What The Blockheads At Pacific Gas & Electric Are Doing With Blockchain – Forbes

CK Umachi and Dick Kim, both of whom work for Pacific Gas Electric (PG&E), the California natural gas and electric company, spoke about the companys work on blockchain at Blockchain Expo 2019 in Santa Clara, California.

Both work on a team called Grid Edge, where they focus on forward facing trends and technologies, including electrification, microgrids and blockchain. At the heart of their work is the changing grid.

Before working on it at PG&E, Umachi and Kim both had a personal interest in blockchain. Umachi started investing in cryptocurrency back in 2017, when the hype was at its peak. After the fact, he decided to start looking into what the heck crypto was anyway, and that led him down the blockchain rabbit hole.

Umachi did a lot of mining with a bunch of different cryptocurrencies. He says he keeps his house heated for a good portion of the year just through that, but that might just be a joke he tells.

CK Umachi discusses what PG&E is doing with blockchain at Blockchain Expo 2019.

Umachi and Kim took the audience through why PG&E is interested in blockchain at all, what they've done so far, and whats on the horizon.

I guess PG&E is probably not the first company that popped into your head when you're thinking about blockchain, Umachi said.

The Grid Edge group thinks about how trends could potentially impact PG&E, and blockchain registered as something to be aware of. The team there has been thinking about it through two strategic lenses. On one hand, blockchain will enable value capture or creation for the traditional utility, and their job is to figure out how that might exactly work itself out. The other question is how and when should PG&E act on this.

To start thinking about this, we really spent a lot of time just looking internally at what our processes are, reaching out to different internal stakeholders, and understanding where this could potentially have some benefit, said Umachi.

What the Grid Edge team is really talking about is transactive energy and potential peer-to-peer energy strategies. The Grid Edge team also focuses on policy and regulation, too, since a lot of the policy and regulation has yet to be worked out for a nascent technology like blockchain.

Understanding how we could start to use blockchain with the current state of the blockchain regulation, he said. And then also thinking through what would need to change with the regulations specific to the utility to even enable us to use blockchain to its maximum potential.

Then theres market research to be done; benchmarking, understanding whats out there, and what people have done in this space. There's been a lot of energy spent in the energy space with blockchain over the last couple of years, says Umachi.

CK Umachi and Dick Kim, two 'blockheads', talk Blockchain at PG&E

A lot of work as been done in Europe applying blockchain to the grid, but less so in the U.S. Umachi, Kim, and the rest of the Grid Edge team want to know what other utilities have done, what startups are up to, and what vendors they might work with.

Technology scanning and assessment, Umachi calls it. Understanding that there are a ton of protocols, a ton of different platforms. Understanding what are these core blockchain protocols and platforms that we could be usingwhat are the differences, what are the nuances.

And then the Grid Edge team has got to understand how tomorrows technology, like blockchain, will interface with PG&Es existing infrastructure. We have a lot of legacy infrastructure, said Umachi. If we're talking about moving towards a blockchain-enabled future, you have to do a lot of deep thought about how you could make that transition happen.

A lot of the teams work comes down to understanding what blockchain technology is all about. Specifically. with all the hype surrounding it, really understanding what it can and can't do, Umachi said.

Once all that work is donethe learning, networking, and ruminatingwell, then comes the real work. Thats the use cases, of course. Figuring out how we can actually get our hands dirty with this, said Umachi.

When it comes to getting hands dirty, PG&E leaves that to a group called internally the blockheads. This informal group formed out of employees who showed some interest in blockchain tech. They hail from throughout the company. Theres Umachi, theres Kim, and theres also Tim, Liz, and the others.

This group examines what PG&E processes the blockchain could improve. They initially came up with 45 potential use cases for blockchain at PG&E. But, blockchain today probably couldnt help with most of these in its current state. They whittled these down to a few use cases they could explore. Their focus was on how blockchain could help PG&E grow its business and how they could make it more efficient, as well as aligning with the companys strategic imperatives.

They started testing blockchain to see how it could improve existing processes with the idea of innovating for a more sustainable future for California.

Thats something thats been on our radar for quite awhile, said Umachi. Theres something called the low carbon fuel standards in California. That got them looking at carbon credits in the state.

PG&E's Blockchain architecture

They wanted to know if they could use blockchain as a tool for transaction and settlement for distributed energy resources; mostly for carbon credits at electric vehicle charging stations. And then, theyve got to figure out a way to make all of this cost-effective, says Umachi. Can blockchain provide a robust chain of custody tracking in line of sight traceability for utility assets to ensure that we are not losing them, that we can maximize the ability to find these when we need them, cut costs on having to reorder materials that we have access to?

Kim admits that, for a lot of what PG&E is doing on the edge of the grid, blockchain is not required. Hence, the continued to research towards understanding what are the value propositions of blockchain.

Umachi and Kim touched on the auditability piece of blockchain. This might not help at PG&E per se, but it could help out the regulators. As the number of electric vehicles in the state starts to multiply, it's going to be difficult for the state to be able to manage and audit all the charge events across the state in order to know who is owed how many carbon credits.

You can have that immutable record and find a way for them to kind of navigate that easily using a UI, said Umachi. That would be a way for them to audit and ensure that these transactions and these charge events are real.

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What The Blockheads At Pacific Gas & Electric Are Doing With Blockchain - Forbes

Glencore to become member of blockchain technology network – Mining Technology

]]> Glencore joins blockchain network technology to ensure responsible cobalt supply. Credit: Alchemist-hp.

Glencore is set to become a member of the Responsible Sourcing Blockchain Network (RSBN) which uses blockchain technology to support responsible sourcing and production practices of minerals from mine to market.

Glencore noted that the networks blockchain has moved beyond proof of concept (PoC) and is scheduled to go live by next year.

It has been designed to be implemented by original equipment manufacturers (OEMs) in electronics, aerospace defence and automotive sectors.

RSBN will also be adopted by supply chain partners such as mining companies and other battery manufacturers.

The company says that its membership in the network will enable it to deliver improved traceability and transparency of supply chain.

The company will also be able to form good practice with its supply chain partners.

The companys initial focus of participation in the initiative will be on cobalt and eventually extended to tin, tantalum, tungsten and gold.

Glencore Copper and Cobalt marketing head Nico Paraskevas said: RSBN plays a key role in advancing the sustainable partnership between the producers of commodities that will enable the transition to a low-carbon economy and key consumers around the world.

We look forward to working with the network to further embed responsible sourcing good practice across the mineral supply chain.

Built on the IBM Blockchain Platform and powered by the Hyperledger Fabric of Linux Foundation, the blockchain technology aims to improve transparency by providing a secure record for members associated with the network upon permission.

RCS Global also assesses each participating firm initially and annually against responsible sourcing requirements set by the Organization for Economic Cooperation and Development.

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Glencore to become member of blockchain technology network - Mining Technology

R3 Completes Trade Finance Blockchain Trial With More Than 70 Organizations – CoinDesk

R3 has closed what its calling the largest open-account trade finance trial ever conducted on its Corda platform.

This trial included more than 70 organizations from more than 25 countries. Upwards of 340 participants from those organizations were involved and came out from sectors like financial services, information technology, telecommunications, logistics, the maritime industry, real estate, hospitality and the automotive industry.

The trial tested working capital applications developed by TradeIX and focused on the receivables finance product on Marco Polos platform, TradeIX announced Thursday. Accounts receivables financing, also called factoring, is where a business sells account receivables to a third party at a discount in return for immediate cash payment.

The aim of the product is to increase connectivity and efficiency while decreasing onboarding costs. Marc Polo claims that more than 700 funding requests were completed in the trial with user training only requiring a day of participants time on average.

Founded by blockchain companies R3 and TradeIX, Marco Polo aims to create real-time settlements and transparency in trading relationships. In September, Bank of America, Mastercard and automaker Daimler joined the network. It executed its first Russia-Germany transactions in October.

In November, Bank of New York Mellon became the 28th bank to join the network because of how R3s platform is tailored for open account financing, the banks global head of trade finance Joon Kim said. (In open account transactions, the goods are shipped and delivered before payment is due; with letter-of-credit financing, the bank guarantees a buyers payment ahead of time).

Banks involved in this months trial included Dutch bank ABN AMRO, Mexican bank Banorte, Boston-based Citizens Bank, Frankfurt-based Commerzbank, Hong-Kong based Bank of East Asia and the Saudi British Bank. Other corporations involved included BMW, Saudi Arabia-based International Islamic Trade Finance Corporation, financial services institute SdFactoring (subsidiary of German bank Landesbank Baden-Wrttemberg), Tokyo-based trading company Sumitomo Corporation, SBI Holdings (investment arm of Japanese financial giant SBI Group) and R3 Corda Japanese venture SBI R3 Japan.

The leader in blockchain news, CoinDesk is a media outlet that strives for the highest journalistic standards and abides by a strict set of editorial policies. CoinDesk is an independent operating subsidiary of Digital Currency Group, which invests in cryptocurrencies and blockchain startups.

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R3 Completes Trade Finance Blockchain Trial With More Than 70 Organizations - CoinDesk

Report: IoT and blockchain integration are booming among US businesses – TechRepublic

Gartner finds 75% of organizations that have implemented IoT plan to pair it with blockchain tech.

Tech analytics firm Gartner has news for companies planning to integrate their Internet of Things (IoT) systems with blockchain: You're not alone.

Seventy-five percent of organizations have already merged the two, or plan to do so within the next year. That number jumps to 89% within two years, signaling that companies with heavy investment in IoT technology nearly all see the value of using blockchain tech to improve IoT security and reliability.

SEE: How blockchain will disrupt business: A special report (Free PDF) (TechRepublic)

To make the case for IoT and blockchain working side by side even more airtight, 94% of companies with mature IoT implementations (defined be Gartner as using KPIs and centers of excellence in their IoT systems) plan to connect their IoTs with blockchain.

"The integration of IoT and blockchain networks is a sweet spot for digital transformation and innovation," said Avivah Litan, distinguished vice president at Gartner. "It is actually moving ahead at a much faster pace than expected, according to the survey."

The connection of IoT and blockchain have been in the news for some time, with everyone from analysts to large companies like Samsung saying the integration of the two is the way forward for both.

Gartner's findings in this report solidify the fact that said integration is happening--and quickly--but the study also addresses the question of why IoT and blockchain are coming together, and the reasons aren't surprising.

The top reason survey respondents gave for integrating blockchain and IoT is "increased security and trust in shared multiparty transactions and data."

Connecting IoT sensors and devices to a blockchain "enables an immutable audit trail of key IoT data and related business events that is shared across multiple participants, and that can be independently verified by each party," the report states.

Second, and closely related to security, is the ability of blockchain-connected IoT devices and sensors to save organizations money. Blockchains enable the use of decentralized applications that work across business platforms, support smart contracts, and enables more automation twhich can reduce labor needs and speed up processes from factory to retail.

Other reasons cited for integrating IoT and blockchain are increased revenue and new business opportunities, and improved participant experience. Both fell far behind security and cost effectiveness, however.

SEE: Special report: The rise of Industrial IoT (free PDF) (TechRepublic)

Gartner provides three recommendations for businesses that have, or are planning to, integrate IoT and blockchain:

Blockchain word as symbol cryptocurrency in chrome chain.

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Report: IoT and blockchain integration are booming among US businesses - TechRepublic

How Is It Possible That Emperor Palpatine Is in The Rise of Skywalker? – The Ringer

Its your standard rags-to-riches-to-rags tale. Sheev Palpatine, a Force-sensitive kid from a small mid-rim planet, dreams of something bigger, runs for senator, and wins. Respected by his colleagues, he becomes a trusted and influential figure in the galactic government. Under the guise of a wise, sober statesman who just happened to love wearing evil robes, he fomented a great galactic civil war using the dark powers of persuasion he learned as an apprentice to Darth Plagueis the Wise (before murdering him in his sleep). As the separatist crisis intensified, his colleagues elected him Supreme Chancellor and awarded him sweeping emergency powers which he, a lover of freedom and democracy, promised to return the moment they were no longer needed. Now the foremost political leader in the galaxy, he slew four Jedi Knights who had come to arrest him; he triggered Order 66, causing the Republics clone soldiers (whose production he had secretly set in motion years earlier) to murder their Jedi generals; he had the Jedi younglings slaughtered to ensure a new generation would not rise to take their places; he proclaimed himself Emperor; built a moon-size superweapon; and brought order to the galaxy. Then, while overseeing the construction of a second superweapon, he was chucked like a cigarette butt into an architecturally nonsensical air shaft by his personal assistant because he was mean to the mans son. The end.

