Shelter in Place the most fun you can have without leaving your virtual home! – Gamasutra

[This unedited press release is made available courtesy of Gamasutra and its partnership with notable game PR-related resource GamesPress.]

UnnamedVR by Paracosma renamed Shelter in Place and offered for free to tens of millions on home lock down.

SAN FRANCISCO, CALIFORNIA, UNITED STATES, April 24, 2020 -- Paracosma Inc today announced that it will be giving away free downloads of its virtual reality (VR) game UnnamedVR, which has been renamed Shelter in Place.

Shelter in Place is an open-ended sandbox virtual reality game in which users find themselves in a large virtual mansion. Within the mansion, players can explore and enjoy more than 15 rooms containing various mini-games providing hours of entertainment for all interests and ages.

You cannot leave the mansion, but you can try to escape from the maze, which reconfigures each time you enter. You can also explore the Adventure Room with zip lines, climbing walls and giant trampolines. You can try the Shooting Gallery or Archery in an Old West Stockade. You can spray paint graffiti in one room or paint in 3D in another. There is a music room, ping pong, and more.

With our Paracosma team members Sheltering in Place and working from home in California, US, Tokyo, Japan and Kathmandu, Nepal, we have experienced first-hand the impacts of Coronavirus lock downs, says Ken Ehrhart, Founder and CEO of Paracosma. We hope the gift of UnnamedVR will help other people suffering similar restrictions have some fun passing the time.

With a Mission of Making the Real World better through Augmented and Virtual Reality Paracosmas gift of Shelter in Place/UnnamedVR is part of a broader effort to help those affected by the Coronavirus/Covid19 Pandemic. Paracosma is also offering companies and event organizers free help in establishing custom Worlds to hold company meetings and events remotely in AltspaceVR, Microsofts social VR platform.

Shelter in Place/UnnamedVR is available in the Oculus Store, Viveport and Steam Stores for Oculus Rift/Rift S, HTC Vive/Vive Pro, Windows Mixed Reality, and Valve Index headsets.

Oculus Store: https://www.oculus.com/experiences/rift/2395882980466838/

Viveport: https://www.viveport.com/apps/03e0739d-6546-4fcb-8a7353a7fd4468f7/Shelter_in_Place/

Steam Store: https://store.steampowered.com/app/1112840/Shelter_in_Place/

About Paracosma

Founded in 2016, Paracosma is an Augmented and Virtual Reality (AR/VR) Service Provider with offices in the US, Japan and Nepal. Paracosma services include application development, 3D content creation, 360 video production, and project implementation across a broad range of AR & VR platforms. Additionally, Paracosma creates its own content in the gaming, entertainment, tourism, enterprise and education/training spaces. Paracosma also has proprietary technology for producing, viewing, managing and distributing 360-degree photo and video content.

Ken Ehrhart

Paracosma

[emailprotected]

Visit us on social media:

Facebook

Twitter

LinkedIn

Read the rest here:

Shelter in Place the most fun you can have without leaving your virtual home! - Gamasutra

Post COVID-19, World Will See Surge In Deep Tech Such As Augmented And Virtual Reality – Outlook India

Necessity is the mother of invention is how the proverb goes, but we won't be wrong to include the word innovation in the same breathe. The Coronavirus pandemic has dragged the world economy towards a plummeting graph. Likewise, it does have an impact on the technology world as well but perhaps, just perhaps, there is a bright side to it in the Deep Tech domain. This pandemic will surely ensure the implementation of technology -- considered nice-to-have until now -- transitions to must have.

In the aftermath of the pandemic, the benefits of being able to minimize close, day-to-day, people-to-people interactions, is sure to drive the growth of Deep Tech like Augmented and Virtual Reality (AR/VR) among others.

Deep tech is (admittedly) a subjective term, in order to group companies that use cutting-edge technologies to solve complex problems. Examples include: Artificial Intelligence, Robotics, Autonomous driving & delivery, AR/VR etc.

For Deep tech start-up, as the science is a part of the Intellectual Property (IP), it needs to work backward to find a problem that can be solved by the scientific breakthrough or invention and then corroborate it with the market size, while in a regular tech start-up we define the problem, understand the customer and end user base before developing a solution where we arrive at the solution via iterative experiments in the market with end users.

Virtual Reality (VR)/Augmented Reality (AR), Mixed Reality (MR) and Extended Reality (XR) are fields of new-generation information and communications technology, which features large application space, huge industry potential, and wide technical span, have significantly contributed towards our attempts to combating COVID-19.

These Deep Tech solutions have enabled work-from-home, distance learning, home-based fitness, immersive entertainment, and networked social interactivity making it a part of the 'new normal', besides providing rapid medical responses that have been made possible, during the onslaught of the pandemic.

So, even while most businesses suffer from the consequences of lockdowns and restrictions, across different countries, the urge to drive business continuity has led to a high demand for new-age technologies including AR/VR and its various forms such as, mixed reality and extended reality (MR & XR).

The discussions at this stage are no longer limited but instead have progressed towards experiencing, emphasizing key technologies, industry ecosystem, and integrated innovations in the application aspects. Concepts like near-eye display for example, an outcome of AR/VR technology have made herculean strides in the field of medical research, where priceless human lives are at stake.

Take another example of VR headset maker HTCs recently held VIVE Ecosystem Conference in March 2020. With several big-ticket events cancelled all over the globe in an effort to practice physical distancing, HTC went on to organize an event, based completely on VR technology. It drew 2,000 registrants from more than 55 countries, marked the first physical industry event that was fully replaced by VR (as well as XR). New normal anyone?

Also, software like Dynamics 365 Remote Assist on HoloLens and mobile devices help to enable cross-distance collaboration by sharing live views with experts for assistance. Experts can directly annotate the experience to provide an expert opinion. Earlier, these technologies were widely in use for field service repairs and training. However, in the current scenario, remote assist scenarios have been extended to emergencies in remote locations where medical experts are not readily available.

According to WHO Director General Dr. Tedros Adhanom Ghebreyesus, this outbreak is a test of human solidarity political, financial and scientific. He makes a significant point when he says that humanity needs to come together to fight this common enemy and that research should be an integral part of the response.You can be rest assured the Deep Tech industry worldwide will rise to this challenge and continue to research and innovate to ease the pain of millions throughout the world.

A Goldman Sachs 2016 report had suggested the revenue generated from software involving Deep Tech would be around $13.15 bn in 2020 and would be as high as 35 bn in 2025. The report estimates the revenue in sectors of Video Games, Live Events, Video Entertainment, Retail, Real Estate, Healthcare, Education, Military and Engineering. With Deep Tech shifting to become a must-have technology and like the computer, the figures could soar even further.

Life during the global lockdown and thereafter owing to the COVID-19 pandemic, will surely not be as smooth sailing without the advent and use of Deep Tech. From enabling online learning to opening access to cultural events and experiences, applications of AR, VR, MR, and XR will help us overcome the isolation of COVID-19 lockdowns, along with substantial support towards research for treatment and remedies, while coming up with a solution in the form of a vaccine, which is still in progress.

Not only can Deep Techinnovations help us tide over the current reality of COVID-19 but they also propose a potential where much can be built upon once cultural institutions, schools and workplaces reopen their doors. Besides hope that is.

(Dr. Pulkit Mathur is Chief Executive Officer, Queppelin, an Augmented and Virtual Reality services company).

Go here to see the original:

Post COVID-19, World Will See Surge In Deep Tech Such As Augmented And Virtual Reality - Outlook India

National Parks Week: How to Take a Virtual Reality Tour of U.S. National Parks – Newsweek

Americans across the country are being offered virtual experiences in their favorite National Parks as part of National Park Week.

According to the National Park Service (NPS), there are 419 parks in the National Park System (2019 figures). Out of these, 62 are officially national parks. In 2019, all the parks received over 327 million visits, with the Golden Gate National Recreation Area, Blue Ridge Parkway, and Great Smoky Mountains National Park attracting more than 10 million visits each.

However, with the novel coronavirus pandemic keeping people indoors, people are unable to visit their local parks. The National Park Foundation (NPF) has provided some ideas for households to use from the comfort of their own home.

From virtual tours and live webcams to educational activities for young park enthusiasts and games for all ages, there are countless ways to enjoy parks from home during National Park Week 2020 (April 18 - 26).

Become an Online Junior Ranger

Young aspiring rangers take heedyou can earn your junior ranger badges virtually. According to the NPF, the junior ranger program is available across the country to inspire young park visitors to explore, learn, and protect the national parks.

The National Park Service Junior Ranger program invites participants to join the National Park Service family by taking an oath to protect the land, resources, and history, continue to learn about our national parks as well as share their own stories with friends and family.

Some programs are not tied to a specific national park site. Children can read special themed booklets to help them explore new ways to engage with the parks. For example:

Read more

Tune Into Mindfulness With PARKTRACKS

This twelve-minute innovative audio experience that helps listeners escape into the sounds of a national park with recordings from the National Park Service's Natural Sounds and Night Skies Division. So whether you're ready to greet the day with the sounds of birds in the woods or listen to the rain as you go to sleep, they'll be something for everybody.

Take A Virtual Reality Tour

There's no need to leave your house to see the beauties of nature. Take a trip to a national park through digital tours and experiences. These can be accessed anytime and anywherefrom digitally diving under the sea to watching the cherry blossom trees bloom. Make sure to tag yourself on social media using #FindYourPark / #EncuentraTuParque.

See the article here:

National Parks Week: How to Take a Virtual Reality Tour of U.S. National Parks - Newsweek

Beyond Zoom: students immerse themselves in virtual reality classes – News – The University of Sydney

Associate Professor MacDougall, who directs the UniversitysSydney Human Factors Research Group, begins each lesson with a student-led literature discussion. Students then discuss the immersive stimuli that virtually surrounds them.

In a lesson on phobias, for example, students handled virtual spiders and looked down from the roofs of tall buildings. In a lesson on eating disorders, students could adjust the body-mass index for their own avatar (digital character) and track their eye movements to reveal preferences for healthy and unhealthy foods.

It was amazing seeing the students avatars piling in at the appropriate start time. It reminded me not to underestimate students. he said.

The students, too, enjoyed the unexpected format. It's more immersive than Zoom I feel like I know whos on the left hand side of me and the right hand side of me, even though were just headsets, one said.

With virtual reality, you can interact, you can shake hands, you can look around your environment. Its a lot different than just your bedroom or study, another added.

Associate Professor MacDougall believes the success of his fully virtual classroom could be helpful to other teachers, people, and industries. Virtual reality provides another way to connect with people. I hope my virtual classroom inspires this, he said.

This is not the first time the lab has been used as a virtual classroom. Veterinary science students have also used it to collaboratively disassemble, reassemble and label canine anatomy.

Hero image: Virtual Reality Therapy students' avatars, in their virtual setting. Credit: Hamish MacDougall.

Read more:

Beyond Zoom: students immerse themselves in virtual reality classes - News - The University of Sydney

YDX Innovation Announces Development Completion of Disney VR Game, Two New Titles and a Focus on Consumer-Based VR Initiatives – Benzinga

VANCOUVER, B.C. / ACCESSWIRE / April 27, 2020 / YDX Innovation Corp. (TSXV:YDX)(OTC:YDRMF)(FSE:A2PB03) ("YDX" or the "Company") is pleased to announce that its Arkave Studios team has completed the development phase of the previously announced game "Mickey Mouse and the Golden Heart". The Company would also like to state a new strategy focused on consumer-based content for gaming and corporate training.

The Company has recently finished the development of two other gaming titles in Virtual Reality: "Romans from Mars" in association with Liquid Media Group ((", NASDAQ:YVR, )) and a new title, not announced before as requested by the client, for an animation title being currently broadcasted by Cartoon Network in the USA and Netflix (NASDAQ:NFLX) Canada.

"The location-based entertainment industry has recently been affected by the COVID-19 pandemic, with most locations being closed, worldwide. But it's important to have new content ready to go, so when this unprecedented calamity is finally over, we will have great content waiting for people looking for a distraction and a sense of normality. We are in direct conversations with our clients and malls partners that are preparing a post-COVID plan of action"- stated Daniel Japiassu, CEO of YDX Innovation. "Part of these discussion include the possibility of bringing virtual experiences directly to consumers."

Arkave Studios and YDreams Global, have been responsible for seventeen Virtual Reality games and experiences for clients such as Coca-Cola, Shell, Cisco, McLaren and the University of British Columbia.

Recent studies by market research companies indicate Virtual Reality as one of the key sectors seeing growth opportunities during the COVID-19 pandemic and renowned publications as "The Guardian" report the increase in popularity of the consumption of virtual experiences during the Covid-19 crisis and a change of consumption habit that should change the growth rate of new technologies like Virtual and Augmented Reality after the pandemic has passed.

Sectors of Gaming and Education/Training are among the sectors identified as a probable increase in the growth rate.

As a result of this new reality, YDX would like to announce the expansion of the Arkave Studio's initiatives for content development, both for gaming and corporate/enterprise training. At the same time, the Company will seek to make leadership changes and expanding its salesforce to include a broader representation of its services and geographic markets.

The Company will focus on the creation of content with the potential to be consumed directly from homes as well in entertainment centers. The YDX team has started conversations with clients with the intention to further develop the current games to be adapted as a consumer-based content, but also looks forward to starting the development of its own new consumer-based titles developed by the Arkave Studios team.

