"We Are Many-United Against Hate" Announces 12-Step Program to Kick America’s Addiction to Hate and Violence – madison365.com

Were seeing one mass shooting after another. Relentless scapegoating and demonizing of immigrants. Ugly racist incidents. Domestic terrorism by white supremacists, says We Are Many-United Against Hate Founder and President Masood Akhtar in a statement. Some politicians call for gun control. Others say no, the focus needs to be on mental health treatment. Still, others say no, something needs to be done about video games. They end up doing nothing. They are all hacking at branches, no one is striking at the roots,

We Are Many-United Against Hate announced today that is challenging what they see as inaction of federal, state and local officials with its call for a 12-step program to battle the countrys addiction to hate and violence.

Make no mistake, Congress and the president should take action dealing with gun violence, and so should the states, starting with measures that have overwhelming public support like universal criminal background checks, red flag laws, gun licensing, limiting the size of ammunition clips and raising the legal purchasing age to 21. Such steps are necessary but not sufficient. They do not get to the root of hate, Akhtar says in a statement.

We Are Many-United Against Hate Executive Director Mike McCabe says that its important to recognize that the president didnt start the fire. He fans the flames, he pours gasoline on the blaze, he exploits it for his own political gain, McCabe says in a press release. But the fire was already burning before he got to the White House. Its a big reason why hes in the White House.

We Are Many-United Against Hate outlined the following 12 steps to beating the addiction to hate and violence in America:

Step 1.Relieve economic stress. As former white supremacist leader and We Are Many-United Against Hate advisory board member Arno Michaelis points out, violent extremist ideologies prey upon stresses like economic insecurity. One way to create more economic stability and also address workers dissatisfaction with their jobs is to detach health insurance from employment and guarantee universal coverage. Too many people stay in jobs they cant stand for fear of losing health insurance, a huge source of stress. Another way to create more economic security and free workers to pursue more satisfying employment is to replace traditional welfare programs with a universal basic income program. We Are Many-United Against Hate supports a pilot program testing the effectiveness of a basic income program.

Step 2.Reconnect with nature. Medicate less, recreate more. Make the Nature Rx movement into national policy and practice, with physicians prescribing time outdoors instead of so many painkillers. Its shown to lower stress, blood pressure, heart rate and anxiety, and improve mood and mental health.

Step 3.Destigmatize and decriminalize mental health. Require that all health insurancecovers mental health treatment as completely as treatment of physical illness. And come to terms with the reality that the most common response to mental illness in America is currently imprisonment. Mental health challenges need to be treated, not punished.

Step 4.Incarcerate less, educate more. America spends more per prisoner than per student. Wisconsin spends more of its state budget on prisons than on the entire state university system. Minnesota is imprisoning half as many people as Wisconsin, yet the two states have virtually identical crime rates, illustrating how mass incarceration has not made our country safer but has devoured resources that could be used instead to better fund education. Paying so much for failure makes it infinitely harder to afford investments in success. To reverse this, stop imprisoning nonviolent offenders.

Step 5.Demilitarize immigration. Repeal and replace ICE. Restore the federal Immigration and Naturalization Service with a mission acknowledging that openness to foreigners has been a defining characteristic of America and is essential to who we are as a nation, a sharp departure from the militarized and xenophobic nature of Immigration and Customs Enforcement (ICE).

Step 6.Administer a prescription-strength dose of democracy. Pathologies in our political system breed division, polarization and extreme partisanship that set a tone for all of society. Gerrymanderingthe rearrangement of voting districts to favor the party in powerresults in lopsided elections that produce a Congress and state legislatures full of ideologues and party loyalists who have little interest in working with the opposition. Redistricting done by an independent, nonpartisan authority can yield more cooperation and problem solving. Similarly, ranked-choice voting where voters rank all candidates in order of preference rather than casting just one vote for one candidate in a race discourages negative campaigning. When candidates likely need some second or third place votes as well as first-place votes to win, theyll be careful about attacking their opponents because they need support from at least some of their opponents voters.

Step 7.Teach civics.Todays schools focus on preparing young people to participate in the economy but not our democracy. Overemphasis of STEM (science, technology, engineering and math) education and near-total abandonment of civics instruction creates a school system concerned more with producing skilled workers than good citizens. How strange that in a country that boasts of being the worlds greatest democracy, democracy really isnt taught. When the workings of government and how to responsibly consume media and distinguish between news and propaganda are not meaningfully taught, the population is left vulnerable to demagoguery and indoctrination. Merchants of hate feast on these conditions.

Step 8.Talk about religion and politics. Its said that religion and politics are two things that should never be discussed in polite company. This is a rule that needs to be regularly broken. Avoiding any talk of religion and politics has only led to a lack of understanding of religion and politics and made us less capable of having civil conversations about difficult topics.

Step 9.Recommit to the First Amendments separation of church and state.The First Amendment protects the right to practice ones own faith but also safeguards everyone from having anothers religion imposed on us. Freedom of religion and freedom from religious discrimination go hand in hand. Thats a core American value that we have strayed from.

Step 10.Dedicate to inclusive communities. Schools are being resegregated through voucher and charter programs. Rules aimed at preventing housing discrimination are being weakened. Such policies need to be reversed.

Step 11.Unite around a shared national purpose. When America is at its best, there is a strongsense of national purpose. Its what put a man on the moon. At this time of growing division and hate in our society, as we try to wall ourselves off, it is no coincidence that its hard to put a finger on a common aim Americans are united in pursuing. Preventing the ecological, economic and social calamity sure to be brought on by global climate change could and should be such an aim. America should shoot for the moon and put our ingenuity to work making the United States the first nation on Earth fully powered by renewable energy.

Step 12.Practice common decency. We dont all have to love each other. We dont even have to like each other. But to break the addiction to hate and violence, we do have to follow the Golden Rule, treating others as wed like to be treated ourselves at home, in our neighborhoods, in the workplace, in politics.

Hate and violence do not have a single cause. There is not a single branch to cut. We have to strike at the roots, McCabe said in a statement. One of the roots is economic insecurity and inequality. Some of the roots have to do with mental health challenges and make the need to overhaul both the health care and criminal justice systems painfully apparent. Some of the needed root striking involves personal soul searching, some involves changing what schools are doing, some requires fixing our democracy. Immigration reform is part of the answer. Protecting nature and getting outdoors more is another part of it. Responding to the climate emergency positively can be a powerful way to deal with growing hate and violence if we can unite behind this effort as a common national aim.

Originally posted here:

"We Are Many-United Against Hate" Announces 12-Step Program to Kick America's Addiction to Hate and Violence - madison365.com

E.ON: Smart approach to EV charging is critical – The Energyst

E.ON will switch its fleet to EVs by 2030. Its experience should drive smarter results for businesses, says Hannah Collishaw, director of E.ON Drive.

Whether rolling out a handful of EVs or hundreds, the golden rule is to put yourself in the driving seat quite literally, says Collishaw.

Our focus has been to follow the driver and fully understand their behaviour and needs. If you understand what they experience, you develop better solutions, says Collishaw. We consider everything from the drivers perspective.

That maxim applies both to domestic drivers and business users. For the latter, particularly fleets, Collishaw believes a virtual test drive is the best place to start.

Understand the nature of the journeys, where and when people will be charging, she advises. That helps to select the right vehicles and charging infrastructure and the best places to put it.

Think ahead

A roadmap that considers EVs future impact on energy consumption is also essential, given distribution network constraints.

If you have a lot of vehicles, chargepoints can utilise a lot of power. A sites capacity how much electricity it is allowed to draw from the distribution network can be quite a big consideration, says Collishaw. So its important to think about how you implement EVs as part of a broader energy strategy.

Anecdotally, Collishaw says capacity is constrained at around one in three sites. Where reinforcement is required, costs can be significant, upwards of 100,000, but that is rare, she says. They are typically much lower, perhaps 15,000.

Smart charging

Smart charging can negate the need for network upgrades. This can take two forms; dynamic load management, where the available capacity is intelligently shared between a number of vehicles, and load shifting.

Load shifting ensures best fit with the sites energy usage; matching the ebb and flow of energy use throughout the day to optimise how and when the chargers are used, says Collishaw. She believes smart charging will be massively important as the UK continues to decarbonise, and more drivers switch to EVs.

For example, on sunny, windy days there may be too much power on the system at midday. Charging during that period could benefit both for the power system and EV owners, especially when time-of-use tariffs become mainstream, says Collishaw. As such, it is critical to incorporate a smart approach to charging.

Onsite generation

Theres debate around public acceptance of controlled charging, but Collishaw says businesses are highly engaged and very open to the conversation.

Larger organisations may also have onsite generation, which can be integrated with charging. Or they may consider investing in generation as part of an overall solution, particularly businesses with their own fleet, or those with a sustainability agenda, adds Collishaw. And when people are engaged it becomes a point of interest to build around.

Future proof

E.ON typically installs 22kW fast chargers at business sites, which are capable of fully charging vehicles in a couple of hours.

At present, the most common EV, Nissans Leaf, charges at 6.6kW (unless connected through a 50kW rapid charger). It will therefore charge at the same rate on a 22kW charger as a 7kW charger (six hours). However, Collishaw says that by installing 22kW chargepoints, businesses are future-proofing: They can charge more vehicles today using less infrastructure, while preparing for broader uptake and range of vehicles that can take higher rates of charge.

A 7kW charger may be cheaper, but may not be the best overall solution, she says. Our aim is always to strike that balance between current and future needs.

Accelerating the rate of change

The shift to EVs is inevitable as evidenced by car manufacturers pivoting their businesses. But Collishaw thinks government could speed the transition and help ensure more vehicles are shipped to the UK than elsewhere.

Bringing forward governments 2040 target to ban sales of petrol and diesel vehicles nearer to 2030 would be a good start, suggests Collishaw.

Benefit-in-kind changes coming into force next year will make EVs more financially attractive and should boost uptake, though Collishaw urges government not to ditch current fiscal incentives.

Anything that helps organisations to digest upfront costs has a direct effect on the car manufacturers, she says. At the moment, supply and demand is definitely a challenge and we see that in our own EV rollout. You dont really want to wait 11 months for vehicles to arrive if you want to change your fleet today.

This article was published inThe Energysts2019 EV Report.

The report includes a survey of more than 100 businesses and details their EV and charging plans as well as attitudes to smart charging and vehicle-to-grid services.

It also contains interviews with other businesses switching fleets to EVs, charging point companies, distribution network operators, consultants, carmakers, technology firms and energy suppliers.

Download the report, free of charge,here.

Click here to see if you qualify for a free subscription to the print edition of The Energyst, or to renew.

Follow us at@EnergystMedia.For regular bulletins, sign up for thefree newsletter.

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E.ON: Smart approach to EV charging is critical - The Energyst

Biffy Clyro bring electrifying performance to Digbeth Arena – review with pictures – expressandstar.com

Hosted by Jack Daniels, the Scottish rockers traded the warmth of a traditional arena for the stunning Digbeth arches, exposed scaffolding and shipping containers for an electrifying performance.

Shirtless and sporting only loud, colourful trousers, the trio burst onto the stage to the charged first notes of Balance, Not Symmetry.

Biffy Clyro at Digbeth Arena. Pictures by: Eleanor Sutcliffe

Biffy Clyro at Digbeth Arena. Pictures by: Eleanor Sutcliffe

Biffy Clyro at Digbeth Arena. Pictures by: Eleanor Sutcliffe

Biffy Clyro at Digbeth Arena. Pictures by: Eleanor Sutcliffe

Biffy Clyro at Digbeth Arena. Pictures by: Eleanor Sutcliffe

Biffy Clyro at Digbeth Arena. Pictures by: Eleanor Sutcliffe

Biffy Clyro at Digbeth Arena. Pictures by: Eleanor Sutcliffe

Biffy Clyro at Digbeth Arena. Pictures by: Eleanor Sutcliffe

Biffy Clyro at Digbeth Arena. Pictures by: Eleanor Sutcliffe

Biffy Clyro at Digbeth Arena. Pictures by: Eleanor Sutcliffe

"Birmingham we've missed you so. It's so good to be back," vocalist Simon Neal gushed, and the audience shared their adoration with deafening cheers.

The group treated fans to a varied setlist, from early hits Living Is a Problem Because Everything Dies and There's No Such Thing as a Jaggy Snake, to new anthems Re-Arrange and Howl.

Smash hits That Golden Rule and Mountains had the entire crowd moving to the iconic choruses and crushing instrumentals - there's something special about bellowing 'I am the mountain, I am the sea' with hundreds of people that just cannot be matched.

What united tracks both new and old was the flawless execution of each and every track. Furious guitar licks and technical solos reverberated across the walls, carried by raw drum rolls and Simon's melodic vocals.

Biffy's stage presence was lapped up by the audience, encouraging participation to create an intimate, carefree atmosphere on the cold mid-week night.

"Have you all got your dancing shoes on?" Simon bellowed, before bowling into renditions of Bubbles and Born on a Horse.

Despite the stripped-back setting of the show, the band still channelled every inch of excitement and theatrics that their large-scale shows demonstrate.

The band bathed the audience in a wondrous light show that added extra depth to each song, culminating in Simon illuminated in pink and gold as he delivered a hair-raising rendition of Adored.

Ending their set on the anthemic Many of Horror, the entire crowd begged for more, with chants of 'mon the Biff' echoing across the venue.

And the band obliged, with stellar performances of Wolves of Winter, Machines, and thrashing hit Stingin' Belle. In one last burst of energy, the band left Birmingham breathless after an intense and explosive show that highlighted their tremendous talents.

Biffy Clyro have clambered to successful heights with their complex, crushing musical style while proudly singing in Scottish accents, and last night's show cemented exactly why they're a force to be reckoned with.

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Biffy Clyro bring electrifying performance to Digbeth Arena - review with pictures - expressandstar.com

Veteran writing instructor was born to teach – Aztec Press

Story and photo

by ELLIANA KOPUT

Mic Denfeld is a writing instructor at Pima Community Colleges West Campus.

