Philly lawyer collects millions evicting people for city courts. She’s married to an eviction judge – The Philadelphia Tribune

In the winter of 2017, Blanche Jacobs North Philadelphia apartment got so cold, she moved her bed into the kitchen at night and turned on the oven for warmth.

She says the heat in the building never worked right, but the landlord still asked tenants to pay utilities.

The building was real old, everything was a mess, she said in a July interview. But they still wanted the money whether it was heated or not.

Jacobs said she called the citys Department of Licenses and Inspections and eventually began withholding rent after a doctor diagnosed her with pneumonia in the spring of 2018. Her landlord moved to evict her several months later over unpaid rent.

One day, she heard a knock at her door. As Jacobs rose and turned the doorknob, a short man dressed in black, wearing a badge and carrying a gun pushed his way in with enough force to knock the 55-year-old with a disability to the ground, she recalled.

Jacobs said the man indicated he was with law enforcement, but she sensed something was amiss that he might have been hired by her landlord.

He said he was a police officer. But I dont know if he was. He didnt have the blue clothes on like a regular cop, Jacobs says now. I had to call the regular cops on him because I couldnt believe what was happening. He really hurt me.

Like many thousands of Philadelphians, she was locked out of her home not by a court employee or law enforcement, but a private security contractor. This man, like others, was hired by an obscure law office appointed by the courts to collect fees from landlords and serve the two court orders that formally boot tenants from their homes known as a writ of possession and an alias writ.

Unlike many other jurisdictions, Philadelphia Municipal Court relies on an appointed Landlord and Tenant Officer, to handle this paperwork and employ hired muscle to encourage tenants to leave, like the man Jacobs encountered. This post is largely unknown to the public but quite lucrative, entailing the collection of millions in related fees for landlords.

And, like many valuable functionary positions orbiting city government, the current appointee, lawyer Marisa Silberstein Shuter, has family ties: She is married to Municipal Court Judge David C. Shuter, who personally presides over certain eviction cases, and is the daughter of that courts former President Judge, Alan K. Silberstein.

Legal observers say the arrangement is reflective of a larger culture of nepotism within the courts and presents a serious conflict of interest.

Court records show several eviction cases over the past year in which Judge Shuter ruled in favor of landlords. These judgments resulted in landlords paying an associated service fee directly to his wifes office to deliver writs. On the judges statement of financial interests, he listed his spouse as a source of income.

Speaking generally, Richard Long, chief counsel for Pennsylvanias Judicial Conduct Board, said ethical guidelines prohibit judges from advancing the economic interests of relatives or associates through their conduct on the bench.

Obviously, if a judge is taking actions that are intended to benefit a spouse, thats concerning, Long said. Theyre not making their decisions on the law and the facts of a case.

Barry Thompson, who was himself evicted and now works with a tenant support organization, said that the informal nature of the office operated from Marisa Shuters private office on South Broad Street often confused his clients, blurring the line between law enforcement and mercenary. Landlords or their representative are required to be present for the final eviction, adding another layer of confusion.

People ask, Are these people from the court? Thompson said. Or are they just people the landlords have hired?

In an email, Shuter said her deputies were licensed to carry firearms, held court-issued identity cards and were trained in eviction law by her office.

Most if not all of the deputies are either retired police officers or constables, or at least have extensive background in a security related field, she said of the officers who serve the final writ and lock out tenants. The goal of the Landlord-Tenant Officer is to do everything possible to maintain a peaceful, smooth, safe, and non-confrontational process.

However, because Shuters office is privately run, the identities of these deputies are not publicly available. A court spokesperson said there were no formal credentialing guidelines for these positions.

While the Philadelphia Sheriffs Office is also empowered to handle Municipal Court evictions, landlord groups like the Homeowner Association of Philadelphia primarily direct their members to Shuter, largely because she acts more quickly and charges around $80 dollars less in writ fees.

Although the individual fees her office collects are small, between $95 to $140 per eviction, they quickly add up.

Because the private attorney collects fees directly, a court spokesperson couldnt say how much Shuter had earned since taking over the position in January 2017. Shuter similarly declined to disclose how much her office had earned from fees, but the courts confirmed that from the start of her appointment through the end of 2019 she had served final eviction writs to 16,984 households. That figure would at least entail the collection of fees amounting to roughly $2.25 million.

Currently, her business is set to boom with the expiration of a COVID-era eviction moratorium just over the horizon. Advocates, like Phil Lord, an attorney with the Tenant Union Representative Network, said an office that primarily derived its value from appealing to landlords desire for faster and cheaper evictions, risked making a bad situation worse.

These people are working for the landlords. Their job is to get the house vacant, he said of Shuters office. Why is this private business doing the courts work?

The Wild West

The story of Shuters ascendancy to Landlord and Tenant Officer is the latest chapter in a nearly 50-year-old failure to reform Philadelphias eviction process.

A unique feature in Pennsylvania, the citys current Landlord and Tenant Office dates back to 1970 and was initially introduced as a civil reform to the citys ancient constabulary system. That 17th-century system of appointing men to handle tax collection and court service had, by the 20th century, lost many traditional powers due to government reorganization. By the 1960s, people elected to constable positions in Philadelphia functioned primarily as politically connected bounty hunters, charged with enforcing court eviction orders for profit often by any means necessary.

During that decade, the constabulary system became a lightning rod for criticism over graft and lack of oversight. Renters routinely reported being harassed out of their homes or evicted without cause. The men doing the evictions held constable sales or distress sales to recoup their costs and time, auctioning off furniture or clothing belonging to displaced tenants.

A 1965 state attorney generals inquest into the system recommended abolishing the positions and transferring their duties wholesale to the city Sheriffs Office.

[Philadelphias] constables are engaging in practices designed to terrify the average citizen, the report reads, describing many constables as glorified bill collectors operating under official marque.

Sam Stretton, a longtime ethics lawyer in Philadelphia, said he recalled now-deceased U.S. Sen. Arlen Specter making a case for dismantling the constabulary system as a central plank of his campaigns for Philadelphia District Attorney in the 1960s.

It was the wild west out there, he said, of the constables. It was bribes and everything else.

Outcry and a court injunction followed an episode in 1969 in which a constable sought to auction the furniture of a North Philadelphia family that put rental payments in escrow after the inspectors deemed their landlords property unfit for human habitation. In a subsequent lawsuit, filed by legal aid group Community Legal Services, federal courts ruled these sales unconstitutional, ordering the abolition of Philadelphias constabulary offices and the judicial appointment of theoretically more formalized Landlord and Tenant officers.

But the ensuing reform soon became a source of controversy itself. And the new system quickly came to resemble the old.

One of the first Landlord and Tenant officers, Edward A. Green, was sued by Community Legal Services for attempting in 1970 to shake down tenants for travel costs and service fees on top of what he was legally allowed to collect. Al Sacks, another Landlord and Tenant officer himself a former constable was also sued by the legal nonprofit in 1986 for allegedly bilking tenants into paying bogus legal fees.

The legislative reformsput the Landlord and Tenant Officers in Philadelphia in the same position as the constables were prior to those reforms, lamented plaintiffs in the suit against Green.

By the late 1980s, the position came under the aegis of the law firm of Robert H. Messerman. This attorney was appointed by Marisa Shuters father, former President Judge Silberstein, who presided over Municipal Court from 1986 to 1999. Messerman would hold this appointment for nearly 30 years.

Reached by phone in July, the attorney said he could recall few details of the offices operations. But records show Messerman subcontracted much of the eviction work to surrogates. A so-called deputy landlord-tenant officer that was shot and killed in a 1990s dispute with a West Philadelphia tenant was later revealed to be a contract worker paid by Messerman, according to an Inquirer report. A later lawsuit filed against Messermans office indicated that work was also sometimes subbed out to a local process service firm called B&R Services for Professionals, Inc.

Meanwhile, Silbersteins daughter, Marisa Shuter, graduated from Temple Universitys Beasley School of Law in 1993 and soon went to work in the family trade administering the citys court system. After a stint as an associate in the real estate department at Blank Rome, she began her career in the court system. While her father served as Municipal Courts president judge, the court hired her as a law clerk around 1996. She later joined Messermans office in 2006, serving as a staff attorney and office manager, according to First Judicial District spokesperson Marty ORourke.

When Messerman eventually retired from his post as Landlord and Tenant Officer, Marisa Shuter was appointed by then-President Judge Marsha Neifield Williams to replace him in January 2017.

Today, she runs the office much as Messerman did, relying on independent contractors to do the heavy lifting of writ service. ORourke said all these people are formally deputized, but court rules do not require them to be trained or certified law enforcement.

The court does not require the Landlord-Tenant Officer or the Deputy Landlord-Tenant Officers to meet any specific law enforcement credentials, ORourke said.

Marisa Shuter said, in practice, many did have a background in police work or had served as suburban magisterial constables. She reiterated that she requires deputies to have a license to carry a firearm, own a vehicle and that all received significant job training.

I personally explain all of the laws to them and the process from start to finish, she wrote. They ride along with an experienced deputy for a period of time before being assigned to handle evictions on their own so that they can learn the job.

Michael Williams, a Philadelphia housing attorney, said the distinction between these deputies and actual law enforcement was often vague.

Sometimes tenants will call them the sheriff, but thats wrong, Williams said. Theyre from the landlord-tenant office. Sometimes, they will still refer to themselves as constables.

Some, like ethics lawyer Sam Stretton, said the courts shouldnt be empowering private entities with little duty to disclose information to the public to force residents from their homes.

This office is held out as part of the government when, in fact, its a private law firm, he said. Theres still no standards. They could just get some monster, and say hes just the toughest guy I found.

Ethical nowhereland

It may be unsurprising that the daughter of the former president judge would come to work for a man he appointed Silberstein long held an enthusiastic attitude toward family and government service. He hired his own wife as a judicial aide in the 1980s and, after his own retirement, replaced her in a seat she would occupy on the citys Board of Revision of Taxes, in the 2000s. The BRT was itself later dismantled amid allegations of political dealing. Silberstein did not respond to a request for comment.

ORourke defended Shuters appointment, citing her pedigree in the field and conduct to date.

Ms. Shuter learned every aspect of how to manage the office and handle the legal issues faced by the Landlord-Tenant Officer. She also served as the courts point of contact and effectively managed the office to the courts satisfaction, he said.

While Shuters father had long since retired by the time she took over the office, her husband served on Municipal Court both then and now. ORourke explained that the appointment did not trigger anti-nepotism rules because of the unique nature the Landlord and Tenant Office occupies within the municipal bureaucracy Shuter is paid directly through fee collection and is not otherwise a salaried or contracted employee of the courts.

The Landlord-Tenant Officer neither receives compensation from nor is an employee of the City, State, or First Judicial District, he said. The Citys ethics rulesare not applicable to the Landlord-Tenant Officer because the officer is neither a City officer nor a City employee.

But Judge Shuter ruled on eviction cases before his wife became the person doing the evicting and records show he continued to do so afterward. Municipal Court employs a rotation system where all judges occasionally share the burden of pushing along thousands of eviction cases each year although many individual suits spend little time under the scrutiny of the court.

Rob Caruso, executive director of the State Ethics Commission, acknowledged that other court appointees, like special masters appointed in divorce proceedings, do fall into an ethical nowhereland in state guidelines. But that did not necessarily mean Shuters arrangement was conflict-free.

What doesnt make sense is why her husband is not recusing himself from these eviction cases, Caruso said.

Neither Marisa Shuter nor Judge Shuter responded to requests for comment about this relationship. But ORourke defended the judges conduct.

Judge Shuter very rarely hears landlord-tenant cases and has a reputation for fairness and honesty, he said.

Ethics lawyer Stretton said that, after nearly a half-century, it appeared that the landlord-tenant office had changed little from the 1960s.

Thats Philadelphia for you. Some traditions are wonderful, and some arent, like nepotism, he said. The office should be abolished.