YDX is making these changes at a time of unprecedented challenge for its clients. New content, titles and game customizations are core to their success, fueling the need for transformation and continuous innovation. Digital disruption is blurring traditional industry lines, making immersive and dynamic experiences an imperative. This disruption and other changes are happening at the intersection of reality and virtual experience.

Reference Links:

360 Market Research - VR in Education Report

ResearchandMarkets.com - VR Growth Reports

Fortune Business Insights - VR Gaming Report

The Guardian - Article: Beginning of a New Era

The Economic Times - Article: Will Covid-19 change the fate of virtual reality and augmented reality?

About YDX Innovation

YDX Innovation Corp. (TSXV- YDX: http://www.ydxinnovation.com) is a technology company that develops products and services and is an expert in immersive technologies like Augmented and Virtual Reality, eSports events and Interactive Exhibitions under the following three divisions:

Arkave VR Arena - https://sales.arkavevr.com/ - a gaming platform that brings the most immersive Virtual Reality experience to Location Based venues with a highly scalable business model. Developed as an all-in-one gamers haven featuring state-of-the-art free room tech right down to the most nostalgic gaming systems.

YDreams Global - http://www.ydreamsglobal.com - have developed over 1,300 interactive experiences for clients all over the world such as Disney, NBA, Adidas, Cisco, Nokia, Nike, Mercedes-Benz, Coca-Cola, Santander, AmBev, Qualcomm, Unilever, City of Rio and Fiat.

Game On Festival - http://www.gameonfestival.com - is an interactive entertainment event that celebrates the video game universe. Designed for gamers, families and fans of all ages, this Festival is a fusion of culture, entertainment and fun through Interactive Exhibits, Game Arenas, eSports Tournaments, high impact collective experiences, among other fun activities, all brought together in one large exhibition style event.

More Information:

Daniel JapiassuDirector and CEOdj@ydx.rocks(604) 704-6466

contact@ydxinnovation.com | http://www.ydxinnovation.com | http://www.youtube.com/ydreamsglobal

Disclaimer

Although the project represents a growing trend and focus on creative VR projects for the Company, revenues and other financial metrics at this moment from the project are not material to the Company and are generally consistent with other recent completed projects and those in the Company's current pipeline.

Neither TSX Venture Exchange nor its Regulation Services Provider (as that term is defined in the policies of the TSX Venture Exchange) accepts responsibility for the adequacy or accuracy of this release.

This communication contains "forward-looking statements" within the meaning of applicable Canadian securities regulations. All statements other than statements of historical fact herein, including, without limitation, statements regarding our current and future plans and objectives, are forward-looking statements that involve various risks and uncertainties. There can be no assurance that such statements will prove to be accurate and future events and actual results could differ materially from those anticipated in such statements. Important factors that could cause actual results to differ materially from our expectations as well as a list of risk factors that we deem relevant are disclosed in the documents we file from time to time via SEDAR with the Canadian regulatory agencies to whose policies we are bound. Forward-looking statements are based on our current assumptions, estimates and opinions and are inherently subject to significant business, economic and competitive uncertainties and contingencies, many of which are difficult to predict and generally beyond our control. We do not undertake any obligation to update forward-looking statements should our assumptions, estimates or opinions change, other than as required by law and readers are advised not to place undue reliance on forward-looking statements.

Statements included in this announcement, including statements concerning our plans, intentions and expectations, which are not historical in nature are intended to be, and are hereby identified as, "forwardlooking statements". Forwardlooking statements may be identified by words including "probable", "anticipates", "believes", "intends", "estimates", "expects" and similar expressions. The Company cautions readers that forwardlooking statements, including without limitation those relating to the Company's future operations and business prospects, are subject to certain risks and uncertainties that could cause actual results to differ materially from those indicated in the forwardlooking statements. The Company's statements expressed or implied by these forward-looking statements are subject to a number of risks, uncertainties, and conditions, many of which are outside of the Company's control, and undue reliance should not be placed on such statements. Forward-looking statements are qualified in their entirety by the inherent risks, including: material adverse consequences of the COVID-19 pandemic; unanticipated changes in laws, regulations or other industry standards affecting the business of the Company; the effects of general economic and other factors beyond the control of the Company, and other matters that may occur in the future. Except as required by securities law, the Company does not assume any obligation to update or revise any forward-looking statements, whether as a result of new information, events or otherwise.

SOURCE: YDX Innovation Corp.

View source version on accesswire.com: https://www.accesswire.com/587102/YDX-Innovation-Announces-Development-Completion-of-Disney-VR-Game-Two-New-Titles-and-a-Focus-on-Consumer-Based-VR-Initiatives

Read more from the original source:

YDX Innovation Announces Development Completion of Disney VR Game, Two New Titles and a Focus on Consumer-Based VR Initiatives - Benzinga

Hunter Library continues to assist faculty, students with virtual research, including 3D anatomy – Western Carolina University News

When Ashley Hyatt, assistant professor of physical therapy at Western Carolina University, recently needed to show her students various perspectives of the human brain, there was a challenge.

Normally, Hyatt teaches from a classroom, in the laboratory and using clinical demonstrations. But in this case, she was faced with the new normal of COVID-19.

No problem. Enter the staff and resources of Hunter Library.

Jill Ellern, associate professor and IT systems librarian, had obtained Organon Virtual Reality anatomy atlas software earlier in the semester, just before spring break. Students share video game play all the time with websites like Twitch, Ellern said. Making on-demand videos of educational topics seemed like it would be a great service we could provide to the faculty and students.

Following trial runs and discussion with faculty, Ellern and Hyatt were ready to put the application into use.

Jill and I did a recorded Zoom session while she removed parts of the brain in virtual reality, so we could show the students a three-dimensional perspective of the basal ganglia, Hyatt said. I did the voice-over while she did the step-by-step dissection, so students were getting a good description of the parts from different angles, very much like they would with an anatomic model in the lab.

Jill Ellern enters the virtual realm.

Although the Hunter Library building is closed to the public, the staff are still performing duties while practicing COVID-19 precautions, and are available to respond to many faculty and student requests for educational and research materials needs. The 3D example Hyatt and Ellern utilized fulfilled course requirements.

Dr. Hyatt always goes above and beyond when it comes to educational experiences, but I was absolutely blown away when half-way through the lecture, a virtual reality clip of a simulation of the brain in a lab appeared, said Bianca Boieru, a first-year doctoral student in the physical therapy program. With me being more of a visual learner, I highly valued our time in the anatomy lab. With our educational transition moving from face-to-face lecture to the online format, she found a way to give us back a piece of that experience. With something multi-layered and unique like the anatomy of the brain, the virtual reality simulation helped me visualize better than I could from any 2D textbook. Im grateful for this type of technology that helps give students back the experience of being in the anatomy lab.

Another participating student readily agreed. Being able to see such a complex structure, like the brain, in 3D has greatly contributed to my understanding of the location and orientation of structures within the cerebrum, said Abby Murrell, also a first-year doctoral student in the physical therapy program. I feel very fortunate to have faculty and resources that optimize learning even from an online platform.

Physical therapy students must undergo a great deal of advanced instruction and experience with human anatomy in order to give their future patients the best possible care, said Ann Hallyburton, the librarys liaison to the College of Health and Human Sciences.

The use of virtual anatomy tools in remote physical therapy education will hopefully aid students and their professors in these interesting times when access to the laboratories and other hands-on experiences with anatomical study have been made so challenging, Hallyburton said. In addition to the interactive, illustrative model-based learning provided by the 3D Organon tool, Hunter Library has also temporarily made available to students the Aclands Video Atlas of Human Anatomy, an electronic resource offering exploration of real human cadaver-focused anatomical instruction with a special emphasis on the mechanics of body movement, and McGraw-Hill Medicals AccessPhysiotherapy, an electronic resource melding physical therapy electronic textbooks, videos and self-assessments.

These tools join the librarys permanent access to Informas Anatomy.tv that offers interactive 3D models of human anatomy, numerous electronic research databases and journals, and the services of an experienced librarian who provides research assistance via Zoom, email, chat and telephone, Hallyburton said.

Hunter Library has always supported the early stages of the research lifecycle, said Sarah Steiner, associate professor and head of instruction services. Whether selecting a topic, narrowing or broadening that topic, then finding, evaluating and synthesizing credible sources on that topic. With the Scholar Studio, we aim to close the loop on the research lifecycle by helping faculty and students to create multimedia research and scholarly projects.

The library also offers a mobile application that provides for easy access to online resources and services. In addition to providing a digital library card, the app allows users to check library hours, reserve study space, search databases, browse the catalog to request materials, and manage their account by reviewing due dates and renewing items. The app works for smartphones and tablets, and can be found under WCU Hunter Library through the App Store for iOS devices or Google Play for Android devices.

In addition to the VR anatomy lab and online platforms, the traditional book loan and checkout process remains available, with a staff member getting the physical item to a patron outside of the building.

Hunter Library is one of the few libraries in the University of North Carolina System that did not cancel any of the services to students and faculty, said Farzaneh Razzaghi, dean of WCU library services. Our dedicated staff and librarians answer questions through chat, email and phone, borrow materials from other libraries and, if a journal is available, scan the articles and email them to students and faculty. We also check online requests for physical materials that are included in our collection.

For information, visit library.wcu.edu.

Read more:

Hunter Library continues to assist faculty, students with virtual research, including 3D anatomy - Western Carolina University News

Virtual Reality(VR) for Healthcare Industry 2026 Key Players Profiles and Market Analysis Research to 2020 – Jewish Life News

Global Virtual Reality(VR) for Healthcare Market 2020 Research Report is a professional and in-depth study of market growth, Trends, share, industry overview, size, top player and forecast to 2026 on the current state of the Virtual Reality(VR) for Healthcare industry. The report also provides a basic overview of the industry including definitions, classifications, applications and industry chain structure. The Virtual Reality(VR) for Healthcare Market analysis is provided for the international market including development history, competitive landscape analysis, and major regions development status.

Get Sample Copy at https://www.orianresearch.com/request-sample/1489398

Development policies and plans are discussed as well as manufacturing processes and industry chain structure is analyzed. This report also states import/export, supply and consumption figures as well as manufacturing cost, global revenue and presents gross margin by regions like North America, Europe, Japan, China and other countries (India, Southeast Asia, Central & South America, Middle East & Africa etc.)

No. of Pages: 90

Key Companies Analyzed in this Report are:

Philips Healthcare

GE Healthcare

Intuitive Surgical

WorldViz

The report focuses on Global Virtual Reality(VR) for Healthcare Market major leading industry players with information such as company profiles, product picture and specification, capacity, production, price, cost, revenue and contact information. Upstream raw materials, equipment and downstream consumers analysis is also carried out. Whats more, the Virtual Reality(VR) for Healthcare industry development Trends and marketing channels are analyzed. Finally, the feasibility of new investment projects is assessed, and overall research conclusions are offered. In a word, the report provides major statistics on the state of the industry and is a valuable source of guidance and direction for companies and individuals interested in the market.

Customization Service of the Report:

Orian Research provides customization of reports as per your need. This report can be personalized to meet your requirements. Get in touch with our sales team, who will guarantee you to get a report that suits your necessities.

Major Points Covered in Table of Contents:

1 Report Overview

2 Global Growth Trends by Regions

3 Competition Landscape by Key Players

4 Breakdown Data by Type (2015-2026)

5 Virtual Reality(VR) for Healthcare Breakdown Data by Application (2015-2026)

6 North America

7 Europe

8 China

9 Japan

10 Southeast Asia

11 India

12 Central & South America

13 Key Players Profiles

14 Analysts Viewpoints/Conclusions

15 Appendix

About Us

Orian Research is one of the most comprehensive collections of market intelligence reports on the World Wide Web. Our reports repository boasts of over 500000+ industry and country research reports from over 100 top publishers. We continuously update our repository so as to provide our clients easy access to the worlds most complete and current database of expert insights on global industries, companies, and products. We also specialize in custom research in situations where our syndicate research offerings do not meet the specific requirements of our esteemed clients.

Contact Us

Ruwin Mendez

Vice President Global Sales & Partner Relations

Orian Research Consultants

US: +1 (832) 380-8827 | UK: +44 0161-818-8027

Email: [emailprotected]

See original here:

Virtual Reality(VR) for Healthcare Industry 2026 Key Players Profiles and Market Analysis Research to 2020 - Jewish Life News

Sergei Polunin Embraces the Future of Dance by Collaborating With Sensorium Galaxy in 3D Social Virtual Reality | Press release – Bitcoin News

24 April 2020, Los Angeles: Sensorium Galaxy, the leading global virtual reality media platform has struck up a partnership with the Sergei Polunin Charity Foundation for the galaxys new Planet of Motion. The Sergei Polunin Charity Foundation for the Support and Development of Arts is headed by the world-renowned ballet dancer Sergei Polunin and his unique and world-beating talents are being virtually incorporated, for users to emulate, in the landmark 3D social virtual reality world that is the Sensorium Galaxy.

The Planet of Motion is one of five planets orbiting the Sensorium Galaxys Entertainment Star in which users can enjoy beauty and artistry of different dance styles including modern, improvised, ballroom, jazz, breakdance, ballet and more.

The Sensorium Galaxy media platform enables the seamless broadcast of virtual reality content to users all around the globe. Based on social virtual reality technology the platform signals a radical step change in the experience of virtual reality. The Sensorium Galaxy enables users to interact with each other, and avatars, as events are either live-streamed or accessed from a library.

