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Futurist Theatre Live Theatre Like Youve Never Seen It

Clark Edwin February 12, 2016

The Royal Court Theatre is the leading national company in Britain that is dedicated to play the new works that are written by the innovative writers. Here are ten things that you can learn from the Royal Court Theatre @royalcourt building tour. Take a look at these below.

On closely observing the concrete walls, you can take a look at the wood grain from boxes that were employed as moulds for the blocks.The Royal Court Theatre was receiving a theatre and it is a producing theatre itself now.The Royal Court Theatre is the one and only theatre in the country that accepts spontaneous play scripts that are all read. In case you send your play script to any theatre such as the National Theatre, you will be asked to send your script to the Royal Court Theatre.

Royal Court Theatre as a theatre fosters the writing talent. Only the playwrights receive start billing and not of the actors do irrespective of who they are.Rehearsing for the play is done on site in a specific room that is created in the eaves of the Royal Court Theatre building. This region was earmarked for the officers originally. Now, even auditions are conducted on the site.The grilles of the Royal Court Theatre act a window decoration and this is found even in the stairwell that leads to the Jerwood Upstairs. These were originally the drains in the womens loo.

The trapdoor that we meant for the Jerwood Upstairs is accessed from the offices of the theatre that are located underneath. SActually, there is no stage at the Jerwood Downstairs. For each production, the boards are made and these give more flexibility to the theatre and a quicker turnaround between the different productions. For instance, for the Haunted Child set up, one could see cracks on the stage that revealed the large space below. This was a little bit frightening.

In the stalls at the Royal Court Theatre building, the very last row is called writers row as that where the playwrights will be seated and watch their plays that are performed during the preview. This way, they can make an immediate exit from the hall at the end of the play.The Jerwood Upstairs was meant for the private members club to move around the laws that approved the play scripts. Therefore, the scripts are edited and censored before they could actually be performed.

Read also :Take A Look At The Almeida Theatre Backstage Tour

Let us see the Almeida Theatre backstage tour in this content. Those who like backstage tours will definitely love the Almeida Theatres backstage tour. The highlight of the backstage tours is that you will get to see the parts of the theatre that you never get to see at the other times. There some tricks that have to be executed at the backstage to make the audience sitting in the hall watching the performance enjoy the show.

The green room as well as the dressing rooms of the theatre are the most impressive ones of the four rooms at the Almeida Theatre. There are many personal items, family photos, good luck cars, etc. at the backstage. You will get a bit of the life backstage before the performance, during the performance and after it as well. The green room has a futon bed for naps between the matinee and the evening performances. Also, there is a fridge with the favourite items of the performers.

The wardrobe department is also interesting. There are stacks of boxes that are labelled to avoid last minute confusion. There are stands with wigs drying in the corner, tumble dryers, washing machines and an industrial strength steam iron.

Theatre productions require a lot of investment and manpower to pull off. Even if youre not mounting an original one, and youre not hiring an orchestra to do the music, there are still a hundred and one things to spend on. These include actors, costume, stage props, directors, and so on.

The expenses begin with the rehearsals because everything needs to be ready by then. While the actors can do without the makeup, costume and props, they will need to be there in time for the actual performance. Such production design requires a lot of skill, creativity, and materials. To cut costs, the production team often source props from secondhand stores or generous individuals whenever they could. The real cost comes in period pieces where the props are hard to come by. These would really need to be crafted and created.

In cases where the settings and scenes are simple, a minimalist approach often works. The only exception is when the props are actually used by a person. For example, a wheelchair needs to be sturdy and fully functional if a cast member is going to use it. It can be a refurbished one if its purpose is just to sit on the corner of a hospital. The same goes with baby cribs and baby walkers. You need to get the best rated baby walkers, not necessarily brand new, if a real baby will be placed there during the production. This ensures that the baby is safe and secured during the play or musical.

Additionally, theres also the issue of wear and tear. Some productions last for months or years at a time. Think West End or Broadway. Using props with inferior quality could be dangerous for the cast and crew, so this is something that should be considered. If your production will only run once or for a short period of time, you can save money by borrowing props, making them, or getting second hand items.

However, if the show will run for a long time, you may need to construct an almost permanent set with props and items of good quality since they will be used by the actors and staff.

Also read:Ten Things To Learn From the Royal Court Theatre Building Tour

What kind of gadgets do theaters use that are also useful at home? If you over analyze the situation, you might start to think about common, everyday items like seats and lights or even electricity. However, most people have a tendency to miss one of the most important things that can easily be found in either location. That item is a dehumidifier. These items are designed to take the humidity out of the air, thus making it more comfortable for a person to be in that environment and making it a better environment for certain items, such as anything made out of wood, that might be in that location.

The answer is simple. They almost have to use them. Theaters are typically dark locations so they usually dont have any windows. This means there is no natural ventilation to the outside. In addition, theaters have a tendency to pack people in and depending on the size of the theater, there could easily be hundreds or even closer to 1,000 individuals located inside one large room at any given time. The more people that are in an enclosed space, the more body heat is produced. This can increase humidity levels noticeably until it is so uncomfortable it is almost impossible to stay inside. With the use of a dehumidifier, the problem is solved.

Generally speaking, the problem can easily be handled by having the right number of dehumidifiers in the right locations. The truth is, most people dont even realize that these devices or are present or that they are in use. The only thing that they do notice is that the room is much more comfortable, effectively allowing them to stay in that room for an extended period of time and enjoy whatever it is they came to see. The same is true for the home. The devices can be used to make rooms more comfortable or to take excessive moisture out of her room so that it doesnt smell musty or moldy.

The best dehumidifiers for home usework wonder for anyone that has mold problem inside their home or for those individuals who have a lot of natural wood inside the house, or even personal possessions like guitars. If there is too much moisture inside the home, the top ten dehumidifiers can be used to remove the proper amount of moisture just as a humidifier is sometimes used to add moisture when the air is too dry. Either way, it makes it much easier for both individuals and certain material possessions to be in that particular environment.

Also see:How Sophisticated is the AV Equipment in the Theatre?

When theaters first came along, nobody knew how much it would change in a century. While there has been vast improvements in picture and audio quality down the years, the trend today is now experiencing movies in a completely different way than before. Theaters are moving away from traditional audio and video equipment. Instead, the focus is on creating a more immersive experience for the viewer.

Today, theatre is about making use of technology in a big way. The innovations are being made use of both onstage as well as backstage as they need to compete with the technology which the user is used to in the digital space.

Most productions and theaters now make use of video designers in a large way to help them with their theater productions. Theaters increasingly make use of virtual reality masks, computer animation and stop motion camera work. With hardware and software getting cheaper, even fringe theaters is able to utilize this.

The audio visual equipment used in 3D theaters is a lot different than before. The RealD 3D technology, which is used in theaters, use circular polarized light. This, when used with polarized glasses, makes the right and left eyes see different pictures creating better 3D effects.

Sound effects play a huge part in theatre as they help in unfolding of the story. They tell you about the action, and about how each of the events will unfold. They also help in manipulating composed or recorded audios. Most theaters, employ sound designers whose entire job revolves around this art of sound designing.

In movie theaters, MIDI and digital audio technology are used in a big way. Computerised theatre sound systems are also used in various plays and productions. Modern audio technology like the ones in DJToolsGuide.com can easily be integrated into live performances, which makes theaters offer a more immersive experience.

IMAX 3D uses larger screens and larger film sizes with Dolby Digital sound. Some other theatres use analog technologies, but that means that if the viewer doesnt look straight at the screen, the 3D effects get lost. There are also digital projectors, LCD shutter glasses which are being used in todays world.

Dolby 3D is another popular technology in use today, and uses polarized glasses which has multiple coatings and cut out specific frequencies of light. The lenses are curved which give better effects too.

With Virtual Reality coming in, it wont be long enough before we have planetarium type shows taking over conventional movie theatres. When it comes to audio, these new theaters can be fitted with 64 speaker feeds which provide an amazing experience to the audience.

The EQ resolution is used for optimization for all types of playback content, and it is used even when the environment is acoustically challenged. The configurations provide I/O interfaces of the digital cinema and there is automatic calibration done so that the quality of playback is consistently at high quality.

These systems allow for individual amplification and equalization of surround speakers and also support bass management of subwoofers.

Jake Gyllenhaals ripped physique in Southpaw, Anne Hathaways slimmed down build in Les Miserables; stars have always taken their exercise and diet routines to extreme limits in order to play the part in films, but how do they do it?

Portman and Kunis have always had slender physiques, but in order to play cut-throat, obsessive ballerinas, the stars both had to drop 20 pounds. Kunis spent seven months training four hours per day, every day of the week, and drastically cutting back on calories, eating very small portions of a balanced diet. Portman, who was already a vegan, continued to eat many of the same foods, although in smaller portions. For nearly a year she trained with a former professional ballerina, spending up to eight hours, six days per week, doing swimming, cross-training, and ballet classes in order to get the ballerina physique.

When Hemsworth took on the role of Thor, he gained 30 pounds of muscle to transform his body into the God-like physique needed. To do this Hemsworth stuck to a strict eating schedule, packing away huge amounts of protein, rice and vegetables every three hours, even when he wasnt hungry. It also meant spending at least two hours a day doing an intense work-out regimen of not just weight-lifting in his home gym but also aspects of Crossfit, martial arts and boxing. One surprising aspect of his get-fit routine? Sleeping, which he says was an important part of the equation.

Portraying a starving prostitute meant Hathaway had to drop 25 pounds through an initial two-week cleanse, followed by two weeks of a diet of two dried oatmeal paste squares each day. Why such a harsh diet? The actress needed to look near death, her character was dying from tuberculosis after all, so exercising was off the table.

Cooper took on the role of the Navy SEAL with just ten weeks to gain 40 pounds of muscle. In order to pull of this near impossibility he turned to a professional trainer and began working out twice a day. Starting with basic exercises like deadlifts and squats he then moved on to traditional weightlifting techniques. To top it all off, Cooper ate a whopping 5,000 calories each day which included 5 meals, protein drinks and energy bars.

Beyonce needed to trim down her usually curvaceous body in order to play the slim 16-year old in the film. In order to lose 20 pounds in two short weeks, the star turned to the Master Cleanse Diet, which meant eating no solid food and drinking daily 6-12 glasses of water mixed with lemon juice, maple syrup and cayenne pepper. She does admit to cheating a bit by drinking protein drinks and eating fish and vegetables.

Aiming for authenticity, as well as a seriously ripped physique, Gyllenhaal worked with a professional boxing coach to prepare for the role. Starting at just 147 pounds, Gyllenhaal gained 28 pounds of hard muscle through running, jump roping, boxing drills, and weight training. All of that training had one benefit, an unrestricted diet with only one edict; lots of protein.

Dont think you could get the same results as your favorite star? Youre probably right, but with good reason. While the stars worked with nutritionists and personal trainers almost round the clock to obtain these extreme results, they are nearly universally considered unhealthy.

Also read:Acting in the Theatre can be Very Intense, do Actors Get Enough Sleep?

Celebrities lead fairly fabulous lives but they are often hectic as well. They frequently have to travel across the country at a moments notice, attend parties at late night hot spots for publicity, follow rigorous and demanding schedules, etc.

So, it comes as no surprise that sleep is not always their number one priority. In fact, prescription medication and insomnia have often been the culprits in a number of high-profile celebrity deaths this paints a vivid picture of how dangerous sleep problems can be if not treated responsibly.

But, did you know that the lives of theatre actors are even more hectic? This particular profession is not for the lazy and requires a lot of passion, dedication, and a number of other hardy traits. Some of these include:

There are some theatre actors who love live shows as they provide instant feedback. Still, there are others who dread it because the presence of the audience is a constant reminder that theyre acting something that can be distracting if you lack the discipline and focus needed to stay in the moment while audience members react, answer telephone calls, smoke, take pictures, etc.

Even though all actors make a lot sacrifices, sleep seems to be the hardest hit. Theatre actors, in particular, have to get up early for their day jobs and stay up late to get the chance to follow their passion. They also have to squeeze in time to memorize lines and run errands. When you finally take a minute to see how much time all these activities take, its easy to see why many theatre actors dont get the 7 hours needed for quality rest.

Most actors seem to be handling their hectic lives well but, the truth is, they arent immune to the sleep-related health problems that plague us. But when you consistently miss out on sleep, it can lead to a wide variety of serious health issues like heart problems, diabetes, obesity, and more.

Thankfully, there is some good news to be had its relatively easy to start getting better sleep. Some general rules of thumb include:

Previous post:Ten Things to Learn from the Royal Court Theatre Building Tour

Lately, there were incidences of the audience members at a theatre who did not behave brilliantly. Some of these annoying and bad experiences are given here.

The noisy headphones: A person at the Lyttleton was wearing either to using headphones to listen to music or hadnt turned off the MP3 player. No one could find where the music and singing came from but it was audible during the quieter scenes. On hearing these irritating sounds, there were a lot of puzzled looks that the audience started passing among one another. In the end, many people complained to the escort at the interval and an announcement was made in the general direction of where the noise came from and the music went off during the second half.

The giggling teenagers: One of the tiny studios is Trafalgar Studios 2 and the actors are usually within the reachable distance in this theatre. It was a play Dickens with a Difference, a Dickens themed double bill. James Swanton, the performer, took on the characters for the second show and warping himself into each one in what is said to be a gripping and skilled performance. Two teenager girls were sitting in the mid of the front row that is virtually under the nose of Swanton. They were not too gripped to the play and they decided to giggle, whisper, and snort all their way through the play. Swanton soldiered on the waiting till the curtain call to end the play thanking all for attending the play. He did not forget to point out to the girls by saying he had made the two of them laugh and stated that he hopes that he did not spoil their enjoyment.

