Grey's Anatomy creator Shonda Rhimes has said that more characters could perish in the aftermath of last season's plane crash.

Lexie, played by Chyler Leigh, died of her injuries in the season eight finale earlier this month, which closed with Meredith (Ellen Pompeo), Derek (Patrick Dempsey), Cristina (Sandra Oh), Mark (Eric Dane) and Arizona (Jessica Capshaw) still stranded in the wilderness.

ABC / Richard Cartwright

Asked about the fate of the stranded Grey's characters, Rhimes told TV Guide: "Just because you saw people alive at the end of the finale doesn't mean they're going to be alive when the season starts up."

Rhimes previously confessed on Twitter that the finale, which also featured the departure of Teddy (Kim Raver) from Seattle Grace, had been "incredibly hard to write".

"I did not enjoy it," she claimed. "It made me sick and it made me sad.

"[Lexie's death] was a decision that Chyler and I came to together. We had a lot of thoughtful discussion about it and ultimately we both decided this was the right time for her character's journey to end."

Grey's Anatomy cast member Jesse Williams also acknowledged that it "was kind of depressing" to say goodbye to Leigh and Raver.

Read the original:
'Grey's Anatomy' exec: 'There could be more plane crash deaths'

(Getty Images)

Maria Sharapova took the court Tuesday at 11 a.m. in Paris to begin her 2012 French Open against Alexandra Cadantu. She walked off 48 minutes later, dropping a double bagel on the young Romanian. It was the fourth such scoreline of Sharapova's career. Interestingly, the previous three had all come against American players, including that famous 2005 drubbing of world No. 1 Lindsay Davenport at Indian Wells.

What does the stats from a 6-0, 6-0 match look like? Not that much different than a 6-2, 6-2 match, to be honest.

(Roland Garros 2012)

Those are the first four stats listed on the official Roland Garros site and they provide no indication of the drubbing that took place. It takes a little longer to get to those numbers.

(Roland Garros 2012)

What's most amazing about those numbers aren't Cadantu's zero winners. It's that she actually had three break-point chances against the dominant Sharapova.

Originally posted here:
Anatomy of a double bagel: Maria Sharapova wins 6-0, 6-0

A Hubble image of a jet of emission from a young star. A new paper reports that infrared spectra of a jet has uncovered a rich trove of diagnostic emission lines from shock-excited molecules and atoms. Credit: Reipurth, NASA, and HST

(Phys.org) -- Astronomers used to think that star formation simply involved the gradual coalescence of material under the influence of gravity. No longer. Making a new star is a complex process, among other things assembling a circumstellar disk (possibly preplanetary in nature) and at the same time ejecting material as bipolar jets perpendicular to those disks. These outflows help the young star balance its growth as new material accretes, but at the same time they disrupt the environment. Although jets from young stars have been known for over twenty years, their influences on the environment have remained uncertain, in part because the dusty natal clouds in which stars form obscure optical light.

SAO astronomers Achim Tappe, Jan Forbrich, and Charlie Lada, with two colleagues, used the spectrometer on the Spitzer Space Telescope to probe one relatively nearby, young stellar outflow. It had already been known that this fast-moving jet, as it plowed into the medium, shocked the gas; the process is much the same as when a jet plane moves faster than the speed of sound and creates a shock wave. But for young stellar outflow, the particulars were mostly mysterious. The scientists discovered in the infrared spectra a rich trove of bright emission features from at least seven different molecules excited by the shock - molecular hydrogen, water, carbon dioxide, carbon monoxide, OH, HD, and one ionized species of HCO. Numerous atomic lines were also observed.

The astronomers concluded that the shock has distinctive regions along its length as it plows through the natal cloud at velocities of about 40 kilometers per second. At the very tip, where the jet suddenly encounters ambient gas and slows down, there is ionized material and strong molecular hydrogen emission; closer to the star the gas temperatures and densities vary in systematic ways as previously excited gas begins to cool off. Bright knots are seen all along the jet's path, either the result of ejected hot clumps or previously existing clumps that were shocked when the jet passed. The new paper is among the first to discover and analyze the complex infrared radiation from shocks around new-born stars, and it helps open the door to new methods of probing the environment of star formation.

Provided by Harvard-Smithsonian Center for Astrophysics

See the article here:
The anatomy of a stellar outflow

We at Morbid Anatomy are SO excited to announce the return to Observatory of one of our all-time favorite speakers, that silver-tongued rogue scholar Mel Gordon, author of, among many other books, Grand Guiginol: Theatre of Fear and Terror, The Seven Addictions and Five Professions of Anita Berber; and Voluptuous Panic: The Erotic World of Weimar Berlin.

On Sunday, June 3, Mr. Gordon will be giving an illustrated lecture at Observatory based on his research for the book Erik Jan Hanussen: Hitler's Jewish Clairvoyant followed by a special screening of "lost" film footage from Hanussen's 1919 "Hypnosis: Hanussen's First Adventure," a Caligari-like story of sex magic and the occult. Books will also be available for sale and signing.

For those who have not yet seen Mr. Gordon speak, trust me; this is a night not to be missed. Full details follow; hope very much to see you there!

