A life-like umbilical cord iPhone charger.

Walk a heart powered by your own heartbeat.

Blood cells that respond to touch.

Mechanical tumor that pulsates in response to CPU usage.

Truly remarkable biologic artwork by Japan-based media installation artist, Mio I-zawa.  His installations invite the viewer to touch and interact with each piece thereby reminding the viewer of the complex and organic movements of life.  Those racing hearts are fantastic.

View more of Mio I-zawa’s work on his site, i-mi.org!

What a cool image to create a pattern from!  This is digitally printed on Charmeuse Silk 160cm/25c and can be worn with just about anything.

Available at Supermarket for 45 bucks!

A trained illustrator and fine artist, New Jersey-based Roberto Osti takes a break from the traditional with his whimsical anatomical illustrations. His technique is flawless and the perspective and approach to some of his illustrations are dynamic and playful. Also gotta love the subject matter—werewolves, fauns, and shamans!

View more of Roberto’s work on his portfolio site, robertoosti.com.

[spotted by Patricia]

This is absolutely the last weekend to view the much heralded (and not just by me) Museum of Everything Exhibition #3 in London. And, in a bittersweet farewell to this amazing exhibition, the folks at The Museum of Everything have put together a thoroughly action-packed final weekend featuring a variety of exciting programming.

Full details for the weekend's activities follow; and please, I implore you, if you live near London and have not yet seen this exhibitions, do yourself a favor and go! You won't be sorry. I promise.

>> VALENTINE’S WEEKEND <<

As far as we’re concerned, Valentine’s Weekend starts at 10:30am on Friday 11th February 2011; so fire up your hot-tub, cover yourself in love-gel and prepare yourself for what may well be the greatest weekend in the history of weekends.
For your delectation we shall have muzac - all day, every day - our favourite artistes performing in nooks and crannies right across the museum, be it accordion solos, tubas, one man bands, human jukeboxes, Punches, Judies, or perhaps just a lonely snare drum announcing the reveille.

And if you pop down at 4:00pm on Sunday 13th February 2011 you might be treated to a private viewing of that rarely seen gem - Pop Goes the Easel - directed by that randy rambunctious ruddy red rolicker, Ken Russell, as part of The Midgets & Giants Film Festival.

Who knows, the movie may even be introduced by Sir Peter Blake himself ...

For it is Sir Peter Blake who we have to thank for this astonishing show, for his brilliant eye, his enduring aesthetic, his wit, his love and his support. They say you never forget your first love and he is most certainly ours.

"The Museum of Everything was the highlight of my London trip, I can’t believe you’ll close! "Cindy Sherman, January 2011

Cindy’s right, this really is your very last chance to see the astonishing tapestries of Ted Willcox, the animal empire of Walter Potter, the magical funfair of Joby and Anna Carter and the miniature fairgrounds of Arthur Windley.

Come Monday monring, it’s adieu dear friends - perhaps for a few weeks, perhaps forever – because our plans are up in the air, we can’t commit, although we do have our roving eyes on Russia, the Americas, the Middle Yeast, even London’s glittering West End. The world is our Oyster Card ...

Until next time, we remain yours in Everything:

The Museum of Everything
right behind the library on the corner of Sharpleshall
Street & Regents Park Road in Primrose Hill London NW1
http://www.musevery.com

For more on the Museum of Everything #3, see this recent post.

Images are all drawn from postcards available at the Museum of Everything gift shop. A lovely (if slightly expensive) book is available also. Click here for more.

Triptych of Earthly Vanity and Divine Salvation, Hans Membing, c.1485, Oil on oak panel, Strasbourg, Musée des Beaux-Arts de Strasbourg.

Via Darko is Dorko, Juggle.com, and Allartpainting.com.

While other girls were playing with stupid Barbies, I remember the days of playing Mortal Kombat on my handheld Sega and the rush I’d get from pressing the right combination of buttons just-at-the-right-time in order to crush my opponent with the beloved finishing move.  My man was Jaxx.

Now, Mortal Kombat has added the ULTIMATE finishing move, the X-Ray Attack.  Watch the video for all the gory details.

