Green flag ahead once past this mess

The banners may be flying on Wall Street but the US faces a rocky ride over spending cuts before regaining its feet. Photo: Getty Images

THE most common question I get asked is how the world will pan out once we get through the current mess? Futurism is a dubious occupation but a task we all like to dabble in. When it comes to sharemarkets, the best approach is to go region-by-region identifying the key dynamics.

The United States is still the largest and most critical global sharemarket.

There can be no new bull market without America leading the charge and I am confident it will find its feet again and retain world leadership.

Advertisement: Story continues below

In the short term, the US is in for a rocky ride, dealing with the looming $750 billion reduction in government stimulus. Coined the ''fiscal cliff'', this involves the end to a series of tax breaks and the start of savage spending cuts that are due to kick in early next year. Economists forecast this could deduct a staggering 3 to 5 per cent off economic growth.

Avoiding this would seem difficult given the political divide and the approaching presidential election.

If nothing is resolved by August, this could trigger another wave of selling on the sharemarket.

No doubt the Federal Reserve and its captain Ben Bernanke will be ready to counter with more cash manufacturing, all making for a bumpy ride through until December.

Beyond 2012, it is easier to build a more bullish case for the US.

Read more from the original source:

Green flag ahead once past this mess

Beyond the Black Rainbow review: A confusing film trip

Mongrel Media

Poor Elena (Eva Allan), cornered in the retro-futuristic landscapes of Arboria.

Jun 07, 2012

Beyond the Black Rainbow

(out of 4)

Starring Eva Allan, Michael Rogers and Scott Hylands. Directed by Panos Cosmatos. 110 minutes. Opens June 8 at AMC Yonge & Dundas. 14A

More experience than entertainment, Beyond the Black Rainbow is a puzzle wrapped in a send-up of 1980s futuristic film and TV shows. Or maybe its an homage. Or not.

Clearly influenced by elements of 2001: A Space Odyssey, Vancouver director Panos Cosmatoss 1983-set debut feature is almost free of plot, giving him ample time to do whatever he wants.

After a shadowy TV ad for his self-named clinic, a place designed to expand mind and spirit, we dont see much more of Dr. Arboria (Scott Hylands). Instead its his creepy second in command, Barry (Michael Rogers), an intense clinician in an obvious wig, who takes centre stage in the cold and empty spaces of Arboria.

His sole job seems to be tormenting a young mute woman named Elena (Eva Allan), clearly being kept at Arboria against her will. Clad in a nightgown, eyes downcast, she endures Barrys questions and stares, although she has some sort of special powers that she uses judiciously when crossed. And then theres that pesky glowing diamond device in another lab. Does that control Elena? Or is it an alien nightlight? And why is Barry so mean to his wife?

Read more from the original source:

Beyond the Black Rainbow review: A confusing film trip

How Futurism Can Help Make Tech Clean

/sci-tech/article/44501

Technology has revolutionized the urban and suburban landscape across the United States. As more people embrace a green lifestyle, city planners are looking for ways to incorporate energy-efficient lifestyles and transportation methods. In many cases, cheap travel is possible through the use of public transportation services. Reaching a new destination can be as simple as comparing credit cards. The following guide explores how futurism can help make tech clean.

Many large centers like Atlanta have very poor public transportation services. While Atlanta has an excellent interstate and highway system, it can be very difficult to travel by bus and metro service in the city. There are only two subway lines for the entire city. However, there are many large cities like New York and Paris that have excellent underground public transportation.

Several futurists have looked for effective ways to combine both of these ideas into one. While a subway system can be a convenient choice for many drivers, it can be difficult to manage subway schedules. In many cases, a subway system will experience periods of disuse and high use. While it's possible to reduce the number of subway trains during low usage hours, it can be difficult to ratchet up service levels on demand.

