Stem Cell Therapy Injuries More Widespread Than We Knew – UConn Today

Grotesque side effects from unproven stem cell therapies are more common than we realized, reports a team of researchers led by UConn Health in Annals of Neurology on July 29. And despite the dangers, many neurologists feel ill-equipped to warn and educate their patients.

People who have suffered debilitating brain or spinal cord damage, or have been diagnosed with progressive neurological disease, are often frustrated by the lack of treatments available to help them. That frustration can make them easy targets for clinics that inject patients with stem cells. But most of these clinics are operating outside of the Food and Drug Administrations jurisdiction, and the treatments they offer are unproven. And pricey.

Its an unethical industry. They use fancy websites promising cures left and right, but which are nothing of the sort. They steal your money but give nothing in return, says Jaime Imitola, senior author of the paper and director of the comprehensive Multiple Sclerosis Center at UConn Health and the Laboratory of Neural Stem Cells and Functional Neurogenetics at UConn Health and a faculty member at the UConn School of Medicine.

Patients often pay $25,000 to $50,000 in cash for procedures that claim to cure everything from multiple sclerosis to paralysis, but have no evidence to back them up. The clinics, which can operate in the US but are more commonly found in Mexico, China, Russia and other countries with looser health regulations, entice patients to fly out for a week or two of spa-like treatment, physical therapy and injections of stem cells supposedly designed to cure multiple sclerosis, ALS, paralysis, or whatever other neurological impairment the person suffers from. The physical therapy often makes the patient feel better for a week or two. But sadly, there are no treatments that can reliably improve most of these diseases, and definitely none using stem cells. And anecdotal stories have begun popping up of patients who have had these stem cell procedures and then developed horrifying side effects, from hepatitis to nerve pain to bizarre spinal cord tumors.

In an effort to better understand the impact of this stem cell tourism, as the field calls it, a team of researchers lead by UConn Health conducted a nationwide survey of academic neurologists experiences in stem cell tourism complications. The survey also investigated the level of physician preparation to counsel and educate patients.

Imitola led the study with colleagues from the Ohio States Neuroscience Research Institute. The researchers know as well as anyone how far medicine is from any kind of stem cell treatment for these neurological diseases. And they have had patients come to them asking for permissionthe clinics call it clearanceto get the stem cell injection treatments.

The results of the survey show that bad outcomes from stem cell tourism are much more common than anyone had realized. Of the neurologists who responded to the survey, one in four had had a patient with complications related to stem cell therapy. Patients who had suffered infections, strokes, spinal tumors, seizures, and even deaths were all reported. And 73% of neurologists responding to the survey said they felt that having more educational tools to discuss the issue with patients would be helpful.

Stem cells hold the promise for patients, not just the desperate ones with terminal illnesses but also those who are looking for a natural solution where modern medicine has failed them. Anecdotally, I have spent many hours talking to patients about powerful new immunotherapies to prevent relapses of multiple sclerosis or neuromyelitis optica; but, when they ask if these therapies will help them walk or see again, I have to admit they wont, says Michael Levy, research director for the division of neuroimmunology and neuroinfectious disease at Massachusetts General Hospital, Harvard Medical School, who was not involved in the study.

Levy says the paper by Imitola and his colleagues found that many neurologists are faced with these questions but most have no experience with stem cell therapies.

Patients as well as physicians are constantly looking for ways to maintain hope. So if a patient asks about it, the doctor may say I encourage them to look into it, says Dr. Alfredo Quinones-Hinojosa, the William J. and Charles H. Mayo Professor and chair of neurologic surgery at the Mayo Clinic, who was also not involved in the study. We need to be careful how we as physicians find a balance between giving patients hope and maintaining scientific accuracy to the highest standards.

It is really shocking that only 28% of board-certified neurologists feel completely prepared to discuss this important issue with their patients, Imitola says. The International Society of Stem Cell Research has information available on their website, but Imitola and his colleagues say there is a need for regular educational sessions on stem cell tourism to be held at international and national neurology meetings as well.

The ultimate goal of this research is to be able to determine the extent of the complications and the readiness of neurologists to counsel patients. All of us are interested in bringing real stem cells to the clinic, but this process is arduous and requires a great level of rigor and reproducibility, Imitola said.

The team also plans on starting a national patient registry, where physicians can report complications from stem cell tourism procedures so that the medical world and regulators can get a better sense of the extent of the problem, and have more data with which to educate patients. These findings are more pressing now, when some stem cell clinics are even promoting cures for COVID-19 with stem cells. To help neurologists explain the risks, the researchers have prepared an evidence-based patient friendly handout summarizing the findings and have translated it into multiple languages. The handouts and additional information can be accessed at: https://www.imitolab.org/stem-cell-tourism-in-neurology.html.

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Stem Cell Therapy Injuries More Widespread Than We Knew - UConn Today

Vanderbilt develops computational method to explore evolutions influence on preterm birth – Vanderbilt University News

Human pregnancy can easily be taken for granted as a natural and regularly occurring event, but it is the product of the complex, coordinated function of two bodies, mother and baby, that has evolved side by side with other important human adaptations. For the first time, researchers have established how a complex disorder associated with pregnancy spontaneous preterm birth (sPTB) has been shaped by multiple evolutionary forces.

The article, Accounting for diverse evolutionary forces reveals mosaic patterns of selection on human preterm birth loci was published in the journal Nature Communications on July 24.

Preterm or premature birth, medically defined as labor starting at 37 weeks of gestation or earlier (instead of the usual 40 weeks), affects more than 15 million pregnancies each year and is the leading cause of infant mortality worldwide. Both the associated medical conditions of the mother which cause sPTB and the outcomes of sPTB on an infants health have been well-defined. It is not well understood, however, how and why genetic factors influence sPTB and birth timing. A team of scientists led by Antonis Rokas, Cornelius Vanderbilt Chair in Biological Sciences and director of the Vanderbilt Evolutionary Studies Initiative and Tony Capra, associate professor of biological sciences, set out to demystify this element of pregnancy and human life.

The research, co-led by postdoctoral scholar Abigail LaBella and by M.D./Ph.D. candidate Abin Abraham, developed a computational approach to detect how evolution has shaped genomic regions associated with complex genetic traits, such as height or obesity. Our approach integrates techniques developed in labs from all over the world to quantify how natural selection has influenced genomic regions involved with complex diseases, said Capra. We hypothesized that parts of our genome involved in disease might experience contrasting evolutionary pressures due to their involvement in multiple and different traits.

This work was done in cooperation with Louis J. Muglia, co-director of the Perinatal Institute at Cincinnati Childrens and president and CEO of the Burroughs Wellcome Fund and Ge Zhang, associate professor at Cincinnati Children Hospital Medical Center and collaborator at the March of Dimes Prematurity Research Center-Ohio Collaborative. Zhang and Muglia recently completed the largest genome-wide association study (GWAS) on sPTB which identified multiple genomic regions associated with this complex disease. Preterm birth is a global health concern, affecting ten percent of pregnancies in the United States. Understanding the evolution of genomic regions associated with spontaneous preterm birth is a major step forward in how we understand the foundations of human life and provide the best possible care to mother and child, said Muglia.

Using this GWAS, the researchers found that genomic regions associated with sPTB have experienced multiple types of natural selection. From this information researchers can hypothesize why these risk-related genomic regions remain in human populations and what their potential functions may be. While we knew of a few examples of selection like negative selection acting on genes associated with spontaneous preterm birth, we uncovered that every type of selection we tested had acted on at least one genomic region. Our initial figures looked like a mosaic made up of all the different metrics we had tested, says Rokas.

The teams results suggest that genomic regions associated with sPTB have experienced diverse evolutionary pressures, such as population-specific selection, and provide insights into the biological functions some of these regions. It is difficult to study pregnancy in humans and we lack good models for laboratory studies, LaBella explains. We still have much to learn about the mechanisms through which human pregnancy is initiated. For example, the group uncovered differences in a region near the gene OPRL1, involved in both the relaxation of maternal tissues and pain perception during childbirth, that are specific to certain human populations. Population-specific differences in this region may contribute to the uneven risk of sPTB between human populations. This work is a part of a burgeoning field of evolutionary medicine, one of the types of interdisciplinary research that many of the investigators of the Vanderbilt Evolutionary Studies Initiative are engaged in, says Rokas.

Both Abraham and LaBella plan to continue to foster collaboration between medicine and evolution in their future research. Having this pipeline at our disposal opens up a range of new, exciting questions such as asking whether diseases of pregnancy, which involve two genomes, that of mom and baby, experience different evolutionary pressures than other complex genetic diseases, says Abraham.

This work will be critical for researchers studying the genetics of pregnancy-associated disorder and is of broad interest to scientists researching human evolution, human population genomics and how evolutionary analyses relate to complex diseases like cancer and heart disease. The research was supported by the March of Dimes Prematurity Research Center-Ohio Collaborative, the Burroughs Wellcome Fund and National Institutes of Health grants R35GM127087 and T32GM007347.

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Evolution revolution – Opinion – The Register-Guard

WednesdayJul29,2020at12:01AM

America is, and always will be, a work in progress. We've been evolving, good, bad, positive and negative since its birth.

Obviously we're still experiencing birthing pains that hopefully make us a better, stronger, more cohesive nation for all.

We are diverse, a soup of racial, ethnic, religious, social and cultural differences. These differences are the spices that flavor one of history's most successful countries to become a dominant world leader in so short a period. Every group has contributed to make America great, some at great expense.

There are those who live in the past, politically, economically and socially fearful. They share an inaccurate glamorized history that minimizes or omits exploitation and abuse of Black people, the stealing of lands and slaughter of Native Americans, plus similar abuses of Hispanics, Asian people, Jewish people or anyone perceived as "different."

This group can't or won't let go of a superficial fantasy myth of history. There's nothing glamorous. It's actually quite ugly. For them, eventually they will be forgotten by history's evolution, as the rest of America moves forward into a better future.

Let us all make common sense common again.

William M. Speicher, Creswell

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Evolution revolution - Opinion - The Register-Guard

How mosquitoes evolved to be attracted to humans, and what that means for the future – CNN

There are about 3,500 species of mosquitoes around the world, but only a few are responsible for spreading infectious diseases to humans.

