Direct electronic readout of ‘artificial atoms’

In addition to flows of electrons, researchers are seeking options for the spin of electrons to be used in future information processing. In combination with these characteristics, a considerably larger volume of information can be stored than merely 'zero' and 'one'. Because this is difficult with individual atoms, physicists place 'artificial atoms' into solids. Through his participation, a research team has now has succeeded in an energy-state occupancy readout of those artificial atoms - using common interfaces to classic computers.

High Nutrient Diet Reverses Diabetes

Patient with Type 2 Diabetes Restored to Health: Case Study of James Kenney

Diabetes affects roughly 135 million people worldwide, with more than 16 million Americans suffering from diabetes. More than 70 percent of the adults with Type 2 diabetes die of heart attacks or strokes. Diabetes can be prevented through nutritional methods.
This case history shows a Type 2 diabetes treatment success story of James Kenney, one of my patients. Type 2 diabetes prevention is possible, with diabetes education, Type 2 diabetes diet, proper weight control, and exercise. Instead of controlling diabetes, simply get rid of it.

Name James Kenney
Chief Complaint Poorly controlled diabetes
Weight 268 pounds
Insulin 175 units per day

Mr. Kenney was referred to my office from his nephrologist at St. Barnabus Hospital in Livingston, New Jersey. Mr. Kenney was originally referred to the nephrologist by his endocrinologist (diabetic specialist) at the Joslin Clinic because of kidney damage that resulted from poorly controlled diabetes (very high glucose readings) in spite of maximum medical management. Read more...

AyurGold for Healthy Blood

Surgery Undergraduate Research Fluency (SURF) Program

Surgery Undergraduate Research Fluency (SURF) Program
The SURF program is a volunteer opportunity for people interested in pursuing a career in the medical field. The program focuses on research yet provides opportunities for exposure to all aspects of the surgery department through regular conferences, shadowing, and networking opportunities.
The Maricopa Integrated Health System (MIHS) is the publicly-funded health care safety net for residents of Maricopa County. MIHS serves a racially and ethnically diverse population, many of whom face major challenges to accessing health care, such as language barriers, a lack of insurance, complex medical problems and difficult socioeconomic situations. MIHS is committed to providing culturally and linguistically competent care to all that enter its doors.
MIHS clinical facilities include Maricopa Medical Center, a 450-bed, acute-care full-service hospital with 20,000 inpatient admissions annually; the Comprehensive Healthcare Center, a multi-specialty ambulatory care clinic; 10 community-oriented Family Health Centers, strategically located throughout the County; and the McDowell Healthcare Clinic, serving people with HIV.
The Arizona Burn Center, located within Maricopa Medical Center, a 450-bed acute-care, full service hospital and Level I trauma center with 20,000 inpatient admissions annually. Founded in 1965 by Dr. MacDonald Wood, the Arizona Burn Center has grown from a few beds set aside for burn care to the second busiest burn center in the nation, caring for over 900 adults and children each year. It is the regional burn center for the southwestern United States, serving children and adults from Arizona, surrounding states and Northern Mexico. This center of excellence is a 19-bed facility, all of which can be dedicated intensive care beds, expandable to 44 beds institution-wide. The outpatient Arizona Burn Clinic serves approximately 5000 children and adults each year through five outpatient clinic rooms, a pressure garment measuring room, massage therapy and a dedicated telemedicine room. Emergency burn care is a dedicated 24 hours a day service, now available nationwide through the federal- and state-supported Arizona Burn Disaster Network.
This program will run from June 2 through August 10, 2011.
For more information please contact:
Melissa Pressman, Ph.D.
Director of Research
Department of Surgery, Burn, and Trauma
2601 East Roosevelt
Phoenix, AZ 85008
602.344.5616 phone
602.344.5705 fax
melissa_pressman@dmgaz.org

2011 Executive War College Registration Open

Learn more now!

