‘Bartlow’s Dread Machine’ (ALL) Available On Steam Early Access – Trailer – WorthPlaying.com

Set entirely within the confines of this titular relic from the dawn of the Electric Age, Bartlows Dread Machine casts one to two players as government agents in a series of escapades through New York, San Francisco, and all across the continent as they seek to rescue the kidnapped President Roosevelt from the forces of evil. But beware, sinister forces are at work!

Bound to the clockwork gizmos running this contraption, agents are mere metal figurines roving around on rails. But these arent any ordinary tin toys as they have free rein on how to navigate these forking networks of tracks. Think Pac-Man if he were made of metal, wore a cool peacoat, and was packing some serious heat! Sets made of wood and tin unfold around you in real-time as you navigate this immersive puppet show. Encounter a cast of improbable monsters and historical characters as you traverse the high seas and beyond using trains, ships and even a newfangled automobile!

Your journey begins in New York City with the discovery that President Teddy Roosevelt has been abducted by anarcho-satanists of the worst kind. Track his kidnappers across the Great Plains to the Pacific coast in today's Early Access release, which contains the first three of six chapters. About once a month the game will be updated to include levels set at sea, deep in the Panamanian jungle, and finally in Washington D.C. as you close in on the culprit to save America from certain doom.

Bartlow's Dread Machine is available through Steam Early Access for $14.99 USD and supports English, German, French, Italian, Spanish and Portuguese.

The final game features a wealth of content with 6 worlds, a host of guns, and all manner of outfits to deck out your clockwork agent. Unlock unique spins on historical characters, like Zombie General Custer and Annie Oakley. Plus the drop-in / drop-out couch co-op contains per-player difficulty, allowing each player to set the challenge level to their preference.

As much as we love video games, were also admirers of old analogue tech, particularly the clockwork precision of early 20th century arcade games, so we wanted to combine the rinky-dink charm of these rustic cabinets with the smooth gameplay of contemporary titles, said Matthew Hoseterey Co-Founder and Director of Design of Tribetoy. Bartlow's Dread Machine transports us back to this wild time at the dawn of the Electric Age, when technology and entertainment were evolving so fast that the world quickly became almost unrecognizable. Plus everyone wore snazzy hats back then, which is always a plus!

Bartlow's Dread Machine will launch on Xbox One and PC (Steam) in Fall 2020.

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'Bartlow's Dread Machine' (ALL) Available On Steam Early Access - Trailer - WorthPlaying.com

Revaluing the Oceans – Architecture – E-Flux

The oceans throughout history provided seemingly inexhaustible fish for people brave and skillful enough to exploit them. Whenever fish catches declined, fishers would sail farther and farther from home to meet their needs.1 Nowadays the entire global ocean is accessible. Large factory ships and the magic of refrigeration have allowed fishers to venture out for months or years, and more efficient and diverse ways of fishing have increased catches with little care or understanding about the incremental reduction of fish stocks.2 Before the middle of the twentieth century, no one but a few scientists worried about how long the bounty could last, until suddenly, everything began to collapse. Mini wars over fishing rights between Iceland and the United Kingdom in the 1960s and 1970s, along with increasingly protective measures by other nations, led to the unilateral establishment of exclusive economic zones (EEZs) to keep foreign fishers away, the legitimacy of which were formally recognized in 1982 under the auspices of the United Nations Convention of the Law of the Sea. Yet even still, as in Newfoundland, fisheries kept collapsing, with tragic consequences for entire communities.

The great majority of fisheries data come from coastal ecosystems including estuaries, marsh and mangrove wetlands, seagrass meadows, kelp forests, and coral reefs. In spite of great differences in their inhabitants, the dominant predators in each of these environments were historically large animals, including some combination of killer whales, sharks, seals, crocodiles, predatory fishes like tunas and sharks, and seabirds.3 Nowadays, however, most of these animals are so severely depleted as to be ecologically extinct. Humans have taken their place as the dominant predators at almost all trophic levels above the zooplankton.4 There is even a major fishery for krill in Antarctica, which are critically important for the survival of whales, without the necessary ecological data for an adequate stock assessment to know what is sustainable.5

Biomass of groundfish and sharks has been diminished by an order of magnitude in the northwest Atlantic.6 Similar depredations have affected coral reefs, kelp forests, estuaries and coastal seas, and the high seas.7 Many fisheries biologists originally claimed that the depletions of fish stocks were overstated, but a detailed assessment by the US National Research Council strongly supported the original claims.8 It is now generally accepted that two-thirds of global fisheries are overfished and getting worse, while many of the remaining, better-managed fisheries are not yet sufficiently recovered to be economically viable.9

Global fish catches are declining in spite of increased capacity supported by misguided government subsidies that only accentuate the problem.10 The greatest losses are for large-scale industrial fisheries, whereas artisanal catches appear to be more sustainable. Risks of biological extinction are also increasing for large animals.11 Caribbean Monk seals have already been lost, and their Hawaiian and Mediterranean counterparts are gravely threatened.12 Killer whales are rapidly diminishing globally, especially those species that depend on highly specific overfished prey like salmon.13 Caribbean sea turtles have declined in abundance 100-fold, and Caribbean crocodiles are threatened to endangered throughout most of their range.14 Sharks are globally threatened with losses of numerous species exceeding 90% or more.15

The oceans have long been the terminal point for our garbage, excrement, and chemicals. Coastal pollution most obviously began in the stench of estuaries like New York Harbor, which by the nineteenth century had become serious hazards to human health.16 Soon afterwards, entire semi-enclosed seas like the Baltic and Adriatic seas, Chesapeake Bay, and embayments of the Mississippi Delta were so polluted by excess nutrients and organic matter that oxygen levels declined, and fish kills were commonplace.17 More recently, the industrial pollution of toxic chemicals and greenhouse gases from burning fossil fuels have extended to the farthest reaches of the oceans and the atmosphere, poisoning tuna and swordfish with mercury and littering the oceans with plastic.18

There are currently more than 500 coastal hypoxic dead zones worldwide that are largely due to massive increases in nutrient runoff from intensive agriculture made possible by cheap nitrogen fertilizer manufactured from petroleum.19 Excess nitrogen runoff fuels population explosions of phytoplankton far beyond the capacity of zooplankton and other suspension feeders to consume them. As a result, the excess phytoplankton die and sink to the seafloor where they are metabolized by microbes, a process that consumes most or all of the oxygen in bottom waters. Animals including fisheries species that cannot swim away die from asphyxia, except for a very few species that can survive in extremely low oxygen conditions.

The structural integrity of coastal marine habitats, from the tropics to the temperate zone, is dependent on the abundance of a small number of structurally dominant species of mangroves, saltmarshes, seagrasses, kelps, and reef corals that stabilize sediments and provide critical shoreline protection from storms.20 They are also important sites of carbon deposition and sequestration, and are important nursery habitats for fisheries.21 Coastal development and climate change effectively kills the environment, reducing biological structural stability and complexity. Global losses have been alarming, reaching 50% for mangroves and 30% for seagrasses.22 Global declines in living coral cover on reefs is also highly variable but commonly exceeds 50% throughout the Caribbean and Indo-Pacific.23

Other increasingly widespread forms of anthropogenic habitat change are more immediately destructive in reducing habitat complexity and biodiversity.24 The most damaging include dynamite fishing on coral reefs to harvest the fish that float to the surface; seabed trawling for shrimp, scallops, and groundfish that transforms biodiverse underwater forests into depauperate level bottoms of mud; and deep seafloor mining that, if it is allowed to proceed, will inevitably destroy seafloor ecosystems for decades and possibly centuries.25 Container ship traffic is also increasing almost exponentially and carries the double risk of fatal collisions with endangered whales and sound pollution that is dangerous for all cetaceans.26 Seismic oil and gas exploration causes even more severe sound pollution that can cause mass mortalities of whales and dolphins.27

Introductions of exotic species are also increasing due to expanding ship traffic, which discharge ever-increasing volumes of ballast water that contain larval stages of invertebrates, fishes, plankton, and pathogens.28 While the data are mostly circumstantial, the first mass mortality of the sea urchin Diadema antillarum occurred next to the Caribbean entrance of the Panama Canal, and the first widespread outbreaks of coral diseases in the Caribbean were recorded from nearby Colombia and adjacent Netherlands Antilles.29 Coral diseases are exacerbated by global warming, but these first Caribbean disease outbreaks occurred two decades before the first reports of coral bleaching due to extreme warming events.30 Introductions also occur due to deliberate or accidental release from aquaria, as with the Indo-Pacific lionfish that has devasted native fish populations of the Caribbean.31

Farmed salmon bones preserved in a laboratory in collaboration with palaeontologists at the University of Bergen, Norway. Michelle-Marie Letelier,Outline for The Bonding (Still #3), 2017. 16mm film transferred to HD. Image courtesy of the artist.

Impacts of climate change due to the burning of fossil fuels are also both direct and indirect, including rising average temperatures, extreme heating events, declining oxygen, ocean acidification, disease outbreaks, and intensification of extreme storms.32 Sea surface temperatures are rising globally, but disproportionately, with the greatest increases in polar seas and semi-enclosed basins in the temperate zones, such as the Gulf of Maine. The latitudinal limits of myriad species are rapidly increasing in response, as in the case of the Humboldt squid, whose northern limit shifted from southern California to the Gulf of Alaska in just a few decades due to a combination of climate change and overfishing that reduced the abundance of predators.33 Most species range shifts are more gradual but pervasive, with great implications for fisheries.34 For example, optimal conditions for Atlantic and Barents Sea cod are moving northward out of traditional fishing grounds and into different international jurisdictions, further exacerbating the consequences of historical overfishing.35 Tropical reef corals are also migrating towards higher latitudes, most strikingly along the southwest coast of Australia, where kelp forests are dying off and being replaced by subtropical species including reef corals.36

As oceans continue to warm, species characteristic of colder polar conditions have nowhere else to migrate and are at risk of extinction. Arctic species and entire ecosystems are increasingly threated by the loss of summer sea ice.37 Populations of polar bears, which historically fed on seals captured at breathing holes, are plummeting, and starving bears are showing up around human settlements where they forage on garbage and potentially whatever else.38 Other effects on polar food webs are still poorly understood, but the collapse of Antarctic krill, for example, would have grave impacts on the baleen whales that feed upon them.39

Global warming is also causing increases in the magnitude and frequency of extreme heating events wherein sea surface temperatures may rise 2 to 3C above normal maxima in just a few months.40 Consequences for reef corals can be catastrophic.41 Healthy reef corals exist in symbiosis with the dinoflagellates within their tissues that are critical to coral nutrition and calcification.42 Extreme heat breaks down this symbiosis, whereby corals evict the symbiont (which leaves them ghostly white, hence bleached). This is commonly fatal to the corals unless symbiosis is reestablished within a matter of weeks. Mass bleaching events are increasingly frequent and severe, raising questions about the very survival of coral reefs. The most recent extreme example was in 20152016 when most corals along the northern Great Barrier Reef bleached and died, and similar mass bleaching and mortality occurred across the Pacific.43 Another example is the enormous blob of hot water that appeared in the northeast Pacific in 2014 that was associated with collapses in species abundance and outbreaks of diseases.44

Climate change also sets off a cascading series of indirect effects that magnify its impact. The impact of coral diseases has greatly increased, especially in connection with mass bleaching events.45 Outbreaks of coral diseases are especially impactful on polluted reefs and those where overfishing has resulted in population explosions of fleshy algae, which have been shown experimentally to increase the vulnerability of corals to disease.46 In contrast, disease outbreaks are comparatively rare on unpolluted reefs in marine protected areas with abundant grazing fishes. Lobsters along the northeast coast of North America are also more vulnerable to shell wasting disease as waters warm, effectively wiping out the fishery in Long Island Sound.47

Oxygen concentrations are declining in the open ocean because warming surface waters makes them lighter, which in turn slows down the vertical mixing of the oceans; a runaway process that decreases the rate of oxygen transport to the deep sea and upwelling of nutrients to the sea surface.48 The process is especially striking in the equatorial Pacific, and in the Arctic ocean where the cover of summer sea ice is rapidly decreasing.49 Sea ice is highly reflective, dispersing heat back into the atmosphere, whereas seawater absorbs heat and sets up a positive feedback that is effectively irreversible. Reduced nutrient upwelling and declining oxygen are strongly associated with decreases in open ocean productivity, which is the basis for high seas fisheries.50

The ocean is also becoming more acidic. Solution in seawater of increasing atmospheric levels of carbon dioxide has resulted in a global reduction in ocean pH of 0.1 units over the past century.51 The biologic consequences of acidification are still poorly understood and controversial, but could affect the reproduction, physiology, growth, and development of a wide variety of plants and animals. The most obvious impacts are on organisms that form their skeletons of calcium carbonate, which is more easily dissolved under more acidic conditions. This is already affecting shellfish aquaculture industries in the state of Washington, where pH has been steadily declining.52 Aquaculturists have been forced to raise vulnerable juvenile clams and oysters under less acidic conditions in aquaria on land before placing them in the ocean.53 Reef corals are also vulnerable to increasing acidity. Corals grown under present-day more acidic conditions grew 15% more slowly than corals where pH was maintained at historically less acidic conditions.54

Bird watchers were pioneers in the early rise of the conservation movement, with organizations such as the Audubon Society fighting to stop the slaughter of herons and egrets for womens hats.55 Similarly, its not just important for tourism that increasing numbers of people pay good money to see whales up close in the wild and increasingly to SCUBA dive with sharks.56 Besides the thrill of witnessing their power and grace, whale and shark watchers learn about the lives and behavior of these animals and how they fit into ocean ecosystems which, in turn, leads to increased support for their protection.

