Everything We Know About CD Projekt Red’s Cyberpunk 2077 So Far! (New Details) – Quadoop

After the enormous success of the Witcher 3 which is still receiving great sales and acclaims to this date, CD Projekt Red is working hard at its next big IP Cyberpunk 2077. For those who do not know about Cyberpunk 2077, it is an upcoming role-playing video game developed by CD Projekt RED and published by CD Projekt for Microsoft Windows, PlayStation 4 and Xbox One (as speculated to date). It was announced way back in 2012 in the form of a short CGI teaser trailer but we didnt hear much about it anytime later. We got snippets of info but no major reveal. It should be noted too that Cyberpunk 2077 is heavily based on the actual tabletop roleplaying game in 1988 created by Mike Pondsmith who is acting as a consultant on the game. We have composed a summary of everything you should know about CD Projekt Reds next big IP, Cyberpunk 2077.

Setting & Gameplay

Cyberpunk 2077 is set in an open world metropolis called Night City. The game will feature non-English speaking characters and players who do not speak the languages can actually buy translator implants to better understand them; depending on the advancement of the implants, the quality of translations will vary, with more expensive implants rendering more accurate translations. This Braindance, is a digital recording device streamed directly into the brain, allows the player character to experience the emotions, brain processes and muscle movements of another person as though they were their own.

Cyberpunk Release Date

So far, there hasnt been any leak or news on when Cyberpunk is coming out, and CD Projekt Red has mentioned that they will reveal it when it is ready and it will be a surprise. But according to the CEO of CD Projekt Red, all of the marketing materials and promotional assets are ready to go but they are just waiting for the time to announce it when it is good and ready. Many are speculating that it will be announced in the time frame of the PlayStation 5 which is due around 2019 according to some analysts.

As Cyberpunk 2077 is heavily based on Michael Pondsmiths tabletop game as mentioned previously, we can expect many elements to be part of the video game. As his table top features classes such as journalists, arockstar, executive and others, Michael Pondsmith mentioned in an interview with Wccftech that you can play as any of those characters.

Yes, you can. Theyre all going to be there, but I can tell youre going to find some surprises about how weve done it and I think youre really going to like it. Theres a lot of subtlety going on there. Adam (Kiciski, CD Projekt REDs President, and co-CEO) and I spent literally like a whole week messing with the ways of implementing that, so you get the most feel for your character.

But you should keep in mind that there are actually nine classes in the tabletop game being: Media, Corporate, Fixer, Cop, Nomad, Rockerboy, Solo, Techie, Net-runner, and Nomad.

In terms of development, Michael Pondsmith is shaping up to his vision. He also stated in the interview with Wccftech that

The vision is really pretty close to what I had in my head years ago. When did the CGI trailer, I looked at it and said, Oh my God, thats like perfect. And there were all these little touches from Cyberpunk in the background, because theyre fans. I said to me, They really did it! Thats awesome. So, the feeling has stayed the same and weve also been continually developing it to keep that feeling.

Along with the single-player story, Cyberpunk 2077 will include a multiplayer component but we are unsure in what context this multiplayer will be like.

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Brain Stimulation Techniques Being Studied as Possible MS Treatments – Healthline

Two different types of brain stimulation therapy are being tested to help relieve a number of MS-related symptoms such as leg spasticity and stress.

Different types of brain stimulation are being tested, and also used, for the treatment of many multiple sclerosis symptoms.

Two noninvasive brain stimulation procedures are showing potential and success in helping people with multiple sclerosis (MS) live better lives.

One type is called Transcranial Magnetic Stimulation (TMS), and the other is called Transcranial Direct Current Stimulation (tDCS).

These two brain stimulation methods are different, yet both are finding their ways into MS research.

In TMS, a large machine is used to create a magnetic field that introduces electric current into of the brain. The procedure is performed in a clinic by a lab technician.

Between the two therapies, TMS is considered stronger and can make electrons fire. tDCS is not as strong and only encourages electrons to fire.

TMS has been tested on a variety of MS-related symptoms over the years.

These include fatigue, mood and attention, chronic pain, and oxidative stress. TMS is also used for moderating the blood brain barrier, which has also been found to be of clinical significance in the treatment of several autoimmune diseases.

TMS was also found to be helpful in both MS-related dexterity issues and dysphagia, which is the inability to think or say the proper word during a conversation, a common symptom of MS.

Now there are studies looking at TMS as an aid for spasticity in people with MS.

There is also a newer form of TMS, Intermittent Theta Burst Stimulation (ITBS), that according to a small study, could be helpful in treating MS-related spasticity in the legs.

The other type of brain stimulation gaining traction in the MS arena is tDCS.

tDCS delivers electrical stimulation directly to the brain through electrodes placed on scalp, which target specific regions of the brain.

This procedure has been shown to successfully treat fatigue in adults with MS, as well as improve cognitive functioning in healthy controls and study participants with a range of medical disorders.

Cognitive impairment in MS remains a major treatment challenge, and researchers running a new trial out of New York University (NYU) Langone Medical Center are looking to see how treatment with tDCS could help.

Leigh Charvet, PhD, the studys principal investigator and an associate professor in the Department of Neurology at NYU, told Healthline that this study is putting MS at the forefront.

She noted that MS treatments are often a byproduct of research done on other illnesses. However, this study is centered on MS and helping as many patients as possible.

The goal of this study is to create a program that is accessible and sustainable for MS patients, meaning that it is easy to do and available in the comfort of ones own home.

She emphasized that more sessions seem to be leading to better results.

The tDCS device worked best when paired with cognitive training at home via telerehabilitation, Charvet explained.

Charvet also led a successful study published earlier this year about the positive results of telerehabilitation on cognitive issues. She said she was very excited about fatigue levels going down for patients as a result of her current trial, suggesting this could help many of those experiencing disabling MS-related fatigue.

But Charvet cautioned, Its still in an early stage with a lot to be learned.

Funded by the National Multiple Sclerosis Society, the feasibility study was designed to reach as many people with MS in as many homes as possible with the purpose of using a brain stimulation device along with telemedicine to help them manage and improve symptoms such as fatigue and cognitive issues.

This feasibility study will test a sham device vs. the actual device. The clinical trial is currently seeking applicants.

In addition, data is still being collected for another clinical trial out of the University of Belgrade looking at rTMS for aiding lower limb spasticity in MS patients.

Other brain stimulation therapies similar to tDCS are also being evaluated.

Transcranial Alternating Current Stimulation (tACS) differs in how the electrical current is delivered. It was cleared by the Food and Drug Administration (FDA) in 2008 for depression and other conditions such as insomnia and anxiety.

These devices are available at clinics across the country. This process continues to show successful testing with the National Institutes of Health (NIH).

Kelly Roman, co-founder of Fisher Wallace, a company that provides brain stimulation devices, told Healthline that of their 25,000 active customers, approximately 80 percent find success with their depression and 20 percent with insomnia issues.

While MS is not a focus for Fisher Wallace, the success of their products on MS-type symptoms could provide relief for some patients.

Editors Note: Caroline Craven is a patient expert living with MS. Her award winning blog is GirlwithMS.com, and she can be found @thegirlwithms.

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Critical Comparison: Edap Tms (EDAP) vs. PhotoMedex (PHMD) – The Cerbat Gem

Critical Comparison: Edap Tms (EDAP) vs. PhotoMedex (PHMD)
The Cerbat Gem
Edap Tms (NASDAQ: EDAP) and PhotoMedex (NASDAQ:PHMD) are both small-cap medical companies, but which is the better investment? We will compare ...
Washington Real Estate Investment Trust (NYSE:WRE) and EDAP ...Davidson Register
EDAP TMS S.A. (EDAP) Receives An Update From Brokers - The De ...The De Soto Edge

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MACD News: Taking a Closer Look at Edap Tms Sa ADR (EDAP) – Nelson Research

Moving average convergence divergence (MACD) is a trend-following momentum indicator that helps illustrate a relationship between two differing moving averages. MACD is calculated by subtracting the twenty-six-day exponential moving average (EMA) from the twelve-day EMA. A signal line, the nine-day EMA of the MACD, is then plotted atop the MACD, acting as a trigger for both buy and sell signals. The first method to interpret MACD is Crossovers. When the MACD falls underneath the signal line, it is bearish, meaning that it is probably the right time to sell. When the MACD goes above the signal line, the indicator is bullish, meaning that the price of the asset is most likely going to experience upward momentum swing. The second method is Divergence. When the price of the security diverges from the MACD, it signals the end of the current price trend. Finally, there is the Dramatic Rise, where the MACD experiences a dramatic rise, the signal indicates overbought status and could possibly soon return to more normal levels.

The 9-day difference between a short-term and long-term moving average. A value above 0 indicates a bullish signal while a value below 0 interprets as a bearish signal. Edap Tms Sa ADR (EDAP)s 9-Day MACD is0.08 and its 14-Day MACD is 0.07.

Its 20-Day MACD is 0.07, 50-Day MACD is0.13 and, finally, its 100-Day MACD is 0.42.

The Open is the start of trading on a securities exchange. The open indicates the start of an official business day for an exchange, meaning that transactions may begin for the day. The different exchanges have different opening times. Edap Tms Sa ADR (EDAP) opened at $3.21. Edap Tms Sa ADR (EDAP)s high, highest trade price for the day, was $3.35.

Edap Tms Sa ADR (EDAP)s lowest trade price for the day was $3.11. Edap Tms Sa ADR (EDAP)s last trade price was $3.33.

Change is the difference between the current price and the previous days settlement price. Change is the basis for describing and measuring data over a specific period of time. A negative change indicates declining performance while a positive change indicates an improved performance. Interpretation change can be left to the analyst. The formula for finding change is by subtracting the previous time period from the most recent time period.

If a company trades at $20 at the end of the first quarter and $40 at the end of the second quarter, the change $40 minus $20, or $20. Here we find the change to be positive, but by how much? The price went up from $20 to $40, so it doubled. In this example, the companys stock price grew 100% in the first quarter. Investors like change. Change allows investors to make a profit. In volatile markets, there are many opportunities for investors to make up for losses. Prices are based on the change in price of assets. Value is based on changing prices. Calls make a bet that the price of the asset will increase, while puts bet that the price of the asset will go decrease. More volatility means that there is more likely a chance for investors to make a profit. Edap Tms Sa ADR (EDAP)s share price changed $0.08, a percentage of +2.46%%.

Volume is the number of shares traded specific period of time. Every buyer has a seller, and each transaction adds to the total count of the volume. When a buyer and a seller agree on a transaction at a certain price, it is considered to be one transaction.

For example, if only ten transactions occur in a trading day, the volume for the day is ten. Volume is used to measure the relative worth of a market move. When the markets make a strong price movement, the strength of that movement depends on the volume over that period.

