Bohemian paradise in development hell, Hotel Chelsea revealed in new book by Colin Miller and Ray Mock – theartblog.org

Bohemian paradise in development hell, Hotel Chelsea revealed in new book by Colin Miller and Ray Mock

Mandy Palasik reviews the new book, Hotel Chelsea: Living in the Last Bohemian Haven by Colin Miller and Ray Mock, which tells of current residents and their struggle with the Hotel's developer-owners and explores the history of this artistic incubator-cum-living space.

Authors PrefaceNew Yorks iconic Chelsea Hotel has served as a refuge for creatives and those seeking a taste of an alternative lifestyle since the late 1800s. Initially designed as an apartment cooperative built on Socialist Charles Fouriers ideologies of Utopia, the structure was retrofitted as a hotel with apartments in 1905. With an affordable range of units and a soundproof structure, the Chelsea became a popular stay among live-work artists, musicians, writers, transients, sex workers, stockbrokers, and dentists alike. Over the years, the hotel has gained an infamous reputation as a place rampant with rats, drugs, suicides, and murder. Despite its haunted past, it has become a sanctuary where ideas and inspiration are exchanged, art is born, and a diverse community of travelers and renowned residents coexist. Or at least that was the bohemian allure of the Chelsea- until recently.

In Hotel Chelsea: Living in the Last Bohemian Haven, writer Ray Mock and photographer Colin Miller capture the hotels current tumultuous state amid ongoing renovations initiated in 2011 by new ownership (which has changed multiple times since). The hefty 256-page book reads like a collection of narrated resident diaries, where intimate biographical accounts and vivid memories are exposed. More than just a coffee table book, Mock and Millers project is a historical documentation of 19 remaining residents* stance on the legendary hotels transformation and their struggle with the omnipresent threat of eviction. Initiated in 2015 and spanning four years, Mock and Millers project is an ongoing story of resistance, conformance, and change which leaves us to question whether the Chelsea will become just another generic and profit-driven real estate flip.

A majority of the books real estate is dedicated to Millers full-bleed unabashed photographs, complementing each residents story with a preview of their living quarters, a mix of original and renovated units, in all the kitsch, clutter, and glory. The pages of curated interiors read like an I Spy book, leaving the reader anticipating what eccentricity lurks behind the next door adorned life-sized mannequins, maximalist mirrored ceilings, vintage wallpaper collections, and altars of bric--brac.

While the Chelsea is listed on the National Register of Historic Places and designated as a New York City landmark (exterior only), the book acknowledges the hurdles of designating and preserving interiors that have fluctuated over the past century. Judging by the stark contrast between photos of original units with stained-glass windows, ornate woodwork, and patinated plaster walls and those recently renovated with fresh paint jobs, crisp lines, and pristine flooring, theres no denying the renovations have begun to eradicate much of the Chelseas historic integrity, room by room.

While some residents, like paralegal and Cher fanatic Mickie Esemplare, have accepted the renovation through enticing upgrades such as a private bathroom or larger space, others like cinematographer Tony Notaberardino are fighting renovations to their apartment in an effort to preserve the hotels history, claiming people want to come here and touch the wall that Jack Kerouac touched, they want that authenticity. Miller captures Notaberardino in his sanctuary of cheerful circus patterned walls painted by previous tenant and Australian artist Vali Myers. Among other original works of art featured on the walls of the Chelsea are Manhattan artist Joey Horatios dominatrix murals in the hallway of NY Nightlife icon Susanne Bartschs apartment and an India-inspired palette of decoupage by multi-disciplinary artist Gerald DeCock.

I dont know if its the hotel that changes the artist, or the artist that changes the hotel resident and artist Sheila Berger

Its hard to pin down just one attribute that gave the Chelsea its elusive charm. From communal candlelight dinners in the 9th-floor hallway to informal art galleries in the lobby (featuring work often collected in exchange for rent) to staged dance performances by choreographer Merle Lister Levine in the atrium staircase, the Chelseas collective floor plan fostered a sense of community. Despite the solid brick structure, malleable interior layouts provided a one-size-fits-all approach, allowing residents like model Man-Lai to take over adjacent rooms after giving birth to twins or artist Arthur Weinstein to stretch out his canvasses in the halls or a vacant room. It was a place where residents could evolve personally and in practice.

Though the residents stories vary, they all allude to the familial community forged from a shared love of the arts and the bohemian lifestyle that ensued. The foreword, a nostalgic dialogue between sisters Gaby Hoffmann and Alex Auder, provides insight into what it was like to grow up in the scandalous playground that was the Chelsea spitting candy into the stairwell abyss and hanging out on the 23rd Street stoop with drunks, bums, and OTB addicts. Vintage wallpaper aficionado Suzanne Lipschutz reminisces of neighbor Rene Ricard reading bedtime stories to her grandchildren every night. I imagine its impossible to ever feel alone in a place like the Chelsea.

Although I had known of Leonard Cohens hit Chelsea Hotel No. 2 and Andy Warhols Chelsea Girls, I was surprised to read about the countless collaborations that occurred behind closed doors, including the administration of Hanuman Books by editor Robert Foye and painter Francesco Clemente, the screenplay for 2001: A Space Odyssey by writer Arthur C. Clarke and director Stanley Kubrick, and Playboy photoshoots with model Man-Lai on her wrought-iron balcony where she and her children grew vegetables.

After Master Manole falls to his death from the roof of the monastery he built, a beautiful well springs up in the spot where he perished. Perhaps one day the Hotel Chelsea will again become a well of inspiration and freedom for its residents, or perhaps new sanctuaries for artists will spring up in other parts of the city instead. Ray Mock

The Hotel Chelsea: Living in the Last Bohemian Haven leaves us with a sobering account of what its like to live in and love the Chelsea Hotel. As of today, residents are still battling with lingering construction and lawsuits. Despite additional constraints caused by the pandemic, residents seem to be making the most of their lives in lockdown, Chelsea style, with seances summoning Sid Vicious, dress-up reenactments of hotel legends, and Zoom discos*. It seems the magic of the Chelsea continues to prevail, despite the odds.

Hotel Chelsea: Living in the Last Bohemian Haven by Colin Miller and Ray Mock256 pages, 9-1/2 x 11-1/2 inches, hardcover, $50Monacelli Press, New YorkNovember 2019Also available on AmazonISBN 9781580935258

* Approximately 60-70 total residents remain at the time of publication (11/2019) of the Chelseas 250 +/- rooms (wall layouts have fluctuated over time)Tony Notarberardinos room, The Hotel Chelsea. Courtesy Colin Miller.

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Stream It Or Skip It: ‘Brave New World’ On Peacock, Where A Utopia Gets Turned Upside Down By The Infiltration Of A Savage – Decider

Brave New World feels like Peacocks attempt to make its own version of Westworld. Its an ambitious show based on a classic sci-fi novel by Aldous Huxley, with two opposite societies coming together and blowing up because of it. But does it give us enough story and characters to care?

Opening Shot: After a description of New London, a utopia where theres no monogamy, no money, family, privacy or history, we see an egg be inseminated. The egg is identified as Beta Minus. Then we see eyes looking into a microscope.

The Gist: Lenina Crowne (Jessica Brown Findlay) is a scientist in New London, and as shes working on an embryo, shes called into the office of Bernard Max (Harry Lloyd). Bernard is concerned that Lenina has been monogamous with a handsome man named Henry Foster (Sen Mitsuji). She thinks shes just been having a lot of sex in a row with one guy, but Bernard reminds her that she acts for the greater public, and the greater public isnt monogamous. He also seems to be fascinated with footage of Lenina and Henry having sex. Shes given a pill that helps alleviate her feelings for Henry, though she still looks at him as they pass each other.

She goes back to work, where she and her friend Frannie (Kylie Bunbury) plan on going to the sex party later that night. Bernard is called to the scene of the death of an Epsilon-level worker. It looks like the worker simply fell off a balcony, but he goes up and sees that his trajectory suggests he jumped. He also sees an Epsilon, CJack60 (Joseph Morgan) hanging around, while the rest of the workers around get pills to help them forget. But he also touched the body and felt something he never did before.

After that discovery, he goes to Wilhelmina Helm Watson (Hannah John-Kamen), a local artist and creator of Feelies pills. She tells Bernard to get out of his own head and stop considering his feelings over the feelings of the public good. He attends the sex party that night, but Lenina notices that he doesnt partake, and confronts him on his seeming hypocrisy.

We then cut to Savageland, a tourist attraction whee people in New London can see people get married and other sinful things. John the Savage (Alden Ehrenreich), who is a propmaster for the wedding show, has been friends with Madysun (Lara Peake), who plays the pregnant bride. He gets upbraided about his prop gun not properly going off. After going to find a CD hes never heard before (which sounds a lot like Radiohead) and goes back to his mother Linda (Demi Moore yes, you read that right), who puts herself on display in the window and likes to get drunk.

He gets kidnapped by a group that has Madyson as a member. The leader of the group wants to form a rebellion against the people running the theme park and the New London visitors who come and lap up all of this fake sin. They have a stash of weapons and drugs, and want Jack to infiltrate the New London fortress and corrupt the society from within.

Back at New London, Bernard is told by his boss (Ed Stoppard) that he needs to go on vacation to Savageland to set his mind straight. And, after Lenina confronts Bernard about his refusal to participate in that orgy, but then they envision a hologram of the two of them having sex, and he admits to her that he feels unsatisfied. This isnt real. Any of it. She says she can help him find himself.

Our Take: Brave New World is an adaptation of Aldous Huxleys 1932 book; its showrunner is David Wiener (Homecoming). The first thought that came to mind as we saw the initial scenes in New London was antiseptic. When you have a society that discourages monogamy or family, and babies are grown in an amorphous storage pod, antiseptic doesnt begin to describe it. We were just put off by the generic clothing and setting, the different rankings of peoples lives using Greek letters, with Alpha and Beta having plus and minus distinctions, and just the entire idea of a society that doesnt have any sense of anything but the general public.

The intrigue in Savageland was a bit more interesting, but equally confounding. Why does the old man at the junk store where Jack finds his CD want Jack to apologize to his mother? What exactly is the goal of the revolution thats recruiting Jack? How will he infiltrate New London? And what in the heck is Demi Moore doing playing what seems to be a relatively small part?

What were anticipating is that Lenina and Bernard will visit Savageland for their vacation and get embroiled in the revolution, with Jack returning with them to infiltrate the antiseptic society in New London. But by the time all of this goes down, will we really care?

Dont get us wrong; the acting is top-notch across the board, but this just feels like one of those shows where the characters will really find minds of their own a la Westworld or itll continue to be antiseptic and dull. Were thinking its going to be the latter.

Sex and Skin: Theres an entire scene that takes place at an orgy party, so yeah, theres a bunch of both.

Sleeper Star: We hope Kylie Bunbury gets more screen time, since we liked her so much in Pitch. And, for the last time, what in blazes is Demi Moore doing in this thing?

Most Pilot-y Line: On the way to the party, Frannie shows Lenina some virtual outfits she wants to use at the party. When she laughs at one, Frannie says, Fuck you, everyone loves sexy cat. Does everyone love it, Frannie?

Our Call: SKIP IT. Brave New World could get better, and the acting is pretty decent. But it just doesnt feel like a show that connects with the viewer strongly enough to keep them interested in the characters or the situation.

Joel Keller (@joelkeller) writes about food, entertainment, parenting and tech, but he doesnt kid himself: hes a TV junkie. His writing has appeared in the New York Times, Slate, Salon, VanityFair.com, Playboy.com, Fast Company.com, RollingStone.com, Billboard and elsewhere.

StreamBrave New World On Peacock

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Stream It Or Skip It: 'Brave New World' On Peacock, Where A Utopia Gets Turned Upside Down By The Infiltration Of A Savage - Decider

Peacock: The Best NEW Content on the Streaming Service | CBR – CBR – Comic Book Resources

The launch of NBCUniversal's new streaming service, Peacock, has users buzzing about its lineup of original content.

NBCUniversal just released around 20,000 hours of content with the launch of its new streaming service, Peacock. Many will be interested in classic shows and movies,includingSaturday Night Live, Saved by the Bell and the Bourne series.

But in addition to those more established players, Peacock is also rolling out originals that are worth a look. So, let's take a look at some of the best new content available on the service.

RELATED:NBCUniversal's Peacock Won't Be Available On Roku, Amazon Fire TV

Brave New World takes place in New London, a future "utopia" where monogamy, family, privacy and money are prohibited. Residents of this city enjoy a life free of greed, superstition, pain and misery thanks to technological and pharmaceutical advances that keep everyone connected and sedated. When things get dull, they can take day trips to the Savage Lands, an amusement park where the attraction is poor people who do not live by New London's rules. This adaptation of Aldous Huxley's classic novel depicts a future that doesn't seem too far off.

