Preparing winemakers for climate change through cloning – ABC Online

Australia's winemakers are uniquely placed with grape types which, if cloned, could challenge established varieties in major markets such as the USA.

That is the view of Primary Research Scientist for Viticulture at South Australia's Research Development Institute Michael McCarthy.

He has been involved in the testing of cloned grapes from warm regions.

This is to gauge how they will perform in areas predicted to be warmer in 50 years' time due to climate change.

"Maybe the rest of the world might be more interested in some of our material," Dr McCarthy said.

"We have clones that just don't exist in the rest of the world anymore because our planting is clean.

"Phylloxera is not an issue, root-borne virus transmission is not an issue. We have planting material in Australia that is probably unique to the rest of the world."

Dr McCarthy was in Orange in the central west of New South Wales discussing the issue with vignerons operating in the area known for its cool climate wines.

Grapes cloned from one area of Australia may perform just as well in another region, although have different characteristics even within the new area.

"[We are] understanding how wine styles within regions may change as that region warms up going into the future," he said.

"What we are trying to do is identify sites across Australia that have the same clones in common.

"We take out the clonal difference and look at the wine style from cool to hot regions.

"So if this currently cool region becomes a warm region in 50 years' time how will those wine styles change?"

The region is known for chardonnay, which is Australia's number one white wine export, despite a decline in domestic consumption in recent years.

However this has changed with chardonnay enjoying a resurgence on the home tables.

Winemakers from the Orange region pointed out that the style of wine can change just by planting vines at different heights above sea level.

President of the Orange Vigneron Association and winemaker Justin Jarrett believed lessons had been learnt from the heady days when demand for chardonnay was exceptionally high.

"When you look at the Australian wine industry we don't want to be at the bottom of the wine ladder. You want to be up the top," he said.

"You want to deliver a product that people are prepared to pay more for."

Continued here:

Preparing winemakers for climate change through cloning - ABC Online

Sorry, ‘Jurassic Park’ fans: Scientists say dinosaur cloning probably isn’t going to happen – Travel+Leisure

Scientists at the University of Manchester have cast doubt over previous research that claimed the discovery of a protein from extinct dinosaur species.

Earlier research published in the journal Science claimed protein peptides had survived from a 68-million-year-old Tyrannosaurus rex. This discovery led to a proliferation of "Jurassic Park"-esque theories claiming that scientists could possibly clone the DNA and recreate the extinct dinosaurs, as happens in the classic 1993 Steven Spielberg film.

The team from Manchester found that the reported proteins could have also come from cross-contamination with the bones of ostriches or alligators, both of which were used in labs where the original studies took place, according to a press release on these new findings.

The researchers of this most recent study were quick to point out that they did not set out to disprove the findings of their colleagues, nor did their own findings definitively negate the possibility of dinosaur cloning. They had originally been studying collagen fingerprints, or the protein inside bones, and how long it can survive over time.

All this research is saying is that contamination cannot be ruled out, Mike Buckley, a zoo-archeologist someone who studies ancient animals at the University of Manchester and one of the chief researchers, told Travel + Leisure.

They found that collagen had not been proven to survive more than 3.5 million years and that the proteins the original paper claimed came from dinosaurs may very well have come from another animal.

For fans of the Jurassic Park movie franchise or those excited for the upcoming Jurassic World 2 premiere, the research might be disappointing, but its not all bad news. Ancient DNA is a field of study that paleontologists are still exploring, and nothing can be ruled out.

The more we understand how these ancient molecules survive, the idea is were more likely to be able to find real, ancient DNA which you could then take advantage of, Buckley said.

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Sorry, 'Jurassic Park' fans: Scientists say dinosaur cloning probably isn't going to happen - Travel+Leisure

Send in the clones: Orphan Black, TV’s smartest show, is back – The Guardian

An addictive blend of revenge drama and sci-fi thriller Orphan Black. Photograph: Netflix

Those and for some bizarre reason, they are few in number who have been watching Orphan Black for the past four seasons will be counting down the hours to the weekend. For this Sunday sees the start of the fifth, and final, series on Netflix of one of TVs true hidden gems.

This clever Canadian import an addictive blend of revenge drama and sci-fi thriller is that rare thing on TV these days: a mythology-heavy plot twister with characters so well-crafted, and lines so intelligently written, that you genuinely, deeply care about what happens to them.

The plot is reasonably straightforward. Just over 30 years ago, genetics company Neolution secretly perfected the idea of human cloning and implemented two projects, one male (Project Castor) and one female (Project Leda). The male clones were largely funnelled into the military, while most of the female clones were sent out into the world, some unaware of the truth of their creation, then monitored.

The central storyline follows one of those female clones, petty criminal Sarah Manning (Tatiana Maslany), who has been raised in the wild only to belatedly discover she is a clone. She struggles to find her sisters and uncover the truth about Neolution, their shadowy parent companies Dyad and Topside, and the Proletheans the religious organisation headed by a former MIT scientist turned Christian fundamentalist who is dedicated to wiping out any project survivors.

But what makes Orphan Black such a pleasure is not its plot, compelling and carefully thought out though it is, but its characterisation, and the portrayals its excellent cast proffers. Much has been made of the fact that Maslany plays all but one of the Project Leda clones. Its a fantastic feat that allows the Canadian actor to show off her range as she slips effortlessly from the British Sarah to uptight American housewife Alison or Ukrainian-raised and near-feral Helena. She inhabits each entirely, right down to their different eye rolls, ensuring that even when they talk to each other or, memorably, hang out and dance, we never think oh thats one person playing all these parts.

Maslanys performances are superlative and were rightly the subject of a campaign for Emmy recognition, which she finally won last year but it helps that she is working with an intelligent, witty script that doesnt hold back from placing womens stories at its heart. These clones are not AIs subjugated by the male gaze of their creator, but ordinary women with different backstories and separate, equally interesting lives that we respond to.

So we urge science PHD student Cosima to find a cure for the autoimmune disease attacking the clones. We root for Sarah in her quest for the truth. We laugh at and with the ditzy Krystal, who stubbornly refuses to believe shes a clone (because really shes a seven at most on a good day, and Ive been told Im a 10). We even feel sympathy for ice-cold Rachel, raised by Project Leda scientists Ethan and Susan Duncan and convinced she is the heir to Neolution, the one clone who could rule them all.

Nor is it just the clones that engage us. As Sarahs adopted brother Felix, Jordan Gavaris does his best to steal the show, while Maria Doyle Kennedy brings a wonderful hint of steel to Mrs S, Sarah and Felixs foster mother. And Rosemary Dunsmore is gloriously creepy as Susan Duncan, a woman for whom maternal warmth seems little more than a front.

This is a show preoccupied with motherhood, the role of women in society and the age-old debate of nurture v nature. The clones may all look alike but their personalities are determined by how they were raised as much as by their shared progenitor and the shows creators John Fawcett and Graeme Manson unpick these themes with subtlety and care.

A striking intelligence runs through Orphan Black. Each series takes its episode titles from a different influential work. Series one drew on Charles Darwins Origins of the Species and series two, the writings of Francis Bacon, arguably the father of scientific method. Series three quoted the farewell address of Dwight Eisenhower, a speech best known for coining the term military-industrial complex. And series four delved into the works of Californian feminist and scientist Donna Haraway, author of A Cyborg Manifesto: Science, Technology and Socialist-Feminism in the late 20th Century. The final series will apparently reference Ella Wheeler Wilcoxs celebrated 1914 protest poem 1695 a furious rallying cry against standing silently by.

Beyond the episode titles, though, the show takes in everything from Greek mythology and Margaret Thatchers government to HG Wells creation classic The Island of Doctor Moreau, which serves as both the shows biggest influence and its best MacGuffin. Nods to further facets of the science v religion panoply are littered throughout: Felixs surname is Dawkins, Sarah first learns about the existence of clones at Huxley station, and George Bernard Shaws Pygmalion, with its tale of woman refashioned by man, is a recurring allusion.

This willingness to engage with intriguing dense, even themes while never letting the plot drag is what makes Orphan Black such fun to watch. In contrast to other mythology-heavy shows, it rarely puts a foot wrong. Will this final series bring resolution? With a story this convoluted theres always the chance that the ball will be dropped. But series fours excellently paced finale, which left a number of characters in peril while hinting that central mysteries are beginning to unravel fast, is reason enough to anticipate a conclusion worthy of all thats come before. Orphan Black is truly one of the most singular, smart and well-told pieces of television in recent years.

Orphan Black returns to Netflix on Sunday in the UK (series 1-4 are available to watch now) and on BBC America in the US and Space in Canada.

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Send in the clones: Orphan Black, TV's smartest show, is back - The Guardian

Evolution – RationalWiki

There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.

Evolution refers to change in a biological population's inherited traits from generation to generation. All species on Earth originated by the mechanism of evolution, through descent from common ancestors. Evolution occurs as changes accumulate over generations. Charles Darwin recognized evolution by natural selection, also called "descent with modification", as the fundamental process underlying all of life, whether viewed at a large scale above the level of species (macroevolution), in terms of formation of new species, changes within lineages, and extinction, or at a small scale within a species (microevolution), in terms of change in gene frequency. In a nutshell, evolution by natural selection can be simplified to the following principles:

In modern genetic terminology, variability of traits in a population is the expression (phenotype) of heritable traits (genes), which at least on Earth are stored in DNA (or sometimes RNA or proteins). Variability of traits ultimately originates from mutation, and new combinations of genes are continually produced via recombination as part of sexual reproduction. The result of natural selection is adaptation, like a "hand in glove" fit between organism and environment. Evolution, defined in population genetics as change in gene frequency in a population, can be influenced by other processes besides natural selection, including genetic drift (random changes, especially in small populations) and gene flow (wherein new genes come into a population from other populations). In a sense, mutation is a creative process of expansion in which new possibilities come into existence (most of which don't work so well), and this is balanced by natural selection, another creative process of contraction that reduces the possibilities to those that work best in a particular environment.

The word evolution (from the Latin e, meaning "from, out of," and volvo, "to roll," thus "to unroll [like a scroll]") was initially used in 1662, and was variously used, including with respect to physical movement, describing tactical wheeling maneuvers for realignment of troops or ships. In medicine, mathematics, and general writing early use of the term referred to growth and development within individuals.[2][3]; its first use in relation to biological change over generations came in 1762, when Charles Bonnet used it for his now outdated concept of "pre-formation", in which females carried a miniature form (homunculus) of all future generations. The term gradually gained more general meaning of progressive change. In 1832 Scottish geologist Charles Lyell referred to gradual change over long periods of time. Charles Darwin only used the word in print once, in the closing paragraph of The Origin of Species (1859), and rather favored the phrases "transmutation by means of natural selection" and "descent with modification". In the subsequent modern synthesis of evolution, Julian Huxley and others adopted the term, which thereby became the accepted technical term used by scientists.[4][5]Although in contemporary usage the term "evolution" most commonly refers to biological evolution, usage has evolved, and the word also refers more generally to "accumulation of change", including in many disciplines besides biology.

The idea that life has evolved over time is not a recent one, and Charles Darwin did not, in fact, come up with the idea of evolution in general. For example, ancient Greek philosophers, like Aristotle, had ideas about biological development.[6] Later, in Medieval times, Augustine used evolution as a basis for the philosophy of history.[6]

The first significant step in the theory of evolution was made by Carl Linnaeus.[7] His leading contribution to science was his creation of the binomial system of nomenclature in lay terms, the two-part name given to species, such as Homo sapiens for humans. He, like other biologists of his time, believed in the fixity of the species, and in the scala naturae, or the scale of life. His ideas were consistent with the Judeo-Christian teachings of his time.

Erasmus Darwin, the grandfather of Charles Darwin, was the first scientist to whom credit can be given for something starting to approach modern concepts of evolution, as noted in his contributions to botany and zoology. His writings contained many comments (mostly in footnotes and side writings) that suggested his beliefs in common descent. He concluded that vestigial organs (such as the appendix in humans) are leftovers from previous generations. The elder Darwin, however, offered no mechanism by which he believed evolution could occur.

Georges Cuvier proposed a mechanism by which the fossil record could develop over time without evolution - which by now had come into usage as a term.[8] His hypothesis, catastrophism, was that a series of disasters destroy all life within a limited area, and that living organisms move in to this newly opened area. This idea prefigures in some respects the 1970s hypothesis of 'punctuated equilibrium'.

Lamarck was the first scientist to whom credit can be given for a theory of evolution.[9] His idea centered on use and disuse, the concept being that the more an organism used a particular part of its body, the more developed that organ became within a species. It is sound only for individuals (e.g. a weightlifter will develop larger muscles over time, but will not pass this trait on to any children.) Nevertheless, modern research into epigenetics suggests that parents can induce some traits into their offspring by non-genetic inheritance, and that Lamarck was therefore not completely wrong.

By the first half of the 19th century, scientists had gathered a great deal of information on species, and had inferred that life on Earth had existed for a very long time, and that some species had become extinct.[10] Natural selection was the first theory to provide a mechanism to explain those observations. Prior to the theory of natural selection, the concept that species could change over time had been proposed, but without a satisfactory explanation.[who?]Alfred Russel Wallace and Charles Darwin came to the conclusion, independently, that competition for resources and the struggle for survival helped determine which changes became permanent and which traits were discarded.