Calls for reform

Research has shown that evictions disproportionately impact Black residents, particularly women-led households across the United States. Locally, a study from the 2000s found that 80% of tenants targeted for eviction in Philadelphia were people of color and 70% were women of color. The city is ranked fourth nationally in the highest number of people it seeks to evict annually.

Some tenants, like Judith Jones, said they felt like the landlord-tenant officer did not treat them fairly. Jones withheld rent after her apartments heater broke, but her landlord later won a Municipal Court judgment evicting her. While tenants are entitled to a minimum three week grace period after a judgment, she struggled to get Shuters office to tell her exactly when she would be locked out of the apartment.

The courts told me to call the office every day to find out when the landlord-tenant is coming, Jones said. I called them every day.

Shuter, reached by email, acknowledged that the office did not disclose the date or time of eviction to reduce conflict.

It is the policy of the office not to disclose the date and time of the eviction to the tenant in order to protect the safety of tenants, landlords and their representatives and Deputy Landlord-Tenant Officers, she said.

Jones eventually packed up and left early, to avoid running into the Landlord and Tenant Officers deputies. She now also works with a tenants rights group and said she has come to understand why it was so hard to get an answer to a simple question.

They try to catch people off guard, Jones said.

For those who experience evictions, the memories are often searing. Munira Edens-McClean, now a community organizer leading a housing justice campaign with nonprofit OnePA, said she still remembers the day the landlord-tenant officers came to her familys home.

I had them come to my door and tell me we had an hour to get out. I still remember it, from when I was a child, she said. Thats part of the reason Im doing this stuff.

To some, its an unavoidable consequence of the reality of a rental market in an impoverished city, regardless of who arrived to change the locks.

Sometimes, maybe the tenant didnt get the notice. But a lot of times, its really just that they couldnt pay their bills because they lost their job. Or people were in another bad situation, said housing attorney Michael Williams. Its sad, losing your house while your kids are standing there next to you. Its just awful.

But lawyers at CLS the housing law organization responsible, in a sense, for the creation of the Landlord and Tenant Office say today that the office is in need of reform, much as it was a half-century ago.

CLS has advocated for tenants rights for years, and we are hoping to see changes in the near future that will involve increased accountability from the Landlord-Tenant Officer in the performance of its duties, said attorney Ian Charlton.

Councilwoman Helen Gym, who helped co-author a raft of renter protections earlier this year, agreed the office should be abolished.

While the sheriffs office has had its own history of ethics problems, she said merging landlord-tenant functions would at least provide a bare minimum of oversight and credentialing.

We already have a process to handle this, she said. They go through the sheriffs office where they are at least tracked and held publicly accountable. There is a public process and a means of appeal.

Barry Thompson, someone who went through the process himself, said even small stopgaps or more warnings could be critical for those already in a personal maelstrom when the eviction workers come.

Its like being caught up in a fire in the wee hours of the morning, youre not in your right state of mind, he said. Youre being told to grab this, grab that, you forget things. You forget your blood pressure pill, your ID. You get around the corner and you realize you dont have it, but the door is already locked.

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Philly lawyer collects millions evicting people for city courts. She's married to an eviction judge - The Philadelphia Tribune

Posthuman | Tardis | Fandom

Posthuman

Posthumanity was the term used to describe the human race after the destruction of Earth by the Sun in the far future. Deprived of their common cultural reference point, humans formed a loose political structure composed of many groups and subspecies known as the posthuman hegemony. (PROSE: The Book of the War)

Their territory existed at the Time Lords' frontier in time. (PROSE: Frontios, The Book of the War) With their time travel technology, posthumans were a significant faction in the War in Heaven. (PROSE: The Book of the War, Cobweb and Ivory, et al.)

Due to the availability of time travel in the posthuman era, many posthumans influenced their species' past. (PROSE: The Book of the War, Work in Progress) Due to the actions of the Pilots' Coterie, le Pouvoir, the 17th century French secret service, briefly acquired "mirrors" which showed them potential timelines of posthumanity. (PROSE: Newtons Sleep)

27th century human academics were familiar with the term "Posthuman". (PROSE: Work in Progress)

Transhumanity was the evolutionary stage between humanity and posthumanity. (PROSE: Stranger Tales of the City linking material)

The pre-posthuman era was home to a group of emotionless militant cyborgs who forcibly converted other humans and were in turn reviled by humanity, (PROSE: The Book of the War) known by some as the Inanem Magnanime Milites. (PROSE: Weapons Grade Snake Oil) Members of this cyborg race, such as Litany Chromehurst, were the forebears of technosapience (PROSE: Happily Ever After Is a High-Risk Strategy) and eventually became regarded as simply another posthuman subspecies, some of them forming the Silversmiths' Coterie. (PROSE: The Book of the War)

Earth is swallowed by Sol in the 57th Segment of Time. (TV: The Ark)

The posthuman era began with the loss of Earth, which The Book of the War and The Human Species: A Spotter's Guide indicated was circa the year 10,000,000. (PROSE: The Book of the War, Of the City of the Saved...) Another account similarly showed that the Sun swallowed Earth about ten million years after the 1st Segment of Time. (TV: The Ark) However, Compassion believed that most posthuman historians dated the destruction of Earth to 12,000,000, (PROSE: The Brakespeare Voyage) and several other accounts placed Earth's end in 5,000,000,000. (TV: New Earth, The End of the World, et al)

The period immediately after Earth's destruction, the 58th Segment of Time, (PROSE: The Well-Mannered War) was at the edge of Gallifrey's noosphere, (PROSE: The Well-Mannered War, Frontios) the frontier in time. (PROSE: The Book of the War) Early Time Lords forbid within Gallifreyan civilisation any knowledge of history beyond this point, and the Fourth Doctor regarded it as the end of the Humanian Era. (PROSE: The Well-Mannered War) Finally beyond the Ghost Point (PROSE: The Book of the War) and starting to mirror the Great Houses in several new ways, (PROSE: Of the City of the Saved...) posthuman history began with a Diaspora Era (PROSE: The Silent Stars Go By) just as the Houses' history did. (PROSE: The Book of the War)

Some human colonists of Frontios were augmented into non-humanoid, cyborg forms, (TV: Frontios) as would later become popuar among technosapiens. (PROSE: Weapons Grade Snake Oil)

Direct human survivors of Earth's destruction included the Guardians, who took a 700 years voyage on the Ark to Refusis II; (TV: The Ark, PROSE: The Book of the War) Revere's ship of refugees, thought by the Fifth Doctor to be one of the last surviving groups of Mankind, who colonised Frontios; (TV: Frontios) and the Morphans, who colonised Hereafter and very slowly terraformed it into a replacement Earth while the elite transhumans of pre-destruction Earth waited in hibernation. (PROSE: The Silent Stars Go By)

Two distinct political viewpoints arose in humanity from the loss of their original homeworld. One, the Arcadians, considered themselves the preservers of the old Earth's ways. They recreated Earth on 28,000 Earth-like displays, many of which were called New Earth. (PROSE: The Book of the War) One notable New Earth was founded by the "big revival movement" within 23 years of Earth's destruction. (TV: New Earth) The Arcadians were isolationist and eventually almost completely vanished, (PROSE: The Book of the War) with one group secretly surviving in suspended animation beneath the acid seas of Endpoint until near the end of the universe. (PROSE: Hope)

Mrs Foyle of the Remonstration Bureau. (PROSE: The Book of the War)

The other viewpoint which defined the early posthuman era was one of decadence. Mrs Foyle was a notable early era decadent who ran the House of the Rising Sun and the Remonstration Bureau. (PROSE: The Book of the War)

Beginning with the early posthuman era, humans were able to procreate with basically every other species capable of breeding; a rare trait shared with advanced factions such as the Great Houses. (PROSE: Of the City of the Saved...) With the commonality of hybridisation, some posthumans genetically modified themselves to be able to speak the language of their alien partners, as Marinthe did for Rynu. (PROSE: Farewell to a World) The Eighth Doctor once encountered a race of time-travelling Cybermen who turned to the 21st century because in their native era after Earth's destruction, humanity was scattered through the cosmos and "genetically diluted," proving unfit for cyber-conversion. (COMIC: The Flood)

A chain of posthuman worlds became the breeding-grounds of the Remote. (PROSE: The Book of the War)

Some posthuman subspecies had physical aspects of other animals originating from Earth, including dolphins and tigers. (PROSE: Of the City of the Saved...)

The Immaculata Formosii was a posthuman War Goddess who allied with many sides of the War in Heaven, including the Enemy and Faction Paradox. (PROSE: The Book of the War, Against Nature)

The posthuman (PROSE: A Hundred Words from a Civil War) Malkuthites killed the native population of Yesod, including the Yesodi, and adapted themselves into the Yesodites, who were once visited by the Eighth Doctor, Samson, and Gemma. (PROSE: The Long Midwinter, AUDIO: The Wake)

The Quire were a group of posthuman scholars who once sent six of their people to the Braxiatel Collection in the 2600s. (PROSE: Work in Progress, Tribal Reservations, Quire as Folk, Intermissions, Future Relations)

The giant Bribori Zadig with a city on his shoulder. (PROSE: Furthest Tales of the City)

There existed posthuman giants for whom a planet was comparable in scale to a mountain to a normal-sized human. (PROSE: Unification Theory) The largest giant was Bribori Zadig, who constituted his own class of posthuman and was suspected by some to have been engineered as a piece of living art. (PROSE: Sleeping Giants)

Many posthumans became became parts of hive minds, such as the Saqqaf Hive (PROSE: Saqqaf) and Angstrom Hive. (PROSE: Of the City of the Saved...) The shoal-people spread their individual minds among many fish, each person their own hive mind. (PROSE: Just Passing Through)

Akroates came from an isolated society of posthuman shepherds who resembled cyclopses. (PROSE: Akroates)

A fabled clan of long-limbed posthumans lived on Trapezium. (PROSE: The Baker Street Dozen)

The Entrustine Horde were an obscure posthuman barbarian guild. (PROSE: Of the City of the Saved...)

The colonists of the ocean world Widowseed diverged into the Seaborn and Airborne, who brutally warred for control of the gigawrack, each denying the others' humanity. (PROSE: Salutation)

A-Ph-Aa came from a cuboid race of posthumans with a rich history who were made to never exist once history changed so that humans never colonised their homeplanet. (PROSE: Mourning the Story)

In the 11th billennium, several posthuman types were created along eugenic principles, including the Neotonic Clade. (PROSE: Unification Theory)

Two of the Pilots' Coterie manifest at Salomon's House in 1671 with the use of praxis. (PROSE: Newtons Sleep)

About two million years after Earth's demise, circa 12,000,000, the posthuman era entered its height as empires began emerging from the decadant movement. (PROSE: The Book of the War) The most notable of these were the aristocratic Blood Coteries based in Siloportem. (PROSE: The Book of the War, AUDIO: Movers) The Blood Coteries included the Pilots of Civitas Solis, (PROSE: The Book of the War, Newtons Sleep) the Weavers, and the Silversmiths. (PROSE: The Book of the War)

The miniscule Plume Coteries were librarians who lived in the distant reaches of dead space. (PROSE: Cobweb and Ivory)

Gargil Krymtorpor, who lived from 12,023,711 to 12,023,967, was a posthuman interstellar pirate who renegaded from Siloportem and became indentured to the Celestis. (PROSE: The Book of the War)

At the time of the last humanoid Arcadians of the Milky Way, posthumans led by Linemica resurrected Cernunnos using delicate craftmanship and illegal time travel. Dignitaries from countless posthuman cultures attended Cernunnos' unveiling on Terra Primagenia. (PROSE: Cobweb and Ivory)

A Drashig striking. (TV: Carnival of Monsters)

