While I am the first to admit that I adore ANYTHING with four wheels, I have to say that I rarely become infatuated with an automotive design.

The Volkswagen XL Sport just does it for me.OFFICIAL Paris Motor Show Gallery Sporting a matte blue paint job, the XL Sport to me is a mixture of futurism and aggressive lines. A part of me knows this car is an ode to geekiness, but I don't care if it looks like something Sheldon Cooper from The Big Bang Theory would drive.

Of course I think this vehicle merits a second look that really shows you the nitty gritty of its special features. Scope out the details, below!

OFFICIAL Paris Motor Show Gallery

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PARIS MOTOR SHOW: DETAILED! MORE Shots Of The Show-Stopping Volkswagen XL Sport

I've never been to Norway. I guess it's supposed to be like Minnesota, but with more fjords and trolls or something. But you know where I have been? Epcot. Which is kind of the same thing. Right?

Yesterday, the Epcot attraction officially known as Maelstrom (more commonly just called "the Norway ride") carried its last visitors. The ride is getting replaced with a new attraction based on the smash hit Disney movie Frozen. I guess because snow. Oh, and vertical integration.

The Norway ride took you through some bizarre version of Norwegian history and mythology. You'd float past audio-animatronic vikings, scary three-headed trolls, and enormous oil rigs. Eventually you'd be dumped into "modern Norway" and an auditorium where you could watch a movie made in the 1980s about how great Norway is.

Epcot nerds all have different opinions on the closing of the Norway ride. Many, like myself, are a bit upset to see a beloved ride from our childhoods close down. Others invoke Walt Disney's famous words about Disneyland (the one in California, since he didn't survive to see the one in Florida built): "Disneyland will never be finished." The implication being that we should never feel bad when a Disney attraction gets a reboot that's what Uncle Walt would've wanted.

Outsiders, if they care at all, are no doubt just happy the Disney-fication of some strange experience is dead. Because Disney's version of Norway was about as representative of the country and its culture as anything else Disney does. Which is to say, not very accurate at all. But does that matter?

The three-headed troll of Maelstrom (circa 1991)

The closing of this ride is causing me to confront a strange aspect of my childhood, and I guess the way that I view the world overall: most of my experiences in life have been hyper-real imitations of the authentic thing. Which isn't so much an existential crisis as the logical conclusion of 20th century consumer capitalism.

As I said, I've never been to Norway, but a quick exploration of 1970s and 80s futurism will show you that this wasn't supposed to matter by now. The past is littered with predictions that the future would be filled with simulated experiences that make geography and history itself irrelevant. You don't need to look much further than the pages of The Futurist magazine or the 1973 film Westworld.

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A Farewell to Epcot's Norway Ride: How Fake Experiences Shaped My Life

Cult American label Software has a habit of throwing up fascinating new voices.

Uniting bedroom talents across the globe, the imprint emphasises a communal relationship, with artists on their roster frequently collaborating.

Launching the Mixware series, Software are encouraging their artists to piece together special, intricate mixes featuring old, new and unreleased material. Each Mixware instalment will be available as a free download, alongside a limited cassette issue.

Napolian is next up. The producer has responded with a deft selection, one which intrudes upon left field hip hop while also retaining a love of experimentalism that locates 8-Bit melodies, fluorescent tones and other aural treats.

Clash is able to premiere a new collaboration, which pits Napolian against Dro Carey. Silicon City is gleeful retro-futurism, with those sharpened synths borrowed straight from the Mega Drive era. This isnt some nostalgic trip, though, with the two producers delivering a slumped hip hop beat which could only be summoned in 2014.

Check it out now.

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Premiere: Napolian & Dro Carey - 'Silicon City'

With his fluorescent, physically dominating sound, Bobby Tank is a difficult presence to ignore.

The rising producer has a similar approach to Hudson Mohawke, say, or Rustie in that all three seem to imbue the muscular mechanics of their music with an overriding sense of colour.

New single 'Semi Precious' ft. Cass Lowe drops on October 27th, and it's the perfect entry point into the artist's world. A collaboration with Cass Lowe, the luminous synths are matched to neon atmospherics before making way for a gorgeous, pop-tinged vocal.

The kicks and snares tumble in an echo to Bobby Tank's pop routes, with the vivid production matching 80s machine funk to a lurid glimpse of futurism.

