This is now the world’s greatest threat and it’s not coronavirus – World Economic Forum

A detailed analysis of environmental research has revealed the greatest threat to the world: affluence.

Thats one of the main conclusions of a team of scientists from Australia, Switzerland and the United Kingdom, who have warned that tackling overconsumption has to become a priority. Their report, titled Scientists Warning on Affluence, explains that true sustainability calls for significant lifestyle changes, rather than hoping that more efficient use of resources will be enough.

We cannot rely on technology alone to solve existential environmental problems like climate change, biodiversity loss and pollution, writes the reports lead author, Professor Tommy Wiedmann from Australias University of New South Wales Engineering, in an article on Phys.org. We also have to change our affluent lifestyles and reduce overconsumption, in combination with structural change."

Sustainable lifestyles are situated between an upper limit or environmental ceiling and a lower limit or social foundation.

Image: Nature

A growing global challenge

There is widespread acceptance that the planet faces an ecological tipping point. To care for humanity, we must care for nature, said United Nations Secretary-General Antnio Guterres on World Environment Day in June. He stressed the importance of making changes as the world recovers from the recent pandemic: As we work to build back better, lets put nature where it belongs at the heart of our decision making.

Approximately half of global GDP is bound up in the natural world, according to the UN. In addition to the many millions of jobs dependent on nature, there are also billions of people intimately connected to and wholly reliant upon natural remedies and medicines.

Plus, the use of tree-planting and reforesting programmes could reduce the impact of global emissions and help meet the Paris Agreement target to keep global temperature increase below 1.5C.

The first global pandemic in more than 100 years, COVID-19 has spread throughout the world at an unprecedented speed. At the time of writing, 4.5 million cases have been confirmed and more than 300,000 people have died due to the virus.

As countries seek to recover, some of the more long-term economic, business, environmental, societal and technological challenges and opportunities are just beginning to become visible.

To help all stakeholders communities, governments, businesses and individuals understand the emerging risks and follow-on effects generated by the impact of the coronavirus pandemic, the World Economic Forum, in collaboration with Marsh and McLennan and Zurich Insurance Group, has launched its COVID-19 Risks Outlook: A Preliminary Mapping and its Implications - a companion for decision-makers, building on the Forums annual Global Risks Report.

The report reveals that the economic impact of COVID-19 is dominating companies risks perceptions.

Companies are invited to join the Forums work to help manage the identified emerging risks of COVID-19 across industries to shape a better future. Read the full COVID-19 Risks Outlook: A Preliminary Mapping and its Implications report here, and our impact story with further information.

Call for systemic changes

The threat of human-made environmental harm was highlighted in the World Economic Forums Global Risk Report 2020, where it is in the top 10 of both the most-likely and the greatest-impact risks.

The chief problem outlined by the report is that any gains in resource efficiency and environmental protection offered by technology-based solutions have been outrun by the growth of consumption. The report also posits that it might be time to rethink traditional ideas about supply and demand

In capitalist societies, the theory goes that consumer need drives the rest of the economy businesses will only produce things for which there is a demand. But the reality of 21st-century global capitalism is a little more complex than that some economists argue that growth itself is the problem.

Global emissions, shown as the green dotted line, keep pace with the rise in production (purple) and global GDP (orange).

Image: Nature

Writing shortly before World Environment Day, the Forums founder and executive chairman, Professor Klaus Schwab, called for a great reset of capitalism in the wake of the coronavirus pandemic. His vision of the great reset includes creating a stakeholder economy, where the market pursues fairer outcomes for all, underpinned by changes to tax, regulatory and fiscal policies, and new trade arrangements.

Schwab also calls for investments that advance shared goals, such as equality and sustainability. This is something that is already taking place in parts of the world where economic-stimulus programmes are being enacted.

In addition, Schwab urges us to address health and social challenges with the innovations made possible by the Fourth Industrial Revolution. That means more public/private collaboration in pursuit of the public good.

Many other leading figures from around the world have rallied to this call, including His Royal Highness Prince Charles, the Prince of Wales.

The pandemic has devastated families and brought major economies to a standstill. But by directing resources into new and improved systems and processes, rather than shoring up the existing ones, Schwab believes a lasting change for the better is possible.

That belief is echoed by the scientists report, which shows that affluence is actually dangerous and leads to planetary-scale destruction, says co-author Julia Steinberger, Professor of Ecological Economics at the University of Leeds. To protect ourselves from the worsening climate crisis, we must reduce inequality and challenge the notion that riches, and those who possess them, are inherently good.

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This is now the world's greatest threat and it's not coronavirus - World Economic Forum

The Gig Economy Beyond COVID-19 | Fisher Phillips – JDSupra – JD Supra

The gig economy is constantly evolving, becoming more deeply entrenched in certain areas of the economy while looking to expand into others. The COVID-19 pandemic accelerated this trend by forcing changes in the behavior of individuals and businesses that is certain to outlast the health crisis.

Many gig workers saw a significant increase in work opportunities and hourly pay beginning in mid-March, while many traditional workers had their hours or pay reduced, were laid off, or furloughed. One example is the recent shift to exclusive online learning by traditional primary, secondary, and post-secondary schools which has introduced computer-based learning to many for the first time. This will likely increase demand for freelance teachers and educators which has been growing consistently for many years.

A recent article in SmartCompany predicts the gig economy will boom in the post-COVID-19 world. The author opines that post-COVID-19, business organizations will retain a leaner structure and turn to freelance professionals as their go-to resource for services including brand, creative and digital marketing. A recent article in Forbes, 6 Trends That Will Shape the Gig Economy the 2020s, offers a similarly upbeat assessment and identifies several important changes that are likely to occur over the next 10 years. While automation will continue to impact opportunities for gig workers, the author predicts some traditional management jobs will become gig work and that stigma associated with gig work will diminish. In addition, the author predicts more gig-worker-friendly legislation and regulations will be enacted (see our March 3, 2020 post for a discussion on this point) to form a changed legal landscape permitting gig workers to unionize, while allowing greater business services targeting of gig workers.

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The Gig Economy Beyond COVID-19 | Fisher Phillips - JDSupra - JD Supra

Budget-minded business owners’ love affair with gig workers is growing – CNBC

In the wake of the coronavirus pandemic, the range of on-demand solutions and options available to budget-minded business owners is increasing,thanks to the rise of online marketplaces, affordably priced cloud apps and freelance gig sites.

Now, at a fraction of typical costs and sometimes even for free, you can getvirtually anything you need, from video to SEO or marketing help:Graphic design services starting at $5. Email marketing for a handful of cents. Sprawling libraries full of stock photos, free for commercial use. Professionally crafted websites that anyone can quickly get up and running beginning at $2 a pop.

The gig economy's moment has arrived, and all those pennies now flowing to nontraditional sources are quickly adding up to create many more opportunities for businesses as well as everyday working professionals, especially those seeking a new side hustle.

More than 57 million Americans (representing 35% of the US workforce) freelanced last year, per nonprofit advocacy organization Freelancers Union. Likewise, over 6 million skilled gig workers are now operating just in America's top 30 cities alone, according to online freelance marketplace Fiverr.com's annual Freelance Economic Impact Report, conducted in partnership with Rockbridge Associates.

According to the report, 6 in 10 freelancers expect to earn as much or more than they did in 2019, which amounted to a collective $150 billion.

Freelance Economic Impact Report 2020, Fiverr.com and Rockbridge Associates

Coupled with the continuing rise in remote work prompted by Covid-19, along with industry growth that's compounding by double or even triple digits in select global territories, it's not only clear that gig work now enjoys greater prominence than ever before, it's also becoming increasingly apparent that outsourcing is quickly becoming the new in-house.

"I don't know why anyone would build most business platforms or websites [from scratch] anymore," says Joseph Olin, executive director for the Video Game Bar Association, which represents legal practitioners in the interactive entertainment space. "The biggest challenge for most businesses is simply deciding which solutions provider to choose from."

As a result, working professionals and organizations seeking on-demand alternatives to traditional business arrangements and solutions are finding it increasingly simple to collaborate and connect. "With the expansion and globalization of gig platforms, talented professionals from around the world can offer their services to a much wider audience of potential clients," says Brie Weiler Reynolds, career development manager for FlexJobs, which has created a guide to popular freelance and gig economy job platforms. "These platforms can allow for much quicker transactions and collaborations and have a streamlining effect on the whole [project development and innovation] process."

Freelance marketplaces and the gig economy are becoming part of the new normal.

"In the future, we'll think in terms of 'platform economies' [vs. marketplaces]," says Hugh Durkin, director of product development for marketing, sales and customer service software provider HubSpot. "Because of the much lower costs [associated with using these solutions], it's not uncommon for bootstrapped, self-funded businesses to become more meaningful in terms of revenue."

It's not just budding entrepreneurs who are finding creative ways to assemble ragtag teams of freelance superstars and stretch every dollar further. Perhaps the most telling signs of sea change lie in corporate America's growing embrace of on-demand and outsourcing practices, with the share of gig workers at U.S businesses having ballooned 15% since 2010, according to the ADP Research Institute.

During the pandemic, it's provided an easy way for many clients, including Fortune 500 firms, to fill in creative gaps and source specific film footage that would otherwise be tough to produce while under stay-at-home orders.

Andrew Krause

founder of marketing communications firm AKA

Over 30% of 1099-MISC contractors doing gig-based work now are over age 55, pointing to growing opportunities for working professionals in every category and age group. But nowhere is the growth potential in the space greater than for small businesses, who are increasingly turning to freelance marketplaces and online sites to outsource (or crowdsource) common day-to-day tasks for pennies on the dollar. And whether they need help with social media management or professional voice-overs, drop shipping or app development, countless entrepreneurs across the globe are quickly adding these solutions to their list of go-to resources.

"Although we're a 22-year-old business, we consistently use stock image, music and video providers," says Andrew Krause, founder of marketing communications firm AKA. "During the pandemic, it's provided an easy way for many clients, including Fortune 500 firms, to fill in creative gaps and source specific film footage that would otherwise be tough to produce while under stay-at-home orders, let alone quickly."

Krause cautions, though, that while freelance creatives provide solutions and are a great way to outsource time-sensitive work or fill in any specific skills gaps that your company may have, results can vary. "It takes a skilled hand to assemble and watch over people."

The key to being successful, he says, is simply to be clear with freelance providers about what your project needs are. Likewise, it's important to vet freelancers' capabilities and work portfolio upfront, establish clear deadlines and milestones, and keep a close eye on project management.

Andrew Vine, head of professional speaking agency The Insight Bureau, said his company uses freelance marketplaces, off-the-shelf templates and online tools to outsource and streamline many aspects of its operations. "We use Upwork.com [freelance] staff to take on ad hoc projects in a way that temporary agencies could never accommodate, sites like SurveyMonkey to source customer feedback, and Zoho CRM [sales software] to handle customer relationship management," he says. "Similarly, we use solutions such as Calendly to [manage our schedule] and avoid the Ping-Pong match involved in setting up appointments. There are plenty of affordable, web-based solutions that help us remain agile."

Michael Morgenstern, senior vice president of marketing for expert witness provider The Expert Institute says they relied on several free resources to grow and scale their business. "We use Trello to manage our projects, Brainlabs' open-source scripts to automate certain high-tech actions, and Unsplash.com is our go-to resource for free, high-quality stock imagery."

Agile and affordable solutions such as these can often be a vital go-to resource for start-ups and other, bootstrapped ventures, helping lower barriers to market entry and offer the tools needed to compete with larger firms. Ironically though, with so many outsourced and on-demand options now available, and just a click away, the biggest challenge for many businesses is simply picking the right ones.

Happily, say many executives, it's a good problem to have, even if the options can sometimes prove overwhelming.

If you're looking to get started yourself, some online marketplaces where you can find freelancers or on-demand services includeFiverr,FlexJobs,Freelancer.com,Guru,Toptaland Upwork. Yet there are a few things to keep in mind when starting out, says Brent Messenger, vice president of public policy and community engagement at Fiverr. Knowing these willensure a more successful outsourcing experience.

If you're looking for help with online automation, or stock assets such as photos, images and plug-and-play solutions, the following sites can also be of service. Some may offer assets and solutions for free, others for a nominal fee or on a subscription basis.

Email and newsletter marketing: AWeber, Constant Contact, Drip, GetResponse, HubSpot, iContact, MailChimp, SendInBlue

Photos and videos:Unsplash, Shutterstock, StockSnap.io, DepositPhotos, Videezy, VideoHive

Logos, graphics and branding:Crowdspring, 99Designs, Behance, Canva, Easil, Adobe Spark

Web design and development:Shopify, Squarespace, Wix, WordPress, GoDaddy, TemplateMonster, ThemeForest

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Budget-minded business owners' love affair with gig workers is growing - CNBC

Art of change: Maintaining digital and physical balance in times of Coronavirus – The Financial Express

In March, just before the lockdown was put in place, Delhi-based artist Sangeeta Gupta completed a massive 606-feet painting on a khadi cloth. Bathed in indigo, the masterpiece depicts the Hindu deity Adiyogi Shiva. Gupta was hoping to make her way into the Guinness Book of World Records with her artwork, but the virus threw all plans off-course. The artist, however, has continued to work on a series of projects. Her palette has undergone a creative transformation, though, in response to the pandemicthe predominant red and blue hues have been replaced by subdued silvers, whites and greys, which now dominate her unfinished series on healing earth.

The pandemic slowed us down and impacted my thoughts to create an intimate and evocative series in context of the crisis. Art works as therapy.It inspires people through engagement and action, says Gupta, who retired as chief commissioner, Income Tax, Delhi. She feels art has a bigger role to play in times of uncertainty. Like my indigo series can help uplift the native practice of cultivation, benefit farmers, dyers and craftsmen of rural India, Gupta says.

Its true that the pandemic has thrown the art world into a tizzy. Usually a sector that relies and thrives on the physical experience in the form of exhibitions, talks, auctions, etc, it has gone through a tough few months, as galleries and event spaces remain shuttered and visitor footfall abysmal due to social distancing measures. Its no wonder then that artists like Gupta are innovating and adapting to the extreme changes that have been thrust upon them. And that precisely is the need of the hour. To build a resilient environment, the art community needs to look at alternate ways. The chief among them are investing in online narratives (think online viewing rooms, auctions, exhibitions, etc) and forming collaborations to support artists. When people are locked in their homes, there is an opportunity to reflect upon innovative means to engage with them and bring a sense of normalcy in their lives through connections with the past and present. Collaboration is key and has the potential to yield impactful results and restore a sense of cultural cohesion, says Delhi-based Smriti Rajgarhia, director, Serendipity Arts Foundation & Festival.

Virtual cultureArt houses and galleries across the world are revealing more of their collections to the digital world today than ever before, creating an increasingly open and accessible arts community. France-based International Council of Museums has, in fact, collaborated with Google Arts & Culture to help art institutions and cultural organisations digitise their content. They even released the Connected to Culture toolkit, a guide for organisations to continue their cultural programming online through livestreams, online talks and digital tours, along with tips on how to showcase collections through social media.

Similarly, the Smithsonian National Museum of Natural History in Washington, DC, offers digital resources for students, teachers, parents and science enthusiasts in the form of 2.8 million artefacts and specimens from history. New York-based auction house Sothebys, too, has transformed its business model to focus on online sales. In the March-June period, the auction house saw 76 online auctions (versus 27 in the equivalent period last year) with 6,200 lots sold and sales amounting to $134 million. We can harness the technological advancements of recent months to learn and share more with each other. The current environment is an opportunity to innovate and adapt. Our website looks very different to three months ago, with more information available, many online auctions, art available for private sale or curated offerings from partner galleries. Online catalogues are enhanced with interactive educational content, says Edward Gibbs, chairman, Sothebys India.

Closer home, Delhi-based galleries Espace and Nature Morte and others have collaborated on Artintouch.in, an online digital exhibitions platform created in partnership between galleries to present curated exhibitions.

Then there is the Kiran Nadar Museum of Art (KNMA) in Noida, which has incorporated online activities to grow art appreciation and the virtual museum culture. The digital programme includes conversations, workshops, contests and virtual exhibitions like an online glimpse of artists Mrinalini Mukherjee and Jayashree Chakravartys show Abstracting Nature. Theres even an online camp for kids called Craftopia. The art world had to pivot and shift to online programmes. This allows more people to access art and, in a way, sparks curiosity, says KNMA founder and chairperson Kiran Nadar.

