What’s the deal with political correctness? – ReachOut Australia

If youve ever spent time in a Facebook comments thread, its easy to be confused about whether being PC is a good thing or not. There are lots of people in either camp, all ready to passionately defend their positions. But what does it all mean? Has political correctness gone too far, or do we just need a reminder about what being PC actually means?

In a nutshell, political correctness means avoiding language and actions that insult, exclude or harm people who are already experiencing disadvantage and discrimination. Some everyday examples of politically correct behaviour include:

When people complain about political correctness gone mad, its usually because they associate being PC with being unable to act and behave as they please. Oftentimes, people who practise political correctness are accused of denying other people the right to free speech, or of sucking the fun out of everything.

The argument that being PC prevents freedom of speech is flawed. Freedom of speech gives a person the right to say what they feel, but it also gives other people the right to point out if they are being offensive. Freedom of speech doesnt mean your words cant be criticised; it just means you cant be silenced.

Some people also ignore political correctness for the sake of having a laugh. When someone jokes about a group theyre not a part of, their words can contribute to discrimination against that group. The person who is making the joke doesnt have a lot to lose, but the people who are the butt of the joke often do.

Political correctness is an important idea that protects people who are vulnerable to discrimination, but it can be misunderstood.

When model Kendall Jenner did a photoshoot for Vogue magazine dressed as a ballerina, it ruffled a few feathers. There were complaints that the photoshoot was offensive because it appropriated the ballerina culture. Some people felt that the photoshoot robbed ballerinas of work they were more qualified for than Jenner.

This incident wasnt a case of cultural appropriation, because dancers and ballet culture werent being discriminated against, and ballerinas arent an oppressed group of people, unlike groups whove experienced discrimination and disadvantages in many ways, such as Aboriginal Australians or women.

Political correctness is intended to help us use language that helps instead of harms. Whether the discrimination comes from racism, homophobia, sexism or transphobia, the bottom line remains the same. Being PC just means you understand that your actions affect people who are vulnerable to discrimination. While things can occasionally get out of hand when people forget what certain concepts such as cultural appropriation mean, its important that were all aware of the effects of our actions and words.

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What's the deal with political correctness? - ReachOut Australia

11 Examples Of Political Correctness Gone Mad – HITC

Heres 11 examples of political correctness gone mad.

1. The BBC has dropped the use of the terms Before Christ (BC) and Anno Domini (AD) on one of their programmes and decided that the terms Before Common Era / Common Eraare more appropriate

2. The European Parliament introducedproposals tooutlawtitles stating marital status such as Miss and Mrs so as not to causeoffence. It also meant that Madame and Mademoiselle, Frau and Frauleinand Senora and Senorita would bebanned.

3. Throughout several US councils and organisations, any terms using the word man as aprefix or suffix have been ruled as not being politically correct.Manhole is nowreferred to as a utility or maintenance hole.

4. Loveablecartoon rogue Dennis the Menace has been given a politically correct make over. BBC chiefs decided totake away his edge in the remake. Gone are his bombs, catapult, water pistol and peashooter and in their place is a simpleboyish grin.

5. SpottedDick a classicEnglish dessert has been renamed to avoid embarrassment. The traditional pudSpotted Dick has been given the title Spotted Richard, after UK council bossesfearedthe original namemight cause offence.

6. A school in Seattle renamed its Easter eggs springspheres to avoid causing offence to people who did not celebrate Easter.

7. A UK council has banned the term brainstorming and replaced it with thought showers, as local lawmakers thought the term may offend epileptics.

8.A UK recruiter was stunned when herjob advert for reliable and hard-working applicants wasrejected by the job centre as it could be offensive to unreliable and lazy people.

9. Gillingham fans had begun to fondly offer celery to their goalkeeper, Big Fat Jim Stannard. The club, however, decided thatcelery could result in health and safety issues inside the ground. As a result,fans were subjected to celery searches with the ultimate sanction forpossession of celeryallegedly being a life ban.

10. In 2007, Santa Clauses in Sydney, Australia, were banned from sayingHo Ho Ho. Their employer, the recruitment firm Westaff (that supplieshundreds of Santas across Australia), allegedly told all trainees that ho ho ho couldfrighten children, and be derogatory to women. Why ? Because Ho Ho Ho is tooclose to the American (not Australian, mind you) slang for prostitute.

11. Some USschools now have a holiday treeevery at Christmas, rather than a Christmas tree.

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11 Examples Of Political Correctness Gone Mad - HITC

The comedy of Steven Wright: Cerebral, offbeat and politically incorrect? – PW-Philadelphia Weekly

From Dave Chappelle to Joe Rogan to Louis C.K., standup comedians have increasingly become victims of cancel culture. In the cases of the above-mentioned jokesters, the nature of their acts (and, in the case of C.K., personal life) make them obvious targets of those who come down on the side of political correctness. But who could ever imagine veteran funny guy Steven Wright earning the wrath of the woke?

After all, the 66-year-old Boston-area native has gained fame and fortune with cerebral, kooky lines like: A lot of people are afraid of heights. Not me. Im afraid of widths. And, If you are in a spaceship travelling at the speed of light and you turn on the headlights, does anything happen? But it turns out even he has raised the ire of the politically correct.

I had this joke: A friend of mine has a trophy wife, and apparently it wasnt first place, offered the comic who is on the road throughout this year Now, [people are] upset over it for two reasons. Theyre upset because a trophy wife obviously is a woman based on how she looks. I didnt invent this concept. The trophy wife has been around for 50 years. But theyre outraged by this.

But being Steven Wright, he has conjured an offbeat defense to such responses. He explained that he prefaces the joke by saying, Would you like to hear a politically incorrect joke? Receiving an affirmative response from the audience, he then says: You sure you want to hear it? The ushers are gonna bring down a piece of paper. Youre gonna have to sign a release, that you agree to hear this joke.

And then I tell the joke, and then theyre still upset, but I just bow [and say], I asked you. And you said, yes. And youre still upset, but I got to tell the joke anyway!

In a more serious vein, Wright, whose onstage delivery can be described as deadpan-bordering-on-catatonic, added he has a line that he has yet to use in a performance: If you minded your own business, you wouldnt be offended.

Crediting Carlin

Although their public personas and use of language (Wrights act is devoid of four-letter words) couldnt be more different, Wright has always counted the late George Carlin as a major influence on his particular brand of comedy. That, he said, is because, he talked about every day, little things, like just all the little things that everyone sees and deals with, and thats what I do. Im talking about the most mundane things. Im talking about microwave ovens and sponges. So thats how he influenced me: What to talk about.

Wright added that he was sure he knows what Carlin, a vociferous defender of free speech who died in 2008, would think of cancel culture. I would love to hear what he would be saying about this, he said. He would rip this. He would shred this.

Human radar screen

Whether the subject is dating, sex or politics, so much of standup comedy is the result of personal experiences on the part of the performer, who exaggerates common, relatable happenstances to comedic effect. But Wright deals in concepts so bizarre and surreal that most people could never conceive of them, much less relate to them. So how does he mine his comedy gold?

I just notice the world through my day, whatever Im doing, he explained. Im like subconsciously scanning. Airport control towers have that radar with that arm that sweeps around, and the little blips are the planes, you know?

So I have one of those in my head; its just sweeping around, scanning for something weird. I mean, I dont get up and go to the store [expecting] there will be something weird. I just automatically, notice stuff. Thats where the jokes come from.

No interest in series TV

Wrights unique, intrinsically hilarious space-cadet character would seem perfectly suited to be the foundation of a situation comedy. But that has never happened and, he insisted, never will.

There were a couple of situations that were presented, but they just seemed overwhelming to me, he admitted. I didnt know how my humor would go into that situation, although my persona could have gone into it. It wouldnt have to be my jokes of course, but the idea of going into something that large with all those people in a network and everything, it seemed too much to me.

Id rather just be alone or off to the side.

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The comedy of Steven Wright: Cerebral, offbeat and politically incorrect? - PW-Philadelphia Weekly

Lightyear flop is a sign audiences are weary of Hollywood wokeness – New York Post

Hollywood was founded by, and for generations run by, pure showmen who were fanatically devoted to giving the audience what it wanted. Today Hollywoods message is, Let us entertain you! But first, a brief lecture on whats wrong with you, the audience

Artists and entertainment corporations have always been desperate to be taken seriously, hence their need to manufacture respectability via awards given out by high-falutin, august-sounding institutions such as the Academy of Motion Picture Arts and Sciences. (Sciences? You guys are creating pretty pictures, not curing cancer.)

The Oscars originally went to box office giants glossy romantic dramas and swaggering historical epics. Then the movie industry divided into awards pictures and audience pictures. In the past few years, even the audience pictures have started to fill up with reminders about racism, feminism, immigration, etc. These are important matters, but people go to the movies primarily for escape.

One reason Top Gun: Maverick is such a huge success the biggest movie of Tom Cruises career and probably the biggest movie of this year is that it simply ignores all quarrelsome real-world issues. TG:M seeks merely to entertain, not to persuade you that the people who made it are virtuous.

Meanwhile, Disneys much-touted Lightyear came out and did surprisingly poorly after a lot of week-of-release talk about the lesbian relationship in the film. The same-sex marriage is a small part of the story and no one should be bothered by the existence of gay people, even in a kids movie, but the shocking underperformance must have Disney wondering whether people stayed away because they thought (even if mistakenly) that Lightyear was a message movie.

Disneys decision to spend a couple of minutes of screen time reminding us that its a gay-friendly company may well have cost it millions in ticket sales for what was supposed to be its annual Pixar mega-blockbuster. Disney has to consider the idea that there might be many Pixar fans who have no problem with gay marriage who nevertheless would prefer the matter be left out of kids movies. Disney also chose a side in the Florida dispute about teaching sexual orientation to little kids, and it may have damaged one of the worlds most valuable brands.

James Patterson the quintessence of a popular writer who doesnt care about sending a message was swamped with criticism when he suggested white male writers in Hollywood are victims of just another form of racism. That sounds dumb on the surface, but every producer in Hollywood is loudly proclaiming his commitment to inclusivity, which is another way of saying he is desperate to hire people other than non-handicapped straight white males. TV networks are proudly announcing new requirements that (at, for instance, CBS) at least 50% of staff writers be members of minority groups. Once hired, such staffers often push for stories about pressing social problems.

Result? A British TV survey found that 62% of viewers think political correctness has gone too far.

Im in a lot of meetings now, where people tell me, This will never get on because its not woke enough, observes Egyptian-born British comedy writer-producer Ash Atalla. Polling shows TV producers are much more interested in foregrounding issues such as transgender rights than the British public (which is notably more PC than we Americans are). In the US, a poll focusing on the entertainment industry found that 65% agree that corporate wokeness has gone too far.

Its amusing that members of the entertainment industry often refer to it as the industry, as though they have forgotten the most important word. With the collapse in Netflixs stock price, Disneys box office headache and the revival of Top Gun, Hollywood execs must be wondering whether their progressive politics have amounted to a kind of self-imposed woke tax.