This animated adventure series follows 14-year-old Cleopatra, princess of Egypt, as she's teleported to an Egyptian-looking planet 30,000 years in the future where talking cats are in charge. Based on an ancient prophecy, she is fated to save the universe from Octavian, an evil tyrant with tentacles for legs. On the way to fulfilling her destiny, Cleopatra has to go through rigorous training and experience many space adventures, all while dealing with Octavian's attacks. Cleopatra in Space is based on the titular graphic novels by Mike Maihack and is available to Premium subscribers.

RELATED: Peacock's Brave New World Turns a Landmark Novel Into Streamlined Sci-Fi

In Deep with Ryan Lochte goes into his scandal from the 2016 Rio Olympics -- in which Lochte and a group of swimmers falsely reported being robbed by gunmen dressed as police. As a result, USA Swimming suspended him from competitions for 10 months and he lost his sponsorship deals. The Olympic gold medalist, who's now married with children, is making a high-pressure bid to return to Team USA. At just over one hour, this documentary goes deep without boring viewers.

Intelligence stars David Schwimmer as the cocky Jerry Bernstein, an NSA agent who's sent as a liaison to the UK's Government Communications Headquarters. His brazen attempts to take control, earning the contempt of his new cybersecurity colleagues, especially the hard-nosed director Christine Clark (Sylvestra Le Touzel), along the way. Much of the show centers on the dynamic between Jerry and his meek and bumbling assistant, Joseph Harries (Nick Mohammed), as the two get into various mishaps. The first episode of this lighthearted comedy series is free for registered users.

RELATED:The Best Sci-Fi Movies & TV Shows on Peacock

The Capture is a British mini-series thriller that's germane to the current age of conspiracy theories, privacy concerns and deep fakes. British soldier Shaun Emery (Callum Turner) is seen committing an assault on a woman in CCTV footage, but he denies his involvement. As Detective Inspector Rachel Carey (Holliday Grainger) investigates his case, she begins to make disturbing discoveries about the way intelligence services manipulate videos that cause her to question the ethics of her work. The Capture also raises interesting concerns about the ubiquity of surveillance.

Psych 2: Lassie Come Home is the second full-length film to be spun off from the discontinued Psych TV series. Over the years, the detective comedy franchise has gained a cult following of "PsychOs." In this eagerly awaited sequel, Shawn Spencer (James Roday Rodriguez), Burton "Gus" Guster (Dul Hill) and Morrissey the dog are looking for the suspect who shot their friend, Police Chief Carlton Lassiter (Timothy Omundson). Meanwhile, unbeknownst to Shawn, his wife Juliet "Jules" O'Hara (Maggie Lawson) is also investigating the case.

RELATED:Psych 2: The Boys Are Back in Lassie Comes Home Trailer

Peacock picked up the second season of this animated adventure series after its debut on Universal Kids. This educational children's show follows Waldo and Wenda who are trainees of Wizard Whitebeard. As members of the WorldWide Wanderer Society, they carry out missions for him to advance toward becoming wizard-level wanderers. Their nemesis, the tricky Odlulu, however, does her best to stymie their progress. Each episode finds the team in different international locations, including the Amazon, Mumbai, Egypt, Madagascar and Norway.

Kamome, named after a boat from a Japanese high school, was originally slated to be shown as part of NBC's coverage of the 2020 Tokyo Olympics. The COVID-19 pandemic, however, postponed the games to 2021. In the meantime, Peacock is streaming this touching documentary about the cities of Crescent City and Rikuzentaka, which formed an unusual bond following the devastating 2011 earthquake in Japan. The tsunami that came in its wake took the Kamome out to sea and it arrived on the shores of California two years later.Residents of Crescent Citythen returned it home in a gesture of goodwill.

KEEP READING:Why Peacock Isn't Available on Roku or Amazon

LOOK: Previews for Every DC Comic Arriving Tuesday, July 21

John Shin is a freelance editor and writer based in Seattle. A graduate of the University of Washington and Rutgers University, he has worked in publishing for over 15 years. His writing has appeared in various newspapers and the book One Word: Contemporary Writers on the Words They Love or Loathe.

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Peacock: The Best NEW Content on the Streaming Service | CBR - CBR - Comic Book Resources

The Making of Javon ‘Wanna’ Walton, Olympic-Chasing, Hollywood-Crashing Teen Star – Men’s Health

JAVON WANNA WALTON rose early to fight his father. It was about a week after his 13th birthday, in late July 2019. As the sun rose over the Chicago skyline, the teenager stood outside on the rooftop of an apartment building, his boxing gloves raised, hitting Dads mitts.

Man, lift your elbow up on the hook! DJ called to his son, as he circled, swinging. Sit down a little bit more on your rear leg! Jab-step harder on your feint!

The duo had traveled to Chicago from their home in rural northeastern Georgia, where they held their usual drills surrounded by 15 acres of farmland with chickens, goats, and dogs running around. In fact, for the last five years, DJ and Javon had spent many weekends traveling together for boxing tournaments so that Javon could gain more practice for the Junior Olympics.

Bryan Meltz

But Javons real dream was much bigger than that, and more publicly stated: In October 2017, hed appeared on The Steve Harvey Show, where hed thrown some rapid-fire punches and then performed a handstand on Harveys desk before dismounting with a flip. Harvey gaped. Six months later, Javon gained more notoriety by appearing in an Under Armour commercial in which he stood alongside Dwayne Johnson. Why be one champ when I wanna be two? he said, before backflipping into a boxing ring.

For the past several years, Javon has been training hard in hopes of appearing in the Paris Olympics in 2024 in not just one sport but two: both boxing and gymnastics. Then Hollywood casting agents became aware of his poise and confidence and began suggesting their own ideas about where his special blend of dedication and charisma could take him.

So this trip was different. Javon and his whole familyincluding his mom, Jessica; older sister Jayla; twin brother Jaden; and younger brother Daelohad arrived in Chicago so that he could film Utopia, Amazons highly anticipated thriller. He plays Grant, a street-smart kid from the projects who finds a mysterious graphic novel called Utopia that seems to hold clues about different real-life conspiracies.

Utopia is the second major television project for Javon, coming after a supporting role on HBOs Euphoria, a darker drama series that began airing about the same time he arrived in Chicago. Over several weeks, with his Instagram account adding tens of thousands of followers weekly, the sports phenom worked out in the morning, went to his film set, and became ever more famous as Euphoria gained attention.

At age 13, Javon now has nearly 260,000 followers on Instagram, plenty of viral stunt clips, his own IMDb page, and seemingly more jobs to juggle than any one person might reasonably manage. Hes entered true child-star territory, which brings with it more questionsabout how to maintain your life balance and sense of identity, especially when its unclear where all your motivation comes from and just who is pushing you to keep succeeding.

But kids dont necessarily think like that. Many seem to believe they can do it all without at least initially recognizing that there are some important losses and gains that come along with ambition. Particularly if youre pushing hard at a young age. Im just worried about doing the things I love, Javon added on a recent day, by which he meant he was just staying focused on his passions rather than any trade-offs.

Watch your hand! DJ called out as Javon accidentally lowered his glove, leaving his chin exposed.

At 6'1", DJ towered more than a foot over his son. Javon was just 4'9"thats short for a seventh grader, especially one who had to punch back at all the bigger kids he faced in the ring. But Javon seemed used to feeling like an underdog, even as his dreams of what he might be when he grew up appeared to grow bigger by the day.

FROM THE moment he could crawl, Javon propelled himself across the floor like a soldier in boot camp. He would thrash his hips and elbows. He attacked the floor. As soon as he could stand, he tried to run. When his mother tried to pick him up, he squirmed away. All by self! he would say. He wanted to do everything solo, so one day DJ looked at his son and said, Hey, Wanna! And Javon looked at his dad and tilted his head, approving his new name. You wanna be grown already, dont you? DJ said, grinning. Well, dont be so quick to grow up.

Bryan Meltz

When Javon was two, he watched Manny Pacquiao dance across the ring in a televised boxing match. No one remembers the opponent. But Javon turned to his dad and said, I wanna do that. So DJa boxing coach who served as vice president of USA Boxing for five years and now owns his own gym, called Onward, in Braselton, Georgiastarted training him.

Theyd watch Olympic fights huddled around the household computer, and Javon told his dad about the Dreamto be on that TV, to compete in the Olympics. At first, he dreamed this above all things.

In kindergarten one day, when Javon was five, his teacher asked the students each to draw a picture: What do you want to be when you grow up? Mrs. Jackson told the class it could be anything. Later, she called in DJ and Jessica for a conference. She showed them the drawing. In 35 years, Ive never had a child draw what he drew, Mrs. Jackson told them.

Javon had drawn himself on a podium wearing Olympic gold medals for boxingand a new sport. After watching his older sister, Jayla, excel at gymnastics, hed decided to try that, too. He became the first kindergartner in the history of the school to make the gymnastics team. But Javon wasnt satisfied with just participating: He had added gymnastics to the growing Dream. He now wanted Olympic golds in both.

Bryan Meltz

And I wouldnt normally say this, Mrs. Jackson told DJ and Jessica that day. But I think he will actually do it.

BY AGE eight, Javon had qualified for the Junior Olympics in boxing. At 11, he became the only kid in Georgia to hold state championship titles in both boxing and gymnastics.

Then the news cameras came, and talk-show hosts started calling, and invitations arrived about various sponsorship deals. By the time he was 12, Javon had competed in national tournaments, dancing across the ring in his red shoes like a miniature Pacquiao. Hed become one of only four American kids his age to be ranked elite in trampoline and tumbling by USA Gymnastics. Hed set himself the target date of 2024 for the Olympics, because hed be 18 by then, the youngest age that boxers are allowed to compete.

After seeing Javon on Steve Harvey, a casting director named Jennifer Venditti reached out to DJ and asked if Javon would consider auditioning for a new HBO show called Euphoria, about suburban teens who face drug abuse, cyberbullying, and sexual pressure. Javon won the role of Ashtray, the tattooed child assistant to a drug dealer. (His first line, spoken to Zendaya, who plays the substance-abusing main character: I thought your ass was dead.)

Courtesy of HBO

The Euphoria experience was supposed to be a one-off. But for Javon, it seems to have triggered another impulse to compete and conquer. Euphoria led to his next role, in Utopia, as a lead this time, and ultimately what looked like a hard choice: His summer acting schedule would conflict with the boxing nationals that June. For the last five years, hed always qualified for nationals, although hed yet to win a title there. Now hed have to miss the competition completely. He simply couldnt do both.

Javon was willing to miss it as long as he and DJ could keep training during filming, so he could be ready for the 2020 qualifier this summer. Before the shooting of Utopia started, theyd visited the Olympic Training Center in Colorado Springs, where he watched the national team train and hit the saunas wearing hoodies. He tried to imagine that one day hed be that strong. Seeing the Dream up close only made him want the Olympics more. I cant wait until that time comes, he said with certainty on a recent day. Paris. Its gonna be lit.

"GOOD JOB today; you worked hard, DJ said after they put their gloves down, the rest of Chicago seemingly still asleep. Lets make sure youre keeping your lead hand a little bit tighter when youre taking your countersteps. And spring back forward with aggressive punches.

I wanna do this next, Javon said, showing DJ his phone and boxer Canelo lvarezs Instagram story. lvarez was working counterstep drills, targeting his lead hand, and finishing with a hook to the body. Man, I wanna do it exactly like him!

DJ sat with Javon now, watching lvarezs Instagram. You know, that comes from years of experience, DJ said, before agreeing to try the new drill.

Bryan Meltz

Javon knew he had to keep training and winning, no matter his other pursuits. Thats because as he grows, he will compete in a new weight class each year. Every year, he has to advance through state competitions and qualify for regionals. If he can win nationals, he could make Team USA and travel internationally, increasing his chances of being selected for the Olympics.

Later that day, the Walton family left the city for the Great Wolf Lodge, a resort an hours drive from downtown Chicago. The lodge had a pool and an arcade and a water park. It was a belated birthday celebration for Javon and Jaden and a weekend escape for the whole family. DJ had called the family Tribe when the kids were young. He and Jessica thought family wasnt a strong enough word.

The Tribe hit the arcade, a sprawling school-gym-sized room with a Ferris wheel and carnival games. Javon quickly found a whacking machine with foam hammers. He looked to his dad, and without saying a word, DJ picked up both hammers, treating them like boxing mitts. Javon punched the hammers as if they were mitts, and the screen flashed the score: 1,000the highest.

Still, on the path to Team USA, losses will be inevitable, especially at the junior level. Fights last for three one-and-a-half-minute roundsjust 270 seconds. With so little time and with points awarded for landing punches, most junior fighters focused on offense and just came out swinging. That style had been Javons weakness. It was the reason he and DJ focused so much on mitt drills: Javon needed to punch more.

Before heading to Chicago, Javon had lost a regional match in Dallas against a brawler from San Antonio. Shorten up! Shorten your overhand! DJ had yelled from the corner. Javon was swinging too wide and missing, his elbow too open. And San Antonio just kept pounding with lots of inside punches and constant advances. DJ had never seen Javon return to the corner so flushed. After his loss, Javon was stoic. Someone had been recording the bout, so all he wanted to do was go home and watch the tape.