A splinter Coterie became lost on a million-year mission across the cosmos, during which radiation affected their evolution by activating "a few forgotten DNA pathways". Little Brother Intrepid of Faction Paradox transported some of their eggs backwards through time to a prehistoric swamp, where they evolved into Drashigs (PROSE: Daring Initiation)

Marko Marz was a transhuman Plutocrat from an openly mercantile posthuman period. Despite time travel being taboo among the Coteries, Marz publicised his interest in it (PROSE: Subjective Interlock) and had his book Retroeconomics and Timeschism for Dummies published in the past, 4973. In the book, Marz mentioned that the Dealers in Yellow operated in his era. (PROSE: Pre-narrative Briefing L)

Megropolis One on Pluto. (TV: The Sun Makers)

The Chance Coteries were a wealthy cymbiont civilisation who, during the reign of Scacia De Rein circa 19,531,250,000,007,031, manipulated public perception of technosapiens across the posthuman hegemony. De Rein secretly supported the revolution on Pluto against the Company which led to the foundation of the Plutonic Republic of Technosapien Enhanced Cultures. The revolution led to increased sympathy and understanding for technosapiens. PROTEC's president, Sojourner Hooper-Agog, later teamed with Faction Paradox Bankside to cause the fall of the Chance Coteries. (PROSE: Weapons Grade Snake Oil)

The Technosapien Interstellar Cooperative spanned many worlds, including the AutoFolk's homeworld Mechanique II. (PROSE: Happily Ever After Is a High-Risk Strategy)

The Million-Star Alliance did not actually span a million stars, but it did include the mining planet Isoptal, where posthumans survived by turning themselves into artificial intelligences known as the Isoptaline. (PROSE: Weighty Questions, Salutation)

By 6,000,000,000, the posthumans previously living on Pluto had modified themselves into homo solarians and colonised the expanding Sun. They died when the Sun was swallowed by Grandfather's Maw. Compassion considered this to be the ultimate fate of humanity, with all the posthuman groups outside the solar system being mere off-shoots of the core continuity. (PROSE: The Brakespeare Voyage)

The Lasthumans were widely considered the final posthuman civilisation. (PROSE: Of the City of the Saved...) Their God-King was Het Linc. (PROSE: The Book of the War) They created the Universal Machine in their last millennia before being massacred by House Mirraflex in 334,961,147,104. (PROSE: Of the City of the Saved..., The Book of the War)

The Toclafane. (TV: The Sound of Drums)

While the psychics of the Lasthumans had scoured the universe and found no other human minds, there also existed strands of humanity posthumously termed the "revolved" who evolved into mindless beings then "revolved" back into conscious creatures. (PROSE: Of the City of the Saved...) The Tenth Doctor encountered a group of humans on Malcassairo in 100,000,000,000,000 whose ancestors had spent millions of years evolving into gas and another million as downloads. The Master hid from the Last Great Time War among these humans (TV: Utopia) and caused their evolution into the Toclafane. (TV: Last of the Time Lords)

Near the end of the universe, when the universe was ruled from the Needle by the Imperial Family, the planet Endpoint was home to the human-descended Endpointers as well as a secret faction of "genetically pure" humans (PROSE: Hope) of the Arcadian viewpoint (PROSE: The Book of the War) in suspended animation. The Eighth Doctor, Fitz Kreiner, and Anji Kapoor came to Endpoint, got caught up in the reawakening of the humans, and ensured peace between the Endpointers and the humans. (PROSE: Hope)

Posthumanity's final creation, the Universal Machine, was one of the Secret Architects of the City of the Saved. (PROSE: Of the City of the Saved...) All of posthumanity was resurrected in the City. (PROSE: The Book of the War)

During the City of the Saved Civil War, the most sophisticated posthuman factions fought in ways incomprehensible to common humans. Five Districts warred entirely with music and representatives of two cultures went into combat in Flautencil's Plaza which appeared to consist only of smelling orchids and exchanging meaningful glances. (PROSE: A Hundred Words from a Civil War)

Continued here:

Posthuman | Tardis | Fandom

How to git clone on Ubuntu with GitLab and GitHub – TheServerSide.com

Im not one of those software developers that shuns a Windows based GUI and portends that every operation performed on a computer is best performed using a command prompt or the BASH shell. But I can tell you that if you want to do version control with Git, the terminal window in Ubuntu is the best place to do it. Let me demonstrate that by demonstrating how to perform an Ubuntu git clone operation, taking all of the content from both a GitHub and a GitLab repository and copying it all down to my local machine.

The following is the list of steps required to perform an Ubuntu Git clone:

The commands used in the Ubuntu git clone example where the target was a GitLab project are as follows:

The process of cloning a GitHub repo in Ubuntu isnt that much different. Since the first set of commands installed Git and performed the one-off config operations, the set of commands is more compact:

You can find these repositories on GitHub and GitLab.

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How to git clone on Ubuntu with GitLab and GitHub - TheServerSide.com

The 2020 Emmys, ‘Watchmen’ and Black Lives Matter – Vogue

As Variety reported, a record number of Black actors were nominated for Emmy this year taking 35 of the 102 possible slots, or 34.3%. That was a jump from last year, when Black actors made up 19.8% of the nominee pool, as well as an increase from 2018, when there were 27.7% Black actors nominated the previous highest percentage in the Academys history. Among those nominated: Billy Porter, Sterling K. Brown, Zendaya, Anthony Anderson, Don Cheadle, Issa Rae, Tracee Ellis Ross, Regina King, Jeremy Pope, Octavia Spencer and Kerry Washington. (King, Spencer and Washington all compete in the same category, Best Actress in a Limited Series; the other two nominees are Cate Blanchett and Shira Haas.)

"This year we are also bearing witness to one of the greatest fights for social justice in history, and it is our duty to use this medium for change," Frank Scherma, chairman and CEO of Television Academy, at the start of the live-streamed nominations on Tuesday. That is the power and responsibility of television not only delivering a multitude of services or a little escapism, but also amplifying the voices that must be heard and telling the stories that must be told. Because television, by its very nature, connects us all.

Of course, inclusion only goes so far.

One of the glaring omissions in this year's nominations was Pose, which failed to repeat as a Best Drama nominee, and garnered only one acting nod Billy Porter, for Best Actor, the award he won last year, becoming the first openly gay Black actor to do so. Left out was the entire rest of the cast, including several of the supporting actors who are trans. Emmy voters also failed to recognize Janet Mock, the barrier-breaking trans director who executive produces Pose. (The show did receive nominations for makeup, hairstyling and costume design.)

On Tuesday morning, Pose stars Indya Moore and Angelica Ross responded to the snubs on social media.

Moore, who plays Angel, took to Twitter, posting, I cNt tell nobody I deserve their sht. I didn't invent the academy or any of the award shows. If they think my work is unworthy Chile that's just that. In a follow-up tweet she added, Imagine if we depended on cis ppl to validate anything about us. (Responded one fan: Watching you on Pose made me cry... made me laugh.. made me think about life in the LGBTQ+ community. Your ability to convey emotions and portray such a powerful character speaks volumes about you and your ability to act. Needless to say, I believe you deserved a nomination.)

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The 2020 Emmys, 'Watchmen' and Black Lives Matter - Vogue

Marshall School of Medicine 1 of 9 schools to offer Mission Act scholarships to veterans – Huntington Herald Dispatch

HUNTINGTON Marshall University Joan C. Edwards School of Medicine was selected as one of nine medical schools to offer a new scholarship for veterans pursuing a career in medicine.

The Veterans Affairs Mission Act of 2018 created several programs to assist veterans in paying for medical school through scholarships and loan repayments, including the Veterans Healing Veterans Medical Access and Scholarship Program (VHVMASP).

Beginning with the incoming class of students in 2020, Marshall University was selected to award up to two scholarships per year to qualifying veterans. To qualify for VHVMASP, applicants must have completed their military service no more than 10 years from the time of application. They cannot receive the GI Bill or Vocational Rehabilitation funding while receiving the scholarship.

The scholarship is renewable for up to four years and covers tuition, fees, equipment and books; a stipend; and costs for two rotations at a Veterans Affairs (VA) facility during the senior year of medical school. In return, recipients must meet several obligations, including agreeing to complete residency training in a specialty that is applicable to the VA and become board-eligible in their specialty. They must also agree to become a full-time clinical provider at a VA facility for at least four years after their training.

As a state medical school, we are always working to identify mechanisms for recruiting students from diverse backgrounds or with unique life experiences, said Bobby L. Miller, M.D., vice dean of medical education at the Joan C. Edwards School of Medicine. This scholarship provides us the opportunity to recognize individuals who have served our country while continuing to demonstrate our strong ties to the VA, upon which our medical school was founded.

Matthew W. Werhoff Jr., an entering first-year medical student, is the first recipient of the scholarship at Marshall University. Werhoff is a native of Martinsburg, West Virginia. He earned his Bachelor of Science in exercise physiology from West Virginia University in Morgantown. He joined the U.S. Army immediately following high school graduation in 2011 and served until 2019 as a member of the Military Police Corps.

The Marshall School of Medicine was established in 1977 through federal legislation, known as the Teague-Cranston Act, that authorized the creation of five new medical schools in conjunction with existing VA hospitals. Marshall maintains its partnership with the VA through pre-clinical and clinical learning opportunities for medical students.

Other schools of medicine participating in the VHVMASP include the Texas A&M College of Medicine, University of South Carolina College of Medicine, Boonshoft School of Medicine at Wright State University, Quillen College of Medicine at East Tennessee State University, Howard University School of Medicine, Meharry Medical College, Drew University of Medicine and Science, Morehouse School of Medicine.

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Marshall School of Medicine 1 of 9 schools to offer Mission Act scholarships to veterans - Huntington Herald Dispatch

Irish medical school students learning about Sarnia area – Sarnia and Lambton County This Week

From left, William Elia, Dr. John OMahony, Samuel Goh and Vladimir Djedovic.Handout

A relationship the Sarnia Lambton Physician Recruitment Task Force formed with an overseas medical school could pay future dividends for the community.

Of six Visiting Elective Program spots this year matching fourth-year medical students with local family physicians, three are from the Royal College of Surgeons of Ireland (RCSI) and have been spending four weeks this summer living in Sarnia observing and learning from Dr. John OMahony.

Recruiter Carly Cox said the task force actually awarded six visiting elective bursaries this year, but some of the students werent able to take part because of the pandemic.

Three of the recipients currently in the community are attending medical school in Ireland but are from the Toronto area, she said.

These are spots that are very difficult to come by because physicians do not get paid to train these individuals, Cox said.

Also, the program the visiting electives usually go at through at Western Universitys medical school was cancelled because of the pandemic.

We had our RCSI students reach out to us individually and say, Im still very interested in doing the elective. Can we do it privately?

Because the three students were already home from Ireland, restrictions preventing students from overseas travelling to Canada werent an obstacle.

Cox said the task force worked with the RCSI to ensure the students were able to still take part in the placement in Sarnia, where they have been able to observe many aspects of clinical practice, emergency medicine, nursing home care and obstetrics with OMahony

Sarnia Lambton has so much to offer from a lifestyle perspective and our amazing medical community, OMahony said. You would not be able to appreciate what Sarnia Lambton has to offer unless you spend time in the community meeting our citizens and working in our great hospital.

The program allows the task force to introduce medical students to Lambton as a potential place to live and set up practice in the future.

Its really important we expose them to what a lifestyle is like here because its so competitive, Cox said. If we make a connection with them in medical school, stay connected with them through their residency, we hope theyll practise here.

The fourth-year students taking part in the visiting elective program are at least three years away from beginning their practices, she said.

The RCSI students spending time in Sarnia this summer William Elia, Samuel Goh and Vladimir Djedovic indicated on their applications they had an interest in working in smaller communities and taking advantage of the wider scope they can offer a family practice.