Kyle Smith is critic-at-large for National Review.

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Lightyear flop is a sign audiences are weary of Hollywood wokeness - New York Post

Ross Douthat: The end of Roe is just the beginning – St. Paul Pioneer Press

By any reasonable political science theory, any normal supposition about how power works in our republic, this day should not have come.

The anti-abortion movement has spent half a century trying to overturn a Supreme Court ruling that was presumed to reflect the enlightened consensus of the modern age. It has worked against the publics status quo bias, which made Roe v. Wade itself popular, even if the country remained conflicted about the underlying issue. Against the near-universal consensus of the media, academic and expert class. Against the desires of politicians who were nominally supportive of its cause, the preferences of substantial portions of American conservatisms donor class.

Across all those years the anti-abortion cause also swam against the sociological and religious currents of American life, which have favored social liberalism and secularization. It found little vocal support among Hollywoods culture-shapers and crusaders for social justice, or the corporate entities that have lately embraced so many progressive causes. It was hampered by the hiddenness of the injustice it opposed, the voicelessness of the constituency on whose behalf it tried to speak.

And it worked against the weight of the American class hierarchy, since anti-abortion sentiment is stronger among less-educated and lower-income Americans exactly the wrong constituency to start with, according to cynics and realists alike, if you want to pressure the elite or change the world.

More, the anti-abortion movement has had to succeed twice. Its entirely true that the Supreme Court decision overturning Roe v. Wade is the work of a somewhat accidental supermajority, created by the haphazard interaction between judicial mortality and Donald Trumps unlikely victory.

But its also true that the anti-abortion side already built an apparent high court majority the standard way, in the Reagan era, by supporting Republican presidents who won big, popular majorities and appointed a raft of justices whose philosophy was supposedly opposed to the liberal policymaking of the Warren court.

When three of those justices, Anthony Kennedy, David Souter and Sandra Day OConnor, voted to effectively uphold Roe in 1992s Planned Parenthood v. Casey, their decision clearly aspired to be a permanent settlement, a call to end a national controversy with a common mandate rooted in the Constitution. The anti-abortion movement was an always-marginal and embattled cause, and in that moment it did seem defeated.

Yet 30 years later, here we are. And for all the contingency involved, future scholars of mass movements will find in the anti-abortion cause a remarkable example of sustained activism against substantial odds, of grassroots mobilization in defiance of elite consensus of democratic virtues, to borrow from political scientist Jon Shields, that would be much more widely recognized and studied if they had not been exercised in a cause opposed by progressives and the left.

But the story doesnt end here. While the anti-abortion movement has won the right to legislate against abortion, it has not yet proven that it can do so in a way that can command durable majority support. Its weaknesses will not disappear in victory. Its foes and critics have been radicalized by its judicial success. And the vicissitudes of politics and its own compromises have linked the anti-abortion cause to various toxic forces on the right some libertine and hyperindividualist, others simply hostile to synthesis, conciliation and majoritarian politics.

The anti-abortion movement is inevitably bound to some kind of conservatism, insofar as an anti-abortion ethic is hard to separate from a conservative ethic around sex, monogamy and marriage. But among its own writers and activists, the movement has understood itself to also be carrying on the best of Americas tradition of social reform, including causes associated with liberalism and progressivism.

At the same time the anti-abortion movements many critics regard it as not merely conservative but as an embodiment of reaction at its worst punitive and cruel and patriarchal, piling burdens on poor women and doing nothing to relieve them, putting unborn life ahead of the lives and health of women while pretending to hold them equal.

To win the long-term battle, to persuade the countrys vast disquieted middle, opponents of abortion need models that prove this critique wrong. They need to show how abortion restrictions are compatible with the goods that abortion advocates accuse them of compromising the health of the poorest women, the flourishing of their children, the dignity of motherhood even when it comes unexpectedly or amid great difficulty.

These issues may be secondary compared with the life-or-death question of abortion itself, but they are essential to the holistic aspects of political and ideological debate. In any great controversy, people are swayed to one side or another not just by the rightness of a particular position, but by whether that position is embedded in a social vision that seems generally attractive, desirable, worth siding with and fighting for.

Here some of the pathologies of right-wing governance could pave a path to failure for the anti-abortion movement. You can imagine a future in which anti-abortion laws are permanently linked to a punitive and stingy politics, in which women in difficulties can face police scrutiny for a suspicious miscarriage but receive little in the way of prenatal guidance or postnatal support. In that world, serious abortion restrictions would be sustainable in the most conservative parts of the country, but probably nowhere else, and the long-term prospects for national abortion rights legislation would be bright.

But there are other possible futures. The anti-abortion impulse could control and improve conservative governance rather than being undermined by it, making the GOP more serious about family policy and public health. Well-governed conservative states like Utah could model new approaches to family policy; states in the Deep South could be prodded into more generous policy by anti-abortion activists; big red states like Texas could remain magnets for internal migration even with restrictive abortion laws.

And it is not only the anti-abortion movement that could alienate the conflicted middle in the post-Roe world. The pro-abortion rights side is presently in danger of jettisoning its time-tested rhetorical moves in the name of progressive political correctness and refusing to compromise its maximalist policy demands.

Moreover, certain redoubts of contemporary progressivism have a grimmer spirit unhappy, sterile, future-fearing than the youthful atmosphere of 1960s liberalism in which the abortion rights movement won so many victories. If Alabama and Mississippi arent the best advertisements for the anti-abortion vision, neither are Seattle and San Francisco necessarily brilliant advertisements for where uncut social liberalism ends up.

All of which is to say that any confident prediction about this rulings consequences is probably a foolish one. There can be no certainty about the future of abortion politics because for almost 50 years all policy debates have been overshadowed by judicial controversy, and only now are we about to find out what the contest really looks like. Its merely the end of the beginning; the true end, in whatever settlement or victory, lies ahead.

Ross Douthat writes a column for the New York Times.

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Ross Douthat: The end of Roe is just the beginning - St. Paul Pioneer Press

The Metaverse: A Universe without Culture – Stanford Review

Facebooks recent rebranding as Meta spurred renewed interest in the idea of a metaverse an immersive digital world that allows for interpersonal interaction. The newly renamed company aims to refocus its efforts on creating metaverses for social life, work, and entertainment. A slew of other organizations, including both startups and tech bellwethers like Microsoft and Activision, have joined this effort.

If Metas goals are realized, individuals will presumably spend significant amounts of social and work time inside immersive digital environments, surrounded by people from all around the world in identical settings. Despite its seeming promise, this goal will have devastating impacts on cultures around the globe. The values of the Western elite encompassing ideas from religion and culture to political correctness are already being rapidly exported internationally through traditional social media, films, and American brands. If everyone across the globe spends their time in a single digital world shaped by those same Western elites, what cultural differences will still remain? We should discourage widespread adoption of the metaverse because it will hasten the decline of political and cultural diversity.

Economic globalization has played a critical role in building a consumer mono-culture. Brands and companies from global superpowers like the US and China dominate the consumption patterns of people especially the elite around the world. Huawei billboards fill airports across South America and iconic American fashion brands and music act as universal status symbols. These cultural exchanges are almost always unidirectional economically and politically weaker nations adopt the languages and consumption patterns of stronger ones. Speaking English is seen as a ticket to success around the globe and trends that begin in the US are gradually exported abroad.

However, even amid this consumerist onslaught, countries have been partially successful in maintaining their distinct cultural and political values. These differences are evident even across the seemingly aligned Western liberal democracies. Elements of French society, for example, have forcefully resisted the growth and spread of contemporary American progressivism. One of the most powerful forces persevering distinct cultures and communities is their unique physical surroundings. When citizens of a country spend their days in local schools, cafes, and parks, they reinforce cultural ties with their fellow citizens and form a shared view of the world. Even beyond the people, unique culture is inextricably tied to material aspects of the physical world such as architecture, food, and music and the symbolism that they convey. Thus, the constant presence of these distinct material elements strengthens cultural ties within each region.

Adoption of the metaverse will fundamentally change this reality. Today, individuals can already communicate with anyone via chat or video call, but this medium is incredibly impersonal. Most people use digital communication as an inferior substitute for in-person interactions. But if metaverse technology continues to improve, people will truly be able to have social circles that extend beyond their local communities. Spending time in these spaces could even become required as companies encourage their employees to work from home and businesses like Meta, Microsoft, and others rush to provide metaverse services to fulfill these needs. In these digital venues, what will be the accepted custom for interaction, and what kinds of discourse will be tolerated?

In both these regards, elite American and European norms will prevail. This principle has already been played out to a lesser degree in international work norms and the culture of social networks like Instagram and Facebook. Almost all international business is conducted in English and social standards are driven by elite American speech codes. Social networks are moderated with American norms surrounding political correctness and acceptable speech.

The metaverse would follow a similar pattern on a much larger scale with much worse consequences. Given that American designers and companies mostly representing the coastal elite have a first-mover advantage, the most fashionable metaverse locations will likely have norms resembling those of New York or San Francisco. Content moderation would be more akin to banning an individual from physical spaces than taking down their tweet. One by one, each countrys unique values will disappear, diminishing the diversity of the ideas marketplace.

Just as free-market competition between companies with unique products and visions allows for the emergence of the best services and business models, competition between countries with distinct political cultures allows for the best forms of government and political administration to thrive. Simultaneously, the existence of diverse political and cultural models allows those that are discontent with their surroundings to leave in search of better ones. In this way, diversity is our strength. A fully realized metaverse will undermine this diversity by exacerbating the existence of universal groupthink and cultural homogeneity. Ultimately, this new vector for globalization brought on by the metaverse would have devastating effects on human culture.

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The Metaverse: A Universe without Culture - Stanford Review

Miller Center Announces Incredibly 15th Anniversary Season – BCTV – bctv.org

Mary Chapin Carpenter, The Suffers, David Sedaris, The Weight, Start Making Sense, Winnie the Pooh, The Machine and the renown Parsons Dance Company

The Miller Center for the Performing Arts at Reading Area Community College, long recognized as one of the premier performing venues in the Mid-Atlantic Region, is proud to announce a phenomenal 15th Anniversary Season led by Americana legend Mary Chapin Carpenter on August 16th. (Very limited tickets remain for the Mary Chapin Carpenter concert.) Tickets are on sale now, https://millercenter.racc.edu/mary-chapin-carpenter

The Miller Center season kicks off on August 6th with emerging Country artist, Allie Colleen. Allies first singles, Playin House and Aint the Only Hell My Momma Raised are in constant rotation on Country Radio Stations throughout the United States. Allie has a very interesting background with a legacy of legendary music in her family. Tickets are on sale now, https://millercenter.racc.edu/allie-colleen

High energy Gulf Coast Soul Band, The Suffers, are exploding onto the popular music scene bringing Rock & Roll, Funk and Classic American Soul to stages all over the world. The Suffers hit the Miller Center stage on September 20th. Tickets are on sale now, https://millercenter.racc.edu/the-suffers

Fans of the Talking Heads will want to make plans immediately to see Start Making Sense. The Start Making Sense concert will be a 15th Anniversary Signature event on Saturday, September 24th. The Miller Center will have a number of local artists performing leading up to the big concert. Frog Holler, one of Berks Countys favorite Americana, Country-Rock banks, will open for Start Making Sense. There will food trucks, face-painting and a carnival-type atmosphere outside in the Courtyard adjacent to the Miller Center all afternoon starting at 3pm including live outdoor entertainment. Tickets go on sale July 15th.

