Click to enlarge

Click to enlarge

Click to enlarge

Click to enlarge

In 1993, a convicted murderer was executed.  His body was given to science, segmented, and photographed for medical research.  In 2011, we used photographer to put it back together.

12:31 is a series of photographs concepted by Croix Gagnon and photographed by Frank Schott.  The process of making these haunting images is similar to creating the long-exposure light paintings we’ve all seen become popular over the past few years. The images Croix and Frank managed to capture through this process are other worldly!

The Process:
An animation of the sequence of 1,871 male cadaver slices from the Visible Human Project was created.  This animation was then played full screen on a laptop and moved through a dark environment while being photographed. The result is a series of ghostly misshapen images of the Visible Human cadaver in space.

View the entire 12:31 series here!

Source:
http://feeds.feedburner.com/streetanatomy/OQuC

Prolific and extremely talented illustrator Sarah Goodreau created this little set of organs and anatomical illustrations. Having gone to undergrad with Sarah, I always admired her use of color and texture, the above being a great example. So I’m pleased as punch to see her doing some anatomical art! She is definitely an artist to keep your eye on, head on over to her site and see what other illustrations she has cooking.

Source:
http://feeds.feedburner.com/streetanatomy/OQuC

Photography by Owen Silverwood

There’s something fascinating to me about paper sculptures and the people who create them.  The spatial thinking, dexterity, patience, craftsmanship, etc., is what I truly admire.  England-based Kyle Bean, is a designer who specializes in creating these wonderful paper sculptures.  His work has been featured in numbers international publications, including the heart above for a Men’s Health heart disease article.  He’s also been recognized in publications for his incredible concepts and craftsmanship.

View more of Kyle’s work at kylebean.co.uk

[via NOTCOT]

Source:
http://feeds.feedburner.com/streetanatomy/OQuC

Our favorite “You Are Here” letter press prints are back in stock at the Street Anatomy store for those that missed out the last time around!

• 12” x 18” hand printed five color letterpress print
• Hand set vintage metal type
• French 80# cover, true white
• Created and hand printed by the fine folks at Roll and Tumble Press in Little Rock, Arkansas.
• Available at the Street Anatomy store for $25

Source:
http://feeds.feedburner.com/streetanatomy/OQuC

I am very excited to announce "Drawing from the Bestiary: Animal Anatomy of Real and Imagined Creatures, a new class developed specially for The Morbid Anatomy Art Academy by one of our favorite artists, Saul Chernick. This class will teach students--via illustrated lectures and in-class projects including paper puppets and the creation of bestiary pages--"to use observational and imaginative drawing skills in tandem to capture the essential qualities of their subject" and "learn to draw animals (real, mythic, and otherwise) with greater skill and sensitivity."

You can see some of Chernick's wonderful artworks above; you can see more of them by clicking here. The class will take place on 4 consectutive Mondays, from June 25 to July 16th. The full class description follows. Also, please note that the class size is limited to 15, so if you are interested, please RSVP as soon as possible to morbidanatomy [at] gmail.com.

Drawing from the Bestiary: Animal Anatomy of Real and Imagined Creatures with Saul Chernick
A 4-part class with Artist Saul Chernick, M.F.A., Rutgers University
Dates: Mondays June 25, July 2, July 9 and July 16th (4 consecutive Mondays)
Time: 6:30-9:00 PM
Class Fee: $120
***Class size limited to 15; Must RSVP to morbidanatomy [at] gmail.com
This class is part of The Morbid Anatomy Art Academy

Contemporary artist and arts educator Saul Chernickis renowned for gorgeous artworks featuring convincingly corporeal depictions of imaginary or mythical creatures rendered in the style of Medieval and early Renaissance woodcuts from Northern Europe. Observatory is very pleased to announce a new workshop developed by Saul Chernick specially for the Morbid Anatomy Art Academy. In this class, Chernick will teach students--via illustrated lectures and in-class projects including paper puppets and bestiary pages--"to use observational and imaginative drawing skills in tandem to capture the essential qualities of their subject" and "learn to draw animals (real, mythic, and otherwise) with greater skill and sensitivity."

Full class description follows; you can see more of Chernick's fantastic work by clicking here. Class size limited to 15; Please RSVP to morbidanatomy [at] gmail.com.