Another KNMA initiative is Like the Moving Worldsan online exhibition collaboration with Delhi-based NGO Artreach India, in partnership with NGO TARA Homeswhich presents artworks by 18 young artists. It is inspired by transitions experienced by the artists from across geographies in light of the pandemic. Inspiring appreciation and engagement with the arts, conceptualising and organising platforms and programmes for art education in India is the most important mandate for us. It is also to support experimentation and development of informal ways of art learning, which classroom-structured education at times fails to do, says Roobina Karode, director, KNMA.

For Delhis National Gallery of Modern Art, too, the virtual space has helped it stay connected with artists and audience alike through exhibitions on the life and works of artists Jamini Roy, Raja Ravi Verma and sculptor-painter Ramkinkar Baij. We plan to roll out events and art collaborations beyond the confines of the gallery in the future and will continue to push our limits of experimentation, says Adwaita Gadanayak, director general, NGMA.

It is clear that in this new normal, the art ecosystem has to adapt to new mediums and look for innovative means of outreach. Institutions are undergoing a tremendous transformation aided by technology, recognising the advantages and power of the internet to engage with audiences. Like for our collaborative online festival in April, SAF 2020 x You, we received support from art institutions and organisations from across the globe and attempted to integrate the internet in our presentation and model of outreach. Over the six-day festival, we showcased performances, exhibitions, concerts, etc, all in the digital realm, says Rajgarhia.

Building resilienceWhile its relatively easier for enclosed spaces like galleries and museums to go digital, the road is tougher for open-space events like art fairs and biennales, which are spread across a large area punctuated with massive artworks, installations and sculptures. Earlier on, we approached artists to share what they had been creating during the lockdown. Using social media, we were able to show how artists continue to work during such situations and what purpose art serves during times like these, says Bose Krishnamachari, president, Kochi Biennale Foundation, and director, Kochi-Muziris Biennale (scheduled to open by the end of the year), adding that the pandemic has forced them to think differently about the event this year.

The team has been working on a strategy to be able to open art spaces, while keeping in mind the safety of staff, visitors and stakeholders. A biennale is so much more than a mere accumulation of coincidental collisions. The conversations that emerge from the exhibition, seminars and other programming will be vital in demonstrating the diversity of strategies that artists employ, especially in response to the current crisis, says curator Shubigi Rao.

Similarly, the India Art Fair (IAF), too, will move to the newly-renovated exhibition halls at Pragati Maidan for next years show scheduled to take place in February. A well-planned art experience combined with better control over the event are a few reasons for moving to the new venue. Flexible venues and standard operating procedures of the exhibition industry will help set parameters for both exhibitors and visitors. People prefer to experience art in person and a nuanced adoption of safety measures at gatherings, networking and relationship-building activities will make all the difference, says Jagdip Jagpal, director, IAF. In the past few months, the spread of knowledge online has been greater than ever before and, to a large extent, it has fast-forwarded initiatives that the sector should have been undertaking already. Going forward, we must find ways to remain strong in the recovery, as well as the growth phase. With this in mind, the IAF will kick off its public programme in September using digital formats as a means to support our in-person exhibition strategy, she adds.

Art has always been a medium that communities have used in the face of crisis to help build resilience. Its also an effective tool for community outreach programmes at such times. Its no surprise then that Hampi-based creative mentor and curator Lavina Baldota has been working with weavers and artisans to preserve handcrafted textiles and bring design interventions in traditional weaving, embroidery and crafts to create products that have global appeal and usage. Her aim? To interface art and craft, lend a contemporary narrative to traditional skills and make them relevant for the future. We need skill training and revival, as well as upscaling to create exceptional wearable and usable art, says Baldota, who curated the multi-dimensional exhibition Santati at the IGNCA in Delhi early this year. It featured works created by artists from the weaving, fashion, literature, fine arts and design industries, representing their interpretation of Mahatma Gandhi and his message.

Solidarity and collaborative efforts like these are more important now than ever before. And this is something that the recent Taking the Temperature Reportby FICCI, interdisciplinary arts organisation Art X Company and British Councilattests. It seeks to understand the impact of the pandemic on artists livelihoods and organisations, and the strategic response by governments and stakeholders to ensure that the sector recovers and grows. Some of its key findings are that MSMEs make 88% of the creative sector, 41% of the sector stopped functioning during the lockdown and 61% of organisations established in the past four to 10 years stopped functioning during the lockdown.

The report also shares case studies of resilience and innovation in action across the creative sector. Take, for instance, Kerala governments self-help programme STAYin aLIVE, under which it launched an online arts festival in May with over 60 artists across multiple platforms. The festival raised over `3 lakh in ticketing fees and donations via a campaign fundraising page. Solidarity is more important now than ever. The partnership, to get under the skin of the impact on the arts and cultural industry, will help understand what collaborative efforts are best placed to address the long-term sustainable growth of the creative economy in India, says Barbara Wickham OBE, director, India, British Council.

Strategic engagementGoing forward, Jagpal expects to see entrepreneurial skills and strategies becoming the mainstay of leadership and fundraising in the art world. The strategy should be to create stability in unstable times through short-term, long-term and contingency planning. That requires vision, flexibility, versatility and creative thinking. We have always believed in a model that is commercially sustainable, while supporting development of the sector whether by providing commissions for artists or training to develop existing professionals, as well as those looking to start a career in the arts. The cooperation and collaboration taking place amongst professionals has to be consistent and measured. Any knee-jerk activity will simply result in wasted financial and human resources, she says.

Delhi-based artist Durga Kainthola, too, feels there is a need for well-rounded strategies. As virtual exhibitions gain momentum to bring better exposure for artists, galleries need to start marketing intensely and restructure the audience to enable the artists reach. Due to the pandemic, there is uncertainty in selling of artworks. This, in turn, hampers artists severely. Perhaps galleries can lower their profit margins in order to let artists survive, and museums should utilise their global network for fundraising. Financial aid will enable artists creative growth amid the pandemic, Kainthola says.

Alliances, for sure, are the way forward and will create new opportunities. Alliances come with the promise of knowledge and resource sharing, which can introduce fresh perspectives. At Serendipity Arts Foundation, we have joined hands with (France-based annual photography festival) Les Rencontres dArles and Institut Franais in Delhi to support practitioners from south Asian. The Serendipity Arles Grant 2020 aims to strengthen regional cooperation and Indo-French bilateral relations through cultural exchange, with the purpose to promote cultural practices. In the past, the foundation has collaborated with the Spanish Embassy, British Council, Goethe-Institut, among others, to promote art practices from around the world, says Rajgarhia of Serendipity Arts Foundation & Festival.

Gurugram-based art consultant and curator Lubna Sen feels museums and galleries need to evolve rapidly to fit into the digital era of communication and reach out to their audiences in innovative ways to keep the art and culture conversation going. Galleries can become educators of art appreciation, which is lacking in India. Since the careers and livelihoods of artists depend on galleries, they do have the additional responsibility to support them financially. The support can be extended through putting up works for sale whose proceeds can go directly to artists, says Sen, who curated a virtual exhibition earlier this month titled Spirit Remains Unlocked, a group show of 30 artists.

Besides monetary help, theres also a need to have a constant dialogue with artists to motivate them in these times. The indigenous painters of Patachitra or Madhubani, who live in small towns and villages, require a constant dialogue of reaffirmation in such times, says Gadanayak of NGMA.

One thing is clear: the art world will have to recognise the hidden opportunities stemming from this challenging situation and maintain a balance between digital and physical. We all might have to operate a little differently, adhering to the protocols laid out for public safety. The internet plays an important roleand to see it as a space that can host festivals and similar outreach initiatives is exciting, says Rajgarhia.

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Art of change: Maintaining digital and physical balance in times of Coronavirus - The Financial Express

Indias new fisheries policy will increase private control over open access water bodies – Scroll.in

Aiming to accelerate the development of the fisheries sector, the Indian government has released the draft National Fisheries Policy 2020 that intends to integrate all components marine and inland, capture and culture, and post-harvest in a single document and create an environment to increase investments in the sector, double exports, and incomes of fishers and fish farmers.

It tries to encompass elements of the Blue Growth Initiative, the Agriculture Export Policy 2018 and the targets set under the Sustainable Development Goals. The policy also looks at integrating the fisheries sector with other areas like agriculture, coastal development and ecotourism to meet the goals of Blue Economy while keeping the socio-economic upliftment and economic prosperity of fishers and fish farmers especially traditional and small-scale fishers.

Researchers and members of fisher rights unions have criticised the draft policy for being export-oriented, production-driven, and based on capital investments, which they fear would strip small scale fishers off their rights of access to commons, and also damage the environment in the long run. In addition, they say that the policy does not talk about women. It is silent on caste and class. Fishing communities in India are not homogenous. They have distinct social governance structures and traditional practices, depending on where they live on the coast. They are also organised into sectors, such as the mechanised and non-mechanised sectors.

In a press release, National Fishworkers Forum, a federation of trade unions of independent and small-scale fish workers stated that the policy is neither in favour of the fishing communities nor for protecting the oceans and the coast.

In recent years, fish production in India has had an average annual growth rate of 7%. The share of the fisheries sector was 1.03% of Indias Gross Domestic Product in 2017-18, and the sector has been one of the major contributors of foreign exchange earnings as India is one of the leading seafood exporting nations in the world. The fisheries sector contributed Rs 1.75 trillion to Indias GDP during the financial year 201718, and claims to support nearly 16 million fishers and fish farmers. The document says that India has more than 10% of the global biodiversity in fish and shellfish species, and the total fisheries potential of India has been estimated at 22.31 million metric tons in 2018. The draft policy attributes the rapid growth of seafood exports to the boom in brackishwater aquaculture.

Sunil Mohamed, retired principal scientist and former head of molluscan fisheries division at the Central Marine Fisheries Research Institute in Kochi, explained that integrating all the sectors in one policy is a mistake. The marine [fisheries] is not comparable to inland and capture and culture fisheries are completely different sectors, he told Mongabay-India. The sectors need to have separate policies, which they have had in the past, in various stages of drafting. This looks like they have borrowed some points from each and pasted them together to make a unifying policy. In the bargain, we may have lost several important aspects of each policy, Mohamed said.

There is a National Marine Fisheries Policy 2017, which was notified by the central government in April 2017, a draft of the National Inland Fisheries and Aquaculture Policy 2019 which was released in February 2019, and a draft of National Mariculture Policy 2019 which was also released in 2019. In light of the National Fisheries Policy 2020 draft, it is unclear what will become of the rest.

In fact, there has been a lot of confusion around the draft national fisheries policy. It was first put online on the website of the union governments department of fisheries on February 12. However, no final date for comments from stakeholders was mentioned. Subsequently, on June 16, 2020, the department of fisheries posted an update that senior officers of the department, in a meeting taken by the secretary of the department, discussed the draft national fisheries policy 2020. Since then, there has been no information about its present status. Queries sent to the central governments fisheries department have remained unanswered so far.

The draft states that the marine sector is dominated by the socio-economically backward artisanal and small scale fishers, that there is stagnation in the growth of marine capture fisheries, and that it is imperative to figure out alternative livelihood options.

It suggests two initiatives for small scale fishers: to skill them in deep fishing, which includes exploring the areas beyond national jurisdiction and give a push to industrial fishing and deep-sea fishing for high-value resources like tuna, tuna-like species, oceanic squids in a sustainable manner and; to skill them in mariculture, the practice of cultivation of economically viable marine plants and animals in seawater. The policy sees massive potential for the country in mariculture, projecting an annual production of four to eight million tonnes.

The problem with this, according to Siddharth Chakravarty, who works at The Research Collective and analyses fisheries policies through the lens of labour, gender, and class, is that the further you move away from the shore in terms of capture fisheries, and the more you try to enhance production in artificial ways through intensive culture fisheries, you automatically add two aspects to it. One is the need for upfront capital to be able to conduct and undertake these activities. The second is that you invariably use more intensive technologies.

So compared to a near-shore gill-netter, a long-liner is going to be much more intensive both capitally and ecologically. A mariculture pond that tries tuna ranching...for that cage you need infrastructure that is more capital-intensive and this will have an ecological impact as well, he said.

He also pointed out that the government is largely basing fishery development on the fact that it needs to invest through entrepreneurs, and that investment will be matched by government support. What it means for fishworkers is that it excludes them, because women, lower caste fishers and those involved in allied activities operate within a socio-economic system where livelihoods are not embedded in the cycle of investment, extraction and profit. So, in addition to the schemes being financially unviable, there is also a clash of cultures and outlooks in the way the state sees and the people perceive development, he told Mongabay-India.

In mariculture, when somebody would make an investment in the coastal waters, they are inserting their private property into a common property rights regime. And it becomes an exclusive piece of investment that belongs to someone, and the fish in it are not a shared resource like other fishery resources are. There is going to be a creation of exclusive zones, and a need to protect those zones, and there is going to be a social exclusion in addition to the capital exclusion and ecological exclusion, Chakravarty warned.

The inland fisheries include all rivers, canals, floodplain lakes, high altitude lakes, ponds, wetlands, tanks, reservoirs, brackish water, all saline and alkaline affected areas of the country. The policy aims to enhance fishing in all these areas, including high-altitude lakes in the North and Northeastern parts of India, and wetlands and reservoirs in protected areas. Pradip Chatterjee, convenor of National Platform for Small Scale Fish Workers, said this means privatisation.

Not privatisation as in going into private hands the state is going to take these areas under their jurisdiction and then it is going to lease them out to private entrepreneurs or beneficiaries, who are then going to enhance fish production, he said. All these are public water bodies, and traditional fishers have been fishing in them since time immemorial. Why should it be leased? Commons are for the public. The traditional fishers and fish farmers are going to lose their natural rights over these water bodies they will be turned into contract labourers, Chatterjee told Mongabay-India.

He emphasised that the rivers and wetlands are already polluted and that fishworkers are barely earning a livelihood, which forces them to migrate and seek work in other states. The tenure rights are not secure for the farmers in this sector as it is mainly verbal and there is no support from the government, he said.

According to the draft policy, aquaculture sector documented one of the highest growth rates in productions and providing livelihood and nutritional security in the country, and deserves greater attention in the form of incentives/concessions as in agriculture like income tax, power supply, loan facility, insurance covered, drought and flood relief and transportation.

But aquaculture is also known for causing an immense amount of pollution in the form of eutrophication of water bodies ultimately leading to habitat destruction and also destroying livelihoods of those who invest in this fish farming method. While the draft policy talks about using mitigation measures, there is no indication of what those measures are.

In addition, small fishers and allied workers who are not going to be able to invest in aquaculture as a beneficiary component by putting a certain percentage into that farm, it means that access to common property resources, to resources that are seasonal like ponds and dam waters where the fisheries department has been putting seeds and some capture fisheries happen, as they start becoming privatised or polluted areas, it will begin to exclude people, Chakravarty added.

The draft proposes to implement dedicated programmes for developing fisheries sector in islands. One of them is game fishing or recreational fishing, which according to Sahir Advani, junior adjunct fellow at Dakshin Foundation and postdoctoral research fellow, Institute for Resources, Environment and Sustainability at University of British Columbia, is increasingly being recognised as a sustainable means to connect with aquatic ecosystems and as alternative livelihood options for small-scale fishing communities.

In the Andaman Islands, the game fishing industry brings in a lot of foreign revenue, provides employment opportunities to local communities, and has a low impact on marine ecosystems if the principles of catch and release with minimal stress to fish are followed. While an economic valuation of the game fishing sector in India remains to be undertaken, it will likely be beneficial to the local economy and is a good example of ecotourism, if done right, responsibly, and equitably he told Mongabay-India.

In a webinar organised by the National Fishworkers Forum earlier in June, Jesu Rethinam, convener of Coastal Action Network and member of NFF said that women are further invisibilised in the [draft] policy.

She said that the policy aims at the rationale of schemes which has been envisioned in the Pradhan Mantri Matsya Sampada Yojana. The PMMSY is a financial scheme of Rs 200 billion launched by the central government in May this year, to bring about the Blue Revolution. It was criticised for focusing on economic and technological growth as opposed to catering to the food security and livelihood needs of the fishers, given the exponential losses incurred by the fisheries sector during the Covid-19 pandemic.

