This weekend, why not come by The Morbid Anatomy Library for the second annual Morbid Anatomy and Observatory Second Annual Holiday Fair? Just a few things you will find here: anatomical blocks, macabre drawings, taxidermy, tableaux, ceramic reliquary bat heads, wet specimens, photographs, tons of books, and much, much more! You will also find free beer complements of our sponsor Brooklyn Brewery.

Full details follow; Hope very much to see you there.

2011 Morbid Anatomy and Observatory Holiday Fair
Holiday fair with multiple vendors serving your alternative holiday needs including taxidermy, miniature insect tableaux and more
Dates: Saturday, December 17 & Sunday, December 18
Time: Noon - 6:00 PM
Admission: Free
Free beer courtesy of our sponsor Brooklyn Brewery

Please join us on December 17th and 18th for a holiday fair presented in conjunction with partner spaces Proteus Gowanus and Observatory. Here you will find such covetables as steampunk jewelry, anatomical blocks, macabre drawings, ceramic reliquary bat heads, wet specimens, photographs, and books, books and more books, all to music DJed by Lado Pochkhua and washed down with beer provided by our sponsor Brooklyn Brewery. This will be the perfect place to purchase unique, niche, and off-the-beaten-path gifts for those hard-to-please folks on your shopping list! Hope to see you there.

For directions, click here. To see some press coverage of the fair, click here, here, and here.

Image: Crocheted Skulls by Dewey Decimal Crafts, a featured seller at last year's fair. More of her work can be found here.

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NEW YORK CITY -- When the rides stop running at Coney Island each year in October, the area takes on a desolate and decidedly creepy character. That's all fine and well with the Coney Island Museum, which on Saturday night hosted the Grand Guignol Variety Show, an homage to the eponymous Parisian production that specialized in theatrical gore, sex and violence from 1897 to 1962.

The event, co-sponsored by the Morbid Anatomy Library and Atlas Obscura, featured two original plays from the Grand Guignol's golden era. They give a sense of what the theater was like in its heyday: In one, a spurned woman mutilates her former fiance with sulphuric acid, only to meet the same fate at his hand. In another, a man's unrequited love for the wife of his closest friend drives him to cast a hypnotist's spell on her. When she's tragically killed in a train crash, the spell's power remains. Disfigured and grotesque, she returns from beyond the grave to be at his side. Horrified, he kills himself...
--"Coney Island Museum Hosts Creepy Homage To Victorian Horror Theater," The Huffington Post, Rachel Tepper

Read the whole article--a review of Saturday's Grand Guingol Variety Show--in today's Huffington Post by clicking here. Please be indulgent when you read my quotes, keeping in mind that it was my birthday and I had had a few drinks by the time this interview took place...

All images are from the slide-show linked to the article and depict, from top to bottom:

1. MC Lord Whimsy with the cast of The Strange Case of Me Tarzan directed by G F Newland: Nick Demko-Pavese and the "bathing beauties" Megan Fitzpatrick, Rachel Rideout, Christine Colby and Lady Aye
2. Christine Colby in her Skeleton Dance costume
3. Mentalist Les Baird doing one of his amazing feats with a volunteer from the audience
4. Scene from L’Amant de la Morte (The Lover of the Dead), original Grand Guignol script from 1925 directed by Melissa Roth
5. Scene from Baiser dans la nuit (The Final Kiss), original Grand Guignol script from 1912, directed by Meg Moseley
6. Shot of the crowd thronging the gin bar, featuring cameos of Melissa Milgrom, Eric Bobelin, Aaron Beebe, and lots of unfamiliar faces

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valvula.blogsome.com

Read more:
Anatomy of a Murder - Video

Tonight! Hope to see you there.

Calling All Creatures . . . The Secret Science Club presents the 6th-annual "Carnivorous Nights Taxidermy Contest"
Friday, December 9
8 PM @ the Bell House
$7

Just in time for the holidays . . . the beasts are back!

The Secret Science Club presents the 6th-annual “Carnivorous Nights TAXIDERMY CONTEST,” Friday, December 9, 8 pm @ the Bell House, $7

Calling all science geeks, nature freaks, and rogue geniuses! Your stuffed squirrel got game? Got a beaver in your brownstone? Bring your beloved beast to the Bell House and enter it to win!

Eligible to enter: Taxidermy (bought, found, or homemade), biological oddities, articulated skeletons, skulls, jarred specimens—and beyond, way beyond.

