...89101112...203040...


What is Nanotechnology? | Nano

Nanotechnology is science, engineering, and technologyconductedat the nanoscale, which is about 1 to 100 nanometers.

Physicist Richard Feynman, the father of nanotechnology.

Nanoscience and nanotechnology are the study and application of extremely small things and can be used across all the other science fields, such as chemistry, biology, physics, materials science, and engineering.

The ideas and concepts behind nanoscience and nanotechnology started with a talk entitled Theres Plenty of Room at the Bottom by physicist Richard Feynman at an American Physical Society meeting at the California Institute of Technology (CalTech) on December 29, 1959, long before the term nanotechnology was used. In his talk, Feynman described a process in which scientists would be able to manipulate and control individual atoms and molecules. Over a decade later, in his explorations of ultraprecision machining, Professor Norio Taniguchi coined the term nanotechnology. It wasn’t until 1981, with the development of the scanning tunneling microscope that could “see” individual atoms, that modern nanotechnology began.

Its hard to imagine just how small nanotechnology is. One nanometer is a billionth of a meter, or 10-9 of a meter. Here are a few illustrative examples:

Nanoscience and nanotechnology involve the ability to see and to control individual atoms and molecules. Everything on Earth is made up of atomsthe food we eat, the clothes we wear, the buildings and houses we live in, and our own bodies.

But something as small as an atom is impossible to see with the naked eye. In fact, its impossible to see with the microscopes typically used in a high school science classes. The microscopes needed to see things at the nanoscale were invented relatively recentlyabout 30 years ago.

Once scientists had the right tools, such as thescanning tunneling microscope (STM)and the atomic force microscope (AFM), the age of nanotechnology was born.

Although modern nanoscience and nanotechnology are quite new, nanoscale materialswereused for centuries. Alternate-sized gold and silver particles created colors in the stained glass windows of medieval churches hundreds of years ago. The artists back then just didnt know that the process they used to create these beautiful works of art actually led to changes in the composition of the materials they were working with.

Today’s scientists andengineers are finding a wide variety of ways to deliberatelymake materials at the nanoscale to take advantage of their enhanced properties such as higher strength, lighter weight,increased control oflight spectrum, and greater chemical reactivity than theirlarger-scale counterparts.

Continue reading here:

What is Nanotechnology? | Nano

Nineteen Eighty-Four – Wikipedia

Nineteen Eighty-Four, often published as 1984, is a dystopian novel published in 1949 by English author George Orwell.[2][3] The novel is set in the year 1984 when most of the world population have become victims of perpetual war, omnipresent government surveillance and public manipulation.

In the novel, Great Britain (“Airstrip One”) has become a province of a superstate named Oceania. Oceania is ruled by the “Party”, who employ the “Thought Police” to persecute individualism and independent thinking.[4] The Party’s leader is Big Brother, who enjoys an intense cult of personality but may not even exist. The protagonist of the novel, Winston Smith, is a rank-and-file Party member. Smith is an outwardly diligent and skillful worker, but he secretly hates the Party and dreams of rebellion against Big Brother. Smith rebels by entering a forbidden relationship with fellow employee Julia.

As literary political fiction and dystopian science-fiction, Nineteen Eighty-Four is a classic novel in content, plot, and style. Many of its terms and concepts, such as Big Brother, doublethink, thoughtcrime, Newspeak, Room 101, telescreen, 2 + 2 = 5, and memory hole, have entered into common usage since its publication in 1949. Nineteen Eighty-Four popularised the adjective Orwellian, which describes official deception, secret surveillance, brazenly misleading terminology, and manipulation of recorded history by a totalitarian or authoritarian state.[5] In 2005, the novel was chosen by Time magazine as one of the 100 best English-language novels from 1923 to 2005.[6] It was awarded a place on both lists of Modern Library 100 Best Novels, reaching number 13 on the editor’s list, and 6 on the readers’ list.[7] In 2003, the novel was listed at number 8 on the BBC’s survey The Big Read.[8]

Orwell “encapsulate[d] the thesis at the heart of his unforgiving novel” in 1944, the implications of dividing the world up into zones of influence, which had been conjured by the Tehran Conference. Three years later, he wrote most of it on the Scottish island of Jura from 1947 to 1948 despite being seriously ill with tuberculosis.[9][10] On 4 December 1948, he sent the final manuscript to the publisher Secker and Warburg, and Nineteen Eighty-Four was published on 8 June 1949.[11][12] By 1989, it had been translated into 65 languages, more than any other novel in English until then.[13] The title of the novel, its themes, the Newspeak language and the author’s surname are often invoked against control and intrusion by the state, and the adjective Orwellian describes a totalitarian dystopia that is characterised by government control and subjugation of the people.

Orwell’s invented language, Newspeak, satirises hypocrisy and evasion by the state: the Ministry of Love (Miniluv) oversees torture and brainwashing, the Ministry of Plenty (Miniplenty) oversees shortage and rationing, the Ministry of Peace (Minipax) oversees war and atrocity and the Ministry of Truth (Minitrue) oversees propaganda and historical revisionism.

The Last Man in Europe was an early title for the novel, but in a letter dated 22 October 1948 to his publisher Fredric Warburg, eight months before publication, Orwell wrote about hesitating between that title and Nineteen Eighty-Four.[14] Warburg suggested choosing the main title to be the latter, a more commercial one.[15]

In the novel 1985 (1978), Anthony Burgess suggests that Orwell, disillusioned by the onset of the Cold War (194591), intended to call the book 1948. The introduction to the Penguin Books Modern Classics edition of Nineteen Eighty-Four reports that Orwell originally set the novel in 1980 but that he later shifted the date to 1982 and then to 1984. The introduction to the Houghton Mifflin Harcourt edition of Animal Farm and 1984 (2003) reports that the title 1984 was chosen simply as an inversion of the year 1948, the year in which it was being completed, and that the date was meant to give an immediacy and urgency to the menace of totalitarian rule.[16]

Throughout its publication history, Nineteen Eighty-Four has been either banned or legally challenged, as subversive or ideologically corrupting, like Aldous Huxley’s Brave New World (1932), We (1924) by Yevgeny Zamyatin, Darkness at Noon (1940) by Arthur Koestler, Kallocain (1940) by Karin Boye and Fahrenheit 451 (1953) by Ray Bradbury.[17] Some writers consider the Russian dystopian novel We by Zamyatin to have influenced Nineteen Eighty-Four,[18][19] and the novel bears significant similarities in its plot and characters to Darkness at Noon, written years before by Arthur Koestler, who was a personal friend of Orwell.[20]

The novel is in the public domain in Canada,[21] South Africa,[22] Argentina,[23] Australia,[24] and Oman.[25] It will be in the public domain in the United Kingdom, the EU,[26] and Brazil in 2021[27] (70 years after the author’s death), and in the United States in 2044.[28]

Nineteen Eighty-Four is set in Oceania, one of three inter-continental superstates that divided the world after a global war.

Smith’s memories and his reading of the proscribed book, The Theory and Practice of Oligarchical Collectivism by Emmanuel Goldstein, reveal that after the Second World War, the United Kingdom became involved in a war fought in Europe, western Russia, and North America during the early 1950s. Nuclear weapons were used during the war, leading to the destruction of Colchester. London would also suffer widespread aerial raids, leading Winston’s family to take refuge in a London Underground station. Britain fell to civil war, with street fighting in London, before the English Socialist Party, abbreviated as Ingsoc, emerged victorious and formed a totalitarian government in Britain. The British Commonwealth was absorbed by the United States to become Oceania. Eventually Ingsoc emerged to form a totalitarian government in the country.

