Maskull Lasserre’s Outliers

Maskull Lasserre Barefoot 2012

Maskull Lasserre Kodiak 2012

Maskull Lasserre Sasquatch Track 2012

Maskull Lasserre Outliers installation 2012

Maskull Lasserre Outliers 2012

Maskull Lasserre Kodiak Tracks

Canadian artist, Maskull Lasserre, best known for his intricate skeletal carvings of wooden frames, axe handles,  and software manuals, etc., has moved on to the soles of shoes.  Reproducing animal tracks onto the soles of shoes allows the wearer to leave prints in urban areas.  Especially apparent/sometimes horrifying in the snow. Imagine seeing the bear tracks above outside of your city home!

View all of Maskull’s work at MASKULLLASSERRE.COM.

 

Maskull’s current and upcoming exhibitions:
Museum of Arts and Design, New York, NY
February 7th – August 12th, 2012
Swept Away

Southeastern Center for Contemporary Art, Winston-Salem, NC
April 12 – September 9, 2012
Paperless

 

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Pole Ka’s Anatomies

Pole Ka Back

Pole Ka neck anatomy

Pole Ka Metamorph

Pole Ka Organ wreath

Pole Ka Petite sieste

Pole Ka Autopsies

Paris-based artist, Pole Ka is quickly becoming one of my favorite artists with the whimsical yet calculated use of anatomy in her illustrations.  And it’s some dark weird stuff that always pulls at my heart strings.  Even the style of her characters are so peculiar, yet captivating.

Pole Ka produces a prolific amount of work including beautiful books, fanzines, and street art.  You can often see her work alongside another Paris-based artist we’ve featured before, Tristan des Limbes.

Explore Pole Ka’s numerous works at poleka.fr.

 

 

 

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Reveal Your Heart

‘Intimacy 2.0′ Interactive fashion by Studio Roosegaarde from Daan Roosegaarde on Vimeo.

“Intimacy” and “Intimacy 2.0″ are clothing lines from Studio Roosegaarde that become transparent in reaction to the wearer’s interactions with other people and when the wearer’s heart rate increases.

INTIMACY  heart dress Studio Roosegaarde

INTIMACY  heart dress Studio Roosegaarde

According to Studio Roosegaarde’s site: “INTIMACY is a fashion project exploring the relation between intimacy and technology. Its high-tech garments entitled ‘Intimacy White‘ and ‘Intimacy Black‘ are made out of opaque smart e-foils that become increasingly transparent based on close and personal encounters with people.

Social interactions determine the garment’s level of transparency, creating a sensual play of disclosure.

INTIMACY 2.0 features Studio Roosegaarde?s new, wearable dresses composed of leather and smart e-foils which are daringly perfect to wear on the red carpet. In response to the heartbeat of each person, INTIMACY 2.0 becomes more or less transparent.”

You can read more on Studio Roosegaarde’s site, studioroosegaarde.net.

 

[Source: Buzzfeed]

 

 

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Maggie Hotchkiss

Strings by Maggie Hotchkiss

Intestinal by Maggie Hotchkiss

Epididymis by Maggie Hotchkiss

Scanned by Maggie Hotchkiss

Lover Her or Liver by Maggie Hotchkiss

Maggie Hotchkiss was one of those rare students in school who becomes enamored with the anatomical and scientific illustrations in textbooks rather than all the scientific mumbo jumbo.  And so, this is how the fairy tale of becoming a medical illustrator usually begins.  Currently working at the Yale School of Medicine and doing art on the side, above are her explorations and reinterpretations of those textbook illustrations.  They remind me of old biology illustrations in my textbooks growing up and also a hint of scientific illustrations going back to mid-century.

View more of Maggie’s work at maggsart.com!

 

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Disaster Has Hit The Morbid Anatomy Library!
















Tis' a sad day indeed.

Some of you might already have already heard, but last Friday night, the building in which The Morbid Anatomy Library is located suffered a small artwork-related fire. The fire was quickly extinguished, but not before The Library and its collection of books, artworks, and artifacts suffered severe water damage from the building's fire sprinklers. Stay tuned for news about a benefit party to raise money for rebuilding the library, but, in the meantime, here are some photos of the water-logged chaos we are digging ourselves out of. I should mention, the damage could have been much, much worse, and I am very grateful we got off as easy as we did. Still, if any of you are interested in making a monetary donation to help the collection, simply click on the "donate here" button on the right side of this blog. If you are interested in donating books or artifacts--or time and/or talent for the benefit!--please email me at morbidanatomy [at] gmail.com.

