Africa’s response to COVID-19 will have lasting benefits – World Economic Forum

In 1990, when Cameroon's football team did the unthinkable and beat Argentina in the World Cup, the proportion of the world's population living below the poverty line was 35.9%. Fast-forward 35 years to 2015, following a global adoption of the UN's Sustainable Development Goals (SDGs), this figure now stands at 10%.

To use the concept of a universal benevolent dictator a classic assumption in beginner economic courses to escape the complexities of real-world decision-making such a person would no doubt have said, "The world is doing infinitely better!

On the contrary, the world has not been doing as well as it should. The fact is, there have been warning signs all along. The proportion of people living below the poverty line in sub-Saharan Africa in 2015 was an astonishing 41%, about the same as the global rate of extreme poverty in 1981.

On October 17, 2018, the then President of the World Bank Group, Jim Yong Kim, presented a report titled "Poverty and Shared Prosperity 2018: Piecing together the Poverty Puzzle." With rigorous data, the report clearly indicated that global conditions were not in place to bring the rate of extreme poverty below 3% by 2030. The most alarming case in point was Africa, where even in the most optimistic scenarios, the poverty rate would continue to be in double digits. The report was like having a pitcher of cold water upended on me.

But it was not the first time Jim Yong Kim had jolted me. A few years earlier in 2015, in Lima, Peru, during a panel at the Annual Meetings of the IMF and the World Bank, Jim Yong Kims projections caught my attention. In attendance were Peruvian President Ollanta Moises Humala Tasso; Ban Ki-Moon, UN Secretary General; Christine Lagarde, IMF Managing Director; and Justine Greening, UK Secretary of State for International Development. For 90 minutes, they spoke eloquently about the type of partnerships that would be needed to make Agenda 2030 a reality; the international cooperation that would be deployed; the necessary financing mechanisms and formulas; and the creativity and citizen action required.

Gathered in this august venue, the guardians of the global architecture responsible for eradicating poverty spoke convincingly and articulately about the world of tomorrow. Collectively, they concluded that by 2030, we would end up, to quote Oscar Wilde, in a country called Utopia. The Road to Lima was a party.

Barely three years later, as 2018 dawned, the same global architecture presented us with a new story: the end of Utopia. In December 2019, the United Nations Development Programme (UNDP) launched its Human Development Report, "Beyond Income, Beyond Averages, Beyond the Present: Human Development Inequalities in the 21st Century". As with the World Bank, the conclusion was straightforward and clear: While humanity is progressing, something is just not working in our globalized society. A new generation of inequalities, beyond basic capabilities, is emerging and threatens to render people living in developing countries obsolete in the future.

Combining the alarming 2018 World Bank report with the no less alarming 2019 UNDP report, the picture is not one of optimism. Not only was the aspiration to eradicate poverty by 2030 not going to be met, but a new inequality gap was opening up.

These challenges had previously been the focus of the World Economic Forum Regional Strategy Group (WEF RSG), of which I had the privilege of being a member. One of the ideas behind the WEF RSG was simple and irrefutable: Africa must leapfrog into the Fourth Industrial Revolution or risk being left behind.

In 2019, as well as in previous years, several countries including my country, Equatorial Guinea made important policy decisions to define and prioritize national development aspirations, in alignment with the UN's Agenda 2030 and the African Union's Agenda 2063. Additionally, to take advantage of the Fourth Industrial Revolution, we scaled up our investments in ICT and technology and in developing the capacity of our youth.

And then, COVID-19 arrived. In just a few short months the world has changed. When we return to normal, it will be a new normality and a brave new world.

COVID-19 cases, deaths and recoveries in Africa as of May 9, 2020.

Image: African Union

COVID-19 is an existential crisis. It is severely testing Africa's social, economic and political resilience. In a post-COVID-19 world, the continent's leaders will have to rethink many prior assumptions and find new balances for individual and collective behaviour.

What I am absolutely certain of is that opportunities will emerge. Innovative minds previously imprisoned by institutional inertia and interest groups will rise to the challenges that we collectively face.

What will the brave new world post COVID-19 look like in Africa? The African Development Bank estimates that Africa will lose between $35 and $100 billion due to the fall in raw material prices caused by the pandemic. The World Economic Forum estimates that global losses for the continent will be in the order of $275 billion. There is a real risk therefore that Africas inequality gap will worsen in the coming years.

Ever since the virus crossed the continent's borders, regular bilateral and multilateral consultations among African finance ministers have philosophically revolved around the need to rethink our multifaceted responses to COVID-19 and other future threats that have equal or greater potential for disruption.

Today, African States are developing strategic and in-depth approaches to human development, regional integration, digitalization, industrialization, economic diversification, fiscal and monetary policies, and international solidarity. In short, they are rethinking the causes of the continent's underdevelopment and coming up with feasible solutions. The outcomes will undoubtedly be good for Africa and for all humanity.

To better understand the scenarios before us, there are three sparks that could light a flame in the brave new world that is before us:

1. In 2001, African leaders pledged to invest around 15% of their budgets in health. By 2020, only five countries have fulfilled this promise. No one doubts today that the health sector in Africa will be strengthened by COVID-19. There are decisions that can no longer be postponed. In mid-March, a Togolese activist, Farida Nabourema, mocked African elites who used to go to Europe to have their ailments treated, saying: I would like to ask our African presidents who travel to Italy, Germany, France, the UK and other European countries for medical treatment, please, when are you leaving? On April 2, Bloomberg published an article entitled: Trapped by Coronavirus, Nigeria's Elite faces squalid hospital. Things are going to change.

2. The vast majority of African countries, after COVID-19, will have to put in place social protection systems to mitigate the suffering of the continent's most disadvantaged. Kenya and Equatorial Guinea offer excellent examples of countries that have regulated and put in place social protection systems that will survive and outlast our battle against this common enemy.

3. The continents poor pharmaceutical capacity has been a source of amazement to locals and foreigners alike. Bangladesh, a poorer country than many African countries, produces 97% of the national demand for medicines, in contrast to Africa which is almost 100% dependent on imports.

This last note has triggered another debate: the necessary industrialization of Africa, to transform and add value to the continent's vast and valuable raw materials. Many African countries have already been deprived access to COVID-19 essentials. Excessive global demand has relegated Africa to the back of the queue. This is an early warning and lesson for Africa.

A new strain of Coronavirus, COVID 19, is spreading around the world, causing deaths and major disruption to the global economy.

Responding to this crisis requires global cooperation among governments, international organizations and the business community, which is at the centre of the World Economic Forums mission as the International Organization for Public-Private Cooperation.

The Forum has created the COVID Action Platform, a global platform to convene the business community for collective action, protect peoples livelihoods and facilitate business continuity, and mobilize support for the COVID-19 response. The platform is created with the support of the World Health Organization and is open to all businesses and industry groups, as well as other stakeholders, aiming to integrate and inform joint action.

As an organization, the Forum has a track record of supporting efforts to contain epidemics. In 2017, at our Annual Meeting, the Coalition for Epidemic Preparedness Innovations (CEPI) was launched bringing together experts from government, business, health, academia and civil society to accelerate the development of vaccines. CEPI is currently supporting the race to develop a vaccine against this strand of the coronavirus.

But there is much reason for optimism. The African Union is in discussions with Madagascar over the artemisia annua tonic, a herbal remedy that Andry Rajoelina, President of Madagascar, presented to the world as Africas solution to COVID-19.

Our enthusiasm as Africans is rooted in a wounded self-esteem. For way too long, we have been victims of marginalization. The power to regain our dignity has too often been stripped away. Today, nestled in the souls of all Africans is a rational expectation, an unshakable faith that the most important resource that Africa needs in order to rise up is none other than Africans themselves.

No one will help us if we do not help ourselves. Africa is no longer asking to be taught how to fish. Africa is already going fishing and rowing towards the utopia enunciated in the UNs Sustainable Development Goals and the Africa Union's Agenda 2063. In spite of dire predictions and apocalyptic narratives, humanity always has a way of striving for a better future.

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Written by

Cesar Augusto Mba Abogo, Minister of Finance, Economy and Planning, Ministry of Finance, Economy and Planning of Equatorial Guinea

The views expressed in this article are those of the author alone and not the World Economic Forum.

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Africa's response to COVID-19 will have lasting benefits - World Economic Forum

‘People used to think it was a luxury’: Internet use is surging and so is UTOPIA Fiber – KSL.com

MORGAN It might be a bit easier for the residents of Morgan to stay home now than it was a few weeks ago.

On April 27, UTOPIA Fiber completed its infrastructure in the city, giving the 4,500 citizens access to some of the fastest internet speeds in the nation.

UTOPIA Fiber started as a group of 11 local cities that joined together in 2004 to bring fiber internet to residences and businesses in their areas. The group lays down fiber optic cables, then leases the infrastructure to local internet service providers so residents can choose from a variety.

Were all excited about our new fiber connectivity, said Ray Little, Morgan's mayor. As Morgan City continues to grow, high-speed Internet is increasingly important for our residents and businesses.

Little has some stats to actually back up the excitement. About a third of Morgans households signed up for the service during the five-month period, leading to all bond payments of the $2.5 million project already being paid off. UTOPIA expects north of 60% of the city will eventually be using fiber.

The completion of the project comes at a time when the internet is needed the most. With most Utah business doors still shut due to the coronavirus pandemic, work has to be done primarily online. Thats made a quick and reliable connection not only a convenience but a near necessity.

UTOPIA chief marketing officer Kim McKinley said internet usage has surged during the pandemic as people have become more reliant on video conferences to conduct business.

It's been a crazy time to watch what's really happened, McKinley said. We're seeing about a spike of about 30% of bandwidth usage, and our peak hours have changed for residential usage.

In fact, there are now two peaks. The first comes from 3 p.m. to 5 p.m., as employees finish up the workday. The second comes after 8 p.m. when streaming becomes popular.

With more time spent online, it makes sense for residents to be looking for a better connection. And, so, yes, UTOPIA has had some profitable months.

We just calculated our sales for the month of April and we are still seeing a staggering amount of customers coming on the network still, McKinley said. This would be our second-highest month in UTOPIAs history.

That comes from people getting fiber for the first time, but also existing users that have needed to upgrade to accommodate school work done, business being conducted, and entertainment being streamed all at once for the majority of the day.

Where some people might have been more price-conscious before, they now might be like, this is more of a necessity to me now, McKinley said. And so we've seen this huge uptick of sales. ... People used to think it was a luxury.

Even before the coronavirus pandemic hit, it had been a busy year for UTOPIA. It finished a $23-million infrastructure build in Layton and began building the infrastructure in West Point as more cities have put their faith in fiber.

As a governmental agency, we don't have shareholders, we're a steward of the residents of Utah, McKinley said. So we go into whatever city comes to us, and we'll go talk to him and say can we make this work? We've done Woodland Hills, which only had 300 residents, and we built out that city.

The Morgan build is the latest in the line of smaller cities that UTOPIA has built fiber infrastructure in. Others include Perry, Tremonton and Payson.

We believe we're one of the ways forward for rural Utah to get connected to the 21st century, McKinley said. Its funny because I live in downtown Salt Lake and Morgan, Utah, has better connectivity than I have.

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'People used to think it was a luxury': Internet use is surging and so is UTOPIA Fiber - KSL.com

After the virus: What utopia will look like for the publishing industry in the UK – Scroll.in

Trade

Foyles will be nationalised, handed over to staff to own collectively and run cooperatively.

Every publishing house will have a recognised Trade Union for all workers.

Anyone in publishing who references Harry Potter will be fired, this will be accepted by the Union.

Editors who do not do any editing will be moved to Sales and Marketing.

Editors will spend 70% of their week consuming culture that is in no way related to books.

Editors will not have to pretend they have read the Classics.

Editors Whatsapp groups will be leaked regularly.

90% of publishing will take place outside of Zone One.

Only 3% of publishers will be privately educated until private schools are completely abolished.

#ClapForBooksellers every Friday until the netbook agreement returns.

Tote bags will no longer exist, they will be replaced by A0 posters.

All existing tote bags will be requisitioned and used as bags for life at the Turkish Food Centre.

No book will cost more than 10.

A book shall not be celebrated for its size unless it is very small.

Small presses will not be patronisingly labelled brave. All publishing will be courageous.

Working class women from marginalised communities will hold editorial positions at all publishing imprints or houses.

English will become a minority influence in world publishing.

Translation will account for 40% of UK Publishing.

Prizes will not be awarded to books that do not need the publicity.

Prizes will be judged by readers who have nothing to do with the publishing industry or the media.

Prizes will be judged with a person to surname ratio of 3:4. So only one double-barrelled human per four judges.

Prizes will not be shared. The definition of the word competition will be respected. If you have a competition, you will keep it a competition. Otherwise, do not have a competition.

Prizes will not exist.

Publishing will be quicker and more responsive.

Publishing will be slow, deliberate and more thoughtful.

Working-class black men will be published more than once a year by more than one or two presses, and sold in more than one or two bookshops.

All publishing will fight fascism.

Publishing will not be Sensible; Sensible will not be published.

Publishers will aim to ferment revolution at all times as possible, in all areas possible, if possible.

Publishing will no longer be part of the Spectacle, support the Spectacle, or ignore the Spectacle.

Free spectacles will be available to all readers of books over 450 pages.

The profits from cookery book bestsellers will be split evenly across the 40 smallest presses in the country.

Books over 10 years old that are still in print will be added to the public domain.

New books published must be meaningful and do one or more of the following:

Pamphlets will return to everyday reading life and will be considered alternatives to newsprint media.

Books will prioritise ideas over form.

No one will have to pretend Literary Fiction is a genre.

Autofiction will auto-destruct after reading.

Airport novels will disappear along with airports and airport bookshops.

Not only books by dead black writers will make it onto the recommended reading tables in bookshops, alive ones will be prominent too.

The British Library will take its archive on tour in restored Led Zeppelin tour buses.