Erik Jan Hanussen: Hitler's Jewish Clairvoyant: An Illustrated Lecture and Screening with Mel Gordon, Author of "Erik Jan Hanussen: Hitler's Jewish Clairvoyant"
An illustrated lecture and screening of "lost footage" with Mel Gordon, author of Erik Jan Hanussen: Hitler's Jewish Clairvoyant and Grand Guiginol: Theatre of Fear and Terror
Date: Sunday, June 3 (please note date change from Monday, June 4)
Time: 8:00
Admission: $8
Presented by Morbid Anatomy

"Historians digging into the archives to reconstruct the chronicle of the Twentieth Century will have to deal with this strange phenomenon of Erik Jan Hanussen, born Herschmann Steinschneider in the humble home of a poor Jewish actor in Vienna. It will be their task to unravel a complex maze of reality and legend, myth and romance, to reach the core of the true personality of Steinschneider, alias Hanussen, and his influence on one of the most significant chapters of European history, the ascent and reign of Adolf Hitler." --Pierre van Paassen, Redbook Magazine, "The Date of Hitler's Fall," May 1942

When Pierre van Paassen, the prominent Dutch author and foreign correspondent, wrote the above for McCall's Redbook Magazine, the "amazing exploits of Erik Jan Hanussen" were still hot international filler. What could have been more titillating than the true and enigmatic story of a Jewish mystic who helped usher in the Third Reich before  becoming one of its first victims?

Tonight, join Mel Gordon--author of Erik Jan Hanussen: Hitler's Jewish Clairvoyant--for an illustrated lecture on the amazing story of Hitler's Jewish Clairvoyant featuring a special screening of "lost" film footage from Hanussen's 1919 "Hypnosis: Hanussen's First Adventure," a Caligari-like story of sex magic and the occult, and other documentary sources. Books will also be available for sale and signing.

Mel Gordon is the author of Erik Jan Hanussen: Hitler's Jewish Clairvoyant, Grand Guiginol: Theatre of Fear and Terror, Voluptious Panic: The Erotic World of Weimar Berlin, and many other books. Voluptious Panicwas the first in-depth and illustrated book on the topic of erotic Weimar; The lavish tome was praised by academics and inspired the establishment of eight neo-Weimar nightclubs as well as the Dresden Dolls and a Marilyn Manson album. Now, Mel Gordon is completing a companion volume for Feral House Press, entitled Horizontal Collaboration: The Erotic World of Paris, 1920-1946. He also teaches directing, acting, and history of theater at University of California at Berkeley.

More here.

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A new season of The Midnight Archive--that wonderful web-based documentary series centered around Brooklyn's Observatory--will be launching shortly, and series creator Ronni Thomas has just posted an exciting new teaser to give you a taste of what is to come, which, as you will see, will include featurettes on yours truly, the amazing Weimar-revivalist/performance artist Max Raabe, the time-traveling collection of Evan Michelson, the Victorian machines of Tim Mullen, Stanley Burns and his collection of Post-Mortem photography, and the green fairy herself, absinthe!

You can view the excellent teaser by clicking "play" above.

And here is what series creator Thomas has to say about this upcoming season:

Coming up shortly - after a brief hiatus the Midnight Archive web series is on its way back complete with all new things to make your eyes bulge. This season shifts focus to some prolific collections and their owners including our gal Joanna Ebenstein (Morbid Anatomy/Brooklyn Observatory) and the elegant and charming Evan Michelson (owner of Obscura Antiques in NYC) - but we also sprinkle in a decent dose of the old who/what/where/why's of the obscure. We're excited to get it underway and always excited to hear your feedback - prepare for a great stretch! 

For more on the series, to see any of the episodes, or to sign up for the mailing list and thus be alerted to future uploads, visit The Midnight Archive website by clicking here. You can also "like" it on Facebook--and be alerted in this way--by clicking here.

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Morbid Anatomy Library's mother space, Proteus Gowanus, is having a benefit party! Invitation follows. Hope very much to see you there!

More information--and tickets!--here.

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Some of you out there might remember a recent post on this blog about the work of one of our favorite contemporary artists, self taught ceroplast Sigrid Sarda, whom you might also have seen profiled on the "Wax" episode of The Midnight Archive (see above) or on the fantastic i09.com.

We at Morbid Anatomy are very, very delighted to announce that Sigrid will be bringing her amazing craftsmanship (see her wax self-portrait-in-progress photographed above) to Observatory to teach two special classes developed as part of the nascent Morbid Anatomy Art Academy. The first class, Life and Death Mask Making Workshop, will take place on Sunday, June 3rd, and the second class. Anatomical Wax Votive Making Workshop will take place Sunday June 24th. In both classes, students will leave with their own finished piece to take home, and the knowledge to make their own pieces in the future.

Class size is very limited; if interested, please RSVP to morbidanatomy [at] gmail.com.

Full details follow; hope to see you at one or both of these terrific classes!

Life and Death Mask Making Workshop with Artist Sigrid Sarda
Date: Sunday, June 3
Time: 10 AM - 4 PM
Admission: $100 (includes $40 materials fee)
*** Limited class size; Must RSVP to morbidanatomy [at] gmail.com
This class is part of The Morbid Anatomy Art Academy

For many centuries and in many civilizations, artisans have created what are called "Life Masks" or "Death Masks" cast from the faces of the famous or the infamous to preserve their likeness--living or dead--for posterity. In this class, students will learn to create their very own Life Masks working with alginate--a non-toxic seaweed-based mold making product that is easy on the skin--and plaster. Students will pair up and cast one another, but don't be alarmed; the workshop's instructor Ms. Sarda assures us that you will love this experience, and that most everyone who has been cast comes out feeling relaxed to the point of jello, with the extra insentive of a free facial. All materials are included, and each student will leave class home with their face immortalized in plaster.
The day's schedule:

• Partnering up and casting
• Adding plaster to the negative mold
• An hour break for lunch (give or take depending on how fast the plaster dries)
• Demolding and cleaning the cast
• Touching up any imperfections in the plaster cast

Warning: If you are someone who is extremely claustrophobic, this is not for you. Dress casually and have fun!