The higher the volume means the more significant the move. Volume levels give clues about where to find the best entry and exit points. Edap Tms Sa ADR (EDAP) experienced a volume of 104000.

Volume is an important measure of strength for traders and technical analysts because volume is the number of contracts traded. The market needs to produce a buyer and a seller for any trade to occur. The market price is when buyers and sellers meet.

When buyers and sellers become very active at a certain price, this means that there is high volume. Bar charts are used to quickly determine the level of volume and identify trends in volume.

Barchart Opinions show investors what a variety of popular trading systems are suggesting. These Opinions take up to 2 years worth of historical data and runs the prices through thirteen technical indicators. After each calculation, a buy, sell or hold value for each study is assigned, depending on where the price is in reference to the interpretation of the study.

Todays opinion, the overall signal based on where the price lies in reference to the common interpretation of all 13 studies, for Edap Tms Sa ADR (EDAP) is 56% Buy.

Disclaimer: Nothing contained in this publication is intended to constitute legal, tax, securities, or investment advice, nor an opinion regarding the appropriateness of any investment, nor a solicitation of any type. The general information contained in this publication should not be acted upon without obtaining specific legal, tax, and investment advice from a licensed professional.

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MACD News: Taking a Closer Look at Edap Tms Sa ADR (EDAP) - Nelson Research

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Stryker Corporation (NYSE:SYK) and Uroplasty (UPI) Financial Survey – Stock Observer

Stryker Corporation (NYSE: SYK) and Uroplasty (NYSE:UPI) are both medical companies, but which is the superior stock? We will compare the two businesses based on the strength of their institutional ownership, earnings, valuation, analyst recommendations, dividends, profitabiliy and risk.

Profitability

This table compares Stryker Corporation and Uroplastys net margins, return on equity and return on assets.

Insider and Institutional Ownership

74.3% of Stryker Corporation shares are owned by institutional investors. 7.4% of Stryker Corporation shares are owned by insiders. Strong institutional ownership is an indication that hedge funds, large money managers and endowments believe a company will outperform the market over the long term.

Analyst Recommendations

This is a breakdown of recent recommendations and price targets for Stryker Corporation and Uroplasty, as provided by MarketBeat.

Stryker Corporation presently has a consensus price target of $142.79, indicating a potential downside of 3.39%. Given Stryker Corporations higher probable upside, equities analysts clearly believe Stryker Corporation is more favorable than Uroplasty.

Dividends

Stryker Corporation pays an annual dividend of $1.70 per share and has a dividend yield of 1.2%. Uroplasty does not pay a dividend. Stryker Corporation pays out 37.9% of its earnings in the form of a dividend. Stryker Corporation has raised its dividend for 6 consecutive years.

Valuation & Earnings

This table compares Stryker Corporation and Uroplastys gross revenue, earnings per share (EPS) and valuation.

Stryker Corporation has higher revenue and earnings than Uroplasty.

Summary

Stryker Corporation beats Uroplasty on 10 of the 11 factors compared between the two stocks.

Stryker Corporation Company Profile

Stryker Corporation is a medical technology company. The Company offers a range of medical technologies, including orthopedic, medical and surgical, and neurotechnology and spine products. The Companys segments include Orthopaedics; MedSurg; Neurotechnology and Spine, and Corporate and Other. The Orthopaedics segment includes reconstructive (hip and knee) and trauma implant systems and other related products. The MedSurg segment includes surgical equipment and surgical navigation systems; endoscopic and communications systems; patient handling, emergency medical equipment, intensive care disposable products; reprocessed and remanufactured medical devices, and other related products. The Neurotechnology and Spine segment includes neurovascular products, spinal implant systems and other related products. The Companys products include implants, which are used in joint replacement and trauma surgeries, and other products that are used in a range of medical specialties.

Uroplasty Company Profile

Cogentix Medical, Inc. (Cogentix Medical) is a medical device company. The Company is engaged in the design, development, manufacturing and marketing of products for endoscopy with its product lines featuring a visualization system and sterile disposable microbial barrier, known as EndoSheath technology, providing users with endoscope turnover. The Companys products include Urgent PC Neuromodulation System, Macroplastique Bulking Agent, Endoscopy Systems and EndoSheath Technology. The Company is also engaged in the commercialization of the Urgent PC Neuromodulation System, a device which delivers percutaneous tibial nerve stimulation (PTNS) for the office-based treatment of overactive bladder (OAB). Its Macroplastique is an injectable soft-tissue bulking agent used to treat stress urinary incontinence (SUI) due to intrinsic sphincter deficiency (ISD). The Company offers 5000 and 7000 series of endoscopes, which are video endoscopy systems.

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Stryker Corporation (NYSE:SYK) and Uroplasty (UPI) Financial Survey - Stock Observer

Cortana Android Build 2.9.0 Introduces ‘A Major Evolution’ – Android Headlines

Microsoft updated the Android version of its artificial intelligence (AI) assistant Cortana with a redesigned Settings screen and a number of extra features earlier this week. The Redmond, Washington-based tech giant started rolling out the latest stable build of Cortana on Friday and the update should soon be available for download from the Google Play Store in all parts of the world, if it isnt already. Microsoft is referring to the version 2.9.0 as a major evolution of its digital assistant thats now meant to be more versatile and accessible than ever.

The new Settings section introduced by the update is a significantly streamlined variant of its predecessor and was apparently designed to facilitate navigation. Users are now also provided with what Microsoft calls hands-on controls for reminders, allowing you to quickly access your existing reminders to change their contents, time and date, or delete them entirely. Those who prefer to manage their reminders using voice controls are still able to do so, especially if they take the time to extensively speak to Cortana so that the AI assistant can learn to process their voices and speech patterns more efficiently. Microsoft has been putting a large focus on reminders with the latest update for its digital assistant; apart from all of the aforementioned additions, reminders can now also be pinned to the top-right corner of the user interface and serve as visual cues for users. Finally, the latest iteration of Cortana for Android ships with support for hands-free calling and texting, a feature that many of its competitors already had for a while.

In addition to being a major component of the Windows 10 operating system, Cortana was initially envisioned as one of the main selling points of the Windows Phone ecosystem, but as Microsofts mobile ambitions failed to amount to any significant success over the years, the tech giant ultimately refocused its AI efforts on desktop computers and Android. As of last month, owners of compatible Android devices are able to set Cortana as their default digital assistant, and Microsoft repeatedly promised that the mobile version of its AI companion will be updated with a broad range of new functionalities in the near future.

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Cortana Android Build 2.9.0 Introduces 'A Major Evolution' - Android Headlines

The Evolution of the Female Action Hero – TIME

The Evolution of the Female Action Hero

From Ripley to Wonder Woman, these characters are fighting for the future

BY ELIANA DOCKTERMAN

The action genre has long been dominated by Bonds, Bournes and Batmen. This summer is different. Gal Gadots Wonder Woman and Charlize Therons Lorraine Broughton both broke through. Wonder Woman became the first female superhero to headline her own major motion picture in over a decade. (Not to mention make a boat-load of cash.)

And, building on her Mad Max: Fury Road credentials, Theron is poised to take the female-led action film places its never been before with the violent, stylish Atomic Blonde.

Both films are important in the evolution of the female hero on screen, which we look at here. Over the past fifty years, these kinds of rolesthe Ellen Ripleys, the Sarah Connors, the Black Widowshave grown, though slowly and without full representation of race, sexual orientation and class.

One thing is certain, after this summers successes, more films with strong female leads are on the way.

Jack Hills Foxy Brown (1974) cast Pam Grier as the revenge-seeking hero of an unapologetic black epic. The films portrayal of sex, drugs, crime and poverty also spoke to themes of the womens and black power movements. She becomes the model for women in blaxploitation movies to come.

Then came Leia. Technically, she was a princess. But when the boys of Star Wars showed up to save the supposed damsel in distress in A New Hope (1977), Carrie Fisher rolled her eyes, grabbed a blaster and took over the escape mission. Leia walked the line between sexy and powerful: The scene in which she strangles her captor Jabba while wearing a slinky gold bikini is an exercise in parsing. But she was the first truly empowered princess, serving as a precursor to future characters likes Elsa, Xena and Daenerys.

MORE: Carrie Fisher Played the First Truly Kickass Princess

As Ripley in Alien (1979), Sigourney Weaver arguably birthed the female action hero. Her characters ferocity rejected tired stereotypes. Perhaps thats because the role was originally written for a man, and director Scott Ridley has said little changed about the character after Weaver was cast.

The 1980s were bountiful with action moviesRambo (1982), Lethal Weapon (1987), Die Hard (1988)but bereft of female leads. In the Terminator franchise, Linda Hamilton began as love interest and sidekick, but evolved into a fighter when faced with a threat.The plot established what would become a well-worn path for female heroes: A defenseless woman forced to become strong in the face of danger, a lioness protecting her cub and a study in fragility when pushed to the limit. The Sarah Connor of Terminator 2 would let go of most of that, becoming a fervent, gun-touting, pull-up machine.

Directors like Luc Besson, Joss Whedon and Ridley Scott established themselves as boosters of strong female characters. Bessons La Femme Nikita (1990), The Professional (1994) and The Fifth Element (1997) kicked off his long history of featuring women as the ultimate weapon. Joss Whedon first brought vampire slayer Buffy to the big screen (1992), though she would make a more indelible mark in the later TV series. Scotts G.I. Jane (1992), played by Demi Moore, shared a shaved head and talent for wielding guns with Alien 3s Ripley.

While these men ushered in impressive heroes, female directors were largely denied the opportunity to helm big budget films. Thats just begun to change: This June, Wonder Woman became the first film directed by a woman (Patty Jenkins) to make $100 million opening weekend.

Movies like Charlies Angels (2000), Resident Evil (2002), Catwoman (2004), Aeon Flux (2005) and Elektra (2005) fused girl power with sex appeal to varying degrees of success.

Meanwhile Angelina Jolie leveraged her role as the impossibly proportioned tomb raider, Lara Croft (2001), into a new phase of her career. After starring in Mr. and Mrs. Smith (2005), Wanted (2008) and Salt (2010), Jolie became perhaps the first woman to achieve a run of successful action films. She joined the pantheon of action stars that includes Sylvester Stallone and Bruce Willis.

Every superhero ensemble seems to have at least one woman: Black Widow in The Avengers (2012), Gamora in Guardians of the Galaxy (2014), Wonder Woman in Batman v Superman (2016), Letty in Fast & Furious (2001). Too often these characters are there to have chemistry with the leading man or to round out the crew rather than move the plot forward.

