Ai-Da the robot painter, Iranian epics and a gaze at God the week in art – The Guardian

Exhibition of the week

Ai-Da: Portrait of the Robot Enter the uncanny valley with this realistic humanoid robot who can draw herself. Is that art? So what is art? Plenty to think about. Read more.Design Museum, London until 29 August

Epic Iran Theres enough beauty here to fill several exhibitions - but this trip through 5,000 years of cultural history works because of the sheer quality of the exhibits. An eye-opener. Read our five-star review. V&A, London, 29 May-12 September

Royal Portraits: From Tudors to Windsors We seem as fascinated by the monarchy as ever, one way or another. This exhibition reveals how the images of British royals have been shaped since the Renaissance. National Maritime Museum, Greenwich, 28 May-31 October

Conversations With God A free exhibition about the 19th-century Polish artist Jan Matejkos history painting of the revolutionary astronomer Copernicus, this is the first time the National Gallery has ever shown Polish art. National Gallery, London, until 22 August

Nero: The Man Behind the Myth Some wonderful things here, from statues of Nero and other members of the imperial family to Pompeiian frescoes, whatever you think of the exhibitions thesis that Nero was not the monster history has made of him. Read more. British Museum, London, until 24 October.

An enormous space rocket could be next up on Trafalgar Squares fourth plinth or a Ghanaian grain silo, a bobbly man, a giant jewellery tree, missionaries in Africa, or a memorial to murdered transgender women. Six shortlisted ideas have been unveiled at Londons National Gallery for the sculpture commission, which rotates normally every 18 months, and the public can help pick two winners, to be installed in 2022 and 2024.

Google is changing its photo algorithms to better reflect skin tones of colour

Celebrity merchandise is flooding art auctions

while the rush for digital NFTs comes at an environmental cost

Tacita Dean was baffled by the pandemic lockdown

Will Londons vast 22 Bishopsgate office block ever be full?

British mosques have a starring role at this years Venice Architecture Biennale

Art historian Laurence des Cars is the first female president of the Louvre

Ming Smith was one of the few women in Kamoinge, a collective of black photographers

while a Beverly church is putting inspiring women up near the rafters

Melbournes venerable Flinders Street station is reopening as a gallery space

but the Rising festival it forms part of paused after one day as Melbourne closed down

Female sculptors challenge art world sexism in joint show Breaking the Mould

Beware wolves and bears in Matthew Barneys intriguing new film

Kenyan artist Michael Armitage is reinventing the European oil-painting tradition

Matador academies, Ukrainian prom night and other adolescent rites of passage have caught the eye of photographer Michal Chelbin

Australias Archibald portrait prize is 100 and still controversial

This years finalists were unveiled in Sydney

and we looked back at some past highlights

The race is on for the best Milky Way portrait

Derbys new Museum of Making is a temple to manufacturing

Award-winning film-maker Ayo Akingbade is charting Londons changing face

Nero was framed for the burning of Rome

Coal and Georgian terraces were inextricably interlinked, according to a new book on architectures environmental impact

Wynn Bullock made the Monterey peninsula look mythic

Theres been a outbreak of public art on the UKs south-east coast

while Hastings is full of FILTH (failed in London, try Hastings) with beautiful homes

Scotland needs knitters

Art loves a crowd

Technology is not doing David Hockney many favours

New Yorks Spring Valley suburb photographed by Al J Thompson is another victim of gentrification

Tony Hall has resigned from the National Gallery following the fallout from the Martin Bashir row

Jen Orpin has painted the motorway journey she took to visit her dying father

Heather Phillipson worships the UK weather forecast

Amish girls like to paddle at the beach

Memento mori applies to animals too

Paul Graham returned us to Thatchers Britain

Eric Carle, writer-illustrator of The Very Hungry Caterpillar, has died

The late Mary Beth Edelson was a key figure in feminist art

We also remembered Brazilian architect Paolo Mendes da Rocha

avant garde emissary Mark Lancaster

and landscape painter Leslie Marr

The Abb Scaglia adoring the Virgin and Child, 1634-35, by Anthony van DyckTwo centuries of Flemish art lie behind this emotional encounter between a man and the mother of God. Van Dyck portrayed his patron Scaglia for a church in Antwerp, putting his fretful and careworn praying presence in a direct and intimate reciprocal relationship with Mary and Jesus. Its a move that epitomises the passionate, unbuttoned baroque style that flourished in 17th-century Catholic Europe. Yet it is also a nod to Van Dycks local Flemish forerunners; 200 years earlier, Jan van Eyck was painting wealthy people in similar close encounters with the Virgin, including in his great Madonna of Chancellor Rolin in the Louvre. Van Dyck updates the genre with a waft of Baroque silks and a breath of sky.National Gallery, London

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Ai-Da the robot painter, Iranian epics and a gaze at God the week in art - The Guardian

No Jitter Roll: AI Routing in the Contact Center, Voice Analytics | No Jitter – No Jitter

This week we share announcements around intelligent contact center routing, voice analytics tools, a secure access service edge (SASE) and Google Cloud integration, a personalized videoconferencing kit, and CPaaS funding.

Nice Aims to Hyper-Personalize Customer Engagement

For each interaction, Enlighten AI Routing evaluates data from Enlighten AI and other datasets to get a holistic view of the customer and determine the most influential data for that engagement, Nice said in its press release. Likewise, Enlighten AI Routing assesses agent-related data, such as recent training successes, active listening skills, and empathy, to optimize agent assignments, Nice said.

Enlighten AI, which uses machine learning to self-learn and improve datasets with each interaction, then can provide agents with real-time interaction guidance, Nice said. [Agents] can see the impact of their actions on the customer center and are given advice on how to adjust their tone, speed, and other key behaviors such as demonstrating ownership to improve it, Barry Cooper, president of the Nice Workforce and Customer Experience Division, said when introducing the product at Interactions.

TCN Launches Voice Analytics for Contact Center

TCN is initially offering Voice Analytics as a free 60-day trial.

Versa Networks, Google Cloud Team on Integration

Konftel Personalizes Meeting Experience

The Konftel Personal Video Kit, available now, is priced at $279.

IntelePeer Gets Funding Boost

Ryan Daily, No Jitter associate editor, contributed to this article.

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No Jitter Roll: AI Routing in the Contact Center, Voice Analytics | No Jitter - No Jitter

The Edge AI and Vision Alliance Announces the 2021 Vision Tank Start-Up Competition Winners at the Embedded Vision Summit – PRNewswire

SANTA CLARA, Calif., May 28, 2021 /PRNewswire/ -- The Edge AI and Vision Alliance today announced the two winners of this year's Vision Tank Start-Up Competition. The annual competition showcases the best new ventures developing visual AI and computer vision products. During the final round of the competition, five finalists pitched their companies and products to a panel of judges in front of a live audience. The judges picked the winner of the Judges' Award, while attendees chose the winner of the Audience Choice Award.

JUDGES' AWARD: Retrocausal An industry leader in systems that help manufacturing workers avoid assembly mistakes, be more efficient at their daily jobs and improve the processes they drive: http://www.retrocausal.ai

AUDIENCE CHOICE AWARD: Opteran TechnologiesA brain biomimicry spin-out from the University of Sheffield, leveraging over eight years of research and 600 million years of evolution to understand how insect brains navigate and enable a new dawn for autonomy in machines: opteran.com

"We are seeing an amazing number and variety of new ventures using computer vision and visual AI to power products and solutionsacross all industries," said Jeff Bier, Founder of the Edge AI and Vision Alliance and General Chair of the Embedded Vision Summit. "I'm delighted to congratulate Retrocausal and Opteran Technologies for their progress towards bringing truly innovative technologies and solutions to fruition."