Check it out now.

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Track Of The Day 3/10 - Bobby Tank

If you pay attention to online gaming, especially in the free to play space, where a game download is free, but extras of all sorts cost money, youll see stories about people spending ridiculous amounts of money in a game far more than a typical $60 disc. For example, theres a report today about a Belgian teenager who spent nearly $50,000 in a single game.

If youre a creator of a free to play game, stories like that might warm your heart. You probably dont want players this extreme its kinda bad publicity but you want to find the kind of players who are willing to spend far more than the price of a typical video game, right?

Wrong.

As it turns out, when you analyze the data for social gaming, the biggest sources of revenue arent the biggest spenders, but rather the most social players even players who dont themselves spend any money at all. Thats been one of the key findings of Ninja Metrics, an analytics firm that explores the data about how players interact with each other in the social gaming space. That interaction, it turns out, is key to predicting how a game will do and what players companies should focus on.

Some influencers spend no money but generate hundreds of thousands of dollars, Ninja Metrics CEO Dmitri Williams told me. That also applies to game time, as well.

The more a game incentivizes players to play together, the stronger this effect is, he continued. For example, the company has used its analytics engine to observe interaction in the game Imperia Online. For that game, the company determined that about 75% of play time is driven by social interaction. That is, Imperia players want to play with their friends far more than they want to play alone.

Using this data, the company can help game developers focus on those social players, rather than the whales, in order to gain new users and retain those influencers.

We can now find out where the influencers came from to find the game and so acquire more users, Williams told me. This helps a game retain the right people and gets them to spend more money when it has them.

This data can also be used to predict churn the likelihood that a player will grow tired of the game and stop playing. So, for example, if theres a player who brings in a lot of revenue through his friends coming in to play the game, you can target that person for different kinds of promotions and see what keeps her playing. But more importantly, a company can test to see what kind of promotion keeps both her and her friends playing the game.

Businesses want to think I have a relationship with my customer, said Williams. But they often forget about the relationships their customers have with each other. But until now, its been hard to see those relationships. That means that promotions and marketing can be less about squeezing particular targets and more about what ensures people have a fun time playing.

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The Moneymakers For Social Games Aren't The Big Spenders

From time to time, Gawker's Rankings section is pleased to present rankings submitted by its readers and fans. Today, we bring you "Gawker Media Sites, Ranked," by one Joe Mayes. Ed.

Gawker Media: come for the Deadspin, stay for the Jezebelian man-hate

The internet is big. Huge. Gargantuan. There is no way to fathom its vastness, let along begin to digest even the tiniest fraction of its information it contains.

As a result, it is nigh impossible to whittle down the number of websites to read during fucking-off-from-work-time during the day.

So in order to help you choose, I provide you a breakdown of the top nine Gawker Media sites.

Of course there are criteria. Any list worth its salt has criteria. This list is no different. In that it has criteria, not in that it's worth its salt.

So, criteria:

9. Kataku: Seriouslywhat the hell is this? Sounds like Robert Blake's bird. Did someone at a Gawker production meeting really think the internet didn't have enough websites for gaming dorks?

8. Jalopnik: I meanit's cars. For car geeks. Great for capturing the coveted 16-18-year-old-boy-in-1971 demographic.

7. Gizmodo: Cool tech shit. Like Lifehacker, but for moneyed Gawkeranians. In other words, has twelve regular readers (including writers and editors).

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Gawker Media Sites, Ranked: A Reader-Submitted Ranking

The National Art Museum of Catalonia (MNAC) in Barcelona is best known for its medieval art, particularly its collection of Romanesque murals, which is considered one of the most important in the world. But a significant chunk of the museums holdings of around 30,000 pieces is modern art, dating back to the beginning of the last century, and up to the 1950s. Now, around 1,300 pieces, half of them never exhibited in public before, are to go on display in a specially prepared space covering 4,000 square meters of the museums first floor.

The walls of the space, formerly a neutral off-white, have been painted in bright colors, while the paintings have been hung seemingly willy-nilly.

One of the MNACs main tasks is to showcase Catalan art through the centuries, but the collection now on display also includes work by Juan Gris, Julio Romero de Torres, Alfred Sisley and Edvard Munch. These all form part of the collection and help to put it in context, says the museums director, Pepe Serra.

