trek in the bleak cold feels absurd. But every time, theres something that feels wondrous, even if briefly, something thats only possible in that season, at that moment: sunlight streaming butter-yellow through snow-covered woods, a bird darting out of a tree, breaking the stillness.

Last time, I even saw moose tracks.

Raksha Vasudevan is an economist and writer based in Denver. Her work has appeared in LitHub, The Los Angeles Review of Books, NYLON and more.Email High Country News at [emailprotected] or submit a letter to the editor.

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Overcoming winter's alienation (The alienation of winter) High Country News Know the West - High Country News

Trance: A courageous observation of malpractices in the name of religion – The Indian Express

Written by Manoj Kumar R | Bengaluru | Published: March 4, 2020 7:18:56 pm Director Anwar Rasheed has turned Vincents bold script into a trippy visual and audio experience with high-production value.

Director Anwar Rasheed has turned Vincents bold script into a trippy visual and audio experience with high-production value. Trance is so good that it could have been the opening film at any of the prestigious international film festivals. It is criminal when talented filmmakers sell themselves short, and director Anwar Rasheed and debutant screenwriter Vincent Vadakkan are guilty of the same. It is really puzzling why these filmmakers didnt give Trance a wide launch that it deserved.

A wealthy businessman Solomon (Gautham Menon) wants to run a mass opium den under the guise of a non-profit spiritual entity that claims to be doing the work of Jesus. All Solomon and his partner Issac Thomas (Chemban Vinod Jose) want is to feed off the weakness of people by exploiting their fear of poverty and illness, drive them to edges of dispair and provide false hope in exchange of cash. Solomons business model involves creating a euphoric environment with the help of images and sounds, and push the participants into a deep trance where they no longer want to go back to their realities, which are harsh and unkind. Solomon turns faith into a go-to drug with sermons that thousands of people consume to escape hard truths of their lives. And to dispense the drug to the masses at a large scale, Solomon needs a showman and the showman is Viju Prasad (a magnificent Fahadh Faasil).

Viju is a certified motivational trainer in Kanyakumari. He comes from a family with a history of mental illness. Vijus brother Kunjan (a wonderful Sreenath Bhasi) is chronically ill, and his actions even push Viju into depression. Trance also shows Viju negotiating through various stages of depression as he begins to process his terrible grief. He is desperate for a miracle and then meets Solomon, who offers him a ticket to success.

Viju is mentored to become a pastor by Avarachan (an in-form Dileesh Pothan). A non-believer is ordained as Pastor Joshua Carlton, shortly JC (which can also be interpreted as Jesus Christ). JC is forced to master the holy text and deceive people with sermons. Avarachan shares a love-hate relationship with JC. Despite Avarachans hard feelings towards him, he cant help but admire and cheer on when JC puts up a good show as a miracle worker.

Fahadh Faasils performance as the pastor intensifies scene after scene and it hits a crescendo in the climax. He is sharp, energetic and determined and also seamlessly switches over to a grieving man with suicidal thoughts. He is simply a genius. So is director Anwar Rasheed. He has turned Vincents bold script into a trippy visual and audio experience with high-production value.

Trance is a courageous observation of malpractices in the name of religion in polarising times, where rationality has been overpowered by blind-faith.

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Trance: A courageous observation of malpractices in the name of religion - The Indian Express

Psychiatrists not amused by Trance misinformation – The New Indian Express

Express News Service

KOCHI:Fahad Fazil-starrer Trance is running successfully garnering rave reviews. From the heros acting to the directors bravery to approach such a bold subject, movie aficionados have been quite gung-ho about the film. However, the movie has drawn flak from psychiatrists for labelling certain psychotropic drugs as killers. Irked by movie-makers mindless branding, doctors say that such labelling of bonafide medicines is blunder.

At a crucial point in the movie, a doctor tells viewers that psychotropic medications like Risperidone and Xanax (that the protagonist takes for him mental disorders) will lead to brain damage and eventually will kill him inch by inch. This is total blunder, wrote psychiatrist Dr Thomas Mathai Kayyanickal in a Facebook post.

Mental disorders like depression, schizophrenia and bipolar disorder are medical conditions like diabetes, hypertension and asthma. For a Parkinsons disease patient, when dopamine gets reduced in brain, tablets are prescribed as a supplement. Similarly, chemical intervention are done in case of mental illness treatments too. Visit the OP of a psychiatry department to see how people lead a normal life with the help of these medicines, wrote Thomas, who works at the Centre Institute of Psychiatry in Ranchi, Jharkhand.Movies influence society and alter the mindset. Therefore, such misinformation spread by popular films has the potential to ruin the lives of persons with mental illnesses, said Kochi-based psychiatrist Dr Monu Varghese.

Dr Thomas describes a disturbing incident in his post. A patient with anxiety disorder, treated by my friend in Kochi, was reluctant to take medicines. He reasoned that has stopped taking it because it would cause brain damage. Who will be responsible if a person with psychotic depression goes off medicine and commits suicide?

Dr Arun B Nair, associate professor, Department of Psychiatry, Thiruvananthapuram Medical College, said Risperidone and Xanax have commonly prescribed medicines for psychiatric patients and they do not have any adverse effects as mentioned in Trance.There are thousands of people with psychotic disorders doing very well on Risperidone. Misguided by films, if they discontinue the medication, it would definitely worsen their illness, and cause brain damage, said Dr Arun.

Some patients with psychotic disorders may also have suicidal thoughts, which could be secondary to their delusions and hallucinations. Antipsychotics like Risperidone prevent suicide. If such people stop medicines without advice from the doctor, chances of them attempting suicide is also high, he said.

