In the age of the unprecedented, this is Liverpool’s shot at immortality – The Athletic

A week or so after Liverpool lifted the European Cup last June, a conversation with a figure who holds significant influence across the corridors of Anfield left me surprised by the height of the clubs ambition.

The Premier League had to be the next target, I suggested which, of course it was, even if that involved the enormous challenge of overhauling Manchester City. I was reminded, however, that there was room for even greater improvement and the big aim involved gathering both domestic and European footballs grandest prizes in the same season. Liverpool, after all, had been only two points away from achieving that feat in 2018-19.

Id always imagined Liverpool winning a first league title since 1990 in the most dramatic of circumstances. In nearly all of the other competitions where success has been realised since the last time the club were domestic champions, that is largely the way it has been delivered.

In 2001, Arsenal were close to being...

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In the age of the unprecedented, this is Liverpool's shot at immortality - The Athletic

Rams, Bears, Jaguars and Other NFL Teams That Find Themselves in Salary-Cap Hell – Bleacher Report

Stephen B. Morton/Associated Press

Welcome to the Salary Cap Inferno, the bad place where teams are punished for their financial sins of the past.

NFL free agency is fast approaching, and while some teams are getting ready for a spending spree, others find themselves in financial H-E Double Hockey Sticks. Instead of bidding on big names and hoping to get better, they'll be forced to let their own free agents go, release or restructure the contracts of some of their starters and hope the austerity program doesn't make them significantly worse.

There's more to the Cap Inferno than just being low on cap space. Teams that have lots of budding superstars under contract, are a heartbeat away from the Super Bowl or know they are preparing for a full-scale rebuild don't qualify. The rings of the Cap Inferno are reserved for teams guilty of overspending, bad planning, wishful thinking or living the high life for too long, plus some minor venialsins like inking a few too many regrettable contracts.

So abandon all hope, ye who enter here: It's time for a truly hellish journey through the realm of salary-cap nightmares.

First Ring of the Cap Inferno: New England Patriots (Cap space: $41.7 million)

Mortal sin:Striving for immortality

If you remember reading (or skimming, or staying awake while the teacher explained) Dante's Inferno, you know that thefirst ring wasn't all that bad.It was like an extended-stay airport hotel for nice folks who didn't follow Dante's preferred religion, with no demons or pitchforks or such. Well, the first ring of the Cap Inferno isn't so bad, either. The Patriots get to polish their Lombardi Trophies while pondering the consequences of trying to make their dynasty last forever.

A huge chunk of that $41.7 million in paper cap spacelet's estimate about $30 millionis probably earmarked for Tom Brady. The rest must be distributed among starters and contributors like safety Devin McCourty, guard Joe Thuney, defenders Jamie Collins and Kyle Van Noy and a host of others. The Patriots must also try to find a way to significantly upgrade their wide receiver and tight end corps, because Brady now needs a supporting cast to elevate his play instead of the other way around.

Of course, the Patriots could let Brady walk and start over, which would solve their cap problem by replacing it with several much larger problems.

Penance

The Patriots are sentenced to discover what every other team has gone through in the offseason for 20 years. They'll have to draft for immediate needs instead of looking three years down the road. They may be forced to part with players they want to keep. They won't be hailed as geniuses for signing 33-year-old slot receivers or defensive cast-offs.

Maybe they can figure it all out and remain in the playoff picture. But it's been a long time since the Patriots have been forced to figure out ways to merely remain in the playoff picture.

Second Ring of the Cap Inferno: Los Angeles Rams (Cap space: $14.7 million)

Mortal sin:Building a tiny Super Bowl window

The Rams assembled their roster and their budget around winning in 2018 or 2019, and they almost pulled it off. But they now must pay the price. Their ledger is top-heavy with massive cap numbers, a few of which are worth the money (Aaron Donald at $25 million), many of which are not (Jared Goff at $36 million), and at least one of which needs to be renegotiated pronto (Jalen Ramsey at $13.7 million in the final year of his rookie contract).

The Rams also traded away their first-round picks until 2022 for Ramsey, leaving them with neither an easy way to get better nor an exit strategy for moving on from pricey veterans.

Venial sin:Seduced by rushing stats.

The Rams arereportedly working on waysto extract themselves from the clutches of the extension they gave Todd Gurley II in 2018, which runs through 2023 and will cost $17.25 million in cap space this season for near-replacement-level running back performance.

Penance

The Rams are sentenced to tread water at the wild-card level for the foreseeable future. They may be forced to spend a chunk of their little available cap space this offseason retaining 38-year-old left tackle Andrew Whitworth so the whole offensive line doesn't crumble, taking Goff and Gurley with it. Deals like that will only result in the roster getting older and more expensive before it gets better. But the Rams have so much invested in Goff and others and so little draft capital that they couldn't rebuild even if they wanted to.

Third Ring of the Cap Inferno: Minnesota Vikings (Cap space: Minus-$11.2 million)

Mortal sin:Trying to go 10-6 for all eternity

The Vikings started building their current playoff nucleus circa 2015 and have done everything to keep it together for as long as possible. That's an admirable goal, but recent deals with veterans like tight end Kyle Rudolph (he'll cost $8.8 million in cap space this year thanks to last summer's extension) and linebacker Anthony Barr ($12.7 million in cap space afterlast year's dalliance with the Jets) are starting to yield diminishing returns, with the Vikings paying premium prices for good-not-great performances by players near the ends of their peaks at too many positions.

Venial sin:Overpaying an ordinary quarterback

Yes, Kirk Cousins (who will eat $31 million in cap space this season) played at an All-Pro level for much of last season. And yes, that was as good as he will ever get, and he still played poorly when the Vikings lost to a similarly constructed 49ers team in the postseason.

Overpaying for a Cousins-type is the NFL's original sin: the sin of pride. General managers and coaches think they can turn sturdy quarterbacks into champions, and they end up with sturdy results instead of championships.

Penance

The Vikings are sentenced to more years of Cousins. The best way for them to get out of cap debt and create a bit of breathing room will be to extend Cousins' contract so they can prorate money into future years. In the meantime, they will almost surely lose safety Anthony Harris, one of the NFL's best young defenders. The Vikings worked hard in the past to keep players like Harris, but the money they would like to use to pay him is now going to older guys like Rudolph and Barr.

In other words, the Vikings are destined for more seasons of paying big bucks for wild-card berths. It's a road they paved with the best of intentions.

Fourth Ring of the Cap Inferno: Chicago Bears (Cap space: $5.5 million)

Mortal sin:Trying to "win now" when the team was not ready to win

Khalil Mack will cost the Bears $26.6 million in cap space this season thanks to prorated bonuses from the extension he signed when the Bears traded for him in 2018. Mack is a great player, but that's a franchise-quarterback-sized cap hit, and the Bears are a team without a franchise quarterback.

Venial sin:Overspending and overcompensating on offense

Trey Burton, Taylor Gabriel and Cordarelle Patterson are set to eat up $20.3 million in combined 2020 cap space to be a versatile-but-unspectacular tight end, your average speedy slot guy and a gadget-play specialist/kickoff returner, respectively. That's a lot of money invested in trying to cosplay the Chiefs offense. The Bears are also paying their offensive line a ton of money for some very humdrum results.

The Bears could do some cap-cutting here, but that would just leave Mitchell Trubisky with fewer weapons and weaker protection, and the Bears offense is barely functional with what he has now.

Penance

The Bears will slowly drown, dragged down into the murky depths by Trubisky's performance, Mack's cap number and the front office's refusal to admit that either are a problem. Before they finally disappear beneath the waves, look for them to part ways with expensive-but-useful veterans in the secondary like safety Ha Ha Clinton-Dix (a free agent) and cornerback Prince Amukamara (a likely cap casualty) as well as offensive luxuries like Patterson, like a sinking ship throwing food and provisions overboard.

Fifth Ring of the Cap Inferno: Jacksonville Jaguars (Cap space: Minus-$3.4 million)

Mortal sin:Utter mismanagement

So, your humble author was reacquainting himself with the Jaguars roster and cap situation when I came across the fact that someone named Jake Ryan has a cap figure of $6.2 million for 2020. My first thought was "Who on earth is Jake Ryan?" I don't pretend to know every 53-man roster in the league by heart the way Sean McVay does, but if a player is slated to earn $6.2 million, I usually know, like, what position he plays, where he went to college or what he did to receive a contract of that size.

Well, Ryan is a special teams gunner whom the Jaguars signed away from the Packers after he missed the 2018 season with an ACL tear. The deal included a $5.5 million option in the second year. That's right: The Jaguars were adding $5.5 million options to the contracts ofspecial teamers coming off ACL tears, and they were doing so after finishing 5-11 in 2018.

What were the Jaguars thinking? Also, what were they thinking when they signed aging defensive lineman Marcell Dareus to a contract with a $22.5 million option in 2020? Or slot cornerback D.J. Hayden to a deal that will cost them nearly $8 million in cap space this year?

If a team was trying to waste money on purpose,Brewster's Millions-style, it probably could not do a better job than the Jaguars. And we still have not gotten to the most notorious example yet.

Venial sin:Overpaying an ordinary quarterback

The Jaguars responded to their brief blip of 2017 success by spending $88 million on Nick Foles in 2019. What happened to 2018? Who knows? Time works differently in Jacksonville. Anyway, Foles will earn $21.8 million to back up Gardner Minshew II in 2020, and he would be more expensive to cut than to keepdue to the bonuses in his contract.

Signing Foles for $88 million makes what the Vikings did with Kirk Cousins look like investing in Microsoft stock in 1977.

