‘People are willing to play Russian roulette with their familys lives’: Doctor slams behavior in US – FOX 2 Detroit

Everyone needs to wear a mask, emergency doctor says

Dr. Hilary Fairbrother, an emergency medicine physician in Texas, discusses the importance of mask-wearing amid the pandemic.

TUCSON, Ariz. - As coronavirus cases continue to climb in dozens of U.S. states, an emergency medicine doctor in Arizona described the devastating situation in hospitals and the dire toll the pandemic has taken on health care workers, who are being stretched to their limits.

We intubated a 26-year-old this last week. We had three members of one family in an ICU. Its devastating. It feels like people are willing to play Russian roulette with their familys lives, said Dr. Brad Dreifuss, an emergency physician and public health specialist in Tucson, Arizona.

The country began the month of July with cases climbing in 40 states and reported its three highest daily case totals since the pandemic began in the spring, according to data compiled by the New York Times.

The surge in new cases, including in states like Arizona, Florida, Texas and California, has been blamed in part on Americans not wearing masks or obeying other social-distancing rules. The rising cases has prompted some governors to halt the reopening of businesses or to order others to re-close.

People, some with a mask and others without, walk along the Venice Boardwalk on July 5, 2020 in Venice, California. (Genaro Molina / Los Angeles Times via Getty Images)

We have interventions that reduce spread from one person to another, like masking and physical distancing. I dont understand why people risk infecting their loved ones with a potentially deadly disease, a disease we know has long-term health effects for those who survive it, Dreifuss said, adding that even asymptomatic people can suffer from reduced lung function.

RELATED: Today is day 93: People report experiencing COVID-19 symptoms that last for months

On Monday, Dreifuss state of Arizona crossed an alarming milestone in the pandemic, becoming the eighth state to surpass more than 100,000 cases. State health officials said more than half of the reported COVID-19 cases are in people younger than 44.

Additionally, officials said last week that 89% of Arizonas ICU beds were full.

We have had patients backed up into the Emergency Department, waiting for a bed to open in the ICU, but all the beds were full or there wasnt enough staff available to care for the patients, Dreifuss said, who works as the director of rural and global emergency medicine programs at the University of Arizona College of Medicine.

Efforts are being made to open overflow units and add additional bed capacity, but even if we add spaces to put sick people, our staff is still stretched thin, he added.

RELATED: Mexican state eyes closing US border as COVID-19 cases rise in Arizona

Dreifuss has been living apart from his wife and daughter for months to prevent infecting them. He recently penned a poignant op-ed for the New York Times describing how close health care workers are to breaking amid staffing shortages that have plagued the industry years before the novel coronavirus.

Dreifuss said further movement toward a corporate, for-profit health care model over the past two decades in the U.S. has resulted in a lack of preparedness in the face of COVID-19.

Staffing decisions have been made with an eye to maximizing a profit margin by minimizing the size of the health care workforce. As a result, we have a health care workforce that is already strained, working at unsustainable levels of intensity with limited staffing resources in the name of productivity. Add COVID-19 to that situation and you have a recipe for disaster, he said.

The strain on front-line workers led to the formation of a Tucson-based program called HCW Hosted, spearheaded by Dreifuss and other health care professionals. The coalition aims to help health care workers find suitable housing to isolate from their families and provide emotional support, among other initiatives.

We have a Veterans Affairs department at the highest levels of government to support our military and military families, Dreifuss said. Why should healthcare workers and their families be left unsupported when they risk their lives and health in the battle against a pandemic disease, like COVID-19?

RELATED: CoronavirusNOW.com, FOX launches national hub for COVID-19 news and updates

On the heels of the Fourth of July, Dreifuss said the country needs to unify around the patriotic project of decreasing the spread of COVID-19 calling protective measures such as wearing a mask and keeping physical distance patriotic acts.

Dreifuss is also among a number of public health officials calling for a more effective strategy as a nation to test, contact trace and quarantine.

In countries around the world where mask-wearing is seen as patriotic, they arent seeing the same kind of economic and human toll that we are in the United States, Dreifuss said. Frankly, by resisting masks and physical distancing, we are weakening America.

RELATED: 'Everyone needs to wear a mask': Doctors issue urgent plea to Americans as COVID-19 cases surge

This story was reported from Cincinnati.

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'People are willing to play Russian roulette with their familys lives': Doctor slams behavior in US - FOX 2 Detroit

Four casino innovations that failed to hit the jackpot – European Gaming Industry News

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More than ever, casino players are spoilt for choice when it comes to the amount of games available to play, whether it be online or at a land-based casino.

Multiple versions and variations of blackjack, roulette, video poker, and poker exist, while there are literally hundreds of slot games.

However, attempts to broaden casino horizons have not always gone to plan. History is filled with many games, and twists on existing games, that fell wide of the mark.

Here we look at four innovations that had ambitions of becoming the next big thing but ultimately failed to hit the jackpot.

In theory, webcam poker should have been a roaring success. Online poker had become a behemoth of a game, attracting casual and professional players alike.

Its one major difference compared to live table poker is that players hidden behind screens have been unable to pick up on the physical tells and bluffs of their opponents, thus helping to forge a strategy based on the actions of fellow players.

In 2011, 888 Poker thought they had solved that problem with the launch of Pokercam tables. Players would compete at an online table and make themselves visible through a webcam while being able to see their opponents at the same time.

In practice, though, most players decided against using their webcams in order not to give anything away. A typical webcam poker game might see one or two players turn on their webcams while the other six or seven players refused to.

After failing to take off, 888 Poker removed webcam poker from their services a few years later, citing technical difficulties.

The charm of poker is that it combines skill with luck. While players have no control over the cards they are dealt, they can dictate what they do with those cards. The players who are best at bending the luck in their favour are of course professional multimillionaires!

When Duplicate Poker came along in the 1990s, its aim was to all but eliminate the luck factor of poker.

The game sees players situated on two or more tables with an equal number of players at each. All tables are then dealt the same cards in the same sequence, so Player A on the first table will get the same cards as Player A on the second table.

The primary aim of the game is to then be more successful than the player on the other tables with the same cards. Whomever plays the best hand, wins.

The big problem with Duplicate Poker is that is relies almost entirely on decision-making and removes the luck factor altogether. It also ran into trouble as a table game in casinos due to the fact that multiple tables needed to be dedicated to the same game.

DuplicatePoker.com attempted to break into the online casino market, but struggled to capture the audience there, too, and in October 2008 it closed down, blaming the global financial crisis.

The introduction of live dealer games has, by and large, been a major success for online gaming companies. Players can now play at virtual roulette, poker, and blackjack tables with a live dealer, helping to replicate the experience of being at a land-based casino.

Many live dealer games also allow players to interact with fellow players and the dealers through a chat service, bringing more interaction to the game.

However, while live dealers are a necessity for games where dealers are actually required to deal cards and spin the wheel, a foray into live dealer slot games fell flat.

The only discernable difference between regular betting slots and live dealer slots was that the latter featured wheels instead of traditional reels. Beyond that, players were paying more for a dealer to spin the wheel and offer the occasional chat conversation.

Unsurprisingly, live dealer slot games never caught on.

Virtual Reality headsets have been readily available for the past six or seven years and first tried to crack the online gambling sector around 2015.

The VR features from SlotMillions, who designed an entire VR gambling experience, were no doubt impressive. Housed inside a virtual skyscraper, players had access to a full casino, slot games, a lounge, bar, and could even venture up to the 80th floor and enjoy the view.

Two years later, in 2017, NetEnt joined the VR movement by launching re-releases of popular slots games that allowed players a first-person view when wearing a headset.

While VR has long been tipped as a key technology for the future of casino gaming, it has so far failed to truly go mainstream.

The rise of mobile gaming is down to the fact people can play anywhere and everywhere. No one is interested in strapping on a headset to play a quick game of blackjack while taking the bus to work.

While it might be jumping the gun to call VR gambling an outright failure, it has so far fallen short of disruptive expectations it was expected to have.

Here you have 4 casino innovations that didnt really make the cut. If you want to make sure you wont fail when gambling on any online casino check out the best betting tips for beginners here: https://extra.betamerica.com/casino/

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Four casino innovations that failed to hit the jackpot - European Gaming Industry News

Letter: Take a spin at playing the Trump Roulette game – STLtoday.com

President Donald Trump smiles moments before putting his signature on a plaque commemorating the completion of 200 miles of the border wall Tuesday, June 23, 2020 outside of San Luis, Ariz. (Randy Hoeft/Yuma Sun via AP)

Regarding Missouri coronavirus cases continue steady climb (June 27): If you find reading the newspaper or watching the evening news depressing these days, you might try a round of Trump Roulette to add a touch of excitement. Heres how the game is played: Before reading the paper or watching the news, all players pick one of President Donald Trumps current blunders or scandals to be the lead story and then see who picks correctly. Its usually quite competitive with multiple candidates.

The leading contenders this week are the administrations continued mismanagement of the pandemic, the sympathy with white supremacy, and the lack of transparency over the Afghanistan bounty issue. Or, you can take a long shot on a ringer. Has anyone heard from John Bolton lately? The denial of climate change?

The game works with any national newscast other than Fox. You can also use any reputable newspaper, National Public Radio, or even the monologues of late-night comedians. You could play it with Fox national news, but the leading candidate will always be a story about how our Dear Leader is protecting his supporters from anybody who looks or acts a bit different from them.

I encourage those viewers to try this game with another outlet occasionally, at least before November.

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Letter: Take a spin at playing the Trump Roulette game - STLtoday.com

Evolution Gaming Strengthening Its Position in Colombia via Extended Business Partnership with Rush Street – GamblersNews

One of the major live dealer casino games providers in the industry, Evolution Gaming has just announced that it will enrich its already existing business partnership deal that it has with Rush Street Interactive. According to the terms and conditions of the companys extended business deal, Evolution Gaming will debut its six iconic First Person titles on the RushBet.co domain for the thriving Colombian online casino gaming market.

Needless to say, this enriched partnership deal with Rush Street Interactive will also help Evolution Gaming strengthen its position and enrich its player base in Colombia. One of the latest companys official press releases shared more details about the extended business partnership. It was revealed that the six First Person titles to appear on RushBet.co include First Person Blackjack, Lightning Roulette, Roulette, Mega Ball, Baccarat, and Dream Catcher.

Evolution Gaming specializes in the development and distribution of excellent, exciting live dealer casino games since 2006 when the company emerged on the iGaming stage. Today, Evolution Gaming is also one of the leading B2B providers of video-streamed live dealer casino gaming solutions which is one hundred percent committed to delivering only the highest quality user experience. Besides, Evolution Gaming also focuses on delivering only highly innovative products that are today available across a number of fully regulated online casino gaming markets.

Over the years, the companys impeccable gaming library packed with live dealer casino games has grown at a rapid pace to include hundreds of excellent titles. Some of the companys most popular, most widely played releases include Live Roulette, Live Blackjack, Live Baccarat, Live Casino Holdem, and Live Three Card Poker releases while its First Person titles are no less popular.

Those First Person titles which will appear on RushBet.co is First Person Roulette which is an innovative Random Number Generator-powered release like no other. Here, all of the standard bets are available as part of a rather modern, sophisticated 3D graphics-powered environment which just adds more entertainment to every gaming session.

The companys First Person Lightning Roulette release is no less impressive as it delivers electrifying excitement alongside super generous payouts. Another First Person title by Evolution Gaming to make its appearance on RushBet.co is the companys First Person Blackjack that features a superior, beautifully 3D animated gaming environment alongside a user-friendly interface. All of the standard Blackjack bets are offered alongside 21 + 3 and Perfect Pairs bets.

Registered RushBet.co players will also be able to enjoy First Person Mega Ball and Dream Catcher titles that come packed with awesome prize multipliers, 3D animated environments, and other perks. The sixth First Person title to appear on RushBet.co is First Person Baccarat that offers every single player a VIP experience alongside an easy-to-use, highly user-friendly interface and generous payouts.

