Gene Therapy – An Overview – Access Excellence

BIO. "Biotechnology in Perspective." Washington, D.C.: Biotechnology Industry Organization, 1990. Altered Genes Each of us carries about half a dozen defective genes. We remain blissfully unaware of this fact unless we, or one of our close relatives, are amongst the many millions who suffer from a genetic disease. About one in ten people has, or will develop at some later stage, an inherited genetic disorder, and approximately 2,800 specific conditions are known to be caused by defects (mutations) in just one of the patient's genes. Some single gene disorders are quite common - cystic fibrosis is found in one out of every 2,500 babies born in the Western World - and in total, diseases that can be traced to single gene defects account for about 5% of all admissions to children's hospitals.

In the U.S. and Europe, there are exciting new programs to 'map' the entire human genome - all of our genes. This work will enable scientists and doctors to understand the genes that control all diseases to which the human race is prone, and hopefully develop new therapies to treat and predict diseases.

On the other hand, if the gene is dominant, it alone can produce the disease, even if its counterpart is normal. Clearly only the children of a parent with the disease can be affected, and then on average only half the children will be affected. Huntington's chorea, a severe disease of the nervous system, which becomes apparent only in adulthood, is an example of a dominant genetic disease.

Finally, there are the X chromosome-linked genetic diseases. As males have only one copy of the genes from this chromosome, there are no others available to fulfill the defective gene's function. Examples of such diseases are Duchenne muscular dystrophy and, perhaps most well known of all, hemophilia.

Queen Victoria was a carrier of the defective gene responsible for hemophilia, and through her it was transmitted to the royal families of Russia, Spain, and Prussia. Minor cuts and bruises, which would do little harm to most people, can prove fatal to hemophiliacs, who lack the proteins (Factors VIII and IX) involved in the clotting of blood, which are coded for by the defective genes. Sadly, before these proteins were made available through genetic engineering, hemophiliacs were treated with proteins isolated from human blood. Some of this blood was contaminated with the AIDS virus, and has resulted in tragic consequences for many hemophiliacs. Use of genetically engineered proteins in therapeutic applications, rather than blood products, will avoid these problems in the future.

Not all defective genes necessarily produce detrimental effects, since the environment in which the gene operates is also of importance. A classic example of a genetic disease having a beneficial effect on survival is illustrated by the relationship between sickle-cell anemia and malaria. Only individuals having two copies of the sickle-cell gene, which produces a defective blood protein, suffer from the disease. Those with one sickle-cell gene and one normal gene are unaffected and, more importantly, are able to resist infection by malarial parasites. The clear advantage, in this case, of having one defective gene explains why this gene is common in populations in those areas of the world where malaria is endemic.

The most likely candidates for future gene therapy trials will be rare diseases such as Lesch-Nyhan syndrome, a distressing disease in which the patients are unable to manufacture a particular enzyme. This leads to a bizarre impulse for self-mutilation, including very severe biting of the lips and fingers. The normal version of the defective gene in this disease has now been cloned.

If gene therapy does become practicable, the biggest impact would be on the treatment of diseases where the normal gene needs to be introduced into only one organ. One such disease is phenylketonuria (PKU). PKU affects about one in 12,000 white children, and if not treated early can result in severe mental retardation. The disease is caused by a defect in a gene producing a liver enzyme. If detected early enough, the child can be placed on a special diet for their first few years, but this is very unpleasant and can lead to many problems within the family.

The types of gene therapy described thus far all have one factor in common: that is, that the tissues being treated are somatic (somatic cells include all the cells of the body, excluding sperm cells and egg cells). In contrast to this is the replacement of defective genes in the germline cells (which contribute to the genetic heritage of the offspring). Gene therapy in germline cells has the potential to affect not only the individual being treated, but also his or her children as well. Germline therapy would change the genetic pool of the entire human species, and future generations would have to live with that change. In addition to these ethical problems, a number of technical difficulties would make it unlikely that germline therapy would be tried on humans in the near future.