Books will be published to encourage and facilitate class war.

Books will be published to combat Received Opinion, not reinforce it.

Books will imagine new futures not hide in false pasts.

Books will not be put on pedestals, Books will be considered everyday objects that everyday people possess.

The text will be the only thing that matters because equal representation will be the foundational structure of publishing.

The Author with no experience of it, and physically able, will do manual labour between books.

The Author will engage with life outside of literature until the Author no longer believes literature to be necessary.

The Author will know they are important but act as if they are irrelevant.

The Author will have the name of their private school listed in their Twitter bio and is required to wear its insignia at literary events.

The Author complaining on Twitter about how hard writing is will not get a book deal.

The Author self-memeing quotes from their work on Instagram will not get a book deal.

The Author will not be on Social Media for the protection of The Authors mental health and ability to produce genuine thought.

The white Author will shoulder the burden of discussing representation equally and will be asked about it frequently in interviews.

The Author will only communicate with the reader.

The Author will not be put on pedestals, The Author will be considered an everyday person with everyday thoughts.

The Author will admit that all experiments have already occurred and nothing they write is new. Experiments with form will not be labelled experimental as they are finished pieces of work, not experiments.

The Author will not believe the hype.

The Author will believe in their reader

The Author who lives off their spouses vast wealth will have Spouse Funded England printed on the back of their books.

The Author will be paid fairly.

The Author will be under no illusion that being a writer is a viable career option.

The author will drop the uppercase.

The author will be killed once again, so that the text may live.

Kit Caless is co-founder of Influx Press. He is also the author of out-of-print 2016 Christmas stocking classic, Spoons Carpets: An Appreciation. This article first appeared on Minor Literatures.

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After the virus: What utopia will look like for the publishing industry in the UK - Scroll.in

From Utopia To Reality: Braslia’s 60th Anniversary – ArchDaily

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50 years ago Clarice Lispector already pointed out how difficult it was to unveil Brasilia: "the two architects did not think of building beautiful, it would be easy; they raised their amazement, and left the amazement unexplained". This year the capital turned 60, and still remains intriguing for scholars, students, and anyone who allows themselves to explore it better. In order to understand the daily life that exists there, we invited six professionals- in the field of architecture and urbanism - who live in the city, to share their visions with us and bring a few more layers that help to build an interpretation of utopia and reality that Braslia currently represents.

Below, we've compiled excerpts by Daniel Mangabeira, founding partner of Bloco Arquitetos, Gabriela Cascelli Farinasso and Luiza Dias Coelho, alumni of UnB and co-founders of the collective Arquitetas inVisveis (inVisible Architects), Maribel Aliaga Fuentes, professor and researcher at FAU-UnB , and Luiz Eduardo Sarmento, architect and urban planner at IPHAN and Senior Adviser at IAB-DF, all accompanied by photographs of the Brazilian capital by Joana Frana.

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by Daniel Mangabeira - Bloco Arquitetos

Braslia and quarantine are antagonistic. This city was not invented for cloistered residents. Obviously no cities were designed for this, but the Plano Piloto de Braslia has particularities that make seclusion the antithesis of what it was meant to be. Lucio Costa's French-affiliated city was born to be free, open, and democratic utopia. The celebration of this imagined and real city, therefore, is essential in times of confinement.

The experimental plan cannot be an example to be followed, but what is celebrated here is precisely what is missing in many Brazilian cities: generous and democratic public spaces. Although many of these lawless green voids are not designed to be useful, they are essential for the well-being of their users. Brasilia, in this sense, has great potential to help Brazilians understand what is missing in their cities when everyone starts to leave their enclosures. Norma Evenson wrote an article in which she stated that "there is nothing in the design of Braslia that indicates a desire to harmonize man's works with those of nature". Despite agreeing with this statement and knowing that the cerrado is not present in its voids - which is a pity - nonetheless, the wide green spaces in our city need to boost the value of non-occupation in other cities. What is the importance of a park for health? Why have trees on the street? Why is seeing the horizon important in a city? What is the relevance of emptiness within an urban center? Simple questions can be easily answered by those who live here. Brazilian cities need a little more of Brasilia now more than ever.

The monumental axis presents the most celebrated works of the Plano Piloto, but it is the road axis, on the south and north wings, that best celebrate the great success of Lucio Costa. The city is full of bakeries, bars, corner stores, meetings, markets, churches, fruit shops, gym, florists, schools, and everything we need to live that is monumentally human. This is the city that must be celebrated!

The tribute to the city's 60th anniversary will take place on the superblocks and not on the terraces. It will occur in the utilitarian city, not in the representative one. It will happen where mankind feels protected, and not where he sees himself represented. It will occur for those who live and make their lives in the city and not for those who are passing through for four years. We are in quarantine, so there will be no celebration, but there will certainly be a just and necessary tribute to the one who originally was made to be an experiment, but became a standard. Braslia exists, it is beautiful, imperfect and I am grateful to live in it.

by Gabriela Cascelli Farinasso e Luiza Dias Coelho - Arquitetas inVisveis

Behind every great man is a great woman. A saying as common as it is ancient, has for years synthesized the relationship between architects-, and with Braslia, it would be no different. The process of creating the new Capital has forever cemented the names of Brazilian men as the history of architecture and urbanism. But beside them were women, who in the late 1950s were breaking barriers and writing part of a little-known story. Today, 60 years after its inauguration, it is time for Braslia to recognize the women who helped to build the city, as well as to learn about how women can contribute to the transformation of spaces with more security, accessibility, sustainability and that favor positive social interactions.

Braslia was the dream fueled by the desire to show that we could do something ahead of our time. It was this spirit that enabled the construction of the city in such a short time frame, and the creativity of the first architects and planners who lent a hand for the creation and development of projects for the construction of the new city. Even the competition in Brasilia played an important role in enabling female professional performance.

Despite the low representation, there were women participating in one of the main architecture and urbanism competitions in Brazilian history. Although the reality of the cerrado was so harsh, many women came to the capital with their families to work and study at the University of Braslia. The accomplishments of women there are well documented through membership lists from the Institute of Architects of Brazil - IAB, and lists of commemorative meetings, which indicate that around 30 architects were in the capital in the 1960s and 70s- the period of greatest momentum in local construction.

Among the women involved in the city's inception was Mayumi Watanabe Souza Lima. Mayumi was born in Tokyo, and became Brazilian in 1956. In the same year, she enrolled in the Faculty of Architecture and Urbanism at the University of So Paulo, completing her degree in 1960. She came to Braslia in the early 1960s with Srgio Souza Lima, her partner and husband, living the collective dream of creating a new University where she developed a master's dissertation, titled "Aspects of Urban Housing", where she faced the challenge of transforming a theoretical discussion of housing into the construction of the city, which at the time was a becoming a design competition. The housing project is now realized in the blocks of the So Miguel Neighborhood Unit.

Her husband designed a series of public school projects for the country, and also was involved in the construction of some of them. In more than thirty years of work with educators, administrators of basic education, daycare centers, and children outside and inside institutions, he discussed and analyzed issues related to spaces for children in our society. Following this line of work, he published two books: Educational Spaces, use and construction (Braslia, MEC / CEDATE, 1986) and A Cidade ea Criana (So Paulo, Nobel, 1989).

Mayumi developed other interests based on his academic experience. She was a professor at the Faculties of Architecture and Urbanism at UnB, in Braslia, Santos, So Jos dos Campos and the So Carlos School of Engineering. It was affiliated with the Communist Party and had an important role in the discussion about the professional performance of architects from the criticism of the capitalist mode of production. He put his students in contact with the favelas in the first year of study, seeking to politicize the students, as he believed in architecture combined with social changes.

The curiosity that made us revisit the history of architecture in search of female names, presented us with Mayumi Souza Lima and the So Miguel Neighborhood Unit. She is an architect who inspires us with her professional career, personal engagement, and works that are built in the present day.

It took more than 50 years to recognize Mayumi's role in the design of this city, which is why we wish that on this particular anniversary, Brasilia shines a light on the women who helped shape this capital.

by Maribel Aliaga Fuentes - Professor at the Department of Design, Expression and Representation at FAU-UnB

Today I decided to venture into a new world outside the Superquadras circuit.Early in the morning I left the Setor Hoteleiro Sul near Parque da Cidade towards Eixinho, crossed the W3 and went down the internal street of the southern commercial sector towards the municipalities sector.I saw people, commerce and traders.Shoes, clothes, snack bars.People!The marquee of the buildings shaded the path.The streets, corridors of wind.I went down the gallery of the states and crossed the Eixo through an underground passage.To end the adventure as it should, I took a little zebra back to Asa Norte.It was such an urban experience, that for a brief moment I was happy.

by Luiz Eduardo Sarmento - architect and urban planner at IPHAN and Senior Adviser at IAB-DF.

"(...) I felt this movement, this intense life of the true Brasilians (...). This is all very different from what I had imagined for this urban center (...). Those Brazilians took care of it who built the city and are legitimately there. In fact, the dream was less than the reality ".-Lcio Costa

Braslia is perhaps one of the most exceptional cases of urban growth that we know of.

The capital city is the result of a national public competition, and was designed for approximately 500,000 people. Now, it is the third-largest metropolis in the country, according to IBGE data. Literally, the dream was less than reality, as Lcio Costa said, when he visited the platform of the Rodoviria do Plano Piloto in 1984.

Just as Costa did when visiting the city that was born from his ideologies, it is important that we take a more careful look at how the city operates today. Much is debated about the dreamed Brasilia, but we need to understand the but we still need to understand how the metropolis has grown over the years.

By understanding that Braslia today is much more than what Braslia was planned to be, we will be able to connect the city dwellers of today to those who came to build the capital city and realize the modernist dream many years ago.

Braslia's sixty-year history is very challenging because it is the Brazilian metropolis that emerged from a modernist nucleus, but it also currently presents significant problems that we need to face to provide the solutions that a city that was born under the aegis of demands for urban innovations.

The genetics of the modern city is present in the settlements that have emerged around the Plano Piloto, which underscores the contrast between the urban center and the clear urban sprawl, with a greater span than what is usually observed in other Brazilian metropolises. The evolution of the peripheries is a continuation of the road logic of the Plano Piloto, which is an aggravating factor in the Administrative Regions whose population has a lower income and that infrastructure consumes a considerable part of its resources. In informal settlements, it is common to have shacks whose structure is extremely precarious, but which reserves a space to house its main asset: a car.

The peculiarity of our urban fabric presents daily difficulties, such as transportation problems and the continuous expulsion of the poorest people to the edges of the metropolis, as well as symbolic, cultural, and social problems, such as the small interaction between the various social classes in the city center. Is it all Brasilia if everything is so far away?

One factor that explains this socio-spatial segregation is the distance between the center of Braslia and some administrative regions. Ceilndia, whose name comes from the Invasion Eradication Center, was a settlement promoted by the state to resettle the residents who lived in the camps in the Plano Piloto Region. About 50 years later, Ceilndia became home to old areas of agricultural production and the Sol Nascente community, which was once considered the largest slum in Latin America. Sol Nascente is an exemplary case of these distances, with the more than 30 km separating the Eixo Monumental do Plano and the community.

This enormous distance is so striking for the residents that it was mocked by the filmmaker Adirley Queirs in the film White Out, Black I, in which the population of Ceilndia needed to present a passport to enter into the urban zone of Braslia.

It is essential that the innovative and hopeful spirit that guided the New Capital project be summarized and pushed forward, especially with the adversity our nation currently faces.

We have a big responsibility to (re)design the future of the city's mobility and inequality problems that demand creative actions. Through this, Braslia can return as a standard of urban management, and become a city that can face its mobility problems, precarious housing, lack of urban infrastructure, and absence of afforestation and urban equipment. The challenges are great and our creative and execution capacity needs to be developed on the same scale.

If reality is bigger than a dream, we need to dream even bigger. It is our historical duty.

______ ALIAGA FUENTES, Maribel ; COELHO, Luza Dias; TABOSA, Mayara. Aspects of Urban Housing: A critical look from Mayumi Souza Lima to the construction of Braslia .. In: 9 PROJETAR, 2019, Curitiba. Anais 9 PROJETAR 2019. Curitiba, 2019. v. 2.

COSTA, Lcio.Ingredients of the Urban Conception of Braslia, 1995. In: XAVIER, Alberto;KATINSKY, Julio (Org.).Braslia: Critical Anthology.So Paulo: Cosac & Naify, 2012. Chap. 5. p.144-146

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From Utopia To Reality: Braslia's 60th Anniversary - ArchDaily

Humans are basically good. This incredible new book proves it. – Mashable

If you've been watching a lot of TV during the coronavirus lockdown, then like me you may have noticed an odd collision of ads.

One minute we're watching a trailer for the new Penny Dreadful in which 1930s Los Angeles is tearing itself apart. Natalie Dormer, as a shape-shifting demon, delivers a line that reflects our long-held deepest fear about human nature: "all mankind needs to be the monster he truly is... is being told he can."

But this dark diagnosis is followed by one of those heartstring-tugging pandemic PSAs showing our quiet, peaceful, riot-free neighborhoods. "You're not alone," they say. "We're all in this together." Indeed we are. Consistent and large majorities of the U.S. supports and understands the life-saving science of social distancing astroturfed protests notwithstanding. Look for the helpers, as Fred Rogers famously advised, and you'll find them everywhere.

How do we square these views? If we are monsters hiding under a thin veneer of civilization or even just self-interested egotists at heart, as economists tend to assume then why are most of us willing to sacrifice our wellbeing to protect vulnerable people we've never met? The most coherent, well-proven answer can be found in Humankind: A Hopeful History, a book by Dutch historian Rutger Bregman garnering global buzz ahead of its June 2 release.