But women have also started to headline these movies, like in Divergent (2014) and Rogue One: A Star Wars Story (2016). Movies like The Hunger Games (2012), Lucy (2014), Mad Max: Fury Road (2015) have proven that women-led action flicks are bankable too.

Seventy-six years after her comic book debut, the most famous female superhero in the world, Wonder Woman, finally got her own movie. And its a smash. Scarlett Johansson cements her current title as go-to action hero by adding Ghost in the Shell to her resume. And Charlize Theron sets out to create an action hero who isnt purely good in Atomic Blonde.

MORE: Why We Need Wonder Woman Now

All three heroes brawl for different reasons: One for a greater moral good, another because shes programmed to do so and a third because maybe she enjoys her license to kill a little too much. Finally, were getting different types of female heroes.

Getty Images (6); 20th Century Fox (4); Warner Bros. Pictures (4); Lionsgate (3); Paramount Pictures (3); Universal Pictures (3); Focus Features (2); Lucasfilm/Disney (2); Marvel/Disney (2); Screen Gems (2); Columbia Pictures (2); Gaumont; Orion Pictures; Sony Pictures Classics

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The Evolution of the Female Action Hero - TIME

The evolution of the tight end in college football – ESPN.com – ESPN

During his first practice at Penn State, tight end Mike Gesicki was told by his coach to get into a three-point stance. His reaction was one of confusion.

"I was kind of like, 'Uh, what?'" Gesicki recalled.

Twenty years ago, such an answer would have been absurd and likely met with a coach's profanity-filled order to run laps. But in the current era of college football, it's not unusual for an incoming tight end to be somewhat unfamiliar with the concept of blocking on the line of scrimmage. As offenses have evolved, so have tight ends.

It's an ever-changing position, which used to be largely considered an extension of the offensive line and now is among the most useful receiving threats in the game, even for spread offenses that once favored the four-wide-receiver formations.

Ask coaches what they recall from the tight ends of yesteryear and the answers are pretty common.

"It was a tackle, an extra tackle that you put in the game," SMU coach Chad Morris said.

Said Baylor co-offensive coordinator Jeff Nixon: "A typical tight end back then was a 6-5, 260-pound guy who was probably mainly a blocker."

That has changed. While their sizes are similar, perhaps slightly smaller, what today's tight ends are asked to do is dramatically different.

"Really, people are playing where their tight end is a big high school receiver," Penn State coach James Franklin said, referring to recruiting the position. "You're recruiting tight ends based on their size, their dimensions, their measurables and their skill set. You have to feel like you're going to be able to teach that aspect [blocking]."

The ideal size is still the same as it was a decade ago. The average tight end drafted into the NFL in 2007 was 6 feet 4, 256 pounds. In the 2017 draft, it was 6-4, 252 pounds, a sign that tight ends are still big but getting lighter.

James Casey, a former college and NFL tight end who is now coaching the position for the University of Houston, said it's difficult to find players who are big enough, fast enough and strong enough to do everything coaches ask of tight ends.

"You have to be able to block at the line of scrimmage," Casey said. "You have to know all the run game calls, some pass protection stuff, all the route concepts and have that mindset that's like an offensive lineman. You have to be that meathead, aggressive type guy, that kind of 'punk' almost, like a lot of really good offensive linemen are, but then you also have to be able to go out there and split out be in the slot and run all the routes."

The scarce nature of the perfect player for the position is why Washington State coach Mike Leach, one of the pioneers of the air raid offense that relies largely on four-wide-receiver sets, doesn't use tight ends. Over the past five years, no school in a Power 5 conference has used a tight end on fewer plays than the Cougars, who have employed one on only 2.5 percent of their offensive snaps since 2012.

"Tight ends are a blast if you have them," Leach said. "If you have a true tight end -- and I mean a true tight end -- then life is good. God didn't make very many true tight ends. Just go to the mall and the big long-armed guys you see at the mall -- you'll see a couple, but most of them can't run fast and those that can probably can't catch. So there's not very many of them."

Other coaches agree; bodies that make quality tight ends often make good defensive ends, too. Leach said he needs those defensive ends, thus, the players on his roster who fit the perfect tight end profile often end up on defense. The problem for others, Leach says, is some coaches want one so much that they're willing to compromise in order to work one into their offense.

"You desperately want that big-body guy that can block but also catch balls and is big enough that he's a mismatch on the strong safety but nifty enough that he's a better athlete than the linebacker," Leach said. "So you're constantly looking for those guys and the trouble is, as you're sitting there pushing it too far, pretty soon you end up playing the third-team guard that can sort of catch, but all he is the third-team guard. Well if he's the third-team guard, what business does he have playing tight end? In my opinion, none."

As Leach had success in his time at Texas Tech, it sprouted a generation of coaches who ran a similar offense and who eschew tight ends for the small, fast receiver. Now that trend seems to be changing.

Take Oklahoma State. According to ESPN Stats & Information, as the Cowboys developed what Mike Gundy calls their "Cowboy Backs" (a tight end/fullback hybrid), that use has increased dramatically. In 2015, they used a tight end on 43.2 percent of their offensive snaps. In 2016, they employed one 35.7 percent of the time.

"It's turned a full circle," Gundy said. "Years ago, you never saw an offense without one. Then, nobody was using one. You couldn't even find [high] schools in Texas [where you could] evaluate a tight end because they weren't even using them. And for us, now it's worked its way back in. We started using them in different ways."

The benefit, Gundy says, is "you have the ability to run a seven-man running play and a five-man passing play," with those players in the game. The Cowboys, like many others, use a tight end in the backfield where a fullback -- a position that has gone the way of the dodo bird -- used to be.

Texas A&M and West Virginia are also teams that, like Oklahoma State, rarely used tight ends five years ago but do so frequently now (the Aggies used one less than 10 percent of snaps in 2012 and 2013, but that rose to 32.8 percent of the time in 2016, while West Virginia has increased its rate tenfold in that span). The reason, West Virginia coach Dana Holgorsen said, is simply change.

"Because everybody was doing the same stuff religiously," he said. "I like the idea of having some of those guys to be able to scheme and change some things up a little bit."

It's a national trend, too. In 2012, Power 5 teams averaged 491 offensive snaps per season using at least one tight end. In 2016, that number was up to 500, per ESPN Stats & Information.

The result, in some offenses, is that the tight end has become basically a big receiver who plays in the slot and doesn't block as often as 20th century tight ends did. Speed is now more in demand at the position. In 2007, the average NFL scouting combine 40-yard dash times for drafted tight ends was 4.75 seconds. In 2017, that time was all the way down to 4.62 seconds.

Gesicki, who said he initially wanted to be recruited as a receiver out of high school, was advised by a recruiter to embrace tight end because "receivers come a dime a dozen, but if you can be a big, fast, athletic tight end, they don't come around as often so you can be extremely valuable." Last season, Gesicki led all Big Ten tight ends in receiving yards (679).

"It seems to me, in the last four or five years, that they're looking for that hybrid guy that they can flex out and get into different personnel looks," Texas defensive coordinator Todd Orlando said. If they're big and athletic, then the guys that they're running up the field on -- which are normally safeties -- they can get into them and create separation or they can just box them out and that becomes a pain in the butt."

If a coach finds the right guy -- basically someone like former Alabama tight end O.J. Howard or the New England Patriots' Rob Gronkowski, few of which exist -- it's a headache. But even lacking that kind of ability, players at the position can still create issues for defenses. A versatile tight end can allow an up-tempo offense to change formations without switching personnel, creating communication problems for defenses that aren't ready for it.

"There's different things we would call vs. four-receiver sets than we would three-receiver sets, Orlando said. "So when you make it either/or [with a tight end], it's kind of a crapshoot for us. That's why I think offenses do it all the time."

Nebraska coach Mike Riley noted that increased run-pass option plays have created another useful way to use tight ends.

"The old 'pop pass,' from years ago has become a new thing for the tight end because of the zone-read stuff that's going on," Riley said.

While the old-school blocking tight ends may seem like a relic of the past, they do exist. Take Kansas State's Dayton Valentine, who had the lowest reception-to-snap ratio of any tight end nationally (he started all 13 games but had only two receptions, catching the ball on 0.4 percent of his snaps).

Valentine joked that his friends ask why he doesn't request the ball more often, and he responds "because we're averaging 6 yards a carry." While receiving tight ends are en vogue, Valentine is happy to put get in a three-point stance and hit someone.

"It's an attitude," Valentine said. "I personally take a lot of pride in being one of those guys who as a tight end is willing to put my hand down and get in the trenches and block for my guys."

Read the rest here:

The evolution of the tight end in college football - ESPN.com - ESPN

Crestview students learn robotics at STEM summer camp – The Northwest Florida Daily News

Genevieve DiNatale @cnb_DiNatale

CRESTVIEW The 6th annual Ed-Spark STEM (Science, Technology, Engineering and Math) Lego Robotics Camp kicked off Monday at Shoal River Middle School.

Right now they are working on building a basic EV3 Tribot configuration. Its standard with all the Lego Mindstorms, and basically this is just to help them learn how to build and get used to the programming so when we give them challenges later this week they will be able to complete those efficiently, said Jacob Thursby, a 17-year-old camp mentor and rising senior at Niceville High School.

I went to this camp last year because I just have a fascination about robots, so my mom thought it would be a good idea to see how it is and thats how I met my coach, Ms. Allen, 12-year-old Marysia Ray said while building a robot with classmate Taylor Smith.

After building their robots, campers hooked them to a computer using Bluetooth or programming cords.

They are going to build a Lego robot and they will use the programming from the computer and it will download onto the robot and the robot will work autonomously, said Laurie Allen, the camps co-founder and a teacher at Shoal River Middle School.

Tim Sexton is a STEM teacher at Davidson Middle School who began the program with Allen after meeting her at the science center about six years ago.

I really enjoyed playing sorry, I mean working with the Legos and wanted to start something new and we wanted to build a robotics program (at) the north end of the county and to do so we started this camp, Sexton said

He said the skills middle school students develop at the camp are manifold.

One is teamwork. They have to work with a person they probably never met before, and to work as a team to accomplish whatever given tasks after the robot is built," he said. "It also teaches them to modify and troubleshoot their robots when something isnt working right, so there is some troubleshooting and engineering skills, (such as) building attachments that would work for emissions."

Read more:

Crestview students learn robotics at STEM summer camp - The Northwest Florida Daily News

Aerial Dance Festival brings two weeks of classes, performances to Boulder – Boulder Daily Camera

If you go

What: Frequent Flyers 'Toward the Light' performance

When: 8 p.m. Friday, Aug. 4, and Saturday, Aug. 5; 2 p.m. Saturday, Aug. 5, and Sunday, Aug. 6

Where: Dairy Arts Center, 2590 Walnut St., Boulder

Tickets: $24-$28

Info: frequentflyers.org/events

Festival at a glance:

The Aerial Dance Festival runs from Sunday, July 30-Friday, Aug. 11.