Scientists studied mosquitoes across sub-Saharan Africa and found that mosquitoes actually have wide-ranging palates.

"There's a huge diversity in mosquito preferences. Some like to bite humans and others don't like to bite humans at all," said the paper's co-author Noah Rose, a postdoctoral researcher at Princeton University in New Jersey.

"At first we thought that mosquitoes who lived around people would simply like to bite people and that those who lived in the forests wouldn't like to bite humans," Rose said. "We were really surprised that that wasn't the case."

While mosquitoes living near dense cities such as Kumasi, Ghana, or Ouagadougou, Burkina Faso, showed increased willingness to bite humans, researchers found that city life alone didn't explain the mosquitoes' evolution. In fact, any mosquitoes living in large cities still preferred to bite animals rather than human hosts.

That's where the second factor -- dry climate -- comes in. In areas with harsh dry seasons, such as Africa's Sahel region, extending from Senegal to Sudan and Eritrea, mosquitoes evolved to have a strong preference for humans.

"Mosquitoes are dependent on containers of water for their larvae," Rose told CNN. "So in places with an intense long dry season, mosquitoes become very dependent on humans who store water."

The mosquitoes' evolution to bite humans is a by-product of their dependency on breeding in areas close to human city life. That means urbanization in the coming decades could lead to even more human-biting mosquitoes in the future.

Urbanization to spark further change in mosquitoes

The new research predicts this rapid urbanization will drive further mosquito evolution, causing a shift toward biting humans in many large cities by 2050.

"We should be watching these mosquitoes," said Rose, noting that the future of mosquito adaptations is still uncertain.

"We don't really know what will happen when the urbanization of sub-Saharan Africa moves beyond what we see in the present day. But we know something will happen and we think that it will be a shift to biting more human hosts."

That means the way mosquitoes spread disease could also change.

But in the short term, researchers said that climate change isn't expected to drive major changes to dry season dynamics that impact the mosquitoes' behavior.

Mosquitoes can thrive in different habitats

It took more than three years for the international team of scientists to conduct the research and collect mosquito egg samples from a wide range of habitats across 27 locations in Africa.

"I was surprised that immediate habitat didn't have much of an effect -- mosquitoes in forests and nearby towns had similar behavior," Rose said.

"We thought that maybe moving into human landscapes would be a key driver of attraction to human hosts. But it seems like mosquitoes fly back and forth too readily between these habitats for their behavior to diverge in many cases."

Mosquitoes can thrive in a "mosaic of habitats" within the same region, which makes preventing mosquito-bourne illnesses an even greater challenge, he added.

"Even if you got rid of the human-biting mosquitoes in one place, there's a huge diversity of mosquitoes in a habitat. They're really good at solving problems and surviving in different habitats," Rose said.

The World Health Organization has said mosquito control can effectively reduce the transmission of vector-borne diseases like Zika and yellow fever, but "mosquito control is complex, costly, and blunted by the spread of insecticide resistance."

Protect yourself from mosquitoes

For people living in or traveling to areas where mosquito-borne illness is prevalent, there are a few things you can do to prevent mosquito bites, according to the US Centers for Disease Control, National Institutes of Health and WHO:

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How mosquitoes evolved to be attracted to humans, and what that means for the future - CNN

Folklore is another step in Taylor Swifts continuing evolution – FanSided

Taylor Swift attends the NME Awards 2020 at O2 Academy Brixton on February 12, 2020 in London, England. (Photo by Dave J Hogan/Getty Images)

Taylor Swift shows shes ever-evolving with her latest album, folklore.

Taylor Swift has become the rare pop star who seems too big to fail. In a music world that is more fractured than ever, composed of a number of microcultures that are often isolated from one another, Swift, over a decade into her career, still manages to transcend it all, making each new record release a true event.

Her latest record, released last Friday with just one day of advance warning, is no exception. Folklore, her eighth record and second in less than a year, is a change of pace for her, a sharp shift from last years Lover, which was an hours worth of pure bubblegum pop. Meanwhile, folklore is a more somber, understated affair, full of piano-based ballads that grapple with what happens when one loses the sort of love depicted throughout Lover. Largely produced by Aaron Dessner of The National, this new record is her best in several years and also shows a desire to break out of the pop world she has resided in the last decade and enter into a new, more decidedly mature arena.

This is not well-trod territory for her, but its not unfamiliar either. Tracks from Red especially give nascent signs of this more folk-based sound, most notably State of Grace, Treacherous, and All Too Well, which uncoincidentally are three of the best songs shes ever written. What is new is her commitment to it for an entire record. The difference is one of scope and aesthetics as much as one of mere instrumentation. Also notable is that while these songs almost certainly arose from personal experiences, they are not made specific to her in the lyrics. Here, she is more willing to tell stories that are not necessarily related to the experience of being Taylor Swift, making it seem more expansive even as the sound is more insular.

What separates folklore from her previous records then is less the stylistic trends she embraces musically than it is her stepping outside of this solipsistic vision and telling stories that may be about herself, but not explicitly. The mere fact that such a question can arise speaks to the difference between this and, for example, 2017s Reputation, which largely consisted of her trying to settle scores, coming off as the worlds sorest winner in the process. This tendency can make her work feel self-contained in spite of its popularity. Here though, Swift lets go of the binary narratives that have defined so much of her work in the past. The songs here are not about vindicating past behavior or excoriating former lovers, but trying to make sense of the way love arises and vanishes, the ways one tries to fill the spaces left when another leaves. If folklore is her most mature record yet, its not because of the more subdued acoustic style shes embraced, but because of the willingness to step away from her own life and imagine the lives of others, while still giving her own emotions room to breathe.

Take the last great american dynasty, which is about the heiress Rebekah Harness and betty, wherein she sings from the perspective of a teenager named James, ruing what he did to lose the titular Betty and fantasizing about winning her back. These songs arent unqualified triumphs, but they do show a promising way forward for her. More successful are songs like cardigan and hoax, which may be autobiographical, but are sung by a narrator who is at least distinct enough from the public persona of Taylor Swift, allowing anyone who has lost love to be able to find themselves in them. Its a fine line, but one she has walked in several of her best songs, here and elsewhere.

In spite of all this, folklore is less of an actual transformation than it is a gesture towards seriousness. Working with Aaron Dessner and Justin Vernon functions as a way to signal that she has grown up and wants a new type of artistic, and not merely popular, success. Perhaps this is cynical, but considering Swifts continual evolution as a public figure, it seems like the new record is as much a calculated attempt to establish herself as a more serious artist, and judging by early reviews, its a gambit that appears to have worked.

folklore is a good record, her best in nearly six years, but it seems more like a solid Taylor Swift record than a fully successful attempt at an indie inflected folk record. Its hard to come up with a reason for this record to receive more acclaim than Phoebe Bridgers recently released Punisher or similar records like Julien Bakers Turn Out the Lights, though of course, what is being praised is not merely the music itself, but the evolution of Swift as an artist. Her unspoken demands to be taken more seriously have been well heeded. While the songs are good, it seems as if the novelty is being praised as much as the quality.

The most accidentally revealing lyrics on the record comes on mirrorball, when she sings, Ive never been a natural/all I do is try, try, try. Swift has consistently been one of the better pop songwriters of the last decade, but in light of how carefully crafted every aspect of her persona and her records are, little has ever quite felt fully organic. As much as she reveals of herself in her lyrics, it still feels like something is being held back; as clearly as she depicts her emotions in her songs, it nevertheless remains hard to know who she is behind the public presence. folklore may succeed as a record, but it comes no closer to solving that mystery, instead functioning as just another step on a carefully crafted trajectory.

For more, keep up with the Music section on FanSided.com.

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Folklore is another step in Taylor Swifts continuing evolution - FanSided

WWE news: Evolution 2 set to take place in 2020 – GIVEMESPORT

WWE first ran an Evolution show in 2018 and it was a rousing success.

An all-woman show, they tore the house down at the Nassau Coliseum in New York, putting on a show that featured a raft of genuinely spectacular matches.

Every womans belt in the company was on the line on the card, including the NXT UK and NXT Womens Championships, while we also saw Trish Stratus and Lita return to the ring to take on Mickie James and Alicia Fox.

The main event saw Ronda Rousey beat Nikki Bella, successfully defending her RAW Womens Championship, but perhaps the best match of the night came in the semi-main as Becky Lynch battled Charlotte Flair.

The two had a Last Woman Standing match for the SmackDown Womens Championship and the Lass Kicker came out victorious.

Now, it appears that there is set to be a sequel in the offing.

Of course, both Becky and Ronda are currently away from the company but, nevertheless, it seems as though plans are accelerating.

Sportskeeda reports that sources within the company have said that WWE is exploring the possibility of a new Evolution show.

Of course, given the current Coronavirus pandemic, the show is likely to be staged behind closed doors as the Performance Center, much like WrestleMania.

Many figures within the company are said to believe that such an event is a no-brainer, given the goodwill it often generates.

And female figures within the company are pushing for it to happen, meaning we could get another all-woman spectacular before the year is out.

Amid the chaos caused by the global pandemic and the havoc wreaked on the wrestling schedule, it would certainly be a morale-booster for the women who bust their guts every single night in the ring.

And the fans would surely love it too; get it in our eyeballs!

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WWE news: Evolution 2 set to take place in 2020 - GIVEMESPORT

The Orange Peels Trace the Evolution of a Song with "Something Strange Happens" (premiere) – PopMatters

With a 40-track deluxe reissue of the Orange Peels' 1997 debut album Square forthcoming, the band offer up a fresh look at "Something Strange Happens". The track appeared on bandleader Allen Clapp's 1993 solo album in addition to Square.There is also an alternate studio mix, a remastered version, and a brand new, previously unissued version available.

Listening to the track now, it's hard to believe that it didn't become more of a sensation in its time: Built on steady, power-pop rhythms and harmonies, featuring soaring vocals and memorable choruses, it has all the makings of a hit. Or at least the kind of hit that music critics imagine will be a hit. It's made of all the stuff that fans of Marshall Crenshaw, the Posies, and Big Star appreciate and, in its way, predicts the more recognizable elements of power punk and emo. The evolutions prove that at the end of the day if a song is great at its core, what it wears or doesn't wear hardly matters.

