Mobius goes to space? Owen Wilson’s new costume revealed in Loki season 2 – Sportskeeda

Modified May 05, 2023 08:26 IST

The Marvel Cinematic Universe has captured the hearts of audiences worldwide with its captivating storylines, and one of the franchise's most beloved characters is Loki, the God of Mischief. The popular Disney+ series Loki has become a fan favorite, and viewers have been eagerly anticipating its return for a second season.

Along with Tom Hiddleston's return as Loki, Owen Wilson's character Mobius is also set to make a comeback. Wilson's portrayal of the Time Variance Authority agent was a highlight of the first season, and fans are excited to see what he brings to the table in season two.

With the release of new promotional art, fans are getting a sneak peek at what's in store for the characters in the upcoming season, building anticipation for what promises to be another thrilling addition to the MCU.

Marvel's highly anticipated Loki season 2 is set to bring back the beloved cast of characters, including Tom Hiddleston's God of Mischief, Mobius, Hunter B-15, Casey, and Ke Huy Quan's Marvel character.

However, it's Mobius' new look that has recently caught the attention of fans. Instead of his usual TVA attire, Mobius dons an astronaut suit, leaving viewers questioning what this could mean for his character.

One theory is that the TVA could embark on a new mission involving space travel, which could be connected to their pursuit of Kang Variants. Loki's experience in Asgard and handling otherworldly beings could be useful in dealing with a Kang from space.

Alternatively, Mobius' space suit could be a disguise for a mission on Earth, with Loki's shapeshifting abilities making him unrecognizable in the astronaut suit.

Apart from Mobius' new look, fans are also excited to see the return of Hunter B-15 and Eugene Cordero's Casey. It remains to be seen how these characters will fit into the new storyline, but their presence adds to the upcoming season's excitement.

Similarly, Ke Huy Quan's Marvel character is also set to appear, although details about his role in the series remain unknown.

As fans eagerly anticipate the return of season 2, they wonder what's next for the Time Variance Authority (TVA) and what it means for the Marvel Cinematic Universe. With futuristic technology that allows them to travel to alternate Asgards, it's possible that the TVA is now experimenting with space travel.

Mobius' new astronaut suit in the latest promotional art hints at the TVA's new adventure and could be connected to their pursuit of Kang Variants. The post-credits scene from Ant-Man and The Wasp: Quantumania confirmed the existence of multiple Kangs in the Multiverse. Loki and Mobius could be going after a Variant in space.

Alternatively, Mobius could be wearing the suit for the TVA's experiments with space travel. While the organization has yet to explore the outer reaches of the cosmos, the God of Mischief's experience in Asgard and handling otherworldly beings could be useful in dealing with a Kang from space.

Loki season 2 promises to deliver another exciting addition to the Marvel Cinematic Universe. Fans can look forward to the return of Tom Hiddleston and Owen Wilson's characters, as well as new and returning cast members. The recent promotional art's hint at space travel and the pursuit of Kang Variants has only added to the excitement.

Edited byRachel Syiemlieh

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Mae Jemison to speak at UD Commencement | UDaily – UDaily

Mae Jemison, the first African American woman in space, will share her insights and perspective at the University of Delawares 2023 Commencement ceremony on Saturday, May 27, UD President Dennis Assanis announced today.

We are delighted to host Dr. Jemison to deliver this years Commencement address to our graduates and their families and friends, Assanis said. Her accomplished career has been one of commitment and impact, as a scientist, as a physician, as an engineer and as an educator. She is an exemplar of someone dedicated to exploring endless possibilities and infinite frontiersalways finding meaningful ways to make a difference in the world. This commitment is one we strive to instill in our graduates.

The Commencement ceremony, scheduled at 9:30 a.m., May 27, in Delaware Stadium on the Universitys Newark campus, is a ticketed event, open only to graduating students and up to four guests. Some 4,000 graduates are expected to attend, with approximately 16,000 family and friends. The ceremony also will be livestreamed.

Dr. Mae C. Jemison leads 100 Year Starship (100YSS), a bold, far reaching nonprofit initiative to assure the capabilities exist for human travel beyond our solar system to another star within the next 100 years. Jemison is building a multi-faceted global community to foster the cultural, scientific, social and technical commitment, support and financial framework to accomplish the 100YSS vision -- An Inclusive, Audacious Journey (that) Transforms Life Here on Earth and Beyond.100YSS programs include: Annual public conferenceNEXUS- Pathway to the Stars: Footprints on Earth; the Canopus Awards for Excellence in Interstellar Writing; the 100YSS Crucibles-Invitation only, transdisciplinary workshops to generate new disciplines to disrupt technological and systemic hurdles; and 100YSS True Books to engage elementary students. The 100YSS Way Research Institute seeks to generate the radical leaps that accelerate knowledge, technology, design, and thinking not just for space travel, but to enhance life on Earth. Jemison led the team that won the competitive, single awardee seed funding grant in February 2012 from premiere research agency DARPA.

Jemison, the first woman of color in the world to go into space, served six years as a NASA astronaut. Aboard the Space Shuttle Endeavour, STS-47 Spacelab J mission in September 1992, she performed experiments in material science, life sciences and human adaptation to weightlessness.

Jemison started The Jemison Group, Inc. (JG), a technology consulting firm integrating critical socio-cultural issues into the design of engineering and science projects, such as satellite technology for health care delivery and solar dish Stirling engine electricity in developing countries. JG researches and develops stand-alone science and technology companies. BioSentient Corporation, a medical devices and services company focused on improving health and human performance is such a company. An environmental studies professor at Dartmouth College, Jemison worked on sustainable development and technology design particularly for the developing world. Before joining NASA she was the Area Peace Corps Medical Officer for Sierra Leone and Liberia and a general practice physician in Los Angeles.

In 1994 Jemison founded the international science camp The Earth We Share (TEWS) for 12-16 year old students from around the world, a program of the nonprofit Dorothy Jemison Foundation for Excellence (DJF). From 2011 to 2014, DJF held TEWS-Space Race in collaboration with the Los Angeles Unified School District training hundreds of middle school teachers in experiential science education and over thousands of middle school students. Other foundation programs includeReality Leads Fantasy-Celebrating Women of Color in Flightthat highlighted women in aviation and space from around the world. EXPO Inspire is a hands-on public STEM fair. LOOK UP announced in September 2017 an international movement to galvanize people worldwide, on a single day, to acknowledge that we are Earthlings.

Jemison was Bayer Corporation USAs national science literacy ambassador. She is one of the series hosts for National Geographics One Strange Rock and space operations advisor for its global miniseries MARS.

Jemison is a member of the U.S. National Academy of Medicine and is on the boards of directors of KimberlyClark, the National Board of Professional Teaching Standards and the Texas Medical Center. She was the Founding Chair of the Texas state Product Development and Small Business Incubator Board, chair the Texas State Biotechnology and Life Sciences Industry Cluster, chair of the Greater Houston Partnership Disaster Planning and Recovery Task Force, and served on the board of Scholastic, Inc. and Valspar Corporation. Jemison is a inductee of the National Womens Hall of Fame, the National Medical Association Hall of Fame and Texas Science Hall of Fame, International Space Hall of Fame as well as a recipient of the National Organization for Womens Intrepid Award, The Kilby Science Award and National Association of Corporate Directors Directorship 100 most influential people in the boardroom in 2014, Honorary member of Alpha Kappa Alpha Sorority and the New York Academy of Sciences, among many honors. She was a featured panelist on the CNBC special The Business of Science (9/2011) and was one of the teachers on The Dream School. Jemison is an author includingFind Where the Wind Goes: Moments from My LifeTrue Books series on space exploration. She was the first real astronaut to appear on the Star Trek TV series and is a Lego figurine in the Lego Women of NASA kit.

For more information about UDs Commencement ceremony, visit http://www.udel.edu/commencement.

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Guardians of the Galaxy 3 and Microsoft to Build Zune on ISS – Gizmodo

The Zune, Microsofts failed digital music player from the early 2000s, is getting a second chance on board the International Space Station (ISS), after performing cameos in Guardians of the Galaxy 2 and other Marvel movies. Microsoft and its collaborators are planning to resuscitate the famously doomed gadget through 3D-printing technology.

How Much of Guardians of the Galaxy Did James Gunn Plan From the Start? | io9 Interview

Microsoft has partnered with aerospace manufacturer Redwire to 3D print a Microsoft Zune on the ISS, Redwire recently announced. The Zune player made a rare appearance at the end of Guardians of the Galaxy Vol. 2 as the butt of a jokea nostalgic reminder of the little music player that couldnt. Microsoft launched Zune in 2006, five years after Apple revealed the groundbreaking iPod. Unfortunately, Microsofts own digital music player could not compete with the iPod, and it was discontinued six years after its debut.

Dont Let the Music Stop | Microsoft x Guardians of the Galaxy Vol.3

In the film, Chris Pratts character, Star Lord, upgrades his music-listening device from a walkman to a Zune, a tongue in cheek reference to the now-outdated (always-outdated?) digital player. Its what everybodys listening to on Earth nowadays, Star Lord says of his first-generation Zune. Of course, Star Lords last memory of Earth was during the 1970s, so the Zune would truly have been a game changer for him.

Star Lord still relies on Microsofts Zune in the third series of the popular movie franchise, with the gadget also appearing by his side in Avengers: Infinity War and Avengers: Endgame.

With the latest movie in the series hitting theaters this week, Microsoft fully embraced Zunes reputation and launched an entire website dedicated to its gadgetary flop. The website also features a short ad in which the Guardians of the Galaxy superheroes pay a short visit to the ISS, with a space station astronaut handing the fictional superhero Star Lord a new Zune to replace his broken unit.

Zunes website aims to promote STEAM (science, technology, engineering, arts and mathematics) education among students, creating different space-themed activities on the website for young explorers. As part of its campaign, Microsoft will be using Redwires Additive Manufacturing Facility on board the ISS National Lab to 3D print its deceased gadget.

Space is critical to inspiring future generations, Mike Gold, Redwires chief growth officer, said in a statement. Redwire is proud to bring together our own super hero team with Microsoft and Guardians of the Galaxy Vol. 3 to help educate and inspire students in the real world to pursue careers in STEAM.