[spotted by the clever Kurt Pennypacker and Shabana Ahmed]

A very exciting looking call for art works just crossed my desk; full details below:

Curious Matter is announcing its new Call For Entries, "Naming The Animals." If you believe that this will be of interest to your artist members, please make it available to them. Thank you for your cooperation.
Curious Matter

We're absolutely delighted to announce this special collaboration between CURIOUS MATTER and PROTEUS GOWANUS. Details are below and attached as a pdf file. Cheers!

CALL FOR ENTRIES

Naming The Animals

Entries Due: March 4, 2011

Exhibition dates: April 3 - May 15, 2011*

Naming The Animals is a collaboration between Curious Matter in Jersey City, NJ and Proteus Gowanus in Brooklyn, NY. The exhibition will be presented in two parts concurrently at Curious Matter and Proteus Gowanus. The curators will select the location for the artwork. The exhibition is a complement to the yearlong multi-disciplinary inquiry hosted by Proteus Gowanus on the theme of Paradise. A catalogue will accompany the exhibition.

Theme: In our collective effort to understand the world we're driven to catalogue and name everything around us. From Adam’s task to name the animals in paradise, to cave painting to modern ecology and zoology, we’re compelled to describe and render the creatures that share our planet. Medieval bestiaries, and the work of Ernst Haeckel and John James Audubon are vivid examples, as are the installations of Mark Dion and the ecological works of Alexis Rockman. These various efforts are not necessarily purely aesthetic or scientific; naming and cataloguing can also include the assignment of moral or metaphorical associations–implicit is the desire to declare and understand ourselves.

We invite contemporary artists to submit work that draws inspiration from the natural world and the human drive to understand and catalogue the world around us. We're taking a broad approach to the theme and are particularly interested in work that looks beyond a literal interpretation.

Media/dimensions: All media will be considered. Artworks should not exceed 24"(framed) in any direction for wall hung work. Small sculptural work and bookarts particularly welcome, larger sculptures will be considered individually. Video artists must provide their own equipment.

Eligibility: All artists working in any media.

Submissions: (Please include all information. Late, incomplete, or weblink submissions will not be considered or responded to.)
1. Up to 5 images. Postal submissions should include 35mm slides or letter-sized color printouts. Do not send original artwork. Digital file submissions will only be accepted via email and must be in JPEG or PDF format, resolution set to 72 dpi, no larger than 800 X 800 pixels and no larger than 2MB. Please number images to correspond to Image List.
2. Image list. Numbered to correspond with your image submissions. Include image #, your name, title, date of work, medium, size and price. You may include a brief description for each image, however this isn’t required.
3. One page résumé. Please include a three line bio, your
contact information and an email address.
4. Artist’s statement. No longer than 300 words.

Fees: NO FEE TO ENTER, accepted artists pay a nominal materials fee of $35.

Deadline: Entries must be received no later than March 4, 2011.

Return of Submission Materials: Include a SASE if you want your materials to be returned. Make sure there is sufficient postage. Materials without postage will not be returned.

Notification: Accepted artists will be notified via email by March 7, 2011. NOTE: Accepted artists must confirm their participation by March 8 and provide a print-quality digital image for the catalogue by March 11.

Drop Off: Drop off of accepted artwork will be March 26 and 27, noon to 2pm at Curious Matter. Mailed artwork must arrive by March 25 and include return shipping label/postage/etc.

Pick Up: Artists are responsible for picking up artwork on May 21 noon to 2pm. Return of mailed artwork with return postage will begin on May 16, 2011.

Email Submissions To: CuriousMatter@comcast.net
By Post: Curious Matter, 272 Fifth Street, Jersey City, NJ 07302

* works selected for exhibition at Proteus Gowanus will remain on display until mid-July as part of the Paradise exhibition.

CURIOUS MATTER is an exhibition venue for contemporary visual art located in downtown Jersey City, NJ. Curious Matter exhibitions and publications evidence the pursuit to understand and articulate our individual and collective experience of the world, real or imagined. We examine fantastic notions, confounding ideas and audacious thoughts. Curious Matter strives to foster dialogue among artists at all career stages with a calendar of regular exhibitions. Our commitment extends to our audience as we endeavor to open a door to appreciating contemporary art in an atmosphere that encourages engagement and curiosity. The gallery is open Sundays noon to 3pm and by appointment during exhibitions. Curious Matter is a non-profit organization, and a sponsored project of Fractured Atlas, a non-profit service organization.