I would also like to send out a very special heartfelt thank you to G. F. Newland, Wythe Marschall, Ethan Gould, Grace Baxter, Emi Brady, Sasha Chavchavadze, PK Ramani, Tammy Pittman, Benjamin Warnke, Aaron Beebe, Lado Pochkhua, Ted Enik, the fellows from Curious Matter, and everyone else who for pitched in to make this disaster so much less of a one than it could have been, while I was far from home and unable to help at all.

Ok, off to assess the damage in greater detail. Thanks to everyone, and more to come!

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The Great Morbid Anatomy Library Flood of 2012: List of Destroyed Books Now Posted


Thanks so very much to all of you for your outpouring of support, donations, and offers to help in the aftermath of The Great Morbid Anatomy Flood of 2012 (more details on that here). Many of you have asked to see a list of those books lost, in the interest of ordering or sending particular books for the library; I have created a special Amazon wish list that contains all books lost, and will ship directly to the library; you can check it out by clicking here.

For those of you who would like to mail books directly, our mailing list is:

Joanna Ebenstein
c/o The Morbid Anatomy Library
543 Union Street #1E
Brooklyn, NY 11215

Thanks so much, again, for all your support, and please save the date for an upcoming benefit party to take place Saturday May 12. Please contact me if you'd like to donate objects or artworks for a silent auction, or talent for performances, or labor!

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Yet Cut Breath – Hinges

Hinges Yet Cut Breath

Hinges Yet Cut Breath

Hinges Yet Cut Breath shirts

Brooklyn band, Yet Cut Breath, headed up by Anna Morsett, put out an album in fall of 2010 with some rad anatomical art to back up the title Hinges. A pretty perfect match if you ask me. And they produced a sweet anatomical shirt to boot, with art by the talented Kate Hanrahan. Listen on spotify, buy a shirt/album, and be sure to watch their hilarious kickstarter video (seriously, it’s really funny (and kudos on making your goal, guys!)).

 

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Calavera

Santiago Nicola De Jager

Snowflake Nicola De Jager

Felizita Nicola De Jager

Rose Nicola De Jager

Jesus-Ernesto Nicola De Jager

Frida Nicola De Jager

Cape Town-based artist, Nicola De Jager hand embroiders Day of the Dead skulls with a bit of a twist. She wants to change society’s view on skulls and their association with the macabre by making them bright, colorful, and beautiful. Starting her stitching with the eyes and then moving on to the colors, nose, mouth, etc., each skull begins to take on a personality and slowly develops into the finished piece. Nicola says, “I embrace embroidery as an art form as there is something powerful about creating something so intimate. The use of thread as a medium and embroidering as the application grounds me and slows me down to become more aware and present.”

I think she definitely succeeded in making the macabre beautiful. These skulls certainly make me happy.

View more of Nicola’s embroidered skulls at calavera.za!

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Jordan Eagles Blood Medium

LFC Jordan Eagles 2008

Hemoglyphs Jordan Eagles 2011

Hemoglyphs Jordan Eagles 2011

URBCLF Jordan Eagles 2012

BARC Jordan Eagles 2010

IF FK3 Jordan Eagels 2008

It’s blood.  NYC artist, Jordan Eagles, works solely with gallons upon gallons of blood obtained from a slaughterhouse.  By manipulating the blood through heating, burning, aging, mixing with copper, adding foreign materials, and then encasing it in plexiglass and UV resin, Jordan is able to capture an array of organic designs.  His large pieces are uncomfortably beautiful, especially when lit, the blood seems to glow against the clean white walls of a gallery.

View all of Jordan Eagles’ work at jordaneagles.com.

