Schitts Creek, the beloved Canadian sitcom, which wrapped up, on Tuesday, after six seasons of blissful distraction, was always a show about utopia. Its titular setting is a rundown town where the Roses, a rich, eccentric family of four, decamp after financial calamity. Theyve lost all their assets except the deed to Schitts Creek, which Johnny Rose, their patriarch, bought for pocket change years before, as a joke. Though it takes the family three years to see it, their new home is nothing short of a haven. Bigotry doesnt seem to exist there. When, in the most recent season, protesters throng the town hall to express their disappointment with Johnnys wife, Moiraa washed-up soap-opera actress who has unwittingly belittled the locals in an interview with Peoplethey carry signs that read That wasnt very nice.

In the five years since Schitts Creek premired, the series has spoiled fans with a surfeit of exquisite character work. Eugene Levy portrayed Johnny with an owlish deadpan, and Catherine OHara, his frequent collaborator on the Canadian sketch circuit, granted Moira a loopy flair, an unplaceable accent, and a gonzo lexicon. Playing Alexis, their socialite daughter, and David, their flamboyant son, Annie Murphy and Dan Levy, who co-created the show with his father, perfected a sibling bond built on caustic histrionics. But beneath the bickering was always a sense of tenderness that, over the seasons, first sustained Schitts Creek and then stifled it. As the clueless, narcissistic Roses found new purpose in their drab environs, the show lost an essential tension and began to feel somewhat like fan fiction, curing its protagonists of the petty miseries that animated them at the start.

One character who never seemed to get a break was Twyla Sands, the plucky, unfussy waitress at the towns seemingly lone restaurant, Caf Tropical. Twyla, who is played by Dan Levys sister, Sarah, occupied a maligned side role, pouring black coffee, scraping freezer burn from mozzarella sticks, and catering to the whims of the Roses and other locals. Unlike Stevie, the acerbic clerk of the towns motel, where the Roses relocate, Twyla is an unparalleled listener, offering sage if strange advice over the buzz of her blender. She infers the Roses orders and withstands their tantrums, hardly flinching when Alexis summons her by throwing a muffin or Moira tries to order miso black cod.

Twylas role didnt demand the hammy virtuosity that powered the series past cutesiness; sometimes the character felt like a throwaway. And yet, beneath her chipper exterior, Twyla was the darkest resident of Schitts Creek. Her best lines were odd non sequiturs that revealed disturbing flashes of family history. Her father, we learn, is a convict. Her mother, who cycled through more than a few abusive lovers, confuses Twyla with her cousin. A deaf relative, who relies on sign language to communicate, traded several of his fingers to pay off a mysterious debt. Most of these disclosures were zany enough to elicit a laugh, or else disclosed, in passing, in the midst of other action. But together they made Twyla a kind of Kimmy Schmidt character, someone who relished the everyday because of what she had survived to reach it. My uncle had a parrot that kept asking me to take my bra off, she blurts out, in the most recent season, when Moira shows their a-capella troupe the trailer to her upcoming film, an apocalyptic thriller about killer crows.

Twyla was never quite a pariahshes too happy and unflappablebut the Roses and the rest of the locals often bonded, obliquely, at her expense, and more than a few episodes revolved around their efforts to improve her. In one episode, Alexis takes Twyla out for a night on the town, and her mother does the makeovers. Twyla lights up at Moiras complimentsThats the nicest thing anyones ever said to menot realizing that they are addressed to Alexis. In another episode, Moira deigns to promote Twylas annual murder-mystery party, which even Jocelyn, the mayors obliging wife, tries to skip. If the central struggle of Schitts Creek was, for the Roses, the indignity of being made mundane, Twyla was the model of finding pride in mundanity and all of the problems it entailed.

One of the shows more satisfying surprises was the friendship that developed, over the seasons, between Alexis and Twyla. The two were always perfect foils, the spoiled socialite and her patient confidante. But they were united, in a subtler sense, by a shared history of maternal neglect. Twylas stories of her own mother evoked a working-class version of Moira, an addled woman preoccupied by personal drama. Twyla was a kind of counterfactual to Alexis, offering a vision of how the latter might have turned out with a little more grit and a lot less money. Sarah Levy was, in this way, a clever casting choice; though she lacks the bushy eyebrows of the men in her family, she always looked enough like a Rose to suggest a kinship with them. In a documentary that aired after the finale, Levy recalls that an early version of the pilot presented a more benighted Twylanerdy and downtrodden, in a constraining cardigan and chunky glasses. There was a sadness to her, she says. But one of the reasons Twyla doesnt recede is that she retains a sense of confidence despite everything. Sarcasm pings off her earnest surface.

Schitts Creek, in its later seasons, always verged on schmaltz, and it ended up settling the fate of each of the Roses a little too neatly. Johnny, who plans to expand the local motel into a franchise, and Moira, who has been cast in a reboot of her fame-making soap opera, take off for California. Alexis parts ways with Ted, her veterinarian boyfriend, and prepares to head to New York. And David, whose wedding to Patrick, his business partner turned soulmate, is the perfect culmination, decides that he will stay put to run his business and settle into the newlywed life. For Twyla, the indignities dont quite subside. She stumbles into an invitation to Davids wedding only by accident. Later, in the penultimate episode, Alexis shows up to the Caf Tropical with a black trash bag filled with old clothes, hoping to pass off some hand-me-downs before moving to New York. Twyla insists on paying for the clothes, over Alexiss objections, and in the process makes a casual disclosure: right around the time the Roses arrived, she lucked into a lottery jackpot of forty-six million dollars.

It turns out that the Roses were not the only residents of Schitts Creek to weather a sudden reversal in fortune at the start of the series. Reflecting on the shows run in a recent interview, Dan Levy attributed Twylas spirit to the secret lottery win; the shows writers, he said, had to find a reason for her hopefulness and optimism. The beauty of Twylas windfall, though, is that it hardly altered her life. If Ive learned anything from how my mom spent the money I gave her, Twyla says when Alexis asks why she hasnt left her job or the town, its that money can buy a lot of snowmobiles, but it cant buy happiness. When, in the end, Twyla comes to wish Alexis farewell, she reveals that she has taken her friends advice to buy herself something nicenot a spa day or a cute little anklet, as Alexis suggests, but the Caf Tropical.

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The Schitts Creek Series Finale: The Vindication of Twyla - The New Yorker

NewsOpinionColumnistsPeople are already thinking big about how human affairs should be run after the Covid-19 coronavirus pandemic, writes Alastair Stewart.

Tuesday, 7th April 2020, 5:00 pm

If you look around, theres a lot of discussion about what the post-Covid world will look like. Did Uncle Monty in the film Withnail & I call it correctly when he said: The older order changeth... oh my boys, my boys... were at the end of an age!

Seldom has there been a greater chance for a practical application of Gandhis be the change you want to see.

Most people just get on, and pray tomorrow is better than today. Covid-19 and the UKs response to it is a nuclear blast wave that has torn domestic political possibilities. We might want everything to go back to how it was before, but well never be able to forget the massive economic power that could well eradicate homelessness and a plethora of other ills.

Gordon Brown has touted the genuine possibility of a temporary global government to tackle Covid-19. Hes somewhat deliberately overlooked the United Nations (UN), the International Monetary Fund (IMF), the G20, the European Union (EU) and every other acronym out there. Browns timing might seem off, but all-new global paradigms and international organisations can follow a period of tumult or war.

The United Nations was touted as early as 1942 before its 1945 launch and the League of Nations in the middle of the First World War. The Congress of Vienna in 1815 was a unified effort to bring peace after the French Revolutionary and Napoleonic Wars. The end of the Second World War ushered in calls for human rights norms with the Nuremberg Trials; as did the Balkans Wars and the International Criminal Tribunal for the former Yugoslavia in the early 1990s. The EU, Nato and the World Bank were all instruments to keep the peace.

Full-scale conflict inevitably breeds long-range thinking to unify and prevent future losses of life. If we consider the Covid-19 problem as our first experience of total war in decades, its a fair expectation to presume there will be some radical thinking. This pandemic is a horror thats hard to come back from.

But time and time again, the world has shaken under disasters then recoiled back to normalcy almost as quickly as they happen.

Both world wars produced a genuine conviction that this was it; there simply must be lasting peace afterwards which could only be administered by some global system. By the time of the Cold War, no one tried to hide the fact that such a system was anything other than realpolitik and the most reliable system able to impose or shape values. Capitalism, democracy and the liberal hegemony were the talking points.

As sure as others might have said it in decades past, we do, genuinely, have something we havent had for years a tangible, relatable, ubiquitous experience of health horror. Environmental damage, the refugee crisis and poverty were always, always somewhere else. Now the sheer calamity of these things has become not just a constant on social media but a heart pang. There is very little cultural relativism in this human health scare.

The question is whether theres a need for a new global organisation when health provision is a national responsibility. If anything, Covid-19 points the way to business as usual because there is no one cause for the health crisis. National boundaries are at once meaningless and everything the disease is universal, its treatment is local.

The lesson of the 20th and early 21st centuries is that national sovereignty can change hands, but public services are always a hot topic, as the Brexit debate showcased. Resources are finite, scarcity very real. Trade, money and the flow of information are still fundamentals that will not be solved by yet another world body.

Many global organisations, which take a proportion of national budgets to fund operating budgets anyway, are underpinned by chronic fatigue. Any plans for a new world order are more likely to be treated with disdain; any effort called a diplomatic screen for the ideological, not the practical.

Sickness doesnt distinguish between nationalities, credos or any other human division. We all have an inherent vulnerability to natural problems. Its a fact of life when viruses like Covid-19 can so easily spread. This is about much more than mere foreign policy, and so it is far less easily resolved by creating some fictitious global government.

Although we can feel sympathy, pain and worry for those in other countries, emergencies like this exaggerate the hyperlocal. This isnt some warped racist or nationalist creed, its a human inability to see beyond our line of sight when we know scarcity dictates our response, if not our sentiment.