The ghosts of Elvis, Johnny Cash, Carl Perkins and living legend Jerry Lee Lewis will come alive on October 6th with the Broadway smash, One Night in Memphis coming to the Miller Center Stage. One Night in Memphis captures the magical evening at Sun Studios in Memphis when the four iconic performers gathered for one time only. Tickets go on sale July 15th.

Miller Center House Manager, Megan Schappell, has developed a cost-effective ticket package that will enable the Miller Center attendees to save considerable dollars while attending multiple shows. The Build Your Own Miller Center Series will be a Buy Four, Get the Fifth Show for FREE opportunity for fans of the performing arts. We want to introduce flexibility to our audience members while encouraging fans to try new shows and new genres. Schappell proudly states, There is never a bad show at the Miller Center!

Irish Folk Artist, Julie Fowlis, who sang Touch the Sky and Into the Open Air from the Disney Smash Movie Brave, brings her beautiful Gaellic vocal stylings to the Miller Center on October 7th. Tickets are on sale now, https://millercenter.racc.edu/julie-fowlis

David Sedaris will be coming back to the Miller Center on October 13th. With sardonic wit and incisive social critiques, David Sedaris has become one of Americas pre-eminent humor writers. The great skill with which he slices through cultural euphemisms and political correctness proves that Sedaris is a master of satire and one of the most observant writers addressing the human condition today. If you love David Sedariss cheerfully misanthropic stories, you might think you know what youre getting into at his live readings. Youd be wrong. To see him read his own work onstage allows his autobiographical narrative to reveal a uniquely personal narrative that will keep you laughing throughout the evening. Dont miss this event, tickets will go fast! Tickets go on sale August 5th at 10am.

Contemporary Dance sensation, Parsons Dance Company, will be coming back on October 21st to the Miller Center after being the first dance performance inside of the Miller Center 15 years ago! Parsons Dance is a modern dance company, internationally renowned for creating and performing contemporary American dance of extraordinary artistry that is accessible and enriching to diverse audiences. Tickets go on sale August 12th.

On October 22nd, David Engel will be taking us to Pirate School and Wizard Academy. At 1pm, set sail for an incredibly successful program with Pirate School! During Pirate School! kids learn the finer points of mischief and become good pirates cooperating and carousing together while getting the chance to live out their dreams of the Golden Age of the Buccaneer!

At 4pm the Miller Center will transform into a Wizard Academy. Join this loony professor of Wizardry as he leads children on a zany day-in-the-life of a Wizard In Training (W.I.T). During Wizard Academy! children will have their brain, eyes and reflexes tested with fun challenges and illusions, and stir up the primal forces of their imaginations with instruction on potions, wand etiquette, and levitation. Kids encouraged to attend dressed in costume for both shows and will go on sale July 22nd.

Capitol Comedy is a performance group that uses the winning formula of musical comedy, multimedia animation, and political satire to engage audiences in an entertainment that is hilarious, insightful and non-partisan. This new show takes on the Biden administration with songs and sketches poking fun at everything from diversity-driven decision-making to dog training to dumping dollars on the electorate. Capitol Comedy is coming on October 28th and going on sale July 29th.

Father and son piano due, Ryan & Ryan will be bringing the holiday cheer with their Merry & Bright: Songs of Christmas Cheer show on December 9th. Ryan & Ryan is a proven hit with audiences of all generations. Their inventiveness, infectiousness, skill and general joy of life make for irresistibly engaging performances. To sum it up, they make music that inspires. Tickets go on sale September 16th.

On March 11th The Weight Band will be performing original songs as well as classics of The Band. They are led by Jim Weider, a 15-year former member of The Band and the Levon Helm Band. The Weight Band originated in 2013 inside the famed Woodstock barn of Levon Helm. Weider was inspired by Helm to carry on the musical legacy of the Rock and Roll Hall of Fame group.Tickets go on sale September 23rd.

The acclaimed, record-breaking run of Disneys Winnie the Pooh: The New Musical Stage Adaptation, created and directed by Jonathan Rockefeller, will be arriving in Reading on March 28, 2023. The celebrated show for families of all ages, will bring Pooh, Christopher Robin, and their best friends Piglet, Eeyore, Kanga, Roo, Rabbit, and Owl (and Tigger too!) to Reading, with performances running on March 28, 2023. Tickets go on sale July 15th.

Fan favorites, The Machine will be back April 21st! The Machine has forged a 30+ year reputation of extending the musical legacy of Pink Floyd. The New York-based quartet performs a diverse mix of The Floyds extensive 16-album repertoire, complete with faithful renditions of popular hits as well as obscure gems. Tickets are on sale now, https://millercenter.racc.edu/the-machine

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The Miller Center for the Arts, located on the campus of Reading Area Community College, has become an anchor in the city of Readings cultural landscape. Our 500-seat theatre offers quality programming for all ages and interests. Whether you would like to see modern dance, improve comedy or a childrens show, the Miller Center has something for everyone.

Some of the more prominent acts that have appeared at the Miller Center include David Sedaris, Judy Collins, New York Gilbert and Sullivan Players, Three Dog Night, The Machine, Tom Papa, and Josh Ritter. Please view ourfull list of showsfor more details on the current season.

Along with performances, the Miller Center also hosts community events and is available for rental. For more information on how we can accommodate your event, pleasecontact Megan Schappell, [emailprotected] or 610-607-6205.

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Miller Center Announces Incredibly 15th Anniversary Season - BCTV - bctv.org

What Did We Learn From 2020’s Racial Reckoning? – The Everygirl

The saying goes that hindsight is 20/20. Well, two years after the racial reckoning of summer 2020, some might say that our hindsight is still a bit blurry when it comes to equality and racial justice. That summer, ongoing protests broke out in response to the killing of multiple unarmed Black Americans, including George Floyd, Breonna Taylor, and Ahmaud Arbery. Cities across the U.S. experienced large-scale demonstrations that lasted weeks, shedding light on perpetual issues of racism and discrimination in America. Now, as we repeat I cant breathe and say their names in response to a tragically familiar onslaught of Black massacres in 2022, it begs the question: What, if anything, did summer 2020 teach us about racism, social justice, and the hope for equality in the U.S.?

On May 25, 2020, George Floyd was killed by a Minneapolis police officer who held his knee on Floyds neck for almost 10 minutes. People on the street watched and recorded in horror as Floyd repeated to the officer that he couldnt breathe. Earlier in the year, 26-year-old Breonna Taylor was killed by police officers conducting a botched no-knock raid while sleeping in her Louisville apartment. And before that, 25-year-old Ahmaud Arbery was gunned down by white racists while jogging in a Georgia neighborhood. The collective carnage was devastating, and people were rightfully outraged. Floyds murder was the last straw, of sorts, and Americans across the country protested the senseless, unnecessary, and racist attacks for months.

It felt like a shift was taking place as people banded together, shared information about demonstrations and resources, and, in what might have been the first time ever, spoke freely and honestly about racial injustices experienced by the Black community. Major companies even joined the conversation, releasing public statements condemning racism and alleging solidarity with Black Americans. Political correctness was seemingly replaced with unapologetic actionor so we thought. Soon enough, issues of anti-Black racism were overshadowed by the 2020 election and COVID-19 vaccine rollouts. Much of the fervor surrounding basic rights for Black Americans subdued, but racism and discrimination did not.

Since 2020, justice and equality for Black Americans have only improved by 0.2 percent, according to the National Urban Leagues 2022 State of Black America report. The report is released yearly and measures factors such as economics, social justice, health, civic engagement, and education for Black Americans compared to that of white Americans. While there have been increases in the median household income and a narrowing of the poverty gap for Black Americans, decreased access to health insurance, increased firearm-related deaths, and decreased civic engagement prevented a higher rate of improvement for Black Americans between 2020 and 2022. Overall, the Urban League determined that Black Americans only have 73.9 percent of the equality that white Americans have.

The documented improvements for the state of Black America are encouraging only until we examine the numbers and see that disparity between Black and white Americans are still extreme. Even with increases in median household income, there is a 37 percent difference with Black Americans having earned $43,862 compared to white Americans at $69,823. Black women are 59 percent more likely to die from childbirth than white women, the life expectancy for Black people is four years less than white people, Black men are 52 percent more likely to die from prostate cancer than white men, and Black men are three times more likely to be jailed if they are arrested.

An area of most concern in the Urban Leagues 2022 report is civic engagement. Voting rights are under attack in America, and gerrymandering, voter suppression, election sabotage, and intimidation are commonly used tactics to deter Black Americans from voting or prevent their votes from carrying significance. This is a direct response to the increase in voter turnout during the 2020 election. Coming off the heels of the racial reckoning summer and several social policy blunders by former president Trump, voter turnout was the highest its been since 1980. But when theres action, theres also reaction. Because of President Bidens win, and the subsequent big lie maintained by conservative politicians, 19 states passed 34 voter suppression laws in 2021, and more than 152 pieces of restrictive legislation carried over into 2022 for legislative consideration.

Injustices facing Black Americans are real, known, documented, and crippling. The National Urban Leagues State of Black America report is a sobering reality that overcoming systemic racism in America is an agonizingly slow process. In the span of two years, a life of full equality for Black Americans only became 0.2 percent closer. Zero. Point. Two. If the summer of 2020 taught us anything, it would be to prepare for the backlash. For as many strides that Black Americans make, opposition works double-time to squelch progress and maintain systems of discrimination and bigotry. Coupled with other political attempts to limit Americans rights as a whole, the uphill battle for equality will be that much more difficult for Black Americans.

Fighting collective and racialized battles at the same time is nothing new to Black Americans, and neither is the one step forward, two steps back pattern. While it can feel defeating and pointless to continue fighting for trickling equality, its a fight that countless people have endured before us and one that must continue no matter how slow the progress. We have many advantages today that racial justice advocates of the past didnt have, though, and those advantages add to our glimmers of hope. Social media allows us to have deeper, more transformative conversations, younger millennials and the Gen Z generation are actively outspoken and socially aware, American sports and music industries are more vocal about racial injustice, societal recognition of Black history and experiences are more common, and financial contributions to racial justice and civil rights groups have increased.

