How one tiny accessory popularized some of the most iconic slogans of – Fast Company

In the onslaught of this election year, its likely that youve come across a fair share of political buttons. But theres no way youve seen as many as Christen Carter and Ted Hake, coauthors of Button Power: 125 Years of Saying It With Buttons.

[Image: courtesy Princeton Architectural Press]Carter is the cofounder of Busy Beaver Button Co. and Button Museum in Chicago, while Hake founded Hakes Americana and Collectibles in York, Pennsylvania, and was an appraiser on PBSs Antiques Roadshow. The pair reviewed 10,000 pin-back buttons spanning from their invention in 1896 to 2019, eventually whittling them down to 1,500. In the process, they learned that good button design tracks pretty closely with effective advertising: it should be quickly readable, attention grabbing, and start a conversation.

But while the principles of design havent changed much, the buttons themselves are a window into the past. Advertisers and organizations made sure moments big and smallfrom the Apollo 11 landing to the first on-screen movie kissoften included a take-home memento in the form of a button. Buttons are little objects [that] can take you back in time and give you a surprisingly detailed view of the world at that particular moment, says Hake, who began collecting buttons in 1960. Here are a few cultural milestones in bite-size form.

Buttons were first used in the political sphere, when a brass sew-on button that read Long Live the President was created after George Washingtons inauguration. (While not a pin-back button, it served a similar purpose.) Buttons have flourished as a quippy way to take political sides ever since.

[Image: courtesy Princeton Architectural Press]There were buttons both for and against Franklin D. Roosevelts contentious run for a third presidential term in 1940, with one reading Better a Third Termer Than a Third Rater. An opposing button showed Uncle Sam giving a thumbs-down with the words No Third Term.

[Image: courtesy Princeton Architectural Press]The buttons usefulness is exemplified with one of the most well-known political slogans of the last century, I Like Ike, which is said to have been coined long before his presidential run by a button maker in New York. In 1952, the Eisenhower campaign splashed the memorable motto across millions of buttons in varying sizes and designs.

[Image: courtesy Princeton Architectural Press]Another great example is a 70s era anti-Nixon pin that reads I Nothing to Hide with an illustration of Nixon streaking and holding up two Vs for victory. While a bad time for Nixon, the Busy Beaver Museum notes that the early 70s were a good time for streaking.

By the turn of the 20th century, advertisers caught onto the buttons success in politics, and began giving away commemorative buttons at major events that captured the zeitgeist of invention and industry, says Carter. Most people didnt even have access to color materials aside from on trading cards, adds Hake, making it a total novelty at the time.

[Image: courtesy Princeton Architectural Press]One such example is this 1901 button depicting Major Taylor, a Black cycling superstar sponsored by Iver Johnson Cycles. He was the first Black athlete to be depicted on a button, according to Hake. Meanwhile, gum company Pepsin Gum celebrated the first kiss in a movie, aptly called The Kiss, with a commemorative button in 1900. A slightly creepy black-and-white button marked the first lightbulb, beckoning consumers to Be-light-ed by Electricity.

Buttons like these were mostly collectible items at the time, according to Carter. It was really special to own a piece of printed material at that time, especially since they didnt have as many advertising images around like we do today, she says.

By the 1960s, buttons were everywhere. They commemorated major scientific events, such as the first American to orbit the Earth; pop culture, like Tommy Smalls, a DJ known as Dr. Jive who ushered in early rock and roll; and the counterculture. Hakes favorite is a button made by the 1964 Free Speech Movement after its first event in Berkeley, California, which he says kicked off a decade of revolution.

[Image: courtesy Princeton Architectural Press]Other buttons capture pithy phrases were familiar with today. Underground Uplift Unlimited in New York Citys East Village created some of the most well-known 60s buttons, according to Hake. They had slogans like Make Love, Not War, Draft Beer, Not Students, and Push this Button to Turn Me On.

Today, button makers are looking for new ways to grab attention, such as matte finishes that wont reflect on screens. But no matter what they say or sell, each button itself becomes an artifact representing a moment of changeas Carter describes them, little celebrations in time.

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How one tiny accessory popularized some of the most iconic slogans of - Fast Company

‘America Is Hard To See’ at The New Whitney Museum – Ocula Magazine

The new Whitney building, designed by Renzo Piano, with its multiple jutting terraces between which you can clatter up and down stairwells, is a welcome addition to Manhattans art scene. From its decks you can look over what feels like the whole of downtown Manhattan in one direction, and across the Hudson River in the other. Inside its walls you can currently see America Is Hard To See, the Whitneys polemical opening exhibition, and the defining US museum show of the season.

This exhibitions mission is to reconsider American art history through highlighting 600 works from the Whitneys permanent collection. It manages this challenge convincingly in places, integrating striking works by lesser-seen artists into the American canon, and offering a welcome historicised contextualisation of Postmodern and Contemporary art against what had gone before and what you see in commercial galleries today. Most of all, it exhibits great numbers of artworks thematically, so moving through the show you grasp art historys waves anew.

The top floor predictably starts with American learnings from the European avant-gardes. Lots of collage and Futurism, and works reflecting the shadows of Americas founding and its nostalgic but irreverent adoption of elements from European culture. In this new building, and in todays field of installation, performance, digital, post-digital etc art, this top floor feels like a different world to the present, but the ideasif not the materialsin art feel the same as now. The main concerns are the sense of fracture and dystopia, and the need to change how those things are represented in art, brought on by the heightening automatism of modernisation.

The first galleries explore abstraction and the early twentieth century moderns experimentation with form that still captivates the popular eye, despite (or probably because of) having faded into conceptual simplicity against the contemporarys complications. Emphasis is emphatically placed on certain reminiscences, such as the flattened forms of Patrick Henry Bruce and Stuart Daviss 1920s paintings, John Covert and Arthur Doves morbidly forlorn palette from the decades either side, and Lyonel Feiningers Gelmeroda, VIII, from 1921 with Georgia OKeeffes 1926 Abstraction, both of which employ shadow and angularity to locate the viewer and paint modernity as serenely seductive. One of the exhibitions goals is showing that art history picks its stars by caprice, but these rooms undermine this sense by the brilliance of major stars like OKeefe whose work shines out as somehow more brilliant, more talented than its neighbours.

A romantic interlude on a single wall celebrates abstractions affinity with synaesthesia and music. Concise curation here makes it work with only six pieces: paintings by Charles Burchfield and Oscar Bluemner, and two small poised and beautiful gelatin silver prints by Imogen Cunningham and Alfred Stieglitz. The line-up has impact because its quiet; the theme continues more brashly opposite with poet EE Cummings bright swirling painting Noise Number 13 and Richmond Barths 1933 lyrical sculpture African Dancer, beside a work by Agnes Pelton, another OKeefe, and work by Stanton MacDonald-Wright who in the 1910s founded the colour-based practice Synchromism, the first abstract movement that art history considers originally American. Here Four Part Synchromy, by Synchromism co-founder Morgan Russell, and Oscar Bluemners Last Evening of the Year look fresh, even though were still in the 1920s.

Moving into the following decades, Alexander Calder, Man Ray and Theodore Roszak succinctly locate visitors in mid-century mechanisationuseful as Joseph Stellas 1939 painting The Brooklyn Bridge: Variation on an Old Theme could be 1990s street art. Here the silvery representations of the Empire State and the Chrysler make their inevitable appearances, taking their proper place in the canon at the expense of the exhibitions promised curatorial novelty.

On the floor below, things get big, boisterous and ugly as the show lands in Americas heyday. Calders downright adorable and insanely fiddly Circus installation of miniature figures contrasts with its strong-stroked canvas neighbours, but defines the character of this floor as one of animated spectacle. Reginald Marsh and Thomas Hart Benton dish up hips and tits in grotesque social realism. Overtly queer art emerges here in Modernism, setting the scene curatorially for its blossoming a few decades later, on the gallery floors below. Gentleman lovers admire a cocknballs sculpture in work by Charles Demuth and Paul Cadmus gives his terrifying hookers and muscular sailors cartoonish full physiques with the virtuosity of Renaissance painting. Its the seedier side of a spectacular society. In a clever touch, colourful works like these are broken up at intermittent rhythmic intervals with small-scale photography and etchings; their flattering monochrome offer relief and invert the narrative of the period, foregrounding the underside in colour and putting societys glamorous echelons in the background in black and white miniatures.

The gallery opens up towards the terrace, and Willem De Koonings eye-catching Woman and Bicycle (1952-53) portrays the pin-up girl with maniacal double grin (the second being her pearl necklace) riding a bike in homage to Duchamp. Abstract Expressionism (with its Surrealist outtakes) always appears to be the art form that is most at home in big American museums, their white cubes scaled up precisely to flatter expressive gestural works like these made in vast lofts when progressive artists could afford to live in Manhattan. They look striking, are pleasingly dwarfing for the viewer and deliver that sense of awe many people seek at galleries. It inevitably feels repetitive, however, to revisit these overexposed works. Although welcome, their historical contextualisation by this show is noticeably sidelined by the sheer aesthetic experience these showpieces produce. Thats probably a result of its quality as stand-alone art though.

Three sculptures work hard in this gallery to locate their painted neighbours in time. Louise Bourgeois Quarantania (1947) of empathic ghostly painted white wood figures huddled together, John Chamberlains Velvet White (1962), a Ford Triumph crushed to resemble a figure, and Mark di Suveros domineering Hank (1960)a champion of repurposed wooden beamsdemarcate through their material forms that we are in the American pre-Now in a way the surrounding paintings cant.

Despite their overfamiliarity and the machismo of this era in art history, the stellar paintings here are moving and beautiful to re-encounter, with De Koonings luminous chalky-hued Door To The River (1960) and Rothkos heavy Four Darks In Red (1958) leading the charge to show that the adoption of these works into the vocabulary of corporate taste merely dinted their aura from afar and only for a passing moment. The Whitneys distribution of space is significant here as it gives these big guns their proportional acknowledgement without resorting to short shrift, in keeping with the realigned canon attempted by the exhibition.