Bryan Meltz

Javons style is intentionally more grown-up. He and DJ often work on misdirection and feints. They focus on his footwork. DJ has coached him not to brawl. Javon may suffer occasional defeats now, but hell have the tools to peak in those years that really matter14, 15, 16the ages when the rounds go longer and kids gain muscle and become stronger. The ages when national coaches begin identifying and investing in youth talent. The ages when Olympians are really born.

Javon already sees DJ as more than just his dad. He hopes to go pro one day and have him there in his corner, even if other coaches have to step in at different points along the way. Your coach is, like, everything to you, Javon says later. The bond is unbreakable.

After the arcade, the Tribe went back to the rooms, and Javon climbed into the bottom bunk. The beds had mini blankets, so there Javon lay, 4'9", and somehow too big for his surroundings.

A WEEK after the family trip, Javon returned to the apartment late one day after filming. His mother was in the kitchen. She had just gotten off the phone with Javons kindergarten gymnastics coach. She said she had some bad news.

When Javon was eight, his kindergarten teacher, Mrs. Jackson, for whom hed drawn the Olympic picture, was diagnosed with cancer. Shed come to his fights and his training, even during chemotherapy. Javon wrote on his red boxing shoes then, Fighting for Mrs. Jackson. Mrs. Jackson battled cancer for five years, holding on to see her daughter marry and her son graduate from college. But she was bedridden by that summer.

Javon would text and send her video messages while filming. Im not supposed to do this, Mrs. Jackson, but this is me on set! he would say. A month earlier, she had stopped responding.

They brought hospice in, Wanna, Jessica said. She wasnt really able to do much. So thats why she wasnt responding to your texts. There were people taking care of her around the clock. She just closed her eyes and went to sleep. She didn't suffer. She's in a better place. Marie Mauldin Jackson was 62.

Javons face flushed and his eyes began to water, but he just nodded and said, Okay. And then he went back into his room.

He always felt that Mrs. Jackson was the first person outside the family to believe in him, to believe in the Dream. She came to the gym and watched me train, which I really liked, he says. Now she was gone. But not exactly: When Jessica passed her sons room later that night, she saw him in bed on his phone, reading through his teachers texts.

AFTER PRODUCTION wrapped on Utopia, the Tribe moved back home to Georgia. It was early fall. The leaves had browned and Javon seemed happy to go to corn mazes and see his friends again. To ride dirt bikes with Jaden, play Fortnite, and hit Walmart for candy. He went back to school, too, but in a different way than most kids.

Javon takes most of his classes online to make time for more training. He considers that a win-win. Being around people and being able to hang out with themthat little aspect I like, but its not really worth it for how long theyre in school, he says. Its more worth it to be able to get my work done on my time.

Bryan Meltz

On many days, Javon would pick up his gloves and follow DJ once again into the backyard or the ring at Onward. Back at his familys gym, he was surrounded by the large garage doors with GO HARDER! written across the front, looking out onto a row of trees and a road.

On a recent day several months ago, before the coronavirus forced Onward to temporarily close, Javon found himself facing DJ and once again hitting the mitts. At the time, he was thinking about his next Junior Olympic Nationals and an upcoming state competition. No one realized that these would all be canceled due to health concerns over the pandemic.

Instead, Javon was focused on doing morning cardio sessions in the pool, classes, then boxing at night. Hed work with his dad five days a week, with sparring on Saturdays.

DJ circled him. POP! POP! POPOPOP!

DJ remembered when Javon was five and he had taken him to the gym. There were no stairs for him to climb into the ring, and so another coach had picked him up and put him inside. Javon cried because yet again he wanted to do things all by himself.

Dont be so quick to grow up. Be a kid, DJ remembered telling him.

Bryan Meltz

Javon circled his dad now, waiting, reacting. POP! POP! POPOPOP! on the mitts.

As DJ saw it, the training session mimicked one of Javons final fights before he started filming in Chicago, with DJ shouting fewer of his classic directionsCut the ring off!... Stop chasing!... Work behind your jab!and Javon now anticipating them. He noticed that Javons hooks were hitting, his elbows tight.

Javon seemed eager to pick up the pace in the second round, even throwing more. He wasnt gassed when he came back to the corner. I could do this all day! he told his dad during that recent fight.

POP! POP! POPOPOP!

When Nationals were postponed until 2021, Javon knew it would be a long road ahead. There would be more fights and lessons. And potentially more trade-offs as more Hollywood opportunities arose.

POP! POP! POPOPOP!

But on the cusp of his 14th birthday, there are no more matches or meets, and no movies in production to complicate things, so he and his dad still train almost every day. That continuing practice seems to make his unusual life, for him at least, feel somewhat normal. I just get to be a kid right now, he says.

Sometimes the dreams of boys grow too large and seem unrealistic. Or perhaps it is the other way around, and the boy simply outgrows his dreams. For Wanna, both seem impossible. Hes learned to stay patient, and hes grown an inch since last summer. Hes punching harder now, and with more reach.

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The Making of Javon 'Wanna' Walton, Olympic-Chasing, Hollywood-Crashing Teen Star - Men's Health

David Mitchell: From SuperValu to Utopia Avenue with the local and the global – Irish Examiner

David Mitchells local supermarket makes a memorable cameo appearance in his 2014 novel The Bone Clocks, in which the Sheeps Head peninsula in Co Cork has become a Chinese-held outpost in a post-apocalyptic society ravaged by ecological catastrophe and Ratflu. Did Mitchell ever envisage that six years later, he would be standing in the same establishment, stocking up on supplies ahead of a pandemic lockdown?

Mitchell chuckles when I mention the (frankly terrifying) section in The Bone Clocks and its reference to the (fictional) bygone days of the famed Scallys Supervalu in Clonakilty, before oil has run out and food is in short supply.

The week the lockdown was announced, it was in the air that it would be happening. I was doing a bit of shopping at Supervalu and a friend shouted over, This is just like your book I just said, Im sorry, next time Ill write something with a happier ending.

He may have spent a lot of time navigating the darker recesses of his imagination but Mitchell is a funny, modest and engaging interviewee. The British writer moved to Ardfield, near Clonakilty, with his Japanese wife Keiko Yoshida almost 20 years ago, and they have a son and daughter. He is very conscious of the benefits of countryside living during a lockdown.

Lockdown in our corner of the country was relatively sane. It probably didnt have as noticeable or dramatic effect as it would if we had been living in the city. It is almost impolite to other people to complain too much, he says.

Mitchell came on holidays to west Cork in the late 1990s, and its beauty made an indelible impact.

I went to Cape Clear, I was just about young enough to still be a backpackerthe beauty of that place stayed with me. A few years later, we were hoping to find somewhere a little bit cheaper to live than the south coast of England. I came to Ireland town-hunting rather than house-hunting. I got the boat over to Wexford and drove along the south coast, stopping at all the towns and giving it a kind of pipe dream test, could I see myself living there'.

"When I got to Clon, it was a grand soft day. A little voice just said yeah, this is great. I dont really know why. There is something about the place, the peoplemaybe its the tidy town factor. If they can be bothered to hang flower baskets and put flower boxes on window sills, they are probably doing the big things right as well.

That is my falling in love with Clonakilty story, he laughs.

Mitchell has become known as a master of the multi-layered narrative, crafting an intricate and mind-bending meta-verse throughout his books, from his 1999 debut Ghostwritten, through to the acclaimed Cloud Atlas and The Thousand Autumns of Jacob De Zoet.

It wasnt so much a case of doing a whole tranche of research for this book as much as legitimising activities I was already doing so I could call them research, he says.

Ive been spending more time than Im being honest about going down YouTube rabbit-holes, hunting out clips of Brian Jones doing an interview in 1965 or David Bowie speaking to Jeremy Paxman in 1999. Ive always been interested in our relationship with music.

"I did a virtual event with [singer] David Byrne last night, him in New York and me here. I asked him a near-impossible question to answer: what is music for? He said its a connector.

"And that is what music is for it connects us, either within ourselves, the different parts of our mind, body and psyche, or with other people. Of course, being David Mitchell, he is also fascinated by the relationship between music and time, something on which he has been reflecting on recently.

Ive started going back to my piano teacher after lockdown, and Im working on a piece by Bach. When I sat down to play it, I thought of all the other people who have also played it in the 350 years or whatever since it was composed I felt a strange atemporal connection.

"The piece is older than Charles Fort in Kinsale, and here am I, the latest in this uncountable continuum of people to lift a lid on the piano and to sit down and go okay, its G, A, B minor, D, here we go, boom, boom. It is a sentient life form that doesnt die as long as there are people to play it.

Mitchell has compiled a Spotify playlist to accompany Utopia Avenue, a process which he has clearly enjoyed. He isnt at all offended when I suggest that the level of musical detail in the book will be particularly enjoyed by a certain type of music fan, or rather, anorak.

I would call myself that with pride. Among other things, I hope the book is a safe space for music anoraks to be their true selves, he says.

However, wherever musical fusion or prog rock goes, there is always the shadow of parody, particularly a seminal musical work which comes up via a tangential discussion about early Genesis.

Spinal Tap [spoof musical documentary] certainly haunts any narrative about musicit is always in the room. I had to jettison an earlier draft because it was too close, too spoofy, he says.

The phrase to turn something all the way up to 11 has entered the lexicon, everybody knows what you mean. In some ways, I made the final draft work by running as far as I could in a completely different direction from Spinal Tap.Ive got a drummer who doesnt die in a bizarre gardening accident, he laughs.

For the moment, Mitchell has been working away in his writing hut in his garden.

I am working on a couple of screen-related projects that I have been intending to work on with a couple of friends for quite a few years but it never happened because we were never all free at the same time.

While acknowledging the difficulties faced by the arts because of the coronavirus, Mitchell is optimistic about creative opportunities.

I think the next couple of years will be a bit of an artistic Golden Age. On the one hand, film, theatre and more expensive art forms are in for a rough ride for a while, but I think for art that people are able to do at home or via Zoom, it is a fertile time.

While a significant number of people head down his direction on holidays, this summer Mitchell is hoping to explore more of the country he calls home.

With much of the rest of the country on holiday here, the beaches get a bit busy, which, of course, by British or Japanese standards is not busy at all. It would be nice to get away in August, Ive never properly been to Dingle, and maybe we will explore some places along the Wild Atlantic Way. Inland can be beautiful as well, Kilkenny, is such a beautiful town

And with that, Mitchell is journeying through a mental atlas of Ireland, as he goes on to sing the praises of Waterford and Wexford and thankfully, it all feels a world away from post-apocalyptic visions.

Utopia Avenue, published by Sceptre Books, is out now.

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David Mitchell: From SuperValu to Utopia Avenue with the local and the global - Irish Examiner

The origins of simulation: from real life to the video game – Somag News

Precursors of the genre in arcade rooms (1970-1990) We are in the 70s. We are in the golden age of motor racing and the precursor of the genre of what we know today as simulation.

Its beginnings come back years ago, when the first simulators were used for military purposes to facilitate learning in the field of aviation until later jumping to the general public. The genre, in fact, did not take much longer to arrive in its most playful form. During the 1970s, 1980s, and early 1990s, many titles were available in arcades, even though so many others were also posted on home platforms. It was in 1973 when Space Race landed in the arcades of the time, giving rise to one of the first -ludic- simulators in history under the license of Atari. The title, entirely in black and white, promised to offer a spatial simulation experience where we had to dodge the objects thrown at us by the screen in cooperative mode. After the success of the title we did not take long to see other games based on the simulation of space or asphalt races such as Astro Race, Speed Race or Laguna Racer.

The origins of simulation: from real life to the video gameWith the simulation, it was possible to provide a greater physical sensation of speed, acceleration and perception of the environment something that the motor sector knew how to take advantage of quickly to offer a real experience of something that is not happening. It was undoubtedly a more colorful, realistic and risky experience without exposing its players to the real dangers of the road. The first driving-based playful simulators managed to capture a new audience that begged for more demanding experiences each new season shortly after the success of Space Race in 1973.

In the mid-80s, we can say that the first beginnings of the simulation came with the title Utopia directed by Don Daglow. A simulation concept that multiplied the possibilities of the game, providing a more original perspective until then. Employed by Mattel in 1980, Daglow was part of Intellivisions team of programmers, creating Utopia in 1981: the first title based on simulation from a more complex perspective than previously done. Its title takes as reference an island invented by Sir Thomas Mores eponymous book Utopia published in 1516. On this imaginary island, a society lives in harmony with its government and all inhabitants are freed from poverty, tyranny and from the war.

Don Daglow was inspired by this story to create one of Intellivisions greatest hits. The fact of dealing with the management of a population and a territory was most innovative, since it surprised by offering a rare gameplay at the time. A precursor title to the genre, which was released before Sim City, and which laid the foundations for the concept of modern simulation, from which many other current titles such as Tropic have been inspired.