Disturbances during play: At the Park Theatre during the Jonah and Otta play, three irritating audience incidents were reported. First, a woman with a ring tone of a child laughing decided to leave to answer the call. Later, someone wandered in the auditorium having gone through a wrong door and apologised loudly before leaving. Finally, a woman with a bad cold was coughing and sneezing for some time. She later sighed and muttered as well.

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Futurist Theatre Live Theatre Like Youve Never Seen It

Stars’ futurist fashion at Valerian premiere – Sky News

Actress Cara Delevingne poses at the premiere for Valerian and the City of a Thousand Planets in Los Angeles, California

Co-star Rihanna also attended the event

Model Kendall Jenner

A view of the SKYJET, a collaboration by Lexus and EuropaCorp

(L-R) Produer Virginie Besson-Silla, Dane DeHaan, Rihanna, Cara Delevingne, director Luc Besson and Kris Wu

Pauline Hoarau and Sasha Luss

Aymeline Valade attends the premiere

Cindy Bruna poses for a photo with the SKYJET. Continue through for more pictures

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Stars’ futurist fashion at Valerian premiere – Sky News

What is the Future of the Human Resource Function …

From time to time we respond to questions about the future sent in via email by readers. We dont have a lot of time for this, but when a question seems especially interesting we offer our thoughts.

I am Manager in the Human Resources Function in a large Indian Pharmaceutical company. My question is what is the future of the Human Resource Function? Regards,

Gaurav Gupta Manager-HRD Ranbaxy Laboratories

Response by Richard Wilkinson, 2001

Glen Hiemstra asked me to respond to your inquiry. I think you have asked a simple but powerful and important question. My view is the future of HR appears contradictory.

On the one hand, the view of HR as a marginal contributor to organizational success seems to persist. Periodically the HR function is excoriated in the business press for its alleged irrelevancy to customer satisfaction, business profits, and increasing shareholder or stakeholder value. In this view HR is, at best, a collection of well-meaning but out-of-touch corporate bureaucrats who present barriers for employees and managers to hurdle as these real workers strive to deliver quality and value for the customer. Looked at this way, HR will become even more marginal as the strategic decisions and focus of organizational leaders are directed elsewhere.

Heres the contradictory part: Never before has it been so clear that effective human resource management practices lie at the heart of organizational success. Dr. Jeffrey Pfeffer of Stanford University makes a compelling case for high performance people strategies in his 1998 book The Human Equation (Boston: Harvard University Press). Here are four pertinent citations from this book:

A number of studies spanning different organizations operating in various service industries provide evidence for a positive relationship between employee attitudes and customer service and satisfaction and, moreover, a relationship between employee attitudes, customer attitudes, and profits. p. 55

[C]ustomer satisfaction and perceptions of service quality were significantly related to measures of employee attitudes about fairness of pay, whether management was concerned about employee welfare and treated people fairly, and whether supervisors encouraged an open and participative work environment. Ibid

Better service and higher employee satisfaction do, however, frequently produce higher profits. [N]umerous firms, such as Singapore Airlines, have succeeded financially by emphasizing employee well-being and customer service. p. 56

The existing research clearly shows that: prior empirical work has consistently found that use of effective human resource management practices enhances firm performance. p. 60

My view is that it is HRs job, though not HRs job alone, to champion and shepherd effective human resource management practices at both the strategic and day-to-day levels. That is, to be effective, human resource management practices must be grounded in two ways. First, they must reflect company wide commitments as to how it will manage and relate to its employees. Second, HR must follow-through on such commitments in the moment so that the words of the enterprise and deeds of its agents are congruent.

Although I see a different emphasis for HR in the future, I see HRs fundamental purpose-to build a positive, productive workplace-remaining unchanged. With this in mind, I see a successful future of HR revolving around three complementary and overlapping roles. I believe in fulfilling these roles HR will prove itself an important and legitimate contributor to organizational achievement. The heart underpinning these roles is less control, more learning. Here are the roles:

Facilitating the employee/employer connection, principally through empowering technologies (both digital and procedural) that emphasize employee self-service and managerial independence.

The corollary to this role is consistent striving to minimize dependent relationships between employees/managers and HR through transferring knowledge and expertise from HR to HRs clients. This is accomplished in part by using computer technologies enabling employees and managers to handle transactions online that they formerly needed HR to administer. Through employee and manager self-service features, such technologies also put greater access and control over information in the hands of employees and managers, thus increasing personal mastery and independence.

HRs task here may best be conceived as a help desk function: Set-up the systems, teach others to use them, and then get out of the way, answering questions from the field only as these arise.

Designing and helping implement high performance people strategies in partnership with line staff. The scope of such efforts could be quite narrow-at the team level-or system wide. As in #1, the focus is on developing employee and manager self-reliance through the skillful sharing of expertise by HR. The focus, though, is on applying that expertise in ways that are explicitly tied to priorities of line staffs.

What are high performance people strategies? Dr. Pfeffer identifies, seven dimensions that seem to characterize most if not all of the systems producing profits through people.

Serving as a catalyst for learning and communication. As educator HR has three jobs: (A) Introduce fresh thinking and new ideas to promote creativity, innovation and successful adaptation within the enterprise; (B) Persist in developing mastery of adopted organizational practices and process improvement methodologies by employees and managers; and, (C) Communicate extensively whats happening within the organization and why, especially as these relate to the seven high performance people strategies identified above.

What will such a function be called? I doubt it will be called human resources. While the new name eludes me, I believe it will be along the lines of Center for Organizational Effectiveness; not a department that is separate and apart from other departments, but a Center people are drawn to for nourishment, insight and understanding.

I hope this assessment of the future of HR has some appeal to you. Since I am a strong believer in designing the futures we prefer, the Facilitator/Designer/Educator role may be more reflective of the kind of HR function I want to create, as opposed to where the field is heading generally. Nonetheless, I hope you find the ideas useful as you consider the future human resources function that will best serve your organization.

Best of luck!

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What is the Future of the Human Resource Function …

THE FUTURIST: Economic and existential concerns cloud the future – Sarasota Herald-Tribune

By David Houle

September is a month that has had a lot of meaning for most members of the Silent Generation and the Baby Boomers through their lives.

It was the month when most of us went back to school or off to college. It was the start of the traditional TV season back when there were just a few channels. It was the month when the new car models were revealed by the Detroit automakers.

Labor Day was the official end of summer and it was back to the realities of work and school. Summer romances quickly receded as a result. Back to life and the new possibilities. Summer vacation was over.

(When did it become a reality that K-12 schools and colleges started their school years by mid-August? When and why did that happen? School got out in early June and began again in early September. Remember those last two weeks of August when the summer job ended and you had a couple of weeks of hazy summer days? What happened to that seasonal rhythm?)

Well, as we move into September this year, there are a lot of events ahead that could profoundly shape the business and investment landscapes. It is a month when active investors need to pay close attention to non-financial news.

Nuclear war

This is the only part that feels like the old days. For my entire life until I was into my 40s, mutually assured destruction was simply an existential reality. This time, of course, we have shouted boasting from two leaders who seem to have little perspective on what nuclear war truly would be.

I dont think this will happen.But if any type of conflict arises, the equities markets will do a fast and probably prolonged swan dive to substantially lower valuations.

The inability of Congress and the president to get anything done.

History suggests that when either party controls the White House, the Senate and the House of Representatives, that party would move quickly and efficiently on a legislative agenda. Not in 2017. I cannot remember any time in my life and perhaps in history when a party in control of the executive and legislative branches was so incapable of governing. I would say the same thing if it were Democrats.

This inability to work for the benefit of America is dangerous and could have profoundly negative economic consequences.

Health care represents 17 percent of the nations GDP and currently is in a state of suspended animation and uncertainty. Not good.

The all talk, no action on much-needed infrastructure funding needs will be a true drag on the economy. Crumbling roads, a reported 10,000 bridges in critical condition of collapse, railroad tracks in complete disrepair, an aging air traffic control system and even the crumbling of the New York City subway system are all a drag on the economy and a danger to citizens. Imagine the consequences if no acceptable infrastructure bill gets passed and there are several train crashes and collapsed bridges that take American lives because of the absence of leadership and intelligent action in Washington.

Economic issues

Of course, there are truly significant economic events ahead in September that have the capacity to cause havoc with almost any investment portfolio.

First, there is the need to raise the debt ceiling by the end of the month to avoid a government shutdown. Our national debt is $20 trillion and our unsecured indebtedness as a country is close to $100 trillion.

Take the current ineffectual political leadership and layer on top of it the politicians who have spent a lot of hot air talking about the need for a balanced budget and what do you have?

Which bad option will they embrace? A call to keep the debt ceiling where it is, triggering a default? Or passage of legislation raising the debt ceiling and increasing the leveraged state of the country?

A default would have massively negative effects on financial markets. An increase in the debt ceiling continues what seems to be a path to ultimate default and will have a lesser but still significant effect on markets.

The Republicans have stated consistently they want to pass a tax-reform bill that simplifies the tax code and lowers taxes. It is hard to see how this can happen any time during the debt-ceiling discussions.

Am I delusional or are our elected officials?

As a now full-time resident of Sarasota, I look forward to September and October as those months of perfect weather when the snowbirds and winter tourists have yet to clog our streets and restaurants. On the political and financial fronts, however, September 2017 may well prove to be an extremely nervous, unsettling and perhaps negative time for investors and business people.

Pay attention and be ready to move quickly with your portfolios.

Sarasota resident David Houle is a globally recognized futurist. He has given speeches on six continents, written seven books and is futurist in residence at the Ringling College of Art + Design. His website is davidhoule.com. Email him at david@davidhoule.com.

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THE FUTURIST: Economic and existential concerns cloud the future – Sarasota Herald-Tribune

Utah Futurist Rebrands NewVistas Effort – Valley News

Royalton David Hall, the Utah engineer who envisions a planned settlement of thousands in four White River Valley towns, is renaming his operation here as he works to overcome local opposition to his plans.

Even as Hall shifts his attention from acquiring land to cultivating businesses based on technological innovations needed to realize his dream, Vermont planners and activists are moving to alter town plans as a way of promoting their own vision, rather than Halls, for the regions future.

The roughly 1,500 acres on which Hall eventually hopes to build his community now belong to a new legal entity, Windsorange LLC, that he says is part of an effort to rebrand his enterprise and allay fears that his plan, known as NewVistas, is coming anytime soon.

The name is a combination of the two Vermont counties, Windsor and Orange, that Hall says he hopes to improve.

What people never caught on to is (that) NewVistas is way in the future, and the first thing that needs to be done is jobs and commerce, Hall said in an interview last week. I decided to change the name so that people didnt think we were trying to do NewVistas right away.

The land that Hall has acquired in Royalton, Sharon, Strafford and Tunbridge is less than a third of the 5,000 acres that he envisions will hold a self-sustaining, carbon-neutral city based on designs from Joseph Smith, the Mormon prophet, who was born in Sharon.

Although the Church of Jesus Christ of Latter-day Saints owns the Joseph Smith Memorial near Halls holdings, the Mormon church has denied any connection to the wealthy Provo, Utah, futurist.

The 70-year-old Hall, who always has maintained that a NewVistas community in Vermont is decades away, now says he is focusing on offshoots of the research needed to make his self-sustaining communities possible.

I have lots of expanding businesses under my umbrella, he said, and so what my hope is, is to get some good cooperation with other key people in the area potential partnerships that could bring to the White River Valley some good jobs, he said.

Hall declined to name his contacts or put the Valley News in touch with them, saying that would be premature.

Around the time his plans first became public, in 2016, he mentioned he might like to find a foothold in the Upper Valley by establishing a research partnership with Vermont Law School.

I tried, he said last week, but I got soundly rejected. So Ill just wait. My ideas are too far out for most people. But Im patient. I can wait.

The website for Halls research group, Hall Labs, showcases eight businesses with products on the market, all of them with futuristic-sounding names such as office.xyz, Medic.Life and Vanderhall.

Those last two are the most promising so far, Hall says.

Vanderhall, a boutique auto company, manufactures cars from a single sheet of metal using precise laser cutting techniques. The result is a lightweight, custom-made specialty car with three wheels that looks somewhat like a motorcycle with doors.

The name Vanderhall is a mashup of David Halls last name and that of his wife, nee Karen Van Dyke. The companys president, their son Steve, appeared earlier this month on Jay Lenos Garage, the CNBC show featuring the former late night comedian.

Vanderhalls inventory is low, at about 1,000 per model, but sales are steady, and a new branch of this or another of Halls companies might someday open in the Upper Valley, he said.

The other major project, Medic.Life, will have the greatest long-term effect on its industry, Hall says. The companys health-taking toilet technology is designed to analyze the users vitals, finding patterns and giving warnings before treatment is necessary.

Right now we react when were sick, Hall said. We go to the hospital after the fact. And thats ridiculous. What we need is something thats gathering info about us our whole lives, finding the trends … and processing the data.

Halls land acquisition has come to a halt for the moment, remaining at about 1,500 acres in the four towns after an influx of offers drove him over budget. But however far off his goal may be, the question remains of what he will do with the land he has taken off the market.

Hall says he has fixed up several of the properties he bought and that he maintains them and pays taxes on them. Yet some of the old buildings he has acquired may be too decrepit to warrant repairs, he says.

Theres really questions as to whether its best to tear them down and restore the land or to fix them up, he said.

Those questions led to other questions. What roads can I get rid of and what buildings can I tear down to start my consolidation ideas? he said.

Despites Halls assurances that a Vermont settlement is a long way off, local critics, most prominent among them the Alliance for Vermont Communities, have continued their work to unite the community under a different vision.