Before treatment for a genetic disease can begin, an accurate diagnosis of the genetic defect needs to be made. It is here that biotechnology is also likely to have a great impact in the near future. Genetic engineering research has produced a powerful tool for pinpointing specific diseases rapidly and accurately. Short pieces of DNA called DNA probes can be designed to stick very specifically to certain other pieces of DNA. The technique relies upon the fact that complementary pieces of DNA stick together. DNA probes are more specific and have the potential to be more sensitive than conventional diagnostic methods, and it should be possible in the near future to distinguish between defective genes and their normal counterparts, an important development.

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Gene Therapy Method Targets Tumor Blood Vessels

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Newswise Working in mice, researchers at Washington University School of Medicine in St. Louis report developing a gene delivery method long sought in the field of gene therapy: a deactivated virus carrying a gene of interest that can be injected into the bloodstream and make its way to the right cells.

In this early proof-of-concept study, the scientists have shown that they can target tumor blood vessels in mice without affecting healthy tissues.

Most current gene therapies in humans involve taking cells out of the body, modifying them and putting them back in, said David T. Curiel, MD, PhD, distinguished professor of radiation oncology. This limits gene therapy to conditions affecting tissues like the blood or bone marrow that can be removed, treated and returned to the patient. Today, even after 30 years of research, we cant inject a viral vector to deliver a gene and have it go to the right place.

But now, investigators at Siteman Cancer Center at Barnes-Jewish Hospital and Washington University School of Medicine say they have designed a targetable injectable vector a deactivated virus that homes in on the inner lining of tumor blood vessels and does not get stuck in the liver, a problem that has plagued past attempts.

The findings are reported Dec. 23 in PLOS ONE.

Building on their own previous work and others, the researchers engineered this viral vector to turn on its gene payload only in the abnormal blood vessels that help fuel and nurture tumor growth. But unlike most therapies aimed at tumor vasculature, the goal is not to destroy the cancers blood supply.

We dont want to kill tumor vessels, said senior author Jeffrey M. Arbeit, MD, professor of urologic surgery and of cell biology and physiology. We want to hijack them and turn them into factories for producing molecules that alter the tumor microenvironment so that it no longer nurtures the tumor. This could stop the tumor growth itself or cooperate with standard chemotherapy and radiation to make them more effective. One advantage of this strategy is that it could be applied to nearly all of the most common cancers affecting patients.

In theory, Arbeit pointed out, this approach could be applied to diseases other than cancer in which the blood vessels are abnormal, including conditions like Alzheimers disease, multiple sclerosis or heart failure.

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Futurist architecture – Wikipedia, the free encyclopedia

Futurist architecture is an early-20th century form of architecture born in Italy, characterized by anti-historicism, strong chromaticism, long dynamic lines, suggesting speed, motion, urgency and lyricism: it was part of the Futurism, an artistic movement founded by the poet Filippo Tommaso Marinetti, who produced its first manifesto, the Manifesto of Futurism in 1909. The movement attracted not only poets, musicians, and artists (such as Umberto Boccioni, Giacomo Balla, Fortunato Depero, and Enrico Prampolini) but also a number of architects. A cult of the machine age and even a glorification of war and violence were among the themes of the Futurists (several prominent futurists were killed after volunteering to fight in World War I). The latter group included the architect Antonio Sant'Elia, who, though building little, translated the futurist vision into an urban form.[1]

In 1912, three years after Marinetti's Futurist Manifesto, Antonio Sant'Elia and Mario Chiattone take part to the Nuove Tendenze[3] exhibition in Milano. In 1914 the group presented their first exposition with a "Message" by Sant'Elia, that later, with the contribution of Filippo Tommaso Marinetti, became the Manifesto dellArchitettura Futurista ("Manifesto of Futurist Architecture").[2] Also Boccioni unofficially worked on a similar manifesto, but Marinetti preferred Sant'Elia's paper.