Show off your moose head, snake skeleton, rabbit relics, and other amazing specimens. Compete for prizes and glory. Share your taxidermy (and its tale) with the world.

The contest will be judged by our panel of savage taxidermy enthusiasts, including Robert Marbury of the Minnesota Association of Rogue Taxidermists and feline wrangler Dorian Devins, co-founder and curator of the Secret Science Club.

Plus!
--Groove to furry tunes & video
--See an illustrated lecture on (yes!) taxidermy
--Imbibe ferocious specialty drinks! (They’ll bring out the animal in you.)

Entrants: Contact secretscienceclub@gmail.com to pre-register.

Spectators: Don’t miss a beastly second of this wild night!

Tickets: Advance tickets are available for purchase here.

This fiercely special edition of the Secret Science Club meets Friday, December 9 @ the Bell House, 149 7th St. (between 2nd and 3rd avenues) in Gowanus, Brooklyn. Subway: F or G to 4th Ave; R to 9th St. Doors open at 7:30 pm. Please bring ID: 21+. $7 cover.

Image: Mouse Taxidermist, student work from our popular Anthropomorphic Taxidermy class. More photos here; more on the class here.

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Tomorrow night at Observatory! Be sure to arrive early, as this one is sure to sell out! Above are a few more of the hundreds of images that will be discussed.

Full details follow; hope to see you there!

Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
Illustrated Lecture and book signing with Stanley B. Burns, MD, FACS of the Burns Collection and Archive
Date: Monday, December 5th
Time: 8:00
Admission: $5
Presented by Morbid Anatomy
*** Books will be available for sale and signing; see bottom of this page for complete list of books available

Postmortem photography, photographing a deceased person, was a common practice in the 19th and early 20th centuries. These photographs, from the beginning of the practice until now, are special mementos that hold deep meaning for mourners through visually "embalming" the dead. Although postmortem photographs make up the largest group of nineteenth-century American genre photographs, until recent years they were largely unseen and unknown. Dr. Burns recognized the importance of this phenomenon in his early collecting when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Tonight, Dr. Burns will speak about the practice of postmortem photography from the 19th century until today and share hundreds of images from his collection.

About Sleeping Beauty: Dr. Burns’ first book on postmortem photography, Sleeping Beauty: Memorial Photography in America (1990) has been widely recognized as one of the most important photography books of all time. Sleeping Beauty has influenced an eclectic array of fields, from bereavement counseling and education to cultural anthropology, history, medicine, philosophy, religion and spirituality (not to mention pop music) and has been cited in debates on the death penalty, euthanasia and abortion. It has been the subject of numerous scholarly papers as well as seminars and exhibitions at notable institutions such as the Metropolitan Museum of Art and The New Museum of Contemporary Art. A decade later the Archive published Sleeping Beauty II: Grief, Bereavement & The Family in Memorial Photography American & European Traditions in conjunction with an exhibit at the Musée d’Orsay. Sleeping Beauty III Memorial Photography: The Children, the third installment in this series was released this year to accompany a traveling exhibition.

About the Burns Collection and Archive: The Burns Collection, founded in 1975 hosts the nation's largest collection of early medical photography and has been generally recognized as one the most important private comprehensive collections of early photography (over one million photographs). The Collection is best known for images of the dark side of life: death, disease, disaster, mayhem, crime, racism, revolution, riots and war. Dr. Burns has authored forty-three photo-historical texts and curated more than fifty photographic exhibitions. He is a founding donor of several museum photography collections, including the J. Paul Getty Museum and The Bronx Museum of the Arts. In addition to being an internationally distinguished author, curator, historian, collector, publisher, and archivist, Dr. Burns is a New York City ophthalmologist and Clinical Professor of Medicine and Psychiatry at NYU Langone Medical Center. The Burns Archive produces publications, exhibitions, and manages image licensing for the Burns Collection. To find out more, you can visit the Burns Archive Blog, website, or press website.

These Burns Archive titles will be available for sale and signing:
Sleeping Beauty III Memorial Photography: The Children $36
Sleeping Beauty II: Grief, Bereavement & The Family in Memorial Photography... $85
Shooting Soldiers: Civil War Medical Photography by R.B. Bontecou $50
News Art: Manipulated Photographs from the Burns Archive $50
Deadly Intent, Crime & Punishment: Photographs from the Burns Archive $75
Seeing Insanity: Photography & The Depiction of Mental Illness $40

More on Observatory can be found here. To sign up for events on Facebook, join our group by clicking here. To sign up for our weekly mailer, click here. Directions to Observatory can be found here.