Michael Sacca, a freelance producer from Tunbridge who serves as president of the alliance, expressed frustration last week at Halls determination to pursue his dream, regardless of the communitys response.

Sacca cited this springs Town Meeting votes on anti-NewVistas resolutions in the four communities, all of which overwhelmingly came down against Halls idea.

Its disappointing to us that he has this attitude that everythings fine, Sacca said.

Oh, it doesnt matter, its in the future, he said, channeling Hall. But my sons are living here. There are plenty of people who are staying here. Its not as if the situations going to change. Theres a lot of people working to protect this rural heritage.

To advance its own vision for a vibrant rural community, the Alliance for Vermont Communities recently held a cycling event in Tunbridge, a 16-mile and 32-mile course called the Ranger Ride.

The June event brought riders through many of the lands the alliance deems in danger of development by Hall.

Sacca said his group was planning more events, including public forums, to take place soon.

Many alliance board members also happen to serve on the four towns planning commissions, all of which are in some stage of revisions to their town plans.

Town plans are periodically updated documents that describe communities vision for future land use and development.

Though they do not carry the same regulatory force as, say, zoning, they inform development of regulations and, if worded carefully, can have significant influence in the permitting process under Act 250, the Vermont law governing large-scale developments.

Planners in the four towns last week said they are taking residents views on NewVistas into account, and, in some cases, have been weighing changes that could limit the ideas feasibility.

Beth Willhite, chairwoman of the Royalton Planning Commission, said the panel was preparing to advance a few small changes to the Town Plan to state where we are, but in more firm language that in farm areas we want farming and we dont want multi-unit housing or developments.

The commission likely will hold a public forum soon to discuss these potential changes, she said, after which the Selectboard would have the power to ratify them.

Willhite said the Royalton Planning Commission also was considering changes to the Town Plan addressing allowable density Halls NewVistas development would pack roughly 20,000 people into a few thousand acres. But before it makes any final decisions, the commission is consulting local farmers and other businesses to see what their needs are, she said.

Once you start passing regulations it applies to all and not some, Willhite said, and so you have to be sure youre planning for what you want.

Peter Anderson, a member of the Sharon Planning Commission, said that towns land use board was revising language in the Town Plan relating to rural, residential and forested areas.

Other than that, he kept the commissions talks, which are far from final, close to the chest.

Im not ready to say we tailored it for the NewVista, he said in an interview last week. I think its more like we consciously went over it to see what was there (that needed updates).

In Strafford, the Selectboard is considering a proposal submitted by the Planning Commission that could make developments like Halls more difficult in that town.

Toni Pippy, chairwoman of the Selectboard, said a final hearing on the changes would likely take place in September.

NewVista has definitely had something to do with our plan, she said. I think the neighborhood is pretty nervous about what he could do to our world. Hopefully whats in the plan will help.

Among other changes, the Selectboard is mulling modifications that would break the existing rural residential district into two new districts, each with new expectations for low-density development.

Strafford is the only town among these four that has zoning, apart from some flood plain regulations in other towns. If its Selectboard were to pass these changes, they could lead to zoning changes, too, Pippy said.

Tunbridge also is nearing changes to its Town Plan, which expires in spring 2018.

Co-Chairwoman Ingrid Van Steamburg, who also is a member of the alliance board, said some potential revisions are designed to strengthen the regulatory weight of the Town Plan under Act 250 proceedings.

Regional planners have met with the four towns planning commissions and informed them that such changes as revising should to shall in town plans gives them more power.

It was explained to all of the towns that if you dont have strong language it doesnt have a lot of weight in those hearings, Van Steamburg said.

A public hearing on Town Plan updates in Tunbridge will take place Monday night at 7 p.m. at the Town Hall.

Rob Wolfe can be reached at rwolfe@vnews.com or at 603-727-3242.

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Utah Futurist Rebrands NewVistas Effort – Valley News

Visual Effects Society Names Acclaimed Visual Futurist Syd Mead A Keynote Speaker at 2017 VES Summit – SHOOT Online


SHOOT Online
Visual Effects Society Names Acclaimed Visual Futurist Syd Mead A Keynote Speaker at 2017 VES Summit
SHOOT Online
The Visual Effects Society (VES), the industry's global professional honorary society, announced acclaimed visual futurist and VES Visionary Award honoree Syd Mead as a Keynote Speaker at its 9th annual Summit, Inspiring Change: Building on 20 Years

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Visual Effects Society Names Acclaimed Visual Futurist Syd Mead A Keynote Speaker at 2017 VES Summit – SHOOT Online

Residents ‘Happy’ With Futurist Development – Yorkshire Coast Radio

Scarborough Borough Council says residents with properties near the Futurist Theatre site are now happy with the plans to develop the area.

It comes after a drop in session that was hosted by the council where residents who had fears about their properties once the development got underway could come and talk to representatives.

The planning application for the development of the Futurist Theatre site that will be looked at later this year is to look at the method of the demolition.

It’s likely that the application will be heard by the beginning of October and if that is successful, preliminary works could begin by Christmas.

Mike Cockerill is from Scarborough Borough Council’s Cabinet, he said:

“Obviously residents had fears with such a major demolition and site stabilisation going on adjacent to their properties.

Most of the residents who came to the drop in session had their fears significantly allayed and they went away happy.

The major concern with the demolitionand stabilisation, is residents who fear their property may even fall down.

We put those concerns to bed because there is no way that we’re going anyway more than 10 metres to any adjacent properties.”

You can listen to the full interview with Cllr Mike Cockerill here:

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Residents ‘Happy’ With Futurist Development – Yorkshire Coast Radio

Acclaimed Visual Futurist Syd Mead to Deliver Keynote Address at … – Animation World Network (press release) (registration) (blog)

LOS ANGELES — The Visual Effects Society, the industrys global professional honorary society, has announced acclaimed visual futurist and VES Visionary Award honoree Syd Mead as a keynote speaker at its ninth annual VES Summit, Inspiring Change: Building on 20 Years of VES Innovation. The 2017 VES Summit takes place on Saturday, October 28th at the Sofitel Hotel Beverly Hills.

Featured Speakers will include President of IMAX Home Entertainment Jason Brenek and renowned online security expert and founder of SSP Blue Hemanshu Nigam. The interactive forum on Saturday, October 28th celebrates the Societys milestone 20th Anniversary and will bring together top creatives, executives, thought leaders and visionaries from diverse disciplines to explore the dynamic evolution of visual imagery and the VFX industry landscape in a TED Talks-like atmosphere.

Keynote speaker Syd Mead is an acclaimed visual futurist and conceptual artist whose storied career spans almost six decades. He was honored as the recipient of its VES Visionary Award at the 14th Annual VES Awards in 2016 for his unique ability to create unforgettable images and advance storytelling through his futuristic design aesthetic. Meads career began as he created characters and backgrounds for animated cinema intermission trailers just out of high school. After serving in the U.S. Army and receiving his education at the Art Center School in Los Angeles, Ford Motor Companys Advanced Styling Studio recruited Mead. After Ford, he took on high-profile design assignments for blue chip companies including U.S. Steel, Philips Electronics and Intercontinental Hotels.

In 1979, Meads projects expanded to designing for Hollywood as he began to work with most major studios. His cinema entre was legendary, starting with the creation of the Vger entity for Star Trek: The Motion Picture, followed by two cult classics — Bladerunner and Tron. Meads designs for robots, vehicles and other-worldly environments have also been featured in films including 2010, Short Circuit, Aliens, Time Cop, Johnny Mnemonic, Mission Impossible 3 and Elysium.

Concept art for director Ridley Scotts 1982 classic feature Blade Runner by Syd Mead.

With transportation design as his first love, Mead seldom misses an opportunity to provide his unique blend of futurism and believability to designing vehicles — from concept cars, cruise ships and hypervans to interplanetary cinematic spacecrafts that transport audiences to new worlds. In the 1980s, Mead established close working relationships with a number of major Japanese companies including Sony, Minolta, Dentsu, Dyflex, Tiger, Seibu, Mitsukoshi, Bandai, NHK and Honda as well as contributing to Japanese film projects, Yamato 2520 and Solar Crisis. In the 1990s, he supplied designs for all eight robot characters in the Turn A Gundam mobile suit series and TV show. Extensive collections of Meads work have been exhibited worldwide, drawing record crowds and he continues an active schedule of one-man shows and presentations.

Featured speaker Jason Brenek joined IMAX Corporation in 2015 as President, IMAX Home Entertainment, where he oversees a series of global initiatives designed collectively to translate elements of The IMAX Experience to the home setting, including the IMAX Private Theatres, an over-the-top movie service for delivering IMAX-enhanced Hollywood films into homes, and IMAX technology licensing into premium consumer electronics. He also oversees virtual reality content acquisitions and curation for the new IMAX location-based VR centers.

Prior to joining IMAX, Brenek spent more than a decade in senior management at The Walt Disney Studios. He led Disneys international teams and sub-distributors in the commercialization of Disney, Pixar, and Marvel movies in New Media/Digital, Television and Retail channels. His teams have led the industry in the launch of innovative and lucrative partnerships and products around the world. In his concurrent role of Head of Global Business Development and Strategic Partnerships, Brenek was later responsible for sourcing new revenue opportunities, business models, investments, establishing strategic partnerships, and digital product strategy and incubation for the Studios multi-billion dollar Global In-Home Distribution segment.

Prior to these roles, Brenek worked in Disneys Global Theatrical Distribution division as Senior Vice President, Worldwide Digital Cinema and Cinema Programming where he was responsible for setting and executing Disneys global cinema strategy, overseeing Digital Cinema Operations, negotiating Digital Cinema deployment and digital 3D deals around the world, as well as developing and overseeing 3D and Cinema Programming. He was instrumental in Disneys emergence to the forefront of the Digital Cinema and Digital 3D world. In 2015, the International 3D & Advanced Imaging Society awarded Brenek with its first Founders Award.

Featured Speaker: Hemanshu (Hemu) Nigam has worked inside the largest prosecuting agencies, software companies, media and entertainment giants, and most influential trade associations in the world. Nigam served as the Chief Security Officer of News Corporation and Fox Interactive Medias digital properties, as CSO of MySpace, and as a security executive in Microsoft. He was also the Vice President of Worldwide Internet Enforcement at the Motion Picture Association of America. He began his career as Los Angeles County prosecutor specializing in sex crimes and child abuse before serving as a federal prosecutor against online crimes against children and computer crimes in the US DOJ. Today, he is the founder of SSP Blue, a cyber security advisory company that has helped companies like Participant Media, SnapChat, Microsoft/Xbox, Disney, AT&T, Microsoft, JustFab, and others deal with challenges in cyber security, privacy, and safety.

A veteran of online security, he brings over 20 years of experience in private industry, government, and law enforcement. Nigam has been a keynote speaker at the United Nations on stopping cyber hate, and has been a member of the White Houses cyber stalking task force and co-chair of President Obamas Online Safety Technology Working Group. Nigam has spent a career chasing bad guys online and offline bringing them to justice. He was one of U.S. DOJs first online crimes prosecutors who took down an international child sex trafficking ring as well as prosecuted online child predators and hackers. His insightful expert commentary on cyber security offers an insiders view of the dark online underworld. Nigams personable style coupled with his unique ability to simplify cyber security for viewers to understand makes him a frequent guest on U.S. and international media. He also has a video blog at http://www.InsideCyberCrime.com where he breaks down cyber security, privacy, and safety topics in accessible segments.

Source: Visual Effects Society

Jennifer Wolfe is Director of News & Content at Animation World Network.

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Acclaimed Visual Futurist Syd Mead to Deliver Keynote Address at … – Animation World Network (press release) (registration) (blog)

Futurism – Wikipedia

Futurism (Italian: Futurismo) was an artistic and social movement that originated in Italy in the early 20th century. It emphasized speed, technology, youth, and violence, and objects such as the car, the aeroplane, and the industrial city. Although it was largely an Italian phenomenon, there were parallel movements in Russia, England, Belgium and elsewhere. The Futurists practiced in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, urban design, theatre, film, fashion, textiles, literature, music, architecture, and even Futurist meals. Its key figures were the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carr, Gino Severini, Giacomo Balla, Antonio Sant’Elia, Bruno Munari, Benedetta Cappa and Luigi Russolo, the Russians Natalia Goncharova, Velimir Khlebnikov, Igor Severyanin, David Burliuk, Aleksei Kruchenykh and Vladimir Mayakovsky, the Belgian Jules Schmalzigaug and the Portuguese Almada Negreiros. It glorified modernity and aimed to liberate Italy from the weight of its past.[1]Cubism contributed to the formation of Italian Futurism’s artistic style.[2] Important Futurist works included Marinetti’s Manifesto of Futurism, Boccioni’s sculpture Unique Forms of Continuity in Space, and Balla’s painting Abstract Speed + Sound (pictured). To some extent Futurism influenced the art movements Art Deco, Constructivism, Surrealism, Dada, and to a greater degree Precisionism, Rayonism, and Vorticism.[citation needed]

Futurism is an avant-garde movement founded in Milan in 1909 by the Italian poet Filippo Tommaso Marinetti.[1] Marinetti launched the movement in his Futurist Manifesto,[3] which he published for the first time on 5 February 1909 in La gazzetta dell’Emilia, an article then reproduced in the French daily newspaper Le Figaro on Saturday 20 February 1909.[4][5][6] He was soon joined by the painters Umberto Boccioni, Carlo Carr, Giacomo Balla, Gino Severini and the composer Luigi Russolo. Marinetti expressed a passionate loathing of everything old, especially political and artistic tradition. “We want no part of it, the past”, he wrote, “we the young and strong Futurists!” The Futurists admired speed, technology, youth and violence, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature, and they were passionate nationalists. They repudiated the cult of the past and all imitation, praised originality, “however daring, however violent”, bore proudly “the smear of madness”, dismissed art critics as useless, rebelled against harmony and good taste, swept away all the themes and subjects of all previous art, and gloried in science.

