What the Public Gets Wrong About "Reason-Based" Abortion Bans – Ms. Magazine

In a post-Dobbs world, previability abortion might be even more restrictedor not exist at all. So-called eugenic prohibitions will be the first past the constitutional post.

The Supreme Court recently agreed to hear Dobbs v. Jackson Womens Health Organization, a case that will decide whether restrictions that states place on previability abortions are constitutional. Much commentary has focused on the real possibility the court will overturn Roe v. Wade. Less attention has been paid to another, potentially more likely outcome: The court could uphold Roeand preserve constitutional protection for abortionbut create exceptions for previability bans. Indeed, thats similar to what happened in Planned Parenthood of Southeastern Pennsylvania v. Casey, a decision in which the court preserved constitutional abortion rights, yet rejected Roes trimester framework and weakened protections for those rights.

Over the last year, states have enacted numerous previability restrictions: Texas just passed a law banning abortions at six weeks, to take one example. A different law that applies before viability has received less press, but is increasingly popular with anti-abortion legislators. Twenty states have adopted laws that prohibit abortions performed because of the fetuss sex, race or disability. In a post-Dobbs world, where some previability abortion bans are permissible, these so-called eugenic prohibitions will be the first past the constitutional post.

Federal appellate courts are split on the constitutionality of reason-based bans after the Sixth Circuit upheld Ohios law prohibition on abortion because of a Down syndrome diagnosis. Reason-based bans apply throughout pregnancy, but Ohios law responds specifically to innovations in early prenatal genetic testing. With a non-invasive prenatal test, patients can detect a limited number of conditions, including Down syndrome, with a blood test administered during the first trimester of pregnancy.

The new conservative majority Supreme Court is poised to decide the question of whether a state can vet someones reason to end a pregnancy.In a 2019 concurring opinion, Justice Thomas, writing about a race-based ban, opined that to uphold such a law would constitutionalize the views of the 20th-century eugenics movement. Essentially, Justice Thomas argued that anti-abortion laws are on the side of equality and justice. And an increasing segment of the public appears to agree. Reason-based bans like Ohios make sense to people as the most recent Gallup poll reports. Almost 50 percent of people responded that abortions because of a Down syndrome diagnosis should be illegal.

That the Supreme Court might allow states to make criminals out of health professionals and possibly patients who choose to end a previability pregnancy is startling. But what is also troubling is how popular opinion favors substituting the states judgment for that of the pregnant person, at least in certain circumstances.Moreover, the polls question, as well as public discourse, doesnt capture the complexity of the issues individuals face when their fetus is diagnosed with a genetic anomaly or another condition. Just asking whether abortion should be legal or illegal ignores how contextwhat support or needs does a pregnant person have or the stage of pregnancyshapes abortion decisions.

Whether or not people feel equipped to raise and the meet the needs of children is something only they can discern. But in the case of prenatal diagnosis and abortion, new technology and states abortion animus are on a collision course. On the one hand, pregnant people are encouraged to learn as much about their pregnancies as early as possible. On the other, states are legislating to bar what people do with that information.

Perhaps more saliently, criminalizing choice does not create the conditions for racial, gender and disability equality. And policing pregnant peoples decisions does not result in deeper inclusivity or greater acceptance of and support for people with Down syndrome, for instance. To the contrary, reason-based bans do nothing to assist potential parents and ignore the many considerations that drive peoples decisions to raise a child.

Instead, these laws incrementally advance an agenda of ending legal abortion for all reasons. Equating decisions to terminate a pregnancy with the state-sponsored eugenics gives cold comfort to anyone who receives a diagnosis of fetal impairment and further stigmatizes their choices. And make no mistake, there will be more reason-based bans: not being able to afford another child or the interruption of other life plans will be next on the chopping block, denounced as frivolous in comparison to an alleged state interest in protecting potential life or the health of the pregnant person.

Drawing the line for abortion restrictions at viability always has been a constitutional compromise; one that protected early abortion in exchange for recognizing that states could limit patients decision-making at some point in a pregnancy. Post-Dobbs, previability abortion might be even more restrictedor not exist at all. In either scenario, nationwide rights to abortion could be established by federal law.

One such proposal is the Womens Health Protection Act, which soon will be introduced in Congress. The legislation would preempt state laws that ban abortion before viability and prohibit reason-based bans specifically. We may not be able to count on the Supreme Court to protect abortion rights. But we should demand laws more in step with peoples lived realities from our legislators.

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What the Public Gets Wrong About "Reason-Based" Abortion Bans - Ms. Magazine

EDITORIAL: NFL, at last, comes to realization that ‘race-norming’ should be discontinued – York Dispatch

YORK DISPATCH EDITORIAL BOARD Published 1:00 a.m. ET June 9, 2021

NFL Commissioner Roger Goodell(Photo: Luis M. Alvarez, AP)

The National Football League has finally seen the light.

Its just too bad that it took an avalanche of bad publicity for Commissioner Roger Goodell and the league to finally reverse course on race-norming.

For those who missed it, the NFL has promised to end the controversial practice, which assumed Black players started out with a lower level of cognitive function. That assumption made it harder for Black NFL retirees to prove that they qualified for payouts in the 2017 $1 billion-plus concussion settlement.

The NFL only made the decision after a pair of Black players filed a civil rights lawsuit over the practice, medical experts raised concerns and a group of NFL families last month dropped 50,000 petitions at the federal courthouse in Philadelphia where the lawsuit had been thrown out by the judge overseeing the settlement.

Race-norming sounds like something from the long-disgraced eugenics movement that aimed to improve the genetic quality of the human population by excluding people and groups judged to be inferior, while promoting those judged to be superior.

The NFL said in a statement that no actual discrimination took place in the administration of the settlement and that the race-norming practice was never mandatory, but left to the discretion of doctors taking part in the settlement program.

That sounds very much like double talk.

How the NFL couldve considered the use of race-norming under any circumstances in a league that is 74% Black is almost mind boggling.

Harry Edwards(Photo: Josie Lepe, AP)

Edwards weighs in: Harry Edwards, a noted sociologist and a longtime staff consultant for the San Francisco 49ers, has spent 50 years studying the intersection of sports and society.

He rightly called the race-norming practice by the NFL ridiculous, asinine and almost comedic. He added that its morally unconscionable, politically unsustainable and legally indefensible.

Thats quite a condemnation from a man who has long ties to the NFL.

Checkered history: Of course, the NFLs history with race relations is checkered at best.

Heres just a recent example.

Quarterback Colin Kaepernick led the San Francisco 49ers to a Super Bowl, but still cant even get a tryout for an NFL job. Tim Tebow, meanwhile, was a first-round bust, but is still getting an NFL opportunity with the Jacksonville Jaguars at age 33 despite not playing in the league for more than six years.

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Kaepernick is Black and well known for social activism, especially his decision to kneel for the national anthem. Tebow is white and a beloved figure in Florida, where he starred for the Florida Gators.

History of foot-dragging: Then theres the NFLs foot-dragging when it came to the concussion issue in the first place.

The NFL spent years denying any link between head injuries suffered while playing football with long-term brain disorders.

Finally, in the 2017 concussion settlement, the league caved in to the obvious football is a violent, collision sport that will lead to concussions, which can leave permanent brain damage.

The NFL likes to bill itself as an organization that is ahead of the curve on the issue of social justice. But when given the opportunity to act on those supposed beliefs, the league has repeatedly failed to act in an appropriate and timely manner.

At least the NFL has finally come to the realization that race-norming has no place in the concussion settlement.

Its just unfortunate that it took the league so long to see the light.

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EDITORIAL: NFL, at last, comes to realization that 'race-norming' should be discontinued - York Dispatch

NFL agrees to end ‘race-norming’ – MSR News Online

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The practice disadvantaged Black players seeking injury settlements

Last week the NFL called for an end to what has been referred to as race-norming in determining settlement payments for players who suffered debilitating brain injuries as a result of their time in the league. The decision came after a mainstream news special, a lawsuit by two Black players, and more than a dozen wives of Black retired players organizing and sending the judge presiding over the settlement a petition with nearly 50,000 signatures calling for an end to race-norming.

Doctors had denied Black players compensation because they assumed that Black players started with less cognitive brain function than their White teammates. In other words, the Black players were considered less intelligent. For Black players to qualify for settlement relief they must have had an even greater reduction in cognitive brain function than their fellow White players.

Race-norming is the practice of adjusting test scores to account for the race or ethnicity of the test-taker. Its morally unconscionable, most certainly politically unsustainable, and legally indefensible, said sports sociologist Harry Edwards in an LA Times interview upon hearing the news that the NFL is eliminating race-based norms in their evaluation of players seeking compensation for their injuries sustained while in the league.

You cant have 74% of the players in the league Black, but when it comes to actually being able to claim access to funds resulting from brain damage, dementia, CTE, other kind of cognitive-deficit-inducing conditions that are directly related to football, all of a sudden theres a different standard for them. Theres a presumption that they [Blacks] come in at a cognitively lower ranking.

The NFL in its defense said there was no discrimination and that if there was it had been based on individual doctors evaluations of testing scores. We are committed to eliminating race-based norms in the program and more broadly in the neuropsychological community, wrote the NFL in a statement, while maintaining that no such discrimination took place in the administration of the settlement.

However, the civil rights suit brought by Najeh Davenport and Kevin Henry alleged that they had been denied compensation for their brain injuries because of their race. When they use a different scale for African Americans versus any other race, thats literally the definition of systematic racism, said Davenport.

Cyril Smith, a lawyer for Henry and Davenport, asserted that White players dementia claims were being approved at two to three times the rate of those of Black players. But Smith was unable to substantiate his claim because, he said, Seeger and the NFL had not shared any data on the approval rates for dementia claims by White and Black players.

The presumed effort to defraud Black players of their share of money promised to all players who suffered brain injury harkens back to pseudoscience and old fashioned eugenics of the late 19th century that attempted to use science to defend White Supremacy.

The tests assume that Black players have lower cognitive function at baseline. The NFL has defended the practice in the past saying this was based on long-established tests and widely accepted scoring methodologies, but theres no scientific evidence to show that Black patients have lower cognitive function, of course, said Massachusetts General Hospital resident physician Dr. Darshali Vyas. And its at odds with all of our genetic understanding of race to begin with.

More than 7,000 former NFLers took the free neuropsychological and neurological exams offered in the settlement. There are no clear numbers on how many Black players were denied settlement compensation because of the bias in the testing. Evaluations were given, but many of the players apparently do not know how they actually scored on their exams.

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NFL agrees to end 'race-norming' - MSR News Online

Erika DeBenedictis and the Cost of Playing God – Discovery Institute

Photo: Erika DeBenedictis, via YouTube (screenshot).

Erika DeBenedictis is not a mad scientist. Shes the class nerd who made good photogenic, articulate, driven, and full of ambition to leave the world a better place than she found it. When it comes to her specialty of bio-engineering, she means that quite literally: She can make the world a better place, right down to the design of our own genes.In her TEDx talk, Its Time for Intelligent Design, which biochemist andEvolution NewswriterEmily Reevesbroke down recently in a carefully detailed series, DeBenedictis encourages people to not be as timid as all that as they approach the world as-is. It is beautiful, yes, but its not perfect. Far from it.

This is where DeBenedictis comes in, or hopes to anyway. But she knows what youre thinking. She knows the free-association that goes on in peoples heads when they hear a phrase like gene editing. Probably your mind is already getting carried away with icky things like eugenics, designer babies, creating kids who are tall and blond and good at basketball, etc., etc. But she wants to assure you thatthisis not atalllikethat. What she has in mind would only ever be used ethically and would only ever be used in carefully controlled ways to effect carefully controlled solutions to human suffering. Because thats what everyone would want to use it for, right?

What could possibly go wrong?

I wont recap the splendid work Emily Reeves has already done here dissecting the TEDx talk from a scientific angle. Read her entire series under the Erika DeBenedictis tag here. Its highly instructive. Reeves, like DeBenedictis herself, is a recently minted science PhD. She politely but perceptively lays out weakness after weakness in Erikas thesis. Underlying it all is the fact that DeBenedictis has simply begged the question on the nature of biological design, or lack thereof. Her thesis is that Since all this [gestures] came about over 4 billion years of random chance, we should expect to find bugs in the system. So lets get debugging.