Later in 1920, another manifesto was written by Virgilio Marchi, Manifesto dellArchitettura FuturistaDinamica ("Manifesto of Dynamic Instinctive Dramatic Futurist Architecture").[2]Ottorino Aloisio worked in the style established by Marchi, one example being his Casa del Fascio in Asti.

Another futurist manifesto related to architecture is the Manifesto dellArte Sacra Futurista ("Manifesto of Sacred Futurist Art") by Fillia (Luigi Colombo)[2] and Filippo Tommaso Marinetti, published in 1931. On 27 January 1934 it was the turn of the Manifesto of Aerial Architecture by Marinetti, Angiolo Mazzoni and Mino Somenzi.[2] Mazzoni had publicly adhered to futurism only the year before. In this paper the Lingotto factory by Giacomo Matt-Trucco is defined as the first Futurist constructive invention.[2] Mazzoni himself in those years worked on a building considered today a masterpiece[4] of futurist architecture, like the Heating plant and Main controls cabin at Santa Maria Novella railway station, in Florence.

The Art Deco style of architecture with its streamlined forms was regarded as futuristic when it was in style in the 1920s and 1930s. The original name for both early and late Art Deco was Art Modernethe name "Art Deco" did not come into use until 1968 when the term was invented in a book by Bevis Hillier. The Chrysler Building is a notable example of Art Deco futurist architecture.

After World War II, Futurism is considerably weakened and redefined itself thanks to the enthusiasm towards the Space Age, the Atomic Age, the car culture, and the wide use of plastic. For example, this trend is found in the architecture of Googies in the 1950s in California. Futurism in this case is not a style, but a rather free and uninhibited architectural approach, which is why it was reinterpreted and transformed by generations of architects the following decades, but in general it includes amazing shapes with dynamic lines and sharp contrasts, and the use of technologically advanced materials.

In the 1980s, French architect Denis Laming, was one of the members of this movement and founder of Neo-Futurism. He designed all of the buildings in Futuroscope, whose Kinemax is the flagship building.[5]

In popular literature, the term futuristic is often used without much precision to describe an architecture that would have the appearance of the space age as described in works of science fiction or as drawn in science fiction comic strips or comic books. Today it is sometimes confused with blob architecture. The routine use of the term vague and futurismwhich rarely has political implicationsmust be well differentiated from the Futurist movement of the years 19101920. The futurist architecture created since 1960 may be termed post-modern futurism.

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Robin Heppell Reveals How Any Funeral Home Can Create An Effective Marketing Plan That Gets Results What makes the Be a Funeral Marketing Rock Star conference so different from all the other funeral home marketing events in 2014? This event actually walks attendees through the creation of their funeral home marketing plan from A to Z following the Funeral Marketing Blueprint method. This Blueprint will be unveiled at the Be A Funeral Marketing Rock Star event in February 18, 19 & 20, 2014 at the Planet Hollywood Hotel and Casino in Las Vegas, Nevada. http://www.FuneralRockStars.com/live Las Vegas, Nevada, December 12, [Read More ...]

Join me at Booth # 2241 at the NFDA 2013 Convention in Austin, Texas from October 21 to 23. Watch the video to see what you will get when you pop by the booth to visit. Make sure that you register for your 1 day expo pass and claim your bonus prize (details inside the video). Please let me know which video you like better leave a comment below with #NFDASnappy or #NFDAHonkyTonk Snappy NFDA 2013 Convention Free Expo Pass Video Honky Tonk NFDA 2013 Convention Free Expo Pass Video If you get your free expo pass from Funeral [Read More ...]