You may remember Bregman from a widely-shared, unaired Fox News interview in which he called Tucker Carlson "a millionaire funded by billionaires." Or from his viral appearance at Davos where Bregman chided billionaires for not paying their fair share of taxes. He's also the author of Utopia For Realists, which has become a bible for the Universal Basic Income movement.

"Basically, what you assume of other people is what you get out of them," Bregman said of Humankind when I interviewed him for our series on UBI. "If you assume other people behave selfishly, that's how they behave."

The only scientific proof he'd found of people becoming less generous over time, he said, was a 1990s study of first vs. third-year economics students. Their answers on behavior quizzes became less generous the more they were told that humans are basically selfish.

In fact, we're hardwired to help. Bregman's book summarizes a mountain of new discoveries in a wide range of fields that debunk what we thought we knew about humanity.

For example, instead of of "survival of the fittest," evolutionary biologists and psychologists now talk about "survival of the friendliest." Over time, without even trying, we've selected for social intelligence in our mates. This is why loneliness can literally make us sick (and hence why our COVID-19 lockdown is even more of a show of love).

This is why we're the only animal that blushes, a strong social signal of shame and why politicians who have mastered the art of being shameless can take advantage, time and again, of our essentially trusting nature.

Homo sapiens has undergone the same transitions as we caused in wolves and foxes (and still do, in famous Siberian fox domestication experiments): rounder faces; smaller brains that counterintuitively have more connections, and hence more facility for language; more childlike playfulness. Bregman, with a touch of that playfulness, suggests our species needs a new name: Homo puppy.

So why, so often, do we think otherwise? Why do we keep believing Natalie Dormer's line about mankind being monsters held in check? Because, for centuries, we've been spreading and reinforcing one particular, pernicious untruth.

The best thing about Bregman's book is that it doesn't just present you with his optimistic conclusions, fully formed. It takes you on his personal journey, from believing (and teaching) many of society's shibboleths about inherent evil to systematically tearing each one apart with evidence.

First up: Lord of the Flies, the 1954 novel about a bunch of British schoolkids stuck on a desert island and their descent into bloody anarchy. Like many of us forced to read it at school, Bregman was depressed as hell by what it had to say about human nature. It doesn't present any scientific evidence, of course, it's a story, but it feels right. It was filmed twice, and influenced so many other books and films it's a cliche. Look at a high school today and you think: Yep, these kids are one plane crash away from Lord of the Flies.

But how can we run an experiment to see if kids actually turn into murderous barbarians when left to fend for themselves? Bregman trawled the historical record and found there's only one test: The little-known tale of a bunch of British teenagers in Tonga in 1965 who stole a boat, tried to make for New Zealand, and wound up castaways on a mostly barren island instead until their rescue 15 months later.

What did these kids do? Stick pig heads on spikes and shout "bollocks to the rules?" No, they sat down together and made rules. After taking days to make fire, they set up a rota system that kept it burning nicely their entire time on the island. They figured out how to collect rainwater and pick berries. If two kids had an argument, they had to walk to opposite sides of the island to cool off. When they came back, doctors declared them in excellent physical and mental shape.

Of course, Lord of the Flies wouldn't have won the Nobel Prize for literature if it ended that way. Drama often requires exaggerating the darker parts of the human soul. But its author, William Golding, a reclusive alcoholic schoolteacher who beat his own children, actually set out to spread the message that kids are nasty little bastards who need discipline. "I have always understood the Nazis," Golding said, "because I am of that sort by nature."

He's just the first in the book's parade of villains. Bregman doesn't draw this connection, but it's clear that most happen to be privileged white males who figure out how to get famous by fabricating evidence that humans are basically monsters implying that they alone have the solution.

A still from "The Stanford Prison Experiment" (2015)

Image: Steve Dietls / Coup D'Etat / Sandbar / Abandon / Ifc / Kobal / Shutterstock

Golding wasn't alone. The same year he published Lord of the Flies, U.S. psychologist Muzafer Sherif conducted something called the Robbers Cave Experiment. He took two teams of well-behaved boys, stuck them in the Oklahoma wilderness, and watched as they turned into knife-wielding warmongers.

Except, as we discovered when the archives were finally opened in 2017, Sherif manipulated the whole thing dissuading friendships to "create a sense of frustration," trashing the boys' stuff and blaming the other side, almost coming to blows when a research assistant tried to stop him. The whole thing was halted when the kids discovered his notes on them, revealing it was an experiment. (Or, as we'd call it today, a reality show.)

Equally unethical was Philip Zimbardo, the psychologist behind the infamous 1971 Stanford Prison Experiment. When a group of students were divided into "guards" and "prisoners," for a week, the resulting brutality from the guards on their classmates shocked the world. Surely, people reasoned, here was proof of inherent human savagery.

Again, it wasn't until the 2010s that Zimbardo's deceit was discovered: He had handpicked the guards, coached them, and suggested their most sadistic methods. One "prisoner" who was taken out of the experiment after having what was widely reported as a breakdown later revealed he was playacting because he was bored, wanted to study, and Zimbardo wouldn't let him have his textbooks.

By the time we knew all this, the damage had been done. Zimbardo, who should have resigned from academia, became president of the American Psychological Association. He also helped provide the foundation for the "broken windows theory" via a dubious experiment in which he smashed his own car's window. That led to a wave of brutal policing across the U.S. in the 1990s, when cops went crazy writing up anyone they could find for minor infractions mostly minorities, as it turned out in the belief it drove down crime. A belief that later research confirmed was mistaken.

Thanks to several other flawed studies like Zimbardo's, U.S. prison reform efforts in the 1970s also ground to a halt. Instead of rehabilitating prisoners, we made their guards and their environments meaner. Bregman contrasts this with Norway, where even in maximum security prisons, guards and prisoners mingle at social events, and prisoners are given meaningful work and dignified rooms. It sounds crazy, it shouldn't work, and yet only 20 percent of prisoners in Norway are back inside two years after being released. In the U.S., it's 60 percent.

The evidence is so incontrovertible that even officials from deeply Republican North Dakota decided to modify their prison system after a trip to Norway in 2015. "I'm not a liberal, I'm just practical," said the director of the North Dakota Department of Corrections, Leann Bertsch. She'd broken down in tears during the trip, her entire world view in tatters. "How did we think it was OK to put human beings in these settings?"

That's an excellent question. And the answer isn't as easy to frame as the tribal conflict between so-called bleeding heart liberals and tough-on-crime conservatives. Bregman points the finger at a lot of causes. In part, it's both sides' belief in the "tragedy of the commons," another psychological concept of selfishness that you guessed it isn't borne out by the actual research. (Its creator was, once again, a racist white male in the 1960s.)

Historically, Bregman says, it's a hangover from when we switched from being hunter-gatherers to farmers, when authoritarians got people to work the fields by drilling their inherent worthlessness into them. ("No pain, no grain," Bregman says.) It's also the legacy of a dispute between 17th century philosophers (Thomas Hobbes said mankind's life was naturally "nasty, brutish and short" and therefore needed a strong government; his pro-primitive nemesis Jean-Jacques Rousseau couldn't have disagreed more).

In part, we've messed up our studies of ancient primitive cultures, mistakenly believing them to be more violent than they were. For example, everything you learned about the downfall of Easter Island's civilization may be wrong. There may have been no war between its inhabitants, as Jared Diamond claimed in his bestseller Collapse. A couple of 2016 studies showed, firstly, that only two out of 469 skulls found on the island showed any signs of trauma. Secondly, their stone tools were deliberately blunted, not weapons as Diamond claimed. The rumors of an internal war turns out to be based on a single story told to a visiting researcher in 1914.

This, ultimately, is the problem: We keep taking the wrong stories too seriously, whether they're Lord of the Flies or Penny Dreadful. And that's why the pandemic is such a powerful moment, because it's one of the best chances we've ever seen to change the narrative.

"Disasters bring out the best in us," Bregman writes. "It's like they flip a collective reset switch and we revert to our better selves."

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Humans are basically good. This incredible new book proves it. - Mashable

I Sixty Five is living and singing in a ‘Picture Perfect’ world – Montgomery Advertiser

Montgomery hip hop artist I Sixty Five sings his song "Picture Perfect" at The Sanctuary. Montgomery Advertiser

There's new music flowing from from I Sixty Five, and we're not talking about the interstate.

"When I write music, I just let it come to me," said I Sixty Five, aka Derrick McCorkle, a Montgomery hip hopartist who is a graduate of Alabama State University. "You can't rush it."

Though he's had to cancel a few shows due to the coronavirus pandemic, I Sixty Five has a couple of releases ahead for this summer, and an album in the works that could be done by August.

"I'm releasing it no later than January of next year," I Sixty Five said.

That's coming out through Utopia Entertainment, a label for which he is both an artist and a co-CEO.

"The labels that I deal with, they don't look for songs. They look for hit records," I Sixty Five said. "That's what I try to bring to the table."

I Sixty Five performs during a recent Montgomery Area Musicians Association artist event at The Sanctuary.(Photo: Shannon Heupel/Advertiser)

Two years ago, he visited the Montgomery Advertiser for an earlier version of the MAMA event, joined by singer LaGuardia Wright. Back then, they were preparing to sing at GumpFest 2018.

Things have taken off a bit since then.

"I have two hot releases out. Both of them are overseas in Denmark playingon the radio," I Sixty Five said. "I have overall 50,000 streams on 'Picture Perfect.'"

"Picture Perfect" is his 2019 song, which he performed recently at The Sanctuary for an artist event by the Montgomery Area Musicians Association.

But I Sixty Five isn't just about his own music. He sees himself as a mentor to young artists, and want to help promote them. If he can help, he wants to.

I Sixty Five is promoting his single "Picture Perfect," and has new music on the way.(Photo: Shannon Heupel/Advertiser)

"If you're trying to do something, learn the business aspect of it," he said. "If you want to bring something to the table, if you bring a hit record they can't deny you."

One bit of advice he offers is to tone it down a little. "We're trying to deliver a unity speech to the world, and showing them that hip hop is back," I Sixty Five said.

Outside of music, I Sixty Five said family life is good.

"I'm just trying to maintain," he said. "Keep above water. Keep grinding and staying focused. Never let any negativity get to me. I always try to move in a positive light. If you continue to move in a positive light, positive things will always happen for you."

As soon as he virus threat is past, I Sixty Five said he'd be back on the road to places like Rochester, New York and Texas.

"I'm going to have to reschedule everything, but hopefully we'll make it through this plague, and all my people and everybody on this earth will be saved," he said.

Follow him on Facebook at @lethal205.

Contact Montgomery Advertiser reporter Shannon Heupel at sheupel@gannett.com.

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I Sixty Five is living and singing in a 'Picture Perfect' world - Montgomery Advertiser

Five Artists to Follow on Instagram Now – The New York Times

I am less than pleased with the sponsored advertising-to-content ratio on Instagram. And yet that social media platform is still the best for looking at art and witnessing the creative process of an artist. (And I use the word artist loosely: Im an avid consumer of memes.) I once described Instagram to a fellow critic as the show-me-the-money platform, and she agreed: substance (or lack thereof) is revealed pretty quickly, since youre generally looking at one image at a time with minimal captioning. I overhaul my feed frequently, unfollowing accounts that fail to amuse, inspire or inform. Here are five Instagram accounts I consistently view; New York Times critics will be posting their own picks every week.

OlaRonke Akinmowos project is a mobile, pop-up library that showcases literature written by black women. It could be described as a social practice artwork, but also a participatory one: to borrow a book, you must give a book. I have learned about overlooked writers here, but also about Regina Anderson Andrews, who headed a library in Harlem and was friendly with Zora Neale Hurston and Langston Hughes. Ms. Akinmowo, who lives in Brooklyn, has taken the library to the NY Art Book Fair. During the quarantine shes focused on authors like Octavia Butler, the science fiction writer who predicted some of the dystopias were now experiencing. Ms. Akinmowo also posts some of her own collages, like one devoted to Harriet Tubman, which combine black and white found images with bright, almost psychedelic flourishes.

How to live? Andrea Zittels Instagram profile asks. Great question. Ms. Zittel offers a model in A-Z West, her Institute of Investigative Living on 70 acres in Joshua Tree, Calif., that serves as a self-actualized art-in-the-desert fantasy. You could name many precedents for Ms. Zittels project: Drop City in Colorado, with its dome architecture inspired by Buckminster Fuller; Arcosanti in Arizona; or Georgia OKeeffe and Agnes Martins art studios in the American Southwest. Ms. Zittels version of semi-off-the-grid, live-work-create utopia can be experienced close-hand(ish) on Instagram. Modernist-influenced buildings, furniture, weavings and clothing function here not just as daily trappings but also as an ongoing investigation into human nature and the social construction of needs. Ms. Zittel has been working on these concepts for more than 20 years. The rest of us are getting a crash course.

I know a lot about art, the Canadian painter and writer Brad Phillips brags on his Instagram profile. OK, so whatve you got, smart guy? First of all, Mr. Phillips works best with words, arranged into minimal acerbic poems on his account @brad_phillips. (One reads America is my favourite movie.) The other account, @brad_phillips_group_show, is an agreeable reminder that artists often make the best curators. Here you can see the work of Cristine Brache (Mr. Phillipss wife), who also twists words into artworks, or Lon Spilliaert (1881-1946), an outr Belgian Symbolist painter who worked as an illustrator for Edgar Allan Poes publisher and shared a similar creepy, horror-tinged approach. Like those of most artist-curators, Mr. Phillipss picks are highly idiosyncratic and reflect his own works proclivities. But unlike many artists who think they can school you on art, Mr. Phillips actually delivers.

David Adjaye is the world-renowned architect who led the consortium that designed the National Museum of African American History and Culture in Washington. More than practically any other account I follow, his Instagram visual sketchbook allows you to see inside the mind of a great designer. You get to travel the world like an international starchitect, and view the built environment from a technical angle. Mr. Adjaye, of Ghanaian descent, marvels over modernist buildings and palm-roofed structures in Ghana. He also analyzes high modernist architecture, and structures made by non-humans, like a termite tower in Africa constructed to avoid floods. Humans, Mr. Adjaye informs us, use these astonishing towers as a marker of where to construct their own dwellings. Talk about organic architecture, one commenter marveled.