Weve presented a big picture of what society was like, with all its contradictions

MNAC director Pepe Serra

When Serra took over three years ago, he made it clear that he wanted to break with tradition, and put the modern art collection in context. As a result, painting, sculpture, posters, cinema, illustrations, furniture, advertising, photography, and particularly architecture are all on display. Together the pieces tell the story of the beginning of modern art, and how realism gradually emerged as the dominant trend in the early 20th century. Paintings such as Mariano Fortunys The Battle of Tetun, which harks back to the styles of the 19th century, become superseded by more lifelike depictions of events.

The exhibition brings the period to life through the faces of the artists as depicted in their self-portraits, as well as those of their wealthy patrons. We have tried to avoid focusing on styles such as Impressionism, Futurism, Cubism, Expressionism, etc., and have instead presented a big picture of what society was like, with all its contradictions, says Serra. The major works are there as well, and are enriched by being seen alongside others created at that time.

The longer-term goal, says Serra, is for the MNAC to become the benchmark for modernism, a movement that developed in Catalonia, represented by artists and architects such as Ramon Casas, Santiago Ruisiol, Miquel Utrillo, Isidre Nonell, Pablo Picasso and Carles Casagemas. Space has been found to present 20 pieces of furniture created by Antoni Gaud, alongside work by his long-time collaborator Josep Maria Jujol.

Works by Juli Gonzlez, Joaquim Sunyer, Josep de Togores, Joaquim Torres-Garca, Salvador Dal and Picasso are all to be found in the 39 sections that make up the collection. There are also pieces related to the Spanish Civil War, among them photographs taken by Agust Centelles, many of which were exhibited alongside Picassos Guernica in the Republican Pavilion at the Exposition Internationale des Arts et Techniques dans la Vie Moderne in Paris in 1937.

An epilogue is provided in the form of works lent by the Barcelona Museum of Contemporary Art (MACBA) by Antoni Tpies, Modest Cuixart and Joan Pon, members of the Dau al Set, which attempted to revive surrealism in Spain at the end of the 1940s. Despite having 4,000 square meters at our disposal, we ran out of space, says Serra, who says the Baroque and Renaissance areas of the museum are now to be redesigned.

More here:

MNACs modernist makeover

Sierra Nevada's Dream Chaser (Credit: Sierra Nevada Corporation)

Sierra Nevada Corporation announced on Friday that theyve filed a legal challenge with the General Accounting Office over NASAs decision to select Boeing and SpaceX for its Commercial Crew program to develop spacecraft that will deliver astronauts to the International Space Station.

Sierra Nevada was one of three finalists for the Commercial Crew Transportation Capability (CCtCap), along with Boeing and SpaceX. Unlike those two companies, which are both developing capsule spacecraft to transport astronauts, Sierra Nevada is developing what it calls the Dream Chaser an airplane-like spacecraft thats capable of landing on a runway.

One of the reasons for the companys challenge is the cost difference between its proposal and that of Boeings proposal, and noted that its proposal was the second-lowest priced of the three.

With the current awards, the U.S. government would spend up to $900 million more at the publicly announced contracted level for a space program equivalent to the program that SNC proposed, the company said in a statement. Given those facts, we believe that a thorough review must be conducted of the award decision.

Sierra Nevada also noted that in terms of NASAs other mission criteria, it believes theres very little difference between the three proposals, making cost a primary issue. In its statement, the company said that NASAs own Source Selection Statement and debrief indicate that there are serious questions and inconsistencies in the source selection process. SNC, therefore, feels that there is no alternative but to institute a legal challenge.

The GAO has until January 5th to make a decision about Sierra Nevadas challenge.

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Sierra Nevada Corporation Files Protest Over NASA Spacecraft Selection

Welcome to Wanderlust, a weekly series on Co.Design where some of our favorite designers share their secret picks and insider tips for the best design cities on the planet. Today, Emily Sugihara of Brooklyn-based bag studio Baggu drops us in a tote and takes us to her favorite design city: Tokyo.

Tokyo! It's really just the perfect combination of the future and the past. Much more than the United States, Japan is super futuristic, but it's like the futurism of the 1990s. At the same time, Japan is very respectful of the traditions of the past, and so the result is this glorious fusion of design eras, everywhere you look. It's a glorious fusion of design eras, everywhere you look.