As winner of the Vision Tank Judges' Award, Retrocausal receives a $5,000 cash prize, and both winners receive a one-year membership in the Edge AI and Vision Alliance. In addition, the companies get one-on-one advice from the judges, and introductions to potential investors, customers, employees and suppliers.

Now celebrating its tenth year, the Embedded Vision Summit was held online, May 25-28. The conference is focused exclusively on practical, deployable computer vision and AI and attracts a global audience of professionals developing vision-enabled products.

About the Edge AI and Vision AllianceThe Edge AI and Vision Alliance is a worldwide industry partnership bringing together technology providers and end product companies who are creating and enabling innovative and practical applications for computer vision and edge AI. Membership is open to any company that supplies or uses technology for edge AI and vision systems and applications. For more information, visit edge-ai-vision.com.

MEDIA CONTACT:Brianna Crowl Mob: +1 (760) 687-5110Email: [emailprotected]

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The Edge AI and Vision Alliance Announces the 2021 Vision Tank Start-Up Competition Winners at the Embedded Vision Summit - PRNewswire

AI-Driven Technology to Protect Privacy of Health Data – Analytics Insight

New research derives an AI-based method to protect the privacy of medical images.

On May 24th, researchers from the Technical University of Munich (TUM), Imperial College London, and OpenMined, a non-profit organization published a paper titled End-to-end privacy-preserving deep learning on multi-institutional medical imaging.

The research unveiled PriMIA- Privacy-Preserving Medical Image Analysis that employs securely aggregated federated learning and an encrypted approach towards the data obtained from medical imaging. As the paper states, this technology is a free, open-source software framework. They conducted the experiment on pediatric chest X-Rays and used an advanced level deep convolutional neural network to classify them.

Although there exist conventional methods to safeguard medical data, they often fail or are easily breakable. For example, centralized data sharing methods have proved inadequate to protect sensitive data from attacks. This nascent technology protects data by using federated learning, wherein only the deep learning algorithm is passed on while sharing the medical data and not the actual content. They also applied secured aggregation, which prevents from external entities finding the source where the algorithm was trained. This will not allow anybody to identify the institution where it originated, keeping the privacy intact. The researchers also used another technique to ensure that statistical correlations are derived from the data records and not the individuals contributing the data.

According to the paper, this framework is compatible with a wide variety of medical imaging data formats, easily user-configurable, and introduces functional improvements to FL training. It increases flexibility, usability, security, and performance. PriMIAs SMPC protocol guarantees the cryptographic security of both the model and the data in the inference phase, states the report.

A report by the Imperial College London quotes professor Daniel Rueckert, who co-authored the paper and says, Our methods have been applied in other studies, but we are yet to see large-scale studies using real clinical data. Through the targeted development of technologies and the cooperation between specialists in informatics and radiology, we have successfully trained models that deliver precise results while meeting high standards of data protection and privacy.

With the advent of technology and the rapid adoption of AI, the healthcare sector has been witnessing a digital boom. With electronic health records and the proliferation of telemedicine, there is an abundance of medical data and images generated each day. To enable better patient monitoring, diagnostics, and availability of data, these medical data are often shared across different points and institutions. This AI-driven privacy-preserving technology has a potential role to play here as it does not compromise data privacy while sharing happens. And, data cannot be traced back to individuals, thus protecting their privacy.

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AI-Driven Technology to Protect Privacy of Health Data - Analytics Insight

Israel’s operation against Hamas was the world’s first AI war – The Jerusalem Post

Having relied heavily on machine learning, the Israeli military is calling Operation Guardian of the Walls the first artificial-intelligence war.For the first time, artificial intelligence was a key component and power multiplier in fighting the enemy, an IDF Intelligence Corps senior officer said. This is a first-of-its-kind campaign for the IDF. We implemented new methods of operation and used technological developments that were a force multiplier for the entire IDF.In 11 days of fighting in the Gaza Strip, the Israeli military carried out intensive strikes against Hamas and Palestinian Islamic Jihad targets. It targeted key infrastructure and personnel belonging to the two groups, the IDF said.While the military relied on what was already available on the civilian market and adapted it for military purposes in the years prior to the fighting the IDF established an advanced AI technological platform that centralized all data on terrorist groups in the Gaza Strip onto one system that enabled the analysis and extraction of the intelligence.Soldiers in Unit 8200, an Intelligence Corps elite unit, pioneered algorithms and code that led to several new programs called Alchemist, Gospel and Depth of Wisdom, which were developed and used during the fighting.Collecting data using signal intelligence (SIGINT), visual intelligence (VISINT), human intelligence (HUMINT), geographical intelligence (GEOINT) and more, the IDF has mountains of raw data that must be combed through to find the key pieces necessary to carry out a strike.Gospel used AI to generate recommendations for troops in the research division of Military Intelligence, which used them to produce quality targets and then passed them on to the IAF to strike.

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Israel's operation against Hamas was the world's first AI war - The Jerusalem Post

Sonys AI subsidiary is developing smarter opponents and teammates for PlayStation games – The Verge

In 2019, Sony quietly established a subsidiary dedicated to researching artificial intelligence. What exactly the company plans to do with this tech has always been a bit unclear, but a recent corporate strategy meeting offers a little more information.

Sony AI [...] has begun a collaboration with PlayStation that will make game experiences even richer and more enjoyable, say notes from a recent strategy presentation given by Sony CEO Kenichiro Yoshida. By leveraging reinforcement learning, we are developing Game AI Agents that can be a players in-game opponent or collaboration partner.

This is pretty much what youd expect from a partnership between PlayStation and Sonys AI team, but its still good to have confirmation! Reinforcement learning, which relies on trial and error to teach AI agents how to carry out tasks, has proved to be a natural fit for video game environments, where agents can run at high speeds under close observation. Its been the focus of heavy-hitting research, like DeepMinds StarCraft II AI.

Other big tech companies with gaming interests such as Microsoft are also exploring this space. But while Microsofts efforts are tilted towards pure research, Sonys sound like theyre more focused on getting this research out of the lab and into video games, pronto. The end result should be smarter teammates as well as opponents.

This tidbit was just one point in the presentation, though, in which Sony laid out numerous plans for its future growth. Here are some of the other ambitions mentioned:

For more details you can check out Sonys presentation for yourself here. Though, be prepared to wade through some absolutely incredible corporation-speak. We particularly liked the opening declaration that the company has now implemented structural reform that liberated us from a loss-making paradigm. In other words: they changed things so that Sony makes money instead of losing it! Got to dress that up somehow, I guess.

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Sonys AI subsidiary is developing smarter opponents and teammates for PlayStation games - The Verge

India will see breakthrough application of AI – Economic Times

India will see breakthrough application of artificial intelligence in various areas including the National Language Translation Mission, said Infosys chairman Nandan Nilekani.

Nilekani said this during a fireside chat with Ajay Sawhney, secretary in the Ministry of Electronics and Information Technology (MeitY) and Debjani Ghosh, president of IT industry body Nasscom.

The interaction was organised by INDIAai, a national AI portal set up by MeitY, National E-Governance Division and Nasscom.

India is unique in the fact that it has such a large number of languages, all co-mingling, and most Indians speak two to three languages and so on. Creating the worlds best language capability, whether its speech, text to speech, whether its language to language, I think India is well placed to show the world how to do it, he added.