OR SO WE THOUGHT!

Emperor Palpatine (aside: Whats the protocol here? Is it like with the president where you always refer to the person by their title even after theyre out of office? Im going to continue to refer to him as emperor out of respect) is back.

Long have I waited, Emperor Palpatine says in the Rise of Skywalker trailer. And now, your coming together is your undoing.

But how can the emperor be in this movie? How could he have survived? Is he some kind of Sith poltergeist? Is he a clone? What in the name of George Lucas and Ian McDiarmid is going on here? HOW UNLIMITED IS THIS DUDES POWER? There are a few possibilities

Theres precedent for this. Before the trailers for The Rise of Skywalker confirmed Palpatines appearance, he was basically the only character in Star Wars to ever actually perish from falling into a bottomless chasm.

At the end of The Phantom Menace, Darth Maul, Palpatines Dathomirian onetime apprentice, was cut in half by a young Obi-Wan Kenobi before tumbling into a similar shaft. The agony from his maimed torso fed Mauls hatred of Obi-Wan, supercharging his dark Force powers and allowing him to survive the fall and his wounds. He ended up on the literal trash planet Lotho Minor. Maul sustained himself on rats and, over time, managed to scavenge enough material to build himself a new lower torso and an intricate set of arachnid-like legs. Which, you have to imagine, also included some kind of valve and tube mechanism for pooping and peeing, respectively. Thats not just surviving, folks. Thats thriving. Improvise. Adapt. Overcome. Darth Maul.

Years later in story canon, on Bespin, Luke Skywalker took his iconic swan dive into a Cloud City techno-gorge after his duel with Darth Vader. Cloud City was a tibanna gas mining operation and strong air currents swept through the interior of the refinery complex. Luke, like a leaf on the wind, was swept up by one of these drafts. The current pushed him sideways, breaking the momentum of his fall, depositing on him on a weather vane. He was able to contact his crush/sister Princess Leia using the Force. Leia had the Millenium Falcon turn around and pick up Luke and the rest is history.

In Star Wars Age of Resistance: Supreme Leader Snoke #1, the powerful titular dark Force user hurls his apprentice Kylo Ren into a ravine. Use your fear, Snoke says. Let it crystallize into anger. Turn that anger into power. Kylo does as hes told and stops his fall. If you are to rule by my side, then I cant have you defeated by heights.

Palpy, a much more powerful Force user than Maul, Luke, or Kylo, was comparatively hale and hearty when Darth rag-dolled him out of sight and, for the past 36 years, out of mind. Sure, he did take a few licks from his own Force lightning, but in retrospect, the amount was minor. In Revenge of the Sith, Mace Windu reflected Palpys lightning back at the Sith lord and Palps withstood this for an extended period of time. Yes, it melted his face, but, like, other than becoming a Coruscant 2 and a Tatooine 5, he was fine. Anyway, he wanted his face melted; the better to get Anakin Skywalker to feel sorry for him and turn to the dark side. It would have been well within Palpatines ability to slow his fall using the Force, if indeed thats what happened.

There is the matter of the explosion of energy that accompanies Palpatines fall. Stopping a fall is one thing; surviving a blast like that is another. But if Rise of Skywalker proposes that the Emperor survived, this display will simply be retconned, like Luke and Leia being love interests in A New Hope and The Empire Strikes Back before being revealed as siblings in Return of the Jedi.

Palpatine being alive in his original, gross body would also still leave open the question of how, exactly, he got out of the wreckage of Death Star II and where hes been all this time. More importantly, Palpatines survival would imperil Anakin Skywalkers redemption at the end of RoTJ, the emotional resolution of the original and prequel trilogies. So, if this theory is correct, hopefully J.J. Abrams got this right!

It is a rule (in as much as there are rules) of Star Wars canon that Siths, as dark side adherents, cant become Force ghosts. In a 2016 since-deleted exchange on Twitter, Lucasfilm creative Pablo Hidalgo responded to a question asking whether Siths could become Force ghosts.

There are examples of Siths continuing on as disembodied spirits after their deaths, however. In Sacrifice, the final episode of Star Wars: The Clone Wars, Yoda travels to Moraband, the spiritual homeworld of the Sith. Various apparitions of Sith warriors confront the Jedi master. Yoda enters the burial temple of the legendary Sith and creator of the Rule of Two Darth Bane. The fiery, Sauron-like visage of Bane appears and attempts to intimidate Yoda. Real you are not, Yoda says in his inimitable way. You do not fear me? Bane asks. No. Exist you do not anymore, Yoda replies. And with that, Banes specter is banished back into its tomb.

Darth Vader #2325 offers a more robust version of Sith afterlife. In the story, written by Charles Soule for Marvel Comics, Emperor Palpatine gifts Darth Vader with the mask of Momin, a Sith warrior and sculptor. Momins art was inspired by fear and pain. The purest of emotions, because they are the first we feel, he tells Vader. Momin wanted to freeze an entire city in its moment of ultimate fear by threatening it with a superweapon then stopping the flow of time, thus creating his pice de rsistance. The Jedi got wind of this and stopped him. Momins body was destroyed by the massive energies he sought to wield and his consciousness was trapped inside his mask. Mominwho, I guess, technically did not die???is able to take possession of bodies who wear his mask. (Not Vader, however; too grizzled and too mentally strong.) However, the body Momin inhabits is still a normal body, bound by the limitations of flesh and blood, unable to wield the Force, and capable of feeling pain and being killed. Dissatisfied, Vader Force chokes and murders Meat Suit Momin repeatedly.

Later, Momin betrays Vader. He opens a door to the dark side, reacquires his original body, and duels Vader. He even manages to slice off one of Darths cybernetic arms. Vader ultimately prevails by crushing the reanimated sculptor, ironically, under a stone slab.

Perhaps the explosion we see when Emperor Palpatine falls is merely the disintegration of his body, and his mind lived on trapped inside some kind of object. This could potentially explain why Kylo and Rey have traveled to the wreckage of Death Star II. It also tracks with the latest Rise of Skywalker clip, which shows Kylo exploring some kind of temple. Perhaps, as with Vader and Momin, a dark side locus, a passageway to the dark side of the Force, will be how Palpatine fully regains corporeality.

The Emperor, in his mind, had one rival: death. In preDisney Legends canon, Palpatines yearning for immortality drove him to clone himself numerous times. He kept a shadow capital on the core world Byss and there stored his cache of backup bodies. Palpy had mastered the Force power known as essence transfer and using this method, he was able to upload his consciousness into an awaiting clone.

Clones exist in current canon, of course. The grand clone army of the Republic was the result of a secret, multiyear cloning program run out of the planet Kamino. (Be warned, this is a tangled tale.) In Attack of the Clones, the Kaminoans said that a Jedi named Sifo-Dyas, a former member of the council, placed the initial order for a clone army. Dyas, a contemporary of Count Dooku, had become convinced that the galaxy would soon be at war. He argued in front of the Jedi Council for the creation of a grand republican army to meet the looming threat. The Council found this kind of talk disturbing and stripped Dyas of his seat on the council.

At some point after that, Sifo-Dyas contacted the Kaminoans and put in an order for some clone soldiers. The Kaminoans, gifted and experienced cloners, thought that Dyas was representing the Galactic Republic. Why the Kaminoans thought this, what Dyas told them, and how he was able to open a cloning account with little-to-zero credits down is unknown. What we can intuit is that then-senator Sheev Palpatine got wind of the deal. We know from Legends canon that he had an interest in clones, so perhaps he was watching Kamino, just waiting for an opportunity. Whatever the case, he had his apprentice Count Dooku get in between Dyas and the Kaminoans. Dooku had Dyas murdered by the Pyke crime syndicate, then either impersonated Dyas or simply convinced the Kaminoans to allow him to take over the project. He recruited the bounty hunter Jango Fett to provide the DNA, erased Kamino from the Jedi archives, and presumably bankrolled the project out of his enormous generational wealth.

Did Palpy make clones of himself? Does essence transfer exist in canon? Since The Force Awakens, theres been speculation that Supreme Leader Snoke was an experimental Palpatine clone that was taken out of the oven too soon. Those theories were mostly dismissed at the time. But! A recent Reddit thread points out that in publicity photos for The Mandalorian, Omid Abtahi, who plays the mysterious Dr. Pershing, is wearing a jacket with a symbol that appears similar to the Kaminoan symbol seen in The Clone Wars animated series. This would seem to support the idea that international superstar Lil Baby Yoda is a clone.

More, there is! On December 3, Disney announced that the penultimate episode of The Mandalorian would be moved to Wednesday, December 18, instead of the following Friday, and contain an exclusive sneak peek of The Rise of Skywalker, which opens Thursday, December 19. POTENTIALLY CRUCIAL CONTEXT: The Mandalorian is set about five years after the events of Return of the Jedi, when remnants of the Empire might have just begun to coalesce into the First Order.

Will the episode contain a tie-in to the film? Might it connect the emperors Kaminoan army project to his apparent survival and appearance in Rise? Is being batted like a shuttlecock between corporate-owned entertainment mediums and streaming platforms in an endless cycle of cross-promotions really the future of monocultural storytelling? Fuck. I guess we have to watch to find out.

An earlier version of this piece incorrectly referred to Snoke as a Sith.

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How Is It Possible That Emperor Palpatine Is in The Rise of Skywalker? - The Ringer

Is Baby Yoda Bad to the Bone? This Week’s ‘The Mandalorian’ Has Us Wondering – Decider

Theres one thing we can all agree on: Baby Yoda is by far the breakout star of 2019. The Mandalorian is a huge hit for Disney+, sure, but Baby Yodas popularity transcends all of that. Hes the meme king of the year, even for people who havent watched a minute of The Mandalorian. But as popular as Baby Yoda is, we actually dont know a lot about him. TBH, we havent really learned much about the little scamp since the first episodes of the series. With Season 1 wrapping up soon, its about time The Mandalorian started delivering some cold, hard, Baby Yoda truthsand Chapter 7 delivers!

SPOILERS ahead for Chapter 7 of The Mandalorian, by the way, as if that wasnt clear already.

The penultimate episode of Season 1 reunites our antihero (Pedro Pascal) with a bunch of allies hes made along the way, which means we get a lot of introductions and reintroductions. The Mandalorian takes Cara Dune (Gina Carano) to meet Kuill (Nick Nolte), and we learn that the Ugnaught engineer rebuilt the bounty hunter droid IG-11 (Taika Waititi) into a much more docile (but still deadly, apparently) version of himself. And then Kuill sees the creature that started this entire mess, the one whose presence on his planet brought a cadre of mercenaries and nothing but destruction: Baby Yoda.

Upon seeing the little guy again (Kuill hasnt seen him since Chapter 2), Kuill remarks that it hasnt grown much. Mando posits that the child may be a Strand-Cast. Thats a new term for Star Wars, but it seems like it may mean a creature cast from a DNA strand, or a type of clone. Why not just use the term clone? After all, clones are very much a thing in Star Wars (remember that whole war?). This is just a wild guess, but the captions for this scene capitalize Strand-Cast, which may indicate that this may be a specific type of cloning.

But whateverall that cloning stuff doesnt really apply here, at least not to Kuill. The diminutive elder doesnt think Baby Yoda is a clone or a Strand-Cast. Kuill worked in gene farms and believes hed know a clone if he saw one. This one looks evolved. Too ugly. So if Kuills hunch is right, Baby Yoda is not literally Baby Yoda. Instead, the child is either a baby of Yodas still unnamed species, or perhaps Baby Yoda is Yodas baby. The former seems more likely to be true, but hey, you never know! Kuill could still be wrong!

Thats not the only major development in the Baby Yoda saga. After a few episodes wherein our fave sidekick sat on the sidelines, sipping on bone broth, Baby Yoda used the Force againand he wasnt very nice!

Upon seeing the Mandalorian arm-wrestling with Cara Dune, Baby Yoda lashed out and Force-choked the Rebel shock trooper. Mando had to scoop up the powerful tyke and declare, repeatedly, that he and Cara are friends. This stunned everyone on board, and even those of us at home. The Force choke is inextricably tied to the Sith, as it was Darth Vaders preferred and sometimes fatal intimidation move. Thats not to say that the Jedi couldnt Force choke as well; Luke used it on a Gamorrean guard upon entering Jabbas palace in Return of the Jedi. So while this doesnt necessarily make Baby Yoda a Sith-in-training, it does mean that hes very powerful and should probably have a good influence growing up.

