http://www.visiblebody.com Visible Body 3D Human Anatomy web site. The only fully interactive, 3D human body model on the web, available at http .

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Visible Body: 3D Human Anatomy

VANITY THEFT Anatomy From The Album - GET WHAT YOU CAME FOR 2011 VIGILANTE/ADAMANT Directors: Josh Binder and Megan Dunlap Producers: Christine Steele and Josh Binder Color/FX: Christine Steele (www.steelepictures.com) Graphics: Adam VanVleet (adamvanvleet.com) Cinematographer: Eric Pumphrey Hair/Makeup/Wardrobe: Emily Thomas (secrethandshake.tumblr.com) and Gayle Hanson Clothing provided by Sofia Vintage - Chicago (www.sofiavintage.com) Crew: Zef Shalaf, Zach Binder, Joanna Thorpe, Morgan Phillips

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Vanity Theft - Anatomy

There's a mistake on the last two structures identified.

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Anatomy 35- The heart (the whole organ)

Image: Museum of Anatomical Waxes “Luigi Cattezneo” Bologna, Italy, part of the Anatomical Theatre Exhibition © Joanna Ebenstein

Call for papers: Cultures of Anatomical Collections International Conference, Leiden University 15-18 February 2012

The conference ‘Cultures of Anatomical Collections’ will explore anatomical preparations and collections (preparations of human material as well as wax- and other models) as important parts of our cultural heritage. This means that we treat them in a similar way as we would examine other historical artifacts stored in today’s museum. Although the history of anatomy and anatomical illustrations has been a popular topic in the history of medicine during the last decade, the history of its material remains has been somewhat neglected. And yet, in particular when taking into account recent historiographies of materiality and medical practices, it offers challenging interdisciplinary questions on the history of anatomy as a whole. Possible topics include: How do the technical details of anatomical preparations tell us about the ideas of their maker; How do ideas on beauty and perfection shape preparations; How were preparations handled and used for teaching purposes: How does the interest of non-medical audiences shape anatomical preparations? On collections as a whole we can ask: How are particular collections build up; How do decisions of curators affect the build-up of collections; How does the housing of a collection affect its outlook and popularity?

The conference has keynote lectures and the following sessions:

Keynote Lectures : Ruth Richardson and Andrew Cunningham

1. Beauty, Perfection and Materiality in Early Modern Anatomical Collections Organiser: Marieke Hendriksen ; Confirmed speaker: Anita Guerrini

This session deals with questions regarding the materiality and aesthetics of early modern anatomical preparations. So far historians of medicine have described the beauty and perfection of early modern anatomical preparations using modern (post-Kantian) understandings of aesthetics. Yet, early modern anatomical preparations must be related to early modern ideas of aesthetics, which were about beauty and perfection as well as about sense perception and experiment. Possible questions include: How does the materiality of preparations tell us more about contemporary ideals of beauty and perfection and vice versa? How can changes in theses ideals be traced in the make-up of anatomical collections? How are beauty and perfection related to natural philosophical ideas on sense perception and experiment? How do ideas of beauty and perfection relate to the morality of the early modern anatomical theatre?

2. Anatomical Collections and Scientific Medicine in the Nineteenth Century Organiser: Hieke Huistra; Confirmed speaker: Simon Chaplin

With the birth of the clinic and the introduction of laboratory methods, medicine in the nineteenth century changed profoundly. At first sight it would seem as if these changes would pose a threat to the position and function of anatomical collections in research and teaching. This was, however, not the case – institutional anatomical collections flourished in the nineteenth century. In this session we explore questions such as what were the status and function of early modern collections in the nineteenth century? How were old (in most cases early modern) preparations displayed and used in the new scientific medicine? How did the use, content, accessibility and display change during the nineteenth century? How did the new collections relate to the ‘new’ disciplines of comparative anatomy and pathology?

3. Handling Anatomical Collections Organiser: Rina Knoeff; Confirmed speakers: Sam Alberti, Tim Huisman

This session is directed at exploring the role of the curator of the anatomical museum. Almost invisible and hardly discussed in historical discourse, he is daily busy and literally in touch with the collections. He has always been of utmost importance for the making of preparations and the general outlook of anatomical collections. Possible questions include: What are the tasks of a curator and how have they changed over time? How did/does a curator determine the outlook of a preparation and collection? How did/does he influence the focus, significant silences and boundaries of collections? How did/do his responsibilities oscillate between professional medics and the public? How did/does he merge the interests of these two groups?