Sawhney, speaking on the National AI Mission - on which MeitY is working jointly with the NITI Aayog - said that the core research would give not just length but a tremendous amount of depth in coverage in terms of technology, across various areas/sectors of application.

Sawhney also spoke about the creation of a national public digital platform for healthcare, which knits together all healthcare providers on one platform.

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India will see breakthrough application of AI - Economic Times

GANs and NFTs: AI Artists in the Crypto Space ARTnews.com – ARTnews

When Christies hosted its first Art + Tech Summit in 2018, the topic was the blockchain. The second edition, in June 2019, focused on artificial intelligence. Blockchain and AI are two big, buzzy topics, and they have intersected in unexpected ways, especially during this years crypto art boom. Artists whose work uses generative adversarial networks (GANs) algorithms that pit computers against each other to produce original machine-made output approximating the human-made training datahave turned to crypto platforms not only to sell their work, but also to explore ways of critically and creatively engaging the blockchain.

People who make creative work with AI tend to be self-taught, as artists or engineers or both. Theyre drawn to new technologies and ideas taking shape at the margins of culture. Theres a provocative friction between the figure of the tinkering outsider and the reputations of AI and blockchains, in the popular imagination, as rapidly growing forms of technological infrastructure with massive resources invested in them, behemoths that are transforming the shape of everyday life by digitizing more and more of it. Artists who sell their work as NFTs have been criticized for contributing to an ecologically destructive, toxically libertarian culture; artists who make work with AI have drawn fire for normalizing the technologies that enable corporate surveillance and predictive policing. The artists who take up these tools despite the problems associated with them arent utopians. However, they see firsthand the reality that new technologies are not monoliths but evolving systems, rife with flaws and potentials.

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GANs and NFTs: AI Artists in the Crypto Space ARTnews.com - ARTnews

Death threats and the KKK: Inside a Black Alabaman’s fight to remove a Confederate statue – Reuters

The second paragraph contains language that may offend some readers.

Ever since Camille Bennett started her campaign to relocate a Confederate statue from outside the county courthouse in her hometown of Florence, Alabama, she has seen it all: threats, violent online messages and intimidation attempts.

There was the suggestion from a white pastor that somebody wire her mouth shut; then there was the time a white motorcyclist sped towards her and two boys during a racial justice march last summer, telling her to "get the fuck out the way."

Bennett has always received pushback for her activism in her small conservative community, but she says her most harrowing experience happened in 2017, when five Ku Klux Klansmen (KKK) in hoods and robes heckled her at a local park during a LGBT Pride event she'd been asked to address.

"I was terrified. I was extremely intimidated," said Bennett, the only Black speaker at the park event. But, she added, "the work brings me an immense sense of joy. I don't let the threats define me."

Lori Feldman, 42, a white woman who supports the removal of the statue honoring soldiers of the pro-slavery Confederacy and moved to Alabama in 2017 from Brooklyn, New York, was present when Klansmen heckled Bennett at a park.

"It was clear they wanted to make a statement of hate," Feldman said of the KKK, a white supremacist group that has terrorized Black communities for over a century. "There were kids who were crying, who were scared."

But intimidation isn't the only obstacle for those committed to removing Confederate symbols. Bennett, like many other Black civil rights advocates and their allies, continues to face legal and political roadblocks at the state, county and city level.

"MY PEOPLE SUFFERED"

Bennett, 43, whose mother is a minister and who is a minister herself, founded the nonprofit Project Say Something in 2014 to push for racial justice for Black Americans.

One of its core missions has been to get Florence to confront the meaning of Eternal Vigil, the ghostly white marble statue of a nameless Confederate private in front of Lauderdale county's courthouse.

During the Civil War of the 1860s, Southern states in the Confederacy fought the North to preserve their economy based on chattel slavery of captive Africans and their descendants born in America.

Over 300 monuments to the Confederacy stand in America, mostly in the South, especially in Alabama, Georgia, North and South Carolina, and Tennessee, according to the Southern Poverty Law Center, a civil rights group.

Many Confederate monuments were erected well after the war - Florence's statue was completed in 1903 - after Reconstruction when white Southern segregationists were working to reverse Black political and economic gains. The monuments have long been symbolic for white supremacists like the KKK, which was founded by Confederate veterans.

The county turned down a proposal by Bennett to erect next to the monument a statue of Dred Scott, who lived in Florence for 10 years in the 1800s and whose effort as an enslaved man to gain freedom led to a landmark Supreme Court ruling. After her proposal was rejected, Bennett called for relocating Eternal Vigil to a Confederate cemetery less than a mile from the courthouse.

But the Lauderdale County Commission's five members, all white Republican men, refused, citing a 2017 state law prohibiting the removal or relocation of monuments.

Camille Bennett poses for a photo in front of the confederate statue that she is trying to have moved to the confederate cemetery in Florence, Alabama, U.S., May 19, 2021. REUTERS/Lawrence Bryant

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That law is part of a larger effort by GOP lawmakers in several states, including Georgia and West Virginia, to prevent the removal of statues following a nationwide movement to topple Confederate monuments. The Republican-backed bill passed in the Alabama legislature despite the opposition of legislators, such as Thomas Jackson of Thomasville, a Black Democrat who spoke of what Confederate statues symbolize for Black Americans.

"My people suffered," Jackson said during debate on the proposal. "Don't bring back those harsh memories that we went through so much to overcome."

Josh Dodd, who is white and chairman of the Lauderdale County Republican Party, is opposed to moving Eternal Vigil. "It's very important to a lot of people to remember the past and to remember those who died on both sides," he said.

The United Daughters of the Confederacy, which funded Florence's statue at the turn of the 20th century, says it adamantly rejects removal.

The group advocates "that all such monuments remain in their original location with their original messaging," its attorney, Jack Hinton, wrote in a letter to an Alabama state senator last year.

The original messaging around Eternal Vigil, as demonstrated by one initial 1903 speech at its unveiling, was explicitly against social equality for Black people in the South.

"OBSTACLES KEEP CHANGING"

Amid nationwide protests against racism following the murder of George Floyd, a Black man, by a white police officer in Minnesota in May 2020, the movement to take down Confederate symbols accelerated. In 2020, over 160 Confederate monuments were taken down, compared to 58 between 2015 and 2019, according to the Southern Poverty Law Center.

Bennett and supporters - Black and white - began marching in central Florence last summer to demand the relocation of Eternal Vigil after Floyd's murder. In July 2020, three Lauderdale County residents filed suit, demanding that the statue remain in place. Their suit calls the statue an "historic and irreplaceable monument."

In October 2020, Florence City Council unanimously passed a resolution backing the relocation of the statue to the cemetery, citing "concerned citizens" who want it relocated and the fact that some residents have agreed to pay the costs of removal. The city built a concrete base in the cemetery for the statue.

But because the statue sits on county property, the city asked the county for permission to remove it.

Danny Pettus, who is white and chairs the county commission, told Reuters he would never support the statue's relocation, citing the 2017 state monument preservation law. Violating the law could result in a $25,000 fine.

Andy Betterton was elected mayor of Florence in November 2020 on a promise to relocate the statue. But now Betterton and members of the county commission say their hands are tied because of the civil lawsuit. The suit is now with a circuit court judge, who has ordered a stay on all actions involving the statue until the litigation is resolved.

Betterton declined to be interviewed by Reuters. In a statement he said the lawsuit has constrained him, but added: "The removal and relocation of the statue is definitely one of my priorities, and I feel optimistic that we will see it removed."

