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'Morbid Anatomy Anthology': Brooklyn Art Group Seeks Funding For Curious New Book (VIDEO)

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Mummified remains, taxidermied animals, jarred body parts -- these are the images that greet you when you visit the Kickstarter page for Morbid Anatomy.

The curiously named organization, housed in the Proteus Gowanus Gallery space in Brooklyn, is an arts-meets-science, subcultural playhouse that hosts lectures, performances and art exhibits all in the name of, well, oddities. Officially described as a survey of "the interstices of art and medicine, death and culture," Morbid Anatomy is really just a creative laboratory where curious scientists, artists, writers and weirdos get together to explore the underworld of scholarship that no one else gives a second glance. From anthropodermic bibliopegy (books bound in human skin) to extreme taxidermy to death-themed cabaret in 19th century Paris, the group covers just about any macabre topic you could imagine.

Morbid Anatomy showcases its esoteric findings in two ways -- a library/pocket museum that showcases the books, photographs and ephemera of its obscure researchers and a presentation and lecture series titled "Morbid Anatomy Presents." But now the "rogue morticians" are seeking to add a third platform, announcing on their Kickstarter plans for a "Morbid Anatomy Anthology." The illustrated book will feature the best of the Morbid Anatomy Presents series, like the work of Anthropomorphic Mouse Taxidermy Class teacher Sue Jeiven or "Stuffed Animals and Pickled Heads" author Stephen Asma.

The Kickstarter recently launched and already exceeded its goal. Check out the video above to learn more about the project of Joanna Ebenstein and Colin Dickey. What do you think, readers? Does Morbid Anatomy lean in the direction of beauty or horror?

For more taxidermic wonder, check out the work of UK-based artist Tessa Farmer in the slideshow below.

Tessa Farmer, 2010, insects, plant roots. Courtesy of the artist, Danielle Arnaud, London and Spencer Brownstone Gallery, New York.

Tessa Farmer, " 2011, taxidermied swan, various bird skeletons, animal bones, insects, arachnids, plant roots. Courtesy the artist, Danielle Arnaud, London and Spencer Brownstone Gallery, New York.

Tessa Farmer, 2010, dried blue tit, insects, hedgehog spines, plant roots. Courtesy of the artist, Danielle Arnaud, London and Spencer Brownstone Gallery, New York.

Tessa Farmer, 2010, bones, crab legs, insects, plant roots. Courtesy of the artist, Danielle Arnaud, London and Spencer Brownstone Gallery, New York.

Tessa Farmer, 2008, dried rat, wasp nest, insects, plant roots. Courtesy of the artist, Danielle Arnaud, London and Spencer Brownstone Gallery, New York.

Continue reading here:
'Morbid Anatomy Anthology': Brooklyn Art Group Seeks Funding For Curious New Book (VIDEO)

Anatomy of CU Buffs' plunge starts with recruiting gone bad

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BOULDER It was a football recruiting class in which you should look back and see the foundation for a dynasty, of bowl rings and network TV appearances. The bricks included the best running back in the country, three of the top-12 linebackers and the No. 4 defensive end.

Rivals.com ranked it 15th nationally in 2008. The class had all the markings of a future title contender at most and a consistent bowl team in the least. Which 2012 power is it?

Colorado.

Yes, Colorado's recruiting class of 2008 was going to lift the Buffaloes back to national prominence and coach Dan Hawkins to the kind of status he enjoyed at Boise State.

Instead, Colorado went downhill for three more years and Hawkins got fired. Now, when most of those players would be fifth-year seniors, the Buffaloes stand 1-10 and are a loss to Utah on Friday from their worst record since their inaugural 0-4 season in 1890 and first winless home record in 92 years.

But back in 2008, when the Buffs were merely bad and not embarrassing, what were the expectations?

"Through the roof," said senior Jon Major, PrepStar's No. 3-ranked linebacker from Ponderosa High School. "We wanted to start a dynasty. We had all these great things. But if you also look down the line, you see what happens."

Yes, what did happen?

Defections, washouts and busts from that class have left Colorado with only eight seniors, second-fewest in the country. The dearth of upperclassmen has forced second-year coach Jon Embree to play 13 true freshmen, seventh-most in the country.

Neither of those is a death sentence. Colorado has one less senior than Alabama. Schools that have played more true freshmen include Ohio State and Louisiana State.