Fighting With All Our Might, a gallery about the Great Depression, holds a set of gems by Jacob Lawrence. His 1940s War Series conveys struggle and suffering in graphic, nave strokes using repetition and evocative figures. The African American artist had recently served in WWII and his skill for combining colours drawn from the ocean and naval dormitories creates high-impact little paintings. Next door, George Tooker, Peter Blume and Louis Guglielmi, alongside Hopper and Man Ray, look at America after modernitys impact on the mind and society. The most outstanding works here, however, are a set of eight wood block prints from Chiura Obata depicting the American landscape in the Japanese tradition in a beguiling blend that highlights the cultural conditioning of the artistic lens.

Down further, floor six brings us into familiar early contemporary territory as brash commercialism vies for attention with minimalisms serenities. A gallery titled Large Trademark is dominated by the loud and influential imagery of people like Jasper Johns and Alex Katz, but the softer aesthetics of Diane Arbus, William Eggleston and Malcolm Bailey counterpoint with their framing of Americana through nostalgia and tragedy. Nearby, Carmen Herrera, Jasper Johns, Ellsworth Kelly, Frank Stella and Jo Baers monochromatic works populate the White Target gallery, where minimal colour blocks appear to be the most gorgeous things youve ever seen having had your retinas seared by Tom Wesselmann and Andy Warhol.

The room called Scotch Tape is one of the most engaging, full of the strange, textural mixed media of Jim Dine, Robert Rauschenberg, Robert Smithson, Claes Oldenburg and Bruce Conner. Particularly special is Louise Nevelsons 1959 white sculpture in painted wood called Dawn's Wedding Chapel II, and Noah Purifoys playful untitled leather figure from 1970 is a potent example of the new canon angle. Suddenly, the art here seems to have jumped ahead in time. The works in the Raw War gallery are particularly interesting having seen the responses to war on the previous level. By now its Vietnam and the Civil Rights Movement; slogans, smooth photography and graphic lettering. Larry Clarke, Judith Bernstein, Bruce Nauman, Robert Morris and On Kawara are among the artists whose angry and mournful observations make this a powerful room.

Richard Tuttle, Anne Truitt, Keith Sonnier, Richard Serra and Michelle Stuart are among the artists whose clever works, often sculptures, give the segment called Irrational Rationalism its intriguing, if at times alienating, mood of being very serious about playful approaches. Overall, floor six reminds of how assemblage and Pop Art never lose their easy appeal; dynamic, witty, full of caricatures and quotation, but whats interesting is their contrast with barely-there canvases and soft-touch photography. The sheer density of images proliferating in the middle of the last century comes through on this floor, an easy ride compared with the previous, and one that marks a notable step towards the dominance of the image culture we live with today.

The last floor, level five, is the shows greatest strength, celebrating with tender polemic the art scene that gave New York its sceney kudos, and using the exploration of identity and personal narrative that dominates more recent contemporary art to support its curatorial proposition. It can sometimes feel jarring to mix works dating as far back as the 1960s with todays, framing everything as the Contemporary, but those of todays themes and artistic approaches included in the Whitney collection actually dont diverge too far from what occupied radical artists fifty years ago, meaning the selection resonates together to reflect what does feel like American art today.

Threat and Sanctuary is one gallery here; it shows the emergence of conceptual art and attempts to reform painting entirely. Aesthetically incredibly diverse, compared with higher floors, works range from Cy Twomblys subtle scribbly-handed paintings to Alma Thomass graphic bright Mars Dust (1972) and Chuck Closes photorealist portrait Phil (1969). Individual works are enticing here but thematic coherence is strained. Far tighter is the neighbouring room Learn Where The Meat Comes From. Through mainly photography and video (Lynda Benglis, Paul McCarthy, Ana Mendieta, Martha Rosler) the low-tech qualities of a grunge mood emerge. The room feels like the American subconscious memory, where hyper-performativity, sexism, and an encompassing fascination with self-image still reside today. Racing Thoughts is equally about a media-dominated society, but here it becomes glossier as the 1980s produces a Pop Art reloaded style, in contrast to the gritty realism of the previous decade. Barbara Kruger, Jeff Koons, Nam June Paik, Jean Michel Basquiat and Keith Haring make this gallery fun, if not especially moving.

Through emotionally charged photography from artists such as Nan Goldin, David Wojnarowicz and Robert Mapplethorpe, Love Letter from the War Front portrays the tragic romanticism of the legendary 1980s and 1990s Downtown Scene during the AIDS epidemic. It also reveals the documentary turn that art took as photography became the medium for expressing the moment, giving these works more intimacy than art from previous periods, and adding poignancy to viewing it as many of the artists who made it have since died from the illness.

When you get to Guarded View, the nub of this exhibition becomes clear. The Whitney was founded on outsider-ish principles back in the 1930s, and when in the 1990s it exhibited work by gays and lesbians, women and ethnic minorities, critics complained on grounds of aesthetic taste and political correctness. Of course their exhibitions like Black Male: Representations of Masculinity in Contemporary American Art turned out to be the zeitgeist. In this room today the museum shows Matthew Barney, Catherine Opie, Jimmie Durham, David Hammons, Mike Kelley, Karen Kilimnik, Lorna Simpson, Sue Williams, and Fred Wilson, often using the body in their work to push similar themes of identity and cultural construction as defined those earlier radical shows. America Is Hard To See is aimed at re-iterating the Whitneys credibility as a change driver in American society, using the site of a new building to claim the role of the big New York museum most in tune with art and culture nowand it does so.[O]

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'America Is Hard To See' at The New Whitney Museum - Ocula Magazine

Mannywellz: Thriving with cultural identity and music in the throes of American unfairness [Pulse Interview] – Pulse Nigeria

But since then, he has had paper issues in a country that has blatantly refused to legalize a person who has been living in it for an astonishing 17 years.

Right now, I still dont have my papers. Im a Deferred Action for Childhood Arrival [DACA] recipient. This allows people like me to work legally, travel, pay taxes and get things like a social security number, he says. Prior to Trump, we were able to travel but he tried to repeat the program because Obama passed it. He failed though [laughs].

When I tell my friends here, they dont understand how someone has been here for so long and doesnt have papers without commiting crimes and stuff like that, he continues As I grew older, I realized that it wasnt about rejected applications. It was just about the legality of entry and residency. Something happened with my dad a few years back and it sort of made it trickier.

He had his own green card and was processing ours, but he had to come back to Nigeria. That slowed things down, but I know that God is in control. My purpose is bigger than one country, he concludes.

This unfairness has made him lose great opportunities. Not that he reels, but before he chose music, he was in love with football - a sport that found him in his formative years as a child on the streets of Lagos.

As he grew older, he got really great at it. He says, I played all through high school and even in college. I was supposed to go D1, but my paper/legal issues prevented me from getting a scholarship, so I settled for community college and still played there. But I was like nah, let me just face music [laughs].

Regardless of the issues, he continues to thrive at his chosen art, music. He has gotten some major co-signs and media coverage. From here, the only way for him is up.

These days, Mannywellz has already released two bodies of work titled, SoulFro and Mirage. Both projects present Mannywellz as His style feels like a bridge between Mo'Believe, Moelogo, Kemena, a little bit of Daramola and 3rty's pen

He balances his American R&B, Soul and Trapsoul influences with elements of his Nigerian folk roots either in instrumentation, delivery, adlibs. style or vocals.

I wanna say Im at my best whenever I infuse elements of my culture into my music because its like Im introducing my culture to people who arent aware, he says. In some Afrobeats songs, you seldom hear Juju, Fuji and all that. So, I feel even if its a Trap or Hip-Hop beat, you gotta hear a bit of Omele, Bata, Sakara or GanGan.

But after two bodies of work and a lot of other songs, he rightly struggles to classify himself under any genre as an artist. Even though he can make any genre of music, he admits that recently, hes been under the R&B/Soul/Afro-Fusion umbrella. Going forward, he would like to make Juju music though.

I think were moving into that genreless direction where people just like to experiment and express though, he says. If its good music, its good music. People are also seeing that listener palettes are expanding.

At 26 and 17 years after his original move to the states, Mannywellz still feels very Nigerian, very African and very black - not exactly American. At no point in his American existence has he felt like he was losing his African identity. He says, Im not American at all, bro [laughs], Im just here.

His Yoruba is as crisp and clear as the next guys. He would also gladly tell you that his dad is Ijebu, his mom is from Owo, Ondo State and that he was born in Lagos. Like Davido, he also effortlessly switches between in American and Nigerian accents with embellishments like Omo or ehn.

Even when we moved here, we would go to parties where my dad would perform and he would be spraying [money], eating his jollof rice, his eba, his iyan [pounded yam] and so forth. My culture in my household never made me forget my Nigerian roots, he says. But it also helped that I grew up in the DMV where I got to hangout with several people who had a strong African spirit and culture.

In the 90s, Mannywellzs dad was the lead singer of The Choir of Cherubim and Seraphim Movement Church, Surulere that released more than four Gospel albums including, Oke Mimo, Toluwanile and Igbala De. His tenor vocals especially became a part of the Nigerian sonic zeitgeist after he championed the classic album, Oke Mimo.

However, Mannywellz never felt like a superstars son. In his Nigerian accent he says, Omo in Naij, I never thought about music [laughs], I just wanted to play soccer, man. Growing up, I learned a lot about the entrepreneurial and business sides of music from my dad.

In Juju music, theres not a lot about management and stuff. My Dads sound of music is also strongly infused in my style, he continues. Spending time with him and being at his shows also helped with my stagecraft and stage presence, but I didnt really realize a lot of that till I started making music. He would sing Juju music and Oyinbo people would dance awkwardly [laughs].

Being around my dad made me study King Sunny Ade, Fela and so forth, he concludes

A while ago, Mannywellz started Ife Life, a lifestyle brand with his friend. Its slogan is inspired by culture and religion. Ife is Yoruba for love and Mannywellz aims to use his platform to propagate a life of Gods love.

I am Christian and I go to Church, yes sir. My parents planted the seeds of my faith really early and it helped me discover Jesus for myself as I got older, he says. That helps me combat the realities of life. The bible says, Train a child the way he should go and when he gets older, he will not depart from it. Im a testimony of not departing from the way of the Lord.

While Mannywellz doesnt drink or smoke, he struggles with the part of celibacy like everyone else.

He says, Im trying to be celibate, but women are women and they are always around [laughs]. But Im focused or Im trying to be [laughs].

The ties he shares with his family remains strong. As they go through DACA struggles, they have remained together. While his dad has since moved back to settle in Nigeria, he continues to live at home with his mom and siblings despite his success, exposure and schedules. This helps him stay grounded and stuff.