For Bennett the delays feel like obstruction. "There have been several obstacles, and the obstacles keep changing. So you're going to be suspicious that everyone is working together so this monument is not removed," she said.

But she added: One way or another, we will prevail. We will not stop.

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Death threats and the KKK: Inside a Black Alabaman's fight to remove a Confederate statue - Reuters

There are 9 Confederate memorials among the military academies, but their fate is unknown – Military Times

Service academies are some of the first stops for the Defense Departments renaming commission for bases, ships and more that honor the Confederacy, and according to research by the Southern Poverty Law Center, those campuses are home to eight symbols that should be considered.

They include a portrait of alumnus Gen. Robert E. Lee along with Lee Barracks, Lee Gate, Lee Road and the Robert E. Lee Memorial Award and Beauregard Place at the U.S. Military Academy in West Point, New York.

Buchanan House, Buchanan Road and Maury Hall are locations connected to the Confederacy at the U.S. Naval Academy in Annapolis, Maryland.

Symbols of white supremacy should never have been associated with the military because they glorify a system of racial oppression and exclusion, Lecia Brooks, SPLCs chief of staff, said in a Wednesday release. As I testified during a Congressional hearing earlier this year, there is no reason to wait three years to rename the Armys 10 bases, nor the militarys numerous ships, roads, buildings, and memorials named after Confederate leaders. The time to act is now.

Brooks went on to call the displays dehumanizing and oppressive, suggesting that they are directly linked to white supremacist activity in the military.

The renaming commission, stood up this year as required by the 2021 National Defense Authorization Act, has until the fall of 2023 to complete renaming projects. The first step is to compile the list.

Visiting West Point is part of that plan, though the military departments will be responsible for submitting their official lists to the commission.

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The memorials at West Point and the Naval Academy are not necessarily under consideration, Army spokeswoman Cynthia Smith told Military Times on Wednesday.

Though the commission is looking beyond base and ship names, as there is no official list compiled yet, she could not say whether Lees portrait, for instance, might be removed from West Point.

Concurrently, SPLC has started its own project, compiling places and things named for the Confederacy.

There are 84 on the list so far, though they include items at The Citadel and the Virginia Military Institute, which are not DoD-affiliated, as well as public memorials in New York City and New Orleans.

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There are 9 Confederate memorials among the military academies, but their fate is unknown - Military Times

The Confederate Flag A Symbol of Twisted Thinking – Voices of Monterey Bay

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By Carol McKibben

I love taking walks in my Carmel neighborhood where I have lived for more than 20 years with my husband and various members of our family. The eclectic style of homes nestled warren-like in weird neighborhood collections of old cottages, interspersed with modern architecture and warm, friendly community, always makes me appreciate this place even beyond its proximity to one of the most beautiful beaches anywhere on earth.

As a historian, I appreciate Carmels equally eclectic past. Once a great artist colony, it also became an intellectual and political center for Lincoln Steffens and so many others on the left, John Steinbeck among them. The Works Progress Administration installed an office in Carmel to help its majority population of writers and artists find work during the Great Depression. When homophobia raged in America during the Cold War (and into the present), the LBGTQ community found refuge in this liberal-minded town.

It is only very recently that Carmel has been aligned in the public mind with other communities of predominantly white elites. Yet those of us who live in the town know that the community of independent thinkers remains very much a part of life here. When I was out for a walk one day in my neighborhood, I realized with full force how twisted that spirit of nonconformity could become.

I stopped cold in my tracks when I saw a Confederate flag flying from the front porch of my neighbors house; it was a person I routinely exchanged pleasantries with, but clearly someone I didnt know at all.

We are used to seeing that flag brandished in everything from marches for white supremacy to the recent attack on the Capitol on Jan. 6. It is not a benign political symbol. Rather, it is a chilling reminder of the worst of America, one exemplified by hate and violence.

The Confederate flag symbolized the effort in the mid-19th century by people living in states located largely in the American South to sustain and spread an economic system based on the enslavement of other human beings. They justified their view by focusing on melanin in a persons skin and on certain facial features. Humans with more melanin in their skin than others (or were thought to have even a tiny bit more) could be treated as though they were farm animals or farm equipment rather than as human beings. People with more melanin became nonentities, invisible as individual human beings, and were forced to labor unremittingly under the most horrific and cruel conditions without compensation until they died. They were routinely tortured.

Slaveholders treated slave families with ruthless indifference; casually and unceremoniously split them up, sold off individual members like livestock, tore babies and children from their parents, sold them to strangers, and sent away without regard for their vulnerability, health or safety, just like one would treat farm animals or mere commodities. As a result of this horrendous cruelty and cold unconcern, slave families were lost to one another forever. This is what slavery was and worse. None of this is in dispute. It represents one of the most shameful periods in American history and it lasted for hundreds of years.

The enforced slavery of one group of human beings by another based on melanin levels and facial features was both absurd and fiercely defended because it produced great wealth. Slavers went to war and attempted to destroy the entire nation to maintain it with the Confederate flag as an emblem. They even persuaded poorer people, those who looked more like them, to fight too, even when the less well-off did not benefit economically from slave ownership. The Civil War was not about states rights. It was a war fought over whether or not America ought to maintain the evil of slavery as a foundation of its economy. As a country, we decided against it.

The harm slavery produced has lasted for generations and is still with us. It led directly to the development of ideologies such as scientific racism, a pseudo-science that perpetuated the ludicrous and farcical notion of innate inequality based on bizarre definitions of physical appearance.

Scientific racism in turn led to the eugenics movement, which became the rationale for all sorts of policies such as anti-miscegenation laws, citizenship and immigration exclusions, and land ownership restrictions, redlining in cities and towns, racial exclusions in neighborhoods and weirdly assigning property value to the perceived racial identity of the inhabitants. These policies became normative. Although many have been overturned, the absurd ideology behind them persists, invisible and usually denied by those who benefit most from systems of inequality that place people with the least melanin in their skin at the top of a human hierarchy and those with the most at the very bottom.

It will take generations working together to undo the untold damage that these almost incomprehensible, insurmountable wrongs did to millions of people and their children just because they had more melanin in their skin. However, the undoing and rebuilding does not just happen magically over time or just because slavery officially ended or just because we believe that we became more modern and liberal in our thinking.

As a community, we need to challenge these inequalities as we condemn and end this hateful representation of our past embodied in the Confederate flag.

We are in a time of our history in which we cant allow for these displays of racism to go unchallenged, so after some thought I knocked on my neighbors door to ask him to bring it down. At first he seemed reluctant to do it, but eventually the flag went down. Those of us who have benefited the most from this countrys ugly past have a duty to advocate for a more inclusive, fair United States of America.

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The Confederate Flag A Symbol of Twisted Thinking - Voices of Monterey Bay

Social Studies: Hollywood economics, the power of Confederate street names, and untimely arrests – The Boston Globe

Hanssen, A. & Raskovich, A., Does Vertical Integration Spur Investment? Casting Actors to Discover Stars During the Hollywood Studio Era, Journal of Law and Economics (November 2020).

Southern streets

An economist has found that Black people who live in areas with more streets named after Confederate generals are less likely to be employed, are more likely to be in low-status jobs, and have lower wages, relative to whites, even controlling for other socio-economic characteristics of the individual and the studied areas.

Williams, J., Confederate Streets and Black-White Labor Market Differentials, American Economic Association Papers and Proceedings (May 2021).