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Irish medical school students learning about Sarnia area - Sarnia and Lambton County This Week

Michigan Medicine named one of best 20 hospitals in U.S. News rankings – MLive.com

ANN ARBOR, MI Michigan Medicine has been recognized as one of the nations 20 best hospitals, according to rankings released Tuesday by U.S. News and World Report.

Michigan Medicine was No. 11 on the honor roll, which ranks the 20 best hospitals in the country for delivering exceptional treatment across multiple areas of care. The Mayo Clinic in Rochester, Minnesota, was No. 1, followed by Cleveland Clinic and Johns Hopkins Hospital.

Michigan Medicine also ranked in the top 10 in five specialties areas, including:

At Michigan Medicine, our commitment is to our patients, first and foremost, said Marschall Runge, executive vice president for medical affairs at the University of Michigan, chief executive officer of Michigan Medicine and dean of the UM Medical School. This honor is a testament to the hard work and dedication of our incredible team of health care providers.

Michigan Medicine also received rankings in a number of other areas, including:

In June, U.S. News and World Report named C.S. Mott Childrens Hospital the top-ranked childrens hospital in Michigan and the only hospital in the state to be nationally-ranked in all 10 pediatric specialties evaluated in the 2020-21 Best Childrens Hospital rankings.

C.S. Mott Childrens Hospital cited among nations best in U.S. News rankings

The hospital was also ranked No. 1 in the state. Beaumont Hospital-Royal Oak was the voted the second-best hospital in Michigan, while Beaumont Hospital-Grosse Pointe and Beaumont Hospital-Troy were tied for third. St. Joseph Mercy Ann Arbor Hospital was ranked No. 7 in Michigan.

According to a release from U.S. News and World Report, the data used in the 2020-21 best hospital rankings and ratings come from a period predating the COVID-19 pandemic and were not affected by the pandemics impact on hospitals.

Methodologies are largely based on objective measures such as risk-adjusted survival and discharge-to-home rates, volume, and quality of nursing, among other care-related indicators, the release said.

READ MORE:

Michigan hospital chosen as trial site for coronavirus vaccine, and its looking for volunteers

Ann Arbor hospitals to receive about $9 million in relief funding

51,000 Michiganders have recovered from the coronavirus. Hospitals havent, yet.

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Michigan Medicine named one of best 20 hospitals in U.S. News rankings - MLive.com

What Cuba Can Teach the U.S. About Confronting the COVID-19 Pandemic – southseattleemerald.com

by Sharon Maeda

Cuba is one of many countries that has successfully addressed the COVID-19 coronavirus despite the U.S. embargo that prohibits the sale of ventilators and other medical equipment to Cuba.

Cuba is well known for its medical education and premiere medical school, the Latin American School of Medicine, commonly referred to as ELAM, and for sending medical teams to epidemic and disaster sites around the world. Cuban medical teams were dispatched to early COVID-19 hotspots, including China, Italy, and South Africa.

Cuba has reported only 2,555 COVID-19 infections total with a population of 11.4 million people. Here in the U.S., 4.43 million people have tested positive for COVID-19 out of a population of 328.2 million, an exponentially higher rate of infections compared with our neighboring island country. In some U.S. locales, like Washington States own Yakima County, some 25% of people getting tested for COVID-19 are testing positive and South King County is a potential new hotspot for an outbreak.

How did an island country, 90 miles south of the U.S., get on top of the COVID-19 pandemic so fast, while many places in the U.S., including Washington State, are having a resurgence of cases of the virus? First, Cuban health care is free, and theres no profit motive in medical care. Each neighborhood has a polyclinic staffed with doctors and nurses who usually live in that neighborhood. Primary care teams go door-to-door to see how families are doing. So, the infrastructure was already there and the people know and trust these providers. Providers did not wait for COVID-19 patients to show up in the ER. Rather, they were proactive and went looking for people with the virus, immediately placing positive-tested people in dedicated COVID hospitals and conducting immediate massive testing of those neighborhoods.

Cuba has also utilized an arsenal of drugs including interferon alpha-2b recombinant that helps build the immune system in some of the most severe cases of COVID-19. They also regularly employ preventative naturopathic medications that strengthen immune systems. They bring all of these to the countries that they have dispatched medical teams to around the world.

In a recent webinar, Confronting the COVID-19 pandemic, Cuba shows the way!, Dr. Xochitl Garcia provided a comparison between Cuba and Washington State. Dr. Garcia is a graduate of ELAMs free medical school. Originally from South Central Los Angeles, Dr. Garcia is now working for the Seattle-based Community Health Board Coalition.

Dr. Garcia pointed out a number of gaps here in Washington, and throughout the U.S.:

Lack of Access to Health Care: The lack of medical insurance and fear of prohibitive medical costs keeps many people from seeking preventive health care.

Disproportionality: BIPOC and low-income communities have higher incidences of medical conditions like diabetes that make people more susceptible to the virus.

Antiracist Protocols: The lack of systemic health care protocols that account for ethnic, religious, language, and other differences that impact delivery of appropriate medical care.

Human-Centered Vs. Healthcare as a Business: When the business profit motive is involved, the entire health care system leans away from human-centered care, not to mention the enormous time-consuming documentation and medical reimbursement process.

The webinar included a video of U.S. citizens who attend ELAM for their medical education discussing Cubas healthcare system, pandemic response, and their own contributions to the cause. YouTube also carries a number of other videos documenting Cubas response to the novel coronavirus.

The webinar was sponsored by Seattle/Cuba Friendship Committee, Interreligious Foundation for Community Organization (IFCO/Pastors for Peace) and the U.S. Women and Cuba Collaboration.

Sharon Maeda is Interim Managing Editor of the Emerald. Decades ago she was part of the team that created the application and vetting process for the first group of U.S. candidates for the free medical education at ELAM.

Featured image is a screen capture from a YouTube video titled ELAM Students Join Cubas Fight Against COVID19 posted by Jennifer Wager.

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Stem Cell Therapy Injuries More Widespread Than We Knew – UConn Today

Grotesque side effects from unproven stem cell therapies are more common than we realized, reports a team of researchers led by UConn Health in Annals of Neurology on July 29. And despite the dangers, many neurologists feel ill-equipped to warn and educate their patients.

People who have suffered debilitating brain or spinal cord damage, or have been diagnosed with progressive neurological disease, are often frustrated by the lack of treatments available to help them. That frustration can make them easy targets for clinics that inject patients with stem cells. But most of these clinics are operating outside of the Food and Drug Administrations jurisdiction, and the treatments they offer are unproven. And pricey.

Its an unethical industry. They use fancy websites promising cures left and right, but which are nothing of the sort. They steal your money but give nothing in return, says Jaime Imitola, senior author of the paper and director of the comprehensive Multiple Sclerosis Center at UConn Health and the Laboratory of Neural Stem Cells and Functional Neurogenetics at UConn Health and a faculty member at the UConn School of Medicine.

Patients often pay $25,000 to $50,000 in cash for procedures that claim to cure everything from multiple sclerosis to paralysis, but have no evidence to back them up. The clinics, which can operate in the US but are more commonly found in Mexico, China, Russia and other countries with looser health regulations, entice patients to fly out for a week or two of spa-like treatment, physical therapy and injections of stem cells supposedly designed to cure multiple sclerosis, ALS, paralysis, or whatever other neurological impairment the person suffers from. The physical therapy often makes the patient feel better for a week or two. But sadly, there are no treatments that can reliably improve most of these diseases, and definitely none using stem cells. And anecdotal stories have begun popping up of patients who have had these stem cell procedures and then developed horrifying side effects, from hepatitis to nerve pain to bizarre spinal cord tumors.

In an effort to better understand the impact of this stem cell tourism, as the field calls it, a team of researchers lead by UConn Health conducted a nationwide survey of academic neurologists experiences in stem cell tourism complications. The survey also investigated the level of physician preparation to counsel and educate patients.

Imitola led the study with colleagues from the Ohio States Neuroscience Research Institute. The researchers know as well as anyone how far medicine is from any kind of stem cell treatment for these neurological diseases. And they have had patients come to them asking for permissionthe clinics call it clearanceto get the stem cell injection treatments.

The results of the survey show that bad outcomes from stem cell tourism are much more common than anyone had realized. Of the neurologists who responded to the survey, one in four had had a patient with complications related to stem cell therapy. Patients who had suffered infections, strokes, spinal tumors, seizures, and even deaths were all reported. And 73% of neurologists responding to the survey said they felt that having more educational tools to discuss the issue with patients would be helpful.

Stem cells hold the promise for patients, not just the desperate ones with terminal illnesses but also those who are looking for a natural solution where modern medicine has failed them. Anecdotally, I have spent many hours talking to patients about powerful new immunotherapies to prevent relapses of multiple sclerosis or neuromyelitis optica; but, when they ask if these therapies will help them walk or see again, I have to admit they wont, says Michael Levy, research director for the division of neuroimmunology and neuroinfectious disease at Massachusetts General Hospital, Harvard Medical School, who was not involved in the study.

Levy says the paper by Imitola and his colleagues found that many neurologists are faced with these questions but most have no experience with stem cell therapies.

Patients as well as physicians are constantly looking for ways to maintain hope. So if a patient asks about it, the doctor may say I encourage them to look into it, says Dr. Alfredo Quinones-Hinojosa, the William J. and Charles H. Mayo Professor and chair of neurologic surgery at the Mayo Clinic, who was also not involved in the study. We need to be careful how we as physicians find a balance between giving patients hope and maintaining scientific accuracy to the highest standards.

It is really shocking that only 28% of board-certified neurologists feel completely prepared to discuss this important issue with their patients, Imitola says. The International Society of Stem Cell Research has information available on their website, but Imitola and his colleagues say there is a need for regular educational sessions on stem cell tourism to be held at international and national neurology meetings as well.

The ultimate goal of this research is to be able to determine the extent of the complications and the readiness of neurologists to counsel patients. All of us are interested in bringing real stem cells to the clinic, but this process is arduous and requires a great level of rigor and reproducibility, Imitola said.

The team also plans on starting a national patient registry, where physicians can report complications from stem cell tourism procedures so that the medical world and regulators can get a better sense of the extent of the problem, and have more data with which to educate patients. These findings are more pressing now, when some stem cell clinics are even promoting cures for COVID-19 with stem cells. To help neurologists explain the risks, the researchers have prepared an evidence-based patient friendly handout summarizing the findings and have translated it into multiple languages. The handouts and additional information can be accessed at: https://www.imitolab.org/stem-cell-tourism-in-neurology.html.

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Stem Cell Therapy Injuries More Widespread Than We Knew - UConn Today

Vanderbilt develops computational method to explore evolutions influence on preterm birth – Vanderbilt University News

Human pregnancy can easily be taken for granted as a natural and regularly occurring event, but it is the product of the complex, coordinated function of two bodies, mother and baby, that has evolved side by side with other important human adaptations. For the first time, researchers have established how a complex disorder associated with pregnancy spontaneous preterm birth (sPTB) has been shaped by multiple evolutionary forces.

The article, Accounting for diverse evolutionary forces reveals mosaic patterns of selection on human preterm birth loci was published in the journal Nature Communications on July 24.

Preterm or premature birth, medically defined as labor starting at 37 weeks of gestation or earlier (instead of the usual 40 weeks), affects more than 15 million pregnancies each year and is the leading cause of infant mortality worldwide. Both the associated medical conditions of the mother which cause sPTB and the outcomes of sPTB on an infants health have been well-defined. It is not well understood, however, how and why genetic factors influence sPTB and birth timing. A team of scientists led by Antonis Rokas, Cornelius Vanderbilt Chair in Biological Sciences and director of the Vanderbilt Evolutionary Studies Initiative and Tony Capra, associate professor of biological sciences, set out to demystify this element of pregnancy and human life.