Its been really easy to live at home. I move around a lot and my mom is very chill. I'm also the oldest - the man of the house - [laughs] and my mom appreciates and supports my music, he says.

When the time is right, Mannywellz would like to make music with his dad who continues to make music in Nigeria.

Currently, Mannywellz isnt signed to any major labels. While hes had some of those conversations with all the major labels, hes still independent and working through partnerships.

The only way Id sign to a major is if I own my masters. It doesnt make sense that if I use my advance to buy a house, they still own the house. Are they mad? [Hisses], he says.

On October 9, 2020, he released his second body of work, the 7-track Mirage EP. It features Tems, Wale and VanJess. The project documents the uncertainties and hondulating tendencies of love.

The project was going to be called La La [laughs], but my manager suggested Mirage as a title. My mirage is being in this world full of hurt and pain when you dream big and think theres no way out, but there really is - especially in a romantic sense, he says. We tend to get used to toxic things and toxic situations. Thats why we tend to stay in a relationship with toxic people who are emotionally and verbally abusive.

My mirage is being in that kind of space while trying to find my way out, but finding that hard. he continues. I then found out that loving myself is one way to dig oneself out of such.

Interestingly, 95% of Mannywellzs music is inspired by his own life even though hes only actually been in two relationships.

Since Mannywellz left Lagos in 2003, he has not been back home due to these paper issues. One thing he would love to do going forward is to visit home.

I really want to come home like now, he says. Africa is home to all black people, no matter how good America is, that will always be home and the feeling is different. For people who are only being in Nigeria or other parts of Africa for the first time, people might be able to tell their freshness and facilities might not be as good, but they wont be killed because theyre black.

Quncy Jones says that, Its important to know where youre from to know where youre at and to identify where youre going, he continues. I wouldnt even say that America is better than us at all. Were so rich - if we come together, well do so much and wouldnt need America in a way that we think we do now.

Its also about finding an alternative for Mannywellz and other African-Americans. He feels like no matter how good America feels, people want to know that there is that alternative where they will not be judged for the color of their skin. While he cant vote in America, hes excited to get his Nigerian voters card when he can.

Even though he cant physically be in Lagos, he hopes to build a strong relationship with his Nigerian fanbase with interviews, appealing music, great effort and consistency.

He would also like to work with Afrosoul singer, Wurld. He says, I know his team. His manager is like my big bro here in the US.

Interesting fact: Zamir of LOS is Mannywellzs cousin.

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Mannywellz: Thriving with cultural identity and music in the throes of American unfairness [Pulse Interview] - Pulse Nigeria

10 Must-See Horror Movies From The ’70s | ScreenRant – Screen Rant

From Jaws to Carrie to the slasher-defining Halloween, the horror genre owes a lot to the seventies. Which of these films still make audiences scream?

When it comes to naming the greatest decade in American cinema, the 70s is bound to come up as a strong contender. This is the decade that brought moviegoers the New Hollywood movement, which blended big-studio filmmaking and arthouse sensibilities to produce movies like The Godfather, Taxi Driver, Star Wars, and One Flew Over the Cuckoos Nest.

RELATED:The 5 Best (& 5 Worst) '70s Horror Movies

The cynicism of this era of cinema can be attributed to the political climate of the time. American audiences wereon edge due to the Watergate scandal and the Vietnam War. Naturally, a social climate of fear was great for horror movies. Some real masterpieces of the genre hit theaters in the 1970s.

Steven Spielberg proved with 1975s Jaws, widely regarded to be the first-ever summer blockbuster, that excessive gore and an R rating arent what matter when creating a sense of dread in an audience. Despite its PG rating, Jaws is one of the most terrifying movies ever made. Spielberg used all the tricks from the Hitchcockian suspense playbook to make his audience fear a 25-foot great white shark for two hours while only actually seeing it for around four minutes.

What elevates Jaws above its shark-infested imitators is its perfectly constructed screenplay. This isnt a movie about a shark; its a movie about three mismatched guys. The shark is just there to get them on a boat together in the middle of the ocean.

Brian De Palma is one of the masters of cinematic violence. Hes turned on-screen bloodshed, once disregarded as Hollywoods form of smut, into an art form. He was the perfect filmmaker to bring Stephen Kings debut novel Carrie to the big screen.

The title character develops telekinetic powers while facing merciless bullying from both her abusive religious zealot mother and her fellow high schoolers. Its only a matter of time before she snaps, and De Palma builds the suspense masterfully.

Until thelatest adaptation of Stephen Kings It came along in 2017, William Friedkins 1973 classic The Exorcist was the long-reigning highest-grossing horror movie of all time.

The story of a priests attempts to exorcize a demon that has possessed a 12-year-old girl really captured the zeitgeist in the 70s. While there are plenty of other contenders, The Exorcist is regularly touted as the scariest movie ever made.

After defining the zombie mythos with an eerie parallel to Americas ugly history of racism in Night of the Living Dead, George A. Romero followed it up with a zombie-infested satire of consumer culture, Dawn of the Dead.

RELATED:Dawn Of The Dead: 5 Reasons It's The Greatest Zombie Movie Ever Made (& Its 5 Closest Contenders)

With its hordes of the undead swarming to the nearest mall, Dawn of the Dead has both gnarly, blood-soaked violence and biting social commentary in spades.

Although its been ruined for many modern moviegoers by the terrible Nicolas Cage remake, Robin Hardys The Wicker Man remains an unsettling masterpiece of folk horror.

One of the few horror films considered to be high art, The Wicker Man is the pioneer and pinnacle of the law enforcement officer goes to spooky isolated place where all is not as it seems subgenre.

Every parents worst nightmare is realized in the chilling opening moments of Dont Look Now. Julie Christie and Donald Sutherland star as a couple who go to Venice following the accidental death of their daughter when the husband is commissioned to restore a church out there.

While the story has supernatural elements, the focus of Dont Look Now is purely on the very real fear of losing a child and the effect it can have on a couples psyches.

All the Texas Chainsaw sequels have devolved into an exercise in one-upmanship built around excessive violence, but Tobe Hoopers original masterpiece is relatively bloodless.

Hooper used the inherent tension in the immediate threat of Leatherface to create more dread and fear than any amount of bloodshed ever could.

John Carpenter set the template for the slasher with his minimalist 1978 hit Halloween. The story of an escaped mental patient stalking a bunch of teenagers and finding that one of them is way more badass than he anticipated has been loosely copied time and time again, but few have come close to matching the brilliance of Carpenters work.

RELATED:Halloween (1978): 5 Ways It's The Greatest Slasher Ever Made (& Its 5 Closest Contenders)

Laurie Strode, played by iconic scream queen Jamie Lee Curtis, is the quintessential horror movie protagonist (and one of the smartest, most resourceful final girls ever written), while the faceless embodiment of pure inhumanity that is Michael Myers is the quintessential horror movie villain.

Ridley Scotts Alien is a masterclass in pacing. Instead of rushing into the terror, Scott takes his time introducing the characters and their world. The crew members on the Nostromo are just like us. We get to know Kane as a regular guy before a facehugger latches onto him and impregnates him with a flesh-eating extraterrestrial.

The build-up is what makes the iconic chestburster scene at the midpoint so effective. And from there, Scott continues to ratchet up the tension, keeping the audience in fear of the xenomorph, designed beautifully by the master H.R. Giger.

Dario Argentos Suspiria plays like an operatic nightmare. The opening minutes hit like a surprise shot in the arm and then the rest of the movie maintains that disorienting pace and haunting beauty.

Noted for its bright, vibrant colors, influence on horror filmmakers, and musical score by Argento and prog-rock band Goblin, Suspiria is a serious contender for the greatest horror movie ever made.

NEXT:10 Must-See Horror Movies From The '60s

Next Star Wars: The Saga's 5 Best (& 5 Worst) Uses Of The Force

Ben Sherlock is a writer, comedian, and independent filmmaker, and he's good at at least two of those things. In addition to writing for Screen Rant and Comic Book Resources, covering everything from Scorsese to Spider-Man, Ben directs independent films and does standup comedy. He's currently in pre-production on his first feature film, Hunting Trip, and has been for a while because filmmaking is expensive. Previously, he wrote for Taste of Cinema and BabbleTop.

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10 Must-See Horror Movies From The '70s | ScreenRant - Screen Rant

Here are the top 7 songs from EndSARS protests across Nigeria – Pulse Nigeria

Be it in Lagos, Port Harcourt, Abuja, Delta or Benin, Nigerians are unified by one voice in refuting terrible treatment as they also demand better governance while holding the government accountable. Governors have been defied and ridiculed on podiums while love for fellow man and country has taken centre stage.

But at the heart of this moment - which seems like a turnaround - is the use of music. As citizens rally for funding and iconic shots are taken, Nigerians have also used music to pass their messages in crystal clear forms.

Here are the top five songs from the movement;

"Aye o le o, aye l'o m'aye le..." That's Yoruba for, "Life is easy, people just make life hard..." The song basically suits the Nigerian government and its tendency for making life unnecessarily hard for its own citizens.

If Burna Boy's PR wasn't at an all-time low for his inactivity as regards the battle to EndSARS, this song would have been the perfect soundtrack for the protests. Chris Martin sings, "We are the monsters you made..." in reference to the political elite. Burna Boy sang about an inevitable conflict after citizens get fed up and this is it.

A little further back in May 2005, Nigerias now-defunct supergroup, P-Square released their sophomore album, Get Squared.

ALSO READ: Dbanj, P-Square sang about police brutality years ago, the problem still plagues us today

At track three was a track titled, Oga Police. It also chronicled the ills of Nigerian law enforcement. The long and short story was how a young man got arrested by members of the Nigerian Police Force (whatever command) simply for driving in his own car. For its topical resonance, the song perfectly suits the purpose of protests.

African China released this letter to the Nigerian president to treat the citizens well. This suits the current agenda as the irresponsibility of the central government is one of the reasons why we find ourselves here.

While 'Sorrow, Tears and Blood' was also used during the protest, 'Zombie' which was dedicated to the military government of the year it was created suits our current dispensation. We are fighting against arm-carrying, uniformed Nigerians who are mis-controlled by the central government.