Polunin is a world star and something of a legend in his own lifetime; he conquered not only world ballet but also made a mark in the film, fashion and advertising industries. Polunin is also known for his collaborations with famed American photographer and music director David LaChapelle. His meteoric rise to fame was also captured in a 2016 documentary Dancer.

For the Planet of Motion, Sergei Polunins photorealistic avatar has been created and his dance performances digitized for integration into the planets 3D virtual reality space. Further, the Charity Fund for the Support and Development of Arts of Sergei Polunin, as a partner with Sensorium, will be the producer of the Planet on Motion. Within this context, Sergei Polunin will also personally bring ten other leading world dance stars into the project. Their avatars will be created and performances also digitized for the Planet of Motion.

Speaking of his partnership with Sensorium, Polunin said: The Sensorium Galaxy Planet of Motion is the future. We are memorizing dance because dance will exist in a virtual world forever. The Planet of Motion is a game changer and Im happy to be involved in this collaboration.

Brian Kean, Chief Communication Officer Sensorium Corporation, added: Its exciting to have Sergei Polunin on board the Planet of Motion. He is a widely recognized international talent. Within his professional activities, he also brings together dancers, contemporary artists, musicians and choreographers from different creative backgrounds which dovetails perfectly with what we are creating with Sensorium Galaxy.

The Planet of Motion Sensorium has developed a ground-breaking concept featuring compellingly beautiful virtual scenery in which world dance stars create a new kind of 3D social art, synthesized from the abilities of the human body and enhanced by the ground breaking features of the new technology.

Brian Kean, Chief Communication Officer Sensorium Corporation, added: There are no limits on the Planet of Motion. Gravity exists in the physical world but not in our 3D social virtual reality world. Dance is one of the oldest forms of self-expression and Sensorium Galaxy gives participants the opportunity not only to contemplate and explore the beauty of body language but also to learn from the worlds masters of dance.

The Planet of Motion is the second virtual world after the Planet of Music to be created as part of the Sensorium Galaxys entertainment constellation. In the near future, as the Sensorium Galaxy continues to expand outwards the purpose of the constellations third planet will be revealed.

About Sensorium GalaxySensorium Corporation, together with Redpill VR, is currently developing the Sensorium Galaxy social virtual reality platform which enables the seamless broadcast of synchronized virtual reality content to users all around the globe. This platform signals a radical change in the way users can experience virtual reality, moving beyond its previously solitary nature. Sensorium Galaxy enables users to interact with each other as events are either live-streamed or accessed from a library. Sensorium Galaxy also signals an evolution of social networks, with users not confined to one-dimensional platforms, but able to engage and interact with friends and other users in a virtual environment. Sensorium Galaxy will be comprised of themed planets that present users with different options for social interaction.

About Sensorium CorporationSensorium Corporation is a technology company that creates digital simulations of real-world venues and virtual worlds in cooperation with its content partners globally recognized concert venues, clubs and festivals. Investment in the project to date is approximately $70 million, and it has come from a group of EU companies in both the gaming and entertainment industries.For more information, visit sensoriumxr.com

About the Polunin FoundationThe Charity Foundation for the Support and Development of Arts of Sergei Polunin was created in July 2019 at the initiative of Sergei Polunin. The three main goals of the Fund are the search and development of young talents around the world; support of professional dancers, choreographers, composers and other participants in dance projects; the development of ballet as an art and spectacle, the creation of performances at the intersection of different types of arts and technologies.

For more information, visit https://polunin.foundation/en/index/

This is a press release. Readers should do their own due diligence before taking any actions related to the promoted company or any of its affiliates or services. Bitcoin.com is not responsible, directly or indirectly, for any damage or loss caused or alleged to be caused by or in connection with the use of or reliance on any content, goods or services mentioned in the press release.

More:

Sergei Polunin Embraces the Future of Dance by Collaborating With Sensorium Galaxy in 3D Social Virtual Reality | Press release - Bitcoin News

Online Learning, Hybrid Classes and Virtual Reality: Philly Universities Prepare for a Risky Fall Semester – Philadelphia magazine

Coronavirus

Planning for the fall has become a top priority for universities both locally and nationwide, especially as the pandemic takes its financial toll. Here's what Philadelphia schools are considering and why.

Fall semester could look a lot different at Philadelphia area universities. Clockwise from top left: Photo by CCPedu via Wikimedia Commons; AP Photo; Photo by Jeff Fusco

The high school seniors who saw their graduation ceremonies ripped away by COVID-19 this spring may now have to worry about their plans for the fall semester: As the pandemic continues to claim lives and hamstring virtually every sector of society, universities in Philadelphia and around the country are preparing for the possibility of remote learning come September.

The New York Times reported last week that the coronavirus has already cost U.S. universities millions of dollars, thanks to factors like sports season cancellations, housing payment refunds, demand for tuition discounts and fundraising challenges.

Here in Philadelphia, the University of Pennsylvania has announced a hiring freeze on all positions. Meanwhile, a 20-year-old South Carolina native has filed a federal class-action lawsuit against Drexel University, seeking more than $5 million in collective refunds and damages for himself and his classmates. The student, Grainger Rickenbaker, alleges that Drexel has diminished the value of any degree by moving to an online curriculum. (Drexel has not commented on the lawsuit.)

Universities and colleges in the Philly region have cancelled in-person summer programs, and many are now confronting the possibility that fall courses will have to be conducted online as well. Contacted by Philadelphia, schools like Thomas Jefferson University, the Community College of Philadelphia, Villanova University and La Salle University say they are either planning or poised to plan for all scenarios, including online learning.

For those schools and others, its not yet clear what will happen in August and September: Spokespeople said arrangements will largely revolve around mandated shutdowns and the citys and states stay-at-home orders. Planning for anything right now feels impossible and for that reason, many schools are considering multiple possibilities.

Bora Ozkan, assistant professor of finance at Temple University and academic director of the online MBA and BBA programs at the Fox School of Business, predicts that universities will rely on a mix of in-person and remote learning this fall semester, given what we know now. A working group at Hampshire College in Amherst, Massachusetts, for example, is currently considering a plan that would allow students to cycle in and out of remote learning if the virus comes and goes, the New York Times reported in its piece last week.

If we open up the economy, we may see a spike again in the spread of the coronavirus, Ozkan says. Even if courses are not online and we go back to campus, I forecast that we cannot enforce in-person participation. We may have to offer students the option not to come and either offer the same course online or simulcast the course so students can watch the course from home.

Ozkan notes that many universities employ faculty members who are over 65 years old the demographic particularly susceptible to COVID-19s worst symptoms and higher fatality rates. Is faculty willing to risk themselves and teach in person? Ozkan asks. I dont think the university can, in a situation like this, force the faculty to do that.

Schools in the Philadelphia area are already resigned to the potential for a combination of online and in-person instruction this fall. Shannon McLaughlin Rooney, a spokesperson for the Community College of Philadelphia, says the school is planning for multiple possible scenarios, including fully in-person classes, hybrid classes with a mix of in-person and online instruction, and fully remote classes.

Similarly, Drexel University president John Fry says the school aims to resume on-campus operations to the greatest extent possible.

However, online courses are not necessarily cheaper for the university, and maintaining both online and in-person courses could be costly, Ozkan stresses. And the financial strains schools are facing could get worse: The University of Arizona announced furloughs and pay cuts for most of its staff last week. The American Council on Education, a trade group, predicted on April 9th a 15 percent enrollment drop for the next academic year including a 25 percent decline in enrollment for international students.

If enrollment drops and universities continue to suffer financially, theyll be hard-pressed to come up with solutions. Options could include cutting in-person costs and relying solely on remote learning or attempting to recoup finances through as much in-person programming as conditions allow.

Its better to wait and see, Ozkan says. At some point in July or August, theyll have to make that decision.

Either way, one lesson is sure to come out of this, Ozkan says: COVID-19 is going to be a catalyst for education technology.

Last month, he began teaching a Fox online MBA course in a virtual reality format one of the first of its kind. The roughly 20 students in the course were mailed virtual reality headsets after signing up. During class, they enter a virtual lecture hall, complete with the Philadelphia skyline in the background.

While its highly unlikely that that sort of technology will be widespread this fall, Ozkan suggested that universities might be incentivized to at least simulcast their courses meaning stream them online for students who are unable to come in.

I have a feeling we may see more and more [simulcasting], which will help with maintaining social distancing, Ozkan says. If you have a class of 40 and 20 came in [to the classroom], those 20 can better distance themselves in the classroom, and in the meantime, those who chose not to come in can distance themselves at home.

For its part, the Community College of Philadelphia has already convened an administrative group to work on a plan that will focus on online learning and technological advances in the short term and permanently, Rooney says: Regardless of how this pandemic continues, we know the shift to technology-based education will accelerate.

See more here:

Online Learning, Hybrid Classes and Virtual Reality: Philly Universities Prepare for a Risky Fall Semester - Philadelphia magazine

Education – The Zeitgeist Movement US

The official, representative text of the global not-for-profit sustainability advocacy organization known as The Zeitgeist Movement (TZM). This is a 320-page guide defining all of the core ideas of The Movement, documented with over 800 sources.

The First Civilization by Jas Garcha is a well-written introduction into a resource-based economy (RBE). The arguments are scientific and substantiated by 138 citations in the reference section. The book gives full credit to Jacque Fresco and his life-work, The Venus Project. After presenting the basic ideas in the first part, Jas Garcha logically answers typical objections and gives a long-term plan with considerable detail how to test whether the RBE concept actually works while moving towards it at the same time.

In this bold new look at the recent uncontrolled spread of global capitalism, John McMurtry, professor of philosophy at the University of Guelph, develops the metaphor of modern capitalism as a cancer. Its invasive growth, he argues, threatens to break down our society's immune system andif not soon restrainedcould reverse all the progress that has been made toward social equity and stability. On every continent, in every state, there are indicators of profound economic and environmental collapse. From the lands of indigenous communities to the currency markets of Asia, from the ocean floors to the ozone layer, the collapse is all-encompassing and deep-reaching.

See more here:

Education - The Zeitgeist Movement US

‘Crip Camp’: two disability rights activists and their summer of love – The Jewish News of Northern California

Crip Camp: A Disability Revolution is a new documentary on Netflix about a summer camp for disabled kids in upstate New York. Founded in 1951, by the early 70s it was run largely by hippies. Some of those counterculture-era campers went on to become high-caliber activists who teamed up to bring about big changes in civil rights laws, notably the 1990 Americans with Disabilities Act.

The 108-minute film is worth viewing on its own merits it premiered at the Sundance Film Festival in January, where it won the audience favorite award but it also features a number of local ties.

It was co-directed by Bay Area filmmakers Jim LeBrecht (a former camper) and Nicole Newnham, and produced by them along with Sara Bolder of Oakland. LeBrecht and Newnham will take part in a live discussion of the film sponsored by the Jewish Film Institute on May 7 at noon.

Among those prominently featured in the film are Neil Jacobson and Denise Sherer Jacobson, an Oakland Jewish couple who met at Camp Jened as teens in 1968. Denise, now 70, served as a consultant on Crip Camp and was the person who came up with the provocative title (crip being the disability communitys reclaiming of the historically derogatory term cripple).

The documentary profiles a summer of love at Camp Jened in the Catskills. But the campers connections and thirst for their civil rights extended beyond their summer idyll, as many went on to become architects of the disability rights movement.

The film follows them staging the 1977 national protests known as the 504 Sit-in, demanding enactment of Section 504 to put teeth in federal legislation that had been passed in 1973 to end discrimination against disabled people. In San Francisco, the Black Panthers fed the protesters and the Salvation Army provided them with mattresses. By 1990, theyd achieved passage of the Americans with Disabilities Act.

The documentary includes interviews with LeBrecht (who attended the camp at age 15), disability rights pioneer Judy Heumann (a counselor at the camp), and Neil and Denise (native New Yorkers, each with cerebral palsy).

Years later, Neil and Denise came to the East Bay as graduate students, got married and adopted a son (chronicled in Denises book The Question of David). They became successful professionals and career activists; theyre also members of Temple Sinai in Oakland, where Neil serves on the board of trustees.

The son of Holocaust survivors, Jacobson, 67, said in an interview for this story that having a boy with a severe disability was devastating to [my parents]. In the Holocaust, disability equated to death. They were determined that I be independent in order to survive.

Denise, an oral historian in addition to having a career as an educator, recounted how the film and its title came about. Part of the story has to do with her recently completed but yet-to-be-published book, My Camp Jened Summer: A Teenage Misfits Tale of Love, Heartache, and Belonging.

In 2011, Jim [LeBrecht] and I bumped into each other in Berkeley, she said. I was working on my memoirs of camp, and Jim had always dreamed of making a film about camp. Wed get together from time to time to discuss it. One day we were bantering [about] titles and I threw out Crip Camp. It was an off-the-cuff thing, but it stuck. I had second thoughts later because I wasnt sure how the disability community or the public would receive it.

For starters, her now-husband was taken aback that is, he said, until I realized what a great eye-opener it is. It shows that theres a disability community with its own culture, that enjoys life.

The camp closed in 1977, but reopened at another New York location in 1980, before succumbing to financial difficulties once again in 2009 and shutting its doors for good.

Jened was transformative, Denise recalled. Outside camp, we lived in a world all too ready to label, stereotype and exclude us because of our disabilities. At Jened, we could escape the restrictions and stereotypes society had ascribed to us as people with disabilities since the time we were children.

In addition, she continued, Jened fostered my sense that I could be of help to others. As a camper, I was expected to assist my bunkmates. Before I went to Jened at age 16, I always got the message that I would always be the one needing help.