Publishing manifestos was a feature of Futurism, and the Futurists (usually led or prompted by Marinetti) wrote them on many topics, including painting, architecture, religion, clothing and cooking.[7]

The founding manifesto did not contain a positive artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting (1914).[8] This committed them to a “universal dynamism”, which was to be directly represented in painting. Objects in reality were not separate from one another or from their surroundings: “The sixteen people around you in a rolling motor bus are in turn and at the same time one, ten four three; they are motionless and they change places. … The motor bus rushes into the houses which it passes, and in their turn the houses throw themselves upon the motor bus and are blended with it.”[9]

The Futurist painters were slow to develop a distinctive style and subject matter. In 1910 and 1911 they used the techniques of Divisionism, breaking light and color down into a field of stippled dots and stripes, which had been originally created by Giovanni Segantini and others. Later, Severini, who lived in Paris, attributed their backwardness in style and method at this time to their distance from Paris, the centre of avant-garde art.[10] Severini was the first to come into contact with Cubism and following a visit to Paris in 1911 the Futurist painters adopted the methods of the Cubists. Cubism offered them a means of analysing energy in paintings and expressing dynamism.

They often painted modern urban scenes. Carr’s Funeral of the Anarchist Galli (191011) is a large canvas representing events that the artist had himself been involved in, in 1904. The action of a police attack and riot is rendered energetically with diagonals and broken planes. His Leaving the Theatre (191011) uses a Divisionist technique to render isolated and faceless figures trudging home at night under street lights.

Boccioni’s The City Rises (1910) represents scenes of construction and manual labour with a huge, rearing red horse in the centre foreground, which workmen struggle to control. His States of Mind, in three large panels, The Farewell, Those who Go, and Those Who Stay, “made his first great statement of Futurist painting, bringing his interests in Bergson, Cubism and the individual’s complex experience of the modern world together in what has been described as one of the ‘minor masterpieces’ of early twentieth century painting.”[11] The work attempts to convey feelings and sensations experienced in time, using new means of expression, including “lines of force”, which were intended to convey the directional tendencies of objects through space, “simultaneity”, which combined memories, present impressions and anticipation of future events, and “emotional ambience” in which the artist seeks by intuition to link sympathies between the exterior scene and interior emotion.[11]

Boccioni’s intentions in art were strongly influenced by the ideas of Bergson, including the idea of intuition, which Bergson defined as a simple, indivisible experience of sympathy through which one is moved into the inner being of an object to grasp what is unique and ineffable within it. The Futurists aimed through their art thus to enable the viewer to apprehend the inner being of what they depicted. Boccioni developed these ideas at length in his book, Pittura scultura Futuriste: Dinamismo plastico (Futurist Painting Sculpture: Plastic Dynamism) (1914).[12]

Balla’s Dynamism of a Dog on a Leash (1912) exemplifies the Futurists’ insistence that the perceived world is in constant movement. The painting depicts a dog whose legs, tail and leashand the feet of the woman walking ithave been multiplied to a blur of movement. It illustrates the precepts of the Technical Manifesto of Futurist Painting that, “On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular.”[9] His Rhythm of the Bow (1912) similarly depicts the movements of a violinist’s hand and instrument, rendered in rapid strokes within a triangular frame.

The adoption of Cubism determined the style of much subsequent Futurist painting, which Boccioni and Severini in particular continued to render in the broken colors and short brush-strokes of divisionism. But Futurist painting differed in both subject matter and treatment from the quiet and static Cubism of Picasso, Braque and Gris. Although there were Futurist portraits (e.g. Carr’s Woman with Absinthe (1911), Severini’s Self-Portrait (1912), and Boccioni’s Matter (1912)), it was the urban scene and vehicles in motion that typified Futurist paintinge.g. Boccioni’s The Street Enters the House (1911), Severini’s Dynamic Hieroglyph of the Bal Tabarin (1912), and Russolo’s Automobile at Speed (1913)

In 1912 and 1913, Boccioni turned to sculpture to translate into three dimensions his Futurist ideas. In Unique Forms of Continuity in Space (1913) he attempted to realise the relationship between the object and its environment, which was central to his theory of “dynamism”. The sculpture represents a striding figure, cast in bronze posthumously and exhibited in the Tate Modern. (It now appears on the national side of Italian 20 eurocent coins). He explored the theme further in Synthesis of Human Dynamism (1912), Speeding Muscles (1913) and Spiral Expansion of Speeding Muscles (1913). His ideas on sculpture were published in the Technical Manifesto of Futurist Sculpture[13] In 1915 Balla also turned to sculpture making abstract “reconstructions”, which were created out of various materials, were apparently moveable and even made noises. He said that, after making twenty pictures in which he had studied the velocity of automobiles, he understood that “the single plane of the canvas did not permit the suggestion of the dynamic volume of speed in depth … I felt the need to construct the first dynamic plastic complex with iron wires, cardboard planes, cloth and tissue paper, etc.”[14]

In 1914, personal quarrels and artistic differences between the Milan group, around Marinetti, Boccioni, and Balla, and the Florence group, around Carr, Ardengo Soffici (18791964) and Giovanni Papini (18811956), created a rift in Italian Futurism. The Florence group resented the dominance of Marinetti and Boccioni, whom they accused of trying to establish “an immobile church with an infallible creed”, and each group dismissed the other as passiste.

Futurism had from the outset admired violence and was intensely patriotic. The Futurist Manifesto had declared, “We will glorify warthe world’s only hygienemilitarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman.”[6][15] Although it owed much of its character and some of its ideas to radical political movements, it was not much involved in politics until the autumn of 1913.[14] Then, fearing the re-election of Giolitti, Marinetti published a political manifesto. In 1914 the Futurists began to campaign actively against the Austro-Hungarian empire, which still controlled some Italian territories, and Italian neutrality between the major powers. In September, Boccioni, seated in the balcony of the Teatro dal Verme in Milan, tore up an Austrian flag and threw it into the audience, while Marinetti waved an Italian flag. When Italy entered the First World War in 1915, many Futurists enlisted.[16] The experience of the war marked several Futurists, particularly Marinetti, who fought in the mountains of Trentino at the border of Italy and Austria-Hungary, actively engaging in propaganda.[17] The combat experience also influenced Futurist music.[18]

The outbreak of war disguised the fact that Italian Futurism had come to an end. The Florence group had formally acknowledged their withdrawal from the movement by the end of 1914. Boccioni produced only one war picture and was killed in 1916. Severini painted some significant war pictures in 1915 (e.g. War, Armored Train, and Red Cross Train), but in Paris turned towards Cubism and post-war was associated with the Return to Order.

After the war, Marinetti revived the movement. This revival was called il secondo Futurismo (Second Futurism) by writers in the 1960s. The art historian Giovanni Lista has classified Futurism by decades: “Plastic Dynamism” for the first decade, “Mechanical Art” for the 1920s, “Aeroaesthetics” for the 1930s.

The Futurist architect Antonio Sant’Elia expressed his ideas of modernity in his drawings for La Citt Nuova (The New City) (19121914). This project was never built and Sant’Elia was killed in the First World War, but his ideas influenced later generations of architects and artists.[citation needed] The city was a backdrop onto which the dynamism of Futurist life is projected. The city had replaced the landscape as the setting for the exciting modern life. Sant’Elia aimed to create a city as an efficient, fast-paced machine. He manipulates light and shape to emphasize the sculptural quality of his projects. Baroque curves and encrustations had been stripped away to reveal the essential lines of forms unprecedented from their simplicity. In the new city, every aspect of life was to be rationalized and centralized into one great powerhouse of energy. The city was not meant to last, and each subsequent generation was expected to build their own city rather than inheriting the architecture of the past.

Futurist architects were sometimes at odds with the Fascist state’s tendency towards Roman imperial-classical aesthetic patterns. Nevertheless, several Futurist buildings were built in the years 19201940, including public buildings such as railway stations, maritime resorts and post offices. Examples of Futurist buildings still in use today are Trento’s railway station, built by Angiolo Mazzoni, and the Santa Maria Novella station in Florence. The Florence station was designed in 1932 by the Gruppo Toscano (Tuscan Group) of architects, which included Giovanni Michelucci and Italo Gamberini, with contributions by Mazzoni.[citation needed]

Russian Futurism was a movement of literature and the visual arts. The poet Vladimir Mayakovsky was a prominent member of the movement. Visual artists such as David Burlyuk, Mikhail Larionov, Natalia Goncharova and Kazimir Malevich found inspiration in the imagery of Futurist writings and were poets themselves. It has also a larger impact on the all suprematism movement. Other poets adopting Futurism included Velimir Khlebnikov and Aleksey Kruchenykh. Poets and painters collaborated on theatre production such as the Futurist opera Victory Over the Sun, with texts by Kruchenykh and sets by Malevich.

The main style of painting was Cubo-Futurism, adopted in 1913 when Aristarkh Lentulov returned from Paris and exhibited his paintings in Moscow. Cubo-Futurism combines the forms of Cubism with the representation of movement. Like their Italian predecessors the Russian Futurists were fascinated with dynamism, speed and the restlessness of modern urban life.

The Russian Futurists sought controversy by repudiating the art of the past, saying that Pushkin and Dostoevsky should be “heaved overboard from the steamship of modernity”. They acknowledged no authority and professed not to owe anything even to Marinetti, whose principles they had earlier adopted, obstructing him when he came to Russia to proselytize in 1914.

The movement began to decline after the revolution of 1917. Some Futurists died, others emigrated. Mayakovsky and Malevich became part of the Soviet establishment and the Agitprop movement of the 1920s. Khlebnikov and others were persecuted. Mayakovsky committed suicide on April 14, 1930.

Futurist music rejected tradition and introduced experimental sounds inspired by machinery, and would influence several 20th-century composers.

Francesco Balilla Pratella joined the Futurist movement in 1910 and wrote a Manifesto of Futurist Musicians in which he appealed to the young (as had Marinetti), because only they could understand what he had to say. According to Pratella, Italian music was inferior to music abroad. He praised the “sublime genius” of Wagner and saw some value in the work of other contemporary composers, for example Richard Strauss, Elgar, Mussorgsky, and Sibelius. By contrast, the Italian symphony was dominated by opera in an “absurd and anti-musical form”. The conservatories was said to encourage backwardness and mediocrity. The publishers perpetuated mediocrity and the domination of music by the “rickety and vulgar” operas of Puccini and Umberto Giordano. The only Italian Pratella could praise was his teacher Pietro Mascagni, because he had rebelled against the publishers and attempted innovation in opera, but even Mascagni was too traditional for Pratella’s tastes. In the face of this mediocrity and conservatism, Pratella unfurled “the red flag of Futurism, calling to its flaming symbol such young composers as have hearts to love and fight, minds to conceive, and brows free of cowardice.”

Luigi Russolo (18851947) wrote The Art of Noises (1913),[19][20] an influential text in 20th-century musical aesthetics. Russolo used instruments he called intonarumori, which were acoustic noise generators that permitted the performer to create and control the dynamics and pitch of several different types of noises. Russolo and Marinetti gave the first concert of Futurist music, complete with intonarumori, in 1914. However they were prevented from performing in many major European cities by the outbreak of war.

Futurism was one of several 20th-century movements in art music that paid homage to, included or imitated machines. Ferruccio Busoni has been seen as anticipating some Futurist ideas, though he remained wedded to tradition.[21] Russolo’s intonarumori influenced Stravinsky, Arthur Honegger, George Antheil, Edgar Varse,[11]Stockhausen and John Cage.[citation needed] In Pacific 231, Honegger imitated the sound of a steam locomotive. There are also Futurist elements in Prokofiev’s The Steel Step and in his Second Symphony.

Most notable in this respect, however, is the American George Antheil. His fascination with machinery is evident in his Airplane Sonata, Death of the Machines, and the 30-minute Ballet Mcanique. The Ballet Mcanique was originally intended to accompany an experimental film by Fernand Lger, but the musical score is twice the length of the film and now stands alone. The score calls for a percussion ensemble consisting of three xylophones, four bass drums, a tam-tam, three airplane propellers, seven electric bells, a siren, two “live pianists”, and sixteen synchronized player pianos. Antheil’s piece was the first to synchronize machines with human players and to exploit the difference between what machines and humans can play.

Other composers offered more melodic variants of Futurist music, notably Franco Casavola, who was active with the movement at the invitation of Marinetti between 1924 and 1927, and Arthur-Vincent Louri, the first Russian Futurist musician, and a signatory of the St Petersburg Futurist Manifesto in 1914. His five Synthses offer a form of dodecaphony, while Formes en l’air was dedicated to Picasso and is a Cubo-Futurist concept. Born in Ukraine and raised in New York, Leo Ornstein gave his first recital of ‘Futurist Music’ at the Steinway Hall in London on 27 March 1914. According to the Daily Sketch newspaper “one listened with considerable distress. Nothing so horrible as Mr Ornstein’s music has been heard so far. Sufferers from complete deafness should attend the next recital.”