The theory of evolution by natural selection, as we know it today, was published in a joint paper by Wallace and Darwin on 20 August, 1858, based on Wallace's observations in the Malay Archipelago and Darwin's observations over many years including those made during his voyage on HMS Beagle. Charles Lyell's Principles of Geology, which suggested slow changes over very long periods of time, also contributed to the nascent theory.[11] Darwin drew heavily on his knowledge of human experience in breeding domestic animals (artificial selection), particularly the varieties produced by pigeon breeders (Darwin was one himself), for his understanding of how variations could develop within a population over time. Darwin set out his theory (at the time, a hypothesis) of natural selection in his books On the Origin of Species and The Descent of Man.[12]

For more information, see Non-Darwinian evolution.

Although natural selection was the first mechanism proposed in evolutionary theory (and remains the most common), other forms of selection play a part as well. The most notable of these is sexual selection, which occurs due to some heritable preference for a trait in breeding partners. Derivation of traits through this mechanism is driven by (usually) the female's choice in mating partner rather than direct impact on fitness. Sexual selection often leads to the rise of features which would likely not occur under natural selection, such as the tail of a peacock or the long necks of giraffes.[13]

It should be noted that sexual selection can be divided into two forms, distinguishable by who actually "makes" mating decisions. The first of these is intersexual selection, and in this form of selection the limiting sex (which is usually female) will choose a partner. The other form is intrasexual selection, or mate competition. In this form of selection, one sex (usually males) competes for "mating rights" to members of the other sex.

In addition to selection, other mechanisms have been proposed, most notably genetic drift. More controversial is the importance of symbiosis (which has been recognized in the case of the origins of eukaryotes). Universally rejected is Lamarckism or directed (rather than random) variations.

The eclipse of Darwinism is a phrase to describe the state of affairs prior to the modern synthesis when evolution was widely accepted in scientific circles but relatively few biologists believed that natural selection was its primary mechanism. Instead non-Darwinian mechanisms of evolution such as neo-Lamarckism, saltationism, or orthogenesis were advocated. These mechanisms were included in most textbooks until the 1930's but were rejected by the neo-Darwinian synthesis theorists in the 1940's as evidence had proven the role of natural selection in evolution.[14]

The modern evolutionary synthesis (or neo-Darwinism) brings together ideas from several biological specialties in an attempt to explain how biological evolution proceeds. Many scientists have accepted it. It is also referred to as the "new synthesis", the "evolutionary synthesis", the "neo-Darwinian synthesis" or the "synthetic theory of evolution". The synthesis evolved between 1936 and 1947 with the reconciliation of Mendelian genetics with natural selection into a gradual framework of evolution. The synthesis of Darwinian natural selection (1859) and Mendelian inheritance (1865) is the cornerstone of neo-Darwinism.[15]

Julian Huxley (1887 1975) invented the term "modern synthesis" when he produced his book Evolution: The Modern Synthesis (1942). Other major contributors to the modern synthesis included R. A. Fisher (1890 - 1962), Theodosius Dobzhansky (1900 - 1975), Ernst Mayr (1904 - 2005), George Gaylord Simpson (1902 1984), and G. Ledyard Stebbins (1906 - 2000).

Over the past decade, new conceptions of evolutionary theory have emerged going under the umbrella term of the "Extended Synthesis," which is intended to modify the existing Modern Synthesis. This proposed extended synthesis incorporates new possibilities for integration and expansion in evolutionary theory, such as Evo-devo, Epigenetic Inheritance and Niche Construction. Its proponents include Massimo Pigliucci, Gerd Mller, and Eva Jablonka.[16] In 2008 sixteen scientists met at the Konrad Lorenz Institute in Altenberg, Austria, to propose an extended synthesis.[17]

Evolutionary theory has at its core three main tenets, observations of patterns within nature. These three patterns were observed by both Darwin and Wallace, and they eventually gave rise to the modern theory of evolution by natural selection.[18]

Darwin and Wallace both noted that populations display natural variability in form, physiology, and behaviour (phenotypic variability). For example, within a population, some members may be very large, some may be very small, and most may be somewhere in the middle. This natural variability is the fundamental source upon which natural selection acts.

Having observed that natural variability exists, early evolutionary biologists also noted that some of these variants endowed their possessor with some competitive edge over other members of the species, conferring greater survival or reproduction. Although at first the implications of this fact were unclear, the writings of Thomas Malthus spurred Darwin and Wallace to recognize that individuals that have traits that enhance their ability to survive and reproduce pass on these traits to subsequent generations. Differential fitness, also known as differential reproductive success, in essence, is the process by which traits that enhance survival and reproduction gain greater representation in subsequent generations.

Only if variation is heritable, will it confer an advantage into future generations. Although early evolutionary scientists did not have the benefit of modern molecular tools, they surmised that the source of variation must in part have a heritable basis, in contrast with variation expressed solely in response to different environmental conditions. In fact, one of the first predictions made by evolutionary theory was the existence of a heritable factor, now known to be DNA!

Thus the combination of phenotypic variability, differential fitness, and heritability of fitness define evolution by natural selection. Darwin and Wallace independently came to the conclusion that those organisms best suited to their environment would survive to produce more offspring. Therefore, the heritable factor responsible would increase in frequency within the population.[19]

Evolutionary biology seeks to explain the following three broad patterns observable in all life.

Diversity is fundamental to life at all levels of organization: ecosystems, communities, species, populations, individuals, organs, and molecules.

According to the Genetic Variation Program arm of the National Human Genome Research Institute, about 99.5% of human DNA is the same from person to person. The other 0.5% accounts for a number of simple and complex traits we possess.[20] There is tremendous genetic diversity within almost all species, including humans. No two individuals have an identical DNA sequence, with the exception of identical twins or clones. This genetic variation contributes to phenotypic variation - that is, diversity in the outward appearance and behavior of individuals of the same species.

Populations must adapt to their environment to survive.

Living organisms have morphological, biochemical, and behavioral features that make them well adapted for life in the environments in which they are usually found. For example, consider the hollow bones and feathers of birds that enable them to fly, or the cryptic coloration that allows many organisms to hide from their predators or prey. These features may give the superficial appearance that organisms were designed by a creator (or engineer) to live in a particular environment. Evolutionary biology has demonstrated that adaptations arise through selection acting on a population through genetic variation.

Species evolved along different paths from a common ancestor.

All living species differ from one another. In some cases, these differences are subtle, while in other cases the differences are dramatic. Carl Linnaeus (1707-1778) proposed a classification that is still used today with slight changes. In the modern scheme, related species are grouped into genera, related genera into families, and so on. This hierarchical pattern of relationship produces a tree-like pattern, which implies a process of splitting and divergence from a common ancestor. While Linnaeus classified species using similar physical characteristics, modern evolutionary biologists also base classification on DNA analysis, which can distinguish between superficial resemblances between species and those which are due to common ancestry.

Biological evolution results from changes over time in the genetic constitution of species. The accumulation of genetic variations often, but not always, produces noticeable changes in the appearance or behavior of organisms. Evolution requires both the production of variation and the spread of some variants that replace others.[21]

Genetic variation arises through two processes, mutation and recombination. Mutation occurs when DNA is imperfectly copied during replication, or by changes in genetic material caused by such mutagens as radiation, leading to a difference between a parent's gene and that of its offspring. Some mutations affect only one bit in the DNA; others produce rearrangements of, or changes in, large blocks of DNA.

Recombination occurs when genes from two parents are shuffled to produce an offspring, as happens in every instance of sexual reproduction. Usually the two parents belong to the same species, but sometimes (especially in bacteria) genes move between more distantly related organisms.

The fate of any particular genetic variant depends on two processes, drift and selection. Drift refers to random fluctuations in gene frequency, and its effects are usually seen at the level of DNA. Ten flips of a coin do not always (or even usually) produce exactly five heads and five tails; drift refers to the same statistical issue applied to the transmission of genetic variants across generations. Genetic drift is inverse to population size; that is, genetic drift has a greater effect on small populations than larger ones. For example, if a small part of a population becomes geographically isolated its members will develop new traits faster.

The principle of natural selection was discovered by Charles Darwin (1809-1882), and it is the process by which organisms become adapted to their environments. Selection occurs when some individual organisms have genes that encode physical or behavioral features that allow them to better harvest resources, avoid predators, reproduce successfully, and so forth, relative to other individuals that do not carry those genes. The individuals that have more useful (adaptive) features will tend to leave more offspring than other individuals, so the responsible genes will become more common over time, leading the population as a whole to become better adapted.

Through a variety of mechanisms, gene duplication can occur which gives rise to two identical genes in the genome. Since only one of these genes is necessary, the other gene can undergo mutations without having an adverse effect on the original function of the gene. These duplicated genes called paralogs can give rise to protein families with similar yet distinctly different functions. For example, the olfactory protein family consists of around 900 different smell receptors that all arose via gene duplication followed by unimpeded mutation.

The process that many people find most confusing about evolution is speciation, which is not a separate mechanism at all, but rather a consequence of the preceding mechanisms played out in time and space. Speciation occurs when a population changes sufficiently over time that it becomes convenient to refer to the early and late forms by different names. Speciation also occurs when one population splits into two distinct forms that can no longer interbreed. Reproductive isolation does not generally happen in one generation; it may require many thousands of generations when, for example, one part of a population becomes geographically separated from the rest and adapts to a new environment. Given time, it is inevitable that two populations that live apart will diverge by mutation, drift, and selection until eventually their genes are no longer compatible for successful reproduction.

Working alongside with natural selection (death and survival pressure), spatial evolution is caused by individuals with random variation that are selected nonrandomly by how fast they travel away from home populations. The faster the individuals, the faster the individual she or he mates with, leading to fast offspring. This is both behavioral and morphological. The individuals 'race' their way to become a distinct species. Examples of Spatial evolution are new. For example, Australian researchers have detailed a new mechanism of evolution that is not based on natural selection but rather on how populations of organisms, such as cane toads, move around.[22][23]

Common descent explains the many shared features (homologies) of the majority of the organisms on the planet. There is an enormous amount of evidence that suggests all living organisms derived from a common ancestor long ago. For instance, all vertebrate embryos have the same body plan and look very similar in early development. We have the genetic code, which is all but identical in every known organism, from bacteria to humans. We have the shared presence of pseudogenes in similar species. All simians, including us humans, have an inactive gene, L-gulonolactone oxidase, which was originally used to synthesize Vitamin C. Then, we have the evidence for convergence, which explains relationships for all species, from fungal slime you find in shower stalls to sequoia. The tree of life between simple anatomical similarities is strikingly similar to a tree constructed from genetic molecular similarities. Then, there are others, including cool stuff like chromosome fusion, endosymbotic theory, retroviruses, Hox genes, and deep homology, oh my.

Considering all of this, evolution has the intricacy and the reality of quantum mechanics. But you don't see unqualified people running around and decrying quantum mechanics, do you? Well actually you do, but opposition to quantum mechanics is widely considered fringe kookery, while opposition to evolution is treated by many people as a reasonable position.

So yes, in other words, evolution is a theory.

Evolutionary concepts can also be applied to non-biological processes. Universe formation, evolutionary algorithms in computer science and the development of languages are three such subjects. The study of etymology is one component of analyzing how languages have evolved, and parallels biological evolution (for example) in the way the same language diverges over time into two different languages when two populations that speak the same language become geographically isolated.

Another example of non-biological evolution is the evolution of technology and innovation, which, while being (mostly) intelligently-designed,[24] is (mostly) not random. James Burke studied, authored books, and hosted television programmes on the evolution of technology through a historical context.

Models of cultural evolution, such as memetics, have been devised and applied over the years with varying degrees of success.[25]

Somewhat confusingly, the word "evolution" is also used in some sciences in a way that has no relation to the biological concept whatsoever. When an astronomer speaks of "stellar evolution", (s)he is taking about the changes that happen to a star over very long periods of time, as it progresses from gas cloud to protostar to main sequence star to post-main-sequence giant to stellar remnant. When a cosmologist speaks of "cosmic evolution", (s)he is talking about the changes in the size/shape/nature of the universe over time, sometimes on very long time scales, and sometimes at very brief time scales (such as fractions of a second after the Big Bang). Neither of these uses of the word "evolution" has anything to do with populations, heritable traits, selection criteria, descent, or any of the other hallmarks of "evolution" as the term is used in biology.

Creationists consequently confuse the biological and non-biological meanings of the word "evolution" and they claim that the Theory of Evolution includes the origin of the universe and the origin of life. The biological theory of evolution as proposed by Darwin and others has nothing to say about either the origin of the universe or the origin of life on Earth, though some biologists have extended the theory to the very beginning of life.[26]

We can allow satellites, planets, suns, [the] universe, nay whole systems of universes, to be governed by laws, but the smallest insect, we wish to be created at once by special act.

There are a number of broad arguments creationists/anti-evolutionists make. Specific claims are examined at our common descent page. They're mostly arguments born of a lack of understanding what evolution by mutation and natural selection actually is, though rarely they're advanced by more savvy creationists as direct misrepresentations and distortions of the theory of evolution.