 

Current and upcoming shows of Jordan Eagles:

April 5, 2012 – May 25, 2012
HAEMOSCURO–SOLO EXHIBITION

Mark Wolfe Contemporary Art
1 Sutter Street, Suite 300  San Francisco, CA 94104

http://www.wolfecontemporary.com

 

May 3, 2012 – May 6, 2012
PULSE NEW YORK–IMPULSE (SOLO)
The Metropolitan Pavilion
125 West 18th Street Chelsea, New York, NY 10011
Causey Contemporary

http://www.pulse-art.com
http://www.causeycontemporary.com

 

February 1, 2013 – July 2, 2013
THE BLOOD IS THE LIFE: VAMPIRES IN ART & NATURE
Everhart Museum
1901 Mulberry Street
Scranton, PA 18510-2390
570-346-7186

http://www.everhart-museum.org

 

[spotted by Michael Goodman]

 

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Armadillo: Heart Grenade

Armadillo poster anatomical heart grenade

Armadillo poster anatomical heart grenade detail

Armadillo is a documentary film about Danish soldiers in the war in Afghanistan.  Director Janus Metz speaks of Armadillo as being a documentary of ambivalence, “trying to create peace with one hand and war with the other.“  This theme of ambivalence is depicted in the documentary poster as a grenade and anatomical heart fused together.  While I can’t say that it’s the best rendering of an anatomical hear that I’ve seen, it’s certainly a nice concept that differentiates from many other war movies/documentaries out there.

 

[spotted by Manuel]

 

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SHOK-1?s Danse Macabre

Danse Macabre SHOK-1 Meeting of Styles at The Studio Holloway in London

Danse Macabre SHOK-1 Meeting of Styles at The Studio Holloway in London
Photo by Urban Escapades

Danse Macabre SHOK-1 Meeting of Styles at The Studio Holloway in London
Photo by Urban Escapades

Inspired by the artistic genre of late-medieval allegory that unites every human being by the simple fact that we will all die, London-based street artist SHOK-1 created his own lively interpretation wanting to “turn it more into a celebration of life, hence it has a little party atmosphere.“  I can definitely see this gracing the walls of a dance club.

This x-ray style piece was created at the Meeting of Styles at The Studio, Holloway in London back in November of 2011. Since then SHOK-1 has been hitting the streets, refining his fantastic x-ray style, the likes of which I haven’t seen any other street artist do (correct me if there are others out there!).

Explanations SHOK-1
Explanations


An Experiment SHOK-1 London

An experiment…

View more of SHOK-1′s work via his Flickr.

 

[spotted by @victoireboudoir via Wooster Collective]

 

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"O Death Where Is Thy Sting?" or Happy Easter Everyone!

Easter week celebrates the moment when, in Christian metaphysics, mortality is overcome by everlasting life. The crucifixion of Jesus Christ redeems mankind from the sinful state into which mankind fell through Adam's disobedience to the will of God in the garden of Eden. His resurrection liberates us from eternal perdition: in Saint Paul's famous words (I Corinthians, XV.54-55) "So when this corruptible shall have put on incorruption, and this mortal shall have put on immortality, then shall be brought to pass the saying that is written, 'Death is swallowed up in victory'. O death where is thy sting? O grave where is thy victory?".

These concepts were articulated with fresh force in the later sixteenth century through the Counter-Reformation, in media such as altarpieces, sermons, the educational work of the Jesuit Order, and through devotional prints which were widely disseminated. Here we present four such prints from the holdings of the Wellcome Library...

Read the entire article from which this excerpt is drawn--and see more images!--on the excellent Wellcome Library blog by clicking here; click on image to see a much larger, more detailed view.

Image: Engraving after Maerten de Vos, late 16th century. Wellcome Library no. 23283i.

As described on the blog:

Finally in this sequence, we have the powerful figure of Christ triumphing over death. The upper part combines two scenes: Christ is simultaneously resurrected from the tomb and ascends into heaven. In the lower left corner, Death itself is about to be swallowed up by a monster, while in the centre the snake that led Adam and Eve astray, and who is entwined around the secular world, is about to be trampled down by the wounded foot of Christ. On the right a tablet engraved with the Ten Commandments faces upwards, indicating that Christ is triumphing over righteousness of the law, replacing it with righteousness of faith...

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Activating Stilled Lives: The Aesthetics and Politics of Specimens on Display; International Conference at the Department of History of Art, UCL


This exciting conference--free and open to all!--just announced! Looks like a good one; so wish I could go!

Cultures of Preservation
Prepared specimens appear in many guises: as monstrous or typical organs preserved in formaldehyde and kept in glass jars not unlike pickled food, as stained and fixed tissue slices, or as skilfully arranged mounted animals. They may be found in cabinets of curiosities, in the laboratories of histologists, in anatomy theatres or in natural history collections, but nowadays equally in art galleries, the shop windows of fashionable boutiques, or horror films. This research network is concerned with such kinds of preserved natural objects, in particular with anatomical wet or dry preparations and taxidermy. It explorses the hybrid status of these objects between nature and representation, art and science and studies their fabrication, history and display.