MedicationsIn the movie the lead actor undergoes through a sort of a post-traumatic stress disorder (PTSD), which is a mental health condition triggered by a past terrifying event. Symptoms may include flashbacks, nightmares and severe anxiety, as well as uncontrollable thoughts about the event. Risperidone is used for the treatment of psychotic disorders like schizophrenia. Risperidone modulates the level of dopamine of the brain, thereby reducing delusions and hallucinations It also prevents suicide tendencies in patients Xanax is an anxiolytic. It reduces anxiety and helps promote sleep

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Psychiatrists not amused by Trance misinformation - The New Indian Express

I am a believer, but I am against corporatisation of spirituality, says Vincent Vadakkan, scenarist of Trance – The Hindu

The struggle to get here was real. I felt overwhelmed when it finally happened. Thats how Vincent Vadakkan looks at his foray into cinema as a scenarist with Anwar Rasheeds Trance, leaving behind his career in the advertisement industry. There was a dream team on board my debut project Anwar sir, Fahadh Faasil, Nazriya Nazim, Amal Neerad, Resul Pookkutty, Gautham Menon.... The canvas turned out to be much bigger than I had imagined, says Vincent.

Trance is a bold take on merchants of faith who build empires using religion as a foundation; it is about faith healers and miracle workers. Vincent says he is a believer but he is against corporatisation of spirituality.

He also views that there is more to the film than just talking about people being exploited in the name of their faith. It is also about family and relationships. The protagonist, although a motivational speaker, goes into depression because of the turmoils in his personal life and its in that situation that he takes up the offer to become a god man, says Vincent.

So what gave him the confidence to switch over to cinema? I could tell a story in 30 seconds for a commercial and that made me think about the big picture. I believe in persistence. Even if you are talented, if you are not persistent, you can never get what you want, observes Vincent, currently based in Bengaluru.

The Kochi-native says he has been a film buff from childhood. He did theatre as well until he got busy with his corporate job. I have associated with playwright and theatre director Abhishek Majumdar and I had shared with him my desire to write. He told me, You write. So my first synopsis ran into four pages, he says.

It was cinematographer Littil Swayamp who introduced him to Anwar. I was meant to work with Anwar sir in the 5 Sundarikal anthology. But that portion had to be dropped because we didnt get the perfect cast, says Vincent.

Calling himself a self-taught scriptwriter, Vincent points out that he learnt about screenplays and the format from YouTube videos. One work that fascinated me was Fargo, he adds.

The thread of Trance was with him for many years and the narrative underwent some changes later on. The inspiration came from several quarters. I have had some personal experiences. Some family members and friends also shared instances with me. In order to understand the psyche of these pastors, I watched a lot of videos as well. The investigative documentary, A Question of Miracles, which deals with televangelism and faith healing, was another reference point, he says.

Fahadh was the only actor he had in mind for the role of Viju Prasad, who turns into Pastor Joshua Carlton. It is not based on any real-life character, says Vincent, adding that they had pastors on location to guide the team in various scenes. We were careful because it is a sensitive subject and we were expecting backlash. One of the pastors helped Fahadh to understand the body language and voice modulation when he makes his first speech as a pastor, Vincent says.

The writer avers that not all pastors are fake. I know many who consider it a service to help people. They pray, dont claim to do miracles and never stop people from consulting a doctor, he explains.

With bouquets and brickbats coming in for the film, Vincent has taken everything in his stride. Some said that it was brave of us to have taken the theme whereas others are unhappy about how the story progressed towards the climax. There are even theories doing the rounds that Esther (Nazriyas character) was just a hallucination. Everyone is entitled to their opinion, says Vincent.

A huge fan of the works of scenarist Aaron Sorkin, Vincent, a graduate in applied art from Karnataka Chitrakala Parishath in Bengaluru, is now writing dialogues for a bilingual thriller.

Any plans of directing a movie? No, I want to act. My stint in theatre had to be cut short because of my job, he signs off.

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I am a believer, but I am against corporatisation of spirituality, says Vincent Vadakkan, scenarist of Trance - The Hindu

Nazriya: Im now clear on what kind of films I want to be part of – Times of India

Cute, bubbly, girl next door. No longer. Thats probably what Nazriya Nazim proved with her latest outing as the alcohol-swilling, weed-smoking Esther Lopez in Anwar Rasheed's Trance. It was a breakaway from the roles that she is best known for in films such as Ohm Shanti Oshana and Bangalore Days. In a candid chat, the actress talks to us about her biggest worry playing Esther, working with husband Fahadh and if she misses the process of doing back-to-back films. Esther Lopez is one of the bravest characters that you have played. What about the role appealed to you?Everything that you see onscreen. I think thats what appealed to me to do this. And I havent played such a character before. So, there was that curiosity on how the role would turn out if I play it. I think thats also one of the reasons why Anbukka (Anwar Rasheed) wanted me to do the role. Anbukka took the risk and it wasnt easy for him. Frankly, its also the first time that someone has approached me to do a character like this. Its not like I took a decision that I wont play such roles. When you started out and especially when you were busy in 2013 and 2014, did you at any point wish that the audiences perception of you would change, because the type of roles that you were doing were similar?The time I was mostly active was during those two years, and back then I was really busy to entertain such thoughts. And there was so much love from the audience for my roles, and I didnt go through that phase where I had to think about that.

What preparations helped you play Esther better?More than the character, it was her habits that I was more worried about. I wanted to get those right before we started shoot be it smoking or drinking. I didnt want to look like an actor who had no idea about these when she was playing a chain-smoker and an alcoholic. We had already decided on Esthers look, so I had to get that right too. But apart from these, there werent any other preparations. Everything else was done on the set.

The makers of Trance have been lauded for bravely attempting such a subject. As Fahadh was an integral part of the movie, did you two discuss the characters and the content before the shoot?Yes, at different points. Fahadh was involved in the film, much before I was approached to do a role. So, I was in the loop about the discussions and the story before I became part of the film. I always knew that feel of the movie and what they were trying to do with Trance, because obviously we live in the same house.

Everyone has been praising Fahadhs role as Viju Prasad/Joshua Carlton for the intensity he brought to the role. Is he involved with his characters even when he is not shooting?I think he is. He is totally with the film till it is over. He works on his character every day even after coming home. Trance, especially, had a lot of dialogues including Bible verses and he was completely involved in it.