The mission patch, featuring Rocket and Cosmo. Image: Redwire

For those of you hoping to see a fully functional unit come out of that 3D printer, you may be in for a disappointment. In response to a Gizmodo query, a Redwire spokesperson confirmed that the company will forge a mockup of the Zune on board the ISS. It will not be playing any music, the spokesperson explained in an email. This print is a tool, and this project is helping us leverage the excitement of the release of the upcoming Guardians of the Galaxy Volume 3 movie, as an opportunity to engage a new audience who loves science fiction and have them get to know more about the real science that happens on the ISS, including 3D printing.

The commemorative mission comes with a neat patch, featuring Rocket and Cosmo from the Marvel films, in addition to the Zune and ISS. And on that note, this isnt the first time the Guardians of the Galaxy franchise has made an appearance on the ISS. In 2016, Marvel designed the ISS patch to include the movies favorite duo Rocket and Groot as space travel enthusiasts.

For more spaceflight in your life, follow us on Twitter and bookmark Gizmodos dedicated Spaceflight page.

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History-making Emirati astronaut Sultan Al-Neyadi is first person to … – Arab News

LONDON: Emirati astronaut Sultan Al-Neyadi, who a week ago became the first Arab to perform a spacewalk, followed that up on Thursday by becoming the first person to practice jiu-jitsu in space.

Al-Neyadi, who is serving aboard the International Space Station, uploaded a video to his social media channels in which he is seen performing the martial art while wearing a UAE Jiu-Jitsu Federation Gi, the traditional, kimono-style attire worn by the sports practitioners.

The clip quickly racked up thousands of views in the UAE and beyond. In it, Al-Neyadi explained how the martial art, which is a key pillar of the physical education syllabus in schools in the UAE, has helped foster the skills of discipline, focus and adaptability among young people, and how those skills helped him prepare for the six-month space mission and after he arrived at the space station.

I love jiu-jitsu. I have been doing jiu-jitsu for so many years, said Al-Neyadi. Jiu-jitsu helped me so much in my preparation for this mission and getting adapted to the environment on the International Space Station.

Recalling his training sessions in a centrifuge, which help astronauts prepare for the stresses on their bodies during space travel, Al-Neyadi said: When I was encountering my weight times two, three or even up to eight times, the first sensation was (like) feeling an opponent on top of my chest.

One of the first things I learned in jiu-jitsu was to regulate my breathing, so this is exactly what I did during the centrifuge experience. I think jiu-jitsu really helped me overcome that experiment.

Now in his second full month aboard the space station, Al-Neyadi said his lifelong passion for jiu-jitsu is paying great dividends in the confines of the orbiting laboratory, 420 kilometers above the Earths surface.

When I arrived here, I was surprised to find we mainly use our feet to stabilize ourselves, he explained. One of the fundamentals is that we use our toes to establish a foundation, so the pressure is on the ground; the contact should be on your toes, not your heels.

Thats why doing a jiu-jitsu posture when I am in space, with my toes positioned under a handrail, I feel very stable. I am using my toes to translate (my movement) everywhere and do all sorts of tricks. I can jump from one place to another, using my toes to stabilize myself. Ive been doing a lot of front rolls and back flips.

Abdel Moneim Al-Hashemi, the chairperson of the UAE Jiu-Jitsu Federation, president of the Asian Ju-Jitsu Union and senior vice president of the International Jiu-Jitsu Federation, said he is proud of Al-Neyadis achievements.

His bravery, intelligence and humility are a credit and inspiration to the UAE, and all our citizens and residents, he said. He is an example for the Arab and Muslim world, and to a global nation of jiu-jitsu athletes. He has put the sport of jiu-jitsu on an entirely new map, taking us from mats to stars.

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Guardians Of The Galaxy Vol. 3’s Cosmo Is Based On The Tragic … – /Film

To understand how poor Laika ended up on a rocket with no plans for an earthly return, it's important to understand the context of space travel in the 1950s. By the time Laika went on her one-way mission, the U.S. and the Soviet Union were years into the Cold War, a conflict that would last decades and involve espionage, bloodshed, and perhaps most surprising, lots of cultural competition. Both nations wanted to prove their mettle (and the validity of their respective political ideologies) by being the first to put a man on the moon, but before humans could safely make it to space, animals were sent in their place.

According to the Royal Museums Greenwich, the first known animals in space were fruit flies, which were sent 67 miles into the air in 1947 by Americans who were curious about how cosmic radiation might impact biological structures. Soon, scientists started using mammals like dogs and monkeys in order to figure out exactly what astronauts would need to be prepared for when leaving Earth, as well as what spacesuits and other onboard technology could do to mitigate the effects of space travel.

While it's tough to imagine an alternative method of rudimentary research that wouldn't kill lots of astronauts in the process, the use of animals in early space travel experiments is no doubt extremely upsetting. Many animals died over the course of the Space Age, but few stories are as tragic as Laika's. According to Smithsonian Magazine, the dog, who is often cited as part Samoyed but in images also appears to be part terrier, was chosen from among several stray dogs from Moscow for the mission aboard Sputnik 2. Like Cosmo, she had special gear for her travels, including a diaper-like affixed bag, a harness, and electrodes to capture readings on her vitals throughout the journey, per NASA.

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Guardians Of The Galaxy Vol. 3's Cosmo Is Based On The Tragic ... - /Film

The Unflappable John Mather – Cal Alumni Association – CALIFORNIA

Two months before NASA unveiled the first images from the James Webb Space Telescope to the world last summer, some 50 astronomers and engineers anxiously gathered in the missions control room at the Space Telescope Science Institute in Baltimore for the moment of truth. Finally, after a 35-year-long, seemingly insurmountable journey through technological adversity, threatened cancellations,anda pandemic, the newly calibrated $10 billion observatory was about to reveal how well it workedor didnt.

Among those awaiting that first test shot was John Mather, the missions senior project scientist, Nobel laureate, and senior astrophysicist at NASAs Goddard Space Flight Center. The team had focused the observatorys massive 21-foot hexagonal mirror on a single star surrounded by utter blackness. But when countless lights suddenly peppered the image, there were audible gasps. My God, there were just galaxies everywhere! Mather says. It was such a wonderful surprise and relief. Then they broke out the champagne and a bottle of Cognac from 1906, the year James Webb was born.

It was an emotional moment for the normally unflappable scientist, whod spent nearly three decades helping to shape and champion the missions science objectivessome requiring technology that had yet to be invented. The most sophisticated astronomical instrument in history is designed to capture infrared light from 13.6 billion years ago, enabling views of the early universe some 200 million years after the Big Bang. The data it collects over the next decade will give us a new understanding of how galaxies, stars, and planets formed in the early cosmos, whether planets orbiting nearby stars (exoplanets) might support life, and the makeup of our solar system.

This is all part of one thing, which is How did we get here? says Mather, now 76. The Big Bang happens; galaxies, stars, and planets grow; they all get enriched with chemical elements. And so here we are. Where did everything here come from? Were living our own history by looking at the rest of the universe.

The JWST was arguably the most inspiring science story of 2022. Its launch the previous Christmas and flawless unfolding of its sun shield and primary mirror en route to an orbit 1 million miles away were remarkable feats of engineering. The breathtaking images that followed revealed stunning insights into the nature of the cosmos. For Mather, it was yet another summit in a storied half-century career in infrared astronomy and cosmology that included the 2006 Nobel Prize in Physics (with Berkeley Professor Emeritus George Smoot) for capturing data supporting the Big Bang model. He has also advised NASAs Science Mission Directorate, the National Academy of Sciences, and the National Science Foundation; earned five dozen awards; engaged in some three dozen scientific papers; and coauthored the book The Very First Light.

For these achievements, UC Berkeley Foundation and the Cal Alumni Association have granted Mather, Ph.D. 74, the UC Berkeley Alumnus of the Year Award for extraordinary advances to the betterment of society, to be presented at the Berkeley Charter Gala on May 11. Hes inspired not only numerous Berkeley faculty and students, but even the most amateur astronomers and citizens worldwide, says Achievement Awards cochairman Ahmad Anderson 83. His contribution makes us think about life and existence and what we can do to sustain that on Earth.

Since 1995, Mather has led the JWST science team from the observatorys gestation through its harvest of vibrant images. Hes helped to choose its members, decide which objectives to pursue, and how to achieve them. Every day, I worked with engineers to say, OK, this is what we want to do. How can we do it together? he says.

He really trusted his team to perform, says Mike McElwain, a JWST observatory project scientist who has worked under Mather since 2013. He let us take responsibility and not all leaders do that. But it forced us to work harder. He isnt afraid to take on really challenging projects. If physics doesnt rule something out, then he knows it can be done.

Mather is a lanky 6 4 presence who radiates calm brilliancea big mind who drops folksy phrases like my golly, tackles Herculean obstacles with optimistic persistence, and doesnt worry about issues beyond his control. Most of the time Im a pretty cool character, he says. My having an opinion about it doesnt make any difference to the hardware.

As illustration, take his Zen reaction to the JWST launch. Once in space, the craft emerged from the rocket fuselage, unfurling like a butterfly from a cocoon as it embarked upon 50 major deployments with 178 release mechanisms. Engineers practiced the incredibly involved process for more than a half-dozen years with the real telescope in a vacuum, in cavernous dust-free clean rooms, and via computer simulations. Now the moment had come. If anything went wrong, the space telescope would be space junk. While the launch and deployment had most folks holding their breath, Mathers take was, Its all working according to plan.

Such Jedi traits guided him from a rural New Jersey childhood through a rarified career. Hes obviously very smart, but hes also confident, good-natured, and down-to-earth, says Michael Werner, a close friend since their Berkeley days who went on to become project scientist for the Spitzer Space Telescope. He doesnt put on airs or pretend he did it all himself. Hes grateful for the opportunities hes been given and supportive of the people hes worked with over the years. Hes really a model of a scientific statespersonvery generous with his time, and gracious and helpful to younger scientists.

Going for something cool

Mather grew up on an experimental farm run by Rutgers University, where his father was an agricultural science statistics professor. As a child, he delighted in all types of science. He was often fascinated by the danger it presented when countering beliefs of the day, like 17th century astronomer Galileo Galilei enraging the Catholic Church by insisting the Earth orbited the sun. Despite an early aptitude and indulging in summer physics and math programs, it wasnt until he won a statewide high school physics contest that he realized he might be something special. That was my decision point, he says. I thought, You really could go for something cool.