Funny is good at this moment. David Shrigley, a British artist who creates posters, books, cartoons, tattoos and other stuff, as his website describes it, long ago mastered the art-as-comedy angle. His crudely drawn illustrations are wry, smart, sometimes angry, sometimes self-effacing but almost always absurd. They parallel a generation of dry, weird comedy from Britain, including Sacha Baron Cohen, Eddie Izzard or Little Britain (Matt Lucas and David Walliams). His creations work equally well on the gallery wall, hung salon-style at Anton Kern in New York, or on Instagram, where the images are stripped down, even more existential and sometimes naughtier. One recent drawing declares It Wont Be Like This Forever. Styled as a tabloid newspaper cover, this message registers as reassuring, but with a hint of menace.

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Five Artists to Follow on Instagram Now - The New York Times

Time is running out to flatten human curve – Vashon-Maury Island Beachcomber

While in college, my wife and I had the privilege of attending one of the first Earth Day celebrations. It started us on a lifelong journey of environmental activism. As a result, we have supported alternative energy sources, composting, tree planting, vegetarianism, etc.

While all these are worthwhile, none of these endeavors comes close to tackling the one subject the COVID-19 pandemic has made self-evident.

In less than a month, the earth has seen an unprecedented reduction in air pollution, water pollution, noise pollution, traffic congestion, crime and other global maladies. The cause-fewer people working, playing and traveling. To save the environment, we need to flatten the curve, the human curve.

This idea is not new. Just look at the front-page article in the April 17, 1970, Life magazine issue (1st Earth Day week) titled Crusade Against Too Many People. When the article was written, the world population was 3.7 billion. It had taken 5,970 years to reach that milestone, and now only 50 years to add the next 4 billion, and we continue to add one billion every 12 years. The fact is there is nothing the Paris Accord or any other national or local environmental movement can do to Save the Planet until we address population growth.

This letter is about the future, not the past. I am not suggesting anyone present on Earth today should not be here. Nor am I implying any family with more than two children was irresponsible.

This is about what we do tomorrow. What can we do to flatten the human curve? If we dedicated even half the time, energy and money that goes into hundreds of environmental causes to population control, we could find a solution.

We have seen a brief glimpse of what could be this last month. While it is too late for our children to experience this utopia, there still is time for our grandchildren and great-grandchildren.

Scott Harvey

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Time is running out to flatten human curve - Vashon-Maury Island Beachcomber

Business is booming for these 14 companies during the coronavirus pandemic – WICZ

By Jordan Valinsky, CNN Business

The coronavirus pandemic has been, to say the least, grim for business. Widespread layoffs and furloughs have prompted about 21% of the US labor force to file for unemployment benefits since mid-March, and economists say the United States is likely already in a recession. And even as states begin to reopen, many of the jobs that have been lost may never come back.

But during this upheaval, some companies been thriving because of dramatic shifts in consumer behavior.

Restaurants, bars, offices and gyms are largely empty as millions of Americans stay home to halt the spread of the coronavirus. That's created new opportunities for several companies.

Popular video games like first-person shooters, football and cute animals have been a boon for the top gaming companies.

Activision Blizzard said "Call of Duty: Modern Warfare," which came out in September, has sold more copies than any other "Call of Duty" title at this point after its release. Sales were $1.52 billion in the first quarter, up 21% compared with last year's $1.26 billion.

For Electronic Arts, fourth-quarter revenue grew 12% compared with last year. It was buoyed by FIFA, Madden NFL, The Sims 4. Like Activision, it also benefited from people staying at home and looking for a distraction.

Nintendo said Thursday its annual profit surged 41%, its highest in nine years. And profit in the first three months of 2020 more than tripled compared with the previous quarter.

Sales this spring were driven by the breakout success of "Animal Crossing: New Horizons," a game set on an island utopia. The company sold more than 13 million units of the game in its first six weeks. The Nintendo Switch console also continues to be hard to find, with the company selling more than 21 million units during the last fiscal year.

People can't stop sanitizing, bleaching and cleaning every nook and cranny of their dwellings. That's benefiting Clorox and Reckitt Benckiser, the makers of the world's top cleaning products.

Clorox said last week its overall sales jumped 15% for the first quarter. Sales of Clorox's cleaning segment, which includes its wipes and beaches, jumped 32%. There was also "increased consumer demand" for cat litter and grilling necessities, which fueled a 2% sales increase in its household segment.

Reckitt Benckiser, the British company that makes Lysol and Dettol, is also seeing record sales. First-quarter sales rose 13.5% because of "strong consumer demand" for disinfectants. (The company has also found itself in the spotlight for more than just strong demand for its products.)

In March and April, the sales of aerosol disinfectants jumped 230.5% and multipurpose cleaners 109.1% from this time last year, according to research firm Nielsen.

Peloton makes in-home workout products, including bikes and treadmills. Unsurprisingly, it reported Wednesday a blowout quarter: Revenue grew 66% and membership for its app rose 30%. The company, which has a loyal following, also raised its full-year forecast because it doesn't expect demand to decline anytime soon.

The need for household necessities and food has benefited some of the country's largest grocers, which remained open as essential businesses.

Publix recently said that sales for the first three months of the year jumped 10% to $1 billion. Sales at stores open at least a year grew 14.4%.

Kroger also benefited from the pandemic. The grocery store recently said sales at stores open at least a year surged 30% in March. Its best-selling items were boxed meals and cleaning and paper products. As a result, Kroger said it expects its first-quarter results to be better than expected.

Beyond Meat's revenue more than doubled in the first quarter, the company reported Tuesday. In the first three months of the year, sales reached $97.1 million, up 141% from $40.2 million in the same period last year.

The results "exceeded our expectations," said CEO Ethan Brown. In the United States, retail sales grew 157% compared with the same period last year. The plant-based meat company is in a strong position as it moves into the Chinese market and as the US faces a national meat shortage.

3M said the virus spurred "strong growth" for its personal safety products, including gowns and the N95 respirator masks needed by medical professionals. First-quarter revenue grew nearly 3% to $8.08 billion. That was bolstered by a 21% growth in its health-care segment and 4.6% in consumer goods, like Scotch-Brite sponges

With much of the country working from home, it leaves a lot of time to think about room refresh.

Wayfair's sales for its most recent quarter increased 20% compared with the same period last year. The online retailer said it's seeing " strong acceleration in new and repeat customer orders," with the number of orders growing 21% to 9.9 million.

Rival Overstock also said that its April retail sales were up 120% compared to the same month last year, with growth occurring in its "key home furnishings categories."

For people who can work remotely, Slack and Zoom have become ubiquitous communication tools.

Slack Technologies said it added 9,000 new paid customers, an increase 80% compared to the previous quarter, between February 1 and March 25. Not only are they adding more people, users are becoming chattier: "The number of messages sent per user per day increased by an average of 20% globally," Slack said in a press release.

Zoom, a video conferencing tool, has clearly been the biggest brand to break out. The company hosts 300 million meeting participants a day, according to CEO Eric Yuan. Zoom previously said it crossed 200 million daily meeting participants in March. Its stock is up 120% for the year.

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Business is booming for these 14 companies during the coronavirus pandemic - WICZ

Why The Way You Talk About Artificial Intelligence Needs To Change – Forbes

Gemma Milne - Author, Technology Writer

Gemma Milne isnt messing around. The world is in trouble and not just because of COVID-19. Hype and fraud fascinates her and Artificial Intelligence is one of those areas rife in both. Milne is on a mission to get everyone talking about it...properly.

Smoke + Mirrors is Milnes first book and focuses on the misuse of technical terminology. You might not think incorrectly using terms like AI is a big deal in the grand scheme of things but youd be wrong. Influence is everywhere and there is big money involved; ...it influences flow of funding, policy-making, voting, consumer behaviour, all sorts. Advertising agencies spend a great deal of time and money telling clients how important it is to sway people with narratives - their business makes no sense if words have no impact, right? says Milne.

While bluster around Blockchains ability to save the world didnt make it in the book, AI did as Milne believes the area has the biggest potential to be harmful if technology terminology is misused; There's such a cult of entrepreneurship around [AI] and a severe lack of reality in its general coverage. There are way too many people funding words on a slide deck, far too many people having philosophical discussions around the singularity as opposed to holding those in power right now to account, and far too many people still super influenced with the sci-fi narratives which have been in popular media over the last few decades.

Impact-wise, Milne believes it is tough to quantify and more funding is needed to wage a war on hype akin to fake news. Milne is clear in her intent; The point of the book is to arm each and every one of us with the insight, tools and understanding of how hype works, so we can better manage what information does to us and - ultimately - create better futures for us all. Smoke and Mirrors is there to help you fight a future we dont want to happen.

The result of doing nothing could be catastrophic for humanity. Milne believes that if we do nothing in 10-20 years well have a disjointed society made up of polar opposites; ...some in utopia, and many in dystopia: a society that doesn't always move towards new things based on inherent value but perceived value.

There is a lack of frankness in the space according to Milne - a driving force in her writing the book - There's still joy and excitement in realism - in fact, in my opinion, far more than in idealistic futurism. A sentiment more people should agree with after reading Smoke + Mirrors. I wanted to empower more people to feel able to critically think around complex topics and engage in the crucial debates happening in science and tech.

Milne is aScience & Technology Journalist (Forbes), a Keynote Speaker and the Co-Founder of Science: Disrupt. You can order SMOKE & MIRRORS on Amazon and follow her on Twitter@gemmamilne.

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Why The Way You Talk About Artificial Intelligence Needs To Change - Forbes

Our cities may never look the same again after the pandemic – CNN

For advocates of walkable, unpolluted and vehicle-free cities, the past few weeks have offered an unprecedented opportunity to test the ideas they have long lobbied for. With Covid-19 lockdowns vastly reducing the use of roads and public transit systems, city authorities -- from Liverpool to Lima -- are taking advantage by closing streets to cars, opening others to bicycles and widening sidewalks to help residents maintain the six-foot distancing recommended by global health authorities.And, like jellyfish returning to Venice's canals or flamingos flocking to Mumbai, pedestrians and cyclists are venturing out to places they previously hadn't dared.In Oakland, California, almost 10% of roadways have been closed to through-traffic, while Bogota, Colombia, has opened 47 miles of temporary bike lanes. New York has begun trialing seven miles of "open streets" to ease crowding in parks, with Auckland, Mexico City and Quito among the dozens of other world cities experimenting with similar measures.

There are many purported benefits of "reclaiming" the streets during a pandemic. Encouraging cycling may reduce crowding on buses and subways, where people can struggle to get distance from one another. Vehicle-free roads also offer those without access to parks the ability to exercise safely.

A woman cycles through a bike lane in central Milan. Credit: Miguel Medina/AFP/Getty Images

But few other cities have been so committal. And it will be harder to make the case for pedestrian- and cycle-friendly streets once their benefits are weighed against the knock-on effects of congestion elsewhere -- especially in countries as dependent on cars as the US.

A recently expanded bike track in Berlin's Kreuzberg district. Credit: Tobias Schwarz/AFP/Getty Images

In other words, the pandemic may only have served as a catalyst. But urban planning is a long game in which change is piecemeal and the legacies of past decisions take time to overcome. Public spaces and amenities cannot always be expanded or reconfigured at will.

So, looking to the coming years rather than the coming months, how else might the virus -- or attempts to prevent future ones -- re-shape our cities?

Reimagining public space

Austrian design studio Precht has imagined a maze-like public park that encourages social distancing.

It is too soon to know which, if any, may be realized. But each idea suggests that the practice of social distancing and unease over shared surfaces could continue long after the current crisis.

Planners talk about creating 'sticky' streets -- places where people linger and stay around. So the question now is: Will those efforts continue, or how will they need to be changed? Can we still achieve connectivity if we all keep social distancing?

Jordi Honey-Ross

"Everybody from Daniel Burnham -- who was the planner of Chicago -- to Le Corbusier came up with arbitrary measurements on their own," she said in a phone interview. "Le Corbusier writes extensively that every 'unit' in the Radiant City (or "Ville Radieuse," the celebrated architect's proposed utopia) needed a specific amount of light ... and a certain amount of cubic feet of air to circulate within it.

"So six feet could be the new unit we use when we think about cities and public parks."

Yet, the idea of keeping people apart seems to contradict the emphasis planners have traditionally placed on human interaction. Architects, whether designing parks or social housing, have often valued meeting points as sources of collaboration, inclusion and community-building.

"In fact, if you look at the literature on the health benefits of green spaces, one of the primary (advantages) is social connectivity -- people seeing their neighbors and being part of a community.

"Planners talk about creating 'sticky' streets -- places where people linger and stay around," he added, speaking on the phone from lockdown in Barcelona. "So the question now is: Will those efforts continue, or how will they need to be changed? Can we still achieve connectivity if we all keep social distancing?"

Credit: Antonio Lanzillo & Partners

Milan-based architect Antonio Lanzillo has envisaged public benches equipped with plexiglass "shield" dividers. Credit: Antonio Lanzillo & Partners

Rather than outlining solutions at this early stage, Honey-Ross' paper (which, subject to peer review, is set to publish in the journal Cities & Health) instead lays out the questions facing urban planners. Many relate to how cities manage the green spaces that he thinks "will, overall, be more valued and more appreciated" after the current crisis.

Neither line of inquiry has yielded conclusive results. But should a definitive link between pollution and the virus emerge, it would "really be a game-changer" for green urban planning, Honey-Ross said.

"Then, cities will be able to say, 'We're going to redesign our streets not only because we need social and physical distance, but because we need to increase our probability of survival," he suggested.

A matter of density

The biggest questions may center around population density. Fears that disease spreads more easily in busy urban centers could already be having an impact on people's attitudes towards living in cities.