Course Description
Open to artists of all levels, the goal of this workshop is help participants learn to draw animals (real, mythic, and otherwise) with greater skill and sensitivity. Through exercises in drawing and paper puppetry, participants will gain a deeper understanding of the skeletal/muscular structures of most mammals, reptiles, and birds. Participants will also learn to use observational and imaginative drawing skills in tandem to capture the essential qualities of their subject and create works of convincing visual fiction!
What to expect

• Participants will cull images from the web to create a dossier on the animal(s) that interest them
• Participants will fashion movable paper puppets to understand how their chosen animal moves
• Participants will draw studies of the skeletal and muscular structures of animals
• Participants will use the medium of their choice to create a Bestiary page entry that depicts an animal situated in an environment

Materials
What to bring to the first class:

• Choose 1-3 animals and gather pictures on the web. Be sure to get images of their skeletons in profile. Please print these as they may be hard to use on a phone screen.
• 3-5 sheets of Bristol Board Paper 9" x 12" or larger
• Pencils & erasers
• Scissors
• Xacto or utility knife
• Glue

What to bring for subsequent classes:

• White or tinted drawing paper 16" x 20" or 18" x 24"
• Tracing paper (same size as drawing paper)
• Mechanical and/or regular pencils (2h, hb, 2b, 4b)

Optional:

• Markers, watercolors, gouache, ink, brushes, chalk/oil pastels, colored pencils, Caran D’Ache, collage papers, etc (we’ll discuss further in detail!)

Saul Chernick, M.F.A., Rutgers University, is a visual artist and educator. Chernick has exhibited internationally in galleries and museums including the Aldrich Museum of Contemporary Art, the Bronx Museum of Art, the Jewish Museum of Art, as well as Max Protetch and Meulensteen Galleries in New York City. He has taught art for the public school system, the 92nd Street Y, Cooper Union, Parson's School of Design, and the Museum of Modern Art. He is currently the Professional Development Coordinator for the Joan Mitchell Foundation where he coaches New York artists in teaching art to young people throughout city. His work can be seen at http://www.saulchernick.com.

All images are by Saul Chernick and include, top to bottom:

1. Field Urchin, 2011, from a series of studies in which he attempted to impose the proportions of cherubs onto horses.
2. Desktop 2013, 2010, Ink, Watercolor, & Opaque White on Paper
3. Heavenly Touch , 2009, Ink, Watercolor, & Opaque White on Paper
4. Guilty Pleasures, 2010, Ink, Watercolor, & Opaque White on Paper
5. Ars Gratia Artis, 2010, Ink on Paper

You can found out more here. As mentioned above, class size is limited to 15, so if you are interested, please RSVP as soon as you are able to morbidanatomy [at] gmail.com.

Source:
http://morbidanatomy.blogspot.com/feeds/posts/default?alt=rss

MARAIS
Hell's Swells

A hot spot called Hell's Café lured 19th-century Parisians to the city's Montmartre neighborhood—like the Marais—on the Right Bank of the Seine. With plaster lost souls writhing on its walls and a bug-eyed devil's head for a front door, le Café de l'Enfer may have been one of the world's first theme restaurants. According to one 1899 visitor, the café's doorman—in a Satan suit—welcomed diners with the greeting, "Enter and be damned!" Hell's waiters also dressed as devils. An order for three black coffees spiked with cognac was shrieked back to the kitchen as: "Three seething bumpers of molten sins, with a dash of brimstone intensifier!"

Found via Retronaut who sourced it from Cool Stuff in Paris; all images via Retronaut; more to be found at the original link.

Source:
http://morbidanatomy.blogspot.com/feeds/posts/default?alt=rss

 

I collect images of  "Death" because I am a visual person who takes in information best visually. As I have gotten older the thought of my own demise has begun to enter my conscious thoughts. The universality of "Death," with the realization that we will all die, encouraged me to begin the conversation of my mortality visually rather than talking or reading about it. I believe that there is a larger audience who might also be more comfortable beginning that discussion in a visual way, which is why I always thought of my collection in terms of a public exhibition.

--Richard Harris, the collector whose works are featured in "Morbid Curiosity: The Richard Harris Collection,"in an interview with Morbid Anatomy

Whilst in Chicago a few weeks ago, I had the good fortune to be able to spend a good two hours or so with the works in the profoundly wonderful new exhibition "Morbid Curiosity: The Richard Harris Collection," on view through July 8 at the Chicago Cultural Center. This seriously (!!!) not-to-be-missed exhibition showcases nearly 1,000 works which range from 2000 B.C.E. to the present, from fine art to ephemera, and from Mexican to Japanese to Tibetan to European artist traditions, all drawn from the astounding death-related collection of Richard Harris.