PROTEUS GOWANUS is a gallery and reading room located on the Gowanus Canal in Brooklyn, NY. A collaborative project, the gallery develops exhibits of art, artifacts and books and hosts events that revolve around a yearlong theme linking the arts to other disciplines and to the community. Proteus Gowanus incorporates the rich and diverse cultural resources of several non-profit organizations into its exhibits and programming. This year’s theme is PARADISE, an exploration of the light and dark sides of spiritual ascent and sensual escape, in which we invite artists and workers in other disciplines to respond to the siren song of that which is easy to imagine but difficult to attain.

CURIOUS MATTER
272 Fifth Street, Jersey City, NJ 07302,
[T] 201-659-5771 [E] curiousmatter@comcast.net
curiousmatter.blogspot.com
follow us on facebook!

There is no fee to enter, and submissions are due on March 4th; Click here for more information. To find out more about Proteus Gowanus gallery, click here; to fine out more about Curious Matter, click here.

Image: Illustration by artist/naturalist/monist Ernst Haeckel, 19th Century, via zannestars.com.

Tonight at Observatory! I advise coming early, as this one is sure to sell out; Hope to see you there!

A: Head on B: Body: The Real Life Dr. Frankenstein
A screening and lecture with film-maker Jim Fields and Mike Lewi
Date: TONIGHT, Thursday February 10
Time: 8:00 PM
Admission: $5
Presented by Morbid Anatomy

In an eventful and successful career spanning 40 years, Dr. Robert White–pioneering neurosurgeon and Professor at Cleveland’s Case Western Reserve University–did many things. He participated in Nobel Prize-nominated work, published more than 700 scholarly articles, examined Vladimir Lenin’s preserved brain in Cold War Russia, founded Pope John Paul II’s Committee on Bioethics, went to mass daily, and raised 10 children. He also engaged in a series of horrifying and highly controversial experiments reminiscent of a B-Movie mad scientist, experiments which pushed the limits of medical ethics, infuriated the animal rights community, and questioned notions of identity, consciousness, and corporeality as well as mankind’s biblically-condoned dominion over the animal kingdom.

Tonight, join film-maker Jim Fields–best known for his 2003 documentary “End of the Century” about the legendary punk band The Ramones–and Mike Lewi for a screening of Fields’ short documentary about the life and work of this real-life Dr. Frankenstein whose chilling “full body transplants” truly seem the stuff of a B-Movie terror. Fields will introduce the film–which features a series of interviews with Dr. White discussing his controversial experiments–with an illustrated lecture contextualizing the doctor’s work within the history of “mad scientists” past and present, fictional and actual; scientists whose hubris drove them to go rogue by tampering with things perhaps best left alone.

Jim Fields made a few documentaries, one of which, “End of the Century: the Story of the Ramones” is particularly long. He’s currently a video journalist at Time Magazine and Time.com.

Mike Lewi is a filmmaker, event producer, and disc jockey.

You can find out more about this event on the Observatory website by clicking here and can can access the event on Facebook here. You can get directions to Observatory--which is next door to the Morbid Anatomy Library (more on that here)--by clicking here. You can find out more about Observatory here, join our mailing list by clicking here, and join us on Facebook by clicking here.

Image: Drawing by Dr. Harvey Cushing, early 20th Century, found on the Yale Medical Library website.

I loveeee this skull sweatshirt by Loyalty & Blood. The smile adds so much!

Only $48 at the Supermarket!

Polish artist, Ada Dobrzelecka’s oil paintings are haunting amalgamations of our inner and outer selves.  The portraits are eerily lit and cut uncomfortably close, as we’re confronted with what is “beautiful and scary – the true interior of a human.”  And as such, it is difficult to point out where the human flesh ends and the underlying anatomy begins.