My favorite is to rent an old house--the more tatami the better in one of the quiet neighborhoods, like Nakemuguro, alongside the banks of the beautiful Meguro River. It's a young, hip neighborhood, but very quiet; I've been to Japan a million times, so I don't like the touristy stuff. I like trying to spend my time there as an average person. Experiencing a different culture's idea of "normal" is so great, and Japan is just so different from my everyday life in New York or San Francisco.

Anywhere with ramen! There's a secret place with a black tarp and a bone I like to go to: Ganko Ramen. You should Google it. But if you can't get there, you can go to any train station and get a bowl of noodles that will just amaze you.

Walking around Nakameguro there a tons of small shops with local people making stuff. And the everyday shopping's incredible: shops like Tokyu Hands, which sells pretty much everything. It's like Muji meets Walmart: you'll walk out of there with things you never knew you wanted.

Also? 7-11! You might think you know 7-11 in the United States, but it's just a whole other world in Japan.

Bring comfy shoes. All of Tokyo is a design destination. Spend your day on foot and get really lost.

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Baggu CEO Emily Sugihara On Why All Designers Should Visit Tokyo

Photo: Imaxtree

Anyone looking to find calm in Paris on Friday would have done well to avoid the Louvre. The crowd rubbernecking at Dakota Fanning and Carla Bruni before that afternoon's Dior show, was intense. But inside, things were far more tranquil: the venue was divided into circular, salons, isolating editors and buyers from the celebrity scrum.

Raf Simons collection built on his sober, down-to-earth couture show in July. Said the designer in his show notes, For this collection I wanted to continue; I thought there was more to explore. The show was called Providence (Extended Remix) and many of the looks had an angelic feel: many were all-white and voluminous, inspired by 18th century court coats. They also referenced astronaut uniforms, with a touch of 60s futurism. The last two looks featured sweeping gilets in bright pink and gold, a stunning visual complement to Simons white canvas.

Issey Miyake let loose a bunch of white balloons in his show tent, an image of calm and cheer that jibed nicely with a collection that was inspired by clouds. The balloons were attached to strips of audiotape, an invention of the composer Ei Wada, who played them during the show. The haunting experimental music paired nicely with Miyakes white cumulus-like creations, many in a new proprietary fabric the company is calling 3-D Steam Stretch, used on oversize jackets and puffy dresses.

Isabel Marant always has pieces you want to buy and wear straight out of the show, and this season was no different. She jumped on the serenity bandwagon with looks like a loose white tunic with origami folds and a rope belt, paired with perfectly frayed white pants. When she wasnt going full Zen, Marant squeezed in some sex appeal, in the form of shimmery micro mini dresses, perhaps for when youre feeling less contemplative.

Moors Gaze was the title of Hussein Chalayans latest collection, and he drew interestingly on Moroccan paneled windows, which found their way into a black-on-black print on a silk dress. Another intricate print looked like the aerial view of a Moorish garden, an enclosed oasis of peace. Of course, the designer, whos celebrating his 20th anniversary, had to shatter the calm with a note of provocation: a series of prints of women in burqas, with fiery red nails.

See the full Christian Dior collection here. See the full Isabel Marant collection here. See the full Issey Miyake collection here. See the full Chalayan collection here.

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Its Oh So Quiet (Except Outside the Shows)

Alien: Isolation Extended TV ad - Distress [INT]Alien: Isolation

Sega is ramping up the fear factor with its latest promo for the upcoming Alien: Isolation, a two-minute slice of space-bound horror that evokes the tense, helpless environment of Ridley Scott's 1979 original movie.

Like the game itself, the ad keeps in line with the retro-futurism of the classic film. It evokes the same technology envisioned as futuristic back when the film was made, opening with a flickering screen of faded, worn VHS. Amanda Ripley's voice crackles in, recording her distress beacon. Lost and alone on the Nostromospace station, searching for clues to her mother Ellen's disappearance, she finds she's little more than prey for a single, monstrous creature....

It's a brilliantly edited piece, with Andrea Deck's imbuing her performance as Ripley Jr with the right mix of fear, desperation, and determination. In both acting and scene setting, it bodes well for developer Creative Assembly's sci-fi survival horror. Written by Dan Abnett, Isolationtakes place while Ellen Ripley is in stasis following her escape from the Nostromo at the end of the film.

