The optimism of space exploration – Itemlive – Daily Item

David M. Shribman

I saw it lift into the dusky heavens, reaching upward in a stunning ballet of determination and grace, creeping across the sky in an orange streak, stretching toward Earths orbit. And somehow, the rise of the SpaceX Falcon Heavy rocket defied the notion that there is no revelation in repetition.

Americans have been launching rockets from Florida for 73 years; the first one was on July 24, 1950, a date hardly anyone marks or even is aware of. Since Project Apollo, which catapulted men to the moon, ended 48 years ago, and the eclipse of the space shuttle, which mounted 135 missions, spaceflight has prompted a certain ennui.

The days when a black-and-white television atop a tall metal tower was wheeled into classrooms for schoolchildren to witness a Project Mercury launch have become a fading memory, like the lyrics of a Shelley Fabares song.

But suddenly it is pass to say that spaceflight is pass.

The past few weeks have proved that. The astronauts who will return to lunar orbit on Artemis II were identified to much fanfare and public interest.

A Jupiter Icy Moons Explorer satellite, known as Juice, took off from the Guiana Space Centre in Kourou, French Guiana, on a mission that will take it through 25 flybys of Jupiters Callisto, Europa, and Ganymede moons one of the most exciting missions we have ever flown in the solar system, in the characterization of Josef Aschbacher, the head of the European Space Agency, and by far the most complex.

And there is more. The Starship rocket lifted off the pad in southern Texas, cleared the launchpad and flew for four minutes before collapsing into a spectacular fireball and yet SpaceX declared the mission a great success.

Mission personnel from a private Japanese company may have lost contact with the ispace lunar lander, but the Hakuto-R Mission 1 vehicle is presumed to have crashed in the Atlas crater on the near side of the moon like the Starship, an achievement amid disappointment.

The $97 million SpaceX rocket that slipped the surly bonds of Earth Sunday night was carrying satellites designed to improve internet service in the Americas, Europe, the Middle East, and the Asia-Pacific region, with another satellite designed to provide high-speed internet to remote areas in Alaska.

Neither their form nor function was remotely conceivable when the Apollo 8 astronauts circled the moon at Christmastime in 1968, sending unforgettable pictures of their home planet and reading from the Book of Genesis.

That was 55 years ago, and yet the parallels between 1968 and 2023 are unmistakable: social tensions. Cultural upheaval. Political divisions. A sense of despair. And yet when Bill Anders, Jim Lovell, and Frank Borman began reading the verses of the Bible, there was a glimmer of hope on the old planet.

We could have a moment like that in a year or so from now when the Artemis astronauts return to moon orbit, said Jennifer Levasseur, curator at the National Air and Space Museum. There is something about the state of the world today that seems similar to 1968. It makes me think that this is just the right time for something like this. We are building to a pretty big moment.

Jeremy Hansen, the Canadian astronaut who will travel aboard the first manned Artemis mission, believes so. How do we actually get eight billion people to row in the same direction and work on [our] problems? he asked when the Artemis astronauts submitted to a Canadian Press interview. Because these are global problems. We can do great things together. We can do better as a human race. And heres one small example.

The editorialists at Canadas Globe and Mail newspaper picked up the theme. Ours is a world and a moment that sorely needs a reason to look up in astonished unison, they wrote. We dont get many shared experiences anymore. Our histories, our entertainment, our windows on the world even the facts of our basic reality are fragmented into choose-your-own-adventure shards.

Col. Hansen is the lineal descendant of Marc Garneau, the first Canadian in space, the way the three American Artemis astronauts are the descendants of Alan Shepard, the first American in space.

The Apollo lunar missions drove innovation in ways never imagined, but they brought us more, Garneau told me. They left us proud and even awed by what we accomplished. They gave us confidence. They made us realize we could achieve the extraordinarily difficult. They brought us together and inspired humanity. They moved us forward. We need to build on that.

Everyone who has been into space feels that way. Jay Apt, who flew on four space-shuttle missions, one as commander, believes space travel is an antidote to earthbound lassitude and public pessimism.

Optimism is essential to provide the energy people need to do almost anything outside of their daily routine, whether it be founding a small business, discovering the secrets of electricity or having children, he said. Exploration in pretty much any era is inherently optimistic and draws the best from optimistic people, which is why I personally get a thrill seeing the images from space telescopes, Earth views from the space station, and cant wait for the photos and videos from the crews that will circle and land on the moon in the decades to come.

He is not alone. Levasseur, the museum curator, sees a definite change in the way people mingle amid the space capsules on the display floor. I see a connection that young people have with the space program I havent seen before, she said. Its palpable.

Americans havent always felt that way. Dwight Eisenhower, who was no romantic, was skeptical of mounting a space effort even after the Soviet Union launched Sputnik, the first satellite, in 1957.

Id like to know whats on the other side of the moon, Eisenhower said, but I wont pay to find out this year. When his successor, John F. Kennedy, launched the American effort to reach the moon, Eisenhower said, Anybody who would spend $40 billion in a race to the moon for national prestige is nuts.

Nuts we were, and nuts we are.

We choose to go to the moon in this decade and do the other things, not because they are easy, Kennedy said in his challenge to NASA, but because they are hard.

It still is hard, but away we go.

David M. Shribman is the former executive editor of the Pittsburgh Post-Gazette.

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Ellen Ochoa and the Multiverse of Motivation | NewsCenter | SDSU – SDSU Newscenter

The veteran astronaut returns to her alma mater for a building dedication and another day of inspiring kids to pursue STEM careers.

Nearly 30 years to the day after first returning to San Diego State University as an experienced Space Shuttle astronaut, alumna Ellen Ochoa was welcomed back to campus Friday for the dedication of a building bearing her name.

About 300 people, including students and several excited young children brought to the ceremony by a parent, gathered for a ribbon-cutting at Ellen Ochoa Pavilion, formerly West Commons.

Its wonderful to be recognized with my name on a building by my alma mater, said Ochoa, the first Latina to go into space and a former director of the Johnson Space Center in Houston. And certainly an honor that I could not have imagined when I was a student here.

Continuing her long-standing and tireless role as an advocate for underrepresented students in science and technology, Ochoa said she still is dedicated to getting the word out about the rewarding and challenging careers available in STEM fields.

Just as others inspired me, I hope that this building will serve to inspire a generation of Aztecs to reach for the stars, she said.

Ochoa, who grew up in neighboring La Mesa, graduated from SDSU in 1980 with a Bachelor of Science degree. A class schedule brimming with as many as four physics courses at a time music as the sole respite helped pave her way to graduate school at Stanford University.

I honestly dont think Id be an astronaut today if I hadnt gone here, she said.

SDSU President Adela de la Torre said Ochoas accomplishments have had a tremendous impact on all of us.

The Ellen Ochoa Pavilion will serve as a daily reminder to this campus community to pursue their interests (and) passions, regardless of the challenges and obstacles that stand in their way, said de la Torre.

She is a champion for education. She has used her own success to inspire and fuel the success of generations that follow, in a whole host of fields.

Ellen Ochoa and her husband Coe Miles (front row in blue shirt) are joined by SDSU president Adela de la Torre. 300 people attended Friday's dedication ceremony of the Ellen Ochoa Pavilion at SDSU, May 5, 2023. (Rachel Crawford / SDSU)

STEM representation

Ochoa visited SDSU on May 11, 1993, just one month after her first trip into orbit on the shuttle Discovery. In a one-hour program with 700 middle and high school students that day, Ochoa shared pictures and videos from her mission. Included was a clip of her in orbit playing a flute, her instrument as a member of the Marching Aztecs and in the Wind Ensemble.

She made three more trips into space on the shuttles Discovery and Atlantis for a total of nearly 1,000 hours. She also kept up a busy schedule of school appearances, promoting the value of educating and encouraging girls in particular to follow her example and pursue careers in STEM fields.

Just Thursday, she revisited a middle school in La Mesa, Parkway Sports & Health Science Academy, which she attended as a child, for the dedication of a mural bearing her image. Parkway Middle School, as it was known at the time, also had been one of her speaking stops 30 years ago.

In an interview with SDSU NewsCenter before the ceremony, Ochoa said some things have changed over those three decades, while others havent.

Despite this increasingly routine nature of space travel, she said, young people still are just really excited whenever I talk, anywhere around the country, about space.

Its true.

I love astronauts, said 7-year-old Annalies Naluz, who is writing a report on Ochoa for her class at Hickman Elementary School in Tierrasanta and got to have a picture taken with her subject.

Naomi Webb, who is transferring from San Diego City College to SDSUs aerospace engineering program in the fall, was also thrilled by the chance to see the guest of honor. I think Ellen Ochoa is really inspiring, Webb said. I want to be the second astronaut to graduate from here.

That kind of talk elates Ochoa.

Diversity has increased in the STEM fields but not nearly as I would have predicted 30 years ago (for) what it would look like today, Ochoa said during her interview. I think theres a lot more voices talking about it now and more opportunities for kids to have at least some kind of experience when theyre younger.

But when some of them think about a scientist, she said, theyre not picturing themselves or somebody who looks like them.

To help change that, Ochoa last year wrote Dr. Ochoas Stellar World: We Are All Scientists/Todos Somos Cientficos (2022, Lil Libros), first in a planned series of bilingual board books for pre-K children on STEAM fields. The next volumes, due in the fall, will touch on the next two letters of the acronym: technology and engineering.

Ellen Ochoa is photographed outside the newly named Ellen Ochoa Pavilion, formerly West Commons, at SDSU on Friday, May 5, 2023. (Rachel Crawford / SDSU)

New audience

In the plethora of astronaut books since NASAs Mercury program, Ochoas may be the first one aimed at a preliterate audience. Ochoa said she was approached to write it by a publisher specializing in bilingual childrens books. The result is a book describing scientists as investigators driven by curiosity, illustrated very noticeably with a racially diverse population of boys and girls.

Planning what to convey in the book, I just had to think about, what do I wish I had known about science when I was young, said Ochoa.

Public appearances have traditionally been part of an active astronauts job duties, and Ochoa said the fact that she was on the road barely a month after her first flight was partly because the school year was nearly over. (Her most recent previous visit to SDSU was in October 2019, when she was awarded an honorary doctorate but also spoke to hundreds of university and public-school students.)

What keeps her going 30 years later, she said, is the thought that its really important to do. We need people to study STEM in our country and there are a lot of groups that really arent well-represented at all, so were missing out on a lot of right minds, a lot of people who could ask good questions or come up with good solutions to challenges.

Oftentimes, nobody has really talked to them about it.

In February Ochoa joined the board of directors of SRI International, a nonprofit research institute founded in 1946 by her other alma mater, Stanford University. Ive been involved in research or engineering or technology development really throughout my career, she said. Thats exactly what they do at SRI. Thats something I wanted to stay involved with.

Ellen Ochoa is photographed inside the Ellen Ochoa Pavilion, formerly West Commons, at SDSU, May 5, 2023. (Rachel Crawford / SDSU)

More firsts

Ochoas status as a prominent first in the astronaut corps is being replicated by others today in the announcement of a maiden crew for NASAs Artemis program, which will send astronauts back to the moon for the first time since Apollo 17 in 1972. It includes the first woman and first Black person to be sent into lunar orbit.

NASAs astronaut corps is just more representative of the American population, Ochoa said in the interview. And she hopes that helps young people understand they can think big and set high goals for themselves, even if it doesnt involve going into space.

Ochoas husband, Coe Miles, attended the ceremony along with two brothers, Wilson and Monte Ochoa, and extended family members.

The newly renamed, two-story structure is an SDSU potpourri, comprising classrooms, a food sciences lab, some eateries, a bank and the Native Resource Center.

Fridays dedication was the second of two renamings of SDSU buildings this spring. In April, a ceremony was held at the Charles B. Bell Jr. Pavilion (formerly East Commons), honoring a mathematics and statistics professor who was the first Black faculty member to achieve tenure.