Evolution Gaming has partnered with Rush Street Interactive back in 2018 after launching its Tenth Live Casino Studio for PlaySugarHouse.com licensed in New Jersey. The deal has been going strong for almost two years and it will doubtlessly persist especially since the two companies have signed another business deal. Commenting on the news, Evolution Gamings CEO Sebastian Johannisson said that his company is delighted to be thriving with Rush Street Interactive by its side which is at the edge of the iGaming industrys innovation.

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Evolution Gaming Strengthening Its Position in Colombia via Extended Business Partnership with Rush Street - GamblersNews

Ohios gambling sites may have had to reduce occupancy but that wasnt reflected in June revenues – News 5 Cleveland

CLEVELAND Ohio saw something Tuesday it hasnt seen in three months, revenue figures from the states casinos and racinos. And yes, the $76.6 million Ohio's combined they generated in June may seem small compared to the $161.4 million figure they put up for the same month last year, but when you compare it to the figures for April and May ($0) they look pretty good.

After being ordered to shut down March 14 because of the pandemic the state's gambling sites were given the green light to reopen June 19 at no more than 50% of capacity and with social distancing procedures in place.

"We're running on a capacity limitation, Jack Entertainment COO Chad Barnhill said at the reopening last month. Three people per Black Jack table, four people for roulette, six people three on each end in craps, the slot machines have every other slot machines turned off."

But lest you think those restrictions hurt the casinos, for example, they didn't because the revenue figures also show that when you break the numbers down daily the casinos and racinos brought in collectively $5.38 million a day last June compared to $6.97 million a day this year.

Among the local properties, Clevelands Jack Casino had winnings of $6.6 million after all bets were paid in June compared to $17.5 million the same month last year. MGM Racino in Northfield had June revenues of $8.4 million and Jack Thistledown brought in $6.7 million.

Racino proceeds benefit education through the Ohio lottery while Casino winnings after bets are paid are taxed at a rate of 33% with those funds going to Ohio counties, education, and host cities.

So even at a reduced figure, that's $11.2 million in casino taxes that weren't there in April or May.

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Ohios gambling sites may have had to reduce occupancy but that wasnt reflected in June revenues - News 5 Cleveland

MGM Springfield gives sneak peek at COVID-19 protections ahead of July 13 reopening – MassLive.com

SPRINGFIELD City officials including Mayor Domenic J. Sarno were provided a tour of MGM Springfield this week to view coronavirus protections ahead of the casinos July 13 reopening.

City officials said Tuesday the safety measures were comprehensive.

MGM has taken extraordinary measures to comply with the Governors guidance around COVID-19, said Helen Caulton-Harris, the citys commissioner of public health. I felt good about how MGM has put the effort in ensuring those guests who decide to go to MGM will be safe.

She also praised safety guidelines in place for employees.

Sarno, along with key members of his administration, joined with MGM Springfield President and Chief Operations Officer Chris Kelley and other MGM officials for the tour.

Like with all our businesses whether large or small, well continue to work with them to get them back on their feet to succeed in this new temporary normalcy, Sarno said.

MGM Springfield will partly open under numerous restrictions on Monday, as authorized by the Massachusetts Gaming Commission and governor.

The various precautionary and public health and safety changes include:

MGM Springfield is following MGM Resorts Internationals comprehensive Seven-Point Safety Plan, which was developed in conjunction with an epidemiologist and other health experts, officials said.

As stipulated by the Gaming Commission, MGM must adhere to a substantially reduced capacity during the initial phase of reopening, among other restrictions.

To promote physical distancing, slot machines will be disabled to accommodate six feet between players. Poker, roulette and craps will not be available in this first phase of reopening per state guidelines.

Initially, dining options will be limited to the Tap Sports Bar, South End Market and Costas pizza counter. Guests will use mobile devices to check menus.

Beverage service will be available connection with seated dining and to those actively playing on the gaming floor. To promote mask wearing, guests are not allowed to move around the casino floor with a drink.

Complimentary self-parking will be available for guests, but valet parking will not be operational.

MGM Springfields hotel and spa will remain closed until a future date.

Sarno praised MGM officials for presenting such a comprehensive reopening plan that focused on not only getting people back to work but just as important following and prioritizing all of the public health and safety guidelines to assure there is strong consumer confidence and that the facility is reopening responsibly.

In addition to Sarno and Caulton-Harris, city officials taking part in the tour were Chief Development Officer Tim Sheehan, Solicitor Attorney Ed Pikula, Chief Administrative and Financial Officer Timothy J. Plante, Chief of Staff Tom Ashe and Communications Director William Baker.

MGM Springfield officials included Vice President and General Counsel Seth Stratton, Vice President of Facilities Jason Rosewell, Vice President of Human Resources Marikate Murren, Vice President of Hospitality Abe Berry, Director of Government Affairs Jose Delgado and Director of Compliance Daniel Miller.

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MGM Springfield gives sneak peek at COVID-19 protections ahead of July 13 reopening - MassLive.com

Here’s who has the best odds of winning the Stanley Cup in 2020 | Offside – Daily Hive

Roulettesites.org is a one-stop place for everything related to roulette. From recommendations for reliable roulette sites to various strategies on how to play the different games variations. The site also provides a list of safe and secure online casinos with an extensive selection of roulette games.

Does being a hub city matter?

Some oddsmakers seem to think so.

While Stanley Cup odds vary depending who is setting them, there are some bookies listing both the Toronto Maple Leafs and Edmonton Oilers near the top of the odds lists.

Toronto and Edmonton are reportedly going to be the NHLs two hub cities, with games being played at Scotiabank Arena and Rogers Place until the second round of the playoffs. From there, its likely that Edmonton will host the Conference Finals and the Stanley Cup Final too.

Will it matter where the games are played? There will be no fans in attendance, no travel for the road teams, and even the hosts will have to stay in a hotel.

And yet, both the Oilers and Leafs saw an improvement in their odds of winning it all. The Leafs in particular shot way up in the last month according to the average odds from online sportsbooks, compiled by Sports Betting Dime.

On June 2, when Toronto was a long shot to be named a hub city, the Leafs were at +2500. One month later, theyre listed at +1800. Edmonton was a hub city contender throughout, but still saw their odds improve from +2500 to +2200.

Oddsmakers atSports Interactionsappear to believe it will play a factor. The Oilers have the fifth-best odds of winning the Stanley Cup, ahead of the St. Louis Blues, Washington Capitals, Philadelphia Flyers, and Dallas Stars four teams that are getting a bye to the first round of the playoffs.

Like the Oilers, the Maple Leafs will need to win a qualifying round series just to get into the final 16, yet theyre favoured ahead of the Flyers and Stars as well.

No other qualifying round teams other than Edmonton and Toronto have stronger odds than a team with a bye.

Four other Canadian teams are in the mix of course, with the Vancouver Canucks given the 12th-best odds, followed by the Calgary Flames (13th), Winnipeg Jets (16th), and Montreal Canadiens (23rd).

The Tampa Bay Lightning (+500), Boston Bruins (+550), Vegas Golden Knights (+625), and Colorado Avalanche (+725) are currently the top favourites to win the Cup.

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Here's who has the best odds of winning the Stanley Cup in 2020 | Offside - Daily Hive

Betzest Expands Offerings With Evolution Partnership – Inkedin

A highly sought after sportsbook and online casino whose reputation has grown in recent years, Betzest is expanding its offer this month by signing a new partnership with Evolution Gaming the leading provider of live dealer games in the industry.

This content arrangement will provide an opportunity for regular visitors and sportsbook members to instantly access a full range of mainstream and VIP live casino games such as roulette , blackjack, and baccarat, as well as progressive jackpots, poker variants, and money-wheel games.

Despite its launch in 2018, Betzest continues to rapidly increase the proportion of its operations by adding new content to the platform throughout May and June, including payment solutions such as CashtoCode, PurplePay, Interac and Boleto.

The launch of a virtual reality league by SportRadar in April, a live deal with Pragmatic Play and a new gaming content partnership with Iron Dog Studio have also helped the ramping up of user engagement and excitement on the site. According to the founder and chief marketing officer Marius Filip, the company is now ready to announce new collaborative projects for the upcoming period, expanding the size of its lobby further.

Commenting on the latest partnership and recent acquisition of a new gaming permit Filip said:

After the launch of MGA license, we are excited to conclude another partnership with leading Live casino provider Evolution Gaming.

We are always looking to improve the Betzest product for our players and we trust that their highly innovative and entertaining games will play an important part in making Betzest this years leading Live casino operator.

A big thank you to our Betzest team for this great accomplishment and to Evolution Gaming team for their continuous support during the process. Weve had an exceptionally fruitful 2020 already, with a remarkable collection of world-class casino providers and payment methods on the way, Im certain the best is yet to come.

The latest agreement with Evolution Gaming will diversify the multifaceted gaming platform of the opeator, mainly owing to its unique products from the vertical live dealers. The studio has redefined entertainment by creating innovative and exciting games, and established itself as a world-class supplier, attracting more players than ever before.

Its portfolio consists of game shows such as Monopoly Live, Lightning Roulette, Deal or No Deal, Mega Ball and Crazy Time, while classic casino games and first-person games offer authentic and immersive gaming experience on a whole new level.

Betzest is also upping the game by allowing its customers to take advantage of many exclusive VIP members offerings and casino campaigns including extra spins, giveaways and surprise gifts. Aside from the operator s latest deal with Evolution Gaming, users will also be able to engage in BetRadar powered top-notch sportsbook experience as well as Big Time Gaming casino solutions and other premium aggregators.

Esports and virtual leagues are also on hand, enabling passionate customers to choose at the peak of the season monthly from more than 15,000 live sports events.

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Betzest Expands Offerings With Evolution Partnership - Inkedin

Watch: Wild Highlights of the NASCAR Races at Indianapolis Motor Speedway – Essentially Sports

Last week, fans witnessed some crazy on track moments in the NASCAR Cup and Xfinity races at the legendary Indianapolis Motor Speedway. The weekend was full of wheel to wheel racing and some crazy incidents.

The video includes all the major events of the races like the crashes from both the races, Briscoes first Indy win, Dennys incident, and Harvicks victory.

NASCAR posts a video of the major highlights of the race on Twitter. They wrote, One track. Two courses. Take a look back at a wild @IMS weekend in 32 seconds.

Read More: Watch: Kevin Harvick Climbs the Indianapolis Fences as Stewart-Haas Racing Leads the Cup Table

The video features highlights from the Xfinitys first outing of the newly formed IMS road course. Indiana local Chase won the race and had a very emotional celebration. He climbed the fences and kissed the bricks just like his racing hero and team owner Tony Stewart.

After that, the video features the unfortunate incident which took the Brickyard victory away from Hamlins grasp. A tire failure ended his run with just a few laps to go. Before the incident, Denny was pushing hard to keep his lead and the high downforce track took a heavy toll on his tires. He himself admitted in an interview with NASCARs website. He said that he was pushing the tires hard and it was a gamble which turned against him.

Hamlin said, Its kind of roulette if youre going to get one that will stay together or not and mine didnt. You saw the end result.

Additionally, Stewart-Haas racing had a memorable week as the team won both the Xfinity and Cup race with Briscoe and Harvick. Both the drivers paid tribute to the legendary team owner Tony Stewart and climbed the fences of the prestigious track.

Read More: NASCAR-IndyCar Doubleheader at Indianapolis Achieves Top Viewership Ratings

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Watch: Wild Highlights of the NASCAR Races at Indianapolis Motor Speedway - Essentially Sports

Top Gaming Industries On the Rise in India in 2020 – Oracle Globe

While India is rapidly establishing itself as a well-known global leader in a number of industries, such as energy, manufacturing, and pharmaceuticals, comparatively little attention has been paid to Indias burgeoning gaming industry.