Horror at the slaughter of whales was a major factor in the establishment of the International Whaling Commission in 1946 which, despite persistent opposition from a few countries, has resulted in dramatic recoveries of most whale species.57 In addition to the ethical issues inherent in the mass slaughter of such animals, we now know that the great whales were once (and increasingly are now again) vitally important ecosystem engineers, as predators of massive amounts of fish and invertebrates, prey for other large predators, highly mobile reservoirs of carbon and nutrients, and as carcasses, sources of energy and habitat in the deep sea.58

Similar public concerns about the loss of other marine mammals were a driving factor in the enactment of the United States Marine Mammal Protection Act in 1972, which prohibits the killing, harm, harassment, or collection of any marine mammal in US territorial waters or by US citizens anywhere else. It also forbids the importation of any marine mammal products or parts. Populations of most marine mammals have varyingly recovered, although their comparative success is strongly associated with their life histories, habitat requirements, and geographic range.59 The depletion of essential forage fish due to overfishing also inhibits their recovery.60 One obvious manifestation of success is the greatly increased abundance of seals along the east and west coasts of the US, where their activities and real or perceived impacts on fisheries are not always welcome. Their rebound has also led to increases in great white sharks near shore, restoring a degree of balance to marine food webs while generating new questions about perceived risks to humans and potential impacts on endangered species.61

Increased tourist revenues have also led to the banning of shark fishing on coral reefs by entire nations because the sharks are vastly more lucrative alive than dead. Economic analysis for the government of Palau demonstrated that diver tourism provides 39% of the countrys total GDP, and that 21% of divers come principally to dive with sharks. The approximately 100 sharks in prime shark dive sites are each worth about US$180,000 per year in tourist revenue, or US$1.9 million during their lifetimes, versus about $110 for their fins and meat.62 Shark diving is a burgeoning global industry that is not without its environmental concerns, although if it is done responsibly, the net conservation value appears to be generally positive.63

New studies of the remarkable behavior and migrations of ocean species are also increasing public support for increased protections.64 The electronic tagging of thousands of individuals of different species of Pacific whales, seabirds, seaturtles, tunas and other large fish, and sharks has revealed striking transoceanic migrations of some species versus others that move much smaller distances.65 Bluefin tuna, for example, move back and forth across the Atlantic and Pacific, hanging out for up to a year or more in the same general location before moving on.66 In contrast, eastern Pacific great white sharks move back and forth between the California coast where they feed on burgeoning seal populations and an area of deep ocean halfway between Baja California and Hawaii dubbed the White Shark Caf, where they feed on vertically migrating fishes and invertebrates.67 Over 200 of these sharks have been tagged and followed for up to twenty years.68

Wild salmon eggs at Arna Sport Fishermens Association, Norway. Michelle-Marie Letelier,Outline for The Bonding (Still #5), 2017. 16mm film transferred to HD. Image courtesy of the artist.

Marine protected areas (MPAs) are an increasingly popular and effective conservation strategy for biodiversity and habitat protection when effectively financed, administered, and enforced.69 Unprotected paper parks, however, can do more harm than good by lulling people into thinking everything is fine when it is not.70 MPAs are also controversial from the perspective of fisheries management, with some arguing that MPAs are the most effective tool available versus those who believe that other management tools such as catch shares and gear restrictions are more effective in most cases than simple area closures.71

Cabo Pulmo in the southern Sea of Cortez is one of the most spectacular success stories of an effectively enforced MPA.72 Although it was severely overfished at the time, Cabo Pulmo was designated as a Mexican marine national park in 1995 on the basis of its coral populations. Protections did not become effective until local villagers self-organized to enforce the entire park as a no-take area in the late 1990s. Fish biomass was less than one metric ton per hectare in 1999, comparable to other unprotected areas or paper parks throughout the Gulf of California. Subsequent to the villagers protection, biomass increased over the following ten protected years to about 4.5 metric tons, while all other areas failed to increase. Biomass and diversity have fluctuated since 2009, in large part due to the community evolving towards a more natural composition that includes greater populations of schooling fishes as well as more abundant corals. The greatest potential threat to Cabo Pulmo is its notorious success, which attracts burgeoning numbers of tourists and development.

A network of nine well enforced no-take MPAs and two partial-take MPAs was established around four of the northern Channel Islands off the coast of California in 2003 and revisited ten years later.73 The biomass of preferred fisheries species approximately doubled within MPAs at three of the four islands, but non-targeted species showed little response. The biomass of targeted species outside the reserves also increased by about one quarter, possibly because of a spillover effect. Similar results were obtained the Cowcod Conservation Areas established in the southern Channel Islands in 2001, where abundances of six of eight targeted species and four of seven non-targeted rockfish species increased regionally from 1998 to 2013.74 Rising temperatures during the study are a complicating factor. Nevertheless, 75% of targeted species but none of the non-targeted species increased inside compared to outside of the MPAs while controlling for environmental factors.

The establishment of very large marine protected areas within exclusive economic zones has increased the area of ocean within MPAs to only 3.5%, about half of which are under strong protection.75 Meanwhile, most ocean ecosystems are hemorrhaging, as major fishing fleets continue to expand their global operations.76 This may be changing, however, as the international community finally begins to seriously consider international governance of the high seas defined as areas beyond national jurisdictions. The first major achievement in this was the agreement to establish the worlds largest marine protected area by the twenty-five-national-member Commission for the Conservation of Antarctic Marine Living Resources.77 The agreement protects all wildlife and bans fishing for overfished krill and Patagonian and Antarctic Toothfish in 600,000 square miles in the Ross Sea for thirty-five years. Much more will have to be done, however, to preserve populations around Antarctica where these species are threatened by overfishing and rapid climate change and have ripple effects on the marine mammals and penguins that depend upon them.

The scientific case for closing the high seas to fisheries is strong. Nearly 98% of global seafood production comes from the exclusive economic zones (EEZs) of individual nations and aquaculture. What does come from the high seas is mostly luxury species such as tuna and billfishes, yet their commercial value is even less.78 Moreover, most high seas fisheries are heavily dependent on government subsidies by a small number of wealthy countries that can afford the enormous costs.79 Closure of the high seas to fishing would therefore have great economic and social benefits in addition to environmental protections of fish stocks and the long-distance migration routes of marine megafauna.80 Most compellingly, the overwhelming majority of high seas fishery species are also major components of fisheries within national EEZs, which means that closure of the high seas to fishing would produce a vast MPA where commercially important species could prosper, reproduce, and spill over into EEZs whose potential catches would increase.81 Further advantages would include simplification of policing the rampant problem of pirate fishing and transfers at sea.82

While commonly overshadowed by bad news, concerted actions to reduce pollution and protect keystone species have resulted in many recoveries of marine populations and ecosystems.83 The installation of modern sewage systems and the reduction in nutrient runoff have varyingly improved water quality, reduced excess planktonic productivity and toxic algal blooms, and restored seagrass meadows, salt marshes, and fisheries in estuaries around the world.84 These efforts demonstrate that even greater progress could be achieved in stabilizing coastal ecosystems if adequate measures are taken to eliminate or greatly reduce pollutant runoff, and most importantly agricultural nutrients.85 Serious efforts to do so have not yet materialized, however, because farmers dont have to pay for what they pollute. There is also a problem of scale in semi-enclosed seas like the Baltic because nutrient buildups in sediments are already so great that simply reducing nutrient runoff may not suffice.

Banning the use of fish pots around Bermuda in 1990, where fish populations had collapsed due to overfishing, resulted in rapid rebounding of fish populations dominated by schools of large parrotfish.86 Since then, abundances have remained high except for the large predatory fish that remain overfished. Coral populations also have steadily increased due to the control of algal populations by the abundant parrotfish. Caribbean coral reefs are generally extremely overfished, but the few places where both fishing and pollution are effectively controlled uniquely support high coral abundance.

Detail of farmed salmon scales, Norway. Michelle-Marie Letelier,Outline for The Bonding (Still #2), 2017. 16mm film transferred to HD. Image courtesy of the artist.

Despite important accomplishments, comprehensive policies are lacking to address the unsustainability of the modern economy that is driving ecosystem collapses and threatening human wellbeing.87 Nature is a complex system, and much of that system as we knew it is irreversibly breaking down.88 Environmental perturbations in one place almost inevitably have repercussions down the line, be it agricultural pollution in the US cornbelt causing the dead zone in the Gulf of Mexico or the effects of runoff and overfishing on outbreaks of disease affecting reef corals. Huge energy and investment in projects to restore populations of corals in Florida and on the Great Barrier Reef are making much progress in terms of the technical details of raising, breeding, and growing corals, but they are also absurdly expensive and small scale, not to mention that putting the corals back into the same nutrient polluted environments and expecting them to somehow survive is folly. More fundamentally, they are bandaids to address the symptoms of ocean decline rather than addressing the fundamental root causes of the ocean crisis: global warming, overfishing, and land-based pollution.89

The most encouraging development towards adapting to and managing these realities is that large scale efforts to decarbonize the global economy are beginning to gain traction despite political intransigence, not least because, in addition to its obvious advantages for human health and the environment, green energy is financially a better option than heavily subsidized fossil fuels.90 California, the fifth largest global economy, is committed to be carbon neutral by 2045 and is well on track, and electric cars are becoming a more practical alternative to gasoline and diesel. The outstanding question is how rapidly opposition can be overcome to speed things up and take actions on the appropriate scales.

This paper is adapted from a presentation at the University of Utah submitted to Island Press. The author is grateful to Jennifer Jacquet for her helpful review of the manuscript.

Oceans in Transformation is a collaboration between TBA21Academy and e-flux Architecture within the context of the eponymous exhibition at Ocean Space in Venice by Territorial Agency and its manifestation on Ocean Archive.

Jeremy Jackson is Senior Scientist Emeritus at the Smithsonian Institution and Professor of Oceanography Emeritus at the Scripps Institution of Oceanography.

Link:

Revaluing the Oceans - Architecture - E-Flux

How to find Ashen Lords in Sea of Thieves Ashen Winds update – Gamepur

Captain Flameheart has unleashed his Ashen Lords against players inSea of Thieves.These fire-wielding generals are dangerous opponents, and taking them down is no easy challenge. You can find the Ashen Lords by searching the high seas for them and looking to the skies to see a large, red tornado circling the middle of an island.

It wont be challenging to find where one of the several Ashen Lords is being summoned. When you look to the skies and search the horizon, you should see where the ritual is happening by the massive tornado lifting up from the middle of an island. The large islands include:

The Ashen Winds event is a rotating world event that can occur on any of the large islands inSea of Thieves.You may need to wander the seas to find any of them. When you do encounter the world event and enter the eye of the storm, you have to fight one of the four Ashen Lords: Captain Grimm, Old Horatio, Red Ruth, or Warden Chi. Each of them has different abilities you need to be careful about, but they reward you an Ashen Lords skull for defeating them.

Continued here:

How to find Ashen Lords in Sea of Thieves Ashen Winds update - Gamepur

Sea of Thieves Adds Auto Float Accessibility Option To Help Players With Underwater Phobias – GameSpot

Sea of Thieves has a new feature that should help players who fear the dark depths of the ocean. Earlier this month, Rare added an auto float feature that doesn't let the player sink below the surface.

"Should you leap off a high ledge or a cannonball forces you out of the crow's nest and into the deep blue, this option will automatically see you bob to the surface," the studio wrote in a post on its official site. Players can activate the feature by going to the settings menu and turning "Automatically Float in Water" on.

This option could help players with thalassophobia--which includes the fear of being in deep bodies of water, fear of the vast emptiness of the sea, of sea waves, sea creatures, and fear of distance from land--as well as other similar phobias.

Other studios have implemented accessibility features that help players with phobias play more easily. Obsidian implemented a new type of arachnophobia mode in its sandbox survival adventure Grounded. It lets players adjust how many legs, eyes, and other spider-like features the giant creepy crawlies have in-game.

Rare has added all sorts of new features and content to Sea of Thieves since it launched in 2018. GameSpot's Michael Rougeau broke down how much the game has improved in his updated review of Sea of Thieves.

"Since the game's launch over two years ago, Rare has worked continuously to build on Sea of Thieves' strong framework, and the countless features and systems they've added have all enhanced that core, undeniable truth. They still have work to do, and for some players, it will never be enough. But there are open seas and clear skies ahead. For the current and future Pirate Legends out there--and even for the players who will never reach that level, but simply want to make some of their own tall tales out on the unforgiving waves--Sea of Thieves is finally a voyage worth embarking on."

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Sea of Thieves Adds Auto Float Accessibility Option To Help Players With Underwater Phobias - GameSpot

The Best Movies and Shows to Watch in Portland This Weekend: July 30-Aug 2, 2020 – The Portland Mercury

In a normal year, this is the part of summer movie season where titles start to dry up, blockbusters start to lumber away from screens, and film fans start taking risks on sleepers and lesser-known flicks. But 2020 is not a normal year, and summer movie season basically doesn't exist. But that doesn't mean we're about to suffer any appreciable lack of filmed entertainment to enjoy. On the contrary, there's drive-in delights, new discs (that's right! Physical media is still around!), and because it's a new month, that means a ton of new (and old) titles are coming to streaming platforms. Oh yeah, all that and Beyonc, too. Here's our guide to the best Things to Watch this weekend!

Want to stay in the loop? Follow Mercury EverOut on Facebook to get the latest updates about things to do in Portland.