In this episode, Im going to share with you my strategy on how to deal with online reviews: how to get nasty ones removed (or at least not look as bad) and how to get a steady stream of positive reviews In this video: 00:53 How did you feel when you get a negative review? 02:44 Is the complaint legitimate 05:35 The Olive Branch Approach 06:49 Cultivating positive reviews 08:41 Why client families with Gmail accounts are great for leaving online reviews 10:25 Your After Care Specialist can generate the best online reviews 11:39 [Read More ...]

As you will learn in this episode, this topic is always apparent to me ever since it hit me over the head in 1997 and I think that it is something that you should think about every so often (or even daily) Topics discussed / In this video: 02:34 Who scored on Hepp who also hoisted the Stanley Cup? 03:24 Started my apprenticeship with McCalls 04:04 An epiphanyin Las Vegas 06:07 Opinions are like a nose, everyone has one 07:30 Have you embalmed as many bodies as me? 09:32 Im not picking on hospice [Read More ...]

I get a lot of questions about what is the best way to set up a Google AdWords account for funeral homes and I have seen a lot of AdWords accounts that havent been set up properly, so here is what I recommend 00:39 Very effective marketing tool. 01:20 Is click fraud a tongue twister 03:08 Setting up your initial Google AdWords campaign 03:55 Setting up your ad groups 06:05 Not all keywords are good for you 07:58 If you have multiple locations, do this 11:15 Get the Funeral Home edition of [Read More ...]

I wanted you to mark your calendars now because this fall is going to be the Season of Competitive Advantage for your firm! I have 3 live presentations September, October and November where I am going to share with you my best and latest strategies that will give you and your funeral home a competitive advantage. September: Funeral Bootcamp Series in Cleveland, Ohio I will be presenting my Supercharging Your Website and Web Presence Workshop more details here. October: NFDA Convention in Austin, Texas I will be presenting a two hour workshop: Winning More Calls with Google [Read More ...]

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Elon Musk and Daryl Oster, competing for what could become the worlds largest infrastructure project

When Tesla Motors CEO, Elon Musk, mysteriously leaked that he was working on his Hyperloop Project, the combination of secrecy, cryptic details, and his own flair for the dramatic all contributed to the media frenzy that followed.

Leading up to this announcement was his growing anxiety over Californias effort to build a very expensive high-speed rail line between Los Angeles and San Francisco with outdated technology.

While the Musk media train was picking up steam, several reporters pointed out a similar effort by Daryl Oster and his Longmont, Colorado-based company, ET3, to build a comparable tube transportation system that was much further along.

Indeed both are working on what will likely be the next generation of transportation where specially designed cars are placed into sealed tubes and shot, much like rockets, to their destination. While high-speed trains are breaking the 300 mph speed barrier, tube transportation has the potential to make speeds of 4,000 mph a common everyday occurrence.

As Daryl Oster likes to call it, space travel on earth.

Even though tube travel like this will beat every other form of transportation in terms of speed, power consumption, pollution, and safety, the big missing element is its infrastructure, a tube network envisioned to combine well over 100,000 miles of connected links.

While many look at this and see the lack of infrastructure as a huge obstacle, at this point in time it is just the opposite, the biggest opportunity ever.

Constructing the tube network will be the biggest infrastructure project the earth has ever seen, with a projected 50-year build-out employing in excess of 100 million people along the way. But in addition to these impressive projections, theres far more at stake than just jobs and superfast transportation. Heres why.

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Futurism : Italian Modern Art Movement – Visual Arts Encyclopedia

ABSTRACTION For a guide to non-objective art see: Abstract Paintings: Top 100. For a list of styles/periods, see: Abstract Art Movements.

Futurist Painting

The Futurism movement was highly aspirational, though its ideas were neither original nor revolutionary. In general, 20th century painters associated with the Futurist movement worshipped scientific progress, glorifying speed, technology, the automobile, the airplane and industrial achievement. Established traditions were thrust aside in pursuit of victory over nature. When it came to establishing a new Futurist aesthetic, however, a visual idiom with which to express their concerns, Marinetti and the other artists were more hesitant.