Having played the VR test build, we can safely say it's one of the scariest games in years, and although the version released to retail on 7 October will only be for consoles and PC, hopefully it will prove similarly terrifying.

Alien Isolation will also reunite much of the cast from the 1979 film, including Sigourney Weaver returning to the role of Ripley for the first time in nearly two decades.

Link:

Alien: Isolation teaser uses old video techniques for new fear

Sci-fi. Not rated. 106 minutes

Christoph Waltz, left, stars in Terry Gilliam's "The Zero Theorem." Provided by Voltage Pictures (The Denver Post | Provided by Voltage Pictures)

Here's a paradox: Everyone admires Terry Gilliam's weeble-wobble determination to keep making films despite terrible bad luck, and yet the films themselves, even the ones with relatively misfortune-free production histories, are desperately hard to admire. A case in point is "The Zero Theorem," a sci-fi confection that, at best, momentarily recalls the dystopian whimsy of the director's best-loved effort, "Brazil," but ends up dissolving into a muddle of unfunny jokes and half-baked ideas, all served up with that painful, herky-jerky Gilliam rhythm. Gilliam's die-hard fans will rally, but that probably won't be enough to rescue this from niche obscurity.

Scripted by creative-writing professor Pat Rushin, the story is supposedly set in the not-so-distant future, perhaps in London (the film was actually shot on a stage set in Bucharest). It posits a not-hard-to-extrapolate-from-current-conditions world of clutter and noise, where advertising signage can identify exactly who is walking down the street and there's a church dedicated to Batman the Redeemer.

Neurotic scientist Qohen Leth (Christoph Waltz), a hairless recluse who lives in a ramshackle, decommissioned chapel, works for the Mancom Corp., a sprawling tech bureaucracy that requires employees to work in office cubicles that somewhat resemble old-school arcade-style video-game consoles, but where, in a Steampunk twist, software is transmitted in vials of liquid.

In a none-too-subtle shoutout to "1984," signs warn that Management is watching everywhere, incarnated in the figure of a character actually called Management (Matt Damon, sporting, like everyone else in the movie, a ridiculous hairpiece). Despite the dystopian setting, David Warren's production design strews lots of corrugated tubes and DayGlo colors about, making it all feel doubly retro, a nostalgic callback to the kind of pneumatic tube-futurism "Brazil" pioneered in the 1980s.

Qohen, whose name both sounds Jewish-outsidery and plays on the Zen notion or koan, has been assigned by Mancom to prove the Zero Theorem, some kind of contrived nihilistic nonsense that's never properly explained. He does this by jiggling crude-looking CGI Rubik's cubes with mathematical symbols in virtual space, something about as visually interesting as watching someone play 3D Tetris for Windows 98. As if that weren't a portentous enough conceit, he spends his time at home anxiously waiting for a phone call from someone or something that will explain the meaning of his life to him, which (spoiler ahead) never comes through.

At a party, where everyone is listening to music on their cellphones instead of what's on the sound system (one of the film's few amusing gags), Qohen meets Bainsley (fetching but limited Melanie Thierry, "The Princess of Montpensier"), a simpering coquette who later shows up uninvited at Qohen's house to "shoot trouble" when he gets stuck in his work. A halting sort of romance starts up, albeit one based on "tantric" non-penetrative interfacing.

Management's intellectually precocious son, Bob (Lucas Hedges, "Moonrise Kingdom"), also invites himself over, as do various pizza- delivery guys, the obligatory dwarves and David Thewlis as Qohen's backward-toupee-wearing boss, Joby. Altogether, a bunch of nothing happens, more or less, until the film runs out of steam and budget.

Those who made it to the end of "The Imaginarium of Doctor Parnassus" or "Tideland" will be amazed to find Gilliam sinking even further here than those low-water marks. The production notes, as if trying to forestall inevitable criticism, make many mentions of the quickness with which the production was executed and the challenges of the low budget, all of which is all too apparent onscreen.