The Futuristic movement also influenced the concept of dance. Indeed, dancing was interpreted as an alternative way of expressing man’s ultimate fusion with the machine. The altitude of a flying plane, the power of a car’s motor and the roaring loud sounds of complex machinery were all signs of man’s intelligence and excellence which the art of dance had to emphasize and praise. This type of dance is considered futuristic since it disrupts the referential system of traditional, classical dance and introduces a different style, new to the sophisticated bourgeois audience. The dancer no longer performs a story, a clear content, that can be read according to the rules of ballet. One of the most famous futuristic dancers was the Italian Giannina Censi(it). Trained as a classical ballerina, she is known for her “Aerodanze” and continued to earn her living by performing in classical and popular productions. She describes this innovative form of dance as the result of a deep collaboration with Marinetti and his poetry. Through these words, she explains: ” I launched this idea of the aerial-futurist poetry with Marinetti, he himself declaiming the poetry. A small stage of a few square meters;… I made myself a satin costume with a helmet; everything that the plane did had to be expressed by my body. It flew and, moreover, it gave the impression of these wings that trembled, of the apparatus that trembled,… And the face had to express what the pilot felt.”[22][23]

Futurism as a literary movement made its official debut with F.T. Marinetti’s Manifesto of Futurism (1909), as it delineated the various ideals Futurist poetry should strive for. Poetry, the predominate medium of Futurist literature, can be characterized by its unexpected combinations of images and hyper-conciseness (not to be confused with the actual length of the poem). The Futurists called their style of poetry parole in libert (word autonomy) in which all ideas of meter were rejected and the word became the main unit of concern. In this way, the Futurists managed to create a new language free of syntax punctuation, and metrics that allowed for free expression.

Theater also has an important place within the Futurist universe. Works in this genre have scenes that are few sentences long, have an emphasis on nonsensical humor, and attempt to discredit the deep rooted traditions via parody and other devaluation techniques. There are a number of examples of Futurist novels from both the initial period of Futurism and the neo-Futurist period, from Marinetti himself to a number of lesser known Futurists, such as Primo Conti, Ardengo Soffici and Giordano Bruno Sanzin (Zig Zag, Il Romanzo Futurista edited by Alessandro Masi, 1995). They are very diverse in style, with very little recourse to the characteristics of Futurist Poetry, such as ‘parole in libert’. Arnaldo Ginna’s ‘Le locomotive con le calze'(Trains with socks on)plunges into a world of absurd nonsense, childishly crude. His brother Bruno Corra wrote in Sam Dunn morto (Sam Dunn is Dead) a masterpiece of Futurist fiction, in a genre he himself called ‘Synthetic’ characterized by compression, and precision; it is a sophisticated piece that rises above the other novels through the strength and pervasiveness of its irony.

When interviewed about her favorite film of all times,[24] famed movie critic Pauline Kael stated that the director Dimitri Kirsanoff, in his silent experimental film Mnilmontant “developed a technique that suggests the movement known in painting as Futurism”.[25]

Many Italian Futurists supported Fascism in the hope of modernizing a country divided between the industrialising north and the rural, archaic South. Like the Fascists, the Futurists were Italian nationalists, radicals, admirers of violence, and were opposed to parliamentary democracy. Marinetti founded the Futurist Political Party (Partito Politico Futurista) in early 1918, which was absorbed into Benito Mussolini’s Fasci di combattimento in 1919, making Marinetti one of the first members of the National Fascist Party. He opposed Fascism’s later exaltation of existing institutions, calling them “reactionary”, and walked out of the 1920 Fascist party congress in disgust, withdrawing from politics for three years; but he supported Italian Fascism until his death in 1944. The Futurists’ association with Fascism after its triumph in 1922 brought them official acceptance in Italy and the ability to carry out important work, especially in architecture. After the Second World War, many Futurist artists had difficulty in their careers because of their association with a defeated and discredited regime.

Marinetti sought to make Futurism the official state art of Fascist Italy but failed to do so. Mussolini was personally uninterested in art and chose to give patronage to numerous styles and movements in order to keep artists loyal to the regime. Opening the exhibition of art by the Novecento Italiano group in 1923, he said, “I declare that it is far from my idea to encourage anything like a state art. Art belongs to the domain of the individual. The state has only one duty: not to undermine art, to provide humane conditions for artists, to encourage them from the artistic and national point of view.”[26] Mussolini’s mistress, Margherita Sarfatti, who was as able a cultural entrepreneur as Marinetti, successfully promoted the rival Novecento group, and even persuaded Marinetti to sit on its board. Although in the early years of Italian Fascism modern art was tolerated and even embraced, towards the end of the 1930s, right-wing Fascists introduced the concept of “degenerate art” from Germany to Italy and condemned Futurism.

Marinetti made numerous moves to ingratiate himself with the regime, becoming less radical and avant-garde with each. He moved from Milan to Rome to be nearer the centre of things. He became an academician despite his condemnation of academies, married despite his condemnation of marriage, promoted religious art after the Lateran Treaty of 1929 and even reconciled himself to the Catholic Church, declaring that Jesus was a Futurist.

Although Futurism became identified with Fascism, it had leftist and anti-Fascist supporters. They tended to oppose Marinetti’s artistic and political direction of the movement, and in 1924 the socialists, communists and anarchists walked out of the Milan Futurist Congress. The anti-Fascist voices in Futurism were not completely silenced until the annexation of Abyssinia and the Italo-German Pact of Steel in 1939.[27] This association of Fascists, socialists and anarchists in the Futurist movement, which may seem odd today, can be understood in terms of the influence of Georges Sorel, whose ideas about the regenerative effect of political violence had adherents right across the political spectrum.

Futurism expanded to encompass many artistic domains and ultimately included painting, sculpture, ceramics, graphic design, industrial design, interior design, theatre design, textiles, drama, literature, music and architecture.

Aeropainting (aeropittura) was a major expression of the second generation of Futurism beginning in 1926. The technology and excitement of flight, directly experienced by most aeropainters,[28] offered aeroplanes and aerial landscape as new subject matter. Aeropainting was varied in subject matter and treatment, including realism (especially in works of propaganda), abstraction, dynamism, quiet Umbrian landscapes,[29] portraits of Mussolini (e.g. Dottori’s Portrait of il Duce), devotional religious paintings, decorative art, and pictures of planes.

Aeropainting was launched in a manifesto of 1929, Perspectives of Flight, signed by Benedetta, Depero, Dottori, Filla, Marinetti, Prampolini, Somenzi and Tato (Guglielmo Sansoni). The artists stated that “The changing perspectives of flight constitute an absolutely new reality that has nothing in common with the reality traditionally constituted by a terrestrial perspective” and that “Painting from this new reality requires a profound contempt for detail and a need to synthesise and transfigure everything.” Crispolti identifies three main “positions” in aeropainting: “a vision of cosmic projection, at its most typical in Prampolini’s ‘cosmic idealism’ …; a ‘reverie’ of aerial fantasies sometimes verging on fairy-tale (for example in Dottori …); and a kind of aeronautical documentarism that comes dizzyingly close to direct celebration of machinery (particularly in Crali, but also in Tato and Ambrosi).”[30]

Eventually there were over a hundred aeropainters. Major figures include Fortunato Depero, Enrico Prampolini, Gerardo Dottori and Crali. Crali continued to produce aeropittura up until the 1980s.

Futurism influenced many other twentieth-century art movements, including Art Deco, Vorticism, Constructivism, Surrealism, Dada, and much later Neo-Futurism.[31][32] Futurism as a coherent and organized artistic movement is now regarded as extinct, having died out in 1944 with the death of its leader Marinetti.

Nonetheless the ideals of Futurism remain as significant components of modern Western culture; the emphasis on youth, speed, power and technology finding expression in much of modern commercial cinema and culture. Ridley Scott consciously evoked the designs of Sant’Elia in Blade Runner.[citation needed] Echoes of Marinetti’s thought, especially his “dreamt-of metallization of the human body”, are still strongly prevalent in Japanese culture, and surface in manga/anime and the works of artists such as Shinya Tsukamoto, director of the “Tetsuo” (lit. “Ironman”) films. Futurism has produced several reactions, including the literary genre of cyberpunkin which technology was often treated with a critical eyewhilst artists who came to prominence during the first flush of the Internet, such as Stelarc and Mariko Mori, produce work which comments on Futurist ideals.[citation needed] and the art and architecture movement Neo-Futurism in which technology is considered a driver to a better quality of life and sustainability values.[33][34]

A revival of sorts of the Futurist movement in theatre began in 1988 with the creation of the Neo-Futurist style in Chicago, which utilizes Futurism’s focus on speed and brevity to create a new form of immediate theatre. Currently, there are active Neo-Futurist troupes in Chicago, New York, San Francisco, and Montreal.[35]

Japanese Composer Ryuichi Sakamoto’s 1986 album ‘Futurista’ was inspired by the movement. It features a speech from Tommaso Marinetti in the track ‘Variety Show’.[36]

In 2009, Italian director Marco Bellocchio included Futurist art in his feature film “Vincere”.[37]

In 2014, the Solomon R. Guggenheim Museum featured the exhibition “Italian Futurism, 19091944: Reconstructing the Universe”.[38] This was the first comprehensive overview of Italian Futurism to be presented in the United States.[39]

Estorick Collection of Modern Italian Art is a museum in London with a collection centered around Italian futurist artists and their paintings.

Umberto Boccioni, 1911, La rue entre dans la maison; Luigi Russolo, 1911, Souvenir dune nuit. Published in Les Annales politiques et littraires, 1 December 1912

Paintings by Gino Severini, 1911, La Danse du Pan-Pan, and Severini, 1913, Lautobus. Published in Les Annales politiques et littraires, Le Paradoxe Cubiste, 14 March 1920

Paintings by Gino Severini, 1911, Souvenirs de Voyage; Albert Gleizes, 1912, Man on a Balcony, LHomme au balcon; Severini, 191213, Portrait de Mlle Jeanne Paul-Fort; Luigi Russolo, 191112, La Rvolte. Published in Les Annales politiques et littraires, Le Paradoxe Cubiste (continued), n. 1916, 14 March 1920

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Futurism – Wikipedia

Futurist Theatre Live Theatre Like Youve Never Seen It

Clark Edwin February 12, 2016

The Royal Court Theatre is the leading national company in Britain that is dedicated to play the new works that are written by the innovative writers. Here are ten things that you can learn from the Royal Court Theatre @royalcourt building tour. Take a look at these below.

On closely observing the concrete walls, you can take a look at the wood grain from boxes that were employed as moulds for the blocks.The Royal Court Theatre was receiving a theatre and it is a producing theatre itself now.The Royal Court Theatre is the one and only theatre in the country that accepts spontaneous play scripts that are all read. In case you send your play script to any theatre such as the National Theatre, you will be asked to send your script to the Royal Court Theatre.

Royal Court Theatre as a theatre fosters the writing talent. Only the playwrights receive start billing and not of the actors do irrespective of who they are.Rehearsing for the play is done on site in a specific room that is created in the eaves of the Royal Court Theatre building. This region was earmarked for the officers originally. Now, even auditions are conducted on the site.The grilles of the Royal Court Theatre act a window decoration and this is found even in the stairwell that leads to the Jerwood Upstairs. These were originally the drains in the womens loo.

The trapdoor that we meant for the Jerwood Upstairs is accessed from the offices of the theatre that are located underneath. SActually, there is no stage at the Jerwood Downstairs. For each production, the boards are made and these give more flexibility to the theatre and a quicker turnaround between the different productions. For instance, for the Haunted Child set up, one could see cracks on the stage that revealed the large space below. This was a little bit frightening.

In the stalls at the Royal Court Theatre building, the very last row is called writers row as that where the playwrights will be seated and watch their plays that are performed during the preview. This way, they can make an immediate exit from the hall at the end of the play.The Jerwood Upstairs was meant for the private members club to move around the laws that approved the play scripts. Therefore, the scripts are edited and censored before they could actually be performed.

Read also :Take A Look At The Almeida Theatre Backstage Tour

Let us see the Almeida Theatre backstage tour in this content. Those who like backstage tours will definitely love the Almeida Theatres backstage tour. The highlight of the backstage tours is that you will get to see the parts of the theatre that you never get to see at the other times. There some tricks that have to be executed at the backstage to make the audience sitting in the hall watching the performance enjoy the show.

The green room as well as the dressing rooms of the theatre are the most impressive ones of the four rooms at the Almeida Theatre. There are many personal items, family photos, good luck cars, etc. at the backstage. You will get a bit of the life backstage before the performance, during the performance and after it as well. The green room has a futon bed for naps between the matinee and the evening performances. Also, there is a fridge with the favourite items of the performers.

The wardrobe department is also interesting. There are stacks of boxes that are labelled to avoid last minute confusion. There are stands with wigs drying in the corner, tumble dryers, washing machines and an industrial strength steam iron.

Theatre productions require a lot of investment and manpower to pull off. Even if youre not mounting an original one, and youre not hiring an orchestra to do the music, there are still a hundred and one things to spend on. These include actors, costume, stage props, directors, and so on.

The expenses begin with the rehearsals because everything needs to be ready by then. While the actors can do without the makeup, costume and props, they will need to be there in time for the actual performance. Such production design requires a lot of skill, creativity, and materials. To cut costs, the production team often source props from secondhand stores or generous individuals whenever they could. The real cost comes in period pieces where the props are hard to come by. These would really need to be crafted and created.

In cases where the settings and scenes are simple, a minimalist approach often works. The only exception is when the props are actually used by a person. For example, a wheelchair needs to be sturdy and fully functional if a cast member is going to use it. It can be a refurbished one if its purpose is just to sit on the corner of a hospital. The same goes with baby cribs and baby walkers. You need to get the best rated baby walkers, not necessarily brand new, if a real baby will be placed there during the production. This ensures that the baby is safe and secured during the play or musical.

Additionally, theres also the issue of wear and tear. Some productions last for months or years at a time. Think West End or Broadway. Using props with inferior quality could be dangerous for the cast and crew, so this is something that should be considered. If your production will only run once or for a short period of time, you can save money by borrowing props, making them, or getting second hand items.