The network is a collaboration between the UCL Department of History of Art, UCL collections, in particular the Grant Museum of Zoology, the Hunterian Museum, London and the Natural History Museum, London.

Activating Stilled Lives: The Aesthetics and Politics of Specimens on Display
International conference at the Department of History of Art, UCL
Thursday 17 May - Friday 18 May 2012

The past twenty years saw an explosion of exhibitions fathoming the relations between art and science as well as numerous refurbishments of natural history or former colonial museums. Many of these displays and gallery transformations mobilised specimens, be it taxidermied animals or preserved human body parts. Objects were put into new contexts opening up their meanings, others disappeared in storage or travelled back to the countries where they were once collected. The conference will address the challenges institutions face when dealing with formerly living entities and consider the aesthetics and politics of their display. The idea is to discuss the use of specimens in temporary exhibitions, museums or university collections and the role curators, art and artists have been playing in the transformation of these spaces. We also would like to consider how preserved specimens have changed through the altering contexts in which they have been displayed. One could name the initial transformation of organisms into objects, the more recent re-definition of pathological specimens as human remains, or the dramatic rearrangements that took place when natural history, anthropology or anatomy collections (many dating from the nineteenth century) were updated – coinciding with a shift in audiences, from specialists to a broader public. Often the historical displays were significantly altered, or even destroyed and replaced by „techy“ but at times also sentimentalised, „post-modern“ installations that still await a critical assessment.

Beyond that, the question of preservation shall be considered in a more expanded sense, as this subject area offers a unique opportunity to reflect more broadly on issues of conservation and their ethics and to raise a variety of questions such as: How and why do various cultures preserve elements of what is considered as nature? How does this relate to environmental notions of conservation and extinction? Should flawed specimens be disposed of? Can museums as a whole be considered cultural preserves? Should we preserve the preserves? And last but not least: Do we really need to embalm everything?

Confirmed speakers: Claude d'Anthenaise (Director, Musée de la chasse et de la nature, Paris), Steve Baker (Artist and Art Historian, Norfolk), Christine Borland (Artist, Glasgow), Mark Carnall (Curator, Grant Museum of Zoology, London), Nélia Dias (Anthropologist, Lisbon), Anke te Heesen (Museology / European Ethnology, Berlin), Petra Lange-Berndt (Art Historian, London), John MacKenzie (Professor Emeritus of Imperial History, Lancaster), Robert Marbury (Artist / Minnesota Association of Rogue Taxidermy, Baltimore), Angela Matyssek (Art Historian, Marburg / Maastricht), Lisa O'Sullivan (Curator, Science Museum/art-history/events/culture_of_preservation London), Hans-Jörg Rheinberger (Historian of Science, Berlin), Rose Marie San Juan (Art Historian, London), Johannes Vogel (Director, Museum für Naturkunde, Berlin)

Detailed programme: For further information please contact
Mechthild Fend m.fend(@)ucl.ac.uk or Petra Lange-Berndt p.lange-berndt(@)ucl.ac.uk

More information available here.

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"Ouija: The Talking Board" A New Episode of The Midnight Archive, Featuring Mitch Horowitz

A new episode of The Midnight Archive--the web-based documentary series centered around Observatory--has just been uploaded and can be viewed above. Here is what the series creator--film-maker and many-time Observatory lecturer Ronni Thomas--has to say about this episode:

Episode 11 : Ouija: The Talking Board -- And we’re back - with the fascinating Mitch Horowitz (see Occult NY parts 1 and 2) and the incredible history of the Ouija Board. Learn about its early roots as a sort of ‘telegraph’ to the other side - to its evolution into the board game to outsell Monopoly. Get a haunting glimpse into some of the celebrities who used the board and learn about its ominous warning to poet Sylvia Plath. Its more than just a toy and a Morrissey song. So enjoy this latest installment and make sure to ‘like’ us on Facebook. Also for a more detailed history make sure to check out Mitch’s book Occult America (which can and should be purchased here).

For more on the series, to see former episodes, or to sign up for the mailing list and thus be alerted to future uploads, visit The Midnight Archive website by clicking here. You can also "like" it on Facebook--and be alerted in this way--by clicking here. You can find out more about the amazing work of Sigrid Sarda by clicking here.