Penance

The Jaguars can clear a lot of cap space in a hurry by cutting loose Dareus, Ryan and others and then doing their best to rebuild around Minshew. There are only a few problems: a) Minshew was fun to watch at times last year, but he ain't exactly Patrick Mahomes; b) there will be very little talent left to help Minshew develop if they stage a salary purge; and c) the same decision-makers who got the Jaguars into this predicament will be the ones in charge of the rebuild if it even happens.

In other words, the Jaguars are permanently sentenced to remain the Jaguars and wander in the wilderness without hope.

All cap figures courtesy ofOverTheCap.com.

Mike Tanier covers the NFL for Bleacher Report. Follow him on Twitter:@MikeTanier.

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Rams, Bears, Jaguars and Other NFL Teams That Find Themselves in Salary-Cap Hell - Bleacher Report

Author Ed McClanahan Revisits The Past With ‘Not Even Immortality Lasts Forever’ – Louisville Eccentric Observer

Kentucky author Ed McClanahan arrived at Stanford University in 1962 as part of an extraordinary post-graduate fellowship of creative writers that included Wendell Berry, Larry McMurtry, Robert Stone, Gurney Norman and Ken Kesey. Through his fast friendship with Kesey, McClanahan fell in deep with the Merry Pranksters, who were then in the process of perfecting a series of free-form, multi-media happenings, that came to be known as the Acid Tests, in conjunction with a local musical act that came to be known as the Grateful Dead. Amazingly, in the midst of all that insanity, McClanahan had the wherewithal to invite Tom Wolfe out to California to have a behind-the-scenes look, which resulted in The Electric Kool-Aid Acid Test, an era-defining adventure in New Journalism. More importantly, it was in those strange days that McClanahan also began inserting his own distinctive voice into the pages of Rolling Stone, Esquire, Playboy and the Last Supplement to the Whole Earth Catalog. All the while, he was still functioning as a visiting lecturer at various institutions, and tinkering with a bucolic manuscript that would eventually become his first novel, The Natural Man. That classic and the rest of McClanahans beloved books came to fruition only after he returned home to the Bluegrass State for good. Earlier this month, LEO Weekly caught up with the fabled storyteller at his Lexington office to discuss his lengthy literary life and the Mostly True Stories, that will land him back in Louisville this week for a special reading at Carmichaels Bookstore on Thursday, Feb. 20 to promote his newest release, Not Even Immortality Lasts Forever.

LEO: Do you think all those years as a teacher helped to make you a better writer, or did that experience distract you from paying more attention to your own projects?Ed McClanahan: Both. It definitely helped, though, because teaching the art of writing, year after year, forced me to reexamine my own techniques. Besides that, I had a captive audience for trying out new material.

Youve written for some major publications, but youve also said that placing articles in magazines and newspapers was like throwing your work down a well. What did you mean by that?Well, that thought occurred to me when my story Grateful Dead I Have Known first appeared in Playboy. I figured every barber shop and pool hall in America would have it in their racks, and that pretty soon, I was going to be known by every pool shark, everywhere. And sure enough my own barber had it on hand when I arrived for my next haircut, and when he asked me how I wanted my cut to look, I opened the magazine and pointed to the picture of me that ran with the story and said, I want it to look just like that. He nodded his head and then immediately turned the page over to the centerfold. I said, But wait, dont you see that the guy I pointed to is actually me! He really didnt care about me or that particular piece of writing one bit, and it was a hard way to find out that most people wouldnt. Eventually, it developed something of a cult following, however, and Ive met a lot of people over the years who told me how much they loved it, including [frequent Jerry Garcia collaborator] Peter Rowan.

There were some hilarious moments in that one, for sure. Speaking of that, who had the better softball team, Grateful Dead or Jefferson Airplane?I honestly dont remember. It was clear that both teams took it very seriously because they were always yelling something mean-spirited at the umpire, who happened to be Pigpen [Grateful Dead member Ron McKernan].

Have you read Michael Pollans last book, How to Change Your Mind? And do you agree with his assessment that your band of Merry Pranksters was partly responsible for sending LSD research underground?That was a thoroughly delightful book, and yes, Im sure that our early enthusiasm for acid generated its own blow-back. But thats like blaming the Wright brothers for the Boeing 747 crashes. Because psychedelics really do change the way one thinks and feels, and how do you keep such a momentous secret all to yourself?

What can you tell us about the stories that comprise your latest collection?Well, I like what the short story master William Maxwell said about his own fiction: I would be happy to stick to the facts, if there were any. I write what I like to call fiction-infused autobiography, by which I mean stories rooted in autobiographical fact, but which are also subject to the demands of good story-telling. So, I dont hesitate to amend or omit inconvenient trivia in service to a good, lively narrative. In that respect, I guess Im the quintessential Unreliable Narrator. But as my late West Virginia writer friend Chuck Kinder used to put it, Sometimes you just have to go where the story takes you.

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Author Ed McClanahan Revisits The Past With 'Not Even Immortality Lasts Forever' - Louisville Eccentric Observer

My Immortal: The Quest To Live Forever – KRCU

For years, Silicon Valley hasfundedgroundbreakingscientific research about extending the human lifespan.

From gene therapy,tomolecular biology, toartificial intelligence,we know more about the aging process than we ever have. And perhaps, were close to knowinghow toeliminate aging entirely.

From The Guardian:

Funded by Silicon Valley elites, researchers believe they are closer than ever to tweaking the human body so that we can finally live forever (or quite a bit longer), even as some worry about pseudoscience in the sector.

Scientists and entrepreneurs are working on a range of techniques, from attempting to stop cells aging, to the practice of injecting young blood into old people a processdenounced as quackeryby the Federal Drug Administration [last year].

Theres millions of people now who wont see death if they choose, said James Strole, the director of theCoalition of Radical Life Extension, an organization which brings together scientists and enthusiasts interested in physical immortality.

Is immortality closer to reality than science fiction? And if humans could live forever or at least, for a long time how would that shape what it means to be alive?

Originally posted here:
My Immortal: The Quest To Live Forever - KRCU

The Good Place finale: What was it really about? – Deseret News

Note: This article contains spoilers for all seasons of The Good Place.

The Good Place explored a lot of questions over its four-year run: Did Aristotle actually know what he was talking about? Is drinking almond milk a sin? Is it noble to fix a broken tricycle for a child who is indifferent to tricycles? And just what are the ethical consequences of buying a tomato?

But the biggest and most controversial question came during the shows finale last month: Is finitude necessary for life to have meaning?

The answer to that question is a solid no for Pamela Hieronymi, who was a philosophy adviser for the NBC sitcom.

Theres an ongoing philosophical debate about immortality and whether it would be a good thing or a bad thing, the UCLA professor told the Deseret News. The view that was taken by the show, namely that an infinite trouble-free life would be meaningless I disagree with that.

But Hieronymi made her mark on the show in other ways. Her influence began early on, as showrunner Michael Schur (Parks and Recreation, Brooklyn Nine-Nine) was developing the idea for The Good Place a story NBC gave him absolute freedom to create.

As he was reading Aristotle and toying with different conceptions of the afterlife, Schur cold-emailed the UCLA professor and asked if shed be interested in talking about the philosophy behind his show.

Hieronymi isnt much of a TV watcher, but she rarely turns down an opportunity to chat about ethics. So she said yes. A few days before her meeting with Schur, she Googled his name.

Oh wow, this is a big deal TV guy, she said.

The NBC sitcom about four people navigating the afterlife put an entertaining twist on philosophy. It also came with a lot of plot twists.

Twist No. 1: At the end of season 1 we learn that Michael, the charming architect played by a bow tie-wearing Ted Danson, is actually a demon. The self-absorbed Eleanor (Kristen Bell), indecisive ethics professor Chidi (William Jackson Harper), celebrity name-dropping Tahani (Jameela Jamil) and clueless Jason (Manny Jacinto) were in the Bad Place all along, selected by Michael to torture each other for eternity.

Twist No. 2: The four humans designed to torture each other had actually helped each other become better people. The rest of The Good Place follows the unlikely friends as they try to make it to the real Good Place.

Twist No. 3: The Good Place isnt that good.

In the shows penultimate episode, the group reaches its destination and quickly discovers that everyone in the Good Place is bored. Turns out having every desire instantly fulfilled is only exciting for so long. After some thought, Eleanor proposes an afterlife solution that the longtime Good Place residents approve with ecstatic cheers: the chance to leave.

Good Place residents can stay as long as they like, waiting for friends and family on Earth to join them. But when theyre ready, they can walk through a doorway that will presumably end their existence. Just having that option seems to immediately lift the residents spirits.

Hieronymi said that storyline reflects the view of the shows other philosophy consultant, Clemson professor Todd May, who writes in his book Death that the fact that we die is what makes what we do and who we do it with matter.

Both Hieronymi and May have cameos in the shows finale. Mays brief moment in the spotlight shows him discussing a line from Death with Chidi.

Hieronymi, who stands firmly on the other side of the debate, said she considers May to be an immortality curmudgeon.

I dont understand why you would think that removing the limit of life would suddenly deprive it of meaning, she said.

The final episode of The Good Place, which aired Jan. 30, shows Eleanor, Chidi, Tahani and Jason living through thousands of Jeremy Bearimys. They each live out their personal versions of paradise and resolve the issues they had on Earth. And eventually, they each peacefully come to the decision that their time in the Good Place is up.

But its Tahanis choice that Hieronymi said she respects the most. Instead of walking through the door, the socialite who spent her mortal life bragging about her faux philanthropy actually chooses to become a philanthropist, designing afterlife tests that will help more people make it to the Good Place.