Simultaneously, the Soviet Union conquered continental Europe and established the second superstate of Eurasia. The third superstate of Eastasia would emerge in the Far East after several decades of fighting. The three superstates wage perpetual war for the remaining unconquered lands of the world in “a rough quadrilateral with its corners at Tangier, Brazzaville, Darwin, and Hong Kong” through constantly shifting alliances. Although each of the three states are said to have sufficient natural resources, the war continues in order to maintain ideological control over the people.

However, due to the fact that Winston barely remembers these events and due to the Party’s manipulation of history, the continuity and accuracy of these events are unclear. Winston himself notes that the Party has claimed credit for inventing helicopters, airplanes and trains, while Julia theorizes that the perpetual bombing of London is merely a false-flag operation designed to convince the populace that a war is occurring. If the official account was accurate, Smith’s strengthening memories and the story of his family’s dissolution suggest that the atomic bombings occurred first, followed by civil war featuring “confused street fighting in London itself” and the societal postwar reorganisation, which the Party retrospectively calls “the Revolution”.

Most of the plot takes place in London, the “chief city of Airstrip One”, the Oceanic province that “had once been called England or Britain”.[29][30] Posters of the Party leader, Big Brother, bearing the caption “BIG BROTHER IS WATCHING YOU”, dominate the city (Winston states it can be found on nearly every house), while the ubiquitous telescreen (transceiving television set) monitors the private and public lives of the populace. Military parades, propaganda films, and public executions are said to be commonplace.

The class hierarchy of Oceania has three levels:

As the government, the Party controls the population with four ministries:

The protagonist Winston Smith, a member of the Outer Party, works in the Records Department of the Ministry of Truth as an editor, revising historical records, to make the past conform to the ever-changing party line and deleting references to unpersons, people who have been “vaporised”, i.e., not only killed by the state but denied existence even in history or memory.

The story of Winston Smith begins on 4 April 1984: “It was a bright cold day in April, and the clocks were striking thirteen.” Yet he is uncertain of the true date, given the regime’s continual rewriting and manipulation of history.[31]

In the year 1984, civilization has been damaged by war, civil conflict, and revolution. Airstrip One (formerly Britain) is a province of Oceania, one of the three totalitarian super-states that rules the world. It is ruled by the “Party” under the ideology of “Ingsoc” and the mysterious leader Big Brother, who has an intense cult of personality. The Party stamps out anyone who does not fully conform to their regime using the Thought Police and constant surveillance, through devices such as Telescreens (two-way televisions).

Winston Smith is a member of the middle class Outer Party. He works at the Ministry of Truth, where he rewrites historical records to conform to the state’s ever-changing version of history. Those who fall out of favour with the Party become “unpersons”, disappearing with all evidence of their existence removed. Winston revises past editions of The Times, while the original documents are destroyed by fire in a “memory hole”. He secretly opposes the Party’s rule and dreams of rebellion. He realizes that he is already a “thoughtcriminal” and likely to be caught one day.

While in a proletarian neighbourhood, he meets an antique shop owner called Mr. Charrington and buys a diary. He uses an alcove to hide it from the Telescreen in his room, and writes thoughts criticising the Party and Big Brother. In the journal, he records his sexual frustration over a young woman maintaining the novel-writing machines at the ministry named Julia, whom Winston is attracted to but suspects is an informant. He also suspects that his superior, an Inner Party official named O’Brien, is a secret agent for an enigmatic underground resistance movement known as the Brotherhood, a group formed by Big Brother’s reviled political rival Emmanuel Goldstein.

The next day, Julia secretly hands Winston a note confessing her love for him. Winston and Julia begin an affair, an act of the rebellion as the Party insists that sex may only be used for reproduction. Winston realizes that she shares his loathing of the Party. They first meet in the country, and later in a rented room above Mr. Charrington’s shop. During his affair with Julia, Winston remembers the disappearance of his family during the civil war of the 1950s and his terse relationship with his ex-wife Katharine. Winston also interacts with his colleague Syme, who is writing a dictionary for a revised version of the English language called Newspeak. After Syme admits that the true purpose of Newspeak is to reduce the capacity of human thought, Winston speculates that Syme will disappear. Not long after, Syme disappears and no one acknowledges his absence.

Weeks later, Winston is approached by O’Brien, who offers Winston a chance to join the Brotherhood. They arrange a meeting at O’Brien’s luxurious flat where both Winston and Julia swear allegiance to the Brotherhood. He sends Winston a copy of The Theory and Practice of Oligarchical Collectivism by Emmanuel Goldstein. Winston and Julia read parts of the book, which explains more about how the Party maintains power, the true meanings of its slogans and the concept of perpetual war. It argues that the Party can be overthrown if proles (proletarians) rise up against it.

Mr. Charrington is revealed to be an agent of the Thought Police. Winston and Julia are captured in the shop and imprisoned in the Ministry of Love. O’Brien reveals that he is loyal to the party, and part of a special sting operation to catch “thoughtcriminals”. Over many months, Winston is tortured and forced to “cure” himself of his “insanity” by changing his own perception to fit the Party line, even if it requires saying that “2 + 2 = 5”. O’Brien openly admits that the Party “is not interested in the good of others; it is interested solely in power.” He says that once Winston is brainwashed into loyalty, he will be released back into society for a period of time, before they execute him. Winston points out that the Party has not managed to make him betray Julia.

O’Brien then takes Winston to Room 101 for the final stage of re-education. The room contains each prisoner’s worst fear, in Winston’s case rats. As a wire cage holding hungry rats is fitted onto his face, Winston shouts “Do it to Julia!”, thus betraying her. After being released, Winston meets Julia in a park. She says that she was also tortured, and both reveal betraying the other. Later, Winston sits alone in a caf as Oceania celebrates a supposed victory over Eurasian armies in Africa, and realizes that “He loved Big Brother.”

Ingsoc (English Socialism) is the predominant ideology and pseudophilosophy of Oceania, and Newspeak is the official language of official documents.

In London, the capital city of Airstrip One, Oceania’s four government ministries are in pyramids (300 m high), the faades of which display the Party’s three slogans. The ministries’ names are the opposite (doublethink) of their true functions: “The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation.” (Part II, Chapter IX The Theory and Practice of Oligarchical Collectivism)

The Ministry of Peace supports Oceania’s perpetual war against either of the two other superstates:

The primary aim of modern warfare (in accordance with the principles of doublethink, this aim is simultaneously recognized and not recognized by the directing brains of the Inner Party) is to use up the products of the machine without raising the general standard of living. Ever since the end of the nineteenth century, the problem of what to do with the surplus of consumption goods has been latent in industrial society. At present, when few human beings even have enough to eat, this problem is obviously not urgent, and it might not have become so, even if no artificial processes of destruction had been at work.

The Ministry of Plenty rations and controls food, goods, and domestic production; every fiscal quarter, it publishes false claims of having raised the standard of living, when it has, in fact, reduced rations, availability, and production. The Ministry of Truth substantiates Ministry of Plenty’s claims by revising historical records to report numbers supporting the current, “increased rations”.