Shes one of the oldest, most experienced, most lively and compassionate faculty members. She is held near and dear to the hearts of many.

Denfeld leads her classes through a series of assignments that aim to encourage metacognition and personal growth. I sat down to discuss with her to discuss her experiences and inspirations.

Q: How long have you been teaching at Pima and in what area of study?

A: I teach Writing 101. Ive been at Pima 27 years. I was a teacher for most of it and a dean for a couple of years. I can even tell you the date from 91 to 91, but I always come back to the classroom.

Q: What inspired you to become a writing teacher?

A: I just wanted to be a teacher. I started teaching sociology, summer school, at Iowa Wesleyan. And then I said I wanted to go to graduate school, so they said, Go to Western Illinois University. They supported that, and I got in and all that. So I taught there while I got my degree, and then I taught again at Iowa State when I got that degree. Thats how I payed for school was I taught. I like the classroom. This age group is developing their prefrontal cortex, which determines how you see yourself and who you are. So its an honor to be a part of that process with people.

Q: Was there a moment in your career that sticks out to you?

A: I had somebody confess to a murder in class. We were discussing euthenasia, and he said, I killed someone once. So we just let him talk, and he said he was a medic. And they were on the battlefield. His platoon, it was hit by a shell and almost severed his body, practically severed in half, but he was alive. He was screaming, Kill me! Kill me! And so he crawled out there under fire and gave him a lethal shot of morphine. The class was stunned. There was just silence. Just silence, and then, and I said, Everybody makes the best decisions they can in every situation theyre in. When the students left the class that day, they went by and just touched his shoulder. It was like he had the resolution he needed and sort of the absolving of him.

Q: Are there moments in time that you feel your being a teacher affects your daily life?

A: Always because thats my training to teach someone something. We used to play school when I was a kid. I guess thats where I got it. And I liked to write on the boards, and now I do that, too. I like to learn. I read every day of my life. I love books, as you can see by my collection. And I even just donated some more. Im addicted to learning. I know that. I have to. I have to be learning. And it can be almost anything, but I go from this to that to that to this to whatever because its interesting. Then I find things to talk about or think about. Being conscious is just so awesome. Look what were given a chance to be conscious people with an experience over many years. We get to do this. Its just incredible.

Q: Can you tell me about where and when you were born? How your upbringing was?

A: A long, long time ago I was born in Milwaukee, Wisconsin. Adopted by some parents. I almost died when I was born, so they kept me in the orphanage for about six months. And then they put me up for adoption. Then I got the absolute parents I needed because, well, they only had seventh- and eighth-grade educations. They were thinkers, and I got to participate in all of that What do you think? What do you think?

I like the snow and the trees. When I die Im gonna be a tree, because now you can get cremated and be a tree. Which I think is endlessly cool. I was raised in the outdoors we were always fishing or doing something outdoors up in the woods. Thats still the place I go to just refresh my whole self. Mount Lemmon, ahhhh, beautiful.

Im a Green Bay Packer fan, of course. Go Pack! And Go Cats!

Q: Whats your favorite Packers game youve been to?

A: When we beat the Vikings. They had a big goose egg at the end, and we had all the points. Yes! Its a chance to yell and scream and holler and be happy and be sad and be grumpy with the referees when you dont like what they do.

Q: Outside of education, what are some of your primary values?

A: I think the golden rule is the one that is just it. If we all did that, wed be in good shape. Do unto others as you would do unto you, blah blah blah. I value honesty, I value love. I love so many things, people and animals and trees and water and the ocean. Oh God, I love the ocean.

I love to travel. Everywhere. Ive been to so many places because I dont save any money to retire, which is why Im still teaching. But between my book habit and travel habit, I want to go see and meet people. The people of the world are so cool. And so helpful, and so wonderful. And theres so many things to see. I left part of my heart in Alaska a couple of years ago. Oh my God. The Northwest Glacier is 700 feet tall. We were in a boat. You have to back from the glacier itself, but it was majestic. It was so amazing, oh my God. And then I went kayaking, and then I flew over to the island and got to walk around where the bears were. There was a bear like from me to you, sleeping. We saw a mama bear with cubs running around. She was trying to teach them something. They were paying no attention, of course. Its the same, every species. I love art. I will see any art museums I can see. I love music, all kinds of it. When I hear music, I have to move. I dont care where I am. Im gonna be moving around to the beat. Grocery stores particularly. You can tell the people who want to do it, but they cant allow themselves to make a fool of themselves by dancing in the aisles of the grocery store. I cant help it.

Q: Whats one thing you would say to those people?

A: Cmon! Dance! Were so structured and something-ed about ourselves. You can be as free as you wanna be.

Q: Is there anything else about yourself or otherwise that you would like to have the world know?

A: Did you know that Im the queen of the hobos? Theres a hobo convention in Britt, Iowa, every year in August. They elect a king and queen by applause; they have a parade.

We ate mulligan stew, which is a stew hobos eat where you throw everything in a pot. Whatever you have goes in and you feed all these people mulligan stew. I havent gone very much recently, usually because Im traveling in the summer. That happens, and I gotta get back to school. But Ive had it five years in a row, which is the most anybodys ever done. You take a hobo name. I was made a hobo by BoxCar Myrtle, and my hobo name is LongLooker Mic. Because I love to travel, I love to hitchhike with truckers. Theyre fun to ride with. Its just fun to meet people hitchhiking because theyre neat. People say, Arent you afraid? but Im not dumb. Im not gonna get in the car unless I feel comfortable. If I need to get out of the car, I know how, and all those kinds of things. But Im not afraid of people. I like people. They tell you their life story cause theyre never gonna see you again.

Q: How would you conjure up your experiences into a few words of advice?

A: Live until you die. Dont die before your time. People stop adventuring. They stop being amazed. They stop learning. They stop, and then they wait to die. I think thats boring. I dont believe in all organized religion things. I believe Im here, and I get a chance with however many years I have to make the most of it and have fun. It should be a place to have fun. We make it so tough, my gosh. Aw, cmon. Lighten up, lighten up.

Continued here:

Veteran writing instructor was born to teach - Aztec Press

Manic Street Preachers announce cinema release of The Holy Bible live film – NME Live

Prepare for 'Be Pure Be Vigilant Behave'

Manic Street Preachers have announced details of the cinematic release of their acclaimed 20th anniversary tour of seminal album The Holy Bible.

Shot during the bands long-time collaborator and BAFTA-winning director Kieran Evans, Be Pure Be Vigilant Behave first premiered in Cardiff in 2016 as part of Swn Festival. Evans never-before-seen directors cut will be shown in cinemas throughout the UK. All profits from the screenings will be donated to charity.

Check out an exclusive clip of Faster fromBe Pure Be Vigilant Behave below, along with a full list of screenings.

The full list of screening is below. Visit each cinemas websites for tickets and information.

NOVEMBER1 Picturehouse, Exeter2 FACT, Liverpool3 Watershed, Bristol5 Hackney Picturehouse, London18 Broadway Cinema, Nottingham20 Pontio, Bangor21 Chapter, Cardiff26 Aberystwyth Arts Centre27 Duke of Yorks, Brighton29 Cameo, Edinburgh30 GFT, GlasgowDECEMBER2 Showroom Workstation, Sheffield

The whole point of the movie was to make an anti-concert film, Evans previously told NME. We were moaning about cranes and all that festival footage. One night a couple of years ago we were talking about how much we loved old Sex Pistols concerts. Theres a brilliant compilation of punk films on Sky Atlantic at the moment all about that old Tony Wilson show,So It Goes. Hed film Buzzcocks gigs but only send two or three cameras. Because they had longer takes and would just cut what they had, it felt so much more exciting than having say 20 cameras where nothing is left to chance. We wanted to leave something to chance with this.

The whole premise was me with a low-end, lo-fi camera, shooting one member of the band each night, going round them each gig from a different angle and shooting the audience. That was it the golden rule. There wasnt an intention to release anything, it was more about a document of the tour, but then a friend of mine edited some stuff together and we realised we had something.

He added: [Bassist, Nicky] Wire phoned me today and said he still had a headache from watching the film. I didnt know whether to be chuffed or worried.

Meanwhile, Manic Street Preachers recently went on tour alongside the Welsh rugby team in Japan where they invited the squads Jamie Roberts on stage to perform.

Speaking about his thoughts on the Manics next album, bassist Nicky Wire last year told NME:I just think musically, James [Dean Bradfield, frontman] is bursting with electricity. You can feel it in him. Hes got that desire to start up again. He was talking to me about ideas on how to make things more expansive.

Ive some words on the go, but theres no coherent message. Ive just been listening to This Is My Truth a lot. Its such a deep and heavy album for a record that was so big. It just makes you realise that you can push the limits and have success.

Manics last album was 2018s acclaimed Resistance Is Futile.

Excerpt from:

Manic Street Preachers announce cinema release of The Holy Bible live film - NME Live

Shawnee mayoral and council candidates on the issues: Views on passage of non-discrimination ordinance and taking opposition views into account -…

Opponents of the idea of an NDO wore stickers reading Protect Religious Freedom and Protect Liberty to a Shawnee council meeting.

Last month, we asked our readers what issues they wanted to hear the candidates running for local office address ahead of this falls local elections primary. Based on the input we received, we developed a five-item questionnaire for candidates running for city council and mayor in Shawnee.

Today we publish the candidates responses to item four:

Consideration of a non-discrimination ordinance with legal protections for LGBTQ+ individuals brought out dozens of residents who voiced both support for and opposition to the idea. Do you agree with the councils decision to adopt the NDO? Why or why not?

As a lifelong LGBTQ+ supporter and ally, I was proud to see Shawnee join our peer cities and adopt a full non-discrimination ordinance. Ensuring our city is a welcoming, inclusive, and safe community should be a top priority for all our elected officials. While I believe this is best-addressed at the federal and state level, it became increasingly clear that this resolution would not occur in the near-term, and I did not believe it was appropriate to ask these residents to continue to wait for the pending United States Supreme Court ruling for protection.

I believe that our resolution appropriately provided the same level of protections afforded all others in society, without infringing upon religious freedom or creating administrative or legal challenges to the city, our residents, or local businesses.

I believe in equal rights and protections for all people regardless of their sex, race, religion, sexual identity, gender identity, nationality or any other label the world uses to try and define each of us. I know that every resident in Shawnee wants people to be safe and happy when they live, work and play in our city. I believe that these rights should be established at the Federal and State level so we dont find ourselves in a society where there is a patchwork of different Ordinances. These Ordinances dont offer the same level of true protections that they do when passed at the state and federal government level. That said, with the lack of response by our State to address these issues, I do believe this Ordinance that the governing body adopted was fair and best for everyone impacted. Within the authority of our local government, it protects our employees and contractors while in Shawnee and it protects individuals in their jobs and housing. Additionally, it does not impede on the religious freedom protections given by the state and constitution.

I did not support passage of the NDO. The action taken by the City Council placed the City of Shawnee in the midst of a social issue debate that is very divided, even amongst the United States Supreme Court.

I agree with the councils decision to adopt the NDO, and supported the ordinance. Historically, there have been needs/causes that have begged for resolution at all levels of government. However, only after grassroots expression at the local level, did higher levels of government gain the wherewithal to address the issue. So it is with the Shawnee NDO. City government is where the rubber meets the road. City government handles issues, that usually no government entity above them touch. Were the bottom of the mountain, stuff flows downhill, stops here, and we deal with it. However, sometimes its appropriate to push back uphill on an issue that is very important to your constitutents. The NDO is one of these times, as evidenced by the numerous other cities and educational entities in Johnson County that have enacted similar ordinances. Discrimination is wrong against anyone, anytime for any reason. We all are equal in the eyes of the Creator. The Golden Rule is the goal to live by. The NDO was the right thing to do.

As indicated by my recorded vote, I did not support the adoption of the NDO. I expressed my reasons in detail at the Council Committee Meeting and the Council Meeting. First, I feel the NDO was rammed through with essentially no vetting. It was done in just 17 days. We had no discussions as to legality, enforceability, protection of the rights of people of faith, no discussion of actual occurrences of discrimination in the city and no analysis of potential costs to the city because of lawsuits. We are all aware that there are lawsuits countrywide where ordinances have been adopted. The Supreme Court of Arizona just found the NDO in Phoenix to be unconstitutional in lacking protection for religious liberties. These can be very expensive ordeals, as they often go all the way to the US Supreme Court. I do not believe there was due diligence. Second, I believe our NDO did not adequately protect religious rights of the individual. Third, I feel that actions concerning the granting or takeaway of rights should be supported by constitutional law. We have no constitution at the city level. I believe this issue must, by necessity, be handled at the State, or preferably, national level. Fourth, there was no evidence of discrimination provided at either of the two extensive hearings that were very well attended by proponents of the NDO. Fifth, I believe that social legislation at the local level is a serious mistake. What are the next social issues to be brought before us? Abortion, gun-control, immigration, climate change and so many other contentious social issues that fill our newspapers and new outlets daily. Our focus should be on public safety, infrastructure, and the provision of services to our citizens. Lastly, I feel strongly that if we are to decide who has what rights, in the absence of a constitution, it should be decided by the public at the ballot box.

I supported and will continue to support the NDO.

I was at both public meetings for this ordinance and the one thing that I heard from both sides was that no one wanted to be discriminated against. We all have that desire in common. There are already protections in place against discrimination based on sex, race, religion, age, veteran status, etc. Its easy to look at that list and think that it is a comprehensive list. However, that list left out members of the LGBTQ+ community. The intent of that list was clearly to include EVERYONE. Passing the NDO was a simple matter of updating the list to actually include everyone.

To those who say that this should have been handled at the State or Federal level, I 100% agree. But it became our responsibility when it was not handled by the State or Federal governments. I am glad that Shawnee stepped up to the plate to take care of this. You, the readers, need to judge us, the candidates, by our actions. Those who simply want to pass the buck to the State or Federal level because they dont want to deal with it are not the leaders that we need. For me, Andy Rondon, the Buck stops here. I believe that is the leadership that we need.