One way that we can tell progress is happening is by the intensity of counterattacks against progress, and were currently witnessing one of Americas most potent attempts to maintain systemic racism. While its frustrating, it also means were that much closer to the change thats been needed for centuries. This isnt the time to let up or give up. Instead, its time for each of us to rise to the occasion like never before by embodying and advocating for liberty and justice for all. The baton has been passed to us, and its our turn to run the race for equality.

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What Did We Learn From 2020's Racial Reckoning? - The Everygirl

From the Land of Oz: An Aussie-Born US Citizen Explains Why It’s Important to Teach Kids to Love Their Country – The Epoch Times

An Australian-born naturalized citizen is determined to teach American youth how to love their country

From sea to shining sea, the greatness of the United States of America has been seen in gleaming alabaster cities, purple mountain majesties, fruited plains, and waves of grain for over two centuries. The sacrifices of everyday heroes, whose engraved names mark monuments and tombstones, have enriched the greatness of this nation since before the Revolutionary War. Yet still today, there are patriotic citizens pledging allegiance every day as Old Glory waves in the wind at sports events, corporate offices, city streets, front porches, or flagpoles.

American flags are everywhere. You have to hunt to find the flag in Germany or Australia. Thats not the case here; it is omnipresent!

Coming from a perspective of deep respect, admiration, and appreciation, naturalized citizen Nick Adams speaks as one of the many thousands of legal immigrants who arrive on Americas shores ready to make good on their personal dreams of success.

He believes the United States is considered the most patriotic country in the world.

Adams, who legally immigrated from Australia in 2016, sought citizenship in a land of best opportunity. Though his journey through the system was arduous, his American dream had only begun. His garage, in fact, helped set the stage for todays booming educational, patriotic enterprise, which brings civic-centric programming to American youth through FLAG, or the Foundation for Liberty and American Greatness.

What we do resonates with donors who share a concern for the direction of the country and a frustration that civics isnt being taught anymore, said Adams. We want every young American to tie their personal dreams to love of country. We see that as the answer to the increasing lack of patriotic pride in our youth.

FLAGs mission helps students build upon fundamental civic knowledge and understand their role as active citizens. Adams founded the nonprofit; his dream is gaining momentum as parents and educators embrace his efforts to re-educate children in a system that no longer teaches civics effectively, if at all, in the classroom.

Adamss own success reverberates in the classroom. With a craft for storytelling, he tells young Americans of his journey to becoming a citizen, how he overcame stage 4 cancer, how he became a presidential appointee for the Wilson Center, how he wrote best-selling books, and how he lives out the American dream as a motivational speaker and television commentator.

With a $2 million budget, Adamss 100 percent non-political organization aspires and inspires, he said, through passion that energizes schoolchildren.

Patriotism requires passion. Through amplifying the voices of legal immigrants and capturing the hearts and minds of young Americans, we are successfully showing them how to appreciate the American opportunity.

His presentations have a three-fold mission: to rally against socialism and preserve the American way of life, to fight the false narrative that paints a picture of America as a terrible country, and to teach the foundations of civics to young Americans.

With infectious enthusiasm, Adams projects continued rising demand for his organizations resources and seminars. Testimonials from students and staff flood FLAGs headquarters, The Andrew Adamopoulos Logistics Center, named after Adamss father, in Tarpon Springs, Florida. Depending on the grade and emphasis, presentations cover Americas founding and U.S. Constitution, the U.S. immigration system, and Entrepreneurship 101. Certified FLAG ambassadors, including Adams himself, introduce live, engaging historical content in a way that reignites childrens enthusiasm at all grade levels on campuses across the country.

In modern America, there are Americans who truly remember what patriotism was and is. However, he added, there are younger Americans who have a different idea of what it means to be patriotic.

In fact, FLAGs Patriotism Study conducted just a few years ago found that younger citizens are losing the American spirit. It confirms Adamss reason for founding the organization. As stated in the study: Americans ages 1437 are less likely to consider themselves American patriots, less likely to aspire to entrepreneurship, and less aware of the inalienable rights enshrined in the Constitution.

From a grassroots level, educators welcome visits from the FLAG team but also extend learning through lesson plans, professional development, and student-friendly versions of the U.S. Constitution, the Declaration of Independence, and the Federalist Papers.

When Adams introduces the idea of civics at a school or youth gathering, he asks students what makes the United States Constitution so special. The typical answer, he said, is freedom.

And then I ask if the United States is the only country that has a constitution. It is the greatest document ever written! It is because every single time any other country or government or people have attempted to write and pass a constitution, it has always laid out powers of government and the limits of the people. The United States Constitution gives us the opposite, stating the powers of the individual and the limits of the government. This is why American exceptionalism is so great!

With just over 1 million students served since FLAGs inception, the impassioned founder plans to pivot with extended outreach of FLAGs pilot programming in 2022.

The 21st century is the American century, he said. And with the launch of his new vision, 2076 Project, his goal is to help preserve America and celebrate its 300th birthday. The best way to do this, he said, is to combat critical race theory, teach Americanism, promote the American dream to future generations, and celebrate 300 years as the freest country in the world.

The projects details were still under wraps at the time of the interview, but Adams noted that the lack of true patriotism can be linked to a cultural mindset.

There is a widespread war against patriotism through political correctness doctrines. We cannot have confidence to say, America is great!

He emphasizes the fact that true patriotism requires an opinion in order to protect America.

Patriotism is a love of country and is one of the most understated and wrongly defamed virtues that we have. Patriotism got the wrong wrap following the world wars in the 20th century in that patriotism was blamed for the atrocities caused by war. It is easier to blame patriotism than it is to blame evil. But they got it wrong.

Where FLAG gets it right is to encourage citizens at the early levels, giving them an appreciation for Americas values and important documents through patriotic messaging.

No other resource on the market, he said, has been as effective at reaching hearts and minds and sharing the greatness of this nation. It helps that the messenger is very grateful to live the American dream with opportunities that abound. The happy warrior plans to instill an appreciation for Americas greatness in younger generations, hopefully beyond 2076 and the anniversary of this countrys founding.

Thats if the all-natural patriot can continue helping his country from sea to shining sea.

This article was originally published in American Essence magazine.

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From the Land of Oz: An Aussie-Born US Citizen Explains Why It's Important to Teach Kids to Love Their Country - The Epoch Times

John Waters Reflects on ‘Pink Flamingo’ and ‘Liarmouth’ – AARP

Happy 50th birthday,Pink Flamingos. Director John Waters, 76, is enjoying theonce-shocking films newfound respectability acceptance last year into the National Film Registry, alongside Casablanca andCitizen Kane, and itsnew Criterion 4K restoration. And hes also making news for the release of his recent novel, Liarmouth, andtheThe Pope of Trash,a major exhibition coming next year to the new Academy Museum of Motion Pictures in Los Angeles.In fact, Waters is moderately shocked at trading notoriety for mainstream adoration at this stage in the game.

The nattily dressed so-called Pope of Trash (aka Duke of Dirt and Prince of Puke) told AARP all about it during Massachusetts Provincetown International Film Festival, which showcased the still shockingPink Flamingos, a tale of murderous Baltimore mayhem starring the legendary late drag queen Divine. His reaction to his new respectability is bemused, considering that the film is probably worse than its ever been, in todays standards.

While its wonderful to be considered the elder statesman of filth, Waters is genuinely moved. Im greatly honored that all these things have happened with no irony. But the movie itself with all of todays political correctness and everybody being so touchy about everything is probably even more hideous than it ever was. Hes been touring with the film, where the audience is the youngest its ever been, he says. He often asks: How many people here are seeing it for the first time? More than half always raise their hands.

Divine stars in "Pink Flamingos."

Courtesy Everett Collection

Waters finds this and the fact that the movie still plays to an audience amazing in a good way. Pink Flamingoswasnt ever supposed to just shock. It was supposed to make you shocked and to make you laugh about it. And people still do laugh.

Although it may sometimes feel that the movie rose out of the 1970s pop cultural ooze, like Venus from her shell, the filmmaker says he was influenced by art films and, because they broke all the censorship laws, by Federico Fellini and Ingmar Bergman and all that. And by underground movies like those of Andy Warhol. I made exploitation films for art theaters. Thats what mine were, and they still are.

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John Waters Reflects on 'Pink Flamingo' and 'Liarmouth' - AARP

Parapsychologists, sects, and secret services: Remembering the most tense chess game in history – EL PAS in English

British grandmaster Michael Stean, who was there, described the 1978 World Chess Championship (held in Baguio, The Philippines, between July and October) as a surreal experience and the most bewildering and dirty world championship match in the history of chess.

In their film The champion of the world, director Aleksey Sidorov and producer Nikita Mikhalkov have reproduced the legendary game in which 27 year old Anatoli Karpov, a young Soviet champion faced off against Viktor Korchnoi, 20 years older and a Russian exile.

A game of science with a dose of art, chess was a geopolitical weapon of the first order in the last years of the Cold War. At the end of the 1970s, the Soviet Union had winning basketball and ice hockey teams, virtuoso footballers like Oleg Blokhin and exceptional athletes like Viktor Sarteieve. It also had chess.

Karpov had regained the world champion title three years before the match in the Philippines, thanks to American Bobby Fischer forfeiting the title due to a dispute over the match format.

Fischers win in Reykjavik in 1927 was a serious affront to the Soviets, who had a countryman hold the title since the end of the Second World War.

With Soviet hegemony restored and Karpov a young chess player still on the rise, the Kremlin did not expect to face a threat like the one posed by the defection of Viktor Korchnoi in 1976.

Korchnoi had taken advantage of his participation in the Amsterdam tournament to apply for political asylum in the Netherlands. More than ideological dissidence, he was motivated by professional ambition.

Korchnoi had been the last rival defeated by Anatoli Karpov in his race to the title in 1975. At his age (he was already 45 years old when he defected), being world champion again seemed like a pipe dream. The Soviet authorities came to suggest that the time had come to step aside so as not to hinder the generational change that Karpov represented.

Korchoi had also not ingratiated himself with the regime particularly well - temperamental and impulsive, he lacked the docility and political correctness required for survival at the upper echelons of Soviet society.

From his exile, first in the Netherlands and then in Switzerland, Korchnoi continued to compete at the highest level. Prior to the 1978 world championship he defeated two former world champions (Tigran Petrosian and Boris Spassky) and a third player from the Soviet elite, Lev Polugaievsky at the Candidates Tournament.

But the truth is most pundits considered Karpov the clear favorite, even though they recognized that Korchnoi was in excellent form, his flight to the West having a revitalizing effect on his game. In the duel between the two, bets were tilted towards the first. Michael Stean, who was part of Korchnois team of analysts, said we dreamed of beating Karpov, but it seemed unlikely to us.

To win the title you had to win six games, not counting draws. After 17 games, Krpov had already obtained four victories, to Korchnois one.

What happened next was watched with growing astonishment by the international press.

The champion of the world portrays a desperate Korchnoi wanting to resort to foul play to destabilize a superior rival. The reality is likely more nuanced.