Often creationists ask how likely it is that all this complex life could have come about by random chance. They suggest that since individual events, such as the abiogenetic formation of proteins, emergence of RNA, organization of unicellular into multicellular organisms, etc., are purportedly so highly improbable that the entire chain events culminating in the existence of even a single complex organism could not have happened as described. Therefore, God did it. As creationism is largely a program of negative apologetics (e.g. an attempt to show a claim that is viewed as contrary to Christian faith is internally inconsistent or irrational according to the Christian perspective), arguments such as this are in essence arguments from incredulity with the proponent denying a fact (in this case the statistical probability that such and such essential event will have occurred) in order to draw the unsupported conclusion that some other cause (the Christian God) was at work.

The implied argument that a god or "designer" was at work is itself fraught with more untenable problems. Putting aside that the illusion of design is itself problematic, and assuming for the sake of argument that "design" is even identifiable in biological systems, if "random chance" is inadequate to account for some outcome, one is simply making unsupported assertions to contend that it is more probable that a designer was at work. If the causes are "designers" about which nothing is known, if they are capable of doing anything, if it is not known how or why they act, if it is not known when they acted (or will act), or if it is not known what they did (or did not, or could, or would), the causes are not enough to account for the results. If so, "design" in this sense is indistinguishable from random chance.

Nonetheless, evolution by natural selection isn't a random process. While genetic mutations may appear randomly, the natural selection of specific traits to produce a statistically significant allele (gene variation) frequency in a discrete population of organisms is highly deterministic. If a gene aids survival with respect to any particular environmental stressor, then it is selected by means of the survival and reproduction of the individuals carrying that gene and perpetuates in the population of organisms. If the trait is detrimental to survival, it will leave organisms vulnerable to a particular environmental stressor and through attrition lower the frequency of the allele(s) contributing to that trait in the subject population.

Many creationists hold erroneous beliefs about evolution such as that which is expressed by the statement "I accept microevolution, but not macroevolution." (This is the position of YEC nincompoop Kent Hovind.) Microevolution is supposed to be evolution that doesn't result in a new species, and macroevolution is supposed to be evolution that does lead to a new species. This argument is akin to someone saying that while one believes that wind can sometimes erode rock, one doesn't believe it can change the rock's shape. Micro- and macroevolution describe the same process, but with a difference in operational time. If one accepts microevolution, they must also accept macroevolution, since the former inevitably leads to the latter if given a long enough time period and the separation of breeding isolates. One cannot simply accept one and not the other. In biology, macroevolution is a broad subject of which speciation is only one part. This argument against speciation may be an attempt by creationists to reserve the power to produce a species for God alone.

Some creationists have abandoned the attempt to deny that new species can appear (and disappear) by natural means, in favor of drawing a barrier, not between species, but between baramins (also known as "kinds"), some sort of collection larger than species. To date, there has not been given any indication of just what sort of a thing a baramin is, what is the nature of the barrier between baramins, or how one might detect the barrier (or suspect its non-existence) in any particular case, other than the uninformative "baramins are those things that present a barrier to evolution."

Irreducible complexity is a fancy name for the "watchmaker" argument. In a nutshell, irreducible complexity describes an organ (or other facet of a living thing) which the ideology's supporters claim could not have evolved in small gradual steps. It is claimed to be so complex that it cannot be reduced into other parts. In fact, every example of irreducible complexity Behe and others have come up with has been shown to not be irreducibly complex (for example, the incremental stages towards the "irreducibly complex" human eye that are found in the sight organs of other living organisms).[28]

For any theory to be accepted as scientific it must be falsifiable. In other words, it must be capable of making statements which could theoretically be disproved. Evolution's opponents claim that the theory of evolution does not have this property, although this claim can be easily rejected. Theoretically, evolution could be falsified if scientists discovered an organism so complex and unique, with absolutely no explainable path as to how it could have evolved. Such an organism has not been found. Similarlyand ironicallythere are the demands made by some creationists that they be shown, say, a dog giving birth to a cat before they'll accept evolution. Such an event, if it occurred, would falsify (or at least strongly challenge) evolution, since speciation doesn't happen in a single generation and modern animals don't evolve into other modern animals.

Sometimes the phrase "evolution is only a theory" will be heard. This phrase rests on the common use of "theory" to mean what scientists call a "hypothesis," i.e., is something that is possible but not proven. Science, however, uses "theory" in a much different sense, namely as a testable model of the manner of interaction of a set of natural phenomena, capable of predicting future occurrences or observations of the same kind, and capable of being tested through experiment or observation. This sets it at a significantly higher level of reasoning than "wild and unproven guess," which is what is implied when this argument is mentioned. Also unlike "wild guesses", scientific theory is among the best explanations for phenomena, and scientists who successfully create new theories will often be famous. As Sheldon Cooper once said, "Evolution isn't an opinion, it's fact."[29] Note that creationists don't say that gravity is "only a theory." And if anyone says you can't directly observe evolution, send them to Professor Lenski.

Strictly speaking, evolution is something that happens in the world of life, and should be distinguished from a theory of evolution, which is (according to the above definition) a model of how evolution occurs. Thus evolution bears the same relationship with a theory of evolution as flight with a theory of flight, or sound with a theory of sound, or planetary motion with a theory of planetary motion. This is often expressed in the saying that "Evolution is both a theory and a fact", that is to say, the word "evolution" can refer not only to the process (the "something that happens"), but also to a fact that it is observed under such-and-such circumstances, and to a theory that is involved with the process ("how it happens", "what the consequences are of it happening").[30]

One creationist claim is that there is a lack of support for evolution among scientists. This claim has for example been articulated, "Interestingly, ever since Charles Darwin's book The Origin of Species was published in 1859, various aspects of the theory have been a matter of considerable disagreement even among top evolutionary scientists."[31] To counter this claim one need only note that scientists' disagreements are about details over the way that evolution functions - and not about the historical fact of it.

One counter-argument is that evolution is incompatible with the Second Law of Thermodynamics, which derives from an inaccurate, oversimplified statement of this law: "everything in the world becomes more disordered over time," and that evolution would involve an increase in order over time as species evolve. However, the precise statements given by Kelvin and Clausius consider isolated, closed systems in which neither energy nor matter are transferred in or out the Earth is far from an isolated system as energy is radiated into the Earth system from the Sun, and the only true closed system in the universe is the universe.

Furthermore, the word "disorder" is used incorrectly as an analogy to the more difficult-to-understand concept of entropy, and misinterpreted to imply that "order" is equivalent to intricacy of species on Earth, making this a weak argument from analogy. Entropy, simply put, is how far a system is from equilibrium. For example the Sun is far from equilibrium with its surroundings, but as the Sun ages and more fuel is burned, the energy is radiated from the small volume (the Sun) to a large volume (the Solar System), bringing the Sun closer to equilibrium with its surroundings. The Second Law of Thermodynamics therefore holds true for the Earth-Sun system, and evolution of species on Earth is of no relevance to the universe obeying the Second Law of Thermodynamics.

Because the Second Law of Thermodynamics is based upon statistical physics, the universe does not even need to obey the Second Law of Thermodynamics, and therefore evolution would not need to obey or disobey the Second Law of Thermodynamics. The Second Law of Thermodynamics is an empirical law based on observations by scientists. The universe could, hypothetically, momentarily arrange itself in a state of slightly lower entropy than previously; however, the statistical chances of the universe doing this are, for all intents and purposes, nil. By analogy, shuffling a deck of cards and getting them in order or throwing a broken plate on the floor and returning it to pristine condition are both plausible, but the chances are so small as to be approximately zero.

Many simulations of evolution (of digital creatures) towards some goal exist. Some of the best are documented here:

In which creatures made of nodes and muscles frantically try to run to the right. Code publicly available; run it online![32]

In which randomly generated octagons with wheels frantically try to drive to the right. Run it online![33] Code not publicly available; explanation available.[34]

Or, "Evolution IS a Blind Watchmaker". Watch a bunch of gears, ratchets, clock hands, and springs frantically try to accurately tell time, and simultaneously disprove the watchmaker analogy. Code publicly available.[35]

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Evolution - RationalWiki

The story of human evolution in Africa is undergoing a major rewrite – Vox

Theres a story that weve been telling about the origin of our species. It goes something like this: Around 200,000 years ago, in East Africa near modern-day Ethiopia the first Homo sapiens diverged from an ancestral species, perhaps Homo erectus. From there, we spread, in a linear manner over millennia north into Europe, and then through the rest of the world.

That story, it turns out, is wrong or at least woefully incomplete. In two papers published in Nature Wednesday, anthropologists say theyve found evidence that the dawn of our species may have actually been much earlier.

Their evidence is remains of human ancestors, dating at around 300,000 years old, that look a lot like Homo sapiens and were found in the Jebel Irhoud cave in Morocco thousands of miles from Ethiopia.

Thats significant because its much older than anything else in Africa we could relate to our species, Jean-Jacques Hublin, the director of human evolution at the Max Planck Institute for Evolutionary Anthropology and a lead author on one of the papers, said. This represents the very root of our species, the oldest Homo sapiens ever found in Africa or elsewhere.

Or maybe not. Whether these remains truly represent the root of humanity depends on what your definition of what humanity is. And on that question, theres surprising nuance and disagreement.

These specimens pieces of skull, jaw, and assorted other body parts of five individuals are not new to paleoanthropology.

The first pieces of them were discovered in the 1960s by miners clearing a hillside in Morocco. And they were a curiosity. Scientists at the time assumed the fossilized remains along with fragments of their stone tools relatively new, maybe only 40,000 years old.

But something didnt add up: The specimens looked more primitive than what youd find from 40,000 years ago. Their facial structures looked modern, but parts of the skull that surround the brain were smaller in some key areas.

When the authors of the Nature paper got the chance to reanalyze the site in recent years, they gathered fragments of flint that had been exposed to fires made by the occupants.

The dating technique they used is called thermoluminescence. And its pretty cool.

When those early humans put their flint tools into the fire all those millennia ago, the heat released electrons from the rocks crystalline structure. Since, those electrons have been slowly replenished over time from solar radiation. In the modern day, scientists heat up those pieces of flint, and the reaccumulated electrons are released, measured, and can give scientists a date for when they were initially fired. Thats how they got 300,000 years (give or take a few tens of thousands of years).

Hublin says these individuals were not modern humans like us, but a slightly earlier form of Homo sapiens, one with a less developed brain and perhaps other differences in its DNA. And he says these differences between us and them are proof that evolution occurs over a gradient. It also shows the biggest evolutionary change weve undergone in the past 300,000 years is in the size of our brains.

And all this evidence, he says, points to a pan-Africa hypothesis of human development.

The hypothesis: No, we did not just emerge in Eastern Africa. As of 300,000 years ago, our ancestors were already spread around the continent (paleoanthropologists have identified a probable Homo sapiens skull in South Africa dating back 250,000 years).

And they were on the move, and spreading their genes. The idea is that there is no [one] Garden of Eden in Africa, or if there is a Garden of Eden, it is Africa, Hublin says.

I ran Hublins paper and conclusions by two other anthropologists Ian Tattersall, the curator emeritus of human origins at the American Museum of Natural History, and John Hawks, a professor at the University of Wisconsin. And while they dont doubt the dating of these findings, they do question whether we can really call these specimens Homo sapiens.

After all, they do have some significant differences with us when it comes to the shape of their brains, which is a defining characteristic of our kind.

I think you have to be fairly rigorous [with] what you admit into Homo sapiens, Tattersall says. There are plenty of people out there who are willing to take a much looser view of what Homo sapiens is, and would be happy to cram this into Homo sapiens as a matter of convenience, or a matter of philosophy even. I wouldnt go along with that.

Hublin is firm in his belief that these are indeed Homo sapiens. Evolution exists, he responds. The reality is that there is a continuous line of evolution between early sapiens like Irhoud and humans of today without any breaking point along this line.

I do think theres a really interesting story here, but we dont quite know what it is

Evolution is not a straight line. Its one that produces many branches (most of which die off). Those branches can also join back together in the future. Those rejoined branches sprout branches. Some of those branch off and recombine. Others die. Its a tangled mess.

The lineages are constantly splitting, dying, and rejoining. Its believed our line split off from our closest relatives, the Neanderthals, around 500,000 years ago. But its not clear when we became human. Evolution doesnt always provide clean cutoffs from one form of a species to the next.

Are these Moroccan specimens truly our ancestors? We cant know. Did they give rise to our ancestors who lived in East Africa? Maybe. Or are they an offshoot of the main line, a group that was on their way to becoming their own distinct species but then died off? Also possible.

As long we have properly identified the actors in the play, were not going to understand the plot, Tattersall says. I do think theres a really interesting story here, but we dont quite know what it is.

At the very least, Tattersall says this evidence pushes back the start date of the middle Stone Age the age when people started to make sharp blades out of stone.

That we dont know how human these people were makes me appreciate the complexities of evolution a bit more.

Hawks says to imagine youre holding your mothers hand, your mother is holding her mothers hand, and the chain continues all the way back 300,000 years. What were talking about is about 10,000 to 15,000 [people] in a row the population of a small town is what connects you to that time frame, he says.

