Rebecca Wisocky Dishes on "Delicious" Devious Maids

Murder and mayhem mix as the class divide between the wealthy elite and close-knit group of maids working for the rich collides. Sex, secrets and murder combine with a fun outlandish tone that's sure to make Devious Maids the new guilty pleasure of the summer.

I recently spoke on the phone with Rebecca Wisocky about her character Evelyn Powell, a haughty member of high society Beverly Hills, and the employer of a murdered maid that sets the series in motion.

The actress enthusiastically dished on her "delicious" character, the fun, over the top tone of the season and what's in store for Lifetime's new show.

Read on for excerpts from our Q&A…

Rebecca Wisocky plays Evelyn Powell

TV Fanatic: How'd you end up coming about Devious Maids?

Rebecca Wisocky: It was a very busy pilots season last year, and I was really excited when I got the script and read the breakdown. She's a pretty delicious and juicy character that's been tremendous fun to play. So, yeah, I was pretty excited to meet [Show creator] Mark Cherry. I'm a fan.

TVF: Did you go in for Evelyn Powell initially?

RW: Yes. I went in for Evelyn, tested the next day and got the job. I could not have been happier.

TVF: How would you say Evelyn describes herself compared to how the maids would describe Evelyn?

RW: I'll say that I describe Evelyn as an evil bitch with a broken heart of gold. So, I think that answers both sides of your question. I think the challenge I find really fascinating in playing a villain is you can't judge her character, you can't believe that she's just an evil person, you know? I think Evelyn thinks that she has good intentions. I think she's morally questionable to say the very least. I think she walks through the world with a great deal of armor that appears to be very slick, regal and cruel, and both terrifying and ridiculous to people that cross her path.

But over the course of the season, you see her soften a bit and you see the reasons why the way she is … at least I hope you do because that's what we tried to bring to it. All of the characters become more complex as they intermingle, and you'll know more about them throughout the season.

TVF: What's it like playing Evelyn and getting to say such great lines like, "But who's going to clean up the mess?"

RW: You know the tone of the show you're dealing with, right off the bat with Mark Cherry. It's a soap, it's a satire. It's dangerous, it's campy, it's fun and I think relevant as well. He came in primary colors and then he lets them all bleed together. To say the very least, I have some delicious lines and dialogue with Tom Irwin who plays my husband, [Adrian Powell].

But yeah, I think the character begins in a very hard arch-way and then you'll see her soften.

I may have a slightly masochistic streak because I really enjoy playing those characters that are punished for their hubris. I like that. I think it's interesting. I'm a character, so I don't mind being unlikeable or unattractive to be the foil for someone else's story.

I think in Evelyn's outrageousness she can be delicious as well. I hope she will be a character that you love to hate.

TVF: Why does a tone like this work for the show?

RW: I think it allows you to flip the script a little bit. It's a satire. You can say absolutely outrageous things and put people in incredibly extreme over the top sexualized situations in order to tell a story, in order to teach a lesson, in order to show something from a different angle and get a conversation started.

TVF: Can you talk about Evelyn's relationship with her husband and then working with Tom Irwin?

RW: Well, I love Tom Irwin. He's one of the best scene partners I've ever had. He's become a very good friend, I love this relationship [between our characters]. It's kind of classic. You don't see a whole lot of this in the pilot, but he actually has a great deal of power of Evelyn. It's a love, hate relationship. I think you find out through the course of the season what keeps them together. They're their own worst enemies and the source of the greatest pain for one another. They are also the only people that can comfort one another.

TVF: Evelyn and her husband clearly have a lot of secrets. Is that something we're really going to delve into this season?

RW: Oh, yes. That house is big and has a lot of secrets inside of it. Lots will be revealed in that house, I'll say that.

TVF: Do you personally already know who the maid murderer is?

RW: You will know by the end of the season who killed Flora. The murder will be solved.

TVF: What's been the best part about working on the show?

RW: The cast. It's really true. It's been so fun and I hope we get to do more. There's so many people on this cast. I mean, Ana Ortiz [who plays Marisol Duarte] just raises the bar. She's so tremendously talented. Judy Reyes [who plays Zoila Diaz]? These people are incredibly talented and all so unique and from so many different backgrounds. I mean, there a lot of theater people that are on the cast. Tom is from the theater world, I come from the theater world, as well as Ana and Judy. That adds a lot.

TVF: Has there been anything that's surprised you?

RW: I've done a bunch of pilots. I've recurred on a bunch of shows. I've guest starred on a bunch of shows. I've been pretty lucky to play a wide range of characters, although I've often played a villainess. It's been my first experience in television having a role that can build and change throughout the course of the season.

TVF: What can you tease about the premiere?

RW: A lot of fun. A lot of mouths will be agape. A lot of outrageous behavior. Some comeuppance for people who deserve it and some for the people who do not. A lot of style and I think it's beautifully shot. The look of the show is gorgeous. … It's pure escapist heightened satire.

Dive into the delicious Devious Maids when it premieres Sunday, June 23 at 10 p.m. on Lifetime.

Source:
http://www.tvfanatic.com/2013/06/rebecca-wisocky-dishes-on-delicious-devious-maids/

Falling Skies, Under the Dome & The Exes: Scoop From Jim’s Notebook!

Sci-fi and comedy rule this week as I empty my notebook with the latest intel on CBS’s Under The Dome, an interesting alien relationship on Falling Skies and hilarity over at TV Land’s The Exes. Let’s go!

Under The Dome: The Stephen King novel-turned-series is finally here Monday on CBS and let me tell you that you can believe the hype. The show is captivating and I trust you’ll be drawn into the mystery when a dome suddenly appears over the town of Chester Mills.

While there are familiar TV faces like Mike Vogel, Dean Norris and Britt Robertson, one new face is Alexander Koch, who plays Junior, the son of Norris' character. But, Koch advised me, the series doesn’t necessarily follow the book. “We're going in a little bit of a different direction than the book and I think it’s very good.” He said.

Since this was his first major audition, Koch is also new to seeing himself onscreen. “I'm a little self-conscious,” he said, “so we have the premiere coming up [in Wilmington, N.C., where the show is filmed] and I might close my eyes during my parts. I'm really a little nervous and self-conscious.”

But he’s not alone, as he said some of his castmates feel the same way.

And if you’re wowed by the first episode, Koch teased the second one is just as compelling. “I saw part of episode two and I was actually really blown away by the special effects and it looks great. I think everyone's really pulling their weight and doing great, great work with the script.” (More of my chat with Koch on Monday on TV Fanatic)

Under the Dome Image

Falling Skies: Want to see just how much man and alien can emotionally connect? Watch this Sunday’s episode and you’ll know what I mean. “That's episode four, which is one of my favorite episodes,” said Executive Producer Remi Aubuchon of what we’ll see with Tom (Noah Wyle) and Cochise (Doug Jones) this week.

“I believe Doug just pulled this off so well. You see how much his friendship means to Tom, and you also see his maturity and duty as a soldier and his willingness to sacrifice himself for this greater good.”

The episode also features Stephen Collins (7th Heaven) as the President, who summons Tom and Cochise but is it a matter of good or not-so-good? Tune in Sunday on TNT at 10 p.m. and find out!

The Exes: The third season of the TV Land sitcom started this week and while the show focuses on three divorced men living together, they get a boost of hilarity from the always-awesome Kristen Johnston. In fact, Holly’s love of ‘the exes’ gets in the way of her love life – or maybe vice versa – in the June 26th episode. Her BF, played by Diedrich Bader, is having some issues with their relationship.

“The reason is because I miss the guys,” Johnston told me at a recent party in Hollywood celebrating the show’s third season. “I only want to hang out with the guys and so I lie to him because I want to play poker at the guys’ apartment.” Watch for physical comedy when Holly has to go to extreme measures to keep the secret from her BF.

One thing that’s not a secret is Johnston’s joy over the series. “The only thing I know for sure is it’s every bit as good as 3rd Rock [from the Sun, her 90s hit sitcom].” Of working with her co-stars David Alan Basche, Donald Faison, Kelly Stables and Wayne Knight, Johnston gushed, “The chemistry in the cast is pretty remarkable. Whether [The Exes is] a success or not is irrelevant because I feel like I’ve hit the mother lode.”

The Exes airs Wednesdays at 10:30 on TV Land.

That’s a wrap for this week! Anything else you’re dying to know about your favorite show? Leave a comment or email me directly at jim@jimhalterman.com. And remember: follow @TVFanatic for all your TV scoop!

Source:
http://www.tvfanatic.com/2013/06/falling-skies-under-the-dome-the-exes-and-more-scoop-from-jims-n/

Warner Bros. Comic-Con Lineup: Revealed!

The 2013 Comic-Con International rush is officially underway, with the first panels announced earlier today. Now, another big slate of attendees has been revealed for the July 18-21 event.