Clapp recently penned the follow observations for PopMatters on the song:

"Some songs are the result of crafting, pounding, tweaking, and wordsmithing. Others just show up, unannounced, and start playing, fully produced, in stereophonic sound inside a writer's head. 'Something Strange Happens' is the story of the latter. How one day, when my 24-year-old self was finishing up some routine shopping, this thing just arrived and played itself start to finish while I sat there stunned in the parking lot.

"And the song itself is mostly about the song's arrival. It turns out it was more than just music that was delivered into my consciousness that day. It was like a download from the universe, instantaneous and eternal, and it changed my whole perspective about life. Suddenly I could see my place in the world. How brief life is. How my strength would come from being vulnerable. How love comes from being open to possibilities. All of it was pouring out of this melody and these words. It was like coming face to face with God.

"Twenty-five years later, it's still as mysterious as the day it arrived. My life is tied to that song in some mysterious way. It comes to me around times of great change and reveals something new to me. Late in 2019, it showed up again, demanding my attention. It's not like I needed there to be another version of 'Something Strange Happens', it's more like the song wanted there to be another version. Or maybe I just wanted to see if I could still hit those high notes (and add some even higher ones).

"'Something Strange Happens (Autumn Fills the Skies)' makes the fourth and newest version of the song on this release. The remastered version from Square is here, as is an outtake from the Square sessions, the initial mix the band made with Bryan Hanna, and which may, in some ways, be a better, more expansive mix of the song. For historical perspective, the original four-track version of the song is here. The one that turned heads when it showed up on One Hundred Percent Chance of Rain back in 1994. The one I recorded hours after driving home from that Safeway parking lot."

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The Orange Peels Trace the Evolution of a Song with "Something Strange Happens" (premiere) - PopMatters

From Jaws to The Old Guard: The evolution of the summer blockbuster – SYFY WIRE

2020 has been a very weird year across the board thanks to the continuing scourge that is the COVID-19 pandemic. After months of lockdown and the normalcy of our everyday lives brought to a grinding halt, the world is trying to return to business as usual, often against the advice of medical experts. One notable example of this in the entertainment world is the growing attempt made by cinema chains to reopen for the masses in time to take advantage of what is left of summer. Thousands of theaters across the globe closed abruptly earlier this year after the spread of coronavirus became an unavoidable issue, and the cost to the film industry is reported to be several billion dollars.

As we face the very real risk that many of these cinemas may never reopen, the race is on to find ways to get people to go to the movies safely and spend their money on the films that were supposed to keep the big studios afloat, including the live-action remake of Disney's Mulan and Christopher Nolan's long-awaited Tenet. Even in the middle of a pandemic, Hollywood can't afford to let the summer blockbuster season disappear.

Hollywood is an industry notoriously allergic to change. They find something that works and they stick with it. For close to 40 years now, they have been beholden to the lucrative benefits of summer and the annual array of big-budget high-concept blockbusters they offer for audiences locally and worldwide. The logic behind it is pretty simple: The most profitable demographicsunder-25s and families with kids aged 7 to 17are all free from school over the summer and in need of flashy entertainment, preferably in a venue with air conditioning. A summer blockbuster is intended to be an Event, a thing you wait all year for that's hyped up to the nines. It's the reason you go to the movies.

The term "blockbuster" as it applies to film dates back to the 1940s. A blockbuster was a kind of aerial bomb used during the Second World War that gained its nickname because of the sheer force of its destructive power. Its first known use in reference to cinema came in 1943, when advertisements in various trade magazines described the war dramaBombardieras "the block-buster of all action-thrill-service shows!" Catchy. It evolved to define movies that were big on budget, spectacle, and scope, the sorts of stories that had to be seen on the biggest screen possible. As television became a dominant force in entertainment in the 1950s, studios poured more resources into these shiny new blockbusters, hoping that these lavish, extremely long, and obscenely costly epics would bring in audiences who would rather stay at home and watch Bonanza.

The blockbuster as we know it emerged in the 1970s when two dudes named George Lucas and Steven Spielbergheard of them?helped to radically change the game. The old studio system had come to an end the previous decade, and hot young new directors with greater creative freedom were making their mark on the art form. In 1975, Spielberg was a hotshot young director with one theatrical release under his belt and a couple of TV movies that had helped him to garner a reputation as one to watch. Jaws was only his second official movie, and, while the book it was based on had been popular, it wasn't an adaptation that anyone had high hopes for when it went into production. Then Lew Wasserman, then the chairman of Universal, attended a test screening, and he knew he had a mega-hit on his hands. He declared, "I want this picture to run all summer long." Jaws was given a wide release as well as an extensive marketing campaign that included plenty of TV spots that emphasized the thrills, the jump scares, and that now-iconic John Williams score. It was an unavoidable must-see event but one that had the critical clout to back up its hype (it received three Oscar nominations, including one for Best Picture). Jaws became the highest-grossing movie of 1975 and was the highest-grossing film ever at the time, a title it held onto for two years until George Lucas introduced us all to Star Wars.

Star Wars followed a similar pattern to success as Jaws: It wasn't as rapturously received by some criticsPauline Kael infamously hated the moviebut it was still acclaimed enough to merit being seen as more than a mere sci-fi adventure title, akin to something Disney would make on the cheap. The marketing was highly effective, with Star Wars having a greater appeal to kids, and the film had a long initial theatrical run that kept it in viewers' focus for well over a year. You HAD to see it. This was less a mere movie than a burgeoning cultural phenomenon, one that remains a potent force in entertainment to this day. Once the box-office receipts poured in, other studios wanted to replicate the model being defined by Lucas and Spielberg: fast-paced, universally appealing spectacle, often with a genre twist, that would demand repeat viewings and inspire audience devotion.

The 1980s perfected the formula, with Lucas releasing more Star Wars movies and Spielberg making bank with creations like E.T. and Indiana Jones. Could it be spun into a franchise, like Beverly Hills Cop or Back to the Future? It was a blockbuster. Often a big name was involved, be it a director everyone knows, like Spielberg, an A-list actor like Eddie Murphy, or a familiar intellectual property. This, however, was not exclusively the case. Ridley Scott was a nobody when he made the wildly popular Alien. Tom Cruise was a 24-year-old with only a couple hits on his resume when Top Gun premiered. What these films had was a hook, something that inspired the masses and got people talking with fervor about them.

Things started to change in a big way in 1989, when Warner Bros. took a big leap and decided to adapt the decades-old comic book character Batman for the big screen and gave the job to an unknown former animator named Tim Burton. Batman was a recognizable property, but there was still no guarantee that audiences would be all that excited for a cinematic adaptation. Comics were seen as kids' stuff, and there hadn't been a major superhero movie hit since Superman, which had spluttered out after a number of underperforming sequels and audience fatigue. Batman sold a lot of tickets and even more merchandise, and so, of course, Hollywood scrambled to copy the new formula. Meanwhile, figures like Spielberg, Robert Zemeckis, and James Cameron kept on trucking and reaping the benefits with their new way of cinematic business. Spielberg alone continued to shape the genre in his image with movies like Jurassic Park. Heard of it?

Yet the summer season wasn't wholly overrun by Batman knock-offs or the sort of blockbusters we come to expect. You could still release a rom-com like Clueless or a star-led comedy like Liar Liar and have it bring in the big bucks. Check out the highest-grossing movies of the '90s by year and you'll see a lot of unexpected titles that would never crack the top ten in 2020. Star power still counted for something, so Julia Roberts and Harrison Ford could guarantee a hit bigger than, say, The Fifth Element. So what changed by the time we hit the 2000s?

The blockbuster formula by and large remained the same: big budgets, high-concept stories, lots of spectacle, and a hook for fans. What changed was that this model became more attuned to pre-existing intellectual properties, helping to birth major franchises. TheLord of the Rings trilogy became a far greater success than even the most generous industry expectations had anticipated. The record-breaking Harry Potter books became films of equal power. The Star Wars prequels defied bad reviews to keep audiences intrigued. Then, of course, in 2005, a new age of superhero madness was born thanks to Batman Begins. The blockbuster formula was refined, as they started to appeal to slightly older audiences befitting the PG-13 rating. You didn't even need a big star at the helm. The property was the star, more so than ever.

By the time Marvel rolled into town and changed the game once more, we saw a whole new spin given to the summer blockbuster. First of all, the summer part became much more flexible. Nowadays, we start having conversations about the season in April and end them well into September. Summer is now half of the year, and that doesn't even get into the holiday season, another place where blockbusters tend to do very well.

While the timeframe may have expanded, the sorts of blockbusters we get have become greatly restricted now that we're in the era of the Marvel Cinematic Universe. It's not enough to be a big-budget genre film nowyou have to be part of an expanded franchise, part of an instantly familiar brand, and you have to appeal to audiences worldwide. Markets like China are more valuable than ever, and studios work hard to appeal to those countries. Once upon a time, the idea of spending $100 million on one movie was considered an obscene rarity; now, it's seen as relatively inexpensive for a blockbuster, especially since spending three times that amount on one title is the norm. What this also means is that these films have to make even more money than before. A billion-dollar gross is the expected low point. Justice League was considered a flop for grossing less than $700 million thanks to its exorbitant budget and the increased expectations of the genre as a whole.

When the stakes are that high, the risks studios are willing to take decrease, even though the model that started it all with Iron Man was considered pretty risky at the time. More money was poured into these blockbusters that audiences had little to no reason to care about, titles that seemed to exist solely to follow the Marvel path step by step. Remember that big Robin Hood movie with Taron Egerton that was supposed to launch a whole franchise? Or Guy Ritchie's King Arthur film? Mortal Engines? Valerian and the City of a Thousand Planets? John Carter? The Lone Ranger?

Plenty of movies have made lots of money and won over fans without the benefit of critical success, but you also can't force people to care about something they have little to no prior interest in. We may all know who Robin Hood is, but that instant familiarity with the concept doesn't mean we were all clamoring for a blockbuster version and five potential sequels. There was nothing about these movies that hooked in the tens of millions of paying customers needed just to break even, but studios continued to hope lightning would strike twice. It almost never does.

