NetherWorld: A Morality Vaudeville, The Cosmic Bicycle Theatre and ClockWorks Puppetry Studio, Through Saturday




Tomorrow and Saturday night at The Cosmic Bicycle Theatre and ClockWorks Puppetry Studio: NetherWorld: A Morality Vaudeville, the newest production of the very talented and lovely Mr. Jonathan Cross.

Hope to see you there!

NetherWorld: A Morality Vaudeville
The Cosmic Bicycle Theatre and ClockWorks Puppetry Studio
196 Columbia Street Brooklyn, 11231
Thursday to Saturday at 8 PM
Saturdays & Sundays Matinee at 4 PM

The Follies of Humanity… Enacted by Demonic Puppets!
Grimly Comical Vignettes… and Surreal Melodramas!
Journey Beyond the Grave… and Return!

“NetherWorld, A Morality Vaudeville” is a variety show in hell, interwoven with an operetta which tells the tale of the Demon King, Mister Scratch, and his search for an heir to the throne of NetherWorld. It features creepy & surreal marionettes, live sound effects, and an original live score performed on accordian, piano, and toy piano. NetherWorld was an Off-Off Broadway Review Award recipient for one of the Best Performances of 1995.

You can find out more by clicking here.

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"Of Pictures & Specimens: Natural History in Post-Revolutionary and Restoration France," Interdisciplinary Symposium, American Philosophical Society


Another excellent looking symposium! Free and open to the public:

Of Pictures & Specimens: Natural History in Post-Revolutionary and Restoration France
Interdisciplinary Symposium
December 1 - 3, 2011
American Philosophical Society (APS) Museum, Philadelphia

Of Pictures & Specimens: Natural History in Post-Revolutionary and Restoration France is organized by the APS Museum in conjunction with its current exhibition, Of Elephants & Roses: Encounters with French Natural History, 1790 - 1830. The symposium includes French and American scholars, and addresses key ideas raised by the displays in the exhibition. Included are presentations exploring how Empress Josephine became shepherdess, botanist, and estate manager, how top scientists and artists pictured nature, and how natural science influenced everything from Balzac's novels to the 19th century's romanticized notions of long-lost worlds.

Of Elephants & Roses celebrates the life sciences during a time when Paris was the center of natural history in the Western world. On view are more than sixty objects from France never before seen in the U.S., including Josephine's black swan, gorgeous renderings of flowers on Sèvres porcelain, a mastodon fossil bone sent by Thomas Jefferson to Paris, an herbarium specimen of the flowering Franklinia tree, and everyday objects decorated with charming images of a giraffe who walked 550 miles across France to greet the king.

For information on speakers and program: apsmuseum.org/symposium
For online registration, required by Nov. 28, 2011: apsmuseum.org/registration

SYMPOSIUM IS FREE OF CHARGE
The symposium is made possible through generous funding by the Richard Lounsbery Foundation.

More on this symposium can be found here.

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Anthropomorphic Mouse Taxidermy Class with Susan Jeiven: Back by Popular Demand, November 15th and 29th

I have some very exciting news! Observatory's perennially sold out Anthropomorphic Mouse Taxidermy Class with Susan Jeiven is back for 2 newly announced classes this November, one on Tuesday the 15th and the other on Tuesday the 29th. For those as-of-yet unfamiliar with Sue's work or the history of anthropomorphic taxidermy, check out the video profile of Sue above, compliments of the always amazing Midnight Archive.

Full details follow for the classes follow; if interested, please RSVP to morbidanatomy [at] gmail.com making sure to specify which date you would like to attend. And these classes are VERY popular and tend to sell out fast, so please RSVP as quickly as possible to secure a slot!

Anthropomorphic Mouse Taxidermy Class with Susan Jeiven: Back by Popular Demand
Date: Tuesdays November 15th and November 29th
Time: 7 PM-11 PM
Admission: $60
Presented by Morbid Anatomy
***MUST RSVP to
morbidanatomy [at] gmail.com; Class size limited to 15

Anthropomorphic taxidermy--the practice of mounting and displaying taxidermied animals as if they were humans or engaged in human activities--was a popular art form during the Victorian and Edwardian eras. The best known practitioner of the art form is British taxidermist Walter Potter who displayed his pieces--which included such elaborate tableaux as The Death of Cock Robin, The Kitten Wedding, and The Kitten Tea Party--in his own museum of curiosities.