Both renamings are the product of a presidential task force and a campuswide invitation for nominations intending to increase representation for diverse communities across campus.

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Ellen Ochoa and the Multiverse of Motivation | NewsCenter | SDSU - SDSU Newscenter

Join the webinar on Accessibility in Human Spaceflight – European Space Agency

Science & Exploration

02/05/20231922 views73 likes

What are the next steps for making human spaceflight more inclusive, accessible, and safer? How can designing for space accessibility improve accessibility on Earth? Where does ESAs parastronaut feasibility project stand?

On Thursday, 11May 2023 at 15:00-17:00 CEST, join the webinar organised by ESAs Advanced Concepts Team and ESAs Chief Diversity Officer, with the support of the non-profit BIRNE7 e.V.

Click here to register to the seminar on Thursday, 11May 2023, 15:00 to 17:00 CEST.

For the past six decades, humanity has witnessed approximately 630 astronauts leave Earth for orbital missions of short or long duration. In recent years, diversity in human spaceflight has increased, in terms of gender, culture, age, nationality and disability.

The launch of ESAs parastronaut feasibility project, along with the selection of the first astronaut with a physical disability, has brought greater attention to the conversation about accessibility. As we prepare to return to the Moon, making space travel accessible to all is a game-changer.

The purpose of this webinar is to shed light on the importance of designing space architecture and technologies that are safe, accessible, and sustainable. We will explore how designing for space accessibility can improve accessibility on Earth and learn more about ESAs parastronaut feasibility project.

The webinar is open to all. However, participation will be limited to 250 people during the live session.

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Join the webinar on Accessibility in Human Spaceflight - European Space Agency

Astronauts Might Be Able to Hibernate Within Just 10 Years – Popular Mechanics

Sci-fi has been telling us for decades that in order to truly travel the stars, were going to have to knock ourselves out for a while. Well need to enter whatever kind of suspended animation pod the space industry has designed and just go to sleep, and when we wake up, well be in another galaxy.

The thing is, that kind of futuristic tech might not be that far off. According to Jennifer Ngo-Anh, a research and payload coordinator with the European Space Agency, we may be able to start testing human hibernation in as little as 10 years.

Of course, we need to finetune everything before we can apply it to humans, Ngo-Anh said in an article for Space.com. But I would say that 10 years is a realistic timeline.

More From Popular Mechanics

This kind of hibernation, also known as torpor, is more than just a long sleep. And beyond just making it less boring to get from point A to point B, it has the potential to solve several of the major issues with extended space travel, the first of which being the physical impacts of long-term microgravity exposure on the human body.

Studies have shown that living for a significant amount of time in microgravity can have the same kinds of effects on the body as being confined to bed rest, including a loss of bone and muscle mass. Humans deteriorate fast when we arent using our bodies in the gravity theyre built for, and even though astronauts follow very strict fitness routines when in space, they often come back far weaker than they left.

When a mission both begins and ends on Earth, thats not a huge problem, as doctors can nurse the astronauts back to health as needed. But if they took a long trip to, say, Mars, there wouldnt be space rehabilitation specialists waiting on the other side of the trip.

Interestingly, however, the same deterioration doesnt happen if a body is in torpor. Research has shown that the bodies and minds of animals who hibernate suffer from almost none of these issues upon waking up from their long sleep. Figuring out how to induce a man-made hibernation in humans could functionally save them from wasting away on a road trip through the stars.

In addition, humans in torpor would need a lot less to keep going. There is always a weight concern when trying to launch a spacecraft, as more weight is both more difficult and more expensive to get off the ground. On a long distance journey like the one to Mars will be, astronauts will have to pack a substantial amount of food, water, and oxygen to make sure they will make it thereand backsafely. People in torpor need significantly less of all three of those things, thereby minimizing how much cargo needs to come on the trip.

And to top it all off, astronauts are not the only people who could benefit from this technology. Considering many of the effects space travelers are trying to ward off are nearly identical to those of a patient on bedrest, it stands to reason that the technology could also be used to protect the bodies of people on bedrest, or in such states as medically-induced comas. In fact, Alexander Choukr, a researcher and professor of anesthesiology at the Ludwig Maximilians University in Germany, believes that the first place well see torpor tested in a human subject wont be an astronaut, but a person in severe medical distress.

At a certain point, there is a case number one where you apply [the new technique] because the risks and benefits are in a balance, and leaning more to the benefits of the subject. And then you can start from there, Choukr said in an article for Space.com.

The benefits are numerous, and the claims that we might be able to access this tech just 10 years from now doesnt come from nowhere. Researchers have already figured out how to induce torpor in rats (which do not naturally hibernate) and bring them safely back into the waking world a few days later.

Obviously, theres still a lot to work outeverything from getting tech that works on rats to work on humans, to figuring out how to get AI to effectively monitor people in a state of torpor while theyre off-world. But we may be ready to fall asleep and wake up above another planet sooner than we thought.

Associate News Editor

Jackie is a writer and editor from Pennsylvania. She's especially fond of writing about space and physics, and loves sharing the weird wonders of the universe with anyone who wants to listen. She is supervised in her home office by her two cats.

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Astronauts Might Be Able to Hibernate Within Just 10 Years - Popular Mechanics

This Day in History: Astronaut Alan Shepard became the first American in space – WBAL TV Baltimore

Alan Shepard Jr., a Navy Commander and one of NASA's first seven astronauts, became the first American to travel into space on May 5, 1961.Watch the video above to learn more.Shepard was launched into space from Cape Canaveral, Florida, aboard the Freedom 7 space capsule, which only had enough room for one person.The flight, which did not orbit Earth, lasted about 15 minutes and reached a height of 116 miles into the atmosphere before splashing down in the Atlantic Ocean. The mission was a success.Shortly after NASA was established in 1958, the United States and the Soviet Union were in a race to become the first country to put a person in space and return them to Earth. On April 12, 1961, the Soviet space program won the race when Yuri Gagarin was launched into space, put in orbit around the planet and safely returned to Earth.One month later, Shepard's successful suborbital flight helped to restore faith in the U.S. space program.Shepard went on to take part in several other NASA missions, including Apollo 14, which landed on the moon in 1971. He became the fifth astronaut to walk on the moon and the first person to hit a golf ball on the moon.Shepard left NASA in 1974. He died in 1998 at the age of 74.

Alan Shepard Jr., a Navy Commander and one of NASA's first seven astronauts, became the first American to travel into space on May 5, 1961.

Watch the video above to learn more.

Shepard was launched into space from Cape Canaveral, Florida, aboard the Freedom 7 space capsule, which only had enough room for one person.

The flight, which did not orbit Earth, lasted about 15 minutes and reached a height of 116 miles into the atmosphere before splashing down in the Atlantic Ocean. The mission was a success.

Shortly after NASA was established in 1958, the United States and the Soviet Union were in a race to become the first country to put a person in space and return them to Earth. On April 12, 1961, the Soviet space program won the race when Yuri Gagarin was launched into space, put in orbit around the planet and safely returned to Earth.

One month later, Shepard's successful suborbital flight helped to restore faith in the U.S. space program.

Shepard went on to take part in several other NASA missions, including Apollo 14, which landed on the moon in 1971. He became the fifth astronaut to walk on the moon and the first person to hit a golf ball on the moon.

Shepard left NASA in 1974. He died in 1998 at the age of 74.

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This Day in History: Astronaut Alan Shepard became the first American in space - WBAL TV Baltimore

Dont be fooled: 10 of the biggest travel myths, busted – Sydney Morning Herald

THE GREAT WALL FROM SPACE

No, you cant see the Great Wall of China from outer space Buzz Aldrin repeatedly tried to end this urban myth. Only from a few hundred kilometres above Earth can shuttle astronauts see the Great Wall when the sun hits it at the right angle. You can see plenty of other objects from low orbit, such as airports, dams, bridges, big highways and Dubais reclaimed Palm Islands. See

Do the Yupik and Inuit have exceptional numbers of words to describe snow? Thats debatable, because it depends how you define a word. Eskimo-Aleut languages, like German, create compound words, for example for snow that is falling or snow suitable for sleds that are short phrases but still shared concepts in English. English incidentally has 30-something words for snow and ice. See

No, not that one. Its the Great Pyramid of Cholula near Puebla in Mexico, whose volume of 3.3 million cubic metres is almost 50 per cent greater than that of Egypts largest pyramid. Its base is four times larger. The Mexican pyramid can probably claim to be the largest monument ever built. However, much of it remains buried, and its now topped with a church. See

Your parents probably warned you about swimming right after lunch; the theory is that blood rushes to your stomach so your limbs just flop, and youll drown. Actually, normal meals create no problem for swimmers, although heavy meals can cause discomfort after any vigorous exercise. Just before they set off, marathon swimmers tuck into meals high in carbohydrates without sinking to the bottom. See

Ships and aircraft are said to mysteriously vanish into this section of the North Atlantic in a myth that can be traced back to American newspaper and magazine articles from the 1950s. Credible research from the likes of the US Coast Guard, Lloyds shipping insurers and scientific investigators have found no disproportionate disappearances within the Bermuda Triangle, only plenty of inaccurate, exaggerated and inventive reporting. See

Many people assume the famous Cape of Good Hope is Africas southernmost point. In fact, the less-well-known Cape Agulhas is 55 kilometres further south and the geographic tip of Africa, as well as the official divider between the Atlantic and Indian oceans. The name means Cape of Needles in Portuguese and its a notorious shipping hazard thanks to storms and rogue waves. See

This legend arose when the Earl of Carnarvon, who financed the discovery of King Tuts tomb in 1923, died shortly afterwards. The death rate of others associated with the discovery was no more than normal. Archaeologist Howard Carter lived another 16 years and tomb guard Richard Adamson survived until 1982. Arthur Conan Doyle was a prominent voice in promoting the curse, but he also believed in fairies. See

Marco Polo didnt introduce pasta from China in the thirteenth century. His book never mentions noodles, and writing about pasta in Italy predates his return from China. This myth has been traced to an article in the American Macaroni Journal in the 1920s. Pasta almost certainly originated in Sicily under its ninth-century Islamic rulers, likely thanks to the influence of Persian and Arab cuisine. See

Its frequently said that medieval Europeans and even 1492 explorer Christopher Columbus feared falling off the Earth. Rubbish. The ancient Greeks knew the Earth was spherical Aristotle proved it in 330 BCE and so did early Christians and early Muslim scholars. This myth was promoted in the nineteenth century by prominent writers such as Washington Irving, often in an attempt to discredit the Catholic Church. See

Okay, this wont be a myth until mid-2023, but it will be an ongoing one if we dont update our general knowledge. The United Nations says India will soon have a population of 1.42 billion, three million more than Chinas. The figures are inexact, since no Indian census has been carried out since 2011, but Indias population continues to rise, while Chinas is shrinking. See

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Dont be fooled: 10 of the biggest travel myths, busted - Sydney Morning Herald

How Space Travel Works In Guardians Of The Galaxy And The … – Giant Freakin Robot

Guardians of the Galaxy shows that Marvel space travel is mostly based on wormhole mechanics.

By Sckylar Gibby-Brown| Updated 4 days ago

When it comes to superhero movies like Marvel, space travel, magic, and weird science are just part of the narrative. The MCU films and TV shows hold on to the viewers suspension of disbelief as long as possible so they can tell captivating stories without making the shows feel like a graduate school-level science class by taking the time to explain all the rules of how characters like The Guardians of the Galaxy, Doctor Strange, and Captain Marvel are able to travel through space and time. But after 15 years of the MCU, its time to dive into how Marvel space travel science actually worksmostly, its wormholes and convenient space magic.