How supportive has Fahadh been to your life and career?Being an actor, its kind of an inspiration to be around him. His dedication and hard work for each and every film pushes me too. He has always been supportive. There has never been a discussion on whether I should or shouldnt do films. There was a time after our wedding when I had lazy days and he would say, You should listen to scripts. Entha madiyaayo?

A lot of directors were part of Trance Anwar Rasheed, Amal Neerad, Gautham Vasudev Menon and Dileesh Pothan. What was your major takeaway being part of a movie like this?Being there and seeing the process. It was unlike any other film I did. To be part of a movie with such great names, irrespective of the length of the character, was a big deal.

Do you seek out roles now, or do you wait for good characters to find you?I have been waiting for roles, thats how I have worked.

But do you miss that process of doing back-to-back films and to prepare for roles?I do, sometimes. But I am very clear on what kind of films I want to do and what characters I want to play. I have that clarity now.

Though there has been gaps between your acting assignments, you have been in the thick of things as a producer and singer. Compared to when you were at your busiest, how would you say that industry has changed?The biggest change would be social media. It has become crazy now. There are so many ways to put out your film and promote it. It has become easier and better, but at the same time you must be careful. Anything happening behind the scenes comes out instantly. We are also at a good space and amazing content is being made.

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Nazriya: Im now clear on what kind of films I want to be part of - Times of India

A Beyonc-Focused Church Service Is Coming to the Kennedy Center – Washingtonian

God appears to us in mysterious ways. For the Rev. Yolanda Norton, God is present in Destiny Childs Bootylicious.

The San Francisco Theological Seminary professor has incorporated the 2000s classic as part of her Beyonc Massa religious service that uses Beyoncs discography to explore the struggle, survival, and spirituality of black women. Born out of a project she assigned her doctoral students, the first Beyonc Mass was celebrated at San Franciscos Grace Cathedral in 2018. 70 people were expected for the midweek service. More than 900 showed up.

Since then, the service has been held across the United States and parts of Europe for standing-room-only crowds. A service at a small church in Portugal was so well-attended it ended up breaking fire codes. I didnt know how it would translate globally, and we ended up having people sitting on the floor, Norton says.

But back to Bootylicious. With lyrics like Lead with hips, slap my thighs, and When I whip from my hips you slip into a trance, the early aughts chart-topper doesnt exactly scream religious. Thats precisely the kind of reaction Norton wants to dismantle.

The whole worship service was about embodiment, and the ways that we have rejected certain kinds of bodies, Norton says. [Bootylicious] was an assertion that God loves your curves. If you are tall, short, thick, thin, God loves you. Its an assertion of learning to live in your body and accept who you are, because thats what God created.

Theres an authenticity to Beyoncs music, Norton says, that allows it to resonate with people on a deeper level. The stars openness about her personal experiences and struggles (see: Lemonade) comprises emotions from pride to lament. We are all feeling people, Norton says, and Beyoncs ability to speak to the core of human nature makes her a perfect spiritual conduit.

Though the focus of the mass is to uplift black women and give them a unique, safe space to explore their spirituality, Norton says the service is accessible to anyone who identifies with Beyonc.

Normally, when I preach in a black church, its mostly black people. And when I preach in a predominately white church, Im usually the only black person in the room, Norton says. When Im looking out over the congregants at a Beyonc Mass, Im seeing every race, every gender, every age group represented.

Service music rotates through Beyoncs catalog (including Single Ladies and Save the Hero) but it always uses Flaws and All as the communion hymn. As congregants step forward to receive the elements, the singer croons: I dont know why you love me / And thats why I love you / You catch me when I fall / Accept me flaws and all / And thats why I love you.

Engaging that as a conversation with God, that represents so much of my theological presuppositions, Norton says. Im not quite sure why God loves us, and God accepts us flaws and all! That is the basic root of why we are people of faith. Both in spite of and because of who we are, God loves us, flaws and all.

The Beyonc Mass will be at the Kennedy Center at 6 PM on March 8. Information about tickets can be found here.

Join the conversation!

Assistant Editor

Jane is a Chicago transplant who now calls Cleveland Park her home. Before joining Washingtonian, she wrote for Smithsonian Magazine and the Chicago Sun-Times. She is a graduate of Northwestern University, where she studied journalism and opera.

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A Beyonc-Focused Church Service Is Coming to the Kennedy Center - Washingtonian

You Heard It Here First: Ferry Corsten and Purple Haze Team Up on "Flanging" – EDM.com

There is much buzz about the legendary trance producer Ferry Corsten as of late. Fresh off of announcing his soon-to-be iconic What The Ftour run (which will feature a Ferry Corsten set as well as sets under his other aliases, Gouryellaand System F), Corsten has now released a collaborative single with Sander van Doorn'salter-ego,Purple Haze. Buckle up, because this one's wild.

Boasting an old school feel, Corsten and Van Doorn's new collaboration, "Flanging," calls to mind classic arena trance anthems. The rolling bass lines in the intro lead nicely into the main synth section, which continually slows in tempo during the breakdown, before powering back up into the main hook's flanging (hence the name) melody.

That melody is reminiscent of Veracocha's 1999 trance classic, "Carte Blanche," but make no mistake - "Flanging" is forward-thinking enough to become an instant classic in 2020. Corsten and Van Doorn's ability to evoke the nostalgic feel of early trance while staying relevant to the modern sound is impeccable, which is why those two names have remained a mainstay in the world of trance music and electronic dance music as a whole.

"Flanging" is out now and can be found at this link.

Facebook:facebook.com/FerryCorstenTwitter:twitter.com/FerryCorstenInstagram:instagram.com/ferrycorstenSoundCloud:soundcloud.com/ferry-corsten

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Montgomery Ballet takes Mardi Gras party to The Waters on Saturday – Montgomery Advertiser

Story Highlights

"The Masks We Wear" is one of three dance performances from Montgomery Ballet on Saturday at The Chapel at The Waters in Pike Road.(Photo: Shannon Heupel/Advertiser)

Join the Montgomery Ballet on Saturday for a Mardi Gras celebration in Pike Road - with three dance performances and an after party.

Theyve found a special venue for the occasion, The Chapel at The Waters, 1 Chapel Hill St.