Youre connected to the person at end of the chain, yet they dont look quite like you. Their face is the same, but their skull is a little smaller. Maybe they have a harder time keeping up with the fast pace of your conversation. That person is both like you and something different at the same time.

The fossil record isnt this neat, however. I cant connect the dots yet, Hawks says. There are too few dots. Just too few. We dont have all the links in the chain from our mothers now to our mothers 300,000 years ago.

What is true: Each year, our human story grows more complicated and fascinating. Just in the past decade weve learned, through DNA evidence, that we mated with Neanderthals, Denisovans, and probably several other species of the genus Homo. Weve learned that at one time our world was inhabited by several subspecies of human. And we interacted with them.

Still, theres so much we dont know. And meanwhile, we keep making startling new discoveries: like the short-bodied Homo naledi that lived around 250,000 years ago and could have been in contact with our ancestors. Our experience in Stone Age Africa however it went wasnt simple.

More:

The story of human evolution in Africa is undergoing a major rewrite - Vox

The Evolution of Hip Hop Style That Broke All the Rules – VH1.com (blog)

Recently, new school rappers primarily Lil Uzi Vert, Jaden Smith, and Young Thug have been criticized for how they dress. Uzi dresses like hes the missing member of The Clash, while Thugger and Jaden have broken gender barriers time and time again sporting dresses and other accessories, but for some reason people are shocked. Why though?

Since the 70s, hip hop has been changing and expanding its identity as more rappers and artists enter the game with their own unique personalities and swag. From MC Hammerss vibrant parachute pants, to Kris Kross rocking their clothes backwards, to Kanye West sporting a leather skirt, rap has always had fearless artist who arent afraid to push the boundaries of fashion. So, for those concerned about what Uzi and Jaden are rocking (were looking at your rap old heads), hip hop has already been doing for decades. They are just continuing the trend.

Lets take a look at the evolution of rule breaking style moments in hip hop fashion.

Before Kanye and Pharrell, Notorious B.I.G. was one of the fashion trendsetters in hip hop. Remember his influential style moments in the video below.

The rest is here:

The Evolution of Hip Hop Style That Broke All the Rules - VH1.com (blog)

Scientists propose a new paradigm that paints a more inclusive picture of the evolution of organisms and ecosystems – Phys.Org

June 7, 2017 (A) Switchgrass root hair growth promotion in the presence of the dark septate endophyte (DSE) fungus, cidomelania panicicola. Warm season C4 grasses such as switchgrass rely on their symbiome to persist in stressful environments such as the Pine Barrens of New Jersey, USA.(B) Symbiosis between the water fern Azolla and the cyanobacteriumAnabaena that involves vertical inheritance of the cyanobacterium via the mega-spore apparatus of the water fern. This is a transverse section of the megaspore apparatus that shows themegaspore (m), the floats (f), and the cyanobacteria (c; red region at the top of the megaspore apparatus).(C) Examples of the obligate lichen symbiosis. Top two rows show examples of lichen species present in the southern Appalachian Mountains. The lower row shows light micrographs of different types of algal associations (indicated witharrows, from L to R: Trebouxia, Trentepohlia, Nostoc) in lichen thalli. Credit: (A) Images prepared by E. Walsh, Rutgers University.(B) Image prepared by H. Schneider.(C) Images by E.A. Tripp and J.C. Lendemer.

In 1859, Charles Darwin included a novel tree of life in his trailblazing book on the theory of evolution, On the Origin of Species. Now, scientists from Rutgers University-New Brunswick and their international collaborators want to reshape Darwin's tree.

A new era in science has emerged without a clear path to portraying the impacts of microbes across the tree of life. What's needed is an interdisciplinary approach to classifying life that incorporates the countless species that depend on each other for health and survival, such as the diverse bacteria that coexist with humans, corals, algae and plants, according to the researchers, whose paper is published online today in the journal Trends in Ecology and Evolution.

"In our opinion, one should not classify the bacteria or fungi associated with a plant species in separate phylogenetic systems (trees of life) because they're one working unit of evolution," said paper senior author Debashish Bhattacharya, distinguished professor, Department of Ecology, Evolution and Natural Resources, in the Rutgers School of Environmental and Biological Studies. "The goal is to transform a two-dimensional tree into one that is multi-dimensional and includes biological interactions among species."

A tree of life has branches showing how diverse forms of life, such as bacteria, plants and animals, evolved and are related to each other. Much of the Earth's biodiversity consists of microbes, such as bacteria, viruses and fungi, and they often interact with plants, animals and other hosts in beneficial or harmful ways. Forms of life that are linked physically and evolve together (i.e. are co-dependent) are called symbiomes, the paper says.

The authors propose a new tree of life framework that incorporates symbiomes. It's called SYMPHY, short for symbiome phylogenetics. The idea is to use sophisticated computational methods to paint a much broader, more inclusive picture of the evolution of organisms and ecosystems. Today's tree of life fails to recognize and include symbiomes. Instead, it largely focuses on individual species and lineages, as if they are independent of other branches of the tree of life, the paper says.

The authors believe that an enhanced tree of life will have broad and likely transformative impacts on many areas of science, technology and society. These include new approaches to dealing with environmental issues, such as invasive species, alternative fuels and sustainable agriculture; new ways of designing and engineering machinery and instruments; enlightened understanding of human health problems; and new approaches to drug discovery.

"By connecting organisms to their microbial partners, we can start detecting patterns of which species associate under specific ecological conditions," Bhattacharya said. "For example, if the same microbe is associated with the roots of very different plants that all share the same kind of habitat (nutrient-poor and high in salt, for example), then we have potentially identified a novel lineage that confers salt and stress tolerance and could be used to inoculate crop plants to provide this valuable trait."

In general, any question that would benefit from the knowledge of species associations in symbiomes could be addressed using SYMPHY, he said.

"We'd actually have trees interacting with trees, and that sort of network allows you to show connections across multiple different organisms and then portray the strength of the interactions between species," he said.

The scientists are calling for the U.S. National Science Foundation, National Natural Science Foundation of China and other funding agencies to support a working group of diverse researchers who would propose plans to create the new SYMPHY system.

"What we wish to clearly stress is that we are not engaged in Darwin-bashing. We consider Darwin a hero of science," Bhattacharya said. "New technologies have brought radical new insights into the complex world of microbial interactions that require a fresh look at how we classify life forms, beyond classical two-dimensional trees."

"We should also aim to unify systematics (methods of classifying life) research under the SYMPHY umbrella so that departments with different specialties, such as zoology, botany, microbiology and entomology, work together to portray how biotic interactions impact species evolution, ecology and organismal biology in general," he added.

Explore further: Microscopic soil creatures could orchestrate massive tree migrations

More information: Trends in Ecology and Evolution (2017). DOI: 10.1016/j.tree.2017.05.002

Warming temperatures are prompting some tree species in the Rocky Mountains to "migrate" to higher elevations in order to survive.

The first ever global database of trees on Wednesday revealed that 9,600 tree species are threatened with extinction and identified a total of 60,065 in existence.

How can we depict diversity? Biologists of the 19th century faced this question as they became aware not only of the huge variety of plant and animal species, but also of the connections between these species. Ultimately ...

A new paper published Jan. 13 in Science reveals that the relationship between soil fungi and tree seedlings is more complicated than previously known. The paper was co-written by Ylva Lekberg, an assistant professor of soil ...

Forests, especially tropical forests, are home to thousands of species of treessometimes tens to hundreds of tree species in the same foresta level of biodiversity ecologists have struggled to explain. In a new study ...

Evolutionary distances that conservationists use to identify and target distinct species may be unreliable, Oxford University research suggests.

Economists agree that natural ecosystems store large quantities of wealth, but the challenge of measuring that wealth has prevented it from being included in typical accounting systems.

According to recent studies, declines in wild and managed bee populations threaten the pollination of flowers in more than 85 percent of flowering plants and 75 percent of agricultural crops worldwide. Widespread and effective ...

A team led by University of Idaho researchers is calling into question a widely publicized 2016 study that concluded eastern and red wolves are not distinct species, but rather recent hybrids of gray wolves and coyotes. In ...

In 1859, Charles Darwin included a novel tree of life in his trailblazing book on the theory of evolution, On the Origin of Species. Now, scientists from Rutgers University-New Brunswick and their international collaborators ...

You've been there: Trying to carry on a conversation in a room so noisy that the background chatter threatens to drown out the words you hear. Yet somehow your auditory system is able to home in on the message being conveyed ...

Worms, it appears, are good at keeping secrets.

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why not a 3d tree, one dimension being genetic relations and another being spacial relations and the third being time

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Scientists propose a new paradigm that paints a more inclusive picture of the evolution of organisms and ecosystems - Phys.Org

What Can a Mathematician Contribute to the Evolution Debate? – Discovery Institute

My 2000 Mathematical Intelligencer article, A Mathematicians View of Evolution,presented two arguments against Darwinian evolution. The first was the more traditional argument from irreducible complexity showing that, contrary to what Darwin believed, major advances in the evolution of life, like major advances in the evolution of software (I focused on my own partial differential equation solving software), cannot be built up through many very small improvements. I have since written several Evolution News posts on this topic, most recently Why Similarities Do Not Prove the Absence of Design.

The second point was that the development of an advanced civilization on a previously barren planet seems to violate in a most spectacular way the more general statements of the second law of thermodynamics, at least the basic principle underlying this law, even if the Earth is an open system. I have written on this topic for Evolution News numerous times in the last few years, most recently Why Should Evolutionary Biology Be So Different?I have continued to develop this argument further in scientific papers, which have passed peer-review four times (most recently inPhysics Essays), and editor-review twice, as documented in the video below.

Although many other mathematicians and physicists find these arguments persuasive, the understandable reaction of most biologists seems to be, How can you possibly say anything important about evolution without even discussing the details of evolutionary theory? But it is important to remember that this is not a new argument I invented. It is the age-old, intuitive observation that there is something very unnatural about advanced civilizations arising spontaneously on barren planets. My contribution is only to show how absurd is the compensation argument always advanced to silence anyone who draws the obvious conclusions.

Since I am not a biologist, my contributions to the debate about intelligent design versus Darwinism have been limited. Nearly everything I have written since the 2000 MI article has just expanded on one of the two points made there. My latest and clearest such contribution is a video (above) that I produced with the help of my brother Kirk. It presents these same two points, in reverse order: the second law argument is presented in the first 13 minutes.

But I believe anyone who takes the time to watch this video will realize that you can indeed draw some important conclusions about evolution without becoming an expert on evolutionary theory. In fact I think he or she will realize that sometimes it helps to step back from the details and look at the bigger picture, which is what I have always tried to do.

Photo credit: Math professor, by Ed Brambley via Flickr.

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What Can a Mathematician Contribute to the Evolution Debate? - Discovery Institute

The Fitful Evolution of Wonder Woman’s Look – The Atlantic

In a scene in the newest film adaptation of Wonder Woman, the heroine (Gal Gadot), dressed as her alter ego Diana Prince, comes to the aid of a friend by destroying a gunmans weapon. She hurls the bully across the pub, where he lands in a hard crash. Watching the scene, Sameer, an associate of Wonder Womans comrade Steve Trevor (Chris Pine) exclaims, Im both frightened and aroused.

Looking more closely at Wonder Womans 75-year-old history, it becomes clear that the heroine has consistently evoked mixed feelingswhether fear, awe, or attraction. Her body in particular has been a canvas upon which authors, artists, and audiences have negotiated womens shifting gender roles and beauty standards from the 1940s through today. Tracing how Wonder Womans appearance has evolved in the comics and film and TV adaptations reveals the ways her creators tried to respond to anxieties about womens independence; in playing with her proportions, skin color, and costumes, the architects of Wonder Womans image over time have both empowered and objectified her, though the line between the two is often blurry.

When Wonder Woman made her cover debut in January 1942, the superhero was modeled after a new feminine ideal. According to the scholar Jill Lepore, the Wonder Woman creator William Moulton Marston was inspired by the Varga Girl centerfolds in Esquire magazine for their cosmopolitanism and exoticism. For Marston, it was important that Wonder Woman have a sexy and feminine appearance to counteract what he called the blood-curdling masculinity of comics at the time. As a member of the Editorial Advisory Board for All-American Comics, Marston used his background as a psychologist to advise the newly formed D.C. Comics on how to fight accusations by concerned parents and culture critics about the mediums violent content.

His solution was a female superhero guided by love. The final artwork by Harry G. Peter depicted Wonder Woman with white skin, her hair styled into impeccable 1940s waves. A red and gold corset with a plunging back was paired with star-spangled culottes that accentuated her curves. In a few months, the duo pushed boundaries of propriety and changed Wonder Woman into tighter, shorter shorts. Her strapless bustier began to expose varying degrees of cleavage.

Through the end of World War II, Wonder Womans brazen attire was coupled with plotting that promoted womens social and economic freedom. For example, in Issue #5, the heroine advocates for mothers and wives to join the Womens Army Auxiliary Corps (WAACS) and the United States Womens Naval Reserves in order to combat a cruel husbands domination. Via these storylines, Wonder Woman adeptly married the message of womens empowerment spread by war propaganda (for example, Rosie the Riveter) and the look of the pin-up girls adorning mens barracks.