When it comes to creating the science behind Marvel space travel, The Guardians of the Galaxy and the other MCU movies are all over the place, depending on what each movies narrative needs, unlike other space adventures like Star Wars, which bases everything on the singular god-like power of Force, or Star Trek which has its foundation in quantum mechanics. For Marvel, the science comes from whatever is needed to move the story along in the moment, so sometimes Marvel uses sci-fi elements like wormholes, while other times they simply blame it on space magic without diving too deep into the explanation.

For a long time, Marvel didnt draw too much attention to how exactly space travel worked. The first glimpse of it came from Thor when the Bifrost Rainbow Bridge was introduced as a type of wormhole that allowed Asgardians to reach Earth. But space travel during that phase of the MCU didnt really need more explanation other than a magical bridge that was somehow connected to wormhole science. That is until The Guardians of the Galaxy came along in 2014.

Suddenly, there were characters who were using spaceships to travel not just between Earth and one other galaxy, but were traveling between multiple galaxies and planets like it was as normal as driving down the highway. The Guardians of the Galaxy Vol. 1 brought up a ton of questions for Marvel fans about space travel, questions that James Gunn was happy to address in Vol. 2.

It turns out, in the Marvel Galaxy Andromeda, space travel is as normal as driving down the highway. The Guardians of the Galaxy Vol. 2 explains that long ago, space-exploring civilizations built these space freeways of sorts with jump points that carried ships mega distances, as long as the driver stuck to the road. The movie doesnt dive more into the science than that, but the context given through the visuals shows that the jump points are likely based in wormholesa sci-fi fail-safe for explaining space travel.

These jump points (also known as the Universal Neural Teleportation Network) are interconnected throughout the entire universe and are used in Marvel for space travel in more than just The Guardians of the Galaxy. In Infinity War, Steve Rogers, Natasha Romanoff, Thor, Bruce Banner, James Rhodes, Rocket Raccoon, Nebula, and Carol Danvers embarked on a mission to Planet 0259-S via the Benatar and a jump point. Following Thanos defeat by Thor, they successfully returned to Earth using the same transportation method.

However, while the jump points are a convenient way of explaining how beings from every corner of the universe end up on Earth at some point before the events of Endgame, Marvel did include at least a few rules for space travel to help make it feel more realistic. For instance, in The Guardians of the Galaxy Vol. 2, Yondu explains to Rocket that it isnt healthy for mammals to pass through more than 50 jump points at a time, just as the ship is about to pass through 700 consecutive jumps.

A hilarious scene then shows what happens to someone who jumps too far as everyone on the ships faces begins to morph and disconfigure temporarily until the crew gets to their destination on the planet Ego.

However, wormholes are not the only way Marvel characters space travel. As seen in Captain Marvel, unlike the Guardians of the Galaxy, Carol Danvers doesnt need a wormhole or even a spaceship to travel to another galaxy as she has superhuman powers that allow her to travel at the speed of lightpowers that were given to her by the space magic conduit, the Tesseract.

So, whether its through wormholes or space magic, Marvel has at least figured out some explanations for space travel. And, as long as you dont think about it too much, it kind of makes sense. Kind of.

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How Space Travel Works In Guardians Of The Galaxy And The ... - Giant Freakin Robot

Julia Christensen: Professor of Integrated Media and Chair of the … – The Oberlin Review

Last week, Professor of Integrated Media and Chair of the StudioArt department Julia Christensenpresented her ongoing project, TheTree of Life, at the California Institute of Technology. Christensenswork explores the intersection ofart and technology.

This interview has been edited forlength and clarity.

You just presented your project, The Tree of Life, at theInterplanetary Small SatelliteConference at Caltech. What isThe Tree of Life?

The Tree of Life is a global public art piece that includes a seriesof living trees around the globe,which we are harnessing to actas living terrestrial antennae thatcan communicate with a spacecraft were designing to push theconstraints of obsolescence thatare maintained by a capitalisttechnology structure, to thinkabout technology as long-lastingand sustainable. So thats the beginning. The trees have sensorson them that are reading dataabout light, moisture, and temperature, and we are sonifyingthat data continuously. The treeantennae have been sending outthe song about their light, moisture, and temperature experience,and the spacecraft receives thatfile. Meanwhile, the spacecraftis sending a similar song aboutits operational experience to thetrees. So both songs are put together to make a duet about ourlife on Earth in conversation withtechnology that we built.

The whole idea was originally inspired when I was asked toenvision an art project to be embedded on an interstellar spacecraft that was conceptually timedto leave Earth in the year 2016. Iwanted to create a song or a storyfrom the perspective of trees onearth, rather than from the perspective of humans. A lot of mycollaborators are space scientistsat the Jet Propulsion Lab in Pasadena, and we formed a nonprofitcalled The Space Song Foundation to support the project.

Is the focus of The Space SongFoundation to support oneproject, or was the foundationstarted to expand on the conversations started by The Treeof Life project?

The mission statement of SpaceSong is to support The Tree of Lifeproject and explore and expandideas about design at the intersection of art, science, and technology, to think about sustainable design on Earth and in outer space,because there are a lot of designprinciples that are designed to dothe test or answer a question orfinish the experiment, and sometimes thats just done in a six-month window. The thing thathappens to all of that technologywhen its designed for such a specific function is something we seeon Earth all of the time, becausewere dealing with electronics onsuch an extraordinary scale. Thesame questions apply to the technology that were launching intoouter space, and were at a pointwhere dead technology is goingto create sort of this exoskeletonorbiting our planet. So these questions are super timely. Also, in order to do deep space exploration,to go to another solar system, weneed technology that is able to notonly travel, you know, 4.2 lightyears away or whatever, but alsooperate that entire time. Itll takedecades for a spacecraft to get toa destination that distant, so wealso have to be thinking about thelong-term operation and technology in order to envision interstellar missions.

So how do we start thinkingabout sustainable design forspace technology?

Theres the spacecraft itself. Wehave been working with a teamof engineers and space scientistssince 2018 to develop schematicsfor CubeSat, a small, toaster-sized spacecraft that can operatefor 200 years. The interestingthing about this process is thatengineers are trained to think inshort timelines, asking, how dowe get the data that we need in sixmonths? And so when we madethis proposition to them, to designthis CubeSat that will last 200years, they were sort of befuddled they wanted to know, Yeah,but whats it gonna do? And wesaid, Actually, what its going todo is secondary; longevity is thecentral design intention here.As soon as the engineers began toembrace that the main test waslongevity, it changed the way thatwere thinking about design.

It often seems that our current culture makes us unableto think long term. Does thismake designing with the purpose of longevity difficult?

I think that our public imaginations about the future, in away, are being constrained byupgrade culture. I wrote a bookthat was just published a coupleof years ago called Upgrade Available about this idea that becausethe upgrade is always available,its hard for us to think long terminto the future without consider-ing constant disruption. And soThe Tree of Life project is a way ofputting our imagination on a 200-year time scale so we can committo a future in a way that technology is antithetical to. And withthe trees, part of the question thatwe were asking is if a spacecraft istrying to send us data in 150 yearsfrom interstellar destination, howare we going to receive that data?How do we get a JPEG in the year2250? So, we started to thinkabout how we really need to lookback at earlier technological systems, to think about fidelity in thelong term. Radio just kept comingback. You know, a radio wave isa radio wave, its not going to become obsolete. We can change theway that we transmit it or receiveit, but if the laws of physics aretrue across the universe, whichwe think they are, a sine wave isa sine wave. My colleagues whowork on NASA projects, they lovethis project, because its so Back tothe Future. We have to look backto look forward.

What do you think being anartist doing this work providesto these conversations of technology? Does it take an artisticeye to design something thatreimagines current perceptions of longevity?

Recently, somebody was introducing me at a talk and theycalled me an embedded artist. Ivenever really thought about thatterm in relation to myself, but Ikind of like it because its sort oflike embedding an artist at the table with people who are trying tosolve some other kind of problem.Some of my engineer colleaguessay that artists help them thinkthrough their thinking, becausewe can slow things down. Werelike, Well, why dont we justmake it empty? Also, I thinkthat having an artist in the roomempowers scientists to see thework that theyre doing as creative, you know, and not so analytical. I mean, working with mycolleagues in Space Song, I thinkit helps them see that really, wereall kind of on this existential planeof asking these questions aboutwho we are and where we are.

ast week, Professor of Integrated Media and Chair of the StudioArt department Julia Christensenpresented her ongoing project, TheTree of Life, at the California Institute of Technology. Christensenswork explores the intersection ofart and technology.

This interview has been edited forlength and clarity.

You just presented your project, The Tree of Life, at theInterplanetary Small SatelliteConference at Caltech. What isThe Tree of Life?

The Tree of Life is a global public art piece that includes a seriesof living trees around the globe,which we are harnessing to actas living terrestrial antennae thatcan communicate with a spacecraft were designing to push theconstraints of obsolescence thatare maintained by a capitalisttechnology structure, to thinkabout technology as long-lastingand sustainable. So thats the beginning. The trees have sensorson them that are reading dataabout light, moisture, and temperature, and we are sonifyingthat data continuously. The treeantennae have been sending outthe song about their light, moisture, and temperature experience,and the spacecraft receives thatfile. Meanwhile, the spacecraftis sending a similar song aboutits operational experience to thetrees. So both songs are put together to make a duet about ourlife on Earth in conversation withtechnology that we built.

The whole idea was originally inspired when I was asked toenvision an art project to be embedded on an interstellar spacecraft that was conceptually timedto leave Earth in the year 2016. Iwanted to create a song or a storyfrom the perspective of trees onearth, rather than from the perspective of humans. A lot of mycollaborators are space scientistsat the Jet Propulsion Lab in Pasadena, and we formed a nonprofitcalled The Space Song Foundation to support the project.

Is the focus of The Space SongFoundation to support oneproject, or was the foundationstarted to expand on the conversations started by The Treeof Life project?

The mission statement of SpaceSong is to support The Tree of Lifeproject and explore and expandideas about design at the intersection of art, science, and technology, to think about sustainable design on Earth and in outer space,because there are a lot of designprinciples that are designed to dothe test or answer a question orfinish the experiment, and sometimes thats just done in a six-month window. The thing thathappens to all of that technologywhen its designed for such a specific function is something we seeon Earth all of the time, becausewere dealing with electronics onsuch an extraordinary scale. Thesame questions apply to the technology that were launching intoouter space, and were at a pointwhere dead technology is goingto create sort of this exoskeletonorbiting our planet. So these questions are super timely. Also, in order to do deep space exploration,to go to another solar system, weneed technology that is able to notonly travel, you know, 4.2 lightyears away or whatever, but alsooperate that entire time. Itll takedecades for a spacecraft to get toa destination that distant, so wealso have to be thinking about thelong-term operation and technology in order to envision interstellar missions.

So how do we start thinkingabout sustainable design forspace technology?

Theres the spacecraft itself. Wehave been working with a teamof engineers and space scientistssince 2018 to develop schematicsfor CubeSat, a small, toaster-sized spacecraft that can operatefor 200 years. The interestingthing about this process is thatengineers are trained to think inshort timelines, asking, how dowe get the data that we need in sixmonths? And so when we madethis proposition to them, to designthis CubeSat that will last 200years, they were sort of befuddled they wanted to know, Yeah,but whats it gonna do? And wesaid, Actually, what its going todo is secondary; longevity is thecentral design intention here.As soon as the engineers began toembrace that the main test waslongevity, it changed the way thatwere thinking about design.

It often seems that our current culture makes us unableto think long term. Does thismake designing with the purpose of longevity difficult?