Thematically, this moment ties in with the larger point that The Mandalorian seems to be gearing up to make in its final two episodes. Just like IG-11, a murder droid rebuilt and programmed to serve tea, Baby Yoda will need strong mentorship to instruct him to not use his powers to hurt others. You can even see the nature/nurture them playing out in The Mandalorian himself, as hes someone who was adopted into Mandalorian culture and is currently undergoing a crisis of conscience. Was he born to be a bounty hunter? Or is this something that he was built to do? Can an IG droid be a pacifist? Can a child be swayed from the Dark Side? Can a bounty hunter learn compassion?

Hopefully well get some answers when The Mandalorian closes out Season 1 next week, on Friday, December 27.

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Is Baby Yoda Bad to the Bone? This Week's 'The Mandalorian' Has Us Wondering - Decider

Peter Rhodes on cloning icons, trampling daemons and heroes who deserve massive medals – shropshirestar.com

The great wickedness in His Dark Materials (BBC1, Sunday) is evil grown-ups trying to separate children from their souls, which exist as small animal companions called daemons. Realistically, how many of these daemons created by Philip Pullman would survive more than a few minutes after their youthful owners first learned how to walk? A ferret at your ankle is a ferret simply crying out to be trodden on and if a crowd of kids ran past in the street, you could follow their route by the sticky red slick of daemon ketchup.

Back in 1981, a few weeks after Prince Charles and Lady Diana Spencer announced their engagement, we went to a garden party where the daughters of the house had been transformed. They were wearing floaty, mid-length floral skirts with rather old-fashioned lace-necked blouses. Their hair had been cut into flicky fringes from beneath which they peered shyly at the world. Overnight, they had become Diana-clones and where they led, thousands more girls were to follow. Soon the country was full of flicky-fringed lasses in Diana lookalike frocks. I was reminded of that social phenomenon at the weekend when I was served in a cafe by a slightly-built, unsmiling little girl with braided plaits and not a trace of make-up who got quite shirty when I ordered something not on the menu. I suspect the Greta clones may be coming.

Meanwhile, from the brainless bad-loser department comes this post-election tip by a Guardian reader: My advice is to find out which party your local small businesses supported, and boycott accordingly. What a great idea. And if you find a local small business owned by Jewish people, what then, sonny?

The New Year's Honours List will soon be unveiled and will contain the usual quota of civil servants, political chums and celebrities rewarded for little more than doing their job. And what of the New Zealanders who have volunteered to go to the smoking volcanic White Island a to recover the bodies of those killed in this month's eruption? They willingly stepped into the gates of hell to bring comfort and closure to the bereaved. They deserve medals as big as dustbin lids.

From this column, July 2017: Labour's best hope of taking power will come if the Tories are daft enough to elect Boris Johnson as their leader. No, you see, that's not what I meant. What I meant was, er, I have been quoted out of context. It was just banter. I wasn't feeling well. Somebody must have hacked my computer . . .

The burlesque performer Dita Von Teese reveals on her latest tour that she demands a regular supply of just-ripe bananas because they are easy to eat when she's wearing a tight corset and red lipstick. This is more fun than politics, isn't it?

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Peter Rhodes on cloning icons, trampling daemons and heroes who deserve massive medals - shropshirestar.com

The Avengers Have Been Cloned – By SHIELD?! | CBR – CBR – Comic Book Resources

WARNING: The following article contains spoilers for Captain Marvel #13 by Kelly Thompson, Lee Garbett, Tamra Bonvillain and Clayton Cowles, in stores now.

In Captain Marvel's latest storyline, "The Last Avenger," Carol Danvers has apparently turned evil. With a new black and red suit, Carol took Thor by surprise, resulting in a big super-powered fight between the two Avengers. But Carol's no-holds-barredstyle was enough for her to defeat the God of Thunder. The real shock came later, however, when Carol's mysterious benefactor was revealed to be Vox Supreme, to whom she presented Thor's severed head.

The implication was that Captain Marvel had killed Thor -- but fans knew there had to be more to this story. After all, there was no way the God of Thunder was truly dead, least of all at the hands of another Avenger. Well, Captain Marvel #13 finally reveals how Carol got hold of Thor's head.

It turns out the Avengers have been cloned... by S.H.I.E.L.D.

RELATED:An Inhumans Villain Makes a Surprise Return in Captain Marvel

In Captain Marvel #13, after taking care of Thor, Carol moves on to her next target: Iron Man. Like the God of Thunder, Carol takes him by surprise, and the fight is over rather quickly. It's after this however, through a series of flashbacks, that we learn more about the villain behind Carol's attacks. Vox Supreme, who is somehow a mix of the Inhuman villain Vox and the Kree Intelligence Supreme. The new suit Carol is wearing comes from him, and it monitors her actions and reports back directly to him.

While the flashbacks don't reveal exactly what Vox Supreme is after, we do know he has sent Carol to kill the Avengers, by showing her that if she doesn't do as he commands, he will destroy Earth's Kree refugee camps and kill everyone inside. Therefore, to protect the lives of the refugees, Carol has to kill the Avengers. But Vox also monitors her every move, which means that the fights have to look real. Only, when it's time for the killing blow, she sends her fellow Avengers into the pocket dimension inside Singularity where she can safely hide them.

RELATED:Iron Man 2020 #1 Trailer Launches the Robot Revolution

But what of the bodies, like Thor's head? Well, Carol apparently had a plan for that as well. In another flashback sequence taking place shortly before Captain Marvel's battle with Thor, she breaks into a secret S.H.I.E.L.D. compound housing Project Gemini. And there, we discover that the secret spy organization has cloned all of the current Avengers such as Thor, She-Hulk, Black Panther, Iron Man and more. All of the copies are being kept in stasis tubes, evidently simply waiting to be woken up.

What purpose could S.H.I.E.L.D. possibly have in cloning the Avengers? Are they building backups of the world's greatest superheroes in case the worst should happen, or is the clones' purpose more nefarious than that? For all we know, S.H.I.E.L.D. could program these doubles to obey their commands and their commands alone. And their first target could always end up being the real Avengers.

The revelation brings with it a lot more questions than answers. Somehow, Carol knew about this project. In fact, she says that when she first found out about Project Gemini, she told them to shut it down, or else she would burn it all down. However, S.H.I.E.L.D. clearly didn't listen. Sure, for now, it all works out for the best, because it means Carol can fool Vox Supreme.

But the implications of these Avengers clones are bigger than that -- it hints at a possibly larger story, one that could even lead to the Avengers' next big threat: themselves.

Captain Marvel #14 releases January 22, 2020.

KEEP READING:Captain Marvel Deleted Scene Reveals The Supreme Intelligence's Comic Book Form

Why Star Wars: The Rise of Skywalker Is Already Dividing Critics

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We need to talk about CRISPR – Horizon magazine

Prof. Woopen is chair of the European Group on Ethics in Science and New Technologies (EGE), which will present recommendations on the ethical aspects of gene editing to the European Commission in the first half of 2020. Modifying an organisms DNA has never been easier or more precise thanks to the CRISPR-Cas9 gene editing tool, leading to hopes of fixing genetic diseases, creating drought-resistant crops and breeding larger, hardier livestock. But as scientists become increasingly bold in their ambitions to control the biological world by tampering with DNA, there is growing concern over the potential for misuse.

There is a call for a moratorium on editing genes in a way that is heritable, known as human germline editing. What are your thoughts on this?

There was a global public outcry (last year) when it became public that the Chinese gene-edited twins were born (as a result of gene-editing work by the Chinese scientist He Jiankui) and now we urge for there to be no clinical applications at least until we know the technology is safe enough. And of course, there are concerns beyond safety.However, we can expect gene editing in somatic (non-reproductive) cells to become a beneficial treatment for some severe diseases.

Would you like to see all research in this area slowing down?

Thats not what Im asking for. I would like researchers to take responsibility and not run forward for the sake of personal fame or for being the first one to do this or that, or to get a new patent for economic profit. I think it would be good if all researchers in such a highly contested area such as application of gene editing were respectful of the need for a public debate on such a crucial issue.

When it comes to applying CRISPR technology, do you think there will always be rogue countries and rogue scientists?

I think its evident that some people and countries have poor attitudes to issues that are crucial to the dignity of human beings. I am concerned about this and think its very important that we have powerful legislatives on the global level to deal with this. I think the WHO (World Health Organization) group (which is examining the options for global governance for CRISPR technology) is a wonderful starting point for that.

Rogue scientists aside, are you worried that CRISPR technology could fall into the wrong hands?

The technology for gene editing is powerful and we must take into account that it can be used for military as well as civilian purposes. You only have to think about those sci-fi scenarios where embryos are edited to become very powerful soldiers who dont need sleep, dont feel pain and go into battle very effectively. Even if such a scenario is biologically unrealistic, there is a risk that people try to do something like this. We are talking about powerful technology that can be significantly harmful to our health and life when it gets into the wrong hands.

'We are talking about powerful technology that can be significantly harmful to our health and life when it gets into the wrong hands.'

Professor Christiane Woopen, University of Cologne, Germany

Are you worried about amateur civilians getting their hands on this technology?

This is a source of major concern for me because powerful tech in the wrong hands can make a lot of trouble. You could, for example, gene edit bacteria whichare very infectious and causes disastrous diseases, and which can be transmitted from one person to another in a very easy way, creating an epidemic with a very burdening disease. The techniques are quite simple to apply you dont need to be a great expert to use CRISPR technology. You can order gene editing kits on the internet and they are not too expensive. There are public laboratory spaces where you can already do gene editing yourself. There has to be regulation in this area, such as licencing and registration, so we know what is going where and who is using what.

CRISPR is also being used to edit genes in plants and animals. What are some of the ethical issues here?

There is the hope that genome editing will give us the sort of precise changes in animal genomes that hitherto would only have been possible through a lot of breeding cycles. But we are not aware precisely of the risk to the animal animal welfare must be properly taken into account. We should not use gene editing to optimise food production in a way that ignores animal welfare. Take livestock farming. Animals are often treated in a way thats not adequate and is ethically not acceptable. Pigs, for example, get more infections in livestock farming, but instead of letting them live under better circumstances, they are given antibiotics. If you take this further, you could gene edit these pigs in such a way that they adapt to these poor circumstances. This would be using the technology to make animals fit better into our economically defined processes and structures. That is an ethical problem.

And for plants?

Theres a lot of potential to grow healthier crops that require less pesticides and that can adapt to difficult environments, such as droughts. The cultivation of these plants would be more efficient and would contribute to the fight against famine. But of course we need to take care of our environment as well. Our concerns pertain, amongst others, to biodiversity we dont want plant species to become extinct because only certain (ultra-efficient and resilient) strains are grown.

There is currently no international legislation governing the use of genome editing. Is that likely to change?

On a global level, we lack the instruments. We have experience of this from human cloning. There was the intent to have binding international rulings on human cloning for reproductive purposes, but this did not happen because it was not clear how to define what human cloning is and which technologies would be forbidden, and countries had different attitudes. But (with CRISPR technology), it would be good to have the assurance that no one country will step ahead and create gene edited human embryos for reproduction. But I cant see this happening yet. At least there is the WHO expert panel developing international governance.

It can be that we end up with different frameworks in different countries, as we do already for gene editing for research in human embryos. We have countries where its absolutely forbidden and countries where its allowed for research purposes.

You have called for the establishment of a new global infrastructure to debate the key issues concerning genome editing. Why is this needed?

The idea of the Harvard Group, which called for a Global Observatory, is to bring people together to have an active debate on the cultural, ethical and social implications of genome editing. This agency would not be for policymaking or recommendations on the clinical applications of genome editing. It would be a platform that would foster deliberations that are more inclusive and robust than what we have now. We want to give a voice to groups of people who are currently not heard or listened to. This is important because different groups of people have very different attitudes concerning genes and gene editing.

Can you give an example?

In the Western world, for instance, we tend to see our genome as a biological thing thats quite decisive in giving shape to the body and mind of an individual. But if you go to Africa or South America, you find areas and tribes where genes define a community more than an individual. These groups think of their people as sharing a regional and historical background. Such people will want different policies on gene editing because they believe changing genes touches upon the collective.