Most importantly, its important for me to state that no one within our great city should be discriminated against, ever. I do not, however, support the councils decision regarding the NDO on the basis that I do not believe that this is an issue that should be handled at the city level. Something of this magnitude, if passed, should be done at the state or national level. It does not make sense for each city to have its own (different) ordinances, and it will likely drag our city into litigation which the city attorney is not qualified to deal with. Additionally, there is ongoing litigation with regarding NDOs involving cities throughout the country already; it would have been smarter to wait and see how these move through the legal system. Finally, it inserted partisan politics created division within our community. Local politics should remain non-partisan and focused on basic government functions limited to local infrastructure, public safety, parks/ recreation and economic development. An issue of this magnitude should have at least been put to a public vote instead of hurried through.

Yes, I agree with the decision.

I did not support the NDO. Similar laws and ordinances around the country have been used to target those in the creative arts, such as cake bakers, photographers, florists, and wedding planners. Many of these cases are being adjudicated in the courts as we speak, with recent rulings in both state and federal court upholding the right to religious freedom. Shawnee jumping into the fray by passing this ordinance, before these cases have reached their conclusion, was not wise.

I was proud to support the effort to pass the NDO in Shawnee. As I have often said, I am committed to treating all residents of Shawnee with respect and dignity. I could not keep that pledge if I didnt work to protect our LGBTQ+ neighbors from discrimination. I understand there are some who disagree, and I respect their viewpoint. The City staff and the Council worked very hard to balance those concerns.

I want our city to be a welcoming and inclusive community for everyone. I believe that decisions on class protections are better suited for the state or federal governments. For that reason, I did not like the councils decision to adopt an NDO.

I attended both the council committee meeting and subsequent council meeting and listened to the 8+ hours of public comments on the NDO. For the most part, these comments were presented in a civil way, which I appreciated.

While it would be ideal if there were not a need for such an ordinance or for this type of discrimination to be legislated at the federal level (just like protections on the basis of race, color, religion, sex, and national origin), that is not the case. Our city leaders, just like leaders in so many other cities around us, had the choice to sit on their hands and pretend that its not a problem, or address it. City leaders throughout Johnson County are choosing the chose the latter, and I am grateful.

It might be easy for people not experiencing discrimination to claim that its not happening and therefore no protections are needed, or worse, that a certain subgroup of a population simply doesnt deserve to be protected. We dont have to look too far back in history to see examples of this. As a city, there are potential economic benefits of being inclusive and repercussions of being otherwise. Businesses and events can (and will) choose other cities as weve seen at the national level. We should embrace the increasing diversity around us and see it as a strength.

While some are concerned about religious freedoms, we just need to choose which lens to view this through. We can choose to put on the lenses of fear, judgement, and rigidity or those of love, kindness, and acceptance. I practice my faith, and it has taught me that showing love to others is most important. I also recognize that there are plenty of non-religious people who show kindness to others not because a certain faith has taught them to do that, but simply because as humans co-existing, its the right thing to do.

I am proud that Shawnee took a stand and did not sit back and address this simply because other cities were. This is the civil rights issue of our time and eventually we will look back and have to ask ourselves what side of history we were on.

Tomorrow well publish the candidates responses to item three:

The city is in the process of conducting its first comprehensive planning process. What goals or themes are you hoping to see in the final plan?

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Shawnee mayoral and council candidates on the issues: Views on passage of non-discrimination ordinance and taking opposition views into account -...

Indulging In Luxury Hedonism On The White Island, At BLESS Hotel Ibiza – – The Luxury Editor

The white island is no stranger to decadence. Yet now sophisticated pleasure-seekers visiting Ibiza have a new kind of luxury hedonism, thanks to the unique hospitality style of the recently opened BLESS Hotel Ibiza, writes Andrew Forbes.

BLESS Hotel Ibiza brings together curated elements for a hedonistic white island experience. Think spectacular infinite pools; a breath-taking beach-club style roof-top bar; destination gourmet dining; cool DJ sets, theatrical performers and live entertainment; a full-service spa; and indulgent guest rooms and suites that invite stylish selfies and envy-inducing instagrams.

I was wowed by BLESS Ibiza

Im just back from an early autumn break in Ibiza and Ive been totally wowed by BLESS Ibiza. As Northern Europe braces for cold fronts, the sun continues to shine in the Mediterranean it was the most spectacular few days of sun, great food, stylish accommodation and superb hospitality.

The second property of BLESS Collection Hotels, BLESS Hotel Ibiza brings a hip Mediterranean sparkle to this new upscale lifestyle brand, following the opening earlier this year of the flagship BLESS Hotel Madrid Hotel (you can read about my delicious experience at BLESS Hotel Madrid here).

The property opened for the 2019 season and has been totally remodelled when it was acquired by BLESS Collection Hotels. The style is contemporary, with plenty of bold, original and architectural features and elegant details. The design makes the most of the hotels size, with striking double height spaces which add a real scale to the black and white interiors, with accents of pale pink, turquoise and yellow.

Outside the terraces, water gardens and swimming pools really have the wow factor with infinite pools that drawing the eye to the Mediterranean and the horizon. There is also a stylish area furnished with large daybeds, where you can walk on fine sand and relax in the shade of palms. A path leads to the public sandy cove.

The Ibiza hotel is a resort style property, found on the relaxed beach of Cala Nova. The place felt to me to be designed as the ultimate hotel for Ibiza pleasure-seekers who also want style, refinement and just the right balance between that holiday good-time feeling and pampering tranquillity. It wasnt formal yet it wasnt loud party style either the sophisticated balance was ideal.

The Balearics, the jewels of the Mediterranean, are a pine-covered archipelago east of Spains Valencian coast. Each island has its distinct identity and style; from the sleepy rural charm of Menorca; the mature refinement of Mallorca; and the laid-back, barefoot luxury of Ibiza & Formentera.

laid-back, barefoot luxury

Ibiza, a hippy hangout since the 60s, has evolved into a sophisticated destination that combines a world-class music scene, with a bohemian beach culture as well as rural tranquillity.

The islands club scene is renowned, yet Ibiza also has a chilled, laid back feel too. Most of the island is covered in pine forest, with a coast of small coves and bays.

BLESS Hotel Ibiza celebrates this unique island vibe with Palladium Hotels award-winning hospitality. The team was impressive knowledgeable, attentive, friendly and also they were truly passionate about the BLESS Hotel. Chatting with team members in reception, at the bar and in the restaurants, the young professionals would convey their enthusiasm for the property, its new concepts and plans for the 2020 season.

Check-in was faultless. We were given valet-parking, a welcome glass of champagne; then accompanied to the room nd shown the feature and amenites. Later, as we settled in, we received a follow-up phone call to room to check that everything was perfect.

The Guest Experience Team are found in the lobby; a motivated group dedicated to making sure guests make the most of the facilities. Our signature dining was arranged by the team; as well as access to the spa; and invitations to events on the property such as the Opera in the Spa event. The team can also arrange the signature BLESS services such as having a personalised bathology experience.

We stayed in a Deluxe Seaview the terrace was really spacious and certainly had the promised sea views! The room was well-designed with a walk-in dressing room, a superb bar and refreshment area; and a smart galley style bathroom that had all the expected luxury amenities, including luxury shaving kit, hairdryer, straighteners and upscale grooming products. Thought has certainly been put into the space.

The suites are spectacular, so if you really want to push the boat out and be truly hedonistic then there are some tempting sea view suites.

Dining was a real highlight of the stay. Superb gastronomy and professional mixologist at the bar is one of the pillars of the BLESS guest experience. Good food starts from the moment you start your day.

Breakfast

Breakfast is a genuine 5-star experience. Even with high occupancy during our stay out a la carte dishes were prepared and served in a very timely manner and the quality was there. I really enjoyed the Eggs Benedict. Hot plates to order include Full English Breakfast; Spanish classics like churros with hot chocolate, or tomato toast; to international favourites like avocado toast with poached egg; and vegan and vegetarian fruit and vegetable bowls.

Ruinart French Champagne added sparkle to the morning

The buffet is very generous with superb cheeses, cold cuts, and fresh fruit. Everything was beautifully presented. Ruinart French Champagne added a lovely touch, as did the sweet treats including macaroons.

The unique BLESS style is evident everywhere including with the live performers greeting guests.

We also opted for the luxury of in-room dining and had breakfast in bed enjoying the seaviews recommended!

There is a comprehensive room service menu; a pool bar; and also the impressive EPIC Infinite Lounge. This is the rooftop bar, dining, pool and sun bed area its a beach club in the sky, with spectacular views. The place is so well designed and truly makes the most of the hotels location.

There are also two signature destination restaurants.

This Atlantic Restaurant brings the kitchen of Mediterranean and Atlantic Andalucia to Ibiza, with a thoroughly modern, creative approach.

This is a stylish, light-filled, contemporary restaurant that uses Josper ovens to really enhance the flavour of fish and seafood. Its one of the restaurants that visitors from across Ibiza come to BLESS to dine, as well as welcoming guests.

Kick the night off with sharing plates of tasty fried seafood, or octopus from the grill. Starters also include salads like the classic Malagueo cod and orange salad; red prawn tartar; or gazpacho. Main dishes are stand out, including world-class tuna caught off the coast of Andalucia and superbly prepared meats.

The memorable highlight was our spectacular dinner at Etxeko Ibiza. BLESS Hotel Ibiza has quite the coup this signature destination restaurant by 10 Michelin star chef Martn Berasategui! Chef Paco Budia has recreated Berasateguis greatest hits in this extraordinary tasting menu that takes you through Berasateguis stellar career.

Highlights included:

Ensalada Lasarte a remarkable salad that dates back to the beginning of his Michelin star career in 2001.

Merluza a la brasa perfectly prepared hake.

An unforgettable deconstructed carbonara.

The palate-cleansing Esencia fra de albahaca con sorbete de lima- basil and lime sorbet.

The fab chocolate pudding Un dulce paisaje otoal

The restaurant is superb stylish; with dark wood, subtle lighting a highlight in brushed gold, creating a sensual space. Amongst the tables, in the heart of the restaurant is a Mediterranean fig tree!

Service was top-notch, with a good balance between attentiveness and privacy and friendly too.

In addition to the Rossano Ferretti salon, theres a fabulous spa. It is unusual is that its s flooded with natural light, from double height floor to ceiling windows. Its a really attractive space and as well as having treatment rooms and a circuit, there is an also a peaceful private sunbathing and relaxing area.

BLESS Hotel Ibiza is about 30 minutes drive from the airport and sits right on the shore, with access to a small sandy cove, nearby beach restaurants and also a small community of shops restaurants and other services such as car rental etc.

We have included BLESS Hotel in our guide to the best luxury hotels in Ibiza

BLESS HOTEL IBIZAAddress. Cala Nova, 07849 ES CANAR, IBIZAEmail: reservations@blesscollectionhotels.comTel: +34 971 33 03 00Web: http://www.blesscollectionhotels.com/es/ibiza/bless-hotel-ibiza

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Indulging In Luxury Hedonism On The White Island, At BLESS Hotel Ibiza - - The Luxury Editor

Embrace Your Van Winkle Hedonism With This Custom Barrel Stave Humidor – The Whiskey Wash

You, by some minor miracle, have your full collection of Van Winkle whiskeys for this year. You also have your Van Winkle cigars to go with them. For the latter, perhaps you need another Van Winkle lifestyle product to keep them in until you are ready for your hedonistic Van Winkle evening? If so Pappy & Company, a whiskey lifestyle company started some years back by those bearing the Van Winkle name, has you covered with a new humidor made in part fromPappy Van Winkle bourbon barrel staves.

The new Custom Pappy & Company Handmade Humidor, according to those behind it, was the result of a collaboration between the Van Winkle family members and Heritage Handcrafted, an outfit known for their custom whiskey barrel items. The two first collaborated back in 2014 on a custom Van Winkle barrel wood box holding a decanter and whiskey glasses. This humidor is said to be the second custom piece done between them.

What you have here is a humidor with an outer shell made from Pappy Van Winkle bourbon barrel staves. The boxs top showsthe inside char of the bourbon barrels while the sides display the exterior staves. Inside this box, which is cedar lined, isa hygrometer and built in Boveda 2-Way humidifying system to store and age your cigars for extended shelf life and improved flavor.

The humidor, which includes a removable tray, is designed to hold 150 cigars and weighs a somewhat hefty 8 pounds. It prices around $595 and is said to take four weeks to make from the time you order it. It was not immediately clear if this would be an ongoing item or if it was limited in quantity.

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Embrace Your Van Winkle Hedonism With This Custom Barrel Stave Humidor - The Whiskey Wash

An Aegean cruise aboard Azamara Pursuit proves there are few better places to sail – Stuff.co.nz

It starts with a faint tremor that I feel in the soles of my feet. Engines rumble and the horizon shifts subtly on its axis. I rush to the ship's railings and see ropes cast off and the gap to the quay widening. This is the most exhilarating moment in cruising, which I never want to miss. The inconveniences of travel have been navigated and stowed away with my suitcase. Everything is easy from now on, and adventure awaits over the watery horizon.

Sailing out of Athens is particularly thrilling. Over thousands of years others, from Odysseus to Herodotus, have enjoyed this same moment, though perhaps minus the cocktail. Athens rises from the Attic Plain in the orange haze of the late-afternoon sun. The Acropolis is a stubby outcrop crowned by temple columns that are the exclamation marks of a culture that has influenced the world.

Azamara Pursuit picks its elegant way between container ships into the inky-blue Aegean Sea. The ship is taking me on a 10-night Greece Intensive cruise that finishes in Venice and visits Kotor in Montenegro, but which concentrates on the Greek islands.

There are few better places to sail. The Aegean has been crosshatched by the wakes of ancient Greeks and Romans, Byzantines and Ottomans, crusaders and invading sun seekers. It has history and hedonism. It stirs the intellect, yet tempts with salty swims and chatter-filled cafes.

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Tourists and tourist boats in the famous Navagio Bay on Greece's Zakynthos island.