Borderline deterrence

In surveys conducted in El Salvador, Guatemala, Honduras, and Mexico while Donald Trump was president, some participants were told that US Immigration had apprehended thousands of their countrymen, while other participants were told not just about the apprehensions but also that their countrymen were placed in long-term detention or denied court hearings. Mentioning those harsh immigration measures made no difference in the share of respondents who intended to migrate.

Ryo, E., The Unintended Consequences of US Immigration Enforcement Policies, Proceedings of the National Academy of Sciences (May 2021).

Born in the wrong year

Examining data on kids in Chicago who were followed into young adulthood, Harvard sociologists found that those born in the early to mid-1980s were more likely to be arrested than those born in the mid-1990s. This was explained not by changes in behavioral, family, or neighborhood characteristics but by broader changes in crime and policing as both crime rates and enforcement fell after the 1990s, especially for drug offenses.

Neil, R. & Sampson, R., The Birth Lottery of History: Arrest Over the Life Course of Multiple Cohorts Coming of Age, 19952018, American Journal of Sociology (March 2021).

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Social Studies: Hollywood economics, the power of Confederate street names, and untimely arrests - The Boston Globe

Allendale shouldnt have a Confederate statue any longer: Activists call for its immediate removal – MLive.com

ALLENDALE, MI -- Now that a citizen committee has recommended replacing a controversial Civil War statue in Allendale, some activists and community members are calling on township leaders to immediately remove it.

Holly Huber, co-founder of the Michigan Association of Civil Rights Activists which has advocated for the statues removal for months, thanked the committee for its recommendation during the Allendale Township Board of Trustees meeting Monday, May 24.

I hope that the board takes that into consideration and votes to immediately remove those statues, Huber said. Theyre offensive and Allendale should not have a Confederate statue any longer.

The Civil War statue, which joins other sculptures representing veterans of U.S. wars in the townships Garden of Honor, depicts a Union and Confederate soldier standing back-to-back with a Black enslaved child at their feet.

On Monday, the townships Garden of Honor Memorial Committee unveiled its final recommendation for the controversial statue: remove the Civil War statue and replace it with one featuring three diverse Union soldiers standing side-by-side.

The soldiers would be Black, white and American Indian, and their likenesses would be based on real West Michiganders who fought for the North in the Civil War.

Related: Confederate soldier statue that drew controversy in West Michigan should be replaced, committee recommends

No one who called in to the Allendale Township Board of Trustees virtual meeting Monday opposed the recommendation. The committees recommendation wasnt made public until the meeting.

Its now up to the township trustees to decide if they want to adopt the recommended changes, partially adopt them, modify them or reject them entirely. That vote will potentially happen at their next meeting on June 14.

Our Board of Trustees is going to take three things into consideration, Township Supervisor Adam Elenbaas told MLive/The Grand Rapids Press on Tuesday of the boards upcoming decision. We need to be able to voice what our community believes and what our community wants to happen. We need to take into consideration our own personal opinions as board members. And we need to take into consideration whats best for the community.

If trustees approve to replace the current statue, it wasnt immediately clear if it would be taken down in the interim while the township goes through the process of finding an artist and having them sculpt the proposed replacement.

The current statue likely wouldnt be destroyed or sold to a private resident. Instead, some options include giving it to a local museum or historical society.

Allendale Township is located about 12 miles west of Grand Rapids and is home to about 26,700 residents. Its also home to Grand Valley State University. The universitys president last summer urged the township to relocate the statue.

Related: How this Confederate soldier statue became part of a veterans memorial in Michigan

Trustees on Monday expressed thanks for the committees work but none directly opined on whether they supported or opposed the recommendations. The recommendations also included adding statues at the Garden of Honor park representing soldiers from three more wars and informational QR codes to the plaques.

You guys just blew me away, Trustee Candy Kraker told the committee members. That is absolutely amazing, all the work that you did. I am just flabbergasted.

For nearly a year, numerous activists and residents have called on the township to remove the statue, with some calling it racist and demeaning to Black people and still more saying a Confederate soldier has no place among honored veterans.

The calls for removal drew pushback from other residents and counterprotesters. Some residents were concerned those who wanted the statue removed didnt live in Allendale, with Treasurer David VanderWall at one meeting saying he isnt one to be bullied or bow to outside pressure.

Some said removing the statue would be erasing history and the lessons it has to teach us.

The debate over the statue began when the Michigan Association of Civil Rights Activists requested the township remove the statue. The 23-year-old memorial was one of numerous public statues and symbols of the Confederacy that faced renewed scrutiny late last spring as demonstrations against police brutality and racial inequality swept the nation.

Mitch Kahle, a co-founder of the group, told trustees during their virtual meeting Monday this whole situation, which included numerous protests and counterprotests over the statues presence, couldve been avoided if they listened to what activists recommended from the get-go.

We recommended that you simply remove the Confederate statue and remove the enslaved child and put a statue of an African-American Union soldier, like Ben Jones, Kahle said. And guess what youre going to end up doing? Exactly what we said one year ago today. So move forward, get rid of the offensive statues or, to be honest, Allendale is going to be

His public comment ended mid-sentence due to the time limit.

The Allendale Township Board of Trustees formed the Garden of Honor Memorial Committee in June, tasking them to examine the statue, and the park it sits in, over small-scale frank conversations with multiple perspectives and then present trustees with recommended changes.

The committee on Monday also recommended the township add statues representing veterans of the MexicanAmerican War, War of 1812 and the U.S. War on Terror.

Additionally, the committee recommended upgrading signage on all of the statues to include QR codes that people could scan with their smartphones and be directed to informational web pages.

Ive been able to have thousands of conversations with people that I wouldnt normally have had, Elenbaas said. The protest leads to those conversations. So I wouldnt say the protests arent so much the influential component, but its the conversations after that follow when people take the time to sit down and express their viewpoints. And I can tell you that I have personally taken a lot out of those conversations. My viewpoints have been widened over the past several months.

Jessica VanBlaricum-Miller, during public comment, questioned why there needed to be a white Union soldier in the proposed new statue.

Why is it that a Black Union soldier cannot be the only one standing and representing? Why include a white man? What purpose does it serve? VanBlaricum-Miller asked. By doing so we are still white centering, which is perpetuating the racism that continues to happen in Allendale. We should allow (Black, Indigenous and people of color) to have a space without needing the support of their oppressor.

The proposed new statue featuring white, Black and American Indian Union soldiers would have the Black soldiers appearance based on Benjamin Jones, an escaped slave who settled in Ottawa County and served as a Union soldier.

The white soldier would be based on Hiram Knowlton, and the American Indian soldier would be based on Louis Little Feather Miskoguon. The statue wouldnt include the soldiers names.

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Allendale shouldnt have a Confederate statue any longer: Activists call for its immediate removal - MLive.com

Who is DJ Xquizit? Inside With the Musical Artist That’s Rocking the World of Trance Music – Yahoo India News

So while the world of music continues to expand, who are the people making the rise with it? The answer is simple: the power belongs to individuals capable of shifting and influencing the public opinion. Capitalizing on this shift is Mexico-born DJ Xquizit's star was quickly rising within the Trance scene. He has already started shaping his future and built a name for himself.

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Only a teenager, Xquizit has done work far in a short span of time. In fact, he already holds the keys to his own empire. When the stars align, some very unlikely things happen and sometimes those end up being life changing events. With several plays on major radio shows such as Global Therapy with Above & Beyond, A State of Trance by Armin Van Buuren, and several others, you would expect DJ Xquizit to stick to that niche.