Ghostbusters and The Karate KidPull up in your car, turn up your speakers, and let the 99w Drive-In fill your windshield with their latest throwback double-feature, a one-two-punch (or kick, if you will) of mid-'80s blockbuster phenomena. The night starts with the sci-fi/thriller/workplace comedy Ghostbusters, which began life as a weird Dan Aykroyd fever-dream and wound up a barely-contained nuclear bomb of one-liners memorized by 40-year-old-men everywhere, and finishes with a satisfying foot straight to the face courtesy of Mr. Miyagi and Daniel-San in The Karate Kid. It's a cruel summer, indeed, but this makes it feel a little better.99w Drive-In

50 First DatesIf you don't mind the drive south (more opportunities to memorize the Hamilton soundtrack on the way, really), you can visit Silverton's Oregon Garden and take in this Adam Sandler and Drew Barrymore... classic? Is that the right word for it? Remember that weird period of time about 20 years ago where Sandler and Barrymore were almost as big as Hanks and Ryan when it came to romantic comedies? Well now you don't have to remember! You can witness it firsthand on the Garden's big screen!The Oregon Gardens

GreaseYou could head east, if you wish, and find an oasis of drive-in magic in The Dalles, where the Sunshine Mill has hung one really big screen on the side of their parking lot and turned it into a theater, one which will be screening the "How in the hell did this become family-friendly-entertainment" blockbuster musical Grease, which is really kind of a sleazy and gross story about greaser assholes constantly mistreating the women who have the bad luck to hove into the cone of their horny gaze. But the music is still great, the dance numbers still pop, and seeing a bunch of late 20-somethings pretend to be teenagers is always amusing! This is your chance to watch John Travolta get his dick slammed in a car door at the drive-in, at the drive-in! Life was not meant for wasting such opportunities!Sunshine Mill

The Man from Hong Kong w/ Live Commentary from Brian Trenchard-Smith and the Hollywood Theatre's Dan HalstedAre you missing the Hollywood Theatre? Of course you are, you're a sane, rational human being who loves independent cinema and the sort of care in presentation that Dan Halsted and the Hollywood staff provides. Especially when they schedule gonzo kung fu classics like they regularly do. This stream is a great opportunity to capture some of that magic in your living room as Dan teams up with director Brian Trenchard-Smith to watch and discuss 1975's The Man from Hong Kong, starring Jimmy Wang Yu as a "master crime fighter" called in by the Australian cops to stop a massive drug-smuggling ring led by former Bond (On Her Majesty's Secret Service) George Lazenby. Mustafa Shaikh, co-founder of 36 Chambers, will moderate the screening.Hollywood Theatre

Gremlins: A Puppet StoryLegendary effects specialist (or special effects legend? Either/or) Chris Walas leads this behind-the-scenes journey made especially for Hollywood Theatre viewers, walking the audience through how Gremlins got made, and featuring very rare photos and video from his own personal archive.Hollywood Theatre

John Lewis: Good TroubleThe late civil rights activist and Georgia congressman John Lewis fought for voting rights, gun control, healthcare reform, and immigration over the course of his long career. Using archival footage and interviews from his late years, Dawn Porter's documentary explores Lewis's childhood, his 1957 meeting with Martin Luther King, Jr., and his lasting legacy on the social justice movements of the present.Cinema 21

Lucky GrandmaIn this crime caper set in New York's Chinatown, a recently widowed 80-year-old woman follows a fortune teller's advice and heads to the nearest casino to win some big bucks. But things don't go so great, as they often don't at casinos. When two gambling gangsters show up at her door and start demanding money, she and her newly acquired bodyguard do what must be done: kick ass for the duration of the film.Clinton Street Theater

2020 Sundance Film Festival Shorts TourSundance presents this virtual tour highlighting six short films accepted to the fest for 2020. Previous years featured new shorts from up-and-coming talents like Wes Anderson, Spike Lee, Lake Bell, Todd Haynes, and Taika Waititi. What household name will be discovered this year?Hollywood Theatre

Wonder Woman: The Complete CollectionSometimes revisiting your nostalgic past is an exercise you shouldn't indulge. In fact, it's safe to say that's the case most times. Which makes our culture's predilection towards subsisting solely on nostalgia a weird choice. ANYWAY: This box-set collecting all three seasons of the Lynda Carter-starring Wonder Woman TV series that ran from 1975 to 1979 is definitely worth indulging, because its camp delights have only gotten better and more worthy of appreciation in the decades since. Boy, superheroes used to be fun, didn't they?

The Outsider: The Complete First SeasonSo, the guy who wrote Lush Life and worked on The Wire (Richard Price) decided he wanted to take a crack at adapting Stephen King, and went about it in a really interesting way: He completely rewrote one of King's most popular characters (Holly Gibney), cast Cynthia Erivo to play her, and then stuck Holly in the middle of a supernatural possession story filled with people who are operating as if it's a regular ol' crime procedural instead of a freaky little campfire tale. Yes, this is also streaming on HBO Max, but if you really want to appreciate the cinematography and direction on display (which is stunning every episode), this blu-ray collection is the only way to go.

SpartacusSpeaking of appreciating cinematography: Stanley Kubrick's widescreen epic Spartacus comes to 4K UHD for the first time, and is easily the best the film has ever looked short of being one of the very few people who saw it opening night back in 1960. If you have a UHD player and a 4K display prepare to see Kirk Douglas' oiled, phenomenal chest like you've never seen it before. Oh, that and it's also one of the last legitimately great Hollywood swords-and-sandals blockbusters before Hollywood imploded and filmmakers like Kubrick, Ashby, Peckinpah, and Altman began really changing the game.

HUMP! Greatest Hits - Volume 1Have you just watched your first HUMP! and are now in a post-coital glow, wondering just what the hell the past festivals must have looked like? Well GOOD NEWS, EVERYONE: After getting permission from filmmakers to bring their films online, we're bringing you several volumes of our (and audience) favorites from 2005-2018. Get ready for HUMP! Greatest Hits! You will see films that shock you, that make you laugh, that turn you on, and ou will also be touched by the sincerity and vulnerability with which these films are lovingly made. HUMP!'s main mission is to change the way America sees-and makes and shares-porn.Portland Mercury

Black is KingDo any other words beyond "A Film by Beyonc" need to be written in order to prompt folks to make the most of that Disney+ subscription this weekend? The question isn't "Will this rule all pop-culture discussion for the next week." The question is probably "Will this break every record that Hamilton only just set last month?"Disney+

SummerlandIFC Films continues to bring the indie goods to VOD, this week premiering Summerland, Olivier Award-winning director Jessica Swale's debut film, set during World War II, about a reclusive English writer (Gemma Arterton) who ends up becoming an adoptive mother to a boy who escaped the London bombings, while also finding herself falling in love with Gugu Mbatha-Raw, like, you know, everyone does when they're around Gugu Mbatha-Raw.VOD

Fast ColorHey, while we're talking about Gugu Mbatha-Raw: A whole bunch of people completely slept on the superhero movie she made last year with writer/director Julia Hart. It's been streaming on Hulu for a little bit now, and the less you know about how it's a superhero story, or what this superhero story is actually about, the better. Just hit play, open yourself to this slow-burn of a drama, and remember to tell your friends about it next time they start in on whether Thor 2 is better than X-Men 8 or whatever.Hulu

I'll Be Gone in the DarkThis weekend sees the finale of HBO's new documentary series, based on the late Michelle McNamara's true-crime book about her life, and her fixation on figuring out the Golden State Killer's identity and bringing him to justice. Directed by Liz Garbus, and using interviews, archival footage, and police files, all narrated using original recordings of McNamara and actor Amy Ryan reading from her book, the series alternates between examining the effect this hunt had on McNamara, and the effect the Killer himself had on California communities in the '70s and '80s.HBO Max

InceptionCelebrate this movie's 10th birthday (it's been a decade since it came out? Damn.) by giving it a spin now that it's been added to Amazon Prime. Inception's surreal, jarring visuals are nothing short of breathtaking; when paired with Nolan's gorgeous, visceral soundscapes (BRAMMMMM), they're riveting to discover and impossible to forget.Amazon Prime Video

Being John MalkovichIt took writer Charlie Kaufman about a decade to get this movie off the ground due to the necessity of having Malkovich in a central role. Malkovich loved the script. He even wanted to produce it, but he wouldn't be in it. Kaufman refused to make the film with anyone else, and Malkovich eventually came around to the idea that a film about an unemployed puppeteer who discovers a portal into John Malkovich's brain wouldnt be the end of his career. Also: Its so difficult to separate the character of Craig Schwartz (John Cusack) from the picture of David Foster Wallace on the back of A Supposedly Fun Thing Ill Never Do Again. This movie will never not secretly be the story of David Foster Wallace finding a portal into John Malkovich's brain. That's just the situation.Netflix

The Umbrella AcademyNetflix premieres the second season of their superhero dramedy based on the stylish, punchy comic written by My Chemical Romance singer Gerard Way and drawn by Brazilian artist Gabriel B. Lovers swoon, time-space gets ripped apart, and theres a lot of shooting and punching; The Umbrella Academy captures the same heightened sensation offered by My Chemical Romances music: operatic melodrama, given life by gleeful riffs and catchy hooks.Netflix

Top GunMuch in the same way Die Hard's status as a Christmas movie started as a cute observation that came to swallow it whole, Top Gun's innate gayness was once just a knowing, winking in-joke among film dorks, but now has become the aspect that defines Tony Scott's glistening, teeth-clacking ad for the US Navy. You can try to watch it as it was presumably intended it be seen in the repressed-yet-beefy heart of the Reagan '80s. But those abs! Those butts! ("I want butts!") The volleyball game. 30 years of time has reframed Top Gun entirely, and unlike Die Hard's redefinition, this glossy, fetish-friendly framework has helped make the film more entertaining. We may not be getting Tom Cruise's Maverick sequel this year like we were hoping, but being able to take the highway to the Danger Zone whenever we want is a nice consolationAmazon Prime Video, Hulu

Child's PlayMuch like Freddy and Jason before him, Chucky survived the artificial extension of his celluloid lifespan by descending into self-aware, gloryhallastoopid self-parody as the sequels stacked up. But Chucky also shares with those two titans of horror a (comparatively) more low-key introduction1988's Childs Play introduced the idea that a doll could get possessed and kill the living shit out of you with way more seriousness than the premise ever deserved. Thanks to horror veteran Tom Holland's solid direction and Brad Dourif's sheer force of will, Chucky embodies a successful perversion of innocence that isn't just smirky and smug, it's also legitimately scary.Hulu

Master and Commander: The Far Side of the WorldThe year is 1805 and Napoleon is running roughshod over Europe. The only thing stopping France from infecting the whole of the continent is the tiny island of England, which may be lacking in ground forces, but kicks ass on the high seas. Master and Commander may not be sexy, but it's extremely realistic, filling its ship with lashings, maggot-filled food, dirty stinking sailors, and the occasional goat. It's also the last great film by Australian writer/director Peter Weir (Witness, Dead Poets Society, Fearless).Hulu

Idiocracy: Extended VersionIn 2006, 20th Century Fox looked at Mike Judges follow-up to Office Space and decided whatever Idiocracy was, it wasnt good enough for theatrical distribution. They abandoned it in a couple theaters for a week, stuck it on DVD, and called it good. But the film not only found an audience on home video, that audience spent the next decade proselytizing on its behalf. Idiocracy was no longer a sloppy-yet-satisfying satire of our cultures inability to handle progressit was a prophetic vision of how access to all the information in the world doesnt matter if the people accessing it dont give a fuck about reading. Except now, on the other side of the shit-smeared, Trumpian looking glass, Idiocracy seems quaint more than anything. A lot of the jokes still land, yeah. But the belly-laughs are a little more sour and sad than you might remember. For example: Terry Crews was, in retrospect, playing this role a little too well. Damn.HBO Max

Legends of the Guardians: The Owls of Ga'HooleBefore Zack Snyder was allowed to turn the DC Universe into an objectivist nightmare starring Ben Affleck and Jesse Eisenberg, he was given the keys to a children's book series about warmongering owls with abs and knives strapped to their feet. Maybe the books didn't have the abs and knife-feet, but the movie does, and that's why Zack Snyder is a "visionary." If you're thinking this Ga'Hoole thing sounds like film executives with too much money saw Snyder's adaptation of 300 and thought "What if this, but owls?" you are correct. That's what this is. If you don't have any drugs this weekend but want to feel like you've smoked something dangerous and are now utterly lost and bewildered in an incomprehensible visual wilderness, stream this.Hulu

Deep Blue Sea 3At long last, our national nightmare is concluded. No longer will we as a people have to live under the knowledge that a complete Deep Blue Sea trilogy eludes our grasp. This weekend, the saga concludes! And in grand style, as a sunken island town watched over by an "eminent marine biologist" (Tania Raymonde of LOST) is unduly terrorized by genetically enhanced bull sharks who seek to mate with Great Whites to become the most ultimate of all killer fish. Ponder this, dear reader: Is any other movie premiering this weekend going to have sex-crazed homicidal genetic freak sharks wreaking havoc underneath a rickety town made almost entirely out of houses on stilts stuck in the water? No. The answer to that question is No.VOD

And if you're not feeling any of the above options (crazy!) don't forget to check out our guide to 2020's most Emmy nominated shows, and maybe binge a couple highly-acclaimed series this weekend!

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The Best Movies and Shows to Watch in Portland This Weekend: July 30-Aug 2, 2020 - The Portland Mercury

Massive Growth in Psoriasis Treatment Market Set to Witness Huge Growth by 2026 | Sun Pharmaceutical Industries Ltd., Amgen Inc., Novartis AG, LEO…

Psoriasis Treatment Market research is an intelligence report with meticulous efforts undertaken to study the right and valuable information. The data which has been looked upon is done considering both, the existing top players and the upcoming competitors. Business strategies of the key players and the new entering market industries are studied in detail. Well explained SWOT analysis, revenue share and contact information are shared in this report analysis.

Psoriasis Treatment Market is growing at a High CAGR during the forecast period 2020-2026. The increasing interest of the individuals in this industry is that the major reason for the expansion of this market.

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Various factors are responsible for the markets growth trajectory, which are studied at length in the report. In addition, the report lists down the restraints that are posing threat to the global Psoriasis Treatment market. It also gauges the bargaining power of suppliers and buyers, threat from new entrants and product substitute, and the degree of competition prevailing in the market. The influence of the latest government guidelines is also analyzed in detail in the report. It studies the Psoriasis Treatment markets trajectory between forecast periods.

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Chapter 4 Global Production, Revenue (Value) by Region

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Chapter 6 Global Production, Revenue (Value), Price Trend by Type

Chapter 7 Global Market Analysis by Application

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Chapter 11 Market Effect Factors Analysis

Chapter 12 Global Psoriasis Treatment Market Forecast

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Massive Growth in Psoriasis Treatment Market Set to Witness Huge Growth by 2026 | Sun Pharmaceutical Industries Ltd., Amgen Inc., Novartis AG, LEO...

Ethereum mining rewards hit all-time high. Heres why it matters – Decrypt

Ethereum is up more than 180% since March 2020 lows, but data from the blockchain suggests the worlds second-most popular digital asset may have further to climb.

Measurements compiled by Glassnode, a blockchain analysis company, shows a number of metrics have passed even their late-2017 highs, including the amount of gas used in transactions and record earnings for proof-of-work miners currently supporting the blockchain.

The data shows a notably different market foundation from that which existed when Ethereum logged epic all-time highs over $1,400 more than two years ago, lending credibility to the idea that additional gains may be in the cards.

Its been well reported by now that fees on the Ethereum network are some of the highest theyve ever been (and might be pulling Bitcoin fees up along with them). Glassnode data shows, however, that the difficulty and hash rate for proof-of-work mining activity that currently secures the Ethereum blockchain are down nearly 25% since topping out in Summer 2018.

A lower hash rate means ETH miners can process more transactions with the same hardware. And while the minting of new Ethereum as rewards for moving the blockchain forward has remained steady since February 2019, less hash power overall means more of the gas paid for Ethereum transactions goes to each miner.