Ada says of her work,

Throughout my paintings I would like to create a possibility to find real and simple meanings, presenting a human as a part, full of natural predispositions to be an integral ensemble.  I am inspired by the inside of the body containing various forms. Complicated chaotic systems like tangled veins, nerves, skeletal structure and mechanism of muscles…  In that way of perception, the interior of a human body is almost a fractal. It is a reflection of the outside world.

I compose my images contrarily putting that what belongs inside on the outside of the unblemished skin surface. Anatomical systems on unique physiognomics of the portraying people, lose their symmetry. In confrontation with shapes of the body they become deformed. Visible objects appear illogical, getting new meanings, new color and shape. Presenting a human as a kind of a constancy, I try to give an excuse to reflect on the ephemeral and the non-stop changing world.

View more of Ada’s work on her Saatchi Online Artist Profile.

Helga Petrau-Heinzel created these delicious human entrails entirely out of marzipan.
Check out the entire collection on her site, http://www.petrau-heinzel.com.

Above are well-designed anatomical typography posters by Mattias Sjöberg. These would make a nice little V-day present or addition to your own art collection!  See his description below…

The inspiration for these posters came from the expression “to be beautiful on the inside”. And if you think about it, we really are! I live the organic but still graphical shapes of the organs and that there is so many feelings and associated with them such an love for the heart and intuition in the guts.
The posters are typographical pictures built with words associated with the hear and the lungs offset-printed om 170g paper and more are coming…

[vie Behance]

This V day.
Eat her heart out.

Anatomical heart cupcakes made by the Black Cherry Bakery for the London Dungeon.

[via CakeHead Loves Evil]

The Bolognese "Venerina" is one of the more or less faithful replicas of the original model, the Venere dei Medici, that Clemente Susini (1754-1814) made between 1780-1782 in Florence. The agony of a young woman is represented in her last instant of life as she abandons herself to death voluptuously and completely naked. The thorax and abdomen can be opened, allowing the various parts to be disassembled so as to simulate the act of anatomic dissection.

A virtual dissection, to be carried out by lifting the movable layers or ‘pieces’ to reveal veins, arteries and internal organs. A young woman, the Venerina carries a foetus in her womb – to suggest the procreative potential of the female body – despite the total lack of any outward signs of pregnancy.

The alienating effect that the statue produces by combining anatomical detail, crude and repulsive, with a harmonious and sensual litheness, is the result of a precise scientific choice: sensitivity is an essential quality of matter; sensitivity – with its wide range of manifestations, including the sensuality of the Venerina who surrenders herself to death – lies at the core of the physical and physiological organisation of man.

From the website for the stunning Museo di Palazzo Poggi in Bologna, Italy where the Venerina is housed.

The incredible images above are drawn from a book which has long intrigued me, Johannes Jacob Scheuchzer's 4-volume early 18th Century extravaganza of art, science and mysticism entitled Physica Sacra.

As described by Christie's Auction House:

'In Scheuchzer's gigantic work, Physica Sacra, the Baroque attains, philosophically as well as artistically, its high point and its conclusion' (Faber du Faur, German Baroque Literature, p. 472). Scheuchzer, a doctor and natural scientist from Zurich, planned the Physica sacra as an explanation of and a commentary on the Bible on natural-scientific grounds. He himself oversaw the illustrations which were largely based on his own natural history cabinet or on other famous European cabinets of rare specimens...

This book seems like a fitting final response to yesterday's very stimulating "Art and the Curiosity Cabinet" Conference at Seton Hall University, where a lot was said about these ways in which early cabinets (and pre-modern inquiry) resided at the borders of art and science, fact and mysticism. I don't think I have ever seen a more elegant expression of these ideas than the content and illustrations of this book, which blends bible commentary with natural history in a bombastic interest in all of the known world of its time, spanning Memento Mori to the Thesaurus of Snowflakes to biblical miracles, all given equal treatment and weight.

Click on images to see much larger and more detailed images; worth your while, I promise! You can see 737 of the images from the book (!!!) (from which the above 7 are drawn) in Greyherbert's amazing Flickr stream by clicking here.