There are a lot of angles from which to attack this, and Reeves covers many of them. Theres the very fact that in talking about bugs in the system, were acknowledging a system to begin with. Theres the fact that since natural selection is supposed to select things for a reason, from the mainstream scientists own perspective theres a reason to have a care before assuming something thats survived this long must be a glitch. Reeves even finds papers in the literature that discuss the very example DeBenedictis raises in her video, the puzzle of the INK4a/ARF overlap, speculating openly about alternative explanations.

In listening to rhetoric like Erikas, Im always put in mind of someone opening up the tower-case of a computer, disassembling it, and nonchalantly planning which bits hes going to leave out when he reassembles it, since he can clearly perceive theyre not needed. We would fire any such technician on the spot, because it is obvious that the tower-case has been designed the way it is, with the parts it has, for a purpose. The analogy makes itself. DeBenedictis wants to fix broken stuff. But how does the saying go? If it aint broke, dont fix it.

Dr. He Jiankui didnt think he was a mad scientist either. He just wanted to help HIV+ couples have babies without fear of passing on the curse of their infection. Do you see your friends or relatives who may have a disease? They need help, Jiankui said at a summit in Hong Kong, rising nervously to present his research. For millions of families with inherited disease or infectious disease, if we have this technology we can help them. Thats all he wants to help. Who could blame him for that?

Almost everyone, in fact. The Center for Genetics and Societytraces the whole saga, quoting peer after peer who came forward to condemn Jiankui for his reckless malpractice after it was discovered he had attempted to edit the genomes of twin baby girls. Well intentioned or not, it was rogue work, with all manner of potential complications (because, as you may have noticed, our genomes are slightly complicated). Thats the thing about roads paved with good intentions: They can still lead somewhere you very much dont want to go.

But as we all know, or at least all of us except Erika DeBenedictis, not everyones intentions are good. There is absolutely no guarantee whatsoever that powerful bio-tech will never be turned to purposes with far more deliberate bad consequences than the purposes of a reckless young rogue scientist. Just have a look at some of the people watching him from the sidelines as quoted in the CGS report, saying at worst he had a too-fast trigger finger. As Jordan Peterson loves to point out, plenty of Marxists were well intentioned, too. They were usually the first ones to be shot and replaced.

Dr. Jiankuis experiment didnt even succeed on its own terms. One of the twins was still vulnerable to HIV+ even after his attempt to edit her genome. This led some to question his choice to implant both embryos at all. Why choose this [failed] embryo? asked Seoul National University geneticist Jin-Soo Kim at the Hong Kong summit. It just doesnt make sense scientifically.

Translation: The scientific thing to do was to scrap the embryo, like all failed experiments. To quote Audrey Hepburns French cooking school instructor in the classic Hollywood movieSabrina, New egg! The irony is rich: Here he was in fact cooperating with the parents in the one ethical element of this whole affair, taking responsibility for both the lives created in the process, and yet this in itself drew criticism.

But this shouldnt surprise. After all, creating and disposing of failed embryonic experiments is already routine practice in our nations labs, at least up to 14 days when the neural system begins to grow, at which point scientistsare nowallowed to keep experimenting, actually, as of last month. So there went that particular arbitrary barrier. One down, who knows how many more to go? (Of course,Natureassures us that new ISSCR guidelines will allow more extended experimentation on a case-by-case basis, subject to several phases of review. As Wesley Smithputs it atNational Review, Ri-i-i-i-ight.)

Meanwhile,Forbesreportsthat the U.S. Senate has just killed legislation that would have banned taxpayer-funded human-chimera experiments. Whether true chimeras are an actual physical/metaphysical possibility is a fascinating question, deserving its own discussion, but whats not in question is the fact that any such experiment beginning with a human embryo is unethical out of the gate. Yet its clear that enough scientists are eager to get experimenting that the pressure was enough to kill the bill. But remember, Erika DeBenedictis assures us we can trust scientists. Theyre only trying to help.

I am sure Dr. DeBenedictis is trying to help. I am far less confident that her conception of helping wont lead to hurting, even on its own terms. And when it comes to the cost of playing with life in the lab, that tally counter isnt stopping. It never has stopped. It never will.

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Erika DeBenedictis and the Cost of Playing God - Discovery Institute

We never needed a Jan. 6 Commission. We need a Nov. 3 Commission. This is why | Bruce Ledewitz – Pennsylvania Capital-Star

On May 28, Republicans in the U.S. Senate blocked the formation of an independent commission to study the events of Jan. 6.

Thats OK. We never needed that commission. We already know all we need to know about the insurrection.

What America needs, instead, is a national commission to study the 2020 presidential election. We need to convince millions of Americans that the election was not stolen from Donald Trump.

We can see how useless a Jan. 6 commission would have been from the questions that a New York Times story claimed may now go unanswered. The main issues raised concerns about why security preparations for the expected demonstration were so lax, and why the response to the attack on the Capitol was so delayed.

But we already know the answers. The officials involved were loath to break publicly with former President Donald Trump, and brand his supporters potential terrorists, even after the attack began.

The article also asked, What was Mr. Trump doing during the attack?

We already know that too. He was cheering the attackers on. It will never be known whether Trump seriously believed a crowd could force then-Vice President Mike Pence and the Congress to reject the certified electors and hand him the election.

He might just have been expressing frustration with the way the election turned out. But a commission would not answer that.

Those constitutional amendments were aimed at the Pa. Supreme Court as much as they were at Wolf | Bruce Ledewitz

The questions we do need answered include, for example, the degree of coordination among extremist groups on Jan. 6, will come out during the upcoming trials of the perpetrators.

As for questions concerning the killing of protestor Ashli Babbitt by the Capitol police, Americans now realize how important it is to investigate all uses of lethal force by the police. But we hardly need a national commission for that.

Republicans charge that the real motivation behind the proposed commission was to promote Trump bashing prior to the 2022 midterm elections. There is an element of truth to that charge.

The deeper concern with the failure to constitute a Jan. 6 Commission was expressed by writers such as Charles Blow, who fear that American democracy is slipping away.

He is right to be concerned about that. But the reason American democracy is slipping away is not the insurrection Jan. 6. It is the backdrop and instigation of that attack. Millions of Americans, perhaps a quarter of all voters, believe the 2020 presidential election was stolen.

And they believe this because Trump and other Republican leaders have relentlessly claimed that in 2020 there was fraud and election rigging.

Pa. Rep. Mike Kelly came closer than you think to stealing the election for Trump | Bruce Ledewitz

We need an independent commission to confront that lie, to investigate fairly and transparently every claim of fraud, every assertion of illegality, no matter how outlandish or unlikely.

Then we need a simple Congressional resolution that states, Joe Biden was legitimately elected President; there was no steal. The vote would be yes or no.

Let anyone with a doubt see that whole process unfold in the light of national publicity.

You will not have a democracy for long if 50 million Americans believe that Trump was actually reelected.

Even now, Republican legislators in swing states are preparing the legal groundwork for rejecting the next popular vote for president and substituting Republican electors instead. Their legal authority for doing so is dubious but untested.

No one should want the current U.S. Supreme Court to decide that issue in 2024.

These efforts would be impossible without the widespread belief among Republicans that the 2020 election was fraudulent and that democracy has already died.

There are several reasons why Democrats are not pressing for an independent commission to examine the 2020 election.

First, Democrats do not want to do anything that might cast doubt on the legitimacy of Bidens election. It is Republican state legislators, as in Pennsylvania, who have been conducting investigations into claims of election fraud.

But this concern misses the point: none of these investigations have uncovered fraud or illegality. It is true that Republicans have proposed new election laws to combat alleged fraud, but their actions have been taken in bad faith after their own investigations have failed to find anything wrong. An independent, national commission would make that clear.

Second, Democrats assume that such a commission would be useless because you cannot convince these people. This is the Hillary Clinton basket of deplorables syndrome.

It is not necessary to convince everyone. To eliminate the myth of the stolen election it is only necessary to confront and undermine that lie in a serious and open way.

Democrats have a hard time understanding that many of the demonstrators on Jan. 6 were sincere in their belief that the Presidential election had been stolen. Democrats like to think the demonstrator were just a white nationalist mob.

Some number of Americans who have doubts about the 2020 election would be open to the conclusions of an independent investigation. No one knows how many. But certainly that number is higher than without a commission.

Finally, Democrats are afraid that some Republican complaints about the 2020 election might have merit. In 2020, there were judicial decisions that stretched, if not broke, standing election law. There were instances of inconsistent guidance from election officials. There were inconsistencies in ballot counting and in the treatment of mail-in votes.

None of this amounted to illegality and none of it changed the result of the presidential election. In fact, the 2020 election probably had less of this kind of thing than many previous national elections.

Nevertheless, as the Pennsylvania Supreme Courts three-day ballot extension decision demonstrates, Republicans have a point when they ask whether Democrats manipulated election law to gain a partisan advantage.

An independent commission also would have to look at those charges.

All this is necessary to address the very serious crisis of democracy that we are facing. Democrats have been strangely indifferent to widespread voter concerns about election integrity. The fact that these concerns have been provoked by lies does not make the concerns any less damaging.

Democrats cannot even see that an independent commission would destroy Trumps credibility. He would be offered a chance to testify under oath, which he would certainly decline. That refusal would haunt him going forward.

If you want to keep Trump from running for office ever again, an independent commission to investigate the 2020 election would do it.

Opinion contributor Bruce Ledewitz teaches constitutional law at Duquesne University Law School in Pittsburgh. His work appears biweekly on the Capital-Stars Commentary Page. Listen to his podcast, Bends Toward Justicehere.His forthcoming book, The Universe Is On Our Side: Restoring Faith in American Public Life, will be published in October.

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We never needed a Jan. 6 Commission. We need a Nov. 3 Commission. This is why | Bruce Ledewitz - Pennsylvania Capital-Star

Potential of Nanotech Adoption in the EV Industry – Express Computer

By Dr Inderpreet Kaur, IEEE Senior Member

Though the concept of electric vehicles (EV) has been around for a long time, it has drawn a considerable amount of interest in the past decade especially amid a rising carbon footprint and other environmental impacts of fuel-based vehicles. Battery Management Systems (BMS) still face many challenges like fires or explosions, which at times can overshadow the advantages of EVs, however EVs are still more efficient than an internal combustion engine as they have fewer moving parts that need maintenance. It also has much less operative noise, as there are not clutch, gears, exhaust pipes, or spark plugs on the vehicle. As the name suggests, EVs include two categories: All Electric Vehicles (AEVs) and Plug-in Hybrid Electric Vehicles (PHEVs). While AEVs have one or more electric motors, their batteries get charged by plugging into the grid. Whereas, PHEVs have an electric grid to charge and fuel to power the internal combustion engine.

Electric Vehicle Technology

Due to both the presence of electric motors and the absence of spark plugs, gears, etc., EVs can tremendously increase the energy efficiency of the transportation industry. EVs are much more efficient at converting chemical energy into electrical energy to drive a motor than conventional internal combustion engines are at powering vehicles. Furthermore, the usage of electric vehicles is more eco-friendly due to the absence of pollution from vehicles and reduced dependency on oil that is required to ignite combustion engines.

BMS are the heart of any EV and currently, either nickel metal hydride or lithium-ion technology is used for the batteries. Lithium-ion batteries offer many advantages over nickel metal hydride but the recharging time of EVs is a challenge as it limits their use to shorter trips.

Role of Nano Technology in EV Industry

The main challenge faced by EVs are their batteries. They are very costly and have a short charging life. The battery performance of an EV could be enhanced by adopting Nanotechnology. This technology can address the gaps in e-mobility and have great benefits. On top of this, specific attributes of lithium batteries could be improved by using nanoparticles and nanocomposite materials. Battery performance parameters such as weight reduction, energy efficiency, life cycle, improved control, and communications could be increased by using Polymer nanocomposites, nano-enhanced sensors, and nanostructured metals.

Nanotechnology in Batteries

Specific performance parameters of batteries can be achieved through Nanotechnology. Conventionally, for lithium-ion batteries, negative electrode graphite powder has been used as an intercalation material. If micrometer-sized powder were replaced with carbon nanomaterials (e.g., carbon nanotubes), then the rate of insertion or removal of lithium and the battery capacity can be improved. The current density of electrodes will be increased because the diffusion path for the lithium ions is reduced, their mobility is enhanced, and electrical conductivity is increased. This makes the electrochemical reaction occur more efficiently and ultimately the use of nanomaterials will increase the efficiency of the battery.