In my opinion, Tahani got the right answer, Hieronymi said. I think thats the way I wouldve ended the show, is let it be this ongoing process of becoming better yourself and then facing the challenges of also helping other people as they come in.

Hieronymi has one line in The Good Place finale: Bring ponchos. It gets messy.

Its the warning she gives when Chidi who even in the Good Place continues to teach people ethics tells his class theyll be studying the trolley problem the following week.

Its the perfect line for the professor, who had a lot to do with The Trolley Problem episode from the shows second season in fact, at the start of that episode, Hieronymis name is written on the blackboard Chidi uses for his lessons.

To prepare for the episode, Schur invited Hieronymi to the writers room to break down the moral dilemma the trolley problem poses. Yes, most people would agree that its best to pull the runaway trolleys lever and switch tracks in order to kill only one person and save five, Hieronymi told the writers.

But what about a scenario where a transplant surgeon has five ailing patients each in need of a different organ? Do you sacrifice one healthy patient to save the other five?

Thats the Trolley problem, Hieronymi said. Why is it that were getting one answer in one case and the opposite answer in the other case? And thats used to sort of reveal that in the first case youre focused on outcomes like a consequentialist or utilitarian and in the second case you tend to focus on rights and respect what gets called a deontologist.

Those contradictions literally come to life in The Good Place. And the professor is right it gets really messy.

Throughout The Trolley Problem episode, Michael creates and recreates the experiment for Chidi and Eleanor and it turns out the problem is a lot more complex than it is on paper.

Its just a simulation; I would never make you kill real people, Michael calmly tells a traumatized Chidi, whose indecisiveness has caused him to run the trolley over five people.

Oh well thats reassuring because some of the parts of the fake people flew into my mouth! Chidi responds.

The Trolley Problem, in all of its hilarious messiness, is one of the shows most popular episodes. But it isnt Hieronymis only mark on the show.

Hieronymi almost stood Schur up for their first meeting back in the fall of 2015. A self-described absent-minded professor, she got lost in her musings and lost track of time. A phone call from Schur brought her out of that world, and she rushed down the street to the coffee shop to meet him 45 minutes late.

Over coffee, the pair talked for more than three hours, covering everything from utilitarianism to contractualism. Hieronymi liked the overall idea of The Good Place, but there were some aspects she disagreed with like Schurs idea of a point system that ascribes value to good and bad deeds determining who ends up in the Good Place (Example from the show: Hugging a sad friend gets you 4.98 points while stiffing a waitress costs you -6.83 points).

It absolutely generates this problem about the motives for doing the things that get you points, Hieronymi said. You cant aim at the points and earn them at the same time.

So Hieronymi introduced Schur to T.M. Scanlons What We Owe to Each Other, a book about contractualism that Schur has since called the spine of his show (the book is both a conversation piece and a literal prop throughout the series).

The professor used the example of a driver cutting off another driver to explain why its important to consider the implication of an action and not just the good or bad result of that action.

That person has maybe cost us 15 seconds in our attempt to exit the freeway. So the actual cost of that, the thing they actually brought about, wasnt a big deal, she said. But they think theyre special. The disrespect that they have shown is all out of proportion with the actual cost theyve incurred to us.

The central wrongdoing is thinking youre special, thinking that you get to make an exception for yourself, Hieronymi continued. That was actually the thing that Mike (Schur) was most interested in.

And that became the heart or spine of the show. As the series goes on, the flaws and limitations of the point system are revealed, leading to the shocking discovery that no one has made it to the Good Place in 521 years. Contractualism reigns supreme as new afterlife tests give people the chance to help each other and redeem themselves.

That storyline has Hieronymis name written all over it, but the professor still takes issue with the skeptical view of immortality put forth by the ending although she feels a little better about it when she thinks of it in the context of a TV show coming to an end.

If a TV show keeps going on forever it becomes meaningless; that seems correct to me, she said. Bringing the show to the end, and bringing the show to the end when Mike Schur was ready to, and not due to external forces thats a really nice angle on it.

Ending aside, though, Hieronymi values The Good Place for doing something few, if any, TV shows have done before: Finding an entertaining way to bring philosophy into the mainstream.

Its such a feel-good show. Its hard not to enjoy watching it, she said. The storyline is exploring philosophical questions rather than explaining philosophical theories, and that to me was the more interesting part.

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The Good Place finale: What was it really about? - Deseret News

Put Yourself In The Hard Boiled Sleeve Of Altered Carbon – Forbes

The first season of Netflixs Altered Carbon had everything you could want from a cyberpunk detective story; a twisty mystery, a hardboiled hero and fantastic technology that contrasts the haves and the have nots. Fans of the show and the series of books have two things to look forward to in February. The second season of the show drops at the end of the month and Hunters Entertainment is running a Kickstarter for an RPG set in the world.

I first listened to the Altered Carbon series shortly after college, said Ivan Van Norman, lead designer from Hunters Entertainment, when my boss at the time unloaded something like 75 audiobooks into my iPod. I enjoyed the rich and descriptive world that was described to me, and how unapologetically it dumped me into the world to fend for myself. It was a dystopian sci-fi world that I felt was gladly took the horns of what our world could turn into - and showed us the black shadows of 'what could be'. It also was just a damn good neo-noir book.

The curious have access to a quickstart guide that shows off elements of the game right away. Character traits are rated as die types; the lower the size of the die the better as players must roll under difficulty numbers to succeed. These elements will also change as players change their bodies in a process known as re-sleeving from Altered Carbon.

I really enjoy how we've done our best to make by default a really crunchy world really accessible for narrative play, said Van Norman. We've mixed some elements of Savage Worlds, Kids on Bikes and Outbreak: Undead to make something that really feels like you're given agency as a player - while still discardable enough to not get in the way of the story. Also, i'm particularly proud how we've approached 'Noire storytelling' where you may not even know the 'who dun it?' yourself when you start the game! Noir on its own is so easy to railroad in a Tabletop RPG session, but we wanted to break that mold and make something that felt really fun and unique in the Tabletop RPG world.

Both the show and the RPG come at something of a resurgent time for the cyberpunk genre. The video game Cyberpunk 2077 from the same team that made the Witcher a successful franchise is due out this year as well as a new edition of the tabletop game upon which it is based, Cyberpunk Red. The setting of Altered Carbon plays up the class struggle of the genre by highlighting the near-immortality of Meths, the ultra rich who can afford to resleeve and jump from body to body.

I think we're all in a place right now where we are really thinking about our future, said Van Norman, and what that means in not only the immediate - but 300 years from now. The world of Altered Carbon is as far away from us as the founding of our nation, and there is something both alien andfamiliarwith that. We're excited and terrified about what the future holds, and as we've always done as long as humans have existed - we tell stories to help us cope with that.

The Kickstarter for the Altered Carbon RPG runs through Wednesday, March 4th.

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Put Yourself In The Hard Boiled Sleeve Of Altered Carbon - Forbes

New World Developer Diary Shows New Lore and Factions – SegmentNext

Amazon Game Studios recently released a New World developer diary. The diary reveals story elements and different groups that reside in the massively multiplayer RPG.

The 3-minute video called Fight the World shows the developers talking about New Worlds huge map called Aeternum. They wanted to create a map that provided players the possibility to explore and create their own narrative. Players will find themselves washed up on shore with nothing to their name. Then the exploration will begin and you will find other players roaming around the map.

No one can really die in the game as no soul can leave the body according to the devs. This immortality is granted via a magical source on the island called Azoth. The developers then introduce three main factions present in the game. The first faction is the Lost. They are the undead ghouls of the island that are half-dead and half-alive. The Lost consists of dead sailors and pirates that died a gruesome death and wander the island as straggling creatures.

The next faction is called the Angry Earth. These are beings of pure nature taking the form of humans and animals. They personify nature and have risen up to battle the forces that are trying to corrupt the island. The final faction is that of the Ancients. The Ancients had taken hold of the power of Azoth and used it to further their technological advancements. They are a hidden civilization that met their downfall due to mysterious reasons.

The New World developer diary also has mentions of the Corrupted. These entities will be the players main adversaries. They can block roads or summon a portal to teleport enemies to your location.

Players will be able to take over territories on Aeternum and build them up to their liking. Bear in mind that the more established your territory gets, the more it is likely to come under siege by other players and enemies.

Amazon Game Studios New World is shaping up to be quite an immersive sandbox MMO experience. New World is set to release in May 2020 for Microsoft Windows. There is no news on console release for the time being.

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New World Developer Diary Shows New Lore and Factions - SegmentNext

Review: ‘The Man In The Red Coat,’ By Julian Barnes – NPR

Want a great antidote to distress over current events? Julian Barnes found it in his immersive plunge into the incredible flowering of sexual and artistic expression in Belle Epoque France, and into one man's mostly admirable life in particular. His 24th book (and eighth volume of nonfiction) The Man in the Red Coat, is a wonderful demonstration of the sort of free-range intellectual curiosity Barnes feels has been stymied by the xenophobia and national chauvinism behind Brexit.

In part a biography of Samuel Jean Pozzi, a celebrated French gynecologist and Don Juan who is the red-robed subject of John Singer Sargent's sumptuous full-length portrait, "Dr. Pozzi at Home," Barnes' book expands into an erudite, entertaining, and beautifully illustrated disquisition on the period between 1870 and 1914, which actually bears some interesting parallels with our own times.