Sigrid Sarda is self taught in the art of ceroplastics. She has been featured on such programs as The Midnight Archive and will be appearing on TV's Oddities this June. She will be showing her work in London this fall. You can find out more here, here and here.

Anatomical Wax Votive Making Workshop with Artist Sigrid Sarda
Date: Sunday, June 24
Time: 10 AM - 4 PM
Admission: $145 (includes $63 materials fee)
*** Limited class size; Must RSVP to morbidanatomy [at] gmail.com
This class is part of The Morbid Anatomy Art Academy

The Votive: Expressing or symbolizing a wish, desire, or vow; Offered, given, undertaken, performed or dedicated in fulfillment of or in accordance with a vow.

Anatomical votives--or replicas of diseased body parts left at a holy place either in hopes of curing ailments or in gratitude for having been healed--have been widely utilized since ancient times. Common media for votives have included terra cotta, marble, silver, and, our personal favorite, wax. In this class, expert wax worker and artist Sigrid Sarda will teach students to create an uncannily lifelike wax votive of the body part of their choice. Each student will leave class with a finished wax votive as well as a knowledge of mold making, wax craft, and the history and meaning of the anatomical votive.
Students are encouraged to focus on an afflicted body part for which they seek relief, or, if they are lacking any unfortunate ailments--be it an ear ache, psoriasis, or that pesky cutaneous horn--to choose a body part that is symbolic to them in anticipation of a particular wish or prayer. Symbolic meanings include the hand which traditionally equates to justice, strength, pledge of faith, power or sincerity, and the foot equating to humility and respect. If that doesn’t suffice we’ll make one up as we go along.
Using an ancient formula created by practitioners of wax modeling, you will create an object for your prayer. The steps taken to reach the desired goal are: first, casting your body part into alginate and creating a negative mold; second, pouring wax into the mold; and finally, demold and clean your votive.

The class will begin with a short talk on the history of votives followed by casting the the body part of your choice. Next, we will take a short break for lunch. following which we will de-mold and clean your lovely wax votive. Please dress casually (it’s a bit messy and very fun). All you need is to bring yourself. All materials are provided, and you get to leave class with your very own votive.

Sigrid Sarda is self taught in the art of ceroplastics. She has been featured on such programs as The Midnight Archive and will be appearing on TV's Oddities this June. She will be showing her work in London this fall. You can find out more here, here and here.

You can find out more about Sigrid and her work here, here and here. You can find out about the classes and Observatory by clicking here. To sign up for the class, please RSVP to morbidanatomy [at] gmail.com. All photos by Sigrd Sarda of her own work.

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Tonight at Observatory, hope to see you for a screening of Kat Green's intriguing looking film "The Secret Life of Mushrooms," a documentary about psychedelic Psilocybin mushroom tourism in Mexico, followed by a Q and A with the filmmakers. Also coming up: workshops withc ceroplast Sigrid Sarda in wax anatomical votives and life and death masks; "Drawing from the Bestiary" class with Saul Chernick; an upcoming lecture with Mel Gordon about Erik Jan Hanussen: Hitler’s Jewish Clairvoyant; and the screening of a film detailing the unexpectedly dark history of Jell-O.

Full list of upcoming events follows; Hope to see you at one--if not more!--of these terrific events.

"The Secret Life of Mushrooms" -- Screening and Q and A with the Filmmakers
Screening of the film "The Secret Life of Mushrooms" with the film's producer/director Kathleen Green and interviewer Dan Glass
Date: TONIGHT Monday, May 21
Time: 8:00
Admission: $5
Presented by Morbid Anatomy

"Kat Green's documentary on mushroom tourism in Mexico is a valuable and insightful examination of the fallout when global culture encounters indigenous sacred traditions. At a time when most of the focus is on ayahuasca tourism in the Amazon, Kat's documentary reminds us that mushroom tourism continues, as it has since the 60s. Well worth viewing!" – Dr. Dennis McKenna, co-author of The Invisible Landscape: Mind, Hallucinogens, and the I Ching

Psilocybin mushrooms were first brought into the public consciousness in the late 1950's after R. Gordon Wasson discovered the ceremonial mushroom rituals of the Mazatec Indians in Mexico and published his findings in Life magazine.?? Huautla de Jimenez – the largest town in the Sierra Mazateca – was made famous amongst spiritual seekers, resulting in a hippie invasion to the remote mountain town that lasted over a decade. Today, mushrooms are still commonly used for healing, and have become a very public symbol of Huautla's pride in their culture.?? The Secret Life of Mushrooms features interviews with anthropologist and author of The Devil's Book of Culture, Ben Feinberg, local curandera Ines Cortes Rodriguez, Mazatec ritual specialist Edward Abse, and a wide variety of local historians, musicians, and business owners, as journalist Dan Glass investigates the long term cultural effects that outsiders have had on the small mountain town in the last 50 years.
Tonight, join filmmakers Kathleen Green and Dan Glass for a screening of The Secret Life of Mushrooms at Observatory, followed by a brief Q & A. You can find out more about the film by clicking here.