READ MORE:* Patmos: The heavenly Greek island that mass tourism can't reach* Tinos: The sleepy Greek island time forgot* An alternative side to Santorini

Each island has its distinct character, but all are close enough that passengers are off the ship all day and transported by night. Next morning, our first port of call is Spetses, which is almost ignored by international tourists. Wealthy Athenians come here to escape to bougainvillea-draped villas on pine-scented hillsides. The pines have supplied ships' masts since ancient times. In the harbour boatyard, workers are still making wooden fishing boats with traditional tools. Wrinkled men sit in the sun playing backgammon. The port town is stately with neoclassical buildings. Cars are banned and horse carriages clip clop along the waterfront.

Spetses has no particular sights, but everything that makes Greece magical. A rugged landscape of rocks, hills and scented forest, a tumble of whitewashed houses, shadowy chapels hung with icons and scented with candle wax and polish. Blinding light and blue sky, the blue domes of churches, the silvery shiver of olive trees, the happy splatter of red and orange beach parasols. This is a delicious nothing-to-do cruise day. I meander along the waterfront, hike up to a ruin, devour the first of many baklavas accompanied by thimblefuls of thick Greek coffee.

Next day is quite another experience. The whole world has discovered Mykonos: sun-pink Germans, posturing Chinese photo models, raucous Englishmen, jet-setting party people. Parts of Mykonos town's narrow streets are log-jammed with tourists, their cubic whitewashed architecture hidden under a veneer of hanging T-shirts and postcard racks. Still, it's hard not to be seduced by the whitewashed charm, and a short wander up the hill takes me to silent streets and a dilapidated windmill from which to admire a calendar-worthy island view.

That afternoon I take an Azamara excursion to Delos. This little island on which the Cyclades archipelago centres was considered the birthplace of Apollo and Artemis, and in ancient Greek times was the location of a prominent sacred and commercial town. Its ruins are scattered with mosaics, headless statues and toppled pillars. Marble lions have stood here since the second century BC, and are a brooding presence in a rocky, sun-beaten landscape.

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It's hard not to be seduced by the whitewashed charm of Mykonos.

I squint towards Mykonos, modern-day temple to tourism, and wonder what will remain in another millennium. Greece does this to travellers. It makes you philosophise and contemplate the vagaries of history, even while it distracts you with all the shameless pleasures of 21st-century tourism: beach clubs and coffeehouses, Insta-views and sunsets, warm waters and inflatable flamingo floats.

As we sail onwards, I find Azamara Pursuit caters to the split personality, too. It offers thoughtful seminars and enrichment lectures, and a ship's library of Georgian-style elegance and considerable literary heft. It's an elegant ship of understated appeal almost as minimalist as the Aegean landscapes, yet is never short of indulgences. I like the pool-side hot tubs, the White Night evening barbecue on deck, the properly made coffee from Mosaic Caf and the foie gras with fig jam from Aqualina restaurant.

As we sail onwards, each island is unexpectedly different. At Rhodes, we sail in under crusader battlements to spend the day exploring one of Europe's best-preserved medieval fortified cities. In Crete, there are wild landscapes and village life, and the crumbling ruins of Ottoman castles. By day seven we've arrived in the Ionian Sea to anchor off Zakynthos, where limestone cliffs plunge into peacock seas and a shore excursion takes me into a rural world of folk tales and saintly miracles.

Azamara Pursuit is ideal for these petite ports. The ship carries 702 passengers and, though it has space and a full range of amenities, is compact enough to visit smaller destinations. It's an attractive ship but caters to those who like to be off it and exploring for most of the day, and sometimes into the evening, too. Azamara Club Cruises is destination-focused, lingering in ports and providing an impressive range of shore excursions. A choice of 10 in Rhodes, nine in Zakynthos and nine in Mykonos, ranging from mosaic-making to a monastery visit, a four-wheel-drive adventure to a culinary walk.

SUPPLIED

Azamara Pursuit is an elegant ship of understated appeal.

I like the structure of the shore excursions, and the time they leave for exploration on my own. In Corfu, a morning visit to Achilleion Palace still leaves the entire afternoon free for Corfu old town, the jumbled alleys of which are edged with a fine, arcaded Esplanade and parks, all overlooked by a whopping Venetian-era fortress. This is a lovely place of statues, pastel-painted houses and bakeries hot with the smell of nut biscuits dipped in honey. Tourists surge, but in the Church of St Spyridon local widows in black queue beneath a flamboyantly painted ceiling to kiss the patron saint's silver coffin.

We sail away between the Corfiot and Albanian coastlines. The pie-crust roofs and fortifications of Corfu are left in our wake. Albanian towns are an enigma to starboard, glowing like the promised land in the last of the Mediterranean sun. That could be a place to visit one day, I think as I pace the decks. A good cruise leaves you wanting more, as the travel muse sings across the silvery sea.

FIVE SIGHTS BEYOND THE PORTSKNOSSOS PALACE

From Cretan port Agios Nikolaos, a shore excursion takes you to these 1250BC Minoan ruins, one of the world's most famous archaeological sites. The nearby Museum of Heraklion's artefacts highlight the sophistication of this ancient civilisation. Seeheraklion.gr

REMOTE ZAKYNTHOS

To prove there are still untouched spots in Greece, a 4WD tour winds into the rugged Vrachionas Mountains and onwards to remote inland villages Anafonitria and Volimes. There's also a stop above Shipwreck Beach, one of Greece's most stunningly blue coves. Seevisitgreece.gr

LINDOS

AnAzamara excursion across Rhodes island goes to the lace-making town of Lindos, whose cubic houses are scattered like white dice below an acropolis of ancient remains and Venetian fortifications. The combination of temple ruins and landscape is sublime. Seerodosisland.gr

ELIA BEACH

For your hedonistic moment, head to one of Mykonos' most magnificent beaches, lapped by emerald-tinted waters and embraced by craggy cliffs. Rent a sun lounge and thatched parasol and enjoy a day of sun-soaking and swimming among Europe's buffed and beautiful. Seemykonos.gr

ACHILLEION PALACE

This odd but attractive neoclassical mansion in Corfu was built in 1890 for melancholy Empress Elizabeth (Sissi) of Austria and later owned by Kaiser Wilhelm II. The curator takes you around the interior and statue-studded gardens with their sweeping terrace views over Corfu. Seeachillion-corfu.gr

TRIP NOTESMORE

visitgreece.gr

CRUISE

Azamara offers three Greece Intensive Voyage itineraries in 2020 that sail between Athens and Venice (or the reverse). They all differ slightly from each other and the one described here. Prices from US$2667 a person, twin share. azamara.com

Brian Johnston travelled as a guest of Azamara.

A return trip for one passenger in economy class flying from Auckland to Athenswould generate 3.2 tonnes CO2. To offset your carbon emissions head toairnewzealand.co.nz/sustainability-customer-carbon-offset.

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An Aegean cruise aboard Azamara Pursuit proves there are few better places to sail - Stuff.co.nz

A family vacation with something for everyone – The Boston Globe

Im not doing this again. Find another cook. So the search began for an alternative family vacation. Dude ranches. Cruises. Safaris. We couldnt reach a consensus.

Why dont you look into Club Med? a friend suggested.

Are you kidding? Take our tender kids to gawk at topless girls and eager guys sucking on straws stuck into coconuts? I dont think so.

To confirm our pilgrim conclusion we Googled their site in Cancun. Seems times have changed. Hedonism out. Families in. (OK, so theres a bit of hedonism.)

We have three kids, and they have six, from 6 to 23. Where can we find a place that caters to our myriad diversions? Where the daily buffets lay out a dozen desserts. Where you can have a mid-morning mojito. Where you can go back to summer camp.

The answer: a pre-paid all inclusive package where your only burden is to wear a bracelet which gives you the run of the place plus, unlocks your room.

A 15-minute drive from the Cancun airport, the massive doors open to an ocean estate perfectly laid out for every family configuration. Each room opens onto water; many of the rooms surround a private lagoon. All are spacious and meticulously kept by a bevy of housekeepers.

The first, second, and third reason for these reunions is to give our disparate family a weeks time to stretch out and catch up. Short of weddings and graduations, were tethered by jobs and school to our separate corners. Lying under palapas, cocktails by the pool, but mostly sobre mesa across the table we can reconnect and deepen our family ties.

We established our breakfast table just off the not-for-weightwatchers buffet. Beyond fresh squeezed juices and the length of fresh, local fruit, we each wandered off to have at the fantasies that well never see at home. For one grandchild is was Nutella crepes. Another favorite was chilaquiles (tortillas swimming in a rich salsa and covered with cheese). Then theres pastries with a side of waffle. Smoked salmon and bagels. Omelettes to order. And for the late-nighters theres cactus detox juice.

A favorite game was to try and guess a familys nationality before they spoke. We were stumped by a family from Lithuania. Or lean over the rail and count needlefish, barracuda, and the odd tarpon. (And theres the regular appearance of harmless caimans.) One morning, my son said it all: What would I do if I didnt have to do anything?

The Hacienda buffet is changed for lunch and, again, for dinner. Stations include a carving medium-rare roast beef and juicy chicken and duck, a taco and fajita bar, pastas, cold seafood, and an array of ice creams. (The Club has two underwhelming white tablecloth restaurants and a wine bar.)

Beckon a waiter and order a beer, wine, mixed drinks and, of course, a Shirley Temple. (Actually, beckon a waiter and you can have an umbrella drink right after you roll out of bed.) It doesnt take more than a few hours after arrival to adapt to the notion that everything everything is included in the package. No credit cards, no room numbers, no signatures.

The service and warmth went beyond that of many grand hotels. From beach sweepers to chambermaids to bartenders to trapeze instructors came hellos and smiles from dawn till the last dance of the night. Your wish is my command seemed virtually a mantra.

The day opened with a seemingly endless choice of activities waterskiing on the lagoon, archery (archery?), trapeze, snorkeling, scuba diving, tennis even salsa dancing. Thats just a random batch. Staying fit? Theres water aerobics in one of two enormous pools, power walking, all the way up to mega Zumba.

My son and I went fly fishing for snook and tarpon. The boys played one of two nearby golf courses, which they rated beautifully maintained and not outrageously expensive by resort standards. The rest went parasailing and a day later swam with dolphins. (How many photos can you take of grandkids kissing these creatures or posing with toucans perched on their heads?)

My take-away scene was watching my 6-year-old granddaughter climb a 25-foot narrow ladder to a trapeze platform, being tied to a safety line, grabbing the bar, and sailing out over the catch net, pumping her legs for height.

For us real potatoes, theres the beach of fine, white sand lined with palm-roofed palapas giving shade. Uniformed waiters weave around the lounges carrying chilled tropical drinks. Waves curl and splash under gliding frigate birds. The Caribbean tableau.

Nights brought professional shows including a Mariachi band, a circus trapeze act, Mexican folk dancing, synchronized swimming (goofy).

Sitting over cocktails on our final evening as the sun set red, we talked about our next biannual gathering. A few tepid alternatives were raised. They flopped. So Cancun 2021 it is.

Clinking of margarita glasses.

John Sherman can be reached at johnlewissherman@gmail.com.

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A family vacation with something for everyone - The Boston Globe

Tony Chambers on the designs that can help solve a climate crisis – Evening Standard

The latest lifestyle, fashion and travel trends

Many of the best ideas arise from a hearty debate across the kitchen table, and thats exactly where design community members devised their latest concept for Non-Pavilion,a showcase installation at last months London Design Festival.

Non-Pavilion stands out because it barely exists. It comprises four aluminium corner poles resembling Swiss baugespanne, structures erected to define what the profile of new buildings will be in order to illustrate their impact. It is essentially an empty space created within the poles, which serves as a platform for a series of explorative augmented reality films highlighting the need to challenge growth-driven economics.

Endless economic growth is proving environmentally unsustainable. With the global population hurtling towards 11 billion by the end of the century, the consumerist culture we are accustomed to cannot continue.

The London-based collective behind Non-Pavilion is a group of architects, designers and curators: Studio MiCat, There Project and Proud Studio, all of which are in agreement that as creators of new and desirable things, the design community is complicit in the current crisis.

Coffee 'could become luxury item in UK by 2050' due to climate change

The series of AR films asks pertinent questions: can design facilitate a change in mindset away from consumerism? Can design help advance a sustainable, prosperous and fulfilling existence? How can designers and architects use their skills to provide vision and inspiration for this progressive and much-needed movement?

I was pleased to learn that there are plans for the work to have a life now that the festival has closed. The idea now is to take Non-Pavilion to other design events and each time approach a community of designers and architects to create new, thought-provoking experiences that represent the fundamental questions were asking, says Michael Garnett of Studio Micat.

The top design events and shows to watch out for this month

Weve done a lot of work that is political so it felt perfect for us to get involved, says Lucienne Roberts of graphic design studio, LucienneRoberts+. I know from a graphic design perspective, most people go into the profession wanting to make the world a better place.

Garnett concurs: Ultimately we want to rally the whole worldwide design community to design ourselves out of a crisis. The global economic model can be unpicked, challenged, rethought and redesigned. This is of course what economists do, but we need creative minds to help think around these problems, too. (non-pavilion.org)

Memory Palace

Es Devlins 18 metre-wide immersive sculpture Memory Palace, at Pitzhanger Manor & Gallery in Ealing, maps historical moments that shifted human perspective, from African caves where the earliest human drawings were found to the conception of the world wide web in Switzerland. It includes mirrored planes that help create a greater impact by multiplying the works dimensions. Devlin also provides a Memory Library, a personal collection of books that informed the decisions to put the exhibition together. It is the second exhibit at Pitzhanger Manor & Gallery after its three-year refurbishment.