In addition, traditional subway systems are much slower than traditional vehicles. A 15 minute drive can take up to 90 minutes when using public transportation services. In addition, many people don't enjoy riding in a large vehicle with strangers, or having to worry about being crowded by those strangers when coming home with groceries or other goods.

One of the most exciting new transportation technologies may revolutionize public transport in many US cities. Through the use of personal transportation systems (PTS), it will be possible to reduce transportation times, promote a green environment and reduce transportation costs.

Article continues at ENN affiliate, Clean Techies

Futuristic Transportation image via Shutterstock

Continued here:

How Futurism Can Help Make Tech Clean

'Intergalactic Nemesis' keeps soaring along, with second part

By Jeanne Claire van Ryzin

Comic books. Sci-fi stories. Graphic novels. Radio plays. Classic movies.

They're all things director and producer Jason Neulander has loved since he was a little kid.

No wonder he has bundled them up into a multimedia trilogy of live theatrical shows, the second part of which debuts Friday at the Long Center for the Performing Arts.

For the past two years, Neulander's show "The Intergalactic Nemesis Book One: Target Earth" has busily toured the nation after its Austin debut at the Long Center.

With three actors voicing multiple characters, a live sound effects artist, a keyboardist playing a movie palace-like score and vividly colored comic book illustrations projected on a 20-foot screen, "Nemesis" combines retro-style, family-friendly theatrical story-telling with just enough modern technical flash. Austin composer Graham Reynolds who most recently wrote the score for Richard Linklater's film "Bernie" penned the music.

"Book Two: Robot Planet Rising" continues the adventures of Molly Sloan, the spunky Pulitzer Prize-winning reporter, and her intrepid research assistant Timmy Mendez as they venture to Robonovia, the Robot Planet.

Set in the 1930s, the "Nemesis" tale has all the "gee-whiz" dialogue, vintage futurism and good-triumphing-over-evil of the classic radio plays.

"People just love the story," Neulander says. "We get everybody from people old enough to remember radio plays to Star Wars' fans to the Harry Potter' crowd."

As a companion to the live show, Neulander spun off book versions of the episodic "Nemesis" tale, commissioning artists (among them Tim Doyle, Paul Hanley and Lee Duhig) to create the kind of illustrated pages that harken back to the classic midcentury comic books.

Follow this link:

'Intergalactic Nemesis' keeps soaring along, with second part

Peregrine Glove

Wearable technology and sci-fi futurism always seem to go together, hand in glove, as it were. Looking like something from the movie Minority Report, the Peregrine Glove ($149.99 list) brings the future to you today. The Peregrine Glove is a wearable interface, with limited keyboard functionality, similar to the Razer Nostromo Keypad ($59.99 street, not rated), but worn like a glove, similar to the ION Wireless Air Mouse ($79.95 direct, 3 stars). It may be made for gamers, but this sleek glove will catch people's attention wherever it's used, even if the uses are limited.

Design The glove is made of spandex and nylon mesh, with a Velcro closure at the wrist. Comfort is always a big worry with any gadget that is worn rather than handled, but the Peregrine is snug-fitting and well-ventilated. The snug black fabric has special conductive fabric patches on the thumb and palm, and steel micro-wound springs (they almost look like guitar strings) running along each finger, with designated touch points along the joints of each finger. When these points are touched by one of the conductive patches, it registers much like a traditional keyboard key.

There are a total of 18 touch-points on the fingers of the glovefive each, except for the pinky finger, which only gets three. The 18 touch-points of the glove can be used to activate more than 30 different keyboard functions, depending upon whether they are touched by the thumb tip, the thumb pad, or touched to the palm.

The glove uses USB 2.0just as a regular keyboardbut connects to the glove inputs with a magnetic pod that attaches to the back of the glove. This magnetic attachment allows the connection to break away if you suddenly throw your hands up in victory, but it also lets you easily disconnect and walk away from the computer without having to unstrap and remove the glove itself. A glowing LED glows and pulses to tell you that the pod is attached and powered on. The pod can also be customized using replaceable faceplates and changes to the color and patterns of the LED.