In these challenging times, you'll hear all the experts, all the topics, and find all the resources you need for your laboratory to acquire the competitive edge! Don't miss thie annual event. Is your lab prepared for the disruptive trends and swift changes to our healthcare system?

1. Challenging Economic Trends Continue
2. Healthcare Reform
3. Disruptive Molecular Trends
4. New Technologies

More than 50 key not speakers confirmed so far, many more to be posted... see the speaker lineup!

If you missed the 2010 Executive War College or if you want to share what your heard in New Orleans.
Order Audio Recordings NOW!

The Paula Takacs Foundation for Sarcoma Research

Ask anyone who has worked in healthcare as a provider of care or technology or related services and they will no doubt have a story or two about a particular patient to recall and how it changed their lives.  These patients and their stories allow us to remember why we went into our chosen profession and what it means to be a healthcare provider or provide goods or services in the healthcare industry. 

I still recall encouters with patients and their names from the time I worked as an orderly during college.  The stories have accumulated through medical school and residency. Additional stories are added on a regular basis from discussions at multidisciplinary conferences and tumor boards. All are inspiring. 

I recently became aware of someone in my community, Paula Takacs, who is a cancer survivor and has recently started a foundation for sarcoma research.  After battling her disease privately with close friends and family, she and her family have shown incredible strength in taking Paula's message public to spread the word and raise research funding. 

You can learn more about Paula's story on her website

On April 2nd, the first annual fundraiser for The Paula Takacs Foundation will be The Sarcoma Stomp 5K/ Fun Walk in Charlotte. Proceeds of this fundraiser will benefit the Kristen Ann Carr Sarcoma Laboratory at Memorial Sloan-Kettering Cancer Center (MSKCC) in New York. 

More about Paula and her incredible strength.

 

 

Be There Anywhere (TM) HD TelePathology

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Now clinicians can receive real-time high definition video through ordinary internet connections and without the need for special software.

Forget about the limitations and cost burdens associated with conventional telepathology systems.Traditional products typically include special hardware at each end, limit users to specific point-to-point communication processing, and require client software downloads. Be There Anywhere™ eliminates these complexities, requiring only the compact iMedHD™ package and Internet connectivity. This highly secure offering, with video capture capabilities, is the ideal solution for real time Internet sharing and collaboration of true live high definition images.

  • Enables medical clinicians to use live 1080p HD imaging.
  • All that is needed is any PC or MAC web browser and a broadband Internet connection.
  • No need for special hardware or software.
  • Incredibly intuitive and easy to use, even for first-time users – no user manual is necessary.
  • Multiple clinicians can easily communicate – all participants have shared pointing and annotation abilities.
  • Optional webcam, Voice over IP, document presentation and desktop sharing capabilities.
  • Dynamic browser control for an excellent live HD viewing experience – all can easily adjust image display.
  • Allows immediate informed diagnoses and decision-making when time is of the essence.
  • With RMT’s new phone-home capability the solution can be easily moved to any location for flexible use and provides significant cost benefits.

For more information, or an online demonstration, call Don Marchon at
1-888 988-8439 • don.marchon@rmtcentral.comhttp://www.rmtcentral.com

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USCAP and Aperio Launch Digital Archive of the Juan Rosai Collection of Surgical Pathology Seminars

Partnership Provides Free Digital Archive Showcasing the Contribution of Surgical Pathology to Patient Care Dating Back to 1945

Augusta, GA and Vista, CA – February 22, 2011 - The United States and Canadian Academy of Pathology (USCAP), the global leader in the transmission of knowledge in the field of pathology for more than a century, and Aperio, the global leader in providing digital pathology solutions that improve patient care, will be showcasing the digital launch of the Dr. Juan Rosai Collection of Surgical Pathology Seminars at the 100th USCAP Annual Meeting, to be held February 26 – March 4, 2011, at the Henry B. Gonzalez Convention Center, San Antonio, TX. (Booth 114 has been reserved for viewing of the collection.) 