Until 12 Jan (pitzhanger.org.uk)

Achille Salvagni

Since founding Achille Salvagni Architetti, Rome-born architect and designer Salvagni has become world-renowned for his elegant interiors and luxurious yacht designs. His new self-titled book, Achille Salvagni, is his first-ever monograph celebrating his modernist style. Arranged thematically, emphasising harmony, colour and craftsmanship, Salvagnis book highlights his limited-edition works and contemporary taste for sophistication. (achillesalvagni.com)

The Stratford

The Stratford, a recent project by Harry Handelsmans Manhattan Loft Corporation, is part of the ongoing redevelopment of Stratford since the 2012 Olympics. Designed by SOM the architect behind the Burj Khalifa and One World Trade Center The Stratfords double cantilevered and distinctive profile has been described as architectural hedonism. This new social and cultural hub boasts 145 hotel rooms and 248 apartments, along with three bars and two restaurants designed by Space Copenhagen. The headliner restaurant, Allegra, opened last month and is fronted by the much-lauded former head chef of Chiltern Firehouse, Patrick Powell.

Echo ear buds

Amazon enters the wearables market, having recently unveiled a range of new devices at its Seattle HQ. Its wireless earbuds, called Echo Buds, have customisable ear tips to provide a universal fit. With noise-cancelling technology from Bose the earbuds, which adjust to three sizes, allow for immersive sound as well as hands-free assistance provided by Alexa. 119.99 (amazon.co.uk)

Excerpt from:

Tony Chambers on the designs that can help solve a climate crisis - Evening Standard

TT Sriram, the frontman of Skrat, talks about his life between business sales and tonal scales – Indulgexpress

It isnt hard to imagine the lead guitarist of a rock band lugging around a bag filled with deodorants and condoms. However, if youre picturing an artiste carrying all this backstage, followed by an entourage of groupies, dont bother. You wont find any tales of green-room hedonism here. This rockstar embarked on a door-to-door journey in the crowded markets of Mumbai and Madurai, trying to make the perfect sales pitch!

Thats a succinct summation of TT Srirams journey so far. A life that oscillates between being the frontman for one of Chennais most respected indie bands to being a salesman for a 91-year-old conglomerate company.

Despite hailing from an illustrious family that helms the multi-faceted TTK Group, Sriram earned his stripes the hard way. Be it onstage: where his band Skrat spent their formative years being trounced by scenesters. Or in the business realm: where at the outset, he might have been considered by many as the boss son.

Over a decade later, perspectives have changed. Respect earned. His outfits musical endeavours, which include four full-length albums, have led to sold-out shows around the country and earned the trio (featuring Jhanu Chanthar and Tapass Naresh) widespread critical acclaim. But, what of the entrepreneurial side of things?

Learning to hustleThe corporate world and the rock n roll domain have very little in common. In fact, as far as I am concerned, they stay independent of each other, says the engineering graduate with a degree in biotechnology from SRM University.

I am not an academically inclined individual, so I never took the Ivy League B-School route. Which is why after college, my father, TT Raghunathan, insisted that I gain work experience. Initially, I worked with Kemppi, a Finnish welding product company, who were launching in the city. Following this, a stint at Brew Magazines sales department. Only then was I allowed to step foot into the company. And of course, I started at the bottom as a sales representative, he adds.

Did his familys legacy in the field help him gain a better understanding of the craft? Maybe, because when he was a kid, Srirams grandfather would always explain how working in sales is the most fun job in the world. In spite of this, the Tin Can Man singer admits he was scared.

I was in my 20s. Surrounded by people whod been working in the department for more years than Id been alive. Getting fired or quitting wasnt even an option! I slogged on the road from 10 am to 4 pm in cities like Chennai, Madurai, and Mumbai. Selling everything from deodorants to condomsgoing to 42 shops a day and handling distributors. After an intense and challenging four-year period, they finally took off the training wheels, and I started progressing, explains the 31-year-old, who is currently a senior manager in sales at TTK Healthcares food division.

Worldbuilding skillsSince his bandmates, Jhanu (bass) and Tapass (drums) are full-time musicians who are on tour at least 200 days a year, one begins to wonder if Sriram ever feels like a kid in a corporate classroom looking outside the window and seeing all his friends going out to play.

Not at all. Both of them are talented and hardworking artistes. Whereas, I currently sell chips for a living! Why would I complain? Sure, it comes with its own set of challenges, crippling self-doubt, and high-pressure situations. All of which Ive handled in Skrat. I would even go as far as saying, music is the harder job. Touring is no walk in the park. The cyclical airport-hotel room-performance venue experience they both endure is not an enviable one. Whereas, all I have to do is come home every day from work at 5 pm, enter the shed/jam space beside my residence and flip a switch in my mind to tap into my musical side, shares the lyricist behind albums like Bison, The Queen, Bring Out The Big Guns and Design.

The aforementioned shedseen on their 17-minute, five-song YouTube showcaseis where Sriram does most of his songwriting, in lyric books. His approach is so organic and analogue that there is no home studio setup.

The musician, who also handles guitars for city-based Tails on Fire and features on composer Dhruv Kumars EP, Pieces That Do Not Fit, explains, As Skrat, we dont sing about political issues or provide social commentary. We are empathetic towards such topics, but also very aware of how preachy such bands become over time. People still connect to our tunes because we provide context. I create characters in my lyrics and then imply these issues in the third person. Listen closely, and youll realise that tunes like Samurai Bada** are about bullying.

Zero prestige issuesSrirams interests in fantasy and speculative fiction, in general, is apparent as 13 years of songwriting has evolved into a universe of Skrat characters and interconnected albums. Honestly, I feel people connect harder and heavier to a person that is not of this reality. This is why adults cry in theatres when superheroes die on-screen, he adds.

However, this Chettinad Vidyashram alumnus also admits to writing over 40 songs, some of which have never seen the light of day. Primarily because they are deeply personal tunes like Ghost Town and do not fit the bands lexicon.

Regardless of what he writes, Sriram always shares his tunes with his father. Dad is a proper audiophile. Besides his go-to country, jazz and swingpop records, hes always listening to new music. So, it comes as no surprise that hes my biggest critic. I remember sharing The Queen, one of our heavier albums with him, and he joked that I should provide a Saridon pill, free with every copy! However, he taught me an important lesson very early on in my career: If you sound like someone else, theres no point in doing it. Yes, there are only nine notes on a tone scale, but what mattersis what you do with it, shares the artiste, who is currently working on a graphic novel interpretation of theSkrat tune, Gunslinger.

***************

Bonding over BHPMotorcycles are a massive obsession for both father and son. Photographs of his fathers 1969 Triumph Bonneville 650 and cafe racer toy collectables are easy to spot in the shed. The apple, as they say, doesnt fall far from the tree. Back in 2014, Sriram and his crew embarked on a 3,600 km road trip, spanning seven cities.

The idea was to ride and perform at eight venues, counting stopovers at RiderMania and NH7 Weekender. Our adventures through lesser-known routes that touched upon Kalasa and Kudremukh, etc, have been captured in a tour video called The Loverider Experience, explains the motorhead, who rode a Royal Enfield Classic 500 Desert Storm edition during that ride.

Another instance of the family connecting over bikes would be their involvement with the California Superbike Schoolone of the worlds premier riding schools. My uncle TT Varadarajan and his son, Siddharth, bring the brand down to Indiaevery year. It is by far the most comprehensive school for the motorcycle enthusiast, and I love helping them out, he claims.

***************Indie issuesWe live in an age where cringe pop musicians earn over `3 lakh per gig.So, whats wrong with the live musiccircuit today? In the quest for instantvalidation, new bands are losing their identity. The essence of songwritingis deadits all about viral value, he elaborates, adding, Yet, there are a few original bands in the city. My favourites are La Brise, Amrit Rao & the Madrascals, Spotlight,and Nobody.

***************

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TT Sriram, the frontman of Skrat, talks about his life between business sales and tonal scales - Indulgexpress

The 25 best albums of July to September 2019 – FACT

Every three months, FACT rounds up the best music that has passed through our inboxes and over our desks. With September over and the third quarter of 2019 closed out, weve examined the fringes to bring you the most exciting releases from the wider electronic music landscape and elsewhere.

Our Third Quarter Report is always about re-examining summers delights and this year, in particular, we are seeing artists pushing their own boundaries. Lisbon producer Violet flipped her youthful love of Bon Jovi kitsch into her most innovative release to date while Pittsburghs W00dy crafted freaked-out gabber and footwork to keep you warm just before the months start getting cold. We saw the softer side of Jenny Hval which for the Paradise Rot author means slightly less witchy than usual and a celebration of FACTs favorite R&B vocalists Jazmine Sullivan and Alexandria on Kindnesss triumphant Something Like a War. Chromatics returned, right after it became fall, with their first full-length in seven years, an album worthy of forgetting about the whole Dear Tommy debacle and a reminder that good things come to those who wait.

BarkerUtility(Ostgut Ton)

Bandcamp / Spotify / Apple Music

The title of Sam Barkers debut album, Utility, suggests a far more functional experience than it delivers. As with last years standout EP Debiasing, the Berghain resident and Leisure System co-founder ditches the kick drum and explores how far he can bend the idea of techno is before it breaks, crafting an album more in tune with the music of kosmische pioneers Manuel Gttsching and Klaus Schulze than his Ostgut Ton labelmates. Utilitys simple, devastating chord progressions paint a vivid picture of the utopian power of dance music while sandblasting your brain with serotonin. The techno trends and fads of the late 2010s will come and go but Utility already feels like a timeless classic. SW

ChromaticsFade to Grey(Italians Do It Better)

Spotify / Apple Music

Closer to Grey opens with a cover of Simon & Garfunkels The Sound of Silence. Whether or not its a gesture toward the unpredictable lore of the never-released Dear Tommy, it is the perfect preamble to the album that unfolds: Hello darkness, my old friend is a deft encapsulation of what we love about Chromatics. From their signature breathy 60s girl-group mutations on Youre No Good and a crunchy cover of The Jesus & Mary Chains On the Wall to light-touch tinkering with trip-hop on Light As a Feather and Touch Red, Closer to Grey evokes Chromatics time-tested ability to evoke a feeling that theres something else lurking beneath the shadows. And for that, we can forgive dear Johnny for the wait. CL

Charli XCXCharli(Atlantic)

Spotify / Apple Music

Charli XCXs third studio album is best summed up by a lyric from opener Next Level Charli: Bump bump, in the rave / Go forever and ever. The British singer has long been ahead of the curve when it comes to fusing electronic and pop music, and Charli achieves this in a way thats sonically intriguing yet still accessible and full of unabashed bops. She delivers strobey, synth-heavy collabs (whats a rave without friends?), as well as the quieter moments between nights out: breakfasts in bed and breakups; poignancy and paranoia. But then the bass hits and the beat goes on, forever and ever. KR

E-SaggilaMy World My Way(Northern Electronics)

Bandcamp / Spotify / Apple Music

On My World My Way, E-Saggila gives herself a formally unbound space to indulge, from the epic RPG-esque orchestration of Stars Dying in Succession to the trap-inflected beats of Alia which skitter around shrieking vocals from Club Chai-affiliate Thoom. The through-line that deftly makes sense of all this is E-Saggilas mighty, enveloping production style. It unfurls in each track like the whole horizon and deserves to be listened to as loud as possible. NP

Gabber Modus OperandiHOXXXYA(SVBKVLT)

Bandcamp / Spotify / Apple Music

Please, lets make 2020 the year that the term rave no longer stands as a lazy signifier for weak pills, anodyne acid house and parties on the M25. When we think of raving, lets instead look to acts like Gabber Modus Operandi, the Indonesian duo whose new album, HOXXXYA, is a contender for the most exciting half hour of dance music to be released this year. By rewriting traditional forms of Indonesian music such as gamelan and dangdut with a demonic medley of black metal, trance and happy hardcore, Kasimyn and Ican Harem have forged a collection of rave tunes with one foot in the distant past and the other in the far-flung future. HBJ

Jenny HvalThe Practice of Love(Sacred Bones)

Bandcamp / Spotify / Apple Music

If 2017s Blood Bitch, FACTs no. 1 album of that year, cast Norwegian experimental multi-instrumentalist Jenny Hval a witch, a vampire, an otherworldly succubus, The Practice of Love is the flip side of the same coin. It sounds like a love paean from another dimension but healing this time instead of destructive. While it retains the somewhat jarring, disjointed compositions that have put Hval at the forefront of avant-garde music, it is by far her most accessible record, taking its cue from, among other electronic sub-genres, 90s trance on the title track, Hval, Vivan Wang (formerly of the Observatory) and Australian singer-songwriter Laura Jane create a spoken word exploration of the meaning of love over ethereal synth waves. Its an emotional core that anchors the album and opens up Hvals sound to a brand new world of possibilities. CC

KindnessSomething Like a War(Female Energy)

Bandcamp / Spotify / Apple Music

Ever since Adam Bainbridge began recording as Kindness back in 2009, the off kilter pop-R&B project always seemed like an essential part of a greater whole and in the interim, Kindness has become almost as popular for their music as for their writing, remixing, production and radio work. This is one of the reasons why Something Like a War feels like an event, a cohesive universe of disco, R&B, club and radio pop that holds on to the homegrown essence that has always set them apart for their peers. There are tinges of Arthur Russells cool baritone and woozy strings, but updated for the 21st century. And when star featured vocalist Robyn appears on the mid-tempo The Warning, Kindness is able to effortlessly mold and guide her towards the sound he nailed on this production work on last years Honey. Within their somewhat-chaotic self-made world, Kindness has perfectly engineered their ideal environment, something between soft introspection and extroverted excess. CC

KleinLifetimeijn inc.