A year after Utopia, in 1982 Microsofts Flight Simulator title came in stomping. The slogan of the game said: If flying on your IBM PC were more realistic, you would need a license. The team was intended to attract real pilots and those who thought they were aviators from the easy chair. Say that with the game we could simulate A flight may sound exaggerated, although in that sense, the 1982 announcement was true: Flight Simulator was realistic enough and still is to make it as real as a small airplane cabin in inexperienced hands would be. The launch of Flight Simulator was, without a doubt, one of the events that most influenced the market for current simulators, since many of them were based on its successful formula: offering an immersive experience combined with a large dose of entertainment.

Two years after the successful Flight Simulator, another key simulator in its history was Fortune Builder, launched in 1984. Fortune Builder promised a gameplay involved in developing a rural area with various options to manage businesses, factories, stadiums, casinos and camps. The title included multiple difficulty settings that determined factors such as starting capital and the goal set to win. An original bet that gave rise to one of the forerunners of the fnomeno Sim City.

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The origins of simulation: from real life to the video game - Somag News

Guest column: National turmoil should not make us change the name of Robert E. Lee and John Tyler – Tyler Morning Telegraph

We are at a crossroads in our country, city and state. The national turmoil that has erupted across our nation has come to our town. There are forces at play that have the sole objective of dividing us along lines of race and economics for the overall objective of forcing a change in our culture to fit some sick and twisted dream of Utopia-Utopia, for those individuals who at the top.

For almost 50 years our city has made great advances in healing the racial divides that plagued our nation since before 1865. From 1972 to approximately 2016 the students at Robert E. Lee High School studied and competed on athletic teams as one and the name of the school was never a point of insult or terror to our students of African American ethnicity. Since 2016 something diabolical and evil has infected the racial harmony that once was Robert E. Lee High School.

What is that diabolical and evil force that has invaded our town and brought with it the new catch phrase of the day systemic racism, an unhinged and vicious individual who hereafter shall be known as Mr. X, who at last count has 18 aliases; along with his associates have attacked our city through his Facebook Pages; Tyler Loop and Hate and Racism in Tyler, Texas.

This groups first objective has been targeted at the elimination of the name of Robert E. Lee High School, which in their opinion is the cornerstone and symbol of racism in Tyler, Texas. Mr. X is a known race baiter, who is covertly infecting his brand of social justice and instigating a propaganda campaign against the city of Tyler, and spreading division between the white and black population of the city. Mr. X and his associates have used various intimidation tactics against individuals, businesses and churches into silencing their voice in support in keeping the name of Robert E. Lee High School. I have personally had to write a message to an associate of Mr. X, (a person who lives in Colorado) to cease and desist in investigating me with the threat of a lawsuit.

This group has deceitfully mischaracterized their petition responses, when in fact the majority of his numbers were inflated utilizing various communication tools through the internet to garnish responses from out of country and out of state. In an informal poll on the KETK Facebook page, the responses to keep the name of REL were 1900 to 910 for renaming the schools. The out-of-country and out-of-state/area responses to the KETK FB opinion poll at 10:30 am yesterday were 275 out of 800. Thirty-five percent of these responses would be invalid. The same holds true for his overwhelming 15,000 petitions on his change.org poll, where in comparison to the Keep the Name petitions were drawn mostly from local residents; as well as current and former students. Our numbers more accurately reflect the will of the people of the city of Tyler.

The list of countries I found in the KETK opinion poll range from Denmark, Canada, Lichtenstein, Belgium, Israel, Germany, Russia , France, Italy, Holland, Ecuador, Nova Scotia, Australia and Abu Dhabi just to name a few. The out-of-state response patterns line up with the usual culprits of left-wing states such as Illinois, California, New York, New Mexico, Maryland, Washington and several more. Please do not be played by these numbers. They DO NOT reflect the wishes of the residents of the city of Tyler, Texas.

If the names of Robert E. Lee and John Tyler are changed, what will be next on the list? Ladies and gentlemen, there will never be an end. There is no negotiation with the likes of these radicals. There will always be something else until the city lies in ashes. This is the way these elements work.

The cost of capitulation is too great. Not only in terms of financial costs, but also in terms of social costs...and political costs. Tyler, Texas has a unique opportunity to draw the line in the sand and tell the Marxist and the anarchist, This far and no further.

Our city and one flagship high school is named after John Tyler, 10th president of the United States, who was a slave owner and the other high school is named after Robert E. Lee who was a reluctant slave owner and did not believe in the institution of slavery and freed his wifes inherited slaves within the confines of his father-in-laws will, which occurred three days before President Lincolns Emancipation Proclamation.

Its important that our youth are educated to think for themselves, develop critical thinking skills and learn that our history is something to be cherished, respected and protected. History is not always pretty and convenient and does not always reflect our 21st century laws, ideals and customs.

All of our youth need to be taught how special it is to be born an American and how lucky and blessed they truly are.

Every day our service men and women who represent every race, creed and religion in our country are fighting and sometimes laying down their lives in order that they may grow up in a free society, but at the current rate of social burn, they may not get to unless they are given the analytical tools to know they are being manipulated and used as props and tools for someone elses political agenda.

American adolescent youths are NOT supposed to be exposed to the Marxist teachings and philosophies of these so called social justice messiahs. American adolescent youth are supposed to be studying, having fun with their friends, playing sportsnot chanting slogans and carrying signs demanding social justice, when in fact they have never lived in a less oppressed, comfortable and technologically advance period in our nations history!

If for once, our educators and civic leaders could resist the knee-jerk reaction to change the names of the high schools based strictly on emotion, political expediency, personal agenda or possibly fear and stand up to these thugs and bullies who have invaded our city, and just say NO, and prove that our city cannot be beat into submission.

Then maybe our city will survive.

David P. Jones is a retired U.S. Army lieutenant colonel and a member of the Robert E. Lee High School class of 1982.

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Guest column: National turmoil should not make us change the name of Robert E. Lee and John Tyler - Tyler Morning Telegraph

Why We Need Dystopian Fiction Now More Than Ever – Slate

A New York City Police Department officer during a protest against police violence, July 15, 2020Timothy A. Clary/Getty Images

On Tuesday, July 21, at 4 p.m. Eastern, P.W. Singer, co-author of the new book Burn-In: A Novel of the Real Robotic Revolution, and Veronica Roth, author of the Divergent series and Chosen Ones, will join June Thomas, senior managing producer for Slate podcasts, to discuss the role of speculative fiction in the real world. RSVP here.

It hits you every so often.

When you tug on a face mask to go pick up food for your family.

When you witness the powerless suffer casual violence by a man with a sneer.

When you see riot police surround the Lincoln Memorial and protesters snatched off the streets by masked soldiers in unmarked cars.

And when you realize that it is all being watched by an unblinking eye of A.I. surveillance.

At times, it feels like we are living in a real-world version of dystopia. The strange outcome, though, is that it means we need dystopian fiction now more than ever, to help us sort and even make it through it.

Youd think with everything going on, now would be the last time to escape to a world of darkness. And yet books, including those of awful imagined worlds, are in deep demand.Some of it has been a return to old classics. In a period of disease and lockdowns lasting for weeks, booksellers report the seeming irony that Albert Camus The Plague and Gabriel Garca Mrquezs One Hundred Years of Solitudehave seen renewed demand. And some of it has been escaping into new worlds, as with Divergent author Veronica Roth taking readers into another post-apocalypse with her new novel Chosen Ones. People have even been willing to enter imagined worlds that seem not too far away, such as Lawrence Wrights best-selling pandemic thriller The End of October.

Yet the value of the genre is as much in education as entertainment. It can elucidate dangers, serving the role of warning and even preparation. Think of the recent resonance of Margaret Atwoods 1985 Handmaids Tale and its 2020 sequel The Testaments or the revival of interest in It Cant Happen Here by Sinclair Lewis in 1935. These are finely written works, not as indulgences, but as a pure expression of the idea that to be forewarned is to be forearmed. Even Susan Collins Hunger Games prequel, The Ballad of Songbirds and Snakes, might be interpreted in that light, showing how authoritarian rule can originate through the manipulations of an ambitious striver.

Our personal corner of this dark market is the meld of imagination with research. For our book Burn-In: A Novel of the Real Robotic Revolution, we chose the setting of not a far-off imagined world like Panem or Gilead, but Washington, D.C., just around the corner. What happens as Silicon Valleys visions of utopia hits our real, and very divided, country? What plays out in politics, business, and even family life as our economy is rewired by AI and automation? Yet to make our scenario more haunting, we back up everything that happens in it with 27 pages of endnotes.

When the scarier elements from an imagined world come to life in the real one, however, there is no gleeful I told you so. When the novel coronavirus accelerated the more widespread roll out of the robots, remote work, job automation, and AI surveillance projected in our book, we certainly werent happy. All it meant was that all the tough dilemmas that our characters face would come quicker for all of us. What was perhaps most disturbing of the last few weeks, though, were when some of the most dystopian scenes we had painted of a future Washington, D.C., also came true, from our books scene of riot police deployed around the Lincoln Memorial to the militarized fence thrown up around the White House being put exactly where we had it in Burn-In.

Yet what makes dystopian fiction different is that its creators are oddly optimists at heart, as we are. These works are not about prediction, but prevention. The stories warn of just how far things can go if action isnt taken, wrapped in a package that is far more impactful than a white paper or PowerPoint. Indeed, research shows that narrative, the oldest communication technology of all, holds more sway over both the public and policymakers than even the most canonical academic sources. Our minds cant help but connect to the synthetic environment that our fictional heroes and villains experience, living part of our lives through theirs, even if imagined.

Most importantly, though, the dark worlds are only the setting. The stories are really about the agency of the people in them. And that is perhaps the true value of the dystopian fiction. These stories are not about what those characters experience so much as how they act. At the heart of every story of darkness is a story of perseverance.

As we face our own difficult journeys through the reality of 2020, it is perhaps that lesson which is most important of all.

Future Tense is a partnership of Slate, New America, and Arizona State University that examines emerging technologies, public policy, and society.

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Why We Need Dystopian Fiction Now More Than Ever - Slate

In thrall to the beauteous Valley of Memory: My heart is in Kashmir – City-sentinel

A rushing river in Kashmir. Photo Provided

Nyla Ali Khan

Editors Note of introduction: Dr. Nyla Ali Khan writes with grace and precision. In a few hundred words, she can help us understand a complex matter concerning a land far away (but close to her heart) or, in works of the heart, bring to the mind snapshots from a time and place foreign to us here in Oklahoma, yet familiar to the heart. Helpful hints for this sweet memoir:

Chinars are also know as Old World Sycamores.

And: Khushwant Singh was a renowed author, lawyer, diplomat, politician and, to be sure, an editor and a journalist of some note. His life spanned the years from British India to the independent nations of todays sub-continent. He was a man of wit and deft sarcasm. The essay of our respected jewel of Kashmir follows:

I pride myself on not letting my emotions get the better of me and on being in control. But the one entity that has me in its firm grip is KASHMIR.

The thought of seeing the majestic mountain peaks, the stately chinars, the lush and blossoming lawns, and trellised fruit trees has always kept me going.

I left Kashmir in 1990 to pursue my Bachelors and Masters in New Delhi.

The thought of the mountains and snow-covered peaks in the blistering heat of Delhi would make me bawl. I felt like a fish out of water away from the beauteous Valley.

My college friends would tease me that my skin was losing its glow and my hair was losing its sheen in the torpid climate. I would eagerly look forward to the exams getting over in April, so I could fly home the very next day. The cool climes of the Valley, and the riot of colors in the gardens would rejuvenate me. That was my utopia.

One year, my father sent a beautiful bouquet of gladioli for me from Kashmir, which was delivered to the college dorms. Every one in the dorms was mesmerized by the flowers from Kashmir, and we were soothed by the aroma of the Valley in the sweltering heat of Delhi.

Kashmir would breathe new life into me and make me feel invincible!

If anyone asks me what the elixir of life is, even today my answer would be Kashmir.

In memory, it embodies the innocence of childhood; the growing pains of adolescence; the follies of youth; and the serenity of adulthood.

Although I am older now, have traveled much and to many lovely places and Kashmir has been mangled by several forces it is still evocative of heaven for me.

I remember when acclaimed writer Khushwant Singh (1915-2014) reviewed my book, Islam, Women, and Violence in Kashmir, he called me and said, You can live wherever you like, but your heart is in Kashmir.

The great writer had great perception from afar: That is so true. My heart is in Kashmir.

Even today, the only entity that has the power to make my heart melt is Kashmir. Like my father, dear Abba, I too am in its thrall.

Note: Nyla Ali Khan is a university professor as well as an author and journalist. Her reflections are often shared in The City Sentinel newspaper in Oklahoma City, and on CapitolBeatOK, an online news service focused primary but not exclusively on the state of Oklahoma.

http://www.CapitolBeatOK.com

On a Lake in Kashmir. Photo Provided

Dr. Nyla Ali Khan, a native of Kashmir, is an educator and scholar based in Oklahoma. Wikipedia Commons. Womens Web.

Map of Kashmir, a distinct region with unique traditions and history which spans across the modern borders of China, Pakistan and India.