Dr. Juan Rosai, a world-renowned expert and consultant in surgical pathology, has donated his extensive glass slide seminar series collection inherited from the late Lauren V. Ackerman, MD for the world to view. The complete collection consists of almost 20,000 cases originally presented at more than 1,400 pathology seminars, and comprises digital slide images of the original slides, clinical history, and diagnostic summaries, along with present day commentary by Rosai and other experts. At this time, seminars are continuously being added to the site, with the full collection to be accessible within the coming months. 

“I am honored that the USCAP and Aperio have collaborated to provide the pathology community with a digital archive and interactive learning environment for this one-of-a-kind, historical collection,” said Rosai. “Now, pathologists around the world will be able to access and learn about the evolution of patient care from a pathology perspective. I am very appreciative that the collection will be preserved for eternity for the future of pathologists around the world.” 

USCAP and Aperio announced their partnership in 2010 to develop the infrastructure for a digital archive. The collection has been digitized using Aperio’s ScanScope® scanners to ensure high-resolution image quality, and is accessible to the global pathology community, free of charge, through the USCAP website (http://www.USCAP.org). The USCAP has developed a custom-built website to dynamically interact and interface with the digital slide collection to provide diagnostic and historical context, as well as interactive learning tools. The whole-slide images are hosted by SecondSlide®, Aperio’s free, secure, digital slide sharing service for pathology. 

Victor Reuter, former president of the USCAP and vice chair of the Department of Pathology at Memorial Sloan-Kettering Cancer Center, commented, “Dr. Rosai has served as an inspiration to thousands of pathologists throughout the world for many decades. He epitomizes everything that morphology has contributed to the understanding of disease across many disciplines. A masterful teacher, it should not surprise us that he has maintained this collection over the years and has now chosen to share it with the global pathology community. I congratulate Aperio and USCAP for supporting this project that is sure to have profound educational and historical importance.” 

“Aperio’s ongoing advancements in digital pathology systems, including our patented, high-resolution slide creation, image visualization techniques and innovative slide sharing systems are completely transforming the pathology landscape,” stated Jared N. Schwartz, MD, PhD, chief medical officer at Aperio. “Digital pathology provides the means to significantly advance scientific knowledge, whether it be through the preservation of valuable slide archives like the Juan Rosai collection, identifying biomarkers to advance personalized medicine, or connecting two pathologists in different parts of the world for pathology consultation.”

About USCAP

The United States & Canadian Academy of Pathology (USCAP/IAP) has been the global leader in the transmission of knowledge in the field of pathology for more than 100 years. The Academy has had a rich heritage of leading the provision of highest standards of pathology education for pathologist members like no other organization and attracts to its ranks the leaders in key areas of pathology. 

The phrase "Leading Pathology Educational Excellence," used in conjunction with the USCAP graphic identity, provides an accurate and appropriate description of the Academy's activities on two levels: 1) providing "leading pathology educational excellence" via its faculty and programs; 2) leading "pathology educational excellence" with ongoing innovation and scientific breakthroughs for the field of pathology. 

Through the efforts of its outstanding membership, the USCAP is able to extend educational excellence to Pathologists around the world.  

 

About Aperio

Aperio is the leading provider of digital pathology solutions in hospitals, reference labs, and pharmaceutical and research institutions across the world. Today, our affordable and complete product portfolio improves patient care by enhancing quality assurance, delivering more efficient workflows, facilitating access to new and more targeted therapies, and improving pathologists’ skills via lifelong education. Our comprehensive product line features our ScanScope® scanners, Spectrum™ image management (PACS) software, SecondSlide® slide sharing service for pathology, and image analysis tools and services. Aperio’s products are FDA cleared for specific clinical applications, and are intended for research and education use for other applications. For clearance updates and more information please visit http://www.aperio.com.   

 

New app will give docs access to records ‘anytime, anywhere’

Doctors soon will be able to look at medical records whenever and wherever they need to--and email or video chat with other doctors about those records--thanks to a mobile application created by Southern California-based innovation leader Palomar Pomerado Health being unveiled this week at HIMSS11 in Orlando.