As a result, ETH miners have started to see days where more than 16%, and on some days more than 19%, of all revenue is generated through fees paid to broadcast transactions to the network. By comparison, miner earnings from fees during early January 2018, when ETH prices were at their peak, never topped 15%.

The takeaway is that infrastructure providers for the Ethereum network are increasingly earning their keep as a result of real activity on the blockchain, especially when compared to previous periods of high activity and price optimism.

Total gas use is another area where Ethereum has grown vastly beyond levels seen during all-time high prices. Total gas used has nearly doubled compared to January 2018, as Ethereum transactions move beyond simple sending and receiving between personal wallets or exchanges into the substantially more complex (and expensive) operations carried out by smart contracts used in DeFi activity.

The market shift from speculation on decentralized applications coming soon to the use of functional applications for lending, borrowing, and earning returns is reflected in significantly higher gas usagewill price be next?

Much about the inner workings of Ethereum are set to change with the rollout of Eth2, the long-awaited (and much delayed) upgrade to the network. This includes the number of transactions that can be processed each second, as well as the very nature of how blocks are generated within the network. Until then, there appears to be plenty for ETH holders to feel optimistic about.

The views and opinions expressed by the author are for informational purposes only and do not constitute financial, investment, or other advice.

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Ethereum mining rewards hit all-time high. Heres why it matters - Decrypt

EOS, Ethereum and Ripples XRP Daily Tech Analysis July 24th, 2020 – Yahoo Finance

EOS

EOS fell by 0.43% on Thursday. Partially reversing a 1.55% gain from Wednesday, EOS ended the day at $2.6565.

It was a mixed start to the day. EOS rose to an early morning high $2.6888 before falling to an early afternoon intraday low $2.6323.

Steering clear of the major support and resistance levels, EOS rallied to a mid-afternoon intraday high $2.6951.

EOS came within range of the first major resistance level at $2.6996 before sliding back to sub-$2.65 levels.

Finding late support, however, EOS moved back through to $2.65 levels to limit the loss on the day.

At the time of writing, EOS was down by 0.14% to $2.6528. A bearish start to the day saw EOS fall from an end of Thursday $2.6565 to $2.6528 at the start of the day.

EOS left the major support and resistance levels untested early on.

EOS would need to move through the $2.6613 pivot level to support a run at the first major resistance level at $2.6903.

Support from the broader market would be needed, however, for EOS to break back through to $2.69 levels.

Barring an extended crypto rally, the first major resistance level and Thursdays high $2.6951 would likely cap any upside.

Failure to move through the $2.6613 pivot would bring the first major support level at $2.6275 into play.

Barring an extended sell-off, EOS should steer clear of sub-$2.60 levels. The second major support level sits at $2.5985.

First Major Support Level: $2.6275

Pivot Level: $2.6613

First Major Resistance Level: $2.6903

23.6% FIB Retracement Level: $6.62

38% FIB Retracement Level: $9.76

62% FIB Retracement Level: $14.82

Ethereum rose by 4.31% on Thursday. Following on from Wednesdays 7.53% rally, Ethereum ended the day at $275.68.

Tracking the broader market, Ethereum fell to a mid-morning intraday low $260.10 before making a move.

Steering well clear of the first major support level at $247.44, Ethereum rallied to a late afternoon intraday high $282.60.

Ethereum broke through the first major resistance levels at $275.31 before falling back to $271 levels.

Finding late support, Ethereum moved back through to $275 levels, with the first major resistance level capping the upside.

At the time of writing, Ethereum was down by 0.35% to $274.72. A mixed start to the day saw Ethereum rise to an early morning high $275.64 before falling to a low $274.62.

Ethereum left the major support and resistance levels untested early on.

Story continues

Ethereum would need to avoid a fall through the $272.79 pivot to support a run at the first major resistance level at $285.49.

Support from the broader market would be needed, however, for Ethereum to break out from Thursdays high $282.60.

Barring an extended crypto rally, the first major resistance level should cap any upside.

Failure to avoid a fall through the $272.79 pivot would bring the first major support level at $262.99 into play.

Barring an extended sell-off, however, Ethereum should steer clear of the 23.6% FIB of $257.

First Major Support Level: $262.99

Pivot Level: $272.79

First Major Resistance Level: $285.49

23.6% FIB Retracement Level: $257

38.2% FIB Retracement Level: $367

62% FIB Retracement Level: $543

Ripples XRP rose by 2.30% on Thursday. Following on from a 2.06% gain on Wednesday, Ripples XRP ended the day at $2.0881.

It was a mixed start to the day. Ripples XRP rose to an early morning high $0.20591 before hitting reverse.

Falling short of the major resistance levels, Ripples XRP fell to a mid-morning intraday low $0.20208 before making a move.

Steering clear of the first major support level at $0.1987, Ripples XRP struck a late afternoon intraday high $0.21096.

Ripples XRP broke through the first major resistance level at $0.2073 and the second major resistance level at $0.2105.

A late pullback saw Ripples XRP fall back through the major resistance levels before returning to $0.208 levels.

At the time of writing, Ripples XRP was down by 0.21% to $0.20837. A mixed start to the day saw Ripples XRP fall rise to an early morning high $0.20882 before falling to a low $0.20837

Ripples XRP left the major support and resistance levels untested early on.

Ripples XRP will need to avoid a fall through the $0.2073 pivot to support a run at the first major resistance level at $0.2125.

Support from the broader market would be needed, however, for Ripples XRP to break out from Thursdays high $0.21096.

Barring a broad-based crypto rally, the first major resistance level and Thursdays high should cap any upside.

In the event of a breakout, Ripples XRP should test the second major resistance level at $0.2162 before any pullback.

Failure to avoid a fall through the $0.2073 pivot would bring the first major support level at $0.2036 into play.

Barring an extended crypto sell-off, Ripples XRP should avoid the second major support level at $0.1984.

First Major Support Level: $0.2036

Pivot Level: $0.2073

First Major Resistance Level: $0.2125

23.6% FIB Retracement Level: $0.3638

38.2% FIB Retracement Level: $0.4800

62% FIB Retracement Level: $0.6678

Please let us know what you think in the comments below.

Thanks, Bob

This article was originally posted on FX Empire

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EOS, Ethereum and Ripples XRP Daily Tech Analysis July 24th, 2020 - Yahoo Finance

Alyssa Milano roasted after complaining that Joe Rogan’s podcast has more listeners than hers does – RT

Actress and liberal activist Alyssa Milano has provoked an outpouring of mockery after pondering in a long-winded Twitter rant why Joe Rogans massively popular podcast has more listeners than her own.

We live in a world WHERE JOE ROGANs PODCAST HAS TRIPLE THE LISTENERS AS MINE!! Dear god, Milano wrote on Wednesday, amid a storm of tweets on topics ranging from immigration policy to the renaming of the Redskins football team and her own eating habits.

Rogan, who hosts one of the most popular podcasts in the world, kicked off the Joe Rogan Experience in 2009, while Milano began her Sorry Not Sorry podcast just last year. While Rogan, a UFC commentator, comedian, and former Fear Factor host, uses his podcast to conduct wide-ranging interviews with scientists, politicians, and artists, Milanos is often hyper-focused on Donald Trumps administration and features mainly liberal activists.

Milanos whining about Rogans show appealing to more people than hers and the suggestion that this bodes negatively for the world at large inspired ridicule and mockery on social media, something the Charmed star should be used to by now.

Wow I can't believe an interesting podcast has more listeners than the Screechy McWhinesalot Cry-About-Trump Power Hour, podcaster Noam Blum tweeted in response.

Its like a real-life Whos the Boss reboot with Joe Rogan in the Tony Danza role and Alyssa Milano as Judith Light, conservative commentator Cam Edwards added, referencing the long-running 80s sitcom Milano starred in as a teenager.

There were also many who expressed doubt over Milanos claim that Rogan has three times as many listeners. While podcast streams are difficult to directly compare, Rogans show has existed for far longer, and YouTube clips of his show regularly hit millions of views. Rogans show also has a 4.5 rating based on around 163,000 reviews on Apple Podcasts, while Milanos has a 3.5 rating based on approximately 2,700 reviews.

Milanos Rogan tweet somehow ended up being one of the most straightforward in her stream of consciousness, as she later veered off into topics like dying her hair, her addiction to carbs, not shaving her legs and, of course, some Trump bashing.

While Rogan doesnt associate himself with any political party though hes described himself as libertarian and officially endorsed former Congressman Ron Paul in 2012 he has become a target of some on the left in recent weeks for being critical of Joe Biden, the Democrat Partys presumptive presidential nominee.

Milano, on the other hand, is fully on board with Bidens campaign. Her full-throated support of the Democratic candidate despite sexual assault allegations levelled against him by former aide Tara Reade drew some criticism, given she has been a vocal advocate of the #MeToo movement.

Among the actress other shining moments on Twitter is a tweet encouraging people to wear masks during the Covid-19 pandemic, with an attached photograph of herself wearing a knitted and clearly ineffective face covering. The actress also faced heat after slamming NYPD officers as Trumps Gestapoover a video of them arresting a suspect, who it was later revealedhad been wanted for damaging police cameras.

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Alyssa Milano roasted after complaining that Joe Rogan's podcast has more listeners than hers does - RT

Tropical Storm Isaias Forecast To Become A Hurricane As It Heads Toward Florida – Red River Radio

Updated at 6:15 p.m. ET

Tropical Storm Isaias is forecast to pick up strength and become a hurricane as it approaches Florida on Saturday.

The National Hurricane Center said that as of 5 p.m. ET Thursday, the storm continues to slam the Dominican Republic with heavy rainfall and strong winds. It is about 155 miles west-northwest of Punta Cana in the Dominican Republic, and about 250 miles southeast of the southeastern Bahamas.

Isaias is heading northwest, with maximum sustained winds near 60 mph. To be deemed a hurricane, its sustained winds would need to reach at least 74 mph.

The storm's center is forecast to move near parts of the Bahamas late Thursday through Friday, and near South Florida on Saturday. The hurricane center said "strengthening is forecast during the next day or so," with Isaias predicted to become a hurricane on Friday or Friday night.

The agency said that so far a tropical storm watch has been issued for the east coast of Florida, from Ocean Reef northward to Sebastian Inlet.

It added that storm surge watches may be required along parts of the Florida peninsula on Thursday night or early Friday if the forecast track shifts closer to the coast.

The center's latest advisory warned of the risk of winds, heavy rainfall and storm surge this weekend along Florida's east coast and spreading northward along the U.S. East Coast through early next week.

"The details of the track and intensity forecast remain uncertain, and it is too soon to determine the magnitude and location of these potential impacts, but interests along the entire U.S. East Coast should monitor the progress of Isaias and updates to the forecast," it said.

In a briefing on Thursday afternoon, Florida Gov. Ron DeSantis said that while the storm remains off shore, it is "an evolving situation." He urged residents to make sure they had safety plans as well as seven days' worth of food, water and medicine.

The National Hurricane Center said that in parts of the central and northwest Bahamas "preparations to protect life and property should be rushed to completion."

Isaias has already drenched Puerto Rico, and will drop 4 to 8 inches of rain on the Bahamas, the Dominican Republic, northern Haiti and Turks and Caicos, the National Weather Service said, with some areas receiving up to 12 inches. Cuba is also expected to get 1 to 2 inches of rain, with up to 4 in some areas.

The weather service said heavy rains may begin to affect eastern Florida over the weekend.

"This rain could result in isolated flash and urban flooding, especially in low-lying and poorly drained areas," it said.

Isaias is projecting tropical-storm-force winds outward for up to 310 miles a sign of rapid growth since Wednesday when it became the ninth named storm of the Atlantic season. The National Weather Service categorizes tropical storm winds as ranging from 39 mph to 73 mph (sustained) at surface level.

Concerns about the storm's impact on Florida prompted officials to suspend coronavirus testing at state facilities for several days, from Friday through at least Tuesday.

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Tropical Storm Isaias Forecast To Become A Hurricane As It Heads Toward Florida - Red River Radio

Californias higher education leaders see an opportunity in crisis – Red Bluff Daily News

Colleges, students and faculty members may be unsure of what lies ahead as they brace for another mostly virtual academic term amid a pandemic, but the crisis could force Californias higher education systems to improve.

The states colleges and universities could use the current crisis to build better partnerships across the University of California, California State University, California Community Colleges and private institutions to increase access and improve graduation rates. That was the message from Lande Ajose, a senior policy advisor for higher education to Gov. Gavin Newsom, and ECMC Foundation President Peter Taylor during a webinar Wednesday hosted by California Competes, a nonprofit focused on improving graduation outcomes. The organization releaseda new data dashboardthat found uneven educational opportunities across the state. For example, Bay Area residents are most likely to have a bachelors degree, at 52%, compared to 17% of residents in the San Joaquin Valley.

In the midst of a global pandemic, its hard to imagine what could exist on the other side of it, said Ajose. But at some point, whether it is 12 months or 36 months from now, we are going to recover from the twin crises of the pandemic and economic recession We need a unified, cohesive and coherent vision of what higher education should be and look like.

Ajose said the pandemic is teaching Californians that basic needs for students dont just include food and housing, but access to broadband internet and digital devices.

Whats become clear is that if you are a student in California and would like to go to school this fall and dont have digital access, then you do not have access to education, she said.

Newsoms administration, along with California State Superintendent of Public Instruction Tony Thurmond, has been working with internet service providers to continue offering low-cost plans to families that dont lead to significant price increases, Ajose said.

Theyre also focused on getting more tablets and computers into students hands and making people aware of the importance of broadband access.

Many families dont understand the need for broadband access, Ajose said. Well work with partners to push out the message that for telehealth, job searches, working from home, there are lots of reasons now where computer access and broad access is a basic need.

The urgent need to prepare for postsecondary digital instruction was underscored by aPublic Policy Institute of California briefissued Tuesday, which indicates that four out of five of Californias colleges and universities will open this fall operating primarily online or with a hybrid approach. That includes most of the states private colleges. Only a few are planning on mostly in-person instruction. That contrasts with what is happening nationally. At least for now, about half of the nations colleges are saying they will offer in-person instruction.

Besides improving access to technology and the internet, Ajose and Taylor, who serves as a CSU trustee, said forming a state higher education coordinating entity of college leaders would improve transfers and unify each college system in the state around shared goals of improving graduation rates and getting graduates into well-paying jobs.