There are women in many parts of the country who engage in capture fisheries in both marine, backwaters, estuaries and inland, there is no mention of them, and wherever mentioned they are mere claims with no progressive intent for the fishworkers, she said.

Chatterjee stressed that there is total neglect of the traditional knowledge of the fishworkers, in this proposed policy and there is nothing on their rights. Development without rights will lead to eviction of fishworkers from their livelihood, he said.

Over the years we have created a narrative of poverty, of helplessness, of back-in-time, of small as being inferior, and therefore we are very successfully able to deploy all those words to then imply that there is a need for development, said Chakravarty. But when you go in and look at the scope of the document, the development is not actually directed towards people for whom the societys sympathies at large have been evoked.

Advani explained that Indias envisioning of the fisheries sector has for a long time been all about gaining returns from marine exports. The language used in most policy documents focuses on resource exploitation rather than management, he said.

He explained that fisheries sustainability can be considered in six dimensions ecological, economic, social, technological, ethical, and institutional, and Indian fisheries policies seem to be focused largely on economic and technological dimensions with short-term sustainability targets in mind.

There needs to be greater consideration of long-term sustainability and across the dimensions of social, ecological, ethical and institutional for Indian fisheries to become truly sustainable, he said.

This article first appeared on Mongabay.

Continued here:

Indias new fisheries policy will increase private control over open access water bodies - Scroll.in

Bureaucracy needs revamping to enable growth and development – The Sunday Guardian

The role of politicians has been far more significant in pushing the countrys development than that of bureaucrats.

The structure of administration in India, nowadays called the iron frame, was modelled by the British on their own system of civil services. No wonder then that audiences in this country can appreciate the biting irony of the British television series Yes Minister. In a sense, the series is a parody of bureaucracy all over the world. But the concept of the administrator as not just a rigid upholder of rules and regulations but also as the denizen of elite clubs signifying a luxurious lifestyle is very recognizably part of both British and Indian cultures.

From the point of view of the common man, government officials in this country seem to occupy a God-like world cocooned from the grinding reality of life. This may not be entirely true but Kaushik Basu, former Chief Economic Advisor to the UPA government, certainly wrote wittily about his experiences in this role. He described the way in which doors in South Block magically opened for him while his briefcases seemed to float on their own to his office. For an ordinary mortal, this seemed a strange world where an individual neither opened doors nor carried briefcases on his own.

There is one crucial difference, however, between the British and Indian civil services. The latter was created to control a subjugated population, while the former was meant to deal with ones own people. Here administrators have been taught to control and suppress people who could conceivably revolt at any time against alien masters. Sadly, seven decades after Independence, the bureaucracy has not been taught that its role has changed. Or, if they have been told so in the legendary training academy at Mussorie, it is with the caveat that law and order is their primary responsibility. As one top bureaucrat told me, we have never been taught how to be facilitators to development, we have only been taught how to control and restrain the masses.

The same person told me this country will never grow or prosper till the entire system of civil services is demolished. Amazingly, another Secretary rank officer made identical comments in a private conversation. One of them even told foreign investors at a closed door meetingat which I was present inadvertentlythat his junior officials were not likely to reply promptly to any queries though they had given him assurances to this effect. He warned that most times, on calling they would be told sahib is in a meeting.

Though media in this country constantly portrays bureaucrats as being harassed by political leaders, and this does happen in many cases, there is another side to this story. This is based on the accountability factor. The politician in a democracy is held accountable for his actions every five years during an election. It is at this point that even the most corrupt of politicians needs to flaunt his achievements in bettering the life of his constituents. In contrast, the bureaucrat faces no such issues. He has no reason to seek any change in the status quo, given the fact that his is a lifetime job with immense comforts.

My brief stint of working in a non-profit organisation brought home this fact rather dramatically. The NGO was trying to persuade a state government to launch a major health initiative by providing the required technical expertise. Officials in the health department were utterly disinterested in the proposal. But when it was finally presented to the then Health Minister, he was delighted by the plan. He took an on-the-spot decision to implement it despite stiff opposition from officials, who could provide no valid reason for their hostility. The minister recognised that the scheme entailing minimal financial involvement would bring about a significant improvement in childrens health. Like any canny politician, he also realised that this visible success story could be highlighted in the future. The department officials, however, saw no gain to themselves by accepting a project submitted by a resource-starved NGO.

In fact, the oft-told stories of bureaucrats being roughly treated by political leaders are undoubtedly true but there are others regarding the staunch obstinacy of the bureaucracy in stalling policies that can bring about much-needed uplift of people. It may go against prevailing thinking, but one must accept that the role of politicians has been far more significant in pushing the countrys development than that of bureaucrats. The dismantling of the licence raj regime was opposed most virulently by officials who were set to lose their draconian powers to control all levels of industry. Udyog Bhawan in the pre- liberalization era was where top corporate honchos could be seen waiting meekly for hours outside the offices of not just senior officials but junior babus for a mere five-minute meeting. Narasimha Raos initiation of economic reforms brought such power crashing down.

Even so, red tape is still rampant in the government. Despite this regimes efforts to digitize services to eliminate any element of discretion, ways and means are found to ensure that considerable power remains in the hand of the ubiquitous babu. Even the process of filing income tax returns online is said to be short circuited in some cities for small businesses who are forced to meet officials in person. Similarly, the complexity of the Goods and Services Tax (GST) at the outset meant that it has taken literally years of revisions before becoming somewhat comprehensible for taxpayers.

The solution for these problems cannot be a complete demolition of the so-called iron frame of administration and governance. But the present government can surely take a few steps towards loosening the stranglehold of the civil services. First, there should be a greater induction of domain experts into specialised areas of governance including the public sector. For instance, it would make sense to have technocrats heading ministries like power, telecom, coal and petroleum. Rather than generalist IAS officers who take time to learn the subject and then move on after a few years to another sector. In fact, such ministries should be declared off-limits to the generalist officers.

Second, the process of administration at the district and panchayat level needs to be revamped as well. Here too domain experts in agriculture and rural development need to be placed in positions of authority so that work in these sectors can be carried out efficiently.

Third, the entire process of recruitment to the government needs to be revamped in conjunction with human resources experts. It needs to be more in line with the needs of an evolving society rather than continue the traditional patterns of employing babus that were established decades ago.

A multitude of other changes can be proposed but that might need another really long article. Suffice it to say the human resources available for governance are not being used to their full potential in this country. An emerging economy like India needs visionary and dedicated personnel who can help the country emerge from its chrysalis and become a powerhouse of energy and growth. Recruitment for the government needs to focus on those who have the required skills to facilitate development and enable a faster pace of growth, not just for the elite but for the common man. It is high time this government takes action on this issue to ensure a significant improvement in the quality of governance.

Sushma Ramachandran is a senior journalist

Original post:

Bureaucracy needs revamping to enable growth and development - The Sunday Guardian

The weekend read: Making solar sizzle – pv magazine International

From pv magazine 07/2020

Solar PV is scaling, fast. On track to terawatt scale Fraunhofer ISE estimates around 12 TW will be installed by 2030, while PV consultancy Amrock puts the 2050 figure at 70 TW to 80 TW it is a disruptive, low-cost, clean energy source.

Growth poses lucrative opportunities, particularly for manufacturers; yet, a dark cloud lingers. As Pierre Verlinden, Amrock MD, said during pvmagazines recent Virtual Roundtable (see p. 58), at 1 TW, the industry accounts for 94% of todays silver market, 35% of copper, and 32% of MG silicon. Even at todays GW level, waste is worrisome, toxic materials integral, and raw materials finite.

The World Economic Forums 2020 Risk Report confirms such issues are not confined to the few, but rather represent disruption for the many.

In response, multilateral global partnerships are forming to investigate how circular manufacturing models can play a revolutionary role. The goal is not just avoiding environmental destruction; equally, innovative business models, new revenue streams, resiliency and long-term economic stability are targeted.

Global thinktank SustainAbility wrote in its 2020 annual trends report: From food and fashion to electronics and the built environment, circular thinking keeping resources in use for as long as possible to extract the maximum value will continue to gain momentum in 2020.

In Europe, the unveiling of the European Green Deal and associated Circular Economy Action Plan this March has seen heightened sustainability activity. For example, Sitra, Technology Industries of Finland and Accenture released a playbook, Circular business models for the manufacturing industry, in May. In it Sitra states: Circular economy offers companies the opportunity to turn inefficiencies in linear value chains into business value. These inefficiencies look beyond production waste, focusing on underutilised capacities, premature product lives, unsustainable materials, wasted end-of-life value and unexploited customer engagements.

Reviewing a number of globally established businesses, the playbook identifies proven circular business results. These include Wrtsil achieving a 45% reduction in production development expenses and a 50% reduction in assembly time using modular engine architecture, and Caterpillar reaping 50% higher gross profits from selling remanufactured products at a 20% discount. Ford has also cut costs by around 20% by swapping aluminum for steel, while Michelin is selling tires-as-a-service, with a revenue potential of 3 billion in 10 years.

Overall, five working circular manufacturing business models are identified to achieve such results (see chart to the left). Work on circular projects in the PV and storage sectors is also underway, including three Horizon 2020 European Commission funded projects Circusol, Cabriss and Super PV and Fraunhofer ISEs Green Manufacturing Consortium. As discussed below, similarities between the industries and business models mentioned above can be drawn, and knowledge transferred.

With 8.25 million in funding, Circusol or Circular Business Models for the Solar Power Industry aims to formalize reuse, repair and refurbishment value chains for PV and storage. It also demonstrates the potential of Product Service System (PSS) business models over a four-year period.

Its report calculates there will be 8 million tons of PV waste, 13 GW of EU solar power that second-life PV could serve, and 25 GWh of second-life batteries by 2030. These resources could reap benefits if changes are made, like user not owner business models, economic stimulus and facilitation packages, rather than regulation, and transition from a few global, to many regional players. Key are reuse, repair, remanufacturing, repurposing and recycling.

To realize a vision, barriers must be understood. Circusol has identified 48 of these in R&D, design, technology, grid, collaboration, recycling, regulatory and market. These could be addressed via short- and long-term actions, as outlined in the table to the right.

In addition to value chains, Circusol investigates how circular PSSs could support change. Specifically, it wants to catalyze markets for second-life PV modules (see pp. 68-69), and the remanufacturing of disused EV batteries for stationary PV systems (watch out for pvmagazine 08/2020). It sees further potential in novel product technologies with lower environmental footprints, like mounting structures comprising renewable materials.

The intended role of a service-based business model approach is to enable coordinated product management (collection, sorting, refurbishment, testing, certification) and mitigate user concerns about the reliability, performance and lifetime of second-life PV products, writes Nancy Bocken and Lars Strupeit of Delft University of Technology, in a 2019 paper titled Towards a Circular Photovoltaic Economy: The Role of Service-based Business Models.

For example, opportunities exist in sharing excess electricity with other users through microgrids, aggregation services, and trading platforms, and enabling sharing of electric storage capacity at the community level. Delivery of these actions would require the coordination of responsibilities across several partners of the value chain, a role that a solar service firm potentially can adopt, they say.

Circusol divides cPSS into three categories: product, use, and result oriented. The first, pPSS involves selling products combined with services in the use phase, such as a product and after-sales repair. With uPSS models, the use of, or access to, products is central, like renting/leasing products; while the rPSS model focuses on services, not products, which could be a fee for service.

A benefit of service-based business models is the opportunity to gather valuable data on performance and service needs on a large number of systems, thereby enabling incremental optimization of system design and operation, say Bocken and Strupeit. They also allow for easier repair, reuse and recycling, among other benefits. See pvmagazine 06/2020 and listen to our Virtual Roundtable Sustainability Session to learn more about Circusol, and partners imec and PV Cycle.

Complementing Circusol is the Super-PV project, which aims to reduce PV module LCOE by 26% to 37% via innovation in electronics, and module and solar system design. With a budget of 11.6 million, it is focusing on areas like Module Level Power Electronics (MLPE) developments ensuring higher power output, performance monitoring and data collection on the string level, and nano-coatings for modules, which are anti-soiling, easy-to-clean and anti-reflective. These innovations are already showing promising results after the first tests. It is the second year of the Super PV project out of a total of four years, Tadas Radaviius, project manager at Lithuanian-based Solitek told pvmagazine. Work will now focus on demonstration of these innovations in desert, tropical, and cold climates.

The Lithuanian module maker is also looking into circular business models for second-life panels and refurbished batteries, while investigating alternative non-toxic materials like lead (pvmagazine 09/2020 will cover circular materials), new panel designs, and integrating radio-frequency identification (RFID) technology. This latter issue ties into Circusols short-term action 1, and long-term action 3, and the creation of a central digital repository of information.

As Radaviius explains, RFID tags could contain information useful for installers and recycling companies, like technical parameters and material composition. Another option RFID unlocks is the creation of an online database documenting information on each panel or PV system, which could be accessible to a number of stakeholders like manufacturers, installers, recycling companies, and researchers.

A third Horizon 2020-funded project is Cabriss, or the implementation of a circular economy based on recycled, reused and recovered indium, silicon and silver materials for PV and other applications. The aim of the group, which includes 16 European companies and research institutes, and has access to 9.26 million in funding, is to develop a circular economy based on PV waste manufacturing and end-of-life modules. It is focusing on technologies to recover secondary materials from modules and production waste; and to manufacture modules from these.

We managed to develop all technologies required to separate, purify and recycle PV waste manufacturing and end-of-life modules, Luc Federzoni of France-based research institute CEA and David Pelletier, project manager at French solar energy institute CEA-INES, told pvmagazine. This involves opening the modules via non-thermal processes to recover over 95% of materials like silicon, aluminum, silver and indium, and the EVA. However, they say it is currently difficult to find profitable business models while recycling volumes are still small.

Several innovative, resource-saving production technologies for wafers and cells are concurrently being investigated. These mainly involve Si-kerf waste from PV manufacturing to produce low-cost silicon substrates, including ingots made from recycled Si via a hot-pressing process, say Federzoni and Pelletier. PV cells and modules with an efficiency of 18.5% and containing 100%-recycled silicon have reportedly been produced. This is a promising technology and the process is said to be ready for industrialization.

New cell technology using epitaxial deposition of silicon directly from silane, which avoids energy intensive processes and eliminates kerf loss, is another area of development. Further R&D is still needed but feasibility has been demonstrated on small solar cells, they say.

Protocols measuring the quality of recycled material and its suitability for making new solar cells tie into this work, although a standard for remanufacturing cells with recycled materials is said to be lacking. What we precisely managed to industrialize was the re-use of the materials for other sectorial applications. This is the case for Si and In.

This latter issue touches on industrial symbiosis where waste or byproducts of one industrial process become raw materials for another key to a circular economy. In solar, benefits could be reaped by collaboration with TV manufacturers, for example. The full interview with Federzoni and Pelletier is available at pv-magazine.com.

Stating that now is the time to reinvest in the European manufacturing industry and take advantage of the TW-scale opportunities ahead, Germanys Fraunhofer ISE established the Green Manufacturing Consortium in 2019. It is a German publicly funded project, comprising 20 industrial partners, four institutes and two industry associations, including First Solar, Meyer Burger, Total, Wacker, VDMA, Oxford PV and Von Ardenne.

The goal is to develop an economic-ecological evaluation methodology for a sustainable future factory 10 GW in size and easily scalable beyond that for the production of innovative PV modules. Via a comprehensive energy and material flow model of scaled and vertically integrated PV fabs we will simulate changes in production capacity, factory layout, supply systems, production facilities and processes as well as recycling of materials through recycling processes and other value-added stages, explained Jochen Rentsch, head of Department Production Technology Division Photovoltaics.

In a recent report, Fraunhofer calculated that 1.9 billion investment would be required for such a 10 GW factory, covering an area of 500,000m2 and creating up to 7,500 jobs. Director Andreas Bett said reestablishing a European PV manufacturing market represents a big opportunity to ensure energy security by reducing dependency on imports, lowering costs and addressing sustainability. Why transport large and heavy PV modules the long distance from Asia and cause CO2 emissions and added cost? For example, module costs of 0.20/W can be soon realized, and transport costs from China to Europe can be up to 0.025/W, he wrote. As the chart here shows, the emissions of manufacturing modules in Germany are also much lower than in China, because of the stricter environmental controls in place.