Warner Bros. Television has announced its lineup for the annual pop cultural destination, with 10 returning fan-favorite shows and seven programs making their San Diego debut.

Comic-Con favorites Arrow, The Big Bang Theory, Childrens Hospital, The Following, Person of Interest, Revolution, Supernatural and The Vampire Diaries are all back, plus The Originals.

On Wednesday, July 17, the WB will provide a special sneak peek, world-premiere screening event, complete with pilots of Almost Human, The Tomorrow People and The 100 for the first time.

It will also unveil a special presentation of The Originals on the big screen, featuring never-before-seen footage that did not air as part of “The Originals” episode of The Vampire Diaries.

Not all shows are locked in to specific dates yet, but all the ones listed above WILL be there. More information will be provided when it becomes available! Here's the WB schedule so far:

The Originals Cast Photo

Friday, July 19

Almost Human (Fox): Step into the future with series stars Karl Urban, Michael Ealy and executive producer J.H. Wyman.

The Big Bang Theory (CBS): Executive producers Steven Molaro and Bill Prady and the writers of The Big Bang Theory take fans behind the scenes of TV’s #1 comedy.

Childrens Hospital (Adult Swim): Creator/star Rob Corddry and executive producers David Wain and Jonathan Stern join cast members Lake Bell, Erinn Hayes, Ken Marino and Rob Huebel.

The Following (Fox): Kevin Bacon, Shawn Ashmore and Valorie Curry join executive producers Kevin Williamson and Marcos Siega.

Nikita (Midseason The CW): Nikita makes its Comic-Con farewell with stars Maggie Q, Shane West, Lyndsy Fonseca, Aaron Stanford, Melinda Clarke, Devon Sawa and Noah Bean joining executive producer Craig Silverstein.

The 100 (CW): Series stars Eliza Taylor, Thomas McDonell, Marie Avgeropoulos, and Henry Ian Cusick join executive producers Matthew Miller and Jason Rothenberg.

Saturday, July 20

Arrow (CW): Stephen Amell, Katie Cassidy, David Ramsey, Emily Bett Rickards and Colton Haynes join executive producers Greg Berlanti, Marc Guggenheim and Andrew Kreisberg.

The Originals (CW): Series stars Joseph Morgan, Claire Holt, Phoebe Tonkin and Charles Michael Davis join executive producer Julie Plec.

Source:
http://www.tvfanatic.com/2013/06/warner-bros-comic-con-lineup-revealed/

NBC Announces 2013-2014 Premiere Dates

NBC has announced premiere dates for its fall schedule, which include the launch of two highly-anticipated new shows, The Blacklist and The Michael J. Fox Show, along with the return of many favorites.

The fifth-season, two-hour premiere of The Voice will serve as the anchor for Monday and Tuesday nights, while Parenthood shifts nights and Parks & Recreation returns with two consecutive episodes.

Scroll down for the 2013-14 premiere dates and set your DVRs accordingly.

The Peacock

Monday, September 23

The Voice, 8 p.m.
The Blacklist, 10 p.m.

Tuesday, September 24

Chicago Fire, 10 p.m.

Wednesday, September 25

Revolution, 8 p.m.
Law & Order: SVU, 9 p.m.

Thursday, September 26

Parks and Recreation, 8 p.m. (two episodes)
The Michael J. Fox Show, 9 p.m. (two episodes)
Parenthood, 10 p.m.

Friday, October 25

Grimm, 9 p.m.
Dracula, 10 p.m.

Friday, October 27

Dateline, 9 p.m.

Wednesday, October 2

Ironside, 10 p.m.

Thursday, October 3

Welcome to the Family, 8:30 p.m.
Sean Saves the World, 9 p.m.

Tuesday, October 8

The Biggest Loser, 8 p.m.

Source:
http://www.tvfanatic.com/2013/06/nbc-announces-2013-2014-premiere-dates/

Comic-Con 2013: First Panels Announced!

We're less than a month away from Comic-Con 2013, when your favorite shows and thousands of fans descend upon San Diego, Calif., as we anticipate the coming TV season's best offerings.

The first attendees have been revealed, with many, many more still to come. As the annual event gets bigger every year, expect the schedule to be jam-packed when all is said and done.

Check back with TV Fanatic for updates throughout the coming weeks to learn when and if your favorite shows will be appearing. For now, here's a look at some just-announced panelists:

A Decision for Booth

Thursday, July 18

Hannibal (NBC): Executive producers Bryan Fuller, David Slade and Martha De Laurentiis join star Hugh Dancy.

Murder Police (Fox): David Goodman, Jason Ruiz, Will Sasso, Chi McBride, Peter Atencio and Justina Machado.

Black Sails (Starz)

Friday, July 19

Bones (Fox): Executive producers Hart Hanson and Stephen Nathan join star David Boreanaz.

Bob’s Burgers (Fox): Executive producers Loren Bouchard and Jim Dauterive join stars H. Jon Benjamin, Dan Mintz, Eugene Mirman, John Roberts, Kristen Schaal and Larry Murphy.

Brickleberry (Comedy Central): Creators and executive producers Waco O’Guin, Roger Black and Zac Moncrief, along with David Herman, Tom Kenny, Jerry Minor and Natasha Leggero.

Marvel’s Agents of S.H.I.E.L.D. (ABC): Executive producer Joss Whedon and Marvel’s Head of Television Jeph Loeb preview the new series.

Sleepy Hollow (Fox): Executive producers Alex Kurtzman, Roberto Orci and Len Wiseman join stars Tom Mison and Nicole Beharie.

Banshee (Cinemax): TBA.

Saturday, July 20

American Dad (Fox): Wendy Schaal, Rachael MacFarlane, Scott Grimes, Dee Bradley Baker and more will be on hand for a Q&A.

Family Guy (Fox): Voice cast Seth Green and Alex Borstein join executive producer Rich Appel and surprise guests.

Futurama (Comedy Central): Billy West, John DiMaggio, Katey Sagal, Maurice LaMarche, Tress MacNeille, David Herman, Phil LaMarr and Lauren Tom join executive producer David X. Cohen and creator Matt Groening.

The Simpsons (Fox): Creator Matt Groening, executive producer Al Jean, supervising director Mike Anderson and producer David Silverman celebrate the show’s 25th anniversary.

How I Met Your Mother (CBS): Executive producers Carter Bays, Craig Thomas and Pamela Fryman join Josh Radnor, Cobie Smulders, Neil Patrick Harris, Jason Sagal and Alyson Hanniga.

Once Upon a Time (ABC): TBA.

Once Upon a Time in Wonderland (ABC): TBA.

Sunday, July 21

Sons of Anarchy (FX): Creator Kurt Sutter joins stars Charlie Hunnam, Katey Sagal, Ron Perlman, Maggie Siff, Kim Coates, Mark Boone Jr., Tommy Flanagan, Theo Rossi, Dayton Callie and Jimmy Smits.

Source:
http://www.tvfanatic.com/2013/06/comic-con-2013-first-panels-announced/

Hannibal Review: The Truth Comes Out

"Savorueux" was both the conclusion we’ve been anticipating and the beginning we’ve been craving for. Will finally figured out what kind of man Lecter is and Lecter put the finishing touches on his plans for Will.

You catch these killers by getting into their heads, but you also allow them into your own. | permalink

Proving His Innocence

Alana’s conversation with Will in the interrogation room was heartbreaking. Hannibal Season 1 has never been about silver linings and positivity, but the emotional upheaval between Alana and Will was far more hair raising than any amount of gore Hannibal displays. It was an emotionally gory scene; particularly during this small moment between Will and Alana:

Will: I guess you dodged a bullet with me.
Alana: I don't feel like I dodged a bullet. I feel wounded. | permalink

Alana knows what kind of man Will is and she’s searching for the man she knows while being confronted with what the evidence is telling her. Alana is surrounded with objectivity and clinical diagnoses. She is the only one who wants to follow her gut in finding something, anything, that can prove his innocence.

Sadly, as Alana is confronted with more evidence that convicts Will, she begins to lose faith in him. She too eventually succumbs to her clinical tendencies, even as she correctly diagnoses Will with encephalitis.

I’ve had this episode for almost two weeks now and Hugh Dancy’s performance still gives me chills. Will’s gradual realizations about who Hannibal really is, and the process of understanding he goes through, is phenomenal. Will starts from an honest belief that he’s committed these murders because so much of his timeline is in pieces, but using context and time he begins to realize that he never had opportunity to be the copycat killer.

So if he isn’t the copycat killer, there’s no way in hell he killed Abigail Hobbs. That if-then statement is the only thread Hannibal has to connect and coax Will into his own version of events.

The Stag Will continues to see is a symbolization of what he has always known, but is never quite willing to make the leap towards. The vision began once he met Hannibal, and continues to make its appearance throughout the season, even collapsing at one point - and when Will finally makes his way into Hannibal’s office, he finally makes the connections he needs to. Will sees the sculpture of the stag and also sees sculptures of Hannibal’s copy killings.