Not that other distractions wouldnt occasionally pull his focus. After graduating from Swarthmore College in 1968, he took a summer job at Lawrence Berkeley National Laboratory with plans to attend graduate school at Princeton University, which had yet to go coed. But my friends thereall guyssaid, If youre not married, dont come; there are no women here, says Mather. He stayed at Berkeley and informed Princeton why. The next year, Princeton accepted women.

Despite that perk, Berkeley in 1968 proved a massive culture shock when the nerdy country kid from a small bucolic college found himself in a city awash in protests, police violence, and the looming threat of the Vietnam War.

My draft number came up, but I failed the physical because I was extremely nearsighted, which was OK with me. I didnt want to go, he says. It felt like our country was under attack from the insidethe people who did not want to go to Vietnam and fight versus the people who thought if you didnt go, you were a traitor. It was hot feelings at the time.

The tumult was such that it almost lured him from physics when he thought he might be a more effective activist as an attorneyonly to recoil at the law school class catalog. I realized, Oh, I dont want to know any of this! I better stick to what I like already.

Outside of his studies, Mather found refuge with a Big Bang Theorylike group of housemates that included a couple of physics students, an aspiring psychologist, a writer, a former nuclear reactor piping engineer, a high school buddy whod left the Air Force, and a drooly Great Dane named Khan. He could reach a pound of butter in the middle of the dining table without getting onto it, says Mather. They roomed together in their affectionately dubbed Walnut House, an old brown-shingle home on Walnut Street that now exists only in memories.

By 1970, hed yet to refine his direction in physics. Faced with choosing a thesis project, Mather joined a research group led by Paul Richards, Ph.D. 60, now a Berkeley professor of physics emeritus. They, along with Werner, then a postdoc, were devising projects to measure cosmic microwave background radiation (CMBR), the cooled remains of the first light from the Big Bang that had been discovered a few years earlier. Mather and Werner built a far-infrared spectrometer in a successful attempt to measure the spectrum of CMBR from the White Mountain Research Centers Barcroft Station in Eastern California.

We had a lot of fun together doing experiments, says Werner, who remembers Mathers curiosity was such that once, just for kicks, he crafted a method to measure seismic activity from underground atomic tests then taking place in Alaska.

The following year, Mather and Richards teamed with another lab member, a Ph.D. student named David Woody, now a radio astronomer and assistant director of Caltechs Owens Valley Radio Observatory. Woody and Mather shared a cosmology class taught by the late Charles Townes, then a Berkeley professor who shared the 1964 Nobel Prize in Physics for his work in quantum electronics. Woody 68, Ph.D. 75, remembers Mather being so bright that whenever he volunteered an answer, I had to figure out why it was right.

They built a microwave spectrometer to measure CMBR from a high-altitude balloon they launched in Palestine, Texas, that could gather data above the atmospheric water vapor that would absorb their signal. The pair drove down in a U-Haul truck carrying their equipment, and Woody laughs at the memory of the towering Mather, then an inch taller than he is now, struggling with average-size motel beds on the way. He had to put a suitcase at the foot of the bed so he could rest his feet.

Not only did their work inform Mathers thesis, but building instruments for remote and hostile locations grounded his next steps. Graduating in 1974, Mather continued this research as a National Research Councilpostdoctoral fellow at the Goddard Institute for Space Studies in New York. There, he led the proposal for the Cosmic Background Explorer (COBE), a satellite designed to take more precise CMBR measurements.

It was during this time that he met Jane Hauser, a classical ballet teacher he encountered in a personal growth workshop, who would become his wife of 42 years before passing away last November. Hauser brought an artistic flair to Mathers world, often coaching and encouraging him in writing and speaking. The pair shared a life of travel, learning, collaborating, and daily hugs.

She loved her work and wanted a man who loved his work, so he would understand hers, he says. Everything I am, everything I do, everything I own has her mark.

When NASA greenlit a more formal study of COBE two years later, Mather moved to Goddard Space Flight Center in Greenbelt, Maryland. There he became COBE project scientist and the principal investigator for one of its instruments, the Far Infrared Absolute Spectrophotometer (FIRAS), leading a team of more than 1,000 scientists and engineers. The satellite, launched in 1989, provided the compelling evidence of the Big Bang theory that eventually earned Mather and Smoot their Nobel.

Their measurements of radiation from the early universe revealed a spectrumsimilar in form to the glow of an incandescent bulb, but at wavelengths invisible to our eyesthat matched predictions of what light from the Big Bang would look like now. Their measurements further showed that the radiation wasnt equally bright in all directions, but instead varied with infinitesimally warmer and cooler spots. These resulted from density variations in dark matter and gas, the other components of the universe. Without those density variations, gravity could not have pulled together the primordial material into galaxies, stars, and planets. We wouldnt be here without those spots, says Mather. The Nobel Foundation heralded their findings as the starting point for cosmology as a precision science.

Mather remained with the COBE mission until it ended in 1993 and joined the JWST missionthen called Next Generation Space Telescopetwo years later as it was ramping up to peer beyond the view of the Hubble Space Telescope. (Its official name, honoring James WebbNASAs administrator from 1961 to 1968came in 2002.) It would be a turbulent journey. NASA woefully underestimated the costs, time, and technology to make it viable, initially allotting just $500 million to develop the telescope for an anticipated 2007 launch. When ensuing cost overruns and construction delays threatened to shut it down in 2011 and 2019, Mather helped rally staff by keeping a steady eye on the prize.

His composure was just what was needed when the crap hit the fan, says astrophysicist Garth Illingworth, the last of the telescopes three original architects still involved in the mission. (The trio began brainstorming the telescope in 1986.) He remained a strong, positive voice for the science, and a reminder of why we were building it and the broad questions it would answer.

To Mather, there was simply no other option. There was no competition for this observatory; no other way you could get this information, he says. I just had faith it would all work out. And even if it didnt, I wasnt going to give up.

The study of the cosmos is a continuum. COBE and its successor satellites, along with the great space telescopes like Spitzer and Hubble, helped set the framework for JWST to continue unlocking clues to our origin. Scientists can use physics to accurately calculate how the universe developed to the point where those first stars and galaxies began to grow, and cosmic storms occurred. But once stars begin to form, the physics becomes too complicated to accurately predict how galaxies grow. The JWSTs observations of first light will provide a key step in unraveling that mystery. Scientists theorize that the first stars formed differently than later ones because the nascent universe contained just hydrogen and helium. Those stars made new elements and ultimately exploded, providing the abundance of those elements we have todaythe very stuff that were made of. With the JWST already pinpointing previously unknown unusually bright galaxies, cosmologists are rethinking what the first stars and galaxies are like and what kind of science to conduct, as new discoveries continue to raise even more questions.

Theres a direct connection logically from those spots that we measured [with COBE] to our existence, says Mather. If we could understand that process, that would be like understanding a great secret.

The Next Chapter

Like the JWST, Mather too is entering a new phase. Still tender from Hausers passing (She was very unique and I loved her dearly, he says gently), hes finding renewal in the creative process of brainstorming his next venture. With the mission in good shape, hes stepping away to envisage a new way to examine exoplanets. I am much more interested in how you build equipment and get it to work in space than I am in the details of what we are going to look at, he says. The Hybrid Observatory for Earth-like Exoplanets (HOEE), which hes developing with his lead researcher, Eliad Peretz, combines giant ground-based telescopes with an orbiting 300-foot star shade that would block glare from a host star to reveal its exoplanets reflected light. Spectral analysis of that light would decipher the exoplanets atmospheric makeup and whether it might support life. Of course, its so nearly impossible that were not building yet, he says. Were still at the imagination stage.

This is Mathers playground; the lure of scientific possibility and willing the improbable into reality that has fueled his abundant discoveries. Just wondering whats gonna happen, he muses. After all, he adds with a smile, I could have another quarter century. You never know.

Susan Karlin covers space science, autonomous vehicles, tech design, and the future of aviation for Fast Company and others.

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Star Wars: Visions season 2 episodes rated in the best way possible – Polygon

There is a new season of Star Wars: Visions out on Disney Plus which means we are ready to break down each short by how many stars, wars, and visions is in each one.

I did this last time around, when the first season of Star Wars: Visions came out. This time, nine different animation studios from around the world participated with nine completely different shorts. While the first season really focused on the Jedi-Sith of it all, this new season reaches to the far corners of the galaxy far, far away and looks at many different facets of the Star Wars universe. Bring on the stars, the wars, and, most importantly, the visions.

Studio: El Guiri

Image: El Guiri/Lucasfilm Ltd.

Stars: The bulk of this one takes place on a distant planet outpost, so we dont see too many stars. However, the final moments involve Lola, the main character, blasting away into space, the full expanse of the galaxy unfolding before her.

Wars: Lolas old Sith master finds her and hunts her down with a group of Sith cronies. Its not a full-on war exactly, but it is a very heated battle.

Visions: The art style in this one is gorgeous. Lola is a painter and she manipulates her paint (presumably using force powers). The style looks handpainted and renders the Light and Dark sides of the Force with such vivid colors so damn cool. The showdown between Lola and her former master is especially triumphant, when Lola finally wields her lightsaber and embraces both the Dark and Light of her own power.

Does it work? The visuals in Sith are incredibly evocative from the very beginning, when Lola wakes up in an almost stark white room. At the beginning of the short, its unclear where the Sith fit in, since Lola just appears to be a painter determined on finishing a mural. The darkness creeps up here quite literally as Lola cant quite get rid of the darkness in her paint. Sith uses every bit of its visuals to push the story forward. And painting using the Force? Amazing, talented, wonderful, just plain awesome. I want more eclectic uses of the Force!

Studio: Cartoon Saloon

Image: Cartoon Saloon/Lucasfilm Ltd.

Stars: Once again, most of the action is centered on one planet, so we dont really get a big space travel montage or anything. However, the four teens speed across the planet to find a mysterious cave and the starscape above them is expansive and beautiful a flex from Wolfwalkers studio Cartoon Saloon to show off striking backgrounds.

Wars: Daal, the girl whos been most bent on finding the cave, has a brief faceoff with the mysterious ghost in the cave. But other than that, its pretty light on the war end of things.