The carbon nanotubes can bind to much higher concentrations of lithium because they have a high surface area. Another alternative for negative electrode materials will be Nanowires made of titanium dioxide (TiO2), vanadium oxide (V2O5) or tin oxide (SnO). Though the commercial manufacturing of these materials is still in its early stages, to date, most of the commercially available oxide materials are Li (NiCoAl)O2, Li (NiMnCo)O2, LiMn2O4, Li (AlMn)2O4, or LiCo2O4. But all these materials are neither cost-effective nor safe. The nanostructuring of these materials has been shown to significantly improve their intercalation capacity. Research is still being done to find optimum compositions to attain better performance of batteries that will be economical, light, and compact.

Therefore, the objectives of future EV research will be focused on improved charging periods of batteries, nanomaterials to improve the efficiency of batteries by bringing down the cost of nanomaterials for batteries as well as the size and weight of battery pack, and commercial development of these nanomaterials. This also will automatically improve the battery management and thermal management systems of the battery pack of an EV.

If you have an interesting article / experience / case study to share, please get in touch with us at [emailprotected]

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Potential of Nanotech Adoption in the EV Industry - Express Computer

Petition To Make Nelly Furtados 2004 Fora The Official Song Of Every Euro – The18

LCD Soundsystems song tonite begins with a lyric that could be applicable to every UEFA European Championship anthem ever written. Everybodys singing the same song, James Murphy laments. It goes tonight, tonight, tonight, tonight, tonight, tonight. I never realized these artists thought so much about dying.

Each official track dating back to 1992 is laced with the idea of seizing the moment, living it to the fullest and coming together RIGHT NOW because tomorrow, the bomb will drop. You put every songs lyrics into a word cloud generator (I did) and you get the boldfaced centerpieces of heart, love, time, people, drum, way, sun.

Its time to love, with all your heart, the sound of the drum and the way the people move under the sun. Eh, eh, yeah, yeah. Put a Martin Solveig beat on that and thats the Euro 2024 anthem done and dusted. Credit me.

The official Euro 2020 song dropped last month after being kept secret for two years. Its by 25-year-old DJ Martin Garrix (shit, I remember when he was 17-year-old Animals Martin Garrix), who, according to Rolling Stone, noticed the guitar intro had somewhat of a U2 vibe to it and duly got the Edge to play that part while Bono came around to say I feel your heart beatin in my chest. If you come with me tonight is gonna be the one.

It's always gotta be tonight.

Its about what youd expect. I dont like it as much as 2016s This Ones for You by David The Vanquisher Of Racism Guetta. But I dont like that one or any other official anthem as much as Euro 2004s Fora" by Nelly Furtado.

Maybe it was the beauty of sun-washed matches in the Algarve, the stunning architecture of The Quarry in Braga, the cinematic final four in Lisbon and Porto or maybe it was just the Euro 2004 video game that made it a major chore trying to score against even the minnows but Nelly Furtados anthem didnt just talk about hedonism, it made it normative. Of course were going buck wild for a month straight; its an unstoppable force!

Como uma fora, como uma fora

Como uma fora que ningum parar

Pauleta just dicing Pavel Nedved.

I petition that this should be the official anthem of every European Championship. It could be like the UEFA Champions League Anthem, except we get Nelly Furtado to come out instead of British composer Tony Britten.

Euro 2020: We Are The People | Martin Garrix featuring Bono & The Edge

Euro 2016: This Ones for You | David Guetta featuring Zara Larsson

Euro 2012: Endless Summer | Oceana

Euro 2008: Can You Hear Me | Enrique Iglesias

Euro 2004: Fora" | Nelly Furtado

Euro 2000: Campione 2000 | E-Type

Euro 1996: Were in This Together | Simply Red

Euro 1992: More Than a Game | Towe Jaarnek & Peter Jback

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Petition To Make Nelly Furtados 2004 Fora The Official Song Of Every Euro - The18

The White Horse in Mayfair’s Shepherd Market is Hedonism Wine’s first wine-led pub – Hot Dinners

As of last week, Mayfair had a new pub. But this isn't any old pub, it's a Hedonism Wines pub. The White Horse has taken over the old Hatchett's site on White Horse Street and is the high end wine merchants first public house.

What will you find in a wine-led pub? Well, for starters things like a 1974 Blandys Verdelho Madeira, and a Lagavulin distillers edition 2005 on the optics.

There are going to be a massive 6000+ wines to choose from, using Hedonism's full range, but the pub itself will have a 100 bin list focusing on "delicious, yet affordable bottles".

On the food front, they'll be serving up cheese from La Fromagerie, charcuterie or a selection of small plates.

They're promising regular events from resident wine writer Sherry Rose including tastings and a quiz and their lower ground floor Cellar Bar will be available for private events and tastings.

More about The White Horse

Where is it?5 White Horse St, London W1J 7LQ

When?Open now - Tues-Saturday

Soft launch offer: Until 17 June mentioning the word Hedonist gets you a complimentary tasting plate of La Fromagerie cheeses to accompany your wine.

Find out more: Visit their website or follow them on Instagram@thewhitehorsemayfair

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The White Horse in Mayfair's Shepherd Market is Hedonism Wine's first wine-led pub - Hot Dinners

Behind the Hedonist Persona of Francis Bacon – The Nation

Francis Bacon, 1984. (Photo by Ulf Andersen / Getty Images)

In August of 1998, a team of curators, conservators, and archaeologists arrived at 7 Reece Mews, a small flat in Londons South Kensington neighborhood, to start work on the month-long task of transporting its contents to the Hugh Lane Gallery in Dublin. There, over the next five years, the team labored to painstakingly reconstruct the flat, which for some 30 years had served as the home and studio of Francis Bacon. The artist had moved to Reece Mews in the fall of 1961 and lived there until his death, in 1992, of a heart attack while on a trip to Madrid. The studio re-creation opened at the Hugh Lane in 2001 with some 7,500 pieces of materialslashed canvases, crumpled photographs, pages ripped from medical textbooks, drawings, and hand-scrawled notesnow available for consumption by a public hungry for insight into Bacons life and artistic process.BOOKS IN REVIEW

In the three decades since his death, that appetite seems not to have waned but waxed, as indicated by the staggering amount of material now devoted to Bacon: centenary retrospectives at the Tate and the Metropolitan Museum of Art, a five-volume catalogue raisonn, and various biographic monographs whose titles (The Gilded Gutter Life of Francis Bacon; Anatomy of an Enigma) point to his canonization in the public eye as the enfant terrible of 20th-century art.

With Revelations, the latest addition to this litany of biographies, Annalyn Swan and Mark Stevens (who previously collaborated on a lengthy biography of Willem de Kooning) enter the fray, offering the most comprehensive study of one of the leading figures of modernism, someone whose paradoxical pop gravitas places him with the likes of Beckett, Camus, and Sartre. In some 800 pages of text and footnotes, the authorsaided by the artists estatedetail the trajectory of Bacons career with archaeological precision, excavating public and private records to unearth how the openly homosexual painter, preternaturally attuned to the social stage, crafted a rebellious public persona characterized by excesses of sex and violence, drink and drugs. As Swan and Stevens tell it, the ultimate secret of Bacons life was an intractable contradiction: his desperate wish to partake in the ordinary joys and solace denied him as [a sickly] child and young man, and his fear of anything that would shatter his glamorous veneer and make him appear commonplace, vulnerable, or pathetic.

Neither hagiographic nor sordid, Revelations is divided into three sections detailing Bacons youth and early success and failures, his breakthrough in the mid-1940s, and his final decades in London. The authors are adept at contextualizing Bacons artistic development within the story of his romances and exploits and go to great lengths to correct the record, dispelling errant mythologies (often propagated by Bacon himself) that lean too heavily on assertions of natural genius, such as Bacons claim that he rarely made preparatory drawings. Where the last major biography, Michael Peppiatts Anatomy of an Enigmawhich drew from the authors confidential conversations with Bacon over the course of several yearsindulges the mythography of its subject, conceding to Bacons many quips, his claim of being the most artificial person there is, to justify his use of cosmetics, Swan and Stevens are far more restrained, if also excessively discursive, preferring to refract Bacon through the company he kept, studies of his family, and analyses of his art. Their comprehensiveness is particularly instructive when illuminating his years as a commercial furniture and rug designer in the 1930s, a facet of his career that Bacon rarely discussed in public, lest it detract from his reputation as a painter of the macabrea reputation he achieved only in midlife with his 1945 triptych, Three Studies for Figures at the Base of a Crucifixion. That painting marked, according to John Russell, a transition in English art, shocking a society numbed from the long years of World War II. And it also marked a transition for Bacon, who would insist that he began as a painter with this work, a claim that drives Swan and Stevenss investigation into the contours of his artistic persona.

The appeal of an artist biography typically lies in its discussion of creative genius, as well as the hindrances and defeatsor the comfortsthat led to artistic success. Bacon was in no shortage of the elite privilege, particularly in his early years. Born in 1909 to an aristocratic Anglo-Irish family, he was the second of four children, his father a British major who had served in Burma and later trained horses and his mother the heiress to a steel fortune. Asthmatic from a young age, Bacon suffered from an inability to participate in the masculinist traditions of hunting and riding, causing his fatherto whom Bacon claimed to be sexually attractedto regard his son as sexually effete and weak. Both his asthma and his early sexual awakening would provide fodder for Bacons early self-mythologizing. He often spoke of an experience as a child, struggling to breathe and nearly fainting while locked in a dark closet by the family maid, who purportedly kept him hidden away so she could cavort with a secret boyfriend; he also claimed to have had his first sexual encounters with his fathers horse grooms, who purportedly whipped him in the family stables.

While the veracity of these claims remains uncertain, what is true is that Bacon left his family home in the English countryside at 16, supported by a weekly allowance from his mother. In the spring of 1927, he moved briefly to Berlin, where he imbibed the libertine atmosphere of Weimar, and then headed to Paris, where he first saw the works of Picasso in person and fell in with a crowd of artists and designers who inspired him to pursue a career in design. He returned to London in 1928, and it was at this time that he began his relationship with Eric Allden, the first of several powerful older men who provided him not only with sex and companionship but also financial support, as he pursued his ambition of becoming a furniture and rug designer, freelancing for prominent designers and debuting in popular magazines. Men like Allden, and later the well-connected Tory politician Eric Hall, would be among the many sponsors, financial and emotional, that Bacon relied on throughout his life as he stubbornly attempted to develop his own career outside the family name; others included his childhood nanny, who accompanied him for nearly 40 years, and later the gallerists who bailed him out when his gambling debts and profligate spending rendered him temporarily destitute.

A common feature of the artist biography is the allusion to a transformative moment, the pivot point at which the subject recognizes their artistic potential. Swan and Stevens do not stray from this convention: For Bacon, as intimated in this biography as well as the many interviews he gave during his lifetime, this moment came in 1931, when he saw Thirty Years of Picasso, an exhibition held at Alex Reid and Lefevre Gallery in London, and committed himself to studying art. He went back to Paris for two years and took painting lessons from the modernist Roy de Maistre; returning to London in 1933, he exhibited at successively more prominent galleries with the support of his many confidants and connections and was recognizedthough often with mixed reviewsin the British press. (John Berger, in a scathing 1952 review in The New Statesman and Nation, remarked that Bacon was not an important painter.)

Bacons early paintings were riffs on the surrealist mode that had taken Europe by storm in the early 1930s, and for the next several years, he struggled to find a style that would set him apart and that he could claim as his own. By 1937, he stopped exhibiting entirely, a personal defeat that was eclipsed by the arrival of the Second World War in England. When London was bombed by the Germans in 1940, Bacon fled to the countryside to escape the dust that now filled the air. For two years, he worked there in solitude, using as source material newspaper photos of Nazi soldiers and the wreckage of war. The authors of Revelations are at their best when reflecting, as Bacon did, on these moments of internal reckonings, the junctures at which artistic development meets introspection.

After these quiet but crucial years, the figure that begins to emerge is not only the recognized painter of crucifixions and cadavers but the Bacon of popular lore, who prowled the clubs and bars of Soho, gambled away his earnings in Monte Carlo, and had long, torrid, sadomasochistic affairs with a succession of loversfirst with former fighter pilot Peter Lacy and later with George Dyer, the East End hustler who did not, in fact, crash through the Reece Mews skylight (as Bacon claimed) but who met him in a bar. With Lacy, Bacon spent time in Tangier, borrowing advances from gallerists to live in North Africa, where he fell in with American expats like Paul and Jane Bowles and William Burroughs.