Read this article:
Anatomy of CU Buffs' plunge starts with recruiting gone bad

Anatomy of a General disaster

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They bonded over a long run along the Potomac River: the general and his curvaceous biographer, conducting a Q&A while keeping a six-minute-mile pace.

For West Point graduate Paula Broadwell, the 2008 workout was her entree into the world of four-star Gen. David Petraeus patriot, potential presidential candidate, married father of two.

Four years later, Petraeus stellar 37-year career is in tatters and Broadwell has mostly been missing in action after their adulterous May-December affair exploded in a blitzkrieg of headlines.

The news broke just after Election Day and on a night when Broadwell and her hubby were sharing a romantic dinner to celebrate her 40th birthday.

The disgraced Petraeus, 60, quickly resigned from his job as CIA director, while Broadwell bolted from the North Carolina home where she and spouse Scott were raising two sons. Broadwell has been staying out of sight, though she was glimpsed last week through a window in her brothers Washington home, and she and her husband were spotted walking Saturday on a street in the nations capital.

As the sex scandal mushroomed, its epicenter emerged far from the battlefields of Afghanistan, the halls of power in Washington, or even the suburban Virginia offices of the CIA.

It was through Southern beauty Jill Kelley that the world learned about Petraeus romance and that he wasnt the only officer who isnt a gentleman.

The vivacious Kelley, 37, was a fixture at MacDill Air Force Base in Tampa, where she served as a volunteer social director of sorts. She hosted a party for Petraeus and his wife at her six-bedroom, 41/2-bath spread in a ritzy Tampa neighborhood, sharing a kiss with the general after presenting him with a civic award.

Their friendship apparently irked a jealous Broadwell, who targeted Kelley with several toxic emails. The nasty notes were cat-fight stuff, a source told Daily Beast columnist Michael Daly.

Originally posted here:
Anatomy of a General disaster

"Diableries” (or “Devilment”) Stereo Views, 19th Century

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Some of you might recall my recent desperate search for hi-resolution images of “Diableries” (or “Devilment”) 19th century 3D stereo views. Morbid Anatomy reader Corey Schjoth kindly obliged, sending me the photographs you see above, demonstrating both front- and back-lit views of a particularly wonderful card.

Corey is also a photographer of haunted places; you can find out more about he and his work by clicking here, and check out his Etsy shop by clicking here.

I highly recommend clicking on the image to see larger, finer versions. And if you want to know more about these enigmatic and fantastic Diableries, you could do worse than to watch the Midnight Archive featurette on the topic by clicking here. Also, stay tuned for a heavily-illustrated article about "Diableries” in the upcoming Morbid Anatomy Anthology! More on that here.

Source:
http://morbidanatomy.blogspot.com/2012/11/diableries-or-devilment-stereo-views.html

"Death: A Self Portrait," The Wellcome Collection, Through February 24, 2013

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In some way death in our culture happens offstage in private, but this show looks at the ways in which people have explored death much more face on. --Kate Forde, Curator of "Death: A Self Portrait," The Wellcome Collection, BBC Magazine

My last night in London, I had the honor and delight to attend the preview of "Death: A Self Portrait," the Wellcome Collection's spectacularly amazing new exhibition which officially opens today.

Beautifully and thought-provokingly curated by Kate Forde (who also curated the Wellcome's 2009 Exquisite Bodies), the exhibition uses as its base and its muse the extensive, broad, and rather profound death-themed collection of Chicago-based Richard Harris. Harris' collection is comprised of all things death, ranging from valuable artistic masterworks to the lowest-brow of popular culture, bringing to mind the collection of none other than Henry Wellcome, the man behind the Wellcome Collection. To its merit, "Death: A Self Portrait" draws deftly from both extremes as well as all that is located in between; the result is an exhibition that is at a lovely, provocative, fascinating, witty, and thoughtful investigation into the human obsession with imagining and coming to terms with that greatest and most unknown of absolutes: DEATH.

"Death: A Self Portrait" is divided up into five sections: The first, "Contemplating Death," is a collection of memento mori themed work; The second, "The Dance of Death," gathers works responding to notions of the danse macabre or death as the great equalizer; "Violent Death" features a variety of artistic responses to war, including Goya's Disasters of War series; "Commemoration" concerns itself with burial, morning, and our responses the particular dead; My personal favorite, "Eros and Thanatos," is an unusual addition to a public discussion of death, and showcases "works expressing our strange fascination with 'things at the outer limits of life and death, sexuality and pain."