Gaming revenue in India is expected to reach almost $1.7 billion in 2020, making India one of the most significant consumer markets for games in the world. There are an estimated 300 million gamers across the country, a number that is only surpassed by neighboring China.

In addition to being a major consumer market for video games of all stripes, India is also shaping up to be a major producer of gaming content for global audiences. Lets take a closer look at the main drivers behind Indias rise as a gaming superpower in 2020.

Source: Pixabay

When it comes to the global $79 billion mobile gaming market, India is a clear market leader. One of the top five countries for mobile gaming in the world in terms of market share, there are an estimated 628 million Indians who regularly play mobile games according to Forbes.

Such figures are less surprising when you consider the fact that India has one of the highest numbers of mobile users in the world, at around 482 million. Among the most popular mobile games in India right now are mobile eSports giants such as PUBG Mobile and Garena Free Fire, the latter of which is currently the top-grossing game of all time on the Indian Google Play store.

Meanwhile, homegrown mobile gaming companies are teaming up with global juggernauts to greatly expand their reach in the Indian marketplace. The Dehli-based game developer WinZO, for example, recently teamed up with Tencent to provide PUBG Mobile tournaments across the country in 10 different regional languages.

Owing to its young population and very high levels of internet penetration, online gaming in India is one of the biggest markets in the world, taking many forms. One example is the world of competitive eSports, where Indian teams have been winning the top prizes at major tournaments such as Dota 2 and the Asian Games.

Meanwhile, India has made a splash by introducing its own, highly-successful eSports events, such as ESL One Mumbai and the Dehli Dreamhack. Another major component of Indias online gaming sector is casino games, where Indian players can play slots, roulette, blackjack, and more for real money.

The success of online casinos in India is evidenced by the fact that major global operators, such as RoyalPanda, offer dozens of some of the most popular real-money roulette games to Indian players. By some measures, the Indian online gambling market is already estimated to be worth 62 billion rupees.

Source: Pixabay

The size of the traditional console gaming market in India may not be as impressive as the mobile market just yet, but it is growing fast. Admittedly, console gaming remains prohibitively expensive for most Indian consumers, and PC penetration is one of the lowest in the region. This helps to explain why mobile gaming makes up around 85% of the overall gaming market in India.

However, this is not the full story. As recently explained in The Telegraph, India represents the next frontier for console gaming, owing to the huge levels of enthusiasm for the medium among Indias young adult population.

A substantial chunk of viewers of console gaming on streaming platforms such as Twitch comes from India, which has developers such as Microsoft and Sony convinced that, with the rollout of cloud gaming which does not require a console, the Indian gaming market will be opened up like never before.

In addition, there are a number of fast-growing Indian console developers that are striving to make a splash overseas, with the award-winning indie studio Tentworks Interactive being just one well-known example. You will be hearing a lot more from Indias console gaming industry in the coming years.

Anyone who is invested in the video gaming industry simply cannot afford to ignore India. In the coming years, this country of 1.4 billion people will become one of the most influential gaming markets on Earth.

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Top Gaming Industries On the Rise in India in 2020 - Oracle Globe

Brexit fishing battle: Britain and Ireland ‘to clash over ownership of tiny rock’ – Express.co.uk

The latest round of Brexit trade talks between the UK and EU finished a day early this week, with significant differences still remaining between the two sides. A statement from the UK's chief negotiator David Frost confirmed he is still committed to coming to a principle agreement for a future trade deal this month. This round of talks was the first to be held face-to-face since March, which, according to Mr Frost, injected extra depth and flexibility to our discussions".

However, negotiations are still at a standstill in several key areas.

Sticking points between the two sides include the so-called "level-playing field" to ensure businesses on one side don't have an unfair advantage over the other fishing rules and the border between Ireland and Northern Ireland.

As tensions are set to rise in the incoming weeks, unearthed reports shed light on what could be another tortuous Brexit battle.

The Irish border is one prominent area but another is Rockall a rock with a colourful history of claim and counterclaim involving the UK.

Rockall is situated in a remote part of the North Atlantic and is about 160 nautical miles west of the Scottish islands of St. Kilda and 230 nautical miles to the north-west of Donegal.

The uninhabited rock is 25 metres wide and 17 metres high and is actually the remnants of an extinct volcano.

The tiny islet has been the source of an ownership dispute involving the UK, Ireland, Denmark and Iceland.

The dispute has not been so much about the ownership of the rock but the potential for oil and gas reserves in the surrounding seabeds and the lucrative fishing grounds.

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Rockall fishing is reportedly a multi-million-pound industry with a large supply of haddock, monkfish, and squid.

According to a recent report by IrishCentral, last year, Scottish authorities claimed that Rockall was a UK territory and attempted to prevent Irish fishermen from coming within the 12-mile international limit.

The Irish government, on the other hand, contended that the island was not subject to an international boundary as it was simply a large, uninhabitable rock in the middle of the ocean.

Irish claims are backed up by the UN Convention on the Law of the Sea (Unclos) 1982.

The law states that rocks which cannot sustain human habitation or economic life of their own shall have no exclusive economic zone or continental shelf.

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Consequently, Irish boats have fished in the area for well over 30 years.

The Scottish Government, in turn, claimed that it has never been legal for other nations to fish within 12 miles of the islet.

The UK first claimed ownership of Rockall in 1955, but Ireland, Iceland, and Denmark have long challenged that ownership.

Irish Deputy Prime Minister Simon Coveney took a firm stance on the issue in June last year and said that Ireland had never recognised British claims to the island.

He said: "We have never recognised UK sovereignty over Rockall and accordingly, we have not recognised a territorial sea around it either. We have tried to work positively with the Scottish authorities and to deal with sensitive issues that flow from it in a spirit of kinship and collaboration."

Scotland's Fisheries Minister Fergus Ewing told BBC Scotland at the time: "This is a routine enforcement matter to ensure that illegal activity within the UK's territorial waters, namely within a radius of 12 miles of the islet of Rockall, ceases.

"We have been engaging with the Irish government for a considerable length of time because we would prefer that this matter is resolved by discussion and negotiation amicably, and that remains the case."

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Brexit fishing battle: Britain and Ireland 'to clash over ownership of tiny rock' - Express.co.uk

The All-American Glory of Yacht Rock – National Review

Kenny Loggins performs in Las Vegas, Nev., in 2002. (Ethan Miller/Reuters)Saluting the mellow sound that signals all is right with the world.

They say jazz is Americas musical signature: As Ken Burns wrote, the genius of America is improvisation, our unique experiment a profound intersection of freedom and creativity. . . . Nowhere is this more apparent than in jazz the only art form created by Americans, an enduring and indelible expression of our genius and promise.

Stirring words. Jazz is inventive, vibrant, and complex. Everything about it is great, except the way it sounds. Listening to jazz is like trying to chase down a housefly. Theres a reason why only French tourists pretend to like it. To quote a more honest writer, John OFarrell: Music is a journey. Jazz is getting lost.

Americas truly sublime musical innovation is Yacht Rock. Savor the wit of that oxymoron: How hard can you rock if youre on a yacht? The boat itself rocks like a baby, not like Led Zeppelin. So Yacht Rock is gentle, but it cant be sad. There is no moping on a yacht. If you want to be glum and wear black, get off the boat and go find a jazz club. Not that anyone would ever invite you on their yacht in the first place.

The essence of a Yacht Rock song (my Spotify playlist is here) is that you can picture it being blasted on the deck of a yar and saucy watercraft circa 1981. Girls in cut-off shorts and bikini tops toss their arms in the air and say, Whoo! while the owner and host a guy named Brad or Chad or Gary, who struck it rich with, say, a string of Camaro dealerships and is himself a sort of Camaro in human form high-fives the guests, bites his lower lip, and moves a little off the beat, occasionally interjecting, Awesome, man! Brad or Chad or Gary drinks only the classy beers such as Lowenbrau or Michelob and has a cooler stocked with colorful wine coolers for the girls. Only his one very special lady will be present later when he opens up a perfectly chilled bottle of Aste Spumante. His captains chair is made of rich Corinthian leather.

Yacht Rock isnt what youd call real rock, angry rock, rock with a point or an attitude or a message or even a smirk, because Brad or Chad or Gary is just here to have a good time (and here is on earth). There is no edge to Yacht Rock any more than there is an edge to the round, rolling sea. However, Yacht Rock is not Loser Rock or Wimp Rock. It may be smooth, but it isnt limp. When the Yacht Rock is blasting out of the JVC boom box, the sun is shining, the girls are swaying, the waves are rolling, and all is well. Any song about lost love or thwarted longing or the girl that got away is inadmissible unless it reminds Brad or Chad or Gary about that time he almost met Cheryl Tiegs in Puerto Vallarta, and hell tell you about this incident at length.

The line between Yacht Rock and Wimp Rock is, alas, being eroded daily by the programmers of Sirius XM, whose Yacht Rock station is Channel 105 at the moment, and also available on the app if you happen not to be driving much these days. Siriuss Yacht Rock station is a sort of National Archives of Yacht Rock, one of Americas greatest innovations since the development of the backyard bug zapper. But thanks to some programmers inability to grasp that no one wants to listen to ow-my-broken-heart songs on a yacht, Channel 105 Rock is programmatically almost indistinguishable from Channel 17, the Wimp Rock station dubbed the Bridge. Bridge over whiny waters, that is. The Bridge is nothing but moany-groany lovey-dovey songs by the likes of Air Supply and Bread and America, and I love it inordinately. But Im not playing anything as embarrassingly low-T as Baby Im-a Want You on a yacht, unless I want to invite mutiny.

Yacht Rock has to have a pulse; its got to make you feel like youre scything through the waves while youre enjoying a classy snack like cottage cheese on melba toast. Its got soul, but not real soul, just the blue-eyed kind. You cant play Marvin Gaye on a yacht because Marvin Gaye was a genius. The Eagles are not Yacht Rock: Theyre too great. Same for The Police and The Rolling Stones. (Most Europeans are automatically disqualified anyway; a European on a yacht conjures up an image of a 200-foot monster docking in Nice and skippered by a man named Baron von Ruprecht of Wienerwald. Who can party down in a white dinner jacket while holding a snifter of brandy?)

Yacht Rock is the unchallenging, mood-brightening background music of the ordinary Chad who struck it rich enough to get a starter yacht, albeit not rich enough to compete with Baron von Ruprecht, who had a 200-year head start. America is the land where anyone might get rich enough to own a yacht, and so Yacht Rock is a celebration of America. It makes you lift your foam beer-can insulator to the cerulean skies and bawl out, Meet you all the way or Yah mo B there.

Yacht rock has its own Lennon and McCartney, except they are named Loggins and McDonald. I know what youre going to say, but Ive done the research and it turns out that Kenny Loggins and Michael McDonald are not the same guy. McDonald offered a foretaste of the smooth-it-down Eighties on the Doobie Brothers Takin It to the Streets (1976). This was the first hit single ever sung by McDonald, and was there ever a more adorable track about urban unrest? If you blasted that over loudspeakers in the midst of an actual riot, the looting and smashing would stop immediately, and everyone would beg you to stop ruining the mood. As McDonalds profile was rising, Loggins came by like the guy in the Mr. Microphone commercial: Hey good lookin, Ill be back to pick you up later! Soon the pair were collaborating on What a Fool Believes, (1979), which despite being about a loser is just bouncy enough to qualify as Yacht Rock rather than loser rock. Loggins and McDonald combined again for This Is It (1979), a spectacularly non-specific paean to get-er-done Americanism on the cover of which Loggins is depicted holding what appears to be a magical glowing orb obviously the mystical power cell of Yacht Rock. With Im Alright, the following year, Loggins crafted a tune that was not only the perfect Yacht-Rock track, complete with misspelled title, but inspired the perfect Yacht-Rock conversation: Did anyone see Caddyshack?