Kathleen Green (Producer/Director – The Secret Life of Mushrooms) Brooklyn filmmaker Kathleen Green has been working in film, video, and live event production since 1997. In that time, she has created documentaries, music videos, short films, and visual art with the goals of finding untold stories, exploring new ways to capture dance on camera, and generally making pretty things to look at.  Her work has been screened at the Dance on Camera Festival, Coney Island Film Festival, the New York Tango Film Festival, the 2007 Americans for the Arts Convention, the Pioneer Theatre, Collective: Unconscious, the Bowery Poetry Club, on the Fuse network, and at various galleries in Berlin. She has also worked with HBO, MTV, MSNBC, the Sundance Channel, VH1, Fuse, and the History Channel as a freelance editor and post supervisor.  She is currently developing a non-fiction series about fire artists and their work entitled Playing With Fire, and the dance film, Strange Attractors. 

Dan Glass (Interviewer – The Secret Life of Mushrooms) Dan Glass has written travel, science, and culture stories about such diverse subjects as solar eclipse chasing, Puerto Rican senior citizen bicycle gangs, the psychological effect of viewing earth from space, and flophouses in Coney Island, among others. He's traveled through over 40 countries on five continents, with highlights including excursions to Ethiopia's Omo Valley to find ritual stickfighting battles, solo horse treks through central Mongolia, and riverboat trips 800 miles down the Congo River. His work has been featured in outlets including Wired, NPR, Discover, and Playboy Online. He lives in New York City.

And onward and upwards:

• May 31: “Powder House” A Film about Jell-O: Screening of this film about this "symbol, multi-faceted and elusive; it’s silly, playful, funereal, American. It’s made from bones." Q and A with the filmmakers
• June 3: Life and Death Mask Making Workshop with Artist Sigrid Sarda *** Must RSVP to morbidanatomy [at] gmail.com
• June 3: (please note date change)  Erik Jan Hanussen: Hitler’s Jewish Clairvoyant: An illustrated lecture and screening of “lost footage” with Mel Gordon, author of Erik Jan Hanussen: Hitler’s Jewish Clairvoyant and Grand Guiginol: Theatre of Fear and Terror
• June 24: Anatomical Wax Votive Workshop with Artist Sigrid Sarda ***Must RSVP to morbidanatomy [at] gmail.com
• June 25: Class: Drawing from the Bestiary: Animal Anatomy of Real and Imagined Creatures: 4-Part Class with Artist Saul Chernick, M.F.A., Rutgers University ***Must RSVP to morbidanatomy [at] gmail.com
• June 30: Anthropomorphic Insect Shadowbox Workshop: With former AMNH Senior Insect Preparator Daisy Tainton
• June 30: Morbid Anatomy Library Post-Disaster Benefit SAVE THE DATE 
• July 7: Anthropomorphic Insect Shadowbox Workshop: With former AMNH Senior Insect Preparator Daisy Tainton
• July 13: Anatomical Venuses, The Slashed Beauty, and Fetuses Dancing a Jig: Illustrated lecture by Morbid
  Anatomy founder Joanna Ebenstein, followed by afterparty featuring thematic music and specialty cocktails by Friese Undine

You can find out more about all events by clicking here.

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As the walls of the old Easter Seals pool came down last Wednesday, Bill Ruff thought back to the questions that surrounded Vector Rehabilitation's decision to buy a leaky pool 19 months ago.

Are you crazy?' That's what some people asked me. I looked them straight in the eye and said, Right. I'm nuts. What's your point?

Today, the chief executive officer of the renamed Vector Physical Therapy and Aquatic Center and the board of directors he works with are looking more like visionaries. The state-of-the art heated therapy pool is the centerpiece of an estimated $2.6 million overhaul of 3289 Edgewood Road in Eureka. The former owner, Easter Seals of Northern California, cited a flow of red ink and, despite community uproar, shuttered the pool and adult daycare facility in April 2010.

Heated to 92 degrees Fahrenheit, the new 52-foot by 18-foot pool will open to the public late fall. Ruff expects to add four to eight full-time equivalent jobs -- half of them with benefits. His payroll will jump 30 to 40 percent, and his Medicare reimbursement will jump 10 percent by adding anywhere from 400 to 800 new clients a year. And that's just for starters.

The Humboldt Del Norte Medical Society wrote a letter in support of the project and Humboldt State kinesiology professor Justus Ortega is eager to start research projects to compare pool and land therapy benefits for walking and fall prevention.

Heated pool therapy is non-weight-bearing,

This is going to put us at a level I don't think any of us comprehended when we started, Ruff said. We'll have community education classes, top of the line physical therapy, a partnership with HSU to train students and produce research, and a place special needs students from local schools can use.

They are so community-oriented, Ortega said, When you say, 'Hey, can we do this? Their first answer is yes. They say they'll find a way to make it happen. They're solution-oriented.

About 100 former student and community users have been looking for a solution since the pool closed.

When are you going to get that pool open is all I hear from doctors I visit and people who call, Ruff said. People are still asking if I'm crazy, but now that we've broken ground and are gearing up for active programs, it's becoming reality for 90 percent of the people.

Read more from the original source:
Anatomy of a turnaround; Vector starts new era with pool groundbreaking

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Anatomy of a fatal accident

How weak correlations and scant research were spun up into an argument about how videogames and porn are leading to "the demise of guys."

People playing the game Overkill (Reuters).

If the name Philip Zimbardo rings a bell, you may have read about the famous study he ran called the Stanford Prison Experiment -- a groundbreaking study that showed how assuming a given role could change people's behavior toward others based on the power relationship they shared with them.