Released off Eedris Abdulkareem's fourth studio album, Letters To Mr. President, the song documents the perpetual upheaval that's inherent in the Nigerian zeitgeist. 'Jaga Jaga' is then an onomatopoeia for the trouble and upheaval. In Port Harcourt, the song particularly too centre stage for the city's natural attitude to conflict.

While 'FEM' is not exactly a song with political background, it has been used as a soundtrack for EndSARS protests across the nation. It was even used to tell Governor Babajide Sanwo-Olu to shut up on October 13, 2020.

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Here are the top 7 songs from EndSARS protests across Nigeria - Pulse Nigeria

Nanotechnology in Medical Devices Market by Product Type (Biochip, Implantable Material, Medical Textile & Wounding Dressing, Active Implant…

Trusted Business Insights answers what are the scenarios for growth and recovery and whether there will be any lasting structural impact from the unfolding crisis for the Nanotechnology in Medical Devices market.

Trusted Business Insights presents an updated and Latest Study on Nanotechnology in Medical Devices Market. The report contains market predictions related to market size, revenue, production, CAGR, Consumption, gross margin, price, and other substantial factors. While emphasizing the key driving and restraining forces for this market, the report also offers a complete study of the future trends and developments of the market.The report further elaborates on the micro and macroeconomic aspects including the socio-political landscape that is anticipated to shape the demand of the Nanotechnology in Medical Devices market during the forecast period.It also examines the role of the leading market players involved in the industry including their corporate overview, financial summary, and SWOT analysis.

Get Sample Copy of this Report @ Nanotechnology in Medical Devices Market by Product Type (Biochip, Implantable Material, Medical Textile & Wounding Dressing, Active Implant Devices, and Others) and by Application (Diagnostic, Therapeutic, and Research)-Global Industry Analytics, COVID-19 Business Impact, and Trends, 20202029

Abstract

The report covers a forecast and an analysis of the nanotechnology in medical devices market on a global and regional level. The study provides historical data from 2016 to 2018 along with a forecast from 2021 to 2026 based on revenue (USD Billion). The study includes the drivers and restraints of the nanotechnology in medical devices market along with their impact on the demand over the forecast period. Additionally, the report includes the study of opportunities available in the nanotechnology in medical devices market on a global and regional level.

In order to give the users of this report a comprehensive view of the nanotechnology in medical devices market, we have included a competitive landscape and an analysis of Porters Five Forces model for the market. The study encompasses a market attractiveness analysis, wherein all the segments are benchmarked based on their market size, growth rate, and general attractiveness.

The report provides company market share analysis to give a broader overview of the key players in the market. In addition, the report also covers key strategic developments of the market including acquisitions & mergers, new product launch, agreements, partnerships, collaborations & joint ventures, research & development, and regional expansion of major participants involved in the market on a global and regional basis.

The study provides a decisive view of the nanotechnology in medical devices market by segmenting it on the basis of product type, application, and region. All the segments have been analyzed based on present and future trends and the market is estimated from 2021 to 2026. The regional segment includes the current and forecast demand for North America, Europe, Asia Pacific, Latin America, and the Middle East and Africa with its further classification into major countries including the U.S., UK, Germany, France, China, Japan, India, Brazil, etc.

Some key players of the global nanotechnology in medical devices market include GE Global Research, Merck KGaA, Ferro, AMAG Pharmaceuticals, Capsulution Nanoscience, AstraZeneca, Affymetrix, PerkinElmer, 3M, Starkey Hearing Technologies, Smith & Nephew, St. Jude Medical, Acusphere, and Stryker Corporation.

This report segments the global nanotechnology in medical devices market into:

Global Nanotechnology in Medical Devices Market: By Product Type

Biochip

Lab-On-ChipDNA Microarrays

Implantable Material

Dental Filling MaterialBone Restoring Material

Medical Textile and Wound Dressing

Active Implant Devices

Cardiac Rhythm Management DevicesHearing Aid DevicesRetinal Implants

Others

Global Nanotechnology in Medical Devices Market: By Application

DiagnosticTherapeuticResearch

Global Nanotechnology in Medical Devices Market: By Region

North America

The U.S.

Europe

UKFranceGermany

Asia Pacific

ChinaJapanIndia

Latin America

Brazil

Middle East and Africa

Looking for more? Check out our repository for all available reports on Nanotechnology in Medical Devices in related sectors.

Quick Read Table of Contents of this Report @ Nanotechnology in Medical Devices Market by Product Type (Biochip, Implantable Material, Medical Textile & Wounding Dressing, Active Implant Devices, and Others) and by Application (Diagnostic, Therapeutic, and Research)-Global Industry Analytics, COVID-19 Business Impact, and Trends, 20202029

Trusted Business InsightsShelly ArnoldMedia & Marketing ExecutiveEmail Me For Any ClarificationsConnect on LinkedInClick to follow Trusted Business Insights LinkedIn for Market Data and Updates.US: +1 646 568 9797UK: +44 330 808 0580

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Healthcare Nanotechnology (Nanomedicine) Market: Analysis and In-depth Study on Healthcare Nanotechnology (Nanomedicine) Market Size Trends, Emerging…

The Healthcare Nanotechnology (Nanomedicine) market report offers a comprehensive and in-detail assessment of the Healthcare Nanotechnology (Nanomedicine) market and focuses on the key growth contributors of the market to gain a knowledgeable insight on the market. The report contains a detailed account of the history of the Healthcare Nanotechnology (Nanomedicine) market and a thorough and detailed forecast up to the year 2026.

The report takes into account the important factors and aspects that are crucial to the client to post good growth and establish themselves in the Healthcare Nanotechnology (Nanomedicine) market. Aspects such as sales, revenue, market size, mergers, acquisitions, risks, demands, new trends, threats, opportunities, and much more are taken into account to procure a detailed and descriptive research report on the Healthcare Nanotechnology (Nanomedicine) market.

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Description:

This report offers segmented data categorized as per related segments of the Healthcare Nanotechnology (Nanomedicine) market and as the international markets change, the report has documented all the essential aspects that affect the overall growth curve of the market. The reports cover all the segments extensively and offer a detailed explanation of all the factors crucial to growth.

The given report has been assessed to give maximum benefit to our clients and to establish them among the frontrunners in the Healthcare Nanotechnology (Nanomedicine) market. The report has been compiled by using various analyses that have proven to be a game-changer for many in the Healthcare Nanotechnology (Nanomedicine) market. The research sources and tools used by our analysts to assess the report are highly reliable and trustworthy and are approved by industry experts.

The following players are covered in this report:

Amgen

Teva Pharmaceuticals

Abbott

UCB

Roche

Celgene

Sanofi

Merck & Co

Biogen

Stryker

Gilead Sciences

Pfizer

3M Company

Johnson & Johnson

SmitH& Nephew

Leadiant Biosciences

Kyowa Hakko Kirin

Takeda

Ipsen

Endo International

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Competitive Analysis:

The report offers effective guidelines and recommendations for players to secure a position of strength and dominance in the Healthcare Nanotechnology (Nanomedicine) market. The report offers extensive coverage of the competition and has a detailed account of the mergers, acquisitions in the Healthcare Nanotechnology (Nanomedicine) market landscape.

The report includes comprehensive data on mergers and acquisitions that will help the clients to get a complete idea of the market competition and also give you extensive knowledge on how to excel ahead and grow in the market.

Breakdown Data by Type

Nanomedicine

Nano Medical Devices

Nano Diagnosis

Other

Healthcare Nanotechnology (Nanomedicine) Breakdown Data by Application

Anticancer

CNS Product

Anti-infective

Other

Based on regional and country-level analysis, the Healthcare Nanotechnology (Nanomedicine) market has been segmented as follows:

North America

United States

Canada

Europe

Germany

France

U.K.

Italy

Russia

Nordic

Rest of Europe

Asia-Pacific

China

Japan

South Korea

Southeast Asia

India

Australia

Rest of Asia-Pacific

Latin America

Mexico

Brazil

Middle East & Africa

Turkey

Saudi Arabia

UAE

Rest of Middle East & Africa

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Healthcare Nanotechnology (Nanomedicine) Market: Analysis and In-depth Study on Healthcare Nanotechnology (Nanomedicine) Market Size Trends, Emerging...

Global Nanotechnology Market 2020 Size, Growth And Status, Analysis and Forecast 2026 By Segmentation And Geography Overview|Globalmarketers – PRnews…

Global Nanotechnology Market Report describes the basic elements of the industry and market stats, the recent advances in technology, business plans, policies, possibilities for development and risks to the sector are being described. The two key segments of the report, namely market revenue in (USD Million) and market size (k MT) are presented in this report. The Scope of Nanotechnology industry, market concentration and presence across various region are described in detail.

The prominent Nanotechnology industry players are covered in the next section, their business profiles, product information, and market size. Also, the SWOT analysis of these players, business plans & strategies are covered. It covers the product definition, classification, type and price structures.

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Major players covered in this report:

ClariantKumho Petrochemical3MThomas SwanNanophase TechnologiesOxford Nanopore TechnologiesHitachiArkemaShenzhen DynanonicApplied MaterialsShowa DenkoMinerals TechnologiesOcsialSakai ChemicalCnano TechnologyDuPontMitsubishi ChemicalBASFTorayUnitikaNanometrics IncorporatedEvonik

Market Segmentation:

By Type:

NanomaterialsNanotoolsNanodevices

By Application:

BiomedicalElectronicsEnergyEnvironmentalManufacturingOthers

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In this report Nanotechnology manufacturing value and growth rate from 2015-2019 will be provided at regional level. The nitty gritty evaluation of segments and sub-segments of emerging industries are clerified. It covers Nanotechnology industry plans & policies, financial status, cost structures and analyzes of the value chain. The Nanotechnology competitive perspective of the countryside, the production base, the evaluation of the production method and the upstream raw materials are assessed.

The gross margin, consumption pattern, growth rate of Nanotechnology is studied precisely. The top industry players are covered on a regional level and country level with the analysis of their revenue share from 2015-2019. Furthermore, forecast Nanotechnology industry status is determined by analysis of expected market share, volume, value and development rate. The forecast Nanotechnology industry view is presented from 2020-2026.