To begin with they borrowed the methods of Neo-Impressionism (a general reference to Divisionism), in which forms are broken down into dots and stripes capable of depicting the glitter of light or the blur of high speed movement - see The City Rises (1910-11, Museum of Modern Art, New York) by Boccioni, and Leaving the Theatre (1910-11) by Carlo Carra. Both painters were influenced by Italian Divisionism and the paintings of Vittore Grubicy De Dragon (1851-1920). Following this, Carra and Boccioni visited Severini and Marinetti in Paris (to get a better feel for the avant-garde), where they fell under the influence of analytical Cubism, after which they adopted the methods (fragmented forms, multiple viewpoints, powerful diagonals) of the Cubists - see Dynamic Hieroglyphic of the Bal Tabarin (1912, MoMA NYC) by Gino Severini, as well as his masterpiece Pan-Pan at the Monico (1911-12, original lost, copy in the Pompidou Centre, Paris). Often, Cubist techniques would be combined with urban and political subject matter, often on a large scale - see Funeral of the Anarchist Galli (1910-11, MoMA NYC) by Carlo Carra. Although some Futurist works were relatively static, such as Woman with Absinthe (1911) by Carra, and Matter (1912) by Boccioni, the phenomenon of speed is a constant Futurist theme - see Dynamism of a Dog on a Leash (1912, Allbright-Knox Gallery, Buffalo, USA) by Giacomo Balla. However, Balla eventually went over to abstract art, producing work with no obvious reference to the idea being expressed - see his The Car has Passed (1913, Tate, London). For this kind of geometric abstraction see concrete art.

Futurist Sculpture

In 1912, Umberto Boccioni, the only sculptor among the Futurists, published his own Manifesto - Futurist Painting Sculpture: Plastic Dynamism (Pittura scultura Futuriste: Dinamismo plastico), which expounded his Bergson-type ideas on intuition, inner being and the relationship of form, motion and space. The following year Boccioni produced his masterpiece Unique Forms of Continuity in Space (1913, casts in MoMA New York, Tate London and elsewhere). This work vividly depicts the movement of the body, and illustrates his theory of "dynamism", a theme he also explored in other works like Synthesis of Human Dynamism (1912), Spiral Expansion of Speeding Muscles (1913) and Speeding Muscles (1913).

Exhibitions

Futurist art was first exhibited at a show of modern art in Milan (1911). The first purely Futurist show was in early 1912 at the Galerie Berhein-Jeune in Paris. The show then travelled to the Sackville Gallery London, the Sturm Gallery Berlin, and afterwards to Amerstam, Zurich and Vienna, generating widespread publicity for the movement, thanks largely to Marinetti's promotional flair.

Influence on Contemporary Artists

Italian Futurism had a visible impact on artists across Europe, including the Vorticists in Britain, the Dada movement in Zurich and Berlin, Delaunay's Orphism (Simultanism), Art Deco, American Precisionism, and Surrealism, while futurists in Russia had a strong effect on Rayonism and Constructivism. Russian Futurism began in 1912 with the publication of its manifesto A Slap in the Face For Public Taste. Members included the Russian artists David Burlyuk (1882-1967), Vladimir Mayakovsky (1893-1930), Mikhail Larionov (1881-1964), Natalia Goncharova (1881-1962), Kazimir Malevich (1878-1935) the founder of Suprematism, Velimir Khlebnikov and Alexei Kruchenykh (1886-1968). The movement endured longer in Russia, becoming closely associated with revolutionary politics, and influenced several other Russian art movements.

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Five days of ‘Her:’ How Spike Jonze created the future

For those whove seen the buzziest of buzzy holiday movies, Spike Jonzes Her, youprobably left the theater with much to think about. One of the biggest questions, at least from a filmmaking standpoint: How did Jonze and his team arrive at the future we see on the screen?

