We’re launching an election-season ad campaign to fight fake news, and we need your help – USA TODAY

Alexander Heffner and Alan C. Miller, Opinion contributors Published 5:00 a.m. ET Sept. 13, 2020 | Updated 10:04 a.m. ET Sept. 14, 2020

Don't fall for misinformation on voting and candidates in 2020. Protect yourselves and democracy by verifying facts and breaking out of your bubbles.

In the 2016 presidential election, foreign and domestic disinformation flooded social media platforms, misled and misinformed Americans and sought to depress turnout, especially among historically marginalized young and Black voters. Memeswith false information were deliberately directed toward voters on Twitter and Facebook to deter people from voting.

Once again in 2020, disinformation about the election including the voting process has been spread widely and endangers our democracy. U.S. intelligence officials have issued warnings about ongoing tactics to hack Americans, manipulate the mediaand sow confusion about the campaign and election. President Donald Trump himself hassuggestedthat peoplevote twice, which is illegal, and has amplified electoral and QAnon conspiracies.

Thats why our organizations, the News Literacy Project and The Open Mind Legacy Project, are distributing public service announcements around the country this week to combat malicious fabrication, botsand online trolls that seek to mislead voters and suppress voting. These engaging and animated PSAs will seek to inoculate voters against viral deception about how and when they can vote and encourage them to be skeptical about the election information they encounter.

We fully expect the onslaught of disinformation to ramp up over these next weeks, including more pernicious and deliberate attempts to stymie voters and effectively deny them their franchise. Its essential to repel these efforts to dupe voters into believing that they can vote via text, social media, or telephone, that the election has been postponed or canceled, or that polling places have closed or moved.

Russia interfered in the 2016 presidential election and helped Donald Trump win. We look back at history and ask: Will they do it again? USA TODAY

Our PSAs, which will air in Spanish and English, debunk myths about voting,encourage voters to break out of their filter bubbles, and advise them to verify facts with multiple sources before sharing social media posts. The campaign will focus especially on Black and Latinx populations particularly hard hit by the pandemic that were targeted in previous election-related misinformation campaigns and remain vulnerable to suppression.

Don't be fooled:I'm a former CIA analyst trained to spot fake news. Here's how you can do it, too.

Earlier this year, during the initial stage of the coronavirus, Americans were voting in primaries and caucusing around the nation with little guidance on how to safely and reliably participate in our elections during a pandemic. Now, in addition to the continued public health advisories about mask wearing and social distancing, we need to increase public awareness to safeguard the countrys public life as well as our public health.

In the absence of more rigorous social media standards, spam protectionand the passage of legislation like the Honest Ads Act that establishes transparency in digital advertising, we know there will continue to be memes, robocallsand other nefarious online dirty tricks designed to hurt voters.

In 2016, most Americans did not know that they were victims of a cyberespionage campaign, and neither the government nor social media platforms wereable to protect the integrity of the airwaves or the digital ecosystem. This year can be different. Even during the pandemic, we have effective virtual means to communicate with our communities, neighbors, co-workersand classmates to ensure that the electorate stays informed.

Tory Burch:Don't take anything for granted. Voting now is as important as it was 100 years ago

We need to work together to preserve a fact-based future. Americans can protect themselves and our democracy by correcting misinformation in real time, staying vigilant for deepfakeor cheapfake videos, not sharing articles they have not read, and remaining skeptical about any information about voting they encounter. Remember: Voting depends on you, and democracy depends on us.

Alexander Heffner (@heffnera)is the host of The Open Mind on PBS and president of The Open Mind Legacy Project. Alan C. Miller (@alanmillerNLP) is the founder and CEO of the News Literacy Project.

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We're launching an election-season ad campaign to fight fake news, and we need your help - USA TODAY

Cooper: Nashville hiding information about COVID clusters in bars is ‘fake news’ – WSMV Nashville

NASHVILLE, TN (WSMV) - Mayor John Cooper called it "fake news" that Nashville is hiding information about its COVID clusters in bars.

The mayor spoke at length in a one-on-won interview with News4's Nancy Amons on Friday.

"It's a national story that no one locally believes is true," Cooper said.

National news outlets have latched onto questions of whether Nashville's mayor deliberately overstated the number of COVID cases tied to Nashville bars before shutting them down for two weeks on July 2.

Cooper's 14-day closure on the eve of the Fourth of July weekend angered bar owners.

Internal emails show that Metro's Health Department had traced only 19 COVID cases to bars since March.

Cooper told News4 the numbers were increasing and he wanted to prevent community spread, making the comparison between COVID case in a crowded indoor bar to lighting a match in a barn.

"This is just a group of people who have been playing with matches in a barn, complaining about taking the matches away," Cooper said.

The mayor of Nashville says his administration is committed to "providing timely and transparent information" in regards to public health.

Internal emails have raised questions about how information concerning the bar clusters was going to be released.

In an exchange between a health department employee and Ben Eagles, the Mayor's Senior Adviser, on June 29, Eagles asked the health department, "How many cases have spread at bars?"

The health department employee responds with a chart showing 19 cases, but asked, "This isn't going to be publicly released, right? Just info for Mayor's Office?"

Eagles answered: "Correct, not for public consumption. To help understand and guide policy formulation."

Eagles told News4 Thursday the information was to form a policy to curb what had become a runaway spike in COVID cases.

"To paint the city as a big cover up, that's flatly untrue," Eagles said Thursday.

"We were tough early and that's why we're successful today," Cooper said Friday.

On July 2, the city disclosed that there had been an outbreak tied to 10 bars. News4 filed an Open Records request for the names of the bars and details about the clusters.

The health department wrote to News4 some six weeks later that there were no records available.

Cooper was asked about this on Friday.

"Will you reconsider releasing that information?" Amons asked Cooper.

"Sure, I mean I am going to sit down with the lawyers and public health. Anything that is more transparent, we are going to do," Cooper said.

Cooper added that the city has to be careful not to damage the reputation of a small business by saying there was a COVID outbreak there, especially if there's no proof.

Cooper issued a statement on Friday afternoon about the email exchange that has been the subject of a story at other media outlets.

Following an exchange of emails dating June 29th, 2020, between the Mayors office and Metro Public Health in which our administration gathered information about the sources of COVID-19 spread in Davidson County, the number of cases and clusters linked to Nashville bars was shared with media in response to a question during a press conference on July 2nd, 2020. FOX17 Nashville was at this press conference.

Among others, The Tennessean and NewsChannel 5s Phil Williams have fact-checked and debunked the allegations within FOX17s September 16th report. Mayor Cooper calls on the stations general manager, Noreen Parker, and the reporter, Dennis Ferrier, to apologize to all Nashvillians for misleading the city and eroding public trust through negligent reporting.

Members of Tennessee's Congressional delegation is speaking out about the controversy of whether Nashville Mayor John Cooper withheld health data.

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Cooper: Nashville hiding information about COVID clusters in bars is 'fake news' - WSMV Nashville

Man falsely accused of shooting deputies received threats – Los Angeles Times

Less than a day after two Los Angeles County sheriffs deputies were shot and wounded as they sat in their police cruiser outside a transit station in Compton, Darnell Hicks cellphone began to light up with messages from friends: He was identified as the alleged gunman in an alert circulated on social media.

Hicks, 33, a father of two and youth football coach from Compton who lives with his 93-year-old grandmother, then saw screenshots of something that seemed to be an official be on the lookout alert. It included his drivers license photograph, name and address and associated him with a Los Angeles gang.

A Twitter post characterized Hicks as wanted for attempted murder in connection with the shooting Saturday evening. The suspect has vowed to shoot more law enforcement officers, the fake alert added.

At first, Hicks said, he thought it was a prank. But then threats starting coming in as the post spread on social media.

It was terrible, he said. I feared for my familys safety.

He said he was dirt-biking in Compton all day Saturday, but that didnt stop people from questioning him.

I got so worried, I called in to the sheriffs station, he said.

Hicks said he didnt know who was behind the accusation and had no connection whatsoever to the shooting.

The post was retweeted and shared by bloggers. One Malaysia-based, conservative, self-styled independent journalist with more than 250,000 followers claimed he learned from sources that Hicks was the prime suspect.

The wounded 31-year-old female deputy and 24-year-old male deputy were on patrol Saturday evening, sitting in their SUV, when a man walked up to the vehicle, pointed a gun at the passenger window and fired multiple times. The deputies were hit in the face, head and arms. The suspect fled on foot and remains at large.

Hicks attorney, Brian Dunn, said the false accusation couldnt get much worse.

It is a sign of the times. We have drifted far away from rational thought, Dunn said.

He said that people were willing to make such accusations without a thought to the consequences and that he was still investigating the origins of the false report. The original poster removed it from Twitter. But others also claimed to have heard the information.

The Sheriffs Department took to Twitter on Sunday, calling the report erroneous and saying, There are no named or wanted suspects at this time.

Sheriff Alex Villaneuva said that his department never issued an alert and that the one on social media was fake news.

There was some bad information floating around yesterday about a suspect, he added in a briefing Monday. All that information is false.

Dunn said that it was impossible to undo the damage and that nobody has taken responsibility for it.

Hicks said he wanted to send my prayers to the two deputies. But he also worried about other young Black men, with such a generic description of the perpetrator floating around.