If there is a new organisation, it will very likely be advisory but with the charm of a fresh start. The irony of Covid-19 is that despite it being a global pandemic, no one can help us but ourselves; technology is bought and sold as war materiel and we try to win that battle. Like campaign alliances, interests can align, tactics can echo each other, but we still must fight the fight. Petty squabbling, once again, isnt going anywhere and calls for some new global utopia are dangerous and naive.

That said, you mustnt be afraid to dream a little bigger, darling. Maybe words to live by, but words from a film, Inception, about a dream.

Alastair Stewart is a freelance writer and public affairs consultant. Read more from Alastair at http://www.agjstewart.com and follow him on Twitter @agjstewart

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Coronavirus: Why we should beware talk of global utopia after Covid-19 threat recedes Alastair Stewart - The Scotsman

Born in 1995, Tyler Mitchell is a Gen Z phenom. Just a year after earning a bachelors degree in film and television from New York University, he made history by shooting Beyonc for the September 2018 cover of Voguebecoming the first black photographer to have his work grace the publications front. While growing up in Marietta, Georgia, a largely white suburb of Atlanta, Mitchell gravitated to alt-fashion magazines like i-D and Dazed. He was inspired by Ryan McGinley and Larry Clarks stylized images of teen life, but says he really received his photography education from social media. At thirteen, he picked up a camera and amassed an early Tumblr following with his skateboarding videos. Using a palette that responds to the heightened reality of aspirational online contentcotton-candy pink, baby blue, sunny yellowhis portraits and short films conjure tender innocence. Importantly, Mitchell creates this fantasy for and with people of color, reimagining what freedom might look like for black youth.

On a study-abroad trip to Cuba after Mitchells sophomore year at NYU, a documentary photography instructor told him that his portraits of chic friends were a type of fashion imagerya realization that piqued the young artists interest. His early work responds critically to the conventions of fashion ads. In the short film Wish This Was Real (2016), young, stylish black men play with water guns and plastic chains against bright seamless backgroundsa poignant rejoinder to the death of twelve-year-old Tamir Rice, who was killed in 2014 by a police officer, while holding a toy weapon. The playful scenes are cut between an unsettling sequence showing one actor lying with plastic wrap over his face, hinting at the danger that black men face even in ordinary jest. In 2016, Mitchell cemented his fashion ascent with a commission for Dazed that depicted a vision of black utopia: models pose in magic-hour light, sometimes with toys, sometimes casually embracing each other.

Mitchells first US museum exhibition, I Can Make You Feel Good, is on view at the International Center of Photography (ICP) through mid-May. Curated by Isolde Brielmaier, this expanded version of the show (which debuted at Amsterdams photography museum Foam) brings together video installations, life-size photographic prints, and a new work in fabric that pays homage to black domestic labor. Opposite the shows entrance, the three-channel video Chasing Pink, Found Red (2019) tempers visual fantasy with an acrid dose of reality. Projected onto walls that form a triangle, the work shows lush images of picnicking black youths. Offscreen, various individuals describe racial microaggressions. Feeling obligated to control peoples perception of you is an everyday black experience, says one voice. Mitchell crowdsourced the stories from his social media accounts, receiving voice memos from followers located around the world: from Nigeria to the Caribbean.

The installation Laundry Line (2020), which debuted at ICP, takes its inspiration in part from African American photographer Gordon Parkss image of two Alabama women at a wire fence loaded with clothes, part of the full-color series A Segregation Story (1956). Mitchells Laundry Line includes portraits of models, influencers, and friends printed using dye-sublimation processes onto a variety of textiles: blue terrycloth, a vintage floral Pierre Cardin scarf, and diaphanous materials that recall crinkly plastic. Mitchells engagement with Parkss diverse oeuvre is ongoing; he is currently working on a commission based on the late artists fashion photography for the Parks Foundation in Pleasantville, New York, where it will be on view this fall.

This article appears under the title First Look: Tyler Mitchell in the March 2020 issue, p. 14.

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Merging Fashion Photography and Installation Art, Tyler Mitchell Crafts a Vision of Freedom for Black Youth - ARTnews

For years, dystopian literature has been a means to dissect particular aspects of modern society and magnify these characteristics in a futuristic world. Dystopia, literally, translates into bad place; and, although these novels might not be the good place, they are good reads for those who want to take a critical eye to (seemingly) fictitious social processes and systems. Delve into the world of dystopian fiction with these classic novels from decades past and while youre at it, support your local bookstores in Chicago!

Available at Volumes Book Cafe.

Ray Bradburys dystopian novel, Fahrenheit 451, transports you to a futuristic America in which books are fiercely outlawed. In addition to books, free-thinking and the discussion of free-flowing ideas are all criminal acts, punishable by institutionalization or death. To the government, books are threatening and, as such, must be burned by firemen all in the name of censorship. Self-absorbed television and media consumption is hailed as proper and law-abiding. Embark on this literary excursion with Guy Montag (a fireman) and Clarisse McClellan (a random encounter turned true friend) as they fight the good fight against an oppressive dystopian government.

Find it at Women and Children First.

Ira Levin, probably most known for his horror novel, Rosemarys Baby, offers a different take on a dystopia. In this satirical thriller, youll explore the lives of the wives in a white-picket fence-neighborhood in Stepford, Connecticut, who discover their husbands horrifying secrets. This novel offers a meaningful (albeit foreboding) interpretation of power dynamics and gender juxtaposed with the ideals of domesticity and turmoil of feminism. For only 145 pages, The Stepford Wives is a quick, telling, and insightful read that may give a whole new meaning to the term Stepford Wife.

Get it at The Book Cellar.

Remember this title from eighth grade English class? Most likely, Lord of the Flies left some form of an impression on you be it Piggy, the conch, or Jack and Ralph. Lord of the Flies is a seemingly simple yet deeply complex critique of social organization, power, and human nature in the face of imminent threat. Taking place on an island after a plane crash, Lord of the Flies explores themes of self-governance and group-mentality such that youll start to wonder if humans can ever exist in harmony while a beast lives deep within them.

Available at Unabridged Bookstore.

Known as an anti-war book, Slaughterhouse-Fiveor its lesser-known subtitle: The Childrens Crusade: A Duty-Dance with Deathexplores the life of Billy Pilgrim, a prisoner of war from the historic 1944 Battle of the Bulge. A nod to the reality of prisoners experiences with PTSD, Slaughterhouse-Five depicts the cyclical loop of memories that Pilgrim encounters while a prisoner. In this loop, you feel Pilgrims pain, confusion, and frustration as the memories incessantly flood him (and you). Eventually discharged, Pilgrim then attempts to re-enter normal life but is later institutionalized. Follow the life and strife of Pilgrim, from discharge and marriage to fatherhood and alien abduction, and youll quickly consider this sci-fi dystopia a classic, albeit haunting, reminder of historys havoc.

Buy it from Bookends and Beginnings.

Looking for a novel that combines all the horrors of a dystopian society through a futuristic utopia? Be prepared to do so in Woman On the Edge of Time. Beginning with an allegory of institutionalization, healthcare, and drug violence, Woman On the Edge of Time paints a bleak scene of 1970s New York for an impoverished, new mother, Consuelo Ramos (otherwise known as Connie).

After shes institutionalized again through malevolent policing, Connie has communication with Luciente. Luciente is an androdgynous figure from a futuristic communal and agrarian society, Mattapoisett. The result? A community in the year 2137 without social classes, gender differentiators, and pollution. From environmentalism and sexism to racism and class-subordination, Lucientes society has made sense of the troubles that plague current times or has it? Read Piercys dystopia to expand the limits and boundaries of a utopian dystopia or a dystopian utopia.

Explore a different world as we navigate our current circumstances and youll discover gut-wrenching and foreboding tales that are still relevant to this day.

Featured Image Credit: The Book Cellar

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5 Classic Dystopian Novels and Where You Can Find Them at Chicago Bookstores - UrbanMatter

If all Spike Lee did was create movie careers for some of our finest actors, that would have been plenty.

Folks such as Samuel L. Jackson, Halle Berry, John David Washington (whose dad, Denzel, is also a Lee regular), Kerry Washington, Rosie Perez and John Turturro had breakthrough roles in Lee movies, which he prefers to call joints. Many have become part of his repertory company, revealing new dimensions of their talents and making strides to counter the underrepresentation of African-American people on screen.

Lee always has been willing to cast actors in unexpected ways. Who else would have seen Miss USA runner-up Berry as a bedraggled crack addict in Jungle Fever? A similar sense of experimentation courses through his movies, which makes him both inconsistent (2012s Red Hook Summer and 2014s Da Sweet Blood of Jesus are virtually unwatchable) but also one of our most adventurous filmmakers, from his comedic debut Shes Gotta Have It to his lacerating documentaries. Next up will be a concert film of David Byrnes American Utopia.

Never afraid of a big gesture, Lee goes for broke every time he directs (which is a lot his IMDB page lists eight projects for 2014 alone, which might be part of the problem with Da Sweet Blood). Lee seems less interested in reality, whatever that is, than in bold statements about existence, particularly black existence. Which is one reason his characters dont even move through the world like real people.

In Lees signature camera trick, which he has called a Spikeism but which is technically a double dolly shot, a lead character appears to walk-glide toward us, without the up-and-down movement that usually comes from using your feet. Introduced in Do the Right Thing, the unnerving effect pops up in many Lee movies. Hes even done it with both Washingtons: dad Denzel in Malcolm X and son John David in BlacKkKlansman, in both cases at moments of truth for their characters.

So, yes. His fondness for big gestures can make a Spike Lee movie go south, but when they work as these seven do they really work.

Do the Right Thing (1989)

I saw it again recently, and Lees look at racial tensions coming to a head in a Brooklyn neighborhood on the hottest day anyone can remember is as angry and compassionate as ever. Beginning with an electrifying opening credits sequence (Perez, dancing to Public Enemys Fight the Power) and climaxing with a shocking betrayal, Do the Right Thing is a straight-up masterpiece.