No less important than the camps emphasis on individual potential was the exposure it afforded campers via its mostly college-age staff of ex-campers, hippies and anti-war activists to the revolutionary zeitgeist of the civil rights movement and Vietnam War protests. Campers and staff were there to have fun together, as equals, Neil said.

The film includes a tour of the camp, captured some 50 years ago by a teenage LeBrecht, that shows the secluded places where campers would go with their girlfriends or boyfriends at night.

If you have any doubts about what we did, Neil said as a bit of teaser, watch the film. One of the women counselors taught me how to kiss. One of the best physical therapies ever!

That was part of the magic of Camp Jened. Rather than treating its disabled campers with kid gloves, it recognized them as the boisterous, hormonal teenagers they were.

Denise and I have spoken at a few Crip Camp Q&A sessions, Neil said. Im surprised that the focus [of the questions] has been mainly on [the films] advocacy aspects and little on the camaraderie and social aspects. Disability isnt always heavy. Having fun, fully living life, enjoying family and friends are just as important.

The rest is here:

'Crip Camp': two disability rights activists and their summer of love - The Jewish News of Northern California

The Labour Left Didn’t Start With Jeremy Corbyn’s Leadership, And It Won’t End There Either – Jacobin magazine

Review of Leo Panitch and Colin Leys, Searching for Socialism: The Project of the Labour New Left from Benn to Corbyn (Verso Books, 2020)

With Jeremy Corbyn having now departed from the leadership of Britains Labour Party, the postmortems have begun in earnest. For bien-pensant liberal and conservative pundits a ubiquitous presence in the British media Corbynism could only ever have ended in a historic election defeat. Such accounts usually erase the memory of the 2017 general election, when, under Corbyns leadership, Labour came close to unseating the Conservatives on an ambitious left-of-center manifesto.

But with Labour having now lost four consecutive general elections in a decade, under party leaders from its right, center, and left wings respectively, its clear that more fundamental factors underlie the partys current crisis.

Searching for Socialism, a fresh study of Labours New Left by Leo Panitch and Colin Leys, thankfully provides the kind of historical context so commonly absent from mainstream discussion. A follow-up to their earlier volume, The End of Parliamentary Socialism, the book condenses and reprises the thesis of its predecessor, while taking stock of the turbulent Corbyn era and Labours heavy loss in Decembers general election.

Panitch and Leys explore the contentious relationship of Labours New Left to social democracy, working to defend its gains while aiming to go beyond them. They trace the story of this current from its initial origins in the second half of the 1960s through its efforts to transform Labour beyond recognition in the 1970s and 80s, and the myriad controversies flowing from those struggles.

They then conclude by assessing Corbynism which marked the first time that the Labour New Left had won the party leadership and the furious, scorched-earth counteroffensive with which it was met by Labours entrenched old guard.

Labours New Left first started to take shape under the leadership of Harold Wilson. Having led Labour into government in 1964, Wilson initially inspired considerable enthusiasm among British socialists. He had a seemingly radical past: a former confrere of Aneurin Bevan, Wilson had resigned from Clement Attlees government along with his mentor in 1951, in protest at the introduction of charges for some NHS services.

Wilson also had a notable talent for double-talk, as Panitch and Leys note, and came to office promising to unleash the white heat of a technological revolution, shaking up Britains decrepit class structure and marching boldly into a new era of change. But Wilson had the misfortune to govern just as the long postwar capitalist boom was showing signs of faltering. A generation of trade unionists had grown up in an acquisitive, affluent society, and many realized that the reality of their own lives didnt measure up to the images with which they were bombarded by television and advertising.

Simultaneously, a new intellectual ferment was taking hold in the universities, as movements oriented toward anti-imperialist, feminist, and anti-racist causes similarly tested the boundaries of the social-democratic consensus. Forging unity between the two strands of this New Left would prove onerous, but they shared a disdain for the traditional parties of social democracy.

In spite of this tension, there was a drift of New Left activists into the Labour Party after Wilsons government fell in 1970. The limitations of fragmented and often localized activity had become apparent to these activists through experience, and they turned to Labour in the hope of scaling up their campaigns.

Their goal was to turn Labour into a pole of attraction around which social movements could coalesce, and to make it a vehicle for raising socialist consciousness as well as an electoral machine. The consequences for the party over the following decade both at the national level and in local government would be profound.

Tony Benn provided the burgeoning Labour New Left with the leadership it had hitherto lacked. By the mid-1970s, it had proven itself as a force to be reckoned with, both in the party and in the trade unions. Previously a modernizing and broadly centrist Labour technocrat who seemed to be in tune with the Wilson zeitgeist, Benn had been radicalized by the frustration of his experience in government, and he saw more clearly than most the threat posed by the emerging New Right. To preserve the gains made by social democracy in the postwar period, Benn argued, it was essential to go beyond them.

Panitch and Leys are quick to debunk common stereotypes that claim the Bennites failed to come to terms with the inexorable rise of globalization. In fact, it was precisely because they recognized the threat a more mobile regime of capital movement would pose to the postwar social compact that they felt it necessary to respond by subordinating capital movements to popular needs. Labours 1974 manifesto, which famously contained Benns ringing call for a fundamental and irreversible shift in the balance of wealth and power in favour of working people and their families, bore the unmistakable stamp of the New Left.

Though Labour returned to government in 1974, the Bennite left had imposed a left-wing program on a party leadership that essentially didnt believe in it. Benn himself sought to use his new position as industry secretary to pursue experimental new models of worker ownership and economic democracy. In doing so, he faced opposition from an uncomprehending Labour leadership, the mainstream press, and his own civil servants, all at once. After the 1975 referendum on membership of Europes common market, in which Benn had campaigned unsuccessfully for Britains withdrawal, Harold Wilson took the opportunity to demote the troublesome minister.

After Wilson stood down as prime minister in 1976, his successor, James Callaghan, took to the rostrum at the Labour Party conference to signal a final abandonment of Keynesianism, in a speech that would be warmly received by none other than Milton Friedman. We used to think that you could spend your way out of a recession and increase employment by cutting taxes and boosting government spending, Callaghan informed delegates and media onlookers. I tell you in all candor that that option no longer exists.

The focus of the Bennites thus turned to democratizing the Labour Partys constitution so that, in future, party leaders could not disregard rank-and-file opinion so casually. The reforms they sought included mandatory reselection of sitting Labour MPs (in effect, forcing them to seek a renewed endorsement from their local party before each general election), and granting ordinary party and union members the right to vote in Labour leadership elections.

Democratizing the Labour Party was, in the eyes of the Bennites, a necessary precursor to the future democratization of the British state. Favorable political changes in the trade unions greatly assisted their campaign: many unions were moving leftward at this time, depriving party leaders of the iron control they had previously exerted over Labour conferences.

Tony Benns concern with party democracy was neither an opportunistic way of boosting his own leadership prospects nor a fetish. For him, democracy was a prerequisite for building mass popular support for and involvement in radical social change. Benn saw himself primarily as a tribune and a teacher, raising the sights of the exploited and oppressed. A future socialist Labour government was to serve, in Benns words, as the liberator unlocking the cells in which people live.

He recognized that neither the Labour Party nor the trade unions had offered any serious program of political education, satisfying themselves instead with a reformed capitalism. As the 1970s wore on and the crisis deepened, the diminishing value of this approach, and the impossibility of continuing in the same vein, became ever clearer.

However, this campaign for party democracy met with aggressive pushback from Labours main power holders. As a result, the Bennite New Left was forced to devote huge amounts of energy to overcoming the internal resistance it encountered inside the party. As Panitch and Leys observe, it became preoccupied with that intraparty struggle and was left with little energy for doing anything else outside it.

By comparison, the Thatcherite takeover of the Conservative Party only faced half-hearted opposition. While the Bennites were bogged down in internecine warfare, the Thatcherites were able to quickly get on with addressing their doctrine to the wider public.

Some Labour MPs compounded this problem by peddling lurid tales of hard-left sectarianism and intolerance to a media that was only too eager to consume them. Attempts by constituency parties to replace right-wing Labour MPs saw the targets swiftly elevated to martyr status in newspaper and broadcast coverage.

Although the Bennites succeeded in extending the franchise for Labour leadership elections and securing mandatory reselection of sitting MPs, it proved to be a step too far for some and split the party. Twenty-eight Labour MPs decamped to the breakaway Social Democratic Party after it was formed in 1981.

This fissure in the anti-Tory vote proved to be devastating, and the Thatcher government having come through a fraught early period, including a sharp recession was well placed to take advantage.

Before the new system for leadership elections could be introduced, however, Labours parliamentary party installed Michael Foot as leader under the old arrangements. Foot was another acolyte of Bevan, about whom he had written a poignant two-volume biography. But Foot was no longer the radical hero of the Labour left, having served as one of the key mainstays of the unpopular WilsonCallaghan governments of 197479.

While Foot did pursue some left-wing policies as Labour leader, including unilateral nuclear disarmament, he sought above all to play the role of unifier, ensuring that his leadership would be defined by its bumbling incoherence, trying to placate all sides and satisfying none. In any case, the first beneficiary of the electoral-college system for electing Labour leaders was Neil Kinnock, who greatly accelerated the counterrevolution against the Bennite New Left.

Elected leader after Labours colossal defeat in the 1983 general election, Kinnock was confronted by a divided, demoralized Left that was unsure of how to approach him. As a protg of Foot, Kinnock had his own left-wing credentials. Previously supportive trade unions, now suffering badly under the Thatcherite assault, had abandoned the Bennites. The all-consuming priority in Labour was ending Thatcherism, without any clear idea of what to replace it with.

The Labour New Left split in two: some regrouped around Marxism Today, house journal of the Eurocommunist wing of Britains Communist Party, while others formed the Socialist Campaign Group, a parliamentary faction of Bennite die-hards. As Marxism Today gravitated toward a new radicalism of the centre and (in some cases, inadvertently) laid the foundations for New Labour, the Campaign Group retreated to a more workerist position, devoid of much of its old creativity, and hunkered down for hard times ahead.

With the Bennite left all but vanquished, the advent of New Labour saw the party reconcile itself (seemingly for good) with neoliberal capitalism. Tony Blairs giddy embrace of light-touch financial regulation, privatization, and imperialist wars of aggression made him a hated figure on what remained of the Labour left.

That left faction was, however, ill-equipped to resist as Blair did away with timeworn Labour shibboleths, most notably Sidney Webbs 1918 Clause IV, with its commitment to state ownership. In any case, few seriously believed by the mid-1990s that Labour was committed to reversing the privatizations of the Thatcher years, let alone doing anything more radical.

Blair led Labour to three election wins, but the music finally stopped for New Labour when the global financial system went into meltdown in 2008, and Gordon Brown led the party to a bad defeat two years later. The financial crisis and the austerity that followed under David Cameron largely erased the modest gains of thirteen years of social reform under Blair and Brown, as Panitch and Leys point out. A reluctant rebellion against Labours long rightward drift finally began to crystallize, first in the trade unions and then in the party itself.

Ed Miliband became Labour leader in 2010, promising to move on from New Labour, but he was elected on the back of the votes of trade unionists, not those of party members. His brother, die-hard Blairite David Miliband, won 44 percent of the Labour membership vote, compared to just under 30 percent for Ed. The constituency Labour parties, for so long strongholds of the Left, had been hollowed out.

Lacking organized support, either within the Parliamentary Labour Party or in the constituencies, Miliband was browbeaten into adopting an uninspiring austerity-lite platform as the ToryLiberal Democrat coalition government tore chunks out of Britains welfare state. The result was another Labour defeat in 2015, including a near-total collapse in Scotland a canary in the mine for the partys near future.

Miliband immediately resigned, and the Labour leadership election that summer started in bleak fashion, as candidates from the partys right and center competed to disown Milibands allegedly excessive radicalism. With the Labour right flagellating itself about New Labours public-spending record, it fell to the depleted forces of the Bennite left to defend the more progressive aspects of the Blairite settlement.

Grassroots members pushed for an alternative. The end result was the impromptu candidacy of Jeremy Corbyn, a follower and close friend of Tony Benn, who squeezed onto the ballot at the very last minute, yet was elected on the first round with nearly 60 percent of the vote under a new one member, one vote system.

Corbyn was widely respected as a dogged campaigner who had used his parliamentary platform to promote a range of often marginal causes, and who had been active in the anti-cuts movement after 2010. He brought hundreds of thousands of new recruits with him, many of whom had been formed by that movement.

However, once Corbyn assumed his position as Labour leader in September 2015, he found himself isolated. The Campaign Group had withered to barely a dozen MPs, forcing the new leader to assemble a shadow cabinet with a center of political gravity well to his right.

That shadow cabinet fell apart when most of its members resigned en masse in coordinated fashion after the European referendum of 2016, forcing another leadership election. Corbyn was reelected as Labour leader by an increased margin, but his opponents never accepted his legitimacy, and the Tory leader Theresa May called the 2017 general election in a bid to capitalize on Labours palpable discomfort.

Scores of Corbyns MPs openly despised him, barely concealing their willingness to throw the election if it forced him out. In similar fashion, senior Labour Party bureaucrats engaged in an unprecedented wrecking campaign, the details of which are only now coming to light. The malicious mindset at work will be familiar to supporters of Bernie Sanders.

Even so, Labour deprived the Tories of their parliamentary majority, with the campaigning group Momentum formed to support Corbyns leadership in 2015 playing an instrumental role.