Visions: Cartoon Saloons house style just really says young people chasing the truth of a myth and facing some hard truths along the way. The story itself is bittersweet and the visuals from the gorgeous starscape to the tight, claustrophobic cave encounter only augment it.

Does it work? This is the type of emotional, poignant storytelling I want more of from Star Wars! And we get a lot of it in this season. This is just the first of three shorts revolving around Force-sensitive kids who need to make some tough choices. All of them are good, but this is probably the most devastating one for various reasons: One, its not actually clear if Daals possible new master is a Sith or a Jedi; two, the friends she leaves behind are still going to be working in a factory for probably the rest of their lives; and three, even though her best friend urges her to take a chance and never look back, she does and... ow.

Studio: Punkrobot

Image: Punkrobot/Lucasfilm Ltd.

Stars: Well, its right here in the name! The alien species native to the featured planet believes that their deceased comrades become stars. So the two remaining survivors, a little girl named Tichina and her older sister Koten, try to look at the stars in order to see their dead mother. However, the Empires big mining facilities spew smoke that clouds the night sky, while the traditional paintings of these people need starlight to glow and will otherwise fade away. Even if this story takes place entirely on a planet, its still very much about stars.

Wars: The Empire colonized this planet and almost completely wiped out the indigenous population, save for two young survivors. While Koten is mostly focused on surviving, Tichina believes that they can fight back against the Empire.

Visions: Seeing these two girls struggle to survive in the ruined wasteland of their beloved home really hammers home the brutality of the Empires imperialist conquests. The animation is done in this cool stop-motion except for the sick cave painting sequences which glow like the stars above.

Does it work? Is there anything more Star Wars than standing up to the Empire against increasingly unlikely odds? In the Stars is ultimately a triumphant story, though man is it a harrowing journey to get there. Koten and Tichina are desperate when the short begins, which makes their eventual victory all the more fulfilling.

Studio: Aardman Animation

Image: Aardman/Lucasfilm Ltd.

Stars: No stars here! This one takes place on a metropolitan planet, so its all city buildings and narrow streets instead.

Wars: Instead of an actual war, the conflict comes from a race! Well, its also a lot about mother-daughter relationships and sticking it up to the posh mean girl at pilot school, but mostly a cool race through the city.

Visions: This is a charming almost slice-of-life story that has more to do with being a teenager with an embarrassing mother than it has to do with the Force, the Empire, or any other big powerful Star Wars thing. And its refreshing as hell!

Does it work? Known for Wallace and Gromit and Chicken Run, Aardman Animation excels at big goofy expressions, physical humor, and just generally using the stop-motion medium to its full potential. You wouldnt necessarily think Star Wars could lend itself to a sweet and hilarious story about a girl and her mom, but I Am Your Mother pulls it off.

Studio: Studio Mir

Image: Studio Mir/Lucasfilm Ltd.

Stars: The journey in question does involve a fair bit of space travel. The stars, however, are not super highlighted. Instead, the big visuals come from the forgotten temple where the final battle takes place.

Wars: This one is set against the backdrop of a war its not clear which one, but if there is one constant in the Star Wars universe (besides stars) it is wars. As a child, pilot Ara was raised in a temple on a distant planet, which used the trickling rainfall from two towering statues to channel visions. Ara senses that one of these statues belongs to the Dark side, and she believes that beheading it will tip the scales on the side of Light. Meanwhile, the Jedi assigned to her mission, a young man named Toul, has some unresolved baggage with the Sith who killed his master.

Visions: I simply love a Star Wars story that plays with the notion of the Dark Side and the Light Side not being totally opposite. The climactic fight at the battle is truly epic, with some fantastic set pieces and lightsaber moves.

Does it work? Journey to the Dark Head is probably the most traditional Star Wars of all these shorts, starting with a prophecy, set in the midst of a war, and ending with a big battle between a Jedi and a Sith. Still, the characters themselves are refreshing the broody young Jedi and the scrappy pilot just have a lot of spark on their own and with each other and that alone is enough to really carry the short.

Studio: La Cachette

Image: La Cachette/Lucasfilm Ltd.

Stars: Not a lot here since 95% of this short takes place in a towering dance hall. Think that scene in Revenge of the Sith where Palpatine and Anakin talk about Darth Plagueis (and also watch Squid Lake).

Wars: The Empire is everywhere in this story. The dance hall is actually run by a spy, who uses her performances to plant trackers on the Stormtroopers. She harbors a vendetta against a certain Imperial officer. The rest of the staff are also spies, working to lure Imperial soldiers with the promise of liquor and a good time so that they lower their inhibitions.

Visions: One of the most intriguing things about this short is the dancing and how that translates into the climactic fight. Loie, the principal dancer and head spy, does an impressive routine using aerial silks. When she fights the Stormtroopers, she uses those silks as weapons. Her protege, Htis, has a similar balletic fighting style. Its fun to see a Star Wars fight that doesnt rely on lightsabers or blasters.

Does it work? Seeing this side of the Rebellion one relying on subterfuge and reconnaissance instead of fighter pilots and guns is incredibly fascinating. From the dance hall to the dancers themselves, The Spy Dancer paints an evocative picture of how espionage would work in this setting. The characters are also very compelling, especially Loie, a seasoned spy who has a personal reason to hate the Empire and a mission she wants to fulfill.

Studio: 88 Pictures

Image: 88 Pictures/Lucasfilm Ltd.

Stars: Once again, this short takes place on a singular planet and a desert one at that! (Star Wars does love its deserts). Not many stars, even when it turns to night.

Wars: All we really know is that the Empire is conquering this planet and that they are looking out for Force sensitive children to capture. Its not an explicit war, so much as it is a reminder of the Empires omnipresence.

Visions: The animation has this lovely painterly quality, with certain shadows and lighting looking particularly cool. But the best part is towards the end, where a character you would not really expect to be a Jedi whips out a lightsaber and fights the Sith inquisitor who has come to collect Rani.

Does it work? This is the second of three shorts about Force-sensitive kiddos being whisked away from the lives theyve known. Theyre all good and really make you think about the ramifications of the whole Jedi youngling system. This one takes on a specific edge, as it is the only one where the Empire itself poses a great threat by homing in on the relationship between Rani and her older brother, Charuk. Charuk has fought tooth and nail to bring his sister to the place where their father said she would be safe the place where they will eventually have to part ways. Its very bittersweet, and the little game theyve concocted about being bandits in order to motivate them on their lonely travels gets a callback when they say goodbye one last time.

Studio: DArt Shatjio

Image: DArt Shatjio/Lucasfilm Ltd.

Stars: There are some shots of the night sky, but nothing long lasting enough to make the Star score go up.

Wars: There is a vague sense that the prisoners thrown into the pit were probably captured because of the Empires conquests. Like with the previous short, there isnt really an outright mention of war, but its felt.

Visions: The best shots of this one happen when the prisoners in the pit look up at the sky above them. Its chilling, especially when juxtaposed with the more glamorous shots of a nearby city.

Does it work? This one is the darkest of all the shorts, with an on-screen good guy death that is particularly heartrending. But at the same time, because the protagonists are so low (literally: they are in a pit), the eventual victory feels particularly cathartic. Like In the Stars, this one focuses on people rising up and triumphantly overthrowing the Empire. Unlike In the Stars, there are a lot of characters so it takes on a more macro view, which may or may not work depending on if you like more relationship-driven narratives.

Studio: Triggerfish

Image: Triggerfish/Lucasfilm Ltd.

Stars: Even though this short takes place on one planet, there are impressive skyscapes but its a little more on the blue skies and clouds side than stars.

Wars: Very light on the war front here! The focus is on a bear-like alien species that mines kyber crystals for lightsabers. Except, all the kyber has been corrupted by Sith and need to be cleansed by Jedi.

Visions: Aaus Song is done in this wonderful stop-motion style that lends itself to cozy and adorable characters as well as utterly gorgeous landscapes and scenery. Additionally, Aaus Force abilities being in tune with music and her singing is just really cool to see.

Does it work? The last short of the kids with Force powers saying goodbye to their previous lives! This one is way more optimistic than the others, since there is no looming Empire or even a shitty work house to leave. Aau has a supportive family network who encourage her to harness her powers and take to the sky. Ultimately, it is a deeply hopeful story a perfect note to end the season on.

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Star Wars: Visions season 2 episodes rated in the best way possible - Polygon

Harry Styles new road trip music video Satellite is full of US travel … – New Zealand Herald

Harry Styles' new music video for Satellite shows a robot getting its fill of US travel. Photo / Lloyd Wakefield

The robot star of Harry Styles latest music video embarks on a journey across the US for love - and that cinematic trip could inspire the travels of keen fans.

In the video for Satellite, a song from the British pop musicians album Harrys House, a tiny robot vacuum cleaner is awakened by the power of love, after hearing that the Mars Curiosity rover has been living alone on the faraway planet for 10 years.

In an effort to reach Curiosity, the anthropomorphised robot starts on a journey across the US. It starts its trip at a (secretly filmed) Love on Tour Show, before grinding to a halt next to the pop star while stargazing. Along the way, the robot stops at some notable US destinations - heres the itinerary to see key spots in its journey.

Love on Tour Show at the Kia Forum LA

In the first section of the video, the small robot comes to life backstage at one of Styles shows at the Kia Forum in Inglewood, California, where the musician played 15 times to sold-out crowds. It moves into the arena itself, gliding across the stage and navigating the crowds and discarded feather boas once the show wraps up. The music video was filmed secretly, with fans in the background unknowingly playing roles as background extras.

The Kia Forum (previously called The Forum) is a huge multi-use space in California, that hosts concerts, basketball, ice hockey, boxing matches, tennis and political events. Its known for its unique architectural structure, with huge, recognisable columns lining the outside of the venue. The robot is seen leaving the venue, with the columns and Harrys House sign lit behind them.

Las Vegas Boulevard

After navigating the LA freeways, petrol stations and truck stops, the little robot starts to head east. It stops for a glance at the neon lights of the bright Las Vegas boulevard, marvelling at the colours of the Pink Flamingo hotel and casino sign.

The Pink Flamingo, which was opened in 1946, was also a filming location for the 1960 and 2001 Oceans 11 films, and Elvis 1964 Viva Las Vegas musical. The flashing lights of Las Vegas itself make for a bewildering road trip stop and are certainly worth a picture.