However, if the show will run for a long time, you may need to construct an almost permanent set with props and items of good quality since they will be used by the actors and staff.

Also read:Ten Things To Learn From the Royal Court Theatre Building Tour

What kind of gadgets do theaters use that are also useful at home? If you over analyze the situation, you might start to think about common, everyday items like seats and lights or even electricity. However, most people have a tendency to miss one of the most important things that can easily be found in either location. That item is a dehumidifier. These items are designed to take the humidity out of the air, thus making it more comfortable for a person to be in that environment and making it a better environment for certain items, such as anything made out of wood, that might be in that location.

The answer is simple. They almost have to use them. Theaters are typically dark locations so they usually dont have any windows. This means there is no natural ventilation to the outside. In addition, theaters have a tendency to pack people in and depending on the size of the theater, there could easily be hundreds or even closer to 1,000 individuals located inside one large room at any given time. The more people that are in an enclosed space, the more body heat is produced. This can increase humidity levels noticeably until it is so uncomfortable it is almost impossible to stay inside. With the use of a dehumidifier, the problem is solved.

Generally speaking, the problem can easily be handled by having the right number of dehumidifiers in the right locations. The truth is, most people dont even realize that these devices or are present or that they are in use. The only thing that they do notice is that the room is much more comfortable, effectively allowing them to stay in that room for an extended period of time and enjoy whatever it is they came to see. The same is true for the home. The devices can be used to make rooms more comfortable or to take excessive moisture out of her room so that it doesnt smell musty or moldy.

The best dehumidifiers for home usework wonder for anyone that has mold problem inside their home or for those individuals who have a lot of natural wood inside the house, or even personal possessions like guitars. If there is too much moisture inside the home, the top ten dehumidifiers can be used to remove the proper amount of moisture just as a humidifier is sometimes used to add moisture when the air is too dry. Either way, it makes it much easier for both individuals and certain material possessions to be in that particular environment.

Also see:How Sophisticated is the AV Equipment in the Theatre?

When theaters first came along, nobody knew how much it would change in a century. While there has been vast improvements in picture and audio quality down the years, the trend today is now experiencing movies in a completely different way than before. Theaters are moving away from traditional audio and video equipment. Instead, the focus is on creating a more immersive experience for the viewer.

Today, theatre is about making use of technology in a big way. The innovations are being made use of both onstage as well as backstage as they need to compete with the technology which the user is used to in the digital space.

Most productions and theaters now make use of video designers in a large way to help them with their theater productions. Theaters increasingly make use of virtual reality masks, computer animation and stop motion camera work. With hardware and software getting cheaper, even fringe theaters is able to utilize this.

The audio visual equipment used in 3D theaters is a lot different than before. The RealD 3D technology, which is used in theaters, use circular polarized light. This, when used with polarized glasses, makes the right and left eyes see different pictures creating better 3D effects.

Sound effects play a huge part in theatre as they help in unfolding of the story. They tell you about the action, and about how each of the events will unfold. They also help in manipulating composed or recorded audios. Most theaters, employ sound designers whose entire job revolves around this art of sound designing.

In movie theaters, MIDI and digital audio technology are used in a big way. Computerised theatre sound systems are also used in various plays and productions. Modern audio technology like the ones in DJToolsGuide.com can easily be integrated into live performances, which makes theaters offer a more immersive experience.

IMAX 3D uses larger screens and larger film sizes with Dolby Digital sound. Some other theatres use analog technologies, but that means that if the viewer doesnt look straight at the screen, the 3D effects get lost. There are also digital projectors, LCD shutter glasses which are being used in todays world.

Dolby 3D is another popular technology in use today, and uses polarized glasses which has multiple coatings and cut out specific frequencies of light. The lenses are curved which give better effects too.

With Virtual Reality coming in, it wont be long enough before we have planetarium type shows taking over conventional movie theatres. When it comes to audio, these new theaters can be fitted with 64 speaker feeds which provide an amazing experience to the audience.

The EQ resolution is used for optimization for all types of playback content, and it is used even when the environment is acoustically challenged. The configurations provide I/O interfaces of the digital cinema and there is automatic calibration done so that the quality of playback is consistently at high quality.

These systems allow for individual amplification and equalization of surround speakers and also support bass management of subwoofers.

Jake Gyllenhaals ripped physique in Southpaw, Anne Hathaways slimmed down build in Les Miserables; stars have always taken their exercise and diet routines to extreme limits in order to play the part in films, but how do they do it?

Portman and Kunis have always had slender physiques, but in order to play cut-throat, obsessive ballerinas, the stars both had to drop 20 pounds. Kunis spent seven months training four hours per day, every day of the week, and drastically cutting back on calories, eating very small portions of a balanced diet. Portman, who was already a vegan, continued to eat many of the same foods, although in smaller portions. For nearly a year she trained with a former professional ballerina, spending up to eight hours, six days per week, doing swimming, cross-training, and ballet classes in order to get the ballerina physique.

When Hemsworth took on the role of Thor, he gained 30 pounds of muscle to transform his body into the God-like physique needed. To do this Hemsworth stuck to a strict eating schedule, packing away huge amounts of protein, rice and vegetables every three hours, even when he wasnt hungry. It also meant spending at least two hours a day doing an intense work-out regimen of not just weight-lifting in his home gym but also aspects of Crossfit, martial arts and boxing. One surprising aspect of his get-fit routine? Sleeping, which he says was an important part of the equation.

Portraying a starving prostitute meant Hathaway had to drop 25 pounds through an initial two-week cleanse, followed by two weeks of a diet of two dried oatmeal paste squares each day. Why such a harsh diet? The actress needed to look near death, her character was dying from tuberculosis after all, so exercising was off the table.

Cooper took on the role of the Navy SEAL with just ten weeks to gain 40 pounds of muscle. In order to pull of this near impossibility he turned to a professional trainer and began working out twice a day. Starting with basic exercises like deadlifts and squats he then moved on to traditional weightlifting techniques. To top it all off, Cooper ate a whopping 5,000 calories each day which included 5 meals, protein drinks and energy bars.

Beyonce needed to trim down her usually curvaceous body in order to play the slim 16-year old in the film. In order to lose 20 pounds in two short weeks, the star turned to the Master Cleanse Diet, which meant eating no solid food and drinking daily 6-12 glasses of water mixed with lemon juice, maple syrup and cayenne pepper. She does admit to cheating a bit by drinking protein drinks and eating fish and vegetables.

Aiming for authenticity, as well as a seriously ripped physique, Gyllenhaal worked with a professional boxing coach to prepare for the role. Starting at just 147 pounds, Gyllenhaal gained 28 pounds of hard muscle through running, jump roping, boxing drills, and weight training. All of that training had one benefit, an unrestricted diet with only one edict; lots of protein.

Dont think you could get the same results as your favorite star? Youre probably right, but with good reason. While the stars worked with nutritionists and personal trainers almost round the clock to obtain these extreme results, they are nearly universally considered unhealthy.

Also read:Acting in the Theatre can be Very Intense, do Actors Get Enough Sleep?

Celebrities lead fairly fabulous lives but they are often hectic as well. They frequently have to travel across the country at a moments notice, attend parties at late night hot spots for publicity, follow rigorous and demanding schedules, etc.

So, it comes as no surprise that sleep is not always their number one priority. In fact, prescription medication and insomnia have often been the culprits in a number of high-profile celebrity deaths this paints a vivid picture of how dangerous sleep problems can be if not treated responsibly.

But, did you know that the lives of theatre actors are even more hectic? This particular profession is not for the lazy and requires a lot of passion, dedication, and a number of other hardy traits. Some of these include:

There are some theatre actors who love live shows as they provide instant feedback. Still, there are others who dread it because the presence of the audience is a constant reminder that theyre acting something that can be distracting if you lack the discipline and focus needed to stay in the moment while audience members react, answer telephone calls, smoke, take pictures, etc.

Even though all actors make a lot sacrifices, sleep seems to be the hardest hit. Theatre actors, in particular, have to get up early for their day jobs and stay up late to get the chance to follow their passion. They also have to squeeze in time to memorize lines and run errands. When you finally take a minute to see how much time all these activities take, its easy to see why many theatre actors dont get the 7 hours needed for quality rest.

Most actors seem to be handling their hectic lives well but, the truth is, they arent immune to the sleep-related health problems that plague us. But when you consistently miss out on sleep, it can lead to a wide variety of serious health issues like heart problems, diabetes, obesity, and more.

Thankfully, there is some good news to be had its relatively easy to start getting better sleep. Some general rules of thumb include:

Previous post:Ten Things to Learn from the Royal Court Theatre Building Tour

Lately, there were incidences of the audience members at a theatre who did not behave brilliantly. Some of these annoying and bad experiences are given here.

The noisy headphones: A person at the Lyttleton was wearing either to using headphones to listen to music or hadnt turned off the MP3 player. No one could find where the music and singing came from but it was audible during the quieter scenes. On hearing these irritating sounds, there were a lot of puzzled looks that the audience started passing among one another. In the end, many people complained to the escort at the interval and an announcement was made in the general direction of where the noise came from and the music went off during the second half.

The giggling teenagers: One of the tiny studios is Trafalgar Studios 2 and the actors are usually within the reachable distance in this theatre. It was a play Dickens with a Difference, a Dickens themed double bill. James Swanton, the performer, took on the characters for the second show and warping himself into each one in what is said to be a gripping and skilled performance. Two teenager girls were sitting in the mid of the front row that is virtually under the nose of Swanton. They were not too gripped to the play and they decided to giggle, whisper, and snort all their way through the play. Swanton soldiered on the waiting till the curtain call to end the play thanking all for attending the play. He did not forget to point out to the girls by saying he had made the two of them laugh and stated that he hopes that he did not spoil their enjoyment.

Disturbances during play: At the Park Theatre during the Jonah and Otta play, three irritating audience incidents were reported. First, a woman with a ring tone of a child laughing decided to leave to answer the call. Later, someone wandered in the auditorium having gone through a wrong door and apologised loudly before leaving. Finally, a woman with a bad cold was coughing and sneezing for some time. She later sighed and muttered as well.

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Futurist Theatre Live Theatre Like Youve Never Seen It

Futurist Gerd Leonhard Author, Keynote Speaker, CEO The …

In the words of American poet John Berryman, the possibility that has been overlooked is the future. Most of us are far too busy coping with present challenges to explore the future in any depth and when we do our own cravings and fears often run away with us, resulting in utopias or dystopias that are not very helpfulin terms of planning and decisions. Todays professionals, leaders and their organisationsneed a dedicated, passionate long-term understanding of the future if they are to successfully navigate the exponential waves of change. For countless individuals and organizations that intelligence is called Gerd Leonhard.

A musician by origin, Gerd connects left and right brains for a 360-degreecoverage of the multiple futures that present themselves at any one time. Delivering the Realopia that one can work on immediately, Gerd Leonhard coaches, consults and influences around the world. Turning futurism into a pragmatic science designed to reinforce strategic thinking, Gerd and his boutiqueThe Futures Agency represent an additional mindfor mastering the complex nodal points of change that dictate evolution or extinction in the Digital Age. Technology vs. Humanity,his newest work, reminds every one of us what is at stake as we enter a Faustian pact with the computing entities now serving us.

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Futurist Gerd Leonhard Author, Keynote Speaker, CEO The …

Sanjay Khanna Futurist

Sanjay Khanna helps leading organizations to Adapt to the Future. He turns original thinking into strategic insight for today and years ahead.

Sanjay Khanna is a futurist, speaker, and thought leader. He was the inaugural Resident Futurist of the University of Torontos Massey College, Canadas leading interdisciplinary institution.

Game Changer, an article by Sanjay Khanna in Corporate Knights magazine, explores turning ordinary activities into games that nudge people to reduce energy use, buy sustainable products and more.

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Sanjay Khanna Futurist

What is the Future of the Human Resource Function …

From time to time we respond to questions about the future sent in via email by readers. We dont have a lot of time for this, but when a question seems especially interesting we offer our thoughts.

I am Manager in the Human Resources Function in a large Indian Pharmaceutical company. My question is what is the future of the Human Resource Function? Regards,

Gaurav Gupta Manager-HRD Ranbaxy Laboratories

Response by Richard Wilkinson, 2001

Glen Hiemstra asked me to respond to your inquiry. I think you have asked a simple but powerful and important question. My view is the future of HR appears contradictory.

On the one hand, the view of HR as a marginal contributor to organizational success seems to persist. Periodically the HR function is excoriated in the business press for its alleged irrelevancy to customer satisfaction, business profits, and increasing shareholder or stakeholder value. In this view HR is, at best, a collection of well-meaning but out-of-touch corporate bureaucrats who present barriers for employees and managers to hurdle as these real workers strive to deliver quality and value for the customer. Looked at this way, HR will become even more marginal as the strategic decisions and focus of organizational leaders are directed elsewhere.

Heres the contradictory part: Never before has it been so clear that effective human resource management practices lie at the heart of organizational success. Dr. Jeffrey Pfeffer of Stanford University makes a compelling case for high performance people strategies in his 1998 book The Human Equation (Boston: Harvard University Press). Here are four pertinent citations from this book:

A number of studies spanning different organizations operating in various service industries provide evidence for a positive relationship between employee attitudes and customer service and satisfaction and, moreover, a relationship between employee attitudes, customer attitudes, and profits. p. 55

[C]ustomer satisfaction and perceptions of service quality were significantly related to measures of employee attitudes about fairness of pay, whether management was concerned about employee welfare and treated people fairly, and whether supervisors encouraged an open and participative work environment. Ibid

Better service and higher employee satisfaction do, however, frequently produce higher profits. [N]umerous firms, such as Singapore Airlines, have succeeded financially by emphasizing employee well-being and customer service. p. 56

The existing research clearly shows that: prior empirical work has consistently found that use of effective human resource management practices enhances firm performance. p. 60

My view is that it is HRs job, though not HRs job alone, to champion and shepherd effective human resource management practices at both the strategic and day-to-day levels. That is, to be effective, human resource management practices must be grounded in two ways. First, they must reflect company wide commitments as to how it will manage and relate to its employees. Second, HR must follow-through on such commitments in the moment so that the words of the enterprise and deeds of its agents are congruent.