However, the 2017 election had contradictory consequences. As Panitch and Leys detail, a rousing grassroots campaign reenergized Labour, but the partys focus then shifted back toward Westminster precisely where Corbyn was at his weakest as Brexit came to the crunch. The mass repudiation of neoliberalism that Corbyn had spearheaded in 2017 soon dissipated, as his party returned to the grind of parliamentary maneuvering.

The prospects of meaningful party reform likewise died at this point: with a socialist-led Labour government seemingly an imminent possibility, Corbyn prioritized holding the parliamentary party together over democratizing Labour. His concessions, however, earned him no goodwill from the Labour right.

Meanwhile, the issue of Brexit tore Corbyns fragile base apart. The Labour left could neither make a convincing case for a left-wing Brexit it was evident, as Corbyn acknowledged, that the nationalist right was in the ideological saddle nor could it offer a plausible strategy for democratizing European institutions from within. Corbyns supporters in the party were badly split on the matter, and they argued rancorously among themselves.

Belatedly, Corbyn ended up calling for a second referendum on Brexit, a stance that not only failed to fire up most of his supporters, but also alienated many voters in those Labour-held rust belt constituencies that had voted Leave in 2016.

Much of the Labour right, sensing an opportunity, had latched on to the anti-Brexit cause with a view to maximizing Corbyns embarrassment and splintering his support base. They succeeded in that aim, at least, but some of them paid for it with their jobs in Decembers election: fifty-two of the sixty seats Labour lost had voted Leave three and a half years earlier. In the process, they helped hand a mandate for a hard Brexit to Boris Johnsons Conservatives, before the COVID-19 pandemic intervened.

Corbyns attempt to renew and reimagine social democracy for a new era was successfully undone by his inner-party opponents, who made such a fuss of claiming the social-democratic label for themselves, without making any effort to explain what they took it to mean.

Leo Panitch has remarked elsewhere that the responsibility for maintaining Labour Party unity bears down heaviest on its left wing: it is more easily guilted, always. Keir Starmers appeal for unity has resonated with a tired party membership guilt-stricken by Decembers defeat, winning over many erstwhile Corbynites.

Starmer has implied that he will keep party policy well to the left of where it was before Jeremy Corbyns leadership. If he is serious in this aim, he will have to face down opposition from the Labour right in a way that both Miliband and Corbyn were unable to do, which seems most unlikely.

To understand the bitterness of Labours internal rivalries under Corbyn, we need to appreciate the fundamental nature of the divisions within the party. Labour has always been a fractious and borderline incoherent coalition of divergent perspectives. Simply holding the party together as a serious electoral force and a prospective party of government, then, necessitates certain ideological elisions.

The result has been, as Raymond Williams once noted, an evident poverty in theory in Labour, as any attempt to go beyond quite general definitions leads at once to strains on this complicated alliance. Corbyns unlikely rise to the party leadership instantly brought these latent tensions to the boil.

In the Labour Party, mutually antagonistic political projects primarily those of reformist socialism and centrist liberalism are squeezed together, cheek by jowl, in the same unwieldy political vehicle. The intense antipathy between its warring camps suggests that this is not because of any shared commitment to pluralism.

In truth, Labours much-mythologized broad church remains welded together primarily by the need to adapt to a first-past-the-post electoral system that punishes splits severely as underlined by the fact that Change UK, a centrist breakaway from Labour formed in February 2019, had dissolved completely by the end of the year.

And what of Momentum? With a membership that peaked somewhere north of forty thousand, the organization quickly established itself as a highly effective campaigning machine, mobilizing many thousands of Labour activists in the general elections of 2017 and 2019.

It had plenty of practice: the 2016 challenge to Corbyns leadership, which saw sizable pro-Corbyn rallies take place in towns and cities across Britain, turned out to be a useful dress rehearsal for the general-election campaign of the following year. Its social-media presence, at least at its very best, has been witty, sharp, and provocative.

But Momentum has had far less success in reorienting Labour toward social movements, or with socialist political education, notwithstanding its original intentions. It has been overwhelmed by its responsibilities, forced to serve simultaneously as get-out-the-vote operation, propaganda outfit, factional organizing vehicle, and Praetorian Guard for an embattled party leader.

Its progress in reforming the party has thus been very limited, and Labours structures remain essentially unchanged since 2015. It would be fairly easy for Starmer to roll back the modest reforms made under Corbyn; an undeniably poor return for four and a half years of acrid civil war.

As Jeremy Corbyn departs the political limelight to see out the remainder of his career on the Westminster backbenches, he does so to a chorus of derisive hooting from his many adversaries. He has done well just to survive the extraordinary campaign of vilification directed at him.

Corbyns supporters were similarly demonized. In fact, so splenetic was the screaming vitriol circulating in the press and right-wing social media circles that two elderly Labour canvassers came away from the campaign trail last December with broken bones. The British media, normally so scrupulous about upholding standards of civility in politics, took minimal interest in such attacks.

Undoubtedly, Corbyn had his failings as Labour leader, some of them major. Yet he also generated heartfelt enthusiasm, renewed interest in socialism after decades on the margins, and inspired a movement several-hundred-thousand strong: achievements that none of his detractors are ever likely to match.

Crestfallen and badly disoriented though that movement is now, the grievances that fueled it rampant inequalities of wealth and power, deep-seated social alienation, the injustices of a decade of cuts, and the impending threat of climate breakdown remain. The history supplied by Panitch and Leys provides us with a valuable and timely reminder that, for all the defeats it has suffered over the years, Labours New Left current has been stubbornly resilient.

Its worth noting the apparent change in what Panitch and Leys have to say about the prospects for socialist advance through the Labour Party. The authors had previously concluded in The End of Parliamentary Socialism that the failure of Bennism and the rise of New Labour settled the question of whether Labour could be a vehicle for socialist politics: the answer was no. In Searching for Socialism, by contrast, they acknowledge that the revived Labour left is unlikely to see any other way forward than continuing the struggle inside the Labour Party.

The failure of Europes new left parties to make the hoped-for breakthrough hangs heavy here: the eclipse of Syriza after showing such early promise was particularly shattering. Other left parties, such as Podemos, have, as Panitch and Leys note, at best served as minor partners in coalitions with mainstream social-democratic parties and even that is likely to be more than any British equivalent could hope for, so long as the first-past-the-post system remains in place.

But the authors do see 2019 as a kind of watershed, and an indication that the generation of Labour leftists that came to maturity in the 1970s can no longer take that project any further. Instead, those drawn into Labour by the Corbynite insurgency must find their own way forward, discovering and developing new political forms in the process.

It might take a while, but Corbynisms scattered forces will regroup, rebuild, and resume their struggle. There remains a world to win, though we may be short of time in which to do it.

Read the original post:

The Labour Left Didn't Start With Jeremy Corbyn's Leadership, And It Won't End There Either - Jacobin magazine

‘The Last Dance’ – Dennis Rodman embodied the pop culture phenomenon of the ’90s Bulls – ESPN

MY OLDEST SON was 5, in his second month of kindergarten, when his teacher asked why his dad hadn't been seen in the pickup line for a couple of weeks. "He's living with Dennis Rodman," my son answered, dripping nonchalance, as if this were a task every Catholic-school dad would eventually get around to completing.

The living arrangement was brief, roughly two weeks in the fall of 1995, and more of a necessity than a choice. I was working under an extreme deadline to write Rodman's autobiography, "Bad As I Wanna Be," and having prescribed interview times -- "From 9 to noon, we'll cover the prairie years" -- was not something that meshed with the Rodman lifestyle. So I headed to Southern California to camp out with him and his then-agent, Dwight Manley, a world-renowned coin expert who represented exactly zero other athletes at the time. Two weeks with Dennis Rodman in the mid-'90s might sound like a thrilling setup, but in reality, most of my time was spent in a panicked attempt to get Rodman to focus on telling the stories that needed to become a book in less than three months. The enduring image of that time in my life is Dennis, wearing Zubaz, lounging on a couch with a remote in his hand while I sit in a pool of my own sweat, trying to hear whatever he's mumbling over the roar of the television.

From Detroit to San Antonio to Chicago, from his appearance and his antics to his brilliance and his exuberance, Dennis Rodman crafted a Hall of Fame career on his way to winning five NBA titles in all. Watch on ESPN+

There were also moments that nestled perfectly into the mid-'90s zeitgeist: a Saturday morning at a nail salon in Beverly Hills, a block off Rodeo Drive, me sitting at the juice bar wearing scraggly basketball shorts -- I was told it was a casual outing -- while I waited for Dennis to get his nails painted a nice rosy pink. He didn't have an appointment -- fame doesn't call ahead -- but he was allowed in anyway. Afterward, he tossed me the keys to his Ferrari convertible and said he'd resume his spot behind the wheel when his nails were sufficiently dry. My car at the time, a '78 Honda Civic, was not adequate preparation for the power of the Ferrari, and my failure to master the clutch caused us to bounce our way down Rodeo Drive, top down, Dennis obscenely obvious with his fuchsia hair easy for all to see. As I remember it, the nails dried quickly.

For a brief time, I found myself uniquely positioned (in the passenger seat, mostly) to witness the basketball/pop culture spectacle of Rodman and the Chicago Bulls. Surreal is a word that has been ground into a fine mist, but trust me -- it fits here. And my experience illustrates the very real challenge that comes with "The Last Dance." Even in our saturated mediascape, it's difficult to describe the mania surrounding those Bulls teams to someone who didn't experience it at the time.

Michael Jordan was perhaps the biggest celebrity in the world, responsible for spreading the gospel of basketball across the globe. He was the brand ambassador, the headliner, the frontman, and every Bulls season of their second three-year run of championships was like an 82-stop tour of everyone's favorite band. Rodman, with his earrings and nose rings and tattoos and ever-changing hair color, was the group's pop culture phenomenon, the first sports hero of the disaffected and marginalized. His embrace of gay culture, symbolized by his highly controversial decision to dye the AIDS ribbon in his hair, was radical for the time. His open discussions about vulnerability, about how it was OK for young people to not know precisely who or what they were, struck chords never heard from a famous athlete. People who never cared about basketball cared about Dennis Rodman.

"Bad As I Wanna Be" was published before the NBA playoffs in the spring of '96, as the Bulls were finishing their 72-win season. And if there's one tidbit that might begin to touch on what swirled around that team at the time, maybe it's this: Prior to the book's release, in a move that was equal parts marketing magic and legitimate precaution, copies were locked in warehouses in the Chicago area -- and protected by armed guards.

THE FIRST TIME Rodman suited up for the Bulls, an exhibition game in late October of 1995 in Peoria, Illinois, he went on a tirade against a replacement referee that ended when he threw the ball against the shot clock and was assessed a technical. Based on years of experience playing for various martinets who failed to appreciate the innate beauty of the well-timed tantrum, Rodman's first inclination after such a transgression was to look at the bench to see how his coach reacted to what he'd just seen. Was he defending him? Was he frantically pulling off a reserve's warm-up top and flinging him toward the scorer's table? Was he covering his mouth with his hand and talking to the nearest assistant about what fresh hell this is?

The second Rodman joined the Bulls, Phil Jackson understood his fate. And even though he was probably shocked to confront it so soon, he reacted to this outburst in the best possible way: He leaned back in his chair and laughed. You remember the look: fingers steepled across his right knee, head tilted back, foot raised slightly off the floor. It was the Jackson Special: laid-back, trusting, his benevolent aura beaming its way into Rodman's fragile psyche.

"I found out from the start, he's going to let me go," Rodman told me for the book. "He's not as worried about distractions, because look who he's been coaching all these years. The Bulls know about distractions, and they know how to play through them."

2 Related

Rodman played every possession like it was a referendum on his worth as a human. He went to outrageous lengths to convince the world that basketball was not his identity, and then he played like nothing else mattered. He reveled in the dirty work, the game's menial and unquantifiable tasks, and then demanded adulation for it. There was, of course, something manic about the way he played, like it was something embedded deep in his core, something unrelated to the game. Insecurities, questions of self-worth, fear of losing everything -- it was all swirling inside him. I'm sure it signifies something important that our most indelible images of Jordan are of him launching his body vertically, and our most indelible images of Rodman are of him launching his body horizontally. John Edgar Wideman, writing in The New Yorker in 1996, described Rodman's on-court style as "compelling, outrageous, amoral," and his persistence as "percussive behavior so edgy it threatens to wreck the game that's supposed to contain it."

Anyone who spent any time around Rodman during his career would come away with a profound appreciation of the resilience of the human body -- or at least his. Even in his mid-30s, Rodman could stay out all night and still play 40 minutes and grab 15 rebounds the next night. During the season chronicled in "The Last Dance," he led the league in rebounding for the seventh straight season, played 80 games and averaged almost 36 minutes a game -- nearly all of them at a pace only he could keep. He was 36 years old. For comparison, the last time Steph Curry averaged 36 minutes a game he was 25. The last time he played 80 games he was 26.

Any consideration of Rodman the basketball player -- not the actor or reality-show celebrity or amateur diplomat -- has to start by separating his self-destructive tendencies from his work ethic. He might have wanted people to believe that he didn't work hard, that his body was somehow genetically inclined to withstand whatever punishment he chose to inflict upon it, but that isn't entirely true. One of his more endearing quirks was a compulsion to randomly stop at health clubs for an impromptu workout. These stops were never prefaced by an announcement or a conversation. He never expressed a need or a desire for a workout; he just pulled into a parking lot and walked through the door. (Wearing Zubaz every time, sometimes right side out, other times inside out. I never discerned a logic to the pattern.) The first time, I injected my own limited (rule-bound) worldview into the mix by asking (stupidly) whether he was a member of whatever gym he'd just discovered. He gave me a look that made it clear he hadn't ever considered that health clubs existed for any purpose other than his convenience. Every stop played out the same way: He walked in, told the gobsmacked kid behind the counter he was going to be working out, grabbed a towel and headed to the nearest unoccupied StairMaster. Nobody had the time or the inclination for paperwork.