On Tuesdays November 15th and 29th, please join Morbid Anatomy and taxidermist, tattoo artist and educator Susan Jeiven for a beginners class in anthropomorphic taxidermy. All materials--including a mouse for each student--will be provided, and each class member will leave at the end of the day with their own anthropomorphic taxidermied mouse. Students are invited to bring any miniature items with which they might like to dress or decorate their new friend; some props and miniature clothing will also be provided by the teacher. A wide variety of sizes and colors of mice will be available.

No former taxidermy experience is required.

Also, some technical notes:

  • We use NO harsh or dangerous chemicals.
  • Everyone will be provided with gloves.
  • All animals are disease free.
  • Although there will not be a lot of blood or gore, a strong constitution is necessary; taxidermy is not for everyone.
  • All animals were already dead, nothing was killed for this class. All mice used are feeder animals for snakes and lizards and would literally be discarded if not sold.
  • Please do not bring any dead animals with you to the clas

You can contact Sue with any more questions by clicking here.

You can find out more about both classes by clicking here. You can find out more about The Midnight Archive by clicking here. And again, if interested, please RSVP to morbidanatomy [at] gmail.com making sure to specify which date you would like to attend. Also, please click on image to see much larger version.

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"Deadly Medicine: Creating the Master Race" Exhibition and Symposium, Museum of Jewish Heritage, NYC, Through January 16






I have long been enthralled with the chilling Deadly Medicine: Creating the Master Race, a catalog for a touring exhibition of the same name organized by the United States Holocaust Memorial Museum. I have just found out that this exhibition is now on view right here in New York City, at the Museum of Jewish Heritage, through January 16th. If the catalog is any indication, this exhibit is simply not to be missed.

As a further lure, this Sunday, November 6th, the museum is hosting a fascinating looking symposium entitled "Medicine and Medical Ethics in Nazi Germany" preceded by a guided tour of the exhibition.

Full info follows for both exhibition and symposium; hope very much to see you there!

Deadly Medicine: Creating the Master Race
On view through January 16, 2012
Museum of Jewish Heritage
36 Battery Place, New York City

“Nazism is applied biology.”
— Rudolf Hess, Deputy to Adolf Hitler

WASHINGTON, D.C. — The United States Holocaust Memorial Museum’s traveling exhibition, Deadly Medicine: Creating the Master Race, examines how the Nazi leadership, in collaboration with individuals in professions traditionally charged with healing and the public good, used science to help legitimize persecution, murder and, ultimately, genocide...

Eugenics theory sprang from turn-of-the-century scientific beliefs asserting that Charles Darwin’s theories of “survival of the fittest” could be applied to humans. Supporters, spanning the globe and political spectrum, believed that through careful controls on marriage and reproduction, a nation’s genetic health could be improved.

The Nazi regime was founded upon the conviction that “inferior” races and individuals had to be eliminated from German society so that the fittest “Aryans” could thrive. The Nazi state fully committed itself to implementing a uniquely racist and antisemitic variation of eugenics to “scientifically” build what it considered to be a “superior race.” By the end of World War II, six million Jews had been murdered. Millions of others also became victims of persecution and murder through Nazi “racial hygiene” programs designed to cleanse Germany of “biological threats” to the nation’s “health,” including “foreign-blooded” Roma and Sinti (Gypsies), persons diagnosed as “hereditarily ill,” and homosexuals. In German-occupied territories, Poles and others belonging to ethnic groups deemed “inferior” were also murdered...

And the symposium:

Medicine and Medical Ethics in Nazi Germany
Sunday, November 6, 1 P.M.
Prof. Sander Gilman, Emory University; and Prof. Arthur Caplan, University of Pennsylvania; moderated by Museum Director Dr. David G. Marwell

Lectures by Prof. Gilman, a cultural historian who has written on Nazi science, and Prof. Caplan, a leading scholar in the field of medical ethics, will be followed by a conversation about the origins and legacies of Nazi medical practices.

$10, $7 students/seniors, $5 members

Co-presented by FASPE (Fellowships at Auschwitz for the Study of Professional Ethics). mjhnyc.org/faspe

This program has been made possible by a generous grant from the Conference on Jewish Material Claims Against Germany: Rabbi Israel Miller Fund for Shoah Research, Documentation and Education.

Presented in conjunction with Deadly Medicine: Creating the Master Race. Tour the exhibition at 12 P.M. Space is limited and pre-registration is required. Call 646.437.4202.