Forty-one years later, the former Stanford professor has co-authored an essay arguing that video games and pornography are to blame for what he calls "the demise of guys." The op-ed stokes fears of a testosterone-fueled implosion among young men -- the kind of apocalyptic emergency that threatens the country's future if society doesn't act right now.

The gist of the piece is this: violent and sexualized digital media are addictive. Consuming too much of it, as young Americans are doing, risks turning them into vegetables incapable of negotiating the real world. From this, we can conclude that an entire cohort is slipping down the drain as we speak.

The problem is that the assertions outstrip the evidence and research. The framing and argument are flawed from start to finish. Here, we break those problems down in detail.

Zimbardo and his co-author open with a rhetorical question:

As a psychologist, Zimbardo ought to know better than to prime his readers to accept an affirmative answer in the first sentence without being shown any evidence.

He continues:

Curious. Perhaps the research is coming, you think. Wrong. The first study isn't mentioned for another seven paragraphs. When Zimbardo does bring it up, it turns out the experiment was carried out in 1954, was performed on rats, and merely proved the existence of the brain's pleasure center (a major discovery at the time, but hardly the resounding proof that Zimbardo needs for his human addiction thesis).

Follow this link:
The Anatomy of a Videogame-Scare Story

After exploiting six different Chrome vulnerabilities, a hacker named Pinkie Pie was able to display this image on his target machine.

Dan Goodin

An exploit that fetched a teenage hacker a $60,000 bounty targeted six different security bugs to break out of the security sandbox fortifying Google's Chrome browser.

The extreme lengths taken in March by a hacker identified only as Pinkie Pie underscore the difficulty of piercing this safety perimeter. Google developers have erected their sandbox to separate Web content from sensitive operating-system functions, such as the ability to read and write files to a hard drive. Such sandboxes are designed to minimize the damage that can be done when attackers identify and exploit buffer overflows and other types of software bugs that inevitably find their way into complex bodies of code.

Pinkie Pie's attack came during Pwnium, a contest that awarded $60,000 prizes to hackers who successfully broke out of the protective barrier by exploiting only vulnerabilities residing in code that is native to the Google browser. The teenager was one of only two contestants to win the top prize. He did it after executing a custom-written Netscape Plugin Application Programming Interface directly on a Dell Inspiron laptop that ran a fully patched version of Chrome on a fully patched version of Microsoft's Windows 7 operating system. Google patched the severest of the vulnerabilities within 24 hours of them being exploited.

According to technical details Google published Tuesday, Pinkie Pie's odyssey began by exploiting a bug in aprerendering engine that helps Chrome work faster by gathering clues about webpages before they're loaded. By combining the attack with a second one that exploited a separate bug, he was able to inject a tiny, eight-byte address into a highly restricted section of the browser that processes commands sent to graphics cards.

By guessing some predictable addresses allocated by Windows, he was able to execute the snippet using a technique known as return-oriented programming, which extracts pieces of code present in executable memory areas and rearranges them to form a malicious payload. Although graphics processes are sandboxed, their restrictions are more permissive than the parts of Chrome that render HTML and Native Client processes. That allowed the hacker to tap Chrome's inter-process communications channelwhich allows different parts of the browser to work togetherand exploit two additional bugs described here and here. They allowed his code to gain additional privileges so it could access the part of Chrome that runs NPAPI plugins. (Note: To keep similar bugs from being exploited in other programs, Google is delaying the disclosure of some details. Some of these links may not work immediately.)

By exploiting two more bugs here and here, he was finally able to break out of the sandbox. The Dell Inspiron responded by displaying an image of a pink pony wielding a medieval axe, but it could just as easily have loaded a backdoor trojan that gave Pinkie Pie complete control over the machine.

In an e-mail that arrived after this article was published, Pinkie Pie said Google's deep-dive analysis varied widely from the way he thought about the attack when he was fashioning it.

"It's interesting to see the bugs listed this way because when writing the exploit I only counted three bugs, not six," he wrote. "117417, 117715, and 117736 are all hardening measures that enforce security boundaries that don't strictly need to exist, which I guess is a good thing."

View original post here:
Anatomy of a hack: 6 separate bugs needed to bring down Google browser (Updated)

Fans aren't the only ones reeling from the unexpected exits of Grey's Anatomy mainstays Chyler Leigh and Kim Raver: Costar Jesse Williams was just as shocked!

"I was sad to lose those guys. We love them to death, they're really, really beautiful people and it was difficult," Williams, who plays Dr. Jackson Avery on the ABC hit, told Us Weekly at Sunday's 27th Anniversary Sports Spectacular in Century City, Calif. "It was kind of depressing."

PHOTOS: TV bombshells

Made aware of Lexie (Leigh) and Teddy's (Raver) exits at the finale table read with his castmates shortly before filming, Williams, 30, says their characters' swan songs make him wonder if Dr. Avery's days are numbered.

"Everybody is supposedly leaving, one way or another," said Williams, who first joined the series in 2009.

PHOTOS: Grey's most memorable moments

After Grey's Anatomy's shocking May 17 finale, show creator Shonda Rhimes explained that she was "sick" over having to write Leigh and Raver off the series.

"This finale was incredibly hard to write. I did not enjoy it. It made me sick and it made me sad. We end the season not knowing anything about the future. Except for two things. We know we are definitely saying goodbye to two of my favorite people: Chyler Leigh (Lexie) and Kim Raver (Teddy)," Rhimes explained of the characters, who made their exits via death and job changes.

VIDEO: How the Grey's cast kills time on set

Frequently one to try to predict how Rhimes' storylines would go, Williams has instead decided to stay in the present on the ABC series.