Morning immersions: New this year, three-hour study immersions with festival faculty, runs 9 a.m.-noon, July 31-Aug. 5 and Aug. 7-11

Daytime classes: Classes run in 90-minute sessions from 1-7 p.m. July 31-Aug. 5 and Aug. 7-11

Evening workshops: Burlesque, 7:30-9 p.m. Tuesday, Aug. 8; Thai massage for aerialists, 7:30-9 p.m. Monday, Aug. 7, and Thursday, Aug. 10

Intimate Encounters performance offers a chance to see the festival artists up close and personal with an audience Q&A, 7 p.m. Monday, July 31.

2017 faculty

Angela Delsanter, Boulder, aerial dance mixed apparatus

Katie Elliott, Boulder, intermediate to advanced modern dance

Danielle Garrison, Boulder, intermediate sling-to-air

Danielle Hendricks, Boulder, bungee dancing

Valerie Morris, Boulder, beginner low-flying trapeze, rope and harness

Sarah Romanowsky, Las Vegas, fabric composition, intermediate fabric, beginning to advanced lyra

April Skelton, Boulder, intermediate to advanced low-flying trapeze

Nancy Smith, Boulder, invented apparatus, aerial choreography

Sam Tribble, Corona del Mar, California, cyr wheel, flex and stretch

Teo Spencer, New York, fabric post and hang, advanced fabric and rope

Yuki Tsuji, Boulder, handstands

Mandy Hackman, left, and Alysha Perrin join hands during the Frequent Flyers Dancers rehearsal of "Toward the Light" for the 2017 Aerial Dance Festival 2017 in Boulder. (Cliff Grassmick / Staff Photographer)

Before Cirque du Soleil began blowing mainstream minds late last century, Boulder's Nancy E. Smith was only one of a handful of professional aerial artists in the United States.

By the time "America's Got Talent" a hotbed for aerialists and acrobats rolled around in June 2006, Smith's aerial dance company, Frequent Flyers, was already 18 years old.

Frequent Flyers has performed for Cirque and appeared on Season 5 of the talent reality show but the Flyers were already inked in history books when they organized the International Aerial Dance Festival, which is thought to be the first event of its kind. The festival celebrates its 19th year beginning Monday and features two weeks of immersion into the art with classes, workshops and performances by some of the biggest names in aerial dance.

"There are a number of festivals around the world that have been created as a result of ours," said Smith, Frequent Flyers' founder and artistic director. France founded Les Rencontres Danse Aeriennes in 2008, England's European Aerial Dance Festival began in 2009, and the Irish Aerial Dance Festival was formed in 2010.

Frequent Flyers was more than a decade ahead of the curve.

"Students who have come to the festival over the years have gone to open their own studios, create their own festivals," Smith said. "We've educated and inspired so many people around the world."

As a pioneer in aerial dance, Smith said the art form allowed her to express a childhood love of being off the ground and in the sky.

Aerial artist Sarah Romanowsky, of Las Vegas, will teach at Frequent Flyers' 19th International Aerial Dance Festival, which runs from July 30-Aug. 11. (Randm Vision / Courtesy photo)

"My favorite thing to do as a child was climb trees," Smith said. "And spin around until I got dizzy and fall down." This made aerial dance a perfect match, she said.

New this year are morning-immersion classes, which Smith said will give students a more in-depth experience with the faculty. The two weeks that sandwich the Showcase Performance, planned for Aug. 4-6 at the Dairy Arts Center, will feature three-hour morning immersions Monday through Friday with afternoon "a la carte" 90-minute classes. Students may attend one or both weeks (July 31-Aug. 4 and Aug. 7-11).

Smith called the festival a "real variety show, a cross-pollination of aerial arts and circus performance." To allow for a more structured flow to the popular faculty showcase, Smith said she added for the first time a performance theme: "Toward the Light."

"It's a variety show of professionals working in the air," Smith said. "It has work that's experimental aerial modern dance as well as straight-up, blow-your-socks-off aerial. The loose theme gives the performance more continuity among the artists, who are creating interpretive works."

Some which will be never-before seen performances.

"It's an artist-driven festival," said Smith. "It gives the artists free reign to use their own creativity and showcase what they are seeking to artistically express."

Aerial queen of social media

Also new to this year's festival is a new faculty member, Las Vegas-based Sarah Romanowsky, who will be teaching fabric and lyra classes. Romanowsky, who has quite the decorated aerial resume, said the festival is "very famous."

"It has such a great reputation," Romanowsky said. "Nancy Smith and Frequent Flyers are such big names and are highly regarded in the aerial dance world. I've never been, but I've always heard so many wonderful things. I'm excited to meet people, to connect with other aerialists who have a similar passion as I do. "

And Boulder will be lucky to have her. In her career as an aerial artist, Romanowsky has been suspended above celebrities, floated in air on TV, and soared above the cast of "Glee" in a Super Bowl commercial. Just weeks ago she went from teaching and judging an aerial competition in Ecuador to performing in Los Angeles at an ESPY's after party. ("LL Cool J performed after we did," she said.)

"It's always a fun novelty having behind-the-scene moments and also be celebrity adjacent," Romanowsky said.

Romanowsky said she grew up as a dancer, training in ballet, jazz and tap, then studied dance at Loyola Marymount University in Los Angeles. Following graduation she moved to Las Vegas, where she was a showgirl in the iconic variety show "Jubilee!" After attending Hollywood Aerial Arts she became a teacher and performer, working wherever her trade takes her Indonesia, Dominican Republic, Antigua, Panama, Mexico and Singapore. She's been featured on Nickelodeon's "Kids Choice Awards," Disney's "Shake it Up" and the 2011 Chevrolet Super Bowl ad with "Glee." From Cirque du Soleil performances to Vegas shows to music festivals, Romanowsky, at 34, has flown many friendly skies.

But her total "dream-come-true moment" came in New York performing at Radio City Music hall with The Rockettes.

"They were right below me as I was doing harness work in the air," Romanowsky said. "To do a contract in such a famous, huge and respected venue, it was such an honor. It was such a wonderful moment, an absolute dream come true."

Romanowsky has become quite a spectacle on social media.

"The social media thing started with YouTube, I was just uploading videos for different jobs, when one day, I was teaching at a studio in Oakland and a student recognized me, saying, 'We've all seen you on YouTube,'" she said. "I was shocked. I thought, 'You mean someone found these videos? Someone is watching these videos? So I went and looked and sure enough, the videos had a ton of hits."

Upwards of a hundred thousand, in fact. So she started an Instagram page, which has become her "mini little side job," developing and uploading content for her loyal following.

"I guess people were paying attention, so maybe I should," she said, laughing.

An art form that empowers

The Aerial Dance Festival is open to all ages and offers beginner to advanced classes. Smith said it's an opportunity for "people from all walks of life to experience dancing in the air." Students can learn how to fly on trapeze, fabric, lyra, bungee, invented apparatus and more, while learning from the pros.

If people who are interested but a bit apprehensive of being in the air, Smith and Romanowsky said a good teacher will never push anyone into an uncomfortable spot.

"It's OK to have a little bit of healthy fear not a paralyzing fear, but healthy fear," Romanowsky said. "The person needs to respect what they're doing, to respect the danger of what they're doing because anything can happen. But if you can stay centered, you can approach it with a calm mind. It may be a little overwhelming, but you never have to do something you don't want to do."

Smith said it's important to be present in the moment while in the air.

"You have to have laser-like focus, there's risk involved while being off the ground," said Smith, who co-authored a book on aerial dance with Jayne Bernasconi, published in 1988.

On top of flying through vertical space, aerial dance also offers another pretty cool plus, Romanowsky said: empowerment.

"As an aerial dancer, you have to learn to trust yourself in the air and that confidence can help permeate other areas in your life," Romanowsky said. "Especially for women. A lot of women participate in aerial performance and even just gaining the upper body strength can be a very empowering thing for women."

Smith said she expects about 200 students to enroll and more than 1,000 to attend the performances.

"You can't see this anywhere else," said Smith. "It's such a unique event and Boulder is a hub for aerial artists, so there will be some mind-blowing performances."

Christy Fantz: 303-473-1107, fantz@dailycamera.com or twitter.com/fantzypants

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Aerial Dance Festival brings two weeks of classes, performances to Boulder - Boulder Daily Camera

Sikkim standoff: China’s animus towards India stems from its annoyance with Narendra Modi govt – Firstpost

Amid the daily dose of bellicose rhetoric from Chinese state-controlled media on the standoff at Sikkim sector, one editorial stood out for its oddity. It seemed unbalanced by even the 'exalted' standards of Global Times but nevertheless gave an interesting peek into Chinese strategic thinking on India.

The writer suggested that "rising Hindu nationalism" is pushing India to the brink of a war against China. According to the writer, "Modi took advantage of rising Hindu nationalism to come to power In diplomacy, New Delhi is demanded to act tougher in foreign relations, especially toward countries like Pakistan and China. The border row this time is an action targeted at China that caters to the demand of India's religious nationalists." Not stopping here, Yu Ning added, "Modi government can do nothing if religious nationalism becomes extreme, as shown in its failure to curb violent incidents against Muslims since he came to power in 2014."

Border skirmishes with China trace back to almost the emergence of India as a sovereign nation. Getty images

Border skirmishes with China trace back to almost the emergence of India as a sovereign nation. We have fought one war in 1962 and clashed several other times over 3,488 kilometres of undefined border. To suddenly attribute a tri-national border dispute in the high Himalayas to compulsions of India's domestic politics and to try and create fissures within India's civil society by sly suggestions of dissension cannot be put down to the fertile imagination of one writer or one newspaper. Dig a little deeper and minor, almost obscure clues emerge of a Chinese grand stratagem.

Ever since Indian troops, since June, prevented a Chinese road-constructing party led by the PLA from unilaterally changing the status quo at the Dolam plateau a geographically and strategically sensitive tri-junction China has threatened all-out war and launched an intense media-driven psy-op. It has also been taking some unconventional steps.

YouTube is banned in China, but that didn't stop Li Ya, political counsellor of the Chinese Embassy in India, from uploading a video claiming that Doka La is Chinese territory. It has briefed P5 envoys about PLA "running out of patience", claimed that India has "admitted to trespassing inside China", and has demanded unconditional withdrawal knowing well that such an action would jeopardize India's relationship with Bhutan and expose a strategic vulnerability in Siliguri.