4. Anatomical Collections as Public History Organiser: Rina Knoeff; Confirmed speaker: Anna Maerker

This session is about the role of the public in the making and survival of anatomical collections. Faced with recent controversies surrounding the public exhibition of human material (in particular Körperwelten) anatomical museums are faced with the questions of which exhibits should be on show, for what purposes (teaching or general interest?) and how they should be exhibited. Yet, these questions are of all times – after all, anatomical collections have almost always been publically accessible. Studying the history of anatomical collections from the public perspective can answer questions such as how are historical preparations presented in (today’s) museum and how have their public meanings transformed over time? How has public curiosity been regulated? How has the public eye influenced the presentation of a preparation?

5. Comments and Final Discussion Organisers: Rina Knoeff, Marieke Hendriksen, Hieke Huistra, Rob Zwijnenberg.

Contact: Rina Knoeff on r.knoeff@hum.leidenuniv.nl

Deadline: Proposals for 20 mins. papers can be send to Rina Knoeff until 16 September 2011.

You can find out more about this excellent looking conference here. Thanks to Kristen Ehrenberger for sending this along!

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Picture books teach children the facts of life. We are always reading about reproduction. Reproduction also describes what communication media do—multiply images, sounds and text for wider consumption. This exhibition is about these two senses of reproduction, about babies and books, and the ways in which they have interacted in the past and continue to interact today. Before reproduction there was generation, a broader view of how all things come into being than passing on the blueprint of a particular form of life. Before electronic media there were clay figurines, papyrus, parchment, printed books and journals. The interactions between communication media and ideas about reproduction have transformed the most intimate aspects of our lives.

This from the new exhibition "Books and Babies: Communicating Reproduction," which will be on view at Cambridge University Library through December 23, 2011. For those of you who are unable tovisit in person (like myself!), you can console yourself with the excellent web exhibition--from which the above images are drawn--by clicking here. You can find out more about visiting the exhibition here.

Thanks to Nick Hopwood and Eric Huang for sending this to my attention!

Images:

1. Aristotle’s Works: containing the Master-Piece, Directions for Midwives, and Counsel and Advice to Child-Bearing Women. With various useful remedies (c.1850). Private collection, frontispiece and title page
2. From Omnium humani corporis… (1641), an anatomical booklet made up of woodcut illustrations copied from earlier books under the supervision of Walther Ryff, a prolific producer of texts intended for a broad range of readers.
   
3. Plate from Cesare Lombroso's textbook L’Uomo Delinquente ... (1889)

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It has just come to my attention that Bloomsbury Auction House in London, England will be auctioning off a pretty epic collection of 729 lots related to "conjuring and circus"--a few of my favorites above--this Thursday September 8th.

You can find out more--and learn how to bid!--on the Bloomsbury Auction website by clicking here. Thanks so much to Morbid Anatomy reader Janine Veazue for sending this along!

All images sourced from the auction website; details about each can be found here.

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For all of you New Yorkers out there: friend of Morbid Anatomy Jonathon Rosen has just alerted me to an amazing sounding class he'll be teaching as part of The School of Visual Art's continuing education series. He has also asked me to give a lecture as part of the course, so maybe I'll see you there!

This class is open and available to all; full details below. Hope very much to see you there!

Not for the Squeamish: The History of Artists and Anatomists

ILC-2196-A

T, Sep 20 - Nov 22

Hours: 06:30PM - 09:15PM

2.50 CEUs; $335.00

Course Status: Open

Location: TBA

Register for this class by clicking here!

Temple of the soul or soft machine? The human body is a place where art, science, culture, politics and medicine intersect. This lecture/studio course will focus on artists from ancient to modern who use the body as a point of departure for personal, political, religious or scientific commentary, and will provide an opportunity for students to do likewise. The influence of traditional medical imagery on contemporary art-making and pop culture will be explored through the lens of history, culture and aesthetics. Examples will range from medieval manuscripts and obscure Renaissance medical surrealism through enlightenment era wax-works, Victorian charts and medical devices to Damien Hirst, the virtual human project, Bodyworlds, and beyond. Aesthetic surgery, genetics, biomechanics, medical museums, anatomy in movies, French underground comix and anatomical oddities will also be considered. Your assignment will be to respond to the lectures with several editorial artworks that incorporate medicine or anatomy-be it personal or political, singular or narrative, 2D or 3D, static or moving. Students may use the medium of their choice; projects are not required to be anatomically correct. Prerequisite: A basic drawing, photo-collage or photography course, or equivalent.