However, after the war, Wonder Womans salacious dress and independence came under scrutiny as gender roles were re-solidified. In the early 50s, shortly after Marstons death, the psychiatrist and author Fredric Wertham argued that comics were inspiring youth delinquency and that Wonder Woman, in particular, was espousing homosexuality. Wonder Womans storylines, which saw the hero frequently bound and punishing her female nemeses with a good spanking, had been accused of lewdness before, but because she was also an important tool in galvanizing a new work force during the war, this material was overlooked.

One notable cover, created a few years before the industry began regulating itself with the Comics Code, hints at changes to come that would give Wonder Woman more marriage-centered stories. In the 1950 Issue #97 of Sensation Comics, Wonder Woman becomes the editor of the Hopeless Hearts Department of a newspaper. The cover shows Wonder Woman (in costume) typing a response to Steves letter submission which reads, Dear Wonder Woman, When will you marry me? Steve is looking over her shoulder expectantly, just shy of looming.

Werthams outspokenness quickly drew a following, pressuring the comics industry to make changes.The Code, adopted in 1954, toned down the increasingly amped-up sexiness of women in comics including Lois Lane, Betty and Veronica of the Archie comics, and Black Cat. The Code prohibited suggestive and salacious illustrations, stressing that all characters shall be depicted in dress reasonably acceptable to society and that women were to be drawn realistically without exaggeration of any physical qualities. Wonder Womans costume was adjusted to cover more skin. Wertham equated Wonder Womans lesbianism with misandry, and storylines about heterosexual love became more prevalent alongside changes that made her smaller.

In 1968, the editors made Wonder Woman younger and thinner. This 60s rebranding was a crucial turning point in the history of the character. On the cover of her debut issue (#178), she is depicted literally painting over her past by defacing an iconic Wonder Woman poster. In this issue, the heroine gives up her warrior powers and decides to fight crime as Diana Prince, a small-business owner. Her costume was replaced by a series of swingy color-blocked dresses with leggings that could easily be acquired in Dianas groovy fashion boutique and in stores across America.

Though The New Wonder Woman comics introduce Diana as an almost waif-like modern girl, as the issues progress, Diana returns to various states of voluptuousness and undress. This increasing departure from the rebrand maps onto the growing visibility of the womens movement. The feminist and co-founder of Ms. Magazine Gloria Steinem lamented the New Wonder Woman and attempted to resurrect Marstons original vision for the hero by compiling a retrospective of his work. That same year, Wonder Woman graced the cover of Ms. with the headline Wonder Woman for President.

During this time, DC Comics was trying to find a way to respond to the historical significance of the womens and black-power movements. The introduction of Nubia, Wonder Womans black half-sister, was an attempt to introduce diversity into the DC universe and simultaneously create more feminist storylines. The cover of Issue #206 in July 1973 shows Nubia and Wonder Woman facing off, virtually identical except for skin color. In some stories, Wonder Woman was a white savior archetype, helping Nubia liberate African women, yet the artwork played with the shades of their skin, emphasizing their contrast or similarity.

According to Steinem, DCs engagement with feminism and race was in part an effort to appease activists such as herself. The writer Laura Wolff Scanlan quotes Steinem, who remembers the person in charge of Wonder Woman calling me up from DC Comics. He said, Okay. She has her magical powers back, her lasso, her bracelets, she has Paradise Island back, and she has a black African Amazon sister named Nubia. Now will you leave me alone!

Wonder Woman got back her powers in 1973, and by that time, her first television adaptation was already in production. Largely influenced by the Diana Prince era of the comics, the 1974 ABC made-for-television movie cast a blonde actress, Cathy Lee Crosby, in the titular role. The actress most resembled Twiggy, the uber-mod British model who ruled the 1960s. The film premiered to dismal reviews, but executives still believed Wonder Woman was a franchise worth pursuing.

A year later, the Wonder Woman series debuted on ABC, starring Lynda Carter, who was the physical opposite of Crosby. Carter, a Latina actress and former model, had dark hair and an athletic, slim frame. Carters Wonder Woman was compatible with comic-book artwork that played with Wonder Womans racial and ethnic ambiguity and that would reach a height in the 1990s. The series kept Wonder Woman at the forefront of popular culture until it ended in 1979, but the comic book struggled to stay relevant in the following decade.

By 1987, Wonder Womans print comic sales were down, and a revolving door of writers and artists struggled to find a firm identity for the character. DC decided to rewrite Wonder Womans history and start from scratch. The writer and artist George Perez, a staunch feminist, created a new origin story influenced by Greek mythology. Perez also brought on Steinem as a consultant, resulting in plotlines that emphasized socio-cultural issues such as ageism, domestic abuse, and discrimination. Wonder Womans costume was more functional, and the covers rarely showed her in a suggestive pose. Instead, she has an active body, constantly involved in battle. This was aligned with Perezs goal to redress the overly sexual representation of the heroine. However, when Perezs run at the comic ended in 1992, artists and authors were quick to revert to drawing Wonder Woman for a male audience.

During the mid 90s and especially during the tenure of the writer and artist Mike Deodato, comics became what the cartoonist Trina Robbins identifies as not merely a boys club, but a Playboy Club. Wonder Womans body was a spectacle, the physical ideal of the time. She had muscular arms and legs that ranged from gymnast-like to bodybuilder big; she also had a tiny torso, flowing raven hair, and large, round breasts. Her costumes lower half changed to a high-cut, hipbone-exposing thong bottom.

The bad-girl art of Deodato, as it was called, aimed to be provocative and sexual, harkening back to good-girl art of the 40s and 50s in which characters such as Phantom Lady and Invisible Scarlet ONeil were regularly depicted in bikinis or lingerie. This drawing style gained a new resonance in the 90s as the Amazonian supermodel of the 80s gave way to the heroin chic bodies of models like Kate Moss and Jaime King. As discussions about this gaunt body type (and the social transgressions it represented, such as drug abuse and eating disorders) came to the fore, Wonder Womans artists pushed back, appearing to mimic instead the voluptuousness of Playboy icons Pamela Anderson and Anna Nicole Smith. Though these women represented a hypersexuality that media outlets were quick to judge, it seems as though their bodies were still easier to understand as a feminine ideal than the rail-thin ones of models.

In the past decade and a half, Wonder Womans artists and writers have aimed to leave behind her sex-symbol image with varying degrees of success. The cartoonist Cliff Chiang, who drew Wonder Woman from 2012 to 2015, spoke to Nerdist about an artists responsibility to change the comics industrys trend toward scantily clad and sexily contorted women: Its not like when Im drawing [that] my hand slips and suddenly its sexy ... These are conscious decisions someone is making, and there are many of them. It doesnt accidentally happen. As creators, its important for us to reign that in. The stakes of Wonder Woman's representation becomes starkly clear when real women don the costume and become subject to the same objectification as the fictional character. A 2011 television reboot starring Adrianne Palicki never made it to air amid criticism based on leaked on-set photos. The first version of the costume consisted of a corset and tight, shiny blue pants and was slammed for being too trashy, too bad porn-y.

In a 2016 interview with Jimmy Kimmel, the actress Gal Gadot addressed initial reactions by some fans that she was not well endowed enough to portray the Amazon princess. Gadot, like the male actors portraying superheroes, underwent extensive training and bulking to look the part, yet slenderness, emphasized by the films much-criticized brand partnership with Think Thin protein bars, remains an essential aspect of the character. By Western standards, being feminine means being slim, taking up less space, and having less physical power. Whether her muscles are larger or smaller, or her body is covered or exposed, Wonder Womans thinness is the only consistent aspect of her look.

For too much of her history, Wonder Womans body has been modified to keep her from being powerful, physically and politically. Yet, for many, Wonder Woman endures as a feminist icon. For others, these contradictory characterizations of Wonder Woman are enough reason to dismiss her outright. However, these conflicting and seemingly incompatible versions of Wonder Woman are arguably what make her an exceptional character. Possibly more so than her male superhero counterparts, Wonder Woman is bound to historyand therefore bound to be ever-changing. But Wonder Woman also has immense powers for change, and her ability to galvanize women should not be underestimated.

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The Fitful Evolution of Wonder Woman's Look - The Atlantic

Evolution in Rare Oncology: Rethinking ‘Common’ Cancers – Drug Discovery & Development

There are at least 7,000 diagnosed rare diseases, affecting 30 million people in the U.S. These figures from Global Genes, a rare disease advocacy organization, are likely an underestimate given that new rare diseases continue to be discovered.

Some clinical syndromes currently lack a clear diagnosis at all because they have never been seen before. The unmet need is staggering; the mean time to diagnosis of a rare disease is 4.8 years from symptom onset, and patients will see an average of seven physicians prior to receiving an accurate diagnosis. Furthermore, the Kakkis EveryLife Foundation found that about 95 percent of rare diseases have no FDA-approved treatment leaving physicians with few options beyond supportive and/or symptomatic care.

Fortunately, progress in the overall care of patients with a rare disease is strengthened by a uniquely strong community of patients, caregivers, and advocacy groups.

While a rare disease was defined in the U.S. by the Orphan Drug Act as comprising fewer than 200,000 patients, by that standard most cancers would be considered rare.

But in oncology, rare is generally held to a different standard: an incidence as low as less than six per 100,000, according to RARECARE. Furthermore, a 2017 study from the American Cancer Society uncovered that patients with rare tumors make up about 20 percent of the overall cancer patient population.

Unfortunately, like rare disease in general, patients with rare cancers suffer from delays in diagnosis as well as a lack of effective treatments, robust clinical trial data, and evidence-based practice guidelines. In oncology, this means demonstrably poorer outcomes compared to more common cancers, putting patients with rare cancers at a disadvantage. Indeed, a recent analysis of U.S. epidemiological data confirmed that five-year relative survival rates for rare cancers continue to lag behind those of more common ones. Increased awareness about rare cancers combined with new strategies for developing strong evidence-backed treatments and specialist partnerships will help the outcomes of rare cancers catch up with their more common cousins.

Prior to the advent of molecular genetics, the understanding of and approach to treating cancer was fairly blunt. Tumors were characterized primarily by the tumors site (breast, pancreas, lung, etc.) and histology (cell type). With this understanding, surgery was the ultimate targeted therapy, while non-specific, harsh chemotherapeutic approaches and other invasive procedures were customized on a tumor-by-tumor basis. Over time, molecular markers unique to specific tumor types started to be identified and utilized for diagnostic purposes as well as to inform treatment strategies.

Finally, the first treatment rationally designed to specifically target the unique genetic defect of a cancer was created Gleevec (imatinib) was approved by the FDA for use in patients with chronic myelogenous leukemia (CML) in 2001. This breakthrough transformed CML from a death sentence to a chronic disease for many patients and heralded a turning point in the era of targeted therapy.

The success of Gleevec and its positive impact on the lives of patients validated a targeted approach to cancer and was a catalyst for even more enthusiasm about deciphering its genetic underpinnings, revealing that all tumors have unique molecular signatures. Common tumors that have long been characterized by virtue of their location and histology. They can now be broken down based on their molecular profile, giving rise to multiple rare subgroups. For example, one subtype of non-small-cell lung cancer (NSCLC) characterized by a particular tumor-promoting chromosomal rearrangement and known as ALK-positive NSCLC, is quite rare (less than 5 to 7 percent of all NSCLC). This kind of molecular characterization has had profound implications for drug development, since those unique tumor drivers can be specifically targeted. Indeed, there are now four FDA-approved drugs for ALK positive NSCLC.

Subdividing tumors based on molecular profile supports an understanding of oncology as an even more complex and heterogeneous disease than once thought. Rare subgroups have been identified, not only of NSCLC, but of other common tumors like breast cancer and melanoma, as well. As cancers are further defined based on molecular profiles, the number of rare cancers rise. Why does this matter? Clearly, these tumor-promoting molecular drivers can be capitalized upon for further, more targeted drug development.

In addition, some of these drivers are not unique to just one tumor type. For example, mutations in the gene BRAF have been found to be important in subgroups of melanoma, NSCLC, thyroid cancer, and others. Clinical trials are being increasingly designed to enroll patients with tumors characterized by molecular marker, regardless of the organ affected. This has led to a newer research approach-called a basket trial, in which patients tumors are first screened by DNA sequencing. Based on the genetic background of the tumor and its identified mutations, one of many drug candidates is chosen to be tested in that patient. Not only is this design flexible and efficient, it also addresses a key challenge in studying rare cancers, namely, the limited number of patients available for clinical trials. Several basket trials are well underway.

The shift in how we think about and characterize cancer is already changing the way new drugs are developed, how theyre tested, and how they are integrated into clinical practice. It also supports the endeavor of achieving a truly personalized form of precision medicine. Furthermore, multidisciplinary team-based approaches are increasingly important; rare cancers typically require a very high-level of specialization and collaboration primarily found at expert centers. As more rare cancers are identified, both new entities and genetically-defined rare subtypes of more common cancers, the way healthcare professionals partner together to care for a patient throughout the journey will likely evolve as well. There are likely additional paradigm shifts in store.