The app, known as Medical Information Anytime Anywhere (MIAA), gives docs the ability to view records from any number of providers without having to worry about the compatibility of different software systems used, reports the San Diego Union-Tribune. MIAA breaks down records into a common format, according to the newspaper.

Dr. Orlando Portale, chief innovation officer for PPH, and his team have taken data from four different sources and served it up into a view that runs on an Android operating system, Kathy English, director of healthcare product solutions for Cisco, told FierceMobileHealthcare. The system, according to a PPH announcement, is interoperable with electronic health record systems such as Cerner Millennium, NextGen and the Veterans Administration (VistA) system.

"Everybody wants to do this," Ed Babakanian, University of California San Diego Health System information officer, told the Union-Tribune. "I think the novel element is the extent to which it can integrate information from a number of sources."

Cisco fronted half the prototype development money for the application, which is being designed in tandem with a new $1 billion hospital set to go up in the area. A pilot program for the app in which Escondido-based Palomar Medical Center West will work with Poway-based Arch Health Partners, will start in September, the newspaper reports.

"It's raw," Cisco's English said. "It's real, but it's raw."

To learn more:
- read this San Diego Union-Tribune article
- check out this Palomar Pomerado Health press release

Related Articles:
Smartphone boom changes physicians' relationship with technology

New apps make smartphones more valuable than stethoscopes to some docs
Sutter app gives patients access to records on the go
Physician smartphone adoption said to top 80 percent by 2012

Courtesy of Dan Bowman Fierce Mobile Healthcare

Is it really possible to scan a slide under 60 seconds at 40x?

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To find out, visit Philips Digital Pathology at the USCAP 2011
Booth #801, February 28 - March 2, SanAntonio, TX (USA)

digital-pathology.jpgWhen it comes to digital pathology, performance is defined by speed and image quality. That’s why Philips has developed a faster, total solution. The Digital Pathology Solution* includes an ultrafast scanner and integrated image management system with exceptional scan times of less than 60 seconds at 40X,simplifying workflow for better efficiency and collaboration.

You are invited to learn more about our total solution at the Philips booth #801 at the USCAP February 28th - March 2nd.

Visit our website for further information: http://www.philips.com/digitalpathology

 

2nd Generation Brightfield versus 1st Generation Fluorescence Scanners

This post is submitted by Steve Potts, CEO of Flagship Biosciences, a companion diagnostics company. 

“A truly great book should be read in youth, again in maturity and once more in old age, as a fine building should be seen by morning light, at noon and by moonlight.” -- Robertson Davies

These are exciting times to be consumers of digital pathology hardware. We are at the end of the 2nd generation brightfield scanners (1st Generation were the automated microscopes of CAS / VIAS / ACIS, and 2nd generation are the Nanozoomers / ScanScopes / Mirax scanners with great 20x whole slide scanning performance). Our in-house definition of a 3rd Generation brightfield scanner is the speed, quality, and error rates we expect from 2nd Generation scanners at 20x, but performed at 40x. This represents a four-fold improvement (20x to 40x is four times longer) in the last three or four years --Moore’s law marches on in brightfield scanning. To evaluate a 3rd Generation scanner, take a set of five slides to USCAP or other pathology show, and with a stopwatch evaluate the time, quality and error rate of the scans at 40x among the various new products. We are just beginning 3rd generation devices, and there are a lot of new and existing companies with innovative offerings in 2011. USCAP and CAP will likely demonstrate some fabulous choices for scanner consumers!