Warnings have also been issued against India growing "too close to the US" and it didn't escape anyone's attention that the current impasse coincided with Modi's maiden meeting with US President Donald Trump. Chinese scholars have also pointed out that India's US alliance will bring no tangible benefits.

Simultaneously, its ambassador to India Luo Zhaohui has chosen this particular time to meet Opposition leaders inimical to Modi, discussed Doka La standoff with Pakistan envoy Abdul Basit and sent his wife to Bhutan to meet the royalty. Some Indian leaders such as Mamata Banerjee and Mehbooba Mufti have voiced concerns about growing Chinese interference in the border regions of West Bengal and Jammu and Kashmir. All hands point towards China's attempts to tap India's political, ethnic and religious fault lines in an effort to weaken the hand of current Indian leadership. The question is, why?

To understand China's discomfort with the Modi-led NDA government, we need to look beyond the immediate and trace the prime minister's course of action since getting elected to the chair in 2014. Modi has recognised that India's strategic vulnerability in the border regions, due to a mismatch in infrastructure development, makes our military strength appear smaller in comparison than it really is. And he has also been quick to realise that the best bet against China's 'not-so-peaceful' rise lies in scaling up of our own game in terms of regional (and eventually global) commercial influence.

To take the second point first, India has criminally neglected spreading its economic influence in the South Asian and Asia Pacific regions despite having a long coastline that facilitates maritime trade and commerce. Decades of little or no effort, coinciding with China's aggressive building of capacities, has created an ever-increasing gap of geo-economic advantage that China has demonstrably exploited.

Landlocked China has had a trade flow of $380 billion with ASEAN nations in 2014 while India, which should have dominated maritime trade, have an annual trade of a meager of $58.5 billion (in 2015) to boast of. China has translated this economic influence into geopolitical advantage and has gone into a position where it can further dictate the flow of trade through its ambitious Belt and Road project.

Modi has sought to aggressively address this anomaly, and has taken a string of steps to prop up economic integration through a 'Neighbourhood First' policy. For instance, as Ellen L Frost, senior adviser at the Institute for National Strategic Studies at the National Defense University, notes in her piece for Carnegie India, "Owing to various disputes with Bangladesh, New Delhi had been unable to obtain approval from Dhaka for transit and transport rights until Modis visit to Bangladesh in June 2016. Before the agreement was concluded, it took weeks for a container to be transported from Delhi to Dhaka, whereas transport by rail through Bangladesh would take only two or three days."

Modi has also taken other initiatives like the Motor Vehicle Agreement involving Bangladesh, Bhutan, India, and Nepal (BBIN) in 2015. Towards this end, India recently joined the United Nations TIR Convention the 71st nation to do so to place itself as a regional trading and transit hub through an international customs transit system with the widest geographical coverage, as Indrani Bagchi notes in Economic Times. This is expected to iron out, for instance, the policy incompatibilities of the BBIN group, says the report.

File image of Narendra Modi. PTI

These are fundamental steps. They won't throw up immediate results but will eventually increase India's geopolitical and geo-economic influence and consequently limit, to a certain extent, China's influence over smaller nations around the two Asian giants.

It is possible that China is aware of the transitional steps being taken by the Modi government, and in conjunction with India's refusal to be a part of the vaunted BRI platform, interprets India's overall policy direction being aimed at ultimately limiting China's rise.

In May this year, India and Japan proposed the forming of an Asia-Africa sea corridor a maritime route to link African continent with India, South Asia and South-East Asia through "rediscovering of ancient sea-routes" and by "creating new sea corridors" that will draw on India's expertise in Africa and Japan's capacity in technology and infrastructure-building.

As the Indian Express report notes, "...apart from India and Japan, South Africa, Mozambique, Indonesia, Singapore, and Australia sent representatives for the consultation process."On the infrastructure side, Modi government is rapidly scaling up road-building along the strategic Himalayan border areas, long neglected by India due to a fatal cocktail of wrong policy, lack of capacity and bureaucratic red tape.

Some of these roads are being built in inhospitable and mind-bogglingly difficult terrain where a bulldozer needs to be dismantled into several parts and flown in by choppers in absence of any other logistical options. The mountains in these regions are tricky, and advances are frequently reversed by landslides. Relocating tribes in these regions provide another logistical and humanitarian challenge.

As Niharika Mandhana, reporting from such an inhospitable clime in Arunachal Pradesh where road-building is going on right earnest under the aegis of India's military planners, writes inWall Street Journal, "...to assert its sovereignty and develop Arunachal Pradesh the Modi administration awarded $900 million in road contracts in 2016-17, a fivefold jump from the two preceding years. A new government company is acquiring land and hiring private builders to complete 400 miles by 2020.

The primeminister recently inaugurated India's longest bridge at 9.2 kilometre across the Brahmaputra in Arunachal Pradesh, which is expected to facilitate smooth movement of troops. Defense analyst KV Kuber told Bloomberg that the "bridge is a great strategic shift in the thinking in the Indian defense establishment regarding infrastructure development in the borders with China (and) will. help the Indian military to be prepared for a decent rebuttal to ward off any misadventure from the Chinese side."

Modi has also speeded up the building of 73 roads in the Himalayan border region which have been hanging fire since Manmohan Singh's time, new tunnels are coming up in western Arunachal Pradesh and border roads are being built in Ladakh region to provide Indian Army with crucial logistical advantage.

This road-building spree and stress on maritime trade and commerce have obviously raised China's threat perception about India. Chinese warfare strategy, drawing from its ancient military traditions, is reliant on deceit and perception control. The germination of Doka La standoff may well lie in its apprehensions about the Modi regime.

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Sikkim standoff: China's animus towards India stems from its annoyance with Narendra Modi govt - Firstpost

Delaware virtual reality arcade provides look at the future – Washington Times

REHOBOTH BEACH, Del. (AP) - Considering hes an owner over at Screams at the Beach in Georgetown, its not all that shocking to hear Brian Turner swoon over the tech inside the virtual reality horror game, Affected.

After all, there are experiences inside the game - a haunted mansion VR experience with an interactive flashlight and three distinctly different trails to an exit - that he couldnt possibly recreate in Georgetown, like the scene where all the furniture on the ground flies up to the ceiling and then falls on the person playing the game. Hes seen people hit the floor in fear.

Turner this summer has quite literally entered a much different world with his new venture. His Beyond Entertainment Enterprises has partnered with Pete and Michelle Townsend of Sports at the Beach to bring the first dedicated virtual reality arcade, Escape Reality, to Delaware in Rehoboth Beach.

More than that, it appears to be the only dedicated virtual reality arcade on the mid-Atlantic coastline outside of New York. Turner, a Sussex County native, handles the operation of it, while the folks at Sports at the Beach handle the marketing, Turner said.

But the producer of many screams around Halloween isnt out to scare anyone here in the new shop located at 27 Rehoboth Ave.

Hes ushering in a new experience with the future of technology. There are games available for all ages and the experiences range from cinematic viewing to first-person shooter games and more. Theres even a bike setup where users put a headset on and can fly a pegasus, race cars, ride horses, tanks or actually cycle. The faster you pedal, the better the game goes.

Escape is open from 11 a.m. to 11 p.m. on weekends and closes at 10 p.m. other days. Turner said business has been booming since the soft opening around Memorial Day Weekend.

Theres nothing like this, Turner said. Its a brand-new concept because virtual reality is so new.

Which makes it not so cheap.

Turner, 36, wouldnt give an exact dollar amount on the startup cost, but did admit each unit costs five figures, and there are six units at Escape Reality. Experiences cost basically $1 per minute.

Escape Reality works with a company called Private Label, which works with game developers to distribute games and experiences to businesses like Turners. There are more than 40 games available at Escape Reality and more on the way, including an escape room experience.

A tough sell

Turner, who says hes always been into video games, was inspired by virtual reality after trying Playstations version of it.

It was a tough sell for me to be convinced because its cutting edge, Turner said. Theres nothing to compare it to. Theres nothing to compare pricing against. Theres nothing to compare anything against, which makes it hard but also makes it exciting.

You cant compare me to stuff on the boardwalk because its all coin-operated and, lets be honest, a lot of that stuff is starting to show its age.

The tech in VR is still relatively new. And many have maybe gotten the wrong idea, having experienced it only on a mobile device, which may have led to a nauseating experience.

At Escape, Turner said not one person has gotten sick, and the only game that makes people feel weird is one called Downward Spiral, a zero gravity experience at a space station that has lost power. There is a floating element.

And while its new and cutting edge, its not hard to picture a not-too-distant future that features mainstream VR arcades.

The 2016 Virtual Reality Industry Report offered a 10-year roadmap for VRs future. The report predicted two million non-Google Cardboard headsets would be in the hands of consumers by the end of 2016 and a staggering 36.9 million by the end of 2020.

Even then, though, the report indicated the hyper growth of the industry was still six-to-eight years away. By the end of 2025, a predicted 135.6 million VR headsets will be in use, with 122 million being mobile. A good portion of others may be in places like Escape Reality.

What does that mean for the traditional arcades? Its a question that doesnt have an exact answer.

Turner says his price point is not much different than that of a traditional arcade. He pointed to a recent trip to an arcade with his son Riley, 11, and some of his friends.

He said it wasnt long before he had spent $100.

You put your money in an arcade game that you dont like, youre stuck until youre dead and youve wasted a dollar, Turner said. If you play a game (at Escape) for 30 seconds and youre like, Ah, its not what I thought it was. You can switch out as many times as you want.

A reasonable price

Josh Mellinger, 32, owner of Makin Whoopie, the whoopie pie shop next door to Escape, said hes been playing at his next door neighbors spot three-four days per week lately.

I think for what it is, basically a dollar a minute, it is a reasonable price, Mellinger said Wednesday afternoon as he watched his daughter Evylyn, 7, play a game called Kitty Cannon, which involved putting cats into a cannon and launching them as far as possible.

Mellinger, of Lancaster County, Pennsylvania, said the previous day he and a friend went to a traditional arcade on the boardwalk and were playing a pirate shooting game. He didnt last long there before he walked back up to Rehoboth Avenue.

This is a waste, he said. Why am I doing this? Im going back to VR. I dont want gum tickets.

But hes in the minority for now.

On Thursday afternoon, while Funland on the boardwalk was humming with customers in the middle of the day, Evylyn Mellinger was the only person using one of the six units at Escape Reality.

The nostalgia factor at traditional arcades like Funland makes it a business that looks far from going by the wayside, especially when they, too, have the capabilities of adding VR.

Thats part of what is our bread and butter and we know that, said Funland personnel manager Chris Darr. Our customers tell us all the time, Dont change it. If we were to take out the fire engines and put in a virtual reality simulator than wed probably have a mutiny on our hands.