I think that our public imaginations about the future, in away, are being constrained byupgrade culture. I wrote a bookthat was just published a coupleof years ago called Upgrade Available about this idea that becausethe upgrade is always available,its hard for us to think long terminto the future without consider-ing constant disruption. And soThe Tree of Life project is a way ofputting our imagination on a 200-year time scale so we can committo a future in a way that technology is antithetical to. And withthe trees, part of the question thatwe were asking is if a spacecraft istrying to send us data in 150 yearsfrom interstellar destination, howare we going to receive that data?How do we get a JPEG in the year2250? So, we started to thinkabout how we really need to lookback at earlier technological systems, to think about fidelity in thelong term. Radio just kept comingback. You know, a radio wave isa radio wave, its not going to become obsolete. We can change theway that we transmit it or receiveit, but if the laws of physics aretrue across the universe, whichwe think they are, a sine wave isa sine wave. My colleagues whowork on NASA projects, they lovethis project, because its so Back tothe Future. We have to look backto look forward.

What do you think being anartist doing this work providesto these conversations of technology? Does it take an artisticeye to design something thatreimagines current perceptions of longevity?

Recently, somebody was introducing me at a talk and theycalled me an embedded artist. Ivenever really thought about thatterm in relation to myself, but Ikind of like it because its sort oflike embedding an artist at the table with people who are trying tosolve some other kind of problem.Some of my engineer colleaguessay that artists help them thinkthrough their thinking, becausewe can slow things down. Werelike, Well, why dont we justmake it empty? Also, I thinkthat having an artist in the roomempowers scientists to see thework that theyre doing as creative, you know, and not so analytical. I mean, working with mycolleagues in Space Song, I thinkit helps them see that really, wereall kind of on this existential planeof asking these questions aboutwho we are and where we are.

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Julia Christensen: Professor of Integrated Media and Chair of the ... - The Oberlin Review

Mobius goes to space? Owen Wilson’s new costume revealed in Loki season 2 – Sportskeeda

Modified May 05, 2023 08:26 IST

The Marvel Cinematic Universe has captured the hearts of audiences worldwide with its captivating storylines, and one of the franchise's most beloved characters is Loki, the God of Mischief. The popular Disney+ series Loki has become a fan favorite, and viewers have been eagerly anticipating its return for a second season.

Along with Tom Hiddleston's return as Loki, Owen Wilson's character Mobius is also set to make a comeback. Wilson's portrayal of the Time Variance Authority agent was a highlight of the first season, and fans are excited to see what he brings to the table in season two.

With the release of new promotional art, fans are getting a sneak peek at what's in store for the characters in the upcoming season, building anticipation for what promises to be another thrilling addition to the MCU.

Marvel's highly anticipated Loki season 2 is set to bring back the beloved cast of characters, including Tom Hiddleston's God of Mischief, Mobius, Hunter B-15, Casey, and Ke Huy Quan's Marvel character.

However, it's Mobius' new look that has recently caught the attention of fans. Instead of his usual TVA attire, Mobius dons an astronaut suit, leaving viewers questioning what this could mean for his character.

One theory is that the TVA could embark on a new mission involving space travel, which could be connected to their pursuit of Kang Variants. Loki's experience in Asgard and handling otherworldly beings could be useful in dealing with a Kang from space.

Alternatively, Mobius' space suit could be a disguise for a mission on Earth, with Loki's shapeshifting abilities making him unrecognizable in the astronaut suit.

Apart from Mobius' new look, fans are also excited to see the return of Hunter B-15 and Eugene Cordero's Casey. It remains to be seen how these characters will fit into the new storyline, but their presence adds to the upcoming season's excitement.

Similarly, Ke Huy Quan's Marvel character is also set to appear, although details about his role in the series remain unknown.

As fans eagerly anticipate the return of season 2, they wonder what's next for the Time Variance Authority (TVA) and what it means for the Marvel Cinematic Universe. With futuristic technology that allows them to travel to alternate Asgards, it's possible that the TVA is now experimenting with space travel.

Mobius' new astronaut suit in the latest promotional art hints at the TVA's new adventure and could be connected to their pursuit of Kang Variants. The post-credits scene from Ant-Man and The Wasp: Quantumania confirmed the existence of multiple Kangs in the Multiverse. Loki and Mobius could be going after a Variant in space.

Alternatively, Mobius could be wearing the suit for the TVA's experiments with space travel. While the organization has yet to explore the outer reaches of the cosmos, the God of Mischief's experience in Asgard and handling otherworldly beings could be useful in dealing with a Kang from space.

Loki season 2 promises to deliver another exciting addition to the Marvel Cinematic Universe. Fans can look forward to the return of Tom Hiddleston and Owen Wilson's characters, as well as new and returning cast members. The recent promotional art's hint at space travel and the pursuit of Kang Variants has only added to the excitement.

Edited byRachel Syiemlieh

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Mobius goes to space? Owen Wilson's new costume revealed in Loki season 2 - Sportskeeda

Mae Jemison to speak at UD Commencement | UDaily – UDaily

Mae Jemison, the first African American woman in space, will share her insights and perspective at the University of Delawares 2023 Commencement ceremony on Saturday, May 27, UD President Dennis Assanis announced today.

We are delighted to host Dr. Jemison to deliver this years Commencement address to our graduates and their families and friends, Assanis said. Her accomplished career has been one of commitment and impact, as a scientist, as a physician, as an engineer and as an educator. She is an exemplar of someone dedicated to exploring endless possibilities and infinite frontiersalways finding meaningful ways to make a difference in the world. This commitment is one we strive to instill in our graduates.

The Commencement ceremony, scheduled at 9:30 a.m., May 27, in Delaware Stadium on the Universitys Newark campus, is a ticketed event, open only to graduating students and up to four guests. Some 4,000 graduates are expected to attend, with approximately 16,000 family and friends. The ceremony also will be livestreamed.

Dr. Mae C. Jemison leads 100 Year Starship (100YSS), a bold, far reaching nonprofit initiative to assure the capabilities exist for human travel beyond our solar system to another star within the next 100 years. Jemison is building a multi-faceted global community to foster the cultural, scientific, social and technical commitment, support and financial framework to accomplish the 100YSS vision -- An Inclusive, Audacious Journey (that) Transforms Life Here on Earth and Beyond.100YSS programs include: Annual public conferenceNEXUS- Pathway to the Stars: Footprints on Earth; the Canopus Awards for Excellence in Interstellar Writing; the 100YSS Crucibles-Invitation only, transdisciplinary workshops to generate new disciplines to disrupt technological and systemic hurdles; and 100YSS True Books to engage elementary students. The 100YSS Way Research Institute seeks to generate the radical leaps that accelerate knowledge, technology, design, and thinking not just for space travel, but to enhance life on Earth. Jemison led the team that won the competitive, single awardee seed funding grant in February 2012 from premiere research agency DARPA.

Jemison, the first woman of color in the world to go into space, served six years as a NASA astronaut. Aboard the Space Shuttle Endeavour, STS-47 Spacelab J mission in September 1992, she performed experiments in material science, life sciences and human adaptation to weightlessness.

Jemison started The Jemison Group, Inc. (JG), a technology consulting firm integrating critical socio-cultural issues into the design of engineering and science projects, such as satellite technology for health care delivery and solar dish Stirling engine electricity in developing countries. JG researches and develops stand-alone science and technology companies. BioSentient Corporation, a medical devices and services company focused on improving health and human performance is such a company. An environmental studies professor at Dartmouth College, Jemison worked on sustainable development and technology design particularly for the developing world. Before joining NASA she was the Area Peace Corps Medical Officer for Sierra Leone and Liberia and a general practice physician in Los Angeles.

In 1994 Jemison founded the international science camp The Earth We Share (TEWS) for 12-16 year old students from around the world, a program of the nonprofit Dorothy Jemison Foundation for Excellence (DJF). From 2011 to 2014, DJF held TEWS-Space Race in collaboration with the Los Angeles Unified School District training hundreds of middle school teachers in experiential science education and over thousands of middle school students. Other foundation programs includeReality Leads Fantasy-Celebrating Women of Color in Flightthat highlighted women in aviation and space from around the world. EXPO Inspire is a hands-on public STEM fair. LOOK UP announced in September 2017 an international movement to galvanize people worldwide, on a single day, to acknowledge that we are Earthlings.

Jemison was Bayer Corporation USAs national science literacy ambassador. She is one of the series hosts for National Geographics One Strange Rock and space operations advisor for its global miniseries MARS.

Jemison is a member of the U.S. National Academy of Medicine and is on the boards of directors of KimberlyClark, the National Board of Professional Teaching Standards and the Texas Medical Center. She was the Founding Chair of the Texas state Product Development and Small Business Incubator Board, chair the Texas State Biotechnology and Life Sciences Industry Cluster, chair of the Greater Houston Partnership Disaster Planning and Recovery Task Force, and served on the board of Scholastic, Inc. and Valspar Corporation. Jemison is a inductee of the National Womens Hall of Fame, the National Medical Association Hall of Fame and Texas Science Hall of Fame, International Space Hall of Fame as well as a recipient of the National Organization for Womens Intrepid Award, The Kilby Science Award and National Association of Corporate Directors Directorship 100 most influential people in the boardroom in 2014, Honorary member of Alpha Kappa Alpha Sorority and the New York Academy of Sciences, among many honors. She was a featured panelist on the CNBC special The Business of Science (9/2011) and was one of the teachers on The Dream School. Jemison is an author includingFind Where the Wind Goes: Moments from My LifeTrue Books series on space exploration. She was the first real astronaut to appear on the Star Trek TV series and is a Lego figurine in the Lego Women of NASA kit.

For more information about UDs Commencement ceremony, visit http://www.udel.edu/commencement.

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Guardians of the Galaxy 3 and Microsoft to Build Zune on ISS – Gizmodo

The Zune, Microsofts failed digital music player from the early 2000s, is getting a second chance on board the International Space Station (ISS), after performing cameos in Guardians of the Galaxy 2 and other Marvel movies. Microsoft and its collaborators are planning to resuscitate the famously doomed gadget through 3D-printing technology.

How Much of Guardians of the Galaxy Did James Gunn Plan From the Start? | io9 Interview

Microsoft has partnered with aerospace manufacturer Redwire to 3D print a Microsoft Zune on the ISS, Redwire recently announced. The Zune player made a rare appearance at the end of Guardians of the Galaxy Vol. 2 as the butt of a jokea nostalgic reminder of the little music player that couldnt. Microsoft launched Zune in 2006, five years after Apple revealed the groundbreaking iPod. Unfortunately, Microsofts own digital music player could not compete with the iPod, and it was discontinued six years after its debut.

Dont Let the Music Stop | Microsoft x Guardians of the Galaxy Vol.3

In the film, Chris Pratts character, Star Lord, upgrades his music-listening device from a walkman to a Zune, a tongue in cheek reference to the now-outdated (always-outdated?) digital player. Its what everybodys listening to on Earth nowadays, Star Lord says of his first-generation Zune. Of course, Star Lords last memory of Earth was during the 1970s, so the Zune would truly have been a game changer for him.

Star Lord still relies on Microsofts Zune in the third series of the popular movie franchise, with the gadget also appearing by his side in Avengers: Infinity War and Avengers: Endgame.

With the latest movie in the series hitting theaters this week, Microsoft fully embraced Zunes reputation and launched an entire website dedicated to its gadgetary flop. The website also features a short ad in which the Guardians of the Galaxy superheroes pay a short visit to the ISS, with a space station astronaut handing the fictional superhero Star Lord a new Zune to replace his broken unit.

Zunes website aims to promote STEAM (science, technology, engineering, arts and mathematics) education among students, creating different space-themed activities on the website for young explorers. As part of its campaign, Microsoft will be using Redwires Additive Manufacturing Facility on board the ISS National Lab to 3D print its deceased gadget.

Space is critical to inspiring future generations, Mike Gold, Redwires chief growth officer, said in a statement. Redwire is proud to bring together our own super hero team with Microsoft and Guardians of the Galaxy Vol. 3 to help educate and inspire students in the real world to pursue careers in STEAM.