The Ministry of Truth controls information: news, entertainment, education, and the arts. Winston Smith works in the Minitrue RecDep (Records Department), “rectifying” historical records to concord with Big Brother’s current pronouncements so that everything the Party says is true.

The Ministry of Love identifies, monitors, arrests, and converts real and imagined dissidents. In Winston’s experience, the dissident is beaten and tortured, and, when near-broken, he is sent to Room 101 to face “the worst thing in the world”until love for Big Brother and the Party replaces dissension.

The keyword here is blackwhite. Like so many Newspeak words, this word has two mutually contradictory meanings. Applied to an opponent, it means the habit of impudently claiming that black is white, in contradiction of the plain facts. Applied to a Party member, it means a loyal willingness to say that black is white when Party discipline demands this. But it means also the ability to believe that black is white, and more, to know that black is white, and to forget that one has ever believed the contrary. This demands a continuous alteration of the past, made possible by the system of thought which really embraces all the rest, and which is known in Newspeak as doublethink. Doublethink is basically the power of holding two contradictory beliefs in one’s mind simultaneously, and accepting both of them.

Three perpetually warring totalitarian super-states control the world:[34]

The perpetual war is fought for control of the “disputed area” lying “between the frontiers of the super-states”, which forms “a rough parallelogram with its corners at Tangier, Brazzaville, Darwin and Hong Kong”,[34] and Northern Africa, the Middle East, India and Indonesia are where the superstates capture and use slave labour. Fighting also takes place between Eurasia and Eastasia in Manchuria, Mongolia and Central Asia, and all three powers battle one another over various Atlantic and Pacific islands.

Goldstein’s book, The Theory and Practice of Oligarchical Collectivism, explains that the superstates’ ideologies are alike and that the public’s ignorance of this fact is imperative so that they might continue believing in the detestability of the opposing ideologies. The only references to the exterior world for the Oceanian citizenry (the Outer Party and the Proles) are Ministry of Truth maps and propaganda to ensure their belief in “the war”.

Winston Smith’s memory and Emmanuel Goldstein’s book communicate some of the history that precipitated the Revolution. Eurasia was formed when the Soviet Union conquered Continental Europe, creating a single state stretching from Portugal to the Bering Strait. Eurasia does not include the British Isles because the United States annexed them along with the rest of the British Empire and Latin America, thus establishing Oceania and gaining control over a quarter of the planet. Eastasia, the last superstate established, emerged only after “a decade of confused fighting”. It includes the Asian lands conquered by China and Japan. Although Eastasia is prevented from matching Eurasia’s size, its larger populace compensates for that handicap.

The annexation of Britain occurred about the same time as the atomic war that provoked civil war, but who fought whom in the war is left unclear. Nuclear weapons fell on Britain; an atomic bombing of Colchester is referenced in the text. Exactly how Ingsoc and its rival systems (Neo-Bolshevism and Death Worship) gained power in their respective countries is also unclear.

While the precise chronology cannot be traced, most of the global societal reorganization occurred between 1945 and the early 1960s. Winston and Julia once meet in the ruins of a church that was destroyed in a nuclear attack “thirty years” earlier, which suggests 1954 as the year of the atomic war that destabilised society and allowed the Party to seize power. It is stated in the novel that the “fourth quarter of 1983” was “also the sixth quarter of the Ninth Three-Year Plan”, which implies that the first quarter of the first three-year plan began in July 1958. By then, the Party was apparently in control of Oceania.

In 1984, there is a perpetual war between Oceania, Eurasia and Eastasia, the superstates that emerged from the global atomic war. The Theory and Practice of Oligarchical Collectivism, by Emmanuel Goldstein, explains that each state is so strong it cannot be defeated, even with the combined forces of two superstates, despite changing alliances. To hide such contradictions, history is rewritten to explain that the (new) alliance always was so; the populaces are accustomed to doublethink and accept it. The war is not fought in Oceanian, Eurasian or Eastasian territory but in the Arctic wastes and in a disputed zone comprising the sea and land from Tangiers (Northern Africa) to Darwin (Australia). At the start, Oceania and Eastasia are allies fighting Eurasia in northern Africa and the Malabar Coast.

That alliance ends and Oceania, allied with Eurasia, fights Eastasia, a change occurring on Hate Week, dedicated to creating patriotic fervour for the Party’s perpetual war. The public are blind to the change; in mid-sentence, an orator changes the name of the enemy from “Eurasia” to “Eastasia” without pause. When the public are enraged at noticing that the wrong flags and posters are displayed, they tear them down; the Party later claims to have captured Africa.

Goldstein’s book explains that the purpose of the unwinnable, perpetual war is to consume human labour and commodities so that the economy of a superstate cannot support economic equality, with a high standard of life for every citizen. By using up most of the produced objects like boots and rations, the proles are kept poor and uneducated and will neither realise what the government is doing nor rebel. Goldstein also details an Oceanian strategy of attacking enemy cities with atomic rockets before invasion but dismisses it as unfeasible and contrary to the war’s purpose; despite the atomic bombing of cities in the 1950s, the superstates stopped it for fear that would imbalance the powers. The military technology in the novel differs little from that of World War II, but strategic bomber aeroplanes are replaced with rocket bombs, helicopters were heavily used as weapons of war (they did not figure in World War II in any form but prototypes) and surface combat units have been all but replaced by immense and unsinkable Floating Fortresses, island-like contraptions concentrating the firepower of a whole naval task force in a single, semi-mobile platform (in the novel, one is said to have been anchored between Iceland and the Faroe Islands, suggesting a preference for sea lane interdiction and denial).

The society of Airstrip One and, according to “The Book”, almost the whole world, lives in poverty: hunger, disease and filth are the norms. Ruined cities and towns are common: the consequence of the civil war, the atomic wars and the purportedly enemy (but possibly false flag) rockets. Social decay and wrecked buildings surround Winston; aside from the ministerial pyramids, little of London was rebuilt. Members of the Outer Party consume synthetic foodstuffs and poor-quality “luxuries” such as oily gin and loosely-packed cigarettes, distributed under the “Victory” brand. (That is a parody of the low-quality Indian-made “Victory” cigarettes, widely smoked in Britain and by British soldiers during World War II. They were smoked because it was easier to import them from India than it was to import American cigarettes from across the Atlantic because of the War of the Atlantic.)

Winston describes something as simple as the repair of a broken pane of glass as requiring committee approval that can take several years and so most of those living in one of the blocks usually do the repairs themselves (Winston himself is called in by Mrs. Parsons to repair her blocked sink). All Outer Party residences include telescreens that serve both as outlets for propaganda and to monitor the Party members; they can be turned down, but they cannot be turned off.