Above are just a very few images from this wonderful exhibition; there are many, many more excellent artworks, objects and artifacts to be seen; I simply cannot more highly recommend checking out this jaw-dropper before its closing date on February 24th!
You can find out more about the show on the Wellcome Collection website by clicking here; To hear the lovely illustrated interview with curator Kate Forde from which the above quote was drawn, click here.

Also, for the interested among you: both collector-of-death Richard Harris and curator Kate Forde will be contributors to the Morbid Anatomy Anthology, a new lavish book immortalizing in words and images the best of Morbid Anatomy Presents; you can secure your own copy--and find out more--by clicking here. For more on the Richard Harris collection, click here to learn about a recent exhibition using his collection as its base at The Chicago Cultural Center.

All images ©  Wellcome Images, Courtesy The Richard Harris Collection; captions, top to bottom:

  1. Metamorphic Postcard, c.1900 
  2. Skeleton puppet. Wood and cotton
  3. Bathel Bruyn the elder, 'A Skull in a Niche', c.1535-55 Oil on panel
  4. When Shall we Meet Again?Gelatin silver print Size, c.1900
  5. Louis Crusius, Antikamnia, 1900 Paper: calendar series of 6, 1900
  6. Marcos Raya, Untitled (family portrait: woman in yellow dress), 2005 Collage: vintage photo with mixed media
  7. Dana Salvo, From the series 'The Day, the Night and the Dead': 'Home altar atop table commemorating ancestors', 1990-2004 Photograph
  8. Alfred Rethel, 'Death the Enemy', 1851 Wood engraving
  9. Memento Mori, unknown artist, late 18th-century Engraving
  10. Mors Ultima Linea Rerum (Death the Final Boundary of Things), c.1570 Engraving, 
  11. Ivo Saliger 'Der Artz (The Doctor), c.1921 Colour etching on brown paper
  12. Marcos Raya, Untitled (family portrait: grandma), 2005

Source:
http://morbidanatomy.blogspot.com/2012/11/death-self-portrait-wellcome-collection.html

"Held," Jane Fradgley, Guy’s Hospital, London, Through March 2013

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“I was fascinated by the seemingly comforting strong dresses, and related this form of protective care to my own experiences in hospital and encounters with modern day psychiatric care. My aim was to create a representation of the pieces which lay somewhere between documentary and poetry, incorporating my love of abstraction yet offering a clear portrayal of the pieces for the viewer to interpret themselves." --Jane Fradgley, Held
Last week a friend brought me to see a wonderful exhibition of photography by artist Jane Fradgley; the body of work, entitled "Held," responds to a collection of "strong clothing"--i.e. restraint clothing used in 19th century asylums--kept in the stores of Bethlem Royal Hospital and Museum. The exhibition will be on view in Atrium 2 of Guy's Hospital through March 8, 2013. You can see a few of Fradgley's strikingly uncanny photographs above, but I highly recommend you visit them in person if you can to get a real sense of scale (they are printed life-sized) and emotive impact.
Full information follows:

Held                 
by Jane Fradgley
Funded by Guy’s & St Thomas’ Charity
Atrium 2
Guy’s Hospital
7th November 2012 – 8th March 2013

This new photographic exhibition by artist Jane Fradgley is informed by the collection of strong clothing housed at the Bethlem Royal Hospital Archive & Museum, Beckenham, Kent. The history of this largely unexplored area of mental health care is both powerful and poignant. Through investigation, the artist’s intention is to open new dialogue and debate around protection and restraint in mental health practice. With a background as a fashion designer and a passionate interest in functional and tailored garments, Fradgley was inspired to delve into the archive after seeing Victorian portrait photographs of patients at Bethlem wearing unusual quilted dresses. 