The summer of Caddyshack 1980 was Yacht Rocks annus mirabilis. Along came a third natural master of styrofoam wave-coasting: Christopher Cross. Released at the tail end of 1979, his eponymous rookie album became the lodestar of Yacht Rock, containing both of the quintessential examples of the form. Not only did Cross come up with Ride Like the Wind, which actually sounds like the internal soundtrack playing in Brad/Chad/Garys mind as he rips across the water (and features McDonalds epic backup vocal), but at the same time gave us Sailing, a song without which no one ever would have thought up the term Yacht Rock. Sadly, Cross would later become a casualty of Wimp Rock with Arthurs Theme (The Best That You Can Do) and Think of Laura.

Yacht Rocks subtle distinctions sometimes elude even dedicated students of the form. For instance, Fleetwood Macs You Make Lovin Fun (Fun! Lovin!) is Yacht Rock. Fleetwood Macs Go Your Own Way (cutting, bitter) is not. Rockn Me (Steve Miller Band) is Yacht Rock. Rock the Casbah (The Clash) is not; its too good.

References to actually being on a boat definitely add Yacht-Rock cachet, because no one will ever accuse you of being too obvious on a boat; if anything, use of irony on the water will earn you nasty looks and maybe an order to clean out the bottom of the cooler. But Rock the Boat (Hues Corporation) is not Yacht Rock, its disco. Its a dance song. On a yacht, you dont dance, you dance around. Big difference. Dancing requires skill, or at least rhythm. Dancing around you can manage even if youre a Camaro in human form. Cool Change, with its serene lyrics about sailing on the cool and bright clear water, is Yacht-Rock splendor despite being an import, from Australias Little River Band. Australia, though, is the most American of all overseas countries big, confident, friendly, and party-minded. Australia is Americas honorary little brother. Love Will Find A Way is pure yachty bliss, not only because of the gentle, undemanding optimism of the song, not only because of the not-too-fast-buddy tempo, but because the band that performed it was Pablo Cruise. Pablo Cruise! They might as well have called themselves Boaty McBoatface.

Yacht Rock lyrics are not allowed to be profound, equivocal, or thoughtful. Paul Simon and Carole King are not Yacht Rock. Acceptable Yacht-Rock sentiments include:

While you see a chance, take it.

Ride into the danger zone.

Were still havin fun, and youre still the one.

Believe it or not, Im walkin on air!

You make-a-my dreams come true.

And if your yacht hasnt come in yet? Not to worry; all of these songs make the ideal soundtrack for backyard barbecuing, which is basically yacht-rocking on land. The ideal accessories are a badminton set, a Weber grill, a Coleman cooler. Get out the Bluetooth speaker, bring it into the yard, and revel in Americas glorious Yacht-Rock inheritance.

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The All-American Glory of Yacht Rock - National Review

Pride-inspired accessories you can rock all year round – Hindustan Times

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Pride-inspired accessories you can rock all year round - Hindustan Times

‘The Office,’ ’30 Rock’: All the TV shows to pull blackface scenes – Los Angeles Times

Several TV episodes and scenes featuring characters in blackface have been pulled from streaming and syndication in recent weeks as Hollywood confronts its racist past and present.

Last week, Tina Fey made headlines by asking NBC to remove episodes of 30 Rock featuring blackface, and issuing a controversial apology for pain they have caused. Other scripted shows, including Community, The Office, Scrubs and The Golden Girls, have since followed suit in an effort to erase racist tropes and images from their histories.

Late-night TV also has been forced to address blackface scandals after sketches with the hosts of The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel Live performing in blackface resurfaced.

Fallon apologized for making the unquestionably offensive decision to wear blackface while impersonating fellow comedian Chris Rock for a 2000 Saturday Night Live sketch, while Kimmel apologized for appearing in blackface multiple times on The Man Show, which ran from 1999 to 2004, apologized weeks later.

Notably, multiple animated series, including Central Park, Big Mouth and Family Guy, have vowed to recast Black characters originally voiced by white actors.

With viewers increasingly dependent on streaming platforms rather than physical media, the editing and removal of these scenes and episodes leaves little trace of their existence. As such, The Times has compiled a list of streaming TV shows that have recently edited or removed episodes featuring blackface, along with synopses of the racist imagery and stereotypes contained therein.

David Cross, left, and Bob Odenkirk at a screening of their show W/ Bob & David at the Vista Theatre in Los Angeles in 2015.

(Lawrence K. Ho / Los Angeles Times)

On June 15, comedian and actor David Cross announced that Netflix had decided to pull a sketch from his and Bob Odenkirks W/ Bob and David that featured Cross in blackface.

The sketch, titled Know Your Rights (Season 1, Episode 3), saw Cross character, Gilvin Daughtry, give an absurd how-to lesson on maintaining your rights in the face of police harassment. Appearing at first sans blackface, Gilvin interacts with a police officer (Keegan-Michael Key), who stops his car briefly and then lets him pass.

When Cross character rolls up to the checkpoint again in blackface, the same police officer exasperated by Gilvins repeated attempts to provoke him defers to his colleague, who attacks Gilvin with pepper spray and a taser.

Rue McClanahan, left, Estelle Getty, Bea Arthur and Betty White of The Golden Girls.

(ABC Photo Archives / Getty Images)

Hulu removed a 1988 episode of The Golden Girls featuring Blanche (Rue McClanahan) and Rose (Betty White) wearing mud facial masks.

Mixed Blessings (Season 3, Episode 23) saw Dorothys (Bea Arthur) son, Michael (Scott Jacoby), introduce himself to the mother of his fianc, Lorraines (Rosalind Cash), who is concerned about Lorraine marrying a white man.

Unaware of the family meeting, Blanche and Rose stumble into the room in matching brown mud masks. This is mud on our faces, Rose says, explaining their appearance to their guests. Were not really Black.

Yvette Nicole Brown, left, Joel McHale, Gillian Jacobs and Jonathan Banks face Ken Jeong in NBCs Community.

(Justin Lubin / NBC)

Also scrapped was an installment of Community titled Advanced Dungeons & Dragons (Season 2, Episode 14).

Netflix pulled the episode, which saw Ken Jeongs Ben wear a white wig, blackface and body paint while participating in a roleplay game with his classmates. At one point in the game, Pierce (Chevy Chase) refers to Ben as Blackface and Shirley (Yvette Nicole Brown) asks whether the study group is just going to ignore that hate crime?

Steve Carell, left, John Krasinski and Rainn Wilson in The Office.

(Justin Lubin / NBC)

On June 26, The Office creator Greg Daniels confirmed to Variety that a scene from Dwight Christmas (Season 9, Episode 9), featuring a character in blackface, had been edited out.

The scene took place during an office holiday party thrown by Dwight (Rainn Wilson), who dresses up as the Dutch gift-giver Belsnickel and taps his assistant, Nate (Mark Proksch), to accompany him as Zwarte Piet, or Black Peter, a racist character from Dutch folklore.

Prior to edits, Nate was briefly seen walking through the Dunder Mifflin parking lot wearing blackface with red lipstick before immediately turning back at Dwights last-minute request. Dwight calls him off after being scolded by Stanley (Leslie David Baker) when his colleagues learn of Belsnickels racist origins.

Zach Braff in Scrubs.

(Dean Hendler / NBC)

On June 23, Scrubs creator Bill Lawrence confirmed on Twitter that plans to pull blackface episodes were already in the works. Hulu subsequently removed three episodes.

In My Friend the Doctor (Season 3, Episode 8), J.D. (Zach Braff) appeared in blackface during a fantasy sequence in which he imagines himself as his best friend, Turk (Donald Faison), in a romantic situation with Elliot (Sarah Chalke).

In My Jiggly Ball (Season 5, Episode 4), Chalke wore blackface during another fantasy sequence in which J.D. imagines her character as half Turk and half Elliot while playing video games on the couch.

And in My Chopped Liver (Season 5, Episode 17), Turk and J.D. arrived at a fraternity house in white face makeup and blackface, respectively. Are you sure this isnt offensive? J.D. asks, to which Turk replies, Buddy, relax. These are my guys, all right? As long as youre with me, theyre going to find this funny. But when J.D. is met at the door by several Black fraternity members, they arent amused, yanking him inside to beat him up and throw him out.

30 Rock stars Alec Baldwin, left, Tina Fey and Tracy Morgan.

(Mitchell Haaseth / Associated Press )

At executive producers Fey and Robert Carlocks request, four episodes of 30 Rock have been removed from Hulu, Amazon Prime, iTunes, Google Play and syndication.

In Believe in the Stars (Season 3, Episode 2), Jenna (Jane Krakowski) wore blackface while swapping identities with Tracy (Tracy Morgan) in a social experiment to prove who has it hardest in America: women or Black men.

Live Show (Season 5, Episode 2), the East Coast edition of 30 Rocks first live episode, featured a sketch in which guest star Jon Hamm gets a hand transplant from a Black man who was executed. The show also referenced the unfounded racist conspiracy theory that former President Barack Obama was not born in the United States with a fake Fox News ticker that read, Exclusive Interview With Kenyan Liar.

Christmas Attack Zone (Season 5, Episode 10) saw Jenna wear blackface again when attending a costume party dressed as former Pittsburgh Steelers star Lynn Swann. And Live From Studio 6H (Season 6, Episode 19) saw Hamm wear a wig and blackface again alongside Morgan in a parody of the racist radio and TV program Amos n Andy.

Its Always Sunny in Philadelphia stars Rob McElhenney, left, Kaitlin Olson, Charlie Day, Danny DeVito and Glenn Howerton.

(FX)

Hulu and Netflix U.K. have each taken down five episodes of Its Always Sunny in Philadelphia.

In Americas Next Top Paddys Billboard Model Contest (Season 4, Episode 3), aspiring actress Dee (Kaitlin Olson) presented two racist characters, Taiwan Tammy and Martina Martinez, for her fledgling web series. Their offensive portrayals including wigs, prosthetics and fake accents prompt Charlie (Charlie Day) to remark, This is so racist.

Dee Reynolds: Shaping Americas Youth (Season 6, Episode 9) saw Mac (Rob McElhenney) wear blackface while impersonating actor Danny Glover as Murtaugh in Paddys staging of Lethal Weapon 5. Paul Walter Hauser also appeared in blackface while playing a high school character in their version of the movie, while Frank (Danny DeVito) wore a braided wig while portraying a Native American crime boss.

The Gang Recycles Their Trash (Season 8, Episode 2) saw Dee reprise her racist Martina Martinez character in brownface makeup while trying to incite an uprising among Black and Latinx sanitation workers.

The Gang Makes Lethal Weapon 6' (Season 9, Episode 9) saw the pub crew stage a sequel to Lethal Weapon 5, with everyone returning to the same racist costumes plus Dee in full blackface as Murtaughs daughter.

And finally, in Dee Day (Season 14, Episode 3), Frank and Mac dressed as Martina Martinez and Taiwan Tammy, respectively, at Dees request.

British comics Julian Barratt, left, and Noel Fielding star in The Mighty Boosh.

(BBC)

Netflix has cut a scene from the second season of the British series Peep Show, in which Jez (Robert Webb) wore blackface and remarked to his girlfriend, It just feels almost wrong. Are you sure this isnt racist? to which she replied, Were breaking a taboo, of course it feels wrong. Weve got boundaries to smash, Jeremy.

Two other British shows, The Mighty Boosh and The League of Gentlemen, have been removed from Netflix entirely because they both featured Black characters played by white actors.