Monument Valley

A large part of the robots trek sees it driving through the stunning red sands desert of Monument Valley, which stretches across the Utah-Arizona state line. Its characterised by the sandstone buttes, the steep pillars that reach up to 300 metres above the deeper parts of the valley. The robot also takes Route 163 along this journey, the scenic road that takes travellers through the picturesque Southwest.

Monument Valley has also been featured in classic John Ford and Clint Eastwood cowboy flicks but is perhaps more famous for its starring role in Forrest Gump.

Kennedy Space Centre

The robots journey comes to an end at the Kennedy Space Centre in Cape Canaveral, Florida and sits next to Harry Styles gazing up at the sky, as its battery finally runs out. The Space Centre is the main launch site for NASA, and has been in use since 1968. The Space Centre also has a visitor complex, which offers further opportunities to learn about space travel, historically significant missions and engage with actual astronauts.

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Harry Styles new road trip music video Satellite is full of US travel ... - New Zealand Herald

The Dune: Part Two trailer is here but how many more films will we get? – The Guardian

Week in geek

A first look at the forthcoming Dune sequel pulls us back into the strange sandpit. But how much farther into Frank Herberts psychedelic universe is Denis Villeneuve likely to venture?

Spoiler alert: this article includes plot details from several of Herberts Dune novels, including the ending of the first

It has often been noted that George Lucass 1977 film Star Wars was greatly influenced by Frank Herberts Dune. The desert-covered central planet; the blending of religion and magic to the point where they are virtually indistinguishable; the depiction of a galaxy where democracy has failed and gilded nobles battle for control of solar systems: all are present in both works of sci-fi-fantasy. And yet Dune is not Star Wars, even if Part Two, the first trailer for which dropped this week, will without doubt provide audiences with the burgeoning sagas most Star Wars-like moment so far.

In 2021, the first part of Denis Villeneuves Dune adaptation managed the remarkable feat of keeping us interested despite focusing almost entirely on the horrifying fall of House Atreides at the hands of the putrid and relentless Harkonnens, and leaving any sense of hope and future glory seemingly buried deep beneath the sand dunes. In the book, there is always a sense that the Atreides forebears as rulers of Arrakis are going to get their comeuppance, because scion Paul is clearly going to end up as the Bene Gesserits predicted messiah and probably take over the known universe. In the film there are fewer hints but it matters less, because the sci-fi eye candy on display is like nothing wed seen before on the big screen.

Interestingly, the new trailer shows us little of the spectacle we can expect in the finale of Dune: part two, when Christopher Walkens Emperor Shaddam IV descends with all his armies on Arrakis, only to discover he really should have stayed at home. Instead we see more of Zendayas Chani, witness the transformation of Rebecca Fergusons Lady Jessica into the Fremans tattooed, spice-loving Reverend Mother, and are introduced to Florence Pughs shifty Princess Irulan (daughter of the Emperor). Theres also a glimpse of the spectacular scenes from the book in which Paul Atreides first rides a giant sandworm.

Given the softly, softly approach to bringing Dune back to the big screen employed by studio Warner Bros, which was only prepared to film the novel one segment at a time, many fans of the book will just be pleased to see that Villeneuve didnt end up pulling a Ralph Bakshi. Part two looks fittingly expansive, and there is still the prospect of the blockbuster denouement to come which should make Luke blowing up the Death Star look like an episode of Doctors in terms of spectacle. And given that Dune earned more than $400m at the global box office, there is every chance its more feelgood and morally satisfying sequel should take the saga well past the 1bn mark. This is not a film whose chances we should worry about.

Its the future of the series Im more concerned about. Dune is a very weird novel but its sequels only get stranger and more unorthodox the deeper Herbert gets into his weird and wonderful galaxy of human computers, psychedelia-inspired space travel and gene-modifying witch clans.

If the Star Wars saga was Dune, Return of the Jedi would have seen Luke decide it was a grand idea to turn to the dark side after all, then spend the rest of the movie regretting it. And without wishing to give too much away for those who havent read the novels, by book four (God Emperor of Dune), the main character is a part-human, part-sandworm megafreak who has been alive for more than 3,500 years. If Villeneuve and Warner Bros are still making movies about Dune at that point, it will be remarkable. If anyone is still watching, it will be a miracle.

Wisely, Villeneuve has only committed so far to a willingness to adapt Herberts first sequel, Dune: Messiah which, while lacking the climactic cosmic battle that defines its predecessor, is at least packed with the political intrigue, high drama and millennia-spanning sorcerous conspiracies that drew fans to Arrakis in the first place.

It may be wise for the Canadian film-maker to draw the line there, perhaps after another two brilliant movies, before he finds the Mentats in white coats have turned up to take over the editing suite.

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The Dune: Part Two trailer is here but how many more films will we get? - The Guardian

10 Best Campy Sci-Fi Movies From the ’80s – Collider

The '80s was a decade of big hair, bold make-up, and vibrancy. But the decade also popularized the genre of science fiction in film, as every studio was desperate to produce the next Star Wars. As a result, this was the period where the world was gifted with various variations of over-exuberant story-worlds of wild space adventures.

Nowadays, some film snobs may perceive these to be tacky due to their gimmicky costumes and embellished acting; but for many, these movies are bizarrely comforting. They bring out one's inner child when movies were all about entertainment and thrill. Sure, they were boisterous, but at least they were fun. That's probably why most of these movies have gained a loyal cult following; there's no other decade or genre that captures the sentimentality and nostalgia like '80s sci-fi.

Famed warrior, He-man (Dolph Lundgren), crashes onto Earth from his planet Eternia. With the help of his friends, including two earthly teenagers, He-man must defeat the villainous Lord Skeletor (Frank Langella) and save the universe.

RELATED: 10 Classic '80s Movies That Just Get Better With Age

Mixing cheesy action with screwball comedy, Masters of the Universe doubles down on the nostalgia for its depiction of the beloved toy-turned-animated character and its classically kooky '80s visuals. With its comically extravagant costumes, scary-looking prosthetics, and a ton of over-the-top acting all one needs to do is sit down and enjoy.

Having finally reached the high score of his favorite arcade game, Starfighter, Alex Rogan (Lance Guest) soon realizes that the game has more than meets the eye. Recruited by Starfighter's designer, Centauri (Robert Preston), it's revealed that the game is a test to find the best pilots who can defend the world from an immanent alien attack.

Where many remember Tronfor its technological achievements, The Last Starfighter'searly use of CGI often goes unnoticed between the depictions of space travel, planet rendering, and intergalactic battles - the visuals hold up to this day, even with its gimmicky-ness. Either way, there's nothing more nostalgic than arcade games and cartoonish space imagery.

After Princess Lyssa (Lysette Anthony) is kidnapped by the Beast, her betrothed Prince Colwyn (Ken Marshall) leads a team of warriors to embark on a mission to find a powerful weapon and save the Queen-to-be.

Krull was the film that tried to mix space adventures with epic swashbuckling - sadly, things went awry as it became one of the biggest box-office bombs of the decade. Yet even with its comically dramatic tone and goofy visuals and costumes, it still has its charm. Plus - with a cast that includes the likes of Liam Neeson and the late Robbie Coltrane, it's hard to resist seeing their early work.

Set in the future when water is scarce, Princess Karina (Mary Crosby) is on a mission to find her father after his sudden disappearance. Now, having been sold space pirates, the Princess tasks them to assist her on her adventure.

Co-written by the same screenwriter of Krull, The Ice Pirates is another early '80s classic that surprisingly features several big-name actors such as Anjelica Huston, Ron Perlman, and John Carradine. Like other films of the period, its wacky costumes, caricature-like characters, and over-saturated visuals almost make it a parody of the world of Star Wars. Plot-wise, it may not be the most concise, but it's still great fun.

Paul Atreides (Kyle MacLachlan), the heir of a noble family, must lead a fight against the villainous Harkonnens, who are plotting a war against his House and their new desert homeland, Arakkis.

RELATED: From 'The Shining' to 'Labyrinth': 10 Best '80s Cult Classics That Critics Hated

Nowadays, when people think of Dune, they mostly think of Timothe Chalamet and the masterful world-buildingof Denis Villeneuve. Sadly, for David Lynch, his adaptation has yet to hit that same level of reverence, although its recently gained cult status has given it its edge. From Sting wearing space Speedos to balloon-like villains to the rotoscoped shields - Dune may not have the most clear-cut story, but it definitely holds some memorable visuals.

Obsessed over finding a way to reach a parallel universe, crazed scientist Dr. Pretorious (Ted Sorel) and his team finally achieves this by developing a machine that stimulates the pineal gland. The only problem - it introduces them to hostile lifeforms from the other dimension.

As a sci-fi horror, From Beyond does a masterful job of portraying the gore and grotesque. But this isn't surprising given that this movie is practically a spiritual sequel of Stuart Gordon's other '80s horror-comedy, Re-animator. Expect the visceral stomach-churning effects that teeter the line of the uncanny valley. Seeing Pretorious' gruesome transformation will keep you awake at night, but at least it captures the beauty of experimental '80s cinema.

A carnivorous fuzzy alien race escapes their prison by stealing a transport ship. They soon land on an Earthly farm, only to be followed by inept bounty hunters, leaving the humans to fend for themselves.

Where many mostly associate fuzzy alien invasions with Gremlins, Critterscan be regarded as its violent counterpart. Scaring and scarring kids in their childhood, watching this now will easily send one back to the good old days. A time when funny-looking puppets, with glowing red eyes and a creepily sharp grin could lead a wonderful sci-fi '80s B-movie.

As the planet Akir is threatened by the evil warlord Sador (John Saxon), a young farm boy (Richard Thomas) seeks out a group of mercenaries to save the lives of his people.

RELATED: 10 Old-School Action Movies That Will Still Have You On Edge

Where Seven Samuraiand The Magnificent Sevenare often revered in cinematic history and pop culture, its outer-space equivalent, Battle Beyond the Stars, isn't necessarily kept in the same club. However, to its credit, it's a wonderful piece of camp escapism that features goofy-looking aliens and oddly shaped spaceships. What else do you need from a classic space opera? Most of the time, they're so bad that it's good.

Buckaroo Bonzai (Peter Weller), a man of many talents, is caught in a battle where he must save the world from the evil aliens of Planet 10 known as the Red Lectroids. Luckily, he has the help of his allies, the Hong Kong Cavaliers.