“I was fascinated by the seemingly comforting strong dresses, and related this form of protective care to my own experiences in hospital and encounters with modern day psychiatric care. My aim was to create a representation of the pieces which lay somewhere between documentary and poetry, incorporating my love of abstraction yet offering a clear portrayal of the pieces for the viewer to interpret themselves. ?I enjoyed the intimacy when alone with the garments, and felt closer to them by zooming in on details. One by one the pieces were carefully brought to me like offerings for my lens. They appeared reverential and it seemed fitting to respect this when arranging them in a staged setting in the studio. As each session passed I grew very fond of the pieces, perhaps my own projection but I felt as though they had certain characters. I hoped to convey the essence of the people who wore each garment as I felt great energy from the textiles - possibly there were many wearers and many stories never to be told. I had never imagined that these old garments would hold so much emotive substance. For me the purpose of the strong clothing was not to invoke or exacerbate fear or anxiety in the patient, rather the attention to detail in creating such well constructed garments was to bring some dignity, serenity, peace and tranquility ?to the wearer as an antidote to their anguish. Wishing to engage with that sense of calm, I explored soft lighting techniques, however some of the garments responded best in the darkness of the shadows, ?a reminder of the inevitable blackness of mental illness”.

Strong clothing was a rather euphemistic term used to describe certain forms of restraint used in late 19th century asylums. While chains, strait-jackets (known as strait-waistcoats) and similar garments were outlawed during the ‘non-restraint’ movement of the 1840s and ’50s, other methods of ‘mechanical restraint’ were permitted by the Commissioners in Lunacy (the government body who inspected and licensed asylums for much of the 19th century). The intention of strong clothing (including strong dresses and padded gloves) was to protect patients, both preventing self-inflicted injury and the destruction of their clothing.

“Strong dresses,” as described by Bethlem Superintendent George Savage in 1888, were “made of stout linen or woollen material, and lined throughout with flannel. The limbs are all free to move, but the hands are enclosed in the extremities of the dress, which are padded. …There are no strait-waistcoats, handcuffs, or what may be called true instruments of restraint in Bethlem”. Savage claimed that, by avoiding recourse to the use of sedatives or padded cells for violent or destructive patients, many “were thus really granted liberty by means of the slight restraint put upon them”.

The terms, descriptions and types of garment used were fraught with meaning for contemporaries, many of whom saw themselves as enlightened humanitarians. Others, however, did not agree, and the ‘principle of non-restraint’ remained an ongoing matter of debate. By the turn of the 20th century strait-jackets appeared to have returned ?to some institutions. Although the exact dates of the garments seen in these photographs are unknown, given the types of garments reported by the Commissioners in Lunacy as in use at this time, it is likely that they were adopted in the period 1880 –1920.

Through this historical perspective, held reminds us of the difficulty of placing a clear line between care, cure and control in a mental health context. Treatment providers invariably have to make extremely difficult decisions, indicating the importance of opening up debate around physical restraint and chemical intervention in mental health care today.

We are planning a symposium on the subject in 2013, if you would like to be informed about ?or participate in that symposium contact Sarah Chaney at s.chaney@ucl.ac.uk.

You can find out more about Jane Fradgley's work by clicking here.Thanks so much to Jane for the images and materials, and to Phil Loring for introducing me to her work.

Source:
http://morbidanatomy.blogspot.com/2012/11/held-jane-fradgley-guys-hospital-london.html

"Morbid Fears and Compulsions," H.W. Frink, 1921, The Wellcome Library

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Morbid fears and compulsions : their psychology and psychoanalytic treatment / by H.W. Frink ; with an introduction by James J. Putnam
London : Kegan Paul, Trench, Trubner, 1921 (Torquay : Devonshire Press.)
Open shelves     Medical Collection WM170 1921F91m
Physical description   
xxiii, 344 p., [4] leaves of plates : ill. ; 22 cm.
Note   
Includes index
Some of the material was previously published in various journals.-cf. Pref
"Reprinted (by arrangement with Messrs. Moffat, Yard & Co., of New York) from the American edition"
Bibliography: p. 337-341.

From the wonderful Wellcome Library.

Source:
http://morbidanatomy.blogspot.com/2012/11/morbid-fears-and-compulsions-hw-frink.html

A Trip to the 19th Century Popular Anatomical Museum: "La leçon d'hygiène," Félicien Rops, Late 19th Century

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Whilst doing research in the wonderful and amazing Wellcome Library in London last week, I came upon a mention of the wonderful and underknown painting shown above, "la leçon d'hygiène" by Belgian decadent artist Félicien Rops. The painting is a rare fine-art depiction of a visit to a 19th century popular anatomical museum. I could find out precious little about it, but Wikimedia claims it is in a private collection and was painted between 1878 and 1881.

If anyone knows anything more about it, please email me at morbidanatomy [at] gmail.com. I also highly recommend that you click on the image to see larger, finer version.