We still try and incorporate stuff that works with what we are, but were not going to jump on the bandwagon of something that brand new until we know its tested and something that will really work for our customers.

Darr said Funland belongs to a trade organization, the International Association of Amusement Parks and Attractions, and is keeping a watchful eye on new technologies.

Its not that we arent worried about it, Darr said. When its affordable and when its something we can implement, wed probably look at doing it. Right now, I think people are still trying to figure it out.

Mark down Brian Turner as one of those people.

___

Information from: The Daily Times of Salisbury, Md., http://www.delmarvanow.com/

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Delaware virtual reality arcade provides look at the future - Washington Times

What Altspace VR’s shutdown says about virtual reality’s prospects – VentureBeat

Fans of virtual reality felt a punch to the gut this week as Altspace VR announced it would hold its last social VR gathering on August 3 and then shut down.

AltspaceVR was a social space in VR where people could gather in environments that resembled virtual worlds. They could create their own avatars and chat with friends. As such, Altspace VR was like a harbinger of what the world would look like as a virtual society. Facebook followed up with its own version of social VR chat, while others such as Rec Room, Roblox, Linden Lab, and TheWave VR have created their own takes on social VR.

In a blog post, the company said i ran into unforeseen financial difficulty and couldnt afford to keep the virtual lights on anymore. The post said the company tried to raise a new round of funding, but a deal fell through and it ran out of time and money. The company said, Wed love to see this technology, if not the company, live on in some way, and were working on that.

Eric Romo, CEO of AltspaceVR, started the company in his home office in 2013. The company raised $10.3 million in 2015 from Comcast Ventures, Tencent, Dolby Family Ventures, Raine Ventures, Lux Capital, Western Technology Investments, Maven Ventures, Promus Ventures, Streamlined Ventures, and Rothenberg Ventures.

Romo said in an interview with GamesBeat in April that the company was hoping to monetize events that companies paid for, not unlike how Linden Lab monetized corporations in its Second Life virtual world. But Altspace VRs traffic was relatively small, at about 35,000 users a month. Thats a sign of how small the overall base for VR is, and it probably tells you why the company ran out of funds, as that number isnt enough to get investors excited. Mobile and PC-based VR units are expected to grow from 6.4 million globally in 2016 to 20.3 million in 2017, according to SuperData Research.

Its not clear exactly what this means for other VR startups, but everybody knows that growth is slower than expected. Other VR startups such as enterprise-focused Envelop VR have also shut down this year.

Above: Eric Romo, CEO of Altspace VR at SVVR.

Image Credit: Dean Takahashi

Altspace advanced VR as a medium and, while it may have been ahead of its time, it demonstrated the potential of social VR. Everyone working in VR should be grateful for their contributions to the space, said Amitt Mahajan, cofounder of Presence Capital, which invests in AR and VR startups. I think were likely to see a virtual world like Altspace eventually work but itll likely be something that first starts off fairly constrained in what you can do with others and grow from there to a fully fledged social network.

Greg Castle, founder of Anorak Ventures and an early Oculus investor, said he was sad about the Altspace VR news.

There are two distinct strategies I see in social VR, he said in an email. Companies focused on building out the infrastructure (outside in), and those focused on customer experience (inside out). AltSpace and (Linden Labs) Sansar for example have spent a lot of time building out a really robust infrastructure platform and are largely relying on other developers to create fun experiences built atop their platform. Rec Room and Star Trek on the other hand have focused more on providing a compelling, engaging experience off the bat for users which in turn has the potential to build a strong social community. Given the user numbers and slower adoption curve as an investor I prefer the later strategy.

Above: AltspaceVR comedy night.

Image Credit: AltspaceVR

He added, In terms of what it means for venture backed VR companies, I think its probably a reality check in a somewhat frothy market. I think Eric and his team are fantastic and trust theyll find their way.

And Tipatat Chennavasin, cofounder of the Venture Reality Fund, said in an email, When a shutdown happens its hard to understand without knowing all the details. Altspace VR, led by Eric Romo, was a true pioneer and did some ground breaking work in VR and social. Its a shame they werent able to get further funds to continue to innovate, the news also comes right after Within announcing a $40M round, indicating evolving investor dynamics in the sector.

Chennavasin added, For later venture rounds the bar is raised higher and tangible metrics really come into play. A lot of times the main challenge for early innovators is to manage the companys growth in a nascent but potentially explosive market where there are no established investment patterns and the venture investors are still discovering the subtleties of the sector. Altspace has opened many doors of creativity and teased us all with compelling possibilities in social VR. Im afraid their timing wasnt precisely aligned with investor sentiments, especially in later rounds where certain growth parameters are expected, which is hard to do in early stages of the VR market with a small installed base.One last thing I will add is that the team were not just pioneers but also great supporters of the larger VR development community and will be missed. They have definitely learned a lot on their journey and I look forward to seeing what they do next.

Andrew Wilson, CEO of Electronic Arts, also said on Thursday that it may be a couple of years wait for the mass market VR market.

Jason Rubin, the head of studios at Oculus VR, said in an interview last week that he isnt surprised that the big companies like EA and Activision Blizzard havent jumped into VR yet. Smaller companies are moving into VR, and they will stake out the opportunities first. Once that happens, the big companies like EA will likely acquire those that have the lead.

Regarding Wilsons comments, Mahajan said, I dont disagree with him. The consumer VR market is going to take a while to develop still. I think new Daydream phones and Apples (rumored) addition of an OLED screen to the iPhone 8 will help drive adoption of mass market consumer VR. But were at least one phone refresh cycle away (18 to 24 months) from everyone having VR available to them.

Stephanie Llamas, analyst at SuperData Research, said, I think the closure was an example of how good companies suffer from the prematurely inflated expectations for the industry as a whole that many companies had early on. Primarily, investors are now spooked because there was an overvaluation of the market. Now that growth isnt going as fast as theyd expected, they reevaluated their risk and are now undervaluing certain opportunities. AltspaceVR was truly a pioneer in the social VR space. It should not have been discounted, and I honestly think this is a tragedy for the industry.

Bjorn Laurin, vice president of product at Linden Lab, said he was sorry to see the sad outcome for Altspace VR. But he said, We remain bullish on the future of social VR.

Continued here:

What Altspace VR's shutdown says about virtual reality's prospects - VentureBeat

Virtually unknown: How to put a price tag on the most progressive form of art – CNN

Towering above you, his sinewy arms will stretch out for crucifixion. His glowing body will convulse sporadically, shooting off showers of golden embers.

But this isn't the second coming -- it's a piece of virtual reality art by the German-Danish artist Christian Lemmerz.

Titled "La Apparizione" (The Apparition), the artwork will be presented in an empty three-by-three-meter room. Viewers step inside, slip on a VR headset and are transported into outer space, where they can circle the levitating, golden Jesus.

It is one of two virtual reality works being exhibited by the Faurschou Foundation in Venice this summer. The gallery joins a growing list of institutions that have exhibited VR art, including New York's Museum of Modern Art and the Whitney Museum of American Art.

And as the world's top curators embrace this new medium, collectors are starting to circle.

You might not be able to hang "La Apparizione" on your wall like a painting, but it is most definitely for sale. Lemmerz has released five editions, each costing around $100,000.

But valuing virtual art poses a new a challenge for buyers and sellers alike. Galleries normally look to artists' previous work when setting prices, but with only a small number of VR artworks on the market, there are only a few precedents to refer to.

Comparisons with other types of art do not always prove useful. Lemmerz is primarily a sculptor, but can "La Apparizione" be compared to his 2013 bronze sculpture of Jesus?

The latter work is an object, the former an experience. And while artists have been making bronze sculptures for millennia, virtual reality is a brand new technology more familiar to gamers than art collectors.

The market is still adjusting, according to Sandra Nedvetskaia of Khora Contemporary, the production company that helped Lemmerz create his latest VR art.

"At the moment, video art works are the only comparison," she said over the phone. "But (some collectors) have likened (virtual reality artworks) to sculptures because, of course, you find yourself in the middle of that particular artist's moving sculpture."

Hardware is another new consideration for galleries, and those selling VR art often include a headset in the price. Nedvetskaia said that all works produced by Khora Contemporary come with HTC Vive headsets -- and a lifetime service.

"That includes updates," Nedvetskaia added, "so that this artwork doesn't become (like) a video tape that you can no longer experience."

But the speed at which VR technology is changing can be a problem for artists, according to Edward Winkleman, who co-founded of the video-oriented art fair, Moving Image, in 2011.

"Whether they should wait for the hot, new head-mounted display is a constant question in their practice," Winkleman says. "If they wait, they can take advantage of the new upgrades. But they may (also) miss an opportunity to present their work."

Young artists are experimenting with virtual reality -- and not all of their works carry the six-figure price tag of "La Apparizione," according to Murat Orozobekov, the other co-founder of Moving Image.

Notable VR works at this year's fair included a swirling, psychedelic piece by up-and-coming digital artist Brenna Murphy, and "Primal Tourism: Island," which took viewers inside Jakob Kudsk Steensen's dystopian vision of a Polynesian island.

"Prices range from about $2,500 to $6,500 for an emerging artist's work," Orozobekov said over the phone.

At the other end of the market, a disturbing VR piece by American artist Paul McCarthy is currently available at two major European galleries -- Hauser & Wirth and Xavier Hufkens -- for approximately $300,000. Set in a lurid room, the work features a group of female characters who taunt each other, and, occasionally, the viewer.

The difference in asking prices is not simply a matter of reputation, according to Elizabeth Neilson, director of The Zabludowicz Collection in London.

"(There's also) the development costs of the technology they have used. Someone like Rachel Rossin does a lot of the development herself, but someone like Jordan Wolfson does none of the technological work himself, and outsources to Hollywood professionals," Neilson said, referencing two up-and-coming artists who have been working in virtual reality. "As you can imagine, this is expensive."

The price of virtual artworks can be kept high by limiting the number of copies made. McCarthy's VR piece was only released in an edition of three, and Lemmerz's in an edition of five.

By deliberately restricting supply, galleries create a market for virtual reality art that is based on scarcity -- as with paintings and sculptures. But unlike other art, virtual reality pieces are infinitely replicable. In their most basic form, they are simply digital files that can be experienced by anyone with a VR headset.

While an artist can easily limit the editions of a sculpture, it is much harder to curb the spread of a digital file -- something that the music and movie industries discovered the hard way. But this presents opportunities as well as threats, according to Nedvetskaia.

"In five years' time every single one of us might have a set of virtual reality goggles in addition to our iPhone," she said. "So don't rule out the possibility that editions of virtual reality artworks might be made at an affordable price so the public can view them. We're really on the cusp of this market being born right now --the possibilities are limitless."