You can find out more about the exhibition by clicking here and more about the symposium by clicking here. You can watch an exhibition overview video by clicking here. You can order a copy of the fantastic catalog by clicking here, or peruse it anytime in The Morbid Anatomy Library.

Images top to bottom:

  1. International Hygiene Exhibition, 1911 promotional poster: The eugenics movement pre-dated Nazi Germany. A 1911 exhibition at the German Hygiene Museum in Dresden included a display on human heredity and ideas to improve it. The exhibition poster features the Enlightenment’s all-seeing eye of God, adapted from the ancient Egyptian “Eye of Ra,” symbolizing fitness or health. Credit: Deutsches Historisches Museum, Berlin
  2. Students at the Berlin School for the Blind examine racial head models circa 1935. Students were taught Gregor Mendel’s principles of inheritance and the purported application of those laws to human heredity and principles of race. During the Third Reich, German born deaf or blind, like those born with mental illnesses or disabilities, were urged to submit to compulsory sterilization as a civic duty. Credit: Blinden-Museum an der Johann-August-Zeune-Schule fur Blinde, Berlin
  3. Head shots showing various racial types. Most western anthropologists classified people into “races” based on physical traits such as head size and eye, hair and skin color. This classification was developed by Eugen Fischer and published in the 1921 and 1923 editions of Foundations of Human Genetics and Racial Hygiene. Credit: United States Holocaust Memorial Museum
  4. Nazi officials at the “The Miracle of Life” exhibition, German Hygiene Museum, Dresden, 1935. The new Nazi museum leadership asserted that societies resembled organisms that followed the lead of their brains. The most logical social structure was one that saw society as a collective unit, literally a body guided by a strong leader. Credit: National Archives and Records Administration
  5. The head of a Jewish youth was sculpted from wood by the Jewish artist M. Winiarski for German officials in the occupied Polish city of Lodz. Credit: Zydowski Instytut Historyczny, Instytut Naukowo-Badawyczy, Warsaw

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Grand Guignol Spectacular: Call for Pieces, Volunteering Opportunities, Save the Date and More!



The Grand Guignol--posters from which you see above--was a Parisian theatre infamous in the late nineteenth and early twentieth centuries for theatrical productions merging horror and elegance, sex and death, fear and humor. To celebrate my 40th birthday, my very talented friend John Del Gaudio and I are putting together a Grand Guignol-inspired variety show and masquerade after-party on December 10th of this year that will be co-presented by Atlas Obscura and The Coney Island Museum and will take place at the latter.

We have just launched an IndieGoGo campaign to raise money for the production, with which we hope to pay participants a modest honorarium for their materials and labor. If you are interested in helping support this laudable endeavor, you can visit our campaign online (and contribute!) by clicking here.

To get inspired, check out our image- and video-rich Grand Guignol mood board (be sure to scroll down and click on thumbnails to see larger images) by clicking here. To learn more about The Grand Guignol, make sure to attend Mel Gordon's absinthe-sponsored lecture on the topic at Observatory next Friday, November 11th! More on that can be found here.

Also, if anyone is interested in pitching a short piece for inclusion, or volunteering their time for costumes, props, acting, etc, please email me at morbidanatomy [at] gmail.com.

Thanks! And whether you can contribute or not, mark your calendars! I promise this will be a great party; more on that as it develops.

Full text for the call-for-funds follows:

Join our band of curios and support the Grand Guignol Variety Hour at Coney Island Museum on Saturday, December 10th.

THE INSPIRATION
From its beginnings in turn-of-the-century Paris and through its decline in the 1960s, the Theatre of the Grand Guignol gleefully celebrated horror, sex, and fear. Its infamous productions featured innocent victims, mangled beauty, insanity, mutilation, humour, sex, and monstrous depravity in a heady mix that attracted throngs of thrill-seekers from all echelons of society. By dissecting primal taboos in an unprecedentedly graphic manner, the Grand Guignol became the progenitor of all the blood-spilling, eye-gouging, and limb-hacking “splatter” movies of today.

THE PROJECT
Presented by Atlas Obscura, Coney Island Museum, and Morbid Anatomy, our event will be a one-night-only ode to The Grand Guignol and its legacy. Our evening of variety theatre will be dedicated to such Guignol-esque and fin de siècle pleasures as the uncanny; spectacular illusions; sex and death, elegance and horror; tableau vivants; occult tinged magic shows; phantasmagoria; hysteria; contortionists; toy theatre; puppets; optical tricks and much more!