Source:
http://morbidanatomy.blogspot.com/2012/11/a-trip-to-19th-century-popular.html

"'Morbid Anatomy Anthology': Brooklyn Art Group Seeks Funding For Curious New Book," The Huffington Post

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From today's Huffington Post:

Morbid Anatomy Anthology': Brooklyn Art Group Seeks Funding For Curious New Book

Mummified remains, taxidermied animals, jarred body parts. These are the images that greet you when you visit the Kickstarter page for Morbid Anatomy.

The curiously named organization, housed in the Proteus Gowanus Gallery space in Brooklyn, is an arts-meets-science, subcultural playhouse that hosts lectures, performances and art exhibits all in the name of, well, oddities. Officially described as a survey of "the interstices of art and medicine, death and culture," Morbid Academy is really just a creative laboratory where curious scientists, artists, writers and weirdos get together to explore the underworld of scholarship that no one else gives a second glance. From anthropodermic bibiopegy (books bound in human skin) to extreme taxidermy to death-themed cabaret in 18th century Paris, the group covers just about any macabre topic you could imagine.

Morbid Anatomy showcases its esoteric findings in two ways -- a library/pocket museum that showcases the books, photographs and ephemera of its obscure researchers and a presentation and lecture series titled "Morbid Anatomy Presents." But now the "rogue morticians" are seeking to add a third platform, announcing on their Kickstarter plans for a "Morbid Anatomy Anthology." The illustrated book will feature the best of the Morbid Anatomy Presents series, like the work of Anthropomorphic Mouse Taxidermy Class teacher Sue Jeiven or "Stuffed Animals and Pickled Heads" author Stephen Asma.

The Kickstarter launched today, already exceeding it's goal by over $15,000. Check out the video above to learn more about the project of Joanna Ebenstein and Colin Dickey. What do you think, readers? Does Morbid Anatomy lean in the direction of beauty or horror?

To read the entire article and see a slideshow on the work of the lovely Tessa Farmer, click here. To donate to the campaign and secure a copy of the book for your very own, click here.

Source:
http://morbidanatomy.blogspot.com/2012/11/morbid-anatomy-anthology-brooklyn-art.html

Grey's Anatomy S9 Episode 6 – Online – Video

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Grey #39;s Anatomy S9 Episode 6 - Online
free-watch-series.com Watch full watch full online watch for free watch Grey #39;s Anatomy full free watch Grey #39;s Anatomy full episode watch Grey #39;s Anatomy full episode for free watch Grey #39;s Anatomy full episode online. 09e6 Grey #39;s Anatomy 2012 S9e6 Grey #39;s Anatomy s09e06 Grey #39;s Anatomy S9e6...From:ADAM GlamdickViews:0 0ratingsTime:07:53More inPeople Blogs

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Grey's Anatomy S9 Episode 6 - Online - Video

Grey's Anatomy S9E6 Se9Ep6 S9X6 S09E06 Second Opinion – part 1 of 5 – Video

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Grey #39;s Anatomy S9E6 Se9Ep6 S9X6 S09E06 Second Opinion - part 1 of 5
Grey #39;s Anatomy free-watch-series.com Second Opinion HD Synopsis: As the doctors continue with their lawsuit, they #39;re forced to confront the realities of their injuries. Meanwhile, Bailey tricks Arizona into helping her with a pediatric case, and Cristina tries to find normalcy in her new...From:ADAM GlamdickViews:0 0ratingsTime:07:33More inPeople Blogs

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Grey's Anatomy S9E6 Se9Ep6 S9X6 S09E06 Second Opinion - part 1 of 5 - Video

Grey's Anatomy S9 Episode 6 – FULL – Video

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Grey #39;s Anatomy S9 Episode 6 - FULL
free-watch-series.com HQ Watch full watch full online watch for free watch Grey #39;s Anatomy full free watch Grey #39;s Anatomy full episode watch Grey #39;s Anatomy full episode for free watch Grey #39;s Anatomy full episode online. 09e6 Grey #39;s Anatomy 2012 S9e6 Grey #39;s Anatomy s09e06 Grey #39;s Anatomy...From:ADAM GlamdickViews:0 0ratingsTime:07:26More inPeople Blogs

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Grey's Anatomy S9 Episode 6 - FULL - Video