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Tonight! At the Coney Island Museum! Very much hope to see you there!

Grand Guignol Variety Show at The Coney Island Museum
Featuring classic Grand Guignol performances, film, toy theatre, song, dance, film and more, followed by a DJed after-party
Date: Saturday, December 10th
Time: 8:00 (doors at 7)
Admission: $25 (tickets available here)
Location: The Coney Island Museum, 1208 Surf Avenue, Brooklyn
Presented by Morbid Anatomy, Atlas Obscura and The Coney Island Museum and curated by Joanna Ebenstein & John Del Gaudio

From turn-of-the-century Paris through the 1960s, the Theatre of the Grand Guignol gleefully celebrated horror, sex, and fear with infamous productions featuring innocent victims, mangled beauty, insanity, mutilation, humour, sex, and monstrous depravity in a heady mix that attracted throngs of thrill-seekers from all echelons of society, making it the progenitor of today’s blood-spilling, eye-gouging, and limb-hacking “splatter” films.

Join us on December 10th at the Coney Island Museum for a one-night-only ode to The Grand Guignol and its legacy. Our evening of variety theatre was developed in conversation with Mel Gordon, author of Grand Guiginol: Theatre of Fear and Terror; Participants will include Doll Parts, Meg Moseley, GF Newland, Melissa Roth, Shannon Taggart, Alison Termine, Ronni Thomas, and Kathleen Kennedy Tobin and the role of Master or Ceremonies filled by Lord Whimsy. Projects include stagings of two classic Grand Guignol plays, a toy theater version of Bryusov’s “The Sisters,” a harmonious and creepy rendition of “Dry Bones,” and more, all followed by an after-party with music and Hendrick’s Gin cocktails courtesy of Friese Undine.

More here.

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NO copyright intended! A clip from Season 7 Episode 18. Song: Chasing Cars Artist: Snow Patrol

Read the original:
Grey's Anatomy Music Event - Cast Sing 'Chasing Cars' (7x18) - Video

Tickets for my Grand Guignol Birthday Spectacular on December 10th at The Coney Island Museum are now available for purchase here. And, just to whet your whistle, I post above a sketch of the specially commissioned set by NYU’s Chris Muller which will frame this unforgettable evening of "Victorian Variety, Macabre Merriment, and Horror Live on Stage" (click on image to see larger, more detailed version.) If you are interested in attending, we urge you to to purchase tickets soon, as they are sure to sell out!

Full info for the event follows. Hope very much to see you there!

Grand Guignol Variety Show at The Coney Island Museum
Featuring classic Grand Guignol performances, film, toy theatre, song, dance, film and more, followed by a DJed after-party
Date: Saturday, December 10th
Time: 8:00 (doors at 7)
Admission: $25 (tickets available here)
Location: The Coney Island Museum, 1208 Surf Avenue, Brooklyn
Presented by Morbid Anatomy, Atlas Obscura and The Coney Island Museum and curated by Joanna Ebenstein & John Del Gaudio

From turn-of-the-century Paris through the 1960s, the Theatre of the Grand Guignol gleefully celebrated horror, sex, and fear with infamous productions featuring innocent victims, mangled beauty, insanity, mutilation, humour, sex, and monstrous depravity in a heady mix that attracted throngs of thrill-seekers from all echelons of society, making it the progenitor of today’s blood-spilling, eye-gouging, and limb-hacking “splatter” films.

Join us on December 10th at the Coney Island Museum for a one-night-only ode to The Grand Guignol and its legacy. Our evening of variety theatre was developed in conversation with Mel Gordon, author of Grand Guiginol: Theatre of Fear and Terror; Participants will include Doll Parts, Meg Moseley, Robert Munn, GF Newland, Melissa Roth, Shannon Taggart, Alison Termine, Ronni Thomas, and Kathleen Kennedy Tobin with a newly commissioned set by NYU’s Chris Muller (seen above) and the role of Master or Ceremonies filled by Lord Whimsy. Projects include stagings of two classic Grand Guignol plays, a toy theater version of Bryusov’s “The Sisters,” a harmonious and creepy rendition of “Dry Bones,” and more, all followed by an after-party with music and Hendrick’s Gin cocktails courtesy of Friese Undine.

Tickets available here.

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Four slots have just opened up for tonight's anthropomorphic mouse taxidermy class with Susan Jeiven class at Observatory! Full details follow; if interested in attending, please email me ASAP at morbidanatomy [at] gmail.com. Emails will be considered in the order received.