The mission patch, featuring Rocket and Cosmo. Image: Redwire

For those of you hoping to see a fully functional unit come out of that 3D printer, you may be in for a disappointment. In response to a Gizmodo query, a Redwire spokesperson confirmed that the company will forge a mockup of the Zune on board the ISS. It will not be playing any music, the spokesperson explained in an email. This print is a tool, and this project is helping us leverage the excitement of the release of the upcoming Guardians of the Galaxy Volume 3 movie, as an opportunity to engage a new audience who loves science fiction and have them get to know more about the real science that happens on the ISS, including 3D printing.

The commemorative mission comes with a neat patch, featuring Rocket and Cosmo from the Marvel films, in addition to the Zune and ISS. And on that note, this isnt the first time the Guardians of the Galaxy franchise has made an appearance on the ISS. In 2016, Marvel designed the ISS patch to include the movies favorite duo Rocket and Groot as space travel enthusiasts.

For more spaceflight in your life, follow us on Twitter and bookmark Gizmodos dedicated Spaceflight page.

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Guardians of the Galaxy 3 and Microsoft to Build Zune on ISS - Gizmodo

History-making Emirati astronaut Sultan Al-Neyadi is first person to … – Arab News

LONDON: Emirati astronaut Sultan Al-Neyadi, who a week ago became the first Arab to perform a spacewalk, followed that up on Thursday by becoming the first person to practice jiu-jitsu in space.

Al-Neyadi, who is serving aboard the International Space Station, uploaded a video to his social media channels in which he is seen performing the martial art while wearing a UAE Jiu-Jitsu Federation Gi, the traditional, kimono-style attire worn by the sports practitioners.

The clip quickly racked up thousands of views in the UAE and beyond. In it, Al-Neyadi explained how the martial art, which is a key pillar of the physical education syllabus in schools in the UAE, has helped foster the skills of discipline, focus and adaptability among young people, and how those skills helped him prepare for the six-month space mission and after he arrived at the space station.

I love jiu-jitsu. I have been doing jiu-jitsu for so many years, said Al-Neyadi. Jiu-jitsu helped me so much in my preparation for this mission and getting adapted to the environment on the International Space Station.

Recalling his training sessions in a centrifuge, which help astronauts prepare for the stresses on their bodies during space travel, Al-Neyadi said: When I was encountering my weight times two, three or even up to eight times, the first sensation was (like) feeling an opponent on top of my chest.

One of the first things I learned in jiu-jitsu was to regulate my breathing, so this is exactly what I did during the centrifuge experience. I think jiu-jitsu really helped me overcome that experiment.

Now in his second full month aboard the space station, Al-Neyadi said his lifelong passion for jiu-jitsu is paying great dividends in the confines of the orbiting laboratory, 420 kilometers above the Earths surface.

When I arrived here, I was surprised to find we mainly use our feet to stabilize ourselves, he explained. One of the fundamentals is that we use our toes to establish a foundation, so the pressure is on the ground; the contact should be on your toes, not your heels.

Thats why doing a jiu-jitsu posture when I am in space, with my toes positioned under a handrail, I feel very stable. I am using my toes to translate (my movement) everywhere and do all sorts of tricks. I can jump from one place to another, using my toes to stabilize myself. Ive been doing a lot of front rolls and back flips.

Abdel Moneim Al-Hashemi, the chairperson of the UAE Jiu-Jitsu Federation, president of the Asian Ju-Jitsu Union and senior vice president of the International Jiu-Jitsu Federation, said he is proud of Al-Neyadis achievements.

His bravery, intelligence and humility are a credit and inspiration to the UAE, and all our citizens and residents, he said. He is an example for the Arab and Muslim world, and to a global nation of jiu-jitsu athletes. He has put the sport of jiu-jitsu on an entirely new map, taking us from mats to stars.

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History-making Emirati astronaut Sultan Al-Neyadi is first person to ... - Arab News

Guardians Of The Galaxy Vol. 3’s Cosmo Is Based On The Tragic … – /Film

To understand how poor Laika ended up on a rocket with no plans for an earthly return, it's important to understand the context of space travel in the 1950s. By the time Laika went on her one-way mission, the U.S. and the Soviet Union were years into the Cold War, a conflict that would last decades and involve espionage, bloodshed, and perhaps most surprising, lots of cultural competition. Both nations wanted to prove their mettle (and the validity of their respective political ideologies) by being the first to put a man on the moon, but before humans could safely make it to space, animals were sent in their place.

According to the Royal Museums Greenwich, the first known animals in space were fruit flies, which were sent 67 miles into the air in 1947 by Americans who were curious about how cosmic radiation might impact biological structures. Soon, scientists started using mammals like dogs and monkeys in order to figure out exactly what astronauts would need to be prepared for when leaving Earth, as well as what spacesuits and other onboard technology could do to mitigate the effects of space travel.

While it's tough to imagine an alternative method of rudimentary research that wouldn't kill lots of astronauts in the process, the use of animals in early space travel experiments is no doubt extremely upsetting. Many animals died over the course of the Space Age, but few stories are as tragic as Laika's. According to Smithsonian Magazine, the dog, who is often cited as part Samoyed but in images also appears to be part terrier, was chosen from among several stray dogs from Moscow for the mission aboard Sputnik 2. Like Cosmo, she had special gear for her travels, including a diaper-like affixed bag, a harness, and electrodes to capture readings on her vitals throughout the journey, per NASA.

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Guardians Of The Galaxy Vol. 3's Cosmo Is Based On The Tragic ... - /Film

The Unflappable John Mather – Cal Alumni Association – CALIFORNIA

Two months before NASA unveiled the first images from the James Webb Space Telescope to the world last summer, some 50 astronomers and engineers anxiously gathered in the missions control room at the Space Telescope Science Institute in Baltimore for the moment of truth. Finally, after a 35-year-long, seemingly insurmountable journey through technological adversity, threatened cancellations,anda pandemic, the newly calibrated $10 billion observatory was about to reveal how well it workedor didnt.

Among those awaiting that first test shot was John Mather, the missions senior project scientist, Nobel laureate, and senior astrophysicist at NASAs Goddard Space Flight Center. The team had focused the observatorys massive 21-foot hexagonal mirror on a single star surrounded by utter blackness. But when countless lights suddenly peppered the image, there were audible gasps. My God, there were just galaxies everywhere! Mather says. It was such a wonderful surprise and relief. Then they broke out the champagne and a bottle of Cognac from 1906, the year James Webb was born.

It was an emotional moment for the normally unflappable scientist, whod spent nearly three decades helping to shape and champion the missions science objectivessome requiring technology that had yet to be invented. The most sophisticated astronomical instrument in history is designed to capture infrared light from 13.6 billion years ago, enabling views of the early universe some 200 million years after the Big Bang. The data it collects over the next decade will give us a new understanding of how galaxies, stars, and planets formed in the early cosmos, whether planets orbiting nearby stars (exoplanets) might support life, and the makeup of our solar system.

This is all part of one thing, which is How did we get here? says Mather, now 76. The Big Bang happens; galaxies, stars, and planets grow; they all get enriched with chemical elements. And so here we are. Where did everything here come from? Were living our own history by looking at the rest of the universe.

The JWST was arguably the most inspiring science story of 2022. Its launch the previous Christmas and flawless unfolding of its sun shield and primary mirror en route to an orbit 1 million miles away were remarkable feats of engineering. The breathtaking images that followed revealed stunning insights into the nature of the cosmos. For Mather, it was yet another summit in a storied half-century career in infrared astronomy and cosmology that included the 2006 Nobel Prize in Physics (with Berkeley Professor Emeritus George Smoot) for capturing data supporting the Big Bang model. He has also advised NASAs Science Mission Directorate, the National Academy of Sciences, and the National Science Foundation; earned five dozen awards; engaged in some three dozen scientific papers; and coauthored the book The Very First Light.

For these achievements, UC Berkeley Foundation and the Cal Alumni Association have granted Mather, Ph.D. 74, the UC Berkeley Alumnus of the Year Award for extraordinary advances to the betterment of society, to be presented at the Berkeley Charter Gala on May 11. Hes inspired not only numerous Berkeley faculty and students, but even the most amateur astronomers and citizens worldwide, says Achievement Awards cochairman Ahmad Anderson 83. His contribution makes us think about life and existence and what we can do to sustain that on Earth.

Since 1995, Mather has led the JWST science team from the observatorys gestation through its harvest of vibrant images. Hes helped to choose its members, decide which objectives to pursue, and how to achieve them. Every day, I worked with engineers to say, OK, this is what we want to do. How can we do it together? he says.

He really trusted his team to perform, says Mike McElwain, a JWST observatory project scientist who has worked under Mather since 2013. He let us take responsibility and not all leaders do that. But it forced us to work harder. He isnt afraid to take on really challenging projects. If physics doesnt rule something out, then he knows it can be done.

Mather is a lanky 6 4 presence who radiates calm brilliancea big mind who drops folksy phrases like my golly, tackles Herculean obstacles with optimistic persistence, and doesnt worry about issues beyond his control. Most of the time Im a pretty cool character, he says. My having an opinion about it doesnt make any difference to the hardware.

As illustration, take his Zen reaction to the JWST launch. Once in space, the craft emerged from the rocket fuselage, unfurling like a butterfly from a cocoon as it embarked upon 50 major deployments with 178 release mechanisms. Engineers practiced the incredibly involved process for more than a half-dozen years with the real telescope in a vacuum, in cavernous dust-free clean rooms, and via computer simulations. Now the moment had come. If anything went wrong, the space telescope would be space junk. While the launch and deployment had most folks holding their breath, Mathers take was, Its all working according to plan.

Such Jedi traits guided him from a rural New Jersey childhood through a rarified career. Hes obviously very smart, but hes also confident, good-natured, and down-to-earth, says Michael Werner, a close friend since their Berkeley days who went on to become project scientist for the Spitzer Space Telescope. He doesnt put on airs or pretend he did it all himself. Hes grateful for the opportunities hes been given and supportive of the people hes worked with over the years. Hes really a model of a scientific statespersonvery generous with his time, and gracious and helpful to younger scientists.

Going for something cool

Mather grew up on an experimental farm run by Rutgers University, where his father was an agricultural science statistics professor. As a child, he delighted in all types of science. He was often fascinated by the danger it presented when countering beliefs of the day, like 17th century astronomer Galileo Galilei enraging the Catholic Church by insisting the Earth orbited the sun. Despite an early aptitude and indulging in summer physics and math programs, it wasnt until he won a statewide high school physics contest that he realized he might be something special. That was my decision point, he says. I thought, You really could go for something cool.

Not that other distractions wouldnt occasionally pull his focus. After graduating from Swarthmore College in 1968, he took a summer job at Lawrence Berkeley National Laboratory with plans to attend graduate school at Princeton University, which had yet to go coed. But my friends thereall guyssaid, If youre not married, dont come; there are no women here, says Mather. He stayed at Berkeley and informed Princeton why. The next year, Princeton accepted women.

Despite that perk, Berkeley in 1968 proved a massive culture shock when the nerdy country kid from a small bucolic college found himself in a city awash in protests, police violence, and the looming threat of the Vietnam War.

My draft number came up, but I failed the physical because I was extremely nearsighted, which was OK with me. I didnt want to go, he says. It felt like our country was under attack from the insidethe people who did not want to go to Vietnam and fight versus the people who thought if you didnt go, you were a traitor. It was hot feelings at the time.

The tumult was such that it almost lured him from physics when he thought he might be a more effective activist as an attorneyonly to recoil at the law school class catalog. I realized, Oh, I dont want to know any of this! I better stick to what I like already.

Outside of his studies, Mather found refuge with a Big Bang Theorylike group of housemates that included a couple of physics students, an aspiring psychologist, a writer, a former nuclear reactor piping engineer, a high school buddy whod left the Air Force, and a drooly Great Dane named Khan. He could reach a pound of butter in the middle of the dining table without getting onto it, says Mather. They roomed together in their affectionately dubbed Walnut House, an old brown-shingle home on Walnut Street that now exists only in memories.