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In thrall to the beauteous Valley of Memory: My heart is in Kashmir - City-sentinel

The dreams, the nightmares and the interesting middle ground: why AI should be our collective concern – Innovation Origins

In a new series in close collaboration with the Dutch AI Coalition, Innovation Origins wants to show the impact of Artificial Intelligence (AI) on our society. How do we, as human beings, keep track of the consequences of this social revolution? Will we ever be able to? Searching for the fears, the opportunities, the dilemmas. Today part 1: how can AI become our collective concern?

Artificial Intelligence is just like soccer: everyone has an opinion on it. As a discipline, it is reserved for a select group of technical experts. But at the same time, it can unleash the sharpest opinions of large groups of laymen. Two principal streams stand out: the utopia that AI is going to solve the worlds major problems (poverty, disease, the energy crisis, etc.) and the fear of a world in which machines will completely control humans. Neither of these scenarios will come true, says AI researcher Rudy van Belkom. He recently completed his 18-month research into the future of AI.

For this series, we also asked random Dutch people about their expectations regarding artificial intelligence. Nightmares and dreams appear to more or less balance each other. The moment that you no longer know whether you are dealing with a human or an AI-bot is widely feared. We were also warned several times that this trend could only lead to a modern dictatorship, because a computer will one day be able to make better and more rational decisions than a human being. But there is also hope, for example, for a future in which AI enables us to live more sustainably.

Van Belkom recognizes the comments, both the optimistic and the pessimistic. The negative people talk about losing control of our lives, the positive hope that AI will solve all diseases and bring about world peace. But thats not what AI can do. Nevertheless, Van Belkom sees value in all those images: After all, in order to determine your goals, you must first agree on what that ideal society would look like. Above all, AI should not be a goal in itself, which it now often is.

Based on the contribution of a series of expert panels, Van Belkom drew up five scenarios for the future with, on the one hand, the total disappearance of AI and, on the other hand, the situation that AI has taken over everything. Both extremes will not come true, but it is all the more interesting to look at the intermediate scenarios. The interesting middle ground is where the relevant ethical questions can be asked, Van Belkom shows. But we shouldnt primarily approach them as scholars, which has been done very often already. Instead, he devised an Ethical Design Game, in which participants are asked to think about tricky themes such as the autonomous car, the doorbell with video recognition or manipulated DNA. These are examples of areas in which AI can play a significant role. Van Belkom expects that the game will help to raise awareness of the different perspectives and can contribute to a more constructive discussion about AI and ethics. This will enable us to narrow the gap between technicians and ethicists.

The only way to fully control AI is not to use it at all. But thats not a realistic option.

Many people who try to look into the future see a world in which machines will eventually be more intelligent than humans. Not everyone, by the way, sees that as an objection; on the contrary. Van Belkom, too, has asked himself how far this non-human intelligence will reach. For now, I dont see a moment for AI to take over my complete job. But that doesnt mean that certain parts of it cant be left to machines. Searching files, clustering data, carrying out analyses, thats all perfectly possible. Interpreting is another story; thats typically a human skill. Because so much of the understanding in our world is implicit, its almost impossible to turn that over to an AI. But whoever might want to conclude that this will save us from an artificial super-intelligent system, has to think twice. Even without a human level of intelligence, the integration of hundreds of small systems automatically leads to something much bigger. We have to take that into account: instead of General AI Gone Bad, youll see Narrow AI Everywhere.

It is high time for a more nuanced vision around AI, Van Belkom says. Only by freeing ourselves from the extremes can we give the conversation real value. The only way to fully control AI is not to use it at all. Thats not a realistic option. That means we will have to accept that there will be disadvantages to it that well never fully control. But hey, thats not only true for AI. Why are we so very strict in our judgment of AI when it comes to this aspect of control when we do accept it in all kinds of other areas? As if we can control the economy. Or our health. Some things just happen. Its no different with AI.

AI is not only about technology. Philosophers, neurologists, biologists, economists: everyone needs to participate in the conversation.

That doesnt mean were entirely on the sidelines as human beings. We can concentrate on the question of how we can teach a system to do what we want it to do. Van Belkom: How do you get a system to behave according to our principles, whatever the circumstances? Solving that puzzle means that we have to involve all disciplines; otherwise, we will indeed no longer understand what is happening under the bonnet of the system. AI is not only about technology. Philosophers, neurologists, biologists, economists: everyone has to participate in the conversation.

The challenge is perhaps not so much to get that conversation going but to give it direction. And not just to involve the specialists mentioned by Van Belkom, but to turn it into a broad dialogue. So that in the future, opinions will also reach beyond the extremes we hear on the street.

Innovation Origins will, with the support of the Dutch AI Coalition, continue to look for this middle ground in the coming period. I hope that using AI can improve our lives by helping with health care, education, quality of life in the city, and a better government that makes policy more effective and efficient, one of the AI optimists assured us. With less waste, less fraud too, he added. As happy as we would be if this would be the outcome, his statement also shows that a little more realism is welcome in the AI-debate.

More about the research Rudy van Belkom conducted (including the ethical design game) can be found at detoekomstvanai.nl.

This article is part of a series in collaboration with the Dutch AI Coalition. The series is meant to stimulate discussion about AI. Responses to this article or ideas for follow-up topics are welcome in the space below. You can also contact the AI Coalition directly: [emailprotected]

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The dreams, the nightmares and the interesting middle ground: why AI should be our collective concern - Innovation Origins

Gold Rush: Ban On TikTok And Other Chinese Apps Is A Big Opportunity For Indian App Developers – News18

The decision to ban the 59 Chinese apps by Prime Minister Narendra Modi has given the Indian app, or mobile application developing community an opportunity of their life time. Indigenous competitors to the likes of TikTok, which is on the banned list, could not have bargained for a better utopia. A ban on international heavy weight like TikTok, opens a growing mature market of TikTok users is no less than utopia for the Indian app developers. The TikTok celebrities and their followers are literally getting impatient in their wait for the Indian competitors to provide that international performance and quality that they have got so addicted to, over the years. The competition to gain the space shall be fierce but reaching a Unicorn status will require a new strategy and skill sets.

The situation is analogous to the late 1970s when the leadership banished all foreign automobile makers for selling cars in the Indian market. This gave the Ambassador and Premier Padmini cars a free run to serve the bound Indian market, till the Japan-backed Maruti Suzuki came along in mid-1980s. The two Indian cars altered little only to reach the iconic status with their recognizable shapes being synonymous with other historic monuments of the country. While on the other hand the automobile sector of the world advanced with leaps and bounds to produce a very different breed of cars which not only looked totally different but were much safer, comfortable, and were efficient with petrol consumption, power, cruising speeds and much more. Thus when the 1990s brought back the foreign players the Indian competitors had to shut shop.

In the information technology and software sector, this generation of entrepreneurs can learn from that page in history and utilize all the resources at their disposal supported by the present leadership's political will towards Atmanirbhar Bharat (self sufficient India) and transform themselves into true Unicorn status competitors to the banned apps.

Akin to an athlete who changes a coach or trainer as he/she moves up to compete from the city or state level to the national level and then the Olympics, the Indian app developers might need to re-look their strategy, technology, advisors to move up their game.

Meanwhile, the marooned user base of celebrities, followers and viewers of those 59 banished Chinese apps have international grade expectations, the indigenous app developer community. These users have by now been accustomed to a superior level of user interface (UI) and a new level of user experience (UX), which in the IT lingo is just called UI/UX, along with curation technologies at work behind the scenes.

As the New York Times noted that TikTok's curated content database answers assertively 'what should I post' and with a plenty for 'what should I watch'. An RTI revealed that in response to a Ministry of Electronics and Information Technology's (MEITY) questionnaire TikTok shared it can remove any content in 3 hours and uses artificial intelligence and machine learning to curate content albeit using data whose procurement was questionable to start with.

This is the level the Indian competitor should operate at, using sophistication while staying clear of the alleged data malpractices of the Chinese apps in terms of collecting user data. Also in legal areas where the Indian framework is still evolving, it would bode the Indian makers well to garner a positive image by adopting and following self regulation practices in line with the enhanced legal frameworks of other developed countries.

Apart from the computer technologies and legal frameworks there are a lot more tangible and intangible strategies deployed by these Chinese apps to reach and maintain their multibillion dollar valuations. For example, it's known that CEO of TikTok maker ByteDance, made it mandatory for all his employees to make and publish their own content on TikTok. And those who could not go past a specific threshold number of followers were made to do push ups in office. From a business strategy perspective though, a bit authoritarian, this strategy does make every individual employee acutely tuned to the TikTok market and totally in sync with each other. Indian competitors will also need such innovative strategies to drive that edge over their competitors.

Expectations from app makers grow so do their demands from the Indian entrepreneurial ecosystem. For example, expectations of more advanced entrepreneurial policy support in the form of other tangibles and intangibles above and beyond financial support. And higher expectations from the venture capital community to provide access to experienced advisors, board members etc. who have hands on experience with similar meteoric economic value building in the past. And in return all have an opportunity to cash in on this expected gold rush.

The onus is now squarely upon the community to out perform the other foreigners and fill the void left behind by the Chinese apps. Time and again the country has taken pride in its software prowess and the app gold rush has begun.

About The Author

The writer is a Sloan Fellow from Stanford Graduate School of Business and specializes in creating entrepreneurial ecosystems worldwide. And the former head of business consulting in the Americas for Starburst Accelerator, the world's largest aerospace and defense startup accelerator. He holds a US patent in semiconductors & cybersecurity and focused on research in cellphone technologies at University of California, Irvine. He has also been a panelist for the American SBIR program for almost a decade. He is presently based in India focused on the startup ecosystem after doing the same in the US for almost two decades. Twitter: @anshufellow

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Gold Rush: Ban On TikTok And Other Chinese Apps Is A Big Opportunity For Indian App Developers - News18

Gavin Rossdale talks new Bush album, upcoming concert livestream, fatherhood, pandemic & more – cleveland.com

CLEVELAND, Ohio -- Amidst a pandemic, civil unrest and nasty political terrain, many are looking for a better world.

Count Bush's Gavin Rossdale among them. That's what he's writing and singing about on "The Kingdom," Bush's eighth album, which comes out Friday, July 17. Rossdale's viewpoint is utopian in some ways, ideological in others, and angry at times. It's the voice of an American by choice; Rossdale, who co-produced the album, was born and raised in London and moved to the U.S. after Bush's multi-platinum breakthrough during the mid-90s, marrying and having three sons with Gwen Stefani (the couple divorced in 2016).

Bush was planning to support "The Kingdom" -- whose "Bullet Holes" was featured in the film "John Wick: Chapter 3 -- Parabellum" -- on the road this summer with Breaking Benjamin, a trek that's been postponed until 2021. In the meantime he's doing what he can to get the word, and the music out, including a livestreamed concert on Saturday, July 18, while quarantining at home in California.

What did you setout to do with "The Kingdom?"

Rossdale: I was so excited about making a record. I wanted to do a record where every song could be slipped into the set, every song was a banging, huge, heavy-hitter, and it would be an irrefutable record. If the last record (2017's "Black and White Rainbows") could be bruised and dense, I wanted to make an irrefutable record about survival and strength and really falling into the whole Zeitgeist of now, a record that's the sign of the times.

Is it a sign of your own times as well?

Rossdale: The record was really about sort of emancipation and strength and resolve in the face of challenges. Getting divorced and death apparently are the two worst things that can happen to you; I didn't die, and I come through it and I live a different life and I'm grateful for the life I have. I probably should get a girlfriend so my kids can see me with a girl -- wouldn't that be nice? (laughs) But I don't want a different life, no.

"Flowers on a Grave," the latest single, certainly alludes to some dark times.

Rossdale: I always write about longing and desire and, yknow, empathy. The song I write is what Im looking for. Ive had one or two major girlfriends since I got divorced, and its so weird; When youve been divorced and you go back and fall in love with someone and they f*** you over as well...I guess I just had a sense of loneliness and loss, and theres Flowers on a Grave. But in my world, with my audience, it became like the soundtrack to their COVID, the whole thing about isolation. I wrote it before COVID, obviously, but its about feeling emotionally isolated, physically isolated, and people are using that in their own way. Thats what lyrics should do; They should be like a tint of paint, and people put them where they want in their own lives. I just make the colors nice.

It's interesting that so many of the songs on "The Kingdom" do connect directly with what's going on now -- kind of prescient, even?

Rossdale: (laughs) I wouldn't take credit for that, but I do feel like it could be a useful record for people, like the soundtrack to a peaceful protest. "The Kingdom" is meant to represent a place for like-minded people, a sanctuary away from the judgment, the self-righteous people, the racists, the homophobes -- all the people who are stunted in their thinking and that make the world a bad place and make it difficult for other people. I wanted a place where you could sort of share ideas and converse with people, so it was just sort of a utopia. The state of the country was really disjointed, and I was tapping into that.

The perspective is very American, coming from someone born and raised in Britain. How does that affect your outlook here?