Unsurprisingly, this movie is just as wild as its title suggests. Practically spoofing the phenomenon of sci-fi absurdity, The Adventures of Buckaroo Banzai Across the 8th Dimension is simply great wacky fun with its action and brilliantly smart humor. Its magic also stems from the talent of its stellar cast that includes not only Weller but other big names such as John Lithgow, Jeff Goldblum, and Christopher Lloyd.

Flash Gordon (Sam J. Jones), a football quarterback, and his friends land on the planet Mongo and must defeat the nefarious Ming the Merciless (Max von Sydow), who plans to destroy Earth next.

As one of the best space operas of all time, Flash Gordonis a film that many hold dear in their hearts. Much of this can be attributed to its unique style and how it's literally a comic book strip brought to life. It's bold and it's boisterous

and we're not just talking about the outlandish costumes. Every character is just as colorful as their clothes. Plus, who could ever forget its iconic soundtrack that was the brilliant brainchild of the legendary band Queen?

KEEP READING: The 10 Best Sci-Fi Movies of All Time, According to the AFI

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10 Best Campy Sci-Fi Movies From the '80s - Collider

RM Sotheby’s officially launches its brand in the Middle East – Arab News

LONDON: Emirati astronaut Sultan Al-Neyadi, who a week ago became the first Arab to perform a spacewalk, followed that up on Thursday by becoming the first person to practice jiu-jitsu in space.

Al-Neyadi, who is serving aboard the International Space Station, uploaded a video to his social media channels in which he is seen performing the martial art while wearing a UAE Jiu-Jitsu Federation Gi, the traditional, kimono-style attire worn by the sports practitioners.

The clip quickly racked up thousands of views in the UAE and beyond. In it, Al-Neyadi explained how the martial art, which is a key pillar of the physical education syllabus in schools in the UAE, has helped foster the skills of discipline, focus and adaptability among young people, and how those skills helped him prepare for the six-month space mission and after he arrived at the space station.

I love jiu-jitsu. I have been doing jiu-jitsu for so many years, said Al-Neyadi. Jiu-jitsu helped me so much in my preparation for this mission and getting adapted to the environment on the International Space Station.

Recalling his training sessions in a centrifuge, which help astronauts prepare for the stresses on their bodies during space travel, Al-Neyadi said: When I was encountering my weight times two, three or even up to eight times, the first sensation was (like) feeling an opponent on top of my chest.

One of the first things I learned in jiu-jitsu was to regulate my breathing, so this is exactly what I did during the centrifuge experience. I think jiu-jitsu really helped me overcome that experiment.

Now in his second full month aboard the space station, Al-Neyadi said his lifelong passion for jiu-jitsu is paying great dividends in the confines of the orbiting laboratory, 420 kilometers above the Earths surface.

When I arrived here, I was surprised to find we mainly use our feet to stabilize ourselves, he explained. One of the fundamentals is that we use our toes to establish a foundation, so the pressure is on the ground; the contact should be on your toes, not your heels.

Thats why doing a jiu-jitsu posture when I am in space, with my toes positioned under a handrail, I feel very stable. I am using my toes to translate (my movement) everywhere and do all sorts of tricks. I can jump from one place to another, using my toes to stabilize myself. Ive been doing a lot of front rolls and back flips.

Abdel Moneim Al-Hashemi, the chairperson of the UAE Jiu-Jitsu Federation, president of the Asian Ju-Jitsu Union and senior vice president of the International Jiu-Jitsu Federation, said he is proud of Al-Neyadis achievements.

His bravery, intelligence and humility are a credit and inspiration to the UAE, and all our citizens and residents, he said. He is an example for the Arab and Muslim world, and to a global nation of jiu-jitsu athletes. He has put the sport of jiu-jitsu on an entirely new map, taking us from mats to stars.

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RM Sotheby's officially launches its brand in the Middle East - Arab News

Oppenheimer Gets Up Close & Personal With His Explosive … – Screen Rant

Director Christopher Nolan's upcoming film Oppenheimer debuts a new poster that sees star Cillian Murphy standing in front of his explosive creation. Oppenheimer is a biopic telling the story of J. Robert Oppenheimer and his involvement in the Manhattan Project, which led to the creation of the first nuclear bomb. Murphy leads the film in the title role alongside a stellar cast including Robert Downey Jr., Emily Blunt, Matt Damon, Florence Pugh, Kenneth Branagh, and Gary Oldman.

Universal shared a new poster for Oppenheimer that sees Murphy posed front and center with the infamous atomic bomb positioned behind him.

The film will be released on July 21, following a year-long promotional campaign that began with a sneaky trailer attached to last summer's Nope. Now, with the film's release only a few months away, Oppenheimer is seeing its marketing ramp-up.

Nolan is known for films like Inception, The Prestige, and Christian Bale's Dark Knight trilogy. However, he's also known for building complex plots that stoke deep contemplation, like Interstellar and Tenet. While Nolan has also tackled true events before with 2017's Dunkirk, even that movie had a disjointed narrative, breaking the story up between different times and places. So while Oppenheimer may appear like a biopic, it could play out uniquely, with comments from CinemaCon pointing toward it being a thriller.

Nolan is also skilled at putting emotionally moving stories at the heart of his thrilling action set pieces. Interstellar offered up numerous tear-inducing scenes throughout its epic space travel, and Inception's heady plot was grounded by a man simply trying to get back to his children after his wife's death. So while Oppenheimer tackles grand themes, highlighting the creation of the first nuclear bomb, the film will likely carry emotional weight, examining the ramifications of such a weapon.

Oppenheimer also has Nolan reteaming with actors from his previous films, which the director has a penchant for. Murphy and Oldman have both appeared in The Dark Knight trilogy, Damon appeared in Interstellar, and Branagh played the villain in Tenet. So while Nolan likes to keep his films shrouded in mystery, he has laid the groundwork for another stand-out production. Further details surrounding Oppenheimer will be forthcoming as its release date nears.

Source: Universal

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Around The World Exhibition: A Journey Through The Best Of … – Little Day Out

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When Jules Verne published the novel Around the World in 80 days in 1873, he could never have imagined that 150 years later, it would inspire Alliance Franaise de Singapours exhibition Around the World, which showcases the best of French transportation across the ages.

The exhibition takes visitors on a journey through transport-related innovations that emerged from France. This spans different modes of travel from land to sea to air, and even space.

On from now till 15 July 2023, the Around the World exhibition delves into different eras of transportation, casting the spotlight on French engineering and innovation.

When visitor first arrive at the Itinerary Office at the start of the exhibition, they can pick up an exhibition passport and boarding pass.

These are important, not only for visitors to take notes, but because they allow visitors to be in the running to win air tickets to France by completing a code on the boarding pass.

Also on display at the start of the small exhibition is Jules Vernes Extraordinary Voyages, which includes the novel Around the World in 80 Days.

Inside the land transportation gallery, visitors can learn about French innovations such as the TGV high-speed train.

While many Singaporeans associate the Michelin brand with food, the companys core products are represented at this section too. Amongst its innovations on display is a puncture-proof tire.

Take a peak into the luxury and romance of sea travel by imagining what it must have been like to sail onboard the SS France. There is a detailed model of this ocean liner in the sea section of the exhibition, along with records of other sea-related innovations by the French.

France has a long association with air travel. This began as far back as the 1780s when the Montgolfier brothers took to the air in a hot air balloon, right up to the 20th Century with the development of the record-setting Concorde.

Amongst the artefacts on display at the air gallery are the tableware and toiletry bag gifted to passengers on board the Concorde. An Air France menu also shows how delicacies like caviar and truffles were served onboard the supersonic plane as it flew between Paris and New York.

Space is the final frontier at the Alliance Franaise de Singapour exhibition. One highlight here is a VR experience. This places visitors into the shoes of Thomas Pesquet, the French European Space Agency (ESA) astronaut who spent six months in the International Space Station.

To complement the Around the World exhibition, Alliance Franaise de Singapour is also be holding the MOVE! Programme which will feature a series of talks, film screenings and activities.

Families with young children can look forward to selection of films that includes the film adaptation of Jules Vernes timeless masterpiece, Around the World in 80 Days, a chuck glider making workshop, and storytelling sessions at the Alliance Franaise library that will immerse kids into world of aviation.

Get details about the Around the World exhibition and the MOVE! programmes at Alliance Franaise.

The exhibition can be found at the gallery on the second floor of Alliance Franaise.

The gallery is open from Tuesdays to Fridays, 1 pm to 7.30 pm, and on Saturday 9 am to 5.30 pm. Admission is free.

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Around The World Exhibition: A Journey Through The Best Of ... - Little Day Out

Eta Aquarid meteor shower 2023 peaking now! See pieces of Halley’s Comet in the night sky – Space.com

The annual Eta Aquarids meteor shower peaks on Friday (May 5) and Saturday (May 6), offering skywatchers the opportunity to see debris from Halley's Comet as it enters Earth's atmosphere at incredible speeds and burns up.

This year the meteor shower began lighting up the night sky over Earth on April 19 and will last until May 28, so even after its peak there will be plenty of opportunity to catch fireballs streaking through the sky.

At its peak, the Eta Aquarid meteor shower has a rate of around 55 meteorites per hour, but this rate is calculated assuming perfect viewing conditions such as completely dark skies and ideal weather. This means skywatchers should realistically expect to see fewer Eta Aquarids meteors than this.

According to In the Sky (opens in new tab), from New York City the Eta Aquarid meteor shower becomes visible each morning at around 2:32 a.m. EDT (0632 GMT) with it remaining active until around the break of dawn at 5:16 a.m. EDT (0916 GMT).

Related: Meteor showers 2023: Where, when and how to see them

Spotting the Eta Aquarids is even tougher in the Northern Hemisphere because the meteor shower's radiant, the point at which its meteors appear to stream, is located in the Aquarius constellation near one of the constellation's brightest stars, beta Aquarii, which only reaches a low altitude above the eastern horizon.

In the Northern Hemisphere, the Eta Aquarids' radiant is at its highest just before sunrise with it appearing over the horizon to the east for just a few hours. This makes the early dawn the best time to spot the most meteors. The reason why more meteors are visible when the radiant rises to its highest point, or "culminates," is because this is the time at which this region of Earth is turned towards the direction of incoming meteors.