A desire to distance ourselves from others in public may continue long afer the pandemic. Credit: Miguel Medina/AFP/Getty Images

"Space now means something more than square feet," Harris CEO John Gerzema said in a press release. "Already beset by high rents and clogged streets, the virus is now forcing urbanites to consider social distancing as a lifestyle."

So will there be a long-term push for cities to sprawl outwards in order to reduce downtown populations?

According to Carr, the backlash against city centers may be especially acute in America, where high rates of car ownership make suburban life less inconvenient. "The United States has always been a country that somewhat fears density," she said.

Credit: miss3/Hua Hua Architects

A proposed "Gastro Safe Zone," which uses brightly colored ground markings to encourage passersby to keep their distance from outdoor diners. Credit: Hary Marwel/Hua Hua Architects

"I think as designers and urban planners we have to think about how we emphasize the benefits of density," Carr added. "Because now, whenever anyone tries to build new housing anywhere, it's probably going to be the first question that people have."

Six feet could be the new unit we use when we think about cities and public parks.

Sara Jensen Carr

Whether the use of public transport is a significant factor in Covid-19's spread is a theory still being explored. And while, again, the findings remain far from conclusive, mistrust of buses and subways may nonetheless see their use decline.

Honey-Ross suggested we may instead see the growth of "micromobility" -- vehicles like scooters and e-bikes -- though this could be accompanied by reduced demand for initiatives like bike-sharing schemes.

"The sharing model is going to have additional costs related to hygiene and cleaning, which will be very challenging," he said, adding that sharing schemes "might get hurt in this pandemic."

A man rides an electric scooter across the Parco Sempione park in Milan. Credit: Miguel Medina/AFP/Getty Images

Blue-sky thinking

Epidemics can have radical and unexpected effects on architecture and design.

So although considering the impact of Covid-19 is, at this stage, largely speculative, there's plenty of scope for innovation.

A recent skyscraper design competition was won by a prefabricated emergency healthcare tower dubbed "Epidemic Babel." Credit: Gavin Shen/Weiyuan Xu/Xinhao Yuan

Regardless of such proposals' viability, there is plenty of optimism that this crisis can improve the way cities are designed and run, said Honey-Ross. But he caveated this by saying politics and opportunism may play significant roles in dictating which ideas come to fruition. ("I'm seeing a lot self-interest in the optimism -- the cyclists are talking about having bigger bike lanes, because that's in their interests," he offered as an example.)

A man rides along a temporary cycle lane put into place to relieve pressure on public transportation in Grenoble, France. Credit: Philippe Desmazes/AFP/Getty Images

But despite his self-professed skepticism, the researcher nonetheless believes that the pandemic has presented real opportunities to rethink public space.

"This is a time for humility on the part of pundits," he said. "And researchers need to be asking good questions. But I also think it's time for city leaders to be bold.

"Things that were not possible before, now are."

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Our cities may never look the same again after the pandemic - CNN

9 books to read this summer – The Week

Books are just about the only part of our culture right now that is chugging on, more or less as normal. And thank goodness for that, because summer reading is going to be excellent this year (and not just because we're potentially going to be spending most of it still in quarantine). From books about outbreaks to books that offer complete escape, here's what you'll want to have on your nightstand for those warm summer nights.

And if all else fails, there's always Midnight Sun.

1. The Brothers York, by Thomas Penn (June 16)

I have a vast, sad void in my life now that I've finished Hilary Mantel's trilogy about Thomas Cromwell, and I can't wait to fill it with this War of the Roses biography about the house of York. Already out in the U.K. where it was named one of the best books of 2019 by The Guardian and the Telegraph The Brothers York also earned an endorsement from Mantel herself, who writes that "with insight and skill, [author Thomas] Penn cuts through the thickets of history to find the heart of these heartless decades." One might recognize the biography's central trio of brothers Edward IV; George, Duke of Clarence; and Richard III from the works of Shakespeare, yet the history behind the plays is well worth your time; Lit Hub calls it a "juicy, impeccably researched work."

2. Mexican Gothic, by Silvia Moreno-Garcia (June 30)

This is maybe less of a "beach read" than it is a great book to take camping, if only because its spooky Bram Stoker-esque atmosphere is way better for reading by the light of a campfire. (For a quarantine-appropriate alternative, try reading it under the covers with a flashlight). The book begins in Mexico City in the 1950s, when the beautiful bachelorette Noem is summoned home from a party by her father due to his receiving a concerning letter from Noem's cousin, Catalina. Though it is rambling and strange, Catalina claims in the note that her new husband is trying to poison her and that their grand home in a remote mountain village is "sick with rot, stinks of decay, brims with every single evil and cruel sentiment." Off Noem goes to find out what's happening, only to be pulled deeper into the nightmare.

3. The Only Good Indians, by Stephen Graham Jones (July 1)

The Only Good Indians earned the rare triple crown of starred reviews from the trades, and its author, Stephen Graham Jones, has been described as "the Jordan Peele of horror literature." But if that weren't enough to get you hyped, the novel follows the supernatural events that unfold after four young Blackfoot men kill a pregnant elk on forbidden tribal land. Years later, a demonic force comes to take revenge for the bloodshed in this story that, in the words of Publishers Weekly's starred review, "works both as a terrifying chiller and as biting commentary on the existential crisis of indigenous peoples adapting to a culture that is bent on eradicating theirs."

4. Utopia Avenue, by David Mitchell (July 14)

Cloud Atlas author David Mitchell has made us wait five years for his next novel, but at a chunky 600 pages, Utopia Avenue sounds like it's going to be worth it. The book presents itself as the "unexpurgated story" of a British psychedelic rock band that "released only two LPs during its brief and blazing journey from the clubs of Soho and draughty ballrooms, to Top of the Pops and the cusp of chart success, to glory in Amsterdam, prison in Rome, and a fateful American fortnight in the autumn of 1968." Each chapter title is apparently taken from the name of one of the band's songs, and focuses on one of its four members. Addressing the ambitious undertaking, Mitchell has said, "Can a novel made of words (and not fitted with built-in speakers or Bluetooth) explore the word-less mysteries of music, and music's impact on people and the world? How? Utopia Avenue is my rather hefty stab at an answer."

5. The Pull of the Stars, by Emma Donoghue (July 21)

Emma Donoghue's novel about the 1918 influenza had its publication date bumped up to this summer because, well, duh. "Back in October 2018, the centenary of the Great Flu prompted me to start The Pull of the Stars, set in a Dublin maternity ward at the height of the misery in 1918," the Room author told the Irish Times. "Two days after I delivered my final draft, COVID-19 was declared a pandemic." Admittedly, the misery of disease might be the last thing you want to read about right now, but Donoghue's book which centers on health-care workers in a city hospital under quarantine is described as "deeply involving and profoundly moving." Read if you're an enthusiastic 7 p.m. applauder (and if you're looking for more coronavirus-adjacent literature, start here).

6. The Queen of Tuesday, by Darin Strauss (August 18)

Publishers solicit blurbs in order to sell books the quotes are essentially advertising material but when two-time Pulitzer Prize-winner Colson Whitehead gets behind a novel, you sit up and listen. His endorsement of the "gorgeous, Technicolor take on America" sits on the cover of Darin Strauss' forthcoming Queen of Tuesday, which weaves together memoir and fiction as it circles around its central character, actress and I Love Lucy star Lucille Ball. Strauss' grandfather was at a party with Ball (hosted by Fred Trump!) in New York in 1949, and the novel imagines an affair between the two. While fictionalizing a real person in such a way can be fraught, Strauss is the winner of the National Book Critics Circle Award (for Half a Life) and I trust that Lucy is in good hands.

7. Sisters, by Daisy Johnson (August 25)

If you're not aboard the Daisy Johnson train yet, well, where have you been? Johnson became the youngest author to ever be shortlisted for the hyper-prestigious Man Booker Prize in 2018 at the age of 27 for her debut novel, Everything Under, and she follows it up with Sisters, a story about teenagers July and September who move to a remote family home on the seaside with their single mother. While we don't have too many details about the book yet this far out, her publisher calls it "alive, original, and surprising" as well as a "seriously smart and compulsively readable novel about a young woman attempting to find her own agency within an all-consuming relationship." The Guardian hails Johnson as being "the next generation," writing that Sisters is a "short, sharp explosion of a gothic thriller whose tension ratchets up and up to an ending of extraordinary lyricism and virtuosity." Sold.

8. Migrations, by Charlotte McConaghy (August 25)

Don't judge a book by it's cover, although if you must, it might as well be the gorgeous Migrations, the U.S. debut of Charlotte McConaghy. Franny Stone arrives in Greenland with the goal of finding the world's last flock of Arctic terns as they make their final migration, and convinces the captain of the Saghani to ferry her in the pursuit. (There is, as you might expect, more to Franny than she initially lets on to the captain). Early descriptions make it sound like a novel with a topical climate change theme and a plot that examines the slippery brink of extinction. Shelf Awareness praised it as "brimming with stunning imagery and raw emotion" and "the incredible story of personal redemption, self-forgiveness, and hope for the future in the face of a world on the brink of collapse." Bonus: In the sweltering days of August, its descriptions of the frozen Arctic can cool you down.

9. This Is the Night Our House Will Catch Fire, by Nick Flynn (August 25)

Another Bullshit Night in Suck City author Nick Flynn is publishing yet another memoir with a fantastic title, this one called This Is the Night Our House Will Catch Fire. The book appears to reference the fire set by his mother in their house when he was seven years old, a story he revisits now that he is a parent himself. The book also deals with him excavating the emotions around his mother's suicide when he was 22, and cheating on his wife. Flynn is never not terrific I sometimes can't make up my mind if I prefer his prose or poetry more and This Is the Night Our House Will Catch Fire is already garnering early praise that reflects that fact. "Readers will devour this powerful memoir of letting go," Publishers Weekly promises in its starred review.

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9 books to read this summer - The Week

STREAMING WARS: The Expanse trades sci-fi fantasy for realism and it works – SaltWire Network

Shedding the cowboy antics of Star Wars and the utopian idealism of Star Trek, Amazon Prime Video's The Expanse highlights how royally we can screw things up, which is made only worse by being in the vacuum of space.

Rather than slick spaceships and operatic overtones, The Expanse takes a hard, cold look at what colonizing the solar system could look like in the next few centuries.

I'll admit I'm only a couple of seasons in so far, but I haven't been able to watch anything else since I started. It's so damn watchable.

The story centres around Jim Holden (Steven Strait) and his crew of misfits as they bounce from one crisis to another in the colonized solar system. Things go from bad, to worse and then much worse.

Holden is a reluctant, but capable leader. Alex Kamal (Cas Anvar), Naomi Nagata (Dominique Tipper) and Amos Burton (Wes Chatham) make up the rest of the team, each with their own can't-help-but-root-for-them attitudes.

Luckily, they have each other (for the most part) and a relatively stable moral centre.

The expanded cast includes some fantastic performances from Thomas Jane, who plays a hard-done-by detective and Jared Harris as a gang/rebel leader with an impossible accent.

But the highlight is easily Shohreh Aghdashloo as Chrisjen Avasarala, a powerful diplomat looking after Earth's interests. She doesn't suffer fools lightly, performing delicately when she needs to, but able to flip the switch to badass in an instant.

The series, based on novels of the same name by James S. A. Corey, is set during a solar system-spanning Cold War. On one side is Earth, governed by the decadent UN, and the other is Mars, a militaristic but fragile state which is bound in a tenuous peace. However, one little provocation and that could all come crashing down, along with all of human civilization.

Originally released on American channel Syfy, the series was picked up by Amazon after it was cancelled following its third season. Prime released the fourth season in 2019 and announced a fifth is already in the works.

And thank goodness Amazon scooped it up. The mystery surrounding an unusual and dangerous alien substance that can alter matter (being experimented on with the most Machiavellian way imaginable) is the main throughline for the plot.

But The Expanse is about much more than this existential threat, it's about the incredible world it's set in.

This isn't the idealized universe of Star Trek, where money and hunger have gone the way of the dodo, in The Expanse, water has become more precious than gold. It's a world full of greed, corruption and inequality. It is capitalism gone mad in the far reaches of space.

People have inhabited asteroids in the belt, which is being taken advantage of by the dominant planets in the system, Mars and Earth.

Mars, with the know-how to turn their rusty-red planet into a garden, is low on resources because of their spending on the military, just in case there's a war.

And Earth, after years of degradation and sea-level rise is changed (but all too familiar) with an elite pulling the strings for selfish ends.

One also has to admire the writers (both screen and novel) restraint when it comes to the technology. Yes, humans have been able to reach the other planets and stellar rocks in the solar system, but the ships people use are definitely built for speed, not comfort. They're blocky, with wires and scaffolding unceremoniously strapped to their sides.

New languages and phrases seem so natural. Yes, a group of people living on asteroids probably would develop their own culture and a sizeable chip on their shoulders.

Differences in gravity, resources, time, it's all taken into account and given its due. Sometimes I'll pause an episode just to remark, wow, they've thought of everything.

It also doesn't hide the audience from the cruelty and inequalities, and it doesn't pull away from the atrocities that could happen. It's a warning of what we could become.

It's science fiction without the utopia, and although somewhat depressing, it adds a layer of realism that is so compelling to watch.

Needing an escape from planet Earth? I get it. Here are some other sci-fi shows worth checking out I haven't already recommended (like The Mandalorian, Star Trek Discovery and Picard).

Battlestar Galactica (remake), available on Amazon Prime Video. A deep, though sometimes convoluted plot that touches on humanity and artificial intelligence. An excellent musical score that reverberates throughout.

Westworld, available on Crave (with HBO add-on). A theme park made for the elite with no limits, the characters within the fantasy are highly intelligent robots, what could go wrong?