Community activist Jasmyne Cannick said the departments initial description of the suspect as dark-skinned and, then, as a Black male, age 28 to 30, opened the door to profiling.

Cannick, who works as a political strategist, became involved after she received calls from a friend of Hicks asking for her help.

What if he would have been killed? What if anybody would have thought he was the wanted suspect? she said. His kids, his 93-year-old grandmother could have got hurt.

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Man falsely accused of shooting deputies received threats - Los Angeles Times

Conspiracy mentality linked to the acceptance of fake news about science – PsyPost

A study published in Politics and the Life Sciences suggests that a conspiracy mentality is linked to increased support for conspiracy theories and higher endorsement of fake news claims.

The nonacceptance of well-supported science is a pervasive problem in todays society. Support for pseudoscience is alarmingly common, and conspiracy theories and fake news claims are rampant on social media.

The proliferation of deceptive claims on social media has done a lot to normalize conspiracy, and to some extent conspiratorial worldviews, study authors Asheley R. Landrum and Alex Olshansky say. We can try to dismiss conspiracy theorizing as something undertaken only by a foil-hat-wearing fringe, however when our friends and neighbors (and sometimes ourselves) begin to believe and share conspiracies on social media, we must acknowledge that conspiracy theorizing is much more widespread.

Landrum and Olshansky wanted to explore factors that lead people towards a disbelief in science, by focusing on the role of conspiracy mentality.

A nearly nationally representative sample of 513 Americans was recruited to take part in an online survey. In order to capture data from individuals with heightened support for conspiracy theories, a separate sample of 21 adults recruited from a flat Earth convention was also included.

The survey measured scientific belief with questions addressing beliefs in climate change and evolution. The survey also questioned subjects belief in certain fake news topics proliferated on social media, such as the belief that the Zika virus was caused by the genetically modified mosquito or that childhood vaccinations are unsafe and cause disorders like autism. Conspiracy mentality was assessed by questioning subjects support for seven different conspiracy theories.

As expected, the sample recruited from the flat Earth conference had much stronger scores on the conspiracy mentality assessment than the national sample. Furthermore, 100% of those from the flat Earth convention reported not believing in climate change, while only 36% of the national sample did. While these findings seem to support the existence of a conspiracy mentality, when the two samples were merged, a conspiracy mentality did not predict the denial of climate change.

Greater conspiracy mentality did predict susceptibility to every fake news claim that was included in the survey (i.e., misleading claims about GMOs, the Zika virus, vaccinations, and a cure for cancer).

Support for these inaccurate, viral claims was not altogether uncommon. As the authors illustrate, About 56% of our national sample said it is likely or definitely true that Monsanto is covering up for the fact that GMOs cause cancer, and 32% of our national sample said that it is likely or definitely true that the Zika virus is caused by the genetically modified mosquito.

The authors stress, even though the number of individuals with pathological levels of conspiracy mentality is arguably small, viral fake news campaigns are dangerous because people who may not be conspiracy oriented are predisposed to accept conspiracies that support their worldviews.

The study was limited since it included a small number of items addressing scientific belief and the rejection of scientific fact. Future studies should aim to include assessments for a wider range of science-related beliefs.

The study, The role of conspiracy mentality in denial of science and susceptibility to viral deception about science, was authored by Asheley R. Landrum and Alex Olshansky.

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Conspiracy mentality linked to the acceptance of fake news about science - PsyPost

Letter: No need to rely on fake news and ignore good Trump news – Thehour.com

Updated 12:11pm EDT, Tuesday, September 15, 2020

Recently Hearst columnist Jacqueline Smith wrote that she wasnt aware of the fake news that gets mentioned so often these days. Id like to call her attention to the article on page B8 of The Hour for Sept. 5. The article with the lead Trump denies calling war dead losers, suckers is a story based on anonymous sources, which appeared in The Atlantic and claimed Trump insulted the American war dead from WWI back in 2018.

The story is a malicious smear published by a magazine whose publisher made a $500,000 contribution to the Biden campaign. The smear is then followed up by the outraged Democrats who are accepting it as truth. The Associated Press story in your paper was 75 percent Democratic Party talking points about Democrats reaction to the story. These types of smears appear regularly in your paper: racist, homophobic, fascist, Russian spy, misogynist, etc. Nothing is too outrageous if its something negative about Trump.

Nowhere mentioned in the paper is the peace agreement between Serbia and Kosovo after decades of disputes and civil war. The agreement includes Kosovo, a 96-percent Muslim state, recognizing the state of Israel and establishing normal relations between the countries. This is just a few weeks after the announcement of the mutual recognition between Israel and the United Arab Emirates, another Muslim state. These may be baby steps to a Middle East solution, but in an area of the world where success has been elusive, the Trump administration should be given credit for making progress.

Theres no need to rely on fake news, made-up stories, and politically motivated hit pieces to fill your pages. There is real news out there, some of it good!

Paul Hunter

Norwalk

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Letter: No need to rely on fake news and ignore good Trump news - Thehour.com

DNA Exclusive: Fake news may trigger riots or create war-like situation between two nations – Zee News

New Delhi: The problem of fake news can have dangerous consequences and its impact was witnessed during the lockdown when a panic situation was created through social media. The fake news can now make or mar the fate of a country or a society, affecting the lives of millions of people. The DNA analysis looks at different aspects of this menace that can trigger riots or even create a war-like situation between the two countries.

Talking about its impact, MoS Home G Kishan Reddy told Parliament on Tuesday that the migration of a large number of workers was triggered by fake news during the lockdown. We can recall that thousands of people left from Delhi to their native place despite Prime Minister Narendra Modi's advice to stay wherever they are.

Kishan Reddy told Lok Sabha that caused panic among workers who were forced to flee as they felt that if they stay in their house, they will not get food and water. The fake news was spread that the lockdown would last be too long.

In reply to TMC MP Mala Roy, who had asked the reasons why thousands of these labourers ended up walking home post lockdown, Reddy said, The migration of a large number of migrant workers was triggered by panic created by fake news regarding the duration of lockdown. And people, especially migrant labourers, were worried about an adequate supply of basic necessities like food, drinking water, health services and shelter."

Regarding the number of people who died during the said migration, Reddy said the Centre does not have the data as it is not maintained centrally.In the Lok Sabha, Union Minister of State for Home Affairs Nityanand Rai, however, said that the Centre was 'fully prepared' in this regard. It had taken necessary measures to provide food and water to the poor, but due to rumour, the labourers thought it better to go home.

It may be noted here that on 28th and 29th March, thousands of migrant labourers gathered at Anand Vihar in Delhi. The topic of migrant labourers became the most preferred subject for politicians and intellectuals during the COVID-19 induced lockdown. A similar picture was also seen at Mumbai's Bandra railway station on April 14. The migrant labourers reached the railway station to catch a train for their native city.

Even after the lockdown was imposed, pictures of migrant labourers were seen across the country. It seemed as if the state governments were not trying to stop these people. Perhaps, the states too wanted that the migrant labourers should return to their native places. In such a situation, fake news has created a worse situation for the migrant labourers.

In India, there are about 4 crore migrant labourers who go away from their homes and work in another state. According to the Ministry of Home Affairs, about 75 lakh labourers returned to their homes till May this year. It means one in every 5 migrant labourers went back to their state. There is a possibility that all these people become victims of fake news.

The fake news not only causes riots it can also harm the economy and society of a country. Nowadays, big countries are adopting this method to fight against their enemies. This can also be termed a hybrid war.

Fake news was recently spread on social media on the 4th September, claiming that a Chinese fighter jet Sukhoi-35 was shot down by Taiwan's air defence system as it was entering into the Taiwan border. A 15-second fake video was also shared with this claim. This fake news spread like a wildfire across the world in a few hours, but neither China nor Taiwan confirmed this news. The website which published the denial of this news had also crashed.

Last month, a journalist tweeted fake news about the death of former President Pranab Mukherjee, and it was retweeted by many in a few seconds without confirming it. Later, Pranab Mukherjee's son Abhijeet Mukherjee tweeted to deny this and the fake news was deleted.

During anti-CAA protests also, fake news was used to create an atmosphere in the country against the ruling dispensation. Due to the increasing trend of fake news, this has been formally incorporated into the Oxford Dictionary last year. It says that term was first used in the year 1890.

The first case of fake news in modern times is believed to have appeared in the year 1835. The then American newspaper, The Sun, claimed to have found life on the moon, and it also published some photographs.

Perhaps the world's first fake news is associated with the Mahabharata period when Yudhishthira had disclosed the fake new of Ashwathama's death before Guru Dronacharya, who then decided not to fight and was beheaded by Draupadi's brother.

Now the question arises how to ascertains the truth behind any fake news. You just need to take some precautions. There are three sides to fake posts on social media. One who posted, the other service provider, and the third segment is of those who liked or shared the post.

To identify fake news, you should see from where the news has come, and from where did it start. After that, you should check the veracity of the news with the help of a search engine. Don't share any news until you are confident about it. The sharing of fake news may put you behind the bar for 3 years under Section 66A of the Information Technology Act 2000.