Its a beautiful space, said Danny Mitsios, Montgomery Ballets executive and artistic director. High ceilings. Its a great spot. Absolutely gorgeous.

Tickets are $50, and include the after party with food, drinks and dancing with DJ Chasing of Gravity.

Doors open at 6 p.m., and performances being at 7 p.m.

Dance performances open with a piece from A Folk Tale, by August Bournonville.

Its a beautiful piece, said Mitsios. Its absolutely gorgeous. Beautiful music. Uplifting. We staged it to its original choreography.

Next is The Sins, a contemporary piece originally choreographed by Mitsios when he was in college. He created the music for it as well.

Its a piece I did at Columbia City Ballet (South Carolina) when I was a dancer there, Mitsios said. This will be his fourth time presenting it. That ones about how everyone has their seven sins.

The Montgomery Ballet presents The Masks We Wear on Sunday, Feb. 24, 2019, at Greenville High School in Greenville, Ala.(Photo: Shannon Heupel)

The nights performances are capped off with the return of another original piece by Mitsios, The Masts We Wear. Set to electronic techno-trance music by Jake Pugh of Gravity, this piece is about who people are without the masks they wear in public.

Its been a good experience in the studio, and were excited to get it on stage, Mitsios said.

Mitsios said the performances last for an hour. From there until about 10 p.m. the party will run, he said.

Food for the night is being provided by Little Donkey and Chris Hot Dogs. There will also be wine, and beer from Common Bond Brewers.

Last year, the party was held in the courtyard outside of Montgomery Ballets studio. Mitsios said the move to Pike Road and The Waters makes it more accessible to a new audience.

One thing we love about The Waters, besides its location and beauty is that rain is not a factor, Mitsios said. Last year, I was a little nervous because we almost got rained out, and I grew several gray hairs in the process.

Tickets are available online at montgomeryballet.org.

Contact Montgomery Advertiser reporter Shannon Heupel at sheupel@gannett.com.

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Montgomery Ballet takes Mardi Gras party to The Waters on Saturday - Montgomery Advertiser

Review: of Montreal brings their maximalist music to the 9:30 Club – The Diamondback

Kevin Barnes, the singer and songwriter for the indie rock band of Montreal, plays his guitar at the groups concert at the 9:30 Club in Washington, D.C. on March 2, 2020. (Julia Nikhinson/The Diamondback)

I showed up to the 9:30 Club at 9 p.m. after a day filled with work, classes and extensive stress about my upcoming schedule. If my brain wasnt fried before then, of Montreal certainly fried it for me.

Formed in Athens, Georgia, by Kevin Barnes the frontman and only consistent member of Montreal quickly became associated with the Elephant 6 collective, which churned out whimsical, sonically dense rock music for the better part of the late 90s and early 2000s.

Much like fellow Elephant 6 bands Apples in Stereo and Neutral Milk Hotel, of Montreal creates their own world; albeit, one far trippier than their counterparts. Considering that NMHs most famous album is a lo-fi folk-punk fever dream about Anne Frank that drove creator Jeff Mangum completely out of the music industry, thats saying something.

Wikipedia wants me to believe the band belongs in the genre of indie pop, but their sound, especially in a live setting, is way too intense for the twee sensibilities of indie pop. Of Montreals music part alt rock, part electronic and very psychedelic is an audio onslaught. More is always better for Barnes and company, with different melodies, rhythms and textures wildly careening in their songs. The minute you feel like youve got a grasp on the current song, a new instrument or key change flies in to keep you on your toes.

A number of cuts from the bands most recent release, UR FUN, found prominent places in the setlist. Among them were opener Peace to All Freaks and Dont Let Me Die in America, in which Barnes wonders, Have I lost my country / because I have no love for piggy-piggy fascists?

Most of UR FUN is more conventional in terms of instrumentation and production than previous of Montreal releases. Does that mean Barnes has mellowed with age? Not if their live show has anything to say about it.

[Read more: Review: Post Malone owned Capital One with nothing but himself and his music]

With strobe lights, projections, large skeleton props and dancers that changed costumes with every song, of Montreal took their maximalist aesthetic to the people Monday night. More often resembling a rave than a rock show, sparkling sequin and day-glo outfits were a common sight throughout the crowd and onstage. Barnes strutted out at the start of the set with a light-up feather boa, dancing maniacally throughout the night as flashing lights and pounding rhythms brought the audience into a trance.

The energy only seemed to grow as the concert went on, culminating in a four-song encore featuring a cover of Nirvanas Breed as balloons bounced around the venue. Mosh pits and glitter both found a home in the 9:30 Club with this group.

This band is the kind whose bones are made by their live show. Of Montreal has put out 16 studio albums since 1997, but none of their songs ever broke through to a wider cultural status. Instead, the band brings their music to the people by playing shows almost nonstop, having done so for the past 20 years.

Their show at the 9:30 Club was their fifth show in five days, and the band wont have a day off for almost two weeks. That kind of workload is difficult to maintain but if last nights show was any indication, of Montreal should be up to the task. The songs were electric, the crowd was eclectic and Barnes was eccentric as ever.

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Review: of Montreal brings their maximalist music to the 9:30 Club - The Diamondback

Witness The Essence of Trance [25 Years of RAM] – EDMTunes

RAM is out with his 25 years mix of Essence Of Trance. Covering 4 discs and 320 minutes of music, this is epic in both size and scope. Are you ready? You better be!

Our Dutch DJ, producer, promoter and label runner lived a lifetime of trance25 years (and a month!). Since his first DJ booking, hes been experiential at every nook of trances progression. Last month, he sold out his open-to-close show at Amsterdams famed Paradiso concert hall. Now, we get to listen to it forever on this album.

Experience his own quintessential musical history, through mixing and compiling in this career-defining move. RAM has left nothing to chance. From 400 down to 78 tracks, he worked hard at cutting down his quarter-decade-spanning list of music.

You will see highly recognizable names featured in remixes. Each song flows together to the next, and we love this about albums. Its like one giant set that never ends. We are honored to hear this set-list.