Jonathon Rosen

Painter, illustrator, animator

One-person exhibitions include: La Luz De Jesus Gallery, Los Angeles; Adam Baumgold Fine Art; Studio Camuffo, Venice

Group exhibitions include: Triennali, Milan; Yerba Buena Center for the Arts, San Francisco; P.S. 1, Contemporary Art Center; Kunstwerk, Berlin; Exit Art

Publications include: American Illustration Annual, Print, World Art, LA Weekly, Eye (London)

Books include: Intestinal Fortitude, The Birth of Machine Consciousness

Clients include: The New York Times, Snake Eyes, Time, Rolling Stone, MTV, Blab!, Sony Music, The Ganzfeld, Details. Journal drawings for Sleepy Hollow, Tim Burton, director

Awards and honors include: Gold and silver medals, Society of Publication Designers; artist-in-residence, Harvestworks

Website: http://jrosen.org/

You can find out more--and register!--by clicking here.

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Link:

Anatomy of Change

rocketboom.com Click on the link above for more information on today's episode! Rocketboom's Ella Morton visits the Morbid Anatomy Library in Brooklyn, NY. Sleeping Beauty: Memorial Photography in America, by Stanley Burns, MD. http://www.amazon.com Follow us on Twitter for the latest updates! twitter.com twitter.com Join us on Facebook for behind the scenes pics and videos! facebook.com Join us at rocketboom.com for an ad free experience.

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Morbid Anatomy

How an Autocross Event is run by Akron Sports Car Club NORA ASCC Northfield Park Cleveland Akron Ohio

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Anatomy Of An Autocross

with the....

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Grey's Anatomy Season 5 Finale Final Scenes

MADtv parody of the hit television show "Grey's Anotomy."

Originally posted here:

MADtv Grey's Anatomy

A few days ago, I paid a visit to The Kokdu Museum, a small and charming museum here in Seoul devoted to the Korean tradition of kokdu, or painted wooden figures created to accompany the deceased on their treacherous journey through the afterlife. These figures would be placed--by the dozen, as it appears--on the ornate traditional funeral biers which carried the dead to their final resting place. From what I understand, all of the pieces on view in the museum were created in the late Joseon Dynasty, which dominated Korea from 1392 – 1897.

The kokdu figurines, as the museum text explains, are other-worldy creatures intended to assist the deceased in their transition through the afterlife. Some are guides, some protectors, some entertainers. They help to "soothe and calm our bewildered emotions while traveling the path of bereavement..." so long as the deceased "still remains in the area of between the 'already' and the 'yet.'"

Dragon and goblin heads are placed on the front and the back of the bier. The are intended to frighten evil spirits and signify the circularity of life and death.

The museum also had a wonderful miniature diorama depicting a funeral procession.

And a terrific (though small) temporary exhibition entitled "Afterlife, The Journey to the Other World." As the wall text explained:

The exhibition "Afterlife, The Journey to the Other World," was derived from traditional Korean belief, called Siwangsasang, which described that the deceased must go through ten after-death trials about his/her previous life.

Among those ten were seven commonly known trials, and people counted those days accordingly and had a memorial ritual on the 49th days of death.

Joseon dynasty was a strictly Confucianist era which greatly valued filial duites. Other religions such as Buddhism, Taoism and Shamanism were able to retain their power because Joseon people saw a great deal of filial duties in ancestral rites.

By studying Joseon dynasty (1392-1910)'s religious movement, we've learned that all these different religions and cultures melted in together and brought our culture a cultural synergy, which is known as the Medici Effect.

It is very interesting to learn how all these different religions and cultures combined and developed a new cultural nuance on the subject, the other world.

As mentioned earlier, this exhibition is based on these cultural influences regarding the other world and the afterlife. This exhibition was also greatly influenced by "With God," a web cartoon that depicts this other world as an interesting and realistic place.

With "With God" and KOKDU MUSEUM's old antiquities, this exhibition also introduced augmented reality technique and media art so that visitors can experience a mixture of art and science throughout the show.

This exhibit allowed visitors to travel through the afterlife, meeting each King of Hell and discovering both what traits he would judge you on and what were the possible punishments. Each stop on the journey was illustrated by traditional artworks depicting these Kings and their punishments as well as images from the "With God" web comic.

You can find out more about the The Kokdu Museum, by clicking here. Thanks very much to Professor Choi Tae Man of Kookmin University for recommending this museum to me!

For those interested in finding out more, I purchased a book from the museum--in English!--which will be available for viewing at The Morbid Anatomy Library when it reopens in early October.

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I have some exciting news! The details for the premiere of Through the Weeping Glass--the Quay Brothers' new documentary based on the collections of books, instruments, and medical anomalies at The College of Physicians of Philadelphia and the Mütter Museum--have just been announced!