When the Levees Broke (2006)

Lees intimate tour of post-Katrina New Orleans is a denunciation of the institutional racism that meant the citys most vulnerable people were hit hardest by the hurricane, a prayer for the struggling souls Lee meets and a faint, hopeful plea to revive one of the countrys quirkiest cities. Composer Terence Blanchard, frequent Lee collaborator and New Orleans native, wrote the mournful score.

25th Hour (2002)

Edward Norton stars as a New York drug dealer on his final day before entering prison. Coming only a year after the Sept. 11 attacks, 25th Hour boldly connects its main characters attempts to accept responsibility for his own tragedy with what Lee perceives as this countrys failure to do so.

4 Little Girls (1997)

Maybe the quietest movie Lee has made, the documentary about the 1963 church bombing that killed four African-American girls lets the shocking events speak for themselves. Lees cameras revisit the scene in Birmingham, Ala., with friends and family members looking back on the day that changed their lives. (Like Do the Right Thing, Shes Gotta Have It and Malcom X, its listed on the National Film Registry.)

Inside Man (2006)

When Lee tries to bend his talent to fit conventional genres, the results vary (theres great stuff in his Malcolm X but its adherence to biopic tropes makes it feel stodgy). Inside Man, though, is nothing but fun. The twisty caper boasts big stars in flashy parts, with Denzel Washington, Jodie Foster, Clive Owen, Chiwetel Ejiofor and Christopher Plummer as fast-talking good or bad guys who get involved in a bank heist. The title may seem like a spoiler but that ends up being part of the joke.

Shes Gotta Have It (1986)

Tracy Camilla Johns was a find as Nola Darling, the confident center of Lees jazzy romcom about a woman with options. Its also the movie debut of the great S. Epatha Merkerson, who would become a star as a tut-tutting detective on TVs Law & Order.

School Daze (1988)

Lees most exuberant film alternates wild choreography with social commentary. Set at a dance-crazed historically black college, School Daze is a bright comedy/drama about the artificial divisions we create between ourselves. The enormous cast wears the op-art work of first-time costume designer Ruth E. Carter, who became a frequent Lee collaborator and won an Oscar for Black Panther.

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Now's the perfect time for a deep dive into Spike Lee films. Here are our critic's top 7 - Minneapolis Star Tribune

Welcome to Whats the Buzz, 25YLs feature where members of our staff provide you with recommendations on a weekly basis. In our internet age, there is so much out there to think about watching, reading, listening to, etc., that it can be hard to separate the wheat from the chaff, filter out the noise, or find those diamonds in the rough. But have no fear! Were here to help you do that thing I just described with three different metaphors. Each week a rotating cast of writers will offer their recommendations based on things they have discovered. They wont always be new to the world, but theyll be new to us, or we hope new to you. This week, Caemeron Crain is down the rabbit hole with Lost in Vegas, John Bernardy is listening to the podcast Toasted Cake, and Vincent Greene recommends Utopia and Grimm.

Vincent: Utopia is a British black-comedy/conspiracy thriller that aired on Channel 4 in the United Kingdom for two seasons. The show was created by Dennis Kelly and starred Fiona OShaughnessy, Adeel Akhtar, Paul Higgins, Nathan Stewart-Jarrett, Alexandra Roach, Oliver Woollford, Alistair Petrie and Neil Maskell. Back in 2014 HBO went about obtaining the rights to make an American version but due to budgetary disputes, it would not come to fruition. Instead, Amazon would go on to acquire the rights four years later in 2018 with production slated to begin the following year in 2019.

The plot mainly focuses on a graphic novel called The Utopia Experiments, written by a man named Philip Carvel. The text supposedly predicted some disastrous viral outbreaksdiseases such as BSE, otherwise known as The Mad Cows disease. What was believed to be a variant of the CreutzfeldtJakob disease. For years after its release, a rumor about the existence of an unpublished sequel to the seemingly clairvoyant comic would do the rounds amongst the online conspiracy theory forums.

This sequel is believed to contain even more important information that could prevent further catastrophes. Five people from one of the online forums that focus on The Utopia Experiments decide to meet in real-life to share in their fandom and discuss the validity of the murmurings about the secret manuscript. Only three of the five actually make it to the meeting: a post-graduate student named Becky (Alexandra Roach), an I.T consultant by the name of Ian (Nathan Stewart-Jarrett) and the other a man known as Wilson Wilson (Adeel Akhtar).

After the group meets up things turn sour quickly and everything gets out of hand in the most monumental of ways. They soon find themselves on the run from a pair of ruthless hitmen and at the center of a vast conspiracy with an organization known only as The Network at its core. The hitmen in question go by the names of Arby (Neil Haskell) and Lee (Paul Ready), they kill man, woman, and child alike, with nothing but one question for their soon to be victims. That question being, Where is Jessica Hyde? As they get closer and closer to our group of heroes there is a knock on the door and we are introduced to Jessica Hyde (Fiona OShaughnessy).

Jessica goes about quickly teaching the group how to stay hidden from their pursuers. Jessica then goes in search of the manuscript with one of the members of the group who did not make the original rendezvous, an 11-year-old by the name of Grant (Oliver Woollford). The young adolescent gained entry into the group by masquerading as a man in his mid 20s in their chat forum. The unlikely duo manages to get their hands on the manuscript and they and the rest of the group go on the hunt for information about a secret project called Janus and a man by the name of Mr. Rabbit, the mysterious figurehead of The Network.

Whilst our group of heroes seek the truth and look to evade their would-be assassins another story is unfolding. That other story is centered around civil servant Michael Dugdale (Paul Higgins), who finds himself in the middle of a blackmail plot. The blackmailers are using their leverage against Digdale to push through a bill on the Russian Flu, which is a huge focal point of Utopia and in todays current climate really plays on your mind. As the storylines begin to converge we see how smart the creator of Utopia really is. He pieces every little thing together seamlessly. The narrative of Utopia takes the audience in directions that you didnt envisage were even on the horizon, Kelly should be commended for how expertly he crafted this show.

Utopia asks a lot of extremely interesting and deep questions, it is stylish, intelligent and backed by a near hypnotic techno soundtrack. Its strengths lie in its pacing and its efficiency in how it does its storytelling. It is a sharp series that keeps you on your toes throughout, never giving you a second of comfort. The use of extremely dark humor to break up the heavy story content is very well done. The cast is perfect in their roles and brings their characters to life with incredible believability. They are real, flawed people that have stumbled on to something that they are totally ill-equipped to deal with.

Speaking of the strength of characters that Utopia has the standout has to be Neil Maskell as Arby, the cold, tormented assassin, who slowly begins to unravel as he becomes haunted by his past acts. Maskell puts in an incredible performance, his delivery of dialogue is mesmerizing, his arc is definitely one of if not the best of the shows short run. You hang on every word of the scenes he is in, especially the scenes he shares with Paul Ready as his hitman partner Lee. The two men have great chemistry and it is clear for all to see when they share the screen.

Even with all of these qualities, Utopia was canceled after only two seasons, which is a shame. It is unfortunate that it never got a chance to finish up in a satisfactory way because it really was on a very high level narratively when it bowed out. Albeit its run was a short one, it was an undoubtedly strong one. It really is a case of quality over quantity. There is not a bad episode in the dozen.

Utopia broaches very sensitive content matter but does it with remarkable nuance and subtly. It is a show with an extremely high I.Q. I for one am looking forward to seeing what shape Amazons iteration takes on. I hope it does not veer too much from the British version but also manages to be uniquely original in its own right. The streaming giant has proven now that it is a safe pair of hands and continues to put out original content of a very high standard.

Although I would have loved to have seen the original iteration get the climax it deserved I feel comfortable in the knowledge that the future looks bright for this compelling story, whether it be a slightly different version that what might have been. Hopefully, now the fans of this show, which I count myself one of, will get the culmination to this story that we crave so badly.

Caemeron: Lost in Vegas is a YouTube channel where two self-described hip-hop guysGeorge and Ryanlisten to metal. Or, well, thats overly simple. They also listen to things we might better categorize as hard rock, or alternative, and they havent given up on their hip-hop roots (even if that isnt what I tend to listen to from them).

You can find various person listens to iconic song x for the first time videos out there, but Lost in Vegas is distinctive in its approach. Sometimes Ryan and George have heard the song before, though often they havent. Either way, theyre interested not just in reacting, but in analyzing whatever song is on offerincluding its lyrics.

So while it is a joy to see them discover things for the first time, Lost in Vegas also shines in the way that George and Ryan break down the aspects of the songs they listen to. They dont just tell you that they like something or dontthey do their best to tell you why.

That being said, some of my favorite moments are when one of them shouts out, Fire! or Playlist! as they listen to a song that I have loved for decades. Frankly, every time Ryan hollers Golly! my heart just melts a little. Its such a weirdly old-timey and yet heartfelt reaction on his part. And I love seeing these guys bang their heads along to some of these tracks. There is something really fun about seeing someone come to love something that you do, and I think we all know this. Its like making your friend watch Twin Peaks, or whatever your favorite TV show might be, and feeding off of their reaction.

Of course, George and Ryan dont love everything. Theyre freethinkers as theyd say. But that is refreshing, too. Even if they dont like something that I do, they offer reasons, and those reasons are interesting to think about.

If I have one complaint about Lost in Vegas, its a small one. Sometimes I feel like they could have maybe done a little bit more research about this or that on their own, rather than asking people to let them know in the comments. But then, they seem to have a pretty great community to help them out there. Maybe if they looked into things more it would taint their unbiased reactions? Im not sure.

Regardless, though I discovered Lost in Vegas a bit ago, Ive found myself returning to them in these trying times. If you havent checked them out at all, and are anything like me, there is a rabbit hole here you can fall down for hours. I actually kind of wish I hadnt seen so much already, because this strikes me as the perfect distraction right now.