Features The Peregrine can also be customized using the downloadable GloveBox software, which lets you calibrate the glove, map touch-point locations for greater comfort, program functions to your liking, and tweak LED settings. Installation and set-up takes only a minute, but the glove can also be used as a plug and play device, skipping calibration and using the default keymap.

The software may also present the easiest way to learn how to use the glove. It gives you an image of the glove, with a full map of the various touch-points and activation pads, and as you do your thumb and finger dance, it shows you what touch-points are being activated. You can also remap the interface to the functions of your choosing, and adjust the specificity of the sensors, letting you widen the touchable area of each touch-point.

Performance The Peregrine is not designed to replace your keyboard for regular typing, but instead to take some of those functions and put them into an intuitive, wearable interface. Initially, while I liked the idea of the Peregrine, I found the glove too difficult to use. The default keymap was too random, with too many functions requiring too many acts of finger acrobatics. Between the 18 touch points and three activation pads, you have more than 30 unique functions available to you, and that's simply too many for me to keep straight in my head. It made for a steep learning curve, only made worse by the fact that certain functions required contortions that my digits are unable to perform.

Once I started fiddling with the accompanying GloveBox software, I started to change my mind. The calibration tools helped me to get the settings adjusted more to my liking, and the on-screen glove with highlighted touch points makes it easier to see what works and what doesn't. Even better, I was able to remap the various functions to the few points that were comfortable for me to use, and arrange them in a way that was intuitive and comfortable for me.

Before long, I was using the glove to pilot my ship in Star Trek Online. Switching to a keymap with easy access to WASD controls had me playing Portal and Team Fortress 2, albeit awkwardly. The ideal application for this gadget is MMO and RPG gaming, where it's most helpful to have a wide selection of keys literally at your fingertips. Twitchy FPS games won't be the best fit.

In the end, the Peregrine glove is a cool device, and a fascinating study in what does and doesn't work in wearable technology. If you just want a one-handed portable keyboard, try the Lenovo Mini Wireless Keyboard N5901 ($59.99 list, 3.5 stars). For the hardcore MMO player with money to burn, the Peregrine Glove may enhance gameplay, and will definitely have some cool factor, but due to both the cost and the steep learning curve, casual and FPS gamers would do better to pass it up.

View original post here:

Peregrine Glove

Exray's: Show Preview

Location Info Details

Exray's celebrate the release of their new album with Maus Haus, Mwahaha, and Devonwho on Friday, June 8, at Rickshaw Stop. 8 p.m., $10.

The Bay Area is undergoing a renaissance in overcast electronic pop. Along with the moody rhythms of locals like James and Evander, and Chucha Santamaria y Usted, the lingering tempos and gloomy futurism of Exray's have pushed the S.F. duo to the forefront of this local movement. The band's new album, Trust a Robot, sees Jon Bernson and Michael Falsetto-Mapp further developing their distressed sonic palette and inventive songwriting. "You Can Trust a Robot" is an apocalyptic anthem bolstered by imagery straight out of a Philip K. Dick novel, while "Yellow Light" sounds like a lonely lament from a ghost in the postmillennial machine.

Read this article:

Exray's: Show Preview

Romantic Glamour, A New Interior Design Aesthetic By Cuoco Black, Combines Classicism With Modernism In Designs From …

When interior designer Cuoco Black was asked to design the Gin Lane restaurant in Manhattan's Meat Packing District he suggested that his clients reject the boutique design aesthetic and go for Glamour. When asked to travel to Paris to design a new lounge for three young entreprenuers he carefully blended elements of French culture with accents of futurisim. His goal is to create interiors which ...

Read the original here:

Romantic Glamour, A New Interior Design Aesthetic By Cuoco Black, Combines Classicism With Modernism In Designs From ...

Playing dress-up at annual Leo get-together

A Roman centurion and a pirate.