Take the (native American) Havasupai people living in the Grand Canyon. These people are prone to diabetes, so they gave their consent for genetic testing to researchers who wanted to know whether they had a genetic predisposition for the condition. But during the research, it was found that the Havasupai dont in fact come from the Grand Canyon but from somewhere else. This was a major intervention into their cultural heritage and it was not something they asked to know. They felt threatened by this new knowledge, as they strongly believed they belonged to this area.

With people having such different attitudes towards gene editing, what are the implications for our eventual use of CRISPR technology?

Some people will support the technology because they mainly see its potential, others will see the technology more as a risk, and this will impact the process to build consensus. We will need to think how we communicate the technology to and within communities and how we engage in a broad and inclusive deliberation. We also will need to decide which responsibilities we attribute to different groups like doctors and patient representatives.

This interview has been edited for length and clarity.

The EGE report on the ethics of gene editing, which takes into account input from academia, industry, non-governmental organisations and civil society will be published in the first half of 2020. If you liked this article, please consider sharing it on social media.

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We need to talk about CRISPR - Horizon magazine

Stolen, cloned card complaints more than double in FY19: RBI Ombudsman – The Indian Express

Written by George Mathew | Mumbai | Published: December 18, 2019 3:05:59 am According to RBI guidelines, a customer will have zero liability in respect of a fraudulent transaction if there is contributory fraud or negligence on the part of the bank, irrespective of whether or not the transaction is reported by the customer. (File)

The number of complaints relating to ATM and debit cards filed with the Reserve Bank of Indias Ombudsman rose 18.65 per cent to 36,539 during the year ended March 2019 from 24,672 complaints in the previous year. Complaints relating to use of stolen and cloned cards more than doubled to 4,961 (2.53 per cent of the total complaints) in 2018-19 from 2,117 a year ago, data released by the RBI has showed.

However, the RBI did not reveal the amount lost by customers. The actual number of cases relating to ATM, debit cards, stolen and cloned cards will be many times more as only some cases reach the RBIs Ombudsman, said a banking source. Several customers had reportedly complained that money has been fraudulently withdrawn from their accounts even though they possessed their debit cards. In May 2015, the RBI had asked banks to gradually phase out magnetic stripe cards and move to EMV chip cards and set December 31, 2018, as the deadline to tackle the menace of card cloning. However, as some banks have issued EMV cards with magnetic stripes, skimming is still possible, said an official.

According to RBI guidelines, a customer will have zero liability in respect of a fraudulent transaction if there is contributory fraud or negligence on the part of the bank, irrespective of whether or not the transaction is reported by the customer. In case of a third party breach also, where the deficiency lies neither with the bank nor with the customer and the customer informs the bank within 3 working days of receiving communication from the bank regarding the unauthorised transaction, the customer will not be liable. Similarly, customer liability has been capped at Rs 25,000 if a person reports unauthorised transactions within seven working days. However, a bank is free to determine customer liability if such a transaction is reported after seven working days.

Of the total number of ATM and debit cards complaints, a major sub-category was account debited but cash not dispensed by ATMs which accounted for almost 53 per cent of the ATM related complaints, the RBI report on the Ombudsmans scheme said.

While non-observance of fair practices code continued to remain the major ground of complaints during the year, its percentage came down from 22.10 per cent in the previous year to 19.17 per cent in the current year. ATM and debit card issues had increased from 15.08 per cent in last year to 18.65 per cent this year, the report said. According to the RBI, the complaints on the ground relating to digital transactions (mobile, internet, ATM and credit cards) rose by 18,801 to 64,607 complaints and accounted for 32.98 per cent of total complaints, a 6.48 per cent increase in share of complaints over the previous year. This, however, did not include the digital related complaints falling under other grounds under the scheme. The rise in complaints reflects rising popularity of digital modes of transactions, the report said.

Overall, the complaints received at Ombudsmans offices rose by 32,311 taking the total to 1,95,901 in 2018-19 over the previous year (1,63,590), recording a year on year (Y-o-Y) increase of 19.75 per cent. Of these, 72.19 per cent were received electronically through the online portal and by emails as against 63.61 per cent in the previous year. Complaints received on grounds relating to pension, levy of charges without notice, credit card related issues and remittance have declined this year vis-a- vis the previous year. The number of complaints pertaining to mis-selling have gone up from 579 complaints in 2017-18 to 1,115 complaints this year, an increase of 92.57 per cent.

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Stolen, cloned card complaints more than double in FY19: RBI Ombudsman - The Indian Express

When the O.K. Sign Is No Longer O.K. – The New York Times

The gesture is not the only symbol to have been appropriated and swiftly weaponized by alt-right internet trolls. The Southern Poverty Law Center has identified memes featuring the hoax religion of Kek and the cartoon character Pepe the Frog, among others, as being at the forefront of white nationalists efforts to distract and infuriate liberals.

A number of high-profile figures on the far right have helped spread the gestures racist connotation by flashing it conspicuously in public, including Milo Yiannopolous, an outspoken former Breitbart editor, and Richard B. Spencer, one of the promoters of the white power rally in Charlottesville, Va., in 2017 that resulted in the death of a 32-year-old woman.

The gesture was in the headlines again after Roger Stone, a longtime political adviser to President Trump, met with a group of white nationalists known as the Proud Boys in Salem, Ore., in 2018 and was photographed displaying it with them.

Critics expressed outrage when a former White House aide, Zina Bash, appeared to be flashing the sign as she sat behind Brett M. Kavanaugh during his televised Senate confirmation hearings for his appointment to the Supreme Court. Defenders of Ms. Bash insisted that she had not intended any racist connotation and was merely signaling O.K. to someone.

That the gesture has migrated beyond ironic trolling culture to become a sincere expression of white supremacy, according to the Anti-Defamation League, could be seen in March 2019 when Brenton Tarrant, the white supremacist accused of killing 50 people in back-to-back mass shootings at two mosques in Christchurch, New Zealand, smiled and flashed the sign to reporters at a court hearing on his case.

Some people who have used the gesture publicly in a way that seemed to suggest support for racist views have faced consequences. In 2018, the United States Coast Guard suspended an officer who appeared to use the sign on camera during an MSNBC broadcast. Later that year, four police officers in Jasper, Ala., were suspended after a photo was published showing them flashing the sign below the waist. And over the summer, a baseball fan was barred indefinitely from Wrigley Field in Chicago after making the gesture behind the NBC sports commentator Doug Glanville during a broadcast of a Cubs game.

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When the O.K. Sign Is No Longer O.K. - The New York Times

The memes that defined the 2010s – Vox.com

Part of the Decade Issue of The Highlight, our home for ambitious stories that explain our world.

Perhaps no single cultural artifact did more heavy lifting in the 2010s than the meme. This was the decade the meme became far more than a fun piece of internet humor: Memes evolved to encompass everything from hashtags to viral videos, becoming their own language with their own communities.

The rapid rise of mobile internet use and the increasing domination of Facebook, Twitter, Instagram, and other social platforms helped shift the overall nature of memes from edgy and esoteric to warm and wholesome. On niche forums from 4chan to closed Facebook groups, memes peddling subversive or insular humor e.g. dank memes were standard. But the memes with humor fit for the whole family, or at least for people who werent that active online but checked their feeds once in a while, were the ones that really filtered into the mainstream through social media.

With increasing frequency, memes stood in for political arguments and ideological positions. They became right-wing recruitment tools, weapons of harassment, and tools of offline political resistance movements from Washington, DC, to Hong Kong. This was the decade some online memes became tangible offline disruptors, and the decade some were taken so seriously that they ceased being online fantasies and morphed into narrowly averted tragedies. Through it all, memes became for many of us a common language, one of the few we all still could parse as we searched for meaning and commonality in an increasingly polarized era.

Below, Vox presents a list of 10 memes that captured the zeitgeist, from those that summed up entire ideological positions to others that seem, on the surface, inane but reveal a lot more than you expect about the decades cultural journey.

If you were online in 2010, there was a chance you described something not-that-intense as so intense. That came from the now-classic Double Rainbow, a video recorded just a few days into the decade, on January 8, 2010. YouTube user Paul YosemiteBear62 Vasquez filmed and streamed the genuinely impressive sight of a full double-rainbow crowning the mountaintop beyond his front yard.

Vasquezs half-tearful, half-euphoric commentary alongside the footage made Double Rainbow instant, hilarious kitsch when the video abruptly took off in July of that year. The meme later got a boost from the Double Rainbow Song, one of the first viral examples of the Gregory Brothers popular Autotune the News musical series, which launched a whole YouTube autotune subgenre and birthed the most-watched video of 2010, the Bed Intruder Song.

At first, however, the public greeted Double Rainbow with a mix of bafflement, amusement, and mockery. Looking back now, its easy to see it as an early progenitor of the wholesome meme, which would, in the latter half of the decade, become one of the things that saved many from despair and burnout over increasingly dire climate disaster and geopolitics. Thinking about the mocking cultural reception of Double Rainbow then, versus what its reception would have been in the era of Wholesomeness, gives us a picture of how the internet progressed over the decade as the sociopolitical climate worsened.

And its hard not to feel a sense of sadness, too: We didnt realize that rainbow really was that intense, all along. Look into the mirror, look into your soul! Mr. Vasquez told his YouTube audience. Wed spend the rest of the decade doing just that.

Arguably another viral video that would be slotted into the weird but wholesome category, 2011s Friday was a laughably mundane song and music video introducing the world to a gawky-but-sincere 13-year-old named Rebecca Black, and to YouTubes utterly baffling video production wormhole. Vanity songwriting had been around for years, and so had amateur YouTube performances. But never had the two converged quite like this.

Friday, with its hypnotically bizarre music video of regular teenager Black and friends partying, partying, yeah! was a bouncy trainwreck. But as badly as it was made, Friday and its bargain-basement production studio, Ark Factory, contained the kernels of algorithmic virality throughout the decade: The entire company was about manufacturing influencers. As we all learned shortly after the baffling video became famous, Ark Factory put out scores of these prewritten, keyword-friendly songs and manufactured videos, all engineered to provide normal kids a simulation of celebrity at a low, low cost. (Friday took about $2,000 to make and produce, paid for by Rebecca Blacks family.)

Additionally, the company hoped to identify teens who had the talent or charisma to become social media successes, if not actual pop stars. The scheme sounds sketchy, but this was more or less the approach major companies took to viral marketing, and the influencer industry continued to take through the 2010s, seeking out low-level social media personalities and offering them money and exposure in exchange for endorsements.

Friday also typified the strange experience of the non-celebrity going viral overnight. By the end of the decade, wed see this happen frequently, from Ken Bone, to Gary from Chicago, to Plane Bae. Like many of them, Black hadnt been looking for viral fame or mainstream success of any kind; she wasnt even a vlogger. Her overnight fame brought some success but cost her friendships, a year of school, and, for a long time, her dignity. That she survived, grew up into someone pretty cool, and now makes music thats actually good is a testament to how much Rebecca Black still had to learn, and how much time she had to grow, when the internet found her and perhaps a sign that social media had yet to learn how to weaponize its cruelty.

The myriad problems with Kony 2012, a 20-minute-long YouTube documentary produced by a California-based activist group called Invisible Children, should have been apparent from the outset. While the videos outrage over the plight of abducted Ugandan children was contagious, its goal was nebulous.

Invisible Children urged the public, through donations and viral noise, to somehow invoke the wrath of the US government upon the Lords Resistance Army (LRA), the militant extremist group responsible for the abductions especially its leader, Joseph Kony. The video racked up nearly 30 million views within days of its March release, and for a while, the #stopKony and #Kony2012 hashtags were everywhere.

Except Kony wasnt actually in Uganda, and hadnt been for years; hes rumored to move around a lot, and to lie low throughout South Sudan. Plus, the entire glossy production seemed designed to funnel funds to, and essentially glorify, the three young white men whose films about Kony comprised much of Invisible Childrens efforts.

The project was widely criticized as being a prime example of colonialist white savior rhetoric, designed to commercially appeal to Westerners who would then go buy the organizations branded T-shirts, and not actually aid or facilitate action from Ugandans. (Amid the backlash, video creator Jason Russell had a full-frontal nude meltdown in the streets, prompting one deadpan TMZ reporter to observe, Rebecca Black didnt do that.) Ultimately, Invisible Children nearly went bankrupt, and the US government never got involved with the hunt for Kony.