Now let’s look at fluorescence. At January’s Applied Immunohistochemistry and Molecular Pathology Retreat in Miami (IMHO the best and most serious conference on practical IHC year after year) there was an interesting comment, “Fluorescence microscopy is far ahead of brightfield microscopy in quantitation, but fluorescence scanning is far behind brightfield scanning”. Fluorescence scanning is simply a LOT harder than brightfield scanning. The four major fluorescent scanners on the market (3DHistech Pannoramic, Olympus VS110, Hamamatsu Nanozoomer, and the Aperio ScanScope FL) all have different advantages, and this blog could go on for pages discussing specific design tradeoffs we've evaluated. We run both brightfield and fluorescent scanning in high volume in our digital pathology lab, and here are some differences between the two scanning modalities that users should be aware of, regardless of which system is chosen:

Scanning Time:

  • BRIGHTFIELD: For 15mm x 15 mm tissue sections, expect brightfield scanning times of 3 minutes at 20x, and 8-10 minutes at 40x.
  • FLUORESCENCE: For fluorescence (our normal operation is three or four colors), expect 2-3 slides per hour at 20x. Forget about 40x fluorescence on whole slide images. 

QA and failure rate:

  • BRIGHTFIELD: Expect to spend at least 1 minute per slide for a technician to QA a brightfield slide manually, this is required for good brightfield scanning operations, and far too many people don’t do this. Failure rates of 5% for 20x and 20% for 40x are normal, but these numbers are largely dependent on histology and slide preparation.
  • FLUORESCENCE: Expect rescan rates of 20-40% at 20x, this is very much dependent on the given sample and the skill of the operator and how well tuned the fluorescent scanner is. The errors will come primarily from the tissue sample more than from the fluorescent scanning. Things like debris on the cover slip, Rocky Mountain-like tissue samples, dye over stains, are not as problematic for a brightfield scan as a fluorescent scan. 

 

Technician Skill:

  • BRIGHTFIELD: Brightfield scanning requires a very methodical person, who is consistent and pays attention to detail in QA of each slide. There is very little biology discussion required, and scanning settings are not changed that much between studies. In other words, the scanning is generally the same regardless of histology, for most projects (TMA scanning and Z-stack do require specialized settings).
  • FLUORESCENCE:  Every study requires specific knowledge of the biology that then must be used in deciding on scanning settings. One has to know the amount of autofluorescence, the differences between autofluorescence and signal in the tissue, the goal of the study. If quantitation of protein expression is required, a number of steps need to be in place standardizing the scan times and comparisons to controls, and control preparation. In short, the scanning settings are entirely dependent on the biology of each study. In our lab, a skilled Master’ level biologist runs the scanning, and we get the best results when he knows (before the study) the biological endpoint the client is trying to achieve. 

Fluorescence whole slide scanning technology is improving, and offers powerful multiplexing applications, but everything mentioned previously helps explain why there are 16 FDA protein expression clearances in brightfield digital imaging, and none in fluorescence. The pathologist's adoption of fluorescent scanning is another factor.

Apollo to Showcase Enterprise Patient Media Manager in the “Cloud” at HIMSS 2011

Falls Church, VA – February 18, 2011 - Apollo PACS, Inc., (Apollo), a provider of clinical multimedia solutions, is launching its proven Apollo Enterprise Patient Media Manager (Apollo EPMM®) solution in the “Cloud.”  Apollo will be showcasing their latest service offering for healthcare providers and IT professionals at the Annual HIMSS Conference & Exhibition at Booth #462 in Orlando, Feb. 21-23, 2011. As a multi-tiered, open-system software solution, Apollo EPMM® helps healthcare institutions improve patient care and operational efficiency by providing specialty-specific workflow enabling simple and secure access to clinical multimedia content.

This cloud-based model enables healthcare organizations of all sizes, as well as individual physicians and allied health professionals, to secure, manage and access clinical multimedia content from their desktop at a low subscription fee that includes full use of the application and all necessary storage. This “pay-as-you-go” model removes the up-front capital expenditures and IT infrastructure typical of large scale information technology purchases and makes Apollo EPMM® an operational budgetary item for its customers. This enables customers to increase storage capacity on the fly without investing in new infrastructure, personnel, or software.