By 1970, hed yet to refine his direction in physics. Faced with choosing a thesis project, Mather joined a research group led by Paul Richards, Ph.D. 60, now a Berkeley professor of physics emeritus. They, along with Werner, then a postdoc, were devising projects to measure cosmic microwave background radiation (CMBR), the cooled remains of the first light from the Big Bang that had been discovered a few years earlier. Mather and Werner built a far-infrared spectrometer in a successful attempt to measure the spectrum of CMBR from the White Mountain Research Centers Barcroft Station in Eastern California.

We had a lot of fun together doing experiments, says Werner, who remembers Mathers curiosity was such that once, just for kicks, he crafted a method to measure seismic activity from underground atomic tests then taking place in Alaska.

The following year, Mather and Richards teamed with another lab member, a Ph.D. student named David Woody, now a radio astronomer and assistant director of Caltechs Owens Valley Radio Observatory. Woody and Mather shared a cosmology class taught by the late Charles Townes, then a Berkeley professor who shared the 1964 Nobel Prize in Physics for his work in quantum electronics. Woody 68, Ph.D. 75, remembers Mather being so bright that whenever he volunteered an answer, I had to figure out why it was right.

They built a microwave spectrometer to measure CMBR from a high-altitude balloon they launched in Palestine, Texas, that could gather data above the atmospheric water vapor that would absorb their signal. The pair drove down in a U-Haul truck carrying their equipment, and Woody laughs at the memory of the towering Mather, then an inch taller than he is now, struggling with average-size motel beds on the way. He had to put a suitcase at the foot of the bed so he could rest his feet.

Not only did their work inform Mathers thesis, but building instruments for remote and hostile locations grounded his next steps. Graduating in 1974, Mather continued this research as a National Research Councilpostdoctoral fellow at the Goddard Institute for Space Studies in New York. There, he led the proposal for the Cosmic Background Explorer (COBE), a satellite designed to take more precise CMBR measurements.

It was during this time that he met Jane Hauser, a classical ballet teacher he encountered in a personal growth workshop, who would become his wife of 42 years before passing away last November. Hauser brought an artistic flair to Mathers world, often coaching and encouraging him in writing and speaking. The pair shared a life of travel, learning, collaborating, and daily hugs.

She loved her work and wanted a man who loved his work, so he would understand hers, he says. Everything I am, everything I do, everything I own has her mark.

When NASA greenlit a more formal study of COBE two years later, Mather moved to Goddard Space Flight Center in Greenbelt, Maryland. There he became COBE project scientist and the principal investigator for one of its instruments, the Far Infrared Absolute Spectrophotometer (FIRAS), leading a team of more than 1,000 scientists and engineers. The satellite, launched in 1989, provided the compelling evidence of the Big Bang theory that eventually earned Mather and Smoot their Nobel.

Their measurements of radiation from the early universe revealed a spectrumsimilar in form to the glow of an incandescent bulb, but at wavelengths invisible to our eyesthat matched predictions of what light from the Big Bang would look like now. Their measurements further showed that the radiation wasnt equally bright in all directions, but instead varied with infinitesimally warmer and cooler spots. These resulted from density variations in dark matter and gas, the other components of the universe. Without those density variations, gravity could not have pulled together the primordial material into galaxies, stars, and planets. We wouldnt be here without those spots, says Mather. The Nobel Foundation heralded their findings as the starting point for cosmology as a precision science.

Mather remained with the COBE mission until it ended in 1993 and joined the JWST missionthen called Next Generation Space Telescopetwo years later as it was ramping up to peer beyond the view of the Hubble Space Telescope. (Its official name, honoring James WebbNASAs administrator from 1961 to 1968came in 2002.) It would be a turbulent journey. NASA woefully underestimated the costs, time, and technology to make it viable, initially allotting just $500 million to develop the telescope for an anticipated 2007 launch. When ensuing cost overruns and construction delays threatened to shut it down in 2011 and 2019, Mather helped rally staff by keeping a steady eye on the prize.

His composure was just what was needed when the crap hit the fan, says astrophysicist Garth Illingworth, the last of the telescopes three original architects still involved in the mission. (The trio began brainstorming the telescope in 1986.) He remained a strong, positive voice for the science, and a reminder of why we were building it and the broad questions it would answer.

To Mather, there was simply no other option. There was no competition for this observatory; no other way you could get this information, he says. I just had faith it would all work out. And even if it didnt, I wasnt going to give up.

The study of the cosmos is a continuum. COBE and its successor satellites, along with the great space telescopes like Spitzer and Hubble, helped set the framework for JWST to continue unlocking clues to our origin. Scientists can use physics to accurately calculate how the universe developed to the point where those first stars and galaxies began to grow, and cosmic storms occurred. But once stars begin to form, the physics becomes too complicated to accurately predict how galaxies grow. The JWSTs observations of first light will provide a key step in unraveling that mystery. Scientists theorize that the first stars formed differently than later ones because the nascent universe contained just hydrogen and helium. Those stars made new elements and ultimately exploded, providing the abundance of those elements we have todaythe very stuff that were made of. With the JWST already pinpointing previously unknown unusually bright galaxies, cosmologists are rethinking what the first stars and galaxies are like and what kind of science to conduct, as new discoveries continue to raise even more questions.

Theres a direct connection logically from those spots that we measured [with COBE] to our existence, says Mather. If we could understand that process, that would be like understanding a great secret.

The Next Chapter

Like the JWST, Mather too is entering a new phase. Still tender from Hausers passing (She was very unique and I loved her dearly, he says gently), hes finding renewal in the creative process of brainstorming his next venture. With the mission in good shape, hes stepping away to envisage a new way to examine exoplanets. I am much more interested in how you build equipment and get it to work in space than I am in the details of what we are going to look at, he says. The Hybrid Observatory for Earth-like Exoplanets (HOEE), which hes developing with his lead researcher, Eliad Peretz, combines giant ground-based telescopes with an orbiting 300-foot star shade that would block glare from a host star to reveal its exoplanets reflected light. Spectral analysis of that light would decipher the exoplanets atmospheric makeup and whether it might support life. Of course, its so nearly impossible that were not building yet, he says. Were still at the imagination stage.

This is Mathers playground; the lure of scientific possibility and willing the improbable into reality that has fueled his abundant discoveries. Just wondering whats gonna happen, he muses. After all, he adds with a smile, I could have another quarter century. You never know.

Susan Karlin covers space science, autonomous vehicles, tech design, and the future of aviation for Fast Company and others.

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Star Wars: Visions season 2 episodes rated in the best way possible – Polygon

There is a new season of Star Wars: Visions out on Disney Plus which means we are ready to break down each short by how many stars, wars, and visions is in each one.

I did this last time around, when the first season of Star Wars: Visions came out. This time, nine different animation studios from around the world participated with nine completely different shorts. While the first season really focused on the Jedi-Sith of it all, this new season reaches to the far corners of the galaxy far, far away and looks at many different facets of the Star Wars universe. Bring on the stars, the wars, and, most importantly, the visions.

Studio: El Guiri

Image: El Guiri/Lucasfilm Ltd.

Stars: The bulk of this one takes place on a distant planet outpost, so we dont see too many stars. However, the final moments involve Lola, the main character, blasting away into space, the full expanse of the galaxy unfolding before her.

Wars: Lolas old Sith master finds her and hunts her down with a group of Sith cronies. Its not a full-on war exactly, but it is a very heated battle.

Visions: The art style in this one is gorgeous. Lola is a painter and she manipulates her paint (presumably using force powers). The style looks handpainted and renders the Light and Dark sides of the Force with such vivid colors so damn cool. The showdown between Lola and her former master is especially triumphant, when Lola finally wields her lightsaber and embraces both the Dark and Light of her own power.

Does it work? The visuals in Sith are incredibly evocative from the very beginning, when Lola wakes up in an almost stark white room. At the beginning of the short, its unclear where the Sith fit in, since Lola just appears to be a painter determined on finishing a mural. The darkness creeps up here quite literally as Lola cant quite get rid of the darkness in her paint. Sith uses every bit of its visuals to push the story forward. And painting using the Force? Amazing, talented, wonderful, just plain awesome. I want more eclectic uses of the Force!

Studio: Cartoon Saloon

Image: Cartoon Saloon/Lucasfilm Ltd.

Stars: Once again, most of the action is centered on one planet, so we dont really get a big space travel montage or anything. However, the four teens speed across the planet to find a mysterious cave and the starscape above them is expansive and beautiful a flex from Wolfwalkers studio Cartoon Saloon to show off striking backgrounds.

Wars: Daal, the girl whos been most bent on finding the cave, has a brief faceoff with the mysterious ghost in the cave. But other than that, its pretty light on the war end of things.

Visions: Cartoon Saloons house style just really says young people chasing the truth of a myth and facing some hard truths along the way. The story itself is bittersweet and the visuals from the gorgeous starscape to the tight, claustrophobic cave encounter only augment it.

Does it work? This is the type of emotional, poignant storytelling I want more of from Star Wars! And we get a lot of it in this season. This is just the first of three shorts revolving around Force-sensitive kids who need to make some tough choices. All of them are good, but this is probably the most devastating one for various reasons: One, its not actually clear if Daals possible new master is a Sith or a Jedi; two, the friends she leaves behind are still going to be working in a factory for probably the rest of their lives; and three, even though her best friend urges her to take a chance and never look back, she does and... ow.

Studio: Punkrobot

Image: Punkrobot/Lucasfilm Ltd.

Stars: Well, its right here in the name! The alien species native to the featured planet believes that their deceased comrades become stars. So the two remaining survivors, a little girl named Tichina and her older sister Koten, try to look at the stars in order to see their dead mother. However, the Empires big mining facilities spew smoke that clouds the night sky, while the traditional paintings of these people need starlight to glow and will otherwise fade away. Even if this story takes place entirely on a planet, its still very much about stars.

Wars: The Empire colonized this planet and almost completely wiped out the indigenous population, save for two young survivors. While Koten is mostly focused on surviving, Tichina believes that they can fight back against the Empire.

Visions: Seeing these two girls struggle to survive in the ruined wasteland of their beloved home really hammers home the brutality of the Empires imperialist conquests. The animation is done in this cool stop-motion except for the sick cave painting sequences which glow like the stars above.

Does it work? Is there anything more Star Wars than standing up to the Empire against increasingly unlikely odds? In the Stars is ultimately a triumphant story, though man is it a harrowing journey to get there. Koten and Tichina are desperate when the short begins, which makes their eventual victory all the more fulfilling.

Studio: Aardman Animation

Image: Aardman/Lucasfilm Ltd.

Stars: No stars here! This one takes place on a metropolitan planet, so its all city buildings and narrow streets instead.

Wars: Instead of an actual war, the conflict comes from a race! Well, its also a lot about mother-daughter relationships and sticking it up to the posh mean girl at pilot school, but mostly a cool race through the city.

Visions: This is a charming almost slice-of-life story that has more to do with being a teenager with an embarrassing mother than it has to do with the Force, the Empire, or any other big powerful Star Wars thing. And its refreshing as hell!

Does it work? Known for Wallace and Gromit and Chicken Run, Aardman Animation excels at big goofy expressions, physical humor, and just generally using the stop-motion medium to its full potential. You wouldnt necessarily think Star Wars could lend itself to a sweet and hilarious story about a girl and her mom, but I Am Your Mother pulls it off.

Studio: Studio Mir

Image: Studio Mir/Lucasfilm Ltd.

Stars: The journey in question does involve a fair bit of space travel. The stars, however, are not super highlighted. Instead, the big visuals come from the forgotten temple where the final battle takes place.