Will’s desire to bring Hannibal to the Hobbs home is indicative of his plans. Will was not going to let Hannibal leave there alive (much like Abigail and her family):

Will: I know who I am. I'm not so sure I know who you are anymore, but I am certain one of us killed Abigail.
Lecter: Whoever that was killed the others. | permalink

Will: I am who I have always been; the scales have fallen away from my eyes. I can see you now. | permalink

Sadly for Will, Hannibal’s version of events is also Jack’s version of events, and, while Jack has his doubts, he follows where the evidence goes. But these manipulations are necessary and it escalates the cat and mouse game between Will and Hannibal even further.

Hannibal’s interactions with Maurier (played by the awesome Gillian Anderson – I still miss my X-Files) lead us to believe Hannibal thinks he’s won by his desire to visit Will to say goodbye. The final scene with Will in jail and Hannibal looking at him with a knowing smile was the perfect end cap to the season.

The game has changed and the friendship between Hannibal and Will is over. Hannibal’s curiosity might end up killing him.

Source:
http://www.tvfanatic.com/2013/06/hannibal-review-the-truth-comes-out/

Burn Notice Review: All For One

With Sam and Jesse helping Michael, we got two of the three missing teammates back in the action on Burn Notice this week. I think we can all agree that ain't bad. 

Besides, one of the best parts of "Down Range" was watching Fiona teach Madeline how to blow a hole in a wall. Madeline was a quick study and her conversation with the bookie at the very end of the episode will go down as one of my all-time favorites. 

But I’m getting ahead of myself. I need to start with the freshly shaven Michael recruiting Jesse and Sam to come down to help him in the Dominican Republic. Ah... the Three Musketeers are back together, now we just need Milady de Winter to come to her senses and forgive Michael and all will be right with the world. 

Maybe "right with the world" is a bit strong. Michael has gotten himself wedge pretty good between a rock and a hard place.

Burke Handling Things

On one side we have Burke, whose style I'm beginning to admire. The guy casual laughed when truck thief Mechoso wanted an increase from $5,000 to $12.5 million for the job.

Okay, we all knew the guy was dead at that point, but I was expecting Burke to go “cool detached” and kill the guy. What I didn't expect was for him to wait for the guy to try and attack... then turn his own knife on him. 

Then, on the other side we have Jesse, Sam (and Strong). Let's not overlook the fact that withing 24 hours of teaming up with Michael, Sam had to kill a guy to keep him safe. Watching Sam shoot that guard actually shocked me; I had just said last week that Michael was different from Gamble because he didn't kill indiscriminately and now Sam had to kill against his will. 

I’m actually curious how this will affect Sam in the long run. He is a former Navy SEAL so I have to imagine he’s killed someone before, even if it wasn't a mercenary guard about to attack Michael. But, at the same time, Sam's spent a lot of energy not killing people in the past. 

Then you have Agent Strong. If anyone is going to lose it, my bet is on Strong first. He's wound so tightly and following the books so closely, he’s going to snap! At least Sam and Jesse convinced him to let them stay and help.  

Speaking of convinced, we are back to my favorite part: when Fiona convinced Madeline not to pay the bookie. I was even more thrilled when she decided to teach Madeline how to blow a hole in the wall. Madeline reminded me where Michael got some of his skills as she faced off with the guy and gave her demands; resulting in the guy to cower in his seat. 

In conclusion, I've got no idea where we are heading with Burke, but I’m happy to ride along. Pasdar put the perfect mix of charming and scary into Burke and I find myself wanting Michael to trust him. I know he’s a bad guy but, he’s not outwardly evil like Anson Fullterton was. The result is that it makes him a bit of a wild card on which way he may go. Finding out that he has a boss has me totally intrigued as to who they may be. 

My guess is that some portion of The Management has survived and Burke is their Michael. In my fevered dreams they have rebuilt without Michael knowing. Then, Michael and the CIA are able to finally end them once and for all. 

Who do you think Burke’s boss is? Someone we met before or someone brand new? Sound off below!

Source:
http://www.tvfanatic.com/2013/06/burn-notice-review-all-for-one/

Max Boufathal – Fighting Solar Brothers

Max Boufathal Solar Fighting Brothers (5)

Max Boufathal Solar Fighting Brothers (3)

Max Boufathal Solar Fighting Brothers (1)

Max Boufathal Solar Fighting Brothers (2)

Max Boufathal Solar Fighting Brothers (4)

Paris-based artist Max Boufathal created these shimmering warriors out of plastic bags, steel, plaster and wax. The set of three sculptures are named after the music icons, Jimi Hendrix, Marvin Gaye and James Brown. I love the way he was able to form the plastic bags into muscles, turning something seemingly light and delicate into a strong forceful presence.

View more of Max Boufathal’s work at maxboufathal.com!

 

 

 

Source:
http://feedproxy.google.com/~r/streetanatomy/OQuC/~3/9DoZtBeIUYA/

Wilfred Review: Immortality and Mortality

It's been exactly nine months since the last time I was able to write about how great of a television show Wilfred is.

In my review of the Wilfred Season 2 finale, I called the show hilarious, heart-warming, depressing, and thought-provoking. Last summer the show took a leap in quality, elevating it to not only one of the best comedies on TV, but one of the best series period.  

After watching two episodes of Wilfred Season 3, that fact has not changed.

Where Did I Come From?

The hour of "Uncertainty" and "Comfort" worked as a tremendous reminder of why Wilfred is like nothing else on television.  It has the look and feel of a major motion picture, it racks the viewer's brain week after week with questions of what it's all about akin to Lost or Fringe, and it cracks you up throughout like some of the best comedies of all time.

"Uncertainty," in particular, did a fantastic job returning to the questions that arose in last year's finale, and eventually discarding them by accepting that "the answers will come in good time."

They will, and according to Jim Halterman's interview with Jason Gann here at TV Fanatic, that time may be at the start of next season.  The fact of the matter is that this isn't a serious drama.  I hope there aren't crazed fans out there begging for answers to what Wilfred really is.  However, the writers playing on that notion by having Ryan and Wilfy argue about whether the latter is imagined because of the former's lunacy, or if Wilfred is simply a magical being, was brilliant.

When Wilfred asks Ryan, "You think I'm only in your head?" it's like he was smirking at the audience.  The dog could be in Ryan's head. Heck, he could be an immortal magical being.  The great part about Wilfred is that no matter what the answers are, it's going to be a hilarious ride.

Between his memories of Anne Frank and Vincent van Gogh, his interactions with Stinky, and the simplicity of the ending in which Wilfred lights the lamp shade on fire because he thought that's what they were doing, "Uncertainty" was a welcomed return for this strange FX comedy.

After all of the unanswered questions were purged out in the first half hour, "Comfort" took a step back toward the norm.  It played out as a great one-off piece about religion, grief, and a dog's hatred of mailmen.

The Friend of My Enemy

Zachary Knighton, fresh off a brilliant third and presumably final season of Happy Endings, gave a wonderful performance as Bill the mailman.  As a card carrying member of the Dave Rose fan club, Knighton's appearance was a welcomed surprise.

Whether through jubilation (the craziness of that undeliverable letter), or sadness (falling apart once finally talking about his boy Barry getting ripped apart by a dog), Knighton was game for anything.

It was and always has been, though, Gann, who was responsible for a majority of the laughs.  His ability to morph Wilfred into anything and everything is reason number one why this show works week after week.

This time around it was the realization that friends and relatives don't come back after actually dying that turned Wilfy into an uber-religious crazy person.

Between wearing underwear and telling Bear to cover up, imagining criminals as Jesus and God, and explaining to the sinning mail men and women that they had done wrong through screaming and fireworks, "saved" Wilfred was an absolute delight.

Check out some of our favorite quotes from the hour below, and then hit our Wilfred quotes section for the best lines from the entire series.  

  • Wilfred: Maybe I'm magical. Maybe you're crazy. The answers will come in good time.
  • Wilfred: What happens if my old owner wants me back? I'd want me back. I mean, look at this shit.
  • Ryan: So, who won the rape fight?
    Wilfred: Just drive, please.
  • Wilfred: Holy shit. Marley and Me is a really sad movie. God, why was I laughing the whole time?
  • Wilfred: It was Jesus!
    Ryan: And Jesus stole my radio?
    Wilfred: The Lord works in mysterious ways.
  • Wilfred: When one walks with the Lord, Ryan, one's tail is always wagging.
  • Wilfred: It was God, Ryan.  And as God was carrying your flat screen tv out the back door, he looked at me as if to say, "Go my son. Smite these sinners. Wipe this present day Sodom and Gomorrah off the face of the earth!"