In contrast to their subordinates, the Inner Party upper class of Oceanian society reside in clean and comfortable flats in their own quarter of the city, with pantries well-stocked with foodstuffs such as wine, coffee and sugar, all denied to the general populace.[35] Winston is astonished that the lifts in O’Brien’s building work, the telescreens can be switched off and O’Brien has an Asian manservant, Martin. All members of the Inner Party are attended to by slaves captured in the disputed zone, and “The Book” suggests that many have their own motorcars or even helicopters. Nonetheless, “The Book” makes clear that even the conditions enjoyed by the Inner Party are only “relatively” comfortable, and standards would be regarded as austere by those of the prerevolutionary lite.[36]

The proles live in poverty and are kept sedated with alcohol, pornography and a national lottery whose winnings are never actually paid out; that is obscured by propaganda and the lack of communication within Oceania. At the same time, the proles are freer and less intimidated than the middle-class Outer Party: they are subject to certain levels of monitoring but are not expected to be particularly patriotic. They lack telescreens in their own homes and often jeer at the telescreens that they see. “The Book” indicates that is because the middle class, not the lower class, traditionally starts revolutions. The model demands tight control of the middle class, with ambitious Outer-Party members neutralised via promotion to the Inner Party or “reintegration” by the Ministry of Love, and proles can be allowed intellectual freedom because they lack intellect. Winston nonetheless believes that “the future belonged to the proles”.[37]

The standard of living of the populace is low overall. Consumer goods are scarce, and all those available through official channels are of low quality; for instance, despite the Party regularly reporting increased boot production, more than half of the Oceanian populace goes barefoot. The Party claims that poverty is a necessary sacrifice for the war effort, and “The Book” confirms that to be partially correct since the purpose of perpetual war consumes surplus industrial production. Outer Party members and proles occasionally gain access to better items in the market, which deals in goods that were pilfered from the residences of the Inner Party.[citation needed]

Nineteen Eighty-Four expands upon the subjects summarised in Orwell’s essay “Notes on Nationalism”[38] about the lack of vocabulary needed to explain the unrecognised phenomena behind certain political forces. In Nineteen Eighty-Four, the Party’s artificial, minimalist language ‘Newspeak’ addresses the matter.

O’Brien concludes: “The object of persecution is persecution. The object of torture is torture. The object of power is power.”

In the book, Inner Party member O’Brien describes the Party’s vision of the future:

There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed. But alwaysdo not forget this, Winstonalways there will be the intoxication of power, constantly increasing and constantly growing subtler. Always, at every moment, there will be the thrill of victory, the sensation of trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human faceforever.

Part III, Chapter III, Nineteen Eighty-Four

A major theme of Nineteen Eighty-Four is censorship, especially in the Ministry of Truth, where photographs are modified and public archives rewritten to rid them of “unpersons” (persons who are erased from history by the Party). On the telescreens, figures for all types of production are grossly exaggerated or simply invented to indicate an ever-growing economy, when the reality is the opposite. One small example of the endless censorship is Winston being charged with the task of eliminating a reference to an unperson in a newspaper article. He proceeds to write an article about Comrade Ogilvy, a made-up party member who displayed great heroism by leaping into the sea from a helicopter so that the dispatches he was carrying would not fall into enemy hands.

The inhabitants of Oceania, particularly the Outer Party members, have no real privacy. Many of them live in apartments equipped with two-way telescreens so that they may be watched or listened to at any time. Similar telescreens are found at workstations and in public places, along with hidden microphones. Written correspondence is routinely opened and read by the government before it is delivered. The Thought Police employ undercover agents, who pose as normal citizens and report any person with subversive tendencies. Children are encouraged to report suspicious persons to the government, and some denounce their parents. Citizens are controlled, and the smallest sign of rebellion, even something so small as a facial expression, can result in immediate arrest and imprisonment. Thus, citizens, particularly party members, are compelled to obedience.

“The Principles of Newspeak” is an academic essay appended to the novel. It describes the development of Newspeak, the Party’s minimalist artificial language meant to ideologically align thought and action with the principles of Ingsoc by making “all other modes of thought impossible”. (A linguistic theory about how language may direct thought is the SapirWhorf hypothesis.)

Whether or not the Newspeak appendix implies a hopeful end to Nineteen Eighty-Four remains a critical debate, as it is in Standard English and refers to Newspeak, Ingsoc, the Party etc., in the past tense: “Relative to our own, the Newspeak vocabulary was tiny, and new ways of reducing it were constantly being devised” p.422). Some critics (Atwood,[39] Benstead,[40] Milner,[41] Pynchon[42]) claim that for the essay’s author, both Newspeak and the totalitarian government are in the past.

Nineteen Eighty-Four uses themes from life in the Soviet Union and wartime life in Great Britain as sources for many of its motifs. Some time at an unspecified date after the first American publication of the book, producer Sidney Sheldon wrote to Orwell interested in adapting the novel to the Broadway stage. Orwell sold the American stage rights to Sheldon, explaining that his basic goal with Nineteen Eighty-Four was imagining the consequences of Stalinist government ruling British society:

[Nineteen Eighty-Four] was based chiefly on communism, because that is the dominant form of totalitarianism, but I was trying chiefly to imagine what communism would be like if it were firmly rooted in the English speaking countries, and was no longer a mere extension of the Russian Foreign Office.[43]

The statement “2 + 2 = 5”, used to torment Winston Smith during his interrogation, was a communist party slogan from the second five-year plan, which encouraged fulfillment of the five-year plan in four years. The slogan was seen in electric lights on Moscow house-fronts, billboards and elsewhere.[44]

The switch of Oceania’s allegiance from Eastasia to Eurasia and the subsequent rewriting of history (“Oceania was at war with Eastasia: Oceania had always been at war with Eastasia. A large part of the political literature of five years was now completely obsolete”; ch 9) is evocative of the Soviet Union’s changing relations with Nazi Germany. The two nations were open and frequently vehement critics of each other until the signing of the 1939 Treaty of Non-Aggression. Thereafter, and continuing until the Nazi invasion of the Soviet Union in 1941, no criticism of Germany was allowed in the Soviet press, and all references to prior party lines stoppedincluding in the majority of non-Russian communist parties who tended to follow the Russian line. Orwell had criticised the Communist Party of Great Britain for supporting the Treaty in his essays for Betrayal of the Left (1941). “The Hitler-Stalin pact of August 1939 reversed the Soviet Union’s stated foreign policy. It was too much for many of the fellow-travellers like Gollancz [Orwell’s sometime publisher] who had put their faith in a strategy of construction Popular Front governments and the peace bloc between Russia, Britain and France.”[45]

The description of Emmanuel Goldstein, with a “small, goatee beard”, evokes the image of Leon Trotsky. The film of Goldstein during the Two Minutes Hate is described as showing him being transformed into a bleating sheep. This image was used in a propaganda film during the Kino-eye period of Soviet film, which showed Trotsky transforming into a goat.[46] Goldstein’s book is similar to Trotsky’s highly critical analysis of the USSR, The Revolution Betrayed, published in 1936.

The omnipresent images of Big Brother, a man described as having a moustache, bears resemblance to the cult of personality built up around Joseph Stalin.

The news in Oceania emphasised production figures, just as it did in the Soviet Union, where record-setting in factories (by “Heroes of Socialist Labor”) was especially glorified. The best known of these was Alexey Stakhanov, who purportedly set a record for coal mining in 1935.

The tortures of the Ministry of Love evoke the procedures used by the NKVD in their interrogations,[47] including the use of rubber truncheons, being forbidden to put your hands in your pockets, remaining in brightly lit rooms for days, torture through the use of provoked rodents, and the victim being shown a mirror after their physical collapse.

The random bombing of Airstrip One is based on the Buzz bombs and the V-2 rocket, which struck England at random in 19441945.

The Thought Police is based on the NKVD, which arrested people for random “anti-soviet” remarks.[48] The Thought Crime motif is drawn from Kempeitai, the Japanese wartime secret police, who arrested people for “unpatriotic” thoughts.