The governors office and the legislature control funding, said Taylor who heads a foundation focused on improving postsecondary education outcomes. If all the college and university systems are in agreement on the goals, then they should be able to get together and pursue the funding under a joint strategy, he said.

Last year, Newsom launched theCouncil for Post-Secondary Education, an advisory board of education, business and labor leaders to discuss college access, success and financial issues. But the council doesnt have the power or resources of a statewide coordinating agency.

Ajose said creating that entity is still a priority for Newsom, but this years focus has been on building astatewide longitudinal data systemto track students through high school, college and into the workplace. California is one of a few states that doesnt have this type of system.

With more adult students turning to online education to add skills to help them get jobs despite the recession and the coronavirus, Ajose and Taylor said building quality online education should be a priority.

We need to do a better job focusing on the 27-year-old single parent, who is a part-time worker with childcare challenges, Taylor said. Our system isnt quite as adept at helping that student as we are the 18-year-old coming straight out of high school and going to college full-time.

One solution would be creating a better framework for awarding prior-learning credit, which would, for example, acknowledge the experience of someone who spent 10 years working on computers in the military, but then enrolls in a college Information Technology program to earn their degree, he said.

Given the economic dislocation were experiencing, we probably have many more people with experience interested in pursuing higher education than six months ago, Ajose said. Its incredibly timely to think about credit for prior learning.

Louis Freedberg contributed to this report.

See the original post here:

Californias higher education leaders see an opportunity in crisis - Red Bluff Daily News

Vessel detained near Rockall was allegedly involved in another confrontation off Scotland – Irish Examiner

A German-registered Spanish fishing vessel detained last week by the Naval Service near Rockall had been at the centre of an alleged confrontation off the Scottish coast last month.

The 29-metre Pesorsa Dos was detained by Irish navy patrol ship L William Butler Yeats some 250 miles off Malin Head, Co Donegal for alleged infringements of EU fishing regulations in Irish waters.

Orkney and Shetland MP Alistair Carmichael has highlighted the Irish detention of the Spanish vessel after the British authorities said they could not take any action over the incident off Scotland.

However, defence force sources have said the Irish detention was for a separate alleged infringement.

Video footage of the gill-netter, from the Spanish port of La Coruna, filmed on June 11, shows an interaction it had with a Scottish fishing vessel, Alison Kay, some 30 miles west of the Shetland Islands.

The British Maritime and Coastguard Agency (MCA) was urged to investigate the incident, which Scottish skippers claimed to be the latest in a series of such confrontations over fishing grounds.

However, the MCA said it had no jurisdiction to investigate it as it was outside the 12-mile jurisdictional limit in which it could take action against foreign-flagged vessels.

It said its maritime investigations team has written to the German maritime administration to raise its concerns, as it was the responsibility of the flag state.

The German federal police department for maritime security has been reported as stating there is no suspicion of an offence under German law.

It is understood the vessel was gillnetting near Rockall and had ten tonnes of monkfish on board when it was boarded and detained by the L William Butler Yeats.

The vessel was escorted to Killybegs, Co Donegal and handed over to the Garda and the Sea Fisheries Protection Agency (SFPA).

Mr Carmichael said the fact that Irish authorities were able to detain the Pesorsa Dos entirely undermines the argument of the UK and German authorities that there was nothing to be done about what he alleged to be its "dangerous activities".

It is yet another reminder that local fishermen should not have to wait until next year for us to have proper enforcement of basic norms of safety at sea. We can and should be getting this sorted now, he said.

He told the MCA in a letter that the actions of Spanish fishermen had caused a great deal of anger and frustration for trawlermen in my constituency and across the north of Scotland in recent years, due to both aggressive acts such as those outlined, and the wider use of gill-nets which can cover large areas and thus prevent other fishermen from working in those areas.

The SFPA said that a 24-hour detention order for the vessel was granted on July 21st at Carrick-on-Shannon district court in Co Leitrim. It said it could not comment further as the case was before the courts.

It was the Naval Services seventh detention at sea this year.

Link:

Vessel detained near Rockall was allegedly involved in another confrontation off Scotland - Irish Examiner

From ‘Hip Hop Hooray’ to ‘YMCA,’ the untold stories of Jock Jams, 25 years later – ESPN

TWENTY-FIVE YEARS LATER, the commemorative platinum-record plaque awarded for "Jock Jams, Volume 1" still hangs inside the New Jersey recording studio of KayGee from Naughty By Nature. It doesn't occupy the same prestigious wall space as the group's other hit records or even the large custom portrait of former Pittsburgh Steelers linebacker James Harrison, but after all this time, Jock Jams remains nearly impossible to ignore -- no matter how hard we all might try. "Not to toot my own horn," says KayGee, while locating Naughty's "Hip Hop Hooray" (Track 11) on the original compilation of stadium anthems. "But I don't think I've ever been at a sporting event and not heard our Jock Jams song."

He's not the only one. Released on July 25, 1995, the collection opened with Michael Buffer's now ubiquitous "Let's Get Ready To Rumble" boxing howl and was overstuffed with an infectious, borderline-obnoxious mix of arena earworms such as "Get Ready for This," "Gonna Make You Sweat (Everybody Dance Now)" and "YMCA." And while many sports and music fans are familiar with the carrot-colored CD case covered in airborne cheerleaders, or the seminal collection of stadium anthems once described as an "orgy of chantable hooks" and "adrenaline-fueled schmaltz," few know the actual creation story behind the project, the vision of the two women executives who made it all possible, or the stories behind the songs that have been echoing inside arenas and our collective sports brains for decades.

And so to celebrate the 25th anniversary of the original Jock Jams release, ESPN tracked down the key executives and artists and asked them to retell inspirations behind the greatest -- and strangest -- compilation of sports anthems in music history.

After gigs as a model and go-go dancer in her hometown of Chicago, Monica Lynch moved to New York, where she answered a want ad in The Village Voice in 1981 to become the first employee of the fledgling Tommy Boy record label. Four years later, after developing De La Soul, Digital Underground, Queen Latifah and others, earning her the title "The High Priestess of Hip-hop," in 1985 Lynch became president of Tommy Boy, which earned her access to the company's luxury box at Madison Square Garden. And it was in that luxury box, watching -- and listening to -- the Knicks and Rangers, that the idea for Jock Jams was born.

Inspired by childhood nostalgia for her hometown Chicago Blackhawks, and encouraged by Ray Castoldi, MSG's director of music and hybrid organist/DJ, Lynch set out to create the ultimate compilation of sports anthems -- a collection that would expand the genre beyond old-timey organ music and yacht rock. "It was a very simple idea, but sometimes those are the best," Lynch says. She already had the anthem part figured out. What Lynch and Tommy Boy needed was a business partner that could help with the sports side.

Monica Lynch, former president of Tommy Boy Records: Culturally, [ESPN and Tommy Boy were] very different operations. An independent record company in the mid-'90s, we were doing our own thing, running fast and loose, and didn't have to answer to anyone. Sharyn was just kind of bemused by us.

Sharyn Taymor, former director of ESPN Enterprises: In the 1990s, the ESPN brand was starting to be everywhere. ESPN2 had just started and there was talk of ESPN News and Classic, and we wanted to start licensing the ESPN brand to products and services. It was like the wild, wild west. We worked on dot-com, The Magazine, video games, fantasy sports, merchandise and music. We didn't even have to seek out that many opportunities; you just had to sit back and see what people brought to us. I remember having a fantasy football meeting with the NFL. I had no idea what I was talking about. It hadn't existed until then. To give you an idea of what it was like, the products and services we worked on are now entire divisions within the company.

And ESPN was kind of straight-laced and Tommy Boy Records was not. We weren't into being provocative at all, and Tommy Boy was totally the opposite. [But] it was an area that made sense for us because we hadn't done anything in that genre and music and sports are so closely tied together.

Lynch: My uncle was in charge of the ticket office at Chicago Stadium, so as a kid I got to go to a lot of Blackhawk games and sit in the front row right behind the goalie. I had the biggest crush on Keith Magnuson because he was the bad boy of that team and he was always spitting his teeth out on the ice, which I just thought was the sexiest thing ever. My uncle arranged for Bobby Hull to introduce us after a game. And when Bobby said, 'She's your biggest fan, Keith, and she wants to give you a great big kiss,' I was so mortified I turned around and punched Hull right in the stomach. I guess that's where this all started. I just loved hockey, the sights, the sounds, the energy; it was so violent and visceral.

KayGee, Naughty by Nature, "Hip Hop Hooray" (Track 11): A lot of musicians call themselves sports guys, and a lot of sports guys call themselves musicians. So there's a community between us, a natural connection that's embedded in all of us. When we first came out, one of our favorite teams was the Fab Five. We [KayGee and fellow group members Treach and Vin Rock] all started wearing baggy shorts on stage, and when we played in Michigan, they came to our show and I became lifelong friends with those guys.

Freedom Williams, singer, C+C Music Factory, "Gonna Make You Sweat (Everybody Dance Now)" (Track 10): Sports is nothing but a dance. It's rhythm, right? Baseball is a slow dance. Football is a violent dance. Basketball is a quick dance. When you hit a ground ball to the shortstop and the shortstop hits the second baseman and the second baseman throws it to first, that's poetry, that's a dance they're doing.

Taymor: The first [sport-compilation project Tommy Boy did] was "Jock Rock," and it was all about rock and established sports anthems, you know, Queen, "We Will Rock You," that kind of stuff. It came out in 1994 and charted No. 79 on Billboard, and we knew we had something terrific. There was a record label called K-Tel, and they did compilations for many years, and we just kind of took their place. Tommy Boy was more of a hip-hop, rap and dance label, though, and they wanted to go more in that direction. That's where Jock Jams came from. We wanted to be the influencers of this kind of sports music instead of being influenced by it.

Castoldi: Hip-hop as a pop music form, that idea was still pretty new. My first bosses at MSG told me "Ray, we're not running a nightclub up there. These hip-hop records -- are they really the kind of music our audience is gonna groove to?" And the answer was: Of course! Absolutely! "Jock Rock" was almost entirely oldies. With Jock Jams, it was all about: Let's talk about the new stuff.

Did you know?On top of his MSG organist gig, Ray Castoldi also worked as a DJ under the name Frequency X alongside Joe Turri and Nicolai Vorkapich. He performed at the Limelight nightclubs and was signed by Radikal Records, which distributed the first import of 2 Unlimited's "Get Ready for This" (Track 2).

With the project approved, it was now up to Taymor and Patrick Edmonds, from Tommy Boy -- with an assist from Castoldi -- to curate the collection.

Taymor: Castoldi had a lot of influence on that list because he knew what songs were already being played at sporting events. Patrick would then give me a CD with 30 to 40 tracks on it and then we'd try to figure out what to put on the album. That was the really fun part. I'd listen to them in the office, at home, in the car, and go back to him and say, "OK, how about this group?" Or "I don't like this one." There was a lot of back and forth -- a lot.

Castoldi: One of the only debates we had was: Do we put KC and the Sunshine Band "Get Down Tonight" or the Village People's "YMCA" on Volume 1? I mean, they're both classics. But "YMCA" had the dance, so that's gonna win. KC ended up on Volume 2. Rock tracks like "Welcome to the Jungle" were hard to get, those bands just wouldn't do the licensing. I remember later on we wanted "Song 2" by Blur and they were like "Uh, no, we don't want to be on a sports-oriented record." More power to them. And now, it's weird, it's almost hard to hear that song anywhere else but in an arena.

Taymor: Monica and I had to work at always finding the right balance, and there was a lot of tugging and pulling from each side, whether it was a song, or a lyric, or the artwork or the commercials. That was always the issue: They wanted to go in that direction, and I was very, very paranoid and protective of the brand. There were just a bunch of things we had to say no to. I don't think a project like this would happen now. Now, things are just out there and blatant. Back then, it was all innuendo and double entendres, it could mean this or it could mean that.

Jay "Ski" McGowan, Quad City DJ's member and 69 Boyz producer: We just decided, Hey, if anyone from ESPN asks about 69 Boyz, just say the guys were all born in 1969 and "Tootsee Roll" (Track 5) is a candy and a fun dance and just leave it at that. A little bit more, we would have been in trouble with ESPN, but we stayed right there on that line. ... Yes [laughing], I do expect you to believe that! That's our story, and we're sticking to it. [Editor's note: McGowan and the 69 Boyz were not all born in 1969.]

Lynch: I love the 69 Boyz, that's the perfect answer. I guess a song like K7's "Come Baby Come" (Track 7) had a naughty tone to it. I suppose it's the double entendres that matter. But it was already a popular record, so it was the kind of thing, in a meeting at ESPN, you could say, "But I sing that song to my 2-year-old." And if the feeling was that "it's mom-friendly," it would be OK.

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Taymor: Tommy Boy once brought us a Coolio song, and I kind of read too much into it and pushed back. It was "one-two-three-four, get your woman on the floor..." I told them what I thought he was saying, and they all said, "That's not what it means!" So we put that song on Jock Jams 2.

Lynch: The throughline in the selection of the songs was these were all hits or were all about to be hits. We looked for high-energy records that had crossed over and were either being played or just starting to get played in sports arenas. Some of these records, like "YMCA," were already chestnuts in the stadiums, and with some of our artists, like K7, we wanted to use Jock Jams to usher a song like "Come Baby Come" into anthem status.

Did you know?When contacted by ESPN, a rep for the Village People's original lead singer Victor Willis, 69, responded: "What is Jock Jams?"

Castoldi: The lineup is all killer and no filler, like they used to say on the radio. Because it was the first one, there was so much low-hanging fruit that you could just pick the best of the best, the songs that we'd all consider late-game go-to songs, big anthemic songs that you want to play at key moments of a game. And these are all there on Jock Jams 1. You gotta remember, there was no iTunes, no YouTube, no internet, no Shazam, so part of the reason why this was so successful is Jock Jams put all of this stuff in one place for you. Otherwise, at the time, you would have had to go out and buy, like, 20 CDs to collect all these songs.

As the lineup began to take shape, Taymor still found herself facing a challenge.

Taymor: The challenge was how do we put an ESPN spin on it? How do we brand it with ESPN? That's when we came up with the idea of what we called interstitials, little sports-related sound bites you'd hear between songs.

Castoldi: The goal from the beginning was to make it an immersive sports experience, like you were actually at the game. I recorded my little "The Old Ballgame" organ riff (Track 19) at the Garden or maybe just in my apartment. We recorded cheerleaders, hot dog vendors at Yankee Stadium, marching bands, as well as personalities like Michael Buffer. I mean, how many people got married that year with Michael Buffer and 2 Unlimited kicking off their reception?