Fraunhofer gives a further nod to Europes R&D centers, which are working on sustainable solar technologies like those mentioned in Cabriss, including kerfless wafers and high efficiency solar cells using tandem structures.

Responding to fears that sustainability could mean more expense, the reports authors say reducing and reusing materials, combined with higher efficiencies, and longer module lifetimes means end products should not be more expensive.

Strengthening this argument, the authors point to significant decreases in Capex costs and the replacement of traditional Al-BSF cells by PERC cells in industrial production. The already significant cost reduction and the prospect of even further reducing the cost in PV production leads to the conclusion that local production can bring cost advantages. This is a new development.

The year is 2050. Solar PV has reached terawatt-scale, with legislation on air pollution and waste. Caps on carbon have been filed away, digital dust stacked high upon their long-forgotten folders. Breaking news flashes detailing toxic spills and unjust labor conditions are inconceivable to todays generation. Landfills have been eradicated; just as in nature, the concept of waste does not exist.

Every particle entering and leaving factories is beneficial to businesses, their employees and the environment, all of which are thriving. Everything fits into a continual technological or biological loop maximum value extracted to the benefit of all societal and environmental stakeholders. This is a bold vision, yet with cooperation and innovation, it is achievable. The groundwork is now already being laid.

Original post:

The weekend read: Making solar sizzle - pv magazine International

IAmSophie: The Most Hated Woman on the Internet – 25YearsLaterSite.com

In the past few days, a trailer dropped for a new video game by the name of Gamer Girl. Troll bait if Id ever heard it.

The premise is simple: you play as a moderator for a Twitch streamer named AbiCake99, controlling her comments and decisions as she gets stalked in more and more disturbing ways by a fan. At some point, it seems to veer into straight up horror.

There are many reasons this is disturbing that we dont have time to go into right now. Needless to say, it represents a failure to read the room regarding the harassment of women streamers by game developer Wales Interactive, despite what they claim are all the good, awareness-raising intentions in the world. Playstation even took the trailer down mere hours after uploading it due to the backlash.

This is the experience of many women, and claiming that because the lead actress improvised her lines it is fine to ape it for the sake of a few quick bucks on Steam is sketchy justification at best.

The life of a woman being harassed and targeted on the internet is far from a jokejust look at the recent reaction to The Last of Us Part 2 for daring to have players take control of a woman character with (gasp!) muscly arms. Developers and cast members have faced sexist and transphobic trolling, harassment, and of course, death threats. It feels terrible and glib to add of course into the mix, but the predictability of it all requires recourse to the banal.

Im trying to avoid saying the phrase Gamergate, not just because it has Beetlejuice-esque qualities and attracts the very worst of humanity, but because that particular black hole of misogyny and hatred has been analysed to death. But its there, even now, years later, lurking in the back of the mind of every woman who takes part in online spaces, particularly those where mens voices come through loudest.

Sadoshi Kuns 1997 anime movie, Perfect Blue, really is the Ur-text to capture the horror of being a woman in online spaces. It is a remarkably prescient movie, full of tropes that would become all too commonplace and real as the internet progressed past its infancy.

The movie follows a young Japanese pop idol, Mima Kirigoe, who decides to leave behind her career as a cutesy, kid-friendly (and male fantasy) pop star in favour of a career as an actress. Over the course of the movie, she is stalked by a fan who has been impersonating her online, manipulated by everyone around her, right until she cannot recognise her reality anymore.

Its a movie about how being a woman, particularly one in public view, is fraught with traps and pitfalls. Mima can be the Madonna, or the Whore. The fans present at her final concert in her pop group are almost entirely adult men, salivating over the singers as they dance in their innocent-but-sexy costumes. As an actress, her reputation is tarnished because her character is raped on screen in a disturbing scene.

Misogyny infects every single scene of the movie, and all of these social pressures are amplified by the growing voice and intrusion of the internet. Part of what causes Mimas psychosis is a virtual diary written from her point of view, meticulously detailing every aspect of her day to the point where it is undeniable that she is being stalked.

The internet is just another aspect of human society. All our inventiveness, curiosity, anxiety, cruelty, kindness and terror is amplified by its use. We get the internet that we deserve.

2018s Cam, directed by Daniel Goldhaber, builds on the anxieties presented in Perfect Blue. Its the story of a young Camgirl, an internet model who hosts livestreams, often featuring sexual/erotic acts. Alice is a camgirl, and shes doing pretty well for herselfshes just made the top 50 of the most popular streamers on her platform.

Thats until a doppelganger appears, usurping her views and eventually leading to her revealing her career to her unsuspecting family.

Like Perfect Blue, Cam is a psychological horror that preys in part on our online fears. And like Perfect Blue, the insidious misogyny is figured as a virus, spreading not only hatred, but a fundamental lack of security in its protagonists sense of identity. Alice is forced to grapple with the idea that theres someone out there who has all the same tricks she has, but is meaner, cleverer, who doesnt tire or get frustrated. Who is quite content to work non-stop and keep reeling in the views.

These movies truly represent a new dawn in existential horror.

Movies like Cam and Perfect Blue are about women who are lovedadored evenand thats horrifying enough.

But what happens when a woman is hated online?

In February of this year, a channel trailer started appearing all over my YouTubeit would crop up in adverts before videos, and on my recommended page.

I Am Sophie The New Queen of Youtube, it proclaimed.

It looked dumb, to be honest. Just from the thumbnail image, I assumed it was some Instagram influencer trying to leverage that into an appearance on Love Island or something.

A month or so passed and I forgot all about the channel trailer, until I came across a video recapping the first arc of a new webseries of the same name.

I have to admit, I watched the recap before I watched the show itself.

Its hard to explain this shows premise, hard to even define it as a show, but heres a brief rundown:

Sophie is a rich millennialshes living the Insta High Life. Think: the exact type of person who bought tickets to the Fyre Festival but claimed she got them for free because shes an influencer.

The brand name for her merch (because of course she has merch) is YRPYoung Rich and Powerful.

Shes clueless, shallow and self-absorbed. She calls herself a businesswoman (Business is a very big word for me, she says solemnly. I crack up every time).

Shes also being haunted by a mysterious girl and a monster.

The video My Number 1 Crazy Fan tips the shows handit was never a webseries about a rich girl, it was a horror show. And boy does it degenerate from there.

The monster, the Hand of Hate, as dubbed by the shows investigative fanbase, is truly a horrifying figure. It looks like a human man in a suit, except there is a hand sewn onto its face, and HATE is tattooed on the knuckles of the hand.

Eventually, someone kidnaps Sophie, presumably Lara, the mysterious girl (and aforementioned Crazy Fan), and she is subjected to torture.

The second arc follows a man in a pitch-black room, making his way through discs from Laraold vlogs of her that reveal the truth of this girl. Lara was a beautiful, sweet, kinda awkward but normal girl living with her dad. She liked makeup and gaming. She maybe wanted to go back to college to get a BTEC. Then an anonymous fan sends her a video game to stream.

Its called Young Rich and Powerful, and its a twisted, horrifying version of Sophies videos rendered in 8-bit animation.

References to leather seats become about human skin, there are portals to hell, and the game repeatedly glitches to show Sophies tortured face and screams. All the while, Lara cant stop playing. Shes totally absorbed by the horror, just as we are.

Theres a final character to be aware ofSimon. Hes introduced dancing in his room with a plush flamingo, with the same birds plastered all over his walls in wallpaper. We watch him through his webcam, and as he drinks and texts his friends. Its revealed that he sent the game to Lara, that he is the one watching the discs.

Hes lonely, and convinced that he cares far more about his friends than they do about him.

In the latest video update, I Can See You All, it is revealed that Simon (and his precious flamingo) has been murdered.

RIP Simon, you might say.

But its also revealed by a recording of a Skype call (because what else could it be in 2020) that he put in an order forsomething. He asked for her to be slim, blonde-haired, blue-eyed. For her to have certain words and phrases that he would code into her. He asked that she be named Sophie.

Its all become rather Stepford Wives-esque, has it not?

And its this revelation that brings me back to where I started, to what I believe to be the core thematic question of this entire messy, gory webseries:

How much horror are women subjected to online?

The implication of the latest episode is that Simon, sore at his rejection time and again by Lara and his other friends, designed his ideal woman. Maybe as an AI, maybe as a sex robot. There are plenty of theories. But that part doesnt really matter. What matters is that he thinks he can design and control this woman.

Given the brutal circumstances of his death, its pretty clear that he was wrong about that.

But beyond Simon, our two protagonists are Sophie and Lara. On the surface, they have nothing in common. But in many ways, they act as satires on specific varieties of women youtubers: Lara is the insecure, real girl, and Sophie is the self-absorbed trainwreck you cant look away from.

Both attract Hate, both in-universe, and without.

Laras version of Sophies channel trailer, during her All About Eve moment, features real comments from the original video plastered over Sophies face. Bitch, Slag, Ugly twat are all pretty common. These are from real people, who commented on this video thinking that the subject of their vitriol was a real woman, before they discovered that it is fiction.

When you think of real life youtubers who might be inspirations for Sophie, you probably think of the Paul brothers, Jeffree Star, Shane Dawsonthe mega-successful of the platform who have parlayed their personas into real life fame and clout.

But Sophie isnt really anything like them. Shes shallow and self-absorbed, to be sure. Shes obnoxious and you dont really like her. But shes not mean, or cruel. Shes not racist or transphobic or anything like that. Shes just a spoiled little rich girl.

The Hate she attracts is totally disproportionate to her offense.

Lara is similar, although the hatred she faces is less obvious. Shes clearly insecure, likes makeup (without a particularly awesome talent at it), and enjoys video games. Now that is walking troll bait for the internet.

Shes largely ignored, garnering only six views per video on her channeljust as unpopular online as she is in real life.

And yet, even though her audience amounts to essentially nothing, she still attracts Hate. She still attracts someone who sends her a game that is clearly horrifying, that will humiliate her at best. The subtext being that her fear will prove that shes not a real gamer after all.

It seems that a woman on the internet cant win.

If you have an audience, youre an evil bitch who contributes nothing and deserves to die. If you dont have one, but nevertheless dare to take up space, you can still be found by creeps who feel entitled to your time and energy.

Either way, Hate, be it the Hand thereof or the real thing, will eventually find you and try to destroy your life. Much like being adored almost destroys Mimas life in Perfect Blue, and Alices in Cam.

Being a woman on the internet is a bit like playing Russian Roulette. The gun youre given has one bullet in the chamber. You fire blanks at yourself, until you dont. And its only a matter of time until that streak of luck breaks.

Male fantasies, male fantasies, Margaret Atwood wrote in The Robber Bride, Up on a pedestal or down on your knees, its all a male fantasy: that youre strong enough to take what they dish out, or else too weak to do anything about it. That passage has been on a loop in my head for years.

Later in the passage, she writes that You are your own voyeur. Never been more true than now, in this YouTube, algorithm, Hate-driven society.

If nothing else, IAmSophie has exposed how susceptible we are to Hate in all its forms. How easily we judge people by how they present themselves online, and how fickle those judgements can be.

Its too early in the story, I think, to argue that its calling for a better way forwardthat we should be kinder to each other and get back in touch with our empathy. For now, IAmSophie revels in the highly specific horror of being a woman on the internet.

What a goddamn nightmare.

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IAmSophie: The Most Hated Woman on the Internet - 25YearsLaterSite.com

The never-ending story – Research Information

When metadata librarian Nina Watts started working with the UK-based University of Westminsters institutional repository in 2005, the wonderful world of online scholarly collections was a very different place. WestminsterResearch was about to open with 2,692 records dating back to 2001, and of these, less than 10 per cent had an attachment such as an accepted author manuscript.

We launched in 2006 and this was quite early on in the landscape of repositories Westminster was considered to be an early adopter here, she says. In our project initiation document, you can see this mistaken impression that most works would be self-deposited with academics simply uploading publisher PDF... the repository deposits turned out to be entirely mediated.

Different schools also had different responses to the whole idea of open access, she adds. One head of school actually said they didnt see the point of open access, although they have since totally changed their mind.

Fast-forward 15 years, and the repository is now home to some 22,705 records, of which 27 per cent have an attachment. The percentage of full-text attachments for actual articles published since 2016 is 88 per cent; this figure came in at only 20 per cent for articles from 2006. And, where possible, content is made openly available with types of entries including journal articles, chapters, books and conference papers as well as a rising number of practice-based works such as exhibitions, digital and visual media, artefacts and designs.

According to Watts, 2015 was a watershed for WestminsterResearch in terms of the types of works as well as sheer numbers published. The university had just started working with UK-based Haplo, using the repository provider to ingest workflow, while still relying on its original free and open source Eprints package for the public repository interface. As a result, the repository could much more easily support practice-based research and non-traditional data-sets.

At the same time, the REF open access mandate had just been announced, stating journal articles and some conference proceedings had to be publicly accessible within three months of acceptance for publication in order to be eligible for submission for the post-2014 research excellence framework. Given the double-whammy of easier depositing and REF urgency, WestminsterResearch saw self-deposits rocket from less than one per cent to more than 99 per cent while practice-based/non text-based entries mushroomed by 246 per cent.

The Haplo repository and REF open access mandate came at a similar time and the combined power of both led to this massive increase in self-deposits, highlights Watts.

The mandates really helped people to comply to open access, she adds. And we believe that factors contributing to more practice-based research included vastly improved templates and fields for these outputs... in the past, the repository just couldnt take this content.

Following these results and the looming REF2021, WestminsterResearch switched to a full Haplo open source-set up in 2018, and entries have continued to rise. As Watts put it: I dont think wed have been able to support the increase in open access deposits without this rise in self-depositing.

Watts words echo the sentiments of many institutional professionals and end-users that have been working with repositories over the last decade or so. And given the steady development of repository platforms and tools, these words clearly havent fallen on deaf ears.

Jean-Gabriel Bankier, managing director of Bepress as well as Digital Commons for Elsevier, has spent a least a decade developing institutional repository cloud-based services. During this time, he has grown the Digital Commons community to more than 600 academic institutions, which have deposited some 3.5 million articles, leading to more than one billion downloads. Along the way, he has watched open access evolve as he says, in my mind, theres never been any kind of flashpoint event with open access - and is very conscious of the trials and tribulations that have ensued.

The work involved in finding, posting, sharing research the building of an open access repositories is a significant amount of work, but progress is being made, he says. Tools have been getting better and weve been really learning how to cut down on some of the more arduous steps of the workflow.

This is where a lot of effort has taken place over the last several years, he adds. For example Sherpa-Romeo [a Jisc tool to aggregate open access policies] was a big step in that direction and weve seen various efforts to make collecting metadata easier and faster.

For its part, Bepress has spent 16 years honing Digital Commons, and is now launching a new harvesting tool that allows users to swiftly harvest Scopus data into Digital Commons, and promises to slash the time taken by institutional repository managers to add faculty publication records into repositories, by up to 50 per cent. This, in combination with a new Outbound API, means the library can reuse the metadata from its institutional repository to manage information about its research contribution too.

Digital Commons has always been the showcase repository; weve been the Swiss Army Knife of discovery no matter what your content is, we will help you it showcase it beautifully, highlights Bankier. However, we also envisage [the repository] being a hub where accurate and comprehensive researcher data is gathered, organised and then shared.

Todays institutional repository must support the essential reputational needs of the university, serving as a research showcase and as a database of researcher outputs, describing the research being done, he adds.

Discovery matters

Workflows aside, Bepress has also focused on making open access repository content discoverable as well as demonstrating impact. To this end, the company incorporated Digital Commons Dashboards that allow administrators to browse real-time download activity and generate usage reports on demand. And impact analytics have expanded beyond downloads of the full text to include metrics such as citations, captures, mentions, and social media likes and tweets with the integration of PlumX Metrics. This is about encouraging additional contributions from authors and is so important, says Bankier. Its like the tree falling in the forest; if no-one hears that, did it really fall? The more authors are alerted to the impact that their work is having, the more they will contribute in the future.