Anthropomorphic Mouse Taxidermy Class with Susan Jeiven: Back by Popular Demand
Date: TONIGHT Tuesday, November 29th
Time: 7 PM-11 PM
Admission: $60
Presented by Morbid Anatomy

Anthropomorphic taxidermy–the practice of mounting and displaying taxidermied animals as if they were humans or engaged in human activities–was a popular art form during the Victorian and Edwardian eras. The best known practitioner of the art form is British taxidermist Walter Potter who displayed his pieces–which included such elaborate tableaux as The Death of Cock Robin, The Kitten Wedding, and The Kitten Tea Party–in his own museum of curiosities.

Tonight, please join Morbid Anatomy and taxidermist, tattoo artist and educator Susan Jeiven for a beginners class in anthropomorphic taxidermy. All materials–including a mouse for each student–will be provided, and each class member will leave at the end of the day with their own anthropomorphic taxidermied mouse. Students are invited to bring any miniature items with which they might like to dress or decorate their new friend; some props and miniature clothing will also be provided by the teacher. A wide variety of sizes and colors of mice will be available.

No former taxidermy experience is required.

Also, some technical notes:

• We use NO harsh or dangerous chemicals.
• Everyone will be provided with gloves.
• All animals are disease free.
• Although there will not be a lot of blood or gore, a strong constitution is necessary; taxidermy is not for everyone.
• All animals were already dead, nothing was killed for this class. All mice used are feeder animals for snakes and lizards and would literally be discarded if not sold.
• Please do not bring any dead animals with you to the class

More information can be found here. Mouse shown above was created in our last class, created by attendee Ronni Ascagni. More mice from that class can be found here.

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This year, Morbid Anatomy will be teaming up with our sister spaces Observatory and Proteus Gowanus to host a 2-day holiday fair over the weekend of December 17th and 18th, from 12-6. If any of you local artists, craftspeople, photographers and/or makers of macabre, uncanny or unusual objects, artifacts, or curiosa out there are interested in selling work, please contact us at morbidanatomy [at] gmail.com for more details. Please note: in order to participate, must be able to man your own table for the duration of the event.

Image: Crocheted Skulls by Dewey Decimal Crafts, a featured seller at last year's fair. More of her work can be found here.

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I am super excited to be announcing the upcoming class "Dissection as Studio Practice" at Observatory on Sunday, January 8th. I met the teacher--Laura Splan--at a conference many years back now. Since then, I have been a big fan of her work, a few examples of which can be seen above, including--top to bottom-- an installation view of her current solo show Reformulations; a blood-on-watercolor composition entitled "Elaborative Encoding"; and 3 images from her "Doilies"series of 2004, a set of computer machine embroidered doilies with the design of each doily based on a different viral structure; pictured here, top to bottom: Herpes, Sars, and Influenza.

This class--open to all experience levels--will "survey the use of dissection in contemporary art practice through an illustrated lecture, discussion and collaborative art project"; it will also provide a terrific opportunity to work with an accomplished and sophisticated conceptual artist while gaining insight into process and method behind the creation of iconic and powerful works dealing with dissection and the body. I, for one, simply cannot wait!

Full description of the class follows. Class size is limited; if interested, be sure to RSVP via email to morbidanatomy[at]gmail.com. You can see more of Laura Splan's work by clicking here. Hope very much to see you there!

CLASS: Dissection as Studio Practice
Lecture and Studio Art Class with artist Laura Splan
Date: Sunday, January 8th
Time: 1-4 PM
Fee: $60
*** Class size is limited to 20; please RSVP to morbidanatomy[at]gmail.com

This class will survey the use of dissection in contemporary art practice through an illustrated lecture, discussion and collaborative art project. We will examine the conceptual and cultural significance of cutting, excavating, disassembling, labeling, observing and displaying “bodies.” The lecture will present a brief history of dissection as well as work by contemporary artists exploring imagery, tropes and methods of dissection. The collaborative project will be a fun and lively hands on exploration of the meaning of dissection in a work of art. Participants should bring an object, artifact or specimen to “dissect” for the group exercise. Additional supplies, tools and materials will be provided. No prior art training is required.

Laura Splan is a Brooklyn based visual artist. Her mixed media work explores historical and cultural ambivalence towards the human body. She was recently a Visiting Lecturer at Stanford University where she taught “Art and Biology” in the Art & Art History Department. She has been a Visiting Artist at the New York Academy of Sciences, California College of Art, San Francisco Art Institute, Maryland Institute College of Art, and Cal Arts. She curates the visual portal DomesticatedViscera.com. Images of her artwork can be found on her website: LauraSplan.com.