The swivel chair, the sect and the snake

It started, one could say, with the sunglasses. Karpov alleged that Korchnoi used them to blind him, deliberately catching the reflection of the spotlights in the room with the sunglasses, to project against his eyes. Korchnoi retorted that he wore the shades to protect himself from the icy look of defiance with which Krpov tried to intimidate his opponents.

Head referee Lothat Schmidt and his team tested the glasses, sitting in the same position as the players, to determine to what extent the blinding mirror effect denounced by Karpov was true. They concluded that the sunglasses were not interfering but even so, they asked Karchoi to remove them as an act of goodwill, which he did in the final stretch of the match.

Which flag Korchnoi would play under - that of the Netherlands (the country that had granted him asylum) or of Switzerland (his place of residence) was also a subject of controversy. The Soviet delegation insisted he was a deserter and a stateless person who should display a white flag on his part of the gaming table. Korchnois representatives countered by offering, somewhat playfully, that the exile play under the Jolly Roger, the pirate flag. In the end, it was decided that no flags would be displayed on the table.

It was the second game that brought the most surreal moments. The players began a Byzantine dispute over the types of chairs they would sit in while playing - Korchnoi insisting on a certain model for reasons of comfort, Karpov demanding that it be disassembled and X-rayed to ensure it did not include any listening devices; Karpov spinning in his chair while his opponent was thinking, which Korchnoi said was extremely disruptive.

Korchnoi also protested the blueberry yogurt that waiters served Krpov during the second and third games, claiming it could be used for coded communications from his analysts. The referees decided that the Soviet could continue to be served the yogurt, on the condition that it be always at the same time and that the referee be informed prior to the yogurt being served of what color it was.

A further issue was the presence of Vladimir Zhukar as part of the Russian delegation. Zhukar was a neurologist at the Moscow Psychology Laboratory. Korchnoi insisted that he was a parapsychologist - a kind of sorcerer who hypnotizes people to control their actions. Zhukar was forbidden from sitting in the front five rows and Korchnois team would have people sit next to the neurologist and stare at him in order to break his concentration.

Then came the complete breakdown of courtesy between rivals, the most elementary protocol of chess. Krpov stopped shaking hands with Korchnoi, while, according to the Soviets, Korchnoi started muttering insults under his breath. Any verbal interaction between the players had to be prohibited and even draw offers began to be made through the referees.

The atmosphere only grew more delirious. Korchnois partner, Petra, began to attend proceedings with two members of Ananda Marga, a sect of Indian origin that was then popular within the American counterculture. Korchnoi explained that they were his yoga instructors, but they were denied access to the room when it was discovered that they both held criminal records and were using the opportunity of international exposure to demand the freedom of their groups leader, who had been imprisoned for attempted murder. The Soviets took advantage of this blow to Korchnoi by having Dr. Zhukar returned to the front rows, where he sat close by to the then Philippine president, the dictator Ferdinand Marcos, and First Lady Imelda Marcos.

Sidorovs film also refers to unverified incidents that Karpovs team used as proof that the CIA was conspiring to favor Korchnoi, beginning with the appearance of a snake in the hotel room where Karpov was staying.

The champion of the world also references unverified incidents used by Krpovs team to claim there was a CIA operation underway to favor Korchnoi, evidenced by the appearance of a snake in the hotel room where Krpov was staying and that, when he moved to a private residence, noises of helicopters flying overhead or sprinklers starting up in the middle of the night prevented him from sleeping. Steam recalls, every day there was a new press conference with mutual accusations and the referee team was forced to intervene to put out fires.

The film also shows Korchnoi showing up at the gaming floor with a Geiger counter to monitor radioactivity levels, saying Believe it, the Soviets are capable of that and more.

Amidst the geopolitical circus that now defines this match, we will never know for sure if there was really any foul play at work. The final chapter began at the end of September, with both rivals tense and not playing at their best. Karpov was leading the scoreboard by a comfortable 5-2 when his game entered a deep slump, leading to three losses in four games. It appeared the crown could return to the West.

The decisive game was played on October 17. With the confidence of his recent victories, Korchnoi adopted a high-risk defense aimed at deciding the match, but Krpov rallied, achieving a winning position in 41 moves and five hours of play.

Karpov was the epitome of everything Viktor Korchnoi hated about the Soviet Union, said Stean, recalling the unusual level of acrimony and personal and ideological hostility expressed during the match. To him, Karpov has voluntarily chosen to represent the regime.

Viktor was a fighter. I imagine facing Karpov felt like a member of the French resistance would have felt facing someone who had collaborated with the Nazis.

For the Soviets, said Stean, retaining the title was like winning a version of the space race, with Karpov as their man on the moon.

Karpov beat Korchnoi a second time three years later before being beaten himself by Garry Kasparov in 1985, still keeping the crown in Russian hands.

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Parapsychologists, sects, and secret services: Remembering the most tense chess game in history - EL PAS in English

Political Correctness: Its Origins and the Backlash Against It

Please note: This article contains language some might find offensive.

Mexican immigrants are bringing drugs, theyre bringing crime, theyre rapists. In response to outrage at his statements like this one, Donald Trump replies: I think the big problem this country has is being politically correct. On this vague platform Trump has made himself a serious contender for the Republican presidential nomination.

So what is political correctness?

To be politically correct is to choose words (and sometimes actions) that avoid disparaging, insulting or offending people because they belong to oppressed groups. Oppressed groups are those subject to prejudice, disrespect or discrimination on the basis of their race, ethnicity, gender, sexual orientation or physical disability.

The term emerged in the west in the 1970s as a kind of self-parody used by activists in the various new social movements and the New Left more broadly. It was borrowed from the English translation of Chinese Communist texts, particularly those of the Cultural Revolution, seen by most in the New Left as doctrinaire and Orwellian. Ideologically sound and the correct line were similar borrowings.

If the interjection Thats politically incorrect was uttered with a wry knowingness, it had a serious intent to challenge the user to think about the social power of a word and the injury it might cause.

As this form of language policing spread into the wider community it became a highly effective means of confronting the deep-rooted prejudices embedded in everyday words and expressions.

We should recall that in the 1950s Aboriginal people were casually referred to, even by educated people, as boongs and Aboriginal women as lubras. The leader of the ALP, Arthur Calwell, received chuckles when defended the White Australia Policy with two Wongs dont make a White. In that era, grown women were habitually trivialised as girls and for a laugh schoolboys would mimic the facial expressions, hand gestures and voices of kids with cerebral palsy, or spazzos.

All of these, and a thousand more, had the effect of reinforcing the subjugation of people already in a weak or vulnerable position in society. Beyond mere politeness or civility, political correctness was political in the sense that it aimed at bringing about social change at a time when racist, sexist and homophobic attitudes found expression in everyday language and attracted no censure, even though the words were humiliating, disparaging or threatening to the minorities in question.

Some expressions and behaviours criticised as politically incorrect were subtle, and could leave those reproached puzzled and angry. Why is it sexist to open the door for a woman? Isnt it just politeness? Or is it a reflection of a patriarchal social structure in which men were expected to be chivalrous toward the weaker sex? In the same way, women were excluded from pubs because their sensitivities had to be protected.

Shifting taboos

So political correctness forced us to think more deeply about our own ingrained and frequently unconscious oppressive attitudes. As a genuinely perplexed student I once asked a more experienced activist: Why is it acceptable to call a bloke a prick but not acceptable to call him a cunt?

Because, he replied, men arent oppressed. I saw it straight away. Apart from the vulgarity of the word, it was politically incorrect to use as an insult a word that denigrates women by sexually objectifying them, as if they are defined by that repulsive yet irresistible thing.

The history of the word cunt throws more light on the evolution of political correctness. This good old Anglo-Saxon word was heard even in high society in the 16th century the young aristocrats utter it in the BBC film of Wolf Hall but it was taboo by the end of the 18th century when it became a nasty name for a nasty thing. In Australia in the 1950s it was absent from written English and polite conversation but enjoyed a vigorous life in the vernacular, particularly amongst working-class men.

But from the late 1960s its vernacular use came under sustained criticism from feminists for the way it was used as a weapon to dehumanise women, to keep them as sexual objects, and within a decade or so its use had sharply declined. Wives and girlfriends spoke up and when used it was done so with more care about who might be within earshot.

In recent years, cunt has been partially rehabilitated; the taboo has been lifted so that we can hear it used on ABC television. This is so in large measure because the status of women in Australian society has improved so much that, while forms of discrimination persist, it is hard to describe them as oppressed as a gender. And womens own sexual expression has blossomed, including reclaiming the word in forums such as The Vagina Monologues. As a result, the word has lost much of its hidden political freight and its shock-value, although it remains vulgar and many women still find it discomforting.

This process of rehabilitating taboo words fortifies the claim that political correctness is not a mere fad of the moralising left but is directly connected to oppression and discrimination within the social structure.

In a similar way, in the 1960s it was common to hear Anglo-Australians disparage immigrants from southern Europe as wogs and dagos. These descriptors were deemed politically incorrect and, when it was explained that they wounded those at the bottom of the socio-economic scale, they mostly fell out of use.

Yet as those ethnic groups worked their way into a position of social equality their confidence increased to the point where they began to use the words themselves in an ironic way, such as in the TV program Wogs Out of Work. It didnt matter any more. An Anglo today might use wog ironically; but if used seriously as a form of abuse the user would be regarded as weird or even unreconstructed!

The oppression of Aboriginal people remains because racial prejudice against them runs deep, and we could expect an outcry at the broadcast of a television program titled Boongs On the Dole, and not just from latte-sipping inner-city lefties. Even those conservative commentators who have led the charge against political correctness routinely engage in politically correct self-censorship. So whats behind the backlash?

The Backlash

The backlash began in the United States in the early 1990s when conservative intellectuals began to use political correctness to criticize the left for imposing their views on others and suppressing dissenting opinion.

In universities, more traditional subjects were being augmented or replaced by others dealing with feminism, queer politics, post-colonial history and so on. Leading conservative began to attack the liberal-left for making certain topics of study off-limits.

Soon political correctness was being used as a pejorative, not least by right-wing shock jocks such as Rush Limbaugh. In the United Kingdom, the Daily Mail began a campaign (still running) against political correctness gone mad with stories, many of them made up, about ordinary people prevented from flying patriotic flags or schools banning musical chairs because it encourages aggression or the BBC replacing AD (as in 2015 AD) with CE (for Common Era).

The backlash struck a chord with some sections of the public, disproportionately among white males who felt that equal-access policies were discriminating against them and who generally felt put-upon by demands that they make deeper changes to traditional attitudes and behaviours. The subliminal message of the backlash has been that you dont have to feel bad about believing what you do, so dont listen to the PC moralisers.

The reversal of the connotation of political correctness was a clever means of turning the moral tables. It authorised a return of some of the oppressive behaviours. On the streets one who objected to a racial insult or sexist remark could be dismissed as just being PC, that is, sitting on a moral high horse, and the offended party might be recruited with See, she doesnt mind or Its just a bit of fun.