Lynch: That was not an inexpensive undertaking to get Michael Buffer and "Let's get ready to rumble" on the first Jock Jams. I don't remember what the number was, but I remember a gulp when I saw the number. He didn't come cheap. We decided to do it, and in hindsight I'm really glad that we did. He was "the" guy, the voice of sports, the voice of god. Having that as the opening was absolutely perfect. When you hear "Let's get ready to rumblllllle" within the first few seconds, everybody knew what this was.

Did you know?Buffer tried out "Man your battle stations!" and "Ladies and gentlemen, fasten your seat belts!" before settling on LGRTR, which was inspired by Muhammad Ali. Buffer trademarked the phrase in 1992, and it was estimated to be worth $400 million as of 2009.

The backstory of Jock Jams doesn't end, though, in New York City and Bristol, Connecticut -- where ESPN is located. The stories behind the songs are as compelling as the tunes themselves -- and reveal much about the music industry, and the culture, 25 years ago.

Rob Base, vocals, songwriter, "It Takes Two" (Track 8 | LISTEN):

We had to be in the studio that same night [in early 1988], so me and E-Z Rock went over to a friend's house, and we were just going through a bunch of different albums and he found a beat he liked and I found this Lyn Collins record I liked. That's where the "woo, yeah" comes from. We just blended them together, and that's how we came up with the song. It was quick. In that era of hip-hop, we were all digging through crates of old records trying to find beats and samples no one had used before, so that was the key -- if you found something that was hot, that no one had used, you pretty much had something, for sure. It worked out really well for us waiting to the last second. We had no idea what we were going to do in the studio that night, but the music just came together. I had the rap part already written, and it just all fit perfectly.

I was met with heavy resistance at the time about all the "woo, yeah"s, and I had to really fight for that. At the time Public Enemy had a record that had a siren that rode all the way through. That made that record stand out so much, and I was thinking to myself, If I leave the "woo, yeah" in the whole record, that's gonna make this record stand out too. They wanted to take it out at the beginning of the verses and bring it back in at the end. I put my foot down with management: It gotta stay. And I won.

Did you know?Rodney Bryce, aka DJ E-Z Rock, who became friends with Base in the fourth grade in Harlem, died in 2014 from complications of diabetes. ... Rolling Stone christened the repeating "woo, yeah" the "single greatest use of a looped drum break in rap history -- the hip-hop equivalent of the guitar solo in 'Stairway to Heaven.'" (Track 8).

Ian Dench, songwriter, guitarist, "Unbelievable" by EMF, (Track 15 | LISTEN):

When the record deal with my first band [Curse] came to nothing, there I was back in Gloucester, England, living in a little bedsit. My mum had a nice piano, and so I used to ride my bike over there and write songs. She was distraught. If my own son gets into Oxford and then gives it all up to play in a rock 'n' roll band, I would burst into tears as well. Anyway, I was riding my bike through the park, thinking about all these songs I was working on about my ex-girlfriend who dumped me. I was always looking for words and ways to say what I was feeling, and that's why "unbelievable" was such a great word because it had that double meaning to it where you're amazing but perhaps there's something underhand to you as well. I was on the bike trying to think of a way to say it, and that's when it just popped into my head -- "The things, you say; Your purple prose just gives you away; The things, you say" -- followed by that phrase and that stop: "bawm, badada-da-dat-dadadaa ... You're unbelievable." My place was not too far, five minutes away, so I just kept riding and humming it in my head, round and round, got back to my bedsit, pulled out my guitar and cassette, and there it was.

I do have to give a shoutout to Andrew Dice Clay [too] because that "Ohhh" is a wonderful sample and it's quite a funny story. Def Jam released his record -- It was really terribly misogynistic, wasn't it? -- and before our record came out, we kept trying to get ahold of Rick Rubin to clear the sample. But he never got back to us. Well, we were in L.A. for meetings before the release of the record, and we went into The Rainbow Bar & Grill on Sunset, which was quite the big heavy-metal hangout at the time, and there was [Def Jam co-founder] Rick Rubin. So I just went up to him and said, "Sorry to interrupt, big fan; we just made a record, and we're trying to clear this sample." And he said, "No problem, fax it to me in the morning." Sure enough, we faxed it to him, and he cleared it. I mean, talk about the stars aligning on a record.

Did you know?In 2009 Dench earned two Grammy nominations for collaborations with Beyonce ("Once in a Lifetime" and "I Am... Sasha Fierce."). ... A few years ago, he got a message from a student in Wales who said his teacher was claiming she was the inspiration for "Unbelievable." Dench did some checking and wrote back to the student "Yes, yes, that's absolutely true." (Track 15).

McGowan, Quad City DJ's, producer on "Tootsee Roll" (Track 5 | LISTEN):

We had just come off the road, back in Jacksonville, and I was with my son, who was 5, and we were in a Cracker Barrel -- or, in the store next to the restaurant walking around. I mean, we've all been in a Cracker Barrel with our kids, and they aren't as super excited about the meal as they are about running through that store. Well, I come across this thing, this piggy bank that was a long roll, painted like a Tootsie Roll and I thought, "This is cool, I'll get this for my son and have him start saving some coins." As I'm walking through Cracker Barrel, my son in one hand, the Tootsie Roll bank in the other, it just hit me: This would make a perfect concept for a record, a dance that's a play on the candy.

We always wanted to create the party and the club feel on record, so that's why we'd add those whistles and all that background crowd noise; we wanted them to be a signature. We came from the skate-rink era and they had whistles, and we'd grab our friends and say, "Hey, we're doing crowd vocals" and put everybody in the vocal booth, pitch down an octave or two, and mix it together and add effects, and before you knew it, it sounds like a party in there. And that's why our records worked so well on Jock Jams and in stadiums because it almost felt like, with all the crowd noise already on our records, all people in the stands had to do was just join in.

Did you know?Quad City DJ's was nominated for a Grammy for "Space Jam" off the 1996 "Space Jam" movie soundtrack, and McGowan now works as "Jay the EnterTrainer," speaking on leadership and innovation. ... The original Tootsie Roll bank is still at his son's grandmother's house.

Martha Wash, singer, "Gonna Make You Sweat (Everybody Dance Now)," (Track 10 | LISTEN):

I was in a studio in New York, and one of the producers, who had worked with Mariah Carey, was on the phone explaining what he wanted me to sing, and I said to him, "That key is really high for me." I remember on The Weather Girls' "Big Girls Don't Cry" album there was a song with a really high obbligato part at the beginning, and so we put the microphone on the floor and I bent over to sing on top of the microphone. We all laughed about it, how no one would have believed it, but that's how I got that note out of me. With "Everybody Dance Now," to get the power of those three words, I had to really, really almost scream it out. So I was in the booth reaching my hands up to the ceiling to try and see about getting those notes out correctly and in the right key without it sounding crazy.

People love that screaming part, OK? Yeah, it's hard to sing live. Can you do the same thing you were doing 30 years ago? OK then.

Did you know?In 2017 a Canadian man singing "Gonna Make You Sweat" in his car was issued a $118 ticket by police for "screaming in a public place."

Wash, singer, "Strike It Up," (Track 4 | LISTEN):

Believe it or not, that was never one of my favorite songs. What makes it so interesting is the music on that song. I won't say it's necessarily my vocals; it's more so the music for that particular song. When you put that together with an athletic situation and a game and you hear that bass line come in and it goes into that baump baump baump ba ba, the audience gets into that because it's a sports chant.

Did you know?Although Wash's thunderous, distinctive voice was easily recognizable from her No. 1 dance hit "It's Raining Men" with The Weather Girls and a dozen other No. 1 dance songs, she was not properly credited for her vocals in the original versions of "Gonna Make You Sweat" and "Strike It Up." In the age of Milli Vanilli, C+C Music Factory and Black Box attempted to cast slimmer, younger women to lip sync Wash's vocals.Says Wash: "I had just checked into a hotel, had the TV on, channel surfing, and I landed on this station that was playing the video for 'Gonna Make You Sweat,' and I'm seeing this thin, thin woman lip-syncing to my vocals, and I'm like, 'What is going on?' I was not happy about that." The ensuing legal battle inspired federal legislation mandating proper vocal credit on all published music. "Lots of people know the voice, know the songs, they dance to those songs and sing every word to those songs, but they don't know my name," she adds. "It's not fun. They know Beyonce, Ariana Grande, Lizzo. My goodness I've been doing this for 40 years and I've had a hit in every decade since the '80s, and John Q. Public still doesn't know my name."

Jean-Paul De Coster, producer, songwriter, "Get Ready for This" (Track 2 | LISTEN) and "Twilight Zone" (Track 18 | LISTEN):

In 1983 I was still in school, teaching mechanics and electricity, and I was wanting to quit to follow my passion. I knew Patrick [De Meyer] from Technotronic (Track 17: "Pump Up the Jam") for ages because I was coming into his record store in Antwerp [in Belgium] and asking him, "Can you explain to me how a record store works?" And he says. "How do you know?" And I said "How do I know what?" He was selling the record store because he was so busy with his own music and record company, and so I said, "OK, I'll jump in and have a coffee." And I bought his shop.

In 1987 we had the first Belgium music wave, which was inspired by New Wave, and they called it New Beat and they played records and slowed them down from 45 rpm to 33 rpm, with bpm 100 to 105, very dark and mellow and moody, like a fashion scene. When New Beat was over, I saw in my record shop and in the clubs when I was DJing that people were going crazy on this new Belgium House Sounds that had evolved from New Beat. I said to [Belgium DJ] Phil Wilde -- he is the computer wizard and studio guy -- "Something's happening with this sound, we need to make a record." And he said, "Fine, come in."

So on a Wednesday, I took a day off from my record shop. He would play riffs, and I would say, "No, no, play it more like this." We wanted more energetic, more pumping, and so we were twisting sounds together, layered and mixed. It was very important that we made sounds that were different from the rest. An early review called it an energetic, powerful, crispy sound.

KayGee, Naughty By Nature, "Hip Hop Hooray" (Track 11 | LISTEN):

We were on tour and Tommy Boy was putting pressure on us to hurry up and finish our second album. After the success of "O.P.P.," it was like, you guys need to keep it going. I had made a bunch of beats. But on our tour bus, Treach was just blasting that one beat over and over. It's the Isley Brothers, it's just playing on 45. Their song is slow, and I just sped it up real fast and that gave it a different sound and a new feel. That's the process of a producer: We chop stuff up, speed it up, slow it down, filter it, do a lot of things to it, because when you mess around with it, it turns into something different.

So we're on the tour bus, with Treach writing, and the whole concept of the chorus, they did that in parties back in New York when a good record would come on, they'd say "Heeey, hooo," like to say, "That's my joint." Treach remembered that, and he was like, "It would be dope to use that heeey, hooo they do in the clubs, but I'm gonna call it Hip Hop Hooray-Hooo and I'm gonna talk about the love of hip-hop and how we advanced as hip-hop artists."

We wrote the whole thing on the tour bus and we recorded it, and Tommy Boy didn't even know about that song. We performed it at KMEL [Bay Area] Summer Jam. It was packed; there must have been 25,000 people out there, and the very first time it was introduced, Treach and Vin put their hands up in the air and the whole crowd, I mean everybody, started waving side to side with the beat. We started in talent shows, getting the crowd involved to win those talent shows. It was so spontaneous the way the crowd followed along. So we knew not only did we have a song that connects we have a visual that connects with our audience too. The program director called Tommy Boy and said "Naughty performed a song last night, and if I don't have a copy of it on my desk Monday morning, I'm playing the live version." So Monica was calling me, yelling at me, "What song are they talking about?!"

Did you know?As a mental exercise while recovering from COVID-19, actress Rita Wilson posted an Instagram video of her near-perfect rendition of "Hip Hop Hooray," which she memorized while preparing for a 2019 movie role. After the video got 2 million views, Wilson teamed up with KayGee and Naughty for a remix to benefit MusiCares Covid-19 Relief Fund. "It's incredible," KayGee says. "She did better than I would have done trying to sing Treach's lyrics like that."

"Jock Jams, Volume 1" went platinum in just over a year and peaked at No. 30 on the charts. By expanding the definition of stadium anthems to include Eurodance, Latin music, pop, hip-hop and rap, Lynch and Taymor had ensured that Jock Jams would have an impact at the cash register and across the culture. (Despite all of Taymor's precautions, Jock Jams 1 was not completely controversy-free. The 20th and final track on the original compilation, "Rock and Roll Part 2," is by Gary Glitter, who, in 2015, was sentenced to 16 years in prison after being convicted of sexually abusing three young girls.)

"Jock Jams, Volume 2" was released in 1996, and thanks to the "Macarena" by Los Del Rio, it managed to crack the top 10 -- an extraordinary feat for a compilation album. But the series truly hit its Jock Jam peak with Volume 3, which included an "It's Awesome, Baby!" intro by Dick Vitale, "official" Jock Jams Cheerleader chants, a rendition of "The Chicken Dance" by Castoldi and a brain-searing sound salad called the "Jock Jam Mega Mix," featured in a classic series of infamous commercials that fused a public-access cable milieu with the low-key approach of a carpet liquidator.

The final Jock Jams was released in 2001, just as Napster, the online music-sharing (and piracy) service hit its peak. All told, the series sold more than 4 million copies and -- for better or worse -- helped pave the way for modern-day bands such as Fall Out Boy to integrate their songs into sports culture. "There is nothing like your song being played in a stadium; you get this whole different kind of shiver," FOB's Pete Wentz told ESPN in 2014. "Integrating your music into the texture of a larger experience, like a sporting event, is important. 'Empire State of Mind' and Jay-Z and the Yankees are a thing. Forever. The music and the experience become interwoven. That's powerful."

Castoldi: I ran into Naughty a few years ago at the Garden, and I was like, "You guys remember Jock Jams?" And they were all like, "Uh, yeah, we made some money off that one." Today recording artists are looking for any avenue, any outlet, to get their music out into the world and get it heard. And I think sports was on the leading edge of that, as an alternative outlet for artists to break new music and promote their material.

Lynch: Jock Jams had this enormous audience of women. It started getting used as a soundtrack for exercising and aerobics and cheerleading dance routines. At the time, we had no idea it was going to take on this whole other audience. The high school girls and the female component of the audience, we did not anticipate that part of the audience was going to explode that way.