This results in more meteors raining down vertically and creating short trails close to the star beta Aquarii. At other times, though meteors will be fewer, the fact they take more horizontal paths through Earth's atmosphere means they take longer to burn up, and as a result, these long-lived meteors create relatively stretched trails over Earth.

Skywatchers who can't make it outdoors to view the meteor shower during its peak have the option to watch it streamed online live and for free. The Asahi Shimbun Space Department and the National Astronomical Observatory of Japan (NAOJ) began a livestream (opens in new tab) of the Eta Aquariids from the Subaru Telescope, MaunaKea Hawaii, on April 18.

Like all meteor showers, the Eta Aquarids are created when Earth during its 365.25-day orbit of the sun passes through a cloud of dust and debris left by a comet or an asteroid. And the Eta Aquarids have a very famous progenitor indeed, arguably the most well-known comet, Halley's Comet, or more formally 1P/Halley.

As comets come close to the sun, the radiation from our star causes the material that composes them to heat up. This results in solid ice within the cometary body transforming directly into gas, a process called sublimation. As this gas is ejected, it blasts away particles of dust and ice from the comet. This causes these icy bodies to brighten as they approach the sun and also gives them the characteristic glowing aura, or coma, that surrounds them and their cometary tail.

In addition to this, some fragments of this ejected material linger around the sun as the comet orbits, and as the Earth makes its own journey around its parent star, it passes through these clouds usually at the same time each year.

Our planet encounters debris from Halley's Comet every April to May, giving rise to the Eta Aquarids. These dust fragments separated from Halley's Comet hundreds of years ago, something scientists know because the current path of the comet doesn't seem to bring it close enough to the Earth to leave cometary debris that would create meteor showers.

The fragments enter Earth's atmosphere at speeds as great as 148,000 miles per hour, which is 100 times faster than a jet fighter, and burn up at altitudes of around 44 to 62 miles (70 to 100 kilometers) over the surface of the planet.

The last time Halley's Comet's 76-year orbit of the sun brought it past Earth was in 1986 and it won't be back until 2061, according to NASA (opens in new tab). That means for the next 38 years, the closest skywatchers will get to observing the comet is sighting the debris it shed hundreds of years ago as it is destroyed in the atmosphere.

If you want to get a closer look at Aquarius to hopefully see some of the Eta Aquarids, our guides to thebest telescopesandbest binocularsare a great place to start.

And you're looking to snap photos of the night sky in general, check out our guide on how to photograph the moon, as well as our best cameras for astrophotography and best lenses for astrophotography.

Editor's Note: If you catch a photograph of the Eta Aquarid meteor shower and would like to share it with Space.com's readers, send your photo(s), comments, and your name and location to spacephotos@space.com.

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Eta Aquarid meteor shower 2023 peaking now! See pieces of Halley's Comet in the night sky - Space.com

When to Watch the Eta Aquariids Meteor Shower Peak – The New York Times

On any given night, far from bright city lights, theres a chance that youll see a beautiful streak shoot across the sky as a meteor flies overhead. But on special dates scattered throughout the year, skywatchers can catch a multitude of flares as meteor showers burst in the darkness.

Meteor showers occur when our planet runs into the debris fields left behind by icy comets or rocky asteroids going around the sun. These small particles burn up in the atmosphere, leading to blazing trails of light. The regularity of orbital mechanics means that any given meteor shower happens at roughly the same time each year, with the changing phases of the bright moon being the main variable affecting their visibility.

The next event is the Eta Aquariids, one of two showers resulting from the debris field of Halleys comet (the other is the Orionids in October). Debris will enter over Earths Equator, meaning it will be visible in both hemispheres all over the world. In past years, the Eta Aquariids have produced 45 to 85 meteors per hour in dark sky conditions.

Unfortunately, the peak for this shower coincides with a full moon on Friday, May 5, into Saturday, May 6, limiting visibility. But the shower should be highly active for roughly a week before and after that date.

Subscribe to the Times Space and Astronomy Calendar to get a reminder ahead of this and other events.

The best practice is to head out to the countryside and get as far from artificial light sources as possible. People in rural areas may have the luxury of just stepping outside. But city-dwellers have options, too.

Many cities have an astronomical society that maintains a dedicated dark sky area. I would suggest contacting them and finding out where they have their location, Robert Lunsford, the secretary general of the International Meteor Organization, said in an interview with The New York Times in 2022.

Meteor showers are usually best viewed when the sky is darkest, after midnight but before sunrise. To see as many meteors as possible, wait 30 to 45 minutes after you get to your viewing location. That will allow your eyes to adjust to the dark. Then lie back and take in a large swath of the night sky. Clear nights, higher altitudes and times when the moon is slim or absent are best. Mr. Lunsford suggested a good rule of thumb: The more stars you can see, the more meteors you can see.

Binoculars or telescopes arent necessary for meteor showers, and in fact will limit your view.

Each shower peaks on a certain date when Earth is plowing into the densest portion of the debris field, though in some cases many meteors can still be seen before or after that specific night.

A shower is named for a constellation in the part of the sky it appears to streak from. But theres no need to be perfectly versed in every detail of the celestial sphere. Meteors should be visible all over the sky during any given shower.

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When to Watch the Eta Aquariids Meteor Shower Peak - The New York Times

Eta Aquariids meteor shower: When and where you can see it in the UK – Sky News

By Faiza Saqib, News reporter @Faiza__Saqib

Friday 5 May 2023 10:34, UK

The Eta Aquariid meteor shower is expected to peak in the early hours of Saturday 6 May.

It's time to camp out, gather your sleeping bags and prepare for a night of stargazing, as you might be able to see a spectacular display of 120-160 shooting stars per hour.

The Eta Aquariids occur when the Earth passes through the debris trail of Comet Halley.

Here's everything you need to know.

When is the Eta Aquariids meteor shower this year?

According to Royal Museums Greenwich, the meteor shower is active between 19 April and 28 May but will peak between midnight and dawn on 6 May this year.

Bill Cooke, lead of NASA's Meteoroid Environments Office at the agency's Marshall Space Flight Center in Huntsville, Alabama, said: "A meteor shower is like a normal rain shower, with 50-60 meteors per hour.

"An outburst is like a thunderstorm, with greater than normal meteor activity expected. A meteor storm is like a tornado, where meteor rates are over one thousand per hour."

Where does Eta Aquariids get its name from?

The Eta Aquariids usually peak during early May each year and are known for their speed.

Eta Aquariid gets its name from the constellation in the night sky that it appears to radiate from - the Aquarius constellation.

But instead of being called the Aquarid meteor shower, the name comes from one of the stars from this constellation, Eta Aquarii.

The Eta Aquariid is one of two meteor showers created by debris from Comet Halley.

Halleys Comet is visible from Earth once every 76 years or so.

"The pieces of space debris that interact with our atmosphere to create the Eta Aquarids originate from comet 1P/Halley," the NASA website has said.

Comet Halley was first discovered by English Astronomer Edmund Halley in 1705.

He predicted the orbit of the comet through past observations of comets, suggesting that these sightings were, in fact, all the same comet.

Halley is known to be the most famous comet and was last seen in 1986.

Nasa said it will return in 2061 on its regular 76-year journey around the Sun.

How can I see it in the UK?

The Eta Aquariid meteor shower can be viewed in the Northern and Southern Hemispheres, but NASA has said that the highest visibility will be in the Southern Hemisphere.

"This is due to the radiant's location in the constellation of Aquarius. Meteors will be observable after midnight, but the peak times are 3-4 am until dawn," NASA said.

The Royal Museums Greenwich website says: "This shower favours the Southern Hemisphere and will appear low in the sky for northerly latitudes (such as the UK) in the early predawn hours."

In order to get the best view, here's what you can do:

Be sure to check the weather forecast! If it is cloudy, try a day before or after the peak viewing period.

The Met Office has said Friday will be a day of sunshine and showers.

Saturday will be another cloudy and wet day for many across the UK.

So be sure to prepare in advance if you want to catch the Eta Aquariid meteor shower.

NASA has also advised people to:

Get as far away from city lights as possible to get the best view of the meteor shower.

Give yourself 30 minutes in the dark for your eyes to adapt.

Do not look at your phone - again, stay away from the light.

Try not to look at the moon.

And last but not least, get comfy! For the best stargazing method, lie down and watch the night sky.

Read more from Sky News:World's first artificial shooting star displayElon Musk 'wrong' to call for pause in development of AI

What is a meteor shower?

Simply put, a meteor shower is a space rock or meteoroid entering Earth's atmosphere.

"As the space rock falls toward Earth, the resistance-or drag-of the air on the rock makes it extremely hot. What we see is a 'shooting star.'

"That bright streak is not actually the rock, but rather the glowing hot air as the hot rock zips through the atmosphere," NASA has said.

"When Earth encounters many meteoroids at once, we call it a meteor shower," it adds.

Here are some meteor showers over the years

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Eta Aquariids meteor shower: When and where you can see it in the UK - Sky News

Wellington vs. Amherst baseball: Comets come out ahead in 1-0 pitchers duel – The Morning Journal

A classic pitchers duel took place between Wellington and Amherst on May 5 in a nonconference matchup, as the two teams were scoreless through 5 1/2 innings in Amherst.

The pace was crisp and both starters, Cam Gendics for the Comets and Johnnie Kinter for the Dukes, pitched marvelously. Though one team had to fall, as Gendics and the Comets came out with a 1-0 victory, with Anthony Heikkinen earning a two-out save.

The game was played out in a playoff atmosphere, as the postseason is less than two weeks away and Amherst neck-and-neck with North Ridgeville for the SWC crown.

I thought both pitchers were fantastic, Amherst coach Matt Rositano said. (Johnnie) Kinter is really good, thats one of the better pitchers weve faced this year. Cam was on his game the entire time he was out there. We had him on a pitch count so he could be available next week. I know he wanted to stay out there. But weve got more important games on Monday and Wednesday.

Everything went smoothly until Amherst put Chase Mayer, fresh off a 15-strikeout no-hitter of Elyria May 4, in to pinch hit for Devin Pritt to lead off the bottom of the sixth. Mayer laid down a bunt, and the throw sailed wide of the mark at first base and he raced around to third. One out and three batters later, Cam Gendics helped his own cause with an opposite-field blooper to right that scored Mayer.