As this suggests, the contest over political correctness has historical significance. If we consider the struggle between left and right in the Anglo world over the last five decades its pretty clear that the right won the economic and political war (neoliberalism, the 1%, increasing corporate power, the rise of money politics and so on) and the left won the culture war.

For conservative activists losing the culture war rankled deeply.

In the United States, the urge to fight back explains the sharp shift to the right of the Republican Party from the mid-2000s. It explains how Donald Trump, running for president on a platform of political incorrectness, can get away with a series of racist and sexist insults yet retain the support of conservative men and women.

In Australia Prime Minister Tony Abbott is still fighting the cultural battles of his university days in his resistance to gay marriage, his monarchism and his loathing of the green-left. The bestowing of a knighthood on Prince Phillip attracted almost universal derision but for Abbott it was his way of sticking two fingers up to those he could not defeat at university.

It is true that the liberal-left has provided ammunition for the conservative backlash. At times enthusiastic feminists, particularly when first finding their voices, took PC too far by demanding prohibitions on words and activities that only the hyper-alert would hear as disparaging or offensive. Wimmins rooms and herstory, for example, were made for parody.

The truth is that for many well-meaning people some PC demands are hard to come to terms with, and they have struggled. In The Office Ricky Gervais turned this confusion into excruciating comedy, perhaps reaching its most complex moral tangle in the episode including the joke about the Royal Family and the black mans cock.

In 2012 the Centre for Independent Studies published a booklet titled You Cant Say That! containing four short articles by conservative academics and commentators. Janet Albrechtsen complained that the PC virus has infected so much of what we do, what we read, how we live, how we think and demanded the right to offend. People of a more conservative bent, she opined, feel intimidated about expressing their opinions because they fear censure from the thought police.

What is most striking about these papers is that none of the authors seems to have any interest in understanding from where political correctness derives its social power. None saw it as embedded in social structures; they could not get beyond their righteous disdain for the latte sippers who have been imposing this new form of censorship.

There is a reason for their blindness. Conservatives concede that discrimination exists (even if it is exaggerated) but they see society as essentially good and not in need of structural change. So they do not accept that the injustices that animate activists reflect something rotten in society; instead they are merely the product of individuals behaving badly.

Against the grain

Nevertheless, and surprising as it may appear, I have some sympathy with their complaint. In the age of Twitter and Facebook there are some disturbing examples of people who have been set upon for quite minor infractions. Justine Sacco was publicly shamed and then sacked for tweeting to her 170 followers a dumb joke about AIDS as she boarded a plane to Africa.

The swimmer Stephanie Rice deserved to be corrected for tweeting the word faggot but not the monstering that reduced her to public tears and caused her sponsors to withdraw. A PC pack mentality has developed and it turns with particular ferocity on anyone who questions the presumptions of a certain kind of liberal feminism.

In addition, the well-meaning PC commitment to multiculturalism became a campaign against all forms of tradition. To take one example, I am not a Christian but I believe that the cultural legacy of Christianity runs deep and should not be discarded wholesale.

The King James Bible, for instance, has profoundly shaped our use of language, the language of the atheist as much as the parish priest. The Book of Job is perhaps the deepest meditation we have on the human condition. And the New Testaments stock of parables and stories imbues our moral thinking, generally in positive ways.

In western societies like ours, a rounded education includes this legacy. A child who grew up without exposure to the cultural riches of the bible including the nativity tale would be one whose education had serious gaps in it. Yes, those cultural riches should be approached critically, and not treated as holy writ.

But lets remember that in China, with the spread of nihilism, moral decline and the emptiness of affluence, even the Chinese Communist Party has rehabilitated Confucius, the sage who had been denounced and banished during the Cultural Revolution. Now that was politically incorrect.

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Political Correctness: Its Origins and the Backlash Against It

How the Intellectual Dark Web Spawned ‘Groomer’ Panic – The Daily Beast

Groomer panic is sweeping the nation as right-wing types turn against LGBTQ rights, and the talking pointsas with the backlash against Critical Race Theory (CRT) in schoolscan directly be traced back to a group of anti-woke activists on the intellectual dark web.

As The Daily Beasts senior opinion editor Anthony Fisher notes in the latest episode of Fever Dreams, this group of self-identified disaffected liberals coalesced against the idea of hyper-political correctness as early as 2016 or 2017, and were made famous in a profile by former New York Times editor and writer Bari Weiss. Among the biggest stars are Joe Rogan, controversial Canadian professor Jordan Peterson, YouTuber Dave Rubin, Peter Thiels righthand man Eric Weinstein, and Ben Shapiro, the only one in the group who cops to being a true conservative.

These people claim to be lifelong Democrats, some of them say that they were Bernie Sanders supporters and theyve not had a nice thing to say about a single Democratic politician or liberal commentator or liberal idea in the last six years I think theyre more defined by what theyre against rather than what theyre for, Fisher says, adding, a lot of these people are anti-left, all the things they see on the left are things that are threatening Western civilization, which is why they latch onto people like Tulsi Gabbard, somebody whos nominally a Democrat but for the most part seems to be playing toward the MAGA right audience.

As Fever Dreams co-host Will Sommer points out, this groups strand of thinkingwhich focuses on the excesses of the left, particularly in academiahas now gone from being chatter on Twitter to fueling so many of the national culture wars. Specifically, the rights language around Critical Race Theory and the lies about Disney grooming children can directly be traced back to dark webbers Christopher Rufo (whom the Times profiled this week) and James Lindsay. Theyve created this groundswell that is absolutely affecting policy, Fisher says, pointing out that Florida Governor Ron DeSantis own press secretary is now parroting the leaders of the movement. Meanwhile, some dark webbers are finding their allies on the right are turning against them; Rubin, who is gay, recently came under attack from several conservative outlets and members of his audience for his and his husbands use of a surrogate to build their family.

Elsewhere on the podcast, Sommer and co-host Kelly Weill discuss how Elon Musks successful bid for Twitter is galvanizing the right, raising the prospect that some of their favorite characters like Proud Boys founder Gavin McInnes and Milo Yiannopoulos might get their accounts back. Meanwhile, it really does seem like [former president Donald Trumps rival network] TRUTH Social is now going to be dead in the water. Trump doesnt even post there, Sommer notes. And lest you think theres no QAnon angle to the Twitter deal, think again: conspiracy theorists have added up the letters in Elons name via arcane numerology, and theyre pretty convinced that a great plan is in motion.

Finally, the co-hosts discuss how newly released texts show Congresswoman Marjorie Taylor Greene pleading with Mark Meadows to tell the president to calm people on Jan. 6 (before deciding the rioters must be antifa); and how two manosphere influencers in Romania have been raided in connection with an human-trafficking and rape investigation. As Weill points out, its just interesting that this keeps happening to the people who make the loudest noise about the supposed trafficking panic.

Listen, and subscribe, to Fever Dreams on Apple Podcasts, Spotify, and Stitcher.

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How the Intellectual Dark Web Spawned 'Groomer' Panic - The Daily Beast

John Waters on His Joyously Offensive New Show and Why Pink Flamingos Is Filthier Than Ever at 50 – IndieWire

The pope of trash, the duke of dirt, the prince of puke. As cinemas darling purveyor of filth, John Waters, at 76, has heard and seen it all, and he isnt slowing down. In fact, he turns 76 on this very day, April 22, and is readying to premiere his new one-man, spoken-word special, False Negative, in New York and then Atlantic City this weekend. Hes also got a debut novel, Liarmouth: A Feel-Bad Romance, coming out from Macmillan May 3. There may even be a new film project in the works, though Waters is loath to spill his secrets. His breakout feature, the gleefully demonic, camp-exploitation classic Pink Flamingos, also celebrates a birthday this year, five decades after its release in 1972.

Waters, in a phone interview from his Baltimore stomping grounds, is chuffed at the hilarity of the film landing in the National Film Registry this year. At the time, the perverse Divine vehicle was reviled for its scatological sensibilities, its cigarette-in-the-eye of moviemaking conventions and American decorum. Its perhaps filthier than ever now, and its a movie hell be discussing in False Negative, which is a complete reinvention of his 2006 special This Filthy World, now re-written for the post-COVID age. The special sets out to lampoon political correctness on all sides of the aisle in the spirit of Waters championing of free speech even at its most lunatic and outrageous.

This interview has been edited for clarity and length.

IndieWire: False Negative is an entirely new version of your This Filthy World, which you re-imagined for a post-COVID world. The ground has shifted for a lot of people in the last few years, which has surely given you more fodder. Whatre you touching on this time around?

John Waters: Certainly political correctness, and what is funny about that. Certainly reinventing yourself, and reinventing everything. Thats a big part of this speech. Certainly including the movie business, the way it is today, and how you can last. Ive been doing this for 50 years. How the most insane things can change. Pink Flamingos got named to the National Film Registry this year, which is pretty hilarious and great. So heres a movie that actually today is more offensive than it was when it came out, probably, with all the new touchiness, but at the same time, it still brings joy to people no matter what their politics are, in a way. Thats what Im so happy to be celebrating. Im trying to talk about how always we use humor to win, not self-righteousness, not telling people theyre stupid, not lecturing people. You have to make fun of yourself first, which I always did, and then you can make fun of others. But Ive made a career of making fun of the rules in the outsider society that I live in and love, so I usually make fun of things I love.

You dont mention Trump anymore even though he figured heavily in the last version. People are tired of hearing about him.

When it was This Filthy World, I did a long thing about what it would be like to have sex with him in the most graphic detail of every act. I live in a country where its free enough where I didnt get the firing squad. That makes me feel patriotic.

Pink Flamingos is funnier and fouler today than it was 50 years ago. Why do you think its endured?

Because of all the stuff you cant say today, which makes them kind of funnier, because maybe they get away with it because they know its historic. Its not of today. Its in a time capsule of lunacy from somewhere. Thats why I never mentioned politics in the movies because it dates them. You want your movies to be timeless. Most of my movies didnt do well when they came out, but theyre still playing now, and eventually made money. But it took a long time. Thats not why studios put movies out. They want to make all the money in the first two weeks.

Courtesy Everett Collection

Pink Flamingos is also getting a Criterion release in June. That will certainly help engender a new generation of John Waters appreciators.

They can do Bresson and they can do Pink Flamingoes. Its the same thing, and I kept trying to tell them [that like when New Line released] Polyester [in Odorama], they should do all their films in Odorama. What does Bresson smell like? What does Bergmans suicide smell like? Seventh Seal they could sniff and you can jump off a cliff. You could do lots of good advertising if you just let me go in there.

Its hard to imagine a movie as offensive as Pink Flamingos getting made now.

When I say offensive, I mean joyously offensive. Its easy to be offensive. Often, when critics today call it a John Waters type movie, I hate those movies because theyre just gross or they have a drag queen in them. They do something that we did years ago. I always try to make you laugh at your ability to be surprised by something. Ive said that forever, but Im still doing that. The American audiences sense of humor has gotten darker. Its changed. Its really way more like what I started out doing. RuPauls on television. Look at how great that is, that drag queens are in middle America. Things have changed for the better at least with peoples sense of humor. But as soon as you start lecturing them, they shut up and we have to pick our battles.