But to understand Bacons legacy as an artistnot the one marked by astronomical auction prices but by his assault on the modernist sensibility and his dogged determination to succeed at whatever costthe authors direct readers to Three Studies at the Base of a Crucifixion, the triptych that debuted at Londons Lefevre Gallery in April of 1945, near the end of World War II, to what Swan and Stevens portray as a minor moral and critical uproar. Across its three panels, Bacon depicted the Three Furies from Aeschyluss Oresteia, mythological creatures of vengeance painted with sharp, attenuated necks and engorged bodies against a blood-orange backdrop, a color to shock wan, gray, war-weary London, where for years there had not been any intense light apart from the bomb flashes and subsequent fires.

The true shock of Three Studies, however, was not the sacrilegious subject matter or its garish composition, but rather its moral ambiguity. In refusing to distinguish between good and evil within his painting, Bacon presented a quandary for critics who sought a neat paradigm in the context of the war against German fascism. Nobody wanted to believe that there was in human nature an element that was irreducibly evil, wrote the critic John Russell, and yet Three Studies asserted this condition as primeval fact in a confrontation too beguiling to ignore. That in subsequent decades Bacon would, in his own revisionist approach, use this very painting to mark his beginning as an artista decision that Swan and Stevens present as convincing evidence of his shrewd approach to fashioning his legacy (as well as, frankly, his good taste)justifies the authors somewhat outsize focus on the painting in this biography, though one wishes there were richer descriptions of other notable works.

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Revelations lingers on the period between the mid-1940s and the early 70s when Bacon ascended to celebrity, detailing the elite social milieu that swirled around him, which included designer Isabel Rawsthorne, writer Sonia Orwell, and painter Lucien Freud. The authors provide many sketches of the coterie of sponsors, confidants, lovers, and enemies that populated Bacons life, but the effect is one that occludes the subject of their study, as the presence of so many supporting characters thrusts Bacon himself into the background. As rife as they are with tales of excess, these years are also marked by moments of tragic symmetry: Lacy died the night of Bacons first retrospective at the Tate in 1962, George Dyer two days before his 1971 retrospective at the Pompidou. In the following two decades, Bacon garnered international acclaim and embarked on long-term, obsessive relationships with younger lovers, including John Edwards, to whom he bequeathed his estate, and Jos Capelo, the man who would be with Bacon in his last moments in Madrid. Throughout the 1970s and 80s, Bacon maintained his reputation for grandiosity and hedonism by swanning around in a Bentley and jet-setting through Europe and the United States, flush with cash from his sales with Marlborough Gallery.

Critics have argued that it was during this period that Bacons paintings became branded, his once-eviscerating symbolism now rote, his celebrity obscuring his talents. This is the double-edged sword of biography, which, like the tortured visages Bacon wrought in his lifetime, may distort as much as it clarifies. In attending to the many details and specifics of Bacons life as well as his legacy, Revelations comprises a more satisfying portrait of the artist.

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Behind the Hedonist Persona of Francis Bacon - The Nation

How the attempted assassination of Andy Warhol sparked an iconic Midnight Cowboy scene – Far Out Magazine

(Credit: YouTube / Far Out)

Every now and again, a film will come along that unwittingly encapsulates the zeitgeist of an era. With that in mind, it can certainly be said that very few works of art capture the sixties hedonistic slide into the seventies as well asMidnight Cowboy. There is one tale from the films backstory, however, that seems to crystalise the era in an almost mystically befitting sense.

Amid the movies boldly renegade artistic journey is a party scene, that does so well what so many other party scenes dismally fail at, it actually seems realistic. Whereby most depictions try to portray fun, in reality, fun is one of the last adjectives to come to mind when you consider most of the house parties youve ever been to. And I dont mean that in a humbug sense either, but very rarely does a party simply look like an Earth, Wind & Fire video, whereby upon entry you are handed a frilly umbrellaed cocktail and begin lightly shaking your hips while cheerfully chatting with a stranger.

Midnight Cowboysloft party scene has since become iconic for just that reason despites the aggrandised surrealism it is somehow a transportive depiction of how a kaleidoscopic drug-fuelled get-together of the sixties may have looked. Thus, it is no surprise that Andy Warhol had hand in it in an almost mythical sense, of course. He was the artistic numen of Greenwich Village in that area, so it is only natural that he spiritually presided over the scene even if he, himself, was recovering in hospital following an assassination attempt which just so happened to be another regrettable mainstay during the highly unsettled era.

While the film for the most part remains faithful to the James Leo Herlihy novel on which it is based while also flourishing the narrative with a seasoned vaunt of arthouse touches, the writer didnt give them much to go on for the party segment. The book simply said a party in Greenwich Village, production assistant, Michael Childers had other ideas, embellishing the scene with a cacophony of New Yorks decadent quintessence.

That was partly my idea, Childers remarked in a GQ interview. I was friends with Paul Morrissey, who did all the Warhol movies and so was obviously close with Andy, and wed hang out at Maxs Kansas City with him and Andy Warhol and The Velvet Underground crew, Debbie Harry, New York Dolls and all those crazy people. I brought John there for a couple of dinners with Paul, and one with Andy, and he was fascinated.

I said, Look! In the book, it just says, A party in Sues in Greenwich Village. Whats that? I said, Lets turn it into something completely Warhol. I had all the superstars in it Ultra Violet, International Velvet, Paul Jabara, Hollywood Blonde, Paul Morrissey, Joe DAlessandro, Taylor Mead, Patti DArbanville and Andy really wanted to be in it. Problem was that he was shot the week before by Valerie Solanas and we had to start shooting.

While Warhol recovered in hospital, bitterly disappointed to be missing out on being part of the movie, his cohort of Factory friends responded to the violence in the most late-sixties New York way there is they got high! The ultimate tribute to Andy Warhol comes from the fact that the film remains the only X-rated film to win an Oscar for Best Picture, and while he was tragically denied his cameo his essence is all over the key scene.

The writhing nudes, the swirling camera shots, weird dancing spaced-out people stroking the walls was not the result of some light, camera, action choreography, these actors were answering to a higher calling. The flamboyant cast of Warhols pals had thought that the best way to pay tribute to their chief would be to make it just like one of Andys Loft Partys, thus prior to the scene they all got wasted.

Brenda Vaccaro, who plays Shirley in the film, recalls the moment when they slowly began to descend / ascend onto the set:One girl came in with green nails, green hair and a stuffed monkey on her shoulder. She said, Im a tree, and this is my monkey. Seeking some respite from the mayhem, Vaccaro headed into her dressing room at Harlems Filmways Studio and found two strangers there, having sex: I said, Whoa! and got the hell out of there.

The hedonism got so out of hand that one crew member quit. Cinematographer Adam Holender recalls him walking off set, He felt his sensibility and religious beliefs were compromised.

What they managed to create with this unspooling of riotous heathenry is not only a fascinating arthouse sequence that permeates the narrative with a frisson of surrealism but also a tableau that predicted the forthcoming dirge of the seventies. The mindless violence that spawned it is in this sense also befitting. And finally, the fact that the scene remains among the canon of cinemas greats is a triumphant example of the vibrant explosion of art that came out of the tempestuous end to the sixties.

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How the attempted assassination of Andy Warhol sparked an iconic Midnight Cowboy scene - Far Out Magazine

From My Fair Lady to Grease 2: Guardian writers on their favourite movie musicals – The Guardian

The Gold Diggers of 1933

The Gold Diggers of 1933 is a film of quarters, and not just the giant coins that cover the chorus lines modesty. Four wisecracking kids are dying to make it on Broadway: Joan Blondell is a singer, Ginger Rogers a sex kitten, Ruby Keeler a sweetheart and Aline MacMahon has the jokes. But the shows they hustle into close before they open. As Rogers snarls, its the depression, dearie. But then Dick Powell changes their luck with catchy tunes and deep pockets. This is a bona fide pre-Code musical, so the talkie scenes burst with prohibition-busting backstage antics and a little Park Avenue farce, but the curtains open wide on four of the most outlandish numbers ever filmed, courtesy the kaleidoscopic visions of Busby Berkeley and what deadpan Ned Sparks calls: The gay side, the hard-boiled side, the cynical and funny side of the Depression! Vivacious economic optimism in Were in the Money and heartbreaking social commentary for the postwar generation in My Forgotten Man (blues vocals by Etta Moten) bookend the film. In between, the dazzling neon-lit magic of the Shadow Waltz competes with the cheerily vulgar surrealism of Pettin in the Park to stop the show. Pamela Hutchinson

So much has been written about Singin in the Rain that its easy to forget that its not just about the birth of the talkies. Talking is the least of it. Its about the birth of music on screen, the birth of the movie musical. Gene Kelly famously plays 1920s silent movie star Don Lockwood who falls hard for smart, pretty wannabe actor Cathy Selden, played by Debbie Reynolds. He gets her a job dubbing his conceited co-star, Lina Lamont, who turns out to have a terribly squeaky voice, but they have an even bigger and more revolutionary idea. Why not put music into these newfangled sound pictures? The musical is born. Cinema itself is reborn. Dons pal Cosmo, wonderfully played by Donald OConnor, gets a job as musical director and the cliches are true: the whole picture erupts with joy, and with wonderful songs like All I Do Is Dream Of You, Moses Supposes, Make Em Laugh and of course the indomitably romantic Singin in the Rain itself. Peter Bradshaw

Three years after the 1978 classic Grease, audiences returned to Rydell high for the yearnings and hijinks of a new class of seniors. The plot is a gender-swapped (and many say feminist) reprise of the original, with Michelle Pfeiffer in her first starring role as a cool-girl tough chick and Maxwell Caulfield as an egghead British exchange student. A critical and commercial flop upon its release, its since become a cult classic, with standout numbers like the 80s-rock-tinged Cool Rider and the infectious, none-too-subtle Score Tonight (set in what else? a bowling alley) living rent free in my head for decades. Directed by Patricia Birch, choreographer of the original Broadway and film versions, the ensemble dancing is exuberantly impeccable, and the costumes pitch perfect, particularly in the talent show. Sure, no one looks like an actual teen, but Grease 2 accurately captures the mercurial nature of adolescence, along with its strict hierarchies and codes and unrestrained horniness. With its 40th anniversary coming up next year, heres hoping that this under-recognized gem will finally get its due as the rare sequel thats superior to the original. Lisa Wong Macabasco

Its remarkable a film as luxy as My Fair Lady in 1964 the most expensive movie ever made feels so weirdly authentic. Top frocks, yes, and dazzling design, but also smog you can taste and the genuine sense at least two of the characters sleep in their tweeds. In some ways, this could be a bit of a downer. Our leading man is cor! a misanthropic phonetics professor in late middle age. His love rival is a wimpy stalker. The most appealing fella here is probably Wilfred Hyde-White, and hes pushing 400. Either him or Stanley Holloways alcoholic binman. But the film understands the problem. Viewed from today, the plot snobbish codger moulds spunky woman to his tastes; she melts looks dodgy. But it isnt. George Cukor always took his leading ladys side, and this is no exception. Rex Harrisons Higgins is indulged, but almost every lyric lampoons him. Theres two transformations here: the one in which a woman has a wash and learns to enunciate about Andalucia. And then one in which a man realises hes a nightmare. Eliza stays the same inside; Higgins is changed forever. Thats why the final scene feels like a rescue, not a coffin closing. Catherine Shoard

Bob Fosse brought a writhing, sweaty, bowler-hatted eroticism to the Hollywood movie-musical, but sex was only one part of the darkening, maturing influence he exerted over the genre. His opulent direction embraced the scripts literary origins in Christopher Isherwooods 1939 novel Goodbye to Berlin, placing the film in a lineage dating back to War and Peace, another maximalist melodrama tracking a few individuals while history crashes down all around them. As Nazism threatens to crash the whooping, hedonism-numbed party of Weimar Germany lorded over by impish Joel Grey as the trickster-demon emcee the incandescent Sally Bowles (Liza Minnelli, her performance earning one of eight Oscars total) shares a dalliance with British writer Brian Roberts (Michael York) that ends in tragedy, both for them and for Europe. Beyond the jagged modernist perfection of the sets, cinematography, costuming, choreography and acting, theres a canny intelligence undergirding the spectacle. Its all far too horny to be branded the thinking persons musical, but Fosse masterfully splits the difference between the two. Charles Bramesco