Wars: This one is set against the backdrop of a war its not clear which one, but if there is one constant in the Star Wars universe (besides stars) it is wars. As a child, pilot Ara was raised in a temple on a distant planet, which used the trickling rainfall from two towering statues to channel visions. Ara senses that one of these statues belongs to the Dark side, and she believes that beheading it will tip the scales on the side of Light. Meanwhile, the Jedi assigned to her mission, a young man named Toul, has some unresolved baggage with the Sith who killed his master.

Visions: I simply love a Star Wars story that plays with the notion of the Dark Side and the Light Side not being totally opposite. The climactic fight at the battle is truly epic, with some fantastic set pieces and lightsaber moves.

Does it work? Journey to the Dark Head is probably the most traditional Star Wars of all these shorts, starting with a prophecy, set in the midst of a war, and ending with a big battle between a Jedi and a Sith. Still, the characters themselves are refreshing the broody young Jedi and the scrappy pilot just have a lot of spark on their own and with each other and that alone is enough to really carry the short.

Studio: La Cachette

Image: La Cachette/Lucasfilm Ltd.

Stars: Not a lot here since 95% of this short takes place in a towering dance hall. Think that scene in Revenge of the Sith where Palpatine and Anakin talk about Darth Plagueis (and also watch Squid Lake).

Wars: The Empire is everywhere in this story. The dance hall is actually run by a spy, who uses her performances to plant trackers on the Stormtroopers. She harbors a vendetta against a certain Imperial officer. The rest of the staff are also spies, working to lure Imperial soldiers with the promise of liquor and a good time so that they lower their inhibitions.

Visions: One of the most intriguing things about this short is the dancing and how that translates into the climactic fight. Loie, the principal dancer and head spy, does an impressive routine using aerial silks. When she fights the Stormtroopers, she uses those silks as weapons. Her protege, Htis, has a similar balletic fighting style. Its fun to see a Star Wars fight that doesnt rely on lightsabers or blasters.

Does it work? Seeing this side of the Rebellion one relying on subterfuge and reconnaissance instead of fighter pilots and guns is incredibly fascinating. From the dance hall to the dancers themselves, The Spy Dancer paints an evocative picture of how espionage would work in this setting. The characters are also very compelling, especially Loie, a seasoned spy who has a personal reason to hate the Empire and a mission she wants to fulfill.

Studio: 88 Pictures

Image: 88 Pictures/Lucasfilm Ltd.

Stars: Once again, this short takes place on a singular planet and a desert one at that! (Star Wars does love its deserts). Not many stars, even when it turns to night.

Wars: All we really know is that the Empire is conquering this planet and that they are looking out for Force sensitive children to capture. Its not an explicit war, so much as it is a reminder of the Empires omnipresence.

Visions: The animation has this lovely painterly quality, with certain shadows and lighting looking particularly cool. But the best part is towards the end, where a character you would not really expect to be a Jedi whips out a lightsaber and fights the Sith inquisitor who has come to collect Rani.

Does it work? This is the second of three shorts about Force-sensitive kiddos being whisked away from the lives theyve known. Theyre all good and really make you think about the ramifications of the whole Jedi youngling system. This one takes on a specific edge, as it is the only one where the Empire itself poses a great threat by homing in on the relationship between Rani and her older brother, Charuk. Charuk has fought tooth and nail to bring his sister to the place where their father said she would be safe the place where they will eventually have to part ways. Its very bittersweet, and the little game theyve concocted about being bandits in order to motivate them on their lonely travels gets a callback when they say goodbye one last time.

Studio: DArt Shatjio

Image: DArt Shatjio/Lucasfilm Ltd.

Stars: There are some shots of the night sky, but nothing long lasting enough to make the Star score go up.

Wars: There is a vague sense that the prisoners thrown into the pit were probably captured because of the Empires conquests. Like with the previous short, there isnt really an outright mention of war, but its felt.

Visions: The best shots of this one happen when the prisoners in the pit look up at the sky above them. Its chilling, especially when juxtaposed with the more glamorous shots of a nearby city.

Does it work? This one is the darkest of all the shorts, with an on-screen good guy death that is particularly heartrending. But at the same time, because the protagonists are so low (literally: they are in a pit), the eventual victory feels particularly cathartic. Like In the Stars, this one focuses on people rising up and triumphantly overthrowing the Empire. Unlike In the Stars, there are a lot of characters so it takes on a more macro view, which may or may not work depending on if you like more relationship-driven narratives.

Studio: Triggerfish

Image: Triggerfish/Lucasfilm Ltd.

Stars: Even though this short takes place on one planet, there are impressive skyscapes but its a little more on the blue skies and clouds side than stars.

Wars: Very light on the war front here! The focus is on a bear-like alien species that mines kyber crystals for lightsabers. Except, all the kyber has been corrupted by Sith and need to be cleansed by Jedi.

Visions: Aaus Song is done in this wonderful stop-motion style that lends itself to cozy and adorable characters as well as utterly gorgeous landscapes and scenery. Additionally, Aaus Force abilities being in tune with music and her singing is just really cool to see.

Does it work? The last short of the kids with Force powers saying goodbye to their previous lives! This one is way more optimistic than the others, since there is no looming Empire or even a shitty work house to leave. Aau has a supportive family network who encourage her to harness her powers and take to the sky. Ultimately, it is a deeply hopeful story a perfect note to end the season on.

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Star Wars: Visions season 2 episodes rated in the best way possible - Polygon

Harry Styles new road trip music video Satellite is full of US travel … – New Zealand Herald

Harry Styles' new music video for Satellite shows a robot getting its fill of US travel. Photo / Lloyd Wakefield

The robot star of Harry Styles latest music video embarks on a journey across the US for love - and that cinematic trip could inspire the travels of keen fans.

In the video for Satellite, a song from the British pop musicians album Harrys House, a tiny robot vacuum cleaner is awakened by the power of love, after hearing that the Mars Curiosity rover has been living alone on the faraway planet for 10 years.

In an effort to reach Curiosity, the anthropomorphised robot starts on a journey across the US. It starts its trip at a (secretly filmed) Love on Tour Show, before grinding to a halt next to the pop star while stargazing. Along the way, the robot stops at some notable US destinations - heres the itinerary to see key spots in its journey.

Love on Tour Show at the Kia Forum LA

In the first section of the video, the small robot comes to life backstage at one of Styles shows at the Kia Forum in Inglewood, California, where the musician played 15 times to sold-out crowds. It moves into the arena itself, gliding across the stage and navigating the crowds and discarded feather boas once the show wraps up. The music video was filmed secretly, with fans in the background unknowingly playing roles as background extras.

The Kia Forum (previously called The Forum) is a huge multi-use space in California, that hosts concerts, basketball, ice hockey, boxing matches, tennis and political events. Its known for its unique architectural structure, with huge, recognisable columns lining the outside of the venue. The robot is seen leaving the venue, with the columns and Harrys House sign lit behind them.

Las Vegas Boulevard

After navigating the LA freeways, petrol stations and truck stops, the little robot starts to head east. It stops for a glance at the neon lights of the bright Las Vegas boulevard, marvelling at the colours of the Pink Flamingo hotel and casino sign.

The Pink Flamingo, which was opened in 1946, was also a filming location for the 1960 and 2001 Oceans 11 films, and Elvis 1964 Viva Las Vegas musical. The flashing lights of Las Vegas itself make for a bewildering road trip stop and are certainly worth a picture.

Monument Valley

A large part of the robots trek sees it driving through the stunning red sands desert of Monument Valley, which stretches across the Utah-Arizona state line. Its characterised by the sandstone buttes, the steep pillars that reach up to 300 metres above the deeper parts of the valley. The robot also takes Route 163 along this journey, the scenic road that takes travellers through the picturesque Southwest.

Monument Valley has also been featured in classic John Ford and Clint Eastwood cowboy flicks but is perhaps more famous for its starring role in Forrest Gump.

Kennedy Space Centre

The robots journey comes to an end at the Kennedy Space Centre in Cape Canaveral, Florida and sits next to Harry Styles gazing up at the sky, as its battery finally runs out. The Space Centre is the main launch site for NASA, and has been in use since 1968. The Space Centre also has a visitor complex, which offers further opportunities to learn about space travel, historically significant missions and engage with actual astronauts.

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Harry Styles new road trip music video Satellite is full of US travel ... - New Zealand Herald

The Dune: Part Two trailer is here but how many more films will we get? – The Guardian

Week in geek

A first look at the forthcoming Dune sequel pulls us back into the strange sandpit. But how much farther into Frank Herberts psychedelic universe is Denis Villeneuve likely to venture?

Spoiler alert: this article includes plot details from several of Herberts Dune novels, including the ending of the first

It has often been noted that George Lucass 1977 film Star Wars was greatly influenced by Frank Herberts Dune. The desert-covered central planet; the blending of religion and magic to the point where they are virtually indistinguishable; the depiction of a galaxy where democracy has failed and gilded nobles battle for control of solar systems: all are present in both works of sci-fi-fantasy. And yet Dune is not Star Wars, even if Part Two, the first trailer for which dropped this week, will without doubt provide audiences with the burgeoning sagas most Star Wars-like moment so far.

In 2021, the first part of Denis Villeneuves Dune adaptation managed the remarkable feat of keeping us interested despite focusing almost entirely on the horrifying fall of House Atreides at the hands of the putrid and relentless Harkonnens, and leaving any sense of hope and future glory seemingly buried deep beneath the sand dunes. In the book, there is always a sense that the Atreides forebears as rulers of Arrakis are going to get their comeuppance, because scion Paul is clearly going to end up as the Bene Gesserits predicted messiah and probably take over the known universe. In the film there are fewer hints but it matters less, because the sci-fi eye candy on display is like nothing wed seen before on the big screen.

Interestingly, the new trailer shows us little of the spectacle we can expect in the finale of Dune: part two, when Christopher Walkens Emperor Shaddam IV descends with all his armies on Arrakis, only to discover he really should have stayed at home. Instead we see more of Zendayas Chani, witness the transformation of Rebecca Fergusons Lady Jessica into the Fremans tattooed, spice-loving Reverend Mother, and are introduced to Florence Pughs shifty Princess Irulan (daughter of the Emperor). Theres also a glimpse of the spectacular scenes from the book in which Paul Atreides first rides a giant sandworm.

Given the softly, softly approach to bringing Dune back to the big screen employed by studio Warner Bros, which was only prepared to film the novel one segment at a time, many fans of the book will just be pleased to see that Villeneuve didnt end up pulling a Ralph Bakshi. Part two looks fittingly expansive, and there is still the prospect of the blockbuster denouement to come which should make Luke blowing up the Death Star look like an episode of Doctors in terms of spectacle. And given that Dune earned more than $400m at the global box office, there is every chance its more feelgood and morally satisfying sequel should take the saga well past the 1bn mark. This is not a film whose chances we should worry about.

Its the future of the series Im more concerned about. Dune is a very weird novel but its sequels only get stranger and more unorthodox the deeper Herbert gets into his weird and wonderful galaxy of human computers, psychedelia-inspired space travel and gene-modifying witch clans.

If the Star Wars saga was Dune, Return of the Jedi would have seen Luke decide it was a grand idea to turn to the dark side after all, then spend the rest of the movie regretting it. And without wishing to give too much away for those who havent read the novels, by book four (God Emperor of Dune), the main character is a part-human, part-sandworm megafreak who has been alive for more than 3,500 years. If Villeneuve and Warner Bros are still making movies about Dune at that point, it will be remarkable. If anyone is still watching, it will be a miracle.

Wisely, Villeneuve has only committed so far to a willingness to adapt Herberts first sequel, Dune: Messiah which, while lacking the climactic cosmic battle that defines its predecessor, is at least packed with the political intrigue, high drama and millennia-spanning sorcerous conspiracies that drew fans to Arrakis in the first place.