But Ive still managed to spend some hours the past few nights with Lost in Vegas, going to things that didnt stand out to me before, or going again to some standout favorites. These guys love Tool (as they should), and their reaction to Megadeths Holy Wars is awesome.

Lately, they have been exploring Black Sabbath, and golly! I dont know why I love to watch them love Sabbath so much, but I do.

Vincent: Grimm is an American fantasy/procedural that aired on NBC for six seasons. It was created by Stephen Carpenter, Jim Kouf and David Greenwalt. Grimm stars David Giuntoli as the lead. It also stars Russell Hornsby, Bitsie Tulloch, Silas Weir Mitchell, Sasha Roiz, Reggie Lee, Bree Turner, and Claire Coffee in supporting roles. Grimm was initially developed for CBS but was put on hold due to the writers strike and was later picked up in 2011 by NBC.

The series is mostly centers around the exploits of a Portland detective named Nick Burkhardt (David Giuntoli) who has just discovered that he comes from a long line of monster hunters known as Grimm. These hunters are the thin line that maintains the balance between humanity and creatures that we believed only lived in our myths. Just like Nick, we too find out very quickly that these creatures may not be so mythical after all.

Not only does Nick discover his newfound lineage but he also happens upon a world that exists just beneath the surface of our own. That world is inhabited by Wesen. For all intents and purposes the Wesen look just like you or me but they hide a more animalistic side, only showing this side under moments of emotional distress. It is only the Grimm that has the ability to see them even when they try to hide their transformation known as the woge.

Although Grimm initially finds its inspiration in German folklore and fairytales, it branches out as the story expands, taking in myths from cultures from all around the world. It also cleverly hides smart, subtle social commentary under the guise of just more monster stories. It takes on some very brave subject matter such as domestic violence, racial inequality, white supremacy and much more. It is a show with many layers: it has action, fantasy, horror, nuanced social undertones all wrapped up in a cop procedural with a twist.

When you viewGrimmyou will clearly see how it is steeped in the worlds ofBuffy the Vampire SlayerandAngel. David Greenwalts work on both of those shows clearly influenced the style and tone ofGrimm. Just like those two cult classics,Grimm is a dark and sometimes gory show but it is not without its moments of humor. The jokes are brilliantly timed and used correctly, they help brighten up the show without ever taking away from its overall seriousness too much.

AsGrimm progresses it also expands, not just on its mythos but also on how it uses its supporting cast. Each member of the extended cast is given far more meat to their roles as the show moves on, and every one of them excels as they take on their greater narrative workload. I love it when a show promotes from within instead of just adding a whole bunch of new characters that were never necessary to begin with. This is another trait that Grimmshares with bothBuffy the Vampire SlayerandAngel.

That aforementioned expansion of Grimmuncovers a very original and magnificently monstrous world. The special effects used to bring these monsters to life are very well done, the woge transformation is seamless and the actors cast in the roles are always so believable as the creatures they morph into. All of these elements giveGrimm a level of realism that many other shows that share this space lack. It never ventures in the realm of being cartoonish and the creators have to be commended for the effort they put in on this side of things.

When fantasy is rooted in reality then it becomes more real; it also becomes more frightening. It gives you pause, what would it be like if there were some hidden species that live amongst us. What if our imaginations of monsters and legends were because they were real at one time and still may lurk there in the shadows just out of sight.Grimmdoes an excellent job of bringing life to these mythical creatures but it also shows you that what we see on the surface is not always the true core of what lies beneath, whether that be bad or good. The evidence for the duality of man has never been so clear.

Grimm is an excellent show that deserves a bit more light shining on it. The pacing is fast, the storylines are sharp and immersive. The actors are perfectly cast and the writing is smart, subtle and filled with self-awareness. It is delightfully dark and brilliantly original. It is a homage to what came before whilst remaining entirely singular. Grimm is solid from pillar to postit is a fantastical frightening world just waiting to be explored.

John: Toasted Cake host Tina Connelly is a published author, and host of Escape Pod, a short story podcast from Escape Artists, but Toasted Cake is an audio podcast all her own. It presents a piece of flash fiction from any number of authors, followed by commentary by Connelly about why she chose the writing she just read. All told, most podcasts weigh in at 15 minutes or less. Like its name, its meant to be a pleasant snack for our ears and minds.

This weeks offeringEmergency Scenarios, by Kelly Sandovalworked particularly well. Connelly reads it in her trademark pleasant, easy-to-listen-to and wry style. She tells a science fiction style story of people leaving Mars for Earth, but its through the perspective of Tricia, a teenage girl who has feelings for her best friend Jas. Tricia comes off vulnerable rather than melodramatic, and her plan to run through worst case scenarios with her computer Adiana is a nice twist on the internal agonizing we all did back in high school when we were weighing the pros and cons of revealing our feelings to our friends. It was science fiction that was 100% relatable.

After the story endedwith a satisfying twist when you learn Tricia has more help than she thoughtConnelly tells us how shes presenting us with the same kind of relief that she needs during these times. Instead of darker stories, shes giving us tales where everyones trying their best and outcomes will probably turn out all right. None of this comes off as precious. Connellys just taking care of her heart. And I think shes right that hearing happy, hopeful stories will be good for ours too.

Those are our recommendations this week! What are yours? Let us know in the comments!

Help us keep the conversation alive! We publish new content daily that can easily be found by following us onTwitter,Instagram, by joining ourFacebook Page, or becoming an email subscriber here onthe site. Thank you as always for your support of 25YL!

If you would like to write for 25YL leave us a message on our websitehereor send an email to: andrew@25YearsLaterSite.com

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What's the Buzz: Utopia, Lost in Vegas, and More! - 25YearsLaterSite.com

If you were an original reader of The New Mutants and you aren't clinically insane, then you surely agree with the assessment made in the second half of the title to this week's column. Put a hold on those Hot Takes: Doug Ramsey was the LAMEST of Professor Xavier's mutant heroes-in-training. Search your feelings, you know it to be true.

So how has he become one of the prime figures in Jonathan Hickman's ongoing X-Menaissance? Despite limited page time, Ramsey occupies an important place in the new mutant sovereignty, thanks to his unique abilities that allow him to decipher any language. As a result, he is able to communicate directly with the mutant island of Krakoa, making him indispensable and earning him a seat on the Quiet Council.

The last time we saw him in X-Men #7, he was spotted sitting with his old pal Warlock when Cyclops showed up. Warlock disappeared in an instant, so Cyke isn't even sure he actually saw him, and Ramsey did nothing to dissuade him of that. Strange and likely sinister things are afoot, for certain. What Mr. Ramsey's role was in those affairs has sparked lots of speculation on comics message boards, with some thinking Hickman is playing a long game that will set up the Technarchy as a major adversary to the mutant nation. Makes sense, given that there have been subtle hints almost since the launch of Hickman's ambitious reboot.

There was the moment in Powers of X #2 when the Krakoa of an alternate future mentioned that his form once was controlled by a mutant who could communicate with anything. In Powers of X #4, Doug's technarch-bonded arm glances a Krakoa flower, beginning the gradual infection. Given the Technarch's history, did Ramsey just set the table for the alien races invasion of Krakoa? Is he aware?

[FYI, while the comics industry tries to get itself situated during the pandemic, there's a sale on all the Dawn of X comics at Marvels Digital Shop. So if you need to catch up, that's a cost-effective way to do it.]

For those who aren't as familiar with him, Doug Ramsey was introduced in The New Mutants #13 by Chris Claremont and Sal Buscema. He was computer pals with Kitty Pryde and later Warlock. But from the start, he was as forgettable as those original NM black & yellow costumes, and twice as annoying. If they had made a New Mutants movie in the '80s, he would have been played by William Zabka. His code-name 'Cypher' did little to rally support around him, because back then, having the ability to decipher any language basically meant he stood around a lot and dished out information. It wasn't just the fans who didn't care for him; not even the book's editor, Louise Simonson, thought much of him, and Weezie is about the nicest person in comics.

In a cruel bit of irony, it would take his death in The New Mutants #60, taking a bullet meant for his teammate Rahne Sinclair, to get fans to actually give a crap about him. He would stay in the Marvel morgue for an unusually long time even by comics standards -- more than 20 years, with an occasional reference or a head-fake like the "Phalanx Covenant" storyline notwithstanding. He would truly come back during the 2009 "Necrosha" crossover.

Ramsey not only returned but his resurrection made him interesting. As writers got more creative and savvy about how to apply his powers during the Internet era, he became a true Cypher. Someone who could interpret all languages even body language. He became something of a mutant version of Taskmaster, only instead of photographic reflexes, Ramsey could instantly decode an opponent's body language and counteract their moves. Brilliant, actually. Over the next few years, he would do things like actually defeat the Master Mold and save Utopia and have sex with a sentient robot. Yeah, that happened.

To me, though, Doug Ramsey wouldn't become a fully formed character until years later, in 2018's Hunt for Wolverine arc. Writer Charles Soule and artist Matteo Buffagni portrayed him as an information addict, a tech junkie. Their version of Cypher was hopelessly addicted to the Internet, trying to decode the entire World Wide Web. It was a fascinating and tragic lens through which to view his power set... and it was the first time I had ever truly cared about Doug Ramsey.

All it took was time for different creators to bring a fresh perspective to a character whose potential was buried deeper than most. It's happened before in comics. It took John Romita Sr. replacing Steve Ditko on The Amazing Spider-Man to help Stan Lee unlock the potential of Gwen Stacy. Later, Gerry Conway would figure out that Mary Jane Watson was really the girl of Peter Parker's dreams.

John Byrne did the same with She-Hulk, as did Marv Wolfman and George Perez with Donna Troy. It took a couple of decades, but Jim Shooter (and others like Roger Stern) finally managed to unlock the Wasp's potential as a truly great Avenger. Now, Hickman's taking the ball from Soule and doing the same with Doug Ramsey.