See more here:
Grey's Anatomy's Jesse Williams: Chyler Leigh, Kim Raver's Exits Were "Depressing"

I am very excited to announce "Drawing from the Bestiary: Animal Anatomy of Real and Imagined Creatures, a new class developed specially for The Morbid Anatomy Art Academy by one of our favorite artists, Saul Chernick. This class will teach students--via illustrated lectures and in-class projects including paper puppets and the creation of bestiary pages--"to use observational and imaginative drawing skills in tandem to capture the essential qualities of their subject" and "learn to draw animals (real, mythic, and otherwise) with greater skill and sensitivity."

You can see some of Chernick's wonderful artworks above; you can see more of them by clicking here. The class will take place on 4 consectutive Mondays, from June 25 to July 16th. The full class description follows. Also, please note that the class size is limited to 15, so if you are interested, please RSVP as soon as possible to morbidanatomy [at] gmail.com.

Drawing from the Bestiary: Animal Anatomy of Real and Imagined Creatures with Saul Chernick
A 4-part class with Artist Saul Chernick, M.F.A., Rutgers University
Dates: Mondays June 25, July 2, July 9 and July 16th (4 consecutive Mondays)
Time: 6:30-9:00 PM
Class Fee: $120
***Class size limited to 15; Must RSVP to morbidanatomy [at] gmail.com
This class is part of The Morbid Anatomy Art Academy

Contemporary artist and arts educator Saul Chernickis renowned for gorgeous artworks featuring convincingly corporeal depictions of imaginary or mythical creatures rendered in the style of Medieval and early Renaissance woodcuts from Northern Europe. Observatory is very pleased to announce a new workshop developed by Saul Chernick specially for the Morbid Anatomy Art Academy. In this class, Chernick will teach students--via illustrated lectures and in-class projects including paper puppets and bestiary pages--"to use observational and imaginative drawing skills in tandem to capture the essential qualities of their subject" and "learn to draw animals (real, mythic, and otherwise) with greater skill and sensitivity."

Full class description follows; you can see more of Chernick's fantastic work by clicking here. Class size limited to 15; Please RSVP to morbidanatomy [at] gmail.com.

Course Description
Open to artists of all levels, the goal of this workshop is help participants learn to draw animals (real, mythic, and otherwise) with greater skill and sensitivity. Through exercises in drawing and paper puppetry, participants will gain a deeper understanding of the skeletal/muscular structures of most mammals, reptiles, and birds. Participants will also learn to use observational and imaginative drawing skills in tandem to capture the essential qualities of their subject and create works of convincing visual fiction!
What to expect

• Participants will cull images from the web to create a dossier on the animal(s) that interest them
• Participants will fashion movable paper puppets to understand how their chosen animal moves
• Participants will draw studies of the skeletal and muscular structures of animals
• Participants will use the medium of their choice to create a Bestiary page entry that depicts an animal situated in an environment

Materials
What to bring to the first class:

• Choose 1-3 animals and gather pictures on the web. Be sure to get images of their skeletons in profile. Please print these as they may be hard to use on a phone screen.
• 3-5 sheets of Bristol Board Paper 9" x 12" or larger
• Pencils & erasers
• Scissors
• Xacto or utility knife
• Glue

What to bring for subsequent classes:

• White or tinted drawing paper 16" x 20" or 18" x 24"
• Tracing paper (same size as drawing paper)
• Mechanical and/or regular pencils (2h, hb, 2b, 4b)

Optional:

• Markers, watercolors, gouache, ink, brushes, chalk/oil pastels, colored pencils, Caran D’Ache, collage papers, etc (we’ll discuss further in detail!)

Saul Chernick, M.F.A., Rutgers University, is a visual artist and educator. Chernick has exhibited internationally in galleries and museums including the Aldrich Museum of Contemporary Art, the Bronx Museum of Art, the Jewish Museum of Art, as well as Max Protetch and Meulensteen Galleries in New York City. He has taught art for the public school system, the 92nd Street Y, Cooper Union, Parson's School of Design, and the Museum of Modern Art. He is currently the Professional Development Coordinator for the Joan Mitchell Foundation where he coaches New York artists in teaching art to young people throughout city. His work can be seen at http://www.saulchernick.com.

All images are by Saul Chernick and include, top to bottom:

1. Field Urchin, 2011, from a series of studies in which he attempted to impose the proportions of cherubs onto horses.
2. Desktop 2013, 2010, Ink, Watercolor, & Opaque White on Paper
3. Heavenly Touch , 2009, Ink, Watercolor, & Opaque White on Paper
4. Guilty Pleasures, 2010, Ink, Watercolor, & Opaque White on Paper
5. Ars Gratia Artis, 2010, Ink on Paper

You can found out more here. As mentioned above, class size is limited to 15, so if you are interested, please RSVP as soon as you are able to morbidanatomy [at] gmail.com.

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MARAIS
Hell's Swells

A hot spot called Hell's Café lured 19th-century Parisians to the city's Montmartre neighborhood—like the Marais—on the Right Bank of the Seine. With plaster lost souls writhing on its walls and a bug-eyed devil's head for a front door, le Café de l'Enfer may have been one of the world's first theme restaurants. According to one 1899 visitor, the café's doorman—in a Satan suit—welcomed diners with the greeting, "Enter and be damned!" Hell's waiters also dressed as devils. An order for three black coffees spiked with cognac was shrieked back to the kitchen as: "Three seething bumpers of molten sins, with a dash of brimstone intensifier!"