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Evolution in Rare Oncology: Rethinking 'Common' Cancers - Drug Discovery & Development

Survival of the fittest: AI perfectly illustrates Darwinism at a business level – Information Age

At the most basic level, applying AI to certain processes can free up the time of an organisations executives, allowing them to concentrate on higher value tasks. Ultimately, without putting these measures in place, its hard to see much of a future for the professional services industry as the advancing AI revolution continues apace

Darwin may have addressed the natural world, but his insights still offer some valuable lessons in business.

The rise of artificial intelligence (AI) and how businesses are adapt to this new technological development provides a great example of Neo-Darwinism at work in todays corporate landscape.

AI is on the march within the next two years, AI services will have cannibalised revenues for a third of market leaders, according to Gartner. For those that trade in consultancy and relationship-building, its easy to dismiss the impact of AI, and easy to assume that headlines such as, Will a robot take my job? are for manual, blue-collar workers to worry about.

However, this is a dangerous point of view to adopt. Simply because the speed at which information is now consumed and synthesised by AI far surpasses any human capacity, and is becoming more sophisticated every week evidenced recently by the AI that defeated six of the best human poker players to win a 230,000 prize.

>See also:The value of artificial intelligence in business

For professional services firms which proudly guard (and sell) their knowledge and accumulated experience, the democratising effects of AI could theoretically undermine their entire business model; empowering the average consumer with quantifiable research and actionable data that far outweigh any advice a professional adviser could provide. This is particularly true on the lower end of the value curve, where robotic process automation (RPA) is already replacing the work that humans once did on certain processes.

The legal sector provides a great example of this, since much of the work performed revolves around sifting through documents, contracts and cases, which are a prime target for automation. Companies like LawGeex, with their ambition to automate the entire legal industry, offer a vision of the future for all professional services.

LawGeex AI-based service allows users to upload a contract and points out any clauses which dont meet common legal standards. The report also automatically details any vital clauses that could be missing, and where existing clauses might require revision.

>See also:5 ways AI will impact the global business market in 2017

These sorts of tools may not be the preferred option for most legal needs at this point its reasonable to assume that customers wouldnt rely on it for expensive contracts yet the technology that underpins it is rapidly maturing. It may not be long until AI can even outperform a human lawyer.

AI has arguably already had its tipping point in the public consciousness, illustrated by our familiarity with having conversations with our phones, computers or in-home assistants like Amazon Alexa.

As examples such as LawGeex demonstrate, AI is silently stealing a march on every industry its exposed to. AI-driven solutions are increasingly commonplace in wealth management, for example, where three of the worlds top five brokerages rely on anAI solution for data analysis. AI is also a natural fit for the data-centric insurance industry, where its capacity for simulation modelling and data analysis from a range of different sources makes it invaluable to underwriters.

Elsewhere, AI can power predictive maintenance and self-monitoring technologies for manufacturers which can save billions. Although real-world examples may still be thin on the ground, the tipping point from theory to practice is fast approaching evidenced by the large investments made by Microsoft, Google, Amazon and IBM, which acquired over 20 AI firms in the last year alone.

>See also:What are the business benefits of artificial intelligence?

Highly empowered and enlightened consumers are more in control of the buying journey than ever before and by 2020, its estimated that customers will manage 85% of their enterprise relationships without interacting with humans.

It might appear at face value that the professional services industry is heading for collapse after all, whats the point of employing humans to do a job that AI can do more accurately, efficiently and quickly? This however, isnt entirely correct, rather were heading towards a point where we as professionals will simply need to become more innovative if were to keep offering value.

A fundamental rethink is required; while were still some way off seeing the real impact of AI, business leaders need to be prepared to implement technology and processes that reengineer the way organisations have traditionally operated. And AI may well unlock new business processes that might not have been available before, inadvertently offering new value to a professional services firm.

>See also:Artificial intelligence: how its transforming financial services today

AI could replace much of the bread-and-butter tasks, providing an opportunity for organisations to offer new services on top of them, such as more informed face-to-face legal counsel.

At the most basic level, applying AI to certain processes can free up the time of an organisations executives, allowing them to concentrate on higher value tasks. Ultimately, without putting these measures in place, its hard to see much of a future for the professional services industry as the advancing AI revolution continues apace.

Sourced byFrank Palermo, global head, Digital Solutions, VirtusaPolaris

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Survival of the fittest: AI perfectly illustrates Darwinism at a business level - Information Age

Black Hawk Robotics celebrates successful season with awards ceremony – Blue Ribbon News

(HEATH, TX June 7, 2017) The Rockwall-Heath High School Black Hawk Robotics team celebrated its state championship-winning season with an awards ceremony recognizing its standout team members on Monday, June 5.

The following students were honored with awards during the celebratory event, held in the cafeteria at Rockwall-Heath High School:

Darius Day Team Spirit Brandon Diaz Humor Under Fire Garrett Short Gracious Professionalism Geovanni Copioli Rookie All Star Katie Layton Outstanding Veteran Madison Drake Outstanding Leadership Kamrey Mantz Team MVP (non robot) Ben Selle Build Team (Robot) MVP

Each of the teams six volunteer mentors also received honorary plaques during the event.

Black Hawk Robotics Coach Leslie Reese said the students put in well over 400 hours after school throughout the season, including Saturdays and some Sundays a testament to their work ethic and dedication.

Reese said the team started the season with one goal in mind qualifying for the Einstein Round Robin of the FIRST Robotics Competition. Not only did they qualify, the team came away victorious at Einstein and eventually went on to win the Texas UIL Robotics State Championship, capping off their most successful season yet.

The students biggest strength was being able to work together as a team, with the drivers telling the pit crew whats wrong with the robot so they can fix it really fast, the scouts being able to pick the right robots that were going to pair with, that type of thing. Since they get along so well, they communicated very well. Its all communication, and it all has to come together to have a successful season like this, Reese said.

Ive seen us grow as a team a lot, said Rockwall-Heath Junior and Team Media Captain Kamrey Mantz. We were kind of shaky at first, but we have our own little groups that we work with so its pretty productive. Its a good system we make sure everyones involved all the time.

Pit Crew Captain Ben Selle said the robot performed at a high level in competition despite going through a number of changes throughout the season.

If you saw the robot at the start of the season, it looks nothing like it does now. Definitely a lot of iteration, we completely changed everything on there. But the robot performed phenomenally. Towards the end of the season it was running just like we wanted it to run, Selle said.

By Austin Wells, Blue Ribbon News. Photos courtesy of Black Hawk Robotics.

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Black Hawk Robotics celebrates successful season with awards ceremony - Blue Ribbon News

Students Have Fun, Broaden Skills at Robotics Camp – News Radio 1310 KLIX

TWIN FALLS, Idaho (KLIX) A Lego robot moved to block a goal, sending the ball off the table. A student picked it up and placed it near his teams robot for another shot. His opponents robot once more blocked the ball.

Nobody became angry that goals were missed; the activity was all about having fun.

This was table soccer at the University of Idaho Extension Office on Wednesday morning in Twin Falls. It was the third day of the robotics camp for students. In a room downstairs of the County West building, another team of students prepared their bots to play another form of soccer using plastic donuts.

The students had already participated in several different activities earlier this week, said Extension Educator Suzann Dolecheck, and a few more were planned for Thursday and Friday, including a STEM event focused on literacy.

Braden Mealer, 8, said he enjoyed participating in the table soccer tournament in which his teams robot played the goalkeeper. His favorite activity, however, was making a robotic alligator.

The camp seemed to offer something that attracted each student differently. Eight-year-old Jose Carpenter said she enjoyed the soccer game, while Connor Howard said he liked building an airplane.

Students worked in teams instead of alone. The soccer-playing bots were hooked up to laptops into which the students programmed their movements.

The STEM program science, technology, engineering and math aims to help youthbecome more engaged with tools that will help them be more rounded in an ever-advancing technological world. But the robotics camps also increase students knowledge in language, literacy and social studies.

It shows them a little more of how STEM is applicable, said Alyssa Keyes. The cars we drive are robots, drones are robots.

Later in life, as students become of age to choose a career, they might want to consider something in the scientific or technological field. The camps give them a taste of STEM-related activities and gets them thinking toward a career in technology.

If nothing else, it allows them to have fun with their peers.

This is Keyess second year working as an intern for the university. She said technology has come a long way in just the past few years, as she doesnt remember doing much of what these students were doing on Wednesday.

Classes this week include the WeDo Robotics camp for students in grades K-3, an EV3 and advanced EV3 camp for students in grades 3-6, and a Take to the Skies event for youth in grades 4-9. Dolecheck said another robotics event will be held in July.

Dayton Legg, 11, said he enjoys robotics week because its chance to socialize and work closely with his peers. You dont usually work alone, he said, but instead you are part of a team. He also likes robotics events because they are much broader based than the science camps hes attended.

You get to use more than just science, he said.

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Students Have Fun, Broaden Skills at Robotics Camp - News Radio 1310 KLIX

The Three Laws of Robotics need to be overhauled if AI is to power our homes, cars and lives – Wired.co.uk

When it comes to the future of artificial intelligence "only a joint approach will make us strong" says Audi CEO Rupert Stadler, and this involves rewriting the Three Laws of Robotics.

Speaking to journalists ahead of the UN's AI for Good Global Summit in Geneva, Stadler said it's inevitable that artificial intelligence will become integrated into every aspect of our daily lives, but for it to be accepted the public must first trust it.

Audi has already demonstrated its Audi Q7 driverless technology, created with Nvidia, and Stadler plans to demo its all new 'level three' piloted driving with the new Audi A8 this summer. The goal is level five, where no driver is needed. In terms of technological advancement, Stadler believes we are not that far off and predicts prototypes will be demoed from 2020 onwards if public trust is achieved.

Over the past two years, Audi has brought experts in philosophy, psychology, law, and computer science from MIT Media Lab, Oxford University, Singularity University, along with entrepreneurs, together to join its Beyond Initiative. The initiative's aim is to help develop a framework, debate ethical dilemmas that driverless cars necessitate and "make sure AI will share our values when making decisions". One of the most pressing of these problems, Stadler points out, is that we expect technology to always do the 'right' thing, even when it would be virtually impossible for a human to achieve that.

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Talking about theoretical dilemmas, such as an autonomous vehicle being faced with the choice of harming an elderly person, a pregnant woman, or the passenger in the car, he said: "In such a situation, human beings like you and me have no time for thoughtful decisions. We simply react. Interestingly, we expect the autonomous car to make the right decision, and, quite understandably, people are emotionally touched when thinking of such a scenario. From a rational perspective, such a situation is very unlikely to happen. Of course we as car manufacturers do everything we can to avoid such a situation. Our cars are equipped with many many sensors to detect dangerous situations and to fully brake autonomously if necessary.

"As soon as a car will make decisions by itself in a certain traffic scenario, such a situation can theoretically happen. How should the autonomous car decide when it is not fully clear what will happen in the direction it steers into? Is it ethically sound to choose for the unknown? As a society, we will have to find ways how to deal with these topics. We need an open discourse, in which the massive chances of automated and autonomous driving are considered in relation to the ethical challenges."

To meet these challenges, Stadler suggests we rewrite sci-fi author Isaac Asimov's infamous Three Laws of Robotics. These dictate that AI cannot harm a human, must obey humans unless it means causing harm, and must protect itself as long as that does not involve contradicting the other two laws. Instead, Stadler believes these laws should be: "Number one: we will always handle artificial intelligence based on our human intelligence. Number two: robots and human beings should not harm each other or allow harm by doing nothing. And number three: they should support each other according to their specific capabilities."

Part of Audi's sell for its own future line of driverless cars is providing people with the '25th hour' giving them time they did not have before. Any driverless car should be able to do that. but he suggests that as the technology becomes commonplace, it will more likely see multiple people travelling together in cars for efficiency's sake. Audi will still differentiate itself as the luxury option.

"Maybe you want to take your car alone or do some business. It will be a premium user experience. Maybe it will have an excellent Bang and Olufsen sound system. You could take an hour for relaxation. We are able to hand back to our drivers the 25th hour. Time will be the most precious gift in the future."

Continuing about the future of driving, Stadler said: "The future car I dream of will be a chauffeur who drives me safely wherever I want to go to, a secretary who reminds me what I need to do where and when a butler who gets my groceries, a post box on wheels where couriers can deliver parcels, a private medical staff that keeps an eye on my vital functions and maybe it even becomes an empathetic companion throughout my day. Or in brief: a personal avatar.

"This companion can detect my mood and change the lighting and music and conversation to cheer me up! In a nutshell: AI will allow us to make our lives easier by collecting and interpreting huge amounts of data and by predicting situations of the future. You will be able to play with your children in the car, while the car pays attention to other children playing on the street."

The topic of the summit is AI for good, and, of course, there is plenty of good to be achieved through driverless vehicles beyond the time to relax. Stadler points out that 90 per cent of accidents are caused by human failure, which AI stands to dramatically reduce.

"AI will fundamentally change your mobility, and it's up to all of us to make sure AI is used for the benefit of society. We must set a mechanism for labour markets [to create the] perfect match of man and machine." That relationship between humans and machines needs to be fostered not just in the consumer markets when robot taxis hit the streets and put drivers out of a job, but in Audi's own factories, Stadler said.

"We should not just see the threat, but the opportunities. How the human-machine interface works in a smart factory is always to the benefit of the employee. There's lots of heavy stuff that has to be moved from a to b so why shouldn't technology safeguard employees. And enrichment of jobs will change - there will be different jobs available."