Rossdale: Y'know,I love America. When I came to America, it gave me life. It's a land that gave me everything, so it really matters to me. I see America as, literally, the most beautiful land of opportunity, and I found my life here. I fell in love. My children are American. My ex-wife and the mother of my children is obviously American, and I'm always immensely grateful to her. So I'm very protective of (America). I love living here, and I Love this country. But, like anywhere, there's no society that cannot improve -- that's the nature of evolution, and 2020 has been an incredibly powerful, painful year but also the most incredible, beautiful chance for growth. You think of George Floyd's daughter and that wonderful footage of her saying, "Daddy changed the world." My goodness, if this could be a better place, thank goodness for that.

You spoke about wanting "The Kingdom" to hit hard, musically. It certainly has the feel of what we'd call a "classic" Bush album.

Rossdale: It's funny to say "classic Bush" because, actually, it's the most aggressive Bush. I've never done an entire record of detuned guitars, never, but somehow it seems to be punching on the nose in ways that maybe is consistent with earlier stuff. It was just me experimenting with lots of different tunings. All these metal bands or rock bands -- like Slipknot, which is an incredible band -- are playing with very low tunings to make the sound very dark and wide, so I would get into those things and go to work and tune a guitar a different way and see what it sounded like. It's just amazing to find yourselves in these very deep, dark tunings. It's quite difficult to find a melody. It's a challenge. It takes a minute.

In lieu of concerts will you make more videos to promote "The Kingdom?"

Rossdale: We did one for "Bullet Holes" and one for "Flowers on the Grave," and we're about to shoot one for "The Kingdom." That's pretty unusual. Back in the day we'd do five videos for an album, when people would buy albums -- but now no one buys them. So it's hard to expect anyone to overly spend on a big video, but I am looking forward to doing a video for the next song.

So what have you been doing with your down time?

Rossdale: I'm trying to keep the focus on the record coming out, but I had my kids, so keeping them occupied and letting them have some fun. I'm a single dad, just living the dream. And playing a lot of guitar and reading some good books -- all the usual stuff. And looking forward to when we can get out there and do some more.

Bush celebrates the release of its new album, The Kingdom, with a streaming concert at 9 p.m. Saturday, July 18, at BushOfficial.com. Fifty cents from each copy of the album sold during the livestream will be donated to When We All Vote, with the band matching fan donations.

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Gavin Rossdale talks new Bush album, upcoming concert livestream, fatherhood, pandemic & more - cleveland.com

Library News: Week of July 19, 2020 | The Globe – The Globe

The Nobles County Library, 407 12th St., Worthington, is open from 9 a.m. to 5 p.m. Monday through Friday. The Adrian Branch Library, 214 Maine Ave., Adrian, is open from noon to 6 p.m. Monday through Thursday and noon to 5 p.m. Friday.

Summer Book Sale

The Nobles County Library in Worthington is hosting a Summer Book Sale from 9 a.m. to 5 p.m. this week on the main level of the library in Worthington.

Mobile Internet Hotspots

The library now offers Mobile Internet Hotspots. A hotspot uses cellular access to create a WiFi connection, allowing people to connect to the Internet where there is not typically strong, or any, WiFi access. Hotspots can be checked out by any adult library card holder in good standing. They may not be placed on hold, are checked out just one week, and cannot be renewed. This program is partially funded with a grant from the Minnesota Department of Education using federal funding, CFDA 45.310, Library Services and Technology Act (LS-00-19-0024-19) Grants to States.

Childrens Programming

Pre-k and kindergarten Story Time is from 10 to 11 a.m. Wednesdays; first through Ttird grade from 1 to 2 p.m. and 2:30 to 3:30 p.m. Wednesdays; fourth and fifth grades is from 1 to 2:30 p.m. Thursdays; and teens from 1 to 3 p.m. Tuesdays. Space is limited, so please call the library to sign up. Additional program times will be added if there is interest.

July 20-31, window I Spy is offered as an outdoor activity for all grades. Stop by the Youth Room for your I Spy list and let the search begin.

Bingo Scavenger Hunt, a weekly outdoor activity for all grades, begins each week on Mondays. Stop by the Youth Room for a Bingo sheet and try to get a Bingo or work for a Blackout. Spend the week finding the items in your backyard, neighborhood or around town. You must turn in your Bingo sheet to receive a prize.

Story Stroll, Have You Got My Purr?, is planned from 10 a.m. to 4 p.m. this week on the lawn beside the Nobles County Library in Worthington.

COVID-19 precautions still in place

Please limit yourself to one visit per day and maintain a distance of six feet from non-family members when in the library.

Children under 16 must be accompanied by a parent or guardian (except during organized programming activities).

Temporary masks and hand sanitizer are available near the front door. Spot cleaning is done throughout the day and after hours.

Please bring exact change or the nearest dollar amount for copies, scans, faxes, etc..

View all library events and updates at nclibrary.org.

New Books: The Order by Daniel Silva, A Walk Along The Beach by Debbie Macomber, Cajun Justice by James Patterson and Tucker Axum, Half Moon Bay by Jonathan and Jesse Kellerman, The Revelators by Ace Atkins, Dragon Fire by Ted Bell and Utopia Avenue by David Mitchell.

New Audios: Muzzled by David Rosenfelt and The Warning by James Patterson with Robison Wells.

New DVDs: Modern Family (Season 11/final season) and Trauma Center."

Fun Fact: Patrons have saved a lot of money by using our libraries. For the first six months of 2020, Adrian patrons saved $39,142.65 and Worthington patrons $368,180.40.

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Library News: Week of July 19, 2020 | The Globe - The Globe

A Brand New ‘Phineas and Ferb’ Movie All About Candace Is Coming To Disney+; Will Their Mom Find Out? – Showbiz Cheat Sheet

There are 104 days of summer vacation, and the new Phineas and Ferb movie will surely make it a lot better. Disney announced a brand new movie starring the two imaginative brothers and their sister, Candace. Phineas and Ferb was always one of the more creative and beloved shows on Disney Channel, and the last time an episode aired was in 2015. There was a special crossover in 2019, but this is the first time the series is coming back all on its own.

RELATED:I Know What Were Gonna Do Today Watch Phineas and Ferb to Prep for the New Movie Coming to Disney+ This Summer

The Disney+ original movie was announced on July 2, and Variety reported that it will premiere on the streaming platform on Aug. 28. A statement from Disney said everyones favorite characters are coming back for this special event.

Stepbrothers Phineas and Ferb, their older sister Candace, Perry the Platypus and the Danville gang are back together again in Phineas and Ferb The Movie: Candace Against the Universe, it read. They also called it an an out-of-this-world animated adventure from Disney Television Animation.

According to Variety, Candace (Ashley Tisdale) is feeling a little underappreciated in her household and is then abducted by aliens. Things get tricky when the aliens start treating her as their leader.

The movie centers on Phineas and Ferb as they set out across the galaxy to rescue Candace, who after being abducted by aliens, finds utopia in a far-off planet, free of pesky little brothers, the press release further explained, pointing out another reason why Candace might want to stay there indefinitely.

The other cast members returning are Vincent Martella as Phineas, Caroline Rhea as their mom, Linda, Dee Bradley Baker as Perry the Platypus and Alyson Stoner as Isabella.

Baljeet is returning too, voiced again by Maulik Pancholy, along with Bobby Gaylor as Buford. Vanessa Doofenshmirtz will also come back to join her dad, voiced by Olivia Olson, with her dad, Dr. Doofenshmirtz, voiced again by Dan Povenmire. He also does Major Monogram. David Errigo Jr. will join in the role of Ferb.

Itll also have the same creative team as before, with executive-producers Povenmire and Jeff Swampy Marsh.

If you know anything about Phineas and Ferb you know that not only are these two stepbrothers painting continents and locating Frankensteins brain, but Candace is constantly trying to get the boys busted.

Its truly a staple theme of the show, with Candace constantly being strung into whatever the boys are doing. Sometimes shell enjoy their invention or scheme for the day, but other times shes just all for the bust.

Candace has never actually succeeded in tattling on her brothers. There is one episode called Phineas and Ferb Get Busted! where Candace thinks she succeeded. Linda freaks out and sends the boys to a militant reformatory school where all thoughts of creativity are beaten out of them until theyre nearly lifeless robots.

Candace ends up being the one to try and bust them out, but it all ends up being a dream. Or rather, a dream within a dream because Perry is also dreaming. Its a bit confusing but Phineas and Ferb both stay innocent in the eyes of their mom.

With this movie coming up, will this be the moment Linda finds out what her kids do in their spare time? Theyve been to space before, but now theyre on a rescue to save Candace. Could Linda get roped in? Its possible. But only Aug. 28 will reveal all.

Summer 2020 has been a weird time for everyone. All of 2020, in fact, has been full of gloom and no good news. Summer seems like it was canceled in a way because of all the things you cant do. But Tik Tok user @iancrumley made a song that showed how this summer is a little like Phineas and Ferb.

Quarantine day 13 ##fyp

Sure, you cant go out and associate with friends as they do, nor can you really build a rollercoaster in your backyard (most likely). But finding creative activities to do in one of the longest summers ever is super similar. Maybe the question, What would Phineas and Ferb do? can liven quarantine up a little bit more.

RELATED: From The Simpsons to Sonny With a Chance Here Are Shows on Disney+ Bringing Families Closer During Social Distancing

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A Brand New 'Phineas and Ferb' Movie All About Candace Is Coming To Disney+; Will Their Mom Find Out? - Showbiz Cheat Sheet

Gavin Rossdale: Bush’s new album is about believing in something better – The Weekly Journal

Gavin Rossdale says Bush's upcoming album is about "believing in a better place to be".

The 54-year-old frontman and his band are set to release their eighth studio album 'The Kingdom' on Friday (17.07.20), and Gavin has said he wrote the record after being left "sick and tired of self righteous, judging people", and wanted to imagine a "utopia" where people could "be free to express themselves".

Asked how it feels to be releasing the album - which was originally scheduled for release in May - amid the coronavirus pandemic, Gavin said: "It's weird because the record is called 'The Kingdom'. I was so sick and tired of self righteous, judging people. They're just annoying. I imagined this utopia of like-minded people where they can just be free to express themselves, be cool, be funny, be interesting. It's a refuge.

"We're moving from limbo into this next shape. We're truly seeing the most heroic people we know. It's not the douchebags on billionaire boats - it's cashiers and people going to work. Everything is upside down. It's bizarre that the world has fallen into this paradigm. We're living in something more surreal than any movie you've ever seen."

The singer also insisted that whilst all Bush albums have "elements of struggle" in their songs, this latest record "aligns with the zeitgeist".

He added: "Of all the records we've made, they all have elements of struggle, challenges and surmounting things. You go through different sounds and inspiration, but it's said that songwriters write the same song over and over again - they're different variations on one theme. I wonder if that's my thing; believing in a better place to be. It's weird how much it aligns with the zeitgeist."

And Gavin says he finds guitar music "liberating".

Speaking to NME magazine, he said: "On the one hand, rock music is dead. On the other hand, rock bands still play to a lot of people. Sonically, I wanted to do something really wide and deep. If you play guitar music, it's so liberating to just play out riffs on big wide stages with very personal themes attached to them. Tuneless music is hard for me, so the alchemy of a melody with words that matter and the strength of each song what makes up the sound of the record."

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Gavin Rossdale: Bush's new album is about believing in something better - The Weekly Journal

BWW Review: WORLD LINE at TC Squared Theatre Company – Broadway World

TC Squared's Volume Up series of virtual one act plays is posed to convince audiences they are up for the task of taking their programs to the digital realm for the time being. After logging in to their YouTube stream, one is met with a smooth, animated countdown set to a quiescent techno beat by Kadahj Bennett. After a clement opening speech by Ros Thomas-Clark, the program begins. World Line, a new one act play by Erin Lerch, is the latest installment in the series and, as Lerch admits in a brief interview themself, makes a great contender for a virtual reading due to its 40 minute run time and unconventional set requirements. In a narrative that includes palpably autobiographical elements, discernible even before Lerch explains their influences, Lerch explores tensions in a "multi-generational queer family". Eddie, a college-hopeful amputee, serves as our guide through a buffet of suburban, queer, coming-of-age tropes complicated and illuminated by the recent loss of their mother, the foreboding presence of an archetypically well-intentioned stepmother figure, and the desire to be the first astronaut to set foot on Mars.

Lerch has cultivated, to my eye, a little-explored but dishearteningly realistic commentary on intergenerational queerness, in which Eddie's mother, Sarah, a trans lesbian woman, can commiserate with Eddie's frustrations with regressive grandparents, but can't seem to get the language around their pronouns right. This rift, though not the main focus of the piece, reminds one of the ways in which the gender binary is still adhered to and upheld by huge portions of the queer and trans communities. Outside of this, the plot is pretty standard and plaintively suburban, exploring frustrations of children of single parents, a need for acceptance by a queer youth in Wyoming, and, of course, the theme of space as a metaphor for utopia.