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DNA Exclusive: Fake news may trigger riots or create war-like situation between two nations - Zee News

With the election campaign underway, can the law protect voters from fake news and conspiracy theories? – The Conversation AU

Last weekends anti-lockdown protest in Auckland provided a snapshot of the various conspiracy theories and grievances circulating online and within the community: masks, vaccination, QAnon, 5G technology, government tyranny and COVID-19 were all in the mix.

The freedom rally also featured Advance NZ party leaders Jami-Lee Ross and Billy Te Kahika, who has previously described COVID-19 as no more serious than influenza.

The same scepticism about the pandemic was reportedly behind the Mt Roskill Evangelical Church cluster and spread, which prompted Health Minister Chris Hipkins to ask that people think twice before sharing information that cant be verified.

Hipkins also refused to rule out punitive measures for anyone found to be deliberately spreading lies.

Its not a new problem. As far back as 1688, the English Privy Council issued a proclamation prohibiting the spread of false information. The difference in the 21st century, of course, is the reach and speed of fake news and disinformation.

The World Health Organisation (WHO) has even spoken of a massive infodemic hindering the public health response to COVID-19: an over-abundance of information some accurate and some not that makes it hard for people to find trustworthy sources and reliable guidance when they need it.

This is particularly dangerous when people are already anxious and politically polarised. Disinformation spreads fastest where freedom is greatest, including in New Zealand where everyone has the right under the Bill of Rights Act to freedom of expression, including the freedom to seek, receive, and impart information and opinions of any kind in any form.

This leads to an anomaly. On the one hand, people using misleading or deceptive information to market products (including medicines) can be held to account, and advertising must be responsible. On the other hand, spreading misleading or deceptive ideas is not, as a rule, illegal.

Read more: The Facebook prime minister: how Jacinda Ardern became New Zealand's most successful political influencer

However, there are restrictions on free speech when it comes to offensive behaviour and language, racial discrimination and sexual harassment. We also censor objectionable material and police harmful digital communications that target individuals.

So, should we add COVID-19 conspiracies and disinformation to that list? The answer is probably not. And if we do, we should be very specific.

Deciding who gets caught in the net and defining what information is harmful to the public is a very slippery slope. Furthermore, the internet has many corners to hide in and may be near impossible to police.

Given those spreading conspiracy theories and disinformation tend to believe already in government overreach, we risk pouring petrol on the fire by attempting to ban their activities.

The exception, where further restraint is justified, involves attempts to use misinformation or undue influence (especially by a foreign power) to manipulate elections. This is where a more focused approach to who and what is targeted makes sense.

Countries such Canada, the UK, France and Australia are all grappling with how best to protect their democracies from manipulation of information, but these initiatives are still in their infancy.

Read more: NZ's cyber security centre warns more attacks likely following stock market outages

In New Zealand we have a law prohibiting the publishing of false statements to influence voters, and the Justice Committee put out an excellent report on the 2017 general election that covered some of these points and urged vigilance.

While tools such as Netsafes fake news awareness campaign and official COVID-19 information sources are excellent, they are not enough on their own.

The best line of defence against malicious information is still education. Scientific literacy and critical thinking are crucial. Good community leadership, responsible journalism and academic freedom can all contribute.

But if that isnt enough, what can we do about the platforms where disinformation thrives?

Conventional broadcasters must make reasonable efforts to present balanced information and viewpoints.

But that kind of balance is much harder to enforce in the decentralised, instantaneous world of social media. The worst example of this, the live-streamed terror attack in Christchurch, led to the Christchurch Call. Its a noble initiative, but controlling this modern hydra will be a long battle.

Read more: Survey shows 1 in 4 New Zealanders remain hesitant about a coronavirus vaccine

Attempts to control misinformation on Facebook, Twitter and Google through self-regulation and warning labels are welcome. But the work is slow and ad-hoc. The European Commission is now proposing new rules to formalise the social media platforms responsibility and liability for their content.

Like tobacco, that content might not be prohibited, but citizens should be warned about what theyre consuming even if it comes from the president of the United States.

The final line of defence would be to make individuals who spread fake news liable to prosecution. Many countries have already begun to make such laws, with China and Russia at the forefront.

The risk, of course, is that social media regulation can disguise political censorship designed to target dissent. For that reason we need to treat this option with extreme caution.

But if the tolerance of our liberal democracy is too sorely tested in the forthcoming election, and if all other defences prove inadequate, new laws that strengthen the protection of the electoral process may well be justified.

Originally posted here:

With the election campaign underway, can the law protect voters from fake news and conspiracy theories? - The Conversation AU

‘The Social Dilemma’: Netflix’s documentary and what it means for startups – EU-Startups

If you havent heard of it yet, The Social Dilemma is the new Netflix documentary that launched this August 2020 to an eager audience, after being selected for the Sundance Film Festival 2020.

You probably think that youve heard it all before when it comes to the subjects of social media addiction, personal data protection and fake news, but this documentary offers something different. Its led by interviews with the great minds of Silicon Valley that actually created Facebook, Twitter, Instagram and Pinterest, such as the co-inventor of the Facebook Like button, Justin Rosenstein, and the former President of Pinterest and former Director of Monetization at Facebook, Tim Kendall, to name just a few. Its this element that makes us sit up and listen.

The world has long recognised the benefits of social media, from connecting families across borders, to acting as an organisational tool for activists. However, the dark side of social media has also reared its ugly head, exasperating issues such as mental health, bullying, political polarization, fake news and misinformation, and even riots and conflict.

Lets go back to how social media platforms work. Its clear that by being free for users, social media platforms are built to treat our attention as the product, which is then sold to advertisers. Its the goal, therefore, of social media platforms to take the most addictive elements of human psychology and pair them with deep personalisation technologies, in order to present us with exactly what we want to see, cause us to use up more and more of our time, and sell our attention to advertisers.

However, what this documentary also highlights is that fake news spreads 6 times faster than true news, making this the king of online content. What this means is that social media platforms are perpetuating an online (and now offline) world where truth is irrelevant, as long asthe content getsas many views and likes as possible. When you add to the mix the fact that Facebook has found that they can actually affect real-world behaviours and emotions, without users even being aware of it, this all results in real-life (offline) effects such as governments and other organisations weaponising social media to incite political polarisation, conflicts, riots, and even violence.

What we also learn through this documentary is that even the people that created these social media platforms are not immune to the negative side effects of these apps, and feel powerless as they watch them not only suck away hours of our personal lives for profit, but on a wider level cause mass conflict and political unrest.

But what does this have to do with startups? Well, a lot, actually. Lets jump into it.

Paying for reach

If you didnt know that the monetisation strategy of Facebook is to sell advertising to companies, then this may explain why your startups business accounts are not reaching many people when you post free (organic) posts. Increasingly, companies like Facebook are reducing the reach of organic postings made by business accounts, in order to entice companies like yours to spend money on promotions. What can you do about it? Set aside a paid media budget for the future. A well-timed piece of content sent to the right audience can be incredibly effective, but make sure that you have a strategy to avoid wasting your cents.

Market dominance

What this documentary also highlights is that big tech companies simply have too much market power. A power imbalance such as this means that large tech companies are not only influencing our personal and political environments, but also single handedly determining how the internet of the future is being shaped. This is restricting innovation across areas such as news, visual media, cloud storage, communication like calls and messaging, and more. A fairer competitive environment would see more opportunity for Europes startups to develop and grow their innovations. How could this be achieved? Regulations. The challenge is that, with national and supranational bodies (like the EU) adhering to lengthy approval processes, oftentimes technology out-innovates any new regulation that comes in.

Reduced productivity at work

As explained in the documentary, social mediainherently turns your psychology against you so that you stay stuck to the screen,and is now classed as anaddictive activity. While will power has a large part to play in staying focused at work, founders and team leaders at work should recognise that users are battling some pretty powerful forces here. If youre leading a team in your startup, it could be worth having a think about starting an open and non-judgmental dialogue with the team to share useful tips (such as downloading an app that restricts your daily use), or agree on any measures like turning off notifications on desktop. The challenge here is to not assume the worst (as many team members may have already got it under control) and to focus on mental health where appropriate.

Founder and startup profiles

While its tempting to panic and just delete all of your accounts having watched the documentary, its worth remembering that businesses nowadays need to have a presence on social media to maintain visibility in front of customers and partners. For your startup, think about whether you really need all of your accounts and where your customers are hanging out online. For instance, a B2C foodtech startup might require an Instagram account to promote their product to customers, however a B2B AI startup might not find their target on this platform. Founders could consider whether its worth it to have personal and professional accounts on all platforms, and where they lose the most time scrolling.

Opportunity for fake news startups

Finally, a silver lining. With big tech companies like Facebook failing to curb fake news and misinformation, a market opportunity has popped up for startups to fill the gap. Whether its fake news, deep fakes, disinformation or the deliberate spreading of false information, European startups are already at the forefront of the fight. Check out this list that we published recently to meet the rising stars of this sector and even use some of their products yourself: 10 European startups fighting fake news and disinformation.

Will you watch the documentary? Let us know how your startup manages the opportunities and challenges presented by social media, and check out these articles for more tips: 10 useful social media tips for early-stage startups and 10 steps to your startups first influencer marketing campaign.