Software engineers and data analysts will be in high demand, and Stadler suggests a basic income could be "the right answer". Humans will still always be better at certain things than machines, such as creativity and empathy, for example.

Yet Audi is definitely not ready to welcome an AI onto its board, as a VC management firm in Hong Kong has already done. "We have the responsibility for 88,000 humans. Sometimes it is good not to be rational alone."

"We have to make sure technology serves society - and not the other way round. Then machines will follow the pace of people again. We want to use AI to secure jobs and to raise the standard of living. At Audi we know: robots wont buy our cars! We have to make sure that our economic system stays in balance. We need a good employment and wealth for our whole economy."

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The Three Laws of Robotics need to be overhauled if AI is to power our homes, cars and lives - Wired.co.uk

Robotics camp teaches children to enjoy S.T.E.M. – KMVT – KMVT

TWIN FALLS, Idaho (KMVT/KSVT) - A robotics camp at the College of Southern Idaho is teaching children to program Lego robots.

High school students who compete in robotics taught kids 6 to 8 years old.

They said the kids may have struggled at the beginning, but it was fun watching them figure it out.

"It's just fun to see how their though process is and how they go about finding the solution to their problem," said Blake Miller, one of the instructors.

This camp is a two-day course where the kids learn to operate Milo the robot.

He has a sensor that interacts with a flower the kids built. He can move, make sounds and light up different colors.

The instructors said the kids, as young as 6, were learning STEM skills that will help them in their futures.

The group is also offering camps for older children and uses the fees to help pay for travel to their robotics competitions.

For more information on the camps you can visit CSI's website linked below in the right-hand column.

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Robotics camp teaches children to enjoy S.T.E.M. - KMVT - KMVT

Pinewood hosts inaugural SCISA Robotics Competition – Journalscene.com

The first-ever South Carolina Independent School Association (SCISA) Robotics Competition took place May 13 at Pinewood Preparatory School.

Ten Lower and Middle School teams from across the state competed in the inaugural event. The idea for a private school competition was introduced by Pinewoods Idea Lab (design thinking and engineering) faculty members in conjunction with SCISA, and was planned by a committee of parent volunteers, faculty, and staff.

Teams were judged on their robotics skills in three different stages: a "Meet the Team" interview room in which members explained their role on the team and why they joined robotics, a "Robot Design and Programming" room where members detailed the programming process and design engineering steps needed to create a robot, and a table competition to showcase the tasks their robot can perform, based on the theme of "Mars Robotics."

The judging panel was comprised of volunteers from local cybersecurity, aeronautics, and other technology-based businesses and organizations.

Pinewoods two Lower School teams (Roar-Bots 4 and 5) competed, as did one Middle School team. High School Robotics Coach Jim Brice demonstrated the robot created by Pinewoods High School Robotics program.

Spartanburg Christian Academy received the overall Champion Award for the competition.

All three participating teams from Pinewood received divisional awards. Roar-Bots 4 placed third in Robot Table Games and Meet Our Team, and second in Robot Design and Programming. Roar-Bots 5 placed third in Robot Design and Programming, second in Meet Our Team, and first in Robot Table Games. The Middle School Panthers placed second in Robot Table Games and first in Robot Design and Programming.

The committee behind the 2017 competition hopes to see the event continue and expand in years to come.

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Pinewood hosts inaugural SCISA Robotics Competition - Journalscene.com

These robots get better at grabbing objects by playing poorly together – Digital Trends

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Why it matters to you

An adversarial approach to training robots could make them more quickly adapt to new tasks and environments.

Whether it was your favorite toy or the last portion of mashed potatoes, anyone who grew up with a sibling knows that you learn to forcefully stake your claim to whats rightfully yours.

It turns out that a similar idea can be applied to robots.

In a new piece of research presented at the recent 2017 International Conference on Robotics and Automation (ICRA) engineers from Google and Carnegie Mellon University demonstrated that robots learn to grasp objects more robustly if another robot can be made to try and snatch it away from them while theyre doing so.

When one robot is given the task of picking up an object, the researchers made its evil twin (not that they used those words exactly) attemptto grab it from them. If the object isnt properly held, the rival robot would be successful in its snatch-and-grab effort. Over time, the first robot learns to more securely hold onto its object and with a vastly accelerated learning time, compared to working this out on its own.

Robustness is a challenging problem for robotics, Lerrel Pinto, a PhD student at Carnegie Mellons Robotics Institute told Digital Trends. You ideally want a robot to be able to transfer what it has learnt to environments that it hasnt seen before, or even be stable to risks in the environment. Our adversarial formulation allows the robot to learn to adapt to adversaries, and this could allow the robot to work in new environments.

The work uses deep learning technology, as well as insights from game theory: the mathematical study of conflict and cooperation, in which one partys gain can mean the other partys loss. In this case, a successful grab from the rival robot is recorded as a failure for the robot it grabbed the objectfrom which triggersa learning experience for the loser. Over time, therobots tussles make each of them smarter.

That sounds like progress just as long as the robots dont eventually form a truce and target us with their adversarial AI, we guess!

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These robots get better at grabbing objects by playing poorly together - Digital Trends

Your Obsolete Brain: Life and Death in the Age of Superintelligent Machines – Digital Journal

"Published by The Life Science Institute"

Artificial Intelligence Expert Dennis Lee Foster Reveals the Future of Civilization Entwined with Supercomputers, From Technological Chaos to Uploading a Mind to a Machine

In a revealing new book, Artificial Intelligence expert and best-selling author Dennis Lee Foster chronicles how civilization has entered a period of profound social and technological transition in which developments in Artificial Intelligence (AI) are completely transforming life and death. In Your Obsolete Brain: Life and Death in the Age of Superintelligent Machines, the author vividly depicts the future of human society as it inevitably becomes entwined withand possibly molded bysuperintelligent computers.

Advanced technologies that might solve the planet's most dire problems have also spawned autonomous killing machines and nanorobots capable of spreading lethal viruses indiscriminately. As superintelligent machines ascend, will they inherit human drives to compete, exploit, and dominate? Will people someday achieve immortality by uploading their minds into computers? Who will be the real masters of future civilizations: humans or machines?

In Your Obsolete Brain, Foster provides the most likely answers, drawn from recent breakthroughs and groundbreaking research, to these and other questions about the most important human quest of modern timespossibly, of all time. While dispelling many of the myths and misconceptions about AI, the book also reveals how civilization will be impacted by autonomous weapons, planned obsolescence, stock market manipulation, the Internet of Things, and current research aimed at uploading a human mind to a computer.

According to Foster, "One event is certain: ultimately, the quality of life and possibly the entire fate of everyone who lives on Earth will be forever impacted by artificial intelligence from birth to death-and possibly beyond. Of all the traits that contributed to the rise and eventual dominance of humans over the planet, ingenuity was perhaps the most profound. Yet, it is our very rise and dominance that produced the coming clash between civilization and technological chaos. In the end, ingenuity may prove to be either our demise or our salvation."

In Your Obsolete Brain, readers will learn how AI can:

Save lives but also kill; empower but also obsolete Solve planetary crises, or hasten the collapse of civilization Bolster or devastate the global economy Enhance or enslave the human brain

Your Obsolete Brain is published by The Life Science Institute, a global think tank devoted to research, education, and information dissemination on scientific, economic, and social issues affecting the perseverance of civilization.

Dennis Lee Foster is a computer scientist, author, educator, and consultant, known as a pioneer in the development of artificial intelligence in educational technology, medical diagnosis, and robotics. Involved in AI research, development, and deployment since 1974, he is the author of more than 60 published books about computers and programming, behavior science, finance, health care, sociology, and communications.

Related:

Artificial Intelligence Expert: It's Too Late to Prevent Thinking Machine Chaos (http://www.usfinancialnewstoday.com/story/58022/artificial-intelligence-expert-its-too-late-to-prevent-thinking-machine-chaos.html)

The AI Insider (http://www.dennisfoster.com/blog)

Author Bibliography (http://www.dennisfoster.com/bibliog.htm)

Book Excerpt (http://dennisfoster.com/nonfiction.htm)

Media Contact Company Name: Life Science Institute Contact Person: Dennis L. Foster Email: lifescience@mail.com Phone: 8088544938 Country: United States Website: http://lifescienceinstitute.com

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Your Obsolete Brain: Life and Death in the Age of Superintelligent Machines - Digital Journal

Wednesday Web Artist of the Week: Eva Papamargariti – ArtSlant

Originally from Greece and based in London, Eva Papamargariti reflects and analyzes the rapidly transforming relationships between material and immaterial matter in our new digital world. Papamargaritis work contains complex visual (and often audio) collages in which impossible organic forms constantly evolve, mutate, and entwine.

No matter how utterly alien her work can seem, it retains consistent feelings of a deep human familiaritywhich only adds to its uncanny sensibilities. Lurking behind the works gratifying bright colors and psychedelic surrealism lies an unsettling emotional depth that never really allows the viewer to get a firm handle on what exactly it is they are experiencing. Papamargariti reveals, illustrates, and renders a third plane that now exists somewhere between all of our physical and digital realities.

Papamargaritis solo show Precarious Inhabitants, a series of works addressing issues of symbiosis and transformation between human, AI machines, animals and other organic and synthetic bodies, is currently showing at Transfer Gallery through July 8.

Christian Petersen: How has your relationship with computers changed since you started using them?

Eva Papamargariti: I started using computers at the age of 12 and my main activity was to play games on5-inch floppy disks with my brotherso my relationship with them changed a lot since that era. Back thenI could never imagine that they would become the first object I would touch every morning when I wake up and also I could never even remotely think that I would use them as the main tool to create art.

CP: What were your early online experiences like?

EP: It was an exciting era specially because you would feel the mystery and charm of something that was still unknown to a majority of the users. Now most of our online activities seem predictable, or to say it better, I believe the element of surprise is missing a lot.

CP: You studied architecture at one point. What influence has that discipline had on your art?

EP: I graduatedfrom architecture five years ago. The transition was quite natural cause I was already studying at a school that had a quite wide curriculum mixing new media, art, and architecture. We actually had many tutors that were artists themselves. When I was doing my diploma thesis I started uploading some very simple gif animations on Tumblr just because I was really fed up with architecture, to be honest. During this period and after my graduation, gradually I started uploading more and more stuff while I was taking a break from anything that was architecture-related. That helped me understand that maybe my ideas could be better communicated through art.

I wasnt the kid that always wanted to be an architectI was just searching for something, and I considered architecture to be diverse and more open thematically in terms of what the courses provided compared to other studies, so I went for it. The influence that it had on my practice and art is really important and I think I am lucky to have experienced architecture at this specific school where we were encouraged to get out of the normative and stereotypical way of thinking. A recurring theme in my work is an attempt to dissolve, distort, and understand space through embodied experience through the use of digital mediums. Architecture is still present in what I do.

CP: What was the first artwork you made using a computer that you recognized as digital art

EP: I guess it was my first series of animated gifs that I did while playing basically on 3ds Max. They would always be some fragments of space, objects, and bodies moving in frenetic ways. I think it was around 2012 that Lorna Mills somehow saw my work on Google+ and contacted me to create gifs for the Sheroes series in Canada created by Rea McNamara and co-curated with Lorna. I was super excited with this when it happened!

CP: Its interesting looking at your Tumblr archive and seeing your progression from experimental video and photography, to gifs to glitch art,to 3D digital art. How would you describe that journey?

EP: My work now feels so much different than what I was doing five or six years ago. The answer is simple: I was trying things in order to find what was, at that particular moment, the best way to express my state of mind. As I was creating more I felt the need to change the tools and means that I was using, because each of these has their own materiality and rules. Its totally different to talk about a subject through video versus gifs, for example. But I also like to get involved in things and situations that are new to me.

Lately I try to create more sculptural work and I also film in real locations. I feel that right now I can filter, support, and build my work more effectively through a combination of mediums and dynamics instead of using only 3D design. Video, photography, drawing, 3D design, gifs, etc. are tools that I use according to the outcome and intentionI want to achieve each time. I dont feel that I should be bound to one medium in order to create art. I changed a lot through these years personally and creatively, so my art and how I make it would inevitably change along with me.

CP: Your bio says that you explore the relationship between digital space and (im)material reality. What is that relationshipand how is it changing as the digital space expands?

EP: This relationship is mainly defined by the way our body and mind stands and perceives these in-between conditions whose boundaries are continuously amplified but also blurred as the simultaneity of the two states becomes more and more pronounced through the use of digital devices. Our eyes and hands are getting used to existing in a dual situation as digital space expands to objects, surfaces, and interfaces. These days its not only our body parts that start to experience the difference but also our mind has altered in terms of how we read, absorb, and redistribute information through and to our surroundings. This relationship that I am trying to explore through my work is always n-dimensional and palimpsestic. What interests me more is this process of re-writing on this in-between area of material and immaterial, and the traces that both physical and digital actions leave as we move forward.

CP: Theres always a lot of elements to your work, a hyperactive spirit. Is that a reflection of your personality?