The album is grouped into four headings: Moments, Magic, The Journey,andPassion. For every main headliner weve seen, theres an arsenal of the undergrounds most beloved waiting with remixes. That is to say, Ralphie B, Vincent de Moor, Chakra, X-Cabs will be in here. Plus, Salt Tank, Signum, The Thrillseekers, DT8 Project, York, Gaia and more.However,Tisto, BT, Armin van Buuren, Paul Oakenfold, A&F, John OCallaghan, Solarstone, Dash Berlin, Gareth Emery also take to the decks.

Disc 1: This is about my memories, about countless unique and unforgettable moments Ive collected throughout 25 years of DJ-ing.

Disc 2: The magic of music, [especially trance], has a strong impact on the human bodyThe power of melody, harmony, and rhythm packed in a soul work from someone to someone. That is what music is about for me, magic!

Disc 3: Music takes me where I go. I am so grateful for my journey. I have seen many beautiful places around the world and [connected] with thousands of people. The best thing about this journey is that it never gets boring.

Disc 4: My passion for music has always inspired my being. Never give up on your dreams, have faith, trust, and believe you can achieve whatever your dreams and passions are.

For me it is all about melodic, emotional trance and the feelings this music gives me. Due to evolutions in electronic music, I have played different types of trance in my career. Instead of creating 4 mixes with different subgenres, I have chosen for tracks that fully connect to my essence of trance. The tracks on this compilation inspired and motivated me for the last 25 years, I hope you enjoy it as much as I do. RAM

Listen now and let us know which musical identity you resonate with.

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Witness The Essence of Trance [25 Years of RAM] - EDMTunes

Fahad Faasil’s ‘Trance’ takes on the business of religion – Gulf News

Faahad Faasil in 'Trance' Image Credit: Supplied

Indian National Award-winning director Anwar Rasheed returns after seven years with a story about the business of religion.

The film is led by Fahadh Faasil and an ensemble cast of accomplished actors, including Gautham Menon, Soubin Shahir and Nazriya Nazim. Faasil in particular has earned rave reviews for his role. With his chameleon ability, Faasil has carried many films on his capable shoulders. His body of work includes diverse roles and he has an ease with which he brings alive his characters, from the arrogant businessman Arjun of Chappa Kurushu, the playboy Dr Arun of Diamond Necklace, Cyril of 22 Female Kottayam to the OCD software geek Harikrishna of North 24 Kaatham. Faasil won the Indian National Award for his role as a petty thief in Thondimuthalum Driksakshiyum.

Trance has been receiving appreciation for its bold content, stylish filmmaking and stellar performances.

Heres everything you need to know about the film.

Vincent Vadakkan is clearly on a high. The ad-filmmaker from Bengaluru marks his debut in Malayalam cinema as a writer with Trance and spoke to Gulf News tabloid about his new journey.

What is Trance about?

A: This story follows the journey of Viju Prasad, a motivational trainer who is transformed to become Pastor Joshua Carlton by an independent group of people in a Corporate set-up and spirituality is their business. However, Trance is also about sibling relationships and psychological elements, and not just the business of religion. It dwells also on the psychological turmoil the protagonist endures the journey inside his mind.

What sparked this story?

I had seen some of my family members being part of religious groups. Not to forget troll videos of such groups. The format is the same. All you need is a hall and a crucifix for anyone to start an organisation like this. They claim this is Christianity, but Christianity is beyond all this noise. Post release of Trance I have been asked if I am a non-believer. I am a believer in Christ but not into the middle men.

Trance has been in the making for a long time, tell us how it developed.

I quit my career with Oglivy in 2014 to write my story. My first draft was ready by the end of 2015. I narrated it first to Fahad, who liked it and spoke to Anwar about the story. Anwar liked the story and the project was on. Its a human intense subject and after several discussions and revised drafts, Trance was ready. Anwar has the ability to bring out the best in you. When I felt this was the best I could do, he pushed me to stretch myself further. Filming took two years.

Sketching many characters must have been quite a challenge. Were there moments when you got stuck?

Trance constitutes many characters that have been played by a team of accomplished actors. There was so much content in the film; the film could run for three to four hours. We had to edit to two hours plus. While sketching, every character had to be given a clear importance keeping in mind the huge star cast.

There were many instances when I got stuck with writers block but you do come out of it. In fact when stuck with Trance, I went on to write another story.

Is Trance inspired from people around?

Not really. One back story of a character was inspired from a real life incident. It is the character Vinayakan plays; he is one of the Pastors followers. I read the story in a news report about how things are done in the name of faith.

How did Gautham Menon come on board?

We wanted somebody suave and stylish, a Malayali bred outside Kerala to play Solomon Davis, the brain behind the business venture. Anwar had watched Gautham Menons interview and he liked the way he conducted himself. He felt that Gautham was perfect to play the role.

For me, it went beyond my dreams. I never thought Gautham Menon will play the villain in my first script. It was good spending time with him. You can sit the whole day listening to him. We spoke about films and writing. He is too good and has a style.

How did Fahad prepare for his character?

We gave Fahad references to his character. He did not imitate them but came up with his own version of Joshu. It was an intense role for him- there was a lot of screaming loud in scenes, besides pausing on some words and stressing on other words. Fahad got it bang on.

What were the shooting challenges?

Since Anwar Rasheed is the director and producer, we did not have a producer breathing down our necks. The biggest challenge came while filming with a crowd. They had to perform and not merely stand around. And, the performance had to be synchronised. We briefed them on it. For one scene, Anwar told them to think about the problems in their lives and perform. After he said cut they continued in that state, so immersed they were in their problems. Assistant directors rushed to wake them up from their stupor. They had got carried away, some were in tears.

For me every shot was amazing to see my story unfold on-screen. Each frame is a masterpiece. Towards the tail end, we shot with a crowd with smoke around and Fahad in his climax attire. It was almost a heavenly feeling. I got goosebumps.

What was your Trance moment?

A: Sitting inside the theatre with the audience at the first days show, I was eager to know how people will react to some dialogues. Listening to their clapping and watching the reactions was encouraging. I was overwhelmed.