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Table of Contents:

Global Nanotechnology Market Size, Status and Forecast 2026

1 Nanotechnology Industry Overview

2 Nanotechnology Competition Analysis by Players

3 Company (Top Players) Profiles

4 Global Nanotechnology Market Size by Type and Application (2015-2019)

5 United States Nanotechnology Development Status and Outlook

6 EU Nanotechnology Development Status and Outlook

7 Japan Nanotechnology Development Status and Outlook

8 Nanotechnology Manufacturing Cost Analysis

9 India Nanotechnology Development Status and Outlook

10 Southeast Asia Nanotechnology Development Status and Outlook

11 Market Forecast by Regions, Type and Application (2020-2026)

12 Nanotechnology Market Dynamics

12.1 Nanotechnology Industry News

12.2 Nanotechnology Industry Development Challenges

12.3 Nanotechnology Industry Development Opportunities (2020-2026)

13 Market Effect Factors Analysis

14 Global Nanotechnology Market Forecast (2020-2026)

15 Research Finding/Conclusion

16 Appendix

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Ready To Use Nanotechnology in Medical Devices Market Global Industry Analysis, Trends and Forecast, 2020-2020 – Aerospace Journal

The latest published an effective statistical data titled as Nanotechnology in Medical Devices Market. It defines about the recent innovations, applications and end users of the market. It covers the different aspects, which are responsible for the growth of the industries. Different domains are considered on the basis of the capital of Nanotechnology in Medical Devices market. The analyst examines different companies on the basis of their productivity to review the current strategies. All leading players across the globe, are profiled with different terms, such as product types, industry outlines, sales and much more.

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The analyst also focuses on economic and environmental factors, which impacts on the growth of the businesses. For global analysis, the market is examined by considering the different regions such as North America, Latin America, Japan, China, and India. Leading companies are focusing on spreading their products across the regions. Research and development activities of the various industries are included in the report, to decide the flow of the market.

The major players profiled in this report include:Stryker Corporation (U.S.)3M Company (U.S.)St. Jude Medical, Inc. (U.S.)Affymetrix, Inc. (U.S.)PerkinElmer, Inc. (U.S.)Starkey Hearing Technologies (U.S.)Smith & Nephew plc (U.K.)

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Competition Analysis

This report examines the ups and downs of the leading key players, which helps to maintain proper balance in the framework. Different global regions, such as Germany, South Africa, Asia Pacific, Japan, and China are analyzed for the study of productivity along with its scope. Moreover, this report marks the factors, which are responsible to increase the patrons at domestic as well as global level.

The end users/applications and product categories analysis:On the basis of product, this report displays the sales volume, revenue (Million USD), product price, market share and growth rate of each type, primarily split into-BiochipImplant MaterialsMedical TextilesWound DressingCardiac Rhythm Management DevicesHearing Aid

On the basis on the end users/applications, this report focuses on the status and outlook for major applications/end users, sales volume, market share and growth rate of Nanotechnology in Medical Devices for each application, including-TherapeuticDiagnosticResearch

It gives a detailed description of drivers and opportunities in Nanotechnology in Medical Devices market that helps the consumers and potential customers to get a clear vision and take effective decisions. Different analysis models, such as, Nanotechnology in Medical Devices are used to discover the desired data of the target market. In addition to this, it comprises various strategic planning techniques, which promotes the way to define and develop the framework of the industries.

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The content of the study subjects, includes a total of 15 chapters:

Chapter 1 Introduction and Overview

Chapter 2 Industry Cost Structure and Economic Impact

Chapter 3 Rising Trends and New Technologies with Major key players

Chapter 4 Global Nanotechnology in Medical Devices Market Analysis, Trends, Growth Factor

Chapter 5 Nanotechnology in Medical Devices Market Application and Business with Potential Analysis

Chapter 6 Global Nanotechnology in Medical Devices Market Segment, Type, Application

Chapter 7 Global Nanotechnology in Medical Devices Market Analysis (by Application, Type, End User)

Chapter 8 Major Key Vendors Analysis of Nanotechnology in Medical Devices Market

Chapter 9 Development Trend of Analysis

Chapter 10 Conclusion

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Ready To Use Nanotechnology in Medical Devices Market Global Industry Analysis, Trends and Forecast, 2020-2020 - Aerospace Journal

Nanotechnology in Medical Devices Market Size, Trends, Global Growth, Insights And Forecast Research Report 2026| Stryker, 3M, Smith & Nephew -…

LOS ANGELES, United States: The latest report on the global Nanotechnology in Medical Devices market suggests a positive growth rate in the coming years. Analysts have studied the historical data and compared it with the current market scenario to determine the trajectory this market will take in the coming years. The investigative approach taken to understand the various aspects of the market is aimed at giving the readers a holistic view of the global Nanotechnology in Medical Devices market. The Nanotechnology in Medical Devices research report provides an exhaustive research report that includes an executive summary, definition, and scope of the market. Our analysts use latest primary and secondary research techniques and tools to prepare comprehensive and accurate Nanotechnology in Medical Devices market research report.

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The chapter on company profiles studies the various companies operating in the global Nanotechnology in Medical Devices market. It evaluates the financial outlooks of these companies, their research and development statuses, and their expansion strategies for the coming years. Analysts have also provided a detailed list of the strategic initiatives taken by the companies in the past few years to remain ahead of the competition.

Key Players Mentioned in the Global Nanotechnology in Medical Devices Market Research Report: Stryker, 3M, Smith & Nephew, Mitsui Chemicals, Dentsply International, Abbott, AAP Implantate, Perkinelmer, Affymetrix, Starkey Hearing Technologies

Global Nanotechnology in Medical Devices Market by Type: Active Implantable Devices, Biochips, Implantable Materials, Medical Textiles and Wound Dressings, Others

Global Nanotechnology in Medical Devices Market by Application: Therapeutic Applications, Diagnostic Applications, Research Applications

The global Nanotechnology in Medical Devices market is segmented on the basis of technology, products, services, and applications. The segmentation is intended to give the readers a detailed understanding of the global market and the essential factors comprising it. This allows giving a better description of the drivers, restraints, threats, and opportunities. It also notes down socio-economic factors that are impacting the trajectory of the global Nanotechnology in Medical Devices market. The Nanotechnology in Medical Devices research study also includes other types of analysis such as qualitative and quantitative.

Questions Answered by the Report:

Which are the dominant players of the global Nanotechnology in Medical Devices market?

What will be the size of the global Nanotechnology in Medical Devices market in the coming years?

Which segment will lead the global Nanotechnology in Medical Devices market?

How will the market development trends change in the next five years?

What is the nature of the competitive landscape of the global Nanotechnology in Medical Devices market?

What are the go-to strategies adopted in the global Nanotechnology in Medical Devices market?

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NASA’s about to scoop up some asteroid dirt on the space rock Bennu. Scientists are thrilled. – Space.com

NASA will touch a space rock tomorrow (Oct. 20) in a milestone event for what the agency considers a crucial field of study: asteroid science.

The OSIRIS-REx spacecraft has spent two years orbiting a near-Earth asteroid called Bennu in preparation for the big moment. But that mission, more formally known as the Origins, Spectral Interpretation, Resource Identification, Security, Regolith Explorer, is just one of a host of asteroid missions on NASA's agenda.

"While the planets and moons have changed over the millennia, many of these small bodies of ice and rock and metal haven't," Lori Glaze, head of NASA's Planetary Science Division, said during a news conference held on Monday (Oct. 19). "So the asteroids are like time capsules floating in space that can provide a fossil record of the birth of our solar system."

Related: Photos: Asteroids in deep space

But just as paleontologists need to study a range of fossils to learn about different species and epochs, scientists need to visit a host of asteroids to paint a detailed picture of how our solar system got the way it is, Glaze said.

"There are so many of these small bodies out there," she said. "Looking at the diversity of those different types of objects can really help put that puzzle together."

And NASA has several missions tackling that big picture. OSIRIS-REx's sampling attempt is a key piece of that science agenda, since the spacecraft will bring the asteroid pieces back to Earth for scientists to examine with much more sophisticated instruments than can be sent into space.

In particular, scientists are looking forward to analyzing amino acids and other carbon compounds that play a vital role in life here on Earth in the sample once it arrives later this decade. "We have really good reason to believe that the Bennu sample, when it returns, is going to contain a lot of these organic molecules, these building blocks," Jamie Elsila, a research scientist at NASA Goddard Space Flight Center in Maryland, said during the news conference.

There's no life to be found on Bennu, she emphasized. "But we're looking for those building-block molecules, because those are going to help us understand what the ingredients were in the early solar system, when life arose on Earth, and how those organic molecules might have been delivered to the Earth's surface and maybe to elsewhere in the solar system as well."

But while sample analysis in terrestrial laboratories is scientifically incredibly valuable, scientists can't bring home a piece of every space rock that catches their eyes. "Bringing samples back is a real challenge," Glaze said.

That's where NASA's other asteroid missions, the ones that only journey one way, come into the picture. In particular, NASA is launching two key asteroid science missions this decade: Lucy in 2021 and Psyche in 2022.

Lucy will visit one object in the asteroid belt between Mars and Jupiter, then focus its attention on two special clusters of space rocks that orbit ahead of and behind Jupiter, called the Trojans, which scientists have never been able to examine up close.

"The Trojans, despite the fact that they're in a very narrow region of space, are very different from one another they have different colors, different spectra," Hal Levison, the Lucy mission principal investigator at the Southwest Research Institute in Colorado, said during the news conference.

And Lucy, over the course of its mission, will visit seven Trojan rocks on five different stops. If all goes well, the spacecraft will give scientists observations of about as many Trojans as main-belt asteroids that spacecraft have visited to date.

But main-belt asteroid missions are continuing, including with the 2022 launch of NASA's Psyche mission, which will visit an asteroid by the same name. Out of the 2 million objects in the asteroid belt, the asteroid Psyche is one of nine known objects that are primarily metal, rather than rock or ice. Scientists aren't sure how that came to be their primary hypothesis is that the object was once the core of a planet that somehow lost its less-dense outer layers.

"It's an entirely unique object in our entire solar system," Lindy Elkins-Tanton, the Psyche mission's principal investigator at Arizona State University, said in the news conference. "One thing I can promise you for sure is that when we arrive, we will be surprised."

The observations of these missions grouped together, scientists hope, will help them to decipher the history of our solar system at large.

"We used to believe the planets sort of formed in the region we now see them. Really, what happened is that it's as if somebody picked up the solar system and shook it real hard," Levinson said. "So these objects that are leftover have moved a lot and have witnessed a lot."