The research, co-led by postdoctoral scholar Abigail LaBella and by M.D./Ph.D. candidate Abin Abraham, developed a computational approach to detect how evolution has shaped genomic regions associated with complex genetic traits, such as height or obesity. Our approach integrates techniques developed in labs from all over the world to quantify how natural selection has influenced genomic regions involved with complex diseases, said Capra. We hypothesized that parts of our genome involved in disease might experience contrasting evolutionary pressures due to their involvement in multiple and different traits.

This work was done in cooperation with Louis J. Muglia, co-director of the Perinatal Institute at Cincinnati Childrens and president and CEO of the Burroughs Wellcome Fund and Ge Zhang, associate professor at Cincinnati Children Hospital Medical Center and collaborator at the March of Dimes Prematurity Research Center-Ohio Collaborative. Zhang and Muglia recently completed the largest genome-wide association study (GWAS) on sPTB which identified multiple genomic regions associated with this complex disease. Preterm birth is a global health concern, affecting ten percent of pregnancies in the United States. Understanding the evolution of genomic regions associated with spontaneous preterm birth is a major step forward in how we understand the foundations of human life and provide the best possible care to mother and child, said Muglia.

Using this GWAS, the researchers found that genomic regions associated with sPTB have experienced multiple types of natural selection. From this information researchers can hypothesize why these risk-related genomic regions remain in human populations and what their potential functions may be. While we knew of a few examples of selection like negative selection acting on genes associated with spontaneous preterm birth, we uncovered that every type of selection we tested had acted on at least one genomic region. Our initial figures looked like a mosaic made up of all the different metrics we had tested, says Rokas.

The teams results suggest that genomic regions associated with sPTB have experienced diverse evolutionary pressures, such as population-specific selection, and provide insights into the biological functions some of these regions. It is difficult to study pregnancy in humans and we lack good models for laboratory studies, LaBella explains. We still have much to learn about the mechanisms through which human pregnancy is initiated. For example, the group uncovered differences in a region near the gene OPRL1, involved in both the relaxation of maternal tissues and pain perception during childbirth, that are specific to certain human populations. Population-specific differences in this region may contribute to the uneven risk of sPTB between human populations. This work is a part of a burgeoning field of evolutionary medicine, one of the types of interdisciplinary research that many of the investigators of the Vanderbilt Evolutionary Studies Initiative are engaged in, says Rokas.

Both Abraham and LaBella plan to continue to foster collaboration between medicine and evolution in their future research. Having this pipeline at our disposal opens up a range of new, exciting questions such as asking whether diseases of pregnancy, which involve two genomes, that of mom and baby, experience different evolutionary pressures than other complex genetic diseases, says Abraham.

This work will be critical for researchers studying the genetics of pregnancy-associated disorder and is of broad interest to scientists researching human evolution, human population genomics and how evolutionary analyses relate to complex diseases like cancer and heart disease. The research was supported by the March of Dimes Prematurity Research Center-Ohio Collaborative, the Burroughs Wellcome Fund and National Institutes of Health grants R35GM127087 and T32GM007347.

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Evolution revolution – Opinion – The Register-Guard

WednesdayJul29,2020at12:01AM

America is, and always will be, a work in progress. We've been evolving, good, bad, positive and negative since its birth.

Obviously we're still experiencing birthing pains that hopefully make us a better, stronger, more cohesive nation for all.

We are diverse, a soup of racial, ethnic, religious, social and cultural differences. These differences are the spices that flavor one of history's most successful countries to become a dominant world leader in so short a period. Every group has contributed to make America great, some at great expense.

There are those who live in the past, politically, economically and socially fearful. They share an inaccurate glamorized history that minimizes or omits exploitation and abuse of Black people, the stealing of lands and slaughter of Native Americans, plus similar abuses of Hispanics, Asian people, Jewish people or anyone perceived as "different."

This group can't or won't let go of a superficial fantasy myth of history. There's nothing glamorous. It's actually quite ugly. For them, eventually they will be forgotten by history's evolution, as the rest of America moves forward into a better future.

Let us all make common sense common again.

William M. Speicher, Creswell

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Evolution revolution - Opinion - The Register-Guard

How mosquitoes evolved to be attracted to humans, and what that means for the future – CNN

There are about 3,500 species of mosquitoes around the world, but only a few are responsible for spreading infectious diseases to humans.

Scientists studied mosquitoes across sub-Saharan Africa and found that mosquitoes actually have wide-ranging palates.

"There's a huge diversity in mosquito preferences. Some like to bite humans and others don't like to bite humans at all," said the paper's co-author Noah Rose, a postdoctoral researcher at Princeton University in New Jersey.

"At first we thought that mosquitoes who lived around people would simply like to bite people and that those who lived in the forests wouldn't like to bite humans," Rose said. "We were really surprised that that wasn't the case."

While mosquitoes living near dense cities such as Kumasi, Ghana, or Ouagadougou, Burkina Faso, showed increased willingness to bite humans, researchers found that city life alone didn't explain the mosquitoes' evolution. In fact, any mosquitoes living in large cities still preferred to bite animals rather than human hosts.

That's where the second factor -- dry climate -- comes in. In areas with harsh dry seasons, such as Africa's Sahel region, extending from Senegal to Sudan and Eritrea, mosquitoes evolved to have a strong preference for humans.

"Mosquitoes are dependent on containers of water for their larvae," Rose told CNN. "So in places with an intense long dry season, mosquitoes become very dependent on humans who store water."

The mosquitoes' evolution to bite humans is a by-product of their dependency on breeding in areas close to human city life. That means urbanization in the coming decades could lead to even more human-biting mosquitoes in the future.

Urbanization to spark further change in mosquitoes

The new research predicts this rapid urbanization will drive further mosquito evolution, causing a shift toward biting humans in many large cities by 2050.

"We should be watching these mosquitoes," said Rose, noting that the future of mosquito adaptations is still uncertain.

"We don't really know what will happen when the urbanization of sub-Saharan Africa moves beyond what we see in the present day. But we know something will happen and we think that it will be a shift to biting more human hosts."

That means the way mosquitoes spread disease could also change.

But in the short term, researchers said that climate change isn't expected to drive major changes to dry season dynamics that impact the mosquitoes' behavior.

Mosquitoes can thrive in different habitats

It took more than three years for the international team of scientists to conduct the research and collect mosquito egg samples from a wide range of habitats across 27 locations in Africa.

"I was surprised that immediate habitat didn't have much of an effect -- mosquitoes in forests and nearby towns had similar behavior," Rose said.

"We thought that maybe moving into human landscapes would be a key driver of attraction to human hosts. But it seems like mosquitoes fly back and forth too readily between these habitats for their behavior to diverge in many cases."

Mosquitoes can thrive in a "mosaic of habitats" within the same region, which makes preventing mosquito-bourne illnesses an even greater challenge, he added.

"Even if you got rid of the human-biting mosquitoes in one place, there's a huge diversity of mosquitoes in a habitat. They're really good at solving problems and surviving in different habitats," Rose said.

The World Health Organization has said mosquito control can effectively reduce the transmission of vector-borne diseases like Zika and yellow fever, but "mosquito control is complex, costly, and blunted by the spread of insecticide resistance."

Protect yourself from mosquitoes

For people living in or traveling to areas where mosquito-borne illness is prevalent, there are a few things you can do to prevent mosquito bites, according to the US Centers for Disease Control, National Institutes of Health and WHO:

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How mosquitoes evolved to be attracted to humans, and what that means for the future - CNN

Folklore is another step in Taylor Swifts continuing evolution – FanSided

Taylor Swift attends the NME Awards 2020 at O2 Academy Brixton on February 12, 2020 in London, England. (Photo by Dave J Hogan/Getty Images)

Taylor Swift shows shes ever-evolving with her latest album, folklore.

Taylor Swift has become the rare pop star who seems too big to fail. In a music world that is more fractured than ever, composed of a number of microcultures that are often isolated from one another, Swift, over a decade into her career, still manages to transcend it all, making each new record release a true event.

Her latest record, released last Friday with just one day of advance warning, is no exception. Folklore, her eighth record and second in less than a year, is a change of pace for her, a sharp shift from last years Lover, which was an hours worth of pure bubblegum pop. Meanwhile, folklore is a more somber, understated affair, full of piano-based ballads that grapple with what happens when one loses the sort of love depicted throughout Lover. Largely produced by Aaron Dessner of The National, this new record is her best in several years and also shows a desire to break out of the pop world she has resided in the last decade and enter into a new, more decidedly mature arena.

This is not well-trod territory for her, but its not unfamiliar either. Tracks from Red especially give nascent signs of this more folk-based sound, most notably State of Grace, Treacherous, and All Too Well, which uncoincidentally are three of the best songs shes ever written. What is new is her commitment to it for an entire record. The difference is one of scope and aesthetics as much as one of mere instrumentation. Also notable is that while these songs almost certainly arose from personal experiences, they are not made specific to her in the lyrics. Here, she is more willing to tell stories that are not necessarily related to the experience of being Taylor Swift, making it seem more expansive even as the sound is more insular.

What separates folklore from her previous records then is less the stylistic trends she embraces musically than it is her stepping outside of this solipsistic vision and telling stories that may be about herself, but not explicitly. The mere fact that such a question can arise speaks to the difference between this and, for example, 2017s Reputation, which largely consisted of her trying to settle scores, coming off as the worlds sorest winner in the process. This tendency can make her work feel self-contained in spite of its popularity. Here though, Swift lets go of the binary narratives that have defined so much of her work in the past. The songs here are not about vindicating past behavior or excoriating former lovers, but trying to make sense of the way love arises and vanishes, the ways one tries to fill the spaces left when another leaves. If folklore is her most mature record yet, its not because of the more subdued acoustic style shes embraced, but because of the willingness to step away from her own life and imagine the lives of others, while still giving her own emotions room to breathe.

Take the last great american dynasty, which is about the heiress Rebekah Harness and betty, wherein she sings from the perspective of a teenager named James, ruing what he did to lose the titular Betty and fantasizing about winning her back. These songs arent unqualified triumphs, but they do show a promising way forward for her. More successful are songs like cardigan and hoax, which may be autobiographical, but are sung by a narrator who is at least distinct enough from the public persona of Taylor Swift, allowing anyone who has lost love to be able to find themselves in them. Its a fine line, but one she has walked in several of her best songs, here and elsewhere.

In spite of all this, folklore is less of an actual transformation than it is a gesture towards seriousness. Working with Aaron Dessner and Justin Vernon functions as a way to signal that she has grown up and wants a new type of artistic, and not merely popular, success. Perhaps this is cynical, but considering Swifts continual evolution as a public figure, it seems like the new record is as much a calculated attempt to establish herself as a more serious artist, and judging by early reviews, its a gambit that appears to have worked.

folklore is a good record, her best in nearly six years, but it seems more like a solid Taylor Swift record than a fully successful attempt at an indie inflected folk record. Its hard to come up with a reason for this record to receive more acclaim than Phoebe Bridgers recently released Punisher or similar records like Julien Bakers Turn Out the Lights, though of course, what is being praised is not merely the music itself, but the evolution of Swift as an artist. Her unspoken demands to be taken more seriously have been well heeded. While the songs are good, it seems as if the novelty is being praised as much as the quality.

The most accidentally revealing lyrics on the record comes on mirrorball, when she sings, Ive never been a natural/all I do is try, try, try. Swift has consistently been one of the better pop songwriters of the last decade, but in light of how carefully crafted every aspect of her persona and her records are, little has ever quite felt fully organic. As much as she reveals of herself in her lyrics, it still feels like something is being held back; as clearly as she depicts her emotions in her songs, it nevertheless remains hard to know who she is behind the public presence. folklore may succeed as a record, but it comes no closer to solving that mystery, instead functioning as just another step on a carefully crafted trajectory.

For more, keep up with the Music section on FanSided.com.

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Folklore is another step in Taylor Swifts continuing evolution - FanSided

WWE news: Evolution 2 set to take place in 2020 – GIVEMESPORT

WWE first ran an Evolution show in 2018 and it was a rousing success.