Taymor: I would go to the Tower Records [near] Union Square -- this was not a not once-or-twice thing, I did it all the time -- and I would take all the Jock Jams and move them to the front of the stack so they would be more visible. We used to get Billboard magazine delivered to the office, and the first thing I'd do was go to the page with all the listings and see where we were that week. I used to rip out the page and tape it to the door of my office, and it was so much fun watching them climb the charts each week.

De Coster: Jock Jams introduced a lot of different music cultures to a big audience. In those days, in the 1990s, it was all rock music, Nirvana, Guns N' Roses, and we were struggling and fighting to have our records on the radio. So compilations like Jock Jams were very important to us because it introduced us to an audience we never could reach.

Freedom Williams: The first time I ever realized the song was gonna be big, I was walking down the block and everyone was jamming to it on the JumboTron on 42nd [Times Square]. They were playing the song -- "Jump to the rhythm, jump-jump" -- while NBA players were dunking and jumping to it. That's when I knew it was gonna be a big record.

KayGee: Before the COVID situation, I had to drive and pick up my daughter at Purdue, and on that ride we took her car, so she's the DJ, she's controlling everything, and I'm hearing a few of my records come on. That's pretty cool, and she's like, "Come on, Dad, you know you want to sing along."

McGowan: Jock Jams gave us more life. We played on the field in Philadelphia, at the top of the fifth inning in Game 3 of the World Series. That was mind-blowing. We played "Space Jams" as the intro for Zach LaVine when he won the NBA Slam Dunk contest. I just read in a book about Tiger Woods that after he won his first Masters at 21, he rode off down Magnolia Lane with the SUV windows down blasting "C'mon N Ride It (The Trainz)."

Base: I played some baseball growing up, a little third base, shortstop, outfield, and I always wanted to be a baseball player, but that didn't happen. I'm a big Yankees fan. I remember sitting at home watching my Yankees and they got a double play and they started playing "It Takes Two," and I jumped out of my seat and I started running around trying to call everyone I could, but they were all calling me at the same time going, "Yo, the Yankees just played your song!" I thought it would be a big record in the tri-state area. Once sports started playing this song, I was like, "That's it, this is a mega-song. Babe Ruth, Reggie Jackson and Rob Base?" Yeah, yeah, I like that.

Did you know?The NFL used "It Takes Two" in its 100-year celebration commercial during Super Bowl LIII, where a pickup football game breaks out in the middle of an anniversary banquet. And as for Base's commonly misheard "can't stand sex"? In the song, what he actually says he can't stand is "sess." "Don't smoke buddha, can't stand sess." It's a reference to sinsemilla, a strain of marijuana. "A lot of people have been singing that wrong for the last 30 years," Base says. Although it's frowned upon by die-hard fans in New York, Base roots for both the Giants and the Jets. "People get on me for that, but I've been like that forever," he says. In his defense, these days, for NFL fans in New York who want to watch a normal amount of success, it takes two (franchises). "It takes two? Oh, right, I'm gonna use that, thanks," Base says.

De Coster: [During the] Winter Olympics in Russia, they used one of our songs in the closing ceremonies. That was goose bumps. DJ Steve Aoki remixed it at Tomorrowland, and the whole festival went bananas. My daughter is 24, and she had her birthday party in the garden and I told her I would DJ for her. But I am an old guy, and in the beginning it felt very uncomfortable. Then I started playing some '90s music and they all knew all those records. So now when my daughter has a party, her friends want to know: Is your dad playing? It's all hip again. Very strange.

Lynch: At Tommy Boy, I always called Jock Jams "the love that dare not speak its name." It was funny because for a period of time, we were a label that had distinguished itself in hip-hop, and Jock Jams was like this big mainstream pop project, this juggernaut that was a huge record that didn't really have street cred. For years after, you'd say Jock Jams and people would laugh and say, "Oh, my mom loved Jock Jams." And then, funny enough, just a few years ago, for some reason, people were like, "Oh, Jock Jams was so cool." I think it was just one of those things that was so uncool it became hip.

Taymor: The Jock Jams franchise eventually went away because record labels got wise to it and said, "Why don't we take our own music and put out our own albums?" And those were the compilations called "Now That's What I Call Music!" But the first Jock Jams, you go to a game now and 75 to 80 percent of the songs you hear are from that era still. And those aren't going away. I still go to Madison Square Garden and brag, absolutely.

KayGee: We didn't understand the significance of being a part of Jock Jams at first, but as time went on, we got it. Our ultimate goal, we wanted to be able to rock sports arenas and rock stadiums, and that's what Jock Jams represented.

McGowan: You catch me riding in my truck, you'll catch me listening to those Jock Jam records. I could ride and listen to Jock Jams to this day, start to finish, from Track 1 to the end, because I genuinely still love that vibe. And I think a lot of people still do.

Dench: We've all grown up together, I suppose, haven't we? I've never been super sporty, so it has been wonderful to contribute to sports in some way, without ever having to actually break a sweat.

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WW3: Dangerous space first as Russia fires weapon from one satellite to another – Daily Express

The aggressive act, authorised by Vladimir Putin, is being seen by defence experts as the first strike on a whole new battle front. Head of the UK militarys Space Directorate said debris resulting from the weapon's deployment was jeopardising satellites vital for the planet.

Precise details of the anti-satellite weapon are unclear but it was launched from Russias Cosmos 2543 satellite and it came close to a second Russian satellite. It is not known if the failure to strike a direct hit was seen as a failure of the test-launch.

But General John W Raymond, head of US Space Command, said: This is further evidence of Russias continuing efforts to develop and test space-based systems, and consistent with the Kremlins published military doctrine to employ weapons that hold US and allied space assets at risk.

The Kremlin has previously carried out low-level tests with weapons in orbit but nothing of this proportion.

One UK defence source said: This is using a satellite as a space weapon. It is a step in the direction of turning space into a new frontline.

A second added: Theyve crossed a line when it comes to the scale of this.

The UK relies on satellites for communications, navigation and weather forecasting.

Air Vice-Marshal Harvey Smyth, chief of the Ministry of Defences space directorate, said: We are concerned by the manner in which Russia tested one of its satellites by launching a projectile with the characteristics of a weapon.

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Actions of this kind threaten the peaceful use of space and risk causing debris that could pose a threat to satellites and the space systems on which the world depends.

He added: We call on Russia to avoid any further such testing.

We also urge Russia to continue to work constructively with the UK and other partners to encourage responsible behaviour in space.

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Cosmos 2543 was fired into orbit on a Soyuz rocket that was launched from the Plesetsk Cosmodrome in north-west Russia on November 26.

A second satellite was linked to it, which separated from it 11 days after the release.

US President Donald Trump said in a phone call last night to Russian President Vladimir Putin that he hoped they could avert an expensive three-way arms race between the US, China and Russia.

General John Raymond, head of US space command, said it was consistent with the Kremlins published military doctrine to employ weapons that hold US and allied space assets at risk.

The US State Department has expressed its concerns that Russian satellites have traits of a space-based weapon.

Dr Christopher Ford, the US assistant secretary of state, said: This event highlights Russias hypocritical advocacy of outer space arms control, with which Moscow aims to restrict the capabilities of the United States while clearly having no intention of halting its own counterspace program.

Defence Secretary Ben Wallace told the House of Commons on Wednesday that the UK was deeply vulnerable in space.

He added: The threat against space is regretfully real, our adversaries are weaponizing space and we are deeply vulnerable in the West from those types of actions because we rely so much on space assets.

This is further evidence of Russia's continuing efforts to develop and test space-based systems, and consistent with the Kremlin's published military doctrine to employ weapons that hold US and allied space assets at risk.

The UK said the firing of the projectile with the characteristics of a weapon and warned that it could threaten the peaceful use of space.

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Tesla is 2 years ahead of the industry in critical areas, Audi CEO says – Electrek.co

Audis new CEO willingly admits that Tesla is two years ahead of the industry in some critical areas of building electric vehicles.

Markus Duesmann, Audis new CEO, has been focusing on electric vehicles and he is taking inspiration from market leader Tesla.

The CEO recently said that he believes Tesla has a two years on the rest of the industry (via Reuters):

Currently, Tesla has larger batteries because their cars are built around the batteries. Tesla is two years ahead in terms of computing and software architecture, and in autonomous driving as well.

In order to close the gap, Duesmann has started a new group within the German automaker to develop a pioneering model for Audi quickly and unbureaucratically.

He wants to avoid the normal cumbersome process and instead move quickly in a more startup-way, like Tesla.

The new group, called Artemis, has for goal to develop a highly efficient electric car that is scheduled to be on the road as early as 2024.

Tesla has been known for its efficiency lead in the industry:

In comparison, Audi has disappointed in efficiency with its first electric vehicle built from the ground up, the e-tron.

However, the electric SUVs lack of efficiency can be explained by the automaker being very conservative with energy capacity in its battery pack leaving a large buffer.

On the software front, Volkswagen Audis parent company has been having a lot of issues with its own software in the ID.3 and admitted that Tesla has a lead in this area.

They even started to implement what is internally called the Tesla catch-up plan with a new software team earlier this year.

The way I see it, Tesla focused on critical differentiating features early on, like battery module, BMS, drive unit efficiency, thinking that battery cells would become a commodity.

This gave Tesla an important efficiency edge over other automakers making electric vehicles.

Cells havent evolved fast enough and in large enough volumes for Tesla and now they are trying to increase production with their own cells building to their existing lead in other critical electric vehicle technology.

As for Audi, its a great sign that they are looking at Tesla as the leader here. They are looking in the right direction.

I am not worried about them. They are making the right move, and they are already having decent success with the e-tron in Europe.

I think their next-gen EV is going to be extremely competitive.

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Lucid unveils its driver-assist plan to compete with Teslas Autopilot – Electrek.co

Lucid has announced its driver-assist plan for its upcoming Air electric sedan to compete with Teslas Autopilot features.

While Lucid insists that it isnt competing with Tesla, many are seeing the latters Model S as the biggest competitor to the formers first electric car, the Lucid Air.

Thats especially true since the two vehicles programs, which were both started by now Lucid CEO Peter Rawlinson, were racing to be the first electric cars with a range of 400-mile on a single charge.

With the Air being delayed to 2021 and the Model S recently receiving an updated range made official by EPA, the latter won.

But Lucid has other tricks up its sleeve and plans to diffferentiate itself in other ways.

When it comes to driver assist features, it has now released its solution called Lucid DreamDrive.

Lucid Motors, which seeks to set new standards for sustainable transportation with its advanced luxury EVs, today announced Lucid DreamDrive, a new benchmark in advanced driver-assistance systems (ADAS). The first-of-its-kind platform combines the most comprehensive sensor suite on the market with a cutting-edge driver monitoring system, all standard on the first versions of the Lucid Air. Taken as a whole, Lucid DreamDrive signals Lucids intent to deliver sophisticated assisted driving capabilities in its vehicles.

The system has features very similar to Teslas Autopilot, but it has a driver monitoring system and a sensor suite that includes high-resolution LIDAR two things that Tesla has stayed away from for its Autopilot and self-driving efforts.

Along with the Lidar sensors, the Air is equipped with 32 sensors including camera, radar, and ultrasonic sensors.

Here are the main features delivered by Lucid DreamDrive:

Safety:

Driving:

Parking:

Lucid says that the system is going to deliver more features through over-the-air software updates next year.

The automaker also says that the system is powered by what it calls a high-speed Ethernet Ring:

Lucid DreamDrive is also the first ADAS system built upon a high-speed Ethernet Ring, a unique cornerstone of Lucid Airs advanced electric architecture, which additionally serves as a fully redundant platform for key functions such as steering, brakes, sensors, and more. This includes redundant independent power sources and communications paths, fail-operational actuators, and fault-tolerant computation.

Peter Rawlinson, CEO and CTO of Lucid Motors, commented on the announcement of the new product:

Lucid Motors is laser-focused on delivering the worlds best luxury car, embodying the most advanced powertrain and safety systems possible, all designed and developed in-house. Our customers expect that philosophy to extend to the Lucid Airs ADAS, and for that weve developed a highly advanced, future-proof system that brings forth an unparalleled combination of sensors and software.

Lucid is going to unveil the production version of the Air electric car next month and should announce new production specs at the time.

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Review: In it to win it, the lawyers of the ACLU never give up ‘The Fight’ – MSN Money

(Magnolia Pictures) Joshua Block, left, and Chase Strangio in the documentary "The Fight.". (Magnolia Pictures)

This summer there aren't any superhero movies coming out (they've all been postponed), but there is one film this season that features real-life heroes. The filmmaking team behind the riveting political doc Weiner Josh Kriegman, Elyse Steinberg and Eli B. Despres have made the documentary The Fight, which follows a group of crusading American Civil Liberties Union lawyers as they defend some of the bedrock protections under attack from the Trump administration.

This lively and fast-paced doc opens with a rapid-fire split-screen montage that introduces the ACLU's 100-year history of defending civil liberties and introduces four specific cases of the hundreds the organization has brought against the Trump administration, regarding immigrants' rights, reproductive rights, voting rights and LGBTQ rights. The filmmakers, as well as editors Kim Roberts and Greg Finton (Despres also edited) do a Herculean job of weaving together a comprehensive patchwork narrative, as the ACLU jabs and parries with the administration and the courts on each issue.

The four cases are Garza v. Hargan, in which a teenage refugee was denied access to an abortion by the Office of Refugee Resettlement; Stone v. Trump, the controversial transgender military ban; Department of Commerce v. New York, about the citizenship question on the 2020 Census; and Ms. L. v. ICE, an asylum-seekers family separation lawsuit.

The filmmakers also sketch humane portraits of each case's tireless lawyers, who are almost constantly in motion. Immigration rights lawyer Lee Gelernt seems to run entirely on Diet Coke, adrenaline and many, many phone chargers; Dale Ho, director of the ACLU's voting rights project, is a charming, smiley man whom we get to see practice his remarks for the Supreme Court over and over; Brigitte Amiri, a dedicated and passionate defender of Roe v. Wade, writes briefs at midnight and enjoys well-earned train wine after a win; and Chase Strangio, a dedicated working parent, taking on the transgender military ban with Josh Block.

It's the fight that keeps them going: the hateful invective sent their way via postcards, emails, Facebook messages and voicemails only fans the flames of the fire that drives them.