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'The Office,' '30 Rock': All the TV shows to pull blackface scenes - Los Angeles Times

Color Star Technology Announces the Addition of Renowned Musician Larry Carlton to its Color World Online Education Platform – Yahoo Finance

NEW YORK, July 7, 2020 /PRNewswire/ -- Color Star Technology Co., Ltd. (Nasdaq CM: HHT) (the "Company," "Color Star," "we" or "HHT") is pleased to announce that Color China Entertainment Limited ("Color China"), a wholly-owned subsidiary of Color Star, has just signed a cooperation agreement with a renowned American musician, Larry Carlton. Larry Carlton will take on the role of a Star Teacher on the "Color World" online education platform, created by Color Star.

Larry Carlton, a guitar master in the music industry, was born in Southern California in March 1948. He is a master of American jazz, blues, pop and rock genres on the guitar and has participated in more than 500 music albums, winning the Grammy Award 4 times. Additionally, he is widely acclaimed as one of the most outstanding guitarists in the jazz scene in the second half of the 20th century. In 1981, Larry Carlton won his first Grammy Award for Best Pop Instrumental Performance for his work on "Theme From Hill Street Blues." He then began working with numerous world-class entertainers, including the legendary blues master B.B King, Jazz Rock Super Group Steely Dan, Hollywood's Sammy Davis Jr. and even Michael Jackson. Overall, Larry Carlton's voracious appetite for music has earned him 19 Grammy nominations and 4 Grammy Awards, a Star of the Rock Hall of Fame in Hollywood, the Titan of Tone award and many others, as well as widespread recognition amongst fellow world class entertainers. His influence can be found in a plethora of genres in today's music scene, with jazz, blues, pop and rock all bearing the mark of Larry Carlton.

Color Star CEO, Sean Liu, said that "in the future, we will cooperate with more top artists and producers in Asia, including music, film, television, animation, dance and other industries. We believe that Color World has the potential to bring richer content to our students."

Color Star plans to continue growing its list of Star Teachers, who will bring their various expertise in music, film, sports, animation, television, presentations, dance, art and other entertainment industries to the Color World platform. Color Star believes that these top celebrities and professionals can pass their precious experiences on to pupils on our platform, helping to instill the desire for knowledge in their hearts.

About Color Star Technology Co., Ltd.

Color Star Technology, is a holding company whose primary business is offering both online and offline innovative education services. Its business operations are conducted through its wholly-owned subsidiaries Color China Entertainment Ltd. and CACM Group NY, Inc. The Company also anticipates providing an after-school tutoring program in New York via its joint venture entity Baytao LLC, and providing online music education via a platform branded "Color World."

Forward-Looking Statements

Certain statements made herein are "forward-looking statements" within the meaning of the "safe harbor" provisions of the Private Securities Litigation Reform Act of 1995. Forward-looking statements may be identified by the use of words such as "anticipate", "believe", "expect", "estimate", "plan", "outlook", and "project" and other similar expressions that predict or indicate future events or trends or that are not statements of historical matters. Such forward-looking statements include the business plans, objectives, expectations and intentions of the parties following the completion of the acquisition, and HHT's estimated and future results of operations, business strategies, competitive position, industry environment and potential growth opportunities. These forward-looking statements reflect the current analysis of existing information and are subject to various risks and uncertainties. As a result, caution must be exercised in relying on forward-looking statements. Due to known and unknown risks, our actual results may differ materially from our expectations or projections. All forward-looking statements attributable to the Company or persons acting on its behalf are expressly qualified in their entirety by these factors. Other than as required under the securities laws, the Company does not assume a duty to update these forward-looking statements. The following factors, among others, could cause actual results to differ materially from those described in these forward-looking statements: there is uncertainty about the spread of the COVID-19 virus and the impact it will have on HHT's operations, the demand for the HHT's products and services, global supply chains and economic activity in general. These and other risks and uncertainties are detailed in the other public filings with the Securities and Exchange Commission (the "SEC") by HHT. Additional information concerning these and other factors that may impact our expectations and projections will be found in our periodic filings with the SEC, including our Annual Report on Form 20-F for the fiscal year ended June 30, 2019. HHT's SEC filings are available publicly on the SEC's website at http://www.sec.gov. HHT disclaims any obligation to update the forward-looking statements, whether as a result of new information, future events or otherwise.

Color Star Technology Co., Ltd. Contact: Investor Relations FinancialBuzzIR info@FinancialBuzzIR.com Tele: +1-877-601-1879

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SOURCE Color Star Technology Co., Ltd.

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Color Star Technology Announces the Addition of Renowned Musician Larry Carlton to its Color World Online Education Platform - Yahoo Finance

Front-Row Seat: Striking the chords for live musics return – MPNnow.com

Additional venues gradually begin hosting bands and solo artists in outdoor, socially distanced spaces

This newspaper and website for years maintained a "Local Live Music" calendar, a roundup of the upcoming musical performances scheduled at the area's clubs, breweries, coffeehouses, restaurants and concert halls. It was always arduous and time-consuming to put together, but rewarding in offering a glimpse at how rich the Finger Lakes/Greater Rochester area is in musical talent, in breadth, depth and diversity.

The shutdowns necessitated by the advent of the novel coronavirus all but ended live music for a time, and the isolation that remains necessary amid the state's gradual reopening has made live music's return a slow, similarly gradual process. Small venues without much in the line of outdoor space are holding off, for instance.

But venues that have outdoor space sufficient for social distancing outdoor venues like Lincoln Hill Farms in Gorham or Roseland Waterpark in Canandaigua; bars/restaurants with patios like The Lovin' Cup in Henrietta or Jos & Willy's in Canandaigua have struck the opening chords in the gradual return of the area's live-music scene.

"The response has been heart-warming," Danny Deutsch, owner of Abilene Bar & Lounge in Rochester, said via email. Abilene started up with a low-key, socially distanced event on its outdoor patio featuring local band Anonymous Willpower on June 19. It followed it up the following week with shows by the Adrianne Noon Trio and Brody George Schenk, and the Noone trio is returning thisFriday night. A number of other shows are planned for the near future, all depending on weather.

"Old customers ... and some new, stopping in to hear music, check on us and how were holding up and all playing by the rules," Deutsch wrote. "Mask wearing in full effect while in the bar ordering drinks and then headoutside to enjoy the patio ambience. I've been pleased. Abilene's customers have been conscientious and caring of other customers and of my staff, and it's made for a very cool scene."

He allowed that "it's been different, that's for sure" but they're "thrilled to be back enjoying live, original music" for "smallish but super enthusiastic crowds."

We're looking forward to the day when we can start up that arduous, time-consuming Local Live Music calendar again. But in the meantime, here's a taste of what the region offers over the next week or two for music lovers:

July 2:Paint Crew (drum and bass duo) Thursday, July 2, at7 p.m. on the outside patio at Abilene Bar & Lounge, 153 Liberty Pole Way, Rochester. Cover: Tip jar.

July 3: Adrianne Noone Trio (featuring Noone, Chuck Salvaggio and Chris Clinton), Friday, July 3, at 7 p.m. on the outside patio at Abilene Bar & Lounge, 153 Liberty Pole Way, Rochester. Cover: $5.

July 3: Dirty Blanket (bluegrass) Friday, July 3, at 7 p.m. at Lincoln Hill Farms, 3792 Route 247, Gorham. Doors open at 3 p.m., with tickets limited on a first-come, first-serve basis at the door; $15 adults, $5 children.

July 3: Jackson Cavalier (one-man band, folk-rock) Friday, July 3, 5-8:30 p.m. on the patio at The Lovin' Cup, 300 Park Point, Henrietta. (Free show)

July 3: Xarika (solo acoustic) Friday, July 3, 6-8 p.m. on the porch at ReInvention Brewing, 9 N. Main St., Manchester.

July 4: Classic Rock All-Stars (featuring Phil Naro from Talas, Michael Hund from Ted Nugent's Derek St. Holmes Band, Ron Rocco from Black Sheep, and A.D. Zimmer from Lou Gramm's band) Saturday, July 4, at 6 p.m.,in the parking lot at Fanatics Pub & Pizza, 7281 W. Main St., Lima. Tickets: $75 per vehicle, 585-624-2080 or 315-473-2411.

July 4: "July 4 at the Farm" featuring multiple performers noon to 11 p.m. at Lincoln Hill Farms, 3792 Route 247, Gorham. The fundraiser for Camp RocStar features Zach Eberts, 1 p.m.; Brianna Collichio, 1:30 p.m.; Max Doud, 2 p.m.; Own the Night, 2:30 p.m.; Calvin Isham, 3:30 p.m.; Cooper Scotti, 4 p.m.; Primrose, 4:30 p.m.; Judah, 5:30 p.m.; BB Dang, 7 p.m.; and Shackwater, 9 p.m. There will also be fireworks at 9:45 p.m. Tickets (at the door only): $15 adults, $5 children.

July 4: Red, Hot & Blue Saturday, July 4, 6-9 p.m. at Brews & Brats at Arbor Hill, 6461 Route 64, Naples.

July 5: Craig Synder Sunday, July 5, 2-5 p.m. at Twisted Rail, 169 Lakeshore Drive, Canandaigua.

July 5: The Uptown Groove Sunday, July5, 2-5 p.m. at an Open Barn concert at Muranda Cheese Company, 3075 State Route 96, Waterloo. (Featured food truck is Pizza Posto)

July 7: GA029 (blues/R&B/rock) Tuesday, July 7, at 7 p.m. on the outside patio at Abilene Bar & Lounge, 153 Liberty Pole Way, Rochester. Tickets: $15 ($13 in advance at Abilene or https://abilene.showare.com.

July 10: Brian Lindsay Band (rock) Friday, July 10, at5:30 p.m.on the outside patio at Abilene Bar & Lounge, 153 Liberty Pole Way, Rochester. (Happy-hour show)

July 10: Evan Meulemans (reggae, Americana, blues) Friday, July 10, 7-8:30 p.m. on the patio at The Lovin' Cup, 300 Park Point, Henrietta. (Free show)

July 11: Alex Goettel (singer-songwriter, member of The Byways) Saturday, July 11, 6-8:30 p.m. on the patrio at The Lovin' Cup, 300 Park Point, Henrietta. (Free show)

July 11: Amanda Ashley (pop/rock/soul singer-songwriter) Saturday, July 11, 6-8 p.m. on the porch at ReInvention Brewing, 9 N. Main St., Manchester.

July 11: Tas Cru & The Tortured Souls Saturday, July 11, at 6 p.m.,in the parking lot at Fanatics Pub & Pizza, 7281 W. Main St., Lima. Tickets: $50 per vehicle, 585-624-2080 or 315-473-2411.

July 12: Cool Club & Lipker Sisters Sunday, July 12, 2-5 p.m. at an Open Barn concert at Muranda Cheese Company, 3075 State Route 96, Waterloo (featured food vendor is 4J's NVR Specialty Sauces)

July 12: Music of the Stars Sunday, July 12, 2-5 p.m., Roseland Drive-In at Roseland Waterpark, 250 Eastern Boulevard, Canandaigua. Only presale tickets will be redeemed; tickets are $40, $55 or $70 depending on tier. Buy tickets at roselanddrivein.com or call 585-396-2000.

July 14: Jeff Riales & The Silvertone Express Tuesday, July 14, at 6:30 p.m.,in the parking lot at Fanatics Pub & Pizza, 7281 W. Main St., Lima. Tickets: $50 per vehicle, 585-624-2080 or 315-473-2411.

July 17: Big Eyed Phish (Dave Matthews tribute) Friday, July 17,6:30-9p.m., Roseland Drive-In at Roseland Waterpark, 250 Eastern Boulevard, Canandaigua. Opening act: Mike Cosco and Julie Dellarie. Tickets are $45, $60 or $75 depending on tier. Buy tickets at roselanddrivein.com or call 585-396-2000.