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'The Social Dilemma': Netflix's documentary and what it means for startups - EU-Startups

Think more, share less: How to avoid falling for misinformation, disinformation and fake news – KING5.com

Cleansing the internet of lies and propaganda starts with being a better and more proactive information consumer. Sponsored by AARP Washington.

SEATTLE Disinformation and misinformation run rampant on the internet, muddling the discourse in maddening, sometimes dangerous ways. Combating this tidal wave questionable information is a difficult, but necessary, task facing all of us.

If you gave me a magic wand, one of the first things I would do would be to inject media literacy into every single classroom not just in high school, not just at universities, but all the way down to elementary school kids, said Jevin West, director of the nonpartisan Center for an Informed Public at the University of Washington. Everyone is susceptible to this and if we can improve the information consumers, that to me is one of the best antidotes that we have.

For the adults out there, West says there are ways to self-improve your online discourse, and that its never too late to be better in cyberspace. His biggest piece of advice? Think more, share less.

There's this idea that we simply just need to share and like on things that we immediately see and get an emotional reaction for. If the world would slow down the spread of information in general, it would definitely give us all a chance to try and vet the information that's coming.

Learning to evaluate sources of what may seem like too-good-to-be-true (or worse, too-bad-to-be-true) stories is an important part of weeding out the garbage. He explained doing further research on new sites is vital to determining accuracy: learn about a site's history, their owners and their political leanings.

Curating a network of respected, trusted sources can help you evaluate some of the more outlandish things you encounter on social media. Fact-checking sites like Snopesand PolitiFactare two examples that work to ferret out mis- and disinformation.

Additionally, supporting local news-gathering efforts staffed by local journalists who know your community is a crucial part of maintaining an informed democracy.

I think it's one of the saddest stories right now, West said. Across America these news deserts that are popping up these places that used to have local papers that don't have them, used to have local stations that don't have them it's one of the most important things we can do because people are going to trust local media better.

And unfortunately that's just all going away and people are going to the internet and just finding a lot of pollution and garbage.

Finally, West says one of the easiest ways to be a better consumer and sharer of information online is to admit when you are wrong.

Don't double down. That seems to be the trend of everyone on the internet now it's to double down. Admit mistakes, do your best to let those that you spread this to know that it was a mistake. But simply admit the mistake and don't double down. I think we need to do more of that our leaders need to be doing more of that and we can at least start with ourselves.

To help Washingtonians better sort fact from fiction, AARP, the Center for an Informed Public at the University of Washington and BECU are offering a four-part series of free online events called Sorting Fact from Fiction: Finding truth in an infodemic. The event is open to everyone. Pre-registration is required. Sign up now at AARP.org/factfromfiction.

KING 5'sNew Day Northwestpresents Sorting Fact From Fiction. Sponsored byAARP Washingtonin partnership with theCenter for an Informed Public at the University of WashingtonandBECU. All segments available atking5.com/factfromfiction.

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Think more, share less: How to avoid falling for misinformation, disinformation and fake news - KING5.com

Just like Australia, disinformation is thriving during the US fire crisis – The Guardian

Disinformation successfully obscured the real causes of Australias catastrophic bushfire season. Now the same thing is happening around me, as I report on a disastrous wildfire season in the American west.

In both countries, the response to a pandemic is also being complicated by disinformation, as conspiracy theorists refuse isolation, refuse masks, and ready themselves to refuse vaccines.

A lot of the fundamental problems are the same, but there are differences in detail.

In the western United States in recent days, backroads vigilantism has seen civilians set up armed road blocks, and journalists held at the point of loaded assault rifles.

Australia does not have the complication of American gun culture, which is itself one marker of the clash of ideologies and identities in a deeply divided nation, and also raises the stakes on every other social conflict.

Many Australians like to congratulate themselves on their highly restrictive gun laws, figuring that it is the mark of a more civilised society.

That may be, but its easy to forget that one of the major stumbling blocks to stricter gun laws in the United States is a bill of rights.

We can argue whether the right to bear arms is a sensible thing to constitutionally enshrine, but Australia has no such constitutionally defined individual rights, beyond those that the high court has seen fit to torture from the document.

The absence of such rights also contains the real world effects of conspiracy theories the people recently arrested for incitement in Victoria over the promotion of Covid conspiracy theories and anti-lockdown protests would likely enjoy first amendment protections in the US. Whether or not people ought to have the liberty to promote ideas which are, frankly, insane, and a threat to public order, is beyond the scope of this article.

In other ways, Australia is worse off. It is easy to make the mistake of thinking that Fox News, or other skewed or tabloid media, is representative of US media as a whole.

But Americas media is vast. Conservative media is mostly enjoyed by those who have already committed the necessary cognitive self-mutilation to mistake its output for information, and, speaking very generally, although other corporate and local media may be excessively narrow, and TV networks such as Sinclair do skew right, the country does not suffer under the hegemony that News Corporation has achieved in its country of origin.

With its stranglehold on daily newspapers and online news, News Corp in Australia has created the most rightwing media culture in the English speaking world, and they arent really accountable to anyone.

Their columnists, and even their news writers, played a big, unconscionable role in pushing horse-hockey about arson and hazard reduction burning. In the western United States, its simply inconceivable that local mainstream media outlets would deliberately mislead their audience in this way. (Fox News has, but those who take the network seriously are already lost.)

News gave the conspiracy theories momentum, while other outlets such as Seven also entertained the idea that vandals, greenies, or anything but climate change might have set the country on fire.

If there is a posterity to judge them, it will damn them all.

The last, and biggest point of difference is that Australias bushfires struck at the beginning of 2020. As we draw to the end of September, the conspiracy culture that fuels wildfire denialism has had nine more months to incubate in the bowels of its principal host, Facebook.

Facebook is also the place where we see the two disinformation crises overlap.

That website is now nothing short of a threat to civilisation. But the nature of that threat is not easy to see for those who simply use it to keep up with family and friends, post pictures of their dog, or monitor old flames.

In 2016, the Facebook newsfeed was flooded with fake news. Scandals followed when it emerged how easily the newsfeed had been manipulated by propagandists like Cambridge Analytica (much of that was first revealed by reporting in the Guardian).

In response, Facebook first tweaked its algorithm to de-emphasise content from publishers except where it sparked interest from users friends. Then, last year, it tweaked its app to emphasise groups.

Ask anyone who professionally monitors the far right, as I do, or conspiracy culture, as I do, and theyll tell you that the action is all happening in private groups either those associated with movements like QAnon, with anti-lockdown or anti-mask or anti-vaccine protests, with far right street protests, and lately, with localities affected by natural disasters.

To a large extent, now, all of these form one big gumbo of conspiracy culture, anyhow. Facebook will tell you that they have cracked down on QAnon, the Boogaloo movement, and wildfire disinformation. To the extent that they have tried, they have failed. Conspiracy culture continues not only to survive, but thrive on the platform.

In the last week, the idea that antifa activists were starting fires was bedded down as settled fact and common sense in rightwing groups, and those associated with many affected rural communities. The idea was impervious to attempts by federal and local law enforcement authorities to debunk it.

Thats the most proximate reason that armed men were sticking up journalists, and setting up roadblocks in rural Oregon.

There will be future bushfire seasons like 2020s in Australia, and the American west. The Covid crisis has a long way to run, and it may worsen, and give way to future pandemics which are even more unforgiving.

The disinformation will also likely be worse, as will its consequences, because those whose safety is threatened by disinformation cannot, and those who could will not deplatform the conspiracy theorists producing lies at an industrial scale.

In Australia, and the US, the prospects of facing up to the underlying cause of longer, more severe, more catastrophic fire seasons climate change will be remote unless regulators act against the websites where truth goes to die.

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Just like Australia, disinformation is thriving during the US fire crisis - The Guardian

Now, Modi government says fake news forced migrants to walk – NewsBytes

Taking apathetic view toward migrant crisis once again, the government told the Lok Sabha on Tuesday that panic, sparked by fake news, triggered the exodus of poor, jobless, and hungry laborers who walked thousands of kilometers to their homes.

This statement came after the government denied having information on how many workers died en route, saying in the absence of data, there's no question of compensation.

Yesterday, Prime Minister Narendra Modi's government was asked two separate queries.

TMC member Mala Roy asked why migrants were forced to walk for thousands of kilometers.

Blaming misinformation, MoS (Home) Nityanand Rai said, "People, especially migrant laborers, were worried about an adequate supply of basic necessities like food, drinking water, health services, and shelter."

This panic forced them to take difficult journeys.

"However, Central government was conscious of this, and took all the necessary measures to ensure that during the period of the inevitable lockdown, no citizen should be deprived of basic amenities of food, drinking water, medical facilities, etc.," Rai said on Monsoon Session's second day.

Thereafter, Congress MP Manish Tewari asked why only a four-hour notice was given for the lockdown. To recall, India went into a complete lockdown on March 25 to curtail the coronavirus transmission.

In a written reply, Rai said various measures, like curbs on international travel, advisories for the public, setting up quarantine facilities, etc., were taken after the outbreak on January 7, 2020.

Rai added that any movement of masses would have emboldened the disease's spread.

So considering the experience in other countries and various containment measures, the lockdown was announced on March 24, 2020, he added.

The BJP minister said many states and Union Territories had announced partial curbs between March 16 and 23 itself, based on their assessment of the problem.