An all-woman show, they tore the house down at the Nassau Coliseum in New York, putting on a show that featured a raft of genuinely spectacular matches.

Every womans belt in the company was on the line on the card, including the NXT UK and NXT Womens Championships, while we also saw Trish Stratus and Lita return to the ring to take on Mickie James and Alicia Fox.

The main event saw Ronda Rousey beat Nikki Bella, successfully defending her RAW Womens Championship, but perhaps the best match of the night came in the semi-main as Becky Lynch battled Charlotte Flair.

The two had a Last Woman Standing match for the SmackDown Womens Championship and the Lass Kicker came out victorious.

Now, it appears that there is set to be a sequel in the offing.

Of course, both Becky and Ronda are currently away from the company but, nevertheless, it seems as though plans are accelerating.

Sportskeeda reports that sources within the company have said that WWE is exploring the possibility of a new Evolution show.

Of course, given the current Coronavirus pandemic, the show is likely to be staged behind closed doors as the Performance Center, much like WrestleMania.

Many figures within the company are said to believe that such an event is a no-brainer, given the goodwill it often generates.

And female figures within the company are pushing for it to happen, meaning we could get another all-woman spectacular before the year is out.

Amid the chaos caused by the global pandemic and the havoc wreaked on the wrestling schedule, it would certainly be a morale-booster for the women who bust their guts every single night in the ring.

And the fans would surely love it too; get it in our eyeballs!

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WWE news: Evolution 2 set to take place in 2020 - GIVEMESPORT

The Orange Peels Trace the Evolution of a Song with "Something Strange Happens" (premiere) – PopMatters

With a 40-track deluxe reissue of the Orange Peels' 1997 debut album Square forthcoming, the band offer up a fresh look at "Something Strange Happens". The track appeared on bandleader Allen Clapp's 1993 solo album in addition to Square.There is also an alternate studio mix, a remastered version, and a brand new, previously unissued version available.

Listening to the track now, it's hard to believe that it didn't become more of a sensation in its time: Built on steady, power-pop rhythms and harmonies, featuring soaring vocals and memorable choruses, it has all the makings of a hit. Or at least the kind of hit that music critics imagine will be a hit. It's made of all the stuff that fans of Marshall Crenshaw, the Posies, and Big Star appreciate and, in its way, predicts the more recognizable elements of power punk and emo. The evolutions prove that at the end of the day if a song is great at its core, what it wears or doesn't wear hardly matters.

Clapp recently penned the follow observations for PopMatters on the song:

"Some songs are the result of crafting, pounding, tweaking, and wordsmithing. Others just show up, unannounced, and start playing, fully produced, in stereophonic sound inside a writer's head. 'Something Strange Happens' is the story of the latter. How one day, when my 24-year-old self was finishing up some routine shopping, this thing just arrived and played itself start to finish while I sat there stunned in the parking lot.

"And the song itself is mostly about the song's arrival. It turns out it was more than just music that was delivered into my consciousness that day. It was like a download from the universe, instantaneous and eternal, and it changed my whole perspective about life. Suddenly I could see my place in the world. How brief life is. How my strength would come from being vulnerable. How love comes from being open to possibilities. All of it was pouring out of this melody and these words. It was like coming face to face with God.

"Twenty-five years later, it's still as mysterious as the day it arrived. My life is tied to that song in some mysterious way. It comes to me around times of great change and reveals something new to me. Late in 2019, it showed up again, demanding my attention. It's not like I needed there to be another version of 'Something Strange Happens', it's more like the song wanted there to be another version. Or maybe I just wanted to see if I could still hit those high notes (and add some even higher ones).

"'Something Strange Happens (Autumn Fills the Skies)' makes the fourth and newest version of the song on this release. The remastered version from Square is here, as is an outtake from the Square sessions, the initial mix the band made with Bryan Hanna, and which may, in some ways, be a better, more expansive mix of the song. For historical perspective, the original four-track version of the song is here. The one that turned heads when it showed up on One Hundred Percent Chance of Rain back in 1994. The one I recorded hours after driving home from that Safeway parking lot."

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The Orange Peels Trace the Evolution of a Song with "Something Strange Happens" (premiere) - PopMatters

From Jaws to The Old Guard: The evolution of the summer blockbuster – SYFY WIRE

2020 has been a very weird year across the board thanks to the continuing scourge that is the COVID-19 pandemic. After months of lockdown and the normalcy of our everyday lives brought to a grinding halt, the world is trying to return to business as usual, often against the advice of medical experts. One notable example of this in the entertainment world is the growing attempt made by cinema chains to reopen for the masses in time to take advantage of what is left of summer. Thousands of theaters across the globe closed abruptly earlier this year after the spread of coronavirus became an unavoidable issue, and the cost to the film industry is reported to be several billion dollars.

As we face the very real risk that many of these cinemas may never reopen, the race is on to find ways to get people to go to the movies safely and spend their money on the films that were supposed to keep the big studios afloat, including the live-action remake of Disney's Mulan and Christopher Nolan's long-awaited Tenet. Even in the middle of a pandemic, Hollywood can't afford to let the summer blockbuster season disappear.

Hollywood is an industry notoriously allergic to change. They find something that works and they stick with it. For close to 40 years now, they have been beholden to the lucrative benefits of summer and the annual array of big-budget high-concept blockbusters they offer for audiences locally and worldwide. The logic behind it is pretty simple: The most profitable demographicsunder-25s and families with kids aged 7 to 17are all free from school over the summer and in need of flashy entertainment, preferably in a venue with air conditioning. A summer blockbuster is intended to be an Event, a thing you wait all year for that's hyped up to the nines. It's the reason you go to the movies.

The term "blockbuster" as it applies to film dates back to the 1940s. A blockbuster was a kind of aerial bomb used during the Second World War that gained its nickname because of the sheer force of its destructive power. Its first known use in reference to cinema came in 1943, when advertisements in various trade magazines described the war dramaBombardieras "the block-buster of all action-thrill-service shows!" Catchy. It evolved to define movies that were big on budget, spectacle, and scope, the sorts of stories that had to be seen on the biggest screen possible. As television became a dominant force in entertainment in the 1950s, studios poured more resources into these shiny new blockbusters, hoping that these lavish, extremely long, and obscenely costly epics would bring in audiences who would rather stay at home and watch Bonanza.

The blockbuster as we know it emerged in the 1970s when two dudes named George Lucas and Steven Spielbergheard of them?helped to radically change the game. The old studio system had come to an end the previous decade, and hot young new directors with greater creative freedom were making their mark on the art form. In 1975, Spielberg was a hotshot young director with one theatrical release under his belt and a couple of TV movies that had helped him to garner a reputation as one to watch. Jaws was only his second official movie, and, while the book it was based on had been popular, it wasn't an adaptation that anyone had high hopes for when it went into production. Then Lew Wasserman, then the chairman of Universal, attended a test screening, and he knew he had a mega-hit on his hands. He declared, "I want this picture to run all summer long." Jaws was given a wide release as well as an extensive marketing campaign that included plenty of TV spots that emphasized the thrills, the jump scares, and that now-iconic John Williams score. It was an unavoidable must-see event but one that had the critical clout to back up its hype (it received three Oscar nominations, including one for Best Picture). Jaws became the highest-grossing movie of 1975 and was the highest-grossing film ever at the time, a title it held onto for two years until George Lucas introduced us all to Star Wars.

Star Wars followed a similar pattern to success as Jaws: It wasn't as rapturously received by some criticsPauline Kael infamously hated the moviebut it was still acclaimed enough to merit being seen as more than a mere sci-fi adventure title, akin to something Disney would make on the cheap. The marketing was highly effective, with Star Wars having a greater appeal to kids, and the film had a long initial theatrical run that kept it in viewers' focus for well over a year. You HAD to see it. This was less a mere movie than a burgeoning cultural phenomenon, one that remains a potent force in entertainment to this day. Once the box-office receipts poured in, other studios wanted to replicate the model being defined by Lucas and Spielberg: fast-paced, universally appealing spectacle, often with a genre twist, that would demand repeat viewings and inspire audience devotion.

The 1980s perfected the formula, with Lucas releasing more Star Wars movies and Spielberg making bank with creations like E.T. and Indiana Jones. Could it be spun into a franchise, like Beverly Hills Cop or Back to the Future? It was a blockbuster. Often a big name was involved, be it a director everyone knows, like Spielberg, an A-list actor like Eddie Murphy, or a familiar intellectual property. This, however, was not exclusively the case. Ridley Scott was a nobody when he made the wildly popular Alien. Tom Cruise was a 24-year-old with only a couple hits on his resume when Top Gun premiered. What these films had was a hook, something that inspired the masses and got people talking with fervor about them.

Things started to change in a big way in 1989, when Warner Bros. took a big leap and decided to adapt the decades-old comic book character Batman for the big screen and gave the job to an unknown former animator named Tim Burton. Batman was a recognizable property, but there was still no guarantee that audiences would be all that excited for a cinematic adaptation. Comics were seen as kids' stuff, and there hadn't been a major superhero movie hit since Superman, which had spluttered out after a number of underperforming sequels and audience fatigue. Batman sold a lot of tickets and even more merchandise, and so, of course, Hollywood scrambled to copy the new formula. Meanwhile, figures like Spielberg, Robert Zemeckis, and James Cameron kept on trucking and reaping the benefits with their new way of cinematic business. Spielberg alone continued to shape the genre in his image with movies like Jurassic Park. Heard of it?

Yet the summer season wasn't wholly overrun by Batman knock-offs or the sort of blockbusters we come to expect. You could still release a rom-com like Clueless or a star-led comedy like Liar Liar and have it bring in the big bucks. Check out the highest-grossing movies of the '90s by year and you'll see a lot of unexpected titles that would never crack the top ten in 2020. Star power still counted for something, so Julia Roberts and Harrison Ford could guarantee a hit bigger than, say, The Fifth Element. So what changed by the time we hit the 2000s?

The blockbuster formula by and large remained the same: big budgets, high-concept stories, lots of spectacle, and a hook for fans. What changed was that this model became more attuned to pre-existing intellectual properties, helping to birth major franchises. TheLord of the Rings trilogy became a far greater success than even the most generous industry expectations had anticipated. The record-breaking Harry Potter books became films of equal power. The Star Wars prequels defied bad reviews to keep audiences intrigued. Then, of course, in 2005, a new age of superhero madness was born thanks to Batman Begins. The blockbuster formula was refined, as they started to appeal to slightly older audiences befitting the PG-13 rating. You didn't even need a big star at the helm. The property was the star, more so than ever.

By the time Marvel rolled into town and changed the game once more, we saw a whole new spin given to the summer blockbuster. First of all, the summer part became much more flexible. Nowadays, we start having conversations about the season in April and end them well into September. Summer is now half of the year, and that doesn't even get into the holiday season, another place where blockbusters tend to do very well.

While the timeframe may have expanded, the sorts of blockbusters we get have become greatly restricted now that we're in the era of the Marvel Cinematic Universe. It's not enough to be a big-budget genre film nowyou have to be part of an expanded franchise, part of an instantly familiar brand, and you have to appeal to audiences worldwide. Markets like China are more valuable than ever, and studios work hard to appeal to those countries. Once upon a time, the idea of spending $100 million on one movie was considered an obscene rarity; now, it's seen as relatively inexpensive for a blockbuster, especially since spending three times that amount on one title is the norm. What this also means is that these films have to make even more money than before. A billion-dollar gross is the expected low point. Justice League was considered a flop for grossing less than $700 million thanks to its exorbitant budget and the increased expectations of the genre as a whole.

When the stakes are that high, the risks studios are willing to take decrease, even though the model that started it all with Iron Man was considered pretty risky at the time. More money was poured into these blockbusters that audiences had little to no reason to care about, titles that seemed to exist solely to follow the Marvel path step by step. Remember that big Robin Hood movie with Taron Egerton that was supposed to launch a whole franchise? Or Guy Ritchie's King Arthur film? Mortal Engines? Valerian and the City of a Thousand Planets? John Carter? The Lone Ranger?