The film will launch with three epic premieres--one in Philadelphia at the Mütter Museum, one in New York at MoMA, and one in Los Angeles hosted by The Museum of Jurassic Technology. Each city's event will feature a moderated talk with the Quays, while the Mütter Philadelphia opening will also--excitingly!--be accompanied by an exhibition at the museum on the making of the film guest curated by MoMA's Barbara London.

Full details from the press release follow; tickets are, I am warned, selling fast, so act quickly if you want to attend! Hope to see you there.

Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos & Afterbreezes in the Mütter Museum)

New Quay Brothers short film to premiere September 2011 in Philadelphia, New York, and Los Angeles

“To call the Quays’ work the most original and rapturously vivid image-making on the planet might sound like hyperbole until you see the films. . . .” —Michael Atkinson, Village Voice

Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos & Afterbreezes in the Mütter Museum) is a documentary on the collections of books, instruments, and medical anomalies at The College of Physicians of Philadelphia and the Mütter Museum. This short film (running time: 31 minutes) is the first made by the internationally recognized Quay Brothers in the United States.

As Malcolm Jones (Newsweek) has commented, “the Mütter Museum teaches you indelibly how strange life can be, how unpredictable and various [and] will revise and enlarge your idea of what it is to be human.” The coupling of the Quay Brothers’ vision with the collections of the College’s Historical Medical Library and Museum has produced a riveting experience of contemplative set pieces exploring the College and Mütter Museum. Adding to the film’s visual strength is a powerful musical score by composer Timothy Nelson and a resonant voice-over by Derek Jacobi.

The film premieres in three locations in September 2011, with a moderated conversation with the artists:

• September 22, The College of Physicians of Philadelphia, 6:30 PM (more here)
• September 24, The Museum of Modern Art, New York. 8:00 PM (more here)
• September 27, Cary Grant Theater, SONY Pictures Studios, hosted by The Museum of Jurassic Technology, Los Angeles, 8:00 PM (more here)

An exhibition guest curated by Barbara London, Associate Curator, Department of Media and Performance Art, The Museum of Modern Art, on the making of the film opens in September 2011 in the Mütter Museum of The College of Physicians of Philadelphia.

Subsequent to the premiere screenings, the film will be available for purchase on DVD with an accompanying booklet.

ABOUT THE QUAY BROTHERS

Two of the world’s most original filmmakers, the Quay Brothers are identical twins who were born outside Philadelphia in 1947. The Quays studied illustration in Philadelphia before going on to the Royal College of Art in London, where they began making animated shorts in the 1970s. They have lived in London ever since.

They are best known for their classic 1986 film Street of Crocodiles, which filmmaker Terry Gilliam selected as one of the ten best animated films of all time. In 1994 they made their first foray into live-action feature-length filmmaking with Institute Benjamenta. The Quays’ work also includes set design for theatre and opera, including their 1998 Tony-nominated set designs for Ionesco’s The Chairs on Broadway. The Quays have also directed pop promos for His Name Is Alive, Michael Penn, Sparklehorse, 16 Horsepower, and Peter Gabriel (contributing to his celebrated “Sledgehammer” video), and have also directed ground-breaking commercials for, Honeywell Computers, ICI Wood, K. P. Skips, Nikon, BBC, Coca-Cola, Northern Rock, Dorritos, Roundup, Kellogs, Badoit water, Galaxy, MTV, Nikon, Murphy’s beer and Slurpee, amongst others.

In 2000 they made In Absentia, an award-winning collaboration with Karlheinz Stockhausen, as well as two dance films, Duet and The Sandman. In 2002 they contributed an animated dream sequence to Julie Taymor’s film Frida. The following year the Quays made four short films in collaboration with composer Steve Martland for a live event at the Tate Modern in London and in 2005 premiered their second feature film, The Piano Tuner of Earthquakes, at the Locarno Film Festival.

In addition to Through the Weeping Glass, the Quay Brothers’ other commissioned films over the past twenty years include Anamorphosis (1991), The Phantom Museum (2003), and Inventorium of Traces (2009).

ABOUT THE COLLEGE OF PHYSICIANS OF PHILADELPHIA AND THE MÜTTER MUSEUM

The College of Physicians of Philadelphia, the oldest professional medical organization in the country, was founded in 1787 when twenty-four physicians gathered “to advance the science of medicine and to thereby lessen human misery.” Today more than 1,400 Fellows (elected members) continue to convene at the College and work towards better serving the public.