A pharaoh and a group of ancient Greeks.

Participants of the Leo Advisers Dialogue Session.

(From left) Leos dressed as a viking, Halloween character and Roman officer.

A group consisting of Leos dressed as North American Indian maidens and a military officer (right).

LANGKAWI: MORE than 1,000 members of Leo and Lions Clubs from Malaysia, Singapore and Brunei descended on Langkawi recently for the three-day 39th Multiple District 308 Leo Forum.

Those who arrived early on the first day were taken on a tour of the island's Geopark.

Opening the forum in the evening was Anthony Cheong, council chairperson of Multiple District 308. This was followed by the Fellowship Night with the theme of "Retro & Futurism".

Most of the participants were sportingly dressed to suit the theme. Roman centurions seen mingling with cowboys, while an Egyptian pharaoh was accompanied by his retinue.

There were also pirates, Arabian princes and belles of the ball.

See more here:

Playing dress-up at annual Leo get-together

Mailbox 2.6.2012

Today in Mailbox: Prague Writers' Festival, Czech and British journalism, listeners' mothly quiz. Listeners quoted: Mohamed Elsayed Abd Elraheim, Colin Law, Roger Tidy, Mary Lou Krenek, Jayanta Chakrabarty, Charles Konecny, Zara Modu, Ian Morrison, Paul Peacock.

Hamdi El-Gazzar Hello and welcome to Mailbox. Thank you very much for all your feedback, including reception reports and of course, you quiz answers. Before we get to those, here are some of your recent e-mails.

Mohamed Elsayed Abd Elraheim from Egypt responded to Radio Pragues coverage of this years Prague Writers' Festival:

Thank you for the interview and dialogue with the Egyptian novelist Hamdi El-Gazzar who participated in the Prague Writers' Festival.

Colin Law from New Zealand alerted us to an amusing typo he spotted in our e-mail news bulletin:

Thanks for the laugh when I read the Radio Prague news this morning! So what is the age when a driver should give up driving and shooting?

According to the news story, police in Prague arrested a 256-year-old driver who had tried to ram their car off the road. Of course, he was ten times younger and we apologize for the typo.

Roger Tidy from London responds to this weeks One on One:

Jindich dlo, photo: Hospodsk noviny/Martin Svozlek I enjoyed listening to your interview with Jindich dlo. I thought, however, that he was a little too complimentary about British journalism, which he thought was superior to the Czech product. His basis for saying this was his one month's experience at The Times in London. The Times is indeed a good paper, but as recent events concerning phone hacking by certain other British papers have shown, there is much that is rotten in British journalism, and in this respect it is hardly a good model.

Thank you for your comments and now onto our monthly quiz:

Visit link:

Mailbox 2.6.2012

Prometheus

He refused to show us an Alien in the sensational trailers (‘Aaaaah! Aaaaah!’), he wouldn’t even use the word ‘Alien’ in the title, but Ridley Scott gives us one almost immediately in Prometheus ’ opening scene. Not the kind you’re expecting, mind. Breathtaking stereoscopic shots swoop across a gorgeous landscape. Black mountains wreathed in volcanic steam, glassy lakes and, at the top of a ...

Read the original:

Prometheus

Men In Black 3

Josh Brolin is badass as young K.

Back in 1997, Men In Black felt like state-of-the-moment entertainment with self-consciously hip, retro-futurism encoded in it's DNA. A decade and a half later the sagging brand gets a jumpstart via the dependable sequel orthodoxy of a time-travel plotline, one that pays tribute not just to the swinging '60s, but to the '80s heyday of big, silly sci-fi action comedies.