Space Force, available on Netflix on May 29. Needing something a little lighter? Steve Carell is tasked with forming the Space Force (an actual real thing), a new branch of the American Armed Forces with no idea of what it's supposed to be. Hopefully, it will be a sufficient replacement for The Office for the streaming giant.

For All Mankind, available on Apple TV Plus.What if the Soviets landed on the moon first? This alternate history drama takes a look at what could have been and what it would mean for America's psyche.

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STREAMING WARS: The Expanse trades sci-fi fantasy for realism and it works - SaltWire Network

Making a Mess of the World: On Hao Jingfang’s Vagabonds – lareviewofbooks

MAY 10, 2020

IN VAGABONDS, the princess of an aggressively communitarian Mars chafes against her homeworlds attempts to ensure stability through equality, preferring instead to champion a system that promotes individual success and rarefied reward. That she is already recognizably lauded within her own egalitarian system for the accident of her birth scion that she is of Marss consul-cum-dictator is an intrinsic part of her reasoning for dismantling a system that benefits her, even as she exists outside of it. Simultaneously, a photographer from Earth seeks the economic stability and creative freedom offered by Marss open information archive, rebelling against his own homeworlds insularity and possessive intellectual property laws. First wary, then helpful, then friendly, but never convinced of each others views, the two circle the concept of an ideal worldview just as their own planets circle the sun, rarely in sync and often at odds. Such contradictions are central to each of Hao Jingfangs characters, neither recognizable archetypes of science fiction nor stereotypical symbolic representations of their respective systems.

But stop; lets go back.

More than just a question of character complexity, the writing in Vagabonds itself, here translated by Ken Liu, resists clear definitions. The books tone could be described as dreamlike Hao excels at narratives that exist at a remove, as if the reader is witnessing events happen at distance. This pace makes it unclear at times as to which characters are important and which events are significant and hold latent meaning Luoying, the books primary character, is as close as the book comes to a protagonist, but even her role ebbs and flows in importance, and she disappears almost entirely for the novels final section. Individuals fade in and out of the narrative; decisions that obsess characters for several chapters disappear without ever being mentioned again. The effect is profoundly disorienting and surreal, as if the world is emerging temporarily and then fading back into the mists of history.

Its through this exquisite insistence on transience that Hao masterfully demonstrates both the dreamy ungraspability of the passage of time and the inability of any individual to fully narrativize their own life, to pinpoint any specific moment as the moment of import and thus reify it. Political machinations, interplanetary travel, fashion and engineering, the biomechanics of dance, love and loss, war both cold and hot: all these fade into view and then out again with equal weight. The effect is disorienting and complex, liminality weaponized as a way to keep the reader perpetually aware of the ultimate transience of discrete moments within the greater momentum of history.

But stop, lets go back again.

The momentum of history, gently problematized by Hao, could not exist as it does in Vagabonds without equal recognition of the fact that it is a product of its particular situatedness in the real world outside of the book. Publicity for Vagabonds advertises it as for fans of Kazuo Ishiguros Never Let Me Go and Naomi Aldermans The Power two wildly different books that also grapple with bare life in a changing world. If such marketing is based on audience reception alone, then Simon & Schuster wasnt wrong: I was excited about this release, not only because of Haos singularly nuanced and compelling voice, but because Never Let Me Go and The Power are among my favorite books. But teasing out the strands of why a novel like Vagabonds resonates given its vastly different stories is a more complex undertaking, similar not in tone or structure or characterization but in the murkiness undergirding the sense of being adrift in a world that is at once both familiar and new.

Never Let Me Go is an understated bildungsroman set in a near-future England where clones are raised for their parts, and the narrative focuses on the quotidian sorrow of living with the knowledge of ones own place in such a system. Conversely, in The Power, women develop the ability to control biologically generated electricity, inducing the collapse of one world system and the rise of another. The tone and scale of these two novels couldnt be more different both from each other and from Vagabonds but they share a preoccupation with the ambiguities of being between two end points of a changing world and the ways in which individuals get lost in the in-between spaces.

This, too, is a defining feature of Vagabonds the ambiguity of existence after one of historys end points but before the next, and the characters struggles to understand their place in a world over which they have very little control. From a marketing standpoint, all the three novels juxtapose the prospect of violent, destructive change with an already-unbearable status quo. Dystopia for some and utopia for others, these worlds are already in a state of flux in which those who are being harmed stand to gain much and those on top stand to lose everything. If were to take the relationship between these three texts at face value, then we must find those connections in the recognition that theres no character complexity without textual complexity, and no textual complexity without the very complexity of the novel itself as a marketed cultural artifact.

Stop. Go back.

The difficulty of marketing such a book is due in part to the fact that Vagabonds would have been impossible to write even 15 years ago, because it represents a worldview that didnt exist before the contemporary boom in Chinese science fiction consumption in the West. This new readership, introduced to Chinese SF by Liu Cixins Three-Body Problem trilogy, has created a market for SF from China at the same time as it has struggled to identify what makes SF from China any different from American or British science fiction. Since then, at least four translated anthologies of Chinese SF have been published (three more than the preceding decades, with another slated for publication), with Western readers increasingly consuming SF originally written in Chinese and for an ostensibly Chinese audience. This newfound popularity has changed the focus of the work itself, and indeed, Chinese authors are increasingly grappling with the realities of writing for a non-Chinese audience. Hao Jingfang herself, in fact, was the first Chinese woman (and only second Chinese author) to win a Hugo (for her novelette, Folding Beijing), and Vagabonds her first full-length novel to be translated into English is uniquely aware of its readership both in and outside China.

In fact, its hard to read Vagabonds as anything other than a science fictional treatment of contemporary idealized Sino-American relations, written by someone clearly aware of both internal and external stereotypes about China and Chinese culture. Mars is easily interpretable as a stand-in for China but its a China seen through the eyes of Westerners. Martian citizens routinely discuss the stereotypes of Mars that they encountered on Earth: its ruled by an authoritarian dictator who forbids all dissent; citizens are locked into their stations in life; people are mechanical, faceless masses without the benefits of individuality or creative expression; society is stagnant and barbaric; Mars seeks to expand, consume, and control Earths resources. Once they return to their homes, even Martian characters question whether such beliefs can be true and whether or not they have been indoctrinated to view their home planet favorably. Different characters come to different conclusions, but one thing that remains consistent is the novels insistence on complexity and contradiction at the expense of clarity. Mars is not the ideal paradise they believed it to be as children, but neither is it the autocratic prison imagined by Earths citizens.

Such recognition of contemporary Chinese SFs ability to speak to an international audience, and to position Chinese literature in a global literary order, has been noted elsewhere, with SF author Xia Jia noting in the essay What Makes Chinese Science Fiction Chinese? that

[i]n reading Western science fiction, Chinese readers discover the fears and hopes of Man, the modern Prometheus, for his destiny, which is also his own creation. Perhaps Western readers can also read Chinese science fiction and experience an alternative Chinese modernity and be inspired to imagine an alternative future.

In Vagabonds, Hao Jingfang gives us two alternative modernities, neither of which are entirely China or fully the West: Mars reflects Western stereotypes of China just as Earth reflects Chinese stereotypes of Western economic and cultural systems. Its a canny estrangement, and one that can only come from an author fully aware of the milieu in which shes writing.

Who, then, is a conclusion like this for? Before the global literary establishment began to consume Chinese SF in the quantities it now does, such an astute, self-evaluative assessment would have had no home, either in domestic or international literature. Simply put, Chinese authors wrote for a Chinese audience, and (with a very small number of exceptions) international readers didnt much care about how Chinese authors reflected their own society to Chinese readers. All that has now changed. Haos awareness of her audience is a profoundly contemporary phenomenon. Shes aware of the stereotypes international readers hold of China and Chinese culture, and her work grapples with that in a discerning and inventive new way, one in which Mars looks back at the world looking in and reflects outsiders stereotypes directly back to them to examine.

Back back back, then; each level of analysis requires looping back on itself to better understand the mechanics that initially produced it. There can be no questing, uncertain characters without looking at the intentionally ambiguous text itself; no analysis of the texts misty tone is possible without considering the marketing system that published it; no such market analysis is possible without recognizing the shifting landscape of the established global literary order in the first place. Reading and understanding Vagabonds is like starting at the core of an onion and finding yourself still inside after peeling away layer after layer. To do so and to believe that doing so will provide hard answers is, as one of Haos characters puts it, to make a mess of a world that relies on nuance and complexity. Vagabonds refuses easy answers, inviting the reader to return to the beginning, to steadfastly refusing to provide a map to any kind of origin. Messy or not, its up to the reader to find their own answers.

Virginia L. Conn is a comparative literature PhD candidate at Rutgers University.

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Making a Mess of the World: On Hao Jingfang's Vagabonds - lareviewofbooks

No Tony Awards This Year, Maybe Next Year, So Who Gets Hurt the Most? David Byrne, Adrienne Warren, Mare Winningham, Jay O. Sanders – Showbiz411

Home Television No Tony Awards This Year, Maybe Next Year, So Who Gets Hurt...

My friends at Variety theyre smart people, but they just realized there probably will not be any Tony Awards this season. Thats because the coronavirus stopped the Broadway theater season in its tracks. The season, which runs from June to April, is over.

So what happens to the shows that did open? Clearly, the winner of Best Actress in a Musical would have been Adrienne Warren in the Tina Turner musical, Tina! She would have won even if all the other musicals had opened as planned. Warren is a spitfire on stage. When I say her performance is incendiary, people whove seen it know what I mean. She makes that big wheel keep on turnin.

There were two great performances by actresses in plays. First there was Mary Louise Parker in The Sound Inside, which might also have won Best Play. Adam Rapps play, directed by David Cromer, was exceptional. It would have gone on longer but Parker had already agreed to star in a revival of How I Learned to Drive, which was unnecessary. I hope The Sound Inside can return sometime.

Laura Linney was equally sensational in My Name is Lucy Barton. The one woman show was a fake off because Linney- who can do anything and seemingly never wrong also played Lucys mother so persuasively you would swear she was a separate actress. Based on Elizabeth Strouts novel, the adaptation by Rona Munro gave Linney one of her greatest moments on stage (and there have been plenty). Since we cant see this now, the only alternative is watch Ozark season 3 on Netflix, where Linney is on track to win the Emmy award.

As for male actors: Simon Russell Beale, Adam Godley, and Ben Miles got thisclose to opening in The Lehman Trilogy, which had already played in New York and London, and can be seen in a television taping. There would have been nominations from The Inheritance mainly John Benjamin Hickey, who might have also been nominated for directing possible nominees Matthew Broderick and Sarah Jessica Parker in Neil Simons Plaza Suite.

Well never know now what would have happened to the best show of the 2019-2020 season, David Byrnes American Utopia. I suppose the Tony committee would have given it a special award, since it was Byrne using his old music. Maybe he could have won Best Actor in a Musical. The show was supposed was supposed to re-open this fall. Whenever Broadway returns, I hope David Byrne does, too.

And Best Musical? So we had Tina, and maybe American Utopia, Moulin Rouge (not my favorite), the still to be opened Diana, plus Sing Street and Flying over Sunset. Of what already opened, Girl from the North Country would have been my choice, with nominations for Jay O. Sanders and Mare Winningham (who was going to have to fight off Adrienne Warren) who gave the best performances of their lives.

Should we just have the awards? Why not? Everyone Zoom in on June 7th, or least hum the songs. Maybe CBS could do some kind of Best of 2020 show with clips. But real Tony Awards? Not now.

Roger Friedman began his Showbiz411 column in April 2009 after 10 years with Fox News, where he created the Fox411 column. He wrote the Intelligencer column for NY Magazine in the mid 90s, reporting on the OJ Simpson trial, as well as for the real Parade magazine (when it was owned by Conde Nast), and has written for the New York Observer, Details, Vogue, Spin, the New York Times, NY Post, Washington Post, and NY Daily News among many publications. He is the writer and co-producer of "Only the Strong Survive," a selection of the Cannes, Sundance, and Telluride Film festivals, directed by DA Pennebaker and Chris Hegedus.

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No Tony Awards This Year, Maybe Next Year, So Who Gets Hurt the Most? David Byrne, Adrienne Warren, Mare Winningham, Jay O. Sanders - Showbiz411

Educational reform under Imran Khan is a way of embracing isolationism. – The Indian Express

Written by Khaled Ahmed | Updated: May 9, 2020 7:55:45 am Given Pakistans poor level of intellectual sophistication, the project of educational reform under Imran Khan runs the risk of becoming Boko Haram which translates literally to Western education is forbidden since 2009. (AP Photo)

Reacting to protest marches called Aurat March this year by women who want to control their lives in matters of education and marriage, Prime Minister Imran Khan announced: We will, hopefully by next year, introduce a core syllabus for all schools that will be mandatory for students apart from the additional subjects each institution chooses to teach. This is how you create a nation. This is how you end rival cultures from developing. The Aurat March that just happened a different culture was visible in it. this is a cultural issue and this comes from the schooling system.

What he hinted at was that the liberated women who wanted more rights were Western educated and were responsible for the societal divide that his government would end by adopting a uniform education system. The obvious inference from his remark is that he would like to merge Urdu and English-medium education with the madrassas or the religious schools functioning in the country: He would be less able to prune the extremist religious-ideological material in the Urdu-medium-madrassa sector while expurgating the liberal aspect of the English-medium sector.

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Pakistans educational system has consistently opposed the liberalism that the growing middle class allows its children to imbibe in the English-medium sector. There was a time when Khan used to accuse his modernised opponents of liberal fascism. But no one ideologically inclined thinks of tackling the extremism nurtured by the Urdu-medium and madrassa sectors.

Given Pakistans poor level of intellectual sophistication, the project of educational reform under Khan runs the risk of becoming Boko Haram which translates literally to Western education is forbidden since 2009. As a movement of the Muslims of northern Nigeria, Boko Harams army of Islamic soldiers has killed more than two million people, and kidnapped and raped thousands of Muslim girls.