I thought the hour was a great return for Wilfred, which remains one of the best comedies on television.  What did you think of "Uncertainty" and "Comfort?"  What were your favorite moments?  What was the best line of the hour?  And what did you think of that fat, ugly piece of sh*t Stinky?

Source:
http://www.tvfanatic.com/2013/06/wilfred-review-immortality-and-mortality/

Aspirin: Calm Down Your Head

Jacco Prussman Asprin Ad Head Skull Anatomy (1)

Jacco Prussman Asprin Ad Head Skull Anatomy (2)

Jacco Prussman Asprin Ad Head Skull Anatomy (4)

Jacco Prussman Asprin Ad Head Skull Anatomy (3)

A different way to visualize the source of that pounding headache. Berlin based art director, Jacco Prüsmann created this conceptual ad for aspirin along with copywriter Katharina merhaut and illustrator, Michael Mantel.  The concept won quite a few awards including, the 2013 ADC Germany, Bronze, Lürzers Archive Student of the Year Nominee 2012, an Winner, Applied Arts Award 2012.

 

 

Source:
http://feedproxy.google.com/~r/streetanatomy/OQuC/~3/Rx-exz6Hiao/

Heather Dewey-Hagborg Identifying Litterers

Want to know who spit their gum out on the street? Or maybe who threw their empty soda onto the train tracks? Lit cigarettes on the ground, empty food wrappers, NY is covered in litter. Louis CK jokes that it’s not litter when the city itself is made of trash.

Heather Dewey-Hagborg, is a self described information artist, and for one of her projects she uses art and DNA to “identify” the litter culprits.

littersbugs1

litterbugs

litterbugs2

Dewey-Hagborg picks up a piece of litter, sends the litter to a lab in Brooklyn for the DNA to be extracted, and from there creates a 3D mold of the face of the litterer. The molds are more artist’s renderings than fact, and according to Dewey-Hagborg, “no one has recognized themselves yet! In reality these in-progress portraits are more of a general likeness, a family resemblance, than an exact depiction.

You can check out her other projects on her site, deweyhagborg.com.

 

[via Pop Culture Pirate]

 

Source:
http://feedproxy.google.com/~r/streetanatomy/OQuC/~3/jnLsG9IY8p0/

The Victorian Love Affair with Death! Dissection and Magic! Future Death/Future Cemeteries! The "Hot Nurse!" The Morbid Anatomy Lecture Series This Week and Next at London’s Last Tuesday Society

Dear Londoners:

Are you interested in learning more about "the Victorian love affair with death" this Monday, June 17th? Or, perhaps you might be more curious to find out about the relationship between magic and dissection the very next evening? Or if that does not interest, perhaps you might be tempted by a lecture entitled "Future Death. Future Dead Bodies. Future Cemeteries" with Dr. John Troyer, deputy director of the Centre for Death and Society at the University of Bath taking place this Thursday June 20th? Or, if none of this appeals, perhaps you might fancy a heavily-illustrated talk tracing the figure of the "hot nurse" in romantic fiction with the Natasha McEnroe, director of the Florence Nightingale Museum this Sunday, June 23rd?

If none of this has piqued your interest, do not despair; the following week will bring more events and lectures, including a virtual tour of Amsterdam's astounding Vrolik Museum--with its "two skeletons of dwarves, rare Siamese twins, cyclops and sirens, dozens of pathologically deformed bones, [and] the giant skull of a grown man with hydrocephalus" (Monday, June 24th); The Science Museum's Phil Loring on Galvani's experiments to wake the dead in 19th century London (Tuesday, June 25th); Mike Jay on James Tilly Matthews’ "influencing machine" (Wednesday, June 26th) followed by Pamela Pilbeam--author of Madame Tussaud and the History of Waxworks--with an illustrated lecture on Madame Tussaud and the Guillotine (Thursday, June 27th).

And, if talks don't interest, perhaps you might just fancy a backstage tour of the zoological collections of The Natural History Museum (Friday June 28th) or a workshop in the crafting of bat skeletons in glass domes (Saturday and Sunday, June 29th and 30th).

Full details and ticket links follow; most events cost £7 and take place at 7pm at London's Last Tuesday Society. Hope to see you at one or more!
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The Victorian Love Affair with Death and the Art of Mourning Hair Jewelry: Illustrated lecture with Art Historian and Master Jeweler Karen Bachmann
17th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
The Victorians had a love affair with death which they expressed in a variety of ways, both intensely sentimental and macabre. Tonight’s lecture–the last in a 3-part series on human relics and Victorian mourning jewelry–will take as its focus the apex of the phenomenon of hair jewelry fashion in the Victorian Era as an expression of this passion. Nineteenth century mourning rituals will be discussed, with a particular focus on Victorian hairwork jewelry, both palette worked and table worked. Also discussed will be the historical roots of the Victorian fascination with death, such as high mortality rates for both adults and children, the rise of the park cemetery, and the death of Queen Victoria’s beloved Prince Albert and her subsequent fashion-influencing 40-year mourning period. Historical samples of hair art and jewelry from the lecturer’s personal collection will also be shown.

Karen Bachmann is a fine jeweler with over 25 years experience, including several years on staff as a master jeweler at Tiffany and Co. She is a Professor in the Jewelry Design Dept at Fashion Institute of Technology as well as the School of Art and Design at Pratt Institute. She has recently completed her MA in Art History at SUNY Purchase with a thesis entitled “Hairy Secrets; Human Relic as Memory Object in Victorian Mourning Jewelry”. In her downtime she enjoys collecting biological specimens, amateur taxidermy and punk rock.

More here.
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Dissection and Magic with Constanza Isaza Martinez
18th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
This lecture examines images of human corpses in Early Modern European art in relation to two specific themes: the practice of ‘witchcraft’ or ‘magic’; and the emergent medical profession, particularly anatomical dissection. As the images demonstrate, the two practices were closely linked during this period, and the corpses were a source - albeit fraught with anxieties - of power and knowledge for the figures of the witch and the anatomist.
Constanza Isaza Martinez is an artist, photographer, and independent researcher. She gained her BA in Photographic Arts from the University of Westminster, and her MA in History of Art from the Courtauld Institute. Both her art and her research have frequently explored themes of mortal
ity, mutability, death, and decay. For more information, please visit http://www.constanzaisaza.com.
More here.
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Future Death. Future Dead Bodies. Future Cemeteries: Illustrated lecture by Dr. John Troyer, Deputy Director of the Centre for Death and Society at the University of Bath
20th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
Approximately 1500 people die every day across the United Kingdom, roughly one person a minute. And unless you are a person who works in a profession connected to the dying, chances are good you rarely (if ever) see any of these 1500 dead bodies. More importantly-- do you and your next of kin know what you want done with your dead body when you die? In the future, of course, since it's easier to think that way. Dr. John Troyer, from the Centre for Death and Society, University of Bath, will discuss three kinds of postmortem futures: Future Death, Future Dead Bodies, and Future Cemeteries. Central to these Futures is the human corpse and its use in new forms of body disposal technology, digital technology platforms, and definitions of death.
Dr. John Troyer is the Deputy Director of the Centre for Death and Society at the University of Bath. His interdisciplinary research focuses on contemporary memorialisation practices, concepts of spatial historiography, and the dead body?s relationship with technology. Dr. Troyer is also a theatre director and installation artist with extensive experience in site-specific performance across the United States and Europe. He is a co-founder of the Death Reference Desk website and a frequent commentator for the BBC. His forthcoming book, Technologies of the Human Corpse (published by the University of North Carolina Press), will appear in 2013.
More here.
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‘She Healed Their Bodies With Her White Hot Passions’: The Role of the Nurse in Romantic Fiction with Natasha McEnroe: Illustrated lecture Natasha McEnroe, Director of the Florence Nightingale Museum
23rd June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

“She stood by, handing him the required instruments while he stitched up an ice-pick stabbing that had by some miracle barely missed a woman’s heart. She heard the woman’s thick voice as she went under the anaesthetic: ‘My man didn’t really mean to hurt me, Doc. He was just mad account of I didn’t have him a meat supper when he got home from work.’” [Society Nurse, 1962].