Even though he's back to his clean-shaven, prep-school look, it's clear there is much more to Ramsey than his perfect blonde hair. We know Hickman loves his reclamation projects. Look at what he's doing with Black Tom and, of course, Moira MacTaggart. I'm really looking forward to seeing where his grand plans go, and I especially can't wait to see what role Doug and his information-culling skills play in the X-tapestry.

And I really can't believe I just wrote that about a character that I loathed when he first arrived in Mutant-landia. But here we are.

What's your favorite Doug Ramsey story? Oh, who am I kidding? How about you sharing your favorite Dawn of X theories? Find me on Twitter/Facebook/Instagram and let me know!

And don't forget that Behind the Panel is a multi-platform series that can help keep you entertained during these strange and stressful times we're in. Our video series is chock-full of my in-depth interviews with amazing comic book creators. The Behind the Panel podcast is an audio documentary series that provides unique insight into your favorite creators and stories. Check 'em out, we think you'll enjoy them.

The views and opinions expressed in this article are the author's and do not necessarily reflect those of SYFY WIRE, SYFY, or NBCUniversal.

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The redemption of Doug Ramsey, the worst New Mutant - SYFY WIRE

The next Great North American Solar Eclipse is coming.

Four years from now, on Monday, April 8, 2024, a total eclipse of the sun will sweep across our continent. The dark shadow cone of the moon known as the umbra will trace out a path like a black crayon across parts of 15 states. An estimated 130 million people will either be positioned inside or within less than a day's drive of the zone of the total eclipse. Almost all of North America, as well as Central America and a sliver of northwestern South America will see a partial eclipse.

The path of totality will begin in the Pacific Ocean at a point 7 degrees south of the equator at longitude 158 degrees and 44 minutes west.. The moon's dark umbral shadow from where the glorious spectacle of a total solar eclipse can be viewed will then move northeast across the Mexican states of Sinaloa, Nayarit, Durango and Coahuila, then cross over the Rio Grande River into the Lone Star State of Texas. The American portion of the totality track, averaging 114 miles (184 kilometers) in width, will stretch from southwest Texas to northern Maine.

Video: Total Solar Eclipse in April 2024 - See the path of totalityRelated: Total solar eclipse 2024: Here's what you need to know

While passing through Ohio, upstate New York and northern New England, the dark lunar shadow will also interact with the Canadian provinces of Ontario, Quebec and New Brunswick.

After that, totality will be observable from parts of Prince Edward Island, Nova Scotia and the island of Newfoundland. In all, the umbra will touch the Earth for 3 hours and 14 minutes.

Here is a closer look at how the totality track will sweep across Mexico, United States and Canada.

The moon's umbra first meets land at the Pacific coast of Sinaloa, approximately 400 miles (640 km) northwest of Guadalajara. The city of Mazatln (population: 438,000) will see the sun go dark at 18:07 UT with totality lasting 4 minutes 17 seconds.

The most favorable land area for observing is in the state of Durango, 5 miles (9 km) north-northwest of the city of Nazas (population: 3,600), where the centerline duration is 4 minutes 28 seconds with the sun at mid-eclipse (1:17 p.m. local time; 1817 GMT) 70 degrees above the horizon. Nowhere else will the eclipsed sun appear higher, or totality last longer. These factors will almost certainly attract many amateur and professional astronomers as well as tour operators to Mexico, where the prospects for good weather are very encouraging. Indeed, Nazas is already being dubbed as "Eclipse City," and its close proximity to the point of greatest eclipse is mentioned on its Wikipedia page.

For the second time in less than 7 years, a total eclipse of the sun will sweep across the contiguous (48) United States. But compared to the "Great American Total Eclipse" of Aug. 21, 2017, the 2024 eclipse is far superior in that the path of totality is roughly 40% wider and the duration of totality along the centerline of the eclipse path lasts anywhere from 42 to 107 seconds longer than the maximum duration of the 2017 eclipse!

The first sizable U.S. population center that will greet the total eclipse will be Elm Creek in Maverick County, Texas (population: 2,500), which will see the sun go dark at 1:27 p.m. CDT (18:27 UT). Totality will last 4 minutes 25 seconds, with the sun standing 69 degrees high in the southern sky.

One impressive fact about the American portion of the eclipse track are the number of metropolitan areas with populations of over one million people that are in the eclipse path. These include Dallas-Fort Worth (6.8 million; most populous anywhere within the path), Austin (2.2 million), Cleveland (2.1 million), Indianapolis (2 million), Buffalo (1.1 million) and Rochester (1 million). And there are three additional metro areas of over 2 million people whose northwest portions straddle the southern edge of the totality path: San Antonio (2.5 million), Cincinnati and Columbus (each with 2.1 million).

And here's something that will make fans of Max Klinger (of M*A*S*H TV fame) happy: Toledo, Ohio will experience 1 minute 50 seconds of total eclipse beginning at 3:12 p.m. EDT (19:12 UT).

Cities just outside of the totality path where the moon will cover a significant percentage of the sun's disk in an exceedingly large partial eclipse include: Pittsburgh (97.4%), Memphis (97.8%), St. Louis (99.1%), Louisville (99.2%) and Detroit (99.4%). In the most extreme case, totality is no more than a few hours' drive away.

The shadow will exit the U.S. at Aroostook County in Maine, where in between the communities of Monticello and Littleton, totality arrives at 3:22 p.m. EDT (1932 GMT) and will last a very respectable 3 minutes 22 seconds with the sun 35 degrees high in the western sky.

Interestingly, for a specific geographic location on the Earth's surface, a total eclipse of the sun occurs (on average) once every 375 years. However, the paths of the 2017 and 2024 eclipses crisscross in America's heartland. Both eclipse paths overlap over a region encompassing parts of three states: Illinois, Missouri and Kentucky.The zone of overlapping totality measures almost 9,000 square miles (23,000 square km), or roughly the size of New Jersey.

For both eclipses, their respective centerlines cross near the eastern shore of Cedar Lake in Jackson County, Illinois. Technically, the closest town to this exact spot is Makanda, Illinois (population: 600). The nearest city of any size is Carbondale, Illinois (population: 26,000) located about three miles to the northeast. In fact, both Makanda and Carbondale are touting themselves as the place where the two centerlines cross, with Carbondale and its Southern Illinois University partner adopting the tagline "Eclipse Crossroads of America."

An even more amazing coincidence will take place about 10 miles north of the Texas community of Utopia (population: 230), at latitude 29 degrees and 46 minutes north, longitude 99 degrees and 30 minutes west. The centerline of the 2024 eclipse path passes through here, but on Oct. 14, 2023, the centerline of an annular solar eclipse will cross here as well. An annular eclipse differs from a total one in that the moon is too far away to cover the sun completely; at maximum eclipse a thin ring of sunlight shines all around the dark silhouette of the moon. So those living in this part of central Texas will be able to witness a spectacular "ring" eclipse, followed less than six months later by the even more spectacular sight of a total eclipse!

As the moon's umbra is sliding across parts of northern Ohio, a southeast sliver of the lower peninsula of Michigan, northwestern Pennsylvania and upstate New York, the northern half of the umbra will be moving across southeast Ontario. Point Pelee, the southernmost tip of Canada, witnesses 2 minutes 55 seconds of totality beginning at 3:13 p.m. EDT (1913 GMT).The 5.9 million people who reside in the Greater Toronto Metro area will see the sun narrowed down to a mere spot of light as all but one-tenth of a percent of its disk will be covered at 3:20 p.m. EDT (1920 GMT). But across Lake Ontario, 35 miles (55 km) to the southwest, the city of Hamilton (population: 763,000) will be rewarded with 1 minute 43 seconds of daytime darkness at 3:18 p.m. EDT (1918 GMT).

The shadow then moves into Quebec province; at 3:26 p.m. EDT (1926 GMT) its northern edge will cut the metropolitan area of Montreal (population: 4.1 million) virtually in half. South of a line running from Vandreuil-Dorion to Boucherville will see a total eclipse, while north of that line will see a partial eclipse. Farther to the northeast, Quebec City sees a very large (98.7%) partial eclipse at 3:30 p.m. EDT (1930 GMT).

The total eclipse then visits the maritime provinces of New Brunswick, Prince Edward Island and clips the northernmost end of Cape Breton Island of Nova Scotia. The shadow finally bids North America a fond adieu as it slips off the Bonavista Peninsula on the Island of Newfoundland and out into the open waters of the Atlantic at 4:16 p.m. NDT (1946 GMT).

Eight minutes later, the umbra will slide off the Earth at local sunset, approximately 1,250 miles (2,000 km) west of France, putting an end to our Great North American Solar Eclipse.

Mark your calendars!

Joe Rao serves as an instructor and guest lecturer at New York'sHayden Planetarium. He writes about astronomy forNatural History magazine, theFarmers' Almanacand other publications. Follow uson Twitter@Spacedotcomand onFacebook

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We're T-minus 4 years to the next Great American Solar Eclipse in 2024 - Space.com

Although a handful of Posadists continued, and still continue, their militancy, the movement largely faded from even its small relevance within Trotskyism after Posadass death in 1981. But the UFO essay and his enthusiasm for nuclear war remained legendary among Trotskyists and train-spotters of small revolutionary left sects. Among these was Matthew Salusbury, an intern for a magazine of the paranormal, the Fortean Times. He pitched an article that the British Posadists of the Revolutionary Workers Party were a Trotskyist UFO cult.

Although it hyperbolically leaned into the UFO angle, and unearthed, for the first time, Posadass late-life obsession with dolphins, it became the main referent for Posadass Wikipedia page, piquing many imaginative discussions on leftist message boards. In 2012, you translated the UFO essay into English for Marxists.org, which showed his interest in aliens was more than just a legend. Then, in 2016, as the insanity of the US and UK elections radicalized bizarre corners of the internet, Aaron Bastanis concept of Fully Automated Luxury Communism took off as a leftist meme.