The art world establishment is yet to fully embrace digital art. Neither Christie's nor Sotheby's have sold a VR work. But both have expressed cautious interest in the medium.

In March this year, Sotheby's became the first major auction house to exhibit virtual reality art. Hosted at its New York headquarters, the technology-focused exhibition "Bunker" featured "La Apparizione" and a VR work by Sarah Rothberg called "Memory/Place: My House."

Christie's chief marketing officer, Marc Sands, believes that it is only a matter of time before VR starts appearing at major auctions.

"Response to (virtual reality art) from both consignors and buyers is largely positive but to date we have not discovered the 'killer' version of VR," Sands said. "However, as with many things digital, it will come sometime soon."

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Virtually unknown: How to put a price tag on the most progressive form of art - CNN

Handy Weight Loss Supplements and Herbs for Delightful Results – Times Square Chronicles (press release) (registration)

If you want to drop those extra pounds that always make you feel uncomfortable, there are umpteen ways to try now. While you may be tempted to go for quick fixes and easy solutions, you need to be thoughtful and knowledgeable about what approach you take towards weight loss. Some methods may be rewarding, whereas others may end up harming you.

If you think of supplements and herbal remedies, you may find many mixed reviews. When it comes to alternative medicines, some are proven to be effective, whereas others have no scientific backing at all. That is why you should always discuss with your physician before you try anything.

FDA has cracked down the facts about some traditional weight loss supplements. There are many dietary supplements, which are primarily treated as food supplements to promote weight loss. Lets further discuss a few such supplements that can help you lose weight effectively.

It is a sugar variant, which is derived from the hard outer shell of crabs, shrimp, and lobsters. Some studies have shown that Chitosan is effective in blocking fat from getting absorbed by the body in the form of cholesterol.

Even though the National Center for Complementary and Integrative Health states that this supplement is effective in weight loss, no concrete proof has yet been presented. Chitosan does not cause long-term side effects, but some people reported upset stomach and constipation.

You can see many mixed Garcinia cambogia and apple cider vinegar reviews online. Garcinia cambogia is basically a tropical fruit, which is also called Malabar tamarind. It is said to have effects in blocking the bodys ability to make fat and curb appetite. It also keeps the sugar and cholesterol levels in check.

Apple cider vinegar helps in decreasing obesity and helps the body to regulate metabolism and maintain fitness. In many cases, reduction of waist circumference and waist-to-hip ratio is observed with regular use of apple cider vinegar.

It is another popular supplement that contains the fatty acid known as linoleic acid. It is proven to have positive effects in curbing the body fat and help individuals feel full. It is said that consumption of about 1.8 to 6.8 grams of CLA a day may strengthen muscles and reduce body fat.

This supplement is made from konjac plant. Like any dietary fiber, Glucomannan also helps you lose weight by effectively blocking fat absorption in the body. You can find Glucomannan in the form of capsule or powder. It also to be noted that Glucomannan may make it hard to absorb other medications. So, you need to consume other medicine either an hour before or four hours after taking Glucomannan.

Many other natural supplements are effective in weight loss such as green tea extract, green coffee extract, Guar Gum, Hoodia, 7-Keto-DHEA, Ephedra. However, always ensure that you discuss it in detail with your healthcare provider before trying out any of these.

Kenny Weiss is a naturopathy expert and dietitian who works for a leading alternative health care practice in the United States. After carrying out several studies, he posted many Garcinia cambogia and apple cider vinegar reviews online.

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Handy Weight Loss Supplements and Herbs for Delightful Results - Times Square Chronicles (press release) (registration)

Caldwell: ‘Not worried’ about lack of contract extension – The Detroit News

Bob Wojnowski, John Niyo and Justin Rogers look at the Lions as they head into NFL training camp this weekend in Allen Park. Detroit News

Lions head coach Jim Caldwell enters the fourth and final year of a contract he signed in 2014 this season.(Photo: Daniel Mears, Detroit News)

Allen Park Jim Caldwell has led the Detroit Lions to the playoffs twice in three years, a significant accomplishment for the franchise, but that has yet to earn him a contract extension.

The coach enters training camp working on the fourth and final year of the contract he signed in 2014, and he continues to express no concern about his future with the team.

Im not worried about that, Caldwell said. As a matter of fact, those years dont matter, this year coming up is what matters.

Caldwell has been fielding questions about his contract since last season, but its not a topic that ever comes up at home.

Yeah, Im focused in on football, but I will tell you this, not any point in my life do I remember my wife asking me about my contract, Caldwell said. If you have a 15-year contract, it doesnt mean youre not going to be fired tomorrow. Youve always got to perform. Ive never worried about those things. I couldnt care less, to be honest with you. Im more focused on getting the team ready. Thats my job, thats my charge and thats what were going to do.

The Lions hired Caldwell in 2014 to replace Jim Schwartz. Caldwell led the team to an 11-5 mark that first season, only to see the team struggle the following year, dropping the first five games and seven of the first eight. That led to a coaching staff shakeup, with offensive coordinator Joe Lombardi and offensive line coach Jeremiah Washburn being fired midseason.

The team also fired general manager Martin Mayhew that year, hiring New England Patriots director of pro scouting Bob Quinn as his replacement.

After a series of meetings, Quinn opted to retain Caldwell as coach, and by all accounts, the two have forged a strong working relationship.

The Lions went 9-7 last season, earning another postseason berth. In three years, Caldwell has compiled a 27-21 regular-season mark, but has failed to advance the team beyond the opening round of the playoffs.

jdrogers@detnews.com

Twitter: @justin_rogers

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Caldwell: 'Not worried' about lack of contract extension - The Detroit News

Sally Rooney Sees Right Through You – Vogue.com

Sally Rooney wrote Conversations With Friends over three months while studying for a masters in American literature at Trinity College in Dublin. A short year later, she found herself caught in the middle of a seven-way tussle between publishers vying for the rights. (It should go without saying that this is a remarkable situation for any novelist, let alone a 26-year-old who had only recently finished her thesis.) Faber emerged from the battle victorious, and since the release of her book, which came out late May in the U.K., and earlier this month in the States, Rooneys writing has been compared to that of Sheila Heti and Edna OBrien, described by Kazuo Ishiguro as a moment of real significance, and, in a uniquely zeitgeist-y turn-of-phrase, she was dubbed no less than the Salinger of the Snapchat generation .

Set firmly in the digital age, Conversations With Friends thankfully veers away from the easily labored territory of Snapchat and selfies, and instead follows Frances, a student at Trinity who moonlights as a spoken-word poet alongside her best friend and ex-girlfriend, the abrasive and magnetic Bobbi. When the pair are profiled for a distinguished magazine by Melissa, a celebrated writer and photographer, they fall into the older womans alluring sphere, populated by glamorous creative types, and soon, Frances starts an affair with Nick, Melissas faintly famous 32-year-old actor husband. Trying to play their romantic assignations outside the hackneyed clich (the older man, the younger girl), Nick and Frances find themselves flailing and failing to convey what they actually mean to each other. They are armed with all this feminist theory, and they are kind of conscientious people who obviously dont want to be oppressing each other. It takes them both some time to actually see past the superficial power disparity between them and try and negotiate what they are actually going through as individual people, says Rooney, on the phone from her parents house in Mayo, Ireland, and the novel knits together the various ways we communicate in the novel, as the characters conversations slip seamlessly across face-to-face, email, text, and instant messenger, meshing together the series of tangled, overlapping relationships that color the plot.

There is often a weighted assumption that young, female writers mirror their own lives in their work (see Jami Attenberg s essay, Stop Reading My Fiction as the Story of My Life ), and while Conversations With Friends is certainly not autobiographical, it does draw upon Rooneys experience as a competitive debater while at Trinity, which the author recalls as an introduction to an elite and unfamiliar world. I thought, I have to very quickly now absorb the norms and the social behavior and the etiquette that will make me socially acceptable, says Rooney. And that certainly informed the novel. Thats how Frances feels with Melissa and their friends: I want these people to accept me. How do I do that? How do I observe them closely enough that I can fool them into thinking I can belong? The book becomes a treatise about not just the complexities of desire in the modern era, but also the complexities of being a young woman in the world, with all of the potential heights and hazards that follow along.

Vogue spoke with Rooney about the changing face of Ireland, what good dialogue and sex scenes have in common, and whether the Internet is a good or bad thing, below.

You are from Mayo, and you lived there until you went to Trinity. How much of the novel did you draw from your life and experiences?

Frances is actually from Dublin. Her parents are from Mayo, and they move back there, but she actually grows up in Dublin. There are certainly elements of the social world that I inhabited growing up and then in college that I draw from. I mean, obviously, I studied English in Trinity, and I think the book is very much about observing a social milieu as much as anything else, and obviously I chose to write about social circles that I felt I had an understanding of the norms and manners. So in that sense, absolutely there are autobiographical elements, and its written about a city that I have lived in for eight years and that I know pretty well, but, in terms of the actual substance of the book, its not drawn from my real life.

It strikes me that the novel seems to be about Dublin very much as it is now. I moved to Dublin in 2010, and it was in the middle of the crash, and it has changed so much.

Yes, its certainly set [today]. . . I think the economic situation of the characters reflects contemporary Dublin, which is kind of slowly grappling with recovery from the crash, and I think the last sector recovering is that millennial class, who have never really had an experience of properly waged work. People think the book is about extraordinarily privileged people, but its not really. At one stage, Frances has got so little money that she cant feed herself, and she has an unpaid internship at one point, and a minimum wage job, and she makes reference to several other minimum wage jobs she has had. . . . [Theres this culture in creative fields of] constantly being shuffled around very low paid unsatisfying work that you have to do to get by, and that to have any prospect of having a satisfying career you are expected to do loads of unpaid work. I think its miserable.

The fact that people come away from the book thinking it portrays a really privileged lifestyle is really confusing to me. The characters read a lot and are very culturally literate, but they are not really privileged people. Nick and Melissa have a nice house, but they are not predatory capitalists or anything. . . they certainly occupy a cultural position that people associate with privilege, in that they are artists that lead a bohemian lifestyle.

I know you debated at Trinity. What impact did that have on your use of language, and your ability to construct plot and narrative?

One thing debating did was bring me in contact with a whole social world that I had never experienced before. Its sort of a very international, very niche hobby. . . and once you rise to a certain level, you find yourself constantly taking flights to faraway countries and youre seeing all the same faces everywhere you go, and it wasnt very unlike being on the festival circuit as a young writer. It was an introduction to a world I was previously unfamiliar with, and I thought I have to very quickly now absorb the norms and the social behavior and the etiquette that will make me socially acceptable in this world. And that certainly informed the novel. Its very much that worldthats how Frances feels with Melissa and their friends. I want these people to accept me. How do I do that? How do I observe them closely enough that I can fool them into thinking I can belong? So that was part of my experience at college that I definitely encountered in debating. But as for use of language, I dont know, that was that one of the reasons I was drawn to debating was that I probably already was drawn to language, and politics and stuff in a way that probably comes through in the novel as well.