Agents J (Will Smith) and Agent K (Jones) are back in black, still busting up intergalactic perps by day and living lonely, near monastic lifestyles off the clock. When your co-workers are the most significant human interactions, you tend to get pretty attached, and J has grown rather fond of his partner K even though the irascible old coot is an emotional wasteland. Jones' craggy, wrinkled mug has a real world-weariness to it and his performance has taken on the hangdog comedic dimensions of a Droopy cartoon. Smith is his animated self, and here he gets not one, but two deadpan partners to bounce his eternally boyish charms off of. An interstellar lunatic called Boris the Animal (Jemaine Clement) escapes his max-security lunar prison, and makes good on his vow of revenge against K, by traveling back to his capture in 1969 and erasing his nemesis from the timeline and setting the stage for an alien invasion. MIB's new boss Emma Thompson (Rip Torn gets hastily killed off) figures out the scheme, and J dutifully charges to the rescue of his mentor using a high tech gizmo to plunge back to the era of mini-skirts, hippies and gas guzzling Detroit built roadsters, and still blatant racism.

The plot ensures that Jones had an easy shooting schedule, but he's ably replaced by Josh Brolin, who does a dead-on Tommy Lee impression: nailing the actor's laconic Texas drawl with the same precision he used to mock George W. Bush. The younger agent K is still a badass, but not nearly as flinty or cold, and we are continually teased that some upcoming trauma hardened his heart. This subplot lends some humanity to what would otherwise be a gimmick-laden whirl of CGI sparkles, and the easy chemistry and effortless agility of the stars keeps things buzzing.

Director Barry Sonnenfeld is as over-caffeinated as ever. His frenetic tone changes between comedy, action and pathos are quick enough to induce whiplash. Despite the spastic pace, the movie feels a little sluggish out of the gate, and only really hits its stride when Brolin hits the screen.

Flight of the Conchords cutup Jemaine Clement is buried under shark-like teeth, Klingon hair and thick goggles, and his villain is more goofy than menacing with his absurd vocal inflection somewhere between David Bowie and James Earl Jones. He's just a distraction in a flick filled with gags about bulky mid-century tech and weirdo mod icons like Mick Jagger and Andy Warhol being from outer space. The script is credited to no less than five writers, and feels patched together due to time-travel conundrums and some shaky math, which leaves certain actors not looking right for their character's presumed ages.

>Email Corey Hall

Here is the original post:

Men In Black 3

New Exhibition: Syd Mead

Syd Mead describes himself as a futurist designer. After all, his perspective of the future is what has come to define that vision for the rest of us.  His work is instantly recognizable in the film ?Tron,? ?Bladerunner,? ?Alien"  for ?Mission Impossible III.? Mead has designed it all ? from Ford cars to  The New Yamato toy characters to commissioned futuristic concept vehicles. He also designed ...

See original here:

New Exhibition: Syd Mead

Today's Scuttlebot: Zuckerberg's Hoodie, and Nightmare in Belize

The technology reporters and editors of The New York Times scour the Web for important and peculiar items. Thursday's selection includes Facebook announcing a new camera app, a 19-year-old entrepreneur moving in to AOL to work on his start-up and the software founder John McAfee's story of how his home was raided and he was arrested in Belize.

Go here to see the original:

Today's Scuttlebot: Zuckerberg's Hoodie, and Nightmare in Belize

Leo forum at de Baron

Leos from SMK Cochrane (from left) Haw Yong Hong, Tan Kah Meng, Lee Boon Keat, Melissa Kee Pei Rou, Cheang Ke Qian and Lee Suit Yee.

That's because "Retro & Futurism" has been picked as the theme of the Forum's Fellowship Night, whereby the Leos are requested to dress appropriately for the occasion.

Among the costumes that the Leos will be donning are from the prehistoric era, ancient Greek period, 1930s Chicago where mobsters and molls prevail, Chinese dynasties and so on.

Among the participants are eight Leos from SMK Cochrane, Kuala Lumpur, led by their club president Melissa Kee Pei Rou. The others are Cheang Ke Qian, Lee Suit Yee, Wong Feng Qing, Liew Jie Yin, Tan Kah Meng, Haw Yong Hong and Lee Boon Keat.