Found via Retronaut who sourced it from Cool Stuff in Paris; all images via Retronaut; more to be found at the original link.

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I collect images of  "Death" because I am a visual person who takes in information best visually. As I have gotten older the thought of my own demise has begun to enter my conscious thoughts. The universality of "Death," with the realization that we will all die, encouraged me to begin the conversation of my mortality visually rather than talking or reading about it. I believe that there is a larger audience who might also be more comfortable beginning that discussion in a visual way, which is why I always thought of my collection in terms of a public exhibition.

--Richard Harris, the collector whose works are featured in "Morbid Curiosity: The Richard Harris Collection,"in an interview with Morbid Anatomy

Whilst in Chicago a few weeks ago, I had the good fortune to be able to spend a good two hours or so with the works in the profoundly wonderful new exhibition "Morbid Curiosity: The Richard Harris Collection," on view through July 8 at the Chicago Cultural Center. This seriously (!!!) not-to-be-missed exhibition showcases nearly 1,000 works which range from 2000 B.C.E. to the present, from fine art to ephemera, and from Mexican to Japanese to Tibetan to European artist traditions, all drawn from the astounding death-related collection of Richard Harris.

Some of my favorite pieces--featured in the photos above--included Rudolfo Villena Hernandez "A Commemoration of the Bicentennial Proclamation of the Independence of Mexico" (third from bottom); Michel de Spiegelaere's "Macabre Scene," one of the better Frederik Ruysch tableaux recreations I have had the pleasure to see (8-10 from top); a collection of macabre book plates and postcards (4th and 5th from bottom); Roger Reutimann's "Death of Venus" (seventh down), a wonderful collection of 19th Century ceramic German Dance of Death Figures (second from bottom), a carved wooden memento mori figurine from the early 17th century (third from bottom), and Jodie Carie's "In the eyes of Others plaster-cast bone chandelier bringing to mind the wonders of the  Kutná Hora ossuary (fourth down). The installation itself--expertly staged by curator Lucas Cowan--is wonderful as well, evoking the beautiful clutter of the wunderkammer but utilizing clever groupings which draw the eye and invite close investigation rather than overwhelm.

You can see more photos from the exhibition--and find out more about the works seen above--by clicking here. You can find out more on this exhibition on this recent post, on the Chicago Cultural Center website, and on Richard Harris' website. You can watch a gallery walk through and interview with Richard Harris by clicking here.

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The Malloch Rare Book Room at the New York Academy of Medicine.

For all you wonderful librarians out there who also happen to be interested in the history of medicine, I have an exciting announcement to make: The New York Academy of Medicine is advertising for a new opening for Information Services Librarian!

Full details follow; Hope one of you ends up in this role!

Information Services Librarian
Center for the History of Medicine and Public Health
The New York Academy of Medicine

Mission
The New York Academy of Medicine advances the health of people in cities. An independent organization since 1847, NYAM addresses the health challenges facing the world's urban populations through interdisciplinary approaches to policy leadership, education, community engagement and innovative research.

Drawing on the expertise of diverse partners worldwide and more than 2,000 elected Fellows from across the professions, our current priorities are

• To create environments in cities that support healthy aging
• To strengthen systems that prevent disease and promote the public's health
• To implement interventions that eliminate health disparities
• Summary and Description

Summary and Description
The Center for the History of Medicine and Public Health is NYAM’s newest center and provides access to and enhances awareness of NYAM important research collections in medicine, public health and their history. The aim of the new Center is to build bridges among an interdisciplinary community of scholars, educators, clinicians, curatorial and conservation professionals and the general public.

The NYAM Research Library
The NYAM collections, which opened its to the general public in 1878, include over 500,000 volumes, 275,000 portraits and illustrations and around 400,000 pamphlets in its Research and Rare Books and Historical sections. NYAM is the only specialized research library in NYC offering access to medical and health information for members of the general public, a mission the Information Services Librarian will be critical in fulfilling.

The Research Library collection comprises monographs in medicine, public health and health policy, an extensive journal collection, grey literature, the various databases, and primary and secondary materials in the history of medicine, public health, science and other health-related disciplines. The Research Library collection is supported by an extensive reference collection of medical bibliography, biography, biographical dictionaries, dictionaries and library catalogues, as well as books on the history of books and printing.

The Research Library forms part of NYAM’s Center for the History of Medicine and Public Health. The Center is made up of the Research Library, Rare Book and Historical Collections and Conservation Laboratory. The Information Services librarian will function as the main contact person for users of the Research Library.
The Center for the History of Medicine and Public Health

In addition to the Research Library, the Center for the History of Medicine and Public Health’s  Rare Book and Historical Collections include a rare book collection of approximately 35,000 volumes, with manuscripts and archives dating from the 17th century B.C.E. to the present.  Books from the 17th and 18th centuries are another particular area of strength, as are materials related to the history of medicine in the City of New York.  Currently, the Rare Book and Historical Collections support a variety of programs, including two residential fellowships and an annual lecture series.

The Gladys Brooks Book and Paper Conservation Laboratory was established in 1982 for the express purpose of caring for the NYAM collections.  In addition to its preservation mandate, the Lab plays an important role in the training of future generations of conservators through its internship and volunteer programs and offers professional educational opportunities through a robust calendar of workshops and lectures.

Summary and Description
The NYAM Research Library is looking for a dedicated and enthusiastic librarian to provide information and reference services to NYAM Fellows and staff, members of the general public, and middle and high school students. The Information Services Librarian will be responsible for reference hours in the main reading room of the Research Library and play a central role providing users with research support. We are looking for an individual with a high level of communication and research skills, who will be proactive in helping to build the profile and activities of the Research Library.