Infinitely relatable though gently different, the Los Angeles of Jonzes unspecified future occupies a new and exciting place in cinematic history--and the history, as it where, of futurism itself. Hers L.A. is a million miles from Blade Runner, but it also not entirely a utopia. What looks bright and cheery can also conceal a dark undertow.

Perhaps the best evidence of this worlds complexityare the words being used to describe it, which according to a quick survey ofarticles on the film include the not-exactly-compatible phrases of utopian, dystopian, near-dystopian, gentrified dystopia, both utopian and dystopian and--why not--neither dystopian nor utopian.

PHOTOS: Holiday movie sneaks 2013

With this in mind, The Times set out to discover how, and why, the world was created. We conducted interviews with the five key people who helped Jonze shape the movies look and feel. It is a team that in most instances have worked with Jonze for years, going back to his 1990s wunderkind days, even as what its members do here is astonishingly forward looking. Over the next five days we will run a separate conversation with each of these players, exploring the rich psychological and philosophical reasons for their choices and the challenges they had to overcome after making them.

Today, costume designer Casey Storm.

Movies Now: One of the things that stands out right away in the filmbesides those much-discussed high-waisted pantsis how basic clothes looks in the future, how simple, how unfuturistic. Was that very much a part of your discussion?

Casey Storm: When we first started talking about how to depict the future we immediately disliked anything you usually see in movies about the future. We wanted to use updated elements of things we know rather than project things we didnt. We didnt want to guess.

MN: Because so many of those movies do just thatthe clothes and the whole movie has this sheen to it, black-and-silver uniforms, latex, lots of bootsalmost as though theres some unofficial rule in a costume-designer handbook that mandates that.

CS: I think with a lot of other movies the logic is that with technology taking over our lives that it creates distance. And when theres distance you lose warmth and end up with coldness. And the way you depict coldness is you use clothes and colors that suggest coldnessblacks and silvers and whites and blues. Or I guess thats the thought progression. We thought what really made more sense, what could very likely be happening, is access. You can choose from everything in the world, so clothes become more individual. The word "bespoke" kept coming up. If you had all the things in the world, what would you gravitate to? For a lot of people it would be something warm and comfortable. So thats what we tried to create.

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Five days of 'Her:' How Spike Jonze created the future

Russian Futurism – Wikipedia, the free encyclopedia

"Russian Futurists" redirects here. For the band, see The Russian Futurists.

Russian Futurism was a movement of Russian poets and artists who adopted the principles of Filippo Marinetti's "Futurist Manifesto". Russian Futurism may be said to have been born in December 1912, when the Moscow-based literary group Hylaea (Russian: [Gileya]) (initiated in 1910 by David Burlyuk and his brothers at their estate near Kherson, and quickly joined by Vasily Kamensky and Velimir Khlebnikov, with Aleksey Kruchenykh and Vladimir Mayakovsky joining in 1911)[1] issued a manifesto entitled A Slap in the Face of Public Taste.[2] Although Hylaea is generally considered to be the most influential group of Russian Futurism, other groups were formed in St. Petersburg (Igor Severyanin's Ego-Futurists), Moscow (Tsentrifuga, with Boris Pasternak among its members), Kiev, Kharkov, and Odessa.

Like their Italian counterparts, the Russian Futurists were fascinated with the dynamism, speed, and restlessness of modern machines and urban life. They purposely sought to arouse controversy and to gain publicity by repudiating the static art of the past. The likes of Pushkin and Dostoevsky, according to them, should be "heaved overboard from the steamship of modernity". They acknowledged no authorities whatsoever; even Filippo Tommaso Marinettiwhen he arrived in Russia on a proselytizing visit in 1914was obstructed by most Russian Futurists who did not profess to owe him anything.