As the final frontier, outer space has served as a tool to signify escapism and the desire to "get out" since protagonists' dreams of New York City became too clich. Movies like Radio Flyer and October Sky posit the places beyond Earth's atmosphere as remedy to abusive home lives, Hidden Figures uses work at NASA as an antidote to systemic racism, and the recent Troop Zero turns to dreams of space travel as poultice against poverty, queerness, anger management issues, and repeated bed-wetting. The main difference between these four movies and World Line is that each of them takes place in a period which aligns with a global space-mania while, ostensibly, World Line is set in the present. The late 1950s to late 1970s provide a setting in which children of all ages were presumably occupied by fascinations, aspirations, and questions about outer space. Even after the Space Race, the expanses of the universe left a significant imprint on popular culture. The 1977 release of Star Wars and 1982 release of E.T. may well have launched a sustained captivity of collective generational imaginations had not schoolchildren across the country watched the Space Shuttle Challenger burst into flames in 1986. Though not a hard pivot, the following decades saw a shift in the common imagination of space. Movies like Apollo 13 (1995), Armageddon (1998), and The Astronaut's Wife (1999) do not paint the corners of our galaxy as a haven to which either a young Jake Gyllenhaal or an animatronic creature with a penchant for Reese's Pieces should long to go.

Without the sepia veneer of a period piece, Eddie's dreams of being an astronaut seem underdeveloped, childish, and insufficient as a driving force. Mostly, these aspirations are communicated by well-placed interludes- soliloquies delivered by Eddie set against a virtual galaxy background which breaks up the sea of solid white in which the rest of the piece exists. This staunch contrast in backgrounds reflects the way the dialogue of the rest of the play- mostly straight-forward arguments or debates over college acceptances- is broken up by Eddie's dreams of life as an astronaut. In a contemporary setting, Eddie is correct. A quick Google search shows that there is talk of an astronaut going to Mars. But unlike the reality for the young people in October Sky or Troop Zero, NASA no longer sits in the zeitgeist as the infallible team of geniuses who will continue sending fleets of astronauts further and further until The Jetsons becomes a reality show. Eddie, as a soon-to-be college student with an interest in space, needs to catch up to the conversations of space travel in 2020. Relying on Mars as a manifestation for the acceptance they lack in suburban Wyoming seems almost cruel in its futility as they receive a letter from NASA explaining why they will not send an amputee into space. (Which seems uncharacteristically final considering they almost sent Big Bird into space and did much of the logistical work to make that a reality.) To make matters worse, a halfhearted comment from their suspected stepmother-to-be affirms that they may some day be able to leave Earth's atmosphere as a civilian. Again, in a period piece, this dream may seem uplifting, but as Elon Musk has hinted at failed schemes for space tourism and our president has pitched the need for a Space Force, a 2020 audience must look at the bleak realities of the exorbitant costs of recreational space travel and the colonial tendencies which inform the U.S. obsession with "frontiers". In the end, a substitution of Massachusetts as a haven for acceptance seems equivalently lackluster and unable to give Eddie a firm resolution. This trajectory feels all too much like if Dorothy, hellbent on returning to Kansas, in the end settles for a plot of land in Ohio. Perhaps, realistically, Kansas is not the Eden she has etched in her memory, but we are not rooting for her to come away with a gimcrack consolation prize.

Maybe I looked at this piece from the unrelenting eyes of a realist, but I did not detect heightened language or flights of wraith-ish fantasy which could elevate the play to an exercise in science-fiction. Neither did I feel that the piece fully succumbed to the specificity of niche research which makes David Auburn's Proof, Paul Zindel's The Effect of Gamma Rays on Man-in-the-Moon Marigolds, or Duncan MacMillan's Lungs the heralded, if incomprehensible, works of poetry as which they are regarded. As this was a reading of a work still presumably in progress, I feel it is important to note that the piece is entirely salvageable. There is much that can be explored along the intersection of queerness and an affinity for space or other realms of the unknown. I wonder how a change in era might affect my perceptions of Eddie's framing of space. Certainly they might have different language around their queerness if this piece took place in 1957, but might that not be ultimately more interesting? Alternately, I question if Eddie was written as a younger protagonist if I might be more accepting of their irresponsible, ill-informed idealism. With this solution, I can also see more opportunity to showcase the repartee between Eddie and their little brother, Ricky. Actors Jackie Chylinski and Cristobal Pauline unearth the most rapturous chemistry as they debate clothes for an upcoming memorial and ice cream sandwiches.

Ultimately, the piece romanticizes a science that it does not explore deeply enough to satisfy, but is commendable for its intricate excavation of queerness.

Check out more in TC Squared's Volume Up series here.

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BWW Review: WORLD LINE at TC Squared Theatre Company - Broadway World

OPINION EXCHANGE | Reimagination of public safety should start with this principle – Minneapolis Star Tribune

Dr. Gary Slutkin, a public health epidemiologist at the University of Illinois at Chicago, noticed something unexpected while conducting research: Violence spreads between community and family members like a disease.

In addition to gun violence spreading through retaliatory violence, public health experts have found that other kinds of violence also share the devastating effects of disease. For instance, communities subjected to state-led political violence such as genocide were more prone to intimate-partner violence. A deep interconnection between child abuse and community violence has also been uncovered. This theory of violence as a disease became the underlying principle of Slutkins violence interruption program, CeaseFire (now known as Cure Violence). This program has been replicated around the world and is lauded as best practice in stopping the deadly disease of violence from spreading.

With coronavirus wreaking havoc on our country, we are seeing in real time the consequences of not listening to public health experts. They have deemed violence an infectious disease. Its time we as a city start treating it like one.

Communities like mine in north Minneapolis are tragically familiar with violence in its many forms, ranging from gang shootings to intimate-partner homicides. Guns have become the immediate go-to for conflict resolution. Traumatized children who witness family violence often go on to become victims and perpetrators of violence themselves. Our experience on the North Side, however, is not unique. Violence is up across our city. It is intolerable, and we cannot accept it as just a fact of life when there are proven methods to break the cycle.

Like other infectious diseases, violence can be prevented, treated and quarantined in extreme circumstances. Also like other infectious diseases, violence can be eradicated.

To live in a city in which violence is no longer a daily occurrence looks like every single person having their needs met: stable housing, economic opportunities that allow them to thrive rather than just survive, and accessible mental and chemical health services. In a safe and healthy city, every resident has a pathway to achieving their self-defined greatness.

Neighborhoods thrive because they are filled with wealth-building opportunities in homeownership and entrepreneurship. Neighbors are connected to and look out for one another. A communitys fabric is tightly woven into a tapestry of strengths, culture and compassion.

This is not an imaginary utopia. This can be our real future in Minneapolis with the right investments, mind-set and policies.

As we reimagine public safety as a city, we must build its foundation on the public health approach if we are to break out of the cycle of violence. Another way of thinking about it is the four phases in the cycle of someones involvement with crime and the criminal-justice system: prevention, intervention, enforcement and re-entry after incarceration.

Governments across the country, like Minneapolis, have continued to heavily invest in enforcement, particularly policing, while simultaneously divesting from proven prevention, intervention and re-entry strategies. We have asked police to be responsible for and hide all of our social ills. With the results we are living with now, we can clearly see this approach has failed. Reimagining public safety calls upon us to right-size enforcements role in this cycle, allow police officers to focus on what they have been trained to do, and expand evidence-based investments in the other phases. This comprehensive approach is a pathway for us to cultivate safe, healthy communities.

We are far from starting from scratch with building new systems of community safety here in Minneapolis. We already employ a model similar to Slutkins: our group-violence intervention strategy called Project Life. It lives within the Office of Violence Prevention (OVP), a division within the Citys Public Health Department. The OVP is a small but mighty office that leads the citys public health approach to public safety efforts including Project Life, a hospital-based bedside intervention for victims of violent injuries, and myriad youth-violence prevention programs. There are also other strategies used throughout the city, such as a pre-job training program called Journey Forward and a domestic-violence program in Minneapolis Animal Care and Control to protect pets from violent family members.

The incredible city staff and community members leading these efforts are making real, sustained change in the lives of the residents they serve. But they cannot make the kind of population-level impact we all want to see, because they do not have the resources to do so. Reimagining public safety in our city means we must take responsibility to scale up what is working, find out where there are gaps, and creatively solve those problems together.

When it comes to curing violence in our city, we all play a role. We all have a responsibility and stake in this challenging, life or death work. In the months ahead, the city and our community partners will be leading deep community engagement to co-create new systems of community safety alongside residents like you. Now is the time to roll up your sleeves and join us in this work. It wont be easy; then again, eradicating a disease never is. We can do it, but only together. So lets get to work, Minneapolis.

Phillipe Cunningham is the Minneapolis City Council member representing the Fourth Ward. He is the lead council member for the citys Future of Community Safety Workgroup and authored the ordinance creating the Office of Violence Prevention in 2018.

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OPINION EXCHANGE | Reimagination of public safety should start with this principle - Minneapolis Star Tribune

Comic-Con 2020: Before Amazon Prime’s remake of ‘Utopia’, here’s what happened to David Fincher’s 2014 version – MEAWW

As [emailprotected] draws nearer, fans are looking forward to news about Amazon Prime's 'Utopia' panel on July 23. The remake of the controversial cult classic will see the British series gain a high-budget American remake. However, this is not the first time the series was up for renewal. In 2014, just as Channel 4 was canceling 'Utopia', HBO announced that director David Fincher would be helming an all-new remake. So what happened?

'Utopia' tells the story of a deep, worldwide conspiracy that appears to be predicted by a comic book known as 'The Utopia Experiments'. A group of fan theorists online find the manuscript for the comic and become an immediate target for shadowy agents seeking to bury the conspiracy at all costs. The series quickly won acclaim for how dark, subversive and mind-bending its plot got. However, despite the critical acclaim it received, Channel 4 canceled the series after two seasons.

Around the same time, it was announced that David Fincher would be directing an American remake. However, the project soon fell apart due to budgetary concerns. According to Fincher, in an interview on the Empire podcast, $9 million would have made all the difference. "I thought we had really, really good scripts and a great cast and we were getting ready to do that and you know it came down to $9 million," he said. "In the end, when you actually kind of lay it all out, $9 million in the scheme of things doesnt sound like a huge discrepancy between what we wanted to do and what they wanted to pay for."

Fincher, having just come off the commercial and critical hit 'Gone Girl' had ambitious plans for the project, wanting to "sort of rival tentpole movies." One of the reasons that the budget was so high was that Fincher wanted to shoot the entire series in chronological order. "Gillian Flynn wrote the scripts and you know it's a road movie," he said. Fincher had worked with Gillian Flynn previously, who had written both 'Gone Girl' as a novel and as the film adaptation.

"They go from one place to the next place, they burn that place to the ground, they go to the next place and they shave their heads and dye their hair and get tattoos and then burn that place to the ground. It wasnt 'Cheers'. It wasn't like you build a bar and then generate some pages and the cast comes in and reads some lines." "This was inherently chronological," Fincher continued. "Any time that you sort of impose a chronology to film production things become because you literally cant go to the next scene until you finish the scene in the kitchen that burns to the ground. You have to make sure you have it done, then you can burn it to the ground."

It's been six years since all hope for a new 'Utopia' series appeared to have been lost, but the new Amazon Prime remake appears to be bringing the defunct project to life. The show will be helmed by Gillian Flynn herself and David Fincher will be serving as executive producer.The [emailprotected] Panel on 'Utopia' will be held on July 23. You can get additional details here.

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Comic-Con 2020: Before Amazon Prime's remake of 'Utopia', here's what happened to David Fincher's 2014 version - MEAWW

Why We Need Dystopian Fiction Now More Than Ever – Slate Magazine

A New York City Police Department officer during a protest against police violence, July 15, 2020Timothy A. Clary/Getty Images

On Tuesday, July 21, at 4 p.m. Eastern, P.W. Singer, co-author of the new book Burn-In: A Novel of the Real Robotic Revolution, and Veronica Roth, author of the Divergent series and Chosen Ones, will join June Thomas, senior managing producer for Slate podcasts, to discuss the role of speculative fiction in the real world. RSVP here.

It hits you every so often.

When you when you tug on a face mask to go pick up food for your family.

When you witness the powerless suffer casual violence by a man with a sneer.

When you see riot police surround the Lincoln Memorial and protesters snatched off the streets by masked soldiers in unmarked cars.

And when you realize that it is all being watched by an unblinking eye of A.I. surveillance.

At times, it feels like we are living in a real-world version of dystopia. The strange outcome, though, is that it means we need dystopian fiction now more than ever, to help us sort and even make it through it.

Youd think with everything going on, now would be the last time to escape to a world of darkness. And yet books, including those of awful imagined worlds, are in deep demand.Some of it has been a return to old classics. In a period of disease and lockdowns lasting for weeks, booksellers report the seeming irony that Albert Camus The Plague and Gabriel Garca Mrquezs One Hundred Years of Solitudehave seen renewed demand. And some of it has been escaping into new worlds, as with Divergent author Veronica Roth taking readers into another post-apocalypse with her new novel Chosen Ones. People have even been willing to enter imagined worlds that seem not too far away, such as Lawrence Wrights best-selling pandemic thriller The End of October.