The confessions of the “Thought Criminals” Rutherford, Aaronson and Jones are based on the show trials of the 1930s, which included fabricated confessions by prominent Bolsheviks Nikolai Bukharin, Grigory Zinoviev and Lev Kamenev to the effect that they were being paid by the Nazi government to undermine the Soviet regime under Leon Trotsky’s direction.

The song “Under the Spreading Chestnut Tree” (“Under the spreading chestnut tree, I sold you, and you sold me”) was based on an old English song called “Go no more a-rushing” (“Under the spreading chestnut tree, Where I knelt upon my knee, We were as happy as could be, ‘Neath the spreading chestnut tree.”). The song was published as early as 1891. The song was a popular camp song in the 1920s, sung with corresponding movements (like touching your chest when you sing “chest”, and touching your head when you sing “nut”). Glenn Miller recorded the song in 1939.[49]

The “Hates” (Two Minutes Hate and Hate Week) were inspired by the constant rallies sponsored by party organs throughout the Stalinist period. These were often short pep-talks given to workers before their shifts began (Two Minutes Hate), but could also last for days, as in the annual celebrations of the anniversary of the October revolution (Hate Week).

Orwell fictionalized “newspeak”, “doublethink”, and “Ministry of Truth” as evinced by both the Soviet press and that of Nazi Germany.[50] In particular, he adapted Soviet ideological discourse constructed to ensure that public statements could not be questioned.[51]

Winston Smith’s job, “revising history” (and the “unperson” motif) are based on the Stalinist habit of airbrushing images of ‘fallen’ people from group photographs and removing references to them in books and newspapers.[53] In one well-known example, the Soviet encyclopaedia had an article about Lavrentiy Beria. When he fell in 1953, and was subsequently executed, institutes that had the encyclopaedia were sent an article about the Bering Strait, with instructions to paste it over the article about Beria.[54]

Big Brother’s “Orders of the Day” were inspired by Stalin’s regular wartime orders, called by the same name. A small collection of the more political of these have been published (together with his wartime speeches) in English as “On the Great Patriotic War of the Soviet Union” By Joseph Stalin.[55][56] Like Big Brother’s Orders of the day, Stalin’s frequently lauded heroic individuals,[57] like Comrade Ogilvy, the fictitious hero Winston Smith invented to ‘rectify’ (fabricate) a Big Brother Order of the day.

The Ingsoc slogan “Our new, happy life”, repeated from telescreens, evokes Stalin’s 1935 statement, which became a CPSU slogan, “Life has become better, Comrades; life has become more cheerful.”[48]

In 1940 Argentine writer Jorge Luis Borges published Tln, Uqbar, Orbis Tertius which described the invention by a “benevolent secret society” of a world that would seek to remake human language and reality along human-invented lines. The story concludes with an appendix describing the success of the project. Borges’ story addresses similar themes of epistemology, language and history to 1984.[58]

During World War II, Orwell believed that British democracy as it existed before 1939 would not survive the war. The question being “Would it end via Fascist coup d’tat from above or via Socialist revolution from below”?[citation needed] Later, he admitted that events proved him wrong: “What really matters is that I fell into the trap of assuming that ‘the war and the revolution are inseparable’.”[59]

Nineteen Eighty-Four (1949) and Animal Farm (1945) share themes of the betrayed revolution, the person’s subordination to the collective, rigorously enforced class distinctions (Inner Party, Outer Party, Proles), the cult of personality, concentration camps, Thought Police, compulsory regimented daily exercise, and youth leagues. Oceania resulted from the US annexation of the British Empire to counter the Asian peril to Australia and New Zealand. It is a naval power whose militarism venerates the sailors of the floating fortresses, from which battle is given to recapturing India, the “Jewel in the Crown” of the British Empire. Much of Oceanic society is based upon the USSR under Joseph StalinBig Brother. The televised Two Minutes Hate is ritual demonisation of the enemies of the State, especially Emmanuel Goldstein (viz Leon Trotsky). Altered photographs and newspaper articles create unpersons deleted from the national historical record, including even founding members of the regime (Jones, Aaronson and Rutherford) in the 1960s purges (viz the Soviet Purges of the 1930s, in which leaders of the Bolshevik Revolution were similarly treated). A similar thing also happened during the French Revolution in which many of the original leaders of the Revolution were later put to death, for example Danton who was put to death by Robespierre, and then later Robespierre himself met the same fate.

In his 1946 essay “Why I Write”, Orwell explains that the serious works he wrote since the Spanish Civil War (193639) were “written, directly or indirectly, against totalitarianism and for democratic socialism”.[3][60] Nineteen Eighty-Four is a cautionary tale about revolution betrayed by totalitarian defenders previously proposed in Homage to Catalonia (1938) and Animal Farm (1945), while Coming Up for Air (1939) celebrates the personal and political freedoms lost in Nineteen Eighty-Four (1949). Biographer Michael Shelden notes Orwell’s Edwardian childhood at Henley-on-Thames as the golden country; being bullied at St Cyprian’s School as his empathy with victims; his life in the Indian Imperial Police in Burma and the techniques of violence and censorship in the BBC as capricious authority.[61]

Other influences include Darkness at Noon (1940) and The Yogi and the Commissar (1945) by Arthur Koestler; The Iron Heel (1908) by Jack London; 1920: Dips into the Near Future[62] by John A. Hobson; Brave New World (1932) by Aldous Huxley; We (1921) by Yevgeny Zamyatin which he reviewed in 1946;[63] and The Managerial Revolution (1940) by James Burnham predicting perpetual war among three totalitarian superstates. Orwell told Jacintha Buddicom that he would write a novel stylistically like A Modern Utopia (1905) by H. G. Wells.[citation needed]

Extrapolating from World War II, the novel’s pastiche parallels the politics and rhetoric at war’s endthe changed alliances at the “Cold War’s” (194591) beginning; the Ministry of Truth derives from the BBC’s overseas service, controlled by the Ministry of Information; Room 101 derives from a conference room at BBC Broadcasting House;[64] the Senate House of the University of London, containing the Ministry of Information is the architectural inspiration for the Minitrue; the post-war decrepitude derives from the socio-political life of the UK and the US, i.e., the impoverished Britain of 1948 losing its Empire despite newspaper-reported imperial triumph; and war ally but peace-time foe, Soviet Russia became Eurasia.