Kony 2012 highlighted the pitfalls of viral charity, as well as problems with Western media coverage that characterized a decade of reporting on issues like detention camps and the Syrian refugee crisis. It also predicted similar online mass social movements, from the obsession with raiding Area 51 to the Ice Bucket Challenge. Most importantly, Kony 2012 gave other movements a template for what not to do. When the #BringBackOurGirls hashtag appeared in support of locating abducted Nigerian children two years later, the emphasis was where it should have been along: on supporting and sustaining developing nations and their already extant social justice movements.

Its no secret that the internet used to belong to cats but now belongs to dogs. During the Aughts, i.e. the LOLCat years, most memes were formed from captioned images. The sharpest humor relied on childlike linguistic permutations like spelling the as teh and declaring I can has cheezburger? in the original lolcat meme and upon twisting the familiar into something quirky and unexpected, like the lolcat concept itself. Cats as cultural phenoms flourished during a weirder, less homogenized, and less mainstream period of internet culture the time before social media became our dominant way of interacting and spreading ideas, and internet culture increasingly just became culture.

Thus, the insular, sarcasm-infused internet humor represented by cats and lolcat speak evolved into more universalized, easily accessible humor, represented by dogs and doggo lingo, i.e. a language of love. And the moment this paradigm shift occurred was roughly around 2013, when a sweet Shiba Inu named Kabosu, a rescued shelter puppy, became the adorable face of Doge, an image macro-turned-linguistic meme whose effects were manifold.

Popularized on Tumblr, Doge took the cat memes to new, absurdist heights, an early hallmark of neo-Dadaist millennial humor. The doge meme brought dogs into internet fashion and made doge-speak into its own standalone thing. This gave us a few years of such adjective, very noun language as a result. As doge endured, this quirky language became associated with dogs at large, just as it already is IRL; after all, we tend to use very simplified speech with our pets.

So doge is weird, but comfy and cozy; it tipped the realm of edgy memes toward the new era of the wholesome meme, before this divide had really become cultural. Doge appeared two years before the We Rate Dogs Twitter made good doggos into a thing in 2015, but without doge, its likely we would have had neither. Such accomplish! Very wow.

The images were instantly terrifying, yet felt as if theyd always been among us: The impossible height, the disproportionate gangliness, the not-quite-there face, the nebulous number of arms, and the grim expressions on the faces of children allegedly forever lost in the arms of the Slender Man.

Slender Man was an instant urban legend but one with a definitive origin. In 2009, a guy named Eric Knudsen wrote an eight-sentence story on the internet cultural hub Something Awful under the name Victor Surge. Knudsen posted his piece to a thread for photoshopped versions of creepypasta, short, scary stories meant to be easily passed around forums, blogs, and other social networks as urban internet legends.

Slender Man spawned a following unique among creepypasta villains: he was one of the most popular memes of the decade, routinely topping most-searched-for terms on meme and creepypasta websites. The Slender Man Mythos burgeoned into an internet subculture of fans dedicated to remixing and expanding the original story.

Slendys popularity spawned the rise of home-grown internet folklore over the decade. The webseries Marble Hornets dramatized Slender Man to great success, while users of the subreddit No Sleep filled the board with thousands of other first-person horror stories attempting to deliver similarly viral dread. SyFys Channel Zero dramatized several classic examples of creepypasta; one No Sleep story, The Spire in the Woods, is currently being developed into a feature film by Steven Spielberg. And the Slender Man story itself inspired everything from video games to fanart to a bizarrely late 2018 horror film.

But there was also an uglier, offline side to the online horror stories. In 2014, the story of Slender Man inspired two preteen girls to attempt to murder a third friend as a sacrifice to the creature, whom they believed to be real. The victim survived a brutal stabbing and Slender Man became part of the disturbing trend of online memes inspiring serious real-world action, particularly internet urban legends. Slender Man preceded the Blue Whale challenge in 2017, which led to several actual deaths before it thankfully faded, and the Momo challenge from earlier this year, which didnt lead to real-life self-harm, but understandably scared people into fearing it might.

Theres an eerie commonality between the online cult of Slender Man and the wave of internet conspiracies that grew and flourished during the 2010s from strange fandom shipping conspiracies to Pizzagate, a conspiracy theory that began as an ironic 4chan meme before it circulated as fake news and cultivated true believers. In 2014, it was hard to believe that two 12-year-olds could fall so heavily into this alternate reality that theyd take their obsession offline. By the time Pizzagate had provoked one zealot to terrorize a DC pizza joint two years later, the delusion fostered by 12-year-olds seemed to be just another part of a larger, internet-fueled alternate universe.

This meme originated in 2013 as part of a six-panel installment of cartoonist K.C. Greens webcomic Gunshow. In the comic, a dog sits and drink his coffee during a house fire, insisting that everything is fine as he slowly melts away. The comic was originally titled On Fire, but after a truncated two-panel version started to spread through Reddit a year later, it became known as This Is Fine, in honor of the dogs ironic final line and the perfect way to describe everything being the opposite of fine.

In its various comic and animated incarnations, This Is Fine became the epitome of our reaction to the increasingly distorted, disaster-laden world. To the growing ideological divide, the worsening geopolitical climate; the rise of Gamergate, the alt-right, and their even more extreme brethren; the fact of social media and tech culture unwittingly undermining democracy; school shootings and mass gun violence with no end in sight; and, of course, to climate change, when things are frequently literally on fire, the millennial generation murmured, This is fine.

The meme works if you want to articulate your own inability to process how overwhelming all of this change is. And it also works if you want to sardonically call out someone elses perceived indifference to an urgent issue, whether tiny or huge.

The peaceable irony of This Is Fine was the spiritual opposite of the much more noxious Pepe the Frog meme. Both memes were based on webcomics, and both emerged as politically charged icons roughly around the same time. Pepe was an amphibian stoner, originally created in 2005 as a webcomic character by artist Matt Furie. Since the Aughts, he had been a dank meme and mascot used by online troll types; in the mid 2010s, however, the frog became an alt-right symbol, used as an enormous dog whistle for white supremacy. It wasnt until the 2019 Hong Kong protests that Pepe received his political reclamation at the hands of democratic student protesters.

But where Pepe (a crude cartoon frog) gained a very specific contextual use that got even more specific and localized over time, This Is Fine (a crude cartoon dog) was much more easily universalized, applicable to nearly everything, and increasingly relevant to more and more people as it grew in popularity. If this cute little hound couldnt figure things out, clearly the rest of us were all screwed.

The phrase on fleek a saucy shorthand for aesthetic excellence was invented in 2014 by a 16-year-old Vine user named Kayla Lewis, a.k.a. Peaches Monroee, to describe her perfectly waxed eyebrows. In the six-second loop that was standard for all Vine videos, she prepped for a night out with a litany of slang catchphrases, all well-known except for that soon-to-be-immortal one.

On fleek could be seen as just one of the decades many classic Vines, like why you always lying, oh my god, they were roommates, its Wednesday, my dudes, vroom vroom, back at it again at Krispy Kreme, and of course, do it for the Vine, et cetera, into infinity. Like all of the above, on fleek was instantly viral across all social media, and the video showcased both the hilarity of the Vine platform and the way catchphrases born from its six-second clips could easily find their way into collective cultural jargon.

But on another level, the trajectory of the phrase, which immediately traveled across the internet to be capitalized upon elsewhere by pop stars, major brands, and assorted corporations, captured a pivotal undercurrent of pop culture in the 2010s: a growing awareness of cultural appropriation.

Vine, which shut down in 2016, was a rich hub of black internet culture, and its memes were constantly finding their way onto other internet platforms and into common usage, often divorced from their original context. Vine was thus a microcosmic example of the way, throughout the decade, black culture was spread and watered down as it reached the mainstream.

The birth of on fleek was frequently ignored as it mutated into a contextless slogan, and critiques of its cultural erasure gained traction. Soon, the internet became more aware of the damage done by majority cultures borrowing elements of minority cultures, brands exploiting marginalized consumers, and even more lighthearted forms of making jokes out of cultural difference. And Lewis was frequently cited as one of the touchstone examples of this trend, perhaps because she was vocal about how quickly her words had been appropriated from her.

By drawing attention to the way her words were being lifted and repurposed without her consent, insisting on credit while allowing the meme to flourish, Lewis set the tone for years of discussion, and embodied the spirit of being on fleek herself.

Few memes more hilariously summed up and parodied a whole decade of social media overreaction as this 2015 Tumblr post about, as it says on the tin, feeling attacked for no apparent reason. Originally made by a user named chardonnaymami who subsequently deleted their account, the post brilliantly combined internet humor with the flavor of gin-soaked reality TV drama. In fact, the public fascination with melodramatically feeling very attacked arose nearly simultaneously thanks to a heated moment from Drag Race.

The post spawned numerous imitators, and the language of feeling attacked has entered common parlance. That means that this meme is still pretty much everywhere to this day hell, by this point most people have probably forgotten this idea even started out as a meme at all. You can be attacked for everything from feeling hilariously called out, like so:

Or for having deep passionate feelings about things at unexpected moments, like so:

All this is classic Tumblr humor in its purest form. When you say, I feel so attacked, youre using intentionally hyperbolic language to express ironic enjoyment of your own dramatic emotions. Tumblr users led the rest of the internet in the expression of wry hyperbolic passion, in everything from feels and I cant even to I am trash and I love this garbage [thing].

Although the so attacked meme neatly encapsulates the wit and humor of Tumblr, it instantly spread to other platforms, and subsequently was rarely correctly attributed to the Tumblr user who first wrote it. And that fact all by itself sums up the cultural underestimation of Tumblrs vital role in internet culture throughout the decade.

Tumblr has always punched far above its cultural weight, whether through its symbiotic relationship with 2010s media outlets like Mic and BuzzFeed, or its magical ability to have all its memes rediscovered and recycled by Twitter users five to seven years after they were de rigueur on the much looser blogging platform.

After all the quality content it gave us, Tumblr still was perpetually written off by mainstream culture as a silly teen site, though it continues to thrive even as the rest of the world continues to assume the blue hellsite (thats the internets nickname for Tumblr) is perpetually stumbling toward obsolescence. Really, guys? We Tumblr users just came out to have a good time, and honestly.

The best queer memes of the decade (be gay, do crimes, the gay babadook, lesbian boba fett, etc.) all play into the traditional association of gay with whimsy, and this one is perhaps the most whimsical of all. They also abide by the classic cultural association of queerness with deviance and subversion and what could be more subversive than springing an illicit, passionate 1950s love affair between Cate Blanchett and Rooney Mara upon an unsuspecting old couple?

For all its saucy impudence, Theyre lesbians, Harold also manages to be somehow wholesome. The 2015 Tumblr post that spawned it was originally about Carol, one of the most beloved movies of the decade. But the phrase more generally captures those priceless moments when straight culture abruptly comes face to face with queer culture. The best queer culture is celebratory, open, and, well, proud, and Theyre lesbians, Harold works because of whats on the other side of the meme: queer identity, existing and thriving throughout history, despite the best efforts of straight culture to whitewash it or pretend it doesnt exist.

Theyre lesbians, Harold also falls within the realm of another kind of meme that emerged in the latter half of the decade, the variant of meme that mocks a hilariously out-of-touch older person especially a straight white person whos trying to figure out whats going on with kids these days. Perhaps theyre voicing their indignation at an aspect of progressive or diverse culture they dont understand. Perhaps, like the baffled elderly couple in this meme, theyre merely startled.

Even though Harold originally referred to a specific Harold, weve understood certain names as codes for universalized archetypes ever since Beyonc brought us Becky with the good hair with 2016s Lemonade. As part of that code, youll often see basic Anglican names universalized to represent the defensiveness that many white people deploy when faced with performative expressions of queer identity or other marginalized identities. (Sorry if that gets your hackles up, Tammy.)

Theyre lesbians, Harold predicted later memes like 2017s mocking Spongebob and 2019s OK boomer, while still embracing impudence and sassy irreverence for your scandalized straight feelings. Crucially, though, we never know if the initial recognition of the womens sexuality sparks horror or outrage in the original couple; theyre forever on the brink of either rejection or acceptance, which makes the meme itself forever hopeful: mocking, yes but with plenty of affection and optimism in the mix.