Other key industry players are developing methods to drive both discovery and impact forward. Earlier this year, Figshare launched a faceted search page across its platform which, according to chief executive, Mark Hahnel, is designed to make it easier for users to ask questions and find content.

The move was, in part, prompted by Figshares rapidly rising volumes of text-based content. While the platform was originally designed with visual searches in mind, it has been increasingly used by institutions as a paper and thesis repository while high-volume preprint services, including ChemRxiv and SAGE Advance, also rely on its infrastructure.

Were also adding quality filters to the search, such as filter by citation count, which provides an indicator of what we can do, highlights Hahnel.

Importantly, the faceted search also provides a way to ask questions, such as how many downloads of chemistry content have there been in June on a human level, and without using a [search] API.

Liz Bal, director of open research services at Jisc, is pleased to see a rising number of tools designed to make life easier for repository users. We have more repositories than ever, more research than ever and as an end-user navigating this, it can be challenging.

In a similar vein to Bankier and Hahnel, she believes discovery is a crucial part of the growing repository landscape. At Jisc, we are interested in discovery as we believe this is an area that is ripe for improvement, will help people access the right information and help us realise the benefits of open research, she says.

Indeed, Jisc has been outlining many mechanisms and key tools to drive discovery forward. For example, the organisation recommends that any repository registers with the global directory of open access repositories OpenDOAR so users can find the most relevant repository when searching for content. Importantly, registration also ensures a repository is picked up by services such as CORE, a global aggregator of open access content, delivered by Jisc and The Open University.

In response to the recent UKRI open access consultation, one of our key recommendations is that registration with OpenDOAR becomes mandatory, says Bal.

This will help with content searches, quality assurance and provide information around the status of the national and global repository infrastructure, she adds. Were keen to link up such services to add depth and resilience to the repository infrastructure.

As Bal also highlights, Jiscs aggregator, CORE, includes a web-based search engine, programmable access to metadata and full-text for text mining to promote content discovery. Whats more, customised search and analysis tools can be created using CORE index and its API.

In line with other key players sentiments on impact, Jisc has also launched national aggregation services, IRUS-UK, IRUS-ANZ and most recently IRUS-US, which provide download statistics for content within a repository within the UK, Australia, New Zealand and the US. Were excited to grow our portfolio of IRUS services because institutional repositories can now look at their usage at the national level as well as benchmark at the international level, says Bal.

Indeed, Jisc has been quick to put together a table showing the use of coronavirus-related content in IRUS, featuring items from all three services. We are already seeing some useful insights from comparing usage in this way, highlights Bal. In working towards a global picture, well have a better understanding of content usage, and the important role of institutional repositories in providing open access to content, across the current fragmented landscape. (See Repositories far and wide, below)

Coronavirus catch-all

But while the Covid-19 pandemic has highlighted how repositories provide an indispensable platform to collate and disseminate research swiftly, it has also flagged up an underlying need for screening.

Indeed, within a few weeks of the coronavirus outbreak, bioRxiv and medRxiv had enhanced screening procedures on manuscripts to weed out dubious research results.

As Figshares Hahnel highlights: Weve seen this with our ChemRxiv clients and have said they need to add a banner to such content, pointing out that it is not peer-reviewed. I believe that data as well as pre-prints fall into this category of research that needs to be published quickly but needs some level of checking.

Indeed, Hahnel has spent the past year working with the US-based National Institutes of Health on a generalist data repository to store and re-use NIH-funded research data. Crucially, the repository has been curated by trained data librarians that check detail on, say, licensing and metadata, to ensure data aligns with the FAIR principles. And Hahnel thinks this low-level screening has made a huge difference.

Our State of Open Data reports indicates that many people like assistance while publishing data... and this NIH repository is providing a safe way to do this, he says.

Also, initial data [from the NIH] on content use and downloads shows that the impact of checked files is significantly higher [than files that havent been checked].

So it would seem that even simple screening benefits repository content and users. Still, as Hahnel points out, going forward, who checks and who pays? Were in a transition period here, and the business model for this is still up in the air, he says. But I think its going to have to involve human curation.

So what now for repositories? Without a doubt, the community can expect to see more advances in discovery and impact as well as interoperability, data ingestion and re-use. As Bankier says: We have the momentum and the change that is coming is good.

At the same time, Jiscs Bal firmly believes that the increasing number of repositories is raising the awareness of open access and open research, and this will continue.

Open access is widely seen as the norm, and this cultural shift is very important, she says.

To that end, we welcome the focus on open research in the UK Governments Research and Development Roadmap, and remain committed to providing the research community with the systems, repositories and intelligence to truly reap the benefits of open research.

And for repository user, Watts from WestminsterResearch, the rise in tools and open access has already delivered much-needed results. At first [depositing content in] an institutional repository was a nice thing to do, but with open access this has become a compliance issue she says.

This has definitely led to better repositories.

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The never-ending story - Research Information

What’s Coming To Disney+ In August (Australia/New Zealand) – What’s On Disney Plus

Australia and New Zealand are getting a wide range of new content for Disney+ in August, including four new Disney+ Original movies such as The One And Only Ivan, Phineas & Ferb: Candace Against The Universe, Magic Camp and Howard plus an all-new Disney Channel Original Movie, Upside-Down Magic.

Barts not dead, but is the subject of a movie starring Gal Gadot. Homer is nearly killed by Krusty the Clown. Lisa seeks asylum in Canada and much, much more in The Simpsons Season 30.

Directed by Don Hahn (Beauty and the Beast), Howard is the untold story of Howard Ashman, the brilliant lyricist behind Disney classics like Aladdin, Beauty and the Beast, The Little Mermaid and creator of musicals including Little Shop of Horrors. Featuring never-before-seen archival footage, personal films and photographs, as well as interviews with Howards friends and family, the film is an intimate look at the Disney Legends life, his creative drive, and the process behind the music. Spanning his childhood in Baltimore, to his formative years in New York, and his untimely death due to AIDS, Howard goes in-depth to explore his journey to become the lyricist behind some of the most beloved and well-known classic family films in the world.

Fozzie Bear has some big ideas for Muppets Now, and theres no time like the deadline to start pitching! Hes found a very tough audience in Scooter, who just wants to finish uploading the latest delivery. We see the very first episode of a game show that Pepe The King Prawn totally just made up. The Swedish Chef tries to cook a better mol sauce than his competitor, Danny Trejo. Dr. Bunsen Honeydew has replaced Beaker with a new smart assistant, and things get fired up. Miss Piggy and her guests, Taye Diggs and Linda Cardellini, show viewers how to work it out when they share the secret to staying healthy.

Viewers send in home-made videos capturing comical situations, mishaps and staged pranks. The studio audience votes for the funniest video, which wins attractive prizes.

Creative Director Ryan Meinerding brings Marvel characters to life through innovative design every day. Theres never a dull moment as Ryan creates the first looks of characters for Marvel Studios films including Iron Man, Spider-Man, Captain America and more. From initial sketches to special effects, Ryan oversees the process of bringing the next iteration of iconic characters to the screen.

Who says you cant be Goofy and organized at the same time? Not Amber or the Gubaney family, who connect to work on a Goofy-inspired craft. She will show them how to turn a simple item from the cupboard into a fun organizational tool thats sure to stand out. Meanwhile, the biggest challenge of all may be figuring out which Gubaney is the Goofiest!

When Buy N Large opens its first store in New York City, hungry customers get a taste of the future

Hosts Charlie Engelman and Carly Ciarrocchi dont have tickets to their favorite actress movie premiere, but somehow their friends do. Charlie and Carlys quest to get to the Alabama Cones premiere takes them on a fascinating journey to Dinosaur National Monument. There, they hatch a plan with a paleontologist to dig up the dough.

Joe, the new legal counsel for The Muppets, interrupts the scheduled delivery of Muppets Now to announce that all streaming content must be vetted by a focus group. Things go from bad to worse when Scooter meets up with the assigned test audience curmudgeonly critics Statler & Waldorf. The Swedish Chef collaborates with Chef Roy Choi as the two try to make a one-of-kind kalbi bowl. Dr. Bunsen Honeydew and his assistant, Beaker, enlist a Pizza Delivery Person (Al Madrigal) to explore velocity. Miss Piggy and her guests, Linda Cardellini and Taye Diggs, dig deep into the workings of a healthy relationship. Pepe The King Prawns unbelievable game show features new contestants, new challenges, new rules, and no planning at all

A young vampire girl faces the joys and trials of being the new kid in town when her family moves from Transylvania to Pennsylvania.

Petrolhead Shane Lynch is setting two teams of amateur mechanics a task of epic proportions; they have just four days to build monster machines that can out-perform a top-trump attribute of a supercar! Under the expert guidance of head-engineer Ralph Hosier, theyve got free reign in an automotive scrapyard to build their vehicles, before going head-to-head on the racetrack to see which performs best. Through the teams trials and tribulations, we will learn how supercars work, and learn just how hard it is to achieve perfection. From acceleration to braking, handling to grip, this is a true test of beauty vs beast. Scrapyard Supercar.

Manager of Broadcast Engineering at Disney Streaming Services, Pavan Billy Komkai explains the unique process of broadcasting live sports on ESPN+ for fans around the world. No matter the time of day or the location of the event, Disneys Streaming Services team provides viewers with high-quality coverage of diverse sporting events every day.

A group of misfit campers help a down-on-his-luck magician rediscover his love of magic in Disneys Magic Camp, a heartwarming comedy about finding joy and confidence in self-acceptance.

In this enchanting fantasy movie based on the New York Times bestselling childrens book, Nory and her best friend Reina enter the Sage Academy for Magical Studies, where Norys unconventional powers land her in a class for those with wonky, or upside-down, magic. Undaunted, Nory sets out to prove that that upside-down magic can be just as powerful as right-side-up.

Fun-loving pug puppies, brothers Bingo and Rolly, have thrill-seeking appetites that take them on exhilarating adventures in their neighborhood and around the globe. Whether helping their owner Bob or assisting a friend in need, the pugs motto is that life is more exciting with your best friend by your side. Each episode features two 11-minute stories that showcase Bingo and Rollys similarities and differences while demonstrating positive lessons about friendship, problem-solving, collaboration, creativity and adventure.

Nature Boom Time! is an educational show about nature and the environment produced by World By Charlie Productions and currently airing on Nat Geo WILD. The show follows Charlie, Kirby, and Patrick three perpetually enthusiastic best friends as they travel around the United States to learn about trees and what makes nature incredibly awesome. Science and history are explained with paper cutouts and goofy girl Casey back at headquarters!

Join Sam Peltz, a wildlife enthusiast, as she takes on a new wildlife challenge! See Sam get up close and personal with a kinkajou, giraffes, penguins, and more!

Learn some of the coolest facts about marine wildlife and the ocean as you join Scuba Sam on an aquatic journey and discover the wonders of the underwater world. Dive in as she teaches you about manta rays, nudibranchs, clownfish, jellyfish, and more so you can see for yourself why the ocean is such an amazing place for these creatures.

Ever wanted to journey into space? Wondered about the Milky Way or if aliens really exist? Then get Spaced Out! Learn about our universe through imagery taken from the Hubble Space Telescope, and see how it inspires our world and culture.

Ivan is a 400-pound silverback gorilla who shares a communal habitat in a suburban shopping mall with Stella the elephant and Bob the dog. He has few memories of the jungle where he was captured, but when a baby elephant named Ruby arrives, it touches something deep within him. Ruby is recently separated from her family in the wild, which causes him to question his life, where he comes from and where he ultimately wants to be.

To protect or enjoy? Hosts Carly and Charlie have two very different plans for the backyard and cannot come to an agreement. Carly thinks backyards are to be enjoyed, and Charlie thinks they should be protected. A visit with park rangers from Yellowstone National Park might just help settle Carly and Charlies debate.

Scooter wakes up in horror to discover his all-nighters have finally gotten the best of him, and he has only 30 minutes to upload Muppets Now. With the clock ticking and his eyelids drooping, Scooter enlists Animal to help him stay awake. Dr. Bunsen Honeydew and his assistant, Beaker, conduct a series of vibrational experiments with the help of a lonely, outdated computer. The Swedish Chef uncovers the secrets of Spaghetti Carbonara when staring down his competitor, Giuseppe Losavio. Miss Piggy sits down with Aubrey Plaza to conduct a fabulous one-on-one interview. Later, she looks out for number one as she focuses on self-care with guests Linda Cardellini and Taye Diggs.

As Senior Facilities Coordinator for Holiday Services, Heather Bartleson helps bring the holiday spirt to Disney. From parks, resorts, cruise lines and more, Bartleson works year-round to ensure the Holiday Services Team has everything they need to create holiday themed environments that immerse guests and create magical holiday moments.

Back to the Titanic documents the first manned dives to Titanic in nearly 15 years. New footage reveals fresh decay and sheds light on the ships future.

An epic journey revealing the real Mars, as youve never seen it before. Using data from orbiters and rovers to build accurate views of the red planet and uncover its secrets. On a single circuit of Mars from dawn to dusk, encounter monster volcanos, ancient lakes, alien ice-worlds and spacecraft crash sites. Explore humanitys Martian obsession, join the relentless search for life there, and hunt for a human home on the red planets surface.

Before man ruled the world, Earth was a land of giants. Count down the biggest beasts of their kind to ever roam the planet in this eye-opening special, and uncover the secret lives of these supersized species. From birds with plane-length wingspans, to dinosaurs rivalling a Boeing 737, this stunning CGI special goes in search of the truth behind these monsters, counting down the ten largest and most extraordinary finds. From handling the recently unearthed bones of a dinosaur far larger than previously known, to analysing the flight technique of a giant seven-metre bird uncover the unique adaptations that allowed each animal to thrive. Visual stunts and surprising size comparisons bring each beast vividly back to life in ever-increasing sizes. Get ready for a dramatic countdown of the most mind-blowing lost giants.

Phineas and Ferb The Movie: Candace Against the Universe is an adventure story that tracks stepbrothers Phineas and Ferb as they set out across the galaxy to rescue their older sister Candace, who after being abducted by aliens, finds utopia in a far-off planet, free of pesky little brothers.

Charlie and Carly run a fruit-and-vegetable stand outside of headquarters, but lately, theyve been selling out of their crops faster than they can grow them. Carly has an idea to turn the garden into a farm, but they dont have enough space to grow everything they need outside. She takes Charlie on a trip to an indoor vertical farm in NYC to learn new possibilities of farming!

Chip the I.T. guy installs an upgrade to Scooters overtaxed computer just as Scooter is beginning to upload the latest episode of Muppets Now. Scooter must work fast to get everything in place before the hard reboot goes into effect. Miss Piggy takes a trip through the topic of travel with guests Linda Cardellini and Taye Diggs. Pepe The King Prawn makes up a new game show on the spot, and the contestants do their best to keep up. Uncle Deadly demonstrates the drama, disciplines, and danger of stage combat for Muppet fanboy, Walter. Dr. Bunsen Honeydew puts the pressure on his assistant, Beaker, with a hydraulic-press experiment that requires a personal touch

Step into Star Wars: Galaxys Edge with Walt Disney Imagineer & Creative Director Eric Baker as he helps create this new, exciting land. From traveling the globe in search of props to overseeing larger-than-life installations, Eric is constantly reimagining how to elevate the park guest experience so they are in awe each time they step into new lands and attractions.

What are you looking forward to watching on Disney+ in August?

Roger has been a Disney fan since he was a kid and this interest has grown over the years. He has visited Disney Parks around the globe and has a vast collection of Disney movies and collectibles. He is the owner of What's On Disney Plus & DisKingdom. Email: Roger@WhatsOnDisneyPlus.com Twitter: Twitter.com/RogPalmerUKFacebook: Facebook.com/rogpalmeruk

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What's Coming To Disney+ In August (Australia/New Zealand) - What's On Disney Plus

A Drones Eye View of Rights and Legal Remedies – JD Supra

[co-author: David Wright]

Have you ever been startled by the buzzing sound of a passing swarm of angry mechanical bees as you work from home? Have you ever looked out your window and noticed an agile device zipping through your property? If so, drones might be aversely affecting your lifestyle. These little devices once only lived in the imaginations of science fiction writers, but nowadays, they are popular gadgets that many parents routinely buy for their kids during Christmas. The popularity of drones has exploded due to cheaper production costs, advancements in camera and wireless technologies, and the appeal of high-quality birds-eye view footage popularized by aspiring vloggers looking to create impressive visual content. Recently, the COVID-19 pandemic has further fueled drone popularity due to their potential in the context of robotic delivery services. However, despite its advantages, drone technology poses a significant threat to property and privacy rights; luckily, the law offers several grounds to obtain legal remedies if such rights are infringed.