Bandcamp / Spotify / Apple Music

Klein continuously pushes her music forward. For her second album Lifetime which the south London adventurer likens to giving someone your diary she has constructed a hypnotic personal collage that explores spirituality and makes clever use of samples and field recordings, from haunted gospel choirs and a Bible debate to dialogue from race film pioneer Spencer Williams. Still leaning on an abstract sensibility, and yet presented in sharper focus than the grainy noise of her previous releases, Klein puts her memories and ideas through a mangle of complex sound design, inviting us into her world for a compelling timeless classic thats hard to put down. ACW

LeoncePenetration TestingMorph Tracks

Bandcamp / Spotify / Apple Music

Atlantas Leonce is hardly a newcomer. The young producer and DJ has been hard at work in his city and around the USA for years, building a community and crafting a unique sound thats rooted in the hybrid club styles found scattered throughout the US South. Penetration Testing is exactly the fusion that house and techno needs, skating the line between the basement party and the sex dungeon and pulling influence from Baltimore club, R&B and gqom. Its also the debut release from Morph Tracks Leonce and Jsports new label that aims to prioritize queer black and brown artists and disrupts a pallid scene with a smirk and a middle finger to the dance music establishment. JT

Loraine JamesFor You & I(Hyperdub)

Bandcamp / Spotify / Apple Music

For You And I is a phenomenal first LP from a bold new voice. Its both an exploration of the difficulties faced being in queer relationship in London and a snapshot of the citys changing musical landscape in 2019; jazz, UK drill and grime are all touch points, spliced together with abstract electronic textures to create a collage of sound and interior narrative that make you feel as if youre walking the streets of north London in Loraine Jamess shoes. There are parallels with both fellow Hyperdub artist Burials musical night bus journeys and Actresss introspective techno, though James carves out a unique sound that vividly reflects her own reality and the contemporary city around it. SW

MahaliaLove and Compromise(Atlantic)

Spotify / Apple Music

On her second studio album, Mahalia expands her guitar-strumming folk into slow-burn neo-soul, her angelic voice and Leicester accent draping over radio-ready production like warm satin. Her reverence for 90s R&B shines through on breakup burner What You Did, which flips the same soul sample as Camron and Juelz Santanas Oh Boy and trots out tour mate Ella Mai for an Aaliyah-inspired video. LC

MaralMahur Club(Astral Plane Recordings)

Bandcamp / Spotify / Apple Music

A good mixtape is a thing of great beauty, and LAs Maral nudges into exquisite territory on her debut release Mahur Club. Dense and brittle the point of collapse, the tape barges through genres like a Katamari ball, absorbing elements from rap, reggaeton, dub, psychedelia and US club music and filtering everything through a Persian cultural lens. If that sounds hard to imagine, its on purpose: Marals music is delightfully idiosyncratic and the mixtape plays like a warped stream of consciousness or a hyperactive sketchbook of microscopic sound collages. JT

Maxo KreamBrandon Banks(RCA)

Spotify / Apple Music

On his major label debut, Houston rapper Maxo Kream is all substance. His lyrics are dense, his subject matter is heavy. Hes too unpretentious (and hilarious) to pose as a conscious rapper and his life is too real to become a punchline or a meme. But his true-to-life tales of those trapped by mass imprisonment, gang violence and drug addiction prove hes one of hip-hops most brilliant modern storytellers. We hope his talent wont go unrecognized till its too late. LC

MoMa ReadyThe NYC Dance Project(self-released)

Bandcamp

In his own words, MoMa Readys The NYC Dance Project is simply a collection of wild edits and some big tunes to party to until the end of time, dropped onto Bandcamp on a whim one night in July. However, overlooking this digital-only collection of tracks from 2016-2019 would mean missing out on one of the years most thrilling house albums from one of NYCs most exciting new artists. Its a mix of nostalgic and the new: right at home with the rough and ready four-to-the-floor club tracks that have emerged from NYC over the past decade, made with samples that are a tribute to black dance music of the past. SW

Not Waving & Dark MarkDownwelling(Ecstatic)

Bandcamp / Spotify / Apple Music

Downwelling can be defined as the process of accumulation and sinking of higher density material beneath lower density material. This is a fitting metaphor for one of the most unexpected and devastating collaborations of the year, one that sees Mark Lanegans weighty growl slowly sinking to the bottom of Not Wavings gauzy ocean of sound. The ghost of the late Scott Walker haunts the albums nine tracks as Dark Mark ornaments his sonic descent with esoteric lyricism and a weary delivery, yet the narrative he weaves is one of quiet faith, juxtaposing human fallibility with our resistant capacity to connect with one another. HBJ

Octo OctaResonant Body(T4T LUV NRG)

Bandcamp / Spotify / Apple Music

Maya Bouldry-Morrisons first album after transitioning, Where Are We Going?, was cerebral, with a tinkling celestial sparseness and an uncertainty that reflected the title. Two years later, her debut release on T4T LUV NRG (the label she runs with DJ, producer and romantic partner Eris Drew) is a euphoric celebration of the body: the ecstatic joy of the dancefloor, and the psychic and physical bonds created through connection and love.

With meditative cover art by her wife Brooke and song titles like Ecstatic Beat, the project is deeply personal, a cohesive message transmitted through rave-ready breakbeats and house vocal samples. LC

Oli XLRogue Intruder, Soul Enhancer(BLOOM)

Bandcamp / Spotify / Apple Music

The main element that separates Oli XL from his glitchy neo-IDM peers is that he appears to be genuinely having fun with his material. The obsessively chopped samples and intricate sound design might nod to the hydraulic foley grime of Bloom, but Oli XL juxtaposes this with the plasticky, deadpan humor of PC Music and the carnivalesque quality of Basement Jaxx, who he cites as a primary influence. Rogue Intruder, Soul Enhancer never takes itself too seriously, dropping in cheeky samples or dialog snippets to break up the pulses, bleeps and cracks. When the chorus from Becks Loser appears on Clumsy, sung and pitched up to sound like a surreal kids TV character and piped through a sparse backdrop of electronic wiggles and a broken 2-step rhythm, its hard not to giggle. JT

PeladaMovimiento Para Cambio(PAN)

Bandcamp / Spotify

Its impossible to cleave dance music from its political roots. Even those who claim the genre is simply an excuse for hedonism dont seem to grasp that hedonism itself is politicized. Montreal-based duo Pelada dont even try to deny their musics revolutionary power. Movimiento Para Cambio fuses Tobias Rochmanns brittle IDM-adjacent house and club forms with Chris Vargas brutal polemic and manages to sound dangerous and new, whether you understand the Spanish lyrics or not. As screamed words and phrases bounce in-between bass womps and familiar house staples (the legendary Korg M1 is pastiched on stand-out banger Habla Tu Verdad), its hard not to feel stirred by Peladas passion, power and dedication. They are speaking their truth, but its up to us to listen. JT

RabitSTAR BELLYself-released

Bandcamp

Rabits rapidly growing series of screw tapes sound so personal that the experience of listening to them seems akin to inviting the producer over to your house, getting incredibly stoned and watching him gleefully flick through your record collection before he blends all of your favorite southern rap into all of your favorite pop songs. As the audio from a 1998 interview with DJ Screw melts into the etherized opening strums of Mazzy Stars Fade Into You, its as though you can hear all of Rabits formative influences and teen angst coalescing into a complete, slo-mo vision, a fantasy mixtape warped with low-bitrate distortion. HBJ

rRoxymoreFace To Phase(Dont Be Afraid)

Bandcamp / Spotify / Apple Music

On her first full-length, rRoxymore flexes her experimental muscle for a rhythmic hall of mirrors strewn with broken beats and dreamy pads. Beginning on a beatless note with the rich ambient dreamscape of Home is Where the Music Is, Face to Phase soon dives off the bass end with the low-key banger Passages, casting a spell of noirish magic that enchants a record which flits effortlessly between club and cushion. The French-born, Berlin-based innovator represents the adventurous side of house and techno, and this daring dossier of sound is the perfect expression of her paradigm-shifting artistry. ACW

RUI HOIn Pursuit of the Sun (Objects Ltd)

Bandcamp / Spotify / Apple Music

When a genre becomes oversaturated or stagnant, the best artists are always able to reach inside their own stories and reinvigorate and reinvent their scenes. Berlin-based Chinese DJ/producer RUI HO has done just that, taking the upbeat techno and club house that thrives in Germanys capital and injecting it with a healthy dose of traditional Chinese melodies and rhythms. The result is a track like opener Wings of Light, that pairs an old school Baltimore shuffle with a crystalline, hypnotic synth that perfectly mimics a guqin, a stringed Chinese instrument. This melding of cultures permeates the entire record, making In Pursuit of the Sun seem both futuristic, nostalgic and decidedly now. CC

VioletBed of Roses(Dark Entries)

Bandcamp / Spotify / Apple Music

For her debut album, Ins Coutinho, aka Lisbon-based multitasker Violet, took a step back from the breakbeat-infused euphoria of her previous club-minded releases. Built from schlocky synthscapes and silvery drum machine jams, Bed of Roses toys with everything from 80s electro-funk and synth-pop to ambient, techno and reggaeton. Written over the course of seven years, the title nods to the Bon Jovi song she loved as a child and the album is a self-described healing device for Coutinho as she recalls her teenage self. Bed of Roses isnt necessarily what youd expect to hear from the producer who brought Togetherness to the dancefloor but thats what makes it so good. ACW

W00dyMy Diary(self-released)

Bandcamp

W00dy makes club music for weirdos and My Diary offers wickedly quick and glitchy bangers that seem to forcefully tug against the leashes of their bpms. Its music made for ravers that want to thrash, noise kids that crave the rave and all post-genre absurdists desiring something fanatically different than your EDM standards. W00dys sound could be understood as some acid-drum n bass-gabber-footwork hybrid or just gorgeous sonic gibberish, beyond clear comprehension, immersed in its own heavily-hyphenated mishmash. A totally overstated delight. NP

xinMELTS INTO LOVE(Subtext)

Bandcamp

Over the last 30 years, tropes from what is often casually called bass music a diverse range of sub-heavy dance music rooted in Jamaican soundsystem culture and UK hardcore have become completely absorbed into the wider dance lexicon. In 2019 its almost hard to go to a club and not hear musical elements linked to this lineage: sirens, hoover bass, chopped amen breaks the list is long. So its to xins credit that they have been able to assemble an album that expertly references hardcore, dubstep and D&B without resorting to any obvious tropes. MELTS INTO LOVE is a deliriously psychedelic record and slithers in and out of the brain with the visceral body horror of a David Cronenberg movie. When hardcore or D&B is referenced, its corrupted, distorted and melted into this heaving, viscous slop. At once terrifying and welcoming, its the soundtrack to a new era of cyberpunk anxiety. JT

Originally posted here:

The 25 best albums of July to September 2019 - FACT

Room author Emma Donoghue’s new novel dives deep into love and loss, and what it means to be a family – Vancouver Sun

Vancouver Writers Festival

An Evening with Emma Donoghue

When: Oct. 22, 8 p.m.

Where: Performance Works, 1218 Cartwright St.

Tickets and info:writersfest.bc.ca

The award-winning author/screenwriter/playwright Emma Donoghue is a mindful traveller, but not in the meditative, pay attention to the moment, without judgment kind of way.

No, Donoghues mindfulness has a distinct purpose. Its there to register and record everyday experiences as potential fodder for future stories.

Take, for example, Donoghues latest novel Akin. The book is set mostly in Nice, France, and it tells the story of an almost 80-year-old professor who has, through sad circumstances, been entrusted with the care of his 11-year-old great-nephew. The street-smart kid lands on the mans doorstep on the eve of his trip to Nice to revisit his childhood home and to get to the bottom of a family mystery dating to the Second World War.

The author of the huge literary hit Room (shortlisted for the 2010 Booker Prize) and screenwriter of the movie of the same name (Donoghue was nominated for an adapted-screenplay Academy Award) spent considerable time in Nice over the last decade before writing this book.

Im always taking notes. It can give an extra thrill even to a weekend trip, said Donoghue, from her home in London, Ont. It was really that in Nice. When I was mugged by a seagull, for instance, I remember thinking Ill use this. Im losing my lunch, but I will put this in the book.

And she did.

Donoghue adds that this location in particular wasnt just a place to collect stories, but it also became the backdrop for all the stories, making it the first location to actually inspire a whole Donoghue novel.

Its a funny mixture. It is an international touristy city, but it is also very French as well, said Donoghue about the south-of-France locale. Its very modern. Its all about pleasure and hedonism and so on, but also it has so many traces of World War II in particular. So it really intrigued me and I thought I could write a novel about quite dark things but set in this very sunny, touristy setting, which makes it a much more interesting mixture. It was the first time Ive ever written a book because of living somewhere.

A native of Dublin who has called Canada home since the late-1990s, Donoghue will be talking about the Nice novel and other topics when she is here Oct. 22 for An Evening with Emma Donoghue, one of the marquee events at this years Vancouver Writers Festival (Oct. 21-27).

One of those other topics will undoubtedly be Room.

In Room, the story is told from the perspective of a young boy who is being held captive in a small room with his mother. Its the pairs relationship that anchors the story. Akin while it has no criminal and disturbing plot lines and is expansive in terms of geography and time does see Donoghue delivering another adult/kid relationship that at times can also seem confining.

Yes, I do like it when people are in some sense trapped together. Its like Sartres line that hell is other people. I enjoy that, said Donoghue.

Donoghues life is busy. She has many projects on the go, including a novel and a film version of her novel The Wonder. And adapting Charlotte Bronts last novel Villette into a TV series. She is also raising 15- and 11-year-old kids, so she says its not uncommon to see her typing away on her laptop while she sits in the dentists waiting room or in a parked car.

Adding to that packed schedule is the promotion of a book.

Its a bit of an effort to go on the road, but on the other hand you have fun times especially if you can run into friends or relatives as you go along, said Donoghue. You certainly eat better. I frequently think, Oh, I wouldnt be having charred octopus if I was home with the kids.

Promoting a book in Canada Donoghue says tends be a different, more-engaging experience than touring south of the border. Here theres a sense of community that Donoghue, a natural and interesting talker, likes a lot.

In the States it is just two weeks of events my publisher has set up for me. Its not particularly linking up with other authors, said Donoghue. In Canada, it is the festival circuit and it is so much more sociable. Also, the Canadian literary scene I find really democratic and not really a star system. Everyone pals along in the green room.

While Akin is her latest work, Donoghue knows that no matter its success, or the success of other future projects, Room will always be a part of the conversation.

I never expect to have another Room. I think I was very lucky on hitting on an idea that was so capturing and I certainly dont expect that to happen every time. It was such a fluke. It sold so many millions of copies, said Donoghue. I just feel like I want to keep writing the books that obsess me and get them published. Luckily, because of Room, they tend to reach more readers than they used to, so thats a permanent plus, really.