Theres music in the voices and ambient noises interrupting or screaming over each other in Nashville, the Sistine Chapel of ensemble movies. Robert Altmans grand old tapestry is about country musicians and the promoters, fans and wannabes who orbit them during concert celebrations for Americas bicentennial. The film is brimming with soulful ditties like Keith Carradines Im Easy and Ronee Blakelys My Idaho Home. But Nashvilles famously dense and democratic soundscape finds its melody in the hum of traffic and crowds and the carefully amplified flirting, bickering, scheming, yearning, hollering and political campaigning between them. Resonating just as loudly today as it did in 1975, Nashville is a comic and melancholic soundtrack to a nation divided between jingoistic patriotism and malaise. The 24 characters on its principal ensemble cast are like musical notes that complement and compete with each other. And throughout Nashvilles epic runtime, Altman patiently waits and searches for a way to get them all in tune. Radheyan Simonpillai

My strong feelings for High School Musical, a groundbreaking cable TV event if not technically stellar movie (the lip syncing? Its off), owe mostly to timing: I was 12 years old when it premiered in January 2006, the prime age to fall hard for its classic fitting in v being yourself stakes and even harder for Zac Efrons hair swoop. It was a pleasure to get absolutely steamrolled by Disneys correct calculation that hot jock + beautiful nerd + the plot of Grease + lunchroom choreography = generation-defining, inescapable hit. Watching HSM in its wave felt gravitational, enjoyably ridiculous; the first movie was earnest without being too sentimental, your unhinged scream at a rollercoaster drop turned into the ethos of a whole franchise (whose endearment is evergreen see: the very Gen Z meta HSM: The Musical: The Series starring one Olivia Rodrigo). But HSM is most beloved by me for its durability Ive seen it dozens of times, the soundtracks familiar beats of teenage melodrama slicking every rewatch, each one solidifying that you cant take yourself too seriously when growing up (or bopping to the top). Adrian Horton

There are so many alluring entry-points into Mel Stuarts glorious adaptation of Roald Dahls Charlie and the Chocolate Factory a deranged Gene Wilder going for broke, endlessly appealing, if disgustingly unhygienic, scenes of sweet things, a plot structure that resembles a chillingly casual slasher movie but for annoying children that its easy to imagine it working without also being a musical (it was after all a captivating novel without telegraphed song breaks). But the delicate tonal balance of the story, from deliciously sweet to stingingly sour, works so well because of the music, a sprightly way of dishing up spoonfuls of salt to younger viewers. Dahl obviously hated the end product (he had a similar distaste for Nicolas Roegs equally thrillingly perverse take on The Witches) but it remains a wildly engaging and trippy adventure that manages, quite deftly, to combine awful kids enduring cruel and unusual, if arguably deserved, deaths (theories have since populated that compare Wonka to a deranged and inventive moralistic killer a la Jigsaw) with lively yet sparsely scattered musical numbers. Singin in the Rain could never. Benjamin Lee

Rarely has the title song from a musical eclipsed its source quite as cruelly as New York, New York. The film, directed by Martin Scorsese on the back of his Taxi Driver success, was a costly, grudgingly reviewed flop; the song, composed by Cabaret geniuses Kander and Ebb, worked its way swiftly into the American canon, made universally recognizable via Liza Minnellis original interpretation and Frank Sinatras subsequent cover. But the film, one of Scorseses greatest and gutsiest, deserved equal elevation. In 1977, audiences and critics werent sure what to make of a musical that married iridescent 1940s showmanship with ugly post-Cassavetes relationship drama, exquisitely acted by Minnelli and Robert De Niro as a warring musician couple who were never meant to be. But the tension between those two modes is the point, capturing the disconnect between glistening onstage chemistry and abrasive backstage turmoil. Its a shame the films failure dissuaded Scorsese from ever attempting the genre again: too long dismissed, it sings, swings and slings shots with the best of them. Guy Lodge

There is some debate as to whether the Coen brothers Homeric prison-escape comedy from 2000 is a musical at all, despite its T Bone Burnett-curated soundtrack of period-specific American folk, spirituals and bluegrass. Well I say: if jukebox musicals like Mamma Mia can get away with a load of Abba cuts, or or indeed Across the Universe can chuck in random Beatles songs, then I rest my case. O Brother, of course, benefits from the Coens at the top of their game: a ridiculously convoluted concept (reimagining the briefly mentioned film project from Preston Sturges Sullivans Travels); a terrifically charismatic performance from George Clooney (also at the top of his game) pulling the whole thing along; and of course the music, central to the plot, wonderful to listen to, and organised with scholarly rectitude. The 1913 tune Man of Constant Sorrow, keened through those hilarious beards, is the showstopper; but I really like the baptismal sequence built around Down in the River to Pray I dont think any other film-makers could have pulled that off. Andrew Pulver

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From My Fair Lady to Grease 2: Guardian writers on their favourite movie musicals - The Guardian

Oak Ridge Boy William Lee Golden tells his story in Behind the Beard – AL.com

Strangely enough, the nostalgic autobiography of an Oak Ridge Boy provides a cutting-edge look at whats going on right this second in the music world.

William Lee Golden recently published Behind the Beard, a memoir of his life from his childhood in Brewton, Ala., through the long grind leading to the Oak Ridge Boys breakthrough to big-time success, a series of divorces, his split from the band and eventual reunion, and his development of a family musical enterprise with The Goldens.

It is, by design, mostly a look back for the benefit of those who think fondly of the Oaks and who want to hear the inside story from the groups hairiest member. Itll be of interest mostly to fans who want to revisit those days in the early 80s when the Oaks, The Statler Brothers and Alabama regularly cracked the pop Top 40 with voices that were distinctly Southern, harmonies often rooted in gospel and songs that were usually, aside from Alabamas sultrier numbers, unimpeachably wholesome.

More on those bygone-era charms in a minute. In the last pages of the book, Golden reveals that the book was a project undertaken by the COVID-19 shutdown. But he also talks about the cost of that shutdown.

Early in 2020 the baritone was laid low by a respiratory ailment that left him bedridden for two weeks, in pain like hed never felt before, and that then required an ICU stay and further recuperation. A backup filled in for him as the Oaks continued to tour. Golden says thats standard procedure: Band members can step up to fill in for any of the four front men.

The whole band and crew depends on those concert dates. Our big money comes from concert performances, but the show must go on, in order for everyone to get paid, Golden says. I appreciated Michael Sykes covering for me. He helped save the show and they didnt have to cancel the concerts. Its a good thing they did the shows while I was sick, because just a few months later, almost every show for the rest of the year was cancelled due to the virus lockdowns.

He rebounded and was healthy for the remainder of 2020. His experience left him with an impression, right or wrong, shared by many who were bushwhacked by severe flu-like symptoms in early 2020: While I was told that I had the flu, a month after I got out of the hospital, we started hearing about the first cases of the Corona virus starting to hit the U.S. But I feel like I might have had it before anyone knew what it was.

As the shutdown fades into memory, the concert business is booming back to life, with new announcements coming every day. (The Statlers have ended their group touring days, but the Oaks have a full calendar from now through February 2022, and Alabama is back to playing arenas, with appearances Aug. 6 in Orange Beach and Aug. 7 in the Birmingham area.)

Golden says in the book that pandemic lockdowns canceled 100 Oak Ridge Boys concerts in 2020. While the hiatus was a godsend in that it allowed him to pursue some passion projects, he includes glimpses of how tough it was. One comes from fellow singer Duane Allen:

During our shutdown with the Covid virus, we had just 7 shows in 7 months. That was barely enough to pay our utilities. As a group, we said, We are not going to be able to have a salary. William told me, Duane, whatever you feel the Oaks need to do, I am there. We went through seven months without a full paycheck.

You see very few professional football or basketball players who are over the age of 40. They are usually long retired by then, writes Golden. Im more than double their age and Im still working hard! Of course, I love what I do, but Ive still got lots of bills to pay. If you go through 3 divorces, and get wiped out financially 3 times, youll find yourself working into your 80s too.

Financial considerations arent the only thing driving the concert industrys booming return to life. Theres also the hunger to perform. At 82, Golden says its still there.

But will the day come that the Oak Ridge Boys finally park the tour bus for the last time? Im sure it will. But for now, the bus still has a full gas tankand so do we, he says. We will continue as long as each guy can go. I can honestly say that we have never discussed what would happen if one of us couldnt go on. I plan to perform as long as I can, but if I couldnt perform, I would hope the group would go on without me, and I would expect them to.

2021 makes 40 years since Elvira became the groups signature hit. If a farewell tour is in the cards, Golden says, I hope that we make it a very long farewell.

Behind the Beard is, in its own way, a long farewell. Golden is open to a point about his faults and failings, from the infidelity that broke his first marriage to the hedonism that contributed to his firing in 1987. Its all told from the perspective of a man who has forgiven himself and moved on, so theres nothing titillating or controversial to be found. This is Behind the Beard, not Behind the Music.

The book, written with Scot England, is peppered with contributions from various friends, relatives and business partners, in addition to the other Oaks. The inclusion of other voices is undercut by their uniformity. These arent counterpoints or alternate perspectives, theyre tributes, ranging in tone from admiring to fawning. If you can overlook the sense that they were written to spec, they support the books thesis that Golden is a much-admired, well-liked man. If you cant, they make the book feel like a vanity project.

If Behind the Beard holds little to raise eyebrows, it does have its share of small delights. Golden writes at length about his idyllic youth in the Brewton area. He rather generously covers the Oak Ridge Boys long days of pre-fame struggle, when a frequently changing lineup of men scratched out a living on the gospel circuit. He gives these forerunners his respect, naming them and praising their work.

The book contains a cornucopia of photos, many showing a man who could have passed as a 70s movie idol before he decided to throw away his razor. Want to see the barefoot country boy, or the teen who aspired to the fame of hometown hero Hank Locklin? There they are. Want to see what his grandpas truck looked like after he rolled it? There it is.

Golden also gives some insight into the difficulty of the Oaks transition from gospel to country. It wasnt quick, it wasnt easy and it wasnt painless -- particularly as the band lost favor in the gospel industry and struggled for traction on the secular side. Hes similarly upfront about the setbacks along the way: Expensive divorces, the destruction of his home by a tornado, and other mishaps that show stardom doesnt guarantee a perpetual ride on easy street.

But even with our gold and platinum records and every kind of award, I am still not all that impressed with myself, he writes near the end. Thats why it took me so long to be talked into doing this book.

Behind the Beard is just that direct and is tinged throughout with the same self-deprecating humor. As he says right up front:

When you write your life story, and you decide to bare everything, its kind of scary. It feels a lot like getting naked in front of the entire world. Now that Ive committed to it, there is one thing going through my mind if I was going to get naked in front of everyone, I probably shouldnt have waited until I was 82 years old!

If nothing else, we can thank William Lee Golden for putting that image in our heads.

Behind the Beard can be ordered at http://www.williamleegoldenbook.com. The Oak Ridge Boys release their newest album, Front Porch Singin, on June 11.

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Oak Ridge Boy William Lee Golden tells his story in Behind the Beard - AL.com

SpaceX is causing division in Brownsville over disruption, economic impact – Business Insider

Residents of Brownsville, a small city in Texas, are divided.Their town is now home to SpaceX's rocket-production facilities, which only promises to grow bigger.

Some locals told Insider they're at their wits' end with SpaceX as the aerospace company sets off explosions and pushes locals out of the area. But others see it as a positive impact on the economy and residents' wellbeing.

Brownsville, which lies 20 miles west of SpaceX's launch facilities on the Gulf Coast, is known for being one of the poorest areas in the US. The 300,000-person city also has a very high unemployment rate.

When SpaceX CEO Elon Musk tweeted at the end of March that he was donating $30 million to Brownsville $20 million to schools and $10 million for revitalization it split the city.

Musk also announced that he was building a new city called Starbase at SpaceX's launch facilities which would be "much larger" than Boca Chica Village, where the company is developing its Starship rocket.

Brownsville's mayor Trey Mendez was surprised at Musk's announcement and said in an interview with KSAT 12 it was "exciting" that the community could have the chance to become the face of "space exploration and innovation."

Mendez said he hoped Musk's capital would help "accelerate the progress [in Brownsville] even more."

But there is division between those living in the south Texas city. Some are concerned that SpaceX's developments will be devastating for the people, nature, and ecosystems there. Others welcome the job opportunities, economic prosperity, and modernization that Musk's company could bring to the town.

SpaceX didn't immediately respond to Insider's request for comment.