Participating artists include Lord Whimsy, Jonny Clockworks, Ronni Thomas, Doll Parts, GF Newland, Sarah Shoerman, Angela Di Carlo and Kathleen Kennedy Tobin, with a special set to be designed by NYU’s Chris Muller. Projects include a toy theater version of Bryusov’s “The Sisters,” a harmonious and creepy rendition of “Dry Bones,” an installation of classic Grand Guignol posters, magic lanterns, horrific film montages, and stagings of classic French and London Grand Guignol plays, all followed by an after-party with records on the victrola and cocktails courtesy of Hendrick’s Gin.

THE NEED
Your donation will go directly to the artists involved, providing them with a small honorarium and production budget for their piece. All donors will receive advance word about buying tickets to the event. There’s a limited capacity so to guarantee yourself a ticket, consider giving at least $100.

PERKS
$20 Contribution
Listing in program with your fellow horror afficionados, advance word on ticket sales to the event.

$100 Contribution
One ticket to the event on December 10th, listing in program

$500 Contribution
Two tickets to the event on December 10th with reserved seats, an old-timey shout out during the show and listing in program
Pledge your support now and get ready to geek out with us.

Joanna Ebenstein & John Del Gaudio
Co-Curators

To find out more and to contribute (thank you!), please click here.

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Sarah Yakawonis – Anatomical Quilling

Sarah Yakawonis head anatomy quilling

Sarah Yakawonis neck anatomy quilling

Yakawonis

Sarah Yakawonis, a Portland based artist and designer, has created these and many more anatomical delights using a technique called quilling.

According to Wikipedia, quilling refers to “the use of strips of paper that are rolled, shaped, and glued together to create decorative designs. The paper is wound around a quill to create a basic coil shape. The paper is glued at the tip and the coil shaped, these shaped coils are arranged to form flowers, leaves, and various ornamental patterns similar to ironwork.”

I didn’t read anything about making badass anatomical art in there; apparently Yakawonis is a next level quiller.  I am super impressed by all of her work, which you can check out on her website, yakawonis.com and on her blogspot.

 

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Heidi Klum’s Color Anatomy

Heidi Klum anatomy costume Martin Izquierdo

Heidi Klum is known for going all out for her favorite holiday, Halloween.  This year she’s donning a hand-painted anatomical suit by designer Martin Izquierdo when she hosts a Halloween party at TAO Nightclub at the Venetian in Las Vegas.  If you watch the video, she says she wants it to look uber bloody and gory, but right now it looks more like everyone’s favorite anatomy coloring book…

 

Heidi Klum color anatomy book costume

What would NINA GARRRRCIA think?

[spotted by Amelia]

 

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Bonni Reid

Bonni Reid Organica

Bonni Reid Fortune

Bonni Reid Heart Strings

Bonni Reid, another Canadian lady like myself, is a Vancouver based artist, designer, and animation colour stylist. Her style seems to mesh the mechanics of the external world with the mechanics of the inner world: the anatomy and the psychology.

Her entire website is filled with little anatomical gems, from the heart in the menu to the banner of exhibit B.
Check out all of her work on her personal website, bonnireid.com.

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Memento Mori Catrina Limited Print Release

Just in time for Day of the Dead, London-based medical illustrator, Emily Evans has released 10 of these gorgeous prints exclusively for Street Anatomy! I had the opportunity of bringing these prints back with me to Chicago directly from Emily’s studio in London. Available for $50 at the Street Anatomy store [Update: only 3 left]

Emily Evans Memento Mori Catrina Day of the Dead

Emily Evans Memento Mori Catrina Day of the Dead

Emily Evans Memento Mori Catrina Day of the DeadEmily Evans Memento Mori Catrina Day of the Dead

  • A3 11.7″ x 16.5″ Giclee print on Canson Aquarelle rag paper
  • Gorgeous print quality on artistic paper gives the print a hand drawn feel
  • Signed by artist
  • Prints hand imported directly from London, UK
  • Only 10 available

Emily says of her piece:
Inspired by the Mexican ‘Day of the Dead’ celebrations, which celebrate those that have passed as well as remind the living of their own mortality. La Calavera Catrina (The Elegant Skull) was depicted by Posada as an upper class woman who was still at the mercy of death regardless of her status. This piece represents the idea of our own anatomy and mortality lying beneath the values of beauty and sexuality which bring power in modern times.

Available for $50 at the Street Anatomy store.