"Easy-to-use workflow and access to clinical multimedia content improves patient care, providing clinicians with visual and/or aural information about a patient and his or her medical history over time. Except for radiology imaging, clinical multimedia is virtually inaccessible and unsecure," said Mark Newburger, CEO of Apollo. "Apollo EPMM® integrates with a multitude of capture devices and information systems to create a single, unified patient multimedia record that is easily accessible, secure, compliant and centrally managed. We are excited to have the opportunity to demonstrate this user-friendly application at HIMSS 2011."

By linking legacy systems across multiple departments and specialties, Apollo EPMM® is capable of locating, managing, and delivering clinical multimedia content to any user or group within the enterprise whether this information is originally stored in silos or a central data store.  Apollo EPMM® unifies and organizes the information and clinical workflow in a manner that is relevant to each specialty within the healthcare enterprise. Apollo currently provides over 40 specialty-specific solutions including Pathology, Dermatology, Gastroenterology, Ophthalmology, Plastic Surgery, and Pediatrics, among others.   Additionally, Apollo EPMM® includes a comprehensive rules-based security and audit trail, further ensuring patient safety and regulatory compliance.

An evolutionary step past traditional Radiology PACS, Apollo EPMM® is an interoperable solution that optimizes existing resources throughout the healthcare enterprise. Apollo EPMM® unifies all patient media without disruption, thereby transforming previously inaccessible multimedia files into a cohesive clinical information solution. The Apollo solution was developed in partnership with The Hospital for Sick Children, Canada's most research-intensive hospital and one of the world's largest and most respected pediatric academic health sciences centers.

Additional benefits of Apollo EPMM® include:
Easy, uniform multimedia access and management
Integrates and links multimedia with wide range of hospital solutions, including information systems and electronic medical records
Ability to capture, manage and archive existing and future multimedia file types
Device-agnostic, open-system approach that enables institutions to leverage legacy resources and adapt to future software and hardware changes
Adaptable to clinician workflows, department-to-department, institution-to-institution

About Apollo
Apollo is a trusted developer of clinical multimedia solutions that boost provider efficiency and improve care by enabling simple and secure management of, and access to, distributed clinical multimedia and data.

Apollo's open-system solutions optimize clinician workflow and efficiency, enabling institutions to make the most of legacy systems and turning multimedia into a unified clinical information solution.  Apollo solutions are assisting clinicians in the delivery of quality healthcare services to patients at leading academic centers, regional medical networks, commercial laboratories, and community hospitals throughout the US and Canada.  For more information visit: http://www.apollopacs.com. Follow us on Twitter and visit us in Booth #462 at HIMSS 2011.

Mütter Museum Masquerade Ball, Friday, March 11

The pleasure of your company is respectfully requested at the 3rd Annual Mütter Museum Masquerade Ball taking place on Friday, March 11th and commemorating the 200th birthday of the illustrious Mütter Museum founder Thomas Dent Mutter.

Full details follow; very much hope to see you there!

3rd Annual Mütter Masquerade Ball
Date: Friday, March 11
19 South 22nd Street, Philadelphia, PA 19103
The Mütter Museum/College of Physicians of Philadelphia

Don't miss the 3rd Annual Mütter Masquerade Ball!

Join us for an evening marked by fabulous costumes, great food and drink, and a birthday cake befitting the founding benefactor of the Mütter Museum,
whose 200th birthday is March 11.

Whether you sport a Victorian ensemble, or a gilded Victorian mask, we encourage you to have fun and be creative. For those who choose the timeless fashion of cocktail attire, no worries, we will provide masks at the door.

TICKETS:
General Admission: $75
9:00pm - 12:30am
Masquerade dance party with live band and a DJ, hors d'oeuvres, "The Mütter" signature cocktail, and beer & wine bar.

VIP: $125
9:00pm - 12:30am
Exclusive access to VIP Lounge featuring the Alchemy Cocktail Lab, a full bar, and a generous buffet.
Includes a complimentary dance lesson the week of the Ball.
- Once your order has been processed, the College will contact you with registration information for the complimentary dance lesson.