I do a whole thing in there about battles that we pick that really make people vote for the other side. We want to pick battles that we can win. Pick the three most important ones. Not the most obscure ones. PETA came out and said you cant call your animal a pet, that thats degrading, in the same way calling a woman a chick is. I think thats funny, but that makes people go crazy. I love extreme politics, even when I completely do not agree with it. People have the right to say anything. Im for freedom of speech. Many dont seem to be these days.

New Line Cinema/courtesy Everett / Everett Collection

Do you feel like its harder or easier to be funny now, and to wield your particular brand of humor?

The edge that youre walking on is harder, and I try to stay right on the side where youre almost falling off. My new book if I can get away with this one, well see. I do make fun of the rules that I live in and the society that Im living in now. Im certainly a bleeding heart liberal, but I rebel against those rules, too, which I think is healthy.

You have a book coming out in a few weeks, Liarmouth: A Feel Bad Romance. Youve written a number of essay collections but this is your first novel. Did this come as easily to you as making a movie?

It took me three years to write. Its pretty crazy. Its about a woman who steals suitcases in airports, and shes a very disagreeable character. You will like her because shes so unlikeable. I didnt have to worry about budget. I didnt have to worry about casting. I didnt have to worry about the children, and how they have to only work four hours a day and have a schoolteacher. All that kind of stuff I dont have to worry about, so I could really be free to explore this insane universe that I set up in the book. Thats the only thing you have to stay true to. No matter how crazy the plot or how much fun you make of narrative and everything, it still has to be true to the world that you set up in the book.

John Waters performs False Negative on Friday, April 22, at Sony Hall in New York City, and Saturday, April 23, at the Anchor Rock Club in Atlantic City, New Jersey.

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John Waters on His Joyously Offensive New Show and Why Pink Flamingos Is Filthier Than Ever at 50 - IndieWire

A monument of magnanimity in New Delhi – The New Indian Express

In Delhi, you get down at Indira Gandhi International Airport, and via either Nehru Place or Motilal Nehru Marg, you can reach Rajiv Chowk. This, though sounding like a mere description of the route, in fact, is a political statement. Whether one dares to discuss it or not, the fact remains that one single ruling family in India has been recognised and decorated too disproportionately over the last seven decades. Journalist and former Prasar Bharati Chairman A Surya Prakash had very painstakingly compiled a list of over 100 government organisations and institutions named after the members of just one family, obviously from the Nehru dynasty. The recognition is so disproportionate that the long list also incorporates a national park in Mumbai named after Sanjay Gandhi, whose only qualification to fame was being Indira Gandhis son.

It is in this setting one has to assess the importance of the inauguration of Pradhan Mantri Sangrahalaya in Delhi a fortnight ago. The Sangrahalaya is not just about the addition of yet another iconic spot to the list of must-visit sites in the national capital but it is also important for at least three other more prominent reasons. Firstly, it marks the institutionalisation of the end of political untouchability practised religiously so far by the Congress and many so-called progressive political groups. Secondly, it also sets up a unique example of how a project that could be considered purely political could be handled in a completely non-partisan and objective manner. Thirdly, it underscores the importance of documenting contemporary history and preserving artefacts of the present times. In addition, it also stresses on showcasing the contemporary history using almost all available modern technologies.

Firstly, the Sangrahalaya is unique for both the concept as well as the conduct. It showcases by far the most inclusive and democratic approach towards creating monuments that have a political underpinning. So far, only five ex-PMsNehru, Shastri, Indira, Rajiv and Vajpayeehave their samadhis right in the capital. P V Narasimha Rao died in Delhi but his family was not allowed to carry out the last rights in the capital, lest there would be a demand for a samadhi. Besides, the national capital has museums dedicated to Nehru, Shastri and Indira only. The new Sangrahalaya puts an end to this selective generosity. It showcases the contribution of all ex-prime ministers while providing enough space for all future PMs. More importantly, the depiction of the contribution of every PM along with a review of his/ her tenure has been done in an indisputably objective manner. As a result, at least so far, no family of any ex-PM could find a reason to complain about. In fact, as commented by a visitor, the Modi government has captured the tenure of Jawaharlal Nehru in a much more impressive manner as compared to the old Nehru Museum, created by the dynasty of Indias first PM. Interestingly, the gifts received by past PMs and later on deposited in the Toshakhana or the official government store of collected gifts, and displayed in the Sangrahalaya are very limited in number. This is because, apparently, not many ex-PMs had deposited them in the Toshakhana. Nonetheless, as underscored by Modi, every government led by every PM has contributed to the nations advancement in its own way and the Sangrahalaya not just recognises this but also expresses the nations gratitude towards all of them.

Secondly, the Sangrahalaya comes across as a textbook example of total objectivity in presenting all former prime ministers, representing different political ideologies. This, in the backdrop of scores of examples of political untouchability that the nation had been a witness to for several decades, is just remarkable. No matter how brief was the tenure of a PM, he or she is duly recognised here. Considering that public discourse in India has always evolved under the shadow of what many believe as political correctness, this museum steadfastly remains away from such a lure. In our country, few PMs had decorated themselves with Bharat Ratna while they themselves were in office. For a few others, their decoration had to wait for a more sympathetic political party to come to power.

Considering all this, with this project, PM Narendra Modi has opened a new refreshing chapter of democratising national recognition to our past PMs, making it a museum of magnanimity.

Lastly, the setting up of this Sangrahalaya is singularly important considering the fact that as a society we are not famous for properly documenting contemporary history. In fact, generally speaking, neither our universities nor contemporary researchers and history scholars have given due importance to the post-independence history of India. This museum has effectively done away with this glaring lacuna. History is always in the making and one can hope that this Sangrahalay would keep reminding us about the continued importance of documentation, compilation of archival material and also collection of artefacts of not just the past but also the present. Our criminal neglect of all the above has made India a nation of maximum history with minimum institutionalised efforts to respect and recognise the same. Also important is the fact that this Sangrahalaya is much more than a traditional museum. History telling, here, comes with a blend of creativity and modern technology. From artificial intelligence and simulation technology to machine learning and virtual reality, most modern technologies have been used here in a seamless manner making this modern Indias tech-marvel too.

When next time in Delhi, visiting this Sangrahalaya is a must as it tells us how to look at your past, while being dispassionate about the present for the benefit of the future.

Vinay SahasrabuddhePresident, ICCR, and BJP Rajya Sabha MP(vinays57@gmail.com)

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A monument of magnanimity in New Delhi - The New Indian Express

Why is DeSantis fighting Disney? It’s a warning to ‘woke’ big business to stay out of culture wars – USA TODAY

Gov. DeSantis, Florida lawmakers revoke Disney's special rights

Gov. DeSantis signed a bill that would terminate all special districts created before 1968, including a district where Disney properties are located.

Claire Hardwick, USA TODAY

Opening up a new front in the nation's culture wars, Florida Gov. Ron DeSantis revokedWalt Disney's self-governing authorityin apparent retaliation for opposingthe state's new "Don't Say Gay" law.

DeSantis signed a bill Friday that will cancel special privileges granted to Disney decades ago to govern the land surrounding its Disney World theme park.The new law,set to take effect in June 2023, willcost Disney tens of millions of dollars a year.

The weeks-long public feud has upended the once cozy relationship between Florida and Disney. It's also just the latest salvo in the political rights battle against wokeness.

'Corporate-sanctioned racism'?How war on critical race theory spread from schools to big business

'Woke mind virus': Why Elon Musk believes 'woke mind virus' and 'wokeness' are threats to modern civilization

Increasingly, conservatives are using hardball tactics to punish big companies for speaking out on hot-button social issues.Once a rallying cry for systemic racism and injustice, "wokeness" has been co-opted by the political right to decry "political correctness" and progressive talking points.

Conservatives are learning how to fight against woke capital, activist Christopher Rufo told USA TODAY.

Republicans pounced on Delta Air Lines and Major League Baseball for opposing Georgias restrictive voting laws. Texas threatened Citigroup over its policy to pay for employees to travel out of state for abortions.

This tougher stance is a far cry from the business-friendly politics of yesteryear.

In 2015, Indiana Gov. Mike Pence and the GOP-controlled statehouse revised a religious freedom law after pressure from leaders of major corporations including Apple and Salesforce who warned it would allow businesses to discriminate against gay people.

The Disney-DeSantis dust-up marks a sharp escalation in the GOP push to get corporations to stop mixing politics and business, Rufo said.

CEOs should beware: Conservatives are putting a price on woke capital and, if they want to protect shareholder value, they should stay out of the culture war, Rufo said.

Rufo is behind an effort to put pressure on corporations to ditch progressive attitudes.First, he took aim at how racism is taught, not just in schools but in private companies.

Disney and 'Don't Say Gay' law: Here's what Disney has said so far about its feud with DeSantis over 'Don't Say Gay' law

Is the magic still there?: Disney fans react to feud with DeSantis, Florida lawmakers

Conservative attacks on what Rufo calls critical race theory led to a wave of legislation in statehouses across the country. At the behest of DeSantis, Floridas GOP-controlled Legislature passed the nation's first law restricting what private employers can teach workers about race.

Now Rufo is focused on reining in discussions of LGBTQ issues in public classrooms and private cubicles.

Disney became entangled in a face-off with DeSantis when CEO Bob Chapek pledged Disney would work to repeal Florida's newParental Rights in Education Act,dubbed the "Don't Say Gay" law by critics. Itbans classroom discussion of gender identity and sexual orientation until the third grade and limit it for older students.

In response, DeSantis, who is considering a presidential run in 2024, slammed Woke Disney. If Disney wants to pick a fight, they chose the wrong guy, he wrote in a recent campaign fundraising email.

Gov. DeSantis is proving to be the most capable conservative leader in the nation, exhibiting remarkable courage and strategic wisdom in his face-off with Disney executives, Rufo said.

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Why is DeSantis fighting Disney? It's a warning to 'woke' big business to stay out of culture wars - USA TODAY

Letters to the editor: April 27 | Opinion | heraldbulletin.com – The Herald Bulletin

Voters should put Kelly Gaskill out

Commissioner Kelly Gaskill (soon to be ex-commissioner) stood against voter centers and then refused to buy the needed equipment for the 2020 general election.

This resulted in thousands of Madison County voters standing in line for hours to vote in November 2020. This also resulted in some of Madison Countys long lines being shown on national television.

Madison County voters, this is your year to tell Kelly Gaskill that it is her turn to stand in line. The unemployment line. I would say that Kelly Gaskill should not even be elected dog catcher, but that would be an insult to all dog catchers.

One other question remains, and that is: Why did not Kelly Gaskills husband, current state Sen. Mike Gaskill, talk his wife out of her two vindictive decisions?