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Grey's Anatomy Scoop: Which Doctors Will Be Sticking Around Seattle Grace?

As Grey's Anatomy winds toward its Season 8 finale, the major question is not only which actors will return next season, but also which residents will actually pass the medical boards in order to become full-fledged doctors - and hopefully, continue walking the halls of Seattle Grace.

"You're going to see how each person deals with [the boards]," creator Shonda Rhimes tells TVGuide.com. "How some of them rise to the occasion, how some of them crack, and some of the problems they're going to be facing."

Anatomy of Shonda Rhimes, the busiest woman in Hollywood

For Meredith (Ellen Pompeo), the boards won't go as smoothly as she hopes when she faces a crisis during her exams. But that's not the only predicament Meredith will face as her "graduation" looms in the very near future. "It's going to be interesting for her," Rhimes says. "Seattle Grace is her home. These people are her family. That's what she spent the past eight years establishing. The idea of leaving or staying is going to weigh heavily on her and going to be pretty hard for her to deal with."

The good news: Meredith's loving husband Derek (Patrick Dempsey) is very supportive of whatever decision she makes, be it staying at Seattle Grace or venturing onward. "Derek would go with her wherever, and Derek is encouraging her to take the best job there is, wherever that is," Pompeo says. On the other hand, leaving Seattle could mean separating the true power couple of Grey's - Meredith and Cristina (Sandra Oh). That very subject will be addressed in an upcoming episode. "There's definitely scenes that reflect ... the relationship between Cristina and Meredith," Pompeo says, noting that no one - aside from the powers that be - knows who will be staying or going.

For her part, Cristina will have the pick of the litter, as multiple hospitals will be wooing her. That will weigh heavily on both her mentor, Teddy (Kim Raver), and her husband, Owen (Kevin McKidd). "It's hard for both of them," Rhimes says. "Cristina is very gifted and a lot of people are going to want her. For both Teddy and Owen, there's going to be some struggle there in terms of letting go. Or if you can let go or if you should let go."

As far as Owen goes, letting go may not be his decision. Cristina and Owen have faced their toughest year yet following her choice to have an abortion and his reveal that he cheated on her. Oh said it may all come down to Cristina deciding between work and love. "Cristina will eventually have to decide what's going to happen in the relationship versus what she wants in her career," she says.

Grey's Anatomy star Sandra Oh: Cristina and Owen head to couples therapy!

While the residents are off taking their boards, the attendings will have problems of their own. "Teddy and Owen still have issues to work out, and we have a lovely Callie-Arizona [Sara Ramirez and Jessica Capshaw] story coming up," Rhimes says. "There's going to be some definite surprises in store for the Chief [James Pickens Jr.] and Catherine Avery [Debbie Allen], Jackson's mom." Plus: Loretta Devine will reprise her role once again as the Chief's Alzheimer's stricken wife Adele. "That's going to be beautiful," Rhimes says.

With the fate of many Seattle Grace doctors up in the air, Rhimes is finding it extra difficult to map out the season finale. "There's a sense of nostalgia there that's really big in terms of these interns no longer being residents anymore," she says. "That alone is a big deal for us. It's also just difficult in terms of what we're trying to do in this finale. What we're trying to do is pretty large and the idea that we're pulling things apart and putting things back together in this very interesting way is not easy."

More here:
Grey's Anatomy Scoop: Which Doctors Will Be Sticking Around Seattle Grace?

Grey's Anatomy Recap: "The Lion Sleeps Tonight"

Stage Five Clingers, Buffy alums and lions oh my!

In this week's Grey's Anatomy, Teddy finally deals with Henry's death, Callie gets majorly jealous, Alex has lady issues and Cristina finally lets Owen have it. Really, this feels like early Grey's, but the gang's all grown up... and there was a lion. Let's take a look at this week's top moments:

Zola says rawr: Zola is so cute when she meows in the car and then rawrs like a lion oh wait, that's because there's a lion on the loose in Seattle! While we don't get to see much of the lion, we do see all of the victims who are rushed to the hospital following its attack including Buffy alum Danny Strong. (For those playing the "Buffy Stars on a Shonda Show" drinking game, partake three.)

Teddy goes to therapy: The doc is finally trying to deal with Henry's death, but she probably shouldn't have chosen to go to group therapy. She laughs at other women's stories of woe and points out that their husband's maladies made them dead men walking anyways. But when the wife of her patient suddenly dies, Teddy gets a dose of reality, which makes her finally admit that she is a widow.