In contrast to Marinetti's circle, Russian Futurism was primarily a literary rather than plastic philosophy. Although many poets (Mayakovsky, Burlyuk) dabbled with painting, their interests were primarily literary. However, such well-established artists as Mikhail Larionov, Natalia Goncharova, and Kazimir Malevich found inspiration in the refreshing imagery of Futurist poems and experimented with versification themselves. The poets and painters collaborated on such innovative productions as the Futurist opera Victory Over the Sun, with music by Mikhail Matyushin, texts by Kruchenykh and sets contributed by Malevich.

Members of Hylaea elaborated the doctrine of Cubo-Futurism and assumed the name of budetlyane (from the Russian word budet 'will be'). They found significance in the shape of letters, in the arrangement of text around the page, in the details of typography. They considered that there is no substantial difference between words and material things, hence the poet should arrange words in his poems like the artist arranges colors and lines on his canvas. Grammar, syntax, and logic were often discarded; many neologisms and profane words were introduced; onomatopoeia was declared a universal texture of verse. Khlebnikov, in particular, developed "an incoherent and anarchic blend of words stripped of their meaning and used for their sound alone",[3] known as zaum.

With all this emphasis on formal experimentation, some Futurists were not indifferent to politics. In particular, Mayakovsky's poems, with their lyrical sensibility, appealed to a broad range of readers. He vehemently opposed the meaningless slaughter of the Great War and hailed the Russian Revolution as the end of that traditional mode of life which he and other Futurists ridiculed so zealously.

After the Bolsheviks gained power, Mayakovsky's grouppatronized by Anatoly Lunacharsky, Lenin's minister of educationaspired to dominate Soviet culture. Their influence was paramount during the first years after the revolution, until their programor rather lack thereofwas subjected to scathing criticism by the authorities. By the time OBERIU attempted to revive some of the Futurist tenets during the late 1920s, the Futurist movement in Russia had already ended. The most militant Futurist poets either died (Khlebnikov, Mayakovsky) or preferred to adjust their very individual style to more conventional requirements and trends (Aseyev, Pasternak).

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Assassin’s Creed IV Freedom Cry – Walkthrough Part 7 – Some Other Means [Tom] – Video


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Senior Master Sgt. Philip Monk Discusses Military Religious Freedom Incident – Video


Senior Master Sgt. Philip Monk Discusses Military Religious Freedom Incident
Master Sgt. Phillip Monk shares his story about how he was relieved of his duties when he refused to agree with his openly lesbian commanding officer that a ...

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Subdudes "Any Cure"Last played: Nov 19, 2013 3:54 PMinfo 7:32 PM Phil Lesh & Friends "Real Thing (The)"Last played: Dec 10, 2013 4:27 AMinfo 7:28 PM Hard Working Americans "Down To The Well"Last played: Dec 21, 2013 12:04 PMinfo 7:23 PM Rhonda Vincent "Christmas Time At Home"Last played: Dec 23, 2011 3:37 PMinfo 7:16 PM Otis Redding "White Christmas"Last played: Dec 22, 2013 1:50 AMinfo 7:13 PM Tom Waits "What's He Building In There"Last played: Nov 29, 2013 12:10 PMinfo 7:10 PM New Grass Revival "Lets Make A Baby King"Last played: Dec 25, 2012 7:27 AMinfo 6:52 PM John Hiatt "My Baby"Last played: Dec 3, 2013 6:50 PMinfo 6:48 PM Robert Earl Keen "Merry Christmas From The Fam"Last played: Dec 23, 2013 6:51 AMinfo 6:27 PM Emmylou Harris & Rodney Crow "Hanging Up My Heart"Last played: Dec 17, 2013 1:27 PMinfo 6:24 PM

Monday, December 23, 2013

3:00PM - 8:00PM

Ramblin' Ror 5:15 Follies, Fresh Pork Chops

Tuesday, December 24, 2013

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Ramblin' Ror 5:15 Follies, Fresh Pork Chops

Spend your Sunday morning with us and enjoy that pure pork music!

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