TAMIL DIRECTOR GAUTHAM MENON ON HIS ACTING GIG

Role call

I was surprised to receive a call from Fahadh Faasil who mentioned that director Anwar Rasheed wanted to meet me for a project. Anwar came down to Chennai and offered me the role of Solomon Davis. For me, it was about the director, actor and I had heard so much about Amal Neerads crew. I believe everyday is a learning. I wanted to be in the midst of this brilliant team.

The role

Solomon Davis believes in business and money a no-holds-barred man. He is very quiet and scheming, even if he is saying a few things, there is a layer that he does not reveal. He is also someone who gets down to getting things done. With grey shades to him there is a mysterious air about him. Anwar described the character well. I made sure I got the lines right. I enjoyed playing Solomon, except for the last scene-you will understand when you watch the film.

Being directed

There were only four to five shots a day. In between shots I had three to four hours to myself. Working in the Malayalam industry was a nice and learning experience. The crew spend so much time setting up a shot and you understand why they get it perfect. I loved being directed by Anwar. In Trance small roles were taken on big actors. They worked like a family. When shooting we were hanging around and chatting. I enjoyed their company. I am looking forward to being a big part of the Malayalam industry and in talks with actors including Fahad Faasil. I like the way the audience accepts new films.

On Fahad Faasil

He is the best actor in India. Trance is completely Fahads story and journey and he has portrayed it brilliantly.

OSCAR-WINNER RESUL POOKUTTY ON DESIGNING THE SOUND

The filming involved huge crowds, as many as two to five thousand people. Fahad had apprehensions and called me up to say When I am doing my voice right, I am not getting the body language right and when my body language is right, I am not getting the voice correct. I told him you just go ahead with it. For me every flaw is seen as an advantage. While shooting in sync, its not about doing everything right but about being live with it. There are a lot of accidents that happen and these go to make a scene memorable and super-human like-the result is a brilliant performance.

The director was very pro-sync. No one complained when we asked for retakes or asked for more time, Anwar even pushed the release by a week for me to finish the mix comfortably. We did this film with so much love.

The protagonist goes through some situations in life that required a series of psychological analysis through sound. Trance is a state of mind. What takes him into that state of mind? We arrived at a soundscape through careful use of sounds to emulate a feeling of trance. Prior to Trance, I worked on a film, Thaakkol, based on the Christian tradition. For Thaakkol, I was analysing sounds of Christianity and went into the deep aspect of this community through sound. The very sound palette used as identification in Thakkol was used as subversion in Trance.

In the second half, the story moves to another plane where sound is used stylishly and in a very unorthodox way. We had to strike a balance with quiet moments, slow paced moments and not make it a harsh experience. Sound has the ability to sub-consciously affect you and there is a conscious use of the same in Trance.

Dont miss it!

Trance releases in the UAE on February 27.

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Fahad Faasil's 'Trance' takes on the business of religion - Gulf News

Manju Warrier joining Padavettu to Trance release, here are the weekly highlights of Mollywood – Times of India

From new announcements to big releases, the week that followed the Valentines Day was quite good for M-Town. From the Lady Superstar of Mollywood Manju Warrier joining the Nivin Pauly-starrer Padavettu to the grand release of Anwar Rasheeds Trance, heres taking a look at the most interesting news from Mollywood this week.Manju Warrier joins the Nivin Pauly-starrer 'Padavettu' Manju Warrier is on a race to chase some of the good projects in showbiz. After bagging a role in the Mammootty-starrer 'The Priest', the Lady Superstar has now joined Nivin Pauly-starrer 'Padavettu'. Manju is teaming with Nivin for the first time. Thank you @nivinpaulyactor @sunnywayn for making me a part of #padavettu. So excited to be part of this sure-shot blockbuster!, Manju wrote on her social media handle after joining the movie's set.

'Hridayam' goes on floors Yet another stellar movie in Mollywood! Vineeth Sreenivasans directorial, Hridayam, which has Pranav Mohanlal and Kalyani Priyadarshan in lead roles went on floors this week. Makers of the movie have started shooting at Palakkad. Mohanlal and Sreenivasan have worked together for Priyadarshans directorials which were huge hits and hence their kids are teaming up together for Hridayam. The movie also brings back the popular production house Merryland Cinemas back.

Antony Varghese in 'Dev Fakir' After giving a top-notch performance in critically acclaimed 'Jallikattu', Antony Varghese Pepe has signed yet another movie titled 'Dev Fakir'. Directed by Zac Harriss, the movie is scripted by 'The Great Father' fame Haneef Adeni. The actor will be seen in a 'mass' avatar in the film. Antony Varghese has also signed up for a couple of movies including 'Falimy' and 'Ajagajantharam'.

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Manju Warrier joining Padavettu to Trance release, here are the weekly highlights of Mollywood - Times of India

Mickey Hart’s Ghosts of Congo Square – Relix

Mickey Hart reflects on New Orleans key role in the development of American music.

To celebrate Mardi Gras 2020, were revisiting this article from ourApril/May 2019 issue ofRelix, honoring 50 years of Jazz Fest.

Congo Square deserves to be recognized, Mickey Hart asserts. It is sacred ground, and we need to recognizeits importance. American-based music emerged from theculture that inhabited Congo Square in the 1800s. Most peoplehave no idea what has happened there, but we should never forget.We need to take care of it.

Among his many passions, the Grateful Dead drummer hasmaintained a focus on the history and mythology of music, whichhe has explored in books such as Planet Drum: A Celebration ofPercussion and Rhythm, Drumming at the Edge of Magic, SpiritInto Sound: The Magic of Musicand Songcatchers: In Search of theWorlds Music.

As Hart looks back on his development as a musician and a musicologist, he explains that, while he was drawn to the drums from an early age, his scholarly exploration of the instrument didnt manifest itself until years later. At first, I had no idea about any of this, he says. It reached out to methe ghosts of Congo Square grabbed me around the neck and wouldnt let me go. All I was doing was dancing and listening to Tito Puente, Machito, Tito Rodrguez and all the great Latin bands that were coming out of New York in the 30s, 40s, 50s. These rhythms hit the city street, and they transformed into dance music, into what we know as Latin music now. Thats how music worksyou usually base your knowledge on the body of work that preceded you, and you practice it and learn it, and then you make your own music with it, eventually. Thats what happened to the Grateful Dead, and thats what happened to me.