Adding to the life of Room is an upcoming theatrical adaptation. The play, penned by Donoghue, is set to premiere next spring in London, Ont., before moving to Toronto. Donoghue, who already has a large handful of plays under her belt, said it was nice to return to this form for Room, and that adapting it to the stage was easier than writing the movie.

What do I do? So I got about a dozen books on film writing from Chriss (her partner Prof. Chris Roulston) university library and I remember feeling like a total loser. When youre checking them out youre kind of embarrassed that the librarians see you. Then you know you get to the Oscars, said Donoghue, with a chuckle.

While Donoghue was having a bit of a laugh with the Oscar comment, she actually is very serious about that accomplishment and thinks her path is one other female writers should consider tracing.

Whenever I meet young women I try to push them to be more ambitious, because we have been indoctrinated not to be. All of us have been raised to be helpful and, you know, move to the back, really. Filmwriting in particular, you know, 87 per cent of films are still written by men, so I think when a woman has a novel that is a big hit, I really think she is duly bound to try and write the film herself, said Donoghue. Its not impossible.

Often when beloved books are adapted into movies people worry if the film will be as good. Fans of a novel suggest you should read the book before seeing the movie and when asked about that Donoghue agrees.

I quite agree if you are going to experience both do read the book first because it is really hard for us to picture anything differently once weve seen the movie. You cant get those faces out of your head, so just for that technical reason, said Donoghue. And you shouldnt read the book right before the film because then you come out and (you send a) crotchety email to the author going, Why did they cut that character? You need to enjoy each on their own merits. I think the absolutely ideal experience would be to read the book and then two years later you know luckily it does take a few years to make a movie go see the movie then.

Donoghue is currently in discussions about adapting Akin for film.

As a star novelist, Donoghues work is always open for scrutiny. One particular reviewer, though, really stands out. A few years ago Stephen King, yes that Stephen King, reviewed Donoghues The Wonder in the New York Times.

Yeah, Stephen King, oh that was great because I felt it gave people a totally false sense that I write his kind of books, said Donoghue again with another laugh. Im sure The Wonder got a lot more readers, because people said, Oh, this is a Stephen King recommendation. He is a really good reviewer. It was so exciting.

Donoghue may have more of an understanding of literary criticism than most as her father, Denis Donoghue, is a renowned literary critic.

He is still writing away at 90, said Donoghue about her dad. Hes working on a book about Henry James. He makes me feel that I am not very prolific by comparison, that I should really get out of bed earlier.

What about giving him her work to read?

Ahhh, yes, its a bit nerve-wracking, but of course he doesnt treat me like a critic, added Donoghue. He treats me like a loving dad.

dgee@postmedia.com

twitter.com/dana_gee

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Room author Emma Donoghue's new novel dives deep into love and loss, and what it means to be a family - Vancouver Sun

Attack On Titan Reveals Horrifying Way Titans Reproduced – Comicbook.com

As Attack On Titan careens toward its finale, in both the manga and the anime, more and more secrets about the world that harbors the war between the nation of Marley and the Eldians are being revealed. One of the biggest is the story of the first Titan, Ymir, and how she managed to pass along her powerful abilities to her children. Since this popular anime series manages to thrive when it comes to its sense of nihilism and despair, Ymir's back story is no different, creating a horrifying method for the power of the Titan to be shared among her bloodline. With this terrifying revelation shown just in time for Halloween, it should be interesting to see if it transfers to the anime as is.

In the 122nd chapter of Attack On Titan, we are given the background of the poor young character that is Ymir. The first ever "Titan", Ymir is a slave that is trapped in a cycle of harsh punishments and constant death. When she is framed for letting a pig escape, the current ruler of the land "frees her", meaning that she will be hunted and put to death. As she ran from the hunters and their hounds, Ymir discovers the power of the Titans and becomes the first of a long line.

As she assists the Eldian people, she is made the wife of the current Eldian king, who decides to give her power to their progeny in perhaps the most horrifying way possible. Cutting Ymir apart and serving her up to her own children, her power is given to the next generation as they greedily eat her severed body parts. It's a grotesque, blood curdling display but it works perfectly for the stark world that has been created in Attack On Titan.

Of course, this is all revealed as Eren and his brother Zeke have been travelling into the past, with the former attempting to use Ymir's power to end the world as it is. The series continues to explore this world of greys, proving that even heroes can stumble along the way.

What do you think of the disgusting method that the Titans were created? How do you see this franchise ultimately coming to an end? Feel free to let us know in the comments or hit me up directly on Twitter @EVComedy to talk all things comics, anime, and Titans!

Attack on Titan was originally created by Hajime Isayama, and the series has since been collected into 23 volumes as of 2017. It's set in a world where the last remnants of humanity live within a walled city in order to escape the danger of the Titans, a race of giants monsters that eats humans. The lead character, Eren Yeager, ends up joining the military with his two childhood friends Mikasa and Armin after the Titans break through the wall and attack his hometown. Now Eren, Mikasa, and Armin must survive in a world where they not only have the Titans to fear, but the very humans they are trying to save. You can currently find the series streaming on Crunchyroll, Funimation, and Saturday nights on Adult Swim's Toonami block.

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Attack On Titan Reveals Horrifying Way Titans Reproduced - Comicbook.com

‘A Serious Man’ came out 10 years ago. Here’s what real rabbis think of the Coen brothers film. – JTA News

(JTA) Its well known that the celebrated filmmakers Joel and Ethan Coen come from a Jewish family in St. Louis Park, Minnesota. Theyve included Jewish characters in their films throughout their long career, from the titular one in Barton Fink to the bookie Bernie Bernbaum in Millers Crossing to perhaps the most famous Jewish convert in the history of Hollywood, Walter Sobchak in The Big Lebowski.

But it was with 2009s A Serious Man, which was released 10 years ago this month, that the Coens produced their most overtly Jewish work. Its a film set in 1967 in their Minnesota hometown and its plot, by all indications, is loosely based on the biblical Book of Job.

Following an opening quote from Rashi and a brief prologue set in a 19th-century shtetl, A Serious Man tells the story of Larry Gopnik (played by then-unknown Jewish actor Michael Stuhlbarg), a Jewish college professor whose life suddenly comes apart in Job-like fashion.

Larrys children dont seem to respect him, and an unknown enemy is sending threatening letters to his tenure committee, jeopardizing his career. His wife (Sari Lennick) is leaving him for his former friend, Sy Abelman (Fred Melamed). There are hints that he is developing possibly serious health problems.

I havent done anything is Larrys mantra throughout it all.

Turning to his faith at a time of crisis, Larry appeals to three rabbis and gets three very different responses, none of them altogether helpful. The young junior rabbi Ginsler (Big Bang Theory actor Simon Helberg) offers a humanistic speech about finding beauty in the world. Rabbi Nachtner, in one of the films most recognized scenes, provides a long but not exactly comforting parable about a dentist who finds Hebrew lettering on a non-Jewish patients tooth.

The elderly Rabbi Marshak, meanwhile, wont even meet with Larry. (The rabbi is busy, Marshaks secretary tells him repeatedly.)

Like the best of the Coens work, A Serious Man is darkly comic, absurd and well-acted, and it contends with the huge themes of alienation and nihilism. The rabbi section of the film seemingly makes the point that, as Rabbi Nachtner says, Judaism is not a faith that always provide the easiest of answers.

In 2009, the Jewish Chronicle called the film a Jewish masterpiece and the finest American film about the Jewish experience made for a generation.Others, however, saw the movie in a less positive light, partly for its depiction of Jews.

The Jewish film critic Ella Taylor wrote for LA Weekly at the time of release that A Serious Man was seriously bad for the Jews and likened it to an avalanche of Ugly Jew iconography.

A Serious Manis crowded with fat Jews, aggressive Jews, passive-aggressive Jews, traitor Jews, loser Jews, shyster-Jews, emo-Jews, Jews who slurp their chicken soup, and passing as sages a clutch of yellow-toothed, know-nothing rabbis, Taylor wrote.

Rabbi Benjamin Blech, writing for Aish in 2009, said the Jews in the film were merely lampooned, satirized and stereotyped to anti-Semitic perfection.

Looking for some other opinions much as Larry did the Jewish Telegraphic Agency reached out to some real rabbis for their thoughts on A Serious Man. As you may have imagined, they had differing opinions.

Directors Joel Coen, right, and Ethan Coen, center, with actor Michael Stuhlbarg, arrive for the London Film Festival screening of A Serious Man. (Yui Mok/PA Images via Getty Images)

An indictment of American Judaism

Rabbi Joe Schwartz is based in Brooklyn and founded IDRA, a Jewish cultural community. A self-described Coen Brothers stan and an insane fan of the movie, Schwartz is not so much critical of the film itself but rather what he believes it says about strands of Judaism in America.

A Serious Man is the greatest indictment of the hollowness of much of American Judaism ever made, Schwartz, a Conservative rabbi, told JTA.

Larry approaches the rabbis for help, Schwartz said, and each fails him the callow junior rabbi, the garrulous senior rabbi and the Talmid chacham, or revered Torah scholar.

None has the slightest clue whats going on, and none even begins to try to simply sit with Larry and offer him compassion, he added.

For Schwartz, the notable scene in which Larrys son recites his Torah portion for his bar mitzvah while extremely stoned sets off how grotesque and fallow the whole charade is.

A statement about the changing face of the rabbinate

Rabbi Glenn Ettman is the senior rabbi at the Reform synagogue Congregation Or Ami in Lafayette Hill, Pennsylvania, outside of Philadelphia. Ettman, a former theater major at Brandeis, said A Serious Man came up often last year while discussing the Book of Job with his Torah study group.

Its really confusing and challenging, and a good artful attempt at a unique form of storytelling using a biblical book, Ettman said of the film. I really appreciated that it had untranslated Hebrew and Jewish concepts, that kind of gave it that concept of theres something else to this movie.

As for the rabbi scenes, Ettman called it an interesting portrayal, but added that initially he was slightly offended by it.

It wasnt so much that it made Jews look terrible it was that it made rabbis look even worse, Ettman said of his original impression of the film.

More recently, though, Ettman has seen the younger rabbi as the only true essence of a real rabbi, as opposed to a caricature. He said it is symbolic of the fact that the face of the rabbinate has changed a great deal since 1967.

Everyone assumes that a rabbi is an old white dude with a long white beard, Ettman said before mentioning multiple names of classmates who are magnificent, powerhouse female rabbis.

He said the films rabbis can be viewed as caricatures of different generations or denominations, or possibly just divergent views of Judaism. Ettman also compared it all to a point in the actual Book of Job, when Job is visited by three friends, none of whom give him advice thats especially helpful.

What the hometown rabbi thinks

Rabbi Norman Cohen is rabbi emeritus of the Reform Bet Shalom Congregation in Minnetonka, a part of suburban Minneapolis that borders St. Louis Park. In a 2011 essay about the film in The Journal of Religion and Film, Cohen said he was offended by some of its images but that doesnt mean the work doesnt offer plenty to like.

Of all their films, this is the most identifiably Jewish, most potentially philosophical and most troubling theologically, Cohen wrote.

As is often the case when they give interviews, the Coens are a lot like the rabbis in A Serious Man in discussing the Jewishness of the film: Their answers only raise even more questions.

There were Jewish characters, but in regards to whether our background influences our filmmaking, who knows? Joel Coen said on a visit to Israel in 2011, according to Haaretz. We dont think about it. Theres no doubt that our Jewish heritage affects how we see things.

Weve never tried to hide that or tiptoe around [being Jewish], Ethan Coen said in a 2009 interview with The Jewish Chronicle around the films release. Hollywood has always been largely Jewish, although made of Jews who wanted to assimilate. As a friend of ours once said, If the movie business wasnt difficult, God wouldnt have given it to the Jews.

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'A Serious Man' came out 10 years ago. Here's what real rabbis think of the Coen brothers film. - JTA News

Queen reduced to furious frontwoman for grubby election stunt – The Guardian

Her Majestys head rotated through 720 degrees. A stream of green projectile vomit erupted from her mouth. This wasnt so much a Queens speech as an exorcism. A desperate purge of the toxic waste that had been forced on her by a prime minister she had come to detest. A man who had already misled her over one prorogation and was now using her as a frontwoman to deliver an election manifesto. She had had her fair share of grubby moments during her time on the throne the Ceauescu state visit being a case in point but this was almost up there.

There was a large cluster of empty seats amid the ermine and tiaras from Claires Accessories in the Lords. The sense of futility was too much even for some Tory peers. The Queen eyed up the gaps enviously. Shed have given almost anything to have skipped the occasion herself. Anything but let Prince Charles have a go. Her son might be 70 but he still couldnt be trusted not to screw things up. Even an election stunt like this.

The Queen had looked both frail and furious as she sat down in her throne. Her eyes glanced over towards the TV screens as she waited for MPs to make their way over from the Commons. There was the prime minister trying to make small talk with Jeremy Corbyn. Good to see the Labour leader giving him the brush-off. At least he was good for something.

Her Maj then looked up towards the visitors gallery. Surely not? But it was. Stanley Johnson. You just couldnt escape a Johnson these days. Though surely Stanley was the Johnsons prize Johnson. He was like Boriss shadow. How pathetic that he could exist only in the reflected, tainted glory of his son. He probably slept in his own basket next to Dilyn the dog, just outside Boris and Carries bedroom.

Then the lord chancellor handed her the parchment and her professionalism kicked in. My government, she began. My government, my arse. This wasnt her government. It wasnt anyones government. It was just a bunch of shits and charlatans, men and women for whom lying was second nature. That her reign should have come to this. She and the country surely deserved better. Though perhaps they didnt. Maybe the UK was on a one-way ticket to becoming a failed state.

She plodded on, making sure not to let the slightest hint of enthusiasm escape her lips. Not hard. This was a punishment beating for everyone. An exercise in utter existential nihilism. Even if Johnson meant a single word of it something she rather doubted there was no chance of any of it happening this side of a general election.