Email Meghan Bartels at mbartels@space.com or follow her on Twitter @meghanbartels. Follow us on Twitter @Spacedotcom and on Facebook.

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NASA's about to scoop up some asteroid dirt on the space rock Bennu. Scientists are thrilled. - Space.com

SpaceX launches another batch of Starlink satellites Spaceflight Now – Spaceflight Now

A Falcon 9 rocket blasts off from pad 39A at 8:25 a.m. EDT (1225 GMT Sunday. Credit: SpaceX

SpaceX launched 60 more Starlink internet relay platforms into orbit Sunday as the company ramps up network testing in Washington state and touts a streak of nearly 300 satellites launched since June without a spacecraft failure.

Nine Merlin 1D engines fired up and powered the Falcon 9 rocket off pad 39A at the Kennedy Space Center in Florida at 8:25:57 a.m. EDT (1225:57 GMT) Sunday, marking the 14th Falcon 9 mission dedicated to deploying satellites for SpaceXs Starlink broadband network.

The kerosene-fed engines throttled up to produce 1.7 million pounds of thrust, driving the Falcon 9 rocket to the northeast from the Floridas Space Coast. Two-and-a-half minutes later, the first stage booster shut down its engines and detached to begin descending toward SpaceXs drone ship Of Course I Still Love You in the Atlantic Ocean.

The second stages single Merlin engine ignited to continue the mission into orbit, and the Falcon 9s two-piece nose shroud jettisoned nearly three-and-a-half minutes into the flight.

The 15-story first stage booster nailed its landing on SpaceXs drone ship around 400 miles (630 kilometers) northeast of Cape Canaveral. It was the sixth trip to space and back for this particular booster designated B1051 after its debut on an unpiloted test flight of the Crew Dragon spacecraft in March 2019.

At the same time, the Falcon 9s upper stage delivered the 60 Starlink internet satellites into a preliminary orbit. The upper stage engine later reignited to maneuver the payloads into a near-circular orbit 172 miles (278 kilometers) above Earth, with an inclination of 53 degrees to the equator.

The 60 flat-panel satellites separated from the rocket at 9:29 a.m. EDT (1329 GMT) to conclude SpaceXs 70th straight successful mission. A camera on the upper stage showed the 60 satellites each with a mass of about a quarter-ton flying free of the Falcon 9 over the Indian Ocean.

Great way to start off a Sunday, said Andy Tran, a production supervisor at SpaceX who hosted the companys launch webcast Sunday.

SpaceX said its two fairing recovery ships caught both halves of the fairing from Sundays launch as the clamshells came back to Earth under parachutes. The net on one of the vessels gave way as the fairing settled into orbit, but SpaceX said its ocean-going recovery team was OK.

With the satellites launched Sunday, SpaceX has placed 835 Starlink broadband relay stations into orbit, including prototypes that wont be used for commercial service. That extends SpaceXs lead in operating the largest fleet of satellites in orbit.

The new Starlink spacecraft, built by SpaceX in Redmond, Washington, were expected to unfurl solar panels and activate krypton ion thrusters to begin raising their altitude to roughly 341 miles (550 kilometers), where they will begin providing broadband service.

SpaceX plans to operate an initial block of around 1,500 Starlink satellites in orbits 341 miles above Earth. The company, founded by billionaire Elon Musk, has regulatory approval from the Federal Communications Commission to eventually field a fleet of up to 12,000 small Starlink broadband stations operating in Ku-band, Ka-band, and V-band frequencies.

There are also preliminary plans for an even larger fleet of 30,000 additional Starlink satellites, but a network of that size has not been authorized by the FCC.

SpaceX says the Starlink network designed for low-latency internet service is still in its early stages, and engineers continue testing the system to collect latency data and speed tests. In a filing with the FCC dated Oct. 13, SpaceX said it has started beta testing of the Starlink network in multiple U.S. states, and is providing internet connectivity to previously unserved students in rural areas.

On Sept. 28, the Washington Military Department announced it was using the Starlink internet service as emergency responders and residents in Malden, Washington, recover from a wildfire that destroyed much of the town.

Earlier this month, Washington government officials said the Hoh Tribe was starting to use the Starlink service. SpaceX said it recently installed Starlink ground terminals on an administrative building and about 20 private homeson the Hoh Tribe Reservation.

Weve very remote, saidMelvinjohn Ashue, vice chairman of the Hoh Tribe. The last eight years, Ive felt like we have been paddling up river with a spoon and almost getting nowhere with getting internet to the reservation.

It seemed like out of nowhere, SpaceX just came up and just catapulted us into the 21st century, Ashue said Oct. 7. Our youth are able to do education on line, participate in videos. Tele-health is no longer going to be an issue, as well as tele-mental health.

In an FCC filing last week, SpaceX representatives wrote that the company had successfully launched and operated nearly 300 new Starlink spacecraft since June without a failure.

SpaceX continues investing in its rapid network deployment, including launching as many as 120 satellites a month and installing extensive ground infrastructure across the country, SpaceX told the FCC.

SpaceX appears to be on pace to launch more than 120 satellites in the month of October.

The company added 60 satellites to the Starlink network with a Falcon 9 launch Oct. 6, and put up another 60 spacecraft Sunday. A Falcon 9 rocket is tentatively scheduled for liftoff from pad 40 at Cape Canaveral Air Force Station at 12:36 p.m. EDT (1636 GMT) Wednesday with another flock of Starlink satellites.

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Follow Stephen Clark on Twitter: @StephenClark1.

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SpaceX launches another batch of Starlink satellites Spaceflight Now - Spaceflight Now

Elon Musk says SpaceX’s 1st Starship trip to Mars could fly in 4 years – Space.com

SpaceX is almost ready to start building a permanent human settlement on Mars with its massive Starship rocket.

The private spaceflight company is on track to launch its first uncrewed mission to Mars in as little as four years from now, SpaceX's founder and CEO Elon Musk said Friday (Oct. 16) at the International Mars Society Convention.

"I think we have a fighting chance of making that second Mars transfer window," Musk said in a discussion with Mars Society founder Robert Zubrin. You can watch a replay of the talk here.

That window Musk referred to is a launch opportunity that arises every 26 months for mission to Mars. NASA, China and the United Arab Emirates all launched missions to mars in July of this year. The next window opens in 2022 with Musk referring to the 2024 Mars launch opportunity.

The mission will launch to the Red Planet on a SpaceX Starship vehicle, a reusable rocket-and-spacecraft combo that is currently under development at the company's South Texas facility. SpaceX is also planning to use Starship for missions to the moon starting in 2022, as well as point-to-point trips around the Earth.

Related:Starship and Super Heavy: SpaceX's Mars-colonizing vehicles in images

Musk has long said that humans need to establish a permanent and self-sustaining presence on Mars to ensure "the continuance of consciousness as we know it" just in case planet Earth is left uninhabitable by a something like a nuclear war or an asteroid strike.

But SpaceX doesn't have any plans to actually build a Mars base. As a transportation company, its only goal is to ferry cargo (and humans) to and from the Red Planet, facilitating the development of someone else's Mars base.

"SpaceX is taking on the biggest single challenge, which is the transportation system. There's all sorts of other systems that are going to be needed," Mars Society founder Robert Zubrin said during the convention.

"My personal hope is that we're gonna see Starship in the stratosphere before this year's out, and if Elon is right, reach orbit next year or the year after," Zubrin added. "This will change people's minds as to what is possible. And then, you know, we'll have NASA seeking to fund the remaining pieces of the puzzle or entrepreneurs stepping forward to develop remaining pieces of the puzzle."

If Musk's projections are correct he is known for offering overly ambitious timelines SpaceX's first Mars mission would launch in the same year that NASA astronauts return to the moon under the Artemis program. SpaceX is also planning to fly space tourists on a Starship mission around the moon in 2023. NASA has also picked SpaceX as one of three commercial teams to develop moon landers for the Artemis program.

Musk said Friday that if it weren't for the orbital mechanics that call for Mars launches every 26 months, SpaceX "would maybe have a shot of sending or trying send something to Mars in three years," Musk said, adding that Earth and Mars won't be in the best position. "But the window is four years away, because of them being in different parts of the solar system."

Musk unveiled plans for SpaceX's Starship plans in 2016. The project aims to launch a 165-foot (50 meters) spacecraft atop a massive booster for deep-space missions to the moon, Mars and elsewhere. Both the Starship and its Super Heavy booster will be reusable.

This year, SpaceX launched two test flights of Starship prototypes, called SN5 and SN6, from its Boca Chica test site in Texas. Those flights reached an altitude of 500 feet (150 meters).

SpaceX is currently preparing another Starship prototype, called SN8, for a 12-mile-high (20 kilometers) test flight in the near future.

Email Hanneke Weitering at hweitering@space.com or follow her on Twitter @hannekescience. Follow us on Twitter@Spacedotcom and onFacebook.

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‘It’s time to break orbit’ Clark County astronaut, NASA admin talk Artemis Program with Herrera Beutler – The Reflector

There are a lot of things very exciting in space today, NASA Astronaut and Clark County native Michael Barratt said during a recent talk about the space agencys future plans.

Barratt was participating in a virtual discussion Oct. 15 featuring him, NASA Administrator Jim Bridenstine and U.S. Rep. Jaime Herrera Beutler, R-Battle Ground, to talk about NASAs latest spaceflight program and answer questions from students at two Clark County schools: Vancouver ITech Prep and Camas Odyssey Middle School.

Both Barratt and Bridenstine talked about the Artemis Program, which NASA is planning on using to send astronauts back to the moon and beyond. Bridenstine said American astronauts have been in low-Earth orbit for close to 20 years aboard the International Space Station, adding that the next step for NASA was returning for a sustained presence on the moon.

We want to go to the moon to stay, Bridenstine said.

Unlike the Apollo Program, which saw the first men on the moon in the late 1960s and early 1970s, Artemis which is named after the twin sister of Apollo and goddess of the moon in Greek mythology plans to have the first woman on the moon in 2024, and will result in permanent habitation of Earths biggest natural satellite.

Bridenstine added that also differing from Apollo, Artemis will feature international and commercial partners that werent available during the prior program that ended almost a half-century ago. He said part of NASAs goal was to use the resources of the moon, saying there were hundreds of millions of tons of ice on the moons south pole, which is where the program aims to land.