RODMAN AND JORDAN weren't friends, as I'm sure "The Last Dance" will make clear. Their lives converged only on the court. But Rodman didn't have unqualified respect for many players -- his favorite epithet was "phony," a weapon he wielded, at times recklessly, as a means of protecting his self-proclaimed authenticity -- but he had unqualified respect for Jordan. And for good reason: Rodman would undoubtedly dispute this, but his alliance with Jordan might have saved his career.

The 10-part Michael Jordan documentary "The Last Dance" is here.

Latest updates, full schedule NBA experts on MJ's greatness Big moments from the premiere How to get ready for the doc

In October 1995, I happened to be with Rodman when he received a call announcing the finalization of the trade that sent him from the Spurs to the Bulls. It's easy to forget, amid the glare of those three straight NBA titles, how risky this move was at the time. Rodman was borderline radioactive in San Antonio, a combustible brew of grievance and insolence. His talent was undeniable, and the fit in Chicago held tantalizing potential, but why would the Bulls take this chance? At a news conference, Spurs general manager Gregg Popovich said, "Big surprise, huh?" and made a point to tell everyone how difficult it was to find a team willing to take Rodman, who had played just 49 games the season before because of suspensions and injuries. Asked if he considered it a big relief to be rid of Rodman, Popovich said, "A big relief? We were without him for quite a bit last season, so it's not any different in many respects."

The 1995-96 Bulls entered the season a mysterious bunch. The roster was strong, but roles would have to be altered. Jordan was coming off a 17-game season after ending his fling with baseball. Power forward was manned by a collective shrug. Rodman the basketball player was uniquely engineered for the job -- how many Hall of Famers get there through an outright refusal to shoot? -- but his potential to blow the whole thing up was no small consideration. Bulls general manager Jerry Krause, loved for assembling the NBA's greatest team and loathed for dismantling it, harbored just enough non-mainstream views to make him the ideal candidate to welcome Rodman. (For instance: Krause once told me players should be measured only to the top of the shoulder; he believed the neck and the head were not functional inches and were thereby irrelevant -- hence his affection for Elton Brand, a man unencumbered by a superfluous neck and Krause's choice as the No. 1 pick overall in 1999.)

What would have happened had Rodman stayed in San Antonio or been relegated to another basketball outpost? Despite his talent, he was inching closer and closer to becoming a permanent sideshow. It's not inconceivable that without Jackson's calm and Jordan's obsessive competitiveness, Rodman's career could have devolved into a series of signings and releases by teams willing to take a chance but not make a commitment.

The Bulls refocused Rodman, brought him closer to the guy he was early in his career in Detroit, when he famously responded to a question about his background by saying, "I'm nobody from nowhere." Jackson macheted his way through the thicket of Rodman's insecurities. Jordan was strong enough on the court to channel Rodman's energies. He might have been the only one, at that moment in time, strong enough to do this.

The Bulls brought out Rodman's genius and allowed him to hold it up for the world to see. They made him. Somewhere else, maybe anywhere else, might have unmade him.

ONE OF THE last times I interacted with Rodman was during training camp in Deerfield, Illinois, mere days after the trade was completed. He was living in a Residence Inn adjacent to the Bulls' complex, sharing a "loft suite" with teammate Jack Haley. I would like to say Dennis and I were tidying up some of the book's ragged edges -- or fine-tuning, maybe -- but that book was intended to be ragged and loosely tuned, as a reflection of Rodman's uniquely random path to fame.

We were talking in a hallway of the Berto Center training facility when Rodman said he needed to go lift. The day's obligations were over, and the place felt empty except for a few muffled conversations down the hall. I stopped when we got to the weight room -- I'm sure I was already at least 100 yards beyond the boundaries specified by my credential -- but Rodman waved me through with a look that said his imprimatur was an all-access passport.

The groundbreaking sports analysis program returns with a historical edition airing in conjunction with "The Last Dance" on ESPN. The 5-episode series explores the 1998 Chicago Bulls team and features episodes hosted by Phil Jackson, Dennis Rodman and Steve Kerr. Watch on ESPN+

There was no one else around, so why not? I wasn't there as a journalist, really, and the place seemed empty. Why couldn't I be the preferred non-member for a change? Still, when your professional life is defined in many ways by the places you can and cannot go, an infraction like this one feels egregious.

And weirdly liberating.

The room was L-shaped, as I remember, the flooring bloodred, and my attention was drawn to human movement coming from my left, the long leg of the L: a person on a bench. Great -- I'm busted. A head turned toward me. Our eyes met.

Jordan?

Jordan!

Be cool. Be calm. Me, Dennis, Michael. Nothing big, really. Just us three. Just us three dudes. Just us three dudes hanging out at the gym.

I mumbled something to Dennis about how I should probably be going. Michael's eyes remained fixed on me, and I could feel the heat of a thousand suns bloom in my face. Dennis waved off my common-man concerns -- Michael's cool, the wave suggested -- and asked me to spot him. When Dennis finished his set, I sensed a presence behind me. I turned.

Jackson?

Jackson!

My mind registered his arrival with the brain-stem buzz reserved for the moment high school kids at a kegger see the cops. How did he know? Did my new friend Michael rat me out?

Phil wasn't there to lift. He was there to expel. The look he gave me was mostly pity -- Who do you think you're kidding? -- and maybe a little amusement. I responded with a look I thought he might appreciate, one that said this was all Dennis' idea. I might have even pointed a finger at Dennis, shielded by my body, like a hostage indicating his kidnapper.

"Time to go" was all Phil said, and it was. It definitely was. I said goodbye to Dennis, who was laughing by this point. I had to walk past Phil on my way out, and he stood his ground, looking through me to Dennis with a bemused look on his face. I knew that look, had actually employed it myself, and I knew there was more of that -- more of Dennis' quirkiness and volatility and, yes, charm -- awaiting Phil, and Michael, and the Bulls, and Chicago, and pretty much everyone else in the world. I muttered an ineffective, and probably unnecessary, apology, and as Phil turned toward me I swear I detected something approaching kinship in his eyes.

Follow this link:

'The Last Dance' - Dennis Rodman embodied the pop culture phenomenon of the '90s Bulls - ESPN

Best Earth Day Songs: 20 Tracks That Make The World A Better Place – uDiscover Music

Every year, on 22 April, Earth Day marks the anniversary of the birth of the modern environmental movement. Songs about the natural world, including those by Woody Guthrie, have been around since the 40s, and many of the greatest songwriters have penned compositions about the planet on which we all exist. The best Earth Day songs, then, reflect not only the ways in which our planet has changed over the years, but also the ways in which we have expressed concern over its survival.

To mark Earth Day, we have selected our 20 best environmental songs. Though we werent able to squeeze in all our favourites and had to leave out wonderful songs by Ken Boothe (The Earth Dies Screaming), The Byrds (Hungry Planet), Miley Cyrus (Wake Up America), Bo Diddley (Pollution), Peter Gabriel (Here Comes The Flood) and Country Joe McDonald (Save The Whales) we scoured reggae, jazz, country, folk, soul, rock and pop for songs both disturbing and inspiring.

Heres to this amazing endangered world of ours. Think weve missed any of your best Earth Day songs? Let us know in the comments section, below.

Listen to the best Earth Day songs on Apple Music and Spotify.

The song One World was recorded in a Berkshire barn. John Martyn remembered it as a time when the adjoining farmhouse was filled with Jamaican friends and their children who were in England to visit Island Records boss Chris Blackwell. The title track of his masterpiece album features one of Martyns greatest vocal performances, against his echo-saturated guitar. The song has a beautiful simplicity, as he sings, Its one world, like it or not/Its one world, believe it or not/Its one world. Nearly three decades later, when Martyn was reflecting on the song, he believed he had captured a zeitgeist moment. One World has now become a phrase used all over the television, Martyn said. Took em a long time to f__king realise. I dont think many people knew the expression before then. The tune is superb a perfect expression of how we are all individual and universal at the same time.

Bonos longing for spiritual renewal was reflected in his song Indian Summer Sky, which is about the desire to return to a more organic world (the seasons change, and so do I). Bono wrote the song in New York and said he was trying to convey a sense of spirit trapped in a concrete jungle. Sixteen years earlier, U2 had allowed a live version of their song Until The End Of The World to appear on the album Alternative NRG, which raised funds for Greenpeace. U2 were joined by other bands, such as Sonic Youth and UB40, on an album recorded live with a solar-powered mobile facility. Guitarist Brian May of Queen contributed the song New Damage.

Since the dawn of industrialisation, poets and songwriters have been extolling the spiritual and mental health benefits of getting out into nature. Dar Williams wrote the powerful song Go To The Woods in 2012, a composition that expressed her fears that the green spaces of the world are disappearing. Touring musician Williams devotes her spare time to environmental causes, not least her Give Bees A Camp project, which combines concerts and planting bee-friendly gardens for schoolchildren. Williams has also covered Joe Strummers rousing song Johnny Appleseed (If youre after getting the honey, hey/Then you dont go killing all the bees).

On his 1974 album Ragged Old Flag, country singer Johnny Cash addressed the political issue of the environment, through the device of a nostalgic song in which a father warns his son that they cannot eat the fish they are trying to catch. Though the acoustic mood of the song is upbeat Cash was joined on guitar by Carl Perkins the lyrics are bleak: There was a time the air was clean/And you could see forever cross the plains/The wind was sweet as honey/And no one had ever heard of acid rain.

Mike Love, who co-wrote with Al Jardine a different song also called Dont Go Near The Water, said he hated the ignorance that made people violate the laws of nature. Love and Jardine were encouraged by The Beach Boys then manager, Jack Rieley, to write an environmental song for the band, and the result was the anti-pollution plea that became the opening track for their 1971 album, Surfs Up. The prescient lyrics about man poisoning the sea were sung by Brian Wilson and the band. The downbeat mood of the song was heightened by the eerie Moog synthesiser playing of Daryl Dragon.

Photographs of the dust storms that wrecked southern America in the 30s are still shocking, and the devastation and migration they caused prompted Woody Guthrie to write his brilliant album Dust Bowl Ballads. I met millions of good folks trying to hang on and to stay alive with the dust cutting down every hope, said Guthrie, who made poetry out of despair.

In Pollution, the brilliant satirical singer-songwriter Tom Lehrer warned visitors to America about the environmental problems of his home country, and the way his nations air and water was being blighted. A short film of Pollution, featuring a cartoon of a bird playing the piano at a rubbish dump, combined with scenes of industrial contamination across the States, was made for the US Communicable Disease Centre. The bitingly funny lyrics included the verse Just go out for a breath of air/And youll be ready for Medicare/The city streets are really quite a thrill/If the hoods dont get you, the monoxide will.

Randy Newman was poleaxed by back pain and lying on the floor in 1969 when a television news item came on about the heavily polluted Cuyahoga River in Cleveland, Ohio, literally catching fire once again, because it was filled with oil waste. His disturbing song, sung at a maudlin pace with slow piano, is full of potent imagery: The Cuyahoga River goes smokin through my dreams/Burn on, big river/Burn on.

Rush lyricist Neil Peart once commissioned some drum makers to build him an entire kit from a 1,500-year old piece of Romanian wood. Peart recalled that he wrote his song The Trees in about five minutes, after seeing a cartoon picture of trees carrying on like fools. He said: I thought, What if trees acted like people? So I saw the song as a cartoon, really, and wrote it that way.

Queen singer Freddie Mercury said that he sometimes felt helpless about the state of the planet and that was the reason he and Brian May penned Is This the World We Created?. Mercury went on to explain that he and May were thinking about poverty going on all around the world and thats why the track came about it was a way of showing that I can do my bit. The song, which reflected the suffering of children, came at the time of natural disasters in Africa which had resulted in terrible famine. Queen performed the song, which was on their 1984 album, The Works, as the encore to their famous Live Aid showin 1985.

In 1971, singer-songwriter John Prine wrote his marvellous song Paradise about the environmental damages of strip mining and the destruction it wreaked on small communities. Paradise, which was also known as Mr Peabodys Coal Train, was about was about Muhlenberg County, Kentucky, the town his parents had grown up in and how it was ruined by a coal company. Among the poetic, moving verses is: Then the coal company came with the worlds largest shovel/And they tortured the timber and stripped all the land/Well, they dug for their coal till the land was forsaken/Then they wrote it all down as the progress of man.

On his 1974 environmental song, Before The Deluge, Jackson Browne told the story of his generations ideals and illusion, and their fall from grace. The song was eerily prophetic, with its stark warning: Some of them were angry/At the way the earth was abused/By the men who learned how to forge her beauty into power/And they struggled to protect her from them/Only to be confused/By the magnitude of her fury in the final hour. The song was from the album Late For The Sky, which featured Jai Winding, the son of Verve Recordsjazz trombonist Kai Winding, on keyboards. Versions have been recorded by musicians as diverse as Joan Baez and Christy Moore.