If you have any inquires, please don’t hesitate to contact me personally at vanessa[a]streetanatomy.com

 

 

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Exhibition: "Mechanical Wonders: The Sandoz Collection," Through November 26, 2011


This exhibit looks truly amazing! Many of the objects, I am told, come only very rarely to The United States, so make sure to take advantage of this opportunity while you can! I will absolutely be making a personal pilgrimage.

"Mechanical Wonders: The Sandoz Collection"
Presented by A La Vieille Russie and Parmigiani
October 26 – November 26, 2011

Visit ALVR this Fall to see a very special loan exhibition of intricate marvels that jump, sing and act as you never believed jeweled creations could.

Featuring early 19th century Swiss gold and enamel automaton snuff boxes, watches, magicians, and animals, the Imperial Swan Egg of 1906 and the Imperial Peacock Egg of 1908 by Fabergé, as well as contemporary interpretations by Parmigiani Fleurier of watches in the Sandoz Collection. In addition, the catalogue raisonné of the collection will be presented for the first time.

EXHIBITION HOURS (beginning October 26):
Monday through Friday 11am-6pm
Thursday 11am-7pm
Saturday 12pm-5pm
Closed for Thanksgiving Day.

Address: 781 Fifth Avenue at 59th Street
New York, NY 10022
212-752-1727
http://www.alvr.com

You can find out more and purchase tickets by clicking here. Thanks so much to the inspiring Jere Ryder for alerting me to this exhibition!

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Morbid Anatomy Library on Fox News. Yes, Really.


A few weeks ago, Fox News (yes, THAT Fox News) sent over Red Eye host Bill Schulz and former medical examiner of New York Dr. Michael M. Baden for a little filmed visit to the Morbid Anatomy Library. In the course of our time together, we talked about phrenology, body snatching, and mummification. In addition, the very knowledgeable Dr. Baden conducted a thorough and pretty fascinating forensic examination of the newest addition to the library: an early 20th century human skeleton medical preparation, seen in the screen shot above.

You learn all about the skeleton--and watch the segment in its entirety--by clicking here.

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“Metaphor as Illness,” Lecture by Mark Dery, Embodied Fantasies Conference, Sunday October 30


Mark Dery, one of my favorite all time thinkers and lecturers, will be giving a new presentation this Sunday as part of the amazing looking Embodied Fantasies Conference. Full details, drawn for his Shovelware blog, below; hope to see you there!

Live, from the Cancer Ward!
I’ll be lecturing on “Metaphor as Illness” at the School of Visual Arts this Sunday, at 1:30 P.M., in a double-header with media theorist McKenzie Wark.

Executive Summary: A personal essay—live, from the cancer ward!—that is simultaneously a philosophical investigation into the ways in which disease widens the Cartesian chasm, untethering our thought balloons from the Body in Pain.

Directions, program, list of speakers, HERE.

Teaser: During my recent hospitalization for a medical emergency—an unexpected vacation in hell, during which I had boundless hours to muse about Illness as Metaphor and The Body in Pain—I conceived the essay in question, an essay that simply had to be written, as a meditation on language, embodiment, language as embodiment, and the ontologically dislocating experience of being a patient. Drawing on my five-year tour of duty through ER’s, OR’s, and hospital wards as a cancer patient, the lecture in question combines a cultural criticism reminiscent of Sontag’s Illness as Metaphor with the mordant humor of Christopher Hitchens’s recent reports on his battle with the Big C. It’s a philosophical inquiry into the existential black comedy of being a patient—Burton’s Melancholy of Anatomy , reimagined as an episode of the cynical medical drama House.

It’s also one of the best things I’ve ever written—a closely observed, unsparingly honest, emotionally raw self-anatomization that manages, even so, to be philosophically probing, I think.

You can find out more about the conference and its schedule by clicking here.

Image: The Anatomy lesson of Dr Frederik Ruysch, Jan van Neck (lifted from Wikimedia Commons).

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IBM Scientists First to Image the Anatomy of a Molecule – Video

As reported in the August 28 issue of Science magazine, IBM Research Zurich scientists Leo Gross, Fabian Mohn, Nikolaj Moll and Gerhard Meyer, in collaboration with Peter Liljeroth of Utrecht University, used an AFM operated in an ultrahigh vacuum and at very low temperatures ( 268oC or 451oF) to image the chemical structure of individual pentacene molecules.