The term “English Socialism” has precedents in his wartime writings; in the essay “The Lion and the Unicorn: Socialism and the English Genius” (1941), he said that “the war and the revolution are inseparable…the fact that we are at war has turned Socialism from a textbook word into a realisable policy” because Britain’s superannuated social class system hindered the war effort and only a socialist economy would defeat Adolf Hitler. Given the middle class’s grasping this, they too would abide socialist revolution and that only reactionary Britons would oppose it, thus limiting the force revolutionaries would need to take power. An English Socialism would come about which “will never lose touch with the tradition of compromise and the belief in a law that is above the State. It will shoot traitors, but it will give them a solemn trial beforehand and occasionally it will acquit them. It will crush any open revolt promptly and cruelly, but it will interfere very little with the spoken and written word.”[65]

In the world of Nineteen Eighty-Four, “English Socialism”(or “Ingsoc” in Newspeak) is a totalitarian ideology unlike the English revolution he foresaw. Comparison of the wartime essay “The Lion and the Unicorn” with Nineteen Eighty-Four shows that he perceived a Big Brother regime as a perversion of his cherished socialist ideals and English Socialism. Thus Oceania is a corruption of the British Empire he believed would evolve “into a federation of Socialist states, like a looser and freer version of the Union of Soviet Republics”.[66][verification needed]

When first published, Nineteen Eighty-Four was generally well received by reviewers. V. S. Pritchett, reviewing the novel for the New Statesman stated: “I do not think I have ever read a novel more frightening and depressing; and yet, such are the originality, the suspense, the speed of writing and withering indignation that it is impossible to put the book down.”[67] P. H. Newby, reviewing Nineteen Eighty-Four for The Listener magazine, described it as “the most arresting political novel written by an Englishman since Rex Warner’s The Aerodrome.”[68] Nineteen Eighty-Four was also praised by Bertrand Russell, E. M. Forster and Harold Nicolson.[68] On the other hand, Edward Shanks, reviewing Nineteen Eighty-Four for The Sunday Times, was dismissive; Shanks claimed Nineteen Eighty-Four “breaks all records for gloomy vaticination”.[68] C. S. Lewis was also critical of the novel, claiming that the relationship of Julia and Winston, and especially the Party’s view on sex, lacked credibility, and that the setting was “odious rather than tragic”.[69]

Nineteen Eighty-Four has been adapted for the cinema, radio, television and theatre at least twice each, as well as for other art media, such as ballet and opera.

The effect of Nineteen Eighty-Four on the English language is extensive; the concepts of Big Brother, Room 101, the Thought Police, thoughtcrime, unperson, memory hole (oblivion), doublethink (simultaneously holding and believing contradictory beliefs) and Newspeak (ideological language) have become common phrases for denoting totalitarian authority. Doublespeak and groupthink are both deliberate elaborations of doublethink, and the adjective “Orwellian” means similar to Orwell’s writings, especially Nineteen Eighty-Four. The practice of ending words with “-speak” (such as mediaspeak) is drawn from the novel.[70] Orwell is perpetually associated with 1984; in July 1984, an asteroid was discovered by Antonn Mrkos and named after Orwell.

References to the themes, concepts and plot of Nineteen Eighty-Four have appeared frequently in other works, especially in popular music and video entertainment. An example is the worldwide hit reality television show Big Brother, in which a group of people live together in a large house, isolated from the outside world but continuously watched by television cameras.

The book touches on the invasion of privacy and ubiquitous surveillance. From mid-2013 it was publicized that the NSA has been secretly monitoring and storing global internet traffic, including the bulk data collection of email and phone call data. Sales of Nineteen Eighty-Four increased by up to seven times within the first week of the 2013 mass surveillance leaks.[79][80][81] The book again topped the Amazon.com sales charts in 2017 after a controversy involving Kellyanne Conway using the phrase “alternative facts” to explain discrepancies with the media.[82][83][84][85]

The book also shows mass media as a catalyst for the intensification of destructive emotions and violence. Since the 20th century, news and other forms of media have been publicizing violence more often.[86][87] In 2013, the Almeida Theatre and Headlong staged a successful new adaptation (by Robert Icke and Duncan Macmillan), which twice toured the UK and played an extended run in London’s West End. The play opened on Broadway in 2017.

In the decades since the publication of Nineteen Eighty-Four, there have been numerous comparisons to Aldous Huxley’s novel Brave New World, which had been published 17 years earlier, in 1932.[88][89][90][91] They are both predictions of societies dominated by a central government and are both based on extensions of the trends of their times. However, members of the ruling class of Nineteen Eighty-Four use brutal force, torture and mind control to keep individuals in line, but rulers in Brave New World keep the citizens in line by addictive drugs and pleasurable distractions.

In October 1949, after reading Nineteen Eighty-Four, Huxley sent a letter to Orwell and wrote that it would be more efficient for rulers to stay in power by the softer touch by allowing citizens to self-seek pleasure to control them rather than brute force and to allow a false sense of freedom:

Within the next generation I believe that the world’s rulers will discover that infant conditioning and narco-hypnosis are more efficient, as instruments of government, than clubs and prisons, and that the lust for power can be just as completely satisfied by suggesting people into loving their servitude as by flogging and kicking them into obedience.[92]

Elements of both novels can be seen in modern-day societies, with Huxley’s vision being more dominant in the West and Orwell’s vision more prevalent with dictators in ex-communist countries, as is pointed out in essays that compare the two novels, including Huxley’s own Brave New World Revisited.[93][94][95][85]

Comparisons with other dystopian novels like The Handmaid’s Tale, Virtual Light, The Private Eye and Children of Men have also been drawn.[96][97]

Continued here:

Nineteen Eighty-Four – Wikipedia

Beaches

INCLUDED

Fun & Games

KIDS program

At Beaches, we give kids extra attention with tailor-made fun just for them, offering age-appropriate activities for kids of all ages, from tots to teens. With a staff that’s so genuinely caring, it’ll feel like your kids are in the loving hands of a family member who just wants to spoil them.

See the original post:

Beaches

Ethereum Price Forecast: G20 Regulations Would at Least Bring Certainty

Ethereum News Update
Investors tend to panic when international organizations talk about cryptocurrency regulation, but is that really the nightmare scenario?

What we have at the moment seems worse.

With each country or state striking its own path on crypto regulation, investors are left without a clear sense of direction. “Where is the industry headed?” they keep wondering. All the while, a technology that was supposed to transcend borders becomes limited by them.

Just look at the difference around the world.

In the U.S., you have the head of the Securities and Exchange Commission (SEC) saying that blockchains have “incredible promise,” whereas in China and.

The post Ethereum Price Forecast: G20 Regulations Would at Least Bring Certainty appeared first on Profit Confidential.

View post:

Ethereum Price Forecast: G20 Regulations Would at Least Bring Certainty

Ethereum Price Forecast: Big Corporate Moves Could Bolster ETH Prices

Crypto Rally Slows Down
As I write this report, cryptocurrency prices are in the middle of a vicious tug of war between the bulls and the bears. And the bears are winning right now.

Most, if not all, of our favorite cryptocurrencies trended down over the last seven days, erasing the progress they made in earlier weeks.

Short-term volatility is completely overtaking the market, making it tough for existing holders of crypto assets.

But…

If you’re someone who is looking to enter the market, a sell-off is exactly the right time. How many times have I heard investors say, “If I had bought Bitcoin two years ago, I would have made [insert insane profits.

The post Ethereum Price Forecast: Big Corporate Moves Could Bolster ETH Prices appeared first on Profit Confidential.

View post:

Ethereum Price Forecast: Big Corporate Moves Could Bolster ETH Prices

Cryptocurrency Price Forecast: What You Need to Know This Week

Cryptocurrency Rally Holds Strong
Rallies are important, but holding a rally is even more important.

Thankfully, that’s what cryptocurrencies have done over the last two weeks. Our favorites either stuck close to their previous levels or they exploded to the upside.

Siacoin (SC), for example, rose more than 24% in a single trading session, leading to a cumulative gain of 108% since we first recommended it last month.

Not bad, right? There aren’t too many investments that can boast of triple-digit gains in one month.

Speaking of triple-digit winners, Ethereum (ETH) rose above 100% for the first time in six weeks. It almost erased its gains in early April, but the.