The son of two French language teachers and a longtime Francophile who sealed his literary stature with his third novel, Flaubert's Parrot (1984), Barnes is in his element writing about Dr. Pozzi's dazzling circle of contemporaries, which included Guy de Maupassant, Colette, Stphane Mallarm, Joris-Karl Huysmans, and Marcel Proust. Sarah Bernhardt was a patient and lover, who called him "Dr. Dieu." Close medical colleagues included Proust's father and brother. Most of these notables made it onto collectible photographic cards that were included with Flix Potin chocolate bars between 1898 and 1922, rather like baseball trading cards, and are reproduced throughout Red Coat.

The book begins with what at first seems to be the start of a joke: Three Frenchmen a prince, a count, and a celebrity gynecologist head to London in 1885 for some "intellectual and decorative shopping." But this is no joke. They're all aesthetes, and they've crossed the Channel to bask in Handel at the Crystal Palace and stock up on Liberty curtain fabric. They come bearing an introductory letter from Sargent to Henry James.

With the doctor, Barnes has found an unusual, largely forgotten hero. Pozzi, Barnes writes, was a pathbreaking surgeon, the person to call to extract a bullet or suture intestinal lesions after a duel (an all-too-common occurrence at the time, and, Barnes notes, cheaper than today's libel suits) or to remove a massive ovarian cyst, as he did from Bernhardt. In his seminal textbook, Treatise of Gynaecology, Pozzi established guidelines for gynecological exams with the patient's comfort in mind. He also saved countless lives by introducing British surgeon Joseph Lister's antiseptic methods to colleagues who didn't see the need to wash their hands before operating.

But Dr. Pozzi wasn't all work and no play, as Barnes makes clear. Rational, energetic, and personable, he was also an unhappily married Lothario who seduced many of his female patients, earning him the sobriquet Dr. Love ("L'Amour mdicin"). In one of many delicious tidbits, Barnes reports that the Princess of Monaco dubbed Pozzi "disgustingly handsome." Barnes doesn't shy from discussing the doctor's sexual transgressions including a decades-long affair with a married Austrian Jew or his daughter's distress over her strained relationship with her father, which she wrote about in her intimate and often histrionic diaries, from which Barnes quotes at length. But he cautions that it is inappropriate to judge Pozzi by today's standards.

The two aristocratic chums who accompanied Pozzi on that cultural jaunt to London are less admirable but no less interesting. Prince Edmond de Polignac was one of many Belle Epoque gold diggers who married American heiresses to refill their financial coffers. He was also a closeted gay man whose "aristocratic horse trade" with sewing heiress Winnaretta Singer, a lesbian 31 years his junior, turned out to be a win-win (or Winn-Winn) situation she got a title, he got funding for his lavish lifestyle, and they got along.

Barnes flits through the sexual gossip, petulant duels, violent outbursts, medical advances, anti-English jibes, and lurid excesses of the Belle Epoque, seasoning it all with wry interjections on art and literature.

The flamboyant Count Robert de Montesquiou personified dandyism. A mediocre poet and avid collector of curiosities, he found a measure of immortality in other artists' work including James Whistler, Giovanni Boldini, and Proust. He was also the model for the central character in Huysmans' dark, fantastical "bible of French Decadence,"Against Nature (A Rebours) (1884).

Like his meditations on death and grieving, Nothing to Be Frightened Of (2008) and Levels of Life (2013), there's both an elegance and informality to Red Coat rather like Pozzi's dashing dressing gown in Sargent's famous portrait. But this is a more cheerful book which, although deeply researched, announces itself as a freewheeling study by eschewing the usual trappings of scholarship, including bibliography, footnotes, and even chapters.

Barnes flits through the sexual gossip, petulant duels, violent outbursts, medical advances, anti-English jibes, and lurid excesses of the Belle Epoque, seasoning it all with wry interjections on art and literature. He reminds us that "there are more uncertainties in nonfiction than in fiction" and so much we cannot know. He declares memorably, "Biography is a collection of holes tied together with string, and nowhere more so than with the sexual and amatory life."

Among the unanswerable questions Red Coat raises: "Do gynecologists make better lovers?" (Barnes admits this sounds like a bumper sticker.) Was Sarah Bernhardt, purportedly a nymphomaniac, anorgasmic? What actually happened to cause the chill between Pozzi and his wife? He writes, "All of these matters could, of course, be solved in a novel."

Barnes also considers Pozzi's violent end from a novelist's point of view:

A Don Juan shot dead by a man who blamed him for not curing his impotence. What sort of morality tale is that? In fiction, it would seem cutely snug. Nonfiction is where we allow things to happen because they did which are glib and implausible and moralistic.

Nothing glib about this delightful, consummately open-minded book.

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Review: 'The Man In The Red Coat,' By Julian Barnes - NPR

Rizal and Galds The Manila Times – The Manila Times

Jorge Mojarro

IT is well-known that Jos Rizal was, unavoidably, an avid reader. He explains in some of his letters how he preferred to spend his money on books rather than food. His curiosity was more typical of an humanist from Renaissance times that of a middle-class man from 19th-century Calamba. There was no topic that was of no interest for him: ancient languages, medicine, anthropology, history, religion, etc. His mind was in a permanent state of effervescence, always willing to be fed with new intellectual stimuli.

Rizal accepted with superb serenity his martyrdom, but he was not certainly looking for immortality through his unfair execution, but through his writings. I have argued elsewhere that the genius of Noli Me Tangere did not come from, lets say, divine inspiration, but from a life devoted to books, especially literature of fiction.

The topic of an impossible love between two beautiful souls, both of impeccable moral standards, was very common in 19th-century Latin American novels. The most well-known among those was Mara (1867) by the Colombian Jorge Isaacs, a novel so successful that it has obtained more than 200 editions until the present. We do not have any evidence of Rizal reading Latin American novels, but ultimately, the most relevant issue here is that the Spanish-speaking intellectual class shared the same worldview and very similar political and artistic concerns.

Nnay (1885) by Pedro Paterno, a Filipino novel that certainly needs more credit, was surely an influence on Rizal, who probably did the proofreading before going to print. What in Nnay is a lachrymose romance between two lovers in a very idealized and exoticized Philippines, peppered with adventurous scenes and information regarding local customs, Rizal transformed into a literary masterpiece where all social classes are mercilessly criticized. The parallelisms between Nnay and Mara Clara, Carlos Mabagsic and Crisstomo Ibarra are quite evident, but more relevant even is the parallelism between two original, enigmatic and very likeable characters: Berto and Elas.

But who was the most popular, most read and most prestigious novelist in Madrid in the second half of the 19th century? Benito Prez Galds, whose life is being commemorated this year in Spain as he passed away exactly 100 years ago. And certainly, Galds must have been a major literary influence on Jos Rizal. Galds was born in the Canary Islands and moved to Madrid at 19 years old in search of literary glory. His career began when he was allowed to publish his first pieces in the most important newspapers. He published more than 80 novels, 20 dramas, plus several travel books, essays and a collection of his pieces as a journalist. Most importantly, he was a staunch anticlerical novelist, and priests are generally given a very negative role in all his novels. With the exception of Miguel de Cervantes, there is no novelist like Galds in Spanish literature; his novels keep being read until today and some of them have even become popular movies. Belonging to the realist trend, there is something in the plots and characters of Galds that still appeal pleasantly to the readers of today.

Rizal, who was in Madrid while Galds was in the summit of his literary career and was extremely updated in literary novelties, should have read some of his works. Moreover, there is a novel by Galds whose plot reflects somehow one of the problems pointed out by Rizal in Noli Me Tangere: the dramatic and persistent interference of priests in extra-religious issues. The novel is titled Doa Perfecta (1876), and the plot is as follows: a marriage of convenience is arranged by Doa Perfecta between her daughter Rosario and her cousin, Pepe Rey, in order to keep the properties of the family united. What was supposed to be a cold relationship led by mutual interest becomes unexpectedly a passionate true love. However, the priest, Inocencio, had better plans for Rosario: to marry his nephew. Doa Perfecta, a devoted believer, accepts the plan of the priest against the will of the two lovers, and a tragedy ensues. It seems that this Inocencio could very well have served as an inspiration to Rizal to create his evil Padre Dmaso. It wouldnt be difficult for us to imagine Rizal reading the novel while thinking about his mother country and its problems.

The fact that Rizal found inspiration in many books is not an accusation of a lack of originality, not at all, but an acknowledgment of his creative impetus. Reading the most popular novelists of his century, he was able to create something completely new and perfectly shaped to the situation of the Philippines. More importantly, it wouldnt be an exaggeration to claim that Noli Me Tangere came to be a masterpiece superior to the previous novels that may have inspired it.

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Rizal and Galds The Manila Times - The Manila Times

Who Was the Real Governor Tryon From "Outlander"? The True Story – Oprah Mag

Born in 1729, William Tryon was a British general officer who made his career while working in the 13 colonies. Serving as Governor of North Carolina and Governor of New York, Tryon was kind of a big deal across both sides of the pond. In his 1990 academic book about Tryon, Paul David Nelson argues that Tryon excelled at his job because he "understood American thinking."

But until Diana Gabaldon wrote him into her Outlander series, the closest Tryon got to immortality were a few streets, parks, and counties named after him. With the TV show Outlander, Tryon might even become a household nameat least among avid followers of Jamie (Sam Heughan) and Claire Frasers (Caitriona Balfe) adventures in love and historical interventions.

Tryon was first introduced as a minor character in season 4 of Outlander. Come season 5, out February 16, Tryons presence will take on even greater importance. The trouble swirls around Jamie and Tryons deal: In exchange for the land at Frasers Ridge, Jamie will cooperate with Tryon.