So much has been said already about Harambe including by Vox that we may admittedly feel exhausted by the thought of saying it again. But that exhaustion was built into the meme all the way back in 2016, and its part of what made Harambe such a weird and bizarre phenomenon, unique among memes even three years later.

The Harambe meme erupted across the internet after the 2016 killing of a Cincinnati Zoo gorilla, a beloved zoo resident whod just celebrated his 17th birthday the day before. Harambe died after he approached a small boy who had climbed into his pen. While many onlookers believed the gorilla was trying to protect the boy, he was deemed to be dangerous and was immediately shot by zoo officials.

The public outcry over Harambes death was massive, one of the bigger controversies of 2016 which, you might recall, had plenty of human controversies. The uproar was politically and racially charged, particularly directed at the boys mother, and lasted for months. The meme largely fueled the conversation, in which Harambe was both sincerely mourned and sarcastically milked for all his worth to become a weird spectacle of grief, bizarreness, and outrage.

The Harambe meme was basically an intense online wake for a gorilla that exemplified the way dank meme culture can borrow weirdness and spawn more of it. Plenty of people seemed to be sincerely grieving Harambe, while others were just deeply committed to the gag, as a way of ironically expressing their bafflement over the whole scandal. Either way, the meme kept the emotions high for ages; it simply did not quit.

The outrage over Harambes death summoned debate about everything from animal cruelty to gun violence to race and sexism. It was a deeply layered meme, serving a range of different ideological ends. That might explain why Harambe is still never far from the internets collective mind.

Its very recent, but its hard to deny that Baby Yoda the adorable puppet character who steals the show in the Disney+ streaming Star Wars series The Mandalorian is one of the last great memes of the decade.

In the latter half of the 2010s, in inverse proportion to all the aforementioned calamity, weve attained an era of peak wholesome culture, from hygge to hopepunk all spurred on by the rise of the wholesome meme, with its emphasis on cute, cuddly, and healing aesthetics. And clearly, with this cute, cuddly lifelike baby puppet, the wholesome meme trend is sending us off on a high note.

And if Baby Yoda turns out to be evil well, it will still be right in keeping with the thwarted hopes, disrupted belief systems, and unexpected chaos of the 2010s.

Heres to the 2020s, and may the Force be with us all. Well need it.

Aja Romano is an internet culture reporter for Vox. They last wrote about Cats and the rise of Andrew Lloyd Webber for the Highlight.

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The memes that defined the 2010s - Vox.com

Ive Been Reporting From the Front Lines of the Hong Kong Protests. Heres What It Taught Me About the Power of Art – artnet News

Gas mask: check. Eye mask: check. Helmet: check. A press ID and reflective vest that spells out PRESS across the chest: check.

As I packed my black-and-white polka-dot designer backpackthe only backpack I ownearlier this month to prepare myself for the December 8 rally that marked the six-month anniversary of the Hong Kong protests, a feeling of uneasiness and doubt weighed heavy inside my chest. Since when did such protective gear become a must-have when I head out to cover a demonstration? And since when did writing about arts and culture involve putting myself on the front lines, where tear gas and rubber bullets face off against bricks and Molotov cocktails?

I might not have been able to imagine it six months ago, but this is now a somewhat regular day on assignment for me.

It didnt have to be this way. As a journalist who covers art and culture, I have the option to look away. Footage depicting the violent clashes between the police and black-clad protesters may have been making international headlines over the past six months, but for Hong Kongs art world, things seemed to be business as usual. I could have chosen to attend an art opening with a stylish clutch under my arm, sipping champagne while keeping my antenna up for news and gossip. The fall art auctions took place on schedule amid the shooting of tear gas, and I could have chosen to stay in the comfort of the auction room, taking in the frenetic bidding over the work of Yoshitomo Nara and Sanyu.

Riot police outside the Hong Kong Museum of Art after tear gas was fired nearby. Photo: Vivienne Chow.

But as Hong Kong descends into an unthinkable state, what seems to be the normality of the art world has suddenly become a detached reality might as well exist in a parallel universe. Protesters and unarmed civilians have been hit with more than 16,000 rounds of tear gas, nearly 14,000 rounds of so-called non-lethal weapons from rubber bullets to sponge grenades, and two live rounds. One student protester fell to death during a clash in a residential area, and more than 6,000 arrests have been made over the past six months, including of a child as young as 11. How can one still keep her head buried in the sand, thinking that the city is operating normally?

At the height of some of the most violent clashes, like the siege of university campuses in mid-November, Hong Kong was, quite literally, a war zone. None of this is normal. Had I chosen to stay in the art bubble and not witness at least some of what might be the worst events of terror my hometown has ever seen, I would have regretted it for the rest of my lifeas a human being, a Hongkonger, and as a journalist.

Am I scared? Im terrified. Covering art and culture has rarely involved encountering squads of armed riot police or hearing shots of tear gas fired at crowds in the heart of Central, the citys core business district where international galleries like Gagosian, Lehmann Maupin, Simon Lee, and Pearl Lam are located. Nor does it typically involve getting jostled by crowds of protesters running across Salisbury Garden in Tsim Sha Tsui, where tear gas canisters were fired outside the newly reopened Hong Kong Museum of Art.

Sure, I had the experience of covering the Umbrella Movement on the frontline occasionally as a culture news reporter in 2014. I have also recently taken a safety workshop for journalists given by a former member of the Australian military. But this kind of reporting was never something I could get used to. And as news continues to surface about journalists becoming targets of riot police, many getting shot with rubber bullets or sponge grenades,and one even losing an eye, I have had to decide in a split second on the ground: should I stay or should I go? Should I continue to take pictures or filming?

The installation Beyond by Hong Kong artist Rosanna Li Wei-han on show at Hong Kong Museum of Art. Photo: Vivienne Chow.

As an art journalist, it may seem unnecessary for me to put myself in danger like many of my colleagues who have been on the frontline on a day-to-day basis, and for whom I have the utmost respect. But these traumatic experiences have opened my eyes to humanity in a new and deeper way, which has inevitably informed the way I cover my own beat and helped me to reflect on the true meaning of art.

The words of Abby Chen, the head of contemporary art at the Asian Art Museum in San Francisco, constantly ring in my ears. During our conversation back in July, Chen told me that she believed the greatest art will be produced in Hong Kong in the wake of this uprising. This is about being human, and the kind of resistance and resilience that we are seeing Hong Kong artists are at the forefront in terms of thinking about their global identity in this rapidly shifting world, she said. Artists are part of this light.

Protesters mini Stonehenge rockblock in Hong Kong. Photo: Vivienne Chow.

Five months later, Chen has been proven right. Her understanding of art, and more importantly, her understanding of humanity, has led me to realize that the most meaningful and relevant creative expressions are living on the streets, rather than inside perfect white cubes insulated from the real world.

Often made anonymously by groups of Hong Kong people who are determined to fight an impossible fight, these creative expressionsgraffiti, songs, protest signs, memes, Stonehenge-looking roadblocks, and even performative protestsrepresent the demands, dreams, hopes, and fears of the people of this former British colony as they struggle to retain its freedoms and systems under the rule of the Peoples Republic of China before the 50 years unchanged promise expires in 2047.

Graffiti that reads Hongkongers, revenge. Photo: Vivienne Chow.

The protests sparked by the now-withdrawn extradition bill have morphed into a much larger scale pro-democracy movement, and the symbolism has expanded, too. These creative outputs have not only transformed public spaces into a living gallery of visual culture, but have also played an important role in keeping the movement vital and engaging. It is no coincidence that a record number of artists ran for public office during the most recent Hong Kong electionsand won.

When I walk pass a Lennon Wall and look at the post-its, graffiti, and posters spelling out protest slogans such as Liberate Hong Kong, Revolution of Our Times or Five Demands, Not One Less,I often ask myself: Is it art? But what is art, anyway? A banana duck-taped on the wall sold for $120,000? Or an object of desire made with impeccable craftsmanship?

Art, to me, is an honest statement, and what I see in the streets and in images circulating in cyberspace are expressions that require both artistic skillbe it drawing, design, or street calligraphyand sincerity. They are the product of hybrid cultural influences inherited from Chinese tradition, Japanese pop culture, the Western world, as well as Hong Kongs cinema heritage, Canto-pop, street humor, and cynicism.

Christmas card from Hong Kong protesters.

These creative outputs embody a unique Hong Kong cultural identity, but can also resonate with a global audience. They borrow icons and memes from other cultures and reinvent a new identity for them, such as Pepe the Frog, which was reimagined as an irreverent symbol of Hong Kongs resistance and resilience rather than the symbol of hate co-opted by the alt-right in the United States. And more importantly, these visual expressions are the vessels of the pain and trauma Hong Kong people have experienced over the past six monthspeople whose voices have been muted by a government that fails to respond to their demands. Some have resorted to violence out of desperation, but many have also turned to art and creativity as their weapon of choice. Their creations might not be perfect, but they are genuine. They are peoples art.

Protesters in fiberglass masks of Pepe the Frog and LIHKG Pig at the December 8 protest. Photo: Vivienne Chow.

What will be interesting to see next is how artists distill all this to express themselves with their own artistic language. Some have already begun, but there will be more to come in the next decade or so. And as the movement is still ongoing, so is the pain and traumabut I have absolute faith in the future of Hong Kong art. That, now more than ever, is what makes this city one of the most interesting places to write about art.

The Pulitzer Prize-winning art critic Jerry Saltz began writing when he was over the age of 40. Being in such a rapidly changing Hong Kong at age 41, I feel that my career has only just begun. I am looking at the world around me, and at art, with fresh eyes.

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Ive Been Reporting From the Front Lines of the Hong Kong Protests. Heres What It Taught Me About the Power of Art - artnet News

From sexting to politics: How emoji evolved this decade – The Next Web

Believe it or not, the first emoji was created in 1999 by a Japanese artist, Shigetaka Kurita, who wanted to create a simple, quick, and attractive way of conveying information. At that time, Kurita was working as a developer for i-mode, an internet platform owned by Japans main mobile carrier, DOCOMO. Fast-forward almost 20 years and these small, yellow, emotive characters now represent a lot more than at first sight.

Emoji has been referred to as a lingua franca a bridging language that allows us to bypass spoken language barriers and cultural differences. But emoji arent just as level ground for communicating, or as an innocent outlet to sext, theyve become an accessible symbol of activism and politics over this past decade.

Emoji has become a summary of our society and has increasingly intertwined with our conversations, even when were talking about politics, Lilian Stolk, an emoji expert told TNW. Not only do we use emoji for politics, but the process of adding new emoji is also a political game. Big tech companies use emoji to show that they represent diversity such as Apple with itsdisabilities emoji and Google with its gender neutral emoji.

A few months back, when people first started talking about US President s potential impeachment on Twitter, the peach emoji which was once a harmless sexting reference became the latest protest symbol against , and more specifically, his potential impeachment get it?

This emoji seemingly became a homonym having the same spelling or pronunciation but different meanings after Lizzo, an American singer-songwriter, tweeted a message which gained almost 120,000 likes. Lizzos IMpeachMENT tweet was likely in celebration of House Speaker Nancy Pelosis decision to launch an impeachment inquiry against Trump.

Emoji are used in their literal sense to spread political messaging, especially in countries were censorship restricts free speech. For example, in China, #MeToo is censored, so people who want to share their stories of sexual harassment and assault instead use the cooked rice and rabbit emoji because rice bunny in China is pronounced similarly to me too.

Throughout the recent general election campaign in the UK, the red rose emoji was used as a symbol for the Labour party.

But just as emoji is used to spread positive political messaging, its also used to represent the opposite. For example, several emoji including the frog (in reference to Pepe The Frog), the milk glass, and the ok sign are used to symbolize white power.

The most political thing about emoji that surprised me is that Apple is not displaying the Taiwanese flag on phones in China, and recently they also blocked it on devices in Hong Kong and Macau. This shows that Apple wants to keep the Chinese market a friend, Stolk added.

With the more controversial political opinions, I think its safer to use an emoji, or a meme, instead of making a message more concrete with words, Stolk added. If you bring your political opinion with a layer of irony, you can hide behind the irony. If you post a pepe meme or use the frog emoji people can deny a real connection to extreme right-wing ideas, because its just funny. But at the same time, it still connects to these ideas.

Although it may seem like Emoji just magically appear on our phones once a year, this isnt exactly how deployment works. The Unicode Consortium, the official body that manage emoji, accept or reject emotive characters submitted by users, designers, and activists.