DJ Xquizit shares that Best part of being a Dj is probably seeing the joy that music brings to people. But all this didn't happen until a mutual friend introduced him to Salt Lake City-born OSITO. By saying that OSITO's tagline is "Pop Is Not A Crime", you would think that these two artists couldn't be more polar opposites. But magic seemed to happen. Collaboration after collaboration started getting picked up by some massive Spotify editorials, including their first 1 million stream hit "Dear Gravity" which stayed in the Mint playlist for over a month.

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A curious blend of passion and ambition fuels DJ Xquizits busy lifestyle. His background illustrates just how passionate and talented he is. Seemingly living on a fasttrack, hes grown up knowing how to bring eye-catching music to the table while still being attentive to detail and drawing some serious attention.

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In recent months their first pop collaboration also reached the 1 million mark as well. Now that Xquizit is embracing the pop sound fully, May 28th marks the release of their newest collaboration, "No Time To Die".

Respecting the elements of the original but taking it much more in a dancefloor direction, this synthwave/pop hybird starts with OSITO's amazing voice and quickly builds to the main drop where you can't help but smile and dance.

Releasing on Beat Recordings, the record label behind the only full-time Dance Contemporary radio station in Mexico, Beat 100.9FM, on all platforms on May 28, 2021.

In a digital age of uncertainty, DJ Xquizit is not only rebranding his Trance music, hes rebranding music culture as we once knew it. Only time will be able to tell us what to expect of the future of Trance music. And whatever that future may hold, expect to see DJ Xquizit at the forefront of it.

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Who is DJ Xquizit? Inside With the Musical Artist That's Rocking the World of Trance Music - Yahoo India News

Premiere: Mha Iri parts the sky with trance inspired techno heater, ‘Angels Cry’ – Dancing Astronaut – Dancing Astronaut

by: Josh StewartMay 26, 2021

Melbournes Mha Iri returns to UMEKs 1605 with her Angels Cry EP, a genre-melting whizzer that further demonstrates why the techno producer from down under remains on the rise.

Mha Iri strays from the conventional in concocting Angels Cry, infusing her latest clubbing cocktail with a vibrantly uplifting build and garnishing it with a delectable trance inspired lead synth. Like many great techno releases, Angels Cry is poised to dominate the dark and dank nightclub cellars of the world, but where Iris newest single really separates her from the pack is in how it doubles as a fully certified arena-ready anthem. Commenting on the creative process behind the release, she says,

I made the track based on the concept when the angels cry, their tears fill up the sky. The mood reflectsmyemotions in dealing with the long lockdown and has a moody yet uplifting feeling to it. The main melody is the Ableton stock synth Analog doubled up on an instrument rack with different manipulation on each wavetable to create a simple yet full andeffectivelead.

Join Mha Iri at Melbournes New Guernica on June 13, where the rising techno titan will be throwing down a three-hour set to celebrate the full release of the Angels Cry EP. Listen to a premiere of the EPs lead single below, and pre-save the entire release before it hits the streets in full on May 28.

Featured image: Press

Tags: 1605, angels cry, mha iri, premiere, umek

Categories: Music

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Premiere: Mha Iri parts the sky with trance inspired techno heater, 'Angels Cry' - Dancing Astronaut - Dancing Astronaut

‘I was in a trance watching Swiatek at the French Open,’ says Chris Evert – Tennishead

Chris Evert was full of admiration for reigning French Open champion Iga Swiatek and believes she is capable of defending her title.

Whilst admitting that the Pole is not yet the finished article, Evert believes she is improving with every match she plays on the surface.

She has won the French Open, she has won one Grand Slam on clay and she certainly is getting better and better, said the 18-time Grand Slam champion.

I think she is still not 100% there, I think she is still learning the tricks and learning the finesse, learning about the sliding. I still think she is in the learning position.

Iga hasnt had enough experience to be considered unbeatable or a true clay court player but she is getting better and better with every tournament.

Discussing her impressive performance at the French Open last year, the American admitted she was shocked by just how good Swiatek played.

I was in a trance watching her at the French Open, beating everyone in her path from Simona Halep onwards and I was like who is this young lady? How did she get so good so fast? said Evert.

The seven-time French Open champion thinks Swiatek could go all the way and successfully defend her title at Roland Garros next month.

Most certainly [she can win again]. If results prove themselves then yes, she has done well these past few tournaments.

I think she probably felt pressure after the French Open in a few matches and lost her way a bit but she has gotten that confidence back.

Right after she won it last year she said Im not satisfied with one Grand Slam, I want to keep on winning many more not many champions say that, not many people who win Grand Slams say that.

She never gets down on herself, thats a championship trait. She never panics when she is losing, she always believes in herself when she is behind thats an intangible quality to have, the mental side of the game that is so underrated but it can pull you through.

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'I was in a trance watching Swiatek at the French Open,' says Chris Evert - Tennishead

Electronic Dance Music – What’s All The Fuss About? – One EDM

Electronic dance music, also called just electronic dance music, party music, or just dancing music, is an expansive collection of percussive, electronic sound tracks designed primarily for clubs, raves, and parties. Dubbed the new school of electronic music because it was born from a mindset associated with the roots of modern club culture house, trance, techno, breakcore, and hip hop electronic dance music continues to evolve and grow into todays club scene. Despite this, it still retains a fairly large underground following in contrast to, say, rap and hip hop that have very steep popularity drops. This article aims to discuss electronic dance music from a mainstream perspective to provide a broad view of the genre and analyze its influence on the club scene today.

Electronic dance music often has a heavy, distorted, dubstep-type vibe. The reason for this is obvious take a listen to some modern day DJs and youll hear the same underlying structure and basic elements repeated over again. Although the producer may alter the tempo, tone, and tempo variations, the core elements will remain. Most likely, the producer uses reverb, delay, and distortion on the main loop of the track, as well as adding other subtle effects. A popular form of distortion is the reverse heard in hip hop and breakcore. Other common electronic dance music effects are compression, octave division, compression, limiting, fades, and tremolo.

While electronic dance music was once considered to be rather out there, it is now widely accepted and produced by many mainstream dance producers. However, its main focus is typically on drum machines and samplers, as well as having more experimental tendencies. In recent years, dance artists have been drawn to this genre due to the growth of non-mainstream dance styles.

One of the most recognizable characteristic of electronic dance music is the use of samplers, which play back a sequence of audio on a piano or other electronic instrument. In fact, this very feature is what separates electronic dance from other forms of popular music. For example, rock songs generally only use drum samples. Dance samples are common in electronic dance music. Sampling and playing back a sequence of audio is often done with the use of audio manipulation programs. In electronic dance music this can include things such as pitch shifting, playing with time, and other manipulatives that produce completely new sounds.

One of the biggest influences of electronic dance music is drum programming. Originating in the early 1980s, drum programming has grown into one of the largest and most influential trends in electronic dance music. Programmers like tracker, techno, ambient, and even breakcore have all used this method to create unique sounds. While these programs were originally created to provide musical inspiration and build drum sets, they have now become integral parts of electronic dance tracks.

Many modern producers use complex programs in their electronic dance music. Programs such as Massive City, Prodigy, and others have helped to push the limits of electronic dance music. The sounds created by these programs are usually raw and unpolished. They often involve complex sampling techniques and other processing that can create some truly unique sounds.

One of the biggest characteristics of electronic dance tracks is the use of reverb. Reverb is often used to add atmosphere to a track. It can add depth and dimension to a mix, making it sound as though the listener is traveling through space or has inside the track. This is particularly useful for creating funk. Many modern producers who specialize in creating funk tracks will often employ a powerful and aggressive reverb pedal.