Jamie's first assignment from Tryon? Gather a militia to battle the Regulators, a band of North Carolina backcountry farmers who incited riots in the name of political change and fairer taxes. Murtagh (Duncan LaCroix), Jamies long-lost godfather, is a Regulator, along with many other Scottish Highlanders. Do we sense a complication? Indeed, we do.

Based on Gabaldons The Fiery Cross, season 5 of Outlander captures a time when North Carolina actually went to war against itself. The real Tryon played a major role in the matter. Heres what you need to know about him, and thus his place in Outlander.

William Tryon was born in 1729 to a prominent family in Surrey, England. In 1751, when he was about 22 years old, Tryon began his career in the English army, starting in the First Regiment of Foot Guards. He eventually fought against the French in the Seven Years War.

But his career really took off after he married London heiress Margaret Wake. By 1758, Tryon had risen to the level of lieutenant colonel in his regiment by his own effortsbut it was Margaret, with her wealth and connections to royalty and the ruling class, that pushed his career to the next level.

When Arthur Dobbs, the elderly governor of North Carolina, wanted to retire, Margaret's relative, colonial administrator Viscount Hillsborough, likely put in a good word for Tryon. In 1764, Tryon was named lieutenant governor of North Carolina. Tryon, his wife, and their young daughter landed on the shores of North Carolina in 1765.

Tryon would become one of North Carolina's most capable governors, but was not without his controversies.

"He's the figurehead of the machine. He's part of the world's greatest army to the world's greatest empire," Downie says about his character, who is often quite cold, in an interview with Outlander: Behind the Scenes. "If you grow up believing that there's nothing better than the English and your part in it, then your humanity shifts."

Born to a wealthy London family, Margaret Wake Tryon used her privilege to advance her studies.

As politically engaged as her husband, Margaret preferred studying military strategy to keeping company with other wives. Some of her peers called her "mad," but Nelson, Tryon's biographer, called her an "extraordinary woman." Reportedly, she insisted on being called "Your Excellency," like her husband. North Carolina's Wake County is named after her.

The couple had two children together: A daughter, Margaret, and a son who died in infancy. Margaret died at the age of 30 in England.

At first, Tryon won the support of his North Carolina constituents. Tryon landed during the Stamp Act crisis, and was sympathetic to why North Carolinians opposed the tax. Tryon attempted to lessen the effects of the Stamp Tax, but still insisted it be paidever loyal to his superiors' orders.

The real trouble began when he levied his own controversial tax in order to build a lavish capitol and governor's residence. "His crib is really quite something," Downie said.

Suffice to say cash-poor farmers weren't pleased their money was used to fund his new home, nicknamed Tryon's Palace. "This luxurious Governors mansion, known everywhere as Tryons Palace, became a symbol of royal greed and corruption," Meltzer and Josh Mensch write in The First Conspiracy: The Secret Plot to Kill George Washington.

The brewing conflict pitted Tryon and colonial officials against a resistance group called the Regulators, comprised of backcountry farmers who used riots to enact political change.

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Season 5 of Outlander will focus on the conflict, and the Regulators' defeat by Tryon's militia at the Battle of Alamance in 1771.

For real. But first, let's back up. As a reward for squashing the Regulators, Tryon was given the governorship of the New York colony.

When he landed in New York, Tryon was jealous that the crowds gathered were not for him, but for the new Commander in Chief of the Continental Army, George Washington, and the future first President of the United States.

Smith Collection/GadoGetty Images

From then on, Washington became Tryon's enemy and target. Thanks to his time in North Carolina, Tryon had grown wary of revolutionary sentiment (in fact, the Battle of Alamance in considered to be one of the sparks of the Revolutionary War). Tryon was determined to strike back at the revolutionaries and reassert his power," according to Meltzerand that meant Washington, along with other revolutionaries.

Tryon developed a network of spies throughout the colonies and worked to recruit rebel soldiers to the Loyalist side, usually through bribery. Two of those soldiers were part of Washington's Life Guard, the elite squad hired to keep Washington safe. They were an essential part of Tryon's 1776 plan to assassinate Washington. When the plot was uncovered, Washington ordered Thomas Hickey, one of the suspected bodyguards, to be executed.

From the point of view of the Americans, [Tryon] can only be viewed as a villain, Meltzer and Mensch write in The First Conspiracy. Nonetheless, he was a man of influence and power, who was often at the center of seismic events. Most important, if his plot was successful, American historyand perhaps America itselfwould not exist today.

Tryon was not the nicest chap. In 1779, he led a series of controversial raids along the Connecticut coast, laying waste far beyond what was ordered.

When he was ordered to destroy rebels' supplies in Danbury, Connecticut in 1777, for example, he instead burned down the entire town. After burning Danbury, Tryon and his 800 soldiers marched to Fairfield and burned down half of its homes, and most of its shops and businesses. Four people died. Allegedly, Tryon also killed women and children.

The American army accused him of committing war crimes, but he was never tried.

Tryon returned to England in 1780. He died there eight years later. After a storied, and controversial, career in North America, his name is still honored in parks, streets, and counties throughout the East Coast.

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Who Was the Real Governor Tryon From "Outlander"? The True Story - Oprah Mag

Star Wars: Knights of the Old Republic 2 – What Really Happened – Screen Rant

The Star Wars franchise, philosophically, isvery black-and-white. Literallyso: the titular 'wars' within the Star Wars movies be they between Empire or Rebellion, Republic or Secessionist are all proxies for the conflict between the Light and the Dark Sides of the Force, the goodJedi and evilSith who wield them. So what do you get when you ask a critically acclaimed video game scriptwriter with a lovefor existential philosophy to write a Star Wars story? You get Star Wars Knights of the Old Republic II: The Sith Lords, the premier releaseof Obsidian Entertainment, a Star Wars sagaof moralambiguity and philosophical musings that was nearly rendered unplayableby a veryshort development cycle.

When Black Isle Studios, the publisher of classic RPGs likeBaldur's Gate and Planescape Torment, went under, some of theirdesigners Feargus Urquhart, Darren Monahan, and Chris Avellone, among others went on to form their own studio, Obsidian Entertainment. In time, Obsidian Entertainment would achieve its own measure of acclaim withspin-off titles like Fallout: New Vegas and original franchises such asPillars of Eternity and the Outer Worlds. At the start, however,Obsidian Entertainment was a small team of designers and writers with a dauntingtask:making a sequel toStar Wars: Knights of the Old Republic, thehit RPGdeveloped by BioWare and released by LucasArts in 2003.

Related: Knights of the Old Republic Movie & TV Show Reportedly Happening

Chris Avellone, the lead writer and designer for what would become Star Wars Knights of the Old Republic II: The Sith Lords, had already left his mark on the gaming industry with Planescape: Torment, an isometric RPGthat broke new ground in the field of video game storytelling with a narrative that contemplated the nature of belief, pain, and immortality through a namelessprotagonist that was immortal both in gameplay and narrative. Forthe first title of Obsidian Entertainment, Chris Avellone stroveto homage the Star Wars franchise while deconstructing it at the same time examining thewar between Light and Dark, Jedi and Sith,seekingto uncover the sinisterimplications of such an eternal struggle.

The customizable protagonist of Star Wars Knights of the Old Republic II: The Sith Lords is a figure haunted by their past, as so many of her traveling companions are. Banished from the Jedi for their war crimes, pursued by Sith Lords with disturbing supernatural powers, this Exile must reunite the fractured Jedi Order and relearn the ways of the Force...but their brown-robed mentor, the mysterious, acerbic Kreia, hasher own secretagenda and goals that may well threaten the existence of the Jedi, the Sith and the Force itself.

The plot of KOTOR II, like many Chris Avellone-written games, is less intent on making a fixed moral statement thanmaking playersthink about their choices, their beliefs, the way they view the world. The character of Kreia, jaded and burned from her brushwith bothsides of the Force, is used by Avellone tostir questions in the minds of players:are the ways of the Jedi sustainable, ifthe strain of living bytheirCodedrives so many of their members to the Dark Side? Does the existence of the Force, a power that obeys and influences its wielders, really make the galaxy a better place? Can moral-choice systemsseen in video games like the first Knights of the Old Republic capture the complexities of real-life morality?

The resulting moral grayness and introspection made KOTOR II's storyunique, unlike any other Star Wars work that had existed up to that point.The conditions were ripe for KOTOR IIto be a masterpiece that would put Obsidian Entertainment on the map...and it was, despite the glaring plot-holes and technical issues the game suffered during its December 2004 release.

Related:Star Wars: Knights of the Old Republic Movie & TV Show Reportedly Happening

KOTOR II's issues, in the main, stemmed from Obsidian Entertainmentgetting only 14 months to make their premier title,a production schedule that would have been tight and stressful for an experienced, well-established game developer. As a fledgling studio, Obsidian wound up biting off more than they could chew: despite extensive assistance from programmers and developers at LucasArts, they were forced to axe multiple portions of their game incomplete levels were replaced with cut-scenes, bugs were left unpatched, older graphics werenot updated, and key scenes of dialogue and plot were left out, making the game's climax messyand unclear. Critics and fans alike wound up viewingKOTOR II with ruefulrespect: admiration for what this Star Wars game tried to do and wistfulness for what it could have been.

Fortunately (only fitting for a Star Wars game) a New Hope arose. Rebel Modders, striking from their hidden bases on the internet, came together to form the Sith Lords Restoration Project, a quest to restorethe missing chunks of KOTOR IIand make it a more complete game. This rag-tag rebel modding team had a secret weapon; much of the missing content was still present within the code of the game unimplemented levels, enemies, cutscenes and lines of dialogue that could be restored with right work. The resulting mod,The Sith Lords Restored Content Mod,is nowseen as an indispensable part of the KOTOR II experience.