Although I see a different emphasis for HR in the future, I see HRs fundamental purpose-to build a positive, productive workplace-remaining unchanged. With this in mind, I see a successful future of HR revolving around three complementary and overlapping roles. I believe in fulfilling these roles HR will prove itself an important and legitimate contributor to organizational achievement. The heart underpinning these roles is less control, more learning. Here are the roles:

Facilitating the employee/employer connection, principally through empowering technologies (both digital and procedural) that emphasize employee self-service and managerial independence.

The corollary to this role is consistent striving to minimize dependent relationships between employees/managers and HR through transferring knowledge and expertise from HR to HRs clients. This is accomplished in part by using computer technologies enabling employees and managers to handle transactions online that they formerly needed HR to administer. Through employee and manager self-service features, such technologies also put greater access and control over information in the hands of employees and managers, thus increasing personal mastery and independence.

HRs task here may best be conceived as a help desk function: Set-up the systems, teach others to use them, and then get out of the way, answering questions from the field only as these arise.

Designing and helping implement high performance people strategies in partnership with line staff. The scope of such efforts could be quite narrow-at the team level-or system wide. As in #1, the focus is on developing employee and manager self-reliance through the skillful sharing of expertise by HR. The focus, though, is on applying that expertise in ways that are explicitly tied to priorities of line staffs.

What are high performance people strategies? Dr. Pfeffer identifies, seven dimensions that seem to characterize most if not all of the systems producing profits through people.

Serving as a catalyst for learning and communication. As educator HR has three jobs: (A) Introduce fresh thinking and new ideas to promote creativity, innovation and successful adaptation within the enterprise; (B) Persist in developing mastery of adopted organizational practices and process improvement methodologies by employees and managers; and, (C) Communicate extensively whats happening within the organization and why, especially as these relate to the seven high performance people strategies identified above.

What will such a function be called? I doubt it will be called human resources. While the new name eludes me, I believe it will be along the lines of Center for Organizational Effectiveness; not a department that is separate and apart from other departments, but a Center people are drawn to for nourishment, insight and understanding.

I hope this assessment of the future of HR has some appeal to you. Since I am a strong believer in designing the futures we prefer, the Facilitator/Designer/Educator role may be more reflective of the kind of HR function I want to create, as opposed to where the field is heading generally. Nonetheless, I hope you find the ideas useful as you consider the future human resources function that will best serve your organization.

Best of luck!

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What is the Future of the Human Resource Function …

Stars’ futurist fashion at Valerian premiere – Sky News

Actress Cara Delevingne poses at the premiere for Valerian and the City of a Thousand Planets in Los Angeles, California

Co-star Rihanna also attended the event

Model Kendall Jenner

A view of the SKYJET, a collaboration by Lexus and EuropaCorp

(L-R) Produer Virginie Besson-Silla, Dane DeHaan, Rihanna, Cara Delevingne, director Luc Besson and Kris Wu

Pauline Hoarau and Sasha Luss

Aymeline Valade attends the premiere

Cindy Bruna poses for a photo with the SKYJET. Continue through for more pictures

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Stars’ futurist fashion at Valerian premiere – Sky News

Utah Futurist Rebrands NewVistas Effort – Valley News

Royalton David Hall, the Utah engineer who envisions a planned settlement of thousands in four White River Valley towns, is renaming his operation here as he works to overcome local opposition to his plans.

Even as Hall shifts his attention from acquiring land to cultivating businesses based on technological innovations needed to realize his dream, Vermont planners and activists are moving to alter town plans as a way of promoting their own vision, rather than Halls, for the regions future.

The roughly 1,500 acres on which Hall eventually hopes to build his community now belong to a new legal entity, Windsorange LLC, that he says is part of an effort to rebrand his enterprise and allay fears that his plan, known as NewVistas, is coming anytime soon.

The name is a combination of the two Vermont counties, Windsor and Orange, that Hall says he hopes to improve.

What people never caught on to is (that) NewVistas is way in the future, and the first thing that needs to be done is jobs and commerce, Hall said in an interview last week. I decided to change the name so that people didnt think we were trying to do NewVistas right away.

The land that Hall has acquired in Royalton, Sharon, Strafford and Tunbridge is less than a third of the 5,000 acres that he envisions will hold a self-sustaining, carbon-neutral city based on designs from Joseph Smith, the Mormon prophet, who was born in Sharon.

Although the Church of Jesus Christ of Latter-day Saints owns the Joseph Smith Memorial near Halls holdings, the Mormon church has denied any connection to the wealthy Provo, Utah, futurist.

The 70-year-old Hall, who always has maintained that a NewVistas community in Vermont is decades away, now says he is focusing on offshoots of the research needed to make his self-sustaining communities possible.

I have lots of expanding businesses under my umbrella, he said, and so what my hope is, is to get some good cooperation with other key people in the area potential partnerships that could bring to the White River Valley some good jobs, he said.

Hall declined to name his contacts or put the Valley News in touch with them, saying that would be premature.

Around the time his plans first became public, in 2016, he mentioned he might like to find a foothold in the Upper Valley by establishing a research partnership with Vermont Law School.

I tried, he said last week, but I got soundly rejected. So Ill just wait. My ideas are too far out for most people. But Im patient. I can wait.

The website for Halls research group, Hall Labs, showcases eight businesses with products on the market, all of them with futuristic-sounding names such as office.xyz, Medic.Life and Vanderhall.

Those last two are the most promising so far, Hall says.

Vanderhall, a boutique auto company, manufactures cars from a single sheet of metal using precise laser cutting techniques. The result is a lightweight, custom-made specialty car with three wheels that looks somewhat like a motorcycle with doors.

The name Vanderhall is a mashup of David Halls last name and that of his wife, nee Karen Van Dyke. The companys president, their son Steve, appeared earlier this month on Jay Lenos Garage, the CNBC show featuring the former late night comedian.

Vanderhalls inventory is low, at about 1,000 per model, but sales are steady, and a new branch of this or another of Halls companies might someday open in the Upper Valley, he said.

The other major project, Medic.Life, will have the greatest long-term effect on its industry, Hall says. The companys health-taking toilet technology is designed to analyze the users vitals, finding patterns and giving warnings before treatment is necessary.

Right now we react when were sick, Hall said. We go to the hospital after the fact. And thats ridiculous. What we need is something thats gathering info about us our whole lives, finding the trends … and processing the data.

Halls land acquisition has come to a halt for the moment, remaining at about 1,500 acres in the four towns after an influx of offers drove him over budget. But however far off his goal may be, the question remains of what he will do with the land he has taken off the market.

Hall says he has fixed up several of the properties he bought and that he maintains them and pays taxes on them. Yet some of the old buildings he has acquired may be too decrepit to warrant repairs, he says.

Theres really questions as to whether its best to tear them down and restore the land or to fix them up, he said.

Those questions led to other questions. What roads can I get rid of and what buildings can I tear down to start my consolidation ideas? he said.

Despites Halls assurances that a Vermont settlement is a long way off, local critics, most prominent among them the Alliance for Vermont Communities, have continued their work to unite the community under a different vision.

Michael Sacca, a freelance producer from Tunbridge who serves as president of the alliance, expressed frustration last week at Halls determination to pursue his dream, regardless of the communitys response.

Sacca cited this springs Town Meeting votes on anti-NewVistas resolutions in the four communities, all of which overwhelmingly came down against Halls idea.

Its disappointing to us that he has this attitude that everythings fine, Sacca said.

Oh, it doesnt matter, its in the future, he said, channeling Hall. But my sons are living here. There are plenty of people who are staying here. Its not as if the situations going to change. Theres a lot of people working to protect this rural heritage.

To advance its own vision for a vibrant rural community, the Alliance for Vermont Communities recently held a cycling event in Tunbridge, a 16-mile and 32-mile course called the Ranger Ride.

The June event brought riders through many of the lands the alliance deems in danger of development by Hall.

Sacca said his group was planning more events, including public forums, to take place soon.

Many alliance board members also happen to serve on the four towns planning commissions, all of which are in some stage of revisions to their town plans.

Town plans are periodically updated documents that describe communities vision for future land use and development.

Though they do not carry the same regulatory force as, say, zoning, they inform development of regulations and, if worded carefully, can have significant influence in the permitting process under Act 250, the Vermont law governing large-scale developments.

Planners in the four towns last week said they are taking residents views on NewVistas into account, and, in some cases, have been weighing changes that could limit the ideas feasibility.

Beth Willhite, chairwoman of the Royalton Planning Commission, said the panel was preparing to advance a few small changes to the Town Plan to state where we are, but in more firm language that in farm areas we want farming and we dont want multi-unit housing or developments.

The commission likely will hold a public forum soon to discuss these potential changes, she said, after which the Selectboard would have the power to ratify them.

Willhite said the Royalton Planning Commission also was considering changes to the Town Plan addressing allowable density Halls NewVistas development would pack roughly 20,000 people into a few thousand acres. But before it makes any final decisions, the commission is consulting local farmers and other businesses to see what their needs are, she said.

Once you start passing regulations it applies to all and not some, Willhite said, and so you have to be sure youre planning for what you want.

Peter Anderson, a member of the Sharon Planning Commission, said that towns land use board was revising language in the Town Plan relating to rural, residential and forested areas.

Other than that, he kept the commissions talks, which are far from final, close to the chest.

Im not ready to say we tailored it for the NewVista, he said in an interview last week. I think its more like we consciously went over it to see what was there (that needed updates).

In Strafford, the Selectboard is considering a proposal submitted by the Planning Commission that could make developments like Halls more difficult in that town.

Toni Pippy, chairwoman of the Selectboard, said a final hearing on the changes would likely take place in September.

NewVista has definitely had something to do with our plan, she said. I think the neighborhood is pretty nervous about what he could do to our world. Hopefully whats in the plan will help.

Among other changes, the Selectboard is mulling modifications that would break the existing rural residential district into two new districts, each with new expectations for low-density development.

Strafford is the only town among these four that has zoning, apart from some flood plain regulations in other towns. If its Selectboard were to pass these changes, they could lead to zoning changes, too, Pippy said.

Tunbridge also is nearing changes to its Town Plan, which expires in spring 2018.

Co-Chairwoman Ingrid Van Steamburg, who also is a member of the alliance board, said some potential revisions are designed to strengthen the regulatory weight of the Town Plan under Act 250 proceedings.

Regional planners have met with the four towns planning commissions and informed them that such changes as revising should to shall in town plans gives them more power.

It was explained to all of the towns that if you dont have strong language it doesnt have a lot of weight in those hearings, Van Steamburg said.

A public hearing on Town Plan updates in Tunbridge will take place Monday night at 7 p.m. at the Town Hall.

Rob Wolfe can be reached at rwolfe@vnews.com or at 603-727-3242.

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Utah Futurist Rebrands NewVistas Effort – Valley News

Acclaimed Visual Futurist Syd Mead to Deliver Keynote Address at 2017 VES Summit – Animation World Network (press release) (registration) (blog)

LOS ANGELES — The Visual Effects Society, the industrys global professional honorary society, has announced acclaimed visual futurist and VES Visionary Award honoree Syd Mead as a keynote speaker at its ninth annual VES Summit, Inspiring Change: Building on 20 Years of VES Innovation. The 2017 VES Summit takes place on Saturday, October 28th at the Sofitel Hotel Beverly Hills.

Featured Speakers will include President of IMAX Home Entertainment Jason Brenek and renowned online security expert and founder of SSP Blue Hemanshu Nigam. The interactive forum on Saturday, October 28th celebrates the Societys milestone 20th Anniversary and will bring together top creatives, executives, thought leaders and visionaries from diverse disciplines to explore the dynamic evolution of visual imagery and the VFX industry landscape in a TED Talks-like atmosphere.

Keynote speaker Syd Mead is an acclaimed visual futurist and conceptual artist whose storied career spans almost six decades. He was honored as the recipient of its VES Visionary Award at the 14th Annual VES Awards in 2016 for his unique ability to create unforgettable images and advance storytelling through his futuristic design aesthetic. Meads career began as he created characters and backgrounds for animated cinema intermission trailers just out of high school. After serving in the U.S. Army and receiving his education at the Art Center School in Los Angeles, Ford Motor Companys Advanced Styling Studio recruited Mead. After Ford, he took on high-profile design assignments for blue chip companies including U.S. Steel, Philips Electronics and Intercontinental Hotels.

In 1979, Meads projects expanded to designing for Hollywood as he began to work with most major studios. His cinema entre was legendary, starting with the creation of the Vger entity for Star Trek: The Motion Picture, followed by two cult classics — Bladerunner and Tron. Meads designs for robots, vehicles and other-worldly environments have also been featured in films including 2010, Short Circuit, Aliens, Time Cop, Johnny Mnemonic, Mission Impossible 3 and Elysium.

Concept art for director Ridley Scotts 1982 classic feature Blade Runner by Syd Mead.