Inspired by this recent post on the Ptak Science Books blog discussing the book; Text from Christie's Auction house description of the book when recently auctioning off a complete 4-volume set.

Images above, top to bottom:

1. Homo ex Humo ('man from the ground', or 'dust')
2. Memento Mori
3. Ventriculi
4. Heart
5. Columna Ignis
6. Solea cum Squamae
7. Thesarus of Snowflakes

Stray away from the overplayed cartoon heart this year—show some true heart and go anatomical with these two gorgeous prints available at the new Street Anatomy store!

[UPDATE] SOLD OUT!

You Are Here 12” x 18” hand printed letterpress poster

Display your love for that special someone by showing them exactly where they’re located in your big loving anatomical heart.

• 12” x 18” hand printed letterpress poster
• Five color hand carved lino cut
• Hand set vintage metal type
• Printed one color at a time in charcoal gray, pale yellow, red, blue and black
• French 80# cover, true white
• Created and hand printed by the fine folks at Roll and Tumble Press in Little Rock, Arkansas.

Available at the Street Anatomy store for only $25. SOLD OUT!

Emotionalism, 2007 "11x17"

Created by our very own resident Street Anatomy contributor, Heather Tompkins, this music poster for the Avett Brothers album, Emotionalism, is a delicate display of love and emotion.

• 11″x17″ ink and digital print
• Prominent anatomical heart overlayed against subtle bones and musculature of a human body
• Print comes matted and framed in natural wood

Available at the Street Anatomy store for $250.

For the curious (sic) among you: On Saturday, February 5th I will be presenting a short lecture as part of the very intriguing looking "Modern/Contemporary Art and the Curiosity Cabinet" conference hosted by Seton Hall University. Lawrence Weschler--author of one of my all time favorite books, Mr Wilson's Cabinet of Wonder--will be giving the keynote address on “A Natural History of Wonder;” my piece will examine the revival of private cabinets of curiosity as explored in my Private Cabinets photo series, from which the above images are drawn. I will also talk a bit about my own Private Cabinet experiment, The Morbid Anatomy Library.

This event is free and open to the public. Full line up and schedule follows; hope to see you there!

Playing off the titillating terror of being buried alive--a theme exploited also by Edgar Allen Poe among many others--Coney Island's Luna Park premiered a new attraction in 1907 which allowed the visitor to experience their own premature burial and added a trip through Hades and Paradise to boot.

From a contemporary New York Times report on April 21, 1907:

NEW WONDERS THIS SEASON AT CONEY ISLAND - Beatific Heavenly Visions and Gruesome Scenes in Hell to be Luna Park's Latest Novelty ...

"The real big feature of the revised Luna Park," Mr. Thompson explained, "is going to be what I have named Night and Morning: or, A Journey Through Heaven and Hell." The idea in itself if, of course, not new, but the manner in which it has been worked up in entirely original and is expected to make it a 'thriller.' It shows you the complete journey to Hades and Paradise, and is full of surprises....

"The first room into which the people enter is like a big coffin with a glass top and the lid off. You look up through the roof and see the graveyard flowers and the weeping willows and other such atmospheric things. When everything is ready the coffin is lowered into the ground. It shivers and shakes, and when it tips up on end you hear a voice above give a warning to be careful. Then the lid is closed and you hear the thud of the dirt.

"The man who is conducting the party now announces that they must have a spirit to guide them. A subject is put into a small coffin and in an instant he is transformed into a skeleton. Then a real skeleton appears and delivers a solemn lecture in which he tells the people that they must 'leave all hope on the outside'--a gentle perversion of the old 'abandon hope all ye who enter here.' ...

Now there is a great clanking of chains and the side of the coffin comes out and visitors pass down into the mysterious caverns. First they see a twentieth century idea of Hell, with monopolists frying in pans and janitors fastened to hot radiators.... After the modern Hell the people come to the Chamber of Skeletons. Though these skeletons haven't a stitch of clothes on them, they smoke cigarettes most unconcernedly all the time just like live men.... Next you come to the panorama of Hell, where you see a vision of all the condemned spirits being washed down by the River of Death. Now comes the big change and you find yourself in a large ordinary room, with cathedral-like windows through which you can look outside and see the graveyard which looms up with a weird effect. Like great mist you can see the spirits rising from the graves and ascending to Heaven...