Star Wars Knights of the Old Republic II, for all its technical flaws, has cast a shadow on the Star Warsfranchise ever since, the themes it explored inspiring large chunks of Bioware's Star Wars: The Old Republic MMO and paving the way for other writersto create their own subversive takes on the Star Wars franchise.Chris Avellone, his colleagues at Obsidian, and the dedicated Rebel Modders showed fans thatthey could question the black-and-white morality of Star Wars while still enjoying the thrilling spectacle of this galaxy far, far away...

Next: What Project Luminous Could Learn From Star Wars: Knights of the Old Republic

Source:Den Of Geek

Colin Trevorrow's Star Wars 9 Was Full Of Shocking Story Choices

Chicago-based Writer, Author and freelance translator. Looking to prep his readers for the next renaissance of apocalypse, whichever comes first.Write and publishes web fiction under the pseudonym Aldo Salt on Inkshares.com

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Star Wars: Knights of the Old Republic 2 - What Really Happened - Screen Rant

You need to play The Cat Lady – PC Gamer

You need to play is a video series where we highlight games new and old that every PC gamer should check out.

Classic adventure games are heavily associated with comedy, but Harvester Games' The Cat Lady is pure horror and introspection. You play as Susan, recently deceased by her own doing and subsequently resurrected by an eldritch monstrosity wearing the skin of an old woman called The Queen of Maggots. The price for bringing you back from the dead is immortality (Susan isn't happy to be alive) and the job of taking out five murdering psychopaths. It's a lot.

But The Cat Lady cuts the violence and Lovecraftian world-building with some serious subject matter. Between jobs, Susan goes about her life, bumping into another downtrodden person in need of some love. Depression and hopelessness are the true adversaries here, with the killers functioning as the worst-case-scenario byproducts of our society's worst cultural ills. Living with mental illness ain't easy, but The Cat Lady is something of an existential victory lap for a former misanthrope turned stubborn optimist, all because the right person showed up at the right time.

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Marlon Brando: 10 Famous Actors Who Were Inspired By His Work – Screen Rant

Marlon Brando has been a true icon in Hollywood. Starting his career with the Elia Kazan magnum opuses A Streetcar Named Desire and On The Waterfront (for which he won his first Academy Award), he went on to appear in many iconic roles in the future. He was reputed for his dramatic monologues and the display of one of the earliest forms of method acting. Later, as his hair started turning grey and age began to take its toll, Brando still made the most memorable film comeback portraying Don Vito Corleone in The Godfather, a role which assured him immortality as an artist.

RELATED: 10 Weird Things Cut From The Godfather Movies (That Were In The Books)

Naturally, Brando has been a major influence on many other actors. Here, we count down a few such actors who were inspired by his work.

Reputed as one of the greatest method actors himself, Nicholson has portrayed a wide variety of multi-layered characters conveying moods from charismatic (One Flew Over The Cuckoo's Nest) to depressed (About Schmidt) to paranoid (The Shining). Nicholson has penned articles and given interviews in praise of the veteran actor, citing how stunned he felt on seeing Brando's acting in On The Waterfront as a child. The two even shared screen space in a Western called The Missouri Breaks.

RELATED: 10 Actors Inspired By Jack Nicholson

As he explained in his own words, 'as an artist, I equate Brando with Picasso. Ive seen Picassos early drawings and so forth in the museums in Barcelona. I always thought if you took the first thing Picasso ever drew and continued to show everything he did until the day he died, you would see that some people are incapable of not being brilliant. When people are that way, its very hard for them to gauge their own position. I think Marlon knew he was the greatest.'

Back in his day, James Caan had a good-enough acting stint with roles in various 70s and 80s films, but he became a household name with Misery and The Godfather. In the latter, he plays Sonny Corleone, the hot-tempered son of Brando's mild-spoken mafioso.

"People always ask me who was the most influential guy to us young guys back then. Anyone who doesn't tell you Brando was the man, they're lying. He influenced more young actors of my generation than any actor." He says, explaining the influence Brando has had on young actors.

Sheen collaborated with Brando in Francis Ford Coppola's Vietnam war epic Apocalypse Now. He has been vocal on Brando's influence and being his lifelong admirer, but he has also appreciated how Brando has used his influence to take stands on issues of social relevance.

"For most of his adult life, he was an outspoken advocate for social justice often risking his career publicly supporting Martin Luther King Jr. and the civil rights movement, as well as Native American rights and universal human rights. In fact, he inspired my own activism and made me proud to be an actor." Such was his boldness that, when he won the Oscar for Best Actor for The Godfather, he never accepted the award. Instead, he had sent a Native American rights leader and actress to urge the Academy and the industry to improve the representation of Native Americans and other minorities in cinema.

Johnny Depp once did a film back in the 90s called Don Juan DeMarco, a light-hearted dramedy that Depp agreed on only when Brando joined the cast. Depp is known for his immense versatility, changing the guise, accent, and physical characteristics of each character of his. But, with his recent filmography, this ability of his has been seen as overkill by critics and audiences.

RELATED: Johnny Depp's Weirdest Characters, Ranked

The one thing aside from acting which Depp learned from his friend and mentor Marlon Brando was to follow your own spirit as an artist rather than just sticking to everyone else's expectations. "What is really satisfying is, like Marlon, getting to that place where he just doesn't give a f***." This carefree mantra from Marlon Brando has helped Depp feel more liberated.

The late Paul Newman was the quintessential American hero in his prime, playing cowboys, soldiers, hustlers, and even Doc Hudson in his last film Cars. A celebrated figure, Newman has been often heard talking about his influence from Brando, who was once the "coolest dude" thanks to roles like The Wild One.

For Brando's ease of playing troubled characters in such an effortless manner, Newman has expressed jealousy too. "I'm angry at Marlon because he does everything so easily. I have to break my ass to do what he can do with his eyes closed."

Coming back to The Godfather universe, Al Pacino played Brando's son and eventual successor in the trilogy. Along with this character of Michael Corleone, Pacino has established himself as one of the greatest artists of the gangster genre, as well as winning acclaim for other gritty characters. Pacino did have a scuffle with the Oscars when he got nominated for Best Supporting Actor for The Godfather (while he had more screentime than Marlon Brando, who was nominated for and eventually won Best Actor), his respect for the veteran actor has never wavered.

Pacino wasn't inspired by Brando's style initially but he has admitted that he "will be imitating him" till the day he dies. For Pacino, he wasn't an actor but a phenomenon.

Often being called as one of the sexiest men alive by tabloids, Ryan Gosling has had some acting chops too showing that he's much more than a pretty boy. His filmography is selective, but he ensures that all his projects are trailblazers, from Drive to Blade Runner 2049. This is similar to Brando's choice of roles in his career (except the 1970s when he had consequent flops) as he has been selective even for his smaller roles, like Apocalypse Now or Superman.

Talking on Brando's influence, Gosling says that even current generations can be inspired by his dedication to getting in the skin of his characters, rather than just acting. "You can't help but be affected by him," he said. "I think all of us are".

"Hes the kind of person, personality-wise, whos least suited to being venerated by others. And it must be so frustrating for him because it walls you off from just the pure experience of people and things. Hed love to sit in a caf and watch people walk by on the street. That's how Brando's The Score co-star Edward Norton felt about his personality type. Norton himself is known to engage in intense method acting for roles like that of a neo-Nazi skinhead in American History X.

Norton believes that actors should learn humility and dedication to the art from Marlon Brando, the other advantages/disadvantages of stardom would come gradually.

The two-time Oscar winner and star of films like Mystic River and Milk recalled that Brando was no less of a god even when he wasn't doing much acting. He attended a few sessions in an acting workshop he held which was also attended by Michael Jackson and Oprah Winfrey.

The workshop, very much like Brando himself, was masterful yet enigmatic. There were times when Brando would want all the actors to go nude or give them acting advice while being dressed in drag. Penn has praised him for his genuineness; the star was definitely loathsome for the cast and crew in his projects, but he has his own unconventional ways to function as an actor.

Character actor Robert Duvall has shared quite amusing behind-the-scenes moments with the great Don Corleone, playing the gangster's lawyer and aide Tom Hagen. Brando was notorious for not learning his lines and reading them from cue cards instead. Sometimes, Duvall literally had Brando's dialogues stuck on his shirt so that the Don could read and get in character.

Duvall considers Brando a good mentor for himself and his generation of actors. In press interviews, he has revealed his sadness towards Brando's health concerns and troubled family life later. He had heard that Brando asked his children not to pick up acting and felt sad that a legend like him said that acting is a "fine profession."

NEXT: 10 Movies To Watch If You Liked The Godfather

NextGame Of Thrones: 10 Tyrion Lannister Memes That Will Have You Cry-Laughing

'Hello, my name is Shaurya. Would you like some pop culture?'Based in Delhi, India, Shaurya Thapa is into freelance journalism, hip-hop, and engaging in critical analyses over films and TV of varied genres.

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‘Afsos’ Review: Who Lives, Who Dies, Who Tells the Tale? – – Rolling Stone India

(*This review contains spoilers)

Afsos begins with a man in a hard place. My life story is so poorly written ki mujhe lagta hain ki maine khud likhi hai (that I think Ive written it myself,) says Nakul (Gulshan Devaiah), a struggling writer, who once again finds himself on the precipice of death, cushioning (he quite literally steals a pillow from a homeless persons bedding on the railway bench) his 11th attempt at exiting the world. Will he succeed?