EP: Yes and no. It certainly reflects my personality but my body sometimes reacts and gets slow. When I was in architecture school I had an amazing tutor that was telling me that my personality is somehow multifocal. Back then I couldnt understand what he might have seen to say something like that; it just didnt make sense. As years went by I totally realized how right he was. I am somehow dispersed between states, references, ideas, balancing between thought and action; I always do multiple things simultaneously and I get easily bored by situations. When this restlessness becomes a feature of my work it is detached from the personal level andmainly reflectsa state of non-stop, complex procedures that we are facing in the physical and digital realm.

CP: People that work in 3D reference rendering a lot. How would you describe your relationship with rendering?

EP: Intense! I refer to rendering all the time and my friends that are not involved in digital art and 3D design still wonder how it can be so complicated. Its a process that involves time and that factor is enough to understand how problematic but also charming it can be. As technology advances rendering times and processes are becoming shorter. With game engines and specific renderers, you can render in real time.

There is a magic element to it that attracts me though, since we build something and then, in order to actually see this creation, we need to pass through these layers and make the invisible visible somehow. I have cursed many times because of rendering, but I kind of enjoy it also.

CP: Your work has become more organic over the years. What interests you about trying to create biological forms digitally?

EP: I am very much interested in the way technology looks at nature and biological forms and the tense areas that are being created while this gazing takes place. My work the last two years deals a lot with themes that connect human action, natural surfaces, tech biomimicry, and animal behavior. I am really intrigued by the condition of observing and mapping natural ecosystems in order to collect data, information, and knowledge that then come back to us in different forms and procedures.

There are many interesting paradoxical and contradictory situations embedded in these processes from a scientific point of view, but also through a more vernacular lens. For example, I find night camera trail footage fascinating, especially when it isused to pattern movements of animals. I find the particular momentswhere the animalsaccidentally look at the camera extremely intense, almost revealing a relationship built on the action of watching and being watched.

CP: Your work often uses very bright colors, but I feel a sense of discomfort or even darkness behind that.

EP: I agree. As I mentioned before, I am quite challenged by the idea of containing multiple meanings in my work and observing the same in the work of others. Using a bright color palette doesnt mean that the work itself emits happiness or uncontrolled energy. I am very much tempted by intense contradictions in art, and people even. I prefer it when ideas can make themselves visible through a slight process of digging and color certainly dictates a mood, but I will never consider it to have a protagonistic role in what I do. It is always a factor that works in combination with other things. To say it better, color in my work is usuallyused as a concealment factor rather than a revealing factor.

Facticious Imprints (Extract)

CP: Do you think your work is political?

EP: Yes, although most of the time this happens in a more subtle than loud way. I believe work that is being created these days inevitably is political one way or another. There are so many urgent issues around us happening on multiple levels that is impossible not to get affected. Choosing not to get affected is also a political decision, I guess, although dangerous. But still, it is a decision that reflects a certain conscious stance.

I definitely believe that political involvement is quite crucial nowadays. Important parts of my work deal with how we position ourselves toward others and through the constantly altering surfaces and spaces that surround us socially, technologically, and environmentally. So the political aspect is there intentionally for sure. I would never deal with themes that dont trigger a sense of immediacy inside me, but I would also never create work just for the sake of being political. This would be totally dishonest towards myself and whomever would engage with the work.

CP: New media has become a vital home for the expression of feminist and gender ideas. What about the medium makes it a particularly interesting way to explore those issues?

EP: I think new media can be very dynamic and vibrant and its true what you said: we have seen some great new media works related to feminism and gender. In those cases, I believe the medium totally matches the intention, which is a very important factor while exploring issues that need to be communicated in a quite clear and bold way.

Also, new media is characterized by a certain peculiar kind of flexibility and fluidity. It can take different forms and contain multilayered ideas. Plus it is more easily disseminated and adaptedit seems more open, inclusive, and receptive as a condition, while at the same time it can create more effectively a sense of collective perception and action. At the same time, its less male-dominated in comparison with sculpture or painting, though I have seen some really intriguing sculpture, performative, and even spoken word work lately that deal with the same issues. In the end its a matter of how you attempt to express your ideas and the actual content of them, not only the medium through which you are expressing them.

CP: How would you define the current difference between working as a digital artist and a traditional artist?

EP: I would say the most striking difference is the pace at which the tools of digital artists are shifting. It feels almost like the tools sometimes choose and act before us. I dont like very much to distinguish artists and art in general but I would say that the challenges to this medium have to do with the relation between the initial concept and the final execution. When you dont deal with many tangible forms then there is a slight danger of getting lost in a stream of endless probabilities.

Its important to find the right balance and mechanism to link idea and outcome in order to achieve a result that is not just taking superficial advantage of the digital features, but embeds their characteristics and structure giving actual meaning to the work.

Despite that, this process contains much openness; it is quite liberating not to have rigid limitations from the medium, and that is an important element that differentiates digital art from traditional art in my opinion. On the other hand, the sense of corporeality in traditional mediums is sometimes unbeatable, although I believe VR, for instance,gives us the potential to overcome this. Still, the way the majority of VR work is being made somehow leaves this feature out or deals with it in a rather facile way, and this is certainly something that needs to be reconsidered seriously.

Always a body, always a thing - Trailer

CP: Tell us about your new show at Transfer Gallery.

EP:I am very happy to have a solo show at Transfer Gallery. Kelani Nichole is doing great work there all these years. I am showing a three-channel adapted version of my last video work Always a body, always a thing, and a sculptural video piece combining four screens on the floor of the gallery. The space has been transformed to an immersive dark projection cave. The title of the show is Precarious Inhabitants and it deals with a series of interconnected issues surrounding amorphy, liquidity, invasive species, plasticization, biomimetic behavior, body malformations on amphibians based on real cases, and the ontology ofrecording and tracking devices.

The three-channel projections construct a system of three parallel narrations. One is a narration of amorphous amphibians that are trying to define and sense their bodies and limbs; the second is a dialogue between humans and invasive species; and the third is a monologue from the side of the human solely. I have used a mix of techniques and materials for the videos which include 3D-rendered environments, game engine simulations, footage I shot in different natural locations, found archival material, and micro-camera, endoscopic recordings from critters, synthetic, and organic surfaces. I would say it is one of the most complete, if not the most complete, and diverse work I have done so far.

CP: What else do you have coming up?

EP: I have another show running in London, at Assembly Point gallery, Obscene Creatures, Resilient Terrains, a collaboration between me andTheo Triantafyllidis. I am participating in a group show in Milan that starts June 8 called Non Standard, curated by Mattia Giussani,and features new and recent mixed media works by myself, Lea Collet & Marios Stamatis, Anne De Boer, Joey Holder andAnna Mikkola. I am also participating inTRANSFER Download atHeK,taking place during Art Basel, and then I am working on three projects I will announce soon; I am trying things for them I have never done before so they feel very interesting and challenging!

Christian Petersen

We run an online magazine, so of course, we're interested in what's happening with art on the web. We invited online gallerist, founder, and curator ofDigital Sweat Gallery, Christian Petersen, to write a bi-monthly column for us. Every other Wednesday he selects a Web Artist of the Week.

(All images: Courtesy of the artist)

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Wednesday Web Artist of the Week: Eva Papamargariti - ArtSlant

How Vestas Wind Systems used outsourced machine learning to transform contract management – Diginomica

Vestas wind turbines in Australia

Our diginomica inboxes are awash with machine learning PR pitches. But when I got the chance to talk to Vestas Wind Systems A/S about their lessons with machine learning in action via an outsourcing partner that got flagged, in a good way.

Henrik Stefansen, Senior Director, Global IT Sourcing at Vestas Wind Systems A/S, gave me the inside view. Founded in 1945, this Danish manufacturer and servicer of wind turbines has become a global player in wind energy. Now with turbines in more than 70 countries, Vestas bills itself as the only global energy company dedicated exclusively to wind energy.

Five years ago, Vestas Wind Systems was dealing with the complications of declining government subsidies. The global economy was working its way out of a recession. Higher operational costs combined with sluggish energy demand compelled Vestas to push hard for new efficiencies. Stefansen has been an IT leader at Vestas for sixteen years. In the last four years, hes led a drastic change:

Weve gone from being a fully insourced company on the IT side about four years ago, to today being more or less fully outsourced. So thats been quite a journey.

Managing outsourced processes has brought a learning curve:

Ive come to realize that a lot of the other stuff that we need to be able to handle and the processes you need to have in place to manage an outsourced setup is quite different from when you run everything yourself.

That opens up a chance to improve processes:

Thats where really we got into looking at, How can we optimize and automate some of these processes instead of doing everything manually?

Stefansen handles these operations with an internal team of twenty, and about a dozen externals. 27,000 employees count on his teams IT services. If you cant handle the breeze, dont be in the renewable energy business:

We went through a bit of a dip through the financial crisis around 2011, where we cut the company in half. We had to reduce that much. But we recovered from that, and had a record year last year.

How has the wind energy business from Stefansens early days at Vestas?

When I joined the company, we were still sort of an entrepreneurial startup. Over the last five, seven years its been much more industrialized. Now wind is a competitor, and its a subsidy to all of the known coal and gas sources as well.

Today, I would say, wind is more or less on par with coal and gas, also from a cost perspective. And thats of course what weve been working towards the last many years If you want to sustain a business like this, it has to be comparable on a cost level to the other energy sources out there thats roughly where we are now.

Success brings its complications:

Looking at it from a country or global perspective, theres no doubt that renewable energy is high on the agenda in most countries these days. That makes it a nice place to be in a company like this. But its also a highly regulated environment Theres a lot of restrictions from local governments that we need to also work with to promote this kind of energy.

Stefansens approach to outsourcing has changed also. At first, outsourcing was a tactical decision in response to the economic downturn: We had to reduce head count, we had to reduce cost, and we had to do it fast. As Vestas bounced back, Stefansen decided that outsourcing was their future course but now they approach it more strategically.

Outsourcing makes sense for Vestas on several fronts. It solves the challenge of needing to staff up internal IT in Denmark. Stefansen also likes the flexibility on cost and exposure to new technologies:

We also saw the possibilities of joining forces with some of the big outsourcing vendors out there that have thousands of people. They can bring us those new technologies much faster and better than we could develop it ourselves.

And thats where SirionLabs comes in. Stefansen found the downside of outsourcing was managing the services. Ideally, he could automate a big chunk of contract management, and have it delivered as a service. During his research, Stefansen found SirionLabs. He evaluated a range of providers:

I looked a few of the big ones, including IBM and SAP. They had good capabilities in some of the areas that I needed. but none of them really had the view and connectivity between the different parts of the process that I saw with Sirion.

Stefansen also liked SirionLabs cloud emphasis:

Their software as a service comes pre-configured out of the box, so you dont have to do the on-site installations and set up. Basically, I just ship my contracts to Sirion, They upload them in India, and we are live.

Vestas started working with SironLabs in 2015. They spent the first few months uploading contracts, but that wasnt the biggest change:

Once you start working with a tool like this, there is a set of processes that enables you to get the benefit out of the tool. That was the main part of the implementation to get those implementations within our own organization.

The big surprise wasnt process change; it was the people side.

Thats probably one element that surprised me a little bit how much energy I had to put into my own organization to get my own colleagues to work in these new processes.

What changes did Stefansen see after going live with SirionLabs? One big change: tracking of deliveries and obligations. Sirion pulls all of the outsourcing vendors obligations from their contracts, and puts it into a calendar view for tracking:

All of that is alert-based. Alerts tell us that, This is supposed to be delivered now. Did you receive it, or is it still pending? In the past, we would have missed that, because it would have taken a lot of manual effort to track all of this.

On the IT side, SirionLabs is now handling Vestas four main outsourcing partners, comprising 70-80 percent of all outsourced services. Its really a shift to pro-active way to manage outsourcers, Stefansen has already seen cost reductions:

[Another part] of our cost savings is the invoice reconciliation. Basically, matching invoices to what weve agreed in the contract, and making sure that we are paying them correctly. Thats where we see a lot of the direct cost savings.

The savings arent small: Stefansens first year calculations on the SirionLabs investment: a 300 percent ROI.We talked about the machine learning aspect. Stefansen doesnt need to know the inner workings of Sirions machine learning capabilities to see the value on his side.

SirionLabs applies machine learning to areas Vestas would have struggled to monitor on their own, from incorrect invoicing to avoiding SLA penalties that are invoked when a usage threshold is reached. As the SirionLabs PR team put it to me, SirionLabs uses machine learning to cull through the mind-numbing tedium of contracts to ensure everyone is doing their job.

Looking ahead, Stefansen wants to get his outsourcing partners to use SirionLabs to collaborate and address contractual issues. So far, weve seen good benefits from that, where weve managed to convince our outsourcing partners that this is a good idea.

Today, SirionLabs manages contracts valuing $160 million for Vestas. For Stefansen, better control over back office IT means his team can be more strategic, and less caught up in administrivia:

If I hadnt implemented this I would probably of had to hire say four people to manage these things manually. So it gives me a lot of flexibility from an organizational point of view.

Image credit - Image of Vestas wind turbine in Macarthur, Australia from the Vestas.com web site, model number V112-3.0 MW.

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How Vestas Wind Systems used outsourced machine learning to transform contract management - Diginomica