Every time a rocket blows up on the launchpad, it hurls debris into the nearby nature sanctuaries in the area. SpaceX has witnessed four out of five of its Starship prototypes explode, meaning that metals and pieces of machinery are lying in areas that have never been disturbed before.

"These ecosystems are our community's lifeblood," said Bekah Hinojosa, resident of Brownsville and member of Another Gulf is Possible, an organization working on environmental issues along the southern Gulf Coast.

"SpaceX explosions are littering our ecosystems, home to the endangered ocelot, aplomado falcon, and numerous migratory birds," she said.

Xandra Trevio is a member of the art collective Las Imaginistas. It's an initiative that aims to connect with officials and lower-income residents in the Rio Grande Valley, where Brownsville is situated, to improve quality of life. As a resident, she told Insider that she's already seeing the negative effects of SpaceX in the area.

"Any SpaceX expansion would be occupying more land considered sacred to the local indigenous Carrizo Comecrudo tribe," Trevio said, who lives in the area.

Residents face disruption every time they're told to leave their homes before a SpaceX launch, she added.

In March, Musk encouraged people to move to the Brownsville area, saying that SpaceX needs specific jobs in engineering, tech, and other sectors.

Residents felt that Musk's Twitter callout, however, wasn't directed at them, but instead anyone in the US who wanted a career at SpaceX.

Claudia Michelle Serrano, a digital content coordinator for Las Imaginistas, who lives in Brownsville told Insider that Musk's job proposals via Twitter were offered on a national level to those interested in working for the space company.

"The jobs being created aren't for us," she said. "There is zero transparency on the jobs SpaceX created locally."

Jobs in Brownsville are low-wage, meaning that residents on those salaries won't be able to keep up with increasing costs in the city, according to Serrano.

Christine Leal, a 17-year-old high school student living in the Rio Grande Valley, told Insider that although her dream is to work for SpaceX after studying engineering at university, she's worried about "the immense danger," which the company will bring to the area.

Pulling in engineers from outside of the valley will lead residents to be financially disadvantaged and pushed out of their homes, she said. "There's a large probability that [Musk] will further develop Brownsville, but neglect the locals who were already here."

Leal said although the company's project will be amazing for the local economy, "Elon and SpaceX need to make sure that locals have a role in that development and don't push us aside. If he doesn't, then we risk losing our culture, land, customs, and traditions."

Low-income residents could be forced to leave their homes due to spiking prices caused by SpaceX's presence in the area, locals told Insider.

Musk announced the construction of SpaceX's facilities in 2014. Since then, the cost of living in the area has gradually increased as more people from across the US flock to Brownsville to work for the billionaire.

If the city of Starbase goes ahead, the small village and its leaders would have access to eminent domain, which could let them legally force holdouts to sell their homes, Insider reported May 8.

"The biggest concern is displacement," said Serrano. "Our home could be lost with rapidly increasing taxes or others who rent will be priced out."

Investors have been rushing to Brownsville to buy homes, sending house prices rocketing, Insider reported in April. But many residents aren't able to afford these prices, leaving them with a tough decision of whether to stay in the area or not.

Serrano said this could have a huge impact on the Buena Vida area of downtown Brownsville, a historically immigrant and Spanish speaking area.

Many of the locals who spoke to Insider believe the local leaders have a lot to answer for. Freddy Jimenez, editor of media platform Trucha, told us the leaders of Cameron County and City of Brownsville don't represent the everyday people living in the area as they look to profit from the space company's developments. Conversations between the representatives and SpaceX have been kept under the wraps, he added.

"Working people, community members, indigenous people, and the beautiful ecology of the region is being put at risk and exploited," Jimenez said. "Shame on our local leaders and shame on the interests they serve."

Robert Avitia, who was born and raised in Brownsville, still lives in the city where he runs his business. He thinks that SpaceX has done wonders by pumping more money into the area.

Although Avitia believes there are more positives than negatives with Musk coming to Brownsville, he agrees that rocket debris in the wildlife sanctuaries and the closing off of Boca Chica beach are serious issues in the community.

Boca Chica beach was a place where people could hang out whenever they wanted, Avitia told Insider.

"Now it's controlled. You can't get in and out whenever you want to. It's only when they allow it, based on what's happening at SpaceX," he said.

The beach was a big part of the culture in the area. Avitia recalled the fond memories he had with his father of coming down to the beach to fish. Now, SpaceX sometimes doesn't allow people to fish as it's too close to the facilities.

Hinojosa, who raised concerns about rocket litter earlier in this report, also said SpaceX closing off the beach access for locals threatens people's livelihoods by preventing people from fishing and feeding their families, and enjoying the beach.

But Avitia is one of the many people who welcome SpaceX's expansion in Brownsville. Beforehand, the city was a "ghost town" with little to offer, he said. Now, it's become more modern as new restaurants and businesses pop up on the streets, the tourism sector grows, and highways are updated he added.

"There is division here," he said. "You have people that are just comfortable and don't want to change... I hate to say this but the ones that want to stay comfortable are going to lose, they're going to miss out."

Restricting access to the beach and fishing comes with change, said Avitia.

"[Musk] donating money was like him saying, "Hey, I'm here to help. I'm not here to take away. I'm here to help." And I truly believe he's here to help," he added.

Four other people who spoke to Insider said they were also excited about Brownsville being the home of SpaceX.

One of them, Rudy Guzman, a lifelong resident of Brownsville, told Insider that SpaceX is exactly what the city needs "to attract outside investors and grow our local economy." Others said it would motivate children and make a huge improvement to education.

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SpaceX is causing division in Brownsville over disruption, economic impact - Business Insider

A Serene Shore Resort, Except for the SpaceX Ball of Fire – The New York Times

BOCA CHICA, Texas The text arrived late at night: For your own safety, leave home by morning, it read. Nancy and James Crawford, no longer surprised but still unsettled, raced away in their S.U.V. after sunrise, occasionally twisting their necks to catch a glimpse of the space rocket towering behind them.

Moments later, the Crawfords, who are in their 70s, watched from a 12th-floor balcony on South Padre Island, a few miles up the coast, as the rocket shattered on impact during an attempted landing, spreading fiery debris along the sand dunes and tidal flats. The building shook, Mr. Crawford recalled, and in the distance, there was a ball of fire.

It was exciting, echoed his wife, but too dangerous if we had stayed home.

Home for the Crawfords is a remote coastal community a stones throw from Mexico, a village so small that water has to be trucked in. With a single road in that ends at the shoreline, it has long attracted people eager to escape congested cities, and retirees eager to escape the harsh winters of the North and Midwest.

From the community tucked among lush wetlands, wildlife refuges and sandy beaches, the nearest supermarket is about 20 miles away, past long stretches of gravel roads and a Border Patrol checkpoint. Until a few years ago, the handful of residents could not have imagined that rockets designed for interplanetary travel would be as much a part of their view as the Rio Grande.

But ever since the billionaire Elon Musk brought his private space company, SpaceX, to the area, life has not been the same. A gargantuan gray rocket, surrounded by chain-link fencing less than a mile from the ranch-style brick homes, is a constant reminder that the Crawfords and their remaining neighbors live near a space launching pad.

SpaceX representatives usually give the 10 or so residents plenty of warning that a rocket is scheduled for launching. Other times, loud sirens warn them, and some, like the Crawfords, choose to put on heavy-duty headphones to block some of the noise. When a rocket engine is tested, the roar and trembling are so powerful that they can blow windows inward.

Humans are not the only species who cower. The earsplitting sound of rockets shrieking above the tidal flats has caused some, such as shorebirds, to flee in terror or to stop nesting in the area altogether. And heavy machinery brought in to retrieve whatever debris has scattered often damages the road and scares away other wildlife, environmentalists said.

While the Federal Aviation Administration has given SpaceX environmental clearance for the tests, environmentalists worry that recent explosions could have a lasting effect on the ecologically rich area, home to a number of endangered species, like ocelots and Kemps ridley sea turtles.

When youre testing brand-new technology and brand-new rockets, brand-new engines, stuff like that happens, said Jim Chapman, president of Friends of the Wildlife Corridor, a nonprofit group with a mission to protect the native habitats of the Rio Grande Valley. Well, our feeling is, that shouldnt be happening here.

But the story of how SpaceX came to Boca Chica, about 22 miles from Brownsville, Texas, begins with a promise of a much-needed economic boost to one of the poorest regions in the country.

For decades, Brownsville and the broader Rio Grande Valley have struggled with a lack of opportunities and a brain drain, with many college graduates opting to leave for careers elsewhere.

Before SpaceX became entrenched in Brownsvilles consciousness, the economy had relied heavily on jobs with the government, schools, health care and some low-paying retail stores, officials said.

Representatives for SpaceX, which is investing a fortune in its quest to send people to Mars, did not respond to a request for comment. But officials of Cameron County, which includes Boca Chica, said the company had infused hope and optimism into the region.

When the company announced plans to move to the area in 2014, it promised to create about 500 jobs, said Eddie Trevio Jr., the Cameron County judge, the countys top elected official. But as of late last year, he said, the actual figure was more than triple that, with more than 1,600 jobs in construction, clerical and other fields, most of them given to local residents, he said.

The benefits to the Brownsville area, where according to the U.S. Census Bureau at least 30 percent of the population lives in poverty, will eventually outweigh whatever tension and disruptions the company has brought, Mr. Trevio said.

We have to balance the good with the bad, he said.

The search for the ideal SpaceX launching pad began more than 10 years ago. Sites were considered in other states, including Georgia, California and Alaska, with engineers needing a mostly desolate area close to the ocean. Boca Chica, a retirement community with only a few year-round residents, fit the bill.

After SpaceX signed a deal to set up operations near the village, the testing of rockets that would one day reach outer space began a few years later in earnest, Mr. Trevio said. The company has taken a fail-fast, fix-fast approach, which essentially means that engineers use the tests to identify shortcomings in the design and then make adjustments before the next test.

Over the past year, those who still live in the community have had to flee before every launch. Four rockets have exploded, spreading debris across the area. (The most recent test, this month, did not result in an explosion, and an elated Mr. Musk took to Twitter to celebrate the milestone: Starship landing nominal!)

This was not the Crawfords idea of a peaceful retirement. Both worked in government jobs in Michigan, he in law enforcement and she with a deeds department. And though they still spend their summers in Michigan, they bought their home in Boca Chica 10 years ago in search of nature and some quiet.

Then came the knocks on their door, and on the doors of their neighbors. SpaceX wanted their homes. Representatives with the space giant had appraised the Crawfords single-story, three-bedroom brick house at $50,000 and was willing to pay three times that, they were told. The Crawfords dismissed what they considered to be a paltry offer from one of the richest men in the world.

We cant buy a new house with that money, Mr. Crawford said with a chuckle.

Last October, the offers finally stopped.

We are pretty certain that we will be able to remain in our home, Ms. Crawford said with a sigh of relief.

But many of their neighbors, who like them once found Boca Chica the perfect winter oasis, took the checks and left.

And one by one, the ranch homes have been replaced by modern white houses with solar-powered rooftops, the occupants younger space professionals who work for SpaceX, residents said.

You can tell which homes are SpaceX because they are the ones that look the same, a stale white and black, said Rosemarie Workman, 72, who spends most of the year in Boca Chica and has turned down offers to sell her home.

One of her new neighbors has stood out. Mr. Musk has been spotted staying in an unassuming ranch-style house. Ms. Workman and her neighbors sometimes see him taking a stroll with two men they assume are part of his security detail.

He doesnt really make an effort to say hi or get to know us, said Jim Workman, 75, who lives across the street from the billionaire.

The feeling, he admitted, is mutual. He pointed to a flag on his front porch that reads Come and Take It below the image of a cannon, the flag fashioned for the Texas Revolution and long a symbol of defiance in the state.

I think he gets the message, Mr. Workman said.

Concerns over SpaceX extend beyond Boca Chica.

In downtown Brownsville, Elias Cantu, an activist with the League of United Latin American Citizens, the oldest Mexican-American civil rights organization in the country, stood beside a mural of Mr. Musk that read Boca Chica to Mars and shrugged. He said he feared it would be only a matter of time before Boca Chicas extreme redevelopment found itself encroaching into Brownsvilles poorest neighborhoods.

Its inevitable, Mr. Cantu said. Hell need homes to house all the people he wants to bring down here. Im afraid hes going to push out a lot of low-income families who have lived here for generations.

Xandra Trevio, a member of Fuera SpaceX, an organization pushing back on SpaceXs rapid expansion (its name translates as Leave SpaceX), said she and many other activists felt ignored by area policymakers.