Rai further said that the federal government permitted states to put the State Disaster Response Fund (SDRF) to use on March 24 itself.

This fund was meant to provide temporary accommodation, food, clothing, and medical care to the laborers.

He also claimed the Centre released an advance Rs. 11,092 crore from SDRFs on April 3.

On migrants' deaths, he reiterated the Centre's earlier position.

Meanwhile, the government's response to the crisis, which tore apart the nation's conscience, didn't find many takers in the opposition.

On Monday's response, former Congress President Rahul Gandhi asked, "If you didn't count, does that mean no one died."

CPI(M)'s Sitaram Yechury said the government's response was shameful and irresponsible, whereas Kerala's Finance Minister suggested Centre to acknowledge at least the tentative deaths.

The exodus, one of the worst episodes of India's modern history, was triggered after the lockdown shut everything. Left with no money, the laborers walked toward their homes.

Some hitched rides on highways, but it proved risky; some died due to unforgiving heat.

The government ran Sharmik Special Trains from May, but due to poor arrangements, at least 80 migrants died in Railway's premises.

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Now, Modi government says fake news forced migrants to walk - NewsBytes

Election fake news weekly report to monitor New Zealand campaigning – RNZ

Fake news is already hitting New Zealand's election campaign, with a weekly research group pointing to NZ Public Party and the New Conservatives as the main offenders so far.

Photo: RNZ Pacific/ Koroi Hawkins

Victoria University researchers Dr Mona Krewel and Professor Jack Vowles have joined a project monitoring social media during election campaigning, identifying fake news.

Part of the challenge is to assess if techniques such as data mining or misinformation has intruded onto the campaign trail here as has been identified in some overseas elections and referenda.

Dr Krewel told RNZ Morning Report's Corin Dann that, backed by an army of coders, they would be publishing findings on a weekly basis starting this week.

"We have our coders and they have a huge thing which we call a codebook and they go through all the Facebook posts and have a definition of what fake news is.

"We also ask the coders to fact check, so if they are not fully sure that something could be fake news we ask them to actually kind of Google this, go to traditional media, to reliable sources like your radio station for example, and look if this has already been called out as fake news."

She said they had defined fake news as "stories that are completely or for the most part made up and intentionally and verifiably false to mislead voters".

"On the fake news half-truth side, I would say it's mostly the New Zealand Public Party and New Conservatives that engage in a little bit of that."

Many other metrics would also be examined, including looking at misinformation, negative versus positive campaigning, inclusion of Mori, and many more things, presented in interactive graphs.

"If it's flying below the radar of fake news ... If it's not entirely or for the most part made up, does it still contain some half truths or somewhat questionable regarding its factual accuracy," Dr Krewel said.

She says the coders are already training and have some initial results.

"My current impression is that they are campaigning very fair ... a little bit of negative campaigning we are starting to see."

She said New Zealand was a very different landscape than the US, and was more likely to see New Zealand-made fake news than high volumes of Russian bots and articles created by state actors.

"It's definitely the other end ... I would imagine that for the US and particularly the upcoming presidential election we would see a very high bar for fake news and negative campaigning, this is also due to the electoral system, it's a two-party system so you have a clear antagonist who you attack, which is different from the multi-party system.

"We still see high-quality democratic campaigning in New Zealand overall."

Dr Krewel said this New Zealand project was based on the Campsource group that had followed other elections overseas, but would be different in that results would be published weekly during the election campaign, instead of afterwards.

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Election fake news weekly report to monitor New Zealand campaigning - RNZ

Facebook spread rumors about arsonists setting fires in Oregon. It’s part of their business model. – NBC News

As wildfires were burning across Oregon and California this week, conspiracy theories about how the fires started were moving nearly as rapidly on Facebook. Posts falsely blaming members of antifa or Black Lives Matter spread across the platform nearly unchecked, causing calls about antifa arsonists to clog emergency phone lines. Local and national law enforcement had to spend precious time and resources rebutting the false claims, instead of rescuing residents and aiding in evacuations.

Facebook said last Saturday that it was banning fire-related conspiracy talk from the platform. But, according to research by the German Marshall Fund of the United States, the misinformation continued to circulate for days afterward, eluding whatever mechanisms Facebook had put in place to end it.

Facebook had time to prepare for such a contingency; it is certainly not the first time the company has been called upon but unable to quell conspiracy-mongering around major national events. For example, following the killing of George Floyd in May and the ensuing protests, Facebook posts falsely alleging that Floyds death had been faked, or that the entire protest movement was organized by the CIA, were being spread on the platform. Facebook pledged to crack down on the spread of vile nonsense, but its efforts, never made fully transparent, were similarly ineffective.

Why does Facebook find itself, over and over, unable to cope with the exploitation of its platform to spread conspiracies, misinformation and propaganda? Because sensationalized content is how Facebook makes money. So, until its business model changes, the problems it aids wont stop.

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Facebook turns a profit by surveilling its users and monetizing their attention: It uses its huge user base and its dominance of social networking both through its main site and others that it owns, such as Instagram to collect a massive amount of data, which is sold to advertisers. In other words, Facebook and Instagram are only free services to you because you are the product Facebook and Instagram sell to other entities.

The longer you stay on Facebook, the more ads Facebook shows you, and the more money it pockets from various advertisers for having shown you those ads. The way to get you to stay on Facebook longer, scrolling through your feed, is to hook you on addictive content, which enables Facebook to collect ever-more data that can be sold to third parties a vicious cycle that entrenches its dominance.

It turns out that, far more than jealousy-inspiring vacation photos or family updates from long-lost high school friends, the most addictive content for users is sensationalized versions of the news, some of which involves conspiracy theories and memes. So rather than having an incentive to eliminate conspiracy-laden content, Facebook is incentivized to keep serving it to you in the interest of profiting off of your attention.

It is then no coincidence that people who wind up joining extremist groups on Facebook do so because Facebooks algorithms suggest doing so, according to Facebooks own internal investigation. Facebooks programming knows such people are likely to get hooked by that sort of organization and thus use Facebook more than ever and so it helps reel them in.

And so, as with many of the problems Facebook causes, potential solutions run up against its profit motive, with the latter winning out.

Expecting Facebook to then solve a problem that is an inherent part of its business model is akin to expecting poachers to implement measures to protect rare wildlife: Doing so would put them out of business.

Adding insult to injury, the local news sources that might have been able to spring into action and rebut some of whats peddled on Facebook have been decimated by Facebook (and Google) both charging them to reach their own readers and hoovering up the bulk of the available digital ad dollars, leaving the local journalism industry a shell of its former self. Hyper-partisan web sites (which are often more willing to buy ads to reach eyeballs) masquerading as local news have instead taken their place and extended their audience via Facebook another feedback loop making it ever-more difficult for people to access good local information.

While this problem is most acute during crises, it plays out all the time in ways large and small. In Holyoke, Massachusetts, for instance, the decline of the local journalism industry led to the loss of several papers. So, when a ballot initiative was put forward in 2019 that would have approved a bond issue for new middle schools, information about it was spread by commenters in a Facebook group instead of by local reporters; locals received misinformation about the citys finances instead of the truth.

As one city employee told me, officials wound up playing whack-a-mole with every little conspiracy theory out there, instead of spending their time thinking about fixing potholes or opening health clinics.

The response to this repeated, ongoing problem has generally been for politicians, regulators and enforcement agencies to politely request that Facebook change its ways. But that will never be good enough because, until the way in which Facebook makes its money changes, Facebook will not change.

There has been some encouraging movement on that front recently, though: The Wall Street Journal reported this week that the Federal Trade Commission is considering opening an antitrust case against Facebook. And, in July, the antitrust subcommittee of the House Judiciary Committee held a major hearing on the market power of big tech platforms, including Facebook, and will be issuing recommendations on how to address them soon.

In the end, though, truly making social media safe for democracy means breaking up Facebooks many businesses, which include Facebook, Instagram and WhatsApp, and then changing the way it makes money by both altering its liability for user content and changing its ability to microtarget advertising to specific users. Until such structural and regulatory changes are made, Facebook conspiracies will continue to circulate, and the world will continue to be a more dangerous place in which to live, work and vote.

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Facebook spread rumors about arsonists setting fires in Oregon. It's part of their business model. - NBC News

Pandemic thriller Utopia on Amazon might be the perfect viewing – CNET

Becky (Ashleigh LaThrop) and Jessica Hyde (Sasha Lane) in Utopia, hitting Amazon Prime Video on Sept. 25.

Before diving into Utopia, Amazon's new conspiracy thriller series from Gone Girl's Gillian Flynn, let's get the big question out of the way: Is it better than the cult classic 2013 British series it's based on?

Short answer: No.

But at least it's not a mass appeal US remake. Flynn pens all eight episodes of the adaptation about a pandemic conspiracy, with John Cusack and Rainn Wilson providing the marquee names. Originally ordered in 2018 with David Fincher tapped to direct, the series hit pause before Amazon, with a trio of directors, made it happen -- and with the benefit of some fortuitous release timing.

Entertain your brain with the coolest news from streaming to superheroes, memes to video games.

That's as long as you're into pandemic TV. The ridiculous conspiracy, involving a bat-based virus that might have been created on purpose, will tug the occasional wry smile. There are new and reimagined characters, and the further the conspiracy unravels, the more it veers away from the original. Plus, Cusack is weirdly charismatic as the creator of a synthetic meat.