Sex is notoriously difficult for authors to write about well. It comes up a fair amount in this book.

I think the whole idea of a sex scene is strange, because we would never say a dialogue scene; that scene is defined by the content of what happens in the dialogue. Similarly, a sex scene where the two characters end up crying in a bed is not going to be substantially similar to a sex scene where they have just started their affair and are obsessed with each other. A lot of what my characters encounter in their dialoguestrying to express themselves and trying to connect but also trying to guard themselves against feeling vulnerablethose are the same issues that came up in their sex scenes, too.

I wonder if the way you approach and have structured the relationship and the fluid sexualities in the bookFrances is bisexual, Bobbi is a lesbian, other characters seem sort of open. . . is that something that would have been written or well received say, five, six years ago, even? Do you feel like there is a moment of tangible change in Ireland in terms of social progress?

Five, six years ago, maybe. 10 years ago, Im not sure. 20 years ago, almost certainly not. So there definitely is now the idea that you can write about these characters and their realities without delving into the oppression that they have faced, the difficulties they may have had in coming out. Its like, now lets just get to the interesting part of them being adults and working their lives out without having to explain how they got to that situation.

I was talking to my Mum about this, actually, and she definitely has [witnessed progress firsthand]. Ireland now is so different even from the Ireland of the early 1990s. You know, gay pride went through Castlebar yesterday afternoon. Its accepted that there is a vibrant gay community in small towns, and that is a massive change. We still havent had the emergence of a left-wing movement. And I think that is something that would mark a real sort of landmark shift in Irish political life, if that was to happen. When I was at university I was quite active in the Repeal the 8th [pro-choice] movement. Since leaving university I go to protests and rallies, Im not involved in any activist groups, but I must get involved now, because I know there is going to be a referendum next year, over the next few months probably. Its something that any young Irish woman cant be unaware of.

Irish writing is having a big moment, and I have read that you dont necessarily perceive yourself as an Irish writer.

I saw this as well, but I think its been misinterpreted. I definitely do see myself as an Irish writer, and I see myself as part of a community of Irish writers, and I am really excited about the writing that is coming out of Ireland at the moment. I guess its the whole idea of richness and nationality, Im increasingly not really sure what it means. In the past, we obviously had a national identity that was defined by opposition to British imperialism, and that is all very well and in the past, now. And our new national identity is just seems to be a way of justifying our privileged position in the world and protecting ourselves at the expense of others. You know, deporting people, refusing to admit asylum seekers. Is that now what Irishness really means? Is that a protective gesture against open borders and this idea that we have a national identity that we quote unquote have to protect? That is not something that I am interested in participating in at all. But I think generally most Irish writers arent and Irish literature is not really a part of that project, and certainly I dont want to think that it is. But I definitely identify as an Irish writer, but when it comes to the question of what Irishness is and what is Irish writing, I definitely dont have a convincing answer to any of those questions.

The way that we communicate has changed so much, and so much of it is online. A lot of communication in the book is through digital means. But I dont feel like it has pervaded literature enough.

Its funny because the forms of novel have often been associated with changes in technological forms. If you look at the history of the letter in the novel, small changes in the British postal service became really significant because of how quickly people are suddenly able to communicate, and letters actually arrive at the intended time, and they arrive to the correct recipient. All of this is really important to a plot. It seems really natural that when our forms of communication change as rapidly as they have over the last 20 years that the form of our fiction should be changing rapidly too. And I couldnt imagine how these characters would live their lives without constantly sending texts and emails and or without having instant messgage conversations, or looking back on their old conversations, or looking at videos or clips of each other. In the beginning, when Frances finds out that Melissa is married to Nick, obviously the first thing she does is put his name in the Internet and look at pictures of him. I wasnt trying to write a commentary on our use of Google Images, I was just trying to think: What would I do? I would want to know what the guy looks like.

All those forms of experience dictate so much of how we relate to one another, and particularly I think if you meet people who are of a certain status in society, they have a presence that precedes you meeting them because that presence is maintained on the Internet. It would be really difficult for me to imagine how you would go about navigating that without recourse to the technology that supplies how much of how we communicate now. I wasnt trying to do it in any way as a commentary on the use of the Internet. I dont have any answers as to whether the Internet is a good or a bad thing, but its certainly an important thing for the novel because novels are so much about communication, and when communication changes, the novel has to change.

Something I related to was the idea of constructing a dry, wry version of yourself online, with someone you are in a relationship with, and how this gap between that person and how you are really feeling can form.

Certainly, and Frances will use any possibility she can to protect herself from vulnerability. She finds it very difficult to open up about her emotional life. The Internet is just one of many tools she will use for the purpose of trying to protect herself from the difficult aspects of intimacy with other people, but certainly the Internet gives her an ability. . . . You can spend an hour drafting an email and it will look like youve written it in 10 seconds. In real life, your body language will communicate what you may not want the other person to know. You may not have the same control over yourself like you do over text and that makes sense for Frances, she is a writer.

I felt that the book brought up this question of the divergence between how you may think of yourself and who you actually are. At one point, Nick refers to himself as oppressive white male. He cant help being a white man. So how does he operate past that?

That is one of the central questions of the book. When people mean well and they want to do the right thing and they really think about it and they seriously put some thought into power structures and how do we actually live that out on a individual level, and how do we actually ask of ourselves, and how much can we give to ourselves to other people in service of trying to live a good life. I mean, I obviously have no answers to any of those questions. But I think thats what the book is trying to analyze.

This interview has been condensed and edited.

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Sally Rooney Sees Right Through You - Vogue.com

HT Picks: This week’s most interesting reads – Hindustan Times

Is India overshadowed by a monologue? Is there space for alternative views? Or, are we expected to fall in line? And speak in unison?

As India celebrates the seventieth year of Independence, this book brings together diverse views: Politicians, activists, administrators, artistes and academicians offer their myriad ideas of the nation. With a contextual introduction by Nidhi Razdan, this politically charged, argumentative, candid and humorous book opens a window to our understanding of India.*

Who thought up paper money? How did the contraceptive pill change the face of the legal profession? What was the secret element that made the Gutenberg printing press possible?

The world economy defies comprehension. A continuously changing system of immense complexity, it offers over ten billion distinct products and services, doubles in size every fifteen years and links almost every one of the planets seven billion people. It delivers astonishing luxury to hundreds of millions. It also leaves hundreds of millions behind, puts tremendous strains on the ecosystem and has an alarming habit of stalling. Nobody is in charge of it. Indeed, no individual understands more than a fraction of whats going on.

How can we make sense of this bewildering system on which our lives depend?

From the tally stick to the barcode, concrete to cuneiform, each invention in Tim Harfords fascinating new book has its own curious, surprising and memorable story, a vignette against a grand backdrop. Step by step, readers will start to understand where we are, how we got here and where we might be going next. *

Smart and provocative, witty and uncompromising, this collection of Laurie Pennys writing establishes her as one of the most urgent and vibrant feminist voices of our times. From the shock of Donald Trumps election and the victories of the far right, to online harassment and the transgender rights movement, these darkly humorous articles provoke challenging conversations about the definitive social issues of today.

Penny is lyrical and passionate in her desire to contest injustice; she writes at the raw edge of the zeitgeist at a time when it has never been more vital to confront social norms. These revelatory, revolutionary essays will give readers hope and tools for change from one of todays boldest commentators.*

*All text from flap/back of the book.

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HT Picks: This week's most interesting reads - Hindustan Times

Australia’s China play wrong: US adviser – SBS

Dr Pippa Malmgren can't get over the fact Australia has tied itself to the low-value end of the Chinese economy but doesn't want anything to do with China's greatest economic initiative since the Great Wall.

The former adviser to US Presidents George W Bush and Barack Obama wants a China-obsessed Australia to wake up and smell the hard landing.

"For Australia the big issues are Chinese," Dr Malmgren said on a visit to Sydney.

"China has already had its hard landing - it's not a question of if - and they realise they're not competitive anymore.

"Domestic consumption isn't happening in China - that's why they're going abroad - it isn't happening fast enough, yet why is Australia banking on that?"

According to the former deputy head of global strategy at UBS - who was among the few to call the GFC, selling her house and moving her family to rent before the 2007 crash - China's middle class is not burgeoning the way people thought it would.

So instead China is building a middle class elsewhere.

"They're building it in Burma, in Central Asia, in Western Europe, in Portugal - and this is critical, by the way - because you notice they're not investing in Australia," Dr Malmgren said.

China has shifted the paradigm to its high-profile 'One Belt One Road' initiative, connecting regional economies, driving Chinese branding and interests and, importantly, building GDP outside the country.

"And the commitment to the build-out of global infrastructure is truly mind-blowing - it's massive," Dr Malmgren said.

"I find it really interesting Australians are very happy about being tied to the Chinese economy but now the Chinese want to make GDP abroad, the Australians don't want to go with them."

So far the federal government has not signed an MOU, alongside 65 other countries, to take advantage of the most ambitious global infrastructure initiative in a generation.

Dr Malmgren says it is an opportunity for not just - in the words of former Austrade chief economist Tim Harcourt - 'selling rocks and crops,' but for Australia to finally mature as an economy.

The author of 'Signals: How Everyday Signs Can Help Us Navigate the World's Turbulent Economy,' has been scratching her head as to why Australia doesn't grow up and join the latest industrial revolution.

"You've been a resource-based economy - and I really wonder, I always ask the question - why don't the Australians move up the value-chain?" she said.

"I mean China has moved up the value-added ladder. They used to make cheap manufactured goods, now they're going to make more sophisticated manufactured goods - cars, white goods - they're going to build global brands, why does Australia always just stop half way?"

Dr Malmgren says Australia is better placed than many nations with its skill sets and human capital but has failed to focus on manufacturing.

"There's no excuse anymore for Australian businesses not to be present on the global landscape," she said.

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Australia's China play wrong: US adviser - SBS

EDITORIAL: Island needs dollars, not data, to cope with poverty – The Guardian


The Guardian
EDITORIAL: Island needs dollars, not data, to cope with poverty
The Guardian
It may seem repetitious, but the fact remains that this Island still needs federal funding to get a basic income guarantee pilot project off the ground. So far, as we've chronicled in past issues, the Trudeau government has only been willing to offer ...

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EDITORIAL: Island needs dollars, not data, to cope with poverty - The Guardian