The Sumptuous Feast: $250
7:00pm - 12:30am
Join us for the entire evening beginning with a cocktail reception, followed by a Victorian-inspired dinner, and full access to everything! (Black Tie/Masquerade)
Includes a complimentary dance lesson the week of the Ball.
- Once your order has been processed, the College will contact you with registration information for the complimentary dance lesson.

You can purchase tickets--and find out more information--by clicking here.

"The Carnival of Death: Perceptions of Death in Europe and the Americas," 3-Day Conference and Exhibition, University College London, Feb 24-26


"The Carnival of Death: Perceptions of Death in Europe and the Americas"--a 3-day exhibition and conference at University College London--launches today! The exhibition features the artwork of Laurie Lipton--who's "Santa Muerte" is shown above, just in time for tonight's event of the same name --as well as that of Matt Rowe, Sarah Sparkes and many more. The conference spans such topics as Helen Frisby's "revelry and rivalry in the nineteenth century English folk funeral," Adriana Bontea's "The Merry Epitaph and the Art of Memory," and our old friend John Troyer's (familiar sounding?) "Morbid Ink: Field Notes on the Human Memorial Tattoo."

The exhibition is free and open to the public; Although the interdisciplinary conference is also listed as free and open, registration was supposed to have taken place by Friday February 11th, so not sure if one can still beg their way in or not but, from a glance at the program, thinking it might be worth a try.

THE CARNIVAL OF DEATH
Perceptions of Death in Europe and the Americas
Conference and Exhibition dates: 24-26 Feb 2011
Venue: Institute of Germanic & Romance Studies, School of Advanced Study, University of London
Keynote speakers: Briony Campbell, Paul Preston, Laurie Lipton

Kindly sponsored by the John Coffin Trust Fund and the Office for Cultural and Scientific Affairs of the Embassy of Spain in London.

Please note that completed registration forms and fees MUST be received by Friday, 11th February 2011

The exhibition is free and open to all
Opening times: Thursday & Friday, 9am – 6pm, Saturday, 10am – 5pm
Venue: Jessel Room, Senate House South Block
Artists include Colette Copeland, David Glyn, Erik and Rune Eriksson, Spiros Jacovides, Laurie Lipton, Matt Rowe, Sarah Sparkes

In the most general terms death is defined as the final and irreversible cessation of the vital functions in an organism, the ending of life. However, the precise definition of death and the exact time of the transition from life to death differ according to culture, religion and legal system.

The essential insecurities and doubts over the nature and state of death have affected cultural production since the beginning of civilization. Likewise our attitude towards death is characterised by anxieties and ambiguities. ‘On the one hand the horror of death drives us off, for we prefer life; on the other an element at once solemn and terrifying fascinates us and disturbs us profoundly,’ writes George Bataille. Death can be ‘a consummation devoutly to be wished’ to say it with Hamlet, or ‘a wonderful gain’ to quote Schopenhauer. But while philosophers and poets explore the dark attraction of death, in everyday life we push all thought of it aside. Death, and above all our own death, must not impinge upon the living.

From the beginning of Modernism death and the dying have been pushed from the centre of family and community to the edges of society. The hygienic, clean and sterile spaces of hospitals, hospices and morgues have replaced the intimacy of the home, while cemeteries have been moved from the centre of town to the outskirts. The progress in medical science has lead to an increase in life expectancy in the Western world resulting in an ever ageing population – it seems as though we have almost found a cure for death. Medical apparatus now allow us to keep a body alive and prolong physical existence even after the brain has died – but what then does it mean to be human and how can we die in a humane way? Recent cases of assisted suicide of terminally ill people have sparked off discussions in the UK around the right to die and the dignity of death.

Meanwhile changes in religious believes and practices are turning ancient traditions into commercial enterprises and festivities such as Halloween parties or Mexico’s Día de los muertos or Rio de Janeiro’s carnival , which are marketed as major tourist attractions. Western societies no longer have the time or the space to mourn as they used to. Rather the public mourning and posthumous apotheosis of celebrities such as Princess Di or more recently Michael Jackson appear to have taken the place of the private. Here mourning has become public spectacle, international and accessible to all via TV, Youtube, Facebook and Twitter.