July 17: The Occasional Saints (New Orleans blues/swing) Friday, July 17, at5:30 p.m. on the outside patio at Abilene Bar & Lounge, 153 Liberty Pole Way, Rochester. (Happy-hour show)

July 19: Nate Michaels Sunday, July 19, 2-5 p.m. at an Open Barn concert at Muranda Cheese Company, 3075 State Route 96, Waterloo. (Featured food vendor is Lake Country Food Truck)

A 'Little' online music

Not all venues are equipped to offer the live experience, of course, but some continue to offer what's arguably the next best thing in a digital age with livestreamed concerts. The Little Theatre in Rochester continues a nearly full slate of shows, just online at its Facebook page. Maria Gillard, adjunct instructor of music at Finger Lakes Community College, is performing every Monday in July as a residency, with 7 p.m. concerts July 6, 13, 20 and 27. Also coming up for the Little: Classical Guitar Night at 7 p.m. July 5; Alex Goettel at 7 p.m. July 9; and Crossmolina at 8 p.m. July 11.

SummerWrite lit camp moves online

Concerns over high traffic in a small space and sanitizing requirements with a small staff has led Writers & Books to opt not to open its University Avenue facilities in Rochester to the public this summer. W&B has moved all of its adult workshops online and now plans to conduct its annual literary-themed youth summer camp, SummerWrite, entirely virtually. It began offering SummerWrite programs June 29 and will continue rolling out the reading and writing enrichment camps most of them five-session Monday-through-Friday programs, offered through Zoomthrough Aug. 28.

A complete list of the programs, with cost and registrationlinks,is at wab.org. For an example, next week's SummerWrite programs include "Acting Exploration," "Musical Theatre Book Club," "Fiction in a Flash" (about creating very short fiction), "Take Space, Make Space: Storytelling Through Dual Language Poetry," "Writing a Fiction Series," "Produce a 90-Second Newbery Film" and more.

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Front-Row Seat: Striking the chords for live musics return - MPNnow.com

The Best Metal on Bandcamp: June 2020 – bandcamp.com

BEST METAL The Best Metal on Bandcamp: June 2020 By Brad Sanders July 02, 2020

It feels like it shouldnt need to be said, but sadly, it does: there is no place in metal for racism. An all-star cast of metal musicians have been saying it loudly and unequivocally these past few weeks on a new web series called Metal vs. Racism. You can watch the episodes that have aired to date on Bay Area death metal crew Necrots Instagram page. If youre a cruel, small-minded, and ignorant person, and watching those videos makes you want to smash your High on Fire and Testament records, Ill gladly lend you the hammer.

Check out this months best metal picks below.

This Juneteenth, when Bandcamp donated their cut of all sales to the NAACP Legal Defense Fund, dozens of bands and labels stepped up to make their own donations to racial justice initiatives.One of the many bands to step up with donations that day was Spirit Adrift, a longtime favorite of this column and perhaps the committee (of one)s pick for the best metal band in the world right now. They released Angel & Abyss Redux, an EP featuring an acoustic reworking of the Divided by Darkness highlight, plus brilliant covers of Roky Ericksons I Think of Demons and Jimi Hendrixs The Wind Cries Mary. The band is donating 100% of every sale of this record to the NAACP Legal Defense Fund in perpetuity, so if you didnt have a chance to grab it on Juneteenth, it is well worth picking up now.

Now three full-lengths and a smattering of demos and EPs into their career, the Finnish duo Lantern have moved far beyond merely worshiping the Nordic death/doom scene that first inspired them to pick up guitars. Dimensions is a legacy-making album, the kind of record that should ensure their place in death metal history. Its bookended by the seven-minute Strange Nebula and the 14-minute Monolithic Abyssal Dimensions, which highlight the band at their labyrinthine best, each song rife with twisting riffs, decaying atmospherics and stretched to epic lengths. Just as impressive are moments like the two-minute Portraits, almost an interlude track, but far too interesting to be cast off as such. Its an effectively eerie vocal showcase for frontman Necrophilos in a genre that rarely provides vocal showcases. Cauldron of Souls is another high point, a black metal-tinged banger with an infectious stab of lead guitar serving as its primary hook. For the past several years, its felt like Lantern were quietly climbing their way to making a true masterpiece. With Dimensions, theyve reached the mountaintop.

For a brief, shining moment in the mid-00s, post-hardcore, Hot Topic screamo, metalcore, and prog rock all got along. Bands like Coheed and Cambria, Between the Buried and Me, and Canadian stalwarts Protest the Hero were consistently releasing ambitious, strange music that defied categorization but seemed to bring all kinds of misfit kids to the table. If you werent down then, you probably wont be down now, but if you were down then, the new Protest the Hero album is like a cold blast of shopping mall air conditioning to the face. Now 15 years older than they were when they released their debut LP Kezia, the band offer a more controlled fury on Palimpsest. Vocalist Rody Walker still climbs seemingly impossible scales, but after recovery and retraining following a vocal cord injury, its not with quite the same level of abandon. That allows him to force us to focus even more on his lyrics, which here dissect American history through the dual lenses of its Trumpian so-called greatness and the more complicated truth. A Canadian singing about the flaws of America might seem presumptuous, but his relative distance grants him a clarity thats genuinely refreshing. Behind Walker, guitarists Luke Hoskin and Tim MacMillar oscillate between a jerky start-stop dynamic and seemingly self-aware moments of faux-epic bluster, underpinned with the most bombastic orchestral parts the band has ever used. Most impressively, Protest the Hero took a sound that, to many people, feels tethered to a semi-embarrassing moment in time, and brought it thrillingly into the present.

Live albums feel particularly attuned to this moment. There are those among us who have historically derided them as a pale facsimile of the real thing. Now, we live in a world where there is no real thing, and no one has been to the real thing in almost four months. Its in that context that we must examine Power Trips new album, Live in Seattle. I saw Power Trip on that tour, in Brooklyn. They were incredible that night, well-deserving of the 675-capacity venue that theyd sold out after years of playing their furious brand of thrash-infused hardcore in smaller bars. Does Live in Seattle capture the feeling I had that night? Not quite, but a crowd surfer didnt break my glasses while I listened to it, either, so I guess its a wash. The band rips through all the essential cuts from Manifest Decimation and Nightmare Logic, plus some key non-album singles, closing with the crowd-pleasing anthem Crossbreaker. Theres a real sense of movement and propulsion to the album, with only the briefest breaks for stage banter as the band barrel through their set. As non-live live experiences go, its one of the better ones available for headbangers to experience right now. Heres hoping we can all get back together and mosh to Power Trip again soon. Hell, by then Ill probably let you break my glasses.

The self-titled Satans Hallow album that came out back in 2017 was a hell of an introduction to the Chicago newcomers, and it carried the promise of an exciting new band for lovers of traditional heavy metal to follow for years to come. They split up shortly after it was released. Midnight Dice rose from Satans Hallows ashes, with four of the five members of that band reprising their roles here, crucially with Mandy Martillo still on the microphone. Hypnotized is their first proper EP after a demo, a live tape, and a split 7 with fellow Chicagoans, Hitter. Its only 21 minutes long, but damn it if they arent 21 of the finest minutes of true metal to come out this year. Martillos pipes are laser-precise as she belts over Steve Beaudettes souped-up NWOBHM riffs, and songs like Starblind and Speed City feel tailor-made to be played onstage someday, when thats possible again. (Someday youre gonna wish/ You were still half as good as this/ So make tonight your bitch in Speed City reads downright Proustian in these times.) Satans Hallow left us too soon, but with a lucky roll, Midnight Dice should stick around a lot longer.

The fretless bass has a long and contentious history in death metal. Most famously utilized in the early 90s scene by Sean Malone of Cynic, its since taken on a life as a kind of shorthand for exploratory, progressive death metal. If you hear a fretless bass line meandering around the edges of a death metal riff, the band is trying to tell you that theyre doing something outside of the box. On VoidCeremonys bonkers debut album, Entropic Reflections Continuum: Dimensional Unravel, the fretless bass is doing something more interesting. Damon Good (also of Mournful Congregation) has certainly heard a Cynic record or two, but his bass lines help anchor these songs rather than making them spin off into space. His bass represents a human, flesh-and-blood presence on an album thats often given to glorious, maddening abstraction. If this is technical death metal, its only in the sense that everyone performing on it has no shortage of technique. Yet their interests lie not in the proving of chops but in the exploration of whats possible within the death metal framework. Exhilarating as Entropic Reflections Continuum is, it seems theyve only scratched the surface.

Though theyve been well-known in leftist metal circles online since their founding in 2014, the queer, antifascist sludge duo Vile Creature havent yet crossed over to mainstream success. Glory! Glory! Apathy Took Helm!, their third full-length, should change that. For one, theyve signed to Prosthetic Records, who reissued their early work on a comp last year and have put significant promotional muscle behind them. More crucially, Glory! feels like an arrival, a record where everything Vile Creature is all about has coalesced. Throughout the album, moments of transcendental beauty are met with the counterweight of ugliness. When Glory! Glory! transitions into Apathy Took Helm!, the former songs ghostly choral parts dissolve into the latters punishing dirge. Before long, the choral vocals return amid the din of the sludge riffs, suggesting the necessary coexistence in troubled times of joy and agony, love and hate, reflection and action. Ive only spent a week or so with this record; I expect it to reveal so much more in the coming months.

Colin Marston is a lot of thingsvirtuosic musician, champion of the avant-garde in metal, mastering engineer extraordinaire. As a principal member of Beholdthe Arctopus, Krallice, Gorguts, Dysrythmia, and more, he has pushed metal into some of the stranger places its been over the past two decades. Unsympathetic Empyrean, the debut album by his new solo project Xazraug, feels like something entirely new for him, an avant-black metal album roughly in the I, Voidhanger house style, but transgressive in its own peculiar way. Its undeniably an assault on the senses. Its five tracks span from nearly 10 minutes to over 14, and none of them leave a lot of space for contemplative atmospherics. Whether hes playing a mind-bending riff, laying into an Emperor-style synth part, or layering hellish chanting, Marston consistently fills the sonic space with something you cant easily tune out. That makes Unsympathetic Empyrean a demanding listen, but that shouldnt turn off any fans of Marstons work. The challenge is the point.

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The Best Metal on Bandcamp: June 2020 - bandcamp.com

Your daily 6: Gambling without booze or smoking, Hong Kong crackdown and virus ‘grim and getting worse by the day’ – STLtoday.com

People, social distancing and wearing masks to prevent the spread of the new coronavirus, chat as they wait in line at a mask distribution event, Friday, June 26, 2020, in a COVID-19 hotspot of the Little Havana neighborhood of Miami. Florida banned alcohol consumption at its bars Friday as its daily confirmed coronavirus cases neared 9,000, a new record that is almost double the previous mark set just two days ago. (AP Photo/Wilfredo Lee)

Surges in new Covid-19 infections have paused or rolled back reopening plans in at least 19 states as the nation's top infectious disease doctor offered a bleak warning: Americans need to take sensible measures to curb the spread or risk seeing 100,000 new cases a day.

"We are now having 40,000 cases a day. I would not be surprised if we go up to 100,000 a day if this does not turn around," Director of the National Institute for Allergy and Infectious Diseases Dr. Anthony Fauci told the Senate Health, Education, Labor and Pensions (HELP) Committee hearing.

Turning it around will take a coordinated, collaborative effort, he said at the hearing, not the "disparate responses" the nation has shown so far.

But without strong national leadership, that coordination may be up to mayors and governors, according to Dr. William Haseltine, a former biotechnology executive and professor at Harvard's medical and public health schools.

"This situation is now so grim and is getting worse by the day," he said. "From now on, they know it's in their backyard and their job to take care of it if no one else does."

Most of the US has the pandemic in their backyard, with only two states showing a downward trend in cases from last week. The surge comes as restriction-fatigued Americans increasingly gather in large groups for summer recreation.

Precautions like social distancing and mask wearing are meant to help people "enjoy themselves within the safe guidelines," Fauci said.

"We should not look at the public health endeavors as being an obstruction to opening up. We should look at it as a vehicle to opening up," he said.