This risk-free approach also reinforces the most stubborn and limiting aspects of the industry. Executives have never been wild about investing in tentpole titles anyone other than cishet white dudes front and center, and even in the 21st century, that's still the assertion they work with. Marvel needed to make a solid decade of installments before letting a Black or female lead get their dues. The new Star Wars trilogy did put women and people of color up front on screen, but not behind the camera. Only a tiny handful of women directors have ever worked with a budget of $100 million or higher, even as such costs become the norm in the genre.

Studios are scared to deviate from the summer blockbuster model even as annual theatrical attendance numbers slip domestically and many of their current methods don't work in key international markets like China. The big threat they face comes from audiences' increasing preference for at-home entertainment, a problem they had to confront long before the pandemic forced us to stay at home with our Dark binge watches. Streaming services like Netflix may be breaking an old and increasingly archaic mold, but they're not ready to totally abandon old-school Hollywood tools. They're as invested in the blockbuster game as anyone else, even if they don't care so much about the rigidity of a release calendar.

Netflix movies like 6 Underground and The Old Guard, directed by Gina Prince-Bythewood, very much follow the expected standard of a blockbuster, but almost in a retro manner. The former may be directed by Michael Bay, but it's tough to imagine even the explosion king of Hollywood getting a major budget for an original action film, while the latter has superhero and comic book credentials but nothing on the level of recognition that Marvel's name brings. They're slightly cheaper affairs than their theatrical comrades but still feature big stars and, especially with The Old Guard, are designed to tap into that fandom frenzy that has people coming back for more, a feature that at-home streaming is built on. Perhaps a new age of the blockbuster can be given room to breathe via streaming and VOD, especially if Hollywood continues to double down on monstrous franchises that have become scarily too big to fail.

It remains to be seen how the film industry will, or whether it can, bounce back from the COVID lockdown. It's highly unlikely that Hollywood will be able to return to the status quo, and that applies to the blockbuster model. It's a sturdy business mold and it will endure, even as necessary changes are made, but they may end up being more radical than studios are willing to accept.

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From Jaws to The Old Guard: The evolution of the summer blockbuster - SYFY WIRE

Warrior Nun, The Old Guard and the (much-needed) evolution of the strong woman trope in Hollywood – Firstpost

Warrior Nun represents a new direction for Hollywoods female superheroes, alongside Gina Price-Bythewoods The Old Guard, Captain Marvel and Salim Akils CW show Black Lightning.

A great many things aboutWarrior Nun, Simon Barrys new Netflix superhero drama (based on the Ben Dunn comicbook series Warrior Nun Areala), seem to be designed as inter-textual commentary on the genre itself. The show follows Ava (Alba Baptista), a quadriplegic orphan who seemingly kills herself, only to be reborn with superpowers (super-strength, rapid healing) after a nun presses an angels halo into her back. Ava soon learns that the bearer of the halo becomes the de facto Warrior Nun, member of an ancient, demon-battling Christian group called Order of the Cruciform Sword (OCS).

The thing is, for well over half of the shows first season, Ava wants to have nothing to do with the superhero gig, no matter what the OCS nuns or their leader, Father Vincent (Tristan Ulloa), tell her. More importantly, her attitude towards the entire history and the mythology of the OCS is one of bored impatience. At one point, as Father Vincent presents her with a comically oversized tome about the OCSs past and urges her to read soon, she says, Can we skip to the part where any of this has to do with me? This sentiment is reinforced time and again throughoutWarrior Nun; at every given opportunity, Ava reiterates, Im definitely not a nun. Even the shows tagline uses a bit of punning action to hammer it home: Fucks given? Nun

Warrior Nun, then, is a hyper-aware, sharp-tongued anti-superhero drama, a far more effective example of the same than Amazons asinineThe Boys, or the equally sophomoricKick-Assfranchise, both of whom end up reinforcing the same tropes they set out to parody.

Warrior Nun is currently streaming on Netflix.

It also has genuinely memorable characters like Shotgun Mary (Toya Turner, the show-stealer), the only member of the OCS not beholden to a nuns vows, and Sister Lilith (Lorena Andrea), the tightly wound up descendant of several earlier Halo Bearers/Warrior Nuns (can you name the villain in either of the Kick-Ass films? How about Jim Carrey or Nicholas Cages characters? I didnt think so). And when it comes to delivering the action,Warrior Nungets its fight choreography exactly right, a compelling mixture of kickass, close quarters hand-to-hand and superhero-style VFX.

The outspoken Ava represents a new direction for Hollywoods female superheroes, alongside Gina Price-Bythewoods filmThe Old Guard, Anna Boden/Ryan FlecksCaptain Marveland Salim Akils CW showBlack Lightning. To understand this evolution, one has to pedal back to the character that started it all for the (now-clich) strong woman in Hollywood, someone who wasnt technically a superhero at all Warrant Officer Ellen Ripley (Sigourney Weaver) from Ridley ScottsAlien(1979).

From male fantasy to the monstrous feminine

Few Hollywood characters have been deconstructed to the extent Ellen Ripley has in the 40-odd years since she was first seen onscreen, there have been hundreds of academic treatises written on Ripleys appearance, her motivations and, inevitably, her feminism. Ripley is, essentially, a male fantasy about strong women.

Director Ridley Scott admitted that the character was initially supposed to be male but was changed into a woman fairly late into the pre-production process. Ellen Ripley was, at least in her origins, a response to the second-wave feminism in the 60s and 70s (Feminists! Equal pay is fine but put on some lipstick for Gods sake, says Kitty Forman, the Betty Crocker-esque matriarch fromThat 70s Show).

Think about it: while Ripleys world, of course, is a boys club with the usual amounts of sexism, we never see Ripley engaging with any of it. She just gets on with the job at hand and by the end of the film, shes the one left standing, not the sniggering guys who thought it was a mistake to send a woman into space to do a mans job as it were. This is along the lines of the patronising responses women receive when they complain about workplace sexism/harassment suck it up and keep working, women are told.

Ellen Ripley (Sigourney Weaver) from Ridley Scotts Alien (1979).

Oh, and then theres Ripleys infamous stripping scene, of course remember, these were the 70s, the era ofCharlies AngelsandWonder Woman, when strong women also had to be unrealistically attractive (That 70s Showhad parody scenes for both theAngelsandWonder Woman, wherein these impossible standards are lampooned). Director James Cameron, who would go on to direct Weaver in the movies sequelAliens(1986), later said that he disagreed with the stripping scene and it was one of the things that made him push back against the objectification of Ellen Ripley. Camerons version of Ripley is notably more foul-mouthed than Scotts (speaks volumes that the one line youll remember is Get away from her, you bitch!). Shes assertive, world-weary and completely in charge of the situation even as the violence and the carnage around her keeps escalating.

And yet, Cameron himself is hardly the nuanced thinker he mistakes himself for (rememberhis hare-brained attackon Patty Jenkins andWonder Woman?). InTerminator II, therefore, his strong woman had to be worse at parenting than an actual robot (whos already leagues ahead in the films second-most-important skill ie murdering evil machines). Strong women are strong because of that bad mother juice, dont you know?

If Sigourney Weaver was the most important figure for 70s and 80s women-led films, the 21st century belongs to Charlize Theron.

Fromon Flux(2005) andHancock(2008) toAtomic Blonde(2016),Mad Max: Fury Road(2017) and nowThe Old Guard(2020), theres no doubt that Theron is the pre-eminent action hero of the ongoing era. In fact, her filmography itself is a pretty good indicator of how the female superhero (as well as superhero-adjacent figures like her characters inAtomic BlondeandMad Max)has evolved over the past two decades while on Flux was still stuck at the altar of controlling male producers (director Karyn Kusama washed her hands off the final cut of the film, which included an abrupt and gratuitous scene of Theron in her undies, not unlike Ellen Ripleys underwear shots), Imperator Furiosa is a prime example of the monstrous feminine, a character who fights and kills like the men, but eventually leads the women of the film to the green place, a kind of eco-feminist utopia (notably, on Flux also ends with the discovery of a verdant Eden).

Brie Larson pioneered a new breed of the female superhero in Captain Marvel.

Fucks given? Nun

Warrior Nun engages with and upgrades the tropes of the female superhero in three major ways.

First, Ava enters a covert institution (the OCS), cleans it up from the inside (by fighting its corrupt elements), turns her back on her male mentor (Father Vincent, who turns out to be a traitor to the cause) and rearranges the playing field on her own terms. This basic storyline, ie women cleaning up an institution or a hierarchical structure, is followed closely byCaptain Marvel, too, for example Carol Danvers (Brie Larson) becomes a part of the Kree forces, but soon turns against them when she realises theyre the imperialist villains of the story. She fights and rather easily defeats her male mentor (Jude Law) to do so, telling him, I have nothing to prove to you. In Avas case, this particular confrontation will have to wait for the second season, but it promises to be kickass.

Second, Avas big reveal, ie her realisation that the OCS is based on a lie or at the very least an exaggerated, manipulative version of the events (the angels not an angel, the halos not really a halo), is rooted in historiography (the study of how histories are written). And historiography is all-important in the female superhero film: its how writers and directors tell us about women being written out of history. In the last half-hour ofThe Old Guard, we see how Charlize Therons immortal character Andromache of Scythia has influenced history down the ages, behind the scenes saving the lives of future doctors and soldiers and Presidents and Nobel Laureates, snowballing into a whole lot of good. InThor: Ragnarok, we see the super-villain/goddess Hela (Cate Blanchett) lamenting how her own father Odin (Anthony Hopkins) wrote her out of the history of Asgard.

Charlize Theron's iconic character, Furiosa, from Mad Max: Fury Road.

Third, Avas sexuality and how she negotiates it have been written superbly, so much so that theres no real analogue or comparison within the superhero genre for how good this aspect is. The trick is to not over-think it: far too many superhero films have their super-powered women treating sexuality as either a cumbersome necessity or in borderline fetishistic territory. Not so for Ava: shes a young woman whos definitely not a nun, and for much of the first half of the season, shes running around, crashing one summer house after another with a cute boy (you know, as one does). And as a final fuck-you to the Vatican, the cute boy has the initials JC (Im not saying it, you are!) and he believes that ultra-rich people donating their homes to him, even if temporarily, is a good thing.

Which is why personally, Ill be very disappointed if after all this, Ava takes up a nuns vows in the second season. But something tells me that the writers ofWarrior Nunare too smart for that.