John E. Etchison, Anderson

What is so offensive about the AHS mascots? The Anderson Indians have been a bedrock of Anderson school culture for years. Their respect for the Native traditions always moved me, and I didnt even attend school there.

The woke culture needs to back off. Some of their rituals may not be technically accurate but are by no means performed with malice.

Hope the Anderson school board shows some spine in this matter and doesnt cave into woke idiot pressure.

Ed Gredericks, Anderson

Leonard Pitts column of Friday, April 22, 2022, Conservatism still shows itself as a doctrine of hate, entitlement, takes quite a convoluted path in tying a man with a guitar on a crowded plane singing a Christian worship song to conservatives as hateful because they disagreed with Muslim Ilhan Omars condemnation of Christians publicly singing a worship song.

Pitts concluded they are haters because, according to Pitts, if Muslims held a similar prayer session on a plane, and this is a direct quote, in a post-9/11 world, it would end with them tackled to the floor and duct taped to their chairs as the pilot radioed ahead to the nearest airfield requesting permission for an emergency landing.

Really? Is there a double standard that persecutes Muslims in this way? Are they routinely tackled and taped to chairs when expressing their religion publicly? I havent seen that, heard about it or read it in any news article.

No, actually the double standard is that political correctness protects them and everyone else except white, male Christians which is the prevailing woke credentialism. They can be called haters, bigots and racists without repercussions of any kind.

And should this seem a little exaggerated, just look to Leonard Pitts article and read it for yourself. According to him, singing a Christian song becomes a worship service, which becomes rude, which becomes entitlement, which becomes hate.

This is the agenda of the left in action: divide Americans, and you will conquer America.

Michael Miller, Anderson

I had to laugh (even though it really wasnt funny) that the article by Mr. Hawes (Experiment shows that changing the channel can make a difference, Saturday, April 16) was as one-sided as the news stations he was referring to.

The political science professors who did this study neglected to find any CNN viewers who would watch Fox News and get their eyes opened by articles that were ignored by CNN for the better part of the year.

Such as the Biden family association with foreign countries (I wont go into the details; too many to write in 250 words). The drugs, killings, human trafficking, the list goes on and on. His tearing down then declaring he will build back better.

Well, back to this bogus one-sided political experiment. I watch both channels, and I would say that CNN omits more information that changes the story than Fox. When one channel refuses to report all of the news for such a long time, I have to ask myself why.

Just look at the ratings. You can tell who is controlled by the left. How long has most of the media declared the Steele dossier was real, Hunter Bidens laptop wasnt, President Biden didnt know about his sons dealings with China and Russia, open borders arent causing a problem, inflation was Putins fault, closing the oil wells isnt the problem.

But the main channels would not report it for so long. Researchers found participants going back to their old viewing habits, and their old opinions, as soon as the experiment ended. Too bad they neglected to ask why.

Jim Delp, Pendleton

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Letters to the editor: April 27 | Opinion | heraldbulletin.com - The Herald Bulletin

Sexist conspiracy theories are putting women’s freedom of speech and ability to get justice at risk Laura Waddell – The Scotsman

Jacksons comments, overheard on a train, breached a court order protecting anonymity of complainants. What is being lost in all the noise is why that anonymity is essential.

Throughout the whole sorry saga, furious commentary on social media has illuminated precisely why nobody should be playing fast and loose with identities of complainants: it dissuades other victims of sexual violence, watching on, from coming forward.

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That a lawyer should not be publicly blabbing details of a live case at all should, you would think, be a straightforward concept to get ones head around, not least if happens to be the most high-profile news story in Scotland at the time.

But holding ones tongue in general, even about sensitive subjects involving vulnerable people, has not been in vogue since the advent of Twitter and public figures publicly losing the plot.

That's a heady mix combined with the culture war grift du jour of whipping up a frenzy about being silenced (as a generation ago they bemoaned political correctness) and those who interpret strides made by social justice movements such as MeToo as punitive to men suddenly shouldered with the ever-so-tedious burden of being expected to treat women with respect.

Anyone with reactionary tendencies is easily convinced he too should be able to say whatever he wants without consequence. Misogynists, like racists, like the far right in general, love tending to delusional fantasies of persecution; there they harvest their excuses for lashing out and kicking down. Some even come to believe any pushback they face in the course of spouting off online to be a human rights injustice on par with the fate of murdered journalist Jamal Khashoggi.

In the lively world of Scottish political discussions, some loud voices have seethed all along about complainants being afforded anonymity. Political conspiracy theories swirling around exploit misogynist world views, telling those eager to hear it women cant be trusted.

From there, it was simply a short, angry hop to thinking that tearing into complainants was fair game, or harassing women journalists who covered the case. But this is not just a local phenomenon.

You dont have to look far in any direction to find the grotesque belief women are acceptable collateral damage when it comes to mans right to do and say whatever he wants, wrath awaiting she who gets in his way. This belief is wrong.

Leaks from the Scottish Parliaments inquiry, particularly sessions with complainants, received less coverage than Jacksons loose lips, but I have not forgotten about it. It's perhaps even more disturbing that we don't know how this confidential information got out, and I still want to know how it did.

Believe me, Scottish women have been watching, taking everything in. Our political, cultural, and social institutions must do better to support women coming forward with testimonies of abuse, violence, and intimidation. Our freedom of expression, and our ability to seek justice, depend upon it.

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Sexist conspiracy theories are putting women's freedom of speech and ability to get justice at risk Laura Waddell - The Scotsman

POTUS Broadway Review: The President Cant Be Held Responsible for This Mess – Yahoo Entertainment

The 21st century finally has its Moose Murders.

As if her two stage collaborations with Mel Brooks werent enough to make her the Vulgarian of Broadway, director-choreographer Susan Stroman followed The Producers and Blazing Saddles with Big Fish, which featured dancing elephant buttocks, and Bullets Over Broadway, which featured dancing hot-dog penises.Its fitting that Stroman should direct Selina Fillingers new comedy, POTUS, which opened Wednesday at the Shubert Theatre. Its a play that finds humor in suppositories, an anal abscess, dildos, scat, pus from that aforementioned abscess and a character who vomits blue puke. The blue-puke projectile happens twice, maybe three times. After that, the character just dry-heaves a lot for our amusement.

No surprise, POTUS is set in the White House. The big surprise is how much its subtitle Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive misleads. Here, its not the president but his wife (Vanessa Williams), lesbian sister (Lea DeLaria), paramour (Julianne Hough), a female reporter (Lilli Cooper) and his female staff (Rachel Dratch, Suzy Nakamura, and Julie White) who are the real incompetents.

Beowulf Boritts massive West Wing set goes round and round, featuring everything from the chief of staffs office to the ladies loo, but its ultimate effect is to scatter the comedy all over the place. Williams has the least to do and doesnt look happy doing it. White tries especially hard, screaming to the point that she gives a pretty good vocal imitation of Harvey Fierstein. And Cooper may be the first actor to use breast pumps on a Broadway stage.

Dratch has a fun moment early in Act 1 when she accidentally ingests a lot of hallucinogens and cant find the ground shes walking on. In Act 2, shes still tripping but now covered in stage blood and multi-colored Post-Its, and wearing a big pink innertube. Since Boritts spinning set wore out its novelty in the previous act, Stroman sends Dratch into the audience to distract, followed by a few other actors, who look as if theyre really trying to escape the theater.

Hough also manages to entertain. Its refreshing to see a character break through the glass ceiling of political correctness with such determination. Maybe only a female director and a female playwright would have the courage to feature a pregnant character vomit repeatedly, then perform (offstage) fellatio on a couple of Secret Service men, who turn out to be disabled war veterans (one blind, the other an amputee), before performing cartwheels and the splits on stage. As a critic, I live to write sentences like that.

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POTUS Broadway Review: The President Cant Be Held Responsible for This Mess - Yahoo Entertainment

Earth Day, indigenous peoples, and other possible worlds – PRESSENZA International News Agency

The United Nations called for making peace with nature and transforming economic systems for environmental sustainability. Diaguita leader Mario Quinteros questions politically correct discourse and points the finger at those responsible for the climate crisis: economic elites, governments and a political-economic model that only prioritises money.

By Mario Quinteros

On 22 April, International Earth Day will once again be commemorated. The United Nations (UN) website reflects it by pointing out the need to make peace with nature. It cites a scientific report that warns of climate change, mentions development achievements and stresses concern for the future. Paradoxically, the proposal comes from the same rational thinking of the West that, for centuries, called on us to confront nature with one main objective: the appropriation of Mother Earth for profit.

The UN proposes the chimera of transforming economic systems towards sustainability. Everyone has a role to play in shifting human knowledge, ingenuity, technology and cooperation from serving the transformation of nature to serving transformation, says the UN. It addresses everyone and thus avoids singling out those responsible for the war with nature (if we define it by opposition to the title of the report).

The same thinking that was characterised by explaining the march of humanity (seen from its logic) by objective reasons, today encompasses the need to make peace with nature by involving all of us equally. It overlooks the fact that it is this same thinking, this same epistemology, which developed a philosophy, an idea of man and woman as products of divine creation in confrontation with nature and not as part of it, that started the war against nature. There was a simple reason: to justify the appropriation of Mother Earth for their own use. It is therefore understandable that the UN does not investigate the causes of the climate crisis, because it would undermine the interests that govern it, the interests of the bourgeoisies behind the states that command the UN. For this reason, and for no other reason, his proposal slips into the voluntarism of political correctness.

The UN seems to forget that the pandemic showed how the dominant sectors conduct the war against nature. The causes point to the exacerbated development of accumulation, to large-scale food production concentrated in the hands of a few, the consequences of economic logic. Covid highlighted the consequences of the advance of capitalist society, which is heading towards collapse, and for which the global economic elite bears enormous responsibility.

For the billionaires, the future of technology consists in its ability to escape. The goal is to transcend the human condition and protect themselves from climate change, large migratory flows and global pandemics, notes a journalistic analysis. One example is billionaire Jeff Bezos, who is looking to develop a rocket company to colonise space.

That is to say, far from thinking about making friends with nature, the worlds elites are already thinking about abandoning the planet, which is increasingly deteriorating in many aspects, from the ecological to the political with its growing right-wing political discourse on a global level, hateful, racist, sexist, xenophobic discourses.

From another logic and feeling, from the Indigenous Peoples and those diversities and pluralities, we should not only stick to the anniversaries dictated to us by the world elite through their organisations, but we should continue to build a world in which many worlds fit, where plurality is the common currency and where respect for diversity is practised, both in the human sphere and in the sphere of Mother Earth. This will happen if we resolutely confront this capitalism-extractivism-eurocentrism that even with the discourse of caring for the earth seeks to flee from it because of the deterioration to which it has subjected it.

Mario Quinteros is a member of the Community of Amaicha del Valle (Tucumn).

The original article can be found here

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Earth Day, indigenous peoples, and other possible worlds - PRESSENZA International News Agency