Under such dramatic circumstances, it is no wonder that passion flares between the beautiful young nurse and her handsome doctor colleague. The figure of the nurse in romance fiction is a powerful one, her starched white apron covering a breast heaving with suppressed emotion. Victorian portrayals of the nurse show either a drunken and dishonest old woman or an angelic and devoted being, which changes to a 20th-century caricature just as pervasive – that of the ‘sexy nurse’. In this talk, Natasha McEnroe will explore the links between the enforced intimacy of the sickroom and the handling of bodies for more recreational reasons.
Natasha McEnroe is the Director of the Florence Nightingale Museum. Her previous post was Museum Manager of the Grant Museum of Zoology and Comparative Anatomy and Curator of the Galton Collection at University College London. From 1997 – 2007, she was Curator of Dr Johnson’s House in London’s Fleet Street, and has also worked for the National Trust and the Victoria and Albert Museum. Natasha has lectured widely at venues including the Royal Society, the British Museum and the Hunterian Museum.
More here.
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Face lift or face reconstruction? Redesigning the Museum Vrolik, Amsterdam's anatomical museum: An illustrated lecture with Dr. Laurens de Rooy, curator of the Museum Vrolik in Amsterdam
24th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
Copies of the book Forces of Form: The Vrolik Museum will be available for sale and signing.
Two skeletons of dwarfs, rare Siamese twins, cyclops and sirens, dozens of pathologically deformed bones, the giant skull of a grown man with hydrocephalus, the skeleton of the lion once owned by king Louis Napoleon, as well as the organs of a babirusa, Tasmanian devil and tree kangaroo – rare animals that died in the Amsterdam zoo ‘Artis’ shortly before their dissection. Counting more than five thousand preparations and specimens, the Museum Vrolikianum, the private collection of father Gerard (1775-1859) and his son Willem Vrolik (1801-1863), was an amazing object of interest one hundred and fifty years ago. In the 1840s and 50s this museum, established in Gerard’s stately mansion on the river Amstel, grew into a famous collection that attracted admiring scientists from both the Netherlands and abroad. After the Vrolik era, the museum was expanded with new collections by succeeding anatomists and the museum now houses more than 10,000 anatomical specimens.
Since 1984, the museum has been located in the academic Hospital of the University of Amsterdam. In 2009 the museum collections were portrayed by the photographer Hans van den Bogaard for the book Forces of Form. This book was the starting point for the creation of a new 'aesthetic' of the museum and its collection, eventually resulting in the grand reopening of the renovated and redesigned permanent exhibition in September 2012. For the first time since the death of father and son Vrolik, all of their scientific interests - the animal anatomy, the congenital malformations and the pathologically deformed human skeletons can all be viewed together, thus giving an impression of what that mid-19th century anatomy was all about. In this talk, Museum Vrolik curator will take you on a guided tour of the new museum, and give an overview of all the other aspects of the 'new' Museum Vrolik.
Dr. Laurens de Rooy (b. 1974) works as a curator of the Museum Vrolik in the Academic Medical Centre in Amsterdam. He studied Medical Biology, specializing in the history of science and museology. during his internship he researched the collection of father and son Vrolik. In 2009 he obtained his PhD in medical history.
More here.
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The Walking Dead in 1803: An Illustrated Lecture with Phil Loring,
Curator of Psychology at the Science Museum in London
25th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
A visiting Italian startled Londoners at the turn of the 19th century by making decapitated animals and executed men open their eyes and move around, as if on the verge of being restored to life. This was not magic but the power of electricity from the newly invented Galvanic trough, or battery. It was also the dawn of the modern neurosciences, as the thrust behind these macabre experiments was to understand the energy that moved through the nerves and linked our wills to our bodies. This talk will discuss a variety of historical instruments from the Science Museum's collections that figured in these re-animation experiments, including the apparatus used by Galvani himself in his laboratory in Bologna. This will be a partial preview of an upcoming Science Museum exhibition on nerve activity, to open in December 2013.
Phil Loring is BPS Curator of Psychology at the Science Museum in London. He has a Master's degree in Medical Anthropology from Harvard University and is currently completing his Ph.D. in the History of Science, also from Harvard, with a dissertation on psycho-linguists in Cambridge, Massachusetts, after the Second World War. Phil has been at the Science Museum since 2009, and during that time he has been particularly committed to sharing artefacts related to psychology and psychiatry with adult audiences. He's currently preparing an exhibition on the history of nerves, to open in December 2013.
More here
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The Influencing Machine: James Tilly Matthews and the Air Loom with Mike Jay
26th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
Confined in Bedlam in 1797 as an incurable lunatic, James Tilly Matthews’ case is one of the most bizarre in the annals of psychiatry. He was the first person to insist that his mind was being controlled by a machine: the Air Loom, a terrifying secret weapon whose mesmeric rays and mysterious gases were brainwashing politicians and plunging Europe into revolution, terror and war. But Matthews’ case was even stranger than his doctors realised: many of the incredible conspiracies in which he claimed to be involved were entirely real. Caught up in high-level diplomatic intrigues in the chaos of the French revolution, he found himself betrayed by both sides, and in possession of a secret that no-one would believe…
Mike Jay is an author, historian and curator who has written widely on the history of science and medicine, and particularly on drugs and madness. As well as The Influencing Machine, he is the author of Emperors of Dreams: Drugs in the Nineteenth Century and High Society: Mind-Altering Drugs in History and Culture, which accompanied the exhibition he curated at Wellcome Collection.
More here.
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Madame Tussaud, the French and the Guillotine: Illustrated Lecture by Pamela Pilbeam Emeritus Professor of French History, Royal Holloway, University of London and author of Madame Tussaud and the History of Waxworks
27th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
`You perceive that this is some sort of holy of holiest, the nearest Victorians got to a Cathedral, with its saints enniched within’. The chief saint in Madame Tussaud’s exhibition was Bonaparte, the chief villains were Robespierre and his revolutionary colleagues. When she arrived in Britain in 1802 for a short tour that lasted until she died in 1850, her exhibition was an exploration of the evils of the French Revolution. She had modelled the guillotined revolutionaries, as well as Louis XVI and Marie-Antoinette, from their severed heads- and brought a model of a guillotine and the Bastille fortress to expose the short comings of the French. The British, busily at war with their nearest neighbour, loved this critical exposure. Later the focus of her collection became her `Shrine to Napoleon’ consisted of two rooms dedicated to the Emperor. Napoleon had always had a leading role in her touring company, but in 1834, when she was a well-established figure in the world of entertainment and about to open a permanent museum in Baker Street, Madame. Tussaud began to amass large quantities of Napoleonic memorabilia. She built up a collection which Napoleon III acknowledged, when he tried abortively to buy it from the Tussauds, to be the best in the world. Madame Tussaud’s presentation of French politics and history did much to inform and influence the popular perception of France among the British. This paper will explore that view and how it changed during the nineteenth century.
Pamela Pilbeam is Emeritus Professor of French History, Royal Holloway, University of London.   She is the author of Madame Tussaud and the History of Waxworks.