When I started writing my books Drumming at the Edge ofMagic and Planet Drum, back in the 70s and 80s, he continues,that was when I did all the research to find out what the historywas to what I was doing. Why was I practicing 12-15 hours a day?I had no idea. I was putting myself into a trance but I didnt knowanything about all that stuff back then. It took about 12 years ofresearch to write Drumming at the Edge of Magic, tracing whywe drum, what rhythm is all about and the history of itthebrotherhood and the sisterhood. Where did it come from? Whyam I drumming until I collapse? Why do I do these things to playmusic? Why do we play in the driving rain? Whats it all about? Andthen I discovered these rhythm cultures, which are some of themost powerful cultures on the planet. So, it was just in the ether;it was in the air. I was totally into big-band music. So, you bringyour influences forward into whatever you do, and you change itand you mutate it. It all started on the docks of New Orleans in the1800s, and wound up right here today.

Youve said that there isnt a more important city to the birth of American music than New Orleans. Can you trace the origins of that sound?

When you think about the music of New Orleans, you have to start in West Africa with the slave trade. The diaspora traveled to Brazil, Central America, Haiti, Cuba and, eventually, to New Orleans. There was a Haitian revolt beginning in the 1790s, which resulted in an influx into New Orleans of the West African slave trade. [Haiti expelled the French colonial government during a revolution that lasted from 17911804.] In many cases, these slaves brought musical instruments.

Now, the interesting part of all this is that, when they got there,the instruments were taken away. They were allowed to practicein Haiti, Puerto Rico and the Caribbean but, as soon as theygot to New Orleans, the slave owners, fearing Vodun practicescelebrating the gods Ogun, Shangoall these great gods of WestAfricalimited this practice and they did what they could toCatholicize those same gods.

However, on Sunday, the slaves were allowed to practice their rituals in two placesone in Congo Square and the other in Lake Pontchartrain. Here, they were supervised because they were afraid of slaves going into a trance, and these were trance-based religions from West Africa. So, they were allowed to play on Sundays, and between 6-8 p.m. there would be a shot. Thats when they would move into a trance. They would bring in the loa, which inhabited their bodies, in what is a classic possession trance ritual. And these trance-based religions were driven by the trance drums, often using the bat, specifically, which would become congas. Pontchartrain and Congo Square became the real nexus of everything in American backbeat. All the American music like jazz, rap, rock-and-roll, bluesthat all came out of this influx of slaves into New Orleans, where all these trance-based religions were driven by the drums.

If we jump ahead to 1900, then compare the beats of New Orleans to Ghana across the ocean. To what extent were those sounds transformed by interacting with other sounds on American soil?

They mutated, although the rituals were the same. They were going after the loa, going after the trance. And thats the important thing to understand. It was for pleasure, but their pleasure was contacting the gods, and the only way to do that was through these dances. There was no dance without a rhythm, and no rhythm without a dancethey were inseparable. These public gatherings were really frowned upon. So they used to call them entertainments.

Eventually, they were able to keep their drums. After the 1800s, they were allowed to start to have their drums and practice their own rituals. For awhile there, people were selling tickets for others to watch them. There were people in buggies up on the hillsthe whites were watching the rituals from their hillside in New Orleans, watching Pontchartrain and Congo Square. All of this came to an end in 1870 or 1875 when the first Jim Crow Act forbid blacks to freely assemblethats when the dances stopped.

But, a lot of things came out of that, like the instrumentsthe bass drums, the wood blocks, the cymbals, all the African instruments. Sometimes they changed form, but they were pretty much the same instruments.

Meanwhile, the music traveled by way of the Mississippi Riverover to Kansas City and up to Chicago, and it wound up every placein America.

You also cant forget Storyville [New Orleans red light district];thats where ragtime began. You also have the brass bands emergingat this time as well.

New Orleans is Mecca; its the birth place of American music.Its where all those rivers came together and birthed what weknow as our music. And all this history goes back to those fieldson Congo Square.

In Drumming at the Edge of Magic, you also describe how all these rhythms led to a new American instrument.

Yes, the effort to power these new rhythms led to the creation of the drum set, which is incredible. Its one of the only great American instruments and it took the tom-toms from the East, the cymbals from Turkey and some of the other things I just mentioned. Wetook all these different elements from around the world, and wemade what we call a contraption, which was shortened to traps,the American drum set.

Can you talk about the clave rhythm, which also is a product of the diaspora?

The clave means key. The key to everything; the key to the rhythms. That was picked up by Latin music like Tito Puente, Machito and all those New York bands who were playing the clave that was coming out of the rhythms of West Africa. They picked up on it and realized you had to revolve around this one rhythm. All these rhythmic patterns had some version of the clave, which was a repeated pattern where everybody knew the first part of the rhythm and the second part, and it repeats over and over. The one thing that stays constant is the clave. It was derived from the West African rhythms and, of course, it was taken into the new lexicon of the New World.

Thats what you hear in Bo Diddleyhe picked up on it. Buddy Hollythats clave! The Rolling Stones, the Grateful Dead. We all love clave. I was teethed on clave. Thats where I came from. One of the things I brought into the Grateful Dead was a bit of the clave. Bill and I played that really well; we love clave. Not everyone loves clave because it has a rolling rhythm to it, which is not so easy for people to pick up on. But once you do, you realize it is the key to everything, rhythmically.

This article originally appeared in the April/May 2019 issue of Relix. For more features, interviews, album reviews and more, subscribe here.

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Mickey Hart's Ghosts of Congo Square - Relix

Trance Box Office Collection and Review – Primetime

Language: Tamil

There was gigantic promotion encompassing Karthick Narens Mafia Chapter I, his second discharge after the profoundly amazing and discussed Dhruvangal Pathinaaru. It has an energizing star cast the charming Arun Vijay, a fine entertainer like Prasanna and the flawless Priya Bhavani Shankar, and is bankrolled by driving makers Lyca Productions. The trailer and character blurbs of the Narcos-style spine chiller had turned into a web sensation and the pre-discharge buzz excessively was certain.