There's a lot here. But you're still better off seeking out the UK version.

Center: John Cusack as Dr. Christie.

The plot starts off the same way. Several parties are hunting down a graphic novel called Utopia that predicts future viruses. There are the torture-artist secret agents known as The Harvest, and the "fanboys" who believe the prequel to Utopia, Dystopia, predicted real-life epidemics like Eobola and MERS.

"Why do we keep feeling like it's the end of the world?"

"Because someone is ending the world!"

Caught in the middle is the mysterious Jessica Hyde (Sasha Lane), who has a role in the graphic novel and is on the run from The Harvest. "Where is Jessica Hyde?" is repeated a lot.

Ian (Dan Byrd), Wilson Wilson (Desmin Borges), Sam (Jessica Rothe) and Becky (Ashleigh LaThrop).

The giddy excitement of the "fanboys", or nerdy internet friends who study the mysteries of the manuscript, is fun to share as the epiphanies come thick and fast across the episodes. There's insurance man Ian (Dan Byrd), his crush harboring a secret illness Becky (Ashleigh LaThrop), underground bunker owner Wilson Wilson (Desmin Borges), troubled 11-year-old Grant (Javon Walton) and brand-new character, idealistic Sam (Jessica Rothe).

Their bumbling naivety is chuckle-worthy, especially in high tension scenes with agents like Arby (Christopher Denham), a tracksuit-wearing, raisin-popping, softly-spoken psychopath. While there's no infamous school shooting from the original, his eyeball torture scene remains horrendous.

While the US adaptation's violence is less extreme, the extreme characters grate. They mainly populate the second big storyline following Cusack's scientist Dr. Kevin Christie, who's accused of starting a new virus, and Rainn Wilson's meek Dr. Michael Stearns, who studies it.

It doesn't help that some characters, like Jessica Hyde, are super serious, making those like Christie's ambitious son, who oversees a media spin team with the smile of a game show host, seem even more over-the-top.

The relatable band of misfits are gradually nudged to the side, when you want them to drive the narrative. Their interactions with Jessica lack chemistry, her cutthroat decisions often receiving baffled looks.

The absurd-to-serious tone rides an electronic current from Jeff Russo's score, which at times sounds like The Social Network's. It's dark and ominous, but might have benefitted from a hit of wackiness. Hear the rooster calls and chopstick clicks texturing Cristobal Tapia de Veer's lauded score for the original.

This grittier feel finds its way into the brownish Chicago setting. The original's stunning Technicolor palette is applied to the green fields and the yellow decontamination tents, but looks strangely muted, rarely popping.

Still, the likeable gang, propulsive mystery and the flecks of dark and deadpan humor create an absorbing world. It might be visually duller than the British series and can't take any credit for the imaginative brilliance, but Amazon's Utopia isn't a write-off. Benefitting from a timely release, it grows into something different, with a few twists fans of the original won't see from a mile off.

Utopia hits Amazon Prime Video on Sept. 25.

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Pandemic thriller Utopia on Amazon might be the perfect viewing - CNET

Utopia Red Band Trailer – /FILM

Amazon is ready to take you toUtopia, a new series fromGillian Flynn, adapted from the 2013 British show of the same name. In the series, fans of a comic book discover a conspiracy within the comic is actually real, and now, a group of young fans come together to embark on a high-stakes twisted adventure to use what they uncover to save themselves, each other, and ultimately humanity. A newUtopiared band trailer gives us a blood-drenched look at the series below.

Utopia has had a strange path. The concept originated as a British series in 2013. Then, in 2018, HBO ordered an American remake with David Fincher set to direct. However, budget disputes killed the project over at HBO but it eventually found new life on Amazon. Fincher is no longer involved, butGone Girl writer Gillian Flynn, who was going to work with Fincher on the HBO version, remained on board. And now,Utopia is gearing up to arrive on Amazon Prime Video onSeptember 25, 2020.

My idea was to not only Americanize it and deal with things that I think specifically feel resonant with Americans in a lot of ways, but also to make it gritty, and dirty, and nasty, in a very realistic way, Flynn said. Whereas [Dennis Kelly] took his cue from graphic novels themselves, I took my cue more from the 70s paranoia thrillers I loved that came out after Watergate, in that era where no one trusted anyone and there was a breakdown in what society, the government, and the world was feeling like. I wanted that paranoia to feel very real and to be able to access that through each different character.

Heres the synopsis:

Utopiacenters on a group of comic fans who meet online and bond over their obsession of a seemingly fictional comic called, Utopia. Together, Ian (Dan Byrd), Becky (Ashleigh LaThrop), Samantha (Jessica Rothe), Wilson Wilson (Desmin Borges) and Grant (Javon Wanna Walton) unearth hidden meanings cloaked within the pages of Utopia, predicting threats to humanity. They realize these are not just the makings of a conspiracy; they are very real dangers coming alive right now in their world. The high-stakes adventure brings the group face-to-face with the comics famed central character, Jessica Hyde (Sasha Lane), who joins them on their mission to save the world while harboring secrets of her own.

While Im a big fan of Flynn, and I love a lot of people in this cast, Im still not sold onUtopia, even after this trailer full of bonkers violence and all sorts of other mayhem. Maybe itll surprise me.

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Utopia Red Band Trailer - /FILM

4 Films You Need to Watch This Fall – The Atlantic

Read: David Byrnes joyful and uncomfortable reinvention of the rock concert

This tension is at the heart of American Utopia, as is Byrnes distress over our disconnected modern world. Throughout the show, he champions the joys of collaboration and communality. At one point, he notes that most of the performers (including himself) are immigrants. At another, he decries Americas low voting numbers and informs the audience members that they can register to vote on-site once the concert is over. The film builds to a cover of Janelle Mones protest song Hell You Talmbout, during which performers chant the names of Black people who were killed by police or died in their custody, including Freddie Gray and Sandra Bland; Lees camera cuts away from the theater and shows the victims loved ones holding up photographs of those they lost.

Through each beautifully choreographed song, Byrne demonstrates the thrill of watching people perform in sync. But he tempers that glee with stark reminders of how much remains broken outside of his theatrical space, and how much work remains to be doneby others and by himself. The films premiere came shortly after Byrne apologized on Twitter for a newly resurfaced clip of him appearing in blackface in a 1984 video: Like I say at the end of our Broadway show American Utopia, I need to change too and I believe I have changed since then. In an interview with Variety, he addressed the responsibility he has as an artist talking about racial justice to own up to his mistakes.If Im going to talk about this stuff, I cant talk about giving advice to other people if I cant do it myself, Byrne said.

Along with American Utopia, the most highly anticipated premiere at TIFF was Chlo Zhaos Nomadland, which won the top prize at the Venice Film Festival and will be released on December 4. Zhaos previous movie, the heart-wrenching modern Western The Rider, was one of the best films of 2018 and made enough of a splash to get her a gig making a giant blockbuster for Marvel (The Eternals, due out next year). In between those projects, she quietly made Nomadland, working with its star, Frances McDormand, to adapt a nonfiction book by Jessica Bruder about older transient workers displaced by the 2008 recession and living in cars. The film is a worthy exploration of the lost American dream, focusing on communities laid to waste by an economic crisis the country has already begun to forget.

Read: The Rider was one of the best films of 2018

Nomadland was filmed with a tiny crew that moved across seven states for four months and mostly features nonactors appearing as themselves. McDormand plays Fern, a woman still mourning the Nevada company town she left behind after its Sheetrock factory closed and her husband died. Zhaos film is a requiem for Ferns former way of life and a celebration of the new existence shes found, living in her van and moving from job to job as the seasons change. The open road has long been a mythic environment for cinema, and Nomadland captures many staggering, romantic vistas on Ferns journey. But Zhao also visits mundane localesparking lots, Laundromats, an Amazon packaging factory where Fern picks up shifts at Christmas. In the classic American Western, endless possibility always lies ahead; Nomadland is a modest yet powerful portrayal of Ferns determined effort to cling to the only thing she has left: her independence.

While Nomadland renders the inherent contradictions of America visually, Regina Kings directorial debut, One Night in Miami, does so in words. Kings film, which will be released by Amazon later this year, imagines a fictional meeting between historical heavyweights: Sam Cooke (played by Leslie Odom Jr.), Malcolm X (Kingsley Ben-Adir), Jim Brown (Aldis Hodge), and Cassius Clay (Eli Goree), before he was known as Muhammad Ali. Based on Kemp Powerss play of the same name, the film is set after Clays first victory over Sonny Liston, in 1964, when a celebratory hangout turns into a debate over the best way to build a better America.

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4 Films You Need to Watch This Fall - The Atlantic

The Third Day: everything you need to know about Skys new miniseries – The Guardian

Jude Law stars as Sam in Skys The Third Day

Summer 2020 has been a strange one. But the eerily weird summer that Jude Law is having in The Third Day a new Sky original drama from Utopia writer Dennis Kelly and immersive theatre company Punchdrunks artistic director, Felix Barrett could give it a run for its money. Set on the real-life island of Osea, Essex, Law plays city-dweller Sam, who finds himself stranded when the tide cuts Osea off from the mainland. As the islanders gear up for their bizarre festival, Sam begins to realise that the people of Osea are stranger and more dangerous than he first thought.