One of the newest features introduced to electronic dance music is the ability to mix and match drum beats. Using drum samples from another source, the lead and support vocals can be added to a song. This technique is commonly referred to as synthrap. The use of this technique is on the rise, as many producers attempt to differentiate their music from traditional dance tracks.

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Electronic Dance Music - What's All The Fuss About? - One EDM

This Centuries-Old Trick Will Unlock Your Productivity – The New York Times

One thing I knew as an aspiring writer was that I was supposed to sit in front of a page for more than 10 minutes. I could not. I had grown up in Colombia during a violent time in the countrys history; my family and I had fled, but I suffered from PTSD. Fear had worked its way under my skin. I wrote a sentence, then questioned whether my surroundings were safe. I got up to check the locks, turn every available light on. The writing came a sentence at a time, but I could hardly finish anything. Even so, I loved writing and longed to do it in spite of personal distress.

First, I tried imagining myself as a cranky office manager. I monitored data. I clocked in and out with timecards. I created pie charts to track my time and the time it took to track my time. I drew elaborate graphs where Y measured the rise and fall of quality pages and X stood for possible culprits starches, desk locations, prying eyes, news consumption, anxiety.

The data did not bring me closer to the state of mind I had identified as the most conducive for writing: a floating between presence and absence, a sense of stillness, awareness and listening.

Reflecting on that ideal mental state, I thought of mesmerism, the precursor to hypnosis, conceived in the 1770s by the German physician Franz Anton Mesmer. One school of his followers favored the somnambulistic trance, instigated by a choreography of visuals and touch. I began to wonder whether such trances could be of use to me, whether they would induce that floating sensation I needed in order to quiet the disturbances of trauma and dedicate myself to writing. And so I began to develop a ritual a way of hypnotizing myself.

This love of ritual has metastasized into a way of life. There is an order to the cups I pull from the kitchen cupboard, a sameness to how I daily prepare what I ingest, five steps to my morning skin-care routine, four steps at night. Once, upon finishing the work of knitting a six-foot blanket, I immediately unspooled it, then reknit the thing.

It began with a color, a muted ultramarine blue that is warmer than navy and bright like royal blue. I found it while scanning the racks for a slip in a hue I did not much wear, one I intended to wear exclusively for writing. Each day, in preparation for my work, I put on the slip and actively imagined for 10 minutes that the color was a place in which intrusive thoughts might not enter. Then I forced myself to sit and write. When I wore the slip, I felt overtaken on a cellular level by a serene form of concentration. Under the spell of chromatic conditioning, I began to accumulate pages and finish my projects.

Over the 13 years Ive dedicated myself to the somnambulistic trance, Ive collected a number of outfits silk slips, slinky tops, linen shorts, acrylic sweaters all in muted ultramarine. At this point, I can no more resist wearing the color and sitting down to write than I can keep myself from taking a breath after an exhale. This mesmerism quiets my mind via an onslaught of repetition. The longer the repetition goes on, the stronger its mesmeric force.

My ritual for self-mesmerism has grown more elaborate over the years. On my designated writing days, I plod to the closet and pick out something in that muted ultramarine, after which I pick a song to play on repeat. It will loop for the next hour (or sometimes the rest of the day). There is always an initial moment of claustrophobia, but the looping music encourages a trance. The operational chatter of my mind grows quiet before it grinds to a halt. I transition into the territory of concentration. I dont have to think about what I will do next: After doing it thousands of times, Ive turned writing into muscle memory.

The best music for self-mesmerism is the kind that embraces repeating and minimally evolving phrases Kali Malone, Caterina Barbieri, Ben Vida and William Basinski are artists I turn to with frequency. They are demanding, beautiful, blisteringly austere. Past the initial weariness of sonic repetition, I experience self-dissolution. I stop hearing the song. It becomes a series of staticky sonic impressions.

At a glance, repetition may look like invariability. But repeated listenings of a song are never identical: Differences emerge out of the drone of a routinized task. A glass may slip, the water I splash myself with may be colder or hotter than I expect. I knit the stitches of my blanket tightly, then loose. The sameness of repetition is never the point. It is a daily door I step through, on the other side of which I am emptied and am filled with something better. I leave the familiar behind to embrace what is unfamiliar and mysterious. No matter what is happening in my life, choosing repetition lets me deliver myself to the moment at hand.

Before self-mesmerism, trauma was something that exiled me from the present, causing me to revisit horrific events. It eroded my perception, until I came to believe that long-gone dangers were extant in the middle of my peaceful everyday. Repetition is how I shed skins of anxiety. The highest abundance I know comes from stripping myself to the minimum. There, I am boundless, timeless and surprising, a magnificent condensation of life.

Ingrid Rojas Contreras is the author of Fruit of the Drunken Tree (Doubleday, 2018). The Man Who Could Move Clouds, a family memoir, is forthcoming from Doubleday.

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This Centuries-Old Trick Will Unlock Your Productivity - The New York Times

Sparkee wins Tisto remix contest with a funky version of ‘The Business’ – We Rave You

Tisto hit The Business made huge waves upon its release last year, and the buzz hasnt quietened down since. The house anthem produced by the world-renowned artist was born already a success, having wowed fans from the first time the trance master shared it. The Business marked Tisto signing to Atlantic Records and presented us with a musicality quite different from the usual, showing versatility and quality that works both on the radio and on a festival stage. Around the globe, there probably isnt a single soul who hasnt heard this charismatic track. Viral, catchy, brilliant. Tisto does not mess around and shows once again his skills as a maestro in The Business. It wasnt enough that he released a smash hit of this magnitude, Tisto went one step further and teamed up with Ty Dolla $ign to produce the second chapter of this thrilling journey, The Business Part II. It was another bombastic hit.

In March, the music veteran challenged his fans to create their own version of both gems. In partnership with Beatport, Atlantic Records, and Label Radar, Tisto opened a competition that would allow the winner to officially release the track on Atlantic Records, a featured spot on his Club Life radio show and more than $7,000 in prizes. Many were the ones who didnt want to miss this chance, but only one won. Sparkee was the big winner of the contest and the latest remixer of this brilliant track.

Who is he? Sparkee is an award-nominated music producer and guitarist from the east coast of Canada. His sound is classically modern, highly influenced by artists such as Daft Punk, Chromeo, or Nile Rodgers. Lover of nu disco and passionate about funky rhythms, Sparkee designs electronic music meticulously and accurately. He remixed Deadmau5s Strobe and the track went viral. On top of that, Deadmau5 comment that the bassline was technically impossible. Now, his remix of The Business is the talk of the town. Sparkees version was released on Atlantic Records at the end of April and has since amassed over 900,000 streams. On how it all came about, the Canadian artist explains:

I saw that Label Radar was hosting a remix contest for The Business by Tisto and I reallywanted to put my spin on it. I already loved the original track but it was also a hugeopportunity. I went with a bit of a retro vibe and added my funky guitar style to it whichseemed to work out pretty well because I was selected as the winner out of 3500+submissions! In addition to being released on Atlantic Records, I won a slew of prizes that Im absolutely stoked about. This is literally a dream come true!

The remix is a funky version of Tistos track. Keeping the backbone of the hit tune, Sparkee adorned the music with soul and groove. The beat is warm and laid back, very much in the genre of more classic house, in its disco offspring. Provoking a relaxed and enjoyable jam, the remix spreads light and sunny energy, perfect to enjoy on hot days. Sparkee has managed to deliver a cool rendition of The Business, literally. This track is part of a remix compilation that includes renditions by Clean Bandit, 220 KID, Vintage Culture & Dubdogz, and SWACQ.