Cristina and Owen, not sitting in a tree: Because Cristina still isn't talking to Owen, he tries to enlist Meredith's help to fix things; except, Meredith didn't know that Owen had cheated on her best friend. The other Twisted sister is not pleased because it means that 1) Cristina probably didn't tell Mer because she's likely going to forgive Owen. And 2) Owen is a cheater! After watching Cristina quietly stew the entire hour, she finally lets him have it when she throws her bowl of cereal in his face. Childish? Yes. Deserving? Yes.

Mark and Julia's possible cohabitation: Lexie accidentally overhears Mark in the elevator saying how he may move in with Julia and attempts to get Derek's advice about the situation, but he shuts her out time and again because he's her boss and doesn't want to get involved with personal matters. In the end, Mark and Lexie are still doing the relationship tango. Come on!

Arizona's exes: A nurse she used to hook up with is leaving the hospital, so the two share a lingering hug. This sets Callie off on a bit of a jealous rage, trying to figure out who else Arizona has hooked up with apparently, she got around before Callie. But really, it's OK Arizona used to get busy because now she's raising the child of her wife and her wife's old lover, so she should get some brownie points.

Alex's Stage Five Clinger: Alex finally realizes that Morgan has become too attached to him, so he wants to get off her case. She keeps paging him over and over, but he decides to be a "douche" and ignore her so she'll get over him. Alex stands his ground even when Morgan has to decide whether or not she should let her baby die. In a related note: The new hospital pagers? Most annoying sounds ever, right?

What did you think of this week's Grey's Anatomy? Should Mark and Lexie just get back together already? Was Cristina being childish? Hit the comments!

Stage Five Clingers, Buffy alums and lions oh my!

Read this article:
Grey's Anatomy Recap: "The Lion Sleeps Tonight"

'Grey's Anatomy' recap: We Don't Talk About Stuff Like This

Image credit: Richard Foreman/ABC

THE W-WORD You may think Teddy (Kim Raver) is happy, but she's just one good bathroom cry away from accepting her grief.

Cheater, cheater, pumpkin eater. As juvenile as it may be, that was supposed to be my motto this week. I was ready to dig deep into the pure dysfunction that is Cristina and Owens marriage, especially in the aftermath of his confession. I was ready to hear Owen explain it away and to watch Cristina silently stare the crap out of him.

Well, our friends over at Seattle Grace werent into that motto because we barely see Owen and Cristina interact in this episode. No diving in the deep end of their relationship just yet. Yes, they do get enough communal screen time to let us know Cristina is giving him the silent treatment. Yes, we learned that eating cereal has never been more dangerous when Cristina throws her bowl of cereal in his face, daring him to say anything. But apart from that, they manage to avoid each other this week.

Theres definitely enough avoidance to go around. Lets begin with Meredith, who doesnt start out dodging Owens pleas to help him fix things with Cristina. In fact, she even offers up this nugget of advice: You cant force Cristina to open up; you have to let her come to you. Sound advice. See the Cristina-loses-herself-and-quits-medicine-then-finds-herself plotline for proof.

But a nugget just isnt enough for Owen. As they scrub in to save a women who gets mauled by her pet lion, he makes a second attempt to get Merediths help. All he wants is for her to let Cristina know how sorry he is. Simple request, right? Not so much, especially when he tells her, It was just sex. Meredith visibly flinches and so do I. Its insulting to think he would believe thats all it takes to justify his infidelity. It was just sex probably makes it worse.All this talk of cheating inspires Meredith to let Derek know that if he ever cheats on her, shell kill him. I believe her.

Elsewhere in avoidance island, Alex Karev has just realized it might be time to start putting a little distance between him and Intern Morgan. Morgan, dont you know you only bring out the puppy eyes after the wooing is over? Thats how you scare them off. And scared, he is. Karev tells Arizona he wants off her service because those puppy dog eyes can only mean one thing: His intern wants him. After a little back and forth, Arizona is willing to oblige but only if he's off the case for good. He thinks he is -- but not if Morganhas anything to do with it. She spends most of this episode texting him. The best way Karev can tell her to stop is to evade her completely.

Oh, the irony. Old Karev would have taken a puppy-eyed intern straight to the bedroom and not given it a second thought. Now, when he needs to pull out his not-so-inner a--hole, hes struggling.