Cat Stevens wrote his song Where Do The Children Play? for the 1970 album Tea For The Tillerman. The song reflects many of his concerns about poverty, war, ecological disaster, pollution and the future of the human race. Stevens became a Muslim later in the decade and is now known as Yusuf Islam. He remains committed to what he called the harmony and balance of the universe, and in May 2019 gave his support to Europes first green mosque, in Cambridge, which was clad in solar panels and surrounded by apple trees.

Earth Song, which appeared on the album HIStory: Past, Present And Future, Book I, was the best of Michael Jacksons socially conscious songs. This sweeping track about the environment and welfare was a No.1 hit in the UK and went on to receive a Grammy nomination. It was notable for its powerful video, too.

Bob Marley died in 1981, but his music continues to inspire people who love protest songs and care about the environment. In 2019, for example, Chicagos The Rock And Roll Playhouse held an Earth Day celebration concert featuring tunes by the great master of reggae. Marleys gorgeous song Sun Is Shining was first recorded in the 60s and re-recorded for the album Kayain 1978. Island Records boss Chris Blackwell later recalled, The original version of Sun Is Shining was produced by Lee Perry. I loved his production, which was very sparse. But the version we re-recorded for Kaya has a great atmosphere, too. We tried to reflect the essence of the song, which is saying the sun is shining but dont forget that people are suffering too.

I wrote Big Yellow Taxi on my first trip to Hawaii, Mitchell explained in 1996. I took a taxi to the hotel and when I woke up the next morning, I threw back the curtains and saw these beautiful green mountains in the distance. Then, I looked down and there was a parking lot as far as the eye could see, and it broke my heart this blight on paradise. Thats when I sat down and wrote the song. Mitchells mesmerising song has been covered by Bob Dylan, Counting Crows and Janet Jackson.

Bob Dylan was only 21 when he wrote the beautiful lyrics, such as Ive stumbled on the side of 12 misty mountains, in A Hard Rains A-Gonna Fall, the iconic protest songin which he warned of impending apocalypse. In 2009, before a United Nations climate change conference began in Denmark, the UN Environment Programme released a rare live recording of Dylan performing his song-poem set to dramatic photographs of shrunken ice caps, barren landscapes and devastated lives.

The mysterious, multi-layered After The Gold Rush is full of different themes and meanings, but there is one thing at the heart of the song: After The Gold Rush is an environmental song, said Neil Young. Dolly Parton has recorded several versions it. The line Look at Mother Nature on the run in the 1970s is memorably chilling, and has been updated by Young, who now sings in the 21st Century in concert. Young also wrote Be The Rain, a song that calls on the big oil companies to stop ruining the planet. In 1985, Willie Nelson, Young and John Mellencamp set up Farm Aid to increase awareness about the importance of family farms. Young has remained a committed environmental activist and in 2018 he criticised President Trump for his denial of climate-change science.

The beautiful voice of Marvin Gaye rings out in despair as he sings Where did all the blue skies go? on his Motownclassic Mercy Mercy Me (The Ecology), which was written for his 1971 album, Whats Going On. At the time, Motown boss Berry Gordyhad not heard the word ecology, and Gayes masterful song may have been one of the first ever to deal with the mercury poisoning of fish. This is a sorrowful masterpiece and, given what we now know has happened to the environment in the past half-century, seems a moment of musical genius and foresight.

What A Wonderful World is one of the most uplifting, life-affirming songs of all time and all because of the heartfelt warmth in the singing of the jazz legend Louis Armstrong, a man who was already in failing health when he recorded the two-minute gem, written by Bob Thiele and George Weiss. Lush instrumentation introduces a magnificent song that opens with such memorable lines: I see trees of green, red roses, too/I see them bloom for me and you/And I think to myself: What a wonderful world.

Its good to end on a note of positivity so treat yourself on Earth Day and savour again the beauty of Satchmos hit.

See the original post:

Best Earth Day Songs: 20 Tracks That Make The World A Better Place - uDiscover Music

Nick Fuentes and his white nationalist Groyper Army have a new home on TikTok – The Daily Dot

Update 11:15am CT: After publication, TikTok banned Nick Fuentes and several other Groyper accounts. They issued the following statement:.

We are committed to promoting a safe and positive app environment for our users. Our Community Guidelines outline behavior that is not acceptable on the platform, and we take action against behavior that violates those policies, including by removing content or accounts.

The original post follows below.

White nationalists and far-right figures have found a new platform to spread their messages and expand their following, moving to TikTok, Gen Zs current favorite app.

The move is being led by Nick Fuentes, who is bringing his loyal, white nationalist Groyper following with him.

I never got into it cuz (sic) I cant dance or anything, so I was always Im not going to do the Renegade, Fuentes stated on Sunday referring to the wildly popular dance of TikTok.

But hes since changed his tune.

Were on TikTok and were going to be using TikTok because its fun, because why not? Fuentes added. He then gave credit to a fellow Groyper who came up with the idea to move to the platform while adding, It was his idea, he suggested we get serious about making an American First Hype House on TikTok and bring the Groypers on TikTok and I think its a great idea because you know, when you think about social media, our biggest presence as a political movement is on Twitter.

As the Daily Dot wrote last year:

A Groyper is a member of Fuentes movement of his brand of alt-right white nationalism. The alt-right is a loose collection of conservatives that harbor white nationalists. Fuentes is currently one of its most public faces.

As their chosen mascot, Groypers took hold of anexploitableillustration ofPepe the Frog. While iterations of Pepe are commonly used within the far-right,this version is of Peperesting a conspicuous face against his two hands.

Fuentes further stated that the problem with Instagram, Facebook, and YouTube is that they all have these restrictions, regulations, community guidelines, terms of service that are obstructive and restrictive, while adding, I think TikTok is going to be a great outlet for political content, but particularly for young people, for zoomers

Were trying to appeal to a younger audience, Fuentes added.

Asked why he has joined the platform, Fuentes didnt respond to multiple requests for comment from the Daily Dot.

His white nationalist venture seems to be a work in progress. On Tuesday while making a TikTok, Fuentes apparently became overcome with rage and destroyed a trash can.

I got so mad making this one [TikTok] that I smashed a garbage can, he wrote with a picture attached to the message of a shattered plastic waste bin. I kept accidentally deleting good takes and my phone kept falling off the table, I was so upset.

But the rest of their use of the platform seems to be going much smoother. Fuentes has been pushing a list of other far-right figureheads who are on the platform as well, hoping to grow their audience.

The list, on messaging app Telegram, includes the likes of Vincent James Foxx, a far-right YouTuber, and alt-right personality Tim Baked Alaska Gionet.

Now, they are using the platform to start another Groyper War, their effort to attack conservative Trump supporters who hold a slightly mainstream conservative view.

Other college-aged followers of Fuentes including Jaden McNeil and Patrick Casey have joined the TikTok movement.

They touted the response their presence on the platform received Tuesday on Telegram, noting that apparently these TikTok dummies are blocking all groypers.

https://www.tiktok.com/@nickjfuentes/video/6817426953071643910

Fuentes and his crowd have specifically used the duet feature on TikTok which allows them to respond to Trump-supporting MAGA teens in their own videos.

In one video, Fuentes could be seen responding to a user by putting on a Cookie Monster hata reference to his own Holocuast denialism, which he has once made while using a baking analogy.

https://www.tiktok.com/@nickjfuentes/video/6818212876809932038

Caseya white nationalist who is currently president of Identity Evropa, now known as the American Identity Movement, which seeks to recruit white, college-aged men for their organizationjoined Fuentes on the platform.

The ability for Fuentes to go live and talk directly to the young demographic on TikTok has become a main appeal, as a way to further reach an audience while navigating his YouTube ban.

https://www.tiktok.com/@mcneiljaden/video/6817261822383623429

Following violations of terms of service and being booted from YouTube and Reddit, Fuentes continues to expand his following on other platforms such as Twitter and DLive

TikTok appears to be the next front for white nationalists when it comes to the internet culture wars. Theyve even tried to catch some of the zeitgeist of the app, as the crowd of white nationalists has also made a TikTok account parroting the infamous Hype House, creating the AF Hype House.

It currently has no posts, however.

Groypers flooding TikTok is just a continuation of Fuentes fight with younger conservative activists.

Last year, he started an online and in-person feud against the college student activist organization Turning Point USA (TPUSA)where Fuentes and his far-right fans trolled Charlie Kirk and Donald Trump Jr. for not having conservative enough principles.

Predominantly, they consider current conservatives weak on immigration and despise any support for Israel.

The move to the youth-focused platform has even been praised by the movements elders. Conservative blogger Michelle Malkin, a fan of Fuentes immigration views, wrote on Telegram Tuesday night that while she supports the move to the social media site, she wouldnt be joining them.

Mommy Malkin is way too old for TikTok but I wholeheartedly support the mass migration of Groypers and AF-ers to that foreign soil, Malkin stated.

READ MORE:

See original here:

Nick Fuentes and his white nationalist Groyper Army have a new home on TikTok - The Daily Dot

on Netflix, the documentary about the culture of the street – Spark Chronicles

On Netflix comes THE Originals, a new documentary focusing on the history of the photographer Estevan Oriol and the artist Mister Cartoon and their rise in the hip hop world of Los Angeles.

Their first meeting in 1992, at a party. You do not know, but their origins xicane make the two understand from the first glance.

Both soaked to the zeitgeist of hip-hop of the 90s, are bound together by music, by art and by the much-loved pastime of car lowrider custom.

The documentary will explore the culture and landmarks of the movement, chicano and street art that has strengthened the status of Mister Cartoon and Estevan Oriol as legends of hip-hop. 90 minutes of interviews and other scenes with the legends of hip-hop and other names profile including Kobe Bryant, Eminem, Michelle Rodriguez, Danny Trejo, Snoop Dogg, Cypress Hill, Blink-182, Wilmer Valderrama, Terry Crews, George Lopez.

Photographer and director, Oriol he has photographed celebrities ranging from Eminem and Kim Kardashian to Robert De Niro and Al Pacino, but he has also documented the urban culture and Los Angeles gang. An exhibition was also hosted during the circuit off of the festival of European Photography in 2019. With regard to Mister Cartoon, tattooist and artist, has worked with Bryant and Beyonc, the Los Angeles Clippers, and the game series Grand Theft Auto.

See the original post here:

on Netflix, the documentary about the culture of the street - Spark Chronicles

Bend couple confined to boat in the Bahamas – Bend Bulletin

John Stolz and Gretchen Heinz dont have any room to maintain the recommended 6-foot social distancing aboard their sailboat.

Stuck in Green Turtle Cay, even looking at the vast horizon of a turquoise sea isnt enough to assuage the anxiety of confinement for the couple.

For about two weeks, the couple have been confined to their 36-foot boat, said Stolz, a former Bend financial planner.

The couple can go out each weekday for 90 minutes to exercise or pick up groceries at the only market. But for the rest of the 1,350 minutes of a day, they are confined to the deck of their boat. And from sundown Friday to dawn Monday they cant go out at all.

The couple recognize that there are worse things, but theyd like to be back home in Bend and see their kids.

Since news of the COVID-19 pandemic began surfacing in February, stories of Central Oregon travelers being stuck have surfaced. One couple was in Uganda and another in Morocco.

Weve learned to occupy our time, said Stolz, who retired from financial planning. We fish off the boat. Weve cleaned and varnished. Weve cooked. Weve made bread. Weve read a lot.

They play board games with the six other couples stranded at the pier, yelling out their scores across the pier.

Stolz arrived in the Bahamas in early February, after having spent five weeks there from November to Dec. 20, he said. While they were there for those five weeks, they helped residents who had suffered damage from Hurricane Dorian in September. His boat also suffered minor damage from the hurricane.

It was nice. We fished, we snorkeled and helped people, Stolz said. My goal was to be here for a week and then travel around the islands, but we decided to stay on the boat, thinking wed ride out the virus.

At first they had access to long beach walks, fishing and shopping. But four weeks ago, the government in the Bahamas closed the beaches and confined everyone to their homes, or boats.

Theyre anxious to return home, but have to wait for the boatyard to open up to store the boat on land. Then theyll sail with another couple to North Carolina and figure out how to make the trek home to Bend.

They think it might take a month of boats and rental cars to get across the country.

Wherever we go, we wear a mask, said 65-year-old Stolz. If the virus comes here, it would be devastating for the 300 to 400 people here. There are no medical facilities here. Theres no doctor. No hospital.

The nearest one is in Nassau, and thats an hour flight away. If someone gets sick here, theyll have to boat them to the next island and then fly them over to Nassau.

Its critical to keep as healthy as we can here.

Just yesterday there was a big improvement, Stolz said. The hardware store opened. But theres a new problem. Used to his pick of the best that craft beer brewers can offer, the Bend resident drank his last beer.

It was from a six pack of Corona that he spent $36 on at the only store on the island.

Were hoping that the prime minister (of the Bahamas) will reopen the boat harbor on May 1, he said.

Then they can pull my boat from the water and we can sail to North Carolina.

It certainly has been a different year than we anticipated.

The rest is here:

Bend couple confined to boat in the Bahamas - Bend Bulletin

Two More COVID-19 Deaths in The Bahamas; 15 Healthcare workers infected – Magnetic Media

Facebook Twitter Google+LinkedInPinterestWhatsAppEmail

#NASSAU, The Bahamas April 23, 2020 Minister of Health the Hon. Dr. Duane Sands announced today that there are two additional deaths from the coronavirus in The Bahamas bringing the total number of deaths to 11.

The two new deaths are a 53-year-old male and a51-year-old male.