Drone operators must follow established guidelines that regulate drone activity. Under the FAA Reauthorization Act of 2018 ( FAA Act) 349, recreational drone operators must fly their drones at or below 400 feet above ground, register them with the Federal Aviation Administration (FAA), mark them with an FAA-issued registration number, and only fly their drones for recreational purposes, among other requirements. Commercial drone operators must follow 14 C.F.R. 107, which also imposes a 400-feet height limit and imposes the same registration and marking requirements, but the regulation further requires a commercial drone operator to obtain an FAA-certified remote pilot certificate. Additionally, all drone operators must comply with 357 of the FAA Act, which requires operators to conduct drone operations in a manner that respects and protects personal privacy consistent with existing laws.

Given the paucity of caselaw further defining the contours and applications of relevant sections of the FAA Act, those facing a drone issue might wish to bring additional claims utilizing established property law concepts.

First, if a drone flies over (or through) your property, you might wish to establish a trespass claim, but how high do your property rights extend above the ground? Long ago, when a levitating eye in the sky would have been an act of sorcery, the antiquated English law concept of ad coelum et ad inferos (which literally translates to from heaven to hell) established that every inch of space above and below your land belonged to you. However, with advancements in aviation and space technologies, ad coelum et ad inferos has lost its legal potency and new laws and cases have failed to provide a definite answer regarding your air rights. Some cases have only provided loose legal rules. For example, in United States v. Causby, 328 U.S. 256 (1946), a chicken farmer sued the federal government for flying military aircraft at low altitudes above his property. The aircrafts noise and bright lights would cause his chickens to die from flying into the barn walls out of fright. In its ruling, the Supreme Court confirmed that the federal government took an easement under the meaning of the Fifth Amendment, and stated that the landowner owns at least as much of the space above the ground as he can occupy or use in connection with the land. Id. at 264. This ruling has served as the backbone for future cases discussing air rights, but the ruling is nonetheless nebulous. Does a property owner who planted tall trees in their yard own more air space than a property owner who owns an open plot? Both caselaw and federal regulations do not provide a definite answer.

Second, another remedy might be achieved by establishing a private nuisance claim. The nuisance would most likely be the loud, and difficult to ignore, whizzing sound created by a drones propellers. Such a sound arguably interferes with your enjoyment and use of property and the interference could be viewed as substantial and unreasonable. A court would apply an ordinary person test to determine whether the noise is a substantial and unreasonable interferenceso repeated (or sustained) drone whizzing during the workday would lead to a much stronger claim than an occasional interference over the weekend.

Privacy law might prove better recourse in the face of camera-equipped drones (a common feature of most drones). In fact, some states have already enacted legislation specifically addressing privacy issues arising from drone technology. In California, Civil Code 1708.08 prevents the use of drones to collect visual imagery, sound recordings, or other physical impressions of persons without consent. Florida adopted Criminal Code 934.50, which forbids a person or state agency from equipping drones with imaging devices to record privately owned real property to conduct surveillance in violation of a persons reasonable expectation of privacy.

Some people might be tempted to take the law into their own hands and shoot down an invading drone, but such an approach carries a high level of risk for the property owner and may lead to civil and criminal liability. Under federal law, willfully shooting down an aircraft (including drones) is a felony that may lead to imprisonment (18 U.S.C. 32)not to mention other potential liability tied to discharging a firearm into the sky. Furthermore, the drone operator could sue the property owner under state tort law and claim damages for the value of the drone and its payload. In response, a property owner would likely have to utilize legal theories like the Castle Doctrine, to the extent such defenses are available, to argue that they acted to protect themselves or their property and their response was proportional to the threat.

Of course, the best way to deal with your neighbors kid flying his new toy around without restraint is to knock on your neighbors door and ask the adults to step in. (One hopes this strategy works when the drone operator is an adult.) However, if you otherwise suspect malicious intent behind drones that routinely visit your house or use your yard as a thoroughfare, a call to the police can help identify the drones owner so that you can potentially utilize the above legal remedies to obtain civil relief.

[View source.]

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A Drones Eye View of Rights and Legal Remedies - JD Supra

Biogen plans trial of Spinraza in patients not responding to SMA gene therapy – – pharmaphorum

Biogen is planning to trial its Spinraza spinal muscular atrophy (SMA) drug in patients who have not responded properly to Novartis gene therapy Zolgensma, combining the two ultra-expensive therapies to treat the rare muscle-wasting disease.

In the US, a single shot of Zolgensma (onasemnogene abeparvovec) costs $2.1 million, while Spinraza (nusinersen) costs $750,000 in its first year.

Biogen said it aims to begin a phase IV study as in a long-term follow-up study of Novartis drug it has been reported that some patients have been subsequently treated with Spinraza.

The phase IV RESPOND study aims to test efficacy and safety of Spinraza with a suboptimal clinical response to Zolgensma.

So far four out of 10 patients in a long-term study of Zolgensma have been subsequently treated with Spinraza, Biogen said.

Based on the planned study design, RESPOND will be a two-year, open-label study to evaluate the efficacy and safety of Spinraza in SMA patients previously treated with Zolgensma to further inform treatment decisions.

Efficacy will be assessed by change from baseline on motor function measures and additional clinical outcomes such as swallowing and caregiver burden.

Neurofilament levels, an exploratory endpoint, will also be evaluated as a marker of biological disease activity.

The primary study group aims to include 40 infants aged nine months or younger at the time of the first dose of Spinraza, who have two copies of SMN and are likely to develop type 1 disease and received Zolgensma at six months old or younger.

A second study group will include 20 children and will generate data in patients with a broader age range, up to three years old at the time of the first Spinraza dose.

After a screening period, participants will receive the approved 12 mg dose of Spinraza, which is four loading doses followed by maintenance doses every four months, over the two-year study period.

If approved by regulators the company aims to begin enroling patients in the first quarter of next year.

While Zolgensma is a gene therapy that aims to correct the genetic defect that causes the disease, Spinraza works by increasing the amount of full-length SMS protein that is critical to maintaining motor neurons.

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Biogen plans trial of Spinraza in patients not responding to SMA gene therapy - - pharmaphorum

Orphan Drug Development to Target Increasing Incidence of Liver Cancer – PRNewswire

PALM BEACH, FL, July 22, 2020 /PRNewswire/ -- The rising incidence of liver cancer and growing research activities for developing novel treatments plus the availability of newer drugs and treatments coupled with rising awareness among consumer/patients regarding liver cancer, are the factors that are driving the market. A report from Fior Markets said that the global liver cancer treatment market is expected to reach USD 2,186.63 Million by 2025, at a CAGR of 19.85% from 2018 to 2025. The report said that: "Hepatic or liver cancer is one of the most commonly prevalent types of cancer It is known for its aggressive nature and poor survival rate. Certain medical conditions such as Hepatitis B and C viral infections, type 2 diabetes, excess body weight, and liver cirrhosis are known to be the leading causes for the onset of liver cancer. Consumption of alcohol, tobacco is acknowledged to exponentially increase the risk of liver cancer. Thus, increasing research activities in the development of the novel drug and therapeutic systems are anticipated to propel the global liver cancer treatment market. Hepatocellular carcinoma, or primary liver cancer, tends to grow and expand at a fast rate if it is not detected early. This means that people who have been diagnosed with it may not survive longer than 10 to 11 months. The studies show that in the United States, hepatocellular carcinoma is the ninth leading cause of cancer-related deaths. To treat it, specialists will usually prescribe therapy with a drug called "sorafenib." But unfortunately, this drug can typically prolong survival by only 3 months, and it can have numerous adverse effects." Active biotech and pharma companies in the markets this week include: Q BioMed Inc. (OTCQB: QBIO), OPKO Health, Inc. (NASDAQ: OPK), Midatech Pharma plc (NASDAQ: MTP), Genprex, Inc. (NASDAQ: GNPX), Onconova Therapeutics, Inc. (NASDAQ: ONTX).

The report continued: "Factors such as rising incidence of liver cancer and growing research activities for developing novel treatments coupled with increasing government funding for the cancer treatment research are driving the global liver cancer treatment market. Growing use of immunotherapy drugs in the combination drug treatments is leading major drug manufacturers to develop and launch the newer medicines Growth government funding has provided a fillip for the cancer treatment research activities." It also said that the due to its increasing adoption in the combination drug treatments the immunotherapy segment is projected to grow at a CAGR of 21.63% over the forecast period."

Q BioMed Inc. (OTCQB: QBIO) BREAKING NEWS: Q BIOMED TO SCALE UP PRODUCTION OF UTTROSIDE-B, A NOVEL CHEMOTHERAPEUTIC FOR LIVER CANCER, IN PREPARATION FOR IND FILING - Q BioMed and Chemveda Life Sciences are very pleased to continue their collaboration on Uttroside-B, a chemotherapeutic that has shown remarkable potential efficacy as a treatment for liver cancer.

While focused on its commercial rollout of Strontium89, this drug development program will advance another important asset in the Company's portfolio towards monetization. The efficacy of Uttroside-B, a potent saponin, against liver cancer was demonstrated in a preclinical study published in the November 2016 issue of Scientific Reports, a Nature journal.

In the study, researchers showed that in animal models, Uttroside-B was ten times more cytotoxic to the HepG2 liver cancer cell line than sorafenib, the only drug approved by the Food and Drug Administration for liver cancer at the time, and the current first line treatment for hepatocellular carcinoma. Uttroside-B drastically shrunk tumors in mice bearing human liver cancer xenografts. In addition, in pre-clinical experiments Uttroside-B induced cytotoxicity in all liver cancer cell lines, and researchers were also able to confirm its biological safety, both by in vitro and in vivo studies.

Denis Corin, Q BioMed CEO said, "Having successfully completed a very challenging synthesis program, we are pleased to be able to advance this important asset towards the clinic and the patients we hope to treat. Liver cancer incidence rates have more than tripled since 1980, while the death rates have more than doubled during this time. More than 800,000 people are diagnosed with this cancer each year throughout the world and it accounts for more than 700,000 deaths annually. New, more effective treatments for these patients is vital and we are encouraged by the early data we have seen with our molecule."

Q BioMed and its partners in the project, the Oklahoma Medical Research Foundation and The Rajiv Gandhi Centre for Biotechnology (RGCB),will now advance the most promising candidate into preclinical testing and validation over the next few months in anticipation of an Orphan Drug application and an Investigational New Drug (IND) application for a clinical program.

The Uttroside B technology is covered by a provisional patent application. To see the full Scientific Reports study, go to:http://www.nature.com/articles/srep36318 Read this entire release and more news for QBIO at: https://www.financialnewsmedia.com/news-qbio/

Other recent developments in the biotech industry include:

OPKO Health, Inc. (NASDAQ: OPK) BioReference Laboratories, Inc., an OPKO Health company, recently announced it will accept an Indefinite Delivery Indefinite Quantity (IDIQ) contract award to provide Commercial Surge Capacity Testing for COVID-19 Emergency Response to the Centers for Disease Control and Prevention (CDC).

Under the contract with the CDC, BioReference will perform antibody testing to determine COVID-19 seroprevalence, and will provide results with key demographic information and analysis in collaboration with the CDC. The agreement's period of performance beganJuly 20, 2020, and is ongoing throughNovember 19, 2020.

Midatech Pharma plc (NASDAQ: MTP) a drug delivery technology company focused on improving the bio-delivery and bio-distribution of medicines recently announced that electronic copies of its Annual Report and Accounts for the year ended 31 December 2019 are now available from the Company's investor relations website.

Midatech Pharma PLC (dual listed on LSE AIM: MTPH; andNASDAQ: MTP) is an R&D company focused on 'Making Medicines Better' by improving delivery of drugs in the body. The Company combines existing medications with its proprietary and innovative drug delivery technologies to provide compelling oncology and rare disease products that have the potential to powerfully impact the lives of patients undergoing treatment for life threatening diseases.

Genprex, Inc. (NASDAQ: GNPX) a clinical-stage gene therapy company developing potentially life-changing technologies for patients with cancer and diabetes, recently announced that Dr. George K. Gittes, MD of the University of Pittsburg, the lead researcher that developed the Company's potentially curative diabetes gene therapy, was awarded a grant of $2.59 million from the NIH National Institute of Diabetes and Digestive and Kidney Diseases. The grant will assist Dr. Gittes's development for his research project titled, "Alpha Cell Conversion to Beta Cells in Non-human Primates" and will build upon his accumulating groundbreaking gene therapy work toward finding a cure for diabetes. In this project, Dr. Gittes' research team will conduct important proof-of-principle studies in non-human primates as the last steps in preparation for human gene therapy clinical trials. This technology is the subject of an exclusive license agreement entered into between Genprex and the University of Pittsburgh in February of 2020.

"We are excited to receive this funding to support our research in diabetic primates as we move toward human clinical trials," said Dr. George Gittes, Co-Scientific Director and Professor of Surgery at the UPMC Children's Hospital of Pittsburgand the lead researcher behind the diabetes gene therapy. "We saw encouraging data in our preclinical mice studies, where the gene therapy reprogrammed pancreatic cells to restore normal blood glucose levelsin diabetic mice for approximately four months, which could translate to decades in humans. More recently, preliminary results in non-human primates (monkeys) has also been very promising."

Onconova Therapeutics, Inc. (NASDAQ: ONTX) recently announced the e-publication of results from a Phase 1 company-sponsored study of oral rigosertib in combination with standard dose azacitidine in the treatment of patients diagnosed with either higher-risk myelodysplastic syndrome (HR-MDS) or acute myeloid leukemia (AML) in the international hematological malignancy journalLeukemia Research.

"A key strategy emerging in the treatment of MDS is the identification of safe and effective combinations, particularly those involving oral agents. The results from this Phase 1 study represent Onconova's first efforts to explore oral rigosertib in combination with azacitidine to address the unmet medical need in patients with MDS and AML. We anticipate meeting with the FDA, in conjunction with the pivotal data readout from the INSPIRE Trial, for alignment with the agency on a registration trial for the combination of oral rigosertib plus azacitidine in HMA-nave HR-MDS," said Steven M. Fruchtman, M.D., President and CEO of Onconova.

DISCLAIMER: FN Media Group LLC (FNM), which owns and operates FinancialNewsMedia.com and MarketNewsUpdates.com, is a third party publisher and news dissemination service provider, which disseminates electronic information through multiple online media channels. FNM is NOT affiliated in any manner with any company mentioned herein. FNM and its affiliated companies are a news dissemination solutions provider and are NOT a registered broker/dealer/analyst/adviser, holds no investment licenses and may NOT sell, offer to sell or offer to buy any security. FNM's market updates, news alerts and corporate profiles are NOT a solicitation or recommendation to buy, sell or hold securities. The material in this release is intended to be strictly informational and is NEVER to be construed or interpreted as research material. All readers are strongly urged to perform research and due diligence on their own and consult a licensed financial professional before considering any level of investing in stocks. All material included herein is republished content and details which were previously disseminated by the companies mentioned in this release. FNM is not liable for any investment decisions by its readers or subscribers. Investors are cautioned that they may lose all or a portion of their investment when investing in stocks. For current services performed FNM has been compensated forty six hundred dollars for news coverage of the current press releases issued by Q BioMed Inc by the company. FNM HOLDS NO SHARES OF ANY COMPANY NAMED IN THIS RELEASE.

This release contains "forward-looking statements" within the meaning of Section 27A of the Securities Act of 1933, as amended, and Section 21E the Securities Exchange Act of 1934, as amended and such forward-looking statements are made pursuant to the safe harbor provisions of the Private Securities Litigation Reform Act of 1995. "Forward-looking statements" describe future expectations, plans, results, or strategies and are generally preceded by words such as "may", "future", "plan" or "planned", "will" or "should", "expected," "anticipates", "draft", "eventually" or "projected". You are cautioned that such statements are subject to a multitude of risks and uncertainties that could cause future circumstances, events, or results to differ materially from those projected in the forward-looking statements, including the risks that actual results may differ materially from those projected in the forward-looking statements as a result of various factors, and other risks identified in a company's annual report on Form 10-K or 10-KSB and other filings made by such company with the Securities and Exchange Commission. You should consider these factors in evaluating the forward-looking statements included herein, and not place undue reliance on such statements. The forward-looking statements in this release are made as of the date hereof and FNM undertakes no obligation to update such statements.