Plenty of movies have made lots of money and won over fans without the benefit of critical success, but you also can't force people to care about something they have little to no prior interest in. We may all know who Robin Hood is, but that instant familiarity with the concept doesn't mean we were all clamoring for a blockbuster version and five potential sequels. There was nothing about these movies that hooked in the tens of millions of paying customers needed just to break even, but studios continued to hope lightning would strike twice. It almost never does.

This risk-free approach also reinforces the most stubborn and limiting aspects of the industry. Executives have never been wild about investing in tentpole titles anyone other than cishet white dudes front and center, and even in the 21st century, that's still the assertion they work with. Marvel needed to make a solid decade of installments before letting a Black or female lead get their dues. The new Star Wars trilogy did put women and people of color up front on screen, but not behind the camera. Only a tiny handful of women directors have ever worked with a budget of $100 million or higher, even as such costs become the norm in the genre.

Studios are scared to deviate from the summer blockbuster model even as annual theatrical attendance numbers slip domestically and many of their current methods don't work in key international markets like China. The big threat they face comes from audiences' increasing preference for at-home entertainment, a problem they had to confront long before the pandemic forced us to stay at home with our Dark binge watches. Streaming services like Netflix may be breaking an old and increasingly archaic mold, but they're not ready to totally abandon old-school Hollywood tools. They're as invested in the blockbuster game as anyone else, even if they don't care so much about the rigidity of a release calendar.

Netflix movies like 6 Underground and The Old Guard, directed by Gina Prince-Bythewood, very much follow the expected standard of a blockbuster, but almost in a retro manner. The former may be directed by Michael Bay, but it's tough to imagine even the explosion king of Hollywood getting a major budget for an original action film, while the latter has superhero and comic book credentials but nothing on the level of recognition that Marvel's name brings. They're slightly cheaper affairs than their theatrical comrades but still feature big stars and, especially with The Old Guard, are designed to tap into that fandom frenzy that has people coming back for more, a feature that at-home streaming is built on. Perhaps a new age of the blockbuster can be given room to breathe via streaming and VOD, especially if Hollywood continues to double down on monstrous franchises that have become scarily too big to fail.

It remains to be seen how the film industry will, or whether it can, bounce back from the COVID lockdown. It's highly unlikely that Hollywood will be able to return to the status quo, and that applies to the blockbuster model. It's a sturdy business mold and it will endure, even as necessary changes are made, but they may end up being more radical than studios are willing to accept.

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From Jaws to The Old Guard: The evolution of the summer blockbuster - SYFY WIRE

Warrior Nun, The Old Guard and the (much-needed) evolution of the strong woman trope in Hollywood – Firstpost

Warrior Nun represents a new direction for Hollywoods female superheroes, alongside Gina Price-Bythewoods The Old Guard, Captain Marvel and Salim Akils CW show Black Lightning.

A great many things aboutWarrior Nun, Simon Barrys new Netflix superhero drama (based on the Ben Dunn comicbook series Warrior Nun Areala), seem to be designed as inter-textual commentary on the genre itself. The show follows Ava (Alba Baptista), a quadriplegic orphan who seemingly kills herself, only to be reborn with superpowers (super-strength, rapid healing) after a nun presses an angels halo into her back. Ava soon learns that the bearer of the halo becomes the de facto Warrior Nun, member of an ancient, demon-battling Christian group called Order of the Cruciform Sword (OCS).

The thing is, for well over half of the shows first season, Ava wants to have nothing to do with the superhero gig, no matter what the OCS nuns or their leader, Father Vincent (Tristan Ulloa), tell her. More importantly, her attitude towards the entire history and the mythology of the OCS is one of bored impatience. At one point, as Father Vincent presents her with a comically oversized tome about the OCSs past and urges her to read soon, she says, Can we skip to the part where any of this has to do with me? This sentiment is reinforced time and again throughoutWarrior Nun; at every given opportunity, Ava reiterates, Im definitely not a nun. Even the shows tagline uses a bit of punning action to hammer it home: Fucks given? Nun

Warrior Nun, then, is a hyper-aware, sharp-tongued anti-superhero drama, a far more effective example of the same than Amazons asinineThe Boys, or the equally sophomoricKick-Assfranchise, both of whom end up reinforcing the same tropes they set out to parody.

Warrior Nun is currently streaming on Netflix.

It also has genuinely memorable characters like Shotgun Mary (Toya Turner, the show-stealer), the only member of the OCS not beholden to a nuns vows, and Sister Lilith (Lorena Andrea), the tightly wound up descendant of several earlier Halo Bearers/Warrior Nuns (can you name the villain in either of the Kick-Ass films? How about Jim Carrey or Nicholas Cages characters? I didnt think so). And when it comes to delivering the action,Warrior Nungets its fight choreography exactly right, a compelling mixture of kickass, close quarters hand-to-hand and superhero-style VFX.

The outspoken Ava represents a new direction for Hollywoods female superheroes, alongside Gina Price-Bythewoods filmThe Old Guard, Anna Boden/Ryan FlecksCaptain Marveland Salim Akils CW showBlack Lightning. To understand this evolution, one has to pedal back to the character that started it all for the (now-clich) strong woman in Hollywood, someone who wasnt technically a superhero at all Warrant Officer Ellen Ripley (Sigourney Weaver) from Ridley ScottsAlien(1979).

From male fantasy to the monstrous feminine

Few Hollywood characters have been deconstructed to the extent Ellen Ripley has in the 40-odd years since she was first seen onscreen, there have been hundreds of academic treatises written on Ripleys appearance, her motivations and, inevitably, her feminism. Ripley is, essentially, a male fantasy about strong women.

Director Ridley Scott admitted that the character was initially supposed to be male but was changed into a woman fairly late into the pre-production process. Ellen Ripley was, at least in her origins, a response to the second-wave feminism in the 60s and 70s (Feminists! Equal pay is fine but put on some lipstick for Gods sake, says Kitty Forman, the Betty Crocker-esque matriarch fromThat 70s Show).

Think about it: while Ripleys world, of course, is a boys club with the usual amounts of sexism, we never see Ripley engaging with any of it. She just gets on with the job at hand and by the end of the film, shes the one left standing, not the sniggering guys who thought it was a mistake to send a woman into space to do a mans job as it were. This is along the lines of the patronising responses women receive when they complain about workplace sexism/harassment suck it up and keep working, women are told.

Ellen Ripley (Sigourney Weaver) from Ridley Scotts Alien (1979).

Oh, and then theres Ripleys infamous stripping scene, of course remember, these were the 70s, the era ofCharlies AngelsandWonder Woman, when strong women also had to be unrealistically attractive (That 70s Showhad parody scenes for both theAngelsandWonder Woman, wherein these impossible standards are lampooned). Director James Cameron, who would go on to direct Weaver in the movies sequelAliens(1986), later said that he disagreed with the stripping scene and it was one of the things that made him push back against the objectification of Ellen Ripley. Camerons version of Ripley is notably more foul-mouthed than Scotts (speaks volumes that the one line youll remember is Get away from her, you bitch!). Shes assertive, world-weary and completely in charge of the situation even as the violence and the carnage around her keeps escalating.

And yet, Cameron himself is hardly the nuanced thinker he mistakes himself for (rememberhis hare-brained attackon Patty Jenkins andWonder Woman?). InTerminator II, therefore, his strong woman had to be worse at parenting than an actual robot (whos already leagues ahead in the films second-most-important skill ie murdering evil machines). Strong women are strong because of that bad mother juice, dont you know?

If Sigourney Weaver was the most important figure for 70s and 80s women-led films, the 21st century belongs to Charlize Theron.

Fromon Flux(2005) andHancock(2008) toAtomic Blonde(2016),Mad Max: Fury Road(2017) and nowThe Old Guard(2020), theres no doubt that Theron is the pre-eminent action hero of the ongoing era. In fact, her filmography itself is a pretty good indicator of how the female superhero (as well as superhero-adjacent figures like her characters inAtomic BlondeandMad Max)has evolved over the past two decades while on Flux was still stuck at the altar of controlling male producers (director Karyn Kusama washed her hands off the final cut of the film, which included an abrupt and gratuitous scene of Theron in her undies, not unlike Ellen Ripleys underwear shots), Imperator Furiosa is a prime example of the monstrous feminine, a character who fights and kills like the men, but eventually leads the women of the film to the green place, a kind of eco-feminist utopia (notably, on Flux also ends with the discovery of a verdant Eden).

Brie Larson pioneered a new breed of the female superhero in Captain Marvel.

Fucks given? Nun

Warrior Nun engages with and upgrades the tropes of the female superhero in three major ways.

First, Ava enters a covert institution (the OCS), cleans it up from the inside (by fighting its corrupt elements), turns her back on her male mentor (Father Vincent, who turns out to be a traitor to the cause) and rearranges the playing field on her own terms. This basic storyline, ie women cleaning up an institution or a hierarchical structure, is followed closely byCaptain Marvel, too, for example Carol Danvers (Brie Larson) becomes a part of the Kree forces, but soon turns against them when she realises theyre the imperialist villains of the story. She fights and rather easily defeats her male mentor (Jude Law) to do so, telling him, I have nothing to prove to you. In Avas case, this particular confrontation will have to wait for the second season, but it promises to be kickass.

Second, Avas big reveal, ie her realisation that the OCS is based on a lie or at the very least an exaggerated, manipulative version of the events (the angels not an angel, the halos not really a halo), is rooted in historiography (the study of how histories are written). And historiography is all-important in the female superhero film: its how writers and directors tell us about women being written out of history. In the last half-hour ofThe Old Guard, we see how Charlize Therons immortal character Andromache of Scythia has influenced history down the ages, behind the scenes saving the lives of future doctors and soldiers and Presidents and Nobel Laureates, snowballing into a whole lot of good. InThor: Ragnarok, we see the super-villain/goddess Hela (Cate Blanchett) lamenting how her own father Odin (Anthony Hopkins) wrote her out of the history of Asgard.

Charlize Theron's iconic character, Furiosa, from Mad Max: Fury Road.

Third, Avas sexuality and how she negotiates it have been written superbly, so much so that theres no real analogue or comparison within the superhero genre for how good this aspect is. The trick is to not over-think it: far too many superhero films have their super-powered women treating sexuality as either a cumbersome necessity or in borderline fetishistic territory. Not so for Ava: shes a young woman whos definitely not a nun, and for much of the first half of the season, shes running around, crashing one summer house after another with a cute boy (you know, as one does). And as a final fuck-you to the Vatican, the cute boy has the initials JC (Im not saying it, you are!) and he believes that ultra-rich people donating their homes to him, even if temporarily, is a good thing.

Which is why personally, Ill be very disappointed if after all this, Ava takes up a nuns vows in the second season. But something tells me that the writers ofWarrior Nunare too smart for that.

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Warrior Nun, The Old Guard and the (much-needed) evolution of the strong woman trope in Hollywood - Firstpost

Coles’ Lisa Ronson on the evolution of collectables and marketing through COVID-19 – Mumbrella

INTERVIEW

Lisa Ronson, chief marketing officer at Coles, (LR)Zoe Wilkinson, journalist, Mumbrella (ZW)

ZW:What led you to choosing books for this collectable campaign?

LR: Well, there was sort of two main inputs into it.

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The first is it always comes back to our brand purpose of helping Australians live healthier and happier lives. And, we know that kids that have a love of reading or read books have better educational outcomes and theyre happier, happier kids. And so that aligns really well with our purpose. And then another piece of research we did showed that whilst 83% parents want to buy their kids books that will encourage their children to read, only 22% actually buy books regularly for their children. So on the basis of those two main inputs, it was a fairly easy decision.