Over the past couple of years, the Unicode Consortium has faced some backlash over its decisions. Earlier this year, they approved the release of a blood drop emoji in what was widely considered to be a first step in ending period shame and sparking conversations about menstruation.

This is all thanks to a girls-focused development charity, Plan International UK and Plan Australia who in 2017, launched a campaign to create a period emoji in an attempt to reduce the taboo surrounding period and menstrual health.

To make the process of adding emoji to our phones more democratic Stolk created, Emoji Voter, a web-based app where people can vote for which emoji should appear on our keyboards.

Similarly to Tinder, Emoji Voter works by swiping through various emoji proposals which have been officially received by the Unicode Consortium. By swiping an emoji left, youre rejecting the design and its meaning, but by swiping right, you agree that this emoji should be included in the next round of updates.

Once the results are in, theyre sent straight to Unicode who then decide if theyll appear on our phones one day.

A handful of people from The Unicode Consortium decide which emoji we can communicate with. Imagine if just a few people would decide what words we can use? Its very weird that we as users dont have a voice in this. This is what I want to change with Emoji Voter, Stolk said.

The emoji proposals include harmless, fun examples like a rock to depict Earths foundation. But also include more inclusive and political emotive characters like a beaver thats a playful subcultural symbol among the LGBTQ+ society and afro hair which would help diversify cultural representation and its currently the only hair-type missing from the emoji catalog.

As gatekeepers of the language that we all use online, Unicode and their voting members are not consistent in their choices. They state that a new emoji should not be too specific and have the potential to become popular, Stolk explained. Then why is there a red-haired emoji and no afro emoji, while there are many more people with an afro worldwide? Why was a period emoji too specific, but there will soon be 70 symbols for people with disabilities? If we continue in this way, within eight years well be scrolling through 5000 emoji. Do we want that? We should think about this better.

According to Stolk, the most voted emoji will be the hugging and lip biting emoji. Both are a form of non-verbal communication, and thats how we use emoji most often, Stolk said.

Although the voting process is far from perfect, its reassuring to see that diversity and inclusivity are increasingly becoming part of the debate. While an emoji may not spark real change in society, it does encourage a conversation and acts as an accessible form of communication between various cultures and languages it could be argued that emoji speak louder than words.

Read next: Unblock your favorite streaming sites & watch them anywhere for $40

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From sexting to politics: How emoji evolved this decade - The Next Web

Alexander the Bot: The Twitter War for the Macedonian Soul – Balkan Insight

For Cheese, the ban on appropriation of the Classical Hellenic emblem with its distinctive pointy rays was the latest act of surrender in a bitter fight over Macedonian identity.

It was part of a historic deal with Greece to end a 30-year dispute over his countrys use of the name Macedonia which Athens argued implied territorial ambitions over a northern Greek province of the same name and its ancient legacy of Alexander the Great.

Under the deal signed in July 2018, the former Yugoslav republic had to change maps and textbooks, abandon all use of the Vergina Sun and the ultimate betrayal, in Cheeses view rechristen itself North Macedonia.

Sitting in an outdoor cafe as dusk descended, he vowed never to sully his lips with the new name.

Im a patriot, and I just dont want my countrys name to be changed, he told BIRN.

Few people know Cheeses true identity, though many are familiar with his nationalist views. He is, in fact, Goran Kostovski, a 38-year-old marketing company worker from the capital, Skopje.

With almost 10,000 Twitter followers on three continents, Kostovski led a social media campaign in 2018 urging Macedonians to boycott a referendum on implementing the name-change deal, known as the Prespa agreement after the lake near which it was signed.

While the Prespa deal promised to unblock Greek opposition to the countrys hopes of joining NATO and the EU, critics saw it as a compromise too far. They hoped a low turnout in the September 2018 referendum would invalidate the result.

It made no sense to tell the world to vote no in the referendum because we feared the government would distort the results, Kostovski said. We had to boycott the referendum first.

Prompting street protests at home and drumming up diaspora dollars abroad, the #boycott campaign was a runaway success.

While 95 per cent of those who voted in the referendum were in favour of the name-change deal, turnout was only 37 per cent well short of the 50 per cent minimum threshold.

Though parliament later ratified the Prespa agreement anyway, experts say the victory for voter suppression was due in part to a new type of information warfare increasingly seen in nationalist circles.

Known as computation propaganda, it is what the Oxford Internet Institute at Oxford University calls the interaction of algorithms, automation and politics.

Few have mastered the art better than Kostovski, though he is cagey about the methods he uses.

You can say were bots, but that doesnt mean its true, he said, referring to the new foot soldiers of the online propaganda war: bogus Twitter accounts programmed to behave like humans.

Weve blurred your thinking so you dont know where our campaign is coming from, and you dont know where to look first.

While much has been said of Balkan troll farms and fake news factories, less is known about the impact of computational propaganda on the workings of democracy in the region.

A BIRN investigation into nationalist networks on both sides of the name dispute lifts the lid on the online tricks employed to amplify political messages and distort public opinion.

It is a journey into an underworld of computer code and conspiracy theories, where ghost users and Twitterbots meet far-right extremism in a digital hall of mirrors.

As much fake buzz as fake news, the activity is designed to create the false impression of a giant online conversation so opinion-makers such as journalists and activists sit up and take notice.

In this way, experts say a small group of geeks with laptops can exert an influence way out of whack with their actual numbers, with worrying implications for democratic discourse.

Disinformation spin cycle

At the government headquarters in Skopje, the countrys new official name Republic of North Macedonia greets visitors as they approach the Ionic columns of the building, renovated five years ago to look like the White House in Washington, DC.

It is a stones throw from the citys main square, where a statue of Alexander the Great on a stallion looms over a Classical-style fountain the result of a taxpayer-funded makeover of Skopje to give it a more antiquarian feel.

Many saw the revamp announced in 2010 as an architectural thumbing of the nose at Greece by the government of then Prime Minister Nikola Gruevski after Athens vetoed his countrys accession to NATO in 2008.

Inside government headquarters, Demijan Hadzi-Angelovski, a 28-year-old social media expert at the information ministry, recalled how 10 or so influential Twitter accounts sought to dominate the news agenda in the run-up to the Prespa referendum.

Every day, three times a day, a different user would send one or two provocative tweets, which would then be liked and retweeted by an army of automated accounts, he said.

The idea was to trend on Twitter and get picked up by big news aggregators like Time.mk.

Their goal was to have the news sites view and reproduce these tweets, to make the information more credible, he said. They then re-posted the news in a washing machine news cycle.

Their goal was to have the news sites view and reproduce these tweets, to make the information more credible. They then re-posted the news in a washing machine news cycle.

Demijan Hadzi-Angelovski, government social media expert

According to Information Minister Damjan Manchevski, who oversaw the governments pro-Prespa referendum campaign, much of the recycled content was fake news designed to discredit the agreement.

More than 10 per cent of articles in that period were pure misinformation, Manchevski told BIRN in an interview. The bots on Twitter were the main source of fake news.

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Alexander the Bot: The Twitter War for the Macedonian Soul - Balkan Insight

White Power Hand Signal Used During Army-Navy Game – West Point, Annapolis Investigating – Jim Heath TV

Questions erupted during the Army-Navy game in Philadelphia when students appeared to make the White Power hand symbol during a pregame broadcast.

Spokespersons from the U.S. Military Academy and the U.S. Naval Academy told reporters late today they have been made aware of the issue which blossomed on social media as the game wore on and the schools are looking into it.

A spokesperson for West Point said the academy was investigating and did not know the Cadets intent.

ESPNs Rece Davis was doing a standup segment at Lincoln Financial Field at the 120th meeting of the service academies when a Cadet held up a flag that said Go Army Beat Navy and began laughing.

Someone on the Midshipmen side who was out of the frame then appeared to make the one-handed symbol, and did it until someone wearing a glove tapped them on the hand.

Then a gloved hand appeared in the frame on the Cadet side with the upside-down OK symbol, and finally a Cadet appeared to make the symbol next to Davis head.

The Anti-Defamation League in September added the OK symbol as a gesture of hate.

Last year, a Coast Member member was suspended after using the white power sign during a live television report.

The OK signal is tied to an alt-right meme of the cartoon Pepe the Frog holding his hand up making the gesture.

The cartoon frog was adopted by white supremacists.

In October, Universal Studios Resort fired an actor dressed as a Despicable Me character after the person was accused of using the symbol.

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White Power Hand Signal Used During Army-Navy Game - West Point, Annapolis Investigating - Jim Heath TV

The Best Images From The Hubble Space Telescopes Final Full Decade As Our Iconic Eye On The Sky – Forbes

The Hubble Space Telescope is photographed at the moment of release from space shuttle Discovery on ... [+] April 25, 1990 as part of STS-31, the Space Shuttle's mission to deploy the observatory.

Mans greatest scientific tool? The Hubble Space Telescope has been the science icon of our times. Launched in 1990, for almost 30 years (or at least since a space shuttle mission fixed its flawed mirror in 1993) its been beaming back stupendous images of nebula, globular clusters, distant galaxies and much more from Earth orbit.

The Hubble Space Telescopea joint project of NASA and the European Space Agencyhas arguably been at its best since 2009, when its fifth and final servicing mission by astronauts saw it being fitted with its Wide Field Camera 3 (WFC3). Able to probe the Universe in ultraviolet light, that camera alone has been responsible for some of the telescopes best work, which we present here.

HST wont last forever. Due to be surpassed shortly by the Webb Space Telescope, HST is expected to carry on until the mid 2020s until the radiation levels get too much for its sensors.

So here they are, the Hubble Space Telescopes best work of its final full decade.

This image captures the chaotic activity atop a pillar of gas and dust, three light-years tall, ... [+] which is being eaten away by the brilliant light from nearby bright stars. The pillar is also being assaulted from within, as infant stars buried inside it fire off jets of gas that can be seen streaming from towering peaks. This turbulent cosmic pinnacle lies within a tempestuous stellar nursery called the Carina Nebula, located 7500 light-years away in the southern constellation of Carina. The image celebrates the 20th anniversary of Hubble's launch and deployment into an orbit around the Earth.

In celebration of the 21st anniversary of the Hubble Space Telescope's deployment into space, ... [+] astronomers at the Space Telescope Science Institute in Baltimore, Md., pointed Hubble's eye to an especially photogenic group of interacting galaxies called Arp 273. The larger of the spiral galaxies, known as UGC 1810, has a disk that is tidally distorted into a rose-like shape by the gravitational tidal pull of the companion galaxy below it, known as UGC 1813. A swath of blue jewels across the top is the combined light from clusters of intensely bright and hot young blue stars. These massive stars glow fiercely in ultraviolet light.

This new Hubble image, captured and released to celebrate the telescopes 23rd year in orbit, shows ... [+] part of the sky in the constellation of Orion (The Hunter). Rising like a giant seahorse from turbulent waves of dust and gas is the Horsehead Nebula, otherwise known as Barnard 33.This image shows the region in infrared light, which has longer wavelengths than visible light and can pierce through the dusty material that usually obscures the nebulas inner regions. The result is a rather ethereal and fragile-looking structure, made of delicate folds of gas very different to the nebulas appearance in visible light.

This close-up, visible-light view by NASA's Hubble Space Telescope reveals new details of the Ring ... [+] Nebula. a well-known planetary nebula 2,000 light years distant, the glowing remains of a Sun-like star. The tiny white dot in the center of the nebula is the star's hot core, called a white dwarf. The object is tilted toward Earth so that astronomers see the ring face-on. The Hubble observations reveal that the nebula's shape is more complicated than astronomers thought. The blue gas in the nebula's center is actually a football-shaped structure that pierces the red doughnut-shaped material. Hubble also uncovers the detailed structure of the dark, irregular knots of dense gas embedded along the inner rim of the ring. The knots look like spokes in a bicycle. The Hubble images have allowed the research team to match up the knots with the spikes of light around the bright, main ring, which are a shadow effect. The Hubble observations were taken Sept. 19, 2011, by the Wide Field Camera 3.

The Hubble Ultra Deep Field 2014 image is a composite of separate exposures taken in 2002 to 2012 ... [+] with Hubble's Advanced Camera for Surveys and its new-in-2009 Wide Field Camera 3. It shows a small section of space in the southern-hemisphere constellation Fornax.