Find latest and upcoming tech gadgets online on Tech2 Gadgets. Get technology news, gadgets reviews & ratings. Popular gadgets including laptop, tablet and mobile specifications, features, prices, comparison.

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Warrior Nun, The Old Guard and the (much-needed) evolution of the strong woman trope in Hollywood - Firstpost

Coles’ Lisa Ronson on the evolution of collectables and marketing through COVID-19 – Mumbrella

INTERVIEW

Lisa Ronson, chief marketing officer at Coles, (LR)Zoe Wilkinson, journalist, Mumbrella (ZW)

ZW:What led you to choosing books for this collectable campaign?

LR: Well, there was sort of two main inputs into it.

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The first is it always comes back to our brand purpose of helping Australians live healthier and happier lives. And, we know that kids that have a love of reading or read books have better educational outcomes and theyre happier, happier kids. And so that aligns really well with our purpose. And then another piece of research we did showed that whilst 83% parents want to buy their kids books that will encourage their children to read, only 22% actually buy books regularly for their children. So on the basis of those two main inputs, it was a fairly easy decision.

ZW: And what was the process of selecting a particular series? How did you come to Andy Griffiths and Terry Dentons Treehouse series?

Andy and Terry have got the most successful Australian kids book series in the past decade. And when you look at the top 10 books that have been sold to a broad range of kids over that time period, theyve got five or six out of the top 10, so it was overwhelmingly working towards the Little Treehouse series, and working with Andy and Terry who are really passionate about kids literacy and reading, and getting more books in the hands of Australian kids. So we had very aligned objectives on that front.

Andy Griffiths is the author of the treehouse series

ZW: The books and the packaging are made from sustainable materials and can be fully recycled. Following some of the feedback that Coles received based on the environmental impact of the Little Shop Collectables, what role did considering the environmental impact of these collectables play in the campaigns development?

LR: It played a big role. Weve publicly announced that we want to be a more sustainable supermarket and based on our customer insights, consumers and our customers are getting increasingly aware of their footprint and plastic in the environment. So, in the vein of being very much customer led, customer-insight led, that played a part in the development of this program. We dont think that anyones going to want to recycle the books, but the option is very much there if they want to recycle them at the end of the campaign.

ZW: The first Little Shop Collectables campaign delivered incredible sales results for Coles and drove families to the store to spend more money. Did you have to think about the ethics of encouraging families to spend more money during COVID-19, considering the impact its had on family budgets?

LR: These programs have long lead times. Like any of our campaigns, we start planning them a long way out. So the planning was very much pre-COVID. But, what we do know is that Australians are coming in and theyre spending in our stores anyway, and they really like that additional reward for spending on the groceries that they were going to buy anyway. That was overwhelmingly the feedback from Little Shop one and Little Shop two. They felt that they were getting an exciting reward and exciting treat for doing the grocery shopping each week. So we were mindful of that. It just brings a little bit of a spark to the shopping experience and particularly for children.

ZW: The campaign targets childrens literacy and leverages Coles relationship with the Indigenous Literacy Foundation. How will these causes set this campaign apart for previous campaigns? Did it come about with the partnership with the Indigenous Literacy Foundation in mind, or was that just a perfect fit?

LR: It was definitely with the Indigenous Literacy Foundation in mind because we are the largest private employer of Indigenous Australians in Australia. So its really, really important to us. And whats different about this collectable is definitely the Indigenous Literacy part of it.

But, were also launching our first storybook school competition where were looking for basically the next creative geniuses like Andy and Terry, and schools will win fantastic prizes. And every entry we get to that well donate books to the Indigenous Literacy Foundation because we wanted to make sure that underlying all of this is us using our size and scale to get the books in the hands of so many more Australian children. So it was a big part of how we built the campaign to take it to market.

ZW: This is your first major collectables campaign at Coles, how does it reflect the direction in which you want to take Coles as a brand?

LR: Ive talked about our purpose before, so thats very much front and centre for all of our marketing. And then our vision is to make Coles Australias most trusted retailer. So, I felt that campaigns like this one which have that excitement of the collectables that weve run in the past, but are making Australians healthier and happier very much at its heart is in line with where we want to go, because we are very much insight led, we listened to what our customers are saying to us, and were constantly striving to raise the bar with how we are surprising and delighting our customers. So were very much looking to do that increasingly and were looking at solutions and how we help solve our customers pains, pain points, and thats through not only campaigns like this, but campaigns like Whats for dinner? and helping lowering the cost of our customers weekly shops. Were really leaning into the things that mattered to them.

Ronson became Coles CMO in March 2019

ZW: Do you think that collectables will ever reach a point where theyve sort of run their course as a marketing concept? And what do you think would come next? Whats the next evolution?

LR: I think that so long as collectables remain interesting and they continue to evolve and innovate, I think theyre one of those things that Theyve stood the test of time. I mean I remember, and Im going to show my age here, collecting things like Smurfs and things like that at the petrol station. So they might come in and out of favour over the years, and theres been so many iterations, whether it be football cards that kids swap in the playground and that sort of thing, I think its just about keeping it current, keeping it interesting and bringing a little bit of excitement and delight to customers shops.

So whether theyll be in the same time of the year, every year into the future, I dont know, but well continue to, as I said, be insight led and monitor the interest of our customers to determine when we run them, what the shape of the programs are and how we run them.

ZW: The pandemic really put supermarkets in the spotlight, and because Coles staff are on the frontline, how has it changed the course of your marketing that was layed out for this year?

LR: Well in a lot of ways, at the height of the panic buying I had a section of my team focused on COVID-19 communications because Australians were increasing looking to the supermarket sector for information around hygiene, how we were sanitising our stores, social distancing, and product restrictions. So a lot of the team have been focused on those types of communications and also, interestingly, working with our competitors in the supermarket category to bring joint industry messages to Australians about the health and wellbeing of both our customers and also our team members.

A full-page ad in The Australian in March [Click to enlarge]

So it was very much about the more functional communications at one end, then continuing with the more aspirational and inspirational messages. And I think we started them back around Easter time and then in the middle, what are some solutions for the time and one of them was the Whats for dinner? live that we rolled out and are continuing to do because it was so successful with our customers.

Coles Whats for dinner? campaign

ZW: Whats for dinner? really kicked off in response to the impact COVID-19 had on your customers. Is that going to be something that continues throughout the year in different iterations, different forms?

LR: We launched it back in September of 2019. The simplicity of it, I think was the beauty of it at, you know pre-COVID, between three and six in the afternoon there was a large proportion of Australians that were getting anxious about what they were going to cook for their family or friends and themselves for dinner. So that at the beginning of the campaign, it was all about getting five ingredients or less on the table in 30 minutes or less and providing inspiration because the other point is people were getting stuck in a rut of doing spag bowl every Monday and then maybe something else on a Tuesday. So we were trying to mix it up and provide that little bit of inspiration that people were wanting to explore a little bit more in the kitchen.

And then coming into COVID the conditions were slightly different, so it was more around the inspiration and doing a lot more with some of the basic staples and looking at different cuisines, looking at very multicultural cuisines and just providing that overall inspiration from a lot of really credible chefs and cooks and great people that we work with currently and have worked with over the years.

And it just went down a treat, it was two and a half minutes every night, really simple, other tips from the chefs around chopping things and where do you put onions and garlic, and it was sort of really practical as well. Weve since evolved it to be under $5 per serve, which we know Australians are increasingly looking to value, so were trying to find those value solutions.

Its a great platform in short that were continuing to evolve based on the environment and what our customers are looking for.

ZW: And at the start of lockdown a lot of opinions in market were We need to ready ourselves for when we come out the other side of the pandemic, but now the opinions are starting to change in the belief that consumers priorities and focuses have completely shifted in this period, and that marketing will now never return to normal. Is that something you agree with?

Theres, as you said, a couple of schools of thought. Some people think that people will just bounce back. I ultimately think they will, but I think its going to take a lot longer than what we anticipated. I dont think people will go back to how we were straight away. I think its going to take months and years actually. And I think therell be some behaviours that will continue around things like basic washing your hands and sanitisation. I think well appreciate things more like travel, being able to go out for dinner, out for breakfast, those sorts of things. I think we might all just slow down a bit more, but then will that continue forever? Its really hard to say.

I do think its going to take quite a bit of time before we go back to how we were and how we market and how we live our lives, because marketing is ultimately a reflection of what our customers are wanting and how we can help solve some of their problems. So their problems will be different for a significant period of time. So we need to work with that and lean into it, and continue to be helpful.

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Coles' Lisa Ronson on the evolution of collectables and marketing through COVID-19 - Mumbrella

Ask an Expert: Health Promotion’s Matt Numer on the evolution of Pride – Dal News

Pride as we know it today looks a lot different than when it first emerged back in the late 1960s as a protest for equality and recognition. Today, Pride is marked by a month of festivals, events and parades that celebrate and show support for LGBTQ2SIA+ communities.

As this year marks the 50th anniversary of the first Pride parade (held in New York City), we spoke to Matt Numer, an associate professor and head of the Division of Health Promotion in the School of Health and Human Performance and an advocate for LGBTQ2SIA+ health issues, about the history of Pride and why it is still so important to celebrate today.

Can you tell us a bit about the history of Pride and how it has evolved over the decades?

Pride started as a form of protest against fairly overt oppression, primarily from the police, I would say. We saw a lot of issues decades ago with police attempting to out people, arrest people for engaging in what at the time they called homosexual activities. People are pretty familiar with the rise of the gay rights movement with the Stonewall Riots, when police attempted to raid bars. What they would do is they would go in and they would particularly target people transgressing gender norms. Today, we might call them drag queens; the way we define people has also evolved over the years. But they would drag people out and publish their names and attempt to have them fired, and all sorts of things like that. In Canada, you had the bath house raids in Toronto, where they would go and purposefully target people engaged in sex activities. Out of that, Pride became a protest a march very similar to the protests we see today with the Black Lives Matter movement. I think thats where it gets its historical roots.