Turning the tide means more masks and fewer bars

The measures health experts tout to curb the virus are especially important considering more than 90% of the country has not experienced the virus, meaning herd immunity could still be years away, Dr. Robert Redfield, director of the US Centers for Disease Control and Prevention (CDC), told the Senate HELP committee on Tuesday.

Both Redfield and Fauci stressed the importance of widespread masks, which experts have encouraged for months even as President Donald Trump has noticeably forgone them.

An environment with universal masks is "fundamentally the most important thing we can do," Redfield said.

What people shouldn't do in this pandemic, Fauci said Tuesday, is head to the bar.

"Bars: really not good, really not good. Congregation at a bar, inside, is bad news. We really have got to stop that," Fauci said Tuesday.

Without those measures, Fauci said, the US will continue to be in trouble.

"Clearly, we are not in total control right now," he said. "The numbers speak for themselves."

In Florida and other Sunbelt states, hospitals are rushing to line up more hospital beds as they head into the height of the summer season amid a startling surge in confirmed cases of the coronavirus.

Over the past few days, states such as Florida, Arizona, Texas and California have reversed course, closing or otherwise clamping down on bars, shutting beaches, rolling back restaurant capacity, putting limits on crowds at pools, or taking other steps to curb a scourge that may be thriving because of such factors as air conditioning and resistance to wearing masks.

Any time you have these reopenings, youre depending on people to do the right things, to follow the rules. I think thats where the weak spots come in, said Dr. Cindy Prins, a University of Florida epidemiologist. She warned that things are likely to get worse before they get better.

Hospitals in the new hot spots are already stretched nearly to the limit and are scrambling to add intensive care unit beds for an expected surge in COVID-19 cases in the coming weeks.

Newly confirmed cases in Florida have spiked over the past week, especially in younger people, who may be more likely to survive the virus but can spread it to the Sunshine State's many vulnerable older residents.

The state reported more than 6,000 new confirmed cases Tuesday. More than 8,000 were recorded on each of three days late last week. Deaths have climbed past 3,500. Floridians ages 15 to 34 now make up 31% of all cases, up from 25% in early June. Last week, more than 8,000 new confirmed cases were reported in that age group, compared with about 2,000 among people 55 to 64 years old.

Hospital ICUs are starting to fill up in South Florida, with a steadily increasing number of patients requiring ventilators. Miamis Baptist Hospital had only six of its 82 ICU beds available, officials said.

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Your daily 6: Gambling without booze or smoking, Hong Kong crackdown and virus 'grim and getting worse by the day' - STLtoday.com

A Decade Later, Let’s Itemize the Sins of M. Night Shyamalan’s The Last Airbender – Paste Magazine

In the last few months, like so many other Netflix viewers, I dove head first into Avatar: The Last Airbender. Its a cult series that had been on my I really should watch this list for years, but its limited availability always kept me from actively seeking the series out. As has been experienced by so many other shows that are beneficiaries of the so-called Netflix bump, though, appreciation for Avatar has subsequently exploded, and the show has consistently been in Netflixs top 10, with an entire new audience falling in love with it along the way.

Which of course, to someone who is fascinated by bad movies, can mean only one thing: It was clearly time for me to revisit M. Night Shyamalans The Last Airbender adaptation from 2010. And the timing proved to be fortuitous, as we just marked the 10th anniversary of that legendarily bad films release. It sits second to last in our ranking of every M. Night Shyamalan film, ahead of only (of course) The Happening.

What I found was a film that was every bit as bad on a technical level as I remembered, but also so much worse as an adaptation than I ever realized. To watch the entirety of Avatar, and then move directly on to Shyamalans The Last Airbender is like touring the Louvre and then going to a souvenir shop outside where street urchins are painting their best attempts at replicating the works of Monet and Vermeer. Suffice to say, the work of art does not translate well.

There are myriad aspects of Shyamalans interpretation that flat out dont work, including some aspects of the film over which he had no real control. The post-filming conversion of The Last Airbender to 3D was one of these, and was heavily criticized at the time, being one of the most high-profile cases (along with Clash of the Titans) of more or less complete films being converted to 3D to cash in on the massive success of James Camerons Avatarironically, the reason why the word avatar is no longer present in the title of Shyamalans adaptation. The visual fidelity of the movie seemed to suffer as a result, with many scenes that look murky, dark and underlit.

But Shyamalan as director also made the choice to condense the entirety of Avatars first season, some 8 hours of animated material, into a surprisingly rushed film that was presumably meant to be an epic, clocking in at only 94 minutes if you subtract the lengthy end credits. The result likewise damages its pacing badly, as The Last Airbender relies both on constant narration and exposition dumps from Katara to keep the audience up to speed, and a composite character called the Dragon Spirit that effectively replaces every one of Aangs teachersmost notably Avatar Roku, Fang, Koh, Jeong Jeong and Guru Pathik. The result is streamlined but chaotic, with little to no time for non-plot character interaction.

There are so many aspects of The Last Airbender one could choose to focus on in expounding upon its weakness as an adaptation, but lets instead key in on three in particular: Shyamalans misunderstanding of the characters, the poorly constructed action, and the films persistently troubling racial presentation/whitewashing.

Although aspects like the whitewashing of its characters is often the first controversy that comes up surrounding discussion of The Last Airbender, the films script by Shyamalan also fails them on deeper and wider levels, beyond appearance, representation and racial heritage. Which is to say, Shyamalan just doesnt seem to understand why someone would like most of these characters at all, or how they would be effective as heroes or villains, and they rarely remind the audience on any level of their animated counterparts.

You really cant start anywhere else than with Aang, portrayed here by first-time actor Noah Ringer, who had a grand total of one month to prepare for filming with essentially no applicable acting experience. Ringer was a gifted young practitioner of Taekwondo, and already a fan of the Avatar animated series, who was in fact referred to by friends as Avatar for his choice to shave his head during competition and his physical resemblance to Aang. It was this familiarity with the character and superficial appearance/martial arts training that got Ringer an audience with Shyamalan, who was quickly impressed. And indeed, you can see why, on paper, someone might have thought that this choice would work out, but one would have hoped that a quick glance at the dailies after the first few days of shooting would have made it clear that Ringer was in far over his head.

Its a casting choice that simply doesnt work, especially given that the inexperienced Ringer is expected to carry the film as title character and lead protagonist. He often looks lost and uncomfortable, hardly the fault of a 12-year-old taekwondo student who had been handed the lead role of a would-be summer blockbuster, seemingly out of thin air. His face rests with a blank, emotionless look that is bereft of any spark or vitality, and more than anything it demonstrates that Shyamalan had his priorities badly out of order when it came to casting. This was a part that called for an immensely charismatic, often hyperactive personality, rambunctious and full of vigor, but it ended up in the hands of a sullen-looking young man who happened to be proficient in martial arts. In a film that was always going to rely heavily on CGI, Aangs ability to perform real-life kicks should have been the least of their concerns.

This look, plastered on Aangs face for 80% of this film, is not an expression youll see in a single frame of the animated series.

Its certainly not just Aang, though, as almost all the characters have their legs cut out from under them. In some cases, its because the film has almost entirely excised the shows sense of humor, which transforms Sokka in particular from a loveable doofus and quip machine with a gift for tactics into a joyless automaton. The villains, meanwhile, are really no better, and its hard not to laugh at Cliff Curtis as Firelord Ozai, who feels more like an unintimidating, pompous aristocrat than a world-threatening, psychopathic dictator. Its extremely hard to imagine how this version of Ozai would have been able to carry the burden of Big Bad/Phoenix King in the third film of what was meant to be a trilogyhe comes off as effette and incompetent rather than sadistic and calculating.

The only character to feel anywhere close to accurate is Dev Patels Prince Zuko, whose deadly serious nature actually makes sensethe animated series eventually derives a lot of humor from the fact that Zuko is unrealistically humorless by nature. But even Patel later admitted that he was ashamed of the film, feeling completely overwhelmed by the experience. Watching his own work, he described it as I saw a stranger on the screen that I couldnt relate to.

If there was one great selling point to making a live-action feature film from Avatar: The Last Airbender, it was the promise of seeing the powers of air, water, earth and firebending come to life on the big screen. What a shame, then, that The Last Airbender bungles those action scenes so badly, failing even to convey the joy one would expect to feel in manipulating the elements.

Some of the blame here will inherently belong to the aforementioned, post-filming conversion to 3D, which took whatever Shyamalan was already working with and undoubtedly made it look even worse. But The Last Airbenders action issues go far beyond merely a dim, unattractive picture. These sequences are just poorly staged in general, feeling uniquely underwhelming for action setpieces that should have reflected a $150 million budget, by far the biggest in Shyamalans career. It feels like the director had no idea how that money should be spent, and the action ends up looking both haphazard and small in scale and impact. Nowhere is that better captured than in the Earthbenders revolt clip below, which features not only some atrocious acting from our leads, but the sight of half a dozen earthbenders dancing and stomping to produce a 10 pound hovering rock. All of the films fights are like this, featuring blasts of fire, rock and water that travel slower than if most of us were throwing them by hand. On the most basic level, the film fails to make bending itself look effective or awe-inspiring.

Not helping matters is the fact that the mechanics of bending in this movie simply cant avoid looking silly in practice, especially with so little in terms of payoff. Theres simply not a hint of grace to any of the bending movementstheyre endlessly convoluted gestures that go on far too long before something unimpressive happens. Theres something about it that evokes low-rent videogame adaptations like Mortal Kombat: Annihilation, and thats really not a comparison you want for your $150 million CGI spectacular.

These action scenes are even more difficult to appreciate after watching the entirety of the animated series, which features genuinely impressive feats of bending in every episode, and incredibly intricate and beautifully choreographed fight scenes, especially as the seasons progress. A director like Shyamalan, whose films before this point had always been based on character and suspense rather than action, stood no chance of replicating that level of energy.

And of course, we have to talk about the elephant in the roomall that whitewashing. The world of Avatar: The Last Airbender is unmistakably interpreted as an Asiatic one, with cultures that broadly reflect various real-world influences. The Water Tribe has an unmissable Inuit appearance to their clothing and artifacts, while Aangs own Air Nomads seem to have been a culture heavily inspired by Tibetan Buddhist monks. The Earth and Fire kingdoms are a bit harder to parse, but they clearly draw inspiration in various areas from ancient Chinese, Korean and Japanese culture. The Fire Nation in particular reflects a Japanese styling in its honor-based military caste and fashions.

Not that youd know any of this, looking at Shyamalans The Last Airbender, of course. He immediately dispenses with the shows ethnic depiction of both the Water Tribe and Air Nomads, casting white actors in all the major protagonist roles, such as Aang, Katara, Sokka and Master Pakku. Grilled at the time of release about why the film wasnt more diverse in the casting of its leads, Shyamalan repeatedly deferred or defended aspects of the casting, pointing to the films other pan-Asian actors, who make up small roles among the earthbenders, and the majority of the firebenders.

That of course raises the sticky situation of which parts did get cast with brown-skinned actors, which largely boils down to all the bad guys. The casting here seems to suggest that Shyamalanhimself of Indian descentseemed to think that anyone brown was acceptable for any Fire Nation role in particular, which leads to a confusing array of backgrounds for characters who are all supposed to be blood relatives of vaguely Japanese descent. Look no further than the Firelords clan, which consists of someone of indigenous Maori descent (Cliff Curtis) as the head of a family with an Indian son (Dev Patel), an Iranian brother (Shaun Toub) and a daughter of Mexican and Indian descent (Summer Bishil). The unspoken implication seems to be that anyone brown is equally likely to be a villain in this worldsomething that wouldnt have been an issue if Water Tribe characters like Sokka and Katara were played by ethnically accurate actors. Instead, the choice to whitewash the protagonist roles causes it to boil down once again to a light vs. dark duality of good vs. evil, like so much other Western fiction. Those with light skin are inevitably heroes. Those with darker skin are nefarious.