The largest NASA Hubble Space Telescope image ever assembled, this sweeping bird's-eye view of a ... [+] portion of the Andromeda galaxy (M31) is the sharpest large composite image ever taken of our galactic next-door neighbor. Though the galaxy is over 2 million light-years away, the Hubble telescope is powerful enough to resolve individual stars in a 61,000-light-year-long stretch of the galaxy's pancake-shaped disk. It's like photographing a beach and resolving individual grains of sand. And, there are lots of stars in this sweeping view over 100 million, with some of them in thousands of star clusters seen embedded in the disk. This ambitious photographic cartography of the Andromeda galaxy represents a new benchmark for precision studies of large spiral galaxies that dominate the universe's population of over 100 billion galaxies. This is the first data that reveal populations of stars in context to their home galaxy.

The Eagle Nebula's Pillars of Creation' redux taken this time in near-infrared light, which ... [+] transforms the pillars into eerie, wispy silhouettes, which are seen against a background of myriad stars. The near-infrared light can penetrate much of the gas and dust, revealing stars behind the nebula as well as hidden away inside the pillars.

The brilliant tapestry of young stars flaring to life resemble a glittering fireworks display in the ... [+] 25th anniversary NASA Hubble Space Telescope image to commemorate a quarter century of exploring the solar system and beyond since its launch on April 24, 1990.

This NASA/ESA Hubble Space Telescope image shows a globular cluster known as NGC 104 or, more ... [+] commonly, 47 Tucanae, since it is part of the constellation of Tucana (The Toucan) in the southern sky. After Omega Centauri it is the brightest globular cluster in the night sky, hosting tens of thousands of stars.

This image displays the galaxies NGC 4302 seen edge-on and NGC 4298, both located 55 million ... [+] light-years away. They were observed by Hubble to celebrate its 27th year in orbit. The galaxy NGC 4298 is seen almost face-on, allowing us to see its spiral arms and the blue patches of ongoing star formation and young stars. In the edge-on disc of NGC 4302 huge swathes of dust are responsible for the mottled brown patterns, but a burst of blue to the left side of the galaxy indicates a region of extremely vigorous star formation. The image is a mosaic of four separate captures from Hubble, taken between 2 and 22 January 2017, that have been stitched together to give this amazing field of view.

The Crab Nebula, the result of a bright supernova explosion seen by Chinese and other astronomers in ... [+] the year 1054, is 6,500 light-years from Earth. At its center is a super-dense neutron star, rotating once every 33 milliseconds, shooting out rotating lighthouse-like beams of radio waves and light a pulsar (the bright dot at image center). The nebula's intricate shape is caused by a complex interplay of the pulsar, a fast-moving wind of particles coming from the pulsar, and material originally ejected by the supernova explosion and by the star itself before the explosion. This image combines data from five different telescopes: the VLA (radio) in red; Spitzer Space Telescope (infrared) in yellow; Hubble Space Telescope (visible) in green; XMM-Newton (ultraviolet) in blue; and Chandra X-ray Observatory (X-ray) in purple.

This stunning image from Hubble shows the majestic galaxy NGC 1015, found nestled within the ... [+] constellation of Cetus (The Whale) 118 million light-years from Earth. In this image, we see NGC 1015 face-on, with its beautifully symmetrical swirling arms and bright central bulge creating a scene akin to a sparkling Catherine wheel firework.NGC 1015 has a bright, fairly large centre and smooth, tightly wound spiral arms and a central bar of gas and stars. This shape leads NGC 1015 to be classified as a barred spiral galaxy just like our home, the Milky Way. Bars are found in around two-thirds of all spiral galaxies, and the arms of this galaxy swirl outwards from a pale yellow ring encircling the bar itself. Scientists believe that any hungry black holes lurking at the centre of barred spirals funnel gas and energy from the outer arms into the core via these glowing bars, feeding the black hole, fueling star birth at the centre and building up the galaxys central bulge.

This colorful image, taken by NASAs Hubble Space Telescope, celebrates the Earth-orbiting ... [+] observatorys 28th anniversary of viewing the heavens, giving us a window seat to the universes extraordinary tapestry of stellar birth and destruction. At the center of the photo, a monster young star 200,000 times brighter than our Sun is blasting powerful ultraviolet radiation and hurricane-like stellar winds, carving out a fantasy landscape of ridges, cavities, and mountains of gas and dust. This mayhem is all happening at the heart of the Lagoon Nebula, a vast stellar nursery located 4,000 light-years away and visible in binoculars simply as a smudge of light with a bright core.

This Hubble Space Telescope image of the giant, petulant star Eta Carinae is yielding new surprises. ... [+] Now, using Hubble's Wide Field Camera 3 to probe the nebula in ultraviolet light, astronomers have uncovered the glow of magnesium embedded in warm gas (shown in blue) in places they had not seen it before. The luminous magnesium resides in the space between the dusty bipolar bubbles and the outer shock-heated nitrogen-rich filaments (shown in red).

This image taken by NASA's Hubble Space Telescope on Nov. 16, 2019 captures comet 2I/Borisov ... [+] streaking though our solar system and on its way back to interstellar space. It is only the second interstellar object known to have passed through the solar system. Comet 2I/Borisov appears in front of a distant background spiral galaxy (2MASX J10500165-0152029).

Wishing you clear skies and wide eyes.

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The Best Images From The Hubble Space Telescopes Final Full Decade As Our Iconic Eye On The Sky - Forbes

Interstellar comet 2I/Borisov is whizzing through the solar system. – Vox.com

It came from beyond.

This is a Hubble Space Telescope image of a comet that is passing through our solar system. It was born around a star that is not our own, then flung off into space by some unknown cataclysm.

But its not here to stay. Its moving at around 100,000 mph, which is much too fast for even our mighty sun to capture it in its orbit. (For reference, Voyager 1, the spacecraft thats has left our solar system, is traveling at around 35,000 mph.) The comet, named 2I/Borisov, is only the second interstellar object recorded in our solar system. The first, a cigar-shaped rock (also probably a comet of sorts), named Oumuamua was discovered in 2017.

The above image was taken on November 16. The bright blue object in the center is the comet, approximately 203 million miles away from the Earth. The smudgy object to the left of it is actually a spiral galaxy 390 million light-years in the background. (Hows that for an extreme contrast in scale? The core of the comet is probably less than a mile wide.)

Heres another image of the comet, from Hubble, shortly after its closest approach to the sun on December 9, when it was 185 million miles away.

The comet was first spotted in August while it was on its way into our solar system. That gives astronomers a long time to observe this rare object. Theyve been watching it since it was discovered. And already, theyve made some small discoveries.

Namely: They discovered 2I/Borisov looks a lot like comets that form in our own solar system. Its a tiny ball of ice and rock that exudes vapor when warmed by the sun. That is evidence that comets also form around other stars, NASA relays. Its simple, but something scientists dont take for granted.

2I/Borisov is the second interstellar object to be recorded entering our solar neighborhood. The first, Oumuamua, was discovered while it was exiting our solar system, and astronomers only could study it for a short window of time. (Those studies led to some wild speculation that Oumuamua was an alien spaceship. To be clear: It very most likely was not.)

In the future, astronomers hope to spot more and more of these interstellar visitors. Theyre hard to find because theyre small and faint, and moving so quickly. But our telescopes are growing sensitive. The more we see, the more well understand how much our solar system is like, and unlike, the greater cosmos.

2I/Borisov, which is too faint to see without a telescope, will make its closest approach to Earth on December 28, before reaching Jupiter by the middle of 2020. Then it will keep going, going, until its gone.

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Interstellar comet 2I/Borisov is whizzing through the solar system. - Vox.com

Binghamton Devils End Losing Streak With 5-1 Win Over Utica Comets – All About The Jersey

Binghamton, NY - The Binghamton Devils pumped 41 shots on Utica Comets veteran goaltender Richard Bachman on their way to a 5-1 victory on Teddy Bear Toss night at The Floyd on Saturday. The win put an end to a record eight-game losing streak that sunk the club to the bowels of the league. Goalie Gilles Senn with the start played well enough to earn 2nd Star of the Game honors with his 23 saves.

Binghamton (8-15-4-0) got off to an early lead just 51 seconds in as Ben Street raced down the sideboards after a blocked shot on a breakaway goal for his 11th of the season. What followed was the annual Teddy Bear Toss with the ice littered delaying the game. After the clean-up, it was 2-0 as a tap in front by Julian Melchiori that sent the puck top shelf, shoulder side of Bachman as the shots were 21-8 at this point in favor of the Devils.

Utica (15-10-1-2) gave up three goals in the second period as the Devils burned the Comets defense for two more breakaway markers. Brandon Gignac heads up pass laid on the stick of Ryan Schmelzer as he raced in and deked out Bachman with some fancy stick work in front. Probably the prettiest goal of the night was from rookie Fabian Zetterlund with a snipe from the circle for his fourth in 19 outings, as he skated towards center ice with his arms raised in celebration.

During the closing seconds of the middle frame, Binghamton tacked on a power-play tally as Joey Anderson fed the puck over to Dakota Mermis high in the slot as his wrister beat Bachman stick side. That led to a standing ovation from the festive crowd as the players headed off to the locker rooms.

In the third, Utica attempted to start a comeback as Seamus Malone scored midway through the period, but Senn was solid as well as the defense that played in front of him.

Binghamton wanted this game in the worse way, and they were rewarded with the efforts for a full 60 minutes of performance. Shots read 41-24 as the BDevils dominated this one, something that could not have been said the previous eight contests.

Seney - Street - Anderson, Conner - Maltsev - Bastian, Gignac - Sharangovich - Schmelzer, Baddock - Larsson - Zetterlund

Melchiori/Paliotta, Mermis/Summers, Groleau/Jacobs

Senn - Schneider

Scratches: Speers, Cumiskey, White & Studenic

#1. Ben Street (1g, 1a), #2. Gilles Senn (23 saves), #3. Ryan Schmelzer (1g)

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Binghamton Devils End Losing Streak With 5-1 Win Over Utica Comets - All About The Jersey

Big Second Half Sends Bison to Win Over Comets – Valley News Live

FARGO, N.D. (NDSU Athletics) -- The North Dakota State women's basketball team outscored Mayville State 38-7 in the third quarter, as the Bison beat the Comets 97-59 at the Scheels Center Sunday afternoon.

NDSU improved to 2-9 on the year with the first home win of the season. The game was an exhibition for the Comets, who are 9-2 on the year and ranked 21st in the NAIA Division II Top 25 Poll. The Bison improved to 27-0 all-time against the Comets.

Emily Dietz had a season-high 22 points, while Michelle Gaislerova tied a season-high with 21 points. It was the fourth career game with 20 or more points for Dietz, while it was the ninth for Gaislerova. With three 3-pointers, Gaislerova moved into a tie for fourth in school history with 145 career long balls. Rylee Nudell added a season-high 15 points. Kylee Heurung led the Comets with 16 points and 12 rebounds.

Nudell led the Bison with a season-high eight rebounds. Dietz added seven rebounds, while Danneka Voegeli had six boards. Dietz tied a career-high with three assists, while Sofija Zivaljevic, Raquel Terrer van Gool and Nicole Scales each had two. Ryan Cobbins had four steals.

NDSU was 31-of-67 (46.3%) from the field and 5-of-15 from 3-point range. The Comets were 16-of-53 (30.2%) from the floor and 8-of-24 from downtown. Mayville State was 19-of-21 (90.5%) at the free throw line, while NDSU was 30-of-36 (83.3%). It was the first time the Bison have hit 30 free throws or more in a game since going 31-of-36 at the line in a 94-85 victory over Fort Wayne on Jan. 23, 2016. NDSU dominated the specialty stats, holding advantages in points off turnovers (29-10), points in the paint (36-12), second chance points (22-4) and bench points (25-18).

The Bison used an early 14-2 run to take a 14-5 lead with 2:36 to play in the first quarter. Mayville State used a pair of 8-0 runs in the second quarter, while NDSU ended the second run with a basket at the buzzer by Voegeli to cut the halftime lead to 35-31. The Bison scored the first nine points of the second half en route to a 21-3 run over a 5:35 span. Following a jumper by Claire Blascziek with 3:43 left in the third quarter, NDSU closed the frame on a 17-2 run to take a 69-42 lead into the final quarter. NDSU led by as much as 40 in the final minute, closing the game on a 14-6 run.

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Big Second Half Sends Bison to Win Over Comets - Valley News Live