The Third Day is a unique proposition. Its comprised of three separate but interconnected stories that all take place on Osea. The first, titled Summer, is led by Law, the second, Winter, by Naomie Harris and Autumn is a bold theatrical broadcast event on Sky Arts (Saturday 3 October), orchestrated by immersive theatre company Punchdrunk that takes place between them. Barrett says: Its been a long-held ambition of mine to create a story that would begin on TV, transfer into a live experience, then fold back into TV. We wanted to break the fourth wall of television. The original plan for Autumn was an immersive theatre experience on Osea Island that viewers could attend in person, but due to Covid-19 it has been turned into a filmed, as-live broadcast.

So lets dig a little deeper into the world of The Third Day, and find out what to expect from the first part of the show: Summer.

What is it about?On the surface, The Third Day: Summer is about a man who becomes trapped on a strange island, when all he wants to do is get back to his family. But as anyone who has ever seen a Kelly show before will know, the surface is generally the least interesting part.

Really its a piece about grief: the destructive consequences of not being able to grieve properly and how people deal with loss in very different ways, former Utopia director Marc Munden says. I had this idea that our main guy would have something inside that he was searching for, that was unanswered, Kelly elaborates. If he came to this place and saw what at first seems to be a parochial idyll, he might think there were answers there. But what Sam finds on Osea offers more mind-boggling questions than answers, as we learn that neither the community, with their odd twist on Christianity, or Sam himself, are what they seem. Sams clearly an unreliable narrator in some ways, Munden says. But I wanted to take that further so that the world itself is unreliable and the audience isnt quite sure whether the world they are seeing is true or false. Its not just about him grieving or being unreliable or being a liar, its about you as the audience experiencing the world as he experiences it.

The stars of the showLaw is the star of Summer, and everyone involved is still pinching themselves that he agreed to play the part of Sam. You cant take your eyes off Jude. Hes totally compelling, Munden says. He loves being challenged. He will try anything and be pushed to extremes. He really did live it. I think this is the performance of his life.

Law was the first cast member to sign on and, according to producer Adrian Sturges: Once Jude said yes, the network said we could go after whoever we liked, which turned into an impressive cast made up of Naomie Harris, Emily Watson, Katherine Waterston, Paddy Considine and Paul Kaye. Its always a good testament to the writing when you get your first choices, says Sturges.

The real-life OseaOsea is an island in Essex, connected to the mainland via a Roman causeway, so access to the island is dependent on tides. The Third Day crew took over the whole island during filming, even living there for the duration of the shoot. The series was written with Osea in mind, so very little needed to be done in order to create the look of the show, but there were plenty of logistical challenges.

Both Marc [Munden] and I said it was the hardest shoot weve ever done, says Philippa Lowthorpe, who directs Winter, the final part in the series. It was physically gruelling, she says, but adds that Osea was vital to the look of the film. The haunting landscapes lend the drama the most incredible atmosphere and visual magic.

What to expectNo one seems able to pin The Third Day down to a particular genre. Not even Kelly quite knows how to describe the tone of the show. Its not out and out horror but there are moments when it can be, he muses. Munden settles on the broad term drama, but admits that within that, its a mystery and a thriller. You might call it folk horror, but really thats just there to wrong-foot the audience to make them think they might be about to see something like The Wicker Man. But theres nothing supernatural in the piece. Its much more esoteric and political.

The Third Day is available now on Sky

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The Third Day: everything you need to know about Skys new miniseries - The Guardian

5 Beauty Trends That Ruled New York Fashion Week – Vogue

To say this has been a New York Fashion Week unlike any other would be an understatement. But proving that challenge cultivates creativity; there was no shortage of beauty inspiration despite a decidedly thin lineup.

Acknowledging the new normal in which wearing a face mask is essential, makeup artists rose to the occasion by introducing new solutions. At Zero + Maria Cornejo, makeup artist Dick Page dreamed up a colorful, easy-to-re-create eye statement to peek out above face coverings, while at Jason Wu, pro Erin Parsons flecked on faux freckles in a tawny, bulletproof pigment that wouldnt move underneath a cloth mask. To lift spirits, there were cheery spring statements too, with Anna Sui and Collina Strada painting on feel-good face flowers and Rodarte presenting fresh bloom crowns and veils. To further make the largely digital shows and presentations an escape from reality, creatives also indulged in beauty for beautys sake. Tom Ford hearkened back to the golden days of disco with iridescent washes of eyeshadow and blush la 70s supermodel Pat Cleveland, while at Wiederhoeft, makeup artist Raisa Flowers makeup vision for rising designer Jackson Wiederhoefts freaky fairy tale included retina-burning splashes on the lids and brows, as well as colored contacts.

From graphic eyeliner to be worn above face masks to fantasy hair designed to stretch the imagination, here are five beauty trends that emerged throughout the week.

Photo: Courtesy of Maybelline

Jason Wu

Quarantine inspired a renewed emphasis on skin care. In a nod to the fruits of a dedicated routine, many of the showsincluding Rodarte, Anna Sui, and Cinq Septput forth raw skin lightly enhanced with nearly imperceptible coverage and strategic highlighting. Adding a healthy dose of vitamin D to the equation was Jason Wu with makeup artist Erin Parsons administering a smattering of trompe loeil frecklesor fleckles, as she liked to call themacross the nose and cheeks. The whole idea is that we cant really go on vacation, so Jason brought the vacation to us, explained Parsons.

Photo: Courtesy of Zero + Maria Cornejo

Zero + Maria Cornejo

In the age of face masks, the eyes have it like never before. As such, it wasnt surprising to see many designers lay the drama on thick at gaze level. It was this idea of how to further accessorize, said makeup artist Dick Page of collaborating with designer Maria Cornejo on a trio of bold, painterly lid looks in white, fuchsia, and cobalt blue. Its instant glam that doesnt really take too much thought. Youre just throwing a little bit of paint on the eyes like you would a pair of cool sunglasses. Similarly bold and bright strokes of eyeliner were seen at Chromat, with a variation of aquatic ombr eye designs, as well as Batsheva and Eckhaus Latta, where abstract, brushstroke dashes accented the eyes.

Photo: Hunter Abrams

Collina Strada

Fantasy hair took many forms this season. To help bring Jackson Wiederhoefts cast of whackadoodle-doo characters to life, hair bender Sean Bennett crafted a myriad of ceiling-bound wigs including a cloudlike platinum blonde afro for model Jazzelle Zanaughtti and a neon purple hair bow-topped bouffant for dancer and artist Leslie Andrea Williams. At Collina Strada, custom Technicolor, tie-dyed hair pieces dreamed up by Tomihiro Kono were layered on as chunky extensions and billowing finger waves. Then, for the Christian Cowan and Lil Nas X collaboration, hairstylist Evanie Frausto created an array of punkish wigs with gravity-defying mohawks and braided hair sculptures.

Photo: Jackie Kursel / Courtesy of Anna Sui

Anna Sui

Sowing seeds for a flower-filled spring, vivid blooms provided a whimsical touch for many of the collections. Using the face as a canvas, Anna Sui and Collina Strada took embellishment to another level. For the former, makeup artist Pat McGrath painted watercolored daisies along the cheeks and temples, and for the latter, pro Allie Smith traced berry, lemon, and tangerine liner in large flower shapes with negative space around the eyes. For those whod rather keep their face bare, there were flower crowns at Ulla Johnson, as well as fuzzy updos and free-flowing lengths decorated with fresh flowers and wreaths at Rodarte.

Photo: Courtesy of Tom Ford

Tom Ford

A rainbow-splashed utopia sounds like a nice respite, no? At Collina Strada, there was a parade of acid-washed, extreme beauty looks, while at Wiederhoeft, makeup artist Raisa Flowers cast lids, brows, and eyes (with help from colored contacts) in candy-colored shades to help bring psychedelically reimagined fairy-tale characters to life. Then, Tom Ford took the fantasy back to the 70s, delivering full-fledged disco beauty inspired by Antonio Lopez muses Pat Cleveland and Donna Jordan, which meant iridescent blue lids, hot pinkdraped cheeks, and bright fuchsia vinyl lips, of course. Finally, to round out the joyful ruffled confections at Tomo Koizumi, eyes, lips, and cheeks were saturated in complementary shades.