I feel like people believe that SpaceX is going to be good for the community, when in fact, they are too large to control, too large to hold accountable, Ms. Trevio said. Local officials are only seeing money signs. Local officials are star-struck.

But area officials said they could not turn away millions of dollars and the promise of high-paying jobs in a region that for decades has been starved for investment.

In the build it and they will come philosophy, the space giant has already attracted other employers to the region. Space Channel, an entertainment network devoted to covering space, recently announced that it would move part of its operations from Los Angeles to Brownsville, including six executives, with local positions to follow. Other companies are likely to do the same, said Rose Gowen, who sits on the city commission.

One of the very important things for me to support, and us to support, is growing the wealth, Ms. Gowen said.

Mr. Musk seems to agree. He recently announced on Twitter that he planned to donate $30 million for city revitalization projects and schools. The mayor of Brownsville, Trey Mendez, did not respond to a request for an interview. But in a statement, he said he supported money coming in. We look forward to a discussion about how this could help our community prosper as we take a front seat to the next chapter of space exploration and innovation, he said.

But that growth is no consolation for the holdout residents of Boca Chica. The Crawfords like to sit in their backyard and admire the several species of birds looking for respite, or the delightful sightings of those migrating.

But reminders that they live near a launchpad are never far away. Every now and then, loud sirens startle them, signaling that the testing of rocket engines is about to begin. Or they receive a text asking them to leave their home, a cue that a launch is imminent.

When a sheriffs vehicle drives by with its sirens on, the Crawfords know they are supposed to run to the street or at least leave their home. They know their windows could shatter. But the last time they heard the siren, on one afternoon this spring, the couple looked at each other and shrugged.

We grew tired of running out, Ms. Crawford said. This is life near SpaceX, after all.

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A Serene Shore Resort, Except for the SpaceX Ball of Fire - The New York Times

Boca Chica Boulevard sees over 200 accidents within the last year – KGBT-TV

BROWNSVILLE, Texas (KVEO) Boca Chica Boulevard in the city of Brownsville has had more than 200 accidents every year since 2018 and it is on the top 100 roads with the most traffic incidents in Texas, according to the Texas Department of Transportation.

TxDOT paired up with the City of Brownsville to build a raised median, add sidewalks, and new drainage projects, but some residents say traffic has not gotten better.

Sometimes they dont even pay attention to what theyre doing, said Mariano Abalos, an employee at a gas station on Boca Chica Boulevard. In order to get to one point they cross through [the gas station] so sometimes you see accidents.

The manager at Angelitas Casa de Cafe on Boca Chica said that he has probably seen more accidents because of the construction.

As far as accidents I believe that theyre even going further up because people not knowing which way to go, said Leal.

Leal sent us this video from the incident that took place Sunday.

Octavio Saenz, the spokesperson for the regional TxDOT, said that this part of Boca Chica has always been busy.

For us, the most important part of this road is that its one of the top 100 roads with the most incidents in the state of Texas, said Saenz.

Saenz said that the $4.7 million project started in October of 2019 with the goal to improve the flow of traffic in the city.

People coming from the south part of the road can just cut across lanes to go to the opposite side, said Saenz. That caused continuous conflict points or areas where theres a probability that people can crash.

Though construction is supposed to fix traffic, Leal said in the short term it has posed new challenges for business.

From our customers having issues being able to come into our plaza, to having issues with our plumbing when they reconstructed the sidewalk, said Leal.

Saenz said TxDOT is doing what they can and it is up to drivers to drive safe.

2020 when the number of drivers went down because of COVID-19, we expected the number of accidents to as well but no the percentage still remained the same, said Saenz. What does that tell us? That those habits are engrained and those habits need to change.

The city of Brownsville said they have asked the state to look for more modifications to improve the current traffic plan.

Saenz said that TxDOTs construction in the area is scheduled to be complete at the end of Fall 2021.

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Boca Chica Boulevard sees over 200 accidents within the last year - KGBT-TV

Sweden Is Building a Massive Space ComplexAnd Itll Be Europes First Orbital Launch Site for Satellites – Architectural Digest

Over the past year, SpaceX founder Elon Musk has made it known that he dreams of incorporating a new city near the companys Boca Chica, Texas, launch site into a city called Starbase. While the idea of creating a space-age haven just miles from where the Rio Grande meets the Gulf of Mexico is an as-of-yet unrealized vision, a similar spaceport halfway around the worldand in the polar opposite climatemight just serve as some inspiration as the commercial space race heats up.

Near Kiruna, Sweden, north of the Arctic Circle, Esrange Space Center is taking shape thanks to revitalization efforts overseen by the publicly owned Swedish Space Corporation. With companies in the U.S. and Europe hoping to significantly increase the number of commercial satellites launched into space this decade, the Arctic space research center first handed over to Sweden by the European Space Agency in 1972 has taken on a renewed sense of purpose.

Taking off from above the Arctic Circle has its advantages, as launching into polar orbit over the North and South poles gives satellites a more comprehensive view of Earth, while requiring less energy for a satellite to actually get into space.

Although Americans likely picture Florida or Texas as the place to launch rockets, taking off from above the Arctic Circle has its advantages. Launching into polar orbit over the North and South poles gives satellites a more comprehensive view of Earth, while requiring less energy for a satellite to actually get into space. Thats not to mention the 2,000-square-mile landing zone a relatively remote location like Esrange has to offerespecially critical given the facilitys plans to test Europes first reusable rocket by the end of 2022.

Beyond its natural attributes, the area around Kiruna already has an infrastructural head start when it comes to space travel. The Swedes have used the site for a variety of space research projects over the years, and the countrys top scientific minds are already familiar with the area thanks to the Swedish Institute of Space Physics. The space engineering Ph.D. program at Lulea University of Technology and a specialized Space High School program in Kirun also attract the next generation of (literal) rocket scientists to the area. Thats on top of the hotel, church, and visitors center, all of which can expect to see more activity in the near future.

Outside the Esrange Space Center offices.

There should be no shortage of interested parties on hand as Esrange ramps up its efforts to become Europes preeminent launching pad for orbital rockets. As The New York Times reports, German rocketry startups (one of which, ISAR Aerospace Technologies, secured $100 million in funding from an ex-SpaceX VP) are already on site testing out engines, and more are sure to follow once the launchpads that will carry orbital rockets beyond Earths atmosphere are completed.

Though the effort is certainly ambitious (and has elicited occasional concerns from locals who appreciate the areas vast wilderness), the Swedish Space Corporation believes Esrange is vital not just for the Scandinavian countrys ambitions but for the continent as a whole.

Europe really needs to build infrastructure to get to space, Swedish Space Corporation senior VP Stefan Gustafsson told the Times. We can provide a proper space base. Whether or not that ends up being the case should be clearer by the end of 2022. But if Swedens plan to launch commercial satellites into orbit ends up paying dividends, dont be surprised if spaceports are the next major infrastructural frontier.

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Sweden Is Building a Massive Space ComplexAnd Itll Be Europes First Orbital Launch Site for Satellites - Architectural Digest

Elon Musk reveals Starship progress ahead of first orbital flight of Mars-bound craft – The Independent

SpaceX tycoon Elon Musk has shared a picture of his latest Starship prototype, the SN16, which is being readied for the projects biggest test yet: the first orbital flight of a Mars-bound ship, due for blast off in July.

The towering 50-metre-long stainless steel craft is seen in a hangar at Mr Musks Starbase facility at Boca Chica in Cameron County, Texas, its sci-fi nose cone and fins cast against the night sky.

Starships development brings the Tesla billionaire closer to realising his dream of landing an astronaut on the hostile surface of Mars this decade, with a view to ultimately colonising the Red Planet and even constructing cities among its craters by 2050, a project that has already seen him secure a multi-billion dollar contract with Nasa.

SpaceX has ambitions to launch crewed missions to Mars as early as 2024 and currently has the field to itself, with no government agency or rival private company on course to challenge it.

Such a plan would involve Mr Musks company building up to 100 Starships a year, with each one capable of housing 100 crew members and boasting private cabins, large common areas, centralised storage, solar storm shelters and a viewing gallery, according to SpaceXs user guide for the rocket.

The firm only began testing Starship prototypes in January 2020 but has so far set about its task at an astonishing rate.

After two successful 150-metre hops at its Starbase centre, SpaceX began a series of high-altitude flight tests at a frequency of nearly one a month. Although the first four of these ended in explosions, each represented a milestone in Starships progress.

Alongside Starship, the company is also building a 70-metre Super Heavy booster that will also be fully reusable and capable of supporting regular rocket launches from Earth.

When combined, this two-stage rocket will stand at 120 metres and make for the worlds most powerful launch vehicle ever developed.

The craft features six Raptor engines fed with liquid methane and liquid oxygen by propellant tanks, producing methalox in a combustion process that takes place in several stages, the engine design serving to minimise waste, according to the BBC.

Mr Musk hopes the use of methane as its fuel will mean it can be synthesised with subsurface water and atmospheric carbon dioxide should it eventually reach Mars, creating a Sabatier reaction that would enable it to power its way back to Earth self-sufficiently.

The Super Heavy rocket will meanwhile be filled with 3,400 tonnes of cryogenic methalox and be powered by a further 28 Raptor engines, providing 72 Meganewtons of maximum thrust and rendering it more powerful than the huge Saturn V launcher that was used for the Apollo Moon missions in the 1960s and 70s.

Speaking at a Nasa panel event in April, Mr Musk observed that it is now almost 50 years since man last landed on the Moon and commented: We need to have a big permanently occupied base on the Moon, and then build a city on Mars and become a spacefaring civilisation. We dont want to be one of those single planet species, we want to be a multi-planetary species.

The tech developer has previously described his motivation as lying in the prospect of existential threats to our planet, telling a conference in Mexico in 2016 that the future for the human species amounts to staying on Earth and awaiting some eventual extinction event - like the planet succumbing to the effects of the climate crisis or being struck by an asteroid - or establish new colonies elsewhere to increase humanitys chances of survival.

Mr Musk has been serious about cultivating life on Mars since at least 2001, when he attempted to buy three intercontinental ballistic missiles for $20 million in order to blast a robotic greenhouse to the planet in order to grow plants in its soil.

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Elon Musk reveals Starship progress ahead of first orbital flight of Mars-bound craft - The Independent

Mike Tyson says psychedelics saved his life, now he hopes they can change the world – Reuters

During his reign as heavyweight champion of the world, no one was more feared than Mike Tyson, who obliterated opponents with ruthless efficiency.

But all the while, the troubled superstar was at war with himself, battling an abusive voice in his battered head that led "Iron Mike" to the brink of suicide.

He said that all changed when he began taking psilocybin mushrooms, more commonly known as "magic mushrooms," and other similar consciousness-altering substances.

Now the boxing prodigy from Brooklyn is experiencing a career renaissance that he said is the result of psilocybin-powered mental and spiritual exploration.

"Everyone thought I was crazy, I bit this guy's ear off," an upbeat Tyson told Reuters, referring to his infamous 1997 fight against Evander Holyfield.

"I did all this stuff, and once I got introduced to the shrooms ... my whole life changed."

To be sure, many people have had negative experiences with psilocybin, which can cause disturbing hallucinations, anxiety and panic. Medical professionals studying them warn against self-medicating or using them outside of an approved medical framework.

But Tyson, who turns 55 next month, and impressed in his November exhibition bout against Roy Jones Jr, said he has never felt better.

"It's scary to even say that," said Tyson, who is also a cannabis entrepreneur and podcast host.

"To think where I was - almost suicidal - to this now. Isn't life a trip, man? It's amazing medicine, and people don't look at it from that perspective."

"I AM CURED"

Humans have been ingesting psychedelics since the earliest days and as stigmas slowly dissolve, it is beginning to be taken seriously as a psychiatric medicine.

There is still much to learn.

Enter former NHL enforcer Daniel Carcillo, who was nicknamed "Car Bomb" for his violent approach to the sport.

After 164 fights, thousands of hits and at least seven concussions, the two-time Stanley Cup champion was forced to retire in 2015 due to repeated head trauma.

Like Tyson, he was at war with himself and struggling to connect with his wife and young children after his retirement at age 30.

He said psilocybin helped him bridge that gap and the experience led him to found Wesana Health, a first-of-its-kind company dedicated to studying its ability to treat traumatic brain injury (TBI) in athletes, veterans and others.