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Orphan Drug Development to Target Increasing Incidence of Liver Cancer - PRNewswire

Labour compliance without tears: Modern slavery, Boohoo and the construction industry – Lexology

Introduction

If the summer of 2020 is remembered for anything other than lockdown, social distancing and the search for a vaccine, it may be for the anti-racism protests around the world, triggered by the controversial death of George Floyd in police custody. This provoked angry protests and the tearing down of statues of slave traders from previous centuries. These scenes were reminders of how the evils of the historical slave trade are remembered (particularly among BAME communities) and continue to provoke strong revulsion today.

Although slavery was abolished and outlawed by the UK in 1833, the phenomena of slavery and human trafficking have continued, in a clandestine form, both here and abroad. It is estimated that there are around 48 million people globally living in conditions of slavery today, with up to 13,000 in the UK. The Modern Slavery Act 2015 (MSA) has been enacted to help address the problem.

The focus on forced labour was intensified further this summer when a Sunday Times investigative report revealed modern slavery in the supply chain of Boohoo plc, a listed UK company. The scandal is discussed below. Whilst it would be easy for those in construction trade to dismiss the relevance of the Boohoo saga to their own business, I explain below why that attitude could prove a costly mistake. I also explain how the law has changed, what this means for construction businesses and the steps they can take to protect themselves from this pervasive problem.

What is the Boohoo scandal?

Boohoo is an online fashion retailer, which largely targets the 16-30 female demographic. It owns popular lines such as PrettyLittleThing, Karen Millen and Nasty Gal. The Sunday Times undercover investigation revealed a garment supplier within the Boohoo supply chain, Jaswal Fashions, was paying its factories workers 3,50 per hour, considerably less than the UK minimum wage of 8.42 (for workers over 25). Jaswals Leicester based workforce had also been required to work throughout the COVID-19 lockdown period without social distancing measures.

The impact on Boohoos business was immediate and adverse. A number of electronic platforms notably Amazon - announced that they would cease selling Boohoos goods. Boohoos share price fell by around 23% on the day of the announcement.

Boohoo responded, saying it was shocked and appalled by the reports of modern slavery in its supply chain. It emphasised that Jaswal was a sub-supplier rather than a direct supplier to its business. Nevertheless, it ceased all business with the associated company and announced its intention to conduct an investigation of its supply chain, to be led by Alison Levitt QC. Ms Levitts terms of reference will be announced at the end of July 2020.

Why does Boohoo matter to the construction industry?

Whilst construction and fashion are worlds apart, they share certain common features making them prone to modern slavery and human trafficking. These include the labour intensive nature of the work, the complexity of supply chains and a large number of foreign workers involved in output, who have either migrated to the UK or supply goods and services from overseas. In construction, the reliance on migrant workers is accentuated by a shortage of labour generally (both skilled and unskilled) and a need for workforce flexibility.

The construction sector ranks sixth in terms of UK industries most affected by slavery. Press reports in recent years have highlighted its vulnerability. For example, a BBC undercover investigation revealed in December 2019 the ease with which an unscrupulous contractor could hire an Eastern European construction crew available for work for seven consecutive days without a break for as little as 4.50 per hour.

Internationally, there have been serious documented incidences of forced labour in infrastructure projects, including the Qatar 2022 World Cup. Qatari project leaders are reported to have imported labourers from poorer Asian countries such as Nepal and Indonesia. Amnesty International alleges that workers were in some cases tempted to Qatar with false promises of office jobs, only to find they had fallen prey to bait and switch and been forced to work on construction sites. They could not leave easily, as employers would remove their passports and departing the territory would require an exit visa. Concerns were also raised of workers being forced to operate in extremely hot conditions without adequate protection. Several deaths on site were reported.

Changes to UK Law and the fight against slavery

The MSA went some way to strengthen the law against modern slavery within Britain. The Act consolidated slavery related offences in a single statute and increased penalties for infringements. It was accompanied by the creation of the office of Anti-Slavery Commissioner which in itself has raised the profile of slavery and trafficking.

The Act reflected a recognition that combating slavery was not the role of government exclusively. For that reason, Section 54 of the MSA introduced an obligation for businesses above a certain size (36 million annual turnover) to publish an annual statement disclosing the steps they took to ensure there was no slavery or trafficking present within their organisation or supply chain.

The MSA has been backed up with enforcement measures. Prosecutions have been brought against gang-masters accused of controlling forced labourers. In 2018, two successful prosecutions were brought after forced labourers were found to be working on housing construction sites and for a demolition contractors. Raids at addresses where Eastern European site workers have been held by gangmasters have also culminated in convictions for ringleaders in other cases. The Metropolitan Police told Construction News in 2019 that there has been a significant increase in allegations of labour exploitation and modern slavery in the construction industry.

What can construction businesses do to protect against the risk?

Construction businesses need to steer clear from allegations of forced labour or trafficking for many obvious reasons. First and foremost, the business ought to care about how it is perceived by its customers and the public at large. The effect of a prosecution could be devastating. Regulation 57 of the Public Contracts Regulations 2015 also entitles public bodies to debar companies from public contract tenders if they have infringed the MSA (e.g. through failing to disclose as required under S 54 MSA).

Having an effective compliance program can certainly help minimise the risk and preserve the reputation of your business. The following are key steps that can form part of such a program:

This list provides a useful roadmap of an effective slavery compliance strategy. Successful implementation of many of these steps will often be assisted by professional advisers. An outsider particularly one with the requisite expertise may be better placed to identify vulnerabilities in the practices of a business with regard to its procurement and hiring strategies. Too often, an organisation can become blinded to its own faults.

Aside from minimising the risk of enforcement action, there are other benefits to an effective compliance program. For example, the company may itself become subject to a slavery audit by one or more of its customers, who will expect it to show clear evidence of a commitment to compliance, appropriate levels of monitoring and ethical labour practices, both within the organisation and its supply chain. Falling short of these expectations could result in the loss of client relationships. On the other hand, clients may be impressed by efforts made to avert the occurrence of forced labour and this could enhance confidence for future collaboration.

Conclusion

Warren Buffett, CEO of Berkshire Hathaway, once advised his workers: If you lose money for the firm I will be understanding. If you lose reputation I will be ruthless. The reputation of any business can take decades to build but be demolished in a day. A failure to adhere to responsible governance and ethical hiring practices is one rapid and sure-fire method for tarnishing the good-standing of a corporation, perhaps irreparably.

Construction has a number of features which make it inherently vulnerable. Tight margins, a need for labour flexibility and the shortage of labour (which may soon be exacerbated by a no deal Brexit) number amongst them. Unfortunately, in the court of public opinion these provide no defence to a charge of being complicit in modern slavery. The Boohoo experience illustrates how brightly the spotlight will shine on any incidence of modern slavery, wherever it occurs. Construction businesses cannot afford to allow Boohoos fate to become their own. They should take proactive steps to ensure that it does not.

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Labour compliance without tears: Modern slavery, Boohoo and the construction industry - Lexology

LETTER: Here are 3 initiatives North Bergen can be a part of to fight racial injustice – Hudson County View

In a letter to the editor, HudPost publisher and North Bergen resident James de los Santos lays out three ways the township can be a part of to fight racial injustice.

Dear Editor,

The global Black Lives Matter movement is the largest civil rights movement the world has ever seen.

The North Bergen BLM rally on June 6th, 2020 was likely the largest grassroots demonstration this township has ever witnessed.

While many cities and police departments have responded in ways to answer the demands of their people, it is time for our officials to do the same.

Today, our leaders must take action to pass meaningful legislation and resolutions to build towards a more just society.

1. Abolish Slavery Amend the 13th

Recently, Hoboken and Jersey City passed resolutions backing ACR 145. We must hold our board of commissioners to the same standard and call for them to make amending the 13th a concerted county-wide effort.

Our state senator and assembly people need to support the state legislation to Abolish Slavery in New Jersey by endorsing a bill being proposed by the Legislative Black Caucus of New Jersey and sponsored by Senator Ron Rice and Assemblywoman Angela McKnight.

ACR 145 proposes to add language to our state constitution, permanently abolishing slavery and involuntary servitude, including as punishment for a crime.

As a state amendment, this measure would go to the ballot in November of this year. This means the people will be allowed to take action at the ballot box and carry this over the finish line.

Currently, the United States has 5% of the worlds population, but 25% of the worlds prisoners. In Hudson County, Blacks and Latinos makeup 40% of the population but are at the 80th percentile inside of our county prison facilities.

When the 13th Amendment was passed ending slavery in the country, the clause except as a punishment for crime was included allowing our judicial court to systematically oppress people of color.

This clause led to the Jim-Crow era where our criminal justice system and corporate retailers have exploited the 13th amendment clause by way of slave wage prison labor and for-profit prisons.

2. 8 Cant Wait

Our police department should immediately adopt the policies of 8 Cant Wait. The initiative is a set of policies introduced by Campaign Zero.

The policies call for: ban on chokeholds and strangleholds, require active de-escalation tactics during all interactions, require warning before shooting, exhaust all alternatives before discharging a weapon, duty to intervene, ban on shooting at moving vehicles, require the use of force continuum, as well as require comprehensive reporting.

Most of these policies have been implemented by the New Jersey Attorney General, which prohibits the North Bergen Police Department from failing to enact these changes.

With the help of our department, we can drive this initiative forward in its entirety.

3. Mandate the Inclusion of Black History in High School Curricula

Our Board of Education must immediately implement a mandated Black History course in North Bergen High School curricula beginning no later than the 2022 academic year.

A petition started by recent North Bergen High School graduate, Izabella Lima, received over 600 signatures from classmates, teachers, and alumni demanding North Bergen High School require a meaningful and thoughtfully curated African-American history course for all students

History will ask what we did during these unprecedented times and we must rise to the call for justice for all.

Take Action Today

Contact your local officials and urge them to support these policies

1. Abolish Slavery

State Representatives

State Senator Nicholas Sacco (201) 295-0200

State Assemblyman Pedro Mejia (201) 770-1303

State Assemblywoman Angelica Jiminez (201) 223-4247

North Bergen Board of Commissioners

Nicholas Sacco (201) 392-2005

Hugo Cabrera (201) 392-2062

Allen Pascual (201) 392-2031

Frank Garguilo (201) 392-2161

Julio Marenco (201) 392-2012

2. Implement Black History Course

George J. Solter, Superintendent of Schools (201) 295-2706

North Bergen Board of Education (201) 868-1000

Patricia Bartoli, Board President

Claudia Rodriguez, Vice President

Claudia Baselice

Luis Diaz

Haissam Jaafar

Kanaiyalal Patel

Luis Rabelo

Sai Rao

Ruth Shaw

3. 8 Cant Wait

Police Chief Peter Fasilis (201) 392-2100

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LETTER: Here are 3 initiatives North Bergen can be a part of to fight racial injustice - Hudson County View

There’s nothing ‘racist’ about the Black Country flag – the reality is far more interesting – Telegraph.co.uk

Last week,fire stations in the Black Country were forbidden from flying the region'sflag at an annual festival devoted to the region.Senior fire-fighters were reportedly concerned that the flag, which features chain in its design, might be seen to glorify slavery and trigger accusations of racism.

So is the flag, or the region, racist?The Black Country name is nothing to do with race or ethnicity. And the imagery or colours of its flag are not intended to be linked to slavery.

But that doesnt mean questions cannot be asked of The Black Country region or the symbolism behind the Black Country Flag. We shouldnt blindly beat our chest in defence of eitherflag or region without knowing their history.

The Black Country is a region of England which today covers the metropolitan boroughs of Dudley, Sandwell, Walsall and Wolverhampton. It becamethe birthplace of the Industrial Revolution, with a landscape dominated by coal mines, iron foundries, glass factories, brick works and many small industries, stretching as far as the eye could see.

Chimneys of factories, furnaces and small home forges bellowed out smoke and soot to heavily pollute the air. The pollution filled the sky and the region,described as 'Black by Day' and 'Red by Night' by the American writer Elihu Burritt, became known as The Black Country.

In 1712 the Black Country changed the world when it became the first place to harness the power of steam with the Newcomen Engine. In 1828 the working class people of the region built the Stourbridge Lion, the first steam locomotive to run in the USA. Black Country workersthey made the glass and iron for the Crystal Palace and its great exhibition in 1851 and forged the anchors and chains for great ships like the Titanic.

The efforts ofBlack Country people changed the world and shaped modern society, but that is not to say that the region and its work force did not produce items for the slave trade, or that we should dismiss the region's links to the enslavement.

African men and women were undoubtedly shackled and chained on the Atlantic crossing with items produced in The Black Country. Once they reached their destination, they would be held captive with Black Country-made products of various descriptions.

There is evidence of Black Country products marketed specifically for the slave market with items listed as Negro Collars and African Chains. Enslavement was big business and wealthy men capitalised on that industry to make as much money as possible.

The rich people who marketed these products neithercared about the slaves that their products were used on, nor those who made the products. The working-class people of the Black Country were extremely poor. Life expectancy in the region in 1841 was 17 years old. People worked from the age they could walk, and some died before they became adults. There was no luxury for our ancestors and there was no profit. They worked hard in hope they would live a little longer than the people dying around them. If cholera didnt kill them then hard work would.

The working-class people of the Black Country never profited from the slave trade, in fact there is little evidence to suggest that they even knew what their products were used for.

When modern Black Country folk show pride for the history of our region, it is the working-class people we are proud of. We dont take pride in the starvation wages that our ancestors were paid or the squalid conditions they were forced to work in or the rich who profited from the slave trade. We celebrate the hard work of our ancestors and the fight they put up to ensure the first ever minimum wage, we respect the courage shown by people uniting and laying down their tools to ensure women were paid equally.

This is not a case of pitting the plight of our Black Country ancestors against the horrendous treatment of the people who were enslaved. It is saying that in many cases working class Black Country people and Black slaves were victims of the very same people who profited from their labour.

To cause offence intention matters, and there is no intention to offend anyone with the Black Country Flag. Most people I speak to are not offended.

The Black Country flag was designed by 12-year-old Gracie Sheppard in 2012. It features a glass cone to represent the glass industry of the Black Country. The cone is flanked by black and red panels inspired by Elihu Burritts famous description of the area, and the chain across the centre represents the chain industry in the region but also symbolises the linking up of different communities.

We should all take time to learn about the remarkably interesting history of our region and it should be open for discussion. Each year we celebrate Black Country Day on July 14. We have a Black Country Anthem and Black Country Flag - and I am proud to fly it.

The rest is here:

There's nothing 'racist' about the Black Country flag - the reality is far more interesting - Telegraph.co.uk

Opinion: What will history say about Portland? – oregonlive.com

Markisha Smith and Ted Wheeler

Smith is director of the Portland Office of Equity and Human Rights. Wheeler is mayor of Portland.

At this historic period of protest and institutional change, our grieving process for one Black life lost is interrupted by yet another instance of a Black life lost due to policebrutality and systemic oppression. In just the last few weeks, we learned ofBlack people found hanging from trees, and we saw footage of a Black man who needed assistance, not interrogation,shot in the back and killed in front of his community at a Wendys drive-through. And these are just the stories that we have heard about. We know that there are countless other incidents that are never investigated and never reported. Black Americans have been, and continue to be, mentally, emotionally and physically lynched by oppressive systems and perpetrators of those systems.

Black, Indigenous and people of color constantly attempt to navigate systems that arent designed for them. As a whole, BIPOC communities do not enjoy economic prosperity equally, much less generational wealth, in this country. And Black communities often succumb to modern day slavery through capitalism, low-wage jobs, denial of leadership advancement opportunities, racist educational experiences and businesses or property ownership that is linked towhite supremacist institutions.

The Civil Rights Movement took years; lasting, meaningful reform and dismantling anti-Black, racist, oppressive systems will as well.We cannot simply offer platitudes and small gestures of our commitment to the Black communitywe must change our policies, practices, and procedures. It is time for white people, regardless of position, to step back, listen and follow. We have an opportunity to make history. But what will the history books say about Portland?