Definitely not one of our best games, but Coach Roz always says put the ball in play and good things will happen, Mayer said. I got a bunt down and an overthrow to first, and I ended up getting to third. Cam Gendics came up with a hit and I ended up scoring. That was the difference in the game.

Being on a pitch count and getting Mayer over to third to swing momentum in their favor, Gendics capitalized when it came time for him to hit with two on and one down in that playoff atmosphere with runs at a premium.

That was a big moment, Gendics said. He came in and did his job, and we capitalized on the error. Especially with our pitching staff, that one run is going to be really big.

Wellington coach Dan Davison was pleased with the overall effort, as it was a great game outside of the one miscue.

It was a really good game, Davison said. Obviously, they have a lot more weapons than we do, but we come in here with the belief that we can win the game and we belong on the field with these guys. Johnnie pitched a great game and the defense was solid up until that one bunt. Just didnt have the grip on the baseball when he made the throw, I could see it when he threw it.

Wellington had a chance to knot the game up, with two runners on base before Heikkinen struck out the last batter to lock down the save.

While that moment obviously stings, Davison still had an optimistic outlook on the game itself, as both teams got a good test ahead of tournament time.

All in all, Im not too displeased. We hit the ball OK and gave ourselves a chance again at the end of the game to tie it up and go somewhere with it, and it just didnt happen tonight.

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Wellington vs. Amherst baseball: Comets come out ahead in 1-0 pitchers duel - The Morning Journal

Athlete of the Week: Amelia Weber’s grand slam helped boost … – St. Albans Messenger

Amelia Weber had a dominant week at the plate, going 7 for 9, with six RBI, one double, one triple, and a grand slam while playing flawless defense in the outfield. The grand slam helped lift the Comets comfortably past visiting Missisquoi Valley Union on April 25.

Q&A with Amelia Weber

What will you remember most about hitting the home run to open up the game against MVU? The part I will remember most and the best part of the whole thing was coming down the third base line and seeing my team waiting for me to touch home plate and then being in that huge huddle with them.

What three things do you love about this team that you feel contribute to its success? Three things I love about this team that contributes to our success is the way we treat each other like family, how we give back to the community, and how hard we all work during practices.

What are you most looking forward to in the second half of the season? Im looking forward to our competitive games and all the milestones that will lead us to success. I also want to thank all of the coaches for their commitment to the team and helping us to become better softball players everyday.

Comet coach Bert Berthiaume: Amelia was brought up to varsity this year as a sophomore to be in a reserve role as she worked on her game, and quickly emerged as someone ready to contribute immediately. Her grand slam against MVU was huge in giving the Comets a lead that would carry them to the victory. On April 29, in a close game early against Colchester she had a base loaded hit that drove in two. Shes a hard working athlete whos often found in the weight room when shes not on the softball field. Shes extremely coachable and has quickly earned the respect from the coaching staff as well as her peers. Shes remained humble in her early season success, and she has made all of us very proud.

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Athlete of the Week: Amelia Weber's grand slam helped boost ... - St. Albans Messenger

Patience pays off in Lady Bombers win over Lady Comets – Paducah Sun

The Carlisle County Lady Comets hosted the Ballard Memorial Lady Bombers on Thursday night. With the score knotted 3-3 for most of the game, the Lady Bombers were patient at the plate, scoring big runs down the stretch to secure the 5-3 win.

That 3-3 score seemed stuck as the Lady Comets tied things up in the bottom of the third inning and the score wouldnt change until the Lady Bombers runs in the top of the seventh.

When youve got two great teams like these, a senior loaded team in Carlisle and a young team with us patience is key, Ballard Memorial head coach Scott Alexander said. To come up, even when its a one-run ballgame like that, a simple sac fly can make the difference in the game.

That sacrifice fly came courtesy of Aubrey Alexander with the bases loaded and one out. Her strategically placed ball gave Serenity Owens room to score the leading run and an error on the throw game Adalyn Hargrove the time she needed to score the final run.

Thats the way weve been so far, Alexander said. We get behind and we always fight back late. It says a lot about the grit we have as a team, its great to see.

Madyson Bohde claimed the win for Ballard Memorial in the circle, allowing two hits, three runs and striking out eight on a 127-82 pitch-strike count. She also contributed to the first run of the evening when she connected on a single to score Trinity Williams who knocked a double in the previous at-bat.

Carlisle County would answer back in their portion of the first inning. Junior Laney Shehorn got things going with a fly ball double to left field and after two quick strikeouts, Anna Russelburg brought home Shehorn on a line drive and reached on an error. They doubled down in the following at-bat when Lilyan Shehorn knocked out a line drive single to score Russelburg and take the 2-1 lead.

The Lady Bombers would get back on top in the top of the second. A single from Kinley Doublin and double from Johnna Riggs put runners on bases and put Owens in prime position to bring home her teammates on a ground ball turned error.

This put Ballard up 3-2 heading into the third inning.

The tying run in the bottom of the third on a fly out from Karlie Gibson to score Laney Shehorn who was hit by a pitch to start the inning.

Strikeouts and fly outs and ground outs were aplenty for the following few innings as defenses prevailed and the 3-3 score froze.

For the Lady Comets it was Rhianna Thomason who controlled the circle and contributed to said strikeouts. She allowed nine hits, five runs, walked two and struck out five on a 101-75 pitch-strike count.

Despite the loss, the Carlisle County Lady Comets celebrated their eight seniors after the game on senior night. Alyssa Aikins, Tori Burgess, Rorey Eddleman, Chyenne Geveden, Karlie Gibson, Alexis Jones, Lilyan Shehorn and Rhianna Thomason loaded the Lady Comets senior stacked team.

BLLR 1 2 0 0 0 0 0 5-9-3

CRLS 2 0 1 0 0 0 0 3-2-3

2B: BM T. Williams, K. OConnor, J. Riggs; CC L. Shehorn

TB: BM T. Williams 3, K. OConnor 3, M. Bohde 2, J. Riggs 2, K. Doublin 1, A. Alexander 1; CC L. Shehorn 2, L. Shehorn 1

RECORDS: Ballard Memorial (18-4); Carlisle County (12-11)

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Patience pays off in Lady Bombers win over Lady Comets - Paducah Sun

Harlow homers, drives in five runs in Comets’ win over Bassett – YourGV.com

BASSETT Five games. Four days. No problem.

The Halifax County softball team wrapped a hectic week with an 11-3 win over Bassett in Piedmont District action Wednesday evening.

Playing its fifth game since Monday, Halifax (15-3, 7-0 Piedmont) showed little rust against the Bengals, especially in the third and fourth innings where the Comets broke open a close game with a combined seven runs.

Senior Jadyn Harlow played a big role in the rally, smacking her third home run in two days, a two-run shot to center field in the top of the fourth, on her way to a game-high five RBIs. Harlow homered twice in Halifaxs game against Bassett Wednesday night.

Ive really just been looking for base hits, not looking to hit a home run but theyre nice, Harlow said. But its been motivating to have my teammates behind me. When youre running around the bases and theyre at home yelling, bring it home, bring it home, its really a motivational tool. Its a good feeling and makes you want to keep going.

The Comets have now won six in a row with five of those wins coming this week. This week, Halifax has defeated its opponents by a combined average of 11.8 runs per game while averaging 14 runs per game and giving up 3.7 per game.

Its really been the whole team, Harlow said of the Comets mental tenacity this week. Some of us have gotten tired, weve felt like weve had enough for the week, we needed a break, and we would come behind each other like, hey, we got one more down, we can do it, just a few more, then we can get a break for the weekend. And I think all of us pushing each other have helped us get through this week.

It took the whole team to get through this week, our big players have stepped up and helped us get through this week, said junior Emma Payne.

Harlow led Halifax with game-highs of three hits and five RBIs while senior Kamyria Woody-Giggetts smacked two hits and recorded two steals. Woody-Giggetts, senior Shamya Hankins, junior Abby Duffer, sophomore Avarie Bowen and junior Emma Shepperd drove in a run apiece.

Payne picked up the win in the circle, giving up two hits and three runs none earned while striking out eight in seven innings pitched.

Its great, I was just working on trying to stay consistent and throw strikes, Payne said. But a long week, our other pitchers really had to step up and it took the entire pitching staff to get through the week and they really stepped up. Five wins is great.

Payne expressed her pride in the Comets entire pitching staff.

I couldnt be more proud, she said. I know they were a little nervous coming in because they didnt know what to expect and they came out and did it. They were throwing pitches, hitting their spots, I was really impressed.

Halifax got out to the early lead, scoring a run in the top of the first inning. Payne worked a one-out walk to get things going and Hankins followed with a single to left field to put runners on first and second. Harlow didnt stand on ceremony, bringing Payne home with her single to right to make it 1-0.

Bassett (10-7, 5-5) struck back in its half, scoring two runs to take the lead. Senior Trinity Gilbert worked a one-out walk and stole second base to start the rally and junior Zoie Pace reached on an error on her flyball to put runners on the corners. Junior Breanna Cooper knotted the score at 1-1 with her RBI ground out to first and senior Camryn Martin put the Bengals in front with her RBI single to center.

The Bengals pushed their lead to 3-1 when senior Gracie Ratcliff scored on an error on sophomore Shaniyah Menefees bunt.

It would be the last time Bassett led as the Comets struck for three runs in the third to take the lead for good. Woody-Giggetts kicked the rally off with a lead-off walk and proceeded to steal second base to get into scoring position. She advanced to third on a wild pitch and came home to score on an error on Hankins groundball to short to pull Halifax within one. Harlow knotted the score with her double to right that plated Payne and Duffer scored Hankins with the go-ahead run on her ground out to first.

The fourth inning proved to be the difference, though, as the Comets scored four runs in the frame to create space. Freshman Hannah Abbott scored on an error on Bowens bunt single and Harlow capped the rally with her three-run blast to center that made it 8-3.

Halifax kept things rolling with a pair of runs in the fifth on Bowens RBI ground and Woody-Giggetts run-scoring single that pushed the Comets lead to 10-3 moving into the back three.

Shepperd rounded out the scoring in the seventh on her RBI groundout to short.

Halifax returns to action Monday when it hosts Nottaway in a doubleheader starting at 4:30 p.m.

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Harlow homers, drives in five runs in Comets' win over Bassett - YourGV.com