NEXT: Karev finally comes clean with Morganwhen she's at her lowest

Read more:
'Grey's Anatomy' recap: We Don't Talk About Stuff Like This

The Ting Tings New Album Art

The Ting Tings Sounds From Nowheresville album art by Milan Abad

After a bit of a break, The Ting Tings are out with their sophomore album titled, Sounds from Nowheresville. While they designed their first album cover themselves, this time they opened up the possibility to art students.  While on tour in the UK, they would stop at every art college in all the major cities and check out the scene.  They told the students to submit artwork for the album cover, and when they saw the hand-drawn and painted piece by Milan Abad, they were instantly sold, “We just looked at it and we thought that it really summed up the album title.” Hmm?

Even if you may not know who the Ting Tings are, I guarantee that you’ve had their song, That’s Not My Name, stuck in your head as you’re desperately trying to fall asleep…They call me girl, they call my Stacey, they call me her, they call me Jane, that’s not my name, that’s not my name, that’s not my name, that’s not my name…You’re welcome.

Hope everyone is having a fabulous weekend!

 

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Dissecting the BioDigital Human: A 3D Anatomy Lesson

iPads in hand (carefully sealed in Ziploc bags), students at New York University's medical school are taking "Anatomy 2.0."

BioDigital's 3D medical imaging software allows users to navigate the ins and outs of the human body, toggling various systems and conditions on and off -- you can take it for a spinhere. Emon Hassan, a documentary filmmaker and photographer based in New York City, goes inside the lab course at NYU's School of Medicine where human cadavers and 3D glasses are course materials, and faculty and students weigh in on the virtues of supplementing a hands-on education with virtual tools. Hassan discusses the making of the film in an interview below.

The Atlantic:How did you find this story and decide to tell it?

Emon Hassan:I have been working on a photo essay project since November of 2011 that involved anatomy students. The 3D imaging system was announced during an anatomy lecture and I learned the 3D imaging system would soon become a part of student's work at the anatomy lab. This piqued my curiosity and I wanted to learn more about the technology.

This anatomy course seems representative of education's evolution from textbooks to interactive digital media. Did you get the sense that teachers and students were generally positive about the shift, or were there any skeptics?

The people I've interviewed are mostly positive and enthusiastic about this technology. If I surveyed more students and faculty I might encounter differing opinions. Of course, that's just an assumption on my part. It was interesting to note that while students and faculty each approached the same technology with different goals in mind, they did agree that the 3D imaging system, supplemented with iPad, allowed them a broader palette to explore, personalize and customize their learning and teaching experience. However, most point out that the technology is ideal for enhancing and not replacing the learning experience one has from dissecting actual cadavers.

We live in a time that demands our daily experiences also have virtual interaction options with share features. What I've gathered from both the faculty and students is that this technology removes a lot of clutter from their work in the lab and allows them to focus. I sensed an optimism towards the technology because they spoke more about what the technology can do for their work as opposed to what it couldn't do. In essence: growth opportunities vs. shortcomings.

What are some of the challenges of making documentaries about medicine and technology like this?

Read more:
Dissecting the BioDigital Human: A 3D Anatomy Lesson

Nutty Chocolate Skulls

Sparganum chocolate skulls with walnut or candy brains

Sparganum chocolate skulls with walnut or candy brains

Sparganum chocolate skulls with walnut or candy brains

5 x 3.5 x 3cm (2″ x 1.38″ x 1.18″)

These chocolate skulls with walnut/candy brains are genius and so well executed for such a small piece of chocolate!  They are hand-crafted by twin sisters from Spain, Ruth and Sira García Trigueros who also happen to run their own little design and illustration shop, Sparganum.

Ruth and Sira sell their chocolate skulls through Etsy for €6,00 each and will ship just about anywhere.

And check out their bio on Etsy:

We love the smell of damp earth, the mountains, the woods, walking around barefoot and eating directly from the saucepan.
We listen to black metal. We are quiet. We smile a lot, sometimes people freak out.
We play drums and bass in a band that doesn’t exist.
This is us. Who are you?

Don’t they sound slightly creepy in a cool way?  I want to meet them.

View more work in their Etsy shop and on their site, sparganumart.tk

 

[spotted by Manuel Kolb]

 

Source:
http://feeds.feedburner.com/streetanatomy/OQuC