This conference sets out to look at death in the contemporary world and how changes in society since the turn of the 19th century have affected our perceptions of death. It consists of three broad themes which interconnect with each other: Death and Desire; Death and Power; and Rituals and Customs. We invite papers from a wide variety of disciplines and approaches such as: anthropology, art history, cultural studies, film studies, fine art, history, law, literary studies, philosophy, psychology, theology, etc.

F0r more info, and a full line-up, click here. To download the exhibition catalog, click here. Thanks to participant John Troyer and blogger Suzanne G for alerting me to this event.

Image: Santa Muerte by Laurie Lipton, charcoal & pencil on paper, 2011; click view larger, more detailed version.

"La Santa Muerte" ("Saint Death"), Film Screening with Director Eva Aridjis, Observatory, Thursday, February 24th

In Mexico there is a cult that is rapidly growing--the cult of Saint Death. This female grim reaper, considered a saint by followers but Satanic by the Catholic Church, is worshipped by people whose lives are filled with danger and/or violence--criminals, gang members, transvestites, sick people, drug addicts, and families living in rough neighborhoods. Eva Aridjis' documentary film La Santa Muerte examines the origins of the cult and takes us on a tour of the altars, jails, and neighborhoods in Mexico where the saint's most devoted followers can be found.

Morbid Anatomy is extremely excited to announce a screening of the film "La Santa Muerte" ("Saint Death") followed by a moderated Q and A with Eva Aridjis, the film's director.

The event will take place this Thursday, February 24th at 8:00 PM; If interested, we suggest you arrive early, as this event looks poised to sell out.

Full details follow; hope to see you there!

"La Santa Muerte" ("Saint Death") Film Screening
A screening of the documentary film "La Santa Muerte" ("Saint Death") with the film's director Eva Aridjis
Date: Thursday, February 24th
Time: 8:00 PM
Admission: $5
Presented by Morbid Anatomy

In Mexico there is a cult that is rapidly growing--the cult of Saint Death. This female grim reaper, considered a saint by followers but Satanic by the Catholic Church, is worshipped by people whose lives are filled with danger and/or violence--criminals, gang members, transvestites, sick people, drug addicts, and families living in rough neighborhoods. Eva Aridjis' documentary film La Santa Muerte examines the origins of the cult and takes us on a tour of the altars, jails, and neighborhoods in Mexico where the saint's most devoted followers can be found.

Tonight, join Morbid Anatomy and Observatory for a screening of the film in its entirety. The film's director, Eva Aridjis, will be on hand to introduce the film and to answer questions.

Eva S. Aridjis is a Mexican filmmaker born in Holland. She studied Comparative Literature at Princeton University and received an MFA in Film and TV at New York University (1996–2001) where she produced a number of short films including Taxidermy: The Art of Imitating Life" and "Billy Twist", both of which played at the Sundance Film Festival and dozens of other festivals around the world. An activist for many of Mexico City's street children, in 2003 she made the film "Niños de la Calle" ("Children of the Street") to bring attention to the epidemic. Eva wrote and directed her first narrative feature film entitled The Favor, starring Frank Wood and Ryan Donowho, in 2004. Aridjis's second feature documentary, about a Mexican religious cult, is entitled "La Santa Muerte" ("Saint Death") and is narrated by Gael García Bernal. "La Santa Muerte" premiered at the Los Angeles Film Festival in 2007 and has screened at festivals all over the US, Latin America, and Europe. Aridjis is currently teaching Screenwriting in the Graduate Film department at New York University and preparing her next narrative feature.

You can find out more about this event on the Observatory website by clicking here and can can access the event on Facebook here. You can get directions to Observatory--which is next door to the Morbid Anatomy Library (more on that here)--by clicking here. You can find out more about Observatory here, join our mailing list by clicking here, and join us on Facebook by clicking here.