Continued here:

Dystopian "The Zero Theorem" a muddle of unfunny jokes, half-baked ideas

Futurism defined - From Goodbye-Art Academy
A series giving you all the definitions of popular art terms accompanied with visuals to help you better understand the terms. Goodbye-Art Academy http://gbaacademy.com/

By: Goodbye-Art Academy

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Futurism defined - From Goodbye-Art Academy - Video

This 3D printer will be making parts on board the International Space Station (Credit: Made In Space)

On Tuesday morning, a SpaceX Dragon capsule will berth with the International Space Station. Included in its nearly 2 and a half tons of cargo is a first for the final frontier a 3D printer.

This 3D printer was developed by a small startup, Made In Space, which was founded in 2010 and incubated at Singularity University. Since 2011, the company has been actively working on development of their printer with NASA. The company has also received $824,597 in Small Business Innovation Research grants from NASA.

In 2013, NASA awarded Made In Space a Phase III Sole Source contract to build a 3D printer to send to the International Space Station the printer thats on its way to the station right now. The purpose of this printer is the demonstrate that 3D printing can work on board the station. If so, NASA intends to use its printer for experimental purpose with an eye to one day printing parts for the station on-demand.

As you might imagine, 3D printing poses some special challenges when you try to do it in zero gravity.

There are two main categories of problems, Brad Kohlenberg, a Business Development Engineer at the company told me. First is just making work. Second is making it safe in a closed loop environment.

The safety issue is the simple fact that when a 3D printer creates objects from its plastics, it will off-gas emitting toxic gasses into the local air. This isnt a problem on Earth, where doors, windows and HVAC systems allow those gases to diffuse safely. On the space station, however, the atmosphere is strictly controlled and this becomes a real problem.

To solve that problem, the company has developed an environmental control unit that filters out harmful gasses and nanoparticles produced during the printing process. Its so efficient, in fact, that the filter all by itself can purify a room on Earth.

Were actually in talks with other manufacturers about spinning that off, Kohlenberg told me. Doing crazy things that even if you fail to meet your goal, you could revolutionize another industry.

Made In Space tests its 3D printer on a microgravity parabolic flight.

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First Zero-G 3D Printer Is On Its Way To The Space Station

Artists' conception of the MAVEN spacecraft. (Credit: NASA's Goddard Space Flight Center)

At 10:24 pm EDT on Sunday, NASAs MAVEN spacecraft arrived in orbit around Mars. MAVEN, which stands for Mars Atmosphere and Volatile EvolutioN, is a probe designed to explore the upper atmosphere of Mars in order to learn more about it. The spacecraft launched on Monday, November 18, 2013, taking about 10 months to get to the Red Planet.

As the first orbiter dedicated to studying Mars upper atmosphere, MAVEN will greatly improve our understanding of the history of the Martian atmosphere, how the climate has changed over time, and how that has influenced the evolution of the surface and the potential habitability of the planet, NASA Administrator Charles Bolden said in a press release.

For the next six weeks, the spacecraft will be undergoing a series of tests to maneuver into its proper orbit and to ensure that all of its instruments are working properly. It will then begin its one-year mission to explore the Martian atmosphere.

Its taken 11 years from the original concept for MAVEN to now having a spacecraft in orbit at Mars, Bruce Jakosky, MAVENs principal investigator said in the release. Im delighted to be here safely and successfully, and looking forward to starting our science mission.

The goal of the science mission specifically is to learn more about the composition of the Martian atmosophere and how it interacts with solar wind and other phenomena. The probe will also measure how fast gasses are escaping from Mars slowly thinning atmosphere. When those rates are measured, scientists hope to be able to reconstruct the Martian atmosphere as it existed thousands or millions of years ago. Those reconstructions could help determine if the conditions existed for life to exist on ancient Mars.

The MAVEN probe will also have company soon Indias Mars Orbiter mission is scheduled to enter into Martian orbit this week. That probe also launched in November of 2013, and is loaded with scientific instruments to study the Red Planet. If it successfully enters orbit, Indias space agency will become the fourth to successfully send a probe to Mars, after the U.S., Russian, and the European space agencies.

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NASA's MAVEN Spacecraft Successfully Entered Into Martian Orbit

1920s Car of the Future, Weird Invention, Retro Futurism, Archive Footage
From the Kinolibrary archive film collections. To order the clip clean and high res visit http://www.kinolibrary.com. Clip ref WI056 1920s car of the future,...