How has it evolved? I think in many ways Pride is still a form of protest and a form of garnering attention, though it may not necessarily be for the same cause and it may take on different forms today. Today, when we think of Pride, most people just think of the celebration, parties, drinking, the parade in particular. But it is still calling attention to the fact that theres a community of people out there who have been historically marginalized and continue to be in many ways. Pride is the opportunity today for many allies to come out and show their support for us to make queer identities visible to youth. A big way that oppression works is to hide how people are marginalized. Growing up, I didnt really know many gay people. They were just seen as so outlandish in the eyes of the general population, unless it was something like arrests and protests and stuff like that.

A gay rights demonstration in Toronto, circa 1980s. (Courtesy Canadian Lesbian and Gay Archives)

What are some of the unique challenges experienced by LGBTQ2SIA+ communities today and how does Pride bring recognition to those issues?

Pride is also a way for us to see issues that may not be immediately visible. So, youll often see different groups marching in the Pride parade. Today it has become very corporatized with the banks and other companies pay their employees to go march in the parade which, dont get me wrong, Im glad that we have corporate support, but thats not really what Pride is about. But you will see other community groups marching in the parade. They give rise and give light to issues that may not be visible in the Canadian context. Theres a queer Arabs group, Rainbow Refugees an organization that attempts to help people who have suffered because of their sexual orientation or gender identity to emigrate to Canada. Pride Health is a group through Nova Scotia Health Authority that looks at the disparities in health that emerge for people with queer identities.

Pride is also a time when you can typically get attention from government and media. For many organizations, its a time when they show that support. I know from my own advocacy work that when we can raise issues close to Pride they tend to get more attention than during the rest of the year. Governments are fairly dismissive until there is political expediency for them.What can governments, workplaces, community groups and the general public do to support LGBTQ2SIA+ communities and address these unique challenges?

Money speaks. When governments and organizations are investing in the health and well-being of queer people, then we may start to address some of the health disparities. I think that we still havent done a good job of that. On the surface, we think that because weve got gay marriage that everything has been solved in Canada, but actually we have greater issues related to mental health, suicide, substance use and things of that nature. That isnt a product of being gay or queer thats a product of a homophobic society. Those are more difficult issues to get at and what we need is a commitment from government to invest more substantively in things like Pride Health, the Youth Project, access to medications. My own advocacy work has a lot to do with HIV prevention and theres a drug out there that can prevent it almost 100 per cent, but many people dont have access to it because its expensive. The Government of Nova Scotia has refused to pay for it, while about half of Canadas other provinces have.

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Ask an Expert: Health Promotion's Matt Numer on the evolution of Pride - Dal News

Blood Transfusion Devices Market Size, Segment, Evolution Rate by Type and Application And Forecast 2020-2026| Macopharma, Becton Dickinson, B.Braun,…

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The latest on Delaware’s beaches: Your weekend trip guide for the first weekend in August – The News Journal

Delaware beach goers were encouraged to social distance as COVID-19 continues to spike in beach towns. Wochit

Heading to the Delaware beaches this weekend?

Here's what you need to know if you're planning on dipping your toes in the surfthe weekend of July 31to Aug. 2 and what might be different than normal at the beaches in the current phase of Delaware'sreopening plan.

Delaware's beach towns are open to the public, but government and public health officials warn that everyone's help is neededto curb the spread of COVID-19.

Social distancing is encouraged in all public spaces, and people should maintain at least 6 feet of distance from those who are not members of their immediate household.

CORONAVIRUS IN DELAWARE: Our latest coverage

As for face masks, they are required to be wornin public spaces where social distancing is difficult, and inside businesses that are open.

Face masks are recommended,but not required, on most beaches themselves, but social distancing is a must.

Masks must be worn on the streets, sidewalks, boardwalk and inside businesses in Rehoboth Beach city limits.

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Lewes also requires masks to be worn outdoors in the city's downtown area, public beach parking lots and while crossing the Savannah Road drawbridge between 10 a.m. and 8 p.m. There are similar rules inBethany Beach, where people in violation of mask rules can face up to a $100 fine.

Swimming is permitted at all beachesunless dangerous weather conditions arise.Make sure to check in with the local lifeguards before you dive in to learn about any potential hazards in the water or on the sand.

At beaches within the Delaware State Parks system, like Cape Henlopen State Park, Fenwick Island State Park and Delaware Seashore State Park near the Indian River Inlet, there are limits on how many people will be admitted.

The number of vehicles allowed in will be capped at 60% of parking capacity, according to parks officials. Masks or face coverings are required in bathhouse and concession areas at all three parks and strongly encouraged on the beach as well.

At Cape Henlopen, when the gates are closed, admission also will be restricted for those with surf-fishing tags. Natural resources police will be enforcing the 20-foot minimum distance between vehicles on drive-on beaches.

Delaware is in its second phase of reopening businesses previously restricted due to the coronavirus pandemic. Gov. John Carney announced June 25 that the state was pausing moving into the next phasedue to concerns about people not following guidelines.

In late June, he announced that bar service at the Delaware beaches had to shut downahead of the Fourth of July holiday weekend.

This affects taprooms and bar service in the following towns: Lewes, Rehoboth Beach, Dewey Beach, Long Neck, Bethany Beach, South Bethany, Fenwick Island, West Fenwick Island, Ocean View and Millville, according to the order.

Customers can still get service at tables or outdoors.

Crowds came out on July 4th to Rehoboth Beach, as seen from atop the Atlantic Sands.(Photo: Chuck Snyder/Special to Delaware News Journal)

Current reopening plans allow restaurants to have up to 60% of the people who would be allowed in the building by the fire marshal, not including staff, but they must still adhere to social distancing guidelines. Some have increased outdoor seating to try to accommodate more diners.

Carney's additional restriction on beach bars means bar seating within restaurants is also off-limits. It's unclear when those bar restrictions will be lifted.

People are encouraged to call ahead for reservationsand to check on any changes in normal operating hours or other restrictions.

Hot weather and clear skies brought thousands of visitors to Rehoboth Beach in June.(Photo: Chuck Snyder/Special to Delaware News Journal)

That 60% capacity cap also applies to personal care services (such as hair and nail salons, tanning, tattoo, massage therapy services and spas)that were previously required to keep occupancy at 30%.

No additional announcements have been made on when Delaware will enter phase three of the state's rolling reopening plan. For more details on the state's reopening, go togovernor.delaware.gov/delawares-recovery.

Parking permits or metered parking are in effect in all of Delaware's beach towns from Lewes to Fenwick Island.

In Lewes, city officials are supporting businesses by offering free downtown parking from 9 a.m. to noon for shoppers. Rehoboth Beach is offering free parking on Monday nights until Labor Day, and Dewey Beach also offers free parking on some weeknights.

Each town has different rules and rates for parking. For more information, visit an individual beach town's website or call Town Hall in the beach town you plan to visit before arriving.

Below are links to each oceanfront beach town's parking policies:

Previous bans on out-of-state travelers and short-term rentalswerelifted in early June. Delaware's reopening plan saysleisure travel "should be avoided" at this time, but it's allowed if people and businesses can adhere to social-distancing-related recommendations, according to the state.

In late July, Delaware was again added to the quarantine lists for a few neighboring states. People traveling from Delaware to New Jersey, New York, Connecticut or Washington, D.C., will be asked to self-quarantine for 14 days.

Hotels and other accommodations also are now accepting reservations for vacation stays, though there may be limits and restrictions in gathering areas like lobbies.

Delaware's daily DART beach bus service is fully operational. People can take advantage of the Park & Ride options in Lewes and Rehoboth to avoid heavy beach traffic south of Lewes.

Face coverings are required on public transportation.

Rehoboth Beach visitors stroll in the sunshine in June.(Photo: Chuck Snyder/Special to Delaware News Journal)

The Lewes Park & Ride is at 17616 Coastal Highway, just south of Five Points, and the Rehoboth Park & Ride is off Route 1 at 20055 Shuttle Road, just north of the entrance to Rehoboth Avenue. Parking is free at both lots.

Cash-only fare for aone-way trip,due upon boarding, is $2, and an all-day daily pass is $4.20. Seven-daypasses also are available for $18, and a 30-day pass costs$65. For more information, go towww.dartfirststate.com/information/programs/beachbus/index.shtml#parkride.

DART's beach connection, which runs from Wilmington to Rehoboth Beach on weekends and holidays, is also now available.

This weekend's weather is looking to offer somerelief from the heat wave for those taking a trip to the beach. However, forecasts can change as the weekend gets closer.

The National Weather Service forecast for Friday, July 31,inRehoboth Beach is for a mostly cloudyday with a high near 84degrees. There is a 40% chance of rain and some thunderstorms.

Saturday will be mostly sunny with a high near 85degrees.

Sunday should lookpartlysunny with a high near 87, though there also is a 40% chance of rain.

Water temperatures off the coast of Lewes are reaching thehigh 70s this week, according to the National Oceanic and Atmospheric Administration.

As of July 29, Delaware hasseen a total of 14,476 cases since the first case was detected in March, data shows.

Of those cases, 6,588 have beenin New Castle County, the most populated county in the state. Another 5,564 have been detected in Sussex County.

The pandemic has been linked to the deaths of 580 Delawareans. So far, more than 174,000 people have been tested statewide, and 8,076 people have recovered from the viral disease.

Contact reporter Maddy Lauria at (302) 345-0608,mlauria@delawareonline.com or on Twitter @MaddyinMilford.

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The latest on Delaware's beaches: Your weekend trip guide for the first weekend in August - The News Journal

Shark sightings off LI coastline close several beaches for swimming for third straight day: officials – WPIX 11 New York

LONG ISLAND, N.Y. Two additional reported shark sightings Wednesday forced several Long Island beaches to close for swimming for the third day in a row.

Early Wednesday afternoon, 18-year-old lifeguard Ethan Grassini saw a 6-foot-long shark from his chair at Nickerson Beach. He said it was about 15 to 20 feet offshore.

Red flags went up along miles of Nassau County beaches.

About two hours later, Town of Hempstead officials said another shark was spotted near Point Lookout beach.

As of Wednesday afternoon, beaches from Point Lookout to Long Beach were closed to swimming.

"You can come down here, enjoy somewhat of a breeze on a hot day but right now unfortunately you can't swim in the water," Hempstead Town Supervisor Don Clavin said.

Some of the sharks seen out in the water this week appear to be bull sharks, Clavin said.