So the best she could hope for was to be back in the Lords in a couple of months time, spouting the same old shit about providing dignity in old age and improving mental health provision. This from a man who had stripped a 93-year-old woman of her dignity and who had done more to damage the nations mental health than any other politician. Once she had wrapped things up, she slipped a message to the Rouge Dragon Pursuivant to pick up the pace on the procession out. She needed a drink badly. Make it a double.

Two hours later the Commons was back in session to go through the charade of debating a Queens speech that was never going to be implemented, while pretending the really serious business of the Brexit negotiations in Brussels wasnt happening. If this was a war, parliament would have been court martialed for dereliction of duty.

As is customary, two government backbenchers proposed and seconded the debate. These speeches are meant to be a chance to shine. To mix wit and personality with light-touch sincerity. But in Lee Rowley and Sarah Newton, the government had picked two MPs who are completely devoid of charm, barely capable of delivering a coherent sentence, let alone one that grips the imagination. Opera heroines have died a less agonising, less painful death.

Corbyn spotted his opportunity to live down to the occasion. This was the most open of open goals. All he had to do was declare the debate a farce, deliver his own election manifesto, point out that Johnson had now embarrassed the Queen twice within a couple of months, and ask when he was planning on going for the hat-trick.

Instead he rambled on, mistaking the Queens speech as serious policy and getting hopelessly bogged down as he tried and failed to grapple with the lack of detail. No wonder some Labour MPs are now seriously thinking of waving through Johnsons Brexit deal, however crap it turns out to be, and voting Conservative in the next election. Just to get rid of their leader.

Johnson was no more impressive. Pifflepafflewifflewaffle. Rather, he was at his most loathsome. Arrogant and dismissive. Not even funny. Land of hopeless glory. Devoid of detail and morality as he indulged in petty point-scoring. A desperate blob interested more in his own survival than that of the country. As are nearly all Tory MPs. Principles that were once held sacred on both the leave and remain wings of the party are now up for grabs. Sold to the lowest bidder in return for a Brexit deal appreciably worse than Theresa Mays that would make their constituents appreciably less well off.

This was an embarrassment. A parliament of all the talentless. What a time it is not to be alive.

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Queen reduced to furious frontwoman for grubby election stunt - The Guardian

What’s your number? Chad Schoonmaker may have the answer in his ‘Color by Number’ series – The Advocate

There's The Reformer and The Achiever, The Enthusiast and The Peacemaker.

In all, nine personality types are part of the Enneagram, a model of the human psyche.

Artist Chad Schoonmaker explores those personality categories in his show, "Color by Number," at the Manship Theatre Gallery in the Shaw Center for the Arts, 100 Lafayette St.

But there's a kicker Schoonmaker depicted each personality type in abstract, signaling that because people are different, not everyone fits neatly into one slot.

The artist learned that firsthand when he overheard conversations in the gallery.

" People were talking about how they might fit in one category, but they also had traits of another," he said. "It's almost as if their conversations became a part of the artwork."

That's the reaction Schoonmaker was hoping to generate by combining his love for art and people into this series designed specifically for this space.

He provides the descriptions of each personality type next to each of his works. What's your number?

"One: The Reformer": Ones are conscientious and ethical with a strong sense of right and wrong. They are teachers, crusaders and advocates for change: always trying to improve things but afraid of making a mistake. Well-organized, orderly and fastidious, they try to maintain high standards but can slip into being critical and perfectionistic. They typically have problems with resentment and impatience. At their best: wise, discerning, realistic and noble. Can be morally heroic.

"Two: The Helper": Twos are empathetic, sincere and warmhearted. They are friendly, generous and self-sacrificing but can also be sentimental, flattering and people-pleasing. They are well-meaning and driven to be close to others but can slip into doing things for others in order to be needed. They typically have problems with possessiveness and with acknowledging their own needs. At their best: unselfish and altruistic, they have unconditional love for others.

"Three: The Achiever": Threes are self-assured, attractive and charming. Ambitious, competent and energetic, they can also be status conscious and highly driven for advancement. They are diplomatic and poised but can also be overly concerned with their image and what others think of them. They typically have problems with workaholism and competitiveness. At their best: self-accepting, authentic, everything they seem to be role models who inspire others.

"Four: The Individualist": Fours are self-aware, sensitive and reserved. They are emotionally honest, creative and personal but can also be moody and self-conscious. Withholding themselves due to feeling vulnerable and defective, they can also feel disdainful and exempt from ordinary ways of living. They typically have problems with melancholy, self-indulgence and self-pity. At their best: inspired and highly creative, they are able to renew themselves and transform their experiences.

"Five: The Investigator": Fives are alert, insightful and curious. They are able to concentrate and focus on complex ideas and skills. Independent, innovative and inventive, they can also become preoccupied with their thoughts and imaginary constructs. They become detached yet high strung and intense. They typically have problems with eccentricity, nihilism and isolation. At their best: visionary pioneers, often ahead of their time and able to see the world in an entirely new way.

"Six: The Loyalist": The committed, security-oriented type, Sixes are reliable, hardworking, responsible and trustworthy. Excellent troubleshooters, they foresee problems and foster cooperation but can also become defensive, evasive and anxious running on stress while complaining about it. They can be cautious and indecisive but also reactive, defiant and rebellious. They typically have problems with self-doubt and suspicion. At their best: internally stable and self-reliant, courageously championing themselves and others.

"Seven: The Enthusiast": Sevens are extroverted, optimistic, versatile and spontaneous. Playful, high-spirited and practical, they can also misapply their talents, becoming overextended, scattered and undisciplined. They constantly seek new and exciting experiences but can become distracted and exhausted by staying on the go. They typically have problems with impatience and impulsiveness. At their best: focus their talents on worthwhile goals, becoming appreciative, joyous and satisfied.

"Eight: The Challenger": Eights are self-confident, strong and assertive. Protective, resourceful, straight talking and decisive, but can also be egocentric and domineering. Eights feel they must control their environment, especially people, sometimes becoming confrontational and intimidating. Eights typically have problems with their tempers and with allowing themselves to be vulnerable. At their best: self-mastering, they use their strength to improve others' lives, becoming heroic, magnanimous and inspiring.

"Nine: The Peacemaker": Nines are accepting, trusting and stable. They are usually creative, optimistic and supportive but can also be too willing to go along with others to keep the peace. They want everything to go smoothly and be without conflict, but they can also tend to be complacent, simplifying problems and minimizing anything upsetting. They typically have problems with inertia and stubbornness. At their best: indomitable and all-embracing, they are able to bring people together and heal conflicts.

Schoonmaker sees himself as a solid Four, though he also bears traces of Seven's traits.

"I am the individualistic type you see in Four, but sometimes I find myself moving toward Seven," he said. "But doesn't everyone want to be a Seven? Or at least be around a Seven, because they're spontaneous and fun."

For more information, visit Schoonmaker's website at cscreates.com.

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What's your number? Chad Schoonmaker may have the answer in his 'Color by Number' series - The Advocate

Coloureds are Africans: We are the indigenous people of South Africa – Daily Maverick

This coloured thing. Shit this coloured thing. This badge of shame, disgrace and ignominy that some want to hang around people like me as they excoriate people in this group for not being fully African, or having feasted on the so-called benefits that apartheid had bestowed on them.

And as these insults rain down on coloureds, it is conveniently forgotten that many of the forefathers of people who have brown skins were the first freedom fighters in this country. In landmark battles, they bravely defended themselves and their land against European invaders in Mossel Bay, as well as Table Bay.

No matter what the twisters and sanitisers of history peddle: they are also South Africas indigenous people. For the record, my lineage goes deep into the Overberg and includes a Khoi kaptein who was deposed by missionaries because he refused to become their vassal. So while I regard myself as indigenous and therefore African I will for the purposes of this opinion piece use the term coloured.

Long before they were conquered in the Eastern Cape, the Khoi also called that part of South Africa home, even if today they are a minority there. Today the descendants of the indigenous people everywhere experience deliberate discrimination according to anecdotal evidence, as well as a recent Human Rights Commission report, which has made certain recommendations to the president.

I did not want to write about this coloured thing. However, sometimes one has to speak up and not hide behind political correctness. The hopelessness and self-hatred, typical of indigenous people that have been invaded and conquered and that comes with being told one is a stepchild in the land of ones ancestors, has reached a tipping point. Ever-diminishing opportunities, Western Cape prisons overcrowded with what can be called the coloured lost generation of males seduced by ruthless gangsterism cannot be ignored anymore. Neither can the nihilism that has taken root.

Then there is the widespread accusation that the Western Cape is not really African. Indeed: this kind of comment is code for actually saying that coloureds are not African; the Western Cape is too coloured and therefore the Western Cape is not African enough. Lets call out claims like this out for what they are: racism. And this must stop.

Coloureds should challenge and reject this deeply flawed narrative, which pushes them to the margins and also slyly wants to impose national demographics on to the Western Cape.

This racism seeps through everywhere: only a few days ago a Sunday newspaper reported about General Jeremy Vearey, who just happens to be coloured, according to old South Africa racial classification categories that conveniently travelled into our new democracy.

The newspaper report, mentioning an unnamed ANC Western Cape source, talked about a coloured cabal backing Vearey. Vearey is a freedom fighter who did not sit in an armchair, nursing an upper-end whisky from the Johnny Walker range, but took up arms and ended up on Robben Island. He was one of the last political prisoners to be freed before, as an MK soldier, he became one of ANC president Nelson Mandelas most trusted bodyguards a person of the utmost integrity.

The Sunday newspaper hatchet job is part of an orchestrated campaign against his bid to become Western Cape Police Commissioner. Many support his candidature because he has a sterling track record of fighting crime. Bringing in allegations of a coloured cabal backing him is simply playing that race card that derides coloureds.

It would seem that now that our joint struggle to end apartheid is over, some of those who once were comrades can be relegated because they are coloured, had had so-called better opportunities and are now only needed at election times. Now that the 2019 elections are becoming a distant memory, it seems like it is time to bring out old resentments about the so-called favouritism that coloureds enjoyed under apartheid.

The National Party government cynically tried to turn different shades of the black community against each other by literally placing them on a ladder of meagre benefits. Those at the bottom were bitter about those at the top.

That resentment can be conveniently used to rally support when the political leadership of parties is decided. It is something that the Western Cape interim political leadership of the ANC has to combat as it sets about rebuilding the party. Promoting true non-racialism and not ethnicity based on discredited racist categories from the old South Africa should drive this process.

Off course, its not only the ANC that has reached out to the majority in the Western Cape for its electoral support. The DA has done it as well. And once they galloped into power on the back of a surge of brown support, the DA relegated this group to the sidelines. Helen Zille was replaced as premier by another white face, and a white male at that, this in a province where whites are in the minority.

A party such as the ANC has found it difficult and almost unbearable to come out and say that employment opportunities in the Western Cape must be based on provincial and not national demographics.

This stance has not alienated what the ANC would call its traditional African base but this has cost the ANC coloured support, dented its credibility and has made it far less attractive than the DA. Many of those coloureds that have voted DA had seen that party as one that would protect their interests against Africans.

As another municipal election is approaching, coloured leaders in the ANC will be forced to say publicly where they stand. Keeping quiet about the clear marginalisation of coloureds will again have radical consequences at the polls if the 2019 general election is anything to go by.

As for the country and its ANC government, non-racialism will be given a crucial impetus once coloureds are recognised as being just as African and intrinsically belonging to this continent as Zulus, Xhosas or any of the lands other black tribes. Those who have had the door that leads to opportunities slammed in their face because they are allegedly not African will turn their back on non-racialism and cynically say that the much-talked-about new dawn is not meant for them. They will continue to say, as theyre doing now, that they were not white enough during the apartheid years and now theyre not African.

We should also be recognised for who we are: the indigenous people of South Africa. That is the national question: how to admit that South Africa had indeed experienced different forms of early conquest, one that saw the indigenous people being dispossessed by other Africans and also Europeans, with both groups laying claim to a country which wasnt initially theirs.

Failing to deal with these cardinal issues will only feed the self-destruction, rage, impotence and disenchantment with the new South Africa present in many coloured communities.

Yet self-destructive rage is short-sighted. All over the world, indigenous people are standing up, claiming their inheritance. We should do the same while vigorously also promoting non-racialism and equality. Our country demands it of us. DM

Dennis Cruywagen was ANC Western Cape spokesperson during the 2019 general election.

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Coloureds are Africans: We are the indigenous people of South Africa - Daily Maverick

The New York Times, NBC, and other outlets don’t trust you to handle the truth – Hot Air

In the original Planet of the Apes movie (1968), the most-fascinating character is Dr. Zaius, the elitist, orangutan in chief who alone possessed the secret knowledge that (spoiler alert!) apes descended from humans. Toward the end of the filmshortly before he warns Charlton Hestons character not to search for the truth because you may not like what you find!he monologues that the hoi polloi (chimps and gorillas in this case) must be shielded from certain realities lest they be driven to insanity and nihilism.

The legacy media are having their Dr. Zaius moment, paternalistically shielding their infantile audience (read: you and me) from ugly images and realities. This is not simply a revolting development but a deeply troubling one that will only accelerate the ongoing loss of confidence and trust the public has in media. According to polling done for the Columbia Journalism Review, fewer than 20 percent of us have a great deal of confidence in the press. The only institution held in lower esteem is Congress.

Yet the media seem happy to keep digging their own grave. Yesterday, for instance, The New York Times reported on what it called a macabre video of [a] fake Trump shooting media and critics that was shown at a conference held at one of the presidents own properties (Trump had nothing to do with the conference or the video, which the White House has condemned). Youd assume the paper would link to or embed the video in support of its characterization. But it refused to, even as its safe to say that it was the Times coverage that helped bring the video to a large viewing audience (thats how I learned about it).

reason.com/2019/10/14/the-new-york-times-nbc-and-other-outlets-dont-trust-you-to-handle-the-truth/

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The New York Times, NBC, and other outlets don't trust you to handle the truth - Hot Air