Winning this contest wasnt Sparkees only ambition for 2021. Challenging himself on every level, he set out to release a new remix every single week in a defiant 52-week remix challenge. The track creation process is streamed live on Twitch every Thursday night to share his methodology with his legion of fans. His remix of The Business is just one of the tracks in this challenge and its worth checking out the others. To do so, just follow Sparkee on his social networks, such as Twitch.

Listen to Sparkee getting down to business on this remix of Tistos The Business below:

Image Credit: Sparkee (Press)

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Sparkee wins Tisto remix contest with a funky version of 'The Business' - We Rave You

20 Cutting-Edge Producers Who Really Dont Sound Like Anybody Else – This Song is Sick

The one way to get a listeners attention is by breaking the mold. With so much music available to us on demand, its the producers that carve our their own unique sound that really end up catching our ear.

Between constant digging through playlists and sorting through submissions, we listen toa LOTof music, but there are a select few artists out there who simply dont sound like anybody else. These bopsmiths have been changing the game since they stepped foot in the scene, and we keep finding ourselves coming back to their work as a sort of musical palette cleansera breathe of fresh air in a landscape that can be saturated with formulaic strategies.

We thought long and hard about which producers are currently pioneering unparalleled approaches to their sound, and have narrowed it down to a list of twenty artists that you need to have on your radar.

So if youre looking for a change, here is our list of 20 cutting-edge producers who really dont sound like anyone else.

The reason why SOPHIE is starting off this list is that she transcended electronic music. When you think of producers who have reached legendary status and influenced this whole generation of experimental sound design, SOPHIE is the first person most people think of. When she tragically passed away earlier this year the entire music industry felt it. Some even said SOPHIE had a Dilla-like effect on electronic music. Wed have to agree.

This critically-acclaimed rapper/producer has been setting the bar high for beatmakers since the 90s. Throughout his career, he moved from rap beats to jazz-electronic, and recently even collaborated with Four Tet on his latest project, Sound Ancestors.Whether hes Madlib, Quasimoto, or the Mad in Madvillain, Otis Jackson Jr. remains untouched in the game.

Theres a reason why the reclusive South Londoner is so sought after, even over a decade since his last full length body of work. When it comes to innovative, state-of-the-art electronic music, Burial is always one of the first artists that comes to mind. His creative tendrils stretch across the vast spectrum of subgenres, so theres no true way to define his work. Just take a listen to one of his most recent singles, Chemz, below.

People might know Lunice as one-half of TNGHT, but his career trajectory has been insane since the beginning. Hed been producing for about 12 years before founding the electronic duo with HudMo, and becoming one of the most sought-after artists in the industry. Incorporating eccentric sound selection in his design, hes able to give a fresh take on hip-hop and electronic traps normally simplistic cadence.

Theres nobody who gets your spine tingling quite like Four Tet. The musical wizard has somehow been ahead of the game for over two decades, amassing eleven different studio albums (and more under different aliases). Whether hes creating rich, ambient soundscapes or driving house and techno rhythms, hes putting us in a trance. We love when he combines those two approaches into one, like he did on LA Trance.

Whether he likes it or not, Aphex Twin is widely known to be associated with the budding subgenre of IDM. And for exactly the reasons youd assume. Most electronic music can be pretty formulaic, but Aphex Twins unpredictable, left-field composition speaks volumes for itself.

Vegyn has been one of our absolute favorite recent discoveries. The British producer seems to break every single rule when it comes to music, but gets away with it 100% of the time. Little did we know that Vegyns talents were enlisted by the likes of Frank Ocean on both his Blond and Endless projects back in 2016. We wont even try to classify his sound, but think about floating around in a bubble while at an interdimensional nightclub. Hmmm yeah.

Kelly Lee Owens burst onto the scene with our self titled debut album in 2017, but last year she sank her teeth into us with her immaculate sophomore album, Inner Song. While her dreamy and spooky production is something to behold on its own, it reaches new heights when she gets to crooning.

Now that our boy Sammy G has stepped foot into the indie electronic realm, the scope of his music has widened immensely. No matter what genre he makes, Sam Gellaitry is one of the few people who can create full-body listening experiences through his emotion-packed production and visual-inducing storytelling.

If youve been seeing this producers name tossed around as of recently, its for good reason. Her most recent body of work, Youve Got The Whole Night To Go, covers a broad scope of club music, from acid-laced breakbeats to thick, minimal groovers. The young talent has made her way to Berlin, via Sydney, two locations that thrive off of innovation, and were constantly waiting to see what she does next.

While weve already hailed Of The Trees for his boundary-pushing efforts this year, we cant say enough about the newly Denver-based producer. His recent work completely transports us to a different place, combining mystical melodies with ridiculously satisfying low-end sound design.

The underground music scene in Melbourne, Australia proudly boasts Roza Terenzi as of leading artists to come out of the thriving city. She now resides in Berlin, but has retained her Aussie swagger in her music, creating some of the dustiest, rawest techno and electro bangers you could possibly imagine and releasing on her new label, Step Ball Chain. Roza breaks all the rules when it comes to typical song structure, with a single track feeling like its made up of several different ideas all mashed into one, cohesive work of art.

The Godfather of future knock. DECAP created this subgenre of trap to showcase funky, jazzy elements over hard-hitting drums and rap beats. The sound doesnt take itself too seriously and if you watch his Twitch streams, neither does DECAP. But you can always count on them for a fun time.

Although Cashmere Cat was able to make a clean crossover to the mainstream and become a frequent collaborator of pop stars like Ariana Grande, theres no doubt that Cashmere Cat has one of the most distinctive styles out there. We could even say hes one of the main game players in pushing kawaii bounce into popularity.

The duo has been bringing something new to the trap table since 2015, incorporating elements of jungle, breaks, dubstep, and really any electronic genre you can think of, into their music. While many try, the group is able to nail that bombastic yet brooding sound that really shakes you to your core. If you want to get an idea of X&Gs versatility, their PERSONA album is a great start.

If you want to take a trip to the deepest, darkest, and dankest corners of techno, take VTSSs hand let her show you the way. Hailing from Warsaw, Poland, this quickly rising artist is on a tear right now, and some of her recent releases have been brutally tantalizing. This music is designed to pluck at your senses.

Ivy Lab is the blueprint for experimental electronic music. Any genre of music you can think of can be found in their tracks and the duo is able to execute it immaculately. We really cant think of anyone else who can do something like mix soul and drum and bass together, but Ivy Lab delivers. Always paving their own path, they have a record label called 20/20 LDN where you can find even more forward-thinking music.

New Sable Valley signee Deadcrow has been making huge waves in the community. As a power player in officiating the subgenre of wave, Deadcrows atmospheric yet heavy-hitting sound engages you from start to finish.

Old school ravers will often get nostalgic about the sound of the 90s, but nobody channels that drug-fueled euphoria better than this Leeds-born duo. In an interview with Mixmag, Prospa said they wanted to be among the UK greats like The Prodigy. Theyre certainly on their way.

With each and every Rome In Silver release, it becomes clear that there is nothing he cant do. Progressing from trap bootlegs to solidifying his spot in future bass, Rome In Silver now just drops whatever he wants and its somehow always perfect. While he cant be pigeonholed into one genre, you cant miss his distinguishable ethereal melodies.

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20 Cutting-Edge Producers Who Really Dont Sound Like Anybody Else - This Song is Sick