Grassini said all the swimmers at Nickerson beach cooperated when the red flag went up.

"At the end of the day we just want to make sure everyone who goes into the water, comes out of the water as well, he said.

These are the seventh and eighth shark sightings, respectively, along South Shore beaches since Monday. The sightings have shut down more than 13 miles of sand, according to the Town of Hempstead.

A ninth came later Wednesday.

Town officials in Tobay Beach spotted a shark at the shore break.

Greg Skomal, a Fisheries Biologist at the Massachusetts Division of Marine Fisheries, said this many sightings in one area over a such a short period of time is a lot.

As a precautionary measure, it doesnt hurt to close the beaches to swimming, at least swimming at great distances from shore, Skomal said. He identified a great white that killed a New York woman off the coast of Maine this week.

Officials said of the six other shark sightings since Monday, two were at Long Beach, one was at East Atlantic Beach, two were at Lido West Beach and one was at Point Lookout.

Tuesday's Jones Beach sighting was inconclusive and deemed a non-sighting, Clavin said.

Nassau County has stepped up marine and air patrols to look for sharks.

"We will intensify these patrols on the coast to supplement the outside lifeguards who are trained to spot sharks," Nassau County Executive Laura Curran said on Wednesday.

Beachgoer Stella Zizzo said the sightings make her nervous.

"I'm just scared! I am fresh meat over here. They are going to come get me, she said.

Minutes later, the shark sighting at Nickerson Beach was reported and everyone was ordered out of the water.

"I would say that we are getting more than double the number of shark sightings reported to us, said Paul Sieswerda, the president of the marine research organization Gotham Whale.

Warm water and ample fish are attracting the sharks, according to Sieswerda.

Curran said people should stay close to shore, swim in groups and avoid swimming at dusk and dawn. That is when sharks feed.

Swimmers also should avoid wearing shiny jewelry. A shark can think it's a fish scale. And definitely don't swim while bleeding.

Despite the increased sightings, Skomal said swimmers should be cautious but not fearful.

Sonya Healy and her son Christopher were trying to take that approach as he rode the waves on an appropriately themed boogie board.

"We try to do the best that we can and you know, keep it safe," Healy said.

Skomal also noted that sometimes other animals can be confused for sharks from a distance.

Still, he suggested swimming in shallow water if you do go in the ocean once the red flags are lifted. If you do see a shark, he said, don't panic or scream, and move toward the shore slowly without splashing around.

When people ask me, What should I do when I go to the beach? I typically say drive safely because youre more likely to be injured in your car than via shark, Skomal said.

Each year there are only about 100 shark attacks around the world and less than 10% of those are fatal.

Skomal said with so many people out on the water in boats or swimming at area beaches, he expects more sightings throughout the summer.

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Shark sightings off LI coastline close several beaches for swimming for third straight day: officials - WPIX 11 New York

Study: Water quality dipped at Dot beaches last year – Dorchester Reporter

Neponset pollution seen as key

Water quality at Dorchesters three beaches worsened last year, according to a new report by the non-profit Save the Harbor/Save the Bay that tracks year-to-year data at urban beaches.

In 2019, the overall safety rating for regional beaches managed by the Department of Conservation and Recreation was 88 percent overall, a decline from the 2019 score of 94 percent. In Dorchester, Malibu Beach scored at 83 percent, down from the previous years 91. Savin Hill Beach declined from 100 percent to 79 percent and Tenean Beach went from 78 to 67 percent, making it the unsafest beach for swimming.

The scores reflect the percent of samples that complied with the Massachusetts Department of Public Healths single sample limit for bacteria, which the report calls the most straightforward way of evaluating beach water quality and potential impacts on human health.

Four of the regions fifteen public beaches Carson Beach, M Street Beach, City Point Beach, and Pleasure Bay, all in South Bostonachieved a perfect score of 100 percent. Water quality at Carson and M Street beaches actually improved from the year before.

Data gathered from weekly water quality testing at Bostons regional beaches began on May 23 of last year. Supplemental daily testing of Constitution Beach, Kings Beach, Malibu Beach, Tenean Beach, and Wollaston Beach began on June 13; and all testing concluded on September 1.

Changes in the intensity and frequency of summer rainstorms last year is seen as a likely factor contributing to the variation in water quality, said Bruce Berman, director of strategy and communications for Save the Harbor /Save the Bay.

The period that we looked atin this report included 12 months of the largest rainfall that weve had in 141 years of recorded history, said Berman. And water quality of the three beaches in Dorchester is profoundly affected by rainfall. Of all of them the one thats most consistently affected is Tenean.

Still, the drop in scores for Dorchesters three beaches has raised some concern for nearby residents.

Its disappointing that over time the water safety quality has decreased at our beaches when most of the others have improved, said Paul Nutting, a longtime Savin Hill resident who has been a leading advocate for local beaches and waterfront amenities in Dorchester.

I know theres a seasonality to the testing and rain, but it seems like that might skew all of the results and not just the Dorchester ones.

Nutting said he suspects that pollution in the Neponset River which empties into Dorchester Bay near Tenean Beach might explain some of the discrepancies in water quality.

Theres definitely the influence of the Neponset River for our beaches, whereas at M Street beach or Carson theyre getting more of an ocean flushing influence, he said. During thunderstorms, all of it washes it down, and most of the others dont have the influence of a river coming into them nearby that could potentially affect the quality.

Berman agrees that the Neponset is likely a major contributor to the drop in scores last year. The Boston Water and Sewer Commission, he said, has done a terrific job in addressing combined sewer and storm water overflowsnear Tenean. Still, he added: No matter what you do to clean up the pipes at Tenean, the Neponset continues to be a challenge. A lot of the problems in the Neponset dont come from pipes; they come from runoff and stormwater.

Maria Lyons, who lives in Port Norfolk near Tenean Beach, said storm overflow is a very troublesome problem there. The beaches in Dorchester are where the people of Boston go who dont have a house on the Cape or dont have a ton of money to leave the city, she said. We have this wonderful opportunity and a lot of the time people cant go in the water, which, she added, I consider an environmental injustice issue. Tenean was always the poor mans beach and it still is.

Lyons has for many years complained that the use of the adjacent Victory Road Park as an off leash dog park also contributes to poor water quality at Tenean.

Nobody regulates that area and its worn down and eroding away into the ocean. And of course all of the dog waste goes over to Tenean Beach, she said Lyons.

On Monday, a jet skier enjoyed a ride across from the gas tank near where a man was killed when his jet ski crashed into a sailboat on Sunday.Efficacy of flag system queriedThe report, issued last week, also identified a critical weakness with the way state officials alert the public to potential water quality hazards at the beaches. Currently, beach-goers are signaled by a red or blue flag flown from lifeguard stations at the beaches. (Blue means safe, red means unsafe.)

But, flag postings are always a day late, Berman said, since officials have to wait 24 to 36 hours to get test results that inform the warnings.The flagging system is fairly simple. You take a sample, put it in a temperature-controlled room, and leave it for 24 hours, said Berman. The tests identify the numbers of enterococcus bacteria in the samples, and if there are more than 103 colonies per milliliter of water, it exceeds the sample. This means that the flags are always 24 hours late, and thats a problem.

Berman says one potential solution to do modeling, and look and see just how much storm water it takes to make a beach dirty. When you think youre going to have that much rain you put up a flag as a precaution.

Nutting also pointed to the issues with the current beach flagging system, noting that there has been talk for some time about changing the model of the signs to avoid a lag and improve accuracy.

The current water quality testing system creates a lag time between when the test is taken and when the results come back and the flag goes up. Its flagged for the interim, but we dont know what happened in the interim, he said.

There had been some talk about a year ago over creating some sign of modeling based on the amount of rain you get, meaning that beaches would close when we get a storm. You know, at what point does the amount of rain trigger a beach closure?

Save the Harbor/Save the Bay plans to host three forums and a conference later this year and early in 2021 on the future of public beaches. The organization says it will collaborate with community partners in waterfront neighborhoods and beachfront communities to address systemic racism, sea level rise, and the impacts of the COVID-19 pandemic.

Berman says that lower rainfall this summer so far will likely lead to better water quality scores in next years report.

I expect that when we look at the water quality this year, were going to see an improvement on almost all of our beaches, because there was less rain not because there were changes to the infrastructure, he said. The past few years were good for farmers but bad for beaches, and this year it looks like its going to be good for beaches and bad for farmers.

He added: No matter what flag you see on the beach, use caution. If it rained in the last 24 hours, use caution.

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Study: Water quality dipped at Dot beaches last year - Dorchester Reporter

These 2 New England beaches were just ranked in the top 25 in the US – The Boston Globe

Great beach and amazing sunset, a review featured next to Race Point Beach stated.

The No. 1 beach in the US was Siesta Beach in Siesta Key, Florida.

The winners on the Tripadvisor list were calculated based on the quality and quantity of the millions of reviews, opinions and ratings collected on Tripadvisor in 2019, prior to the pandemic, a statement from the Needham-based company says. The hallmark of winners continues to be remarkable service and quality experiences for travelers and diners, the statement says.

The list also includes categories for most popular destinations, attractions/amusement parks, restaurants, hotels, experiences, airlines, and trending and emerging destinations. Each category has top 25 winners worldwide, in the US, and by region.

This has been a tough year for our industry, but the global desire to go and explore, whether the destination is an hour away or across the world, remains strong, said Lindsay Nelson, chief experience and brand officer at Tripadvisor, in the statement. Were passionate about guiding travelers to the good out there, especially the good found within these recognized hotels, restaurants and airlines that rise to the occasion in offering the best of the best.

In addition to beaches, Massachusetts had a strong showing in the hotels category, as the Nantucket Hotel & Resort was ranked the second best hotel in the US. A review next to the ranking described the resort: Warm, friendly, impeccably clean, perfectly located to town, inviting public spaces, great bed, nautical decor. We loved every minute.

In fact, Massachusetts and New England at large are home to some of the best hotels in the US, when looking at several of the sites subcategories. Lands End Inn in Provincetown was ranked sixth in the small hotel category, while The Inn at Thorn Hill & Spa in Jackson, N.H., came in 11th, the Lyme Inn in Lyme, N.H., came in 13th, Union Street Inn in Nantucket came in 17th, The Chanler at Cliff Walk in Newport, R.I., ranked 19th, and LakeHouse Inn in Lee came in 24th.