Duties and Responsibilities
The Information Services Librarian will:

• Facilitate the use of databases and resources available in the Library, especially PubMed
• Support the research needs of staff, Fellows and corporate clients
• Assist the general public in their use of the library collections
• Provide in-depth reference searches, including searching grey literature
• Play a central role in NYAM’s Junior Fellows Program, helping middle and high school students develop and successfully complete research projects in the library
• Provide teaching and instructional sessions to Junior Fellows and participants in other NYAM programs such as EBEM (evidence-based emergency medicine) workshops
• Maintain and update Library CMS information
• Use social media to communicate Library activities and research results
• Take part in other special projects as required.

This role offers an exciting opportunity to help develop the activities and profile of a new Center dedicated to creating links between recent medicine and public health material and the history of medicine and public health. The Information Services Librarian will work closely with colleagues in the Center, and other NYAM sections. In particular s/he will collaborate with colleagues in the delivery of public services, introducing students from a variety of disciplines to the Center’s collections, and teaching research skills.

Qualifications
• MLS from an ALA-accredited institution (required)
• AHIP credentials (preferred)

Experience and/or Education
Required:

• Reference experience in an academic or research library with a focus on health sciences
• Familiarity with the databases and other reference tools necessary to answer a wide variety of questions related to public health, health policy, and medicine
• A sophisticated understanding of PubMed and an ability to teach it to a variety of different user groups
• Experience engaging with a diverse audiences, from school children, especially secondary school students, to professional
• Strong oral, written and interpersonal communication skills, with an ability to communicate complex ideas in an accessible manner
• Demonstrated commitment to public service
• Excellent computer and web skills
• Physical ability to undertake collection management duties such as movement of books and materials weighing up to 40 lbs., and work in sometimes dusty environments.

Preferred:
• At least 3-5 years reference experience in a large health sciences library
• Teaching experience, particularly with middle and high school students
• Familiarity with medical language and terminology
• Experience using social media.

To Apply
Please email a resume a
nd cover letter to hr@nyam.org. Please include "Information Services Librarian" in subject line.

The New York Academy of Medicine is an Affirmative Action/Equal Opportunity Employer.

For more information, visit our website: http://www.nyam.org. 

The New York Academy of Medicine is an Affirmative Action/Equal Opportunity Employer.

You can find out more by clicking here. Click on image to see larger, finer version; image above was sourced here.

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All I have to say is WOW: pictured above are scenes from a coin-operated automaton (which I am guessing is from the 1920s or 30s, rather than 1900 as the auctioneers claim) in which, after a coin is inserted, "doors open and the room is lighted revealing four morticians and four poor souls on embalming tables, the morticians move as if busily at work on their grisly task and mourners standing outside bob their heads as if sobbing in grief."

This object is for sale (!!!) and is estimated to go for between $4,000-$6,000 as part of an upcoming Science, Technology & Clocks auction taking place on June 2, 2012 10:00AM. Full lot description from the Skinner Auctioneers website follows:

Lot 207
"St. Dennistoun Mortuary" Coin-Operated Automaton, attributed to Leonard Lee, c. 1900, the mahogany cabinet and glazed viewing area displays a Greek Revival mortuary building with double doors and grieving mourners out front, when a coin is inserted, doors open and the room is lighted revealing four morticians and four poor souls on embalming tables, the morticians move as if busily at work on their grisly task and mourners standing outside bob their heads as if sobbing in grief, ht. 30 1/2, wd. 24, dp. 17 1/4 in.

Estimate $4,000-6,000

Brass coin plate stamped J. Dennison Leeds NO. 80

You can find out more and see the other lots--which include other automatons including an amazing automaton last supper!--by clicking here. My only plea, if any of you Morbid Anatomy readers purchase this, please (please!) invite me over to see it in action! I would certainly buy it myself if I could afford it. If the Musée Mécanique is still actively collecting, this would make a wonderful addition to their rich collection of coin-op toys depicting deaths by such means as guillotine, French execution, and English execution; yes, really. More on that here.

Thanks so much to Morbid Anatomy readers Nanette Rod and Jane Fuller for bringing this amazing object to my attention! All images sourced from the auctioneer website; click on images to see larger versions.

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051812_greys_anatomy Warning: Stop reading if you havent watched the eighth season finale of Greys Anatomy!

The May 17 season finale of Greys Anatomy was painful to watch and not only because of Merediths (Ellen Pompeo) high-pitched screams of terror that, eventually, only dogs could hear. The episode also featured the shocking death of a beloved character. So which doc joined George (T.R. Knight) in that big operating room in the sky?

The victim ended up being Lexie (Chyler Leigh), who met her untimely end after the team was involved in a plane crash. In arguably the most intense scene Greys has delivered in quite some time, Mark (Eric Dane) tried desperately to pick up the wing of the plane that was crushing her.

Tell Meredith that I love her, and that she was a good sister, she told him. And after Mark told her he loved her, she replied, You dont have to say it just because Im dying.

Cue the waterworks. Cue the pain. Cue the fan backlash.

How do you feel about Lexies death? Do you think it was a necessary event that will trigger some much-needed changes on the show, or was it a huge mistake that will come back to bite Greys in the butt? Watch Lexis tragic final scene below, then drop a comment with your reactions!

Click here to view the embedded video.

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‘Grey’s Anatomy’ Season Finale: How Do You Feel About The Major Death?