Excerpt from:
IBM Scientists First to Image the Anatomy of a Molecule - Video

Amazing Auction Alert: Bonhams "Objects of the Wunderkammer including an Exceptional Private Collection of European Ivories," London




Wow. Via Artdaily.org:

LONDON.- On Wednesday 2 November, to coincide with Halloween, Bonhams will hold its first sale dedicated to the Wunderkammer, also known as the ’Kunstkammer’ or ‘cabinet of curiosities’, a collection of fine objects created from the rarest and most exquisite materials and designed to induce excitement and wonder in the viewer.

Comprising works of art ranging from ivory figures and reliefs, early and rare bronzes, fine enamels, chalices and caskets, the Wunderkammer brought together objects produced from the most expensive and highly prized materials of the day, including ivory, tortoiseshell, rhino horn, enamel and gilt bronze.

This unique, one-off sale features one hundred and thirty ivory carvings, including a very spooky South German skull (estimate £10,000 – 15,000); an eerie 17th century anatomical model of an eye (estimate £4,000 – 6,000); and a gruesome relief depicting the martyrdom of Saint Erasmus (estimate £10,000 – 15,000). The top lot is a rare collection of forty four mid 18th century ivory intaglios of Roman Emperors, which has attracted a pre-sale estimate of £20,000 – 30,000. ...

You can read the full article on Artdaily.org by clicking here. You can find out more about the auction by clicking here.

Images of lots, top to bottom:
1) Lot No: 225
An 18th / 19th century North European carved and painted wood skull
possibly from a large crucifixion group, 14cm high

Estimate: £500 - 700, € 580 - 810

2) A rare South German anatomical model of an eye
probably late 17th century
composed of ten individual sections including an iris, pupil, and a section painted with veins, with a turned handle to the reverse and on a turned ivory spiralling stem and foot, together with a small 17th century circular carved wood and painted box which the eye fits into when disassembled, glass lense repaired, the ivory 8.5cm high, the box 8cm diameter (2)

Estimate: £6,000 - 8,000, € 6,900 - 9,200

Footnote:
The exquisite workmanship combined with the use of a rare and prized material in this miniature model of a human eye are typical of the objects that were collected and displayed in the Wunderkammer. Detailed models of eyes, as well as skulls and skeletons that are now associated with the Wunderkammer, were produced from the 17th century onwards and originally conceived as anatomical teaching tools. Ivory carvers such as Stephan Zick (1639-1715) and Johann Martin Teuber were influenced by the anatomical drawings of Andrea Vesalius in the mid 16th century and later George Bartisch who produced a manuscript relating to the eye in 1583. For a similar anatomical model of an eye, see Christies, London, December 4 2008, lot 75.

3) Lot No: 174Y
An 18th century South German ivory skull
carved with an entwined crown of thorns, with a snake above, later mounted on a perspex rectangular plinth, the ivory 10.5cm high

Estimate: £10,000 - 15,000, € 11,000 - 17,000

Footnote:
For a comparable ivory skull see the Robert and Angelique Noortman Collection: Paintings and Works of Art from Chateau De Groote Mot, sold at Sotheby's, Amsterdam, December 17, 2007, lot 557.
A similar skull monogrammed by Josef Konrad Wiser (1693-1760) but lacking the snake was sold at Sotheby's, London, July 9, 2008, lot 92, £37,250.

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Sensitive Kitchenware

Christine Chin Sentient Kitchen nose

Christine Chin Sentient Kitchen shakers

Christine Chin Sentient Kitchen sugar

Christine Chin Sentient Kitchen ear cup

Anatomical kitchen accessories are nothing new at Street Anatomy, and I truly believed I had seen it all. But Christine Chin seems to have taken it one step further with her Sentient Kitchen Series. Taking tips from nature’s most ingenious engineering, Christine examines biology and technology, creating the most perceptive set of kitchenware yet. This piece probably isn’t ideal for dinner with the in-laws, and I’m not quite sure how I feel about nose hair on my pepper shaker, or eyebrows in my sugar, but it is sure to get people talking.

To view the entire fleshy collection, from the Shuttling Shakers which are “mobile for dining convenience,” to the Milk Jug that “dispenses according to stimulus,” head to Christine Chin’s website.

 

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Philip Watts Spine Staircase

Philip Watts spine staircase

Philip Watts spine staircase

Now I was blown away when I saw this. Philip Watts is a designer who specialises in metal, wood and glass, from full work surfaces to furniture. But there was one masterpiece I could not resist posting, his bespoke sculptural staircase in the style of a spine.

Literally dripping with detail, this master piece has been made specially for this lucky persons home.

Philip Watts Design is based in Nottingham, UK.

 

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