Space was added to the schema, and a cartoonish Posadas alongside mushroom clouds, whizzing flying saucers, and dolphins leaping into space naturally followed. The Intergalactic Workers League Posadist was probably the most successful spin-off meme page. To date, its produced hundreds of memes, earned tens of thousands of followers, and its administrators occasionally venture out to a May Day parade or leftist event in character.

As a result of the memes, Posadas has become (in the Anglosphere, at least) one of the most notorious names in the pantheon in the history of revolutionary socialism outpacing his rivals and, at times, even overtaking Trotsky himself in terms of Google searches. Some have criticized the enthusiasm as cruel, citing a false rumor that Posadas was driven mad through torture, or that the Posadas memes do not take seriously the history of a movement that made heroic contributions to the South American labor movement and saw dozens of its militants killed and tortured.

Its a fair point, and thats part of why the bulk of my book offers a sober history of the Posadist Internationals origins and politics. But I also see a side of that is more positive. Young leftists today find themselves in between a century of counterrevolution and a future that seems destined to continue slowly sinking into dystopia. Posadas, who came to prominence in the 1950s as the spread of colonial revolution made it common for revolutionaries to believe a nuclear third world war was imminent, was the most extreme catastrophist thinker believing the war was both necessary and desirable, and that utopia was on the other side.

So, one way to read the Posadist memes, in absence of a potential world war between communism and capitalism, is that were fucked, drop the nukes, get it over with already. But theres also openness to another possibility that something strange and unexpected could happen, the emergence of a new Lenin, a mass, religious-like awakening of the working class, or a disaster that devastates the dominant order leaving the working class to rebuild the world on our own terms. Essentially, anyone who believes communist revolution is possible thinks something like this, even though to most people thats as ridiculous as waiting for the aliens.

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J. Posadas, the Trotskyist Who Believed in Intergalactic Communism - Jacobin magazine

Recent happenings related to Arizona Wildcats football, gathered from various sources:

Has the NFL draft punditrys disdain for Khalil Tate gone too far?

The former UA quarterback and one-time Heisman Trophy hopeful is generating little if any buzz entering the draft, which is set to begin April 23. Tate unquestionably was hurt by the cancellation of Arizonas pro day, where he would have been able to meet with NFL team representatives and show off what he learned from training with Donovan McNabb. The way the 2019 season ended for Tate didnt help either; he lost his full-time starting job, and the Wildcats lost their final seven games.

Still, Tate is an elite athlete with considerable arm talent who, if coached up, could fill a Slash-type role for a team along the lines of what Taysom Hill has done for New Orleans in recent seasons. Tate might have to do it as an undrafted free agent, though.

In The Athletics superb and extensive 2020 NFL Draft Guide, released earlier this week, analyst Dane Brugler ranks Tate as the No. 38 QB prospect in the draft. Some of the players ranked ahead of him: Kevin Davidson of Princeton, Reid Sinnett of San Diego, Kai Locksley of UTEP, Case Cookus of NAU, Ben DiNucci of James Madison, Roland Rivers III of Slippery Rock, Nick Tiano of Chattanooga, Jalen Morton of Prairie View A&M and Kurt Rawlings of Yale.

Because hes in the Best of the rest category, Tate doesnt have a writeup in the guide, which is available to anyone who has a subscription to The Athletic. We reached out to Brugler for his take on Tate:

Tate is tough because he's going to have to change positions for the NFL (in my opinion), but we don't really have any evidence of what he can do elsewhere. I was told he refused to do any receiver drills during the process before the pandemic shut everything down. You're right about the athleticism, though, which is why he'll get in a camp.

Would the scouting community view Tate differently if he had committed to moving to wide receiver and had an opportunity to display those skills at pro day and/or private workouts? Maybe. It would have shown a willingness on Tates part to be a team player and might have quelled some of the makeup concerns that also undoubtedly are dogging him during this process.

Pro Football Networks Tony Pauline ranks Tate as QB36. Bleacher Reports Matt Miller ranks Tate as the No. 24 quarterback prospect, which still would put him in the undrafted-free-agent bin. Over the past five years, an average of 11.2 quarterbacks have been selected. The peak was 15 in 2016.

The Athletic projects Arizona tailback J.J. Taylor as a seventh-round pick or priority free agent. Thats consistent with other seven-round mock drafts.

CBSSports.com projected Taylor to go in the seventh round to the Minnesota Vikings. USA Todays Draft Wire had Taylor going to New England in Round 7. Draft Wire also had the Patriots selecting UA cornerback Jace Whittaker in the sixth round. Brugler projects Whittaker as a priority free agent.

Here's Bruglers summation of Taylor:

Taylor is a quicker than fast athlete who loves to punch the gas instead of tapping on the brakes to attack defenses. While he should be commended for hurried decisiveness in the backfield, if he showed better discipline with his reads, he would see bigger holes about to open. Overall, Taylor has the shifty feet, soft hands and go-go-go play attitude that makes him a fun watch, but it will take the right situation for him to earn a roster spot as a change-of-pace option.

Taylor also received some love from CBSSports.com draft writer Chris Trapasso, who tweeted that Taylors effort vs. Stanford last season (133 scrimmage yards on 21 touches) was one of the best performances at the position in this draft class.

Arizona had offered scholarships to 161 class-of-2021 prospects as of Wednesday afternoon, according to 247Sports database. The UA is on pace to eclipse its total from 2020 of 258, which was higher than any of the previous three recruiting cycles.

Where are those offers being sent? What positions do those prospects play? Starting with the 2021 crop, we examined the past five rounds of offers. Here are some of our findings:

2017

Calif. 35.96%

Texas 7.39%

2018

Calif. 35.06%

Texas 19.48%

2019

Calif. 31.03%

Now, more than ever, the world needs trustworthy reportingbut good journalism isnt free.Please support us by making a contribution.

Texas 25.62%

2020

Calif. 22.09%

Texas 22.48%

2021

Calif. 25.47%

Texas 27.95%

We recently had a chance to catch up with Marcus Griffin, a former defensive lineman at Arizona who lives in Bellevue, Washington in the heart of ground zero for the coronavirus outbreak in the United States.

A four-star recruit from Bellevue High School, Griffin appeared in 11 games for the Wildcats from 2015-17, recording five tackles. He spent the 2018 season as a grad transfer at Central Michigan, where he made 12 stops in 11 games.

Griffin graduated with a degree in social behavior and human understanding from the UA before earning his MBA at CMU. Hed like to work in a college football recruiting department one day.

For now, Griffin works in corporate sales. He got a job in that field in Seattle after moving home in December. He currently lives with his parents, who run the Enchanted Cuts hair salon for kids in nearby Redmond. Like most everyone else, the three are stuck at home for the time being.

Heres a snippet of our conversation with Griffin:

Bellevue is adjacent to Seattle. What has it been like there over the last month or so?

A: Bellevue is kind of like a utopia. Its a real city, but it doesnt feel like a real city. Its like Scottsdale but on steroids. Theres a lot of old wealth here. Microsoft, Amazon, Nordstrom, all those families are here. So this place is different.

Obviously, the city has (shut) down. You dont see as many people outside. Other than that, I havent really been able to tell the difference. A lot of people got old money, so this isnt a situation thats going to hurt them right now. Maybe in the long run, but not currently.

Whom do you see on a day-to-day basis?

A: My family. Nobody else. Just my mom and dad. Thats it. I havent seen my friends We actually had some beefs about it. I dont know who youve been around. I dont know who your familys been around. Id just rather not risk it.

This doesnt seem like a good time to have a hair salon.

A: My mom is a saver to her core, luckily enough. Were fine. I havent felt any change to our lifestyle. Shes always had that mindset of, Id rather save for a rainy day. If she had the mindset I have, wed be feeling it. Im in a great position with my job to where I could afford everything in my (own) household if I had to, but I havent had to.

Does it seem like people are scared there?

A: I wouldnt say scared. But I would say more cautious and more aware. I think in the beginning people thought this was a joke. They didnt take it seriously. I was fortunate. My parents did a lot of research in the beginning and saw that this could be a potential issue for us.

Whats your advice for people who are dealing with isolation, loneliness and other issues during the pandemic?

A: Were all different as human beings and what it takes for us to function and live our daily life. Make some goals. Come out of this wanting to get some things accomplished. I want to listen to a couple audio books. I want to lose 15 pounds. I want to learn some new things.

If you dont come out of this smarter, healthier, more in shape, more attuned to yourself, youre just wasting time. You gotta do the time instead of allowing the time to do you.

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Arizona Wildcats football roundup: Fall of Khalil Tate QB38 according to one NFL draft analyst is hard to fathom - Kokomo Perspective

Music

Back in the music industrys 1990s boom, when tenner-a-pop CD sales were skyrocketing, going on tour was a good way of shifting more product. After digital piracy burst that bubble in the early 2000s, however, touring became more of a financial necessity, creating a new, lopsided business model only accentuated in recent years by the rise of subscription streaming services. With gigs and festivals essentially banned under new measures to stave off the spread of coronavirus, how can we help artists who can no longer tour?

Readers of a certain age will remember the thrill of holding an album in their hands but, guess what? They still make physical product! Vinyl sales are booming, you can still buy CDs and in nostalgia news cassettes are back, too. If there is nothing that immediately takes your fancy, maybe buy a voucher from an independent online retailer for later. Or, if your favourite act has recently put out a not-at-that-price lavish box set, such as Bjrks Utopia collection featuring 14 handmade bird call flutes, or Depeche Modes MODE, in which all 14 of their albums come housed in an elegant black cube, now might be the best time to treat yourself to a days worth of B-sides, remixes and forgotten radio sessions.