Although The Fight is jam-packed with ups, downs, wins, losses, injunctions, stays, hearings and Trump speeches, the film is remarkably detailed and careful, and in fact, it reckons with the ACLU's dedication to defending civil liberties for all, not just the people we agree with. They've defended far-right and alt-right groups, radical Muslims and Nazis from Skokie, Ill. But their defense of the Unite the Right rally in Charlottesville, Va., where Heather Heyer was murdered by white supremacist James Fields Jr., weighs heavy on many in the organization, who try to understand if there are limits to defending free speech, at least for them.

In this film, and in life, it often feels like the lawyers of the organization are the only ones standing in the way of the Trump administration's policies, many capriciously intended not only to strip human rights but to bully and intimidate the American public. They are the real heroes of this era, battling in court after court, armed with tote bags of documents, caffeine and a deeply unwavering and humanitarian sense of justice. But as Ho put it so frankly, lawyers and courts aren't going to change the world; people are. And it's up to us to do it.

Katie Walsh is a Tribune News Service film critic.

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Review: In it to win it, the lawyers of the ACLU never give up 'The Fight' - MSN Money

The architectural association as the neoreactionary racist institution – Archinect

The architectural association as the neoreactionary racist institution | Forum | Archinect '); }, imageUploadError: function(json, xhr) { alert(json.message); } }}); /*$(el).ckeditor(function() {}, {//removePlugins: 'elementspath,scayt,menubutton,contextmenu',removePlugins: 'liststyle,tabletools,contextmenu',//plugins:'a11yhelp,basicstyles,bidi,blockquote,button,clipboard,colorbutton,colordialog,dialogadvtab,div,enterkey,entities,filebrowser,find,flash,font,format,forms,horizontalrule,htmldataprocessor,iframe,image,indent,justify,keystrokes,link,list,maximize,newpage,pagebreak,pastefromword,pastetext,popup,preview,print,removeformat,resize,save,smiley,showblocks,showborders,sourcearea,stylescombo,table,specialchar,tab,templates,toolbar,undo,wysiwygarea,wsc,vimeo,youtube',//toolbar: [['Bold', 'Italic', 'BulletedList', 'Link', 'Image', 'Youtube', 'Vimeo' ]],plugins:'a11yhelp,basicstyles,bidi,blockquote,button,clipboard,colorbutton,colordialog,dialogadvtab,div,enterkey,entities,filebrowser,find,flash,font,format,forms,horizontalrule,htmldataprocessor,iframe,image,indent,justify,keystrokes,link,list,maximize,newpage,pagebreak,pastefromword,pastetext,popup,preview,print,removeformat,resize,save,smiley,showblocks,showborders,sourcearea,stylescombo,table,specialchar,tab,templates,toolbar,undo,wysiwygarea,wsc,archinect',toolbar: [['Bold', 'Italic', 'BulletedList','NumberedList', 'Link', 'Image']],resize_dir: 'vertical',resize_enabled: false,//disableObjectResizing: true,forcePasteAsPlainText: true,disableNativeSpellChecker: false,scayt_autoStartup: false,skin: 'v2',height: 300,linkShowAdvancedTab: false,linkShowTargetTab: false,language: 'en',customConfig : '',toolbarCanCollapse: false });*/ }function arc_editor_feature(el) { $(el).redactor({minHeight: 300,pasteBlockTags: ['ul', 'ol', 'li', 'p'],pasteInlineTags: ['strong', 'br', 'b', 'em', 'i'],imageUpload: '/redactor/upload',plugins: ['source', 'imagemanager'],buttons: ['html', 'format', 'bold', 'italic', 'underline', 'lists', 'link', 'image'],formatting: ['p'],formattingAdd: {"figcaption": {title: 'Caption',args: ['p', 'class', 'figcaption', 'toggle']},"subheading": {title: 'Subheading',args: ['h3', 'class', 'subheading', 'toggle']},"pullquote-left": {title: 'Quote Left',args: ['blockquote', 'class', 'pullquote-left', 'toggle']},"pullquote-centered": {title: 'Quote Centered',args: ['blockquote', 'class', 'pullquote-center', 'toggle']},"pullquote-right": {title: 'Quote Right',args: ['blockquote', 'class', 'pullquote-right', 'toggle']},"chat-question": {title: 'Chat Question',args: ['p', 'class', 'chat-question', 'toggle']}, "chat-answer": {title: 'Chat Answer',args: ['p', 'class', 'chat-answer', 'toggle']}, },callbacks:{ imageUpload: function(image, json) { $(image).replaceWith('

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The architectural association as the neoreactionary racist institution - Archinect

First Mover: The Dollar Drop May Have Helped Push Bitcoin Past $11K – CoinDesk – CoinDesk

As the U.S. dollars value slides, prices aresuddenly rising for just about everything priced in dollars.

That includes bitcoin, which shot up some 13% on Monday for its biggest gain in almost three months. Prices soared past levels reached in February, prior to the pandemic-induced sell-off, reaching a new 2020 high of $11,180.

Youre readingFirst Mover, CoinDesks daily markets newsletter. Assembled by the CoinDesk Markets Team, First Mover starts your day with the most up-to-date sentiment around crypto markets, which of course never close, putting in context every wild swing in bitcoin and more. We follow the money so you dont have to. You cansubscribe here.

Joe DiPasquale, CEO of the cryptocurrency hedge fund BitBull Capital, told First Mover in an email that the latest move up appeared in sync with golds climb in recent days to a new record. Bitcoin is seen by many digital-asset analysts as a hedge against inflation and currency debasement, similar to the way investors in traditional markets have historically used gold.

Bitcoin sprung into action, DiPasquale said.

Its a remarkable development in the bitcoin market, where investors, as recently as last week, were despairing that the oldest and largest cryptocurrency had been stuck in a range between $9,000 and $10,000 for the past two months.

So for bitcoin bulls, the jolt out of the doldrums was welcome, especially when the pricewent up, not down. The days gain came on strong trading volume, with levels not seen since early June.

The trend is clear and we are headed higher, saidJack Tan, of Taiwan-based quantitative trading firm Kronos Research.

Bitcoin is now up 57% year to date, more than double the 28% gain this year for gold, which climbed in recent days to a record. The Standard & Poors 500 Index of large U.S. stocks, meanwhile, is roughly flat for the year.

Given gold has just set a new all-time high, and with bitcoins correlation to stocks breaking down while being replaced by a strong correlation to gold, we envisage further tests to the upside this coming week, the cryptocurrency-trading firmDiginexwrote in a daily market report.

The U.S. Dollar Currency Index, a gauge of the greenbacks value versus other major currencies like the euro and yen, has fallen for seven straight sessions; the Wall Street firm Goldman Sachs predicts the dollar could lose another 5% over the next 12 months.

The U.S. dollar is eroding quickly, and people are starting to notice, wrote Mati Greenspan, founder of the cryptocurrency and foreign-exchange research firm Quantum Economics, in his daily email. Its plain to see that people are ditching the buck as fast as they can.

Thats good for bitcoin and gold:As the Wall Street Journal put it Monday, a weakening dollar mechanically pushes up the prices of the commodities invoiced in greenbacks.

Investors appear worried the global economic recovery is faltering, with cases on the rise and a death toll globally thatjust passed 650,000. In the U.S. Congress, Senate Republicans proposed a $1 trillion relief package following negotiations with President Donald Trump, but that amount falls far short of a Democrat-ledplan for $3.5 trillion in stimulus.

Jim Reid, strategist for the German lender Deutsche Bank, wrote in a report that the Federal Reserve, which has already expanded its balance sheet this year by about $3 trillion to about $7 trillion, might need to pump another $12 trillion over the next few years.

The Federal Reserve is scheduled to meet this week in closed-door discussions, with a statement due late Wednesday. With interest rates already close to zero, no major policy changes are expected, but the cryptocurrency investment fund Arca noted Monday that a sell-off in the U.S. stock market might provoke the U.S. central bank to respond.

A report on Thursday is expected to show that U.S. gross domestic product declined during the second quarter by a staggering 35% on an annualized basis.

With so much fragility in the economy, and things not improving quickly, the moral hazard is now so high that the stock market barely even has to blink, Arca wrote.

For bitcoin, according to Arca, the breakout was just a matter of time.

Tweet of the day

Bitcoin watch

BTC: Price: $10,773(BPI) | 24-Hr High: $11,395 | 24-Hr Low: $10,215

Trend:Bitcoin is witnessing a low-volume technical pullback on Tuesday.

The largest cryptocurrency by market value is currently trading near $10,850 down over 4% from the 11-month high of $11,394 reached on Monday.

The drop in price suggests bitcoin may be overvalued.The 14-day relative strength index jumped to 82 as prices surged 11% on Monday. An above-70 reading indicates overbought conditions meaning excessive demand has pushed prices unjustifiably high.

The pullback may be extended further, as the 14-day RSI is still hovering above 70. In addition, the RSI on the hourly chart has dropped into bearish territory below 50. That said, the bullish bias might be invalidated if prices finish below $10,500 (the February high) at the UTC market close.

That looks unlikely, as the decline from multi-month highs observed so far today is accompanied by a slide in trading volumes (above right). A low-volume pullback is often short-lived.

Besides, some analysts are convinced that Mondays bullish move has put bitcoin on the path toward record highs. [Mondays] daily close is amazing and could very well resemble April 2019s $1k candle that ended the bear market and fueled a rally to $13,000. Only this time, the rally should lead to new all-time-high for BTC, popular analystJosh Rager tweetedearly Tuesday.

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The retreat of the liberal spirit – TheArticle

The fortified towers of the Mani in the Peloponnese, the four-fingered peninsula in Greece where Europe stops, are wild, grand and isolated.Unlike Patrick Leigh-Fermor, the travel writer who went to live (and die) among them, these symbols of strong, patriarchal clan power speak of closed societies, ruled for centuries by blood and gender. Today they lie abandoned and silent.

The Maniots, who built those towers, would relate to our changing world. Identity politics, nationalism and distrust of the other was, for them, the natural order of things.Like them, we are busy erecting towers. The architecture of the liberal world order, based on interdependence and mutual interest, is crumbling.

Despite the lessons of the 1930s, when fascism and totalitarianism led to collapse and conflict, we seem unable to work together, judging todays challenges too great, too risky. The world is too complex, too unpredictable.The organising principles for a stable and prosperous world, underpinned by tolerance and democracy, are being jettisoned and in their place is a growing void.

We dont have to look too far to see this playing out: Trumpism, Brexit, Turkey, Hungary and a European Union that is struggling to forge a coherent response to Covid-19. This disorientated international order is perfectly captured by the French term dboussol: a world whose compass is spinning.

Into this void has stepped first China and more recently Russia. The unipolar world greeted by many after the collapse of centrally planned economies in 1989 the end of history turned out to be a mirage.

Global hegemony by the US after the end of the Cold War, like any monopoly, was not a particularly healthy outcome. Certainly not with Donald Trump at the helm. Nowthe US flip flops between retreating from global leadership and squaring up to Chinas creeping imperialism, while cosying up to a roguish Russia. This is hardly a recipe for economic stability or peace.

The collapse of the Soviet Union lulled the West into a false sense of omnipotence. The hope that market forces would ineluctably lead to a corresponding loosening of political freedom in Russia and China is in tatters.

For China in particular the momentous events of 1989 were an emphatic warning which it has taken to heart: loosening the Communist Partys grip at home poses a mortal threat to its survival. The enemy for Beijing and Moscow was and remains liberalism. This is not a secret. It is a strategy.

Out of this realisation has emerged an approach adopted by both former communist adversaries increasingly in tandem: to create an alternative world order that actively undermines the liberal economic model and favours or at least does not oppose autocratic regimes that embrace capitalism.

This is not a coincidence. China and Russia now cooperate widely. The idea of re-creating a multipolar world was first discussed by the old communist adversaries in 1997, when Chinese President Jiang Zemin met his Russian counterpart Boris Yeltsin. Putin and Xi have taken it to the next level.

They are building a network of bespoke initiatives, institutions and regional organisations that will forge an alternative international coalition stretching from the Sea of Japan to the South Atlantic.

This accretion of soft power is backed by carefully military interventions, calculated to challenge (and rile) the west but not to provoke a conflict: Syria, Crimea, Ukraine, the South China Sea.Countries in the developing world with copious natural resources, strategic positions or both are being enticed with lucrative alternatives to the western patronage that defined the 20th century.

This assault on the liberal economic order is finding favour not just in the failed states of the Middle East, Africa or the favellas of South America. It is also garnering support among countries once solidly in the western fold: Turkey, Hungary, the Philippines. And strikingly it has also attracted the attention of Iran, where the theocratic mullahs are on the verge of signing a $400bn economic and security partnership with Beijings Godless communists.

The Belt and Road initiative, President Xi Jinpings signature project, is creating a vast network of client states often by pressuring poorer countries into accepting debt for equity swaps, which leave them in a debt trap.

Earlier this month Christopher Wray, Director of the FBI, said that China, now seen as Americas main military threat, is engaged in a whole-state effort to become the worlds only superpower.

Their methods are as follows:

Franklin Roosevelt defined the world order that rose from the ruins of World War II with this simple dictum: national well-being and international cooperation are two sides of the same coin.

Economic diseases Roosevelt wrote prophetically in his letter to the Bretton Woods Conference in 1944, are highly communicable. It follows, therefore, that the economic health of every country is a proper matter of concern to all its neighbours, near and distant.Bretton Woods sought to end what then Treasury Secretary Henry Morgenthau called economic nationalism. That ethos now hangs by a thread.

Multiple shocks have accelerated this political and social introspection: the 2008 financial crisis; the uneven benefits of globalisation; the exodus of refugees from a fractured Middle East and failing states in Africa and Asia; and now the long-foretold pandemic wrapping itself around the globe, threatening yet another global economic downturn.

This collapse in trust is contagious. But it is not new. Even before Trump, the US was tiring of its hegemonic role as the leader of a liberal international order. Trump was pushing at an open door.

The retreat of the liberal spirit poses a danger to our well-being as free citizens. But it also makes it much harder to tackle the common problems we face. This requires the free exchange of ideas. Surely we have learnt this much from the pandemic.

The only power on earth that has the reach and the power, for the foreseeable, future to corral countries into renewing their vows to a liberal, tolerant, stable world order is the United States.Should he win in November and its a big if, given Trumps propensity for mischief one of Joe Bidens first acts should be to convene a meeting of the worlds principal democracies to do just that.

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The retreat of the liberal spirit - TheArticle