Sustained occupation of the moon wasnt the last step, as Bridenstine added that NASA was looking toward going to Mars. He said that recent discoveries of complex organic compounds and potentially liquid water 12 kilometers below the surface of the planet makes the chance for even more discoveries on the planet tantalizing, which future astronauts would be able to do after learning the sustained habitation of the moon.

Bridenstine explained that any manned missions to Mars would likely have to stay on the planet for years given the window of time missions there have every 26 months, though he said advances in propulsion technologies may change that.

Herrera Beutler introduced the Camas-based Barratt, with her notably-excited oldest child seen in the video feed.

This program is something that I think captures all of our imaginations, whether were older or younger. Its a big deal, Herrera Beutler said.

The congresswoman said that not only did the event highlight the work and plans of NASA but also reinforced the importance of science, technology, engineering and mathematics (STEM) education integral to the work the space agency does.

Herrera Beutler said that while in the past Southwest Washington had relied on timber forests for its economy, what I like to say now is that we have a growing silicon forest because of the growth of our tech industries, adding nearly 40 percent of the gross regional product of Southwest Washington was in STEM-related industries.

When most people think of NASA they think of astronauts, which is an important part of the agency, but it also includes researchers and scientists and doctors and engineers, which are absolutely vital in running NASAs many programs, Herrera Beutler said.

Barratt joined NASA in 1991 and has participated in two space flights totalling 211 days in space, including two spacewalks. He was a NASA flight surgeon before being picked as an astronaut in 2000, launching both from the Russian Soyuz rocket and on the last flight of Space Shuttle Discovery.

Barratt said the main use of the ISS was for scientific research, with the station serving as a laboratory that has rendered a host of discoveries over the decades.

When you remove gravity, you find things, Barratt remarked, and we have found so many things way beyond what we expected out there.

Barratt said one of the biggest differences between what space exploration was developing when he was a kid and what is happening now was the amount of different players, pointing out a handful of private companies including Boeing that were designing spacecraft. With all the new developments he said there was a paradigm shift in astronautics from the past several decades, highlighted by the goals of the Artemis Program.

Its time to break orbit and go explore, Barratt rsaid.

He mentioned a few of the craft being developed for the Artemis Program, including the Orion Capsule, a Gateway Station in the lunar vicinity and a human landing system, the last of which Barratt has provided medical input on its development.

Barratt likened a sustained presence on the moon as a god-given space station to allow for further exploration, including Mars.

Barratt brought the conversation back to the importance of STEM, pointing to a quote from Carl Sagan from 1990 We live in a society exquisitely dependent on science and technology, in which hardly anyone knows anything about science and technology.

I would say that is more true now, Barratt said. There is a bit of a gap in the public awareness of that science and technology that really fuels us our economy, our exploration, our whole lives.

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‘Lunar ExoCam’ project aims to film spacecraft touchdowns on the moon – Space.com

We could end up getting an amazing ground-level view of the first crewed moon landing since 1972.

NASA's Flight Opportunities program has just awarded a $650,000 grant to the team behind Lunar ExoCam, an imaging system designed to eject from moon landers during descent and record video of their touchdowns from the otherworldly gray ground.

If development continues to go well, Lunar ExoCam could be ready to fly on some of the private robotic landers that are scheduled to launch toward the moon in the next few years, said the project's principal investigator, Jason Achilles Mezilis. And he'd love to get the camera system aboard NASA's Artemis 3 mission, which aims to land two astronauts near the lunar south pole in 2024.

Related: What is NASA's Artemis program?

Lunar ExoCam's observations would help researchers better understand how lander engines kick up moon dirt and rock, as noted by NASA's award announcement, which was released on Wednesday (Oct. 14). The deployment system the team is developing could also be used to get other payloads down on the lunar surface, Mezilis said. But the motivations for the project extend beyond scientific and engineering gains.

Watching a moon lander come down toward you, especially one carrying astronauts, "would just be really, really cool," Mezilis told Space.com. As would watching those astronauts step down onto the gray dirt, imagery that Lunar ExoCam could provide as well.

Mezilis is a professional musician, but he's not a space neophyte. He's on the team that informed the design of a microphone built into the entry, descent and landing (EDL) system of NASA's Mars 2020 rover Perseverance. If that microphone works, it will record the sounds of Perseverance screaming through the thin Martian atmosphere and touching down inside the 28-mile-wide (45 kilometers) Jezero Crater in February 2021. (Perseverance carries another microphone, too, which is part of its rock-zapping SuperCam instrument.)

The Lunar ExoCam project is a team effort as well, pulling in people from Arizona State University, Honeybee Robotics, Ecliptic Enterprises Corp. and Masten Space Systems. The lead organization, Zandef Deksit Inc., is a company that Mezilis set up in 2017 to handle his consulting work with NASA's Jet Propulsion Laboratory on Perseverance's EDL microphone; he's the sole employee. (The name means nothing but still seems appropriate, Mezilis said. He described it as "a little Zaphod Beeblebrox-y," referring to a character from Douglas Adam's famed "The Hitchhiker's Guide to the Galaxy" series.)

Though work began on Lunar ExoCam less than a year ago, the Southern California-based team already has some milestones under its belt. For example, the researchers have built and tested a prototype system, which consists of a GoPro MAX 360-degree camera encased in a cushioning wire cage.

In one of those tests, Mezilis and his colleagues used a drone to drop the prototype from a height of about 150 feet (46 meters). It survived the fall just fine and recorded video as planned.

In another trial, team members took three of the caged cameras to Masten's facilities at the Mojave Air and Space Port in the Southern California desert. They arrayed the cameras around a test stand holding a Masten vehicle, which fired up and hovered for more than a minute. The prototypes recorded the resulting dust plumes, as operational Lunar ExoCams would on the surface of the moon.

The newly awarded NASA funding will allow the team to take the testing to another level. Sometime next year, Mezilis and his team will put a Lunar ExoCam prototype on a Masten Xodiac vehicle, which will lift off into the Southern California sky. The camera will eject at an altitude of 50 feet (15 m), hitting the ground at about the same speed it would during a landing on the moon, whose gravitational pull is just one-sixth that of Earth.

Related: Here's where commercial landers will land on the moon for NASA

An operational Lunar ExoCam system would ideally employ at least three cameras, Mezilis said. The imagers would eject in the final moments of the moonward descent probably 10 to 15 seconds before touchdown at most and capture the descent and touchdown process in unprecedented detail.

"We'll start filming before we release it," Mezilis said. "So, basically, you'll be able to watch it fall off the lander, which is pretty insane."

Though the project's official name is Lunar ExoCam, Mezilis' ambitions extend beyond Earth's nearest neighbor. He'd like to get a version of the touchdown camera aboard Mars missions someday especially a lander carrying astronauts down to the Red Planet's surface.

The coolness factor of that Mars imagery would be off the charts. It would create a lasting impression in the minds of many, which is what Mezilis aims to do.

"Ultimately, my goal is to inspire all the five-year-old kids out there plant that seed for a lifelong love of science and space," he said.

Lunar ExoCam is one of 31 projects to receive funding in the latest round of Flight Opportunities awards. You can read about all of them including the experiment that New Horizons mission principal investigator Alan Stern will conduct in suborbital space in the NASA award announcement here.

Mike Wall is the author of "Out There" (Grand Central Publishing, 2018; illustrated by Karl Tate), a book about the search for alien life. Follow him on Twitter @michaeldwall. Follow us on Twitter @Spacedotcom or Facebook.

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NASA astronaut Christina Koch reflects on 1-year anniversary of first all-woman spacewalk – Space.com

NASA astronaut Christina Koch reflected on her participation in the first all-woman spacewalk ahead of its one-year anniversary on Sunday (Oct. 18).

A year ago, Koch and her colleague Jessica Meir, who were both part of the 2013 astronaut class the first and only astronaut class to be 50% women took part in the first-ever spacewalk conducted entirely by women. NASA hadn't orchestrated the event, rather, it was a chance pairing, the result of an increasing number of women in the astronaut corps.

"It was such a momentous moment and I think the year has really made me realize that," Koch told Space.com. "It's really been interesting how 2020 has become this year that has symbolized inclusion in so many ways."

"We kind of almost were kicking it off in some ways, unknowingly," with the spacewalk, she said, referring to spacewalking as historically male-dominated.

On Monday (Oct. 19), the Guinness Book of World Records officially recognized Koch and Meir for their historic spacewalk, and Koch specifically for her mission, the longest single spaceflight by a woman to date.

Related: The 1st all-woman spacewalk: photos, videos and tweets

"Not only is aerospace and technical industry [an area] that has often had under-representation by women, but spacewalking, in particular, is a really stark example of that," Koch said. "I think there have been about 15 women that have ever done a spacewalk, and there are over 200 men that have done a spacewalk."

This event made "sure that NASA was really committed to, like I like to say, answering humanity's call to explore by everyone. And so it was just a wonderful thing to have the honor to participate in. And I think that we're just so appreciative still to receive the support that we still receive every day about it," she said.

In looking to the future, Koch remarked on what she hopes the next generation of astronauts and spacewalkers like herself will face and how things will be different. She noted that, with this spacewalk, things seem to be starting to turn a corner and a new era is approaching "where no matter who comes on as an astronaut candidate, the expectation that's placed on them that they're going to be a great spacewalker is the same," she said. "There's no excuses, there's no lower bar of expectations."

Koch also noted that she hopes to one day "see a world where we focus on mentorship, where we're paying forward to the future explorers I see a world where women are selected into the astronaut corps and it's not even a surprise."

Besides this being a historic spacewalk, there were a few other elements of the event that stood out to Koch. "It was my only spacewalk being on the robotic arm. It was one of the few spacewalks that I was the lead spacewalker. And it was the first time that I was going out on a spacewalk with someone whose first spacewalk it was," she said.

It was "the first time my spacewalk buddy was seeing it through their eyes for the first time," she said. She also shared that, unsurprisingly, "the moment of being on the robotic arm was great."

Additionally, as the excursion was an unexpected spacewalk planned on short notice to replace a faulty power regulator that failed after the installation of new batteries, Koch appreciated "the fact that we had to just come together, it was such teamwork. We worked back and forth with the ground for the week prior to the spacewalk honing in on what procedures we would use. It was a great interactive thing, because we really were able to give a lot of input."