ZW: And what was the process of selecting a particular series? How did you come to Andy Griffiths and Terry Dentons Treehouse series?

Andy and Terry have got the most successful Australian kids book series in the past decade. And when you look at the top 10 books that have been sold to a broad range of kids over that time period, theyve got five or six out of the top 10, so it was overwhelmingly working towards the Little Treehouse series, and working with Andy and Terry who are really passionate about kids literacy and reading, and getting more books in the hands of Australian kids. So we had very aligned objectives on that front.

Andy Griffiths is the author of the treehouse series

ZW: The books and the packaging are made from sustainable materials and can be fully recycled. Following some of the feedback that Coles received based on the environmental impact of the Little Shop Collectables, what role did considering the environmental impact of these collectables play in the campaigns development?

LR: It played a big role. Weve publicly announced that we want to be a more sustainable supermarket and based on our customer insights, consumers and our customers are getting increasingly aware of their footprint and plastic in the environment. So, in the vein of being very much customer led, customer-insight led, that played a part in the development of this program. We dont think that anyones going to want to recycle the books, but the option is very much there if they want to recycle them at the end of the campaign.

ZW: The first Little Shop Collectables campaign delivered incredible sales results for Coles and drove families to the store to spend more money. Did you have to think about the ethics of encouraging families to spend more money during COVID-19, considering the impact its had on family budgets?

LR: These programs have long lead times. Like any of our campaigns, we start planning them a long way out. So the planning was very much pre-COVID. But, what we do know is that Australians are coming in and theyre spending in our stores anyway, and they really like that additional reward for spending on the groceries that they were going to buy anyway. That was overwhelmingly the feedback from Little Shop one and Little Shop two. They felt that they were getting an exciting reward and exciting treat for doing the grocery shopping each week. So we were mindful of that. It just brings a little bit of a spark to the shopping experience and particularly for children.

ZW: The campaign targets childrens literacy and leverages Coles relationship with the Indigenous Literacy Foundation. How will these causes set this campaign apart for previous campaigns? Did it come about with the partnership with the Indigenous Literacy Foundation in mind, or was that just a perfect fit?

LR: It was definitely with the Indigenous Literacy Foundation in mind because we are the largest private employer of Indigenous Australians in Australia. So its really, really important to us. And whats different about this collectable is definitely the Indigenous Literacy part of it.

But, were also launching our first storybook school competition where were looking for basically the next creative geniuses like Andy and Terry, and schools will win fantastic prizes. And every entry we get to that well donate books to the Indigenous Literacy Foundation because we wanted to make sure that underlying all of this is us using our size and scale to get the books in the hands of so many more Australian children. So it was a big part of how we built the campaign to take it to market.

ZW: This is your first major collectables campaign at Coles, how does it reflect the direction in which you want to take Coles as a brand?

LR: Ive talked about our purpose before, so thats very much front and centre for all of our marketing. And then our vision is to make Coles Australias most trusted retailer. So, I felt that campaigns like this one which have that excitement of the collectables that weve run in the past, but are making Australians healthier and happier very much at its heart is in line with where we want to go, because we are very much insight led, we listened to what our customers are saying to us, and were constantly striving to raise the bar with how we are surprising and delighting our customers. So were very much looking to do that increasingly and were looking at solutions and how we help solve our customers pains, pain points, and thats through not only campaigns like this, but campaigns like Whats for dinner? and helping lowering the cost of our customers weekly shops. Were really leaning into the things that mattered to them.

Ronson became Coles CMO in March 2019

ZW: Do you think that collectables will ever reach a point where theyve sort of run their course as a marketing concept? And what do you think would come next? Whats the next evolution?

LR: I think that so long as collectables remain interesting and they continue to evolve and innovate, I think theyre one of those things that Theyve stood the test of time. I mean I remember, and Im going to show my age here, collecting things like Smurfs and things like that at the petrol station. So they might come in and out of favour over the years, and theres been so many iterations, whether it be football cards that kids swap in the playground and that sort of thing, I think its just about keeping it current, keeping it interesting and bringing a little bit of excitement and delight to customers shops.

So whether theyll be in the same time of the year, every year into the future, I dont know, but well continue to, as I said, be insight led and monitor the interest of our customers to determine when we run them, what the shape of the programs are and how we run them.

ZW: The pandemic really put supermarkets in the spotlight, and because Coles staff are on the frontline, how has it changed the course of your marketing that was layed out for this year?

LR: Well in a lot of ways, at the height of the panic buying I had a section of my team focused on COVID-19 communications because Australians were increasing looking to the supermarket sector for information around hygiene, how we were sanitising our stores, social distancing, and product restrictions. So a lot of the team have been focused on those types of communications and also, interestingly, working with our competitors in the supermarket category to bring joint industry messages to Australians about the health and wellbeing of both our customers and also our team members.

A full-page ad in The Australian in March [Click to enlarge]

So it was very much about the more functional communications at one end, then continuing with the more aspirational and inspirational messages. And I think we started them back around Easter time and then in the middle, what are some solutions for the time and one of them was the Whats for dinner? live that we rolled out and are continuing to do because it was so successful with our customers.

Coles Whats for dinner? campaign

ZW: Whats for dinner? really kicked off in response to the impact COVID-19 had on your customers. Is that going to be something that continues throughout the year in different iterations, different forms?

LR: We launched it back in September of 2019. The simplicity of it, I think was the beauty of it at, you know pre-COVID, between three and six in the afternoon there was a large proportion of Australians that were getting anxious about what they were going to cook for their family or friends and themselves for dinner. So that at the beginning of the campaign, it was all about getting five ingredients or less on the table in 30 minutes or less and providing inspiration because the other point is people were getting stuck in a rut of doing spag bowl every Monday and then maybe something else on a Tuesday. So we were trying to mix it up and provide that little bit of inspiration that people were wanting to explore a little bit more in the kitchen.

And then coming into COVID the conditions were slightly different, so it was more around the inspiration and doing a lot more with some of the basic staples and looking at different cuisines, looking at very multicultural cuisines and just providing that overall inspiration from a lot of really credible chefs and cooks and great people that we work with currently and have worked with over the years.

And it just went down a treat, it was two and a half minutes every night, really simple, other tips from the chefs around chopping things and where do you put onions and garlic, and it was sort of really practical as well. Weve since evolved it to be under $5 per serve, which we know Australians are increasingly looking to value, so were trying to find those value solutions.

Its a great platform in short that were continuing to evolve based on the environment and what our customers are looking for.

ZW: And at the start of lockdown a lot of opinions in market were We need to ready ourselves for when we come out the other side of the pandemic, but now the opinions are starting to change in the belief that consumers priorities and focuses have completely shifted in this period, and that marketing will now never return to normal. Is that something you agree with?

Theres, as you said, a couple of schools of thought. Some people think that people will just bounce back. I ultimately think they will, but I think its going to take a lot longer than what we anticipated. I dont think people will go back to how we were straight away. I think its going to take months and years actually. And I think therell be some behaviours that will continue around things like basic washing your hands and sanitisation. I think well appreciate things more like travel, being able to go out for dinner, out for breakfast, those sorts of things. I think we might all just slow down a bit more, but then will that continue forever? Its really hard to say.

I do think its going to take quite a bit of time before we go back to how we were and how we market and how we live our lives, because marketing is ultimately a reflection of what our customers are wanting and how we can help solve some of their problems. So their problems will be different for a significant period of time. So we need to work with that and lean into it, and continue to be helpful.

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Coles' Lisa Ronson on the evolution of collectables and marketing through COVID-19 - Mumbrella

Ask an Expert: Health Promotion’s Matt Numer on the evolution of Pride – Dal News

Pride as we know it today looks a lot different than when it first emerged back in the late 1960s as a protest for equality and recognition. Today, Pride is marked by a month of festivals, events and parades that celebrate and show support for LGBTQ2SIA+ communities.

As this year marks the 50th anniversary of the first Pride parade (held in New York City), we spoke to Matt Numer, an associate professor and head of the Division of Health Promotion in the School of Health and Human Performance and an advocate for LGBTQ2SIA+ health issues, about the history of Pride and why it is still so important to celebrate today.

Can you tell us a bit about the history of Pride and how it has evolved over the decades?

Pride started as a form of protest against fairly overt oppression, primarily from the police, I would say. We saw a lot of issues decades ago with police attempting to out people, arrest people for engaging in what at the time they called homosexual activities. People are pretty familiar with the rise of the gay rights movement with the Stonewall Riots, when police attempted to raid bars. What they would do is they would go in and they would particularly target people transgressing gender norms. Today, we might call them drag queens; the way we define people has also evolved over the years. But they would drag people out and publish their names and attempt to have them fired, and all sorts of things like that. In Canada, you had the bath house raids in Toronto, where they would go and purposefully target people engaged in sex activities. Out of that, Pride became a protest a march very similar to the protests we see today with the Black Lives Matter movement. I think thats where it gets its historical roots.

How has it evolved? I think in many ways Pride is still a form of protest and a form of garnering attention, though it may not necessarily be for the same cause and it may take on different forms today. Today, when we think of Pride, most people just think of the celebration, parties, drinking, the parade in particular. But it is still calling attention to the fact that theres a community of people out there who have been historically marginalized and continue to be in many ways. Pride is the opportunity today for many allies to come out and show their support for us to make queer identities visible to youth. A big way that oppression works is to hide how people are marginalized. Growing up, I didnt really know many gay people. They were just seen as so outlandish in the eyes of the general population, unless it was something like arrests and protests and stuff like that.

A gay rights demonstration in Toronto, circa 1980s. (Courtesy Canadian Lesbian and Gay Archives)

What are some of the unique challenges experienced by LGBTQ2SIA+ communities today and how does Pride bring recognition to those issues?

Pride is also a way for us to see issues that may not be immediately visible. So, youll often see different groups marching in the Pride parade. Today it has become very corporatized with the banks and other companies pay their employees to go march in the parade which, dont get me wrong, Im glad that we have corporate support, but thats not really what Pride is about. But you will see other community groups marching in the parade. They give rise and give light to issues that may not be visible in the Canadian context. Theres a queer Arabs group, Rainbow Refugees an organization that attempts to help people who have suffered because of their sexual orientation or gender identity to emigrate to Canada. Pride Health is a group through Nova Scotia Health Authority that looks at the disparities in health that emerge for people with queer identities.

Pride is also a time when you can typically get attention from government and media. For many organizations, its a time when they show that support. I know from my own advocacy work that when we can raise issues close to Pride they tend to get more attention than during the rest of the year. Governments are fairly dismissive until there is political expediency for them.What can governments, workplaces, community groups and the general public do to support LGBTQ2SIA+ communities and address these unique challenges?

Money speaks. When governments and organizations are investing in the health and well-being of queer people, then we may start to address some of the health disparities. I think that we still havent done a good job of that. On the surface, we think that because weve got gay marriage that everything has been solved in Canada, but actually we have greater issues related to mental health, suicide, substance use and things of that nature. That isnt a product of being gay or queer thats a product of a homophobic society. Those are more difficult issues to get at and what we need is a commitment from government to invest more substantively in things like Pride Health, the Youth Project, access to medications. My own advocacy work has a lot to do with HIV prevention and theres a drug out there that can prevent it almost 100 per cent, but many people dont have access to it because its expensive. The Government of Nova Scotia has refused to pay for it, while about half of Canadas other provinces have.

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Ask an Expert: Health Promotion's Matt Numer on the evolution of Pride - Dal News

Blood Transfusion Devices Market Size, Segment, Evolution Rate by Type and Application And Forecast 2020-2026| Macopharma, Becton Dickinson, B.Braun,…

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Global Blood Transfusion Devices Market by Application: Blood Collection, Blood Processing, Blood Safety, Other

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Blood Transfusion Devices Market Size, Segment, Evolution Rate by Type and Application And Forecast 2020-2026| Macopharma, Becton Dickinson, B.Braun,...