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1920s Car of the Future, Weird Invention, Retro Futurism, Archive Footage - Video

Juan Enriquez (2009) MONEY BIOLOGY (FUTURISM)
Juan Enriquez (2009) MONEY BIOLOGY (FUTURISM)

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Juan Enriquez (2009) MONEY BIOLOGY (FUTURISM) - Video

The dwarf galaxy M60-UCD1 has a supermassive black hole five times more massive than the Milky Way's. (Credit: NASA, ESA and A. Seth - University of Utah, USA)

An international team of astronomers have announced that theyve discovered a supermassive black hole at the center of the galaxy M60-UCD1. This is the smallest known galaxy to have a supermassive black hole.

It is the smallest and lightest object that we know of that has a supermassive black hole, lead researcher Anil Seth said in a press release. Its also one of the most black hole-dominated galaxies known.

M60-UCD1 is about 50 million light-years away from Earth and is much smaller than our own Milky Way. Its one of many ultra-compact dwarf galaxies that astronomers have discovered. Its diameter is only 300 light-years 1/500th of the diameter of our galaxy. And those 300 light years are packed with 140 million stars.

Despite their compactness, these types of galaxies still tend to be more massive than astronomers would otherwise expect. This has led some astronomers to theorize that as small as they are, these galaxies may contain supermassive black holes at their center.

We had already published a study that suggested this additional weight could come from the presence of supermassive black holes, but it was only a theory, co-researcher Steffen Mieske of the European Southern Observatory said in a statement. Now, by studying the movement of the stars within M60-UCD1, we have detected the effects of such a black hole at its center.

The astronomers detected the black hole by studying images of the galaxy that had been made with the Hubble Space Telescope and the Gemini North telescope in Hawaii. These images were then studied to determine the effect of the unseen black hole and determine information about it.

Through this data, the scientists determined that the black hole has the mass of about 21 million Suns five times more massive than the black hole at the center of the Milky Way. This black hole is so massive, in fact, that it comprises about 15 percent of the total mass of M60-UCD1. By comparison, the black hole at the center of the Milky Way comprises less than about 0.01% of the galaxys total mass.

If this type of black hole is discovered at the center of other ultra-compact galaxies, it could provide a good theory for how these galaxies form in the first place.

This finding suggests that dwarf galaxies may actually be the stripped remnants of larger galaxies that were torn apart during collisions with other galaxies, rather than small islands of stars born in isolation, Seth added in a release. We dont know of any other way you could make a black hole so big in an object this small.

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Astronomers Find A Supermassive Black Hole In A Tiny Galaxy

B.W.O - Barcelona (Shane 54 Myon Retro Futurism Remix)

By: Thomas Daly

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B.W.O - Barcelona (Shane 54 & Myon Retro Futurism Remix) - Video

An Atlas V rocket lifts off with the mysterious CLIO satellite. (Credit: ULA)

Tuesday night at 8:10 EDT, a United Launch Alliance Atlas V rocket lifted off from Kennedy Space Complex after a short weather delay. This marks the 11th successful launch for ULA this year.

The rocket was carrying a satellite known only as CLIO, which it delivered into an unidentified (though probably geosynchronous) orbit. This satellite was built by Lockheed Martin and based on that companys A2100 Satellite bus. This framework is typically used for telecommunications satellites, and according to Lockheed, over 40 satellites with the A2100 bus are currently in orbit.

The level of secrecy for this satellite is somewhat unusual, especially since the which U.S. government agency is the customer for this satellite hasnt been identified at all. For example, even satellites intended for use to gather intelligence data are typically identified as being launched on behalf of the National Reconnaissance Office.

In a press release, Lockheeds executive VP, Rick Ambrose, merely commented as follows: We are very proud to deliver mission success for our U.S. Government customer. Our A2100 bus provides outstanding reliability, flexibility and proven performance, all at an affordable cost to our customers.

The next launch for ULA is scheduled for October 29, 2014, when an Atlas V rocket will deliver next generation GPS satellites into orbit on behalf of the Air Force. The next launch scheduled for September is a SpaceX launch on September 20, where it will deliver a Dragon capsule loaded with cargo to the International Space Station.

You can watch a video with highlights from the launch below:

To see what else has launched and whats planned to launch this month, please see ourSeptember launch schedule.

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Originally posted here:

Mystery U.S. Government Satellite Is Now In Orbit