More here.
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© The Natural History Museum,
London 2012. All Rights Reserved.
Backstage Tour of the Zoological Collection of the Natural History Museum with Miranda Lowe
28th June 2013
Limited to 10 participants; Time 3:00 - 4:00
Ticket price £20; Tickets here
Today, ten lucky people will get to join Miranda Lowe, Collections Manager of the Aquatic Invertebrates Division, for a special backstage tour of The Natural History Museum of London. The tour will showcase the zoological spirit collections in the Darwin Centre, some of Darwin’s barnacles and the famed collection of glass marine invertebrate models crafted by Leopold and Rudolf Blaschka in the 19th and early 20th century.
Miranda Lowe is the Collections Manager of the Aquatic Invertebrates Division, Life Sciences Department, The Natural History Museum (NHM), London. Within Zoology Miranda specifically manages the Crustacea collections as well as the team of curators responsible for the Invertebrate collections. Darwin barnacles and the Blaschka marine invertebrate glass models are amongst some of the historical collections that are her interests and under her care. In 2006, she was part of the organising committee and invited speaker at the 1st international Blaschka congress held in Dublin. Miranda collaborated with the National Glass Centre, Sunderland, UK in 2008 to exhibit some of the Museum’s Blaschka collection alongside contemporary Blaschka inspired art. She also has an interest in photography, natural history - past and present serving on a number of committees including the Society for the History of Natural History (SHNH) and the Natural Sciences Association (NatSCA).
More here
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Bat in Glass Dome Workshop: Part of DIY Wunderkammer Series : With Wilder Duncan (formerly of Evolution Store, Soho) and Laetitia Barbier, head librarian at The Morbid Anatomy Library
29th June and 30th June 2013, 1 to 5pm
Ticket price £150; Tickets here (29th) and here (30th)
In this class, students will learn how to create an osteological preparation of a bat in the fashion of 19th century zoological displays. A bat skeleton, a glass dome, branches, glue, tools, and all necessary materials will be provided for each student, but one should feel welcome to bring small feathers, stones, dried flowers, dead insects, natural elements, or any other materials s/he might wish to include in his/her composition. Students will leave the class with a visually striking, fully articulated, “lifelike” bat skeleton posed in a 10” tall glass dome. This piece can, in conjunction with the other creations in the DIY Wunderkammer workshop series, act as the beginning of a genuine collection of curiosities! This class is part of the DIY Wunderkammer workshop series, curated by Laetitia Barbier and Wilder Duncan for Morbid Anatomy as a creative and pluridisciplinary exploration of the Curiosity Cabinet. The classes will focus on teaching ancient methods of specimen preparation that link science with art: students will create compositions involving natural elements and, according to their taste, will compose a traditional Victorian environment or a modern display. More on the series can be found here.
Wilder Duncan is an artist whose work puts a modern-day spin on the genre of Vanitas still life. Although formally trained as a realist painter at Wesleyan University, he has had a lifelong passion for, and interest in, natural history. Self-taught rogue taxidermist and professional specimen preparator, Wilder worked for several years at The Evolution Store creating, repairing, and restoring objects of natural historical interest such as taxidermy, fossils, seashells, minerals, insects, tribal sculptures, and articulated skeletons both animal and human. Wilder continues to do work for private collectors, giving a new life to old mounts, and new smiles to toothless skulls.
Laetitia Barbier is the head librarian at The Morbid Anatomy Library. She is working on a master’s thesis for the Paris Sorbonne on painter Joe Coleman. She writes for Atlas Obscura and Morbid Anatomy.
More here (29th) and here (30th).
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The Coming of Age of the Danse Macabre on the Verge of the Industrial Age: Illustrated lecture with Alexander L. Bieri
9th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
During the middle ages, the danse macabre developed into an independent art form, most often in the shape of murals which adorned the walls of cemeteries. These depictions of death followed a strict rulebook and generally were a representation of the class system of the time, which was based on nobility or – to be more precise – the estate-based society. The advent of the bourgeois during the 1700s and the upcoming industrialisation put a question mark not only behind the societal system, but quite naturally also behind many of the established art forms. The danse macabre was widely regarded to be an outdated concept and a discussion evolved whether the skeleton still was the appropriate epitome for death. One of the proponents of this discussion was the Swiss artist Johann Rudolf Schellenberg, who created the first modern danse macabre in 1785, far away from the old class system, a work of art which still has an uncanny actuality and addresses many of the modern fears still extant in society at present. His trailblazing work updated the genre overnight and can be seen as the master source of all similar works of art to follow. A complete set of the plates is held by the Roche Historical Collection and Archive in Basel, which also holds one of the world’s oldest anatomical collections. The lecture not only discusses Schellenberg’s danse macabre in detail, but also gives an
insight into the current fascination with vanitas and its depictions, especially focusing on the artistic exploitation of the theme and takes into consideration the history of anatomical dissection and preparation.
Alexander L. Bieri (*1976) is the curator of the Roche Historical Collection and Archive, a department within Roche Group Holdings. He assumes this position since 1999. Based in Basel, Switzerland but active as a consultant throughout the world, he has published many books and articles both on Roche-related and other themes. He also is responsible for a variety of Roche in-house museums and curated special exhibitions in Switzerland and abroad. In his capacity as an expert for 20th century architecture and design, he is a member of ICOMOS. In 2012, he was appointed lecturer for exhibition design at the Basel University.
More here.
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Photo courtesy of
Tonya Hurley
Viva la Muerte: The Mushrooming Cult of Saint Death": Illustrated lecture and book signing with Andrew Chesnut
10th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
The worship of Santa Muerte, a psuedo Catholic saint which takes the form of a personified and clothed lady death, is on the rise and increasingly controversial in Mexico and the United States. Literally translating to “Holy Death” or “Saint Death,” the worship of Santa Muerte–like Day of the Dead–is a popular form of religious expression rooted in a rich syncretism of the beliefs of the native Latin Americans and the colonizing Spanish Catholics. Worshippers of "The Bony Lady" include the very poor, prostitutes, drug dealers, transvestites, prison inmates and others for whom traditional religion has not served, and for whom the possibility of unpredictable and violent death is a very real part of everyday life. In the view of her worshippers, Santa Muerte is simply a branch of Catholicism which takes at its central figure the most powerful of all saints--Saint Death herself, the saint all must, after all, one day answer to.The Catholic Church sees it, however, as, at best, inadvertent devil worship, with the worship of death--and the manifestation of a saint from a concept rather than an individual--as heretical to its core tenants. Tonight, R. Andrew Chesnut, author of Devoted to Death: Santa Muerte, the Skeleton Saint and Chair in Catholic Studies at Virginia Commonwealth University, will detail his research into the history and ongoing development of this fascinating "new religion."
Copies of Devoted to Death: Santa Muerte, the Skeleton Sain will be available for sale and signing.
Dr. R. Andrew Chesnut earned his Ph.D degree in Latin American History from the University of California, Los Angeles in 1995 and joined the History Department faculty at the University of Houston in 1997 where he quickly became an internationally recognized expert on Latin American religious history. His most recent book is Devoted to Death: Santa Muerte, the Skeleton Saint (Oxford University Press, 2012). It is the first in-depth study of the Mexican folk saint in English.
More here
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From Blue Beads to Hair Sandwiches: Edward Lovett and London's Folk Medicine: An Illustrated lecture with Ross MacFarlane, Research Engagement Officer in the Wellcome Library
15th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
During his life Edward Lovett (1852-1933) amassed one of the largest collections of objects pertaining to 'folk medicine' in the British Isles.  Lovett particularly focused his attention on objects derived from contemporary, working class Londoners, believing that the amulets, charms and mascots he collected - and which were still being used in 20th century London - were 'survivals' of antiquated, rural practices. Lovett, however, was a marginal figure in folklore circles, never attaining the same degree of influence as many of his peers.  Whilst he hoped in his lifetime to establish a 'National Museum of Folklore', Lovett's sizeable collection is now widely dispersed across many museums in the UK, including Wellcome Collection, the Science Museum, the Pitt Rivers Museum and the Cuming Museum.  This paper will offer an overview of the range of healing objects Lovett collected, the collecting practices he performed and recent efforts to rehabilitate his reputation.
Ross MacFarlane is Research Engagement Officer in the Wellcome Library, where he is heavily involved in promoting the Library's collections, particularly to academic audiences.  He has researched and given public talks on such topics as the history of early recorded sound and the collecting activities of Henry Wellcome and his members of staff.  Ross is a frequent contributor to the Wellcome Library's blog and has had led guided walks around London on the occult past of Bloomsbury and the intersection of medicine, science and trade in Greenwich and Deptford.
More here.
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The Vampires of London: A Cinematic Survey with William Fowler (BFI) and Mark Pilkington (Strange Attractor)
18th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
This heavily illustrated presentation and film clip selection explores London's Highgate Cemetery as a locus of horror in the 1960s and 1970s cinema, from mondo and exploitation to classic Hammer horror.
William Fowler is curator of artists' moving image at the BFI National Archive and co-programmes the cult cinema strand at Flipside at BFI South
bank.
Mark Pilkington runs Strange Attractor Press and is the author of 'Mirage Men' and 'Far Out: 101 Strange Tales from Science's Outer Edge'. 
More here
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"Here's a Health to the Barley Mow: a Century of Folk Customs and Ancient Rural Games" Screenings of Short Films from the BFI Folk Film Archives with William Fowler
24th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
Tonight, the British Film Institute's William Fowler will present a number of rare and beautiful short films from the BFI National Archive and Regional Film Archives showing some of our rich traditions of folk music, dance, customs and sport. Highlights include the alcoholic folk musical Here's a Health to the Barley Mow (1955), Doc Rowe’s speedy sword dancing film and the Padstow Mayday celebration Oss Oss Wee Oss (Alan Lomax/Peter Kennedy 1953).
The programme provides a taste of the BFI's 6-hour DVD release 'Here's a Health to the Barley Mow: a Century of Folk Customs and Ancient Rural Games', a rich and wide-ranging collection of archive films from around the UK.
William Fowler is curator of artists' moving image at the BFI National Archive and co-programmes the cult cinema strand at Flipside at BFI Southbank.
More here.
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Of Satyrs, Horses and Camels: Natural History in the Imaginative Mode: illustrated lecture by Daniel Margócsy, Hunter College, New York
25th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
This talk argues that the creative imagination played a crucial role in the development of science during the scientific revolution. Modern, natural knowledge emerged from the interaction of painters, printmakers, artisans, cartographers, and natural historians. All these practitioners carefully observed, pictured and cataloged all the exotic naturalia that flooded Europe during the Columbian exchange. Yet their collaboration did not end there. They also engaged in a joint, conjectural guesswork as to what other, as yet unknown plants and animals might hide in the forests of New England, the archipelago of the Caribbean, the unfathomable depths of the Northern Sea, or even in the cavernous mountains of the Moon. From its beginnings, science was (and still is) an imaginative and speculative enterprise, just like the arts. This talk traces the exchange of visual information between the major artists of the Renaissance and the leading natural historians of the scientific revolution. It shows how painters’ and printmakers’ fictitious images of unicorns, camels and monkfish came to populate the botanical and zoological encyclopedias of early modern Europe. The leading naturalists of the age, including Conrad Gesner, Carolus Clusius and John Jonstonus, constantly consulted the oeuvre of Dürer, Rubens and Hendrick Goltzius, among others, as an inspiration to hypothesize how unknown, and unseen, plants and animals might look like.
Daniel Margocsy is assistant professor of history at Hunter College – CUNY. In 2012/3, he is the Birkelund Fellow of the New York Public Library’s Cullman Center for Scholars and Writers. He has co-edited States of Secrecy, a special issue of the British Journal for the History of Science on scientific secrecy, and published articles in the Journal of the History of Ideas, Annals of Science, and the Netherlands Yearbook of Art History.
More here.
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All talks and workshops take place at The Last Tuesday Society at 11 Mare Street, London, E8 4RP map here) unless otherwise specified; please click here to buy tickets. More on all events can be found here. Click on images to see larger versions.
Top Image: A Victorian woman in full first year mourning. Found on Victorian Mourning: Courtesy of Jack Mord of The Thanatos Archive

Source:
http://morbidanatomy.blogspot.com/2013/06/the-victorian-love-affair-with-death.html

New Documentary Film About Victorian Anthropomorphic Taxidermist Walter Potter? Yes Please!