In the luxury hotel category, Boston Harbor Hotel in Boston ranked 12th. Midway Motel in Cape Cods Eastham was named 18th best bargain hotel, and The Trellis House in Ogunquit, Maine, came in at No. 13 in the bed and breakfast/inn category.

New England was also represented on the US amusement parks list: Santas Village in Jefferson, N.H., was ranked No. 14, and Canobie Lake Park in Salem, N.H., came in at No. 19.

And on the US trending destinations list, Portland, Maine, ranked No. 19, while Cape Cods Chatham came in at No. 22.

Jaclyn Reiss can be reached at jaclyn.reiss@globe.com. Follow her on Twitter: @JaclynReiss

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These 2 New England beaches were just ranked in the top 25 in the US - The Boston Globe

$22 million SunRunner bus system approved to connect St. Petersburg with beaches – FOX 13 Tampa Bay

Rapid buses to connect beaches, downtown St. Pete

Lloyd Sowers reports

ST. PETERSBURG, Fla. - Within 18 months a new mass transit system could be carrying passengers between St. Petersburg and Pinellas County beaches. Eventually, planners say, it could part of a 41-mile route connecting St. Pete Beach with Wesley Chapel.

I think its the beginning of a new chapter in our region, said Pinellas County Commissioner Janet Long, a member of the board of directors of Pinellas Suncoast Regional Transit Authority (PSTA).

Long was among the members who voted unanimously to spend around $22 million for construction of SunRunner, a Bus Rapid Transit (BRT) system that would carry passengers on buses that operate similar to trains, making limited stops on semi-dedicated lanes. The buses would run every 15 minutes taking passengers from Downtown St. Petersburg to the beaches or vice versa in less than 35 minutes. The trip will cost $2.25, normal bus fare.

Backers say SunRunner will be fast and convenient for visitors and residents.

You hop on not having to worry about parking or paying for parking, said Long. Then when youre ready to come home you just jump back on the bus, not to mention it will take a lot of cars and congestion off the road.

Regional transportation planners at TBARTA say Bus Rapid Transit is the preferred way to attack a glaring need for mass transit which some leaders have said is the Tampa Bay Areas Achilles heel in attracting large companies and national events.

TBARTA has endorsed a proposed 41-mile BRT route that would stretch from St. Pete Beach to Downtown St. Petersburg, across a new, expanded Howard Frankland Bridge, to Westshore, Downtown Tampa, USF Area, and finally Wesley Chapel in Pasco County.

It suddenly opens up all kinds of opportunities and jobs, said Rick Homans, of the Tampa Bay Partnership last year.

PSTA received a $21.8 million federal grant Tuesday. This grant, combined with Florida Department of Transportations New Starts Program and Design Grant, plus contributions made by the City of St. Petersburg and PTSA will fund the entire SunRunner project costing $43.93 million

The proposed 41-mile regional route would cost many millions more. Its now up to other local governments and agencies in Hillsborough and Pasco Counties to decide if and when to fund BRT.

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$22 million SunRunner bus system approved to connect St. Petersburg with beaches - FOX 13 Tampa Bay

Honolulu looks to outlaw large tents at beaches and parks – KHON2

HONOLULU (KHON2) With Governor David Ige and Hawaiis county mayors uniting to outlaw large gatherings to no more than groups of 10, Honolulu Mayor Kirk Caldwell says he has a plan to stop those from happening on Oahus beaches: no large tents.

State officials pointed to the 4th of July, and to a lesser extent Memorial Day gatherings, as the ignition for an explosion of COVID-19 cases that Hawaii has seen in the past week.

July 4th came and went where we had a lot of people out. Anybody who went out to the beach that weekend anywhere in the state saw large gatherings people with their tents and there was mingling. So that set up little sparks, Lieutenant Governor Josh Green said.

The state responded by announcing the limiting of gatherings Wednesday afternoon, July 29.

In a meeting with fellow county mayors and Governor Ige, Mayor Caldwell pitched the idea to fold large tents on beaches and parks completely. He also spoke to the Department of Land and Natural Resources about combining state and county leadership to help outlaw the canopies. The DLNR is also cracking down on large gatherings, even closing Kauais Polihale State Park indefinitely.

That kind of condition, those tents provide a welcoming environment to gather close together for long periods of time, Mayor Caldwell said.

Honolulus leader also blamed tents for providing a way for members of different households to intermingle and disregard social distancing guidelines.

Its the structures where we see gatherings. Even if you have a pod of 10 or less you have many pods under one tent sometimes well over 100 and theyre not podding at all theyre not six feet apart theyre next to each other, Mayor Caldwell said.

A decision on tents is something Mayor Caldwell hopes to announce in the coming days.

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Honolulu looks to outlaw large tents at beaches and parks - KHON2

BEAUTIES and the Beach – coastalbreezenews.com

Photos by Jean Hall | DOWNY is the scene at Sand Dollar Islandnewly hatched Black Skimmer chicks.

A Royal Tern newly fledged chick part downy and part houndstooth pattern.

The Reddish Egrets are tall and longlegged withunique feather colorationand they dance for their foodor at least it looks that way to humans.They are the rarest of all egrets in the United States and aredesignated by the State of Florida as threatened species.

Marco Islanders are so fortunate that they do not have to go far to enjoy this rare beautyoften observed by the shallows ofTigertailLagoon stalking their prey.

A juvenile Reddish Egret has been seen regularly in the mornings, right in front of Residents Beach and travels as far south to the JW Marriott. Most mornings this young beauty is flapping his wings, running, zigging and zagging in the watera unique feeding behavior, mesmerizing regular beach walkers and hotel guests.

Caution:This is ararewildbird and as a juvenile must learn to hunt for foodwhich are small fish plentiful by the surf line. FEEDING Wildlifeis not recommended. Enjoy this beauty on our beach and she will continue to bless us with its presence.

Juvenile Reddish Egret frequently seen in the mornings right in front of Residents Beach and JW Marriottstalking his prey by the surf dancing for hisbreakfast.

Be ready to take out your cellphone and record a Jagger type dance from the Reddish Egret! Again,watch respectfully from a distance.

The scene is allDOWNYfurther to the north on the wilder side of Sand Dollar Island. The nesting colony of Black Skimmers are recovering from the effects of Tropical Storm Cristobal. They have re-nested and theDOWNY babies arescampering all over. The colony is looking very healthy according to Jean Hall ofAudubon of the Western Everglades.

Black Skimmer Mom with downy chicks at Sand Dollar Islanddoing verywell having recovered from Tropical Storm Cristobal.

Also, joining the Black Skimmersare the beautiful Royal Terns distinct with their red-orange bill and black tufted cap during the breeding season.Some of their chicks have fledged withplumage showing its houndstooth pattern.

There were also Least Tern nests witheggs,and they are very late.Again,Mother Natureis amazing allowing the Least Terns to re-nest several times.If you happento get too close trying to look for chicks, you will hear a loud warning overhead from a protective parent.

Walk on the wild side of Marco and experience the DOWNY Beauties just emerging!Watch from a distance and respect the posted areas.

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BEAUTIES and the Beach - coastalbreezenews.com

JW Marriott Making a Difference on the Beach – coastalbreezenews.com

Photos by Maria Lamb | July 20th, 7 AM, Beach-Wide Clean-up sponsored by JW Marriott. Thanks to all the volunteers who joined the beach clean-up event.

On July 20th,at 7AM, aJWMarriottssponsored beach-wideclean-up was underwayfrom theirbeachfront propertyto Crystal Shores.Volunteers scoured the sand and parts of the dunes for collectibles such as plastic cups, lids, bags, straws and also found disposable wipes and masks.

JWs team members were joinedby their beachfront neighbors,the crew of the Marco Island Watersports and Regency Watersports and members of the community.According to Jamie Bowden, JWs Director of GuestExperience and organizer of the July clean-up, 30+ volunteers joined the morning event and collected 50+ poundsof trash.

Andrew Tyler,a beach resident,has been on record arguing that the hotel community of Marco Island needs to be more attentive to trash accumulation as a consequence of their use of our beach.Having attended the beach clean-up,Tyler acknowledged that,The event was a success and he would like to encourage other properties on the beach to consider similar sponsorshipsin the future.

According to Bowden,theJW Marriott has always done a routine beach clean-upwith their staff every day,andthis is their firstsponsored beach-wideclean-up.Bowden added that JW is committed to the cleanliness of the beach and keeping it safe for the nesting sea turtles.

JW Marriotts Team Members.

TracyTirell,JW MarriottsSenior Marketing Manager,shared thatthe resort fosters a clean-up as you go mentality with all of their associates.Ifthestaffseesdebris, they pick it up.Daily beach pick-up occurs twice dailyonce when the resort officially close the beach at nightandwhen the team departs for the evening.Tirelladded that since guests are never prohibited access to the beach in the evening hours, each morning when the team returns there is always a new round of debris from guests.Bowden added that his team is present on the beach from 6:30AM to8:30PM.

Industry research has also shownthat when guests are visiting a beachdestination, a clean beach isvery important to them.In addition, a clean beachis an indicator thatJWs Marco locationis engaged inenvironmental issues such astheprotection of endangered sea turtles.As part of JWs checkin procedure,during nesting season,guests are provided information on the nesting sea turtlesand migratory birds.

In Augustof2018,theJWMarriottmade a commitmenttoreduce plastic pollution on the beach.Amanda CoxtheJW Marriotts Director of Sales and Marketing was proud to announce their commitment to preserve paradiseone sipat a time.TheJW Marriotteliminated the use of plastic straws throughout the resort and replaced them with Aardvark paper straws made in the USA and are 100% compostable and marinedegradable. Cox indicated that JW MarriottsMarcolocation used 60,000 straws per month prior to the plastic straw ban.Thats 720,000 plastic strawsless per year!

Jamie Bowden announced thattheJWMarriottwill move to a quarterly sponsored beach-wide clean-up schedule.BookmarkSeptember 7th, starting at 7AM 8AM.To join the clean-up, please contact:Jamie.Bowden@marriott.com.

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JW Marriott Making a Difference on the Beach - coastalbreezenews.com