The films antagonists are invariably darker in skin tone.

This seeming lack of concern or thought for the issues of race and representation is all the more confusing, given some of the changes that Shyamalan did find worth his time in scripting The Last Airbender. The pronunciations in particular are all different from the animated series across the board; something that annoyed fans on an inherent level when they heard Aang pronounced as Ahn-guh or Ungh. The pronunciation of Sokka likewise goes from sah-kah to soh-ka, and even avatar becomes ah-vuhtar. Shyamalan described these changes as being more authentic to how the names would actually be pronounced in Asian culturesa rather incredible thing to value, while simultaneously not caring that white actors are replacing Asian ones in almost all the major roles. It does boggle the mind to think that he somehow thought pronunciations were a higher priority than representation.

Only a decade later, The Last Airbender feels hopelessly outdated in every measure one could use to gauge such a thing. Its regressive in terms of diversity in a story that should have been used as a launching pad for young Asian stars, instead opting for performers who cant even handle the material in front of them. It manages to be both convoluted and rushed, with a narrative that condenses 8 hours of animation into what feels like 94 minutes of straight voiceover. Its action scenes feel like the work of a director who had no concept of how to stage them, and even when the film is in motion, its unbearably dull to look at. Theres nothing it does particularly well, aside from some decent set design most of which is difficult to see or appreciate. It absolutely does not feel like a film with a $150 million budget.

It does raise the question: Will Netflixs upcoming live-action series remake of Avatar: The Last Airbender be any better? At the very least, it seems safe to say that it couldnt be any worse.

Jim Vorel is a Paste staff writer and resident genre geek. You can follow him on Twitter for much more film writing.

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A Decade Later, Let's Itemize the Sins of M. Night Shyamalan's The Last Airbender - Paste Magazine

Qiana Di Bari, Owner of Sale Pepe in Lahaina, On Racism in the Food Business and Why She Feels At Home On Maui – HONOLULU Magazine

The restaurateur used to manage the hip-hop group A Tribe Called Quest before opening her own restaurant in New York, then moving to Maui in 2013.

By Martha Cheng

Published: 2020.07.01 01:14 PM

This is part of a series on perspectives from Black food-business owners in Hawaii.

HONOLULU Magazine: How did you get into the restaurant business?

Qiana Di Bari: As a college student at NYU, I worked part time at Moomba, a celebrity hotspot in the West Village. I happened to be in the right place at the right time: I was just a little kid who was a hostess, and I started managing the place after a few months and met a lot of really famous and interesting people. That led me into the music business, where I was invited by Q-Tip from A Tribe Called Quest to come and work as his assistant. I ended up being Q-Tips manager and I managed the band. And I was with him for 20 years before Michele (Qianas husband) and I met at his restaurantit was love at first sight. We had an immediate connectionbut we never spoke to each other directly for five years because he moved away to open a restaurant and I had a boyfriend at the time.

Michele and I opened our restaurant, Va Beh, which means its all good in Italian, in Brooklyn, about six months after we had our little girl. We opened that together because we both knew that I was going to make my way out of the music business to really focus on family. It was a cute little restaurant20-seater, some of the same philosophy and aesthetics that we have here at Sale Pepe.

HM: Whats your ethnicity?

QDB: I amImI feel like Im American. Ill just stop there.

My family has been here since pre-American times. Im part of the Lenape tribe of Native Americans. And they were part of a group that sold the first bead to the Dutch at Manahatta. We have been here in America for hundreds of years. We know the Dutch woman that married the Native American man on the Jersey shore from 1620. So we go back a long way. Im also obviously African American and we are generations and generations of hapa people. Theres some British, theres some Dutch. Were a mix of everything but I think thats what Black is in America. Were all kind of melted and molded and assimilated in different ways. So I would say that Im Black, but I know that my heritage is a mix of almost every race.

For me, Black means mixed. Im actually more comfortable with Black than African American because I dont feel like as a culture, we are connected to Africawe created our own culture here being as mixed up as we are. Even coming right off the slave ships from Africa, we were mixed, purposelydifferent tribes mixed with other tribes and Black people from different countries and regions mixed with others. It just continued when we got to Americawe mix with our neighbors and our masters and the natives around us. And so for me, Black is a unique term for a really unique experience.

SEE ALSO: Sale Pepe Brings a Taste of Italy to Hawaii

HM: Have you experienced racism in the food business?

QDB: Ive dealt with it in every aspect of my life and every facet of my life. In the food business in particularIll tell you two short stories. More than one time people have come in and Im normally at the door at Sale Pepe and on the floor, Michele is in the back of the house. And theyll say to me, Wheres the boss? Wheres the real Italian? You dont really know Italian. What do you mean youre the owner, wheres your husband? That kind of thing. And, you know, in America, you can be any race and open any sort of restaurant and represent any cuisine as long as you know it. Sometimes Im a little bit marginalized because of my race and the kind of cuisine that were serving.

And then another more overt thing happened two years ago: Someone posted Pepe the Frog (a cartoon appropriated as a racist hate symbol) drinking a salted margarita on our Facebook page and said something derogatory on it. I had to have that flagged and blocked. That was pretty overt and creepy.

But its never locals. I will tell you that very clearly. Its always people from other places.

Another time, I was crossing the street on Front Street in front of Bubba Gump with my 6-year-old at the time, and someone in a rental car drove by and made monkey sounds. And even my little 6-year-old instinctively knew that wasnt right. I had to have a talk with her about how some people are just that way, that some people just dont like other people because of the way they look.

But I never felt that from any local ever. If Im honest with you, I feel like its kind of like a reverse situation: I remember when we first started opening the restaurant and dealing with construction workers and vendors, a lot of the locals were giving me eye contact and not wanting to engage with Michele. So hes like, OK, you deal with these guys because they seem to want to talk to you more. If anything, I feel more embraced here than I have anywhere else in the world. Maybe Brazil, I felt as normal and as free to be myself. Thats the only other place I could think of where I felt as comfortable.

HM: I remember when we first talked a few years ago, you mentioned that when you came to Maui it just felt like home. Is that why?

QDB: Yeah, I feel like I can be myself, relax, let my guard down and just let my words and actions speak for themselves. I dont feel people giving me a double take or second look. I dont feel people giving me doubtful or strange energy at all. I have never felt more like myself than I do here. And youre not really aware of how much you carry emotionally and physically on your body in terms of just being on guard from things like racism, or, you know, crimes, all the things you have to worry about over there. You dont carry those with you here.

HM: So then how does it feel being here and not having to deal with it while watching whats happening around the U.S.?

QDB: I dont get to talk about this enough. I talk to Q-Tip every day almost, and my best friendwe talk so much about how isolated I feel here in a way because I cant really share my impressions or experiences with anyone in a resonant way about whats happening on the Mainland in terms of Black Lives Matter. And some of the changes that we see happening. Its very exciting for us. But when I step out into the restaurant on Maui or speak to my friends here its a more muted conversation. Its not as relevant here, obviously. Its like walking around with a million dollars in your pocket and you cant tell anybody.

Its really hard to stay as charged or indignant or angry or as active as I see my friends being.

Im a little disconnected. Im not judging myself either way, Im saying that in a neutral way. It feels like Im a little more objective. And I dont get triggered very easily by what I see on the news. Im upset. Im angry, but Im more thinking about how can we take all of this Black Lives Matter energy and channel it into voting registration or real political change or real systematic change. Im not thinking about where Im going to march next or who am I going to confront in a face to face conversation.

HM: So when you lived elsewhere, you had more of those immediate reactions?

QDB: Well, this is, you know, obviously not the first time this has happened, right. So, yeah, being with Q-Tip and with A Tribe Called Quest and in hip-hop, which is a very powerful movement in and of itself, anytime something like this happened in the past, we would hit the streets immediately. I mean, immediately, we would hit the streets. That would be the first thing. I dont know how many rallies Ive done. Weve gone out with politicians and done rallies and been a part of Rock the Vote. So much music was made and so much of our message was about countering this kind of stuff. So Its interesting to be in this position now because its very different. I feel like my approach is just moreI dont want to say cerebral or intellectualbut those might really be the right words. Because my body is not in it as much as it used to be. There was one good rally here in Lahaina. My friend, Courtney Scott,pulled it together a few weeks ago, and that was amazing. It was electric. It was just incredible. But thats the only thing Ive donephysicallysince all of this started.

Another aspect of it is where Im putting a lot of my energies into educating my child, talking to her through what she sees on the news as a 9-year-old.

As a mother, Im 40-something, its not the same as being a 20-something or 30. I see myself in those kids that are out protesting every day for 30 days in a row. That used to be me, but its not me anymore.

SEE ALSO: New Maui-made Fresh Pasta by Buono is Now Available at Oahu Whole Foods

HM: Do you think then since its such a different vibe here that having these conversations is relevant? That they have a purpose here?

QDB: I only can say yes. Because at the rally that I went to, I saw everyone. I saw locals, I saw transplants, I saw young, I saw rich, I saw poor people, I saw business owners and I saw bus drivers. And everyone was just as outraged as the next. There was one unified feeling therewere all feeling the same thing. Were all wanting the same. We have the same desire. There is a desire here for systematic change. And I think it is relevant. We have a voice in the national conversation. Hawaii is relevant. There are Black people here, there are people of color here. They may not be experiencing the police brutality on the levels that they do on the Mainland, but these stories are part of our history.

Whether we came from somewhere else or lived here all your life, you know someone who this has happened to. And so for it to be called out, and for these changes to be demanded, is a very powerful thing to be happening here.

HM: How useful do you think the lists of Black businesses are?

QDB: I love these lists because I feel seen for the first time as a Black business owner. A really good friend of mine wrote to me recently and said, Now I really have to apologize to you because I never saw you as Black. My daughter sat me down and made me understand why thats not a good thing. Im negating part of who you are by not seeing you as Black. Her generation had been taught we dont see color and all of that nonsense. So being on Black-owned business lists makes me feel seen and empowered and proud in a way that Ive never felt before. Thats amazing. Its really important because you either feel like a unicorn on this island because there are so few of us or you feel invisible because there are so few of us. So its really nice to be seen and celebrated in that way.

HM: Is there anything else you think that we should be talking about?

QDB: I think we dont hear enough about the historical context of this whole Black Lives Matter movement. How what we saw happening to George Floyd was an expression of something that has been happening since slavery, since reconstruction, during the civil rights movements, in our prisons. It happened in the 80s and 90s with the war on drugs. George Floyds last words were a literal expression of our collective pain and frustrations over all of these years. This is not something that just popped up out of the blueGeorge Floyd was really the straw that broke the camels back.

I also want to say that the Black Lives movement is not an anti-cop movement or an anti-white movement. Its not really about attacking policemen or anybody else. Its about us saying that we matter. We just want the same thing that everyone else has and the promises that we have been sold since the founding of this country.

HM: Given this history, do you feel optimistic about this moment or that its the same as in the past?

QDB: I feel optimistic because I feel like theres been a merging of the progressive movement with the Black Lives Matter movement. And then when mainstream Americans witnessed all the police brutality during the protests, it put a spotlight on the problem in a way that no one was able to really understand or that didnt resonate as much before. I think this is a different moment. Things are not going back to normal. The length of these protests tells us a lot. And also the fact that our Senate today tried to pass a [police reform] bill addressing all of these thingsit didnt go through because I dont think it was aggressive enough for the Democrats in the Senate, but the House is preparing to present a bill in the next few daysI think this is a different moment. People are responding and reacting and changes are being made really quickly.

This interview has been edited for clarity and length.

Sale Pepe, 878 Front St., Lahaina, (808) 667-7667, salepepemaui.com

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Qiana Di Bari, Owner of Sale Pepe in Lahaina, On Racism in the Food Business and Why She Feels At Home On Maui - HONOLULU Magazine