Leos arriving earlier in the day will get to join a tour of the Langkawi Geopark.

Sunday will see the incoming key officers attending schools for new presidents, secretaries, treasurers and members of the boards of directors. This will be followed by the various sub-district Leo Forums where there will be award presentations for outstanding members.

The evening will see all the Leos proceeding to the Langkawi Sports Complex for the banquet dinner, which will be themed "Starry, Starry Night", and where the top awards will also be given out.

Past international director Ellis Suriyati Omar will be speaking on the forum's theme of "Fly Beyond Dreams, We Believe!" to the participants at de Baron Resort on Monday.

This will culminate in the closing ceremony where mementos will be presented. By Ricky Yap

Follow this link:

Leo forum at de Baron

Don’t mention income inequality please, we’re entrepreneurs

There was a bit of a scandal last week when it was reported that a TED Talk on income equality had been censored. That turned out to be not quite the entire story. Nick Hanauer, a venture capitalist with a book out on income inequality, was invited to speak at a TED function. He spoke for a few minutes, making the argument that rich people like himself are not in fact job creators and that they should be taxed at a higher rate.

The talk seemed reasonably well-received by the audience, but TED curator Chris Anderson told Hanauer that it would not be featured on TEDs site, in part because the audience response was mixed but also because it was too political and this was an election year.

Hanauer had his PR people go to the press immediately and accused TED of censorship, which is obnoxious TED didnt have to host his talk, obviously, and his talk was not hugely revelatory for anyone familiar with recent writings on income inequity from a variety of experts but Andersons responses were still a good distillation of TEDs ideology.

In case youre unfamiliar with TED, it is a series of short lectures on a variety of subjects that stream on the Internet, for free. Thats it, really, or at least that is all that TED is to most of the people who have even heard of it. For an elite few, though, TED is something more: a lifestyle, an ethos, a bunch of overpriced networking events featuring live entertainment from smart and occasionally famous people.

Before streaming video, TED was a conference it is not named for a person, but stands for technology, entertainment and design organized by celebrated information architect (fancy graphic designer) Richard Saul Wurman. Wurman sold the conference, in 2002, to a nonprofit foundation started and run by former publisher and longtime do-gooder Chris Anderson (not the Chris Anderson of Wired). Anderson grew TED from a woolly conference for rich Silicon Valley millionaire nerds to a giant global brand. It has since become a much more exclusive, expensive elite networking experience with a much more prominent public face the little streaming videos of lectures.

Its even franchising TEDx events are licensed third-party TED-style conferences largely unaffiliated with TED proper and while TED is run by a nonprofit, it brings in a tremendous amount of money from its members and corporate sponsorships. At this point TED is a massive, money-soaked orgy of self-congratulatory futurism, with multiple events worldwide, awards and grants to TED-certified high achievers, and a list of speakers that would cost a fortune if they didnt agree to do it for free out of public-spiritedness.

According to a 2010 piece in Fast Company,the trade journal of the breathless bullshit industry, the people behind TED are creating a new Harvard the first new top-prestige education brand in more than 100 years. Well! Thats certainly saying something. (What its mostly saying is This is a Fast Company story about some overhyped Internet thing.)

To even attend a TED conference requires not just a donation of between $7,500 and $125,000, but also a complicated admissions process in which the TED people determine whether youre TED material; so, as Maura Johnston says, maybe its got more in common with Harvard than is initially apparent.

Strip away the hype and youre left with a reasonably good video podcast with delusions of grandeur. For most of the millions of people who watch TED videos at the office, its a middlebrow diversion and a source of factoids to use on your friends. Except TED thinks its changing the world, like if This American Life suddenly mistook itself for Doctors Without Borders.

The model for your standard TED talk is a late-period Malcolm Gladwell book chapter. Common tropes include:

Read more:

Don’t mention income inequality please, we’re entrepreneurs