You can contact Laura through her website with any questions about the class by clicking here.

If you are interested in signing up for this class, please email me at morbidanatomy[at]gmail.com. To see more of Laura Splan's fantastic work, click here. This class is one of the newest installments in the series newly termed The Morbid Anatomy Artist Academy; to find out more about that--including a full class list thus far--click here.

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Hi all! We are currently seeking a few volunteers to help with next Saturday's Grand Guignol Spectacular at The Coney Island Museum. We need a couple of folks to help with scene transitions during the show, and an experienced stage manager to help for the day of the show. All volunteers, of course, will be rewardd with free admission to the event!

Interested parties can email me here: morbidanatomy [at] gmail.com. More on the event can be found here.

Thanks so much and, either way, hope to see you there!

Image: From a Life Magazine story circa 1947 about the Grand Guignol entitled "Sick! A House of Horrors." More on that here. Caption reads: "Realistic throat-cutting, performed in The Hussy by honest farm lad on his depraved, scheming wife, is achieved by a trick dagger which contains 'blood' in the handle."

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Above is a narrated scene from the final performance--circa 1962--of the Grand Guignol, a Parisian theatre infamous from its opening in 1897 until it final performance in 1962 for naturalistic theatrical productions merging horror and elegance, sex and death, fear and humor.

To celebrate my 40th birthday this year, my friend John Del Gaudio and I are putting together a Grand Guignol-inspired variety show that will take place at The Coney Island Museum in Brooklyn this December 10th at 8:00 PM. Tickets are $25 and include not only a night of horror variety theatre, but also a masquerade after party and complementary Hendricks Gin Cocktails prepared by Friese Undine.

The evening was developed in conversation with UC Berkeley's Mel Gordon, author of Grand Guiginol: Theatre of Fear and Terror and will feature a newly commissioned set by NYU’s Chris Muller, stagings of classic Grand Guignol plays, a toy theater version of Bryusov’s “The Sisters,” short films, song and dance, WWI 3D glass plate projection with theremin accompaniment, and more.

We are in the process of trying to raise funds with which to pay all participators a modest stipend and expenses. If you are interested in contributing to this campaign--and/or in finding out more about the evening, including the full lineup thus far--click here. Donations of $100 or more earn contributers a free ticket to the festivities, while donations of lesser amounts earn you a listing in the program; donations of any amount will earn our deepest and heartfelt gratitude!

Whether you are able to contribute or not, I would love to see you at the event! Tickets for the event have just gone on sale, so if you are interested in attending, please click here to purchase.

Thanks so much, and hope to ring in a new decade with you at Coney Island!

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In Cheselden’s time, surgeons trained through an apprenticeship during which, they would attend private anatomy lessons. Before the Anatomy Act of 1832, the only legal supply of bodies for anatomical purposes where those of criminals condemned by the courts. The Barber-Surgeons’ Company kept scrupulous control over the use of bodies dissected in their hall, with the macabre ritual of often later displaying the dissected bodies of executed criminals in niches around the walls. Cheselden himself was fined by the Company in 1714 for carrying out dissections without permission, which drew away audience members from regular lectures at the Company. With students having little opportunity to take part in dissections themselves, teachers would rely on models or anatomical preparations for class...

Image and text from The Wellcome Collection blog; you can learn more about this fabulous painting--and read the text in its entirety--by clicking here.

Full image credit: William Cheselden giving an anatomical demonstration to six spectators in the anatomy-theatre of the Barber-Surgeons' Company, London. Oil painting, ca. 1730/1740. Wellcome Images.

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Stunt bikes are the pariahs of the motoworld. Most of their kind are born only after the complete demise of their former beautiful selves.

Read more from the original source:
Jason Britton - Anatomy of a Stuntbike - Video

When a gifted medical student is accepted into a prestigious anatomy program, it seems like a dreamcome true. But her school days soon turn into a nightmare when she uncovers the horrifying activities of an ancient secret society whose members perform grisly experiments on human subjects while they are still alive! MPAA Rating: R © 2000 Columbi Pictures Industries, Inc. ll Rights Reserved

See the original post:
Anatomy - Video

"Anatomy of a sketch" is a five part documentary following Adam Hughes at a New York comic convention, as he sketches for a fan.

Read more:
Adam Hughes - Anatomy of a sketch, Pt1 - The Idea - Video