Some of my favorite pieces--featured in the photos above--included Rudolfo Villena Hernandez "A Commemoration of the Bicentennial Proclamation of the Independence of Mexico" (third from bottom); Michel de Spiegelaere's "Macabre Scene," one of the better Frederik Ruysch tableaux recreations I have had the pleasure to see (8-10 from top); a collection of macabre book plates and postcards (4th and 5th from bottom); Roger Reutimann's "Death of Venus" (seventh down), a wonderful collection of 19th Century ceramic German Dance of Death Figures (second from bottom), a carved wooden memento mori figurine from the early 17th century (third from bottom), and Jodie Carie's "In the eyes of Others plaster-cast bone chandelier bringing to mind the wonders of the  Kutná Hora ossuary (fourth down). The installation itself--expertly staged by curator Lucas Cowan--is wonderful as well, evoking the beautiful clutter of the wunderkammer but utilizing clever groupings which draw the eye and invite close investigation rather than overwhelm.

You can see more photos from the exhibition--and find out more about the works seen above--by clicking here. You can find out more on this exhibition on this recent post, on the Chicago Cultural Center website, and on Richard Harris' website. You can watch a gallery walk through and interview with Richard Harris by clicking here.

Source:
http://morbidanatomy.blogspot.com/feeds/posts/default?alt=rss

The Malloch Rare Book Room at the New York Academy of Medicine.

For all you wonderful librarians out there who also happen to be interested in the history of medicine, I have an exciting announcement to make: The New York Academy of Medicine is advertising for a new opening for Information Services Librarian!

Full details follow; Hope one of you ends up in this role!

Information Services Librarian
Center for the History of Medicine and Public Health
The New York Academy of Medicine

Mission
The New York Academy of Medicine advances the health of people in cities. An independent organization since 1847, NYAM addresses the health challenges facing the world's urban populations through interdisciplinary approaches to policy leadership, education, community engagement and innovative research.

Drawing on the expertise of diverse partners worldwide and more than 2,000 elected Fellows from across the professions, our current priorities are

• To create environments in cities that support healthy aging
• To strengthen systems that prevent disease and promote the public's health
• To implement interventions that eliminate health disparities
• Summary and Description

Summary and Description
The Center for the History of Medicine and Public Health is NYAM’s newest center and provides access to and enhances awareness of NYAM important research collections in medicine, public health and their history. The aim of the new Center is to build bridges among an interdisciplinary community of scholars, educators, clinicians, curatorial and conservation professionals and the general public.

The NYAM Research Library
The NYAM collections, which opened its to the general public in 1878, include over 500,000 volumes, 275,000 portraits and illustrations and around 400,000 pamphlets in its Research and Rare Books and Historical sections. NYAM is the only specialized research library in NYC offering access to medical and health information for members of the general public, a mission the Information Services Librarian will be critical in fulfilling.

The Research Library collection comprises monographs in medicine, public health and health policy, an extensive journal collection, grey literature, the various databases, and primary and secondary materials in the history of medicine, public health, science and other health-related disciplines. The Research Library collection is supported by an extensive reference collection of medical bibliography, biography, biographical dictionaries, dictionaries and library catalogues, as well as books on the history of books and printing.

The Research Library forms part of NYAM’s Center for the History of Medicine and Public Health. The Center is made up of the Research Library, Rare Book and Historical Collections and Conservation Laboratory. The Information Services librarian will function as the main contact person for users of the Research Library.
The Center for the History of Medicine and Public Health

In addition to the Research Library, the Center for the History of Medicine and Public Health’s  Rare Book and Historical Collections include a rare book collection of approximately 35,000 volumes, with manuscripts and archives dating from the 17th century B.C.E. to the present.  Books from the 17th and 18th centuries are another particular area of strength, as are materials related to the history of medicine in the City of New York.  Currently, the Rare Book and Historical Collections support a variety of programs, including two residential fellowships and an annual lecture series.

The Gladys Brooks Book and Paper Conservation Laboratory was established in 1982 for the express purpose of caring for the NYAM collections.  In addition to its preservation mandate, the Lab plays an important role in the training of future generations of conservators through its internship and volunteer programs and offers professional educational opportunities through a robust calendar of workshops and lectures.

Summary and Description
The NYAM Research Library is looking for a dedicated and enthusiastic librarian to provide information and reference services to NYAM Fellows and staff, members of the general public, and middle and high school students. The Information Services Librarian will be responsible for reference hours in the main reading room of the Research Library and play a central role providing users with research support. We are looking for an individual with a high level of communication and research skills, who will be proactive in helping to build the profile and activities of the Research Library.