With transportation design as his first love, Mead seldom misses an opportunity to provide his unique blend of futurism and believability to designing vehicles — from concept cars, cruise ships and hypervans to interplanetary cinematic spacecrafts that transport audiences to new worlds. In the 1980s, Mead established close working relationships with a number of major Japanese companies including Sony, Minolta, Dentsu, Dyflex, Tiger, Seibu, Mitsukoshi, Bandai, NHK and Honda as well as contributing to Japanese film projects, Yamato 2520 and Solar Crisis. In the 1990s, he supplied designs for all eight robot characters in the Turn A Gundam mobile suit series and TV show. Extensive collections of Meads work have been exhibited worldwide, drawing record crowds and he continues an active schedule of one-man shows and presentations.

Featured speaker Jason Brenek joined IMAX Corporation in 2015 as President, IMAX Home Entertainment, where he oversees a series of global initiatives designed collectively to translate elements of The IMAX Experience to the home setting, including the IMAX Private Theatres, an over-the-top movie service for delivering IMAX-enhanced Hollywood films into homes, and IMAX technology licensing into premium consumer electronics. He also oversees virtual reality content acquisitions and curation for the new IMAX location-based VR centers.

Prior to joining IMAX, Brenek spent more than a decade in senior management at The Walt Disney Studios. He led Disneys international teams and sub-distributors in the commercialization of Disney, Pixar, and Marvel movies in New Media/Digital, Television and Retail channels. His teams have led the industry in the launch of innovative and lucrative partnerships and products around the world. In his concurrent role of Head of Global Business Development and Strategic Partnerships, Brenek was later responsible for sourcing new revenue opportunities, business models, investments, establishing strategic partnerships, and digital product strategy and incubation for the Studios multi-billion dollar Global In-Home Distribution segment.

Prior to these roles, Brenek worked in Disneys Global Theatrical Distribution division as Senior Vice President, Worldwide Digital Cinema and Cinema Programming where he was responsible for setting and executing Disneys global cinema strategy, overseeing Digital Cinema Operations, negotiating Digital Cinema deployment and digital 3D deals around the world, as well as developing and overseeing 3D and Cinema Programming. He was instrumental in Disneys emergence to the forefront of the Digital Cinema and Digital 3D world. In 2015, the International 3D & Advanced Imaging Society awarded Brenek with its first Founders Award.

Featured Speaker: Hemanshu (Hemu) Nigam has worked inside the largest prosecuting agencies, software companies, media and entertainment giants, and most influential trade associations in the world. Nigam served as the Chief Security Officer of News Corporation and Fox Interactive Medias digital properties, as CSO of MySpace, and as a security executive in Microsoft. He was also the Vice President of Worldwide Internet Enforcement at the Motion Picture Association of America. He began his career as Los Angeles County prosecutor specializing in sex crimes and child abuse before serving as a federal prosecutor against online crimes against children and computer crimes in the US DOJ. Today, he is the founder of SSP Blue, a cyber security advisory company that has helped companies like Participant Media, SnapChat, Microsoft/Xbox, Disney, AT&T, Microsoft, JustFab, and others deal with challenges in cyber security, privacy, and safety.

A veteran of online security, he brings over 20 years of experience in private industry, government, and law enforcement. Nigam has been a keynote speaker at the United Nations on stopping cyber hate, and has been a member of the White Houses cyber stalking task force and co-chair of President Obamas Online Safety Technology Working Group. Nigam has spent a career chasing bad guys online and offline bringing them to justice. He was one of U.S. DOJs first online crimes prosecutors who took down an international child sex trafficking ring as well as prosecuted online child predators and hackers. His insightful expert commentary on cyber security offers an insiders view of the dark online underworld. Nigams personable style coupled with his unique ability to simplify cyber security for viewers to understand makes him a frequent guest on U.S. and international media. He also has a video blog at http://www.InsideCyberCrime.com where he breaks down cyber security, privacy, and safety topics in accessible segments.

Source: Visual Effects Society

Jennifer Wolfe is Director of News & Content at Animation World Network.

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Acclaimed Visual Futurist Syd Mead to Deliver Keynote Address at 2017 VES Summit – Animation World Network (press release) (registration) (blog)

New series of The Futurist Report explains effects of AI – IT News Africa – IT News Africa

August 21, 2017 East Africa, General, North Africa, Southern Africa, West Africa

The new The Futurist Report explains how artificial intelligence (AI) and automation will affect the way we live our lives.

Ericsson, together with AT&T Foundry and RocketSpace have released the third series of TheFuturist Report. The report gives an inside look into the cutting-edge technologies and companies that are shaping the future of artificial intelligence (AI), and what this means for consumers.

Over 50 successful entrepreneurs, executives and academics leading the charge on new technologies and applications were interviewed tobetter understand developments in the AI space.

The report also explains how artificial intelligence and automation will affect the way we live our lives, and how brands will adapt and cater to changing consumer experiences.

AI will have an enormous impact on our daily lives. From enabling hyper-personalisation to saving huge amounts of time on routine tasks, these new tools will fundamentally shift the way we interact with technology in our day-to-day lives.

The impact is already happening in sub-Saharan Africa, with start-ups developing solutions that have the potential to impact key socio-economic issues. For example, a Cape Town based company created an AI system to assist farming consultants in Africa to identify problem areas in crops such as wheat, macadamia nuts, citrus and sugar cane. This technology will enable farmers to develop variable rate fertilisation application maps, predicting the yield of crops and identifying problem areas.

This is one example of how developing markets are adapting AI to address specific issues that are unique to regional challenges while taking advantage of the predicted mobile broadband growth in sub-Saharan Africa.

According to our latest Mobility Report, Mobile Broadband subscriptions in Middle East and Africa are expected to grow by almost 3 times between 2016 and 2022. This clearly illustrates the potential that AI will have across the region with the ability to impact growth in key areas that are critical for economic progress including agriculture, healthcare, education and infrastructure development said Rafiah Ibrahim, President of Ericsson Middle East and Africa.

In addition, five bold projections that showcase how AI will impact the consumer experience in coming years were developed.

Edited By: Fundisiwe Maseko Follow Fundisiwe Maseko on Twitter Follow ITNewsAfrica.com on Twitter

Artificial IntelligenceAT&T FoundryericssonIT Newsmobile broadbandRocketSpaceStart-upstech news

Disrupt or optimise When to choose which approach to innovation Cloud Technology: Discussing data compliance and security

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New series of The Futurist Report explains effects of AI – IT News Africa – IT News Africa

THE FUTURIST: Economic and existential concerns cloud the future – Sarasota Herald-Tribune

By David Houle

September is a month that has had a lot of meaning for most members of the Silent Generation and the Baby Boomers through their lives.

It was the month when most of us went back to school or off to college. It was the start of the traditional TV season back when there were just a few channels. It was the month when the new car models were revealed by the Detroit automakers.

Labor Day was the official end of summer and it was back to the realities of work and school. Summer romances quickly receded as a result. Back to life and the new possibilities. Summer vacation was over.

(When did it become a reality that K-12 schools and colleges started their school years by mid-August? When and why did that happen? School got out in early June and began again in early September. Remember those last two weeks of August when the summer job ended and you had a couple of weeks of hazy summer days? What happened to that seasonal rhythm?)

Well, as we move into September this year, there are a lot of events ahead that could profoundly shape the business and investment landscapes. It is a month when active investors need to pay close attention to non-financial news.

Nuclear war

This is the only part that feels like the old days. For my entire life until I was into my 40s, mutually assured destruction was simply an existential reality. This time, of course, we have shouted boasting from two leaders who seem to have little perspective on what nuclear war truly would be.

I dont think this will happen.But if any type of conflict arises, the equities markets will do a fast and probably prolonged swan dive to substantially lower valuations.

The inability of Congress and the president to get anything done.

History suggests that when either party controls the White House, the Senate and the House of Representatives, that party would move quickly and efficiently on a legislative agenda. Not in 2017. I cannot remember any time in my life and perhaps in history when a party in control of the executive and legislative branches was so incapable of governing. I would say the same thing if it were Democrats.

This inability to work for the benefit of America is dangerous and could have profoundly negative economic consequences.

Health care represents 17 percent of the nations GDP and currently is in a state of suspended animation and uncertainty. Not good.

The all talk, no action on much-needed infrastructure funding needs will be a true drag on the economy. Crumbling roads, a reported 10,000 bridges in critical condition of collapse, railroad tracks in complete disrepair, an aging air traffic control system and even the crumbling of the New York City subway system are all a drag on the economy and a danger to citizens. Imagine the consequences if no acceptable infrastructure bill gets passed and there are several train crashes and collapsed bridges that take American lives because of the absence of leadership and intelligent action in Washington.

Economic issues

Of course, there are truly significant economic events ahead in September that have the capacity to cause havoc with almost any investment portfolio.

First, there is the need to raise the debt ceiling by the end of the month to avoid a government shutdown. Our national debt is $20 trillion and our unsecured indebtedness as a country is close to $100 trillion.

Take the current ineffectual political leadership and layer on top of it the politicians who have spent a lot of hot air talking about the need for a balanced budget and what do you have?

Which bad option will they embrace? A call to keep the debt ceiling where it is, triggering a default? Or passage of legislation raising the debt ceiling and increasing the leveraged state of the country?

A default would have massively negative effects on financial markets. An increase in the debt ceiling continues what seems to be a path to ultimate default and will have a lesser but still significant effect on markets.

The Republicans have stated consistently they want to pass a tax-reform bill that simplifies the tax code and lowers taxes. It is hard to see how this can happen any time during the debt-ceiling discussions.

Am I delusional or are our elected officials?

As a now full-time resident of Sarasota, I look forward to September and October as those months of perfect weather when the snowbirds and winter tourists have yet to clog our streets and restaurants. On the political and financial fronts, however, September 2017 may well prove to be an extremely nervous, unsettling and perhaps negative time for investors and business people.

Pay attention and be ready to move quickly with your portfolios.

Sarasota resident David Houle is a globally recognized futurist. He has given speeches on six continents, written seven books and is futurist in residence at the Ringling College of Art + Design. His website is davidhoule.com. Email him at david@davidhoule.com.

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THE FUTURIST: Economic and existential concerns cloud the future – Sarasota Herald-Tribune

New series of The Futurist Report explains effects of AI – IT News Africa

August 21, 2017 East Africa, General, North Africa, Southern Africa, West Africa

The new The Futurist Report explains how artificial intelligence (AI) and automation will affect the way we live our lives.

Ericsson, together with AT&T Foundry and RocketSpace have released the third series of TheFuturist Report. The report gives an inside look into the cutting-edge technologies and companies that are shaping the future of artificial intelligence (AI), and what this means for consumers.

Over 50 successful entrepreneurs, executives and academics leading the charge on new technologies and applications were interviewed tobetter understand developments in the AI space.

The report also explains how artificial intelligence and automation will affect the way we live our lives, and how brands will adapt and cater to changing consumer experiences.

AI will have an enormous impact on our daily lives. From enabling hyper-personalisation to saving huge amounts of time on routine tasks, these new tools will fundamentally shift the way we interact with technology in our day-to-day lives.

The impact is already happening in sub-Saharan Africa, with start-ups developing solutions that have the potential to impact key socio-economic issues. For example, a Cape Town based company created an AI system to assist farming consultants in Africa to identify problem areas in crops such as wheat, macadamia nuts, citrus and sugar cane. This technology will enable farmers to develop variable rate fertilisation application maps, predicting the yield of crops and identifying problem areas.

This is one example of how developing markets are adapting AI to address specific issues that are unique to regional challenges while taking advantage of the predicted mobile broadband growth in sub-Saharan Africa.

According to our latest Mobility Report, Mobile Broadband subscriptions in Middle East and Africa are expected to grow by almost 3 times between 2016 and 2022. This clearly illustrates the potential that AI will have across the region with the ability to impact growth in key areas that are critical for economic progress including agriculture, healthcare, education and infrastructure development said Rafiah Ibrahim, President of Ericsson Middle East and Africa.

In addition, five bold projections that showcase how AI will impact the consumer experience in coming years were developed.

Edited By: Fundisiwe Maseko Follow Fundisiwe Maseko on Twitter Follow ITNewsAfrica.com on Twitter

Artificial IntelligenceAT&T FoundryericssonIT Newsmobile broadbandRocketSpaceStart-upstech news

Disrupt or optimise When to choose which approach to innovation Cloud Technology: Discussing data compliance and security

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New series of The Futurist Report explains effects of AI – IT News Africa

Renowned futurist to speak at SA top 100 event – InDaily

Adelaide’s independent news Get InDaily in your inbox. Daily. Subscribe

Adelaide Friday August 18, 2017

The futurist who predicted the 2008 financial crash will give a keynote address on the future of energy at this year’s event to unveil South Australia’s top 100 businesses.

InDailys South Australian Business Index an independent ranking of the top 100 South Australian companies will be announced at an Adelaide Oval lunch on September 28.

The event, which will be part of the Open State festival for the first time, will feature guest speaker Richard Watson a leading English futurist, author and lecturer who has worked with many leading companies to help them improve the quality of their thinking and plan for the far future.

He will speak about Future Energy a topic of close interest to all South Australians as we grapple with life on the sharp edge of the transition of the electricity market from the old to the new.

Watson has written five books, including Future Files, published in 2007, which warned about the inevitability of a systemic shock to the financial system. He warned this was not a debt mountain, but an avalanche waiting to descend. big banks, in particular, will come under increasing scrutiny about their lending practices, and there will be calls for salary and profit caps.

A year later, the prediction came to pass, almost in those exact terms, with a mountain of US bank debt cascading through the worlds financial system to create what we now call the Global Financial Crisis.

Watsons keynote address will be followed by a local expert panel discussing the issues affecting South Australian business, particularly energy.

To book your ticket to the South Australian Business Index lunch, click on the banner below.

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Renowned futurist to speak at SA top 100 event – InDaily


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