The uniformity of mind created in the state-sector schools is a kind of preparation for the final takeover by the pure madrassa stream the utopia Pakistan aspires to. A majority of the suicide-bomber boys who did the dirty work of the Taliban came from the state-run schools. The madrassas, on the other hand, provided the warriors that waged cross-border jihad and at times, defied the patron-state itself. Today, Pakistan is simply not intellectually equipped to handle the problem it has posited to itself. The most locked mind in Pakistan is located inside the educational bureaucracy serving in the federal and provincial ministries.

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Khan might create a system that would still have two streams: Urdu-medium and the madrassas. Will this create the single system he wants? Given the general intellectual backwardness of Muslims from Nigeria to Indonesia, he might end up isolating Pakistan further through a new mind embracing the isolationism of Iran.

Why is Pakistan upset by the three streams? Pakistan is going through a withering process of isolationism, which is another word for turning inwards and showing hostility towards anything smelling of foreignness. Liberalism is under attack and liberal education is already not in favour even in the private sector stream where the financiers know it pays to create space for ideology and uniformity of the mind.

Pakistani scholar Madiha Afzal in her book Pakistan under Siege: Extremism, Society, and the State, observes: While education appears to make people less favourable toward terrorist groups, there is also a worrying increase in favourability toward these groups at the secondary school level. My analysis of Pakistan Studies textbooks helped explain why that is the case: The books set up a framework of the world in which Pakistan is viewed as the victim of conspiracies of both India and the West, and Pakistanis and Muslims are pitched in opposition to other countries and religions.

This article appeared in the print edition of May 9, 2020, under the title Turning inwards, Locking minds. The writer is consulting editor, Newsweek Pakistan

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Educational reform under Imran Khan is a way of embracing isolationism. - The Indian Express

The Myth of ‘Sanskrit Villages’ and the Realm of Soft Power – The Wire

This series has two parts, this is the second. The first part discussed Sanskrit from having analysed at depth its relative rankings within the Indian census results. It focused on the last two censuses in 2011 and 2001. The second part is a discussion of how Sanskrit is operationalised for strategic soft power applications related to the under-appreciated realm of faith-based development.

Sanskrit, apparently, is the language of Future India. At least, that is the opinion of Soumitra Mouhan, who also asserts, in relation to the Revival of Sanskrit:

Sanskrits credentials to be a language of future India are definitely better and greater than we have realised so far. Its revival will not only renew and revive the pride in our own cultural heritage, but will also bring about spiritualism and the concept of a meaningful society and polity, thereby bringing order and peace all across the country, a desideratum for any developed society.

The following image shows how it is also framed within a global context on an NCERT-related website where one can download NCERTs Sanskrit text books. A curious thing is that, while countless rumours of NASAs supposed use of Sanskrit, as a Vedic Science, can be found on the internet, it is virtually impossible to find any mention of the Indian Space Research Organization (ISRO) making any use of Sanskrit. Even though it is supposedly the most computerable language, it only seems to be used to name rockets, missiles, and satellites.

Source: https://www.ncertbooks.guru/ncert-sanskrit-books/

Faith-based development, competitive diplomacy and transformative travel merge in the various leisure tourism markets of the more than $4-trillion global wellness industry. The production of legitimacy and authority in diplomatic and economic arenas involves interweaving narratives through which nations work to control their own images by implementing strategic communication strategies.

This relates to the ways countries compete using their cultural capital. This often occurs through the performance of showing good will. The International Day of Yoga is a good example of actualising yoga for strategic soft power purposes. Take, for instance, how in 2019, the slogan #Yoga4ClimateAction was implemented to increase Indias standing in the world. However, closer inspection of faith-based competitive diplomacy in relation to Sanskrit is sparse.

While for some, Sanskrit might be considered a dead language or a symbol of millennia of oppression, for others it is a treasure trove of untapped knowledge that might just save humanity. Sanskrit, and the knowledge contained in dusty untranslated manuscripts might also help define and chart ones path toward a utopia-inspired moral horizon, which speaks more about temporalities of becoming, rather than being. It helps link an archaic modernity and potential return to an imagined, previous, Vedic Golden Age that is, a priori, eco-sustainable.

Take, for example, Indias vice president, M. Venkaiah Naidu, who claims that Sanskrit can offer solutions to the worlds contemporary issues. Naidu went on to say,

The heritage of knowledge that our ancient scholars left for us is in Samskrit. I believe Samskrit has the solution for every problem in the world. That probably is the reason why Samskrit is being studied across world now and researches are being done on the ancient texts in Samskrit.

Himachal Pradeshs chief minister, Jairam Thakur, believes that Sanskrit is a language for the entire world and not just India. While the national president of Samskrita Bharati, Bhaktvatsal Sharma, argues that Sanskrit is not just a language, but also a lifestyle. And that efforts should be made to make this 21st century, a Sanskrit century.

Similar sentiments are shared by Indias Human Resource Development (HRD) Minister, Ramesh Pokhriyal, who claims It is essential to learn Sanskrit if you want to understand India and its culture and tradition. By 2050, Sanskrit will be the most prominent language in the world.

One way to think about the news articles, blogs, and opinion pieces that regularly inform us of Sanskrit-speaking villages is how they seem to operate in a similar way to phalaruti paratexts. The phalaruti parts of any text outline the potential rewards for a pursuing a particular spiritual task, like reciting a text, and, also, the dangers and pitfalls for not doing it, or doing it poorly. These lists that contain promises of heavenly rewards enable the discourse around the topic being discussed to function as true. Think about the function, or purpose, of all the articles on Sanskrit-speaking villages. They promote the idea that these villages are true.

In a similar way to phalaruti paratexts, the claims of Sanskrit-speaking villages is partly, or, entirely, driven by an earthly agenda.As well, people will ultimately believe whatever they choose to, regardless of available, contrary, evidence. In a sense, stories of villages where everyone speaks Sanskrit do not need to be empirically true for people to believe in them. More importantly, the Sanskrit-speaking phalaruti paratext articles serve as a source of inspiration.

Perhaps, these rumours also act as a buffer to ward off existential anxiety. At least, for some, it is potentially comforting to know that a real and true India still exists. That M.K. Gandhis idea of the village and Mohan Bhagwats idea of core Indian values are still intact. This is found in one phalaruti type article about one Sanskrit-speaking village. In the article, Jhiri, which we travelled to in the first part of the essay, is described as Indias own Jurassic Park. It is supposedly a village that is a lost world that has been recreated carefully and painstakingly, but lives a precarious existence, cut off from the compelling realities of the world outside.

The village holds an ambiguously utopian relation to future India. The Sanskrit village intensifies this affective quality.

Consider the example of this faith-based development narrative that has evolved over the past decade in the state of Uttarakhand. In 2010, Sanskrit became the states second official language. Even though this project was implemented a decade ago, and has endured changing governments and allegations of corruption, by 2013 Rs 21 crorehad already been spent on promoting Sanskrit education in Uttarakhand. Regrettably, there is very little to show for it.

It is unclear how much capital was invested between 20132020. Recently, an updated policy has increased this top-down imposition of language shift, toward Sanskrit. The new policy aims to create a Sanskrit village in every block (administrative division) of Uttarakhand.

The state of Uttarakhand consists of two divisions, 13 districts, 79 sub-districts and 97 blocks. One wonders how much more investment might be needed to transform 97 villages scattered across the Himalayas into Sanskrit villages? Are we to assume that over the last decade, based on the 2010-2013 expenditure of Rs 21 crore, that Rs 63 crore has already been spent? On what, exactly? There is hardly a Sanskrit village in even one block in Uttarakhand.

The curious thing is that, while 70% of the states total population live in rural areas, 100pc of the total 246 L1-Sanskrit tokens returned at the 2011 census are from Urban areas.

No L1-Sanskrit token comes from any villager who identifies as an L1-Sanskrit speaker in Uttarakhand.

This top-down project aims to reverse engineer India and the world through Sanskrit and Yoga. The aim is to reform society toward an imagined Sanskritland. The aspiration is total. Take, for example, the following song that attendees at Samskrita Bharati language camps learn, which inspires people to work towards helping Sanskrit be spoken in every home (ghe ghe), in every village (grme grme), in every city (nagare nagare), and in every country (dee dee). Samskrita Bharatis vision for future India (and world) inevitably leads to a global language shift where Sanskrit is spoken everywhere (saskta sarvatra), and is installed as the next lingua franca (viva bh). The perceived net-positive outcome (abhyudaya) has India positioned as the global superpower and moral dispenser (viva guru).

This might seem inherently banal and optimistically utopian, yet it is part of a yoga-oriented, faith-based, competitive diplomacy, soft power initiative. Evidence of this includes propositions, such as Yoga and Sanskrit can solve climate change. In this way, Sanskrit and Yoga are used to brand the nation.

This narrative is evolving from its green, eco-friendly roots into a digitising of Sanskrit, ostensibly through a saffron-lite filter. Or rather, green and saffron are forcibly collapsed to present a sustainable programme as a Hindutva programme. A common, albeit erroneous and misplaced, sentiment is that Sanskrit is the best language for computing and artificial intelligence. This is as equally troubled as the Sanskrit village narrative. The pair seem to work in tandem. The following quote, from Soumitra Mohan highlights the sentiment.

The language deserves to be treated much better than it has been so far, more so when it has been called the best computerable language. Sanskrits credentials to be a language of future India are definitely better and greater than we have realised so far. Its revival will not only renew and revive the pride in our own cultural heritage, but will also bring about spiritualism and the concept of a meaningful society and polity, thereby bringing order and peace all across the country, a desideratum for any developed society.

The following quote is found on the homepage of one of Indias best-known Sanskrit universities in Benares, namely, Samprnanda Saskta Vivavidylaya:

Sanskrit is the most ancient and perfect among the languages of the World. Its storehouse of knowledge is an unsurpassed and the most invaluable treasure of the world. This language is a symbol of peculiar Indian tradition and thought, which has exhibited full freedom in the search of truth, has shown complete tolerance towards spiritual and other kind of experiences of mankind, and has shown catholicity towards universal truth. This language contains not only a rich fund of knowledge for people of India but it is also an unparalleled way to acquire knowledge and is thus significant for the whole World.

We see this Sanskrit-inspired eco-tech sentiment manifest in the words of Samskrita Bharatis founder, C.K. Shastry, who believes, that:

Todays technology is IT; tomorrows will be biotechnology, the day after, nanotechnology. What comes afterwards is knowledge technology. India has the potential to turn into a superpower by 2025, for it is home to scriptures and Sanskrit literature which is a great treasure of knowledge. But the problem is we have not yet decoded it.

One seemingly intractable issue is the overwhelming volume of manuscripts. The amount of trained philologists, manuscript conservators, and available funds and resources is no match for the decoding of even a fraction, let alone, all the manuscripts that exist. The rough estimation is that only about 500,000 manuscripts have been catalogued out of a staggering, yet conservative, minimum total of 7 million manuscripts. And, of these already catalogued, only a handful have been digitised, translated, and published.

The National Survey of Manuscripts has the unenviable task of locating, cataloging, preserving and translating these texts. However, to put it into perspective, in just one survey round across four states, the following numbers of manuscripts were recovered: Delhi (85,000), Manipur (10,000), Karnataka (150,000)and Assam (42,000).

Yet, even with awareness campaigns to promote the documentation and conservation of manuscripts, career prospects are slim. This is compounded by what seems to be a general impression that a serious study of Sanskrit and subsequent investment of capital to work on this literal mountain of manuscripts is quickly politicised, or, worse, made into a parody of itself in which policy decisions are put forward that will ultimately undermine efforts to popularise Sanskrit. Four examples are perhaps worth highlighting.

The first example involves the aspiration to reverse engineer next generation transport options, as the title of this article suggests, Decoding Sanskrit scriptures to make Vedic vimans a reality. For an exquisite discussion of archaic modernities, Banu Subramaniams latest book (2019) titled, Holy Science: The Biopolitics of Hindu Nationalism is an excellent overview. One nation branding issue relates to the general interest and knowledge of Sanskrit and its manuscripts. This is particularly prevalent outside of India, across the global consumer-scape of Yogaland, where Indias gift to the world re-orientalizes the biographies of Sanskrit and Yoga through a neo-Orientalist filter to create a neo-Romantic mood amongst New Age consumers of spirituality and yoga-inflected lifestyles. Regrettably, the rumours and factoids about Sanskrits ability to sanitise modernity of its blemishes adds tremendous credibility, regardless of the unintended consequences.

The second example occurred at the Bhandakar Oriental Research Institute (BORI), Pune. It highlights the internal tensions within India. Founded in 1917, it was during January 2004 that this repository was ransacked and vandalised. The media used broad saffron-coloured strokes to paint those involved in this and related incidents as homogenous extra-judicial agents of Hindutva. Instead, this particular act is better framed as an exercise related more to internal caste-based politics of Maharashtra that was carried out by the Maharashtra Seva Sangh, which is part of the new religious/political movement, Shivdharma. Adheesh Sathaye, Associate Professor of Sanskrit at the University of British Columbia, explains, how this largely lower-caste movement consciously regards itself as distinct from mainstream Hinduism and is particularly hostile towards Brahmanic hegemony. Shivdharma is, in short, a marriage of a passionate folk devotion to Shivaji with anti-Brahman politics.

The third example comes back to the faith-based development issues first raised in this article. In 2017, the Assamese government declared it would make Sanskrit compulsory in all public schools, up to the eighth grade (class VIII). Yet, this politically expedient decision does not address the genuine issues around language planning and promotion of Sanskrit, not to mention, who will fill all these new teaching positions? More importantly, it discriminates against the economically underdeveloped populations. As Mayu Bora writes, the Asom Sahitya Sabhas position is that students would benefit more from studying geography and history, or minority languages, like Bodo, which is the language of largest indigenous tribal group of Assam.