As many regular readers know, these last few months I have been hard at work on a new book about Walter Potter, the British Victorian anthropomorphic taxidermist best remembered for such epic tableaux as Kittens’ Wedding (4th image), Rabbits’ Village School (3rd image) and The Death and Burial of Cock Robin. The tiny museum in which he showcased these tableaux--along with sundry freaks (bottom image) and curiosities--was open to the public for nearly one hundred and fifty years until it was, tragically, divided at auction in 2003.

Entitled Walter Potter's Curious World of Taxidermy, this new, lavishly illustrated book will celebrate the life and work of Walter Potter; it aims to reunite--if virtually!--his curious collection which is now, sadly, scattered around the world in a scores of private collections. It features droll and informative text by Potter scholar and collector Dr. Pat Morris; a charming foreword by pop art legend (and Potter enthusiast) Sir Peter Blake; and dozens of brand new photos of some of the most important of Potter's pieces.

The publisher and I invited Ronni Thomas--the man behind the Midnight Archive web series--to produce a video trailer for the book. Ronni became so completely captivated with the subject that he has decided to create, in addition to said trailer, a brand new documentary film based on Walter Potter's life and work.
I think we can all can agree that what the world really needs is a documentary film about the amazing life and work of Walter Potter. And in order to raise funds to complete this project in the style it deserves, Ronni has done what kids today do: He has launched a Kickstarter campaign, from whence the short film above.

I implore you to join me in supporting this worthy cause. And not just out of the kindness of your heart! Funders of this project will also receive a variety of exciting awards including (but not limited to) deluxe DVD/Blue Ray versions of the final film, a special advance copy of the book Walter Potter's Curious World of Taxidermy, special limited edition Potter postcards featuring never before seen photographs, and even, for the highest bidders, a custom film made especially for you. You will also, of course, receive film maker Ronni Thomas' undying gratitude, and contribute towards making the world a better place.

Following is more about the project, in Ronni's own words; You can find out more about this very worthy campaign (and join me in making a pledge!) by clicking here.

The Taxidermy Wonders of Walter Potter: A Short(?) Film
A short documentary featuring the life and strange artwork of amateur taxidermist Walter Potter by Ronni Thomas of The Midnight Archive.

Walter Potter was a Victorian self-taught taxidermist from Sussex, England who is best known for his large-scale anthropomorphic taxidermy tableaux including The Kittens’ Wedding, Rabbits’ Village School and The Death and Burial of Cock Robin. Until very recently, his truly unique collection has only been seen in its entirety by those fortunate enough to have visited his museum before the contents were auctioned to private collectors in 2003. For the first time – and with the help of historians, photographers, and collectors of his work – I intend to document Potter's life, creations and legacy in the latest installment of my award-winning Midnight Archive web series. The Midnight Archive generally consists of short (3–5 minute) pieces, and I have for some time been eager to grow these short 'episodes' into greater and longer stories. I feel that an episode about the life and work of Walter Potter is the perfect project to take to this next level. To do this right will require a little more than the casual subway ride around town. A project of this size will require a budget to make it happen, and I am hoping that I can persuade Potter fans and enthusiasts to pitch in to help make this the great film it deserves to be.

This film will feature some of the very first footage of these fantastic creations over one hundred years in age, many of which are now scattered around the globe in the homes of private collectors and thus nearly impossible to see. Among the collectors I will seek out to play their part are Sir Peter Blake – seminal pop artist, designer of the Sgt. Pepper album cover, and enthusiastic Potter collector – and artist Damien Hirst, who allegedly tried to pay one million pounds to halt the auction and keep the Potter collection intact. The film will also take you behind the scenes into an assortment of fascinating private collections in the US and the UK.  Most importantly, and as always with the work I do, the piece will be thorough, dynamic and beautiful. Please donate all you can!

Risks and challenges
So, Potter's work is now scattered around the globe and owned by many different collectors. Many of the people are not easy to pin down, or are wary of talking to just anyone. Using the track record and proven integrity of The Midnight Archive series, and my connections with the co-author Morbid Anatomy's Joanna Ebenstein and publishers of Walter Potter's Curious World of Taxidermy – the delightful new coffee table book coming out this September – I have not only unprecedented access to many never-before-seen photographs, but also to many of the narrative's key players. Most importantly, if anyone is already familiar with the work I have created thus far, it becomes clear that I can do humble justice to this subject. I have many relationships with festivals and distributors, and I am well respected as a filmmaker, so I expect to gain a maximum amount of exposure for this project.

I will do this project whether or not this fundraising is successful; it will, however, be a longer and more in-depth work if we manage to raise the money. We're not asking fo
r much, and all funds will go into the film itself (no first-class tickets on this shoot). Much like Potter himself, my intention is to make a great work of art, not capitalize on it...

Again! You can find out more or make a donation by clicking here.
Images:
  • Bunny Schoolhouse: Found here 
  • Kitten Wedding: The Telegraph; by Marc Hill/Apex
  • 8 legged kitten postcard: Found here

Source:
http://morbidanatomy.blogspot.com/2013/06/new-documentary-on-victorian.html

Morbid Anatomy in Brooklyn: Newly Announced Classes and Workshops in the Arcane, The Taxidermic, and the Anatomical

Morbid Anatomy is delighted to announce a number of new Brooklyn-based workshops taking place in the weeks and months to come! Offerings include anthropomorphic insect shadowboxes, wearable and displayable taxidermy, and ex voto making; Full details on all follow. Hope to see you at one or more!

And as always, you can find a full event and workshop list on the Morbid Anatomy Facebook page by clicking here.