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5 Beauty Trends That Ruled New York Fashion Week - Vogue

Whats on TV This Week: The Emmys, ‘The Masked Singer’ – Los Angeles Times

SUNDAY

HBOs dark superhero drama Watchmen leads the field with 11 nominations at the socially distanced 72nd Emmy Awards. Jimmy Kimmel hosts. 5 p.m. ABC

60 Minutes takes a licking and keeps on ticking as the venerable news magazine returns for its 53rd season. 7 p.m. CBS

Old married couple: Alan and Celia (Derek Jacobi, Anne Reid) are back in Season 4 of the British rom-com Last Tango in Halifax. 8 p.m. KOCE

Her Deadly Sugar Daddy is paying the bills but it could end up costing her her life in this new thriller. With Lorynn York and Aubrey Reynolds. 8 p.m. Lifetime

Surfs up in the tsunami-themed season finale of the extreme nature series Apocalypse Earth. 9 p.m History Channel

See if a dastardly conman finally gets his comeuppance in the finale of the true-crime series Love Fraud. 9 p.m. Showtime

Theyre out of the gourds in the new series Outrageous Pumpkins hosted by How I Met Your Mothers Alyson Hannigan. 10 p.m. Food Network

MONDAY

The docuseries Defying Gravity: The Untold Story of Womens Gymnastics tells of the blood, toil, tears and sweat required to compete at the elite level. 9 a.m. YouTube

Your Las Vegas Raiders still sounds weird to us play their home opener against the New Orleans Saints as the new NFL Football season continues. 5 p.m. ABC, ESPN

Shes in the money: Sex and the Citys Kim Cattrall plays the tough if naive wife of a wealthy but unfaithful televangelist (Gerald McRaney) in the soapy new drama Filthy Rich. 9 p.m. Fox

A 10-year-old Aboriginal boy adept at traditional healing methods comes into conflict with local authorities in Australia in the documentary In My Blood It Runs on a new POV. 10 p.m. KOCE

TUESDAY

The British comic and his dear old dad are all dressed up with some place to go in a fourth season of Jack Whitehall: Travels with My Father. Anytime, Netflix

Walk it off! The Clippers Doc Rivers and Jill Ellis, late of the U.S. womens soccer team, are among the coaches sharing their secrets for success in the new five-part docuseries The Playbook. Anytime, Netflix

The remaining acts give it their all before a new champion is crowned on the two-night season finale of Americas Got Talent. Terry Crews hosts. 8 p.m. NBC; 9 p.m. Wed.

Frontline lays out your options for the Nov. 3 presidential election in The Choice 2020: Trump vs. Biden. 9 p.m. KOCE

Find out who made Time magazines list of the years most influential politicians, celebrities, etc. in the new special Time100. 10 p.m. ABC

One of the stars of the Harold & Kumar franchise explores issues of interest to younger voters in the new comedy-and-chat show Kal Penn Approves This Message. 10:30 p.m. Freeform

WEDNESDAY

The names Holmes, Enola Holmes. Millie Bobby Brown (Strangers Things) plays super sleuth Sherlock Holmes kid sister in this adventure tale set in Victorian London. With Henry Cavill and Helena Bonham Carter. Anytime, Netflix

Kooky costumes, hidden faces: The Masked Singer is back for a fourth season. Then, find out who can and who cant carry a tune in the new series I Can See Your Voice hosted by Ken Jeong. 8 and 9 p.m. Fox

The veteran Chicano comedy trio Culture Clash tackles the ongoing protests against police brutality on a new episode of Southland Sessions. 8 p.m. KCET

Borneo is the next stop on a new episode of the nature series Islands of Wonder. 8 p.m. KOCE

The Canadian-made procedural drama Coroner ends its freshman season. Serinda Swan stars. 9 p.m. The CW

Party up in here! Katy Perry, Pink Martini and composer-conductor John Williams take it to the stage in encore performances on the season finale of In Concert at the Hollywood Bowl. 9 p.m. KCET

Letter perfect: Nova spells it out for you in the new episode A to Z: The First Alphabet. 9 p.m. KOCE

Filmmaker Alex Gibney takes a deep dive into Russian interference in the 2016 U.S. presidential election in the two-part documentary Agents of Chaos. 9 p.m. HBO; concludes Thu.

THURSDAY

Jon Favreau and celebrity chef Roy Choi serve up a second season of their star-studded culinary series The Chef Show. Anytime, Netflix

The fur will fly as professional pet groomers are put through their paces in the new competition series Haute Dog. Matt Rogers hosts. Anytime, HBO Max

Line of Dutys Stephen Graham and Game of Thrones Mark Addy investigate The Murders at White House Farm in this imported whodunit inspired by true events. Anytime, HBO Max

The special India From Above offers an aerial view of the natural and man-made wonders of that South Asian nation. 9 p.m National Geographic

The rampaging will continue until their demands are met in new episodes of the reality series Bridezillas. 10 p.m. WE

FRIDAY

A standout writer-performer from Late Night With Seth Meyers is ready for her closeup in the new series The Amber Ruffin Show. Anytime, Peacock

Get up close and personal with Nashville Stars Coffey Anderson and his kinfolk in the new reality series Country-ish. Anytime, Netflix

Its shoe-shoppin good: Sneakerheads will not rest till theyve scored the most sought-after pair of kicks in this new comedy series. With Allen Maldonado (Black-ish) and Andrew Bachelor. Anytime, Netflix

A teen princess (Peyton Elizabeth Lee) and others of her station suit up for superhero duty in the new action fantasy Secret Society of Second-Born Royals. With Skyler Astin. Anytime, Disney+

Meanwhile, young comic-book fans are tasked with saving the world during a pandemic, no less in the new series Utopia. Rainn Wilson and John Cusack star. Anytime, Amazon Prime

Based on a book by filmmaker Errol Morris, the new true-crime series A Wilderness of Error reopens the case of Jeffrey MacDonald, the former Green Beret convicted of the shocking 1970 murders of his pregnant wife and two young daughters. 8, 9:30 and 10:30 p.m. FX

A scoop of Schubert: Host Scott Yoo profiles the 19th-century Austrian composer in a new Now Hear This on Great Performances. 9 p.m. KOCE

The long-running newsmagazine Dateline NBC also returns with new episodes. 10 p.m. NBC

A new installment of Art in the Twenty-First Century scopes out the contemporary art scene in Beijing. 10 p.m. KOCE

SATURDAY

For the defense: Creeds Michael B. Jordan portrays attorney and activist Bryan Stevenson in the 2019 legal drama Just Mercy, based on Stevensons memoir. With Jamie Foxx and Captain Marvels Brie Larson. 8 p.m. HBO

A hotels activities director hooks up with a hunky guest in the new TV movie Falling for Look Lodge. With Clark Backo and Jonathan Keltz. 9 p.m. Hallmark Channel

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Whats on TV This Week: The Emmys, 'The Masked Singer' - Los Angeles Times

David Byrne and Spike Lee Consider the Oxymoron of "American Utopia" – Hyperallergic

From American Utopia (2020), dir. Spike Lee (all images courtesy Cinetic Media)

Its tempting to say this about any piece of media that brings even a semblance of joy during this terrible year, but David Byrnes American Utopia genuinely feels like a balm. The stage show, which ran from late 2019 to early 2020 at New Yorks Hudson Theatre, exists somewhere between a concert and a musical. Premiering at the Toronto International Film Festivals 2020 online edition, the film adaptation, directed by Spike Lee, is a fascinating deconstruction of live performance, emphasizing negative visual space and human connection over pyrotechnics.

As Byrne takes the stage, the recollection of Jonathan Demmes equally joyous 1984 Talking Heads concert film Stop Making Sense is plain, what with the simple stage assemblage and costuming. Its perhaps a reminder of how things have and havent changed in the time since. But while the original stage show and this film adaptation are absolutely in conversation with Stop Making Sense, Lee still makes it feel distinct. He applies his own visual stamp and a more intimate setup, especially as the show draws closer to its conclusion. He privileges Byrnes audience with unique angles afforded by the camera, getting close-ups, providing new views of the choreography via aerial shots, and generally making this a cinematic experience rather than simply a filmed show. He adds flair to Byrnes minimalist sensibilities.

For his part, Byrne is the same as he ever was humanist, good-humored and often a little self-deprecating, and most of all egalitarian. Hes the focal point of an ensemble, rather than an all-consuming presence. Hes still trying to make sense of the world through Dadaist art, world music, close friends and collaborators, and his audience. The big questions he asks about the American state of being in between the songs provide new context for everything from classics like Burning Down the House and of course Once in a Lifetime to modern collaborations like I Should Watch TV (written with Annie Clark, aka St Vincent) or a retooling of X-Press Zs house track Lazy. Some numbers are updated dissections of modern living, while others are more focused on finding joy in showmanship. Looking at people? Thats the best, Byrne says as This Must Be the Place thunders to life.

For all of American Utopias joy in revisiting these classics, it also has surprising urgency, full of calls to action, specifically around contemporary Black protest. Colin Kaepernick appears on screen as Byrne and his band take a knee and raise their fists, and one of the closing numbers is a cover of Janelle Monaes Hell You Talmbout. That protest song first came out in 2015, and lists some of the Black people killed, mostly by police, up until the point she performed it. Here its updated to include a few names from this year alone: George Floyd, Breonna Taylor, Ahmaud Arbery. The most telling sign of Lees presence is the confrontational construction of this performance, cutting it with scenes of protests featuring people holding gaze with the viewer, carrying placards and pictures of these stolen lives, with many more names in bold red text that engulf the screen.

The term American Utopia is knowingly oxymoronic. A lot of the show is dedicated to wondering how things can be fixed, if they ever will be. But at the same time, its hard to watch Byrnes warm and humanistic performance without grinning from ear to ear. The American Utopia doesnt exist, but for a couple of hours, the possibility feels a little more hopeful. Even such temporary escapism and affirmation is more than welcome.

American Utopia is currently playing as part of the Toronto International Film Festival. It premieres on HBO October 17.

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David Byrne and Spike Lee Consider the Oxymoron of "American Utopia" - Hyperallergic