It may be wise for the Canadian film-maker to draw the line there, perhaps after another two brilliant movies, before he finds the Mentats in white coats have turned up to take over the editing suite.

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The Dune: Part Two trailer is here but how many more films will we get? - The Guardian

10 Best Campy Sci-Fi Movies From the ’80s – Collider

The '80s was a decade of big hair, bold make-up, and vibrancy. But the decade also popularized the genre of science fiction in film, as every studio was desperate to produce the next Star Wars. As a result, this was the period where the world was gifted with various variations of over-exuberant story-worlds of wild space adventures.

Nowadays, some film snobs may perceive these to be tacky due to their gimmicky costumes and embellished acting; but for many, these movies are bizarrely comforting. They bring out one's inner child when movies were all about entertainment and thrill. Sure, they were boisterous, but at least they were fun. That's probably why most of these movies have gained a loyal cult following; there's no other decade or genre that captures the sentimentality and nostalgia like '80s sci-fi.

Famed warrior, He-man (Dolph Lundgren), crashes onto Earth from his planet Eternia. With the help of his friends, including two earthly teenagers, He-man must defeat the villainous Lord Skeletor (Frank Langella) and save the universe.

RELATED: 10 Classic '80s Movies That Just Get Better With Age

Mixing cheesy action with screwball comedy, Masters of the Universe doubles down on the nostalgia for its depiction of the beloved toy-turned-animated character and its classically kooky '80s visuals. With its comically extravagant costumes, scary-looking prosthetics, and a ton of over-the-top acting all one needs to do is sit down and enjoy.

Having finally reached the high score of his favorite arcade game, Starfighter, Alex Rogan (Lance Guest) soon realizes that the game has more than meets the eye. Recruited by Starfighter's designer, Centauri (Robert Preston), it's revealed that the game is a test to find the best pilots who can defend the world from an immanent alien attack.

Where many remember Tronfor its technological achievements, The Last Starfighter'searly use of CGI often goes unnoticed between the depictions of space travel, planet rendering, and intergalactic battles - the visuals hold up to this day, even with its gimmicky-ness. Either way, there's nothing more nostalgic than arcade games and cartoonish space imagery.

After Princess Lyssa (Lysette Anthony) is kidnapped by the Beast, her betrothed Prince Colwyn (Ken Marshall) leads a team of warriors to embark on a mission to find a powerful weapon and save the Queen-to-be.

Krull was the film that tried to mix space adventures with epic swashbuckling - sadly, things went awry as it became one of the biggest box-office bombs of the decade. Yet even with its comically dramatic tone and goofy visuals and costumes, it still has its charm. Plus - with a cast that includes the likes of Liam Neeson and the late Robbie Coltrane, it's hard to resist seeing their early work.

Set in the future when water is scarce, Princess Karina (Mary Crosby) is on a mission to find her father after his sudden disappearance. Now, having been sold space pirates, the Princess tasks them to assist her on her adventure.

Co-written by the same screenwriter of Krull, The Ice Pirates is another early '80s classic that surprisingly features several big-name actors such as Anjelica Huston, Ron Perlman, and John Carradine. Like other films of the period, its wacky costumes, caricature-like characters, and over-saturated visuals almost make it a parody of the world of Star Wars. Plot-wise, it may not be the most concise, but it's still great fun.

Paul Atreides (Kyle MacLachlan), the heir of a noble family, must lead a fight against the villainous Harkonnens, who are plotting a war against his House and their new desert homeland, Arakkis.

RELATED: From 'The Shining' to 'Labyrinth': 10 Best '80s Cult Classics That Critics Hated

Nowadays, when people think of Dune, they mostly think of Timothe Chalamet and the masterful world-buildingof Denis Villeneuve. Sadly, for David Lynch, his adaptation has yet to hit that same level of reverence, although its recently gained cult status has given it its edge. From Sting wearing space Speedos to balloon-like villains to the rotoscoped shields - Dune may not have the most clear-cut story, but it definitely holds some memorable visuals.

Obsessed over finding a way to reach a parallel universe, crazed scientist Dr. Pretorious (Ted Sorel) and his team finally achieves this by developing a machine that stimulates the pineal gland. The only problem - it introduces them to hostile lifeforms from the other dimension.

As a sci-fi horror, From Beyond does a masterful job of portraying the gore and grotesque. But this isn't surprising given that this movie is practically a spiritual sequel of Stuart Gordon's other '80s horror-comedy, Re-animator. Expect the visceral stomach-churning effects that teeter the line of the uncanny valley. Seeing Pretorious' gruesome transformation will keep you awake at night, but at least it captures the beauty of experimental '80s cinema.

A carnivorous fuzzy alien race escapes their prison by stealing a transport ship. They soon land on an Earthly farm, only to be followed by inept bounty hunters, leaving the humans to fend for themselves.

Where many mostly associate fuzzy alien invasions with Gremlins, Critterscan be regarded as its violent counterpart. Scaring and scarring kids in their childhood, watching this now will easily send one back to the good old days. A time when funny-looking puppets, with glowing red eyes and a creepily sharp grin could lead a wonderful sci-fi '80s B-movie.

As the planet Akir is threatened by the evil warlord Sador (John Saxon), a young farm boy (Richard Thomas) seeks out a group of mercenaries to save the lives of his people.

RELATED: 10 Old-School Action Movies That Will Still Have You On Edge

Where Seven Samuraiand The Magnificent Sevenare often revered in cinematic history and pop culture, its outer-space equivalent, Battle Beyond the Stars, isn't necessarily kept in the same club. However, to its credit, it's a wonderful piece of camp escapism that features goofy-looking aliens and oddly shaped spaceships. What else do you need from a classic space opera? Most of the time, they're so bad that it's good.

Buckaroo Bonzai (Peter Weller), a man of many talents, is caught in a battle where he must save the world from the evil aliens of Planet 10 known as the Red Lectroids. Luckily, he has the help of his allies, the Hong Kong Cavaliers.

Unsurprisingly, this movie is just as wild as its title suggests. Practically spoofing the phenomenon of sci-fi absurdity, The Adventures of Buckaroo Banzai Across the 8th Dimension is simply great wacky fun with its action and brilliantly smart humor. Its magic also stems from the talent of its stellar cast that includes not only Weller but other big names such as John Lithgow, Jeff Goldblum, and Christopher Lloyd.

Flash Gordon (Sam J. Jones), a football quarterback, and his friends land on the planet Mongo and must defeat the nefarious Ming the Merciless (Max von Sydow), who plans to destroy Earth next.

As one of the best space operas of all time, Flash Gordonis a film that many hold dear in their hearts. Much of this can be attributed to its unique style and how it's literally a comic book strip brought to life. It's bold and it's boisterous

and we're not just talking about the outlandish costumes. Every character is just as colorful as their clothes. Plus, who could ever forget its iconic soundtrack that was the brilliant brainchild of the legendary band Queen?

KEEP READING: The 10 Best Sci-Fi Movies of All Time, According to the AFI

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10 Best Campy Sci-Fi Movies From the '80s - Collider

RM Sotheby’s officially launches its brand in the Middle East – Arab News

LONDON: Emirati astronaut Sultan Al-Neyadi, who a week ago became the first Arab to perform a spacewalk, followed that up on Thursday by becoming the first person to practice jiu-jitsu in space.

Al-Neyadi, who is serving aboard the International Space Station, uploaded a video to his social media channels in which he is seen performing the martial art while wearing a UAE Jiu-Jitsu Federation Gi, the traditional, kimono-style attire worn by the sports practitioners.

The clip quickly racked up thousands of views in the UAE and beyond. In it, Al-Neyadi explained how the martial art, which is a key pillar of the physical education syllabus in schools in the UAE, has helped foster the skills of discipline, focus and adaptability among young people, and how those skills helped him prepare for the six-month space mission and after he arrived at the space station.

I love jiu-jitsu. I have been doing jiu-jitsu for so many years, said Al-Neyadi. Jiu-jitsu helped me so much in my preparation for this mission and getting adapted to the environment on the International Space Station.

Recalling his training sessions in a centrifuge, which help astronauts prepare for the stresses on their bodies during space travel, Al-Neyadi said: When I was encountering my weight times two, three or even up to eight times, the first sensation was (like) feeling an opponent on top of my chest.

One of the first things I learned in jiu-jitsu was to regulate my breathing, so this is exactly what I did during the centrifuge experience. I think jiu-jitsu really helped me overcome that experiment.

Now in his second full month aboard the space station, Al-Neyadi said his lifelong passion for jiu-jitsu is paying great dividends in the confines of the orbiting laboratory, 420 kilometers above the Earths surface.

When I arrived here, I was surprised to find we mainly use our feet to stabilize ourselves, he explained. One of the fundamentals is that we use our toes to establish a foundation, so the pressure is on the ground; the contact should be on your toes, not your heels.

Thats why doing a jiu-jitsu posture when I am in space, with my toes positioned under a handrail, I feel very stable. I am using my toes to translate (my movement) everywhere and do all sorts of tricks. I can jump from one place to another, using my toes to stabilize myself. Ive been doing a lot of front rolls and back flips.

Abdel Moneim Al-Hashemi, the chairperson of the UAE Jiu-Jitsu Federation, president of the Asian Ju-Jitsu Union and senior vice president of the International Jiu-Jitsu Federation, said he is proud of Al-Neyadis achievements.

His bravery, intelligence and humility are a credit and inspiration to the UAE, and all our citizens and residents, he said. He is an example for the Arab and Muslim world, and to a global nation of jiu-jitsu athletes. He has put the sport of jiu-jitsu on an entirely new map, taking us from mats to stars.

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RM Sotheby's officially launches its brand in the Middle East - Arab News

Oppenheimer Gets Up Close & Personal With His Explosive … – Screen Rant

Director Christopher Nolan's upcoming film Oppenheimer debuts a new poster that sees star Cillian Murphy standing in front of his explosive creation. Oppenheimer is a biopic telling the story of J. Robert Oppenheimer and his involvement in the Manhattan Project, which led to the creation of the first nuclear bomb. Murphy leads the film in the title role alongside a stellar cast including Robert Downey Jr., Emily Blunt, Matt Damon, Florence Pugh, Kenneth Branagh, and Gary Oldman.

Universal shared a new poster for Oppenheimer that sees Murphy posed front and center with the infamous atomic bomb positioned behind him.

The film will be released on July 21, following a year-long promotional campaign that began with a sneaky trailer attached to last summer's Nope. Now, with the film's release only a few months away, Oppenheimer is seeing its marketing ramp-up.

Nolan is known for films like Inception, The Prestige, and Christian Bale's Dark Knight trilogy. However, he's also known for building complex plots that stoke deep contemplation, like Interstellar and Tenet. While Nolan has also tackled true events before with 2017's Dunkirk, even that movie had a disjointed narrative, breaking the story up between different times and places. So while Oppenheimer may appear like a biopic, it could play out uniquely, with comments from CinemaCon pointing toward it being a thriller.

Nolan is also skilled at putting emotionally moving stories at the heart of his thrilling action set pieces. Interstellar offered up numerous tear-inducing scenes throughout its epic space travel, and Inception's heady plot was grounded by a man simply trying to get back to his children after his wife's death. So while Oppenheimer tackles grand themes, highlighting the creation of the first nuclear bomb, the film will likely carry emotional weight, examining the ramifications of such a weapon.

Oppenheimer also has Nolan reteaming with actors from his previous films, which the director has a penchant for. Murphy and Oldman have both appeared in The Dark Knight trilogy, Damon appeared in Interstellar, and Branagh played the villain in Tenet. So while Nolan likes to keep his films shrouded in mystery, he has laid the groundwork for another stand-out production. Further details surrounding Oppenheimer will be forthcoming as its release date nears.

Source: Universal

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Oppenheimer Gets Up Close & Personal With His Explosive ... - Screen Rant