The great transformation now takes place. The whole grave yard floats off into space with the single exception of an immense cross, where the form of a young girl is seen clinging to the Rock of Ages. Fountains foam with all their prismatic colors, and the air is filled with troops of circling angels. The room itself vanishes and you find yourself in a bower of flowers under a blue sky. At the climax and angel comes down with a halo which she places on the head of the girl who is still clinging to the cross Then all that vanishes and you are within four blank walls once more."

Excerpted fom the April 21, 1907 issue of The New York Times; You can read the entire article here.

For more on the amazing and bizarre attractions of turn of the century Coney Island, check out my new project The Great Coney Island Spectacularium.

Image: Antoine Wiertz, The Premature Burial, 1854. Also the name of an Edgar Allan Poe short story. Image found via a blog called Rouge's Foam.

Field trip, anyone?

FIELD TRIP: Guided Tour and Behind the Scenes Viewing of The Murtogh D. Guinness Automaton Collection at the Morris Museum in Morristown, New Jersey
Date: Sunday, February 20th
Time: 12 PM - 4 PM (Bus pickup and drop-off at Observatory)
Admission: $45
*** MUST RSVP to morbidanatomy [at] gmail.com
*** PLEASE NOTE: Trip limited to a maximum of 30 attendees; Admission fee Includes round trip transportation via chartered bus, tour cost, a Guinness beer, and museum admission.

Many people have no idea that one of the finest collections of antique automata--moving mechanical toys popular in the 18th Century and 19th Centuries-- in the world resides not in London or Paris but 25 miles away from New York City in Morristown, New Jersey.

This collection--compiled over 50 years by Murtogh D. Guinness (1913-2002), heir to the Guinness beer fortune--consists of 700 historic automata and mechanical musical instruments as well as more than 5,000 programmed media, ranging from player piano rolls to pinned cylinders. Guinness regarded the collection as his life’s work, and he traveled the globe to search of the finest surviving pieces of their kind. Many of the automata in the collection were made in France in the 19th Century and represent a broad array of subjects including snake charmers, magicians, singing birds, musicians, animals, and anthropomorphic monkeys enacting a variety of human situations. Together, these objects constitute one of the largest public holdings of automata in the United States.

On Sunday, February 20th, join Observatory and Morbid Anatomy for a special guided tour of this incredible collection, one of the most significant of its kind in the world. Guinness Collection Conservator Jeremy Ryder will lead us on an hour-long tour of the collection; on this tour, he will guide us through of the permanent exhibit Musical Machines & Living Dolls featuring 150 pieces from the spectacular collection, explain the techniques and history of these incredible objects, demonstrate automata in action, and show us pieces rarely on display to the general public.

After the tour, attendees will be given approximately an hour of free time with which to take in the other exhibitions at the museum such as Frank H. Netter, MD Michelangelo of Medicine--featuring more than 40 works of art by this acclaimed master of medical illustrations--and the museum's excellent permanent collection which includes costumes and textiles, fine art, decorative art, dolls and toys, natural science, geology and paleontology, and anthropology; more about the museum can be found at http://www.morrismuseum.org.

At the day's end, our chartered bus will pick up us and we will enjoy a toast to Mr. Guinness and his fantastic collection with a Guinness beer (naturally!) on our drive back to New York City.

Trip Details: The $45 event cost of this event includes round trip transportation on a special chartered bus from Observatory to the Morris Museum in Morristown, New Jersey and back again, as well as museum admission, tour cost, and one Guinness beer per person. The bus will pick up and drop off in front of Observatory (543 Union Street at Nevins Street). Pick up is 12:00 noon sharp and drop off approximately 4:00 PM. Attendees will have approximately 1 hour of free time to view the rest of the museum collection.

More info here.

Image: Clown Illusionist Automaton; Made by Jean or Henry Phalibois, Paris, France, c. 1890-1900 "], from The Murtogh D. Guinness Automaton Collection

The name says it all folks. Enjoy!

[via FunnyOrDie]