We give our heartfelt condolences to the families ofthe two men who lost their lives. Our prayers are with you in this difficulttime, Dr. Sands stated during a COVID-19 Update press conference at theMinistry of Health, Thursday, April 23, 2020.

He also noted that there are two new COVID-19 cases. A 50-year-old female of New Providence who isin home isolation. And a 29-year-old female of New Providence who is also inhome isolation.

The Health Minister said this brings the countrystotal number of confirmed cases to 72, that is: 61 from New Providence; sevenfrom Grand Bahama; three from Bimini; and one from Cat Cay, Bimini.

He stated that 15 of the 72 confirmed cases ofCOVID-19 are health care workers.

Dr. Sands said there are two new recovered patientsfor a total of 14.

He further broke down that nine patients arehospitalised eight in New Providence at Doctors Hospital West, and one inGrand Bahama at the Rand Memorial.

Read the original post:

Two More COVID-19 Deaths in The Bahamas; 15 Healthcare workers infected - Magnetic Media

Report: Huskies in Bahamas tourney in ’21 | Sports – Journal Inquirer

The Huskies are headed back to paradise, it appears.

The UConn mens basketball team will participate in the 2021 Battle 4 Atlantis, one of college basketballs preeminent pre-conference tournaments, Jon Rothstein of CBS Sports reported Thursday.

Syracuse, Arizona State, Auburn, VCU and Loyola-Chicago are also expected to be included in the field. There is one team yet to be determined, Rothstein wrote.

Matchups against the longtime rival Orange as well as against coach Bob Hurleys Sun Devils, creating a matchup of brothers with UConns coach Dan Hurley, certainly would appeal to Husky fans.

It would be the third appearance for the Huskies at the 10-year-old event, which is played annually at Paradise Island in Nassau, Bahamas around the Thanksgiving holiday.

UConn has a record of 3-3 in its previous two trips to Nassau for the tournament.

In the 2015-16 season UConn beat Michigan before losing to Syracuse and Gonzaga. In the 2011-12 event it beat UNC Asheville, losing to UCF, then beating Florida State.

Read the original here:

Report: Huskies in Bahamas tourney in '21 | Sports - Journal Inquirer

How Submarines Regularly ‘Fight To The Death’ Off The Bahamas – The Drive

The Bahamas are home to white beaches, sun-scorched tourists, towering cruise ships, and the United States Navys most advanced weapons and sensor testing range. Beneath the revealing party goers dancing on the lido deck, submarines sail quietly through the Northeast Providence Channel into a secure area called the Atlantic Undersea Test and Evaluation Center, or AUTEC.

Just like how Navy aircraft fight mock aerial wars over instrumented ranges where each players every move is tracked, those that deal in the shadowy art of submarine and anti-submarine warfare have a similar place in AUTEC. Here the Navy develops submarine-related tactics and weapons, validates the signatures of their own boats, and of course, fights mock undersea battles, pushing submariners to their limits.

In 1963, the United States entered a joint agreement with the United Kingdom to develop the Ranges of Andros Island in the Bahamas on the condition that the Royal Navy would have access, as well. Shore facilities were under construction for three years, operated and maintained by the RCA Corporation. The Electric Boat Division of General Dynamics built two deep-sea submersibles to install the hydrophone ranges. In 1966, the Andros Ranges were officially renamed the Atlantic Undersea Test and Evaluation Center, or AUTEC for short.

Via cyberneticzoo.com

Delivered around 1968, AUTEC I and II submersibles were built by the Electric Boat Division of General Dynamics and were designated Turtle andSea Cliff by the US Navy.

The Bahamas achieved full independence from the United Kingdom in 1973 and the U.S. State Department negotiated anew agreement to use the range. After 1988, the U.S. Government agreed to lease the land (and water space) annually from the Bahamian Government.

Wikited/wikicommons

AUTEC's main operating base on Andros Island.

Located 100 miles southeast of Florida, AUTEC Site 1 is based on Andros Island. The topography just off the east coast of Andros plummets to about 1,000 fathomsroughly 6,000 feetin a north to south corridor called The Tongue of the Ocean. In this 500 square mile hockey stick-shaped area, the Navy tests some of its most advanced sensors, weapons, and tactics.

The test range is surrounded by shoals and islands limiting the amount of ambient noise. This makes the range very quiet and perfect for testing submarines and associated weaponry.

USN

Two ranges are used for submerged testing: Shallow Water Mine Field near Berry Islands and Deep Water Testing Range (formerly STAFAC) southeast of Andros.

Large fields of sound-sensitive hydrophones monitor the submerged tests. High gain measurement systems (HGMS) are used to ensure sound silencing standards are met after a submarines maintenance period because changes to existing equipment and installation of new equipment can significantly change a submarines sound signature.

USN

During a signature profile measurement, a submarine slowly drives between a pair of submerged arrays that measure mechanical and flow noise. This is a very slow process as the sub must be configured with different equipment line ups between recordings. The result is an exact sound measurement level of the submarine performing a variety of evolutions. You can read all about this critical technology and its uses in this past War Zone feature.

The deep-water testing range is broken into two zones, North Range and South Range. They can support multiple simultaneous tests and mini-war game eventswhen you get two or more submarines on the range, theres going to be a mock battle. Both crews want to test their skill against the other and this tactical interaction is good for morale and qualifications.

Google Earth

Site 1 on Andros Island.

Google Earth

These little skirmishes between nuclear fast attack submarines (SSNs) are not only encouraged, they are scheduled. The Undersea Warfighting Development Center is responsible for formulating, improving, and testing submarine tactics. Some of this is done at AUTEC. Two or more submarines would be fitted with Noise Augmentation Units (NAU) and meet down on the range for a mini-war.

The NAU allowed American submarines to sound like any other submarine, from a Soviet-era Victor III to a Chinese Han nuclear-powered attack submarine. Scenarios involving anti-submarine warfare (ASW) aircraft and NATO submarines would hunt the red force adversary sub playing the bad guy for days using new tactical approaches. These real-world tests were recorded in a 3D model in the AUTEC command building and analyzed for effectiveness. From these mini-wars, NATO submarine tactical doctrine is molded and improved upon.

National Archives

A helicopter passes over the nuclear-powered attack submarine USS Pittsburgh (SSN-720) shortly after the vessel surfaced off the coast of Andros, The Bahamas during an emergency surface drill.

The Fleet Operational Readiness Accuracy Check Site (FORACS) coordinates all tests on these versatile ranges. They are responsible for measuring the performance of sensors and navigation equipment installed on surface ships, submarines, and aircraft. With radar sites around the island and multiple fields of seafloor-moored hydrophones, the Range Safety Officer can watch every vessel and aircraft on the range in real-time. He is in constant voice communication with all aircraft, range craft, ships, and submarines via radio and underwater communication systems.

Submarines from eight NATO countries come to verify their performance in a real-world environment, too. It is common for a United States Navy sub to be paired with a Royal Navy sub for equipment tests and sound measurements. If there are no delays, there is usually time at the end of the test schedule for the two vessels to go head-to-head in an undersea mock battle. This is when both crews can demonstrate their tactical prowess against an equal foe.

USN

Some of the support assets that make AUTEC a highly unique training destination and weapons and tactics development proving ground.

During a mock battle, the surface range craft leave the area and the submarines are allowed to enter the same water space, but are limited to different depth zones to prevent a collision. Battlestations are maintained for hours as two submarines slowly maneuver around each other in their quietest posture.

When two of the worlds quietest submarines spar, it results in very close encounters. Sonar teams listen and scan for any noise that might give their opponent away. When detection is recognized, the sonar operator designates it sierra one (designation for an assigned sonar contact). The sonar supervisor calls out bearing, estimated course, and range based on only a few seconds of data. The approach officer, usually the commanding officer, initiates firing point procedures sierra one, tube two, referring to what torpedo tube to shoot).

USN

The conn aboard the USS Seawolf (SSN-21).

The weapons officer designates sierra one as the system contact and enters a target solution into the console. This data is sent to the exercise weapon in torpedo tube two. The weapon is powered on, torpedo gyros rapidly spin up, an internal system check is run, and the fire control solution data is set in memory. Solution set! is confirmed at fire control.

The flooded torpedo tube is equalized to current depth pressure and the outer door is opened. Weapon ready! is announced by the weapons officer. The diving officer declares Ship ready! The captain authorizes launch with a short command, Shoot tube two. Torpedo launch is confirmed with the rumble of thousands of pounds of air forcing several hundred gallons of seawater into and through the torpedo tube. Weapon startup is confirmed from sonar when a new trace appears at the top of the display. Wire clearance maneuver complete, weapon running normally. Is verified by the sonar team.

This entire frequently drilled performance is done in under 45 seconds.

Because the target submarine is expected to counter fire. The command wire is cut leaving the torpedo to execute its orders within preset parameters and torpedo evasion begins. Countermeasures are launched and the submarine races away from contact. The target submarine will not have time to evade a well-placed shot at this short range.

Exercise torpedoes will not actually hit a target as this can be extremely dangerous and would destroy the weapon. After a successful hit is confirmed by the weapons logic circuit, it will shut itself down and float to the surface. To become a warshot, a training torpedo must have multiple successful attacks at AUTEC.

USN

Mk46 exercise torpedo being recovered.

After each encounter, the torpedo retriever range craft drives in and picks up the floating exercise torpedo. This can take an hour or more and gives each crew a chance to debrief the attack and evasion in the control room. A more thorough reconstruction is done later with AUTECs range information showing exactly what happened during the event. This post maneuver evaluation is used to identify key moments of the engagement and results in better tactical performance in the future.

AUTECs secure location makes it ideal for weapons testing. The Mk 46, Mk 48 ADCAP, and Mk 50 torpedoes are tested here. Intermediate maintenance facilities for torpedoes and the Mk 30 target are located on Andros Island. Anti-Torpedo technology that is currently in development and supported by Site 1.

USN

A Sikorsky S-61N helicopter, attached to Atlantic Undersea Test and Evaluation Center, recovers a Mk 54 recoverable exercise torpedo during a submarine command course in the Atlantic Ocean, Nov. 10, 2018. Abraham Lincoln Carrier Strike Group (CSG) cruiser-destroyer (CRUDES) units are completing a Surface Warfare Advanced Tactical Training exercise (SWATT). SWATT is led by the Naval Surface and Mine Warfighting Development Center and is designed to increase warfighting proficiency, lethality and interoperability of participating units.

The ranges highly accurate positioning data can identify if a weapon is not performing as expected. The main site also has research, development, test and evaluation facilities called Range User Buildings that can support military contractor projects. This provides the contractor teams the ability to rapidly correct and modify devices during their onsite test time.

A more recent addition to the north end of the range is a shallow water minefield near Berry Island. With a growing demand for littoral operations, submarine crews are spending more time near minefields, deploying special forces, and operating in shallow water. The shallow water minefield was key in developing the Navys submarine mine detection equipment and crew proficiency. The AN/BQS-15 and AN/BSY-1 sonar systems performed at a 60%-90% mine detection rate. Improved training and equipment upgrades in the ARCI phase IV sonar system resulted in greater than 90% mine detection.

VADM John J. Grossenbacher lecture on AUTEC capabilities

Military contractors like SeaTrepid provide Remote Operated Vehicles that are used to practice Mine Countermeasures (MCM). These tethered vehicles swim out over 100 meters from the SSN and detect mines. ROVs and Unmanned Underwater Vehicles (UUV) significantly extend the sensor capabilities of todays submarines, in general.

AUTEC is also home to an advancedElectronic Warfare Threat Simulator. This system provides a real-time, dynamic and complex electromagnetic environment for the range. 21st-century battlespace is more complex than ever before. Jamming and spoofing targets are part of the fight. This capability adds another layer of realism to performance testing.

USN

A Tomahawk Land Attack Missile (TLAM) is launched from the USS Florida (SSBN-728), during Giant Shadow, a Naval Sea Systems Command (NAVSEA)/Naval Submarine Forces Experiment, conducted off the coast of the Bahamas.

All the test planning and coordination are done by the AUTEC offices in West Palm Beach, Florida. This is where teams prepare their test plan, assemble their personnel and take a short flight to the island. Access to the island is limited to a daily flight from West Palm Beach airport or a charter flight.

Site 1 is more than just a proving ground, it is an operational naval base. Andros island supports drug enforcement Operation Bahamas, Turks and Caicos (OPBAT) with the U.S. Coast Guard. AUTEC was the primary logistic location after Hurricane Dorian decimated the Bahamas in September 2019. Andros airport and Site 1s 12 helicopter pads were a key part of life-saving operations.

USN

USS Alexandria SSN-757 operating off of Andros Island.

AUTEC is the U.S. Navys premier submarine warfare proving ground. Crews who train here experience the most realistic warfighting training possible in a peacetime environment. The lessons learned at AUTEC change how Americas submarine and anti-submarine forces fight, ensuring that they can win any battle now or in the foreseeable future.

Aaron Amick is a retired U.S. Navy submarine sonarman. He served in both Atlantic and Pacific Oceans on 688 Los Angles Class Fast Attack and Ohio class ballistic missile submarines. He has published two audiobooks on Cold War-era submarines, Akula SSN Project 971 Sub BriefandUSS Nautilus SSN-571 Sub Brief. Now, Aaron manages a small Patreon pageand contributes to The War Zone.

Contact the editor: Tyler@thedrive.com

More:

How Submarines Regularly 'Fight To The Death' Off The Bahamas - The Drive