(*The cast and crew have repeatedly emphasized that Nakul doesnt deal with a mental illness such as depression on the show but rather an exaggerated sense of negativity and imagination. Based on a viewing and inferred context, this review treats Nakuls affliction as so too.)

Well, in Amazon Prime Videos latest black comedy/thriller series Afsos, viewers soon come to realize that nobody quite gets what they want.

Created and written by Anirban Dasgupta, Dibya Chatterjee and Sourav Ghosh, the eight-episode series is a delightful exercise in disappointment with a mercurial plot that unfolds at breakneck speed. Director Anubhuti Kashyap chooses a subtle and sardonic lens to portray the outlandishness of the series as it delves into life, death, immortality, ambition and more, constructing a purposefully grounded yet incoherent picture of the grotesque and euphoric realities on the fringes of everyday, urban middle-class existence.

Sulagna Panigrahi as Ayesha Mirani in Afsos. Photo: Amazon Prime Video

Following an it is what it is ethos, characters, who under normal circumstances would never meet (much less cross paths), collide in Afsos. Ayesha Mirani (Sulagna Panigrahi), a journalist, runs into a mad sadhu hailing from an ashram in Harsil, Uttarakhand. He tells her about the amrit or the immortality elixir meant for the chiranjeevi (eternal being). She publishes a story the next day titled The Immortal Man.

Ratnabali Bhattacharjee as Maria and Ujjwal Chopra as Vikram in Afsos.

In the meanwhile, Nakul, seeks the services of Emergency Exit an ethical killing startup run by ex-cons Maria (Ratnabali Bhattacharjee) and Vikram (Ujjwal Chopra) after surviving his 11th suicide attempt (a product of his insufferable imagination and not a mental illness as one may at first surmise). They beset their best assassin, Karima Upadhyay (Heeba Shah), on his trail. Nakul, however, survives Upadhyay too, inadvertently kickstarting a relentless cat and mouse cycle where nobody not even his therapist (Shloka Srinivasan played by Anjali Patil) is safe.

Robin Das as Fokatiya baba in Afsos.

When all the sadhus at the Harsil ashram are murdered and the elixir is discovered to be missing, local police officer Bir Singh (Aakash Dahiya) finds a suspect in the only missing sadhu, Fokatiya baba (Robin Das), and traces him to Mumbai, setting in motion the machinations of fate, law and order while English scientist Dr. Goldfish (Jamie Alter) reads the murderous news headline and makes his way to India, compelled to nab the instrument of immortality, once and for all.

The plot oscillates between surprise and suspense you never know whats going to happen and the characters highs and lows make you root for an ending you already know wont come your way. You know how difficult it is to digest when you think that someone is going to be the main character of their story and he just dies right in front of you? Srinivasan tells Nakul at the tea stall. The only answer she receives is a splatter of blood as Upadhyays failed headshot temporarily incapacitates her victim. This scene is splendid for the simple reason that nobody gets what they want and that subtle but thrice amplified theme of futility neatly ties it all together. This impact is perhaps only fully realized in the final scene of the series where past, present and future unwittingly unite for an unexpected exchange (Ill keep mum on that sweet spoiler).

The director and writers approach the series with an irreverence thats code of the genre and their infusions of absurdity are artfully executed. Theres a scene where Mumbai cop Vitthal (Shyam Bhimsaria) storms Goldfishs lair with his men to rescue Singh. Theyre up against a security detail thats quite trigger happy and also double their number, but in his quest to salvage whats left of his career, inspector Vitthal revels in almost childlike delight as he keeps score of how many men are down on both sides. He takes shots and earns points of his own, sobering only when his eye in the sky is taken down. Preceded by lines borrowed from Singh himself (Kyon dhobi ke rozgaar ke liye apni uniform dhulwa rahe ho? Why are you getting your uniform ironed only so the dhobi can earn a living?), this scene is perhaps the only time in the show when a character gets exactly what they want redemption. As a viewer, you dont realize when the line between reality and the bizarre blurs because the segment is so thick with tension and yet, theres an unmistakable underbite of humor exacerbated only by the irony that the show espouses so generously a couple of well placed calls lead to Goldfishs release later. This is evident in the dialogue too such as when Nakul says, Maine meri maut ka contract diya hai kisiko (Ive contracted my death to a killer,) and the show is packed with many such pithy, wry earworms.

Anjali Patil as Shloka Srinivasan in Afsos. Photo: Amazon Prime Video

Afsos has a host of intriguing characters but perhaps the Trojan horse of the show is Patils Srinivasan. The therapist is the only normal, unsuspecting, chameleon-like figure you never know what ace she has up her sleeve and the writers use foreshadowing well with the character. While addressing her students, she says, Can we dare to look beyond the obvious? and we soon learn that the diagloues context is not just limited to mental health care but a hint at the survival instinct as well. Whether its empathizing with Nakul, Mirani or even Upadhyay, Srinivasan is always looking to come out on top, rationalizing every situation by deconstructing her subject or captor. The therapist who is constantly adapting ultimately in perhaps the greatest stroke of irony doesnt survive the series and her role poses a very interesting moral conundrum to viewers as she skirts the line between truth and lies through deft manipulation. Do we want Srinivasan to incur punishment until we learn her complete truth? Thats the mirror the writers unintentionally hold up in the series, questioning the morality of the moral lens itself.

Heeba Shah as Karima Upadhyay in Afsos. Photo: Amazon Prime Video

What the show does well too is characterization. No one character is ever so well established as to not change Nakul goes from being a loser to a man taking charge of his own destiny to a man in love to being clueless to realizing his nightmare and so onWhew! making their graphs surprising and shocking even after all, Upadhyays final victim was a complete curveball. Character arcs too when abruptly snipped are realized R.I.P Vikram the killer who wanted to turn a new leaf and even the background and supporting performances stun the dark-humor of the emergency room nurse (Swati Sarkar) was an unexpectedly light moment on the show.

Gulshan Devaiah as Nakul in Afsos.

Afsos succeeds because of its experimentative writing and direction but also on account of some stellar performances by the series cast. Devaiah is devastating as Nakul, nailing every nuance of a character who is so gloomy, his continuous existential crisis is a punchline. The actor does a lot with a little, infusing subtle mannerisms to depict the psyche of Nakul which particularly comes out in two scenes when his publisher tells him hell have to pay for a chance at publication and when he picks up the tea tab for Fokatiya baba who tells him, Bhagwan tumko lambi umar de, bete (May God bless you with a long life.) Devaiah indulges Nakul in a sly, barely registrable, sardonic smile because in both cases, the irony is not lost on the character and that measured restraint of expression coupled with other body language intimations, across multiple plot situations, displays an acting prowess that one can only hope Devaiah continues to tap into.

Aakash Dahiya as Bir Singh in Afsos.

Shah is formidable as the unflinching assassin Upadhyay, going from reasonable to relentless in an instant. Dahiya embodies the small town cop morale and impresses particularly in scenes where his character indulges in occupational commentary while Das captivates as Fokatiya baba, employing an understated gravitas that never overwhelms the innocence of his character. Bhattacharjee is delightful as Maria, skirting the line between murderous and courteous in every scene whereas Bhimsaria breaks out with his portrayal of a man at a turning point and Patil turns an oft flat therapist persona into a red herring with her layered performance as Srinivasan.

Ratnabali Bhattacharjee as Maria in Afsos.

A subtle standout in Afsos is Krish Makhijas cinematography which is striking in its mundanity as it romanticizes the balmy cityscape of Mumbai and the whitecast village of Harsil, turning introspective in hue when the camera pans on its denizens. Scenes such as those at the local tea stall and serene ashrams are interspersed with gloomy reflections by characters as well as calm crime sites bearing bullet laden bodies. Its these contradictions that further make the absurd tangible in Afsos. The soundscape of the show too blends well with the narrative and series scorer Neel Adhikaris thematic compositions The Kill (sung by Spanish vocalist Pati Amor) and Afsos Hai (sung by playback singer Arijit Singh) juxtapose the cat and mouse ploy brilliantly over the eight-episodes.

Gulshan Devaiah as Nakul in Afsos. Photo: Amazon Prime Video

Afsos, with its dark underbite and insensibly pragmatic approach, is the thriller that does not deign to make you laugh, but endeavors toward it. Theres an honesty to the narrative that feels refreshing almost making up for the confusing timelines and the series is a breakout commentary on social alienation and urban convention. Endlessly riveting and deliciously deceiving, Afsos just might be Indian dark comedy at its peak.

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'Afsos' Review: Who Lives, Who Dies, Who Tells the Tale? - - Rolling Stone India

The African American abolitionists who visited Ireland in the 1800s – IrishCentral

African Americans traveled from the US to Ireland on behalf of anti-slavery groups in the 1800s

February marks the observance of Black History Month, a national celebration in the US honoring African Americans and recognizing their contributions to the history of the United States. In the 1800s, many traveled across the Atlantic on behalf of various American anti-slavery organizations.

Read More: When Frederick Douglass met Ireland's "Liberator" Daniel OConnell in 1845

Ireland was a safe haven for black abolitionist lecturers, both fugitive slaves and free-born persons, who journeyed transatlantically in order to highlight the evils of slavery and to plead the case for the anti-slavery movement with a goal to secure an Irish alliance.

For more than three decades, African-Americans who traveled to various parts of Ireland on their lecture tours found receptive audiences for their anti-slavery discourses as they were treated with tolerance and respect and experienced the freedom and equality denied to them in America.