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Anthropomorphic Insect Shadowbox Workshop with Former AMNH Senior Insect Preparator Daisy Tainton
With Daisy Tainton, Senior Insect Preparator at the American Museum of Natural History
Date: Saturday, June 22
Time: 1 – 4 PM
Admission: $75
***Must purchase tickets either in person or at http://beetleclass.bpt.me/
This class is part of The Morbid Anatomy Art Academy
Today, join former AMNH Senior Insect Preparator Daisy Tainton for Observatory's popular Anthropomorphic Insect Shadowbox Workshop. In this class, students will work with Rhinoceros beetles: nature's tiny giants. Each student will learn to make--and leave with their own!--shadowbox dioramas featuring carefully positioned beetles doing nearly anything you can imagine. Beetles and shadowboxes are provided, and an assortment of miniature furniture, foods, and other props will be available to decorate your habitat. Students need bring nothing, though are encouraged to bring along dollhouse props if they have a particular vision for their final piece; 1:12 scale work best.
BEETLES WILL BE PROVIDED. Each student receives one beetle approximately 2-3 inches tall when posed vertically.
Daisy Tainton was formerly Senior Insect Preparator at the American Museum of Natural History, and has been working with insects professionally for several years. Eventually her fascination with insects and  love of Japanese miniature food items naturally came together, resulting in cute and ridiculous museum-inspired yet utterly unrealistic dioramas. Beetles at the dentist? Beetles eating pie and knitting sweaters? Even beetles on the toilet? Why not?
You can find out more about all events here.
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Squirrel Taxidermy and the Ancient Technique of Wrapped Body with Rogue Taxidermist Katie Innamorato
Date: Sunday, June 23
Time: 12 - 6.30
Admission: $275
***Maximum class size: 8 Students; Must RSVP to katie.innamorato [at] gmail.com
This class is part of The Morbid Anatomy Art Academy
This class will introduce students to basic taxidermy processes. As with other classes, this is only open to 8 students to allow for a more intimate one on one environment. Each student will be provided with their own squirrel which they will skin, flesh, and prep for mounting. Students will be taught how to wrap bodies for the animals using the carcasses for reference. Wrapping is an old school traditional taxidermy process that many taxidermists do not bother with today. Pre-sculpted head forms will be available for students, but if they are feeling more adventurous they can carve their own! Students will be able to pose their squirrels however they want and are encouraged to bring in any props they may want to dress the animal up in, and items to secure their mounts on. Animal remains will be collected at the end of class and either the students can take them with them, or the instructor will dispose of them.
Rogue taxidermist Katie Innamorato has a BFA in sculpture from SUNY New Paltz, has been featured on the hit TV show "Oddities," and has had her work featured at La Luz de Jesus gallery in Los Angeles, California. She is self and professionally taught, and has won multiple first place ribbons and awards at the Garden State Taxidermy Association Competition. Her work is focussed on displaying the cyclical connection between life and death and growth and decomposition. Katie is a member of the Minnesota Association of Rogue Taxidermists, and with all M.A.R.T. members she adheres to strict ethical guidelines when acquiring specimens and uses roadkill, scrap, and donated skins to create mounts.
Her website and blogs-
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English Sparrow Taxidermy Class with Divya Anantharaman
Date: Sunday, June 30
Time: 12 – 6:00 PM
Price: $185.00
This class is part of  The Morbid Anatomy Art Academy
In this class, students will create a fully finished mount from an English sparrow. An awfully cute, yet highly invasive species commonly seen in city and country alike, this class will cover introductory basic techniques used for small bird taxidermy. Each student will begin with their own sparrow, which they will proceed to skin, flesh, and mount in the pose of their choice. A selection of anthropomorphic and naturalistic props will be provided, although attendees are also welcome to bring their own, allowing the student to customize their bird. Students will create forms and poses using the technique of wrapping (a very traditional method of creating forms for small animals). We will also discuss the various methods of maintaining feet, beaks, and the delicate nature of grooming feathers. Reference images will be provided, though students are more than welcome to provide their own props and inspiration. We will also discuss federal and state bird laws, as well as the MBTA (a copy of which will be provided).
And please note: No animals were killed for the class.
Divya Anantharaman is a Brooklyn based artist whose taxidermy practice was sparked by a lifelong fascination with natural mythology and everyday oddities. After a journey filled with trial and error, numerous books, and an inspiring class (Sue Jeiven's popular Anthropomorphic Mouse Taxidermy Class at Observatory!), she has found her calling in creating sickly sweet and sparkly critters. Beginning with mice and sparrows, her menagerie grew to include domestic cats, woodchucks, and deer. Recently profiled on Vice Fringes, the New York Observer, and other publications, she will also be appearing in the upcoming season of Oddities-and is definitely up to no good shenanigans. You can find out more at http://www.d-i-v-y-a.com.
Also, some technical notes:
  • We use NO harsh or dangerous chemicals.
  • Everyone will be provided with gloves.
  • All animals are disease free.
  • Although there will not be a lot of blood or gore, a strong constitution is necessary; taxidermy is not for everyone
  • All animals were already dead, nothing was killed for this class.
  • Please do not bring any dead animals with you to the class
Image found here.
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    Traditionally Wrapped Body Pigeon or Quail Bird Taxidermy Class with Rogue Taxidermist Katie Innamorato
    Date: Sunday, July 7
    Time: 12 – 6:30 PM
    Price: $250
    This class is part of  The Morbid Anatomy Art Academy
    This class will introduce students to basic small bird taxidermy processes. As with other classes, this is only open to 8 students to allow for a more intimate one on one environment. Each student will be provided with their own quail which they will skin, flesh, and prep for mounting. Due to the small and varying nature of these birds, we will be using the old school traditional technique of wrapping bodies for these birds. Students will learn how to mount a bird using its skull and learn how to preserve the skin and pose it. Legalities of working with birds and bird parts will also be discussed. A copy of the MBTA will be brought to class and passed around to students.
    Katie Innamorato, artist and Rogue Taxidermist, is a member of the M.A.R.T. or Minnesota Association of Rogue Taxidermists. She is professionally and self taught in taxidermy; winning awards and ribbons every year at the GSTA. She explores the commercial relationships between animals and our society and her work questions the idea of bringing nature inside. She also examines the cyclical connections between life and death, and growth and decomposition. As with all M.A.R.T. members she adheres to strict ethical guidelines when acquiring specimens. She uses roadkill, scrap skins from other taxidermists and the garment industry, and donated skins to create her artworks; almost every part of the animal is utilized.
    Her work has been featured recently on the new Science Channel show, "Odd Folks Home," on the hit Science and Discovery Channel TV show, "Oddities," and exhibited at La Luz de Jesus Gallery in Los Angeles, CA.
    Her website and blogs-
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    Wearable Taxidermy Workshop with Beth Beverly, Rogue Taxidermist and Fashion Designer at Diamond Tooth
    Date: Saturday, July 27
    Time: 12 - 6:30 pm
    Admission: $150
    Must RSVP to RSVP Email: diamondtoothtaxidermist(at)gmail.com
    This class is part of The Morbid Anatomy Art Academy
    Students will be provided with pre-skinned and tanned chicken hide elements (wings, tails, heads, etc) along with millinery hardware and all the glues, threads, chain, and miscellaneous decorative elements to create a one of a kind custom taxidermy headpiece.
    Starting with the malleable hide parts, students will be instructed on how to manipulate, fill and and position the feathered sections while anchoring them to the metal hardware using foam mannequin heads (provided) for stability.  Millinery accents like netting, crinoline, jewels and metal embellishments can then be added to complete the students' own personal design, finishing off the workshop with instruction on lining the inside and adding a personalized garment tag.
    Students will leave with their new wearable piece of fashion taxidermy, along with printed out lesson sheets and sourcing info so that they may employ these new skills for life.
    Philadelphia’s premiere rogue taxidermist, Beth Beverly specialises in wearable taxidermy. Her hats have won awards at the Devon Horse Show, Brandywine Polo and Radnor Hunt Clubs. Her work has been featured in The New York Times and The Wall Street Journal, plus galleries such as La Luz de Jesus, Art in the Age and Michael Vincent Gallery. In 2010 Beverly won "Best in Show" at the annual Carnivorous Nights competition in New York. Currently featured as an "Immortalizer" on AMC's series about competitive taxidermy, she relishes in being photographed wearing her work and defying common stereotypes of taxidermists.
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    Ex Voto Making Workshop with Master Jeweler Karen BachmannWith Art Historian and Master Jeweler Karen Bachmann

    Date: Sunday, August 4
    Time: 1 - 5 pm
    Admission: $150
    ***Must pre-purchase tickets at http://exvoto.brownpapertickets.com; 8 person limit
    This class is part of The Morbid Anatomy Art Academy
    An Ex-voto is an offering made in fulfillment of a vow, usually offered to a particular saint or other divinity. The term is Latin in origin, short for ex voto suscepto –“from the vow made." Ex-votos are placed in chapels, shrines, and other places of pilgrimage to offer thanks for blessings, healing, and to seek grace. Such places of pilgrimage have been found throughout history and in such diverse places as Egypt, Italy, and Mexico.
    As ex-votos are often associated with miraculous healing, the forms they take reflect the healed body part. Hearts, lungs, legs, arms, heads, breasts, crutches, etc. often find themselves replicated in embossed and sometimes painted metal which adorn the walls of chapels in fantastic array. They are sometimes accompanied by written verse as well. Such ex-votos stand not only as tokens of thanks, but also as testaments of faith to other viewers.
    This class will demonstrate how to construct from sheet metal an ex-voto of one’s own choosing. Using metal sheers and embossing tools, students will learn how to lay out a design and create their own individualized ex-voto suitable for hanging on a wall (chapel or otherwise). Metal and tools will be supplied. Samples will be shown, as well as anatomical images suitable for reproduction. Please bring sketchpad and pencil.
    Karen Bachmann is a fine jeweler with over 25 years experience, including several years on staff as a master jeweler at Tiffany and Co. She is a Professor in the Jewelry Design Dept at Fashion Institute of Technology as well as the School of Art & Design at Pratt Institute. She has recently completed her MA in Art History at SUNY Purchase with a thesis entitled Hairy Secrets:... In her downtime she enjoys collecting biological specimens, amateur taxidermy and punk rock.
    Image found here.
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    Full list and more information on all events can be found here. More on the Morbid Anatomy Art Academy can be found here.

    Source:
    http://morbidanatomy.blogspot.com/2013/06/morbid-anatomy-in-brooklyn-newly.html

    Anatomy of a Throwdown: "Badass" (Diego "Chico" Corrales vs. Arturo "Thunder" Gatti) – Video


    Anatomy of a Throwdown: "Badass" (Diego "Chico" Corrales vs. Arturo "Thunder" Gatti)
    In conjunction with an article fellow boxing scribe Anson Wainwright penned regarding dream matches in professional boxing that never happened and never will...

    By: Coyote Duran

    Continued here:
    Anatomy of a Throwdown: "Badass" (Diego "Chico" Corrales vs. Arturo "Thunder" Gatti) - Video