But out of all of these moments and triumphs, Koch noted her favorite.

"The best moment was when Jessica and I both came out of the airlock. And before we left our eyes kind of caught each other and we knew what an amazing moment it really was, and I smiled," she said. "We were talking to the ground like normal and no one knew that we had that moment, but that was a really special thing I'll never forget."

In February, Christina Koch completed a record-breaking 328-day stint in space aboard the International Space Station. So, in reflecting on her historic spacewalk she also shared her feelings about the fact that the orbiting lab she called home for so many days is celebrating its 20th anniversary of a continued human presence.

"I love thinking about how there wasn't a single day in the last 20 years, when every human was on the planet," she said. "We made sure that we were utilizing this amazing resource of our microgravity laboratory every single day."

"I see it as a science amplifier, because the space station allows us to achieve scientific discoveries that really are not possible on Earth," Koch said. In particular, she pointed to the fact that technology and science done on the space station is directly informing and supporting future missions back to the moon, to Mars and more.

"The fact that we prioritize that, as a world, is really exciting," she said.

Email Chelsea Gohd at cgohd@space.com or follow her on Twitter @chelsea_gohd. Follow us on Twitter @Spacedotcom and on Facebook.

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Spaceflight to serve Canon, Kleos and Spire on two launches – SpaceWatch.Global

Luxembourg, 14 October 2020. Rideshare provider Spaceflight will execute three customer missions on two upcoming launches in the next weeks, the Seattle-based company announced today.

Spaceflight will execute two launches on two different continents, the company said, one aboard a Rocket Lab Electron and the other on NewSpace India Limiteds PSLV. For both missions, Spaceflight arranged the launch and is providing mission management and rideshare integration services for its customers Canon Electronics, Kleos Space and Spire.

The next mission, dubbed RL-5, will launch from Rocket Labs Launch Complex 1 at the southern tip of Mahia Peninsula in New Zealand in October. The other mission is slated to lift off in the first half of November from Indias Satish Dhawan Space Center, Spaceflight said.

Since its founding, Spaceflight has launched more than 300 satellites and executed 32 rocket launches, the company said. Spaceflight works with a large portfolio of launch vehicles, including Falcon 9, Antares, Electron, Vega, and PSLV and has recently expanded its global portfolio of launch vehicles to include NSILs SSLV, Relativitys Terran 1 and Fireflys Alpha.

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With New Shepard launch, space researchers become space customers – University of Florida

The University of Florida is helping to launch a new era in space research with a plant experiment aboard Blue Origins New Shepard rocket that blasted off from the companys West Texas site Tuesday morning.

Rob Ferl and Anna-Lisa Paul have been studying how plants respond to stressful environments for decades, placing their genetically engineered mustard plants on high-flying planes, on the space shuttle and on the International Space Station.

But the Blue Origin project is the first time UF has worked directly with a commercial launch provider, marking an important shift in how universities conduct space-related research, Ferl said.

This is one of the first wave of projects where a university is contracting directly with a commercial space flight provider to launch science experiments, he said. Previously, NASA handled all of the arrangements.

NASA still funds much of the research, but the new process enables universities to negotiate with multiple companies to get just the right fit, both in terms of the science and the cost.

For some experiments, suborbital might be the best platform, for others it might be orbital or lunar, Paul says. Instead of providing all the rides, NASA is now facilitating the relationship with the commercial providers. This frees up NASA to focus on getting us back to the moon and to Mars.

For this particular experiment, Ferl said Blue Origins New Shepard rocket was the perfect platform for studying how living things adjust their metabolism from Earths gravity to no gravity and back again.

In the early 1990s, Ferl and Paul, both plant molecular biologists with UFs Institute of Food and Agricultural Sciences, began experimenting with reporter genes that allowed them to see when plants were experiencing certain environmental stresses. By splicing a gene from a fluorescent jellyfish into Arabidopsis mustard plants a model species often used in plant genetics experiments they have been able to make the plants glow in response to various stresses and to track those responses using specialized cameras.

What they found when they sent their plants to space was that they respond dramatically, turning certain genes on and off and modifying how their roots grow. That could have important implications for human space flight.

About half of the genes in our bodies encode the exact same proteins in plants, explained Paul. Thats very exciting, because it means that as we look at how plants behave in the absence of gravity, we can translate many of those basic biological processes to humans.

Through their work with NASA and commercial space companies, Ferl and Paul have become as much engineers as plant scientists, learning to design and build the sophisticated capsules in which their tiny botanical astronauts travel.

Using reporter genes is everyday stuff in the lab, says Ferl. The real challenge of deploying this technology is to take all of this equipment and shrink it down into a unit that is capable of being lofted into space, where we might not be there to look after it.

The researchers have reduced their laboratory to a box about six inches square by a foot long. Inside, light emitting diodes bathe the plants in only the wavelengths they need to thrive.

For the Blue Origin mission, the researchers didnt have to wait long to check on the experiment. The entire flight took roughly 11 minutes from liftoff to the capsules parachute landing a few miles away. Ferl and Paul were among the first to the capsule, hustling their plants back to the on-site laboratory to see how they responded to the sudden changes in gravity.

The flight is just part of the experiment, Paul says. Weve got lots of new data to analyze about how our plants responded to their mission.

Ferl said the growth of commercial space companies opens new vistas for university research.

In the past, the opportunities to get an experiment on the space shuttle or up to the International Space Station were very limited because there were so few launches and so many worthy experiments, Ferl said. Now, with multiple carriers launching dozens of rockets per year, a lot more experiments can hitch a ride.

Joe Kays October 13, 2020

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The Right Stuff: Read This If You Can’t Wait to Find Out Who Makes It to Space First – POPSUGAR

Since the beginning of the space race a fierce rivalry between the United States and the Soviet Union in the 1950s and 1960s over which country would pioneer space travel American astronauts have competed on both an international stage and against each other for unprecedented achievements in manned space exploration, including being the first man in space. Shortly after a Soviet Union astronaut won the title of first man in space" in 1961, however, the United States' National Aeronautics and Space Administration (NASA) finalized their plans to launch their first human space flight. For NASA, it wasn't a question of if they were going to send an American to space, but rather a question of whom. Disney+'s The Right Stuff tells the true story of this historic competition between seven American astronauts vying for the opportunity to fly among the stars. If you're watching the series and can't wait to find out who makes it, here's the answer: on May 5, 1961, the race ended when Alan Shepard became the first American in space.

In the opening scene of The Right Stuff, we see Shepard (played by Jake McDorman) and John Glenn (Patrick J. Adams) two of the seven competing American astronauts known as the Mercury Seven going through their morning routines just hours before a historic rocket launch that will make one of them the first American in space. But, out of the two of them, only one of them can be chosen to go and while the show leaves the decision of who is chosen a mystery in the first few episodes, we know that Shepard was chosen to pilot the first 15-minute human spaceflight on May 5, 1961, crowning him the first American in space.

On Feb. 20, 1962, Shepard's competition, Glenn, became the first American to orbit the Earth and the third American in space. Both men carry historic significance in the story of our country's space exploration, but as The Right Stuff reminds us, they were also everyday people with everyday problems. The story of how they went from pilots to history-book legends is just getting started on the Disney+ hit show, and while we already know who won the title of first man in space, we can't wait to follow along and see just how their stories both individually and collectively unfold.

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Russia planning to go reusable in 2026 with new Amur rocket – Space.com

Russia is getting into the reusable rocket game.

The nation's space agency, Roscosmos, announced last week that it aims to develop a two-stage rocket called the Amur, whose first stage will return to Earth for vertical, powered landings like those performed by SpaceX's Falcon 9 boosters.

Indeed, the Amur bears a remarkable resemblance to the Falcon 9, down to the stabilizing grid fins on the rocket's first stage and the desire to launch each booster up to 100 times eventually.

Related: The history of rockets

There are differences, however. For example, the Amur will be considerably smaller and less powerful than the Falcon 9, standing just 180 feet (55 meters) tall with the ability to loft 11.6 tons (10.5 metric tons) of payload to low-Earth orbit (LEO). The Falcon 9 is 230 feet (70 m) tall and can deliver 25.1 tons (22.8 metric tons) to LEO, according to the rocket's SpaceX spec sheet.

The Amur's first stage will feature five engines, according to the Roscosmos announcement, compared to the Falcon 9's nine. And whereas the Falcon 9's Merlin engines are powered by liquid oxygen and kerosene, those of the Amur which have yet to be built will swap kerosene out for methane. (There are yet more SpaceX parallels here, though: SpaceX's next-generation Raptor engine, which will power the company's Starship vehicle, is methane-fueled.)

The Amur will launch from Vostochny Cosmodrome in Russia's Amur region (hence its name). Landings of the reusable first stage will take place at several sites, which are still being determined, Roscosmos officials said. The agency is currently not planning to conduct any touchdowns on floating platforms, as SpaceX does with its two "drone ships," because the neighboring Sea of Okhotsk is notoriously rough. But that option will remain open going forward.

The plan calls for the Amur to be developed for no more than 70 billion rubles (about $900 million US at current exchange rates), fly for the first time in 2026 and feature a per-launch cost of $22 million, Roscosmos officials said. For comparison, a Falcon 9 mission with a completely new rocket currently goes for about $60 million, and one with a used first stage is about $50 million.

"If all the key indicators of the Amur program are implemented, we plan to provide the majority of commercial launches in the light and medium class with our new rocket," Alexander Bloshenko, Roscosmos executive director for long-term programs and science, said in the statement.

The Amur's development timeline may make it tough to accomplish this goal, however, even if everything goes according to plan. SpaceX is already test-flying early prototypes of Starship, a huge, fully reusable vehicle that company founder and CEO Elon Musk believes has the potential to revolutionize spaceflight via ultralow launch costs.

"It's a step in the right direction, but they should really aim for full reusability by 2026. Larger rocket would also make sense for literal economies of scale. Goal should be to minimize cost per useful ton to orbit or it will at best serve a niche market," Musk said via Twitter last week, referring to the Amur plan (and in response to a tweet by Ars Technica's Eric Berger.)

Mike Wall is the author of "Out There" (Grand Central Publishing, 2018; illustrated by Karl Tate), a book about the search for alien life. Follow him on Twitter @michaeldwall. Follow us on Twitter @Spacedotcom or Facebook.

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