These transatlantic campaigners, a few of which are highlighted below, were credited with creating deep interest in the anti-slavery causemany [in Ireland] who never thought on the subject at all, are now convinced that it is a sin to neglect.

In 1823, when Daniel OConnell, the Kerry native referred to as the Liberator for his efforts on behalf of Catholic Emancipation and human rights, expanded his portfolio to include abolition, he condemned American slavery as anathema to the fundamental principles upon which the country was established:

"Of all men living, an American citizen, who is the owner of slaves, is the most despicable; he is a political hypocrite of the very worst description. The friends of humanity and liberty, in Europe, should join in one universalcry of shame on the American slaveholders! Base wretches, should we shout in chorus base wretches, how dare you profane the temple of national freedom"

Charles Lenox Remond (Samuel Broadbent / Boston Public Library)

OConnells stirring words reverberated across the Atlantic, beckoning Charles Lenox Remond, the first black lecturer for the American Anti-Slavery Society, to visit Ireland. The son of affluent merchants and staunch abolitionists, and the grandson of a veteran of the Continental Army who served during the American Revolution, Lenox Remond was free-born in Massachusetts. For a black man in antebellum America, his free-status and distinguished lineage, rooted in the founding of the nation, was distinctive.

In a speech in Dublin, Lenox Remond acknowledged Irelands own long-standing pursuit of freedom from oppression, saying, I stand here to advocate a cause, which, above all others, be, and ever has been, dear to the Irish heart the cause of liberty.

When Lenox Remond returned to America, he carried with him a petition signed by OConnell and 60,000 Irishmen urging immigrants in America to join the movement. The document, entitled Address of the Irish People to Their Countrymen and Countrywomen in America and known as the Irish Address, made a plea to Irelands exiles to unite with the abolitionistsuntil perfect liberty be granted tothe black man as well as the white man.

Read More: Galway to honor Virginia slave who died in Ireland, America's first sports star

Frederick Douglass (Public Domain)

In 1845, 27-year-old Frederick Douglass, an escaped slave from Maryland, traveled throughout Ireland, delivering forty, well-attended, lectures in Dublin, Limerick, Belfast, Wexford, and Waterford. Douglass masterful oration skills, combined with his unfaltering commitment to freedom and equality, induced the Liberator to laud Douglass as the black OConnell.

Richard Davis Webb, a Dublin printer and founding member of the Hibernian Anti-Slavery Society, published an Irish edition of Douglass autobiography. The initial run of Narrative of the Life of Frederick Douglass, American Slave sold out quickly.

The second run contained significant additions a preface and an appendix. These modifications enabled Douglass to articulate the political and social changes he envisioned for America, thus making the Irish edition a noteworthy publication in the canon of his works.

The Irish peoples acceptance of Douglass, evident by their crowded to suffocation attendance at his lectures and treatment of him as an equal, although a fugitive slave, had a profound effect on him. He acknowledged to a friend: I seem to have undergone a transformation. In a letter to William Lloyd Garrison, a prominent American abolitionist, Douglass explained the basis for this metamorphosis:

"One of the most pleasing features of my visit, thus far, has been a totalabsence of all manifestations of prejudice against me, on account of mycolor. The change of circumstances, in this, is particularly striking. . . . I find myself not treated as a color, but as a man not as a thing, but as a child of the common Father of us all."

Read More: How an Irish book tour transformed Frederick Douglass

William Wells Brown (Public Domain)

William Wells Brown, an escaped Kentucky-born slave and abolitionist lecturer, was on a tour in Europe when the Fugitive Slave Act was enacted in the U.S. The act required all escaped slaves, once captured, to be returned to their owners. Due to Browns increased risk of apprehension because of his public profile, he chose to remain abroad for an extended period.

Browns travels to Ireland, England and France are recounted in his book, Three Years in Europe: or Places I Have Seen and People I Have Met. In reference to his visit to Dublin in 1849, Brown unequivocally expressed his opinion of the Irish people:

"The Irish are indeed a strange people. How varied their aspect, howcontradictory their character! Ireland, the land of genius and degradation,of great resources and unparalleled poverty, noble deeds and the mostrevolting crimes, the land of distinguished poets, splendid orators, andthe bravest of soldiers, the land of ignorance and beggary!

Samuel Ringgold Ward (Public n)

Similarly, Samuel Ringgold Ward, an abolitionist born into slavery in Maryland, journeyed to Ireland in 1854 as an agent of the Anti-Slavery Society of Canada. A chapter in Wards Autobiography of a Fugitive Negro describes his travels in Ireland, highlighting visits to Dublin, Belfast, Sligo, Mullingar, Limerick, Cork, Cobh, and Mallow.

When visiting Killarney, a tourism destination dating to the 1740s, Ward was struck by the magnificence of the landscape and the friendliness of the people, writing:

"The rich romantic scenery, the beauty of the lakes, the fineold ruins of Mucruss [sic] Abbey and Ross Castle, the beautiful groundsthe affability of the company we met, all gave us avariety of most pleasing sights and sounds; and, being favouredwith extraordinarily fine weather, we could but be gratified withour short sojourn in that picturesque locality."

Read More: Ireland's has only one pro-slavery Confederate memorial - is it next to fall?

Sarah Parker Remond (Public Domain)

Lecture tours were not limited to men. Sarah Parker Remond, a younger sister of Charles Lenox Remond, visited in 1859 on behalf of the American Anti-Slavery Society. Like her brother, she was free-born and had endured cruel acts of discrimination because of an unpopular complexion.

By embarking on a transatlantic voyage to serve the cause of abolition, Parker Remond also hoped that she might for a time enjoy freedom.

After addressing the Dublin Ladies Anti-Slavery Society, Parker Remond spent a month traveling to Waterford, Clonmel and Cork meeting with local societies. Parker Remond used her femininity to expose the horrific miseries endured by female slaves in order to establish an emotional bond of sympathy with the Irish women in her audiences.

Though the subject matter of her talks was intensely sensitive, accolades were bestowed on the speaker for possessing convincing presentation skills, in all she said, there was something so persuasive. Parker Remond transcended the gender barrier at a time when it was uncharacteristic for any woman, particularly an exotic lady of colour, to make a public presentation.

In honor of Black History month, the following powerful words, spoken by Parker Remond in Dublin, may serve as a tribute to the African-American champions of freedom who visited Ireland:

The lives of good men [and women] are not lost when they die for justice sake; for so great is justice that she rewards all who suffer for her with greatness....the just cause for which they rendered up their lives gives them immortality, and their spirits walk the earth.

Black Irish Identities: The complex relationship between Irish and African Americans

This article was submitted to the IrishCentral contributors network by a member of the global Irish community. To become an IrishCentral contributor click here.

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The African American abolitionists who visited Ireland in the 1800s - IrishCentral

Kim Westfall on traumatic cuteness and social reproduction – Artforum

February 18, 2020 Kim Westfall on traumatic cuteness and social reproduction

The New Yorkbased artist Kim Westfalls cheeky compositions of tufted yarn contend with the banality of selfhood. Her works find humor in the insatiable human ambitions for uniqueness and authenticity, but also manifest real longing for deeper meaning and social cohesion. Her latest tapestries draw connections between human reproduction, the mechanical reproduction inherent in her medium, and ideologies of the ego that keep us stuck on repeat. Splendid Bitch opened on January 23, 2020, and runs through March 7, 2020, at White Columns in New York.

THE THING ABOUT TEXTILES IS ITS THE FREAK ZONE. I work with yarn; I cant be that self-serious because its the same material you make into sweaters and stuffed animals. Its not heroic like painting because it doesnt have the same theoretical framework and history. I never go to an art supply store. I go to Michaels in the middle of the day, and its all knitters collecting balls of yarn for their Game of Thrones fan blankets and women with carts full of faux flowers to make Sandra Lee tablescapes. There are huge signs with laughing children all over the walls. Its a very Lynchian shopping experience, but were all in it together. Its very comforting to me.

I want to make a large-scale image without being chained to a loom for six months. My works are handmade, but also mechanical. I use a tufting gun, which is similar to a sewing machine in how it punches in and out. I start off with a drawing or painting done digitally, and then I project it and edit as I tuft. The gun has different speeds, so you can really fly on it. You can never achieve a perfectly clean contour. The tufted line has a nubby, almost pixelated look. As a Korean with no inherited Korean culture, Ive always found the concept of finding yourself to be a strange and ironic pursuit. In All You Can Ever Know Is Ive Never Been to Me, I depict myself flying an anthropomorphized airplane, which looks like me, to an unknown destination. Its a cursed image about the irony and inevitable failure of my self-actualization, at least according to popular notions of Asian American subjectivity. The title is a composite of All You Can Ever Know by Nicole Chunga best-selling memoir about her adoption from Koreaand the Charlene song Ive Never Been to Me. To me, both are bad-faith examples of how to find yourself.

The pop star Kyary Pamyu Pamyu has said, I try to show cuteness in a traumatic way. I do too, but I also want to show trauma in a cute way. In Korean restaurants, you can find signs with smiling cartoon hot dogs grilling themselves and baby chicks cutting up some fresh chickenmaybe their own family! In public restrooms, there are signs with a smiling cartoon toilet inviting you to throw soiled papers into its mouth and flush them out of sight. I think about Georges Batailles limit-experience, about Julia Kristevas idea of the abject as a place where meaning collapses. For me, Korea is the place where meaning collapses. I had so many ego-shattering experiences there. When Im there, Im at once an abomination and an object of envy. I am as tragic