Throughout its two-hundred-year history, the College has provided a place for both medical professionals and the general public to learn about medicine as both a science and as an art. The College is home to the Historical Medical Library and the Mütter Museum, America’s finest museum of medical history, which displays its beautifully preserved collections of anatomical specimens, models, and medical instruments in a nineteenth-century setting. The museum helps the public understand the mysteries and beauty of the human body and to appreciate the history of diagnosis and treatment of disease.

With an attendance exceeding 105,000 today, the Museum has become internationally well known, has been featured in a documentary on the Discovery Channel, and is the subject of two best-selling books.

This project has been supported by The Pew Center for Arts & Heritage through the Philadelphia Exhibitions Initiative.

You can find out more about the opening in Philadelphia by clicking here, New York by clicking here, and Los Angeles by clicking here. You can find out more about the film itself and the accompanying exhibition guest curated by MOMA's Barbara London by by clicking here.

All images above are frame grabs from the film.

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This is truly an embarrassment of riches. A second film record of Walter Potter's museum of curious taxidermy (see first one here), from the British Pathé website, this one from 1955. Click on the image to view the film!

Caption reads:

Bramber, Sussex.

M/S Walter Collins, grandson of original owner Walter Potter, arranging kittens which are all dressed in wedding clothes. A cat's wedding tableau. C/U Walter Collins with a cup from the kitten's tea party. He gives it a clean and then gives the whole tableaux a clean with a brush. (The narration says that he gives the collection two cleans a year to keep them in good condition)

C/U Walter cleaning the rats from "The Rat's Gambling Den Raid". C/U shots stuffed rats playing cards and dominoes. C/U shots of rabbits' village school. All the rabbits are in different poses at their desks with pens or books and some have different expressions on their faces.

Note: Potter's Museum is a bizarre collection from the Victorian period of mainly stuffed animals.

Thanks so much, Live in Your Head, for sending this one my way! Let this bring cheers to my compatriots on the East Coast who are weathering a hurricane right now!

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Human Anatomy- Liver

http://www.nucleusinc.com Brain Anatomy and Function. This 3D animation shows the anatomy and function of the brain using color coded areas.

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Brain Anatomy and Functions

Visit orthopedics.healthanimations.com for FREE videos, illustrations and patient handouts for healthcare providers. This animation shows the source of neck pain problems with the anatomy of a typical cervical (neck) spine and intervertebral disc.

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Neck Pain: Cervical Spine Anatomy

Hi all. My sincere apologies for falling behind on Morbid Anatomy. I am currently living in Seoul, Korea as part of the very generous Apex Art Outbound Residency Program (thanks, Josh Foer!), and one of the obligations of the residency is to blog about my experiences. Sadly, this had taken my focus off Morbid Anatomy a bit.

I promise to do my best over this next month in Korea to get some Morbid Anatomy reportage done; in the meantime, if you are curious about what I am finding in Seoul, you can check out my Apex Art blog here.

Thanks for your patience, and I will be back in full force in mid-September!

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Just got word of an interesting looking event/exhibition taking place this weekend in the ever fascinating Detroit. Full details follow:

In the Evening of the 12th and 13th Day of August 2011, it will be unveiled an extraordinary exposition of biological and medical exploration entitled Corpus Illuminata - An Anatomic Interpretation. Hosted within the District VII Gallery in Detroit, this unique event will consist of one part exhibition of anatomic-inspired artwork, one part museum of medical antiquities and one part academia of accredited presentations.

The exhibition portion will feature 33 artistic explorations from 24 artists local and across the nation. Within the museum portion, collectors of Victorian-era medical instruments, quackery and oddities will bring together their cherished pieces to re-create themed display rooms ranging from surgical to mortuary. On stage, various speakers will present and discuss a variety of topics that include human anatomy, psychology, the history of contraception, the chemistry of herbal supplements and other intriguing subject matters.

Video installations within the venue will be feature films and videos ranging from historical medical experimentations, human autopsies, artistic interpretations and more. The ambiance is supplied by Life Toward Twilight from the new CD "I Swear By All The Flowers", which explores memories from the end of the Nineteenth Century through a sound collage from antique sources, including music boxes, ticking grandfather clocks, steam trains, wax cylinder recordings, early mechanical factories and old voices. Also, gelatos, gelato floats and flavored teas, courtesy of the Detroit Tea Company, will be served within our apothecary-themed health bar.

The doors open at 6pm on both evenings until midnight and all ages are welcome, however discretion must be advised due to some graphic medical content.

Admission is only five dollars.

You can find out more about this event here.