The post Cryptocurrency Price Forecast: What You Need to Know This Week appeared first on Profit Confidential.

Read more here:

Cryptocurrency Price Forecast: What You Need to Know This Week

Ripple Price Prediction: xRapid Shows Success, But SEC Still Holds Power

XRP Prices Hang in the Balance
Ripple bears like to claim that XRP “serves no purpose” in its technology, but recent success with the “xRapid” software says otherwise. That—plus the continual “Is XRP a security?” debate—drove Ripple prices round and round in circles last week.

I see these two forces working in opposite directions.

Investors should be happy that xRapid is providing genuine benefits to businesses that dared to take a chance on XRP. But does it matter if the U.S. Securities & Exchange Commission (SEC) designates XRP a security?
xRapid Success
For the uninitiated, Ripple has multiple offerings. One is “xCurrent,” a.

The post Ripple Price Prediction: xRapid Shows Success, But SEC Still Holds Power appeared first on Profit Confidential.

More here:

Ripple Price Prediction: xRapid Shows Success, But SEC Still Holds Power

The Epic Relation Between Bitcoin and the Stock Market

Bitcoin Prices Are Less Independent Than You Think
Inside the world of cryptocurrencies, some truths go unquestioned: 1) centralization is terrible, 2) fixed money supplies are great, 3) cryptocurrencies are uncorrelated from stocks.

The last “truth” is now in question.

Many analysts, myself included, have raised questions about Bitcoin following the stock market before, but none of us made the case as strongly as Forbes contributor Clem Chambers.

Chambers recently used intraday trade charts to show that Bitcoin prices often follow the same patterns as the Dow Jones Index. (Source: “.

The post The Epic Relation Between Bitcoin and the Stock Market appeared first on Profit Confidential.

More:

The Epic Relation Between Bitcoin and the Stock Market

Litecoin Price Forecast: “Tokyo Whale” Continues to Drive Crypto Sell-Off

Litecoin News Update
Remember when hackers broke into the Mt. Gox exchange? That security breach—which took place several years ago and resulted in the loss of billions in Bitcoin—continues to roil cryptocurrency markets to this day.

In order to understand the story, you have to know the history.

So let’s start with what happened after Mt. Gox was hacked. To begin with, investors were compensated for their loss in fiat currency. Yen instead of Bitcoin, as it were. But then some of the missing Bitcoin were recovered. Over time,.

The post Litecoin Price Forecast: “Tokyo Whale” Continues to Drive Crypto Sell-Off appeared first on Profit Confidential.

Read the original here:

Litecoin Price Forecast: “Tokyo Whale” Continues to Drive Crypto Sell-Off

Ripple Price Forecast: Has the Much-Awaited XRP Rally Started?

XRP Prices: Patience Is Warranted
2017 was a great year for investors, where the market environment was characterized by a constant barrage of new all-time highs, low volatility, and a number of high-flying sectors taking center stage. 2018 is turning out to be a whole different beast; a market correction has currently gripped the markets and all the high-flying sectors that led the market late last year are currently correcting.

Cryptocurrencies were by far the best-performing asset class last year, and it shouldn’t be too shocking that they are the worst-performing asset class this year. For example, Ripple staged an epic advance in 2017, tacking on an incredible 3,216.67%.

The post Ripple Price Forecast: Has the Much-Awaited XRP Rally Started? appeared first on Profit Confidential.

Go here to read the rest:

Ripple Price Forecast: Has the Much-Awaited XRP Rally Started?

Ripple Price Prediction: Debate Over XRP Designation Heats Up

Ripple News Update
Although XRP prices are flashing red this morning, Ripple is actually net positive for the weekend. From its Friday lows to the time of this writing, the XRP to USD exchange rate advanced 5.55%.

But that’s not the biggest story in today’s Ripple news update.

No, once again, investors are at odds about XRP. Is it a cryptocurrency? Is it centralized? The questions that have haunted XRP prices for years are back, spread across message boards and forums that support more libertarian digital assets.

These debates may seem crazy to.

The post Ripple Price Prediction: Debate Over XRP Designation Heats Up appeared first on Profit Confidential.

Read this article:

Ripple Price Prediction: Debate Over XRP Designation Heats Up

Cryptocurrency Price Forecast: Trust Is Growing, But Prices Are Falling

Trust Is Growing…
Before we get to this week’s cryptocurrency news, analysis, and our cryptocurrency price forecast, I want to share an experience from this past week. I was at home watching the NBA playoffs, trying to ignore the commercials, when a strange advertisement caught my eye.

It followed a tomato from its birth on the vine to its end on the dinner table (where it was served as a bolognese sauce), and a diamond from its dusty beginnings to when it sparkled atop an engagement ring.

The voiceover said: “This is a shipment passed 200 times, transparently tracked from port to port. This is the IBM blockchain.”

Let that sink in—IBM.

The post Cryptocurrency Price Forecast: Trust Is Growing, But Prices Are Falling appeared first on Profit Confidential.

More:

Cryptocurrency Price Forecast: Trust Is Growing, But Prices Are Falling

Ripple Price Forecast: XRP vs SWIFT, SEC Updates, and More

Ripple vs SWIFT: The War Begins
While most criticisms of XRP do nothing to curb my bullish Ripple price forecast, there is one obstacle that nags at my conscience. Its name is SWIFT.

The Society for Worldwide Interbank Financial Telecommunication (SWIFT) is the king of international payments.

It coordinates wire transfers across 11,000 banks in more than 200 countries and territories, meaning that in order for XRP prices to ascend to $10.00, Ripple needs to launch a successful coup. That is, and always has been, an unwritten part of Ripple’s story.

We’ve seen a lot of progress on that score. In the last three years, Ripple wooed more than 100 financial firms onto its.

The post Ripple Price Forecast: XRP vs SWIFT, SEC Updates, and More appeared first on Profit Confidential.

See the original post here:

Ripple Price Forecast: XRP vs SWIFT, SEC Updates, and More

Deerfield Beach Cams | Deerfield Beach, FL – Official Website

We hope you enjoy the view into the Deerfield Beach blue! Our City Beach cameras showcase our surf, sand and sea. Please note that weather conditions will affect camera visibility. Enjoy the view!

Disclaimer: It is prohibited to swim and dive around or under the International Fishing Pier.Sec. 50-112. – Municipal/public beach regulations.

Follow this link:

Deerfield Beach Cams | Deerfield Beach, FL – Official Website

Beaches (film) – Wikipedia

Beaches (also known as Forever Friends) is a 1988 American comedy-drama film adapted by Mary Agnes Donoghue from the Iris Rainer Dart novel of the same name. It was directed by Garry Marshall, and stars Bette Midler, Barbara Hershey, Mayim Bialik, John Heard, James Read, Spalding Gray, and Lainie Kazan.

Despite generally negative reviews from critics, the film was a commercial success, grossing $59 million in the box office, and gained a cult following.

A sequel, based on the novel Beaches II: I’ll Be There was planned with Barbara Eden but never filmed.

The story of two friends from different backgrounds, whose friendship spans more than 35 years through childhood, love, and tragedy: Cecilia Carol “C.C.” Bloom, a New York actress and singer, and Hillary Whitney, a San Francisco heiress and lawyer. The film begins with middle-aged C.C. receiving a note during a rehearsal for her upcoming Los Angeles concert. She leaves the rehearsal in a panic and tries frantically to travel to her friend’s side. Unable to get a flight to San Francisco because of fog, she rents a car and drives overnight, reflecting on her life with Hillary.