Mafia is bundled as a ultra-snappy film with a slender storyline and looks increasingly like another age wrongdoing arrangement on a gushing stage. It is moderate paced despite the fact that the run time is just 112 minutes, arrives at a crescendo in its take out large uncover peak, which is the feature. The shocking turn toward the end looks increasingly like a base for the one-line story for a Chapter II. The film doesnt satisfy everyones expectations and desires you would foresee out of a Karthick Naren film.

It appears the screenplay was assembled in the wake of marking Arun Vijay and Prasanna together in the film. The fight lines are obviously drawn, as the slogan of the film says the tracker versus the brute. The story depends on the go head to head between the Narcotics Control Bureau boss Aryan (Arun Vijay), who is attempting to chase down Diwakar (Prasanna), the medication master taking on the appearance of a good specialist. At an early stage, we are given a great deal of measurements that opiates use is expanding in the state which has seen a 60 percent spike and 300 revealed passings due to overdose of medications like cocaine.

Aryan chooses to take on the medication cartel, alongside his associates Sathya (Priya Bhavani Shankar) and Varun after his chief and another enemies of medications social dissident Mugilan (Thalaivasal Vijay) are shot dead. In the interim, Diwakar with the support of influential individuals in high places, attempts to frustrate his endeavors to reveal the medication mafia. What follows is a fascinating wait-and-see game between the two preceding their ways cross in the peak.

The primary half is loaded with character presentation and trudges alongside a feebly composed story. It additionally does not have the vitality that one may anticipate from such a plot. Nonetheless, Karthick causes it to up in the pacey second half, with the amazement and astounding peak wind. As it were, the unexpected turn toward the end raises the crowds desires for Chapter II. Arun Vijay is essentially tremendous and looks crushing as Aryan, while Prasanna as the smooth and calm enemy leaves an effect. Furthermore, Priya Bhavani Shankar might not have a lot of screen space yet one single scene in the peak when she weapons down a trouble maker shows the entertainer in her. Another major in addition to of the film is the music and sound plan. Jakes Bejoys experience score makes the correct state of mind and lifts the film. The activity scenes are arranged in an alternate example. In any case, there are excesses of moderate movement scenes, particularly in the principal half to show the swag for character presentation.

In general Mafia: Chapter I is gorgeously cut however has next to no substance. Be that as it may, the peak has aroused the desire meter for Chapter II. Actually, only for the brief peak shock wind we are going with a higher rating than it would have merited.

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Trance Box Office Collection and Review - Primetime

Groove Cruise Returns to the West Coast with Groove Cruise Cali – EDM Identity

After taking over Catalina Island last year for an epic edition of Groove Island, Groove Cruise Cali returns for another sailing from Los Angeles!

Whether its the infectious atmosphere brought forth by the GC Fam or the fantastic artists they book, theres nothing quite like the party that happens on the high seas while aboard Groove Cruise. Now, after a successful sailing out of Miami earlier this year, Whet Travel has announced that theyll be returning to the West Coast with a fresh edition of Groove Cruise Cali.

This year, Captains who set sail on Groove Cruise Cali on October 15-18will be treated to 72-hours of nonstop music to dance the day and night away from over 50 DJs, plenty of artist interactions and exclusive experiences, and six costume parties to attend among other fun activities on board the NCL Bliss.

Related: Check out our interview with Whet Travels Founder Jason Beukema for a deeper look at what Groove Cruise is all about!

Speaking of the NCL Bliss, this ship for this sailing is one of the best in the fleet with over 30 unique restaurants appealing to any taste and an amusement park featuring a racetrack, waterslides, mini-golf, aqua park, and laser tag. There will also be single staterooms offered for those who are traveling to Groove Cruise solo or cant find a roommate to split with.

Register now for your chance to win a stateroom for two and get first access to bookings.

While were not sure who will be taking the stage during Groove Cruise Cali if past lineups are any indication then were sure its going to be a fantastic time. Expect plenty of house, techno, and trance to dominate the lineup and keep your feet moving, sea legs or not!

The public on-sale begins March 4 via GrooveCruise.com with online with payment plans starting at just $92! Dont forget to use code EDMIDENTITY for a $50 per person discount!

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Groove Cruise Returns to the West Coast with Groove Cruise Cali - EDM Identity

Armin van Buuren announces all ages ‘This is Blah Blah Blah’ show – We Rave You

In May this year,Armin van Buurenwill embark on his series of shows titledThis Is Me. Some of the most special shows of his career so far, it will celebrate his achievements and successes through his music career when he started all the way up to present day, and will be uniquely intimate in the iconic venue Ziggo Dome. Now, these shows have the age limit of 18+ (like most electronic shows that go on through the evening), but Armin has announced something that will allow children to be involved in the action too. Together with events companyALDA(who have been responsible for hosting a lot of Armins events in the past and will be alongside him for the This Is Me shows), van Buuren has announced his This Is Blah Blah Blah show.

The all ages show will be aimed at those under 18 who still share the same passion for trance music as adults, and who wouldnt usually get to see the trance king in action. The afternoon show slots into the schedule of the other shows and will also take place in the Ziggo Dome. Explaining his reasoning behind the show and its concept, Armin had this to say:

I want to spark the younger fans with my love for music, having fun on stage, doing what I love most. Thats why I decided to add an all-ages show to the This Is Me series on Saturday May 23rd, called This Is Blah Blah Blah. This one is for all my fans who arent able to visita regular 18+ show. But most of all, this one is dedicated to my kids.

Taking place on Saturday23 May, you can now sign up the Armin van Buuren This Is Blah Blah Blah ticket pre-sale by clicking here, which starts Thursday 27 at16:00 CET. Get ready to be a part of something truly special!

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Armin van Buuren announces all ages 'This is Blah Blah Blah' show - We Rave You