Duties and Responsibilities
The Information Services Librarian will:

• Facilitate the use of databases and resources available in the Library, especially PubMed
• Support the research needs of staff, Fellows and corporate clients
• Assist the general public in their use of the library collections
• Provide in-depth reference searches, including searching grey literature
• Play a central role in NYAM’s Junior Fellows Program, helping middle and high school students develop and successfully complete research projects in the library
• Provide teaching and instructional sessions to Junior Fellows and participants in other NYAM programs such as EBEM (evidence-based emergency medicine) workshops
• Maintain and update Library CMS information
• Use social media to communicate Library activities and research results
• Take part in other special projects as required.

This role offers an exciting opportunity to help develop the activities and profile of a new Center dedicated to creating links between recent medicine and public health material and the history of medicine and public health. The Information Services Librarian will work closely with colleagues in the Center, and other NYAM sections. In particular s/he will collaborate with colleagues in the delivery of public services, introducing students from a variety of disciplines to the Center’s collections, and teaching research skills.

Qualifications
• MLS from an ALA-accredited institution (required)
• AHIP credentials (preferred)

Experience and/or Education
Required:

• Reference experience in an academic or research library with a focus on health sciences
• Familiarity with the databases and other reference tools necessary to answer a wide variety of questions related to public health, health policy, and medicine
• A sophisticated understanding of PubMed and an ability to teach it to a variety of different user groups
• Experience engaging with a diverse audiences, from school children, especially secondary school students, to professional
• Strong oral, written and interpersonal communication skills, with an ability to communicate complex ideas in an accessible manner
• Demonstrated commitment to public service
• Excellent computer and web skills
• Physical ability to undertake collection management duties such as movement of books and materials weighing up to 40 lbs., and work in sometimes dusty environments.

Preferred:
• At least 3-5 years reference experience in a large health sciences library
• Teaching experience, particularly with middle and high school students
• Familiarity with medical language and terminology
• Experience using social media.

To Apply
Please email
a resume and cover letter to hr@nyam.org. Please include "Information Services Librarian" in subject line.

The New York Academy of Medicine is an Affirmative Action/Equal Opportunity Employer.

For more information, visit our website: http://www.nyam.org. 

The New York Academy of Medicine is an Affirmative Action/Equal Opportunity Employer.

You can find out more by clicking here. Click on image to see larger, finer version; image above was sourced here.

Source:
http://morbidanatomy.blogspot.com/feeds/posts/default?alt=rss

All I have to say is WOW: pictured above are scenes from a coin-operated automaton (which I am guessing is from the 1920s or 30s, rather than 1900 as the auctioneers claim) in which, after a coin is inserted, "doors open and the room is lighted revealing four morticians and four poor souls on embalming tables, the morticians move as if busily at work on their grisly task and mourners standing outside bob their heads as if sobbing in grief."

This object is for sale (!!!) and is estimated to go for between $4,000-$6,000 as part of an upcoming Science, Technology & Clocks auction taking place on June 2, 2012 10:00AM. Full lot description from the Skinner Auctioneers website follows:

Lot 207
"St. Dennistoun Mortuary" Coin-Operated Automaton, attributed to Leonard Lee, c. 1900, the mahogany cabinet and glazed viewing area displays a Greek Revival mortuary building with double doors and grieving mourners out front, when a coin is inserted, doors open and the room is lighted revealing four morticians and four poor souls on embalming tables, the morticians move as if busily at work on their grisly task and mourners standing outside bob their heads as if sobbing in grief, ht. 30 1/2, wd. 24, dp. 17 1/4 in.

Estimate $4,000-6,000

Brass coin plate stamped J. Dennison Leeds NO. 80

You can find out more and see the other lots--which include other automatons including an amazing automaton last supper!--by clicking here. My only plea, if any of you Morbid Anatomy readers purchase this, please (please!) invite me over to see it in action! I would certainly buy it myself if I could afford it. If the Musée Mécanique is still actively collecting, this would make a wonderful addition to their rich collection of coin-op toys depicting deaths by such means as guillotine, French execution, and English execution; yes, really. More on that here.

Thanks so much to Morbid Anatomy readers Nanette Rod and Jane Fuller for bringing this amazing object to my attention! All images sourced from the auctioneer website; click on images to see larger versions.

Source:
http://morbidanatomy.blogspot.com/feeds/posts/default?alt=rss