Wesana recently entered into a clinical research project with the World Boxing Council (WBC) to examine the potential of psilocybin to help boost the brain health of boxers, and Carcillo says he is proof that it works.

"I am cured, for sure, of TBI and any related symptoms. 100%," Carcillo said.

"I do not suffer from slurred speech, headaches, head pressure, insomnia, impulse control issues, anxiety, depression or suicidal ideation," he said.

"I do not suffer from any of that (anymore)."

Carcillo and his team are hopeful psilocybin will become an FDA-approved drug to treat TBI.

OPEN TO THE WORLD

Tyson said he wants to spread word of the benefits of psilocybin as widely as possible, which is why he has partnered with Wesana.

"I believe this is good for the world," said Tyson, who said he thinks its use could also help create a more empathetic and just society.

"If you put 10 people in a room that don't like each other and give them some psychedelics, they'll be taking pictures with each other," he said.

"Put 10 people in a room who don't like each other and give them some liquor, and they'll be shooting everybody. That's real talk.

"(Wesana) was on the same level of thinking that I was. They wanted to share this with the world. This is very limited, us doing this in these small ceremonies.

"It needs to be open to the world."

Our Standards: The Thomson Reuters Trust Principles.

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Mike Tyson says psychedelics saved his life, now he hopes they can change the world - Reuters

Are psychedelics the whole answer? | MHT – Mental Health Today

Psychedelic drugs such as psilocybin, used in combination with talking therapy, are opening new avenues of possibility within mental health care by offering a very different mechanism of treatment from existing psychiatric medications. By inducing a unique state of consciousness, these drugs temporarily alter peoples perception of themselves and their experiences.

This altered state of consciousness creates a window of opportunity by allowing thought processes and perceptions to occur in novel ways, which can enable people to approach their problems from a new perspective. Creating the right conditions for people to confront their distress, so they can generate new solutions for resolving their problems, is what separates psychedelic drugs from the way in which we use other medications, which may only provide short-term relief. Expecting psychedelic drugs to do all the work on their own, however, is not helpful for the advancement of mental healthcare; it is the talking therapy which targets psychological reorganisation that must be focused on.

Mental health difficulties are not caused by biochemical imbalances in the brain. Our mental health is multifaceted and influenced by numerous factors, such as chronic stress, historic trauma, levels of social support, and the meaning we make of it all. Working with mental health issues, therefore, is not just about creating changes to receptors in the brain; it is about having a multifaceted approach to dealing with the very idiosyncratic issues that lead to people becoming distressed.

A drug-centred, dose-response approach in psychedelic research may, misleadingly, communicate that mental health issues are simply the result of some deficit that needs to be rectified and the drug alone is the vehicle of change.

Losing focus on the role of therapy risks overplaying the importance of neurological mechanisms that contribute to mental health, whilst underplaying social, cognitive, emotional, and behavioural processes underlying mental distress.

It might be dangerous to regard psychedelic drugs as silver bullets that can directly solve mental health problems. This is a reductionistic understanding of the problems that affect peoples mental health and one that could give false hope to those who seek help. Early-stage clinical research indicates that psychedelics could be an important component of what must be a multifaceted approach, where emphasis on psychological processes is, at least, as important as what is happening biologically.

Psychedelic drugs may help people experience their problems in ways that they havent been able to before, leading to novel insights which potentially allows new solutions to be generated. In this respect, the drug is more of a catalyst that can enable people to develop awareness of the root causes of their difficulties. To quote the director of the Multidisciplinary Association for Psychedelic Studies (MAPS), Rick Doblin in the New York Times, Its not the drug its the therapy enhanced by the drug.

Psychological support provided during psychedelic-assisted therapies, whether it is non-specific support or shaped by a therapeutic model, is designed in three phases: preparation, dosing, and integration. In preparation, the therapist builds a therapeutic alliance with the participant and prepares them for what to expect. The drug is administered in the dosing session in which the therapist(s) supports the participant for the duration of the drugs effects. The integration phase focuses on making sense of the experiences the participant had during dosing and on helping them incorporate the insights and lessons learned into their daily lives.

It is widely posited that the integration phase plays an important part in generating insights from psychedelic experiences and facilitating the chance of meaningful long-term change. Yet, clinical research into what the specific mechanisms of change are and the most efficacious methods for facilitating such change is limited. A clear, empirically sound framework of understanding is needed, which provides a coherent understanding of individuals mental distress and informs a clear set of principles on which interventions can be based.

People who seek treatment from mental health services often experience multiple and varied issues, yet current practice usually involves providing a problem specific intervention based on a diagnosis. For example, there are hundreds of problem-specific talking therapies, which can be confusing for service users and unduly expensive when training mental health service providers in hundreds of approaches. We therefore need approaches that place the individual at the centre and can deal with the varied problems they face from their perspective.

Our upcoming trial, a collaboration between the University of Manchester and Clerkenwell Health, aims to investigate the impact of talking therapy alongside two different doses of psilocybin. The therapy is informed by Perceptual Control Theory (PCT), which understands mental health issues as the result of a person having reduced or loss of control over the things they value in life, usually because there are two or more competing goals that are mutually incompatible.

PCT provides an empirical framework of understanding that helps to integrate findings from across the mental health literature and informs clinical practice by identifying and capitalising on key principles common to many effective psychotherapeutic interventions. This framework advocates helping people develop their own solutions to problems by mobilising their attention to different aspects of their experiences in order to evaluate them from different perspectives.

There is an emphasis on helping people develop awareness of important values and goals so that they can work out new ways to balancing competing needs. In this respect, psilocybin may serve a useful role in helping an individual redirect their awareness to what is most salient for them, as opposed to other more directive therapeutic approaches.

A number of other therapeutic approaches are emerging for psychedelics, including the Psychedelic Harm Reduction and Integration framework used by MAPS, which has yielded promising results in early research trials. Research in this field is still in its infancy, yet what is becoming increasingly clear, is that service users must be at the centre of psychedelic-assisted therapy and the therapists role should be to guide rather than instruct.

In the Clerkenwell Health trial, psilocybin is understood as temporarily reducing our use of strategies to control experiences, including those that may be counterproductive like worry and rumination. This enables us to be exposed to emotions and wider experiences that we might not have been able to identify or focus on before.

In conclusion, we cannot expect the drug to do all the work on its own. We need more focus on the therapy, which creates the conditions required for people to get themselves better. If we want to improve clinical practice for those who seek help, a principles-based, theoretically driven approach, which builds on what is known to be useful across different psychotherapies is essential. This needs more clinical research. Developing best practices through clinical research, and more importantly, sharing these practices, is crucial for psychedelic-assisted therapy to be incorporated into mainstream clinical practice.

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Are psychedelics the whole answer? | MHT - Mental Health Today

Psychedelic Therapy: Uses, How It’s Done, Risks, and More – Healthline

Psychedelic therapy (sometimes referred to as psychedelic-assisted psychotherapy, or PAP) is a type of psychiatric practice that involves ingesting a psychedelic substance as part of a psychotherapeutic process.

In psychedelic therapy, the use of psychedelics is typically combined with talk therapy.

A range of consciousness-altering psychedelic drugs are currently being used or researched for therapeutic purposes in both clinical and nonclinical settings.

Some are derived from plants, like psilocybin (magic mushrooms), DMT, peyote, ayahuasca, and ibogaine. Others including ketamine, MDMA, and LSD are chemical compounds.

While Indigenous communities have used psychedelics in therapeutic and religious settings for centuries, psychedelic therapy is relatively new in Western clinical settings.

Its becoming more popular with increased legalization of certain psychedelic substances, a rise in mental health conditions, and a lull in psychopharmacological research.

Between the 1950s and 1970s before former President Richard Nixon outlawed them with the Controlled Substances Act scientists produced a breadth of evidence both verifying and pointing toward the therapeutic potential of psychedelic therapy to treat:

In recent years, renewed interest and investment have fueled additional research, much of which is ongoing.

Heres a look at the potential uses of various psychedelics.

Ketamine is the most-studied psychedelic drug for mental health therapy.

In low doses, it has shown to be beneficial in numerous trials exploring its potential to treat depression, but its effects are short-lived.

For people with severe depression, for example, research shows significant improvement after treatment, and results last about 6 to 8 weeks, on average.

These findings have led to the development of a drug called Spravato. Its a nasal spray that delivers the active ketamine ingredient. However, intravenous ketamine administration is considered to be more effective and less expensive.

Multiple phase 2 clinical trials which are done to discern whether a treatment works suggest that MDMA can treat PTSD symptoms for up to 4 years.

Researchers have also completed a phase 3 trial, which determines whether a treatment works better than whats currently available, involving MDMA-assisted therapy for PTSD. This was the first phase 3 trial of any psychedelic-assisted therapy.

Among 90 participants with severe PTSD, 67 percent no longer qualified for a PTSD diagnosis after three treatments, and 88 percent had reduced symptoms of PTSD.

The trial sponsor, the Multidisciplinary Association for Psychedelic Studies, says the results could make way for Food and Drug Administration (FDA) approval by 2023.

Psilocybin, the main compound in magic mushrooms, has shown positive results in treating depression and anxiety in people living with terminal illnesses.

Experts believe it could also help with obsessive-compulsive disorder, addiction, and treatment-resistant depression, but more research is needed.

LSD, a long lasting, potent psychedelic thats considered to be the prototype for therapeutic psychedelics, has been shown to help with both alcohol use disorder and anxiety in people living with terminal illnesses.

At this stage, clinicians are still evaluating the effectiveness of their treatments, so exact dosing, number of treatments needed, and the approach to psychedelic therapy will vary depending on who is guiding you.

That said, most psychedelic therapy in clinical settings is conducted via three stages:

The first step is usually a preparatory consultation to ensure that you dont have any contraindications to the treatment. This is also a good opportunity to discuss your personal background and any goals or concerns you have around psychedelic therapy.

The second phase involves ingesting, either orally or via injection, the psychedelic substance under the supervision of a trained therapist.

There are usually multiple sessions, depending on the type of psychedelic and the treatment plan. For example:

The final phase is the integration process, when the therapist and client work together to integrate meaning from the psychedelic experiences.

Some experts have expressed concerns at the rise of self-medicating, particularly after the 2020 Global Drug Survey showed an increase in the number of people who say they are self-treating various mental health concerns with psychedelics.

Many of these concerns stem from the potential contamination of substances that dont come for a lab-tested source, along with the lack of medical supervision.

Otherwise, psychedelic substances are generally considered low risk, especially when used in a clinical setting.

MDMA can sometimes cause short-term high blood pressure, increased heart rate, and elevated body temperature, but these effects typically go away after use.

Psilocybin may similarly elevate blood pressure temporarily or cause light headaches.

That said, psychedelics have been linked to an increased risk of psychosis in people with psychotic disorders or a predisposition to them.

Theres also the risk, particularly with LSD use, of hallucinogen persisting perception disorder (HPPD). This is a rare condition involving intense flashbacks and hallucinations. However, experts note that this appears to be more common when using substances without medical supervision.

There are a few concerns about ibogaine, including a possible link to potentially fatal cardiac arrhythmias. As a result, its been limited to observational trials so far with a focus on treating opioid addiction.

Theres a lot of excitement around the potential of psychedelic therapies. As a result, a lot of new therapists, gurus, international retreats, and clinics are opening up.

If youre interested in participating in a psychedelic-assisted treatment in a clinical setting supported by an expert, a good place to start is the database of accredited therapists maintained by the Multidisciplinary Association for Psychedelic Studies.

The association also welcomes questions or concerns about psychedelic-assisted therapy, and can make recommendations to help guide you.

Whether its a clinical setting or a retreat, its important to understand that ingesting psychedelic substances alters consciousness and can make you vulnerable to suggestion.

As a result, some participants in studies or treatments have alleged unethical and sometimes even criminal behavior. Read reviews, evaluate accreditation, and consider how you might ensure accountability should anything go awry during or after treatment.

Theres still a lot to learn about the potential of psychedelic therapy, but the existing research is promising, particularly for those with severe PTSD.

Because of this, advocates and lobbyists are working to decriminalize some psychedelic substances to improve access and research opportunities. Stay tuned, because these treatment options are evolving each week.

Kate Robertson is a Toronto-based editor and writer who has focused on drugs, primarily cannabis, since 2017. She has been published in The Guardian, Macleans magazine, the Globe and Mail, Leafly, and more. Find her at @katierowboat.

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Psychedelic Therapy: Uses, How It's Done, Risks, and More - Healthline