The Good Wife Season 4 Episode 7 Anatomy of a Joke – part 1 – Video

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The Good Wife Season 4 Episode 7 Anatomy of a Joke - part 1
The Good Wife free-watch-series.com Anatomy of a Joke FULL Summary: Cary has an uneasy reunion with his father when he and Alicia travel to Washington, DC, to advocate for a comedienne who is being sued by a television network for indecency. Meanwhile, a former client turns to Alicia for...From:ADAM GlamdickViews:0 0ratingsTime:07:36More inPeople Blogs

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The Good Wife Season 4 Episode 7 Anatomy of a Joke - part 1 - Video

Get to Know Keri Noble – Video

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Get to Know Keri Noble
This piano-driven songstress radiates charm and personality. From concert hall to candid rehearsal, she shares her love of music, pop rhythms and a good story. Keri co-hosts the Cities 97 Morning Show, contributes to KFAN co-wrote a song featured in Grey #39;s Anatomy. Tune in for a PlayList exclusive!From:ThePlaylistWDSEViews:0 0ratingsTime:00:44More inMusic

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Get to Know Keri Noble - Video

Multicouples collab – Fix you – OPEN – Video

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Multicouples collab - Fix you - OPEN
i hope you like the idea and take part... 🙂 Rules: - You will pick 2 couples from any movie or tvshow and 2 parts for each couple (4 parts per person) - The couple must have been kissed at list one time... i mean no just 2 characters from a movie or tvshow, they must have relationship as a couple - You can take for exaple part 1 and 2 but not with tha same couple - You can #39;t take 3 parts in order - No repeating couples - No watermark, colouring, sparkle, texture, etc. - No voiceovers, expect in instrumental parts - Widescreen (16:9) and HD deadline: 7th December (tell me if you want more) 1: 2: raniaP1989 3: evaki2012 4: Mark Lexie -Grey #39;s Anatomy (evaki2012) 5: Rumpelstilskin Belle - Once upon a time (nikikerasiotigirl) 6: Barney Robin - How i met your mother (nikikerasiotigirl) 7: raniaP1989 8: raniaP1989 9: 10: 11: evaki2012 12: 13: 14: 15: Mark Lexie - Grey #39;s Anatomy (evaki2012) 16: 17: Barney Robin - How i met your mother (nikikerasiotigirl) 18: Rumpelstilskin Belle - Once upon a time (nikikerasiotigirl) 19: raniaP1989 20: Copyright Disclaimer Under Section 107 of the Copryrigt Act of 1976, allowance is made for "fair use" for purpose such as criticism, comment, news reporting, teaching, scholarship, and research. Fair #65279; use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.From:evaki2012Views:20 1ratingsTime:04:50More inPeople Blogs

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Multicouples collab - Fix you - OPEN - Video

New Approach To Bicuspid Aortic Valve Disease Treatment with Dr. Patrick McCarthy, MD – Video

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New Approach To Bicuspid Aortic Valve Disease Treatment with Dr. Patrick McCarthy, MD
http://www.HeartValveSurgery.com - In this video, Dr. Patrick McCarthy, Chief of Cardiac Surgery at Northwestern Memorial Hospital, addresses the anatomy of a bicuspid aortic valve, aneurysms and a comprehensive treatment plan for patients (and family members) with bicuspid aortic valves. To learn more about Patrick McCarthy, MD, please click http To learn more about Northwestern, click http://www.heart-valve-surgery.comFrom:HeartValveSurgeryViews:0 0ratingsTime:04:41More inEducation

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New Approach To Bicuspid Aortic Valve Disease Treatment with Dr. Patrick McCarthy, MD - Video

Acting Out Against Bullying! – Video

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Acting Out Against Bullying!
During the course of a one-day workshop, the kids at Acting Out New York made this PSA to raise awareness about bullying and The Dignity For All Students Act, which seeks to provide the State #39;s public elementary and secondary school students with a safe and supportive environment free from discrimination, intimidation, taunting, harassment, and bullying on school property, a school bus and/or at a school function. Does your child have a flair for the dramatic? Does he or she need help coming out of their shell? Professional actress and coach (credits include GREY #39;S ANATOMY and WITHOUT A TRACE), Darcy Martin, teaches on-camera acting (classes, camps and workshops) right here in Ithaca! Register online at http://www.ActingOutNewYork.com!From:Acting OutNYViews:0 0ratingsTime:05:29More inEntertainment

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Acting Out Against Bullying! - Video


  1. Anatomy