The rise in touring has also meant a rise in merch, most of which is readily available directly from artists official websites, and has evolved to include not just T-shirts and caps, but tote bags (lo-fi pop experimentalists Girl Ray have a particularly fetching pink lipstick one), pillows (including a very sweary Cupcakke one), socks adorned with Aussie DJ and producer Flumes name, FKA twigs shoelaces and with time on our hands, why not sex toys from the likes of Marilyn Manson and Sophie. Or, if your fave act is too cool for an official online shop, try Bandcamp, which only takes 10% for merch and music sales, and doesnt charge artists to upload their music in the first place (the site has also started waiving its revenue share completely on certain days to boost direct sales for artists).

The knock-on effect for future tours and festivals looks grim, but at least with the shows that have already been postponed financial losses can be sutured if people keep hold of their tickets where possible, rather than asking for a refund from promoters that likely dont have the money any more. If classical music is more your thing, then you could spend a lockdown night at the opera (Opera Norths acclaimed Ring cycle is on its website), or how about soothing your fears with the London Symphony Orchestra, who are streaming full-length concerts every Sunday and Thursday evening. And, if more acts are going guerrilla and doing online gigs as pop newcomers L Devine and Yungblud have done recently then lets all pop a dressing gown on and get involved. A sense of community is what we need right now.

MC

Outside the Royal Court theatre in London, the play banner reads: Back soon. At the Battersea Arts Centre, a new sign reads: Hope. Theatres have temporarily gone dark, but the response from the theatre industry has been swift, optimistic and tirelessly creative.

A number of online theatrical enterprises have already emerged. The Show Must Go On will see the complete plays of Shakespeare read live on YouTube. A festival of musical concerts are to be streamed live from Londons Theatre Caf, and Notflix featuring some of the UKs top female improvisers will be performed on Facebook live throughout spring.

Enterprising artists are moving their work online. Christopher Greens No Show, about a performer who would rather stay at home than perform live, streams on the web-conferencing platform Zoom in March and April. The bods behind Showstopper! The Improvised Musical filmed one of their last productions before the shutdown. Kieran Hurleys Bubble is streaming until 23 April: it was rehearsed and recorded on Skype, is set entirely on Facebook and is written in text-speak and emoji.

Theatres are working hard to support their emerging artists. The Kings Head, Papatango, Southwark Playhouse and Lutons Next Generation Youth Theatre are offering a selection of online advice sessions, workshops, play-reading clubs and choreography courses. The Bruntwood prize website includes interviews, mini-plays and live-recorded workshops by David Eldridge, Jo Clifford and Winsome Pinnock. (Bruntwood recently received an email from a woman in lockdown in Italy, delighted to be able to learn things that would otherwise be unreachable.) All the Webs a Stage will feature a variety of live performances to raise money for artists struggling during the pandemic. The BBC has launched a virtual festival of arts, and Manchesters HOME has launched a range of online theatrical experiences, including new work from Chris Thorpe and Bryony Kimmings.

The National Theatre and Shakespeares Globe have particularly brilliant online catalogues. Bloomsburys Drama Online is a treasure trove for students, and LIVR which provides recorded theatre in 360 VR is available for a subscription fee. Amazon Prime also includes a healthy selection of live-recorded theatre, including Rent, Company, Billy Elliot and Cats. And yes, its the Elaine Paige Cats. And yes, its heaps better than the film.

MG

When gallery doors shut, art fairs are cancelled and public space empties, survival for many artists looks tough. Ordinarily, most make ends meet via a tangled web of teaching gigs, squeezed funding bodies, public projects and, sometimes, selling work. Can art lovers help out?

Art dealers have sold to those with deep pockets on the strength of Jpegs for a long while. So, if you are a wealthy collector, keep buying. For everyone else, the good news is that there are ways you can support artists and experience new work from the safety of your living room. Artists prints, individually made books and other editions are often touted as a collector entry point. Art book publisher Phaidons platform Artspace has a bit of everything, with art historical greats for sale alongside newbies.

Another way to help protect the system artists depend on is to buy works specially created to support not-for-profit public spaces. Cubitt, the cutting-edge gallery and artists studios in Islington, north London, sells everything from a tote bag to a 3,000 print box online. Among the editioned prints at Bristols Spike Island, Andy Holdens Lecture on Nesting with its cocoon-building birds offers apt imagery for days indoors. Available through BALTIC in Gateshead, top painter George Shaws prints circle the housing estate where he grew up.

But sales are just one part of arts fragile ecology. Spreading ideas and keeping people engaged is essential. Commercial galleries, from international big gun Pace to smaller operations such as Londons Kate MacGarry are now organising shows and talks online. The charity Art UK, meanwhile, is inviting everyone to curate their own virtual exhibitions from the 216,000+ artworks it lists from the UKs public collections. For original digital art commissions, there are a few institutions that have long led the way in terms of what is achievable in the virtual world. Among the Serpentine Galleries current web projects, you can navigate Suzanne Treisters The Escapist BHST (Black Hole Space Time). With its promise of inter-dimensional travel to see painting archives in new universes via your computer screen, The Escapist certainly feels like art for our housebound moment.

SS

Comedians are uniquely exposed by the outbreak. Their counterparts in theatre and music, visual art and dance have received words of support with actions promised to follow from the Arts Council of England and other organisations that exist to support them. Not so comics, whose work individualistic, largely unregulated and mostly funded by ticket sales is not recognised by the arts bodies.

The flipside is that they may be more entrepreneurial than practitioners of other artforms. They are certainly well versed already in retooling their skills for digital media. The dictum about a technology only really existing once it is used to create porn could equally be said of comedy. In the time since the Covid-19 shutdown, there has been an uptick in the number of comics making material available online. If you want to help out struggling standups, look no further than NextUp, the so-called Netflix for British standup which has nearly 200 downloadable sets from the cream of fringe comedy and shares revenue from downloads directly with performers.

Comedian and activist Mark Thomas has launched another streaming initiative with the DVD label Go Faster Stripe. Each week, a comic will have one of their standup specials broadcast for free in exchange for a donation to the crisis-relief charity the Trussell Trust. One of the acts signed up is Richard Herring, who has also contributed to NextUps #hecklethevirus crowdfunder to help comedians stay afloat during the pandemic. At time of writing, it had raised 81K of an initial 100K target.

Trading in moral support, if not yet money, the indie comedy producers Berks Nest and Fight in the Dog are offering advice sessions for the comedy industry using Zoom. Several of their acts, meanwhile, are likely to be appearing on Robin Inces hastily cobbled together Stay at Home festival, a daily (sometimes twice daily) livestream promising chat and entertainment from comics, scientists and artists, Chris Hadfield, Sara Pascoe, Mark Gatiss, Jo Brand and Prof Brian Cox among them. It is free to watch, but donations are requested for performers and venues most in need in these difficult times.

BL

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How to help struggling artists and take in some great culture - The Guardian

ArenaNet has never shied away from showcasing its unique art style. Three years before Guild Wars 2s launch, it released The Art of Guild Wars 2, a 128-page book full of lavish illustrations and introductions to many of the people and places in the game that players would become familiar with over the next decade.

In conjunction with Dark Horse, ArenaNet has now released its second Guild Wars art book, commemorating the companys 20th anniversary and offering a look at the progression of the series art style through both games. The Complete Art of Guild Wars: 20th Anniversary Edition (MSRP: $39.99) is a thicker (208 pages) volume filled with even more eye candy and text descriptions from the two games and all their expansions and even the cancelled Guild Wars: Utopia project. No, there arent spoilers for the third Guild Wars 2 expansion, unless I missed one in my brief skim-through.

Its still quite the package, and a worthy addition to the collection of any Guild Wars fan. You can pick it up via the Dark Horse website, which sells the book direct as well as providing links to several online retailers.

Disclosure: ArenaNet provided MMOBomb with a copy of this book.

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ArenaNet Looks Back At 20 Years Of Guild Wars Art In New Book - MMOBomb

After confirming were both on board with chicken liver pate (with hazelnut craquelin and spiced cherry), we order some dishes to share: the intriguing sounding sweetcorn madeleines with crab, the huge, single raviolo with chicken and shitake and a salad of heirloom tomatoes, macadamias and ricotta.

Frederic's grass-fed porterhouse steak.Credit:Joe Armao

Jayasinha cant choose between the glazed lamb scotch and the grass-fed porterhouse steak. So he orders both. Seriously. He declines the side serve of fries, though.

The steak is only a small serving, he says. Im quite comfortable having two plates in front of me.

And not just at home. Jayasinha tries to perform a gig as often as possible, and eats out almost every night. Ive given up trying to decide between which pasta I want, he says, explaining that he routinely orders two.

But he's not a monster: Ill have two separate forks. I dont want to mix the sauces.

Jayasinha taking photos for social media.Credit:Joe Armao

He shares these double pasta meals on social media, and fans now send him photos of when theyve done the same thing.

It does confuse wait staff, he says. He has left his two meals for a bathroom break only to return and find the table has been cleared away: So my main motivation for being in a relationship is to find someone to watch over my food.

Im just amazed he can eat so much and maintain his weight. The double-pasta days, he explains, are his cheat days, from the strict diet he followed while losing the weight.

I would have six days eating no carbs and sugars and then on the seventh day, you can eat anything. That was the day Id go and find a pasta place. Hes unfazed by what other diners think (our waiter is bemused at his double main-course order).

We share some mineral water; Jayasinha no longer drinks, something that must be tricky for someone whose career takes place in bars and licensed venues, late at night.

The chicken and shitake raviolo at Frederic.Credit:Joe Armao

Absolutely, I miss it. I would say, daily. I could probably have just a couple tonight, and ... a couple tomorrow and the next night, but somewhere in the future, that couple would become three, and the three would become 10-plus. Its easier for me to say zero, than to open that up, he says. As difficult as it is to be sober, it was difficult to deal with getting that drunk.

Our first dishes arrive, and after a mouthful of pate, Jayasinha holds up his hand. Ive just gotta take a moment; I need to process this, he says. Ive been trying to do more of this take a bite then leave my cutlery on the table until I finish the mouthful.