The fourth example relates to Samskrita Bharatis push, through the New Education Policy, to replace English in the three-language education policy with Sanskrit, and make English optional. Much importance is made of promoting Sanskrit as a language of the masses. However, having attended several Samskrita Bharati camps, I am familiar with the opinion that Sanskrit was apparently the only language spoken by everyone across the sub-continent. This ahistorical and factually incorrect claim shows either complete ignorance of Indias rich and dynamic linguistic ecology, evidenced in the Nirukta, Asthadhyayi, Mahabhashya, and other linguistic commentaries roughly 2500 years ago, or a willful ignorance fueled by an ideological agenda. It also demonstrates a willingness to persist with a narrative that does little else than exercise the sort of linguistic hegemony and fundamentalist attitude that pushes people away from learning Sanskrit. Or invites those inclined to this theo-political position to embrace it. However, it does not seem to really exude one idea of an open-minded deshabhakta (patriot), who supports linguistic diversity, as it is enshrined in Article 345 of Indias constitution.

Yet, it seems, political expediency justifies restricting linguistic diversity, as long as it occurs through a development narrative. As Union minister Pratap Sarangi, explains Sanskrit is the language for science, mathematics, and environment [] It is the most scientific language [and] if it is used more often by India, we will become a world leader.

After all, Sanskrit is a gift of India for [the] entire humanity, at least, that is what Indias HRD Minister, Ramesh Pokhriyal, asserted just after the Central Sanskrit Universities Bill, 2020 was passed by Indias upper house of parliament. This was done to upgrade three Deemed Sanskrit universities to Central University status.

Amarav is a wing of Samskrita Bharati that promotes Sanskrit through songs. One example is the song Viva-bh Sasktam (The universal-language is Sanskrit). Information about the song on Amaravs website claims, that There are many villages in India where the entire population speaks solely and fluently in Sasktam! Such truth claims, as we have seen, are curious things.

Yet, these lofty ambitions to help save the world, ostensibly, from itself, have humble origins among the mythical villages of rural India, which we are told, speak, or could speak, the language of the rural masses, Sanskrit. The inhabitants of these rural areas are meant to be grateful that Sanskrits perceived civilising power will finally reach them, even if this ideological benevolence is soaked in a neo-colonial Sanskritisation impetus made explicit in ways, such as Saskta sarve ktesarvad; Sanskrit for everyoneforever. Strength, it seems, is not found in linguistic diversity.

The idea of the Sanskrit village continues to gain momentum. One of the first things that Uttarakhands former chief minister, Ramesh Pokhriyal, did when assuming the Unions HRD portfolio is announce a plan to upgrade his pet, Sanskrit village development, project from the state-level to the union (national) level.

Finally, 2021 marks the first completely digitised census the nation will experience. Hopefully, this allows for data to be enumerated, rationalised and published much more efficiently, and that it will result in next round of Sanskrit data to be released sooner than the seven-year lag that occurred at the last census. Hopefully, too, there will be fewer glitches in 2021, compared to 1941, which was completely botched due to it being the first census at which self-reporting of data was introduced.

Patrick McCartney, PhD, is a Research Affiliate at the Anthropological Institute at Nanzan University, Nagoya, Japan. He is trained in archaeology, anthropology, sociology, and historical linguistics. His research agenda focuses on charting the biographies of Yoga, Sanskrit, and Buddhism through a frame that includes the politics of imagination, the sociology of spirituality, the anthropology of religion, and the economics of desire. His social media handle is Patrick McCartney.

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The Myth of 'Sanskrit Villages' and the Realm of Soft Power - The Wire

Comet of the Week: IRAS-Araki-Alcock 1983d – RocketSTEM

Comet IRAS-Araki-Alcock on May 11, 1983, during the time of its closest approach to Earth. Photograph courtesy Alan Gorski.Perihelion: 1983 May 21.25, q= 0.991 AU

On January 25, 1983, the InfraRed Astronomical Satellite (IRAS) spacecraft was launched from Vandenberg Air Force Base in California. For the next ten months, until its supply of superfluid liquid helium coolant ran out, IRAS surveyed the entire sky in near- to far-infrared wavelengths, and its findings completely revolutionized much of our knowledge about the solar system, the Galaxy, and the entire universe.

On April 25 three months after its launch the infrared sensors aboard IRAS detected a fast-moving object. Due to some breakdowns in communication and some initial uncertainty as to just what this object was, it wasnt until early May that astronomers finally determined that the new IRAS object was a previously-unknown comet. By that time the comet had been independently discovered on May 3 by two amateur astronomers: Genichi Araki in Japan and George Alcock in England. (Alcock was a very well-known amateur astronomer who had discovered four comets from the late 1950s through mid-1960s as well as several novae after that, and at the time of his discovery of this comet was searching for novae with binoculars from indoors through a closed window!) Visual observations at the time indicated that the comet was as bright as 6th magnitude and exhibited a large coma 15 to 20 arcminutes in diameter.

Orbital calculations soon indicated that Comet IRAS-Araki-Alcock was rapidly approaching Earth, and would pass just 0.031 AU from Earth on May 11 the closest confirmed cometary approach to Earth in over two centuries. It brightened rapidly as it approached Earth, and a couple of days before its closest approach it was as bright as 3rd magnitude with a coma approximately one degree in diameter; it never exhibited much in the way of a tail.

On the night of closest approach, May 10-11, the comet was as bright as 2nd magnitude with a coma between 2 and 3 degrees across. At the beginning of the night in was located a few degrees west of the bowl of the Big Dipper, and was moving towards the southwest at two degrees per hour. To the unaided eye it appeared as a diffuse cloud, but telescopically it exhibited a number of fanlike features, streamers, and pillar-like structures throughout the inner coma. The sight of the comets central condensation traveling against the background stars in real time remains among the most dramatic sights I have seen in all my years of comet observing.

During its passage by Earth the Arecibo radio telescope in Puerto Rico and the Deep Space Networks tracking antenna in Goldstone, California both successfully detected the comets nucleus via radar the first radar detections of a long-period comet with the data indicating that the nucleus is a non-spherical object some five to eight km in diameter, and accompanied by a dense swarm of particles (centimeter-sized and larger) out to a distance of approximately 800 km or more. The International Ultraviolet Explorer (IUE) satellite detected the presence of diatomic sulfur (S2) in the inner coma; since this molecule can only be formed and maintained in very cold conditions, this tells us much about the environments within which comets are formed.

Following its passage by Earth Comet IRAS-Araki-Alcock rapidly headed southward and within a couple of days was accessible only from the southern hemisphere. After maintaining its brightness for another day or so it faded rapidly, dropping below naked-eye visibility during the third week of May and to 7th magnitude by the end of the month. It was followed visually until mid-July, and the final observations were obtained in early October.

Comet IRAS-Araki-Alcocks approach to Earth was the closest confirmed cometary approach during the entire 20th Century, and at this writing is the fifth-closest confirmed approach in all of recorded history. Close cometary approaches to Earth, both past and future, are discussed in this weeks Special Topics presentation.

By a most remarkable coincidence, the comet that accounted for the 20th Centurys fourth-closest confirmed approach to Earth was discovered while all the excitement was taking place with Comet IRAS-Araki-Alcock. Comet Sugano-SaigusaFujikawa 1983e was independently discovered by three Japanese amateur astronomers on May 8, having already passed through perihelion on May 1 at a heliocentric distance of 0.471 AU. This newer comet was apparently much smaller than its predecessor, with radar bounce observations indicating that its nucleus was no more than a few hundred meters in diameter, and while it did reach 6th magnitude at the time of its closest approach of 0.063 AU on June 12 it appeared as little more than a vague diffuse cloud one degree in diameter. It faded rapidly after that and disappeared from view within a week.

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Comet of the Week: IRAS-Araki-Alcock 1983d - RocketSTEM

Halifax County High School baseball seniors reflect on what it meant to wear the Comets jersey – YourGV.com

Halifax County High School baseball is known throughout Virginia as being a perennial contender for the state championship.

Teams near and far know the reputation that Halifax baseball has and for those that grow up in Halifax, playing for the varsity baseball team means more than many realize.

The seniors on this years team will not get to play their final season on the diamond, but for most being a part of the team in the first place was something they have dreamed about since they were young.

My dad took me to the high school games when I was in elementary school, and I would watch them and they were the best players ever and then to be able to come up and make the team was the most exciting thing ever, Luke Fulcher said.

Christian Worley, who will be continuing his baseball career at Virginia Tech next year recalls sitting at those games as a kid and dreaming of one day being a part of the team. We would all go to the high school games as kids and look up to the older players, and we would just be sitting there watching the game and thinking this is where I want to be one day and who I want to be, Worley said. Getting to start and play was amazing and looking back when I was younger seeing that I made it, he added.

Jackson Dunavant grew up wanting to be like those players on the high school team as well, and he said that they look up to those players and try their best so that they can be a part of it.

Baseball in Halifax County has been special for many decades, and many of the seniors on this years team had fathers and other family members who also played for the Comets when they were growing up, and being able to follow in those footsteps meant a lot to them.

One of those players is Blake Duffer. It meant a lot to me because my dad did it, and it was a bucket list item to have the Halifax jersey on, he said.

To be able to go out and play and have that blue and white jersey on that says Halifax, I was always really proud of that, Dylan Newton said.

Shabazz Buster didnt start playing baseball until middle school, but he knows the pride that being a part of Halifax baseball brings. Buster didnt think he would ever be able to be a part of the team, and once he made it on the team it was a big blessing.

Head coach Kenneth Day was ready for the season to begin and looking forward to the challenges ahead. This season will definitely be missed, Day said. I was looking forward to having a great season with this group of kids, and we were definitely looking forward to a very tough schedule and competing against some top schools, he added.

The seniors on this years team echoed coach Days thoughts on the upcoming season. While the Comets lost a lot of production on last years team due to graduation, the members of this years team were optimistic about their chances to continue the dominance that teams the last few years have had.

Worley thought that this years team had just as good of a shot as last years team to go back to the state tournament. He praised the teams chemistry and felt that they could have pulled it together and had a good run at it.

This team was great and could have done something special, Thomas Lee said.

All the guys and especially the seniors had real high expectations, and I felt like we had a good chance of going far again, Newton said.

Duffer wasnt sure what to expect from this years team coming into the season, but said once they started practicing together that everyone developed well quickly, and he thought they were going to have a chance to do something special this season.

Dunavant wanted the chance to keep the successes of Comets baseball going as his class finished their high school careers. We have been going to states and been successful for the last three of four years, and we wanted to keep it going, he said.

While they will never know how those expectations would have played out one thing is for sure, missing the chance to play their senior season is hard on them.

I couldnt get my senior year in baseball and that is what you look forward to, Jared Dawson said. It is really heartbreaking, I was really looking forward to playing my last year and going out there on senior night, he added.

You play so long and worked up to your senior year, and it got taken away from us, Fulcher said. Fulcher went on to say that for those that are going to play baseball in college, losing the season may not hurt as much, but he will probably not be able to play baseball ever again. This year also meant a lot to him because he was going to be a starter after spending last year behind several good players, and this was his season to showcase his skills.

Senior year got ripped away from us, Worley said. Lee added that it was a bad feeling and tough to swallow that his senior year of baseball would not happen.

As the Virginia High School League announced late last week that the spring sports season was officially canceled, coach Day is hoping to have a camp or a showcase for his players this summer if they are able to, and Dawson echoed what every senior on this years Halifax baseball feels, I would love to play a game with my team one last time.

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Halifax County High School baseball seniors reflect on what it meant to wear the Comets jersey - YourGV.com

AHL, Utica Comets 2019-20 season hangs in the balance – Utica Observer Dispatch

The last time the Utica Comets were on the ice together as a team was nearly two months ago.

Since then, the American Hockey League has been on hold since mid-March because of the coronavirus pandemic. It is possible the players and coaches will not return to the ice to finish the 2019-20 season.

The AHL is set for a conference call with the board of governors Friday with a decision to be discussed on what to do regarding the remainder of the season.

From a logistical standpoint, it appears to be hard for the league to finish the season. AHL President and CEO Dave Andrews said on SiriusXM NHL radio in April that the league was planning to "pivot more directly towards the 2020-21 season." That season could have a later start than the usual October dates depending on what plays out with the pandemic.

As the president of one of the AHLs small-market teams, Esche said Thursday he believes the call will be "enlightening."

"Most likely it will be talked about from every different side," said Esche, whose team had 15 regular-season games remaining at the leagues pause. "I dont think it is as simple as canceling the season or not canceling the season. I think there are a lot of variables that go into that. I think we have to look at theres a lot of different ownership groups, in the AHL especially. Some people are impacted differently than others. I think the good thing about Utica is we have the ability to adjust to whatever is thrown at us. It is going to be difficult no matter how we cut that."

Esche, the former NHL goaltender, said as an athlete he wants to see the season decided with a winner. However, he understands that ability this season "seems difficult to do at this stage."

Building availability or lack thereof with those closed during the pandemic is among the factors. While the NHL is discussing playing games in a few arenas, thats not an option in the AHL. Playing games without fans also isnt likely as AHL teams earn most revenue from ticket sales.

Esche said Andrews has reached out to him "several times in the last couple of weeks to get Uticas take" on the situation. Esche said he "nothing but respect" for Andrews, who is set to retire from his position this summer with the AHL after 26 years.

"The great thing that Dave Andrews has done is he allows a great forum for people to say their opinions and to get things on the table," said Esche, who described Andrews as an unbelievable leader. "Hes definitely a guy that has ruled through some turbulent times. ...

"At the end of the day theres a lot that goes into this. We want to make sure everyone is healthy and there also has to be some point where you move and you settle on for whats next down the line."

Contact reporter Ben Birnell at 315-792-5032 or follow him on Twitter (@OD_Birnell).

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AHL, Utica Comets 2019-20 season hangs in the balance - Utica Observer Dispatch