It is 1958; a rich little girl, Hillary, meets child performer C.C., under the boardwalk on the beach in Atlantic City, New Jersey. Hillary is lost and C.C. is hiding from her overbearing stage mother. They become fast friends, growing up and bonding through letters of support to each other. A grown-up Hillary goes on to become a human rights lawyer, while C.C.’s singing career is not exactly taking off. They write to each other regularly and give updates on their lives. Hillary shows up at the New York City dive bar where C.C. is performing, their first meeting since Atlantic City. She moves in with C.C. and gets a job with the ACLU. C.C. is now performing singing telegrams, leading to a job offer from John, the artistic director of the Falcon Players, after she sings his birthday telegram.

A love triangle ensues as Hillary and John are instantly attracted to one another, leaving C.C. in the cold and feeling resentment toward her best friend. Matters are made worse when Hillary and John sleep together on the opening-night of C.C.’s first lead in an off-Broadway production. When Hillary returns home to care for her ailing father, the two friends resolve their issues about John, as John does not have romantic feelings for C.C. After her father passes away, Hillary spends time at her family beach house with lawyer Michael Essex, eventually marrying him. C.C. and John spend a lot of time together, start dating and eventually marry. Hillary and Michael travel to New York to see C.C. perform on Broadway, where she has become a star. When C.C. finds out that Hillary has stopped working as a lawyer, she accuses Hillary of giving up on her dreams. Hillary responds that C.C. has become no more than a “pretentious social climber” who is obsessed with her career. After the argument, Hillary ignores C.C.’s letters, throwing herself into being a dutiful, but unchallenged, wife.

John tells C.C. that her self-centeredness and obsession with her career has him feeling left behind and he asks for a divorce. Despite the separation, John tells her, ‘I love you, I’ll always love you. I just want to let go of us before us gets bad.’ Upset at the thought of her marriage failing, C.C. turns to her mother, who lives in Miami Beach. Her mother tells her that she has given up a lot for her daughter, and C.C. starts to understand when her mother tells her the effect that her selfishness has had on those closest to her. Meanwhile, Hillary returns home from a trip earlier than expected to find her husband having breakfast with another woman, both wearing pajamas. When Hillary learns that C.C. is performing in San Francisco, she makes contact for the first time in years. They learn of each other’s divorces, then discover that they have been secretly jealous of each other for years: Hillary is upset that she has none of the talent or charisma that C.C. is noted for, while C.C. admits she has always been envious of Hillary’s beauty and intelligence. The two then realize that their feud could have been avoided by honest communication.

Hillary tells C.C. that she is pregnant and that she has already decided to keep the baby and raise the child as a single parent, a decision that wins her much admiration from the feisty and independent C.C., who promises she will stay and help her out. C.C. even starts talking of settling down and having a family of her own, having become engaged to Hillary’s obstetrician. However, when C.C.’s agent calls with the perfect comeback gig for her, C.C. quickly abandons her fianc and any notions of the domestic life and races back to New York City, discovering that the comeback gig is at her ex-husband John’s theater, bringing her full circle to where she began her theatrical career. Hillary eventually gives birth to a daughter, whom she names Victoria Cecilia. When Victoria is a young girl, Hillary finds herself easily exhausted and breathless, a state she attributes to her busy schedule as a mother and a lawyer. When she collapses while at court she is diagnosed with viral cardiomyopathy requiring a heart transplant if she is to live. Having a rare tissue type, she realizes she will most likely die before a heart is found.

In the meantime C.C. has become a big star, having won a Tony award and completed her latest hit album. When she learns of Hillary’s illness she agrees to accompany Hillary and Victoria to the beach house for the summer. Hillary becomes depressed due to her debilitated state and inadvertently takes her frustration out on C.C. who she sees having fun with and connecting with Victoria. Hillary eventually begins to accept her prognosis bravely, appreciating her time with Victoria and C.C. Hillary and Victoria return to San Francisco, while C.C. heads to Los Angeles for her concert. While Victoria is packing to travel to the concert, Hillary collapses, leading to the note C.C. receives at the start of the movie which prompts her overnight drive to San Francisco. C.C. takes Hillary and Victoria to the beach house. The two friends watch the sun setting over the beach, transitioning directly to a scene of C.C. and Victoria at a cemetery (all with C.C. singing “Wind Beneath My Wings” in the background).

After the funeral, C.C. tells Victoria that her mother wanted her to live with her. C.C. admits that she is very selfish and has no idea what kind of a mother she will make, but also tells her: “there’s nothing in the world that I want more than to be with you”. She then takes Victoria into her arms and the two console each other in their grief. C.C. goes forward with her concert, and after the show, she leaves hand-in-hand with Victoria, and begins telling stories of when she first met her mother. C.C.’s and Victoria’s voices fade as we hear the younger C.C. and Hillary from 1958: “Be sure to keep in touch, C.C., OK?” “Well sure, we’re friends aren’t we?” The film ends with a young C.C. and Hillary taking pictures together, in a photo booth, on the day they first met.

The film’s theme song, “Wind Beneath My Wings”, hit number one on the Billboard Hot 100 charts and won Grammy Awards for Record of the Year and Song of the Year in 1990.

The film took in $5,160,258 during its opening weekend beginning January 21, 1989. It grossed $57,041,866 domestically.[3]

The film was released on VHS by Touchstone Home Video in August 1989, with a DVD release on August 13, 2002, followed by a special-edition DVD on April 26, 2005.

On review aggregator website Rotten Tomatoes, the film holds an approval rating of 38% based on 40 reviews, and an average rating of 4.4/10.[4]

Included on the soundtrack was Midler’s performance of “Wind Beneath My Wings”, which became an immediate smash hit. The song went on to win Grammys for Record of the Year and Song of the Year in 1990.

It was nominated for the Academy Award for Best Art Direction (Albert Brenner and Garrett Lewis).[5]

The film is recognized by American Film Institute in these lists:

Lifetime announced a remake of the film, which aired on January 22, 2017. The updated version was directed by Allison Anders with the script by Bart Barker and Nikole Beckwith, and Idina Menzel plays the role of C.C.[7][8] Nia Long plays the role of Hillary alongside Menzel. The film includes the songs “Wind Beneath My Wings” and “The Glory of Love”.[9] [10]

A musical stage adaptation has been written, based on the book by Iris Rainer Dart, with lyrics and book by Dart and Thom Thomas (book) and music by David Austin. The musical premiered at the Signature Theatre, Arlington, Virginia in February 2014. The musical was directed by Eric D. Schaeffer, with Alysha Umphress as Cee Cee Bloom and Mara Davi as Bertie White.[11][12]

The musical next opened at the Drury Lane Theatre, Oakbrook, Illinois in June 2015 (previews). Again directed by Schaeffer, Shoshana Bean plays Cee Cee and Whitney Bashor plays Bertie.[13] The choreographer is Lorin Latarro, with scenic design by Derek McLane, lighting design by Howell Binkley, costume design by Alejo Vietti and sound design by Kai Harada.[14]

Read the rest here:

Beaches (film) – Wikipedia


...89101112...203040...