History will say that Portland answered the call for reform in transformational ways and rejected the violence that destroyed our city for more than a month.

We are in the midst of a reconciliation process led by Black Portlanders. The terms of forgiveness cannot come from the entity that inflicted the wrongdoing in the first place: Black voices must be elevated when we talk about reconciliation and restorative justice.

Weve listened to the community to disinvest from police, cutting $27 million and reinvesting many of those dollars in programs supporting black youth leadership development, unarmed first responders to move away from police-based solutions for people experiencing homelessness, our Office of Equity and Human Rights and tribal relations.

We are reimagining public safety and proposing policies that will lift our children, unsheltered neighbors and BIPOC people out of the systems of institutional racism that have held down generations.And despite a $75 million gap in our budget due to the COVID-19 pandemic, the Portland City Council reaffirmed our commitment to prioritize relief and recovery for our hardest-hit community members, knowing that COVID has worsened disparities for BIPOC communities. Our goal is to emerge from this crisis more resilient.

Our future as a community envisions more counselors, after school programs and restorative justice programs, not school resource officers. More housing, employment, health care options and social workers. We need further investment in more community-based anti-violence programs, trauma services and jobs for young people.

For far too long, our community has relied unreasonably on police to solve a greater amount of our social problems. Detangling these responses will not be easy or fast, but we are determined to invest in the future of what we want to see and not just respond to the crisis of the moment.

And while much of this reckoning is happening within policing, all institutions and organizations should be looking at how they uphold systemic racism.

We have made great progress, but we are not done.

We are not done until we are investing more in the well-being of our communities than we are in the policing of our communities. We are not done until BIPOC students are succeeding at the same rate as their white classmates. We are not done until we have created generational wealth opportunities for Black families. We are not done until we have more elected officials who accurately reflect the diversity of the community we serve.

This is our moment to reshape, reimagine, and rebuild Portland with our Black leaders and communities leading the way.The movement we are witnessing doesnt stop when the marches end.

What will history say about Portland?

History will say the city of Portland did not resist the call for reformation, but rather linked arms with communities and ushered in a new era of reconciliation, restorative justice and prosperity for all.

Share your opinion

Submit your essay of 500-700 words on a highly topical issue or a theme of particular relevance to the Pacific Northwest, Oregon and the Portland area to commentary@oregonian.com. Please include your email and phone number for verification.

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Opinion: What will history say about Portland? - oregonlive.com

Action taken against Leicester textile factories over working conditions – Business Live

Eight garment factories in Leicester gave been subject to enforcement action since the start of lockdown.

The citys textile sector has been under the spotlight after Government ministers suggested bad working conditions had contributed to a local spike in Covid-19 cases.

Factory managers in the city have reacted by saying online a small minority are guilty of exploiting staff.

The Health and Safety Executive (HSE) said it had taken action against a number of businesses and was considering further enforcement action at other local firms where non-compliance with Covid-19 risk controls has been found, according to Baroness Stedman-Scott, the Parliamentary Under-Secretary of State for Work and Pensions.

Spot-checks in Leicester are understood to have been prioritised since the lockdown.

Inspections have been stepped up after concerns were raised over working conditions and pay rates being well below minimum wage.

Public Health England has maintained that the outbreak was not linked to any one setting or sector.

Following the latest concerns the police, Leicester City Council, the Gangmasters and Labour Abuse Authority, National Crime Agency, HMRC, Leicestershire Fire and Rescue and Home Office Immigration Enforcement have investigated and visited some of the area's 1,000 garment manufacturers.

The GLAA said it found no evidence of modern slavery in visits it has made to Leicester textile firms at the start of the month.

The HSE has inspected 34 textile firms in Leicester since the start of the national coronavirus lockdown.

The firms inspected or where action has been taken have not been named.

Details came from Baroness Stedman-Scott, the Parliamentary Under-Secretary of State for Work and Pensions after a question was put to her about Leicesters clothing factories by Baroness Jenny Tonge.

She asked: What health and safety regulations are in place to protect workers' rights in clothing factories; and what assessment they have made of the adherence to those regulations of clothing factories in Leicester?

In a written answer, Baroness Stedman-Scott said: Specifically, since the lockdown, in Leicester HSE has inspected 34 textile businesses to assess compliance with health and safety legislation. Enforcement action has been taken at eight of these premises.

HSE will continue to regulate workplaces by carrying out proactive spot checks over the coming weeks to ensure that appropriate measures are in place to protect workers from Covid-19.

In Leicester, HSE has prioritised these spot checks in the textile industry and will take enforcement action to secure compliance where businesses cannot demonstrate they are taking all reasonable steps to make their workplace Covid secure.

HSE will also continue to respond to reports of concerns raised.

Meanwhile a Leicester MP has joined calls for the Government to provide immediate help for Leicester businesses affected by the extended lockdown.

Jon Ashworth, Labour MP for Leicester South and Shadow Health Secretary contacted the Government this week on behalf of local businesses.

Mr Ashworth spoke to the prime minister and the chancellor to ask for help for both businesses in Leicester, and the neighbouring borough of Oadby and Wigston, which is also in extended lockdown.

His plea follows similar calls from city Mayor Sir Peter Soulsby.

He said: "I made it clear that many businesses are on the edge and urgently need extra investment to get through this lockdown.

"Ministers insisted on putting the whole of Leicester and beyond into lockdown, they now have a responsibility to safeguard local jobs and livelihoods."

Non-essential retailers in the lockdown zone can reopen from July 24, but businesses such as pubs and restaurants, which are open elsewhere, must remain closed for the time being.

Mr Ashworth said : "As businesses that are central to the citys economy, such as food and drink businesses and evening and night-time businesses, still cannot open this entire sector of the economy is now facing hardship and job losses."

He also said that the forced closure of these non-essential retailers meant the businesses 'faced more hardship compared to others in England'.

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Action taken against Leicester textile factories over working conditions - Business Live

Food Brands Are Finally Changing Their Racist MascotsBut Is It Enough? – Delish

On my last trip to the supermarket, I saw a familiar sight: a red carton with an older Black man in a chef's hat and bowtie. He looked joyous, holding a steaming bowl of Cream of Wheat in his right hand, beckoning for me to try it. Behind Rastus's welcoming Black face (that's the name given to the caricature used as Cream of Wheat's mascot), though, is a longstanding stereotype, one that's far from comforting for many Black people. It's rooted in racism, serving as a constant reminder that America loves to portray Black lives as valuable only within the confines of servitude.

Rastus is "under review" now as many other companies examine their products and packaging. Aunt Jemima is changing its name and logo. The Uncle Ben's branding will "evolve" soon.

But the comeuppance the brands are experiencing is long overdue. The usage of Black caricatures like these represents a denial of Black humanity that's always existed. According to the Smithsonian, The Supreme Court ruled in 1857 that people of African descent were not humans, which "permitted the image of African Americans to be reduced to caricatures in popular culture." These stereotypes from slavery not only persisted, they gained new groundespecially the Mammy, a rotund, perpetually jovial caricature who "loved" the white family she served and attended to their every need, never complaining.

It's this stereotype that prompted Chris Rutt to name his new pancake flour after "Old Aunt Jemina," a minstrel song in 1889. But the real Mammies and Aunt Jemimas were a stark contrast from their cartoon-ish counterparts, explains Dr. Psyche Williams-Forson, Department Chair of American Studies at the University of Maryland College: "Nine times out of 10, the Aunt Jemimas were in the kitchen. She was worried about the children who were running around the kitchen while [she was] cooking. She was worried about whether [she would] have dinner on time, and if she had all the ingredients she needed. [She was] worried about getting maimed, hurt, raped, or killed. She wasn't smiling."

Uncle Ben's, Cream of Wheat, and other brands used these tropes, too, liberally exploiting Sambo and Uncle Tom caricatures to sell goods. Food was the place where eugenics, racism, and sexism fusedwhere stereotypes were used to pedal everything from coffee to cupcakes. The invention of these caricatures attempted to rework the narrative of slavery as something benigneven beneficialto Black people. White comfort was paramount, and that meant hiding the very real evils of slavery, its visceral effects acutely felt in Black communities over a century later.

As America moved from slavery to its new form, Jim Crow, these caricatures came to represent the idea of comfort, servitude, and respectability. Through these items, Black people were allowed to occupy white homes and imaginations, but only as one-dimensional characters. "The image of the happy, smiling Black person helps people believe 'Oh, here's my friend. They're going to take care of me,'" Williams-Forson says. "The whole image of comfort given by the smiling Black face is because in American society and throughout the globe, we don't like an angry Black person. That's part of the narrative of the simple Black person. You don't have to deal with our complexity."

Lynn Pitts, a New York-based creative director, notes that these images of happy Black people were a strong factor in appealing to white households. Pitts recalls a piece she read that was particularly salient to her. "I can't remember where I read this, but there was a piece that talked about these brands [that] were designed to appeal to white people who had a really specific idea of what it meant to have a Black face or hands preparing the food, that these were 'trusted Black people,'" she says. "Marketers were trying to appeal to white housewives who wanted to feel confident about the food they were putting on their table. And in some cases, that meant a reminder of the Black people who had prepared food for them at some point in their lives."

While the idea of comfort remained, its iteration changed slightly: Real women like Nancy Green, who was used as the face of the first Aunt Jemima, received little compensation for their likeness. Nancy continued to work as a housekeeper until she was hit by a car and killed in 1923. Aunt Jemima continued to use real women until 1968, until they created a composite with a slimmer face and relaxed hair. The year 1989 saw another makeover: no headscarf, but a new little lace collar and pearl earrings for a "contemporary" look.

Public Domain, Uncle Ben's Co.

Uncle Ben's had to wait a few more decades for a different change: In 2007, he received an abrupt move from the kitchen to the boardroom on a redesigned site, though he kept his original maitre d' uniform. (The website no longer exists, and the Uncle Ben's caricature no longer has a bowtie or jacket.) However, brand names have not changed: While aunt and uncle seem to signal familiarity, they are vestiges of the Jim Crow era, where whites refused to address Black people as Mr. or Ms., even though racial etiquette rules called for Black people to use honorifics or risk putting their lives in danger.

But the changes didn't do much to rectify America's racist past. In response to previous and frequent outcries over racially charged mascots, brands have done little more than adding and taking away clothing. "Very longstanding brands like those can be suddenly reluctant to change aspects of what they consider 'hallmarks' of their brand," Pitts explains. "In Black communities, people have been talking about the problematic images that are in question right now...for a long time, but that talk didn't generate the kind of consequences that are being generated right now."

Brands, relying on warped notions of nostalgia with racism at the foundation, were willing to defend these caricatures for the sake of profit. "What capitalism has figured out is how to use a shorthand toward very complicated conversations because it's easier to rely upon these stereotypes to get across a very simple message, as their whole bottom line is to make money," Williams-Forson notes. And some consumers who don't knowor careabout the history of these stereotypes are excusing brands in defense of happy childhood memories.

From enslaved Africans who were brought into America for their labor to present-day food apartheid, food has always been mired in politics and the subjugation of Black communities.

So are brands truly changing nowdoing more than just adding or subtracting accessories or moving a caricature to a different room? "As long as the Black Lives Matter movement is active and applying pressure, you'll continue to see changes or, at the very least, reactions," Pitts says. "Brands are reacting to what's happening in the marketplace, and there's pressure being applied to their bottom line because of the movement."

Williams-Forson echoes a similar sentiment: "The reason why this particular moment is happening is because of COVID. We're drawn to the media more than ever before, without work or the daily distractions of life. This has been going on for decades, centuries even, but we are literally and globally being forced to stop and watch injustice," she says. "You cannot unsee George Floyd. You're forced to make a decision: Am I going to act, or am I not going to act?"

The current act of choice? Removing mascotsbut it's not a panacea. Quaker Oats (Aunt Jemima's parent company and a subsidiary of PepsiCo) declared they would be spending $400 million dollars over the next five years to "lift up Black communities and increase Black representation at PepsiCo." As plenty of brands clamor to perform solidarity in the wake of Black Lives Matter, the true impact is yet to be seen.

"I'm more interested in how quickly Quaker Oats changes their overall image as a corporation, and I'm not talking about hiring more people in their plants," Williams-Forson says. "I'm talking about a systemic, actual change in the way they do business, from hiring practices to paying people a living wage and providing health insurance, maternity leave, and paternity leave. How are you really going to make those changes across the board?"

Removing these mascots isn't going to magically solve racism; it's a small, reactionary fix to a system ossified centuries ago. And as Dr. Williams-Forson notes, change boils down to the way businesses create long-lasting, equitable policies across entire organizations. The real work that goes beyond reactionary measures like removing mascots, attending protests, or posting black squares to social media is the most uncomfortable. It's in the quiet, ongoing, rigorous, and necessary self-examination and accountability-takingfollowed by actionfor being complicit in the racism that pollutes America.

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Food Brands Are Finally Changing Their Racist MascotsBut Is It Enough? - Delish

Project bank accounts adopted on HS2 – Scottish Construction Now

Published 23 July 2020

Construction trade bodies have applauded the decision of HS2 Ltd to implement the use of project bank accounts (PBAs) for payments across existing and future contracts.

Currently the biggest infrastructure project in Europe, HS2 will engage an estimated 10,000 companies in total, with more than 2,000 companies having already delivered work the project. Around 95% of HS2 contracts have gone to UK-based businesses 60% of those are SMEs.

PBAs enable payments to be made directly to firms in the supply chain without them having to cascade through the different layers of contracting. Payments can be discharged within 15 days and a measure of protection is provided against insolvencies upstream of the supply chain. 20 billion worth of work from Highways England will have been paid through PBAs by the end of this year and the Environment Agency has currently almost 120 projects which are using PBAs.

Following a trial of PBAs on two enabling works contracts, HS2 Ltd is now working with its construction contractors to implement these across other contracts.

The Specialist Engineering Contractors Group (SEC Group), which represents the largest sector by value in UK construction, said that with thousands of contract opportunities generated on HS2, the assurance of prompt and secure payment will have a significant impact across the sector not least for SMEs.

SEC Group chairman, Trevor Hursthouse, said: For over 10 years SEC Group has been campaigning to encourage public bodies to use PBAs.Im delighted with HS2s stance. The HS2 team is passionate about driving a collaborative and transparent approach to procurement and delivery across the whole supply chain.

Using project bank accounts will safeguard prompt payment and furthermore guarantee security of payment across the supply chain which is particularly important during these times.

Rudi Klein, CEO of SEC Group, added: As the lead campaigner for using PBAs, SEC Group applauds the decision of HS2 to use them (alongside other measures such as the abolition of retentions). In recent years we have having a dialogue with HS2 on promoting improved payment security for HS2 supply chains.

Implementing PBAs now will be a massive boost to construction SMEs struggling to make ends meet as we emerge from the current crisis. HS2 will also benefit since PBAs will encourage more collaborative working and help reduce construction costs. Given HS2s decision theres no longer any excuse for contracting authorities not to use PBAs.

Andy Cross, rail systems procurement director, added: I am thrilled that we have taken this crucial step to further strengthen our fair payment policies and in so doing, support companies at all levels of the supply chain through the use of PBAs. HS2 will play a critical role in the recovery of the UKs economy as we emerge from the pandemic, supporting and creating jobs across the construction industry.

This announcement means that companies, big or small, working with us will feel confident and supported as we work together to build Britains new low carbon high speed railway.

The decision has also been welcomed by the Scotland and Northern Irelands Plumbing Employers Federation (SNIPEF).

Fiona Hodgson, chief executive of SNIPEF, said: This is excellent news and something that the construction industry in Scotland has been calling for over many years. It is especially welcome since the HS2 project will generate an estimated 400,000 contracts across its supply chain and that two thirds of these will be with SMEs.

It is our hope that the acceptance of PBAs by such a flagship project will act as an exemplar for all construction projects, major and minor, in future.

The announcement is also, I believe, an acknowledgement of the hard work done by the Specialist Engineering Contractors Group, of which SNIPEF is a member, which has been lobbying for PBAs over recent years.

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Project bank accounts adopted on HS2 - Scottish Construction Now