Jayasinha in 2016, before his dramatic weight loss.Credit:Wayne Taylor

Hes previously shared his weight-loss journey in his stand-up and now, after a couple of years of therapy and healthier living, hes finally comfortable with himself after years of self-loathing.

But now at this place where Im so comfortable, Im not sure I want to share it with anyone else.

His new show, Victorious Lion, (the name is the literal translation of his Sri Lankan surname) is a meditation on his newfound peace with himself.

It picks up where Ive not fixed myself completely, but Im comfortable with my mental health, and questioning, can I bring someone else into that picture? Its a new world for me, feeling self-confident and assured,'' he says.

It doesn't feel fair that someone might be interested in me now, when I actually needed them in my 20s.

Really, though, hes happy alone for the time being.

I come home and Ive got a bed to myself and I stretch out. I can go to the supermarket and get prosciutto and I dont have to share it, he says.

You can eat it naked, straight from the packet?

Thats it. At the supermarket, too.

Conversation with Jayasinha is relaxed; hes as interested in my views as giving his own, there are no "showbizzy" pretensions.

Jayasinha, far right, in ABC TV's Utopia.Credit:Hwa Goh

Im not that funny all the time, he says. I hate small talk. I like to ask about dark things, or what inspired people to get into their jobs. Im actually earnest.

When we meet, hes just back from a successful run at Adelaide Fringe Festival, and is preparing for the Melbourne International Comedy Festival.

Since then, of course, the world has changed and the festival has been cancelled.

By email last week, Jayasinha says that like everyone in the industry, hes trying to figure out ''where to from now''.

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It's a day-by-day challenge. Some days are a win where I've managed to eat healthily and do some physical activity but also tick off some work tasks, he says. Then there are other days where I've not changed out of PJs and I ate 1.5 litres of gelato at various points. But I've been prioritising finding a routine that works for me, and a big must-do each day is making a few calls to family and friends.

Hes also installed the video-sharing app Tik Tok, but is yet to upload anything, and has invested in a guitar, a keyboard and an electronic drum kit, despite having no musical skills.

This is in addition to the juggling balls I bought.

Jayasinha has been steadily making a name as a comic for the past decade, after moving to Australia from Sri Lanka in 2004 to study accountancy, a career that might be considered the antithesis of comedy.

It's a day-by-day challenge. Some days are a win where I've managed to eat healthily and do some physical activity ... Then there are other days where I've not changed out of PJs and I ate 1.5 litres of gelato.

He graduated and landed a job with one of the big firms, before moving to a smaller company where he worked for several years.

But crunching numbers was never his passion.

To begin with, the comedy was something on the side after he tried out at an open mic gig. He was instantly hooked, even though he bombed.

That was why I knew I had to do it because I loved it so much despite being shit at it, he says.

He was though, a funny kid: if he could make his brother laugh, his brother would go into their mums handbag and pay him 10 rupees.

If it was a really good joke hed give me 20, Jayasinha says. People would have described me as being funny, but there was always someone funnier than me.

As his stand-up career grew, little by little he shaved off his days in the office until for about six months, he was working as an accountant just one day a week.

Eventually, my boss was like, do you really need this job?.

While he doesnt miss the work (and declines to do my taxes), he misses his former colleagues; he still goes to the office Christmas parties.

And my ex-boss is my current accountant. Its a nice circle.

By the time our (three) main courses have been cleared, weve talked food weaknesses (Jayasinha cant resist good bread and butter), his tight-knit family, (he visits his parents in Sri Lanka three times a year), the divisiveness of comedy (In comedy, if you dont like what I find funny, then I cant believe that person thinks thats comedy. People get very passionate about it.), his new approach to exercise (I try and look at it as a celebration of what your body can do rather than a punishment for what you ate.) and his love of The Age crossword and sudoku. Im impressed hes a regular reader until he reveals he just steals that one page from cafes.

But Im paying for the coffee that ends up paying for the paper!

Completing the crossword, he says, is his one daily consistency.

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In my job, there are a lot of variables. The mood of the crowd can change the show; if they've come in from the rain, from a hot day, if theyve been waiting for too long in the line, theyre drunk or tired, he says. But theres only 26 letters that can fit into that grid, and only nine digits for sudoku that have to go somewhere.

Like most of his socially distanced comedy peers, Jayasinha hopes he can get his material out to fans in other ways; his podcast Fitbet, originally set up with fellow comic Ben Lomas as a bet to see who could get their weight down to under 100kg first (for $1000), will continue; the pair will record over Skype.

And disappointed fans hoping to see Jayasinha at this years comedy festival can at least enjoy his TV special, streaming later this month.

In the meantime, perhaps its time for Jayasinha to tackle cooking?

Im still playing around with my old uni day staples of rice and cans of tuna, he says. But I think perhaps fine dining deliveries are the way to go.

Live: Dilruk Jayasinha, filmed at the Malthouse, available on Amazon Prime from April 24.

THE BILL PLEASE

Receipt for lunch at Frederic in Cremorne.

Frederic, 9-11 Cremorne St, Cremorne. 9089 7224. (Temporarily closed; usual hours: Mon-Fri 11.30am-11pm; Sat 5pm-11pm; Sun 11.30am-3pm.)

Kylie Northover is Spectrum Deputy Editor at The Age

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Food was never the problem for Utopia comedian Dilruk Jayasinha - Sydney Morning Herald

Another week of pandemic chaos. Markets roller-coastered; unemployment claims broke a record, and the D-word is now being thrown around. Let's get started:

Recession or Depression? Well, it was inevitable, I guess, given the way things have been going that the words "depression" and "economy" would come up. "For the first time in my life, I think a depression is conceivable," writes Washington Post economics columnistand former NewsweekerRobert Samuelson. Bob is a very smart guy and not one for hyperbole. So, when he says we might already be in depression-land, pay attention. In the past two weeks 10 million jobless claims were filed with more to come. The likes of Boeing, Macy's and American Airlines all piled on the country's workers through a combination of pure layoffs, salary cuts and furloughs. Last Thursday's Kaiser Family Foundation poll found that 39 percent of those surveyed have been laid off or have lost income. The equities markets continued to strugglethe S&P 500 was down 2.3 percent for the week. Let's be clear: I don't know what's going to happen and no one else does either. But it's pretty clear now that any recovery from what my colleague Bill Powell calls a "medically-induced depression" isn't going to happen soondespite predictions for a third-quarter bump only a week or two ago. I'm not all that sharp, but the impact of the pandemic, psychologically at the least, isn't going to suddenly evaporate after we're on the other end of the curve. After all, 70 percent of the GDP is consumer spending and I doubt folks, pre-vaccine, will be rushing back to restaurants, movie theaters, baseball parks and Cabo San Lucas once Dr. Fauci gives us the green light. Also keep in mind that that state budgets will be slammed, property and other taxes will go upand folks will be trying to find jobs at places that may not be in business anymore. (Business.com says about 62% of small businesses in its recent survey said that they have just two months or less before they go under if things don't improve.) Never mind that people, if they have jobs, will be trying to replenish their 401(k)s. I could go on. Ugh.

D-Books: If you are tired of the Tiger Kingand I, unlike many of you, was after the first episode consider something a little heavier. Given the state of the economy, I asked David Warsh, the editor/writer of the terrific weekly newsletter Economic Principals, for some essential reading on big-time economic downturns. (Yeah, I know, many of you are onto the next item...but still I persist.) Among his favorites: Dancing in the Dark: A Cultural History of the Great Depression by Morris Dickstein; (Music, movies and dance halls included) Lords of Finance: The Bankers Who Broke the World by Liaquat Ahamed ("A spell-binding narrative account of the run-up and subsequent foul-up," says Warsh); and for you economic geeks only: The World in Depression, 1929-1939, by Charles P. Kindleberger. OK, back to Joe Exotic.

Stepping-Up: If anything good comes out of the coronavirus plague it may be the positive response of many business folksbig, small and in-betweenwho had been hammered pretty hard as greedheads by various candidates during the Democrats presidential nomination race . Some of my favorite examples: Columbia Sportswear CEO Tim Boyle slashed his salaryand the pay of his executivesso his 3,500 retail store workers could continue to get their paychecks. Aflac CEO Dan Amos, through his family's foundation, donated $1 million to the Piedmont Columbus (Ga.) Regional Hospital. The money will be used to convert the hospital's fifth floor to a Covid-19 ward, including seven new intensive care units. Then there's Tarrytown, New York's Regeneron Pharmaceuticals, which plans to produce 500,000 coronavirus test kits for the stateno charge. And, from The New York Times, Brooklyn landlord Mario Salerno canceled April rent for scores of tenants. Take a bow.

Loose Change: Country star/legend Willie Nelson announced his 70th(!) studio album. First Rose Of Spring. The single of the same name was co-written by friend of Newsweek Marc Beeson along with his song-writing partners Randy Houser and Allen Shamblin. Instant review: One hundred stars from me...HR Hell: Charleston Post and Courier columnist Steve Bailey worries that the massive collection of coronavirus data will have a bigand negativeimpact on privacy in the workplace. Will employees be required to certify they are coronavirus-free? Will testing be required before employment? Just like drug testing is now by many companies?...And finally, a couple of many goodbyes in the music business. Adam Schlesinger, 52, the founder of the pop-rock band Fountains of Wayne passed on due to COVID-19 complications. Too little space here to list his accomplishmentsEmmy awards and, of course, "Stacy's Mom" but all I can say is that I spent hours listening to FOW in my car with my kids. I think "Utopia Parkway" was our favorite. Bill Withers died at 81 from heart problems. Three Emmy awards and the mega-hits "Stand by Me" and "Ain't No Sunshine" are on his CV. Legendary...Til' next week, be safe and remember: you can report hoarding or price gouging of personal protective equipment to disaster@leo.gov. Or Jared Kushner.

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Depression, Depression Books, Do-Goodersand Willie Nelson's 70th Album | Opinion - Newsweek