Yet the value of the genre is as much in education as entertainment. It can elucidate dangers, serving the role of warning and even preparation. Think of the recent resonance of Margaret Atwoods 1985 Handmaids Tale and its 2020 sequel The Testaments or the revival of interest in It Cant Happen Here by Sinclair Lewis in 1935. These are finely written works, not as indulgences, but as a pure expression of the idea that to be forewarned is to be forearmed. Even Susan Collins Hunger Games prequel, The Ballad of Songbirds and Snakes, might be interpreted in that light, showing how authoritarian rule can originate through the manipulations of an ambitious striver.

Our personal corner of this dark market is the meld of imagination with research. For our book Burn-In: A Novel of the Real Robotic Revolution, we chose the setting of not a far-off imagined world like Panem or Gilead, but Washington, D.C., just around the corner. What happens as Silicon Valleys visions of utopia hits our real, and very divided, country? What plays out in politics, business, and even family life as our economy is rewired by AI and automation? Yet to make our scenario more haunting, we back up everything that happens in it with 27 pages of endnotes.

When the scarier elements from an imagined world come to life in the real one, however, there is no gleeful I told you so. When the novel coronavirus accelerated the more widespread roll out of the robots, remote work, job automation, and AI surveillance projected in our book, we certainly werent happy. All it meant was that all the tough dilemmas that our characters face would come quicker for all of us. What was perhaps most disturbing of the last few weeks, though, were when some of the most dystopian scenes we had painted of a future Washington, D.C., also came true, from our books scene of riot police deployed around the Lincoln Memorial to the militarized fence thrown up around the White House being put exactly where we had it in Burn-In.

Yet what makes dystopian fiction different is that its creators are oddly optimists at heart, as we are. These works are not about prediction, but prevention. The stories warn of just how far things can go if action isnt taken, wrapped in a package that is far more impactful than a white paper or PowerPoint. Indeed, research shows that narrative, the oldest communication technology of all, holds more sway over both the public and policymakers than even the most canonical academic sources. Our minds cant help but connect to the synthetic environment that our fictional heroes and villains experience, living part of our lives through theirs, even if imagined.

Most importantly, though, the dark worlds are only the setting. The stories are really about the agency of the people in them. And that is perhaps the true value of the dystopian fiction. These stories are not about what those characters experience so much as how they act. At the heart of every story of darkness is a story of perseverance.

As we face our own difficult journeys through the reality of 2020, it is perhaps that lesson which is most important of all.

Future Tense is a partnership of Slate, New America, and Arizona State University that examines emerging technologies, public policy, and society.

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Why We Need Dystopian Fiction Now More Than Ever - Slate Magazine

Every New Release Coming to Disney+ in August: "The One and Only Ivan," "Phineas and Ferb the Movie: Candace Against the Universe"…

The dog days of summer are upon us, so why not spend some time with Snoopy? Or Perry the Platypus? Or maybe The One and Only Ivan? You can even flash back to the far off past of 2019, and get a sneak preview of a little theme park land called Star Wars: Galaxys Edge? You can do all that and more this August on Disney+. Of course, if youre looking for some fun this month, be sure to check out our new release list for July!

Hidden Kingdoms of China

Prince of Persia: The Sands of Time

Star Wars Galaxys Edge: Adventure Awaits

The Peanuts Movie

UFO Europe: The Untold Stories (S1)

X-Men

HowardPremiereDirected by Don Hahn (Beauty and the Beast), Howard is the untold story of Howard Ashman, the brilliant lyricist behind Disney classics like Aladdin, Beauty and the Beast, The Little Mermaid and creator of musicals including Little Shop of Horrors. Featuring never-before-seen archival footage, personal films and photographs, as well as interviews with Howards friends and family, the film is an intimate look at the Disney Legends life, his creative drive, and the process behind the music. Spanning his childhood in Baltimore, to his formative years in New York, and his untimely death due to AIDS, Howard goes in-depth to explore his journey to become the lyricist behind some of the most beloved and well-known classic family films in the world.

Muppets NowEpisode 102 Fever PitchFozzie Bear has some big ideas for Muppets Now, and theres no time like the deadline to start pitching! Hes found a very tough audience in Scooter, who just wants to finish uploading the latest delivery. We see the very first episode of a game show that Pepe The King Prawn totally just made up. The Swedish Chef tries to cook a better mol sauce than his competitor, Danny Trejo. Dr. Bunsen Honeydew has replaced Beaker with a new smart assistant, and things get fired up. Miss Piggy and her guests, Taye Diggs and Linda Cardellini, show viewers how to work it out when they share the secret to staying healthy.

One Day At DisneyEpisode 136 Ryan Meinerding: Marvel Studios Creative DirectorCreative Director Ryan Meinerding brings Marvel characters to life through innovative design every day. Theres never a dull moment as Ryan creates the first looks of characters for Marvel Studios films including Iron Man, Spider-Man, Captain America and more. From initial sketches to special effects, Ryan oversees the process of bringing the next iteration of iconic characters to the screen.

Disney Family SundaysSeries FinaleEpisode 140 Goofy: Pencil CupWho says you cant be Goofy and organized at the same time? Not Amber or the Gubaney family, who connect to work on a Goofy-inspired craft. She will show them how to turn a simple item from the cupboard into a fun organizational tool thats sure to stand out. Meanwhile, the biggest challenge of all may be figuring out which Gubaney is the Goofiest!

Pixar In Real LifeEpisode 110 WALLE: BnL Pop-up ShopWhen Buy N Large opens its first store in New York City, hungry customers get a taste of the future.

Alaska Animal Rescue (S1)

Ant-Man and the Wasp

Indias Wild Leopards

Jungle Animal Rescue (S1)

Nature Boom Time (S1)

Sams Zookeeper Challenge (S1)

Scuba Sams World (S1)

Spaced Out (S1)

T.O.T.S. (S1)

T.O.T.S. Calling all T.O.T.S. (S1)

The Greatest Showman

Wild Cats of India (S1)

Zombies 2

The One and Only IvanPremiereAn adaptation of the award-winning book about one very special gorilla, DisneysThe One and Only Ivan is an unforgettable tale about the beauty of friendship, the power of visualization and the significance of the place one calls home. Ivan is a 400-pound silverback gorilla who shares a communal habitat in a suburban shopping mall with Stella the elephant, Bob the dog, and various other animals. He has few memories of the jungle where he was captured, but when a baby elephant named Ruby arrives, it touches something deep within him. Ruby is recently separated from her family in the wild, which causes him to question his life, where he comes from and where he ultimately wants to be. The heartwarming adventure, which comes to the screen in an impressive hybrid of live-action and CGI, is based on Katherine Applegates bestselling book, which won numerous awards upon its publication in 2013, including the Newbery Medal.

Muppets NowEpisode 103 Getting TestyJoe, the new legal counsel for The Muppets, interrupts the scheduled delivery of Muppets Now to announce that all streaming content must be vetted by a focus group. Things go from bad to worse when Scooter meets up with the assigned test audience curmudgeonly critics Statler & Waldorf. The Swedish Chef collaborates with Chef Roy Choi as the two try to make a one-of-kind kalbi bowl. Dr. Bunsen Honeydew and his assistant, Beaker, enlist a Pizza Delivery Person (Al Madrigal) to explore velocity. Miss Piggy and her guests, Linda Cardellini and Taye Diggs, dig deep into the workings of a healthy relationship. Pepe The King Prawns unbelievable game show features new contestants, new challenges, new rules, and no planning at all.

Magic CampPremiereA group of misfit campers help a down-on-his-luck magician rediscover his love of magic in Disneys Magic Camp, a heartwarming comedy about finding joy and confidence in self-acceptance.

One Day at DisneyEpisode 137 Pavan Komkai: Broadcast EngineerManager of Broadcast Engineering at Disney Streaming Services, Pavan Billy Komkai explains the unique process of broadcasting live sports on ESPN+ for fans around the world. No matter the time of day or the location of the event, Disneys Streaming Services team provides viewers with high quality coverage of diverse sporting events every day.

Weird But True!Season PremiereEpisode 301- DinosaursDid you know there are more stars in the universe, than grains of sand on the whole planet?! So weird! National Geographics newest season of Weird But True! on Disney+ gets even weirder! Childrens entertainers and educators Charlie Engelman and Carly Ciarrocchi host the third season of the Emmy Award-winning series, and this time, theyre embarking on even more imaginative and strange adventures to reveal surprising and interesting facts about the world. Set both in studio and in the field, the award-winning Weird But True! integrates a mix of arts and crafts, unbelievable facts and real-life exploration. This 13-episode season includes weekly guest appearances from renowned astrophysicist Michio Kaku and Nat Geo Photographers and Explorers, including Anand Varma, and professor and founder of SciStarter Darlene Cavalier. Whether hunting for dinosaur fossils, hiking volcanoes or flying planes, the science-loving duo Charlie and Carly inspires kids to get excited about the world around them.

Hosts Charlie Engelman and Carly Ciarrocchi dont have tickets to their favorite actress movie premiere, but somehow their friends do. Charlie and Carlys quest to get to the Alabama Cones premiere takes them on a fascinating journey to Dinosaur National Monument. There, they hatch a plan with a paleontologist to dig up the dough.

Back to the Titanic

Beauty and the Beast (2017)

Mars: One Day on the Red Planet

Muppets NowEpisode 104 Sleep ModeScooter wakes up in horror to discover his all-nighters have finally gotten the best of him, and he has only 30 minutes to upload Muppets Now. With the clock ticking and his eyelids drooping, Scooter enlists Animal to help him stay awake. Dr. Bunsen Honeydew and his assistant, Beaker, conduct a series of vibrational experiments with the help of a lonely, outdated computer. The Swedish Chef uncovers the secrets of Spaghetti Carbonara when staring down his competitor, Giuseppe Losavio. Miss Piggy sits down with Aubrey Plaza to conduct a fabulous one-on-one interview. Later, she looks out for number one as she focuses on self-care with guests Linda Cardellini and Taye Diggs.

One Day At DisneyEpisode 138 Heather Bartleson: Holiday ServicesAs Senior Facilities Coordinator for Holiday Services, Heather Bartleson helps bring the holiday spirt to Disney. From parks, resorts, cruise lines and more, Bartleson works year-round to ensure the Holiday Services Team has everything they need to create holiday themed environments that immerse guests and create magical holiday moments.

Weird But True!Episode 302 National ParksTo protect or enjoy? Hosts Carly and Charlie have two very different plans for the backyard and cannot come to an agreement. Carly thinks backyards are to be enjoyed, and Charlie thinks they should be protected. A visit with park rangers from Yellowstone National Park might just help settle Carly and Charlies debate.

Alice Through the Looking Glass

Fantastic Four

Phineas and Ferb the Movie: Candace Against the UniversePremiereStepbrothers Phineas and Ferb, their older sister Candace, Perry the Platypus and the Danville gang are back together again in Phineas and Ferb The Movie: Candace Against the Universe, an out-of-this-world animated adventure from Disney Television Animation. Executive-produced by Dan Povenmire and Jeff Swampy Marsh (creators and executive producers of the long-running Emmy Award-winning series Phineas and Ferb), the movie centers on Phineas and Ferb as they set out across the galaxy to rescue Candace, who after being abducted by aliens, finds utopia in a far-off planet, free of pesky little brothers.

Muppets NowEpisode 105 The I.T. FactorChip the I.T. guy installs an upgrade to Scooters overtaxed computer just as Scooter is beginning to upload the latest episode of Muppets Now. Scooter must work fast to get everything in place before the hard reboot goes into effect. Miss Piggy takes a trip through the topic of travel with guests Linda Cardellini and Taye Diggs. Pepe The King Prawn makes up a new game show on the spot, and the contestants do their best to keep up. Uncle Deadly demonstrates the drama, disciplines, and danger of stage combat for Muppet fanboy, Walter. Dr. Bunsen Honeydew puts the pressure on his assistant, Beaker, with a hydraulic-press experiment that requires a personal touch.

OneDay At DisneyEpisode 139 Eric Baker: Imagineering Creative DirectorStep into Star Wars: Galaxys Edge with Walt Disney Imagineer & Creative Director Eric Baker as he helps create this new, exciting land. From traveling the globe in search of props to overseeing larger-than-life installations, Eric is constantly reimagining how to elevate the park guest experience so they are in awe each time they step into new lands and attractions.

Weird But True!Episode 303 FarmingCharlie and Carly run a fruit-and-vegetable stand outside of headquarters, but lately, theyve been selling out of their crops faster than they can grow them. Carly has an idea to turn the garden into a farm, but they dont have enough space to grow everything they need outside. She takes Charlie on a trip to an indoor vertical farm in NYC to learn new possibilities of farming!

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Every New Release Coming to Disney+ in August: "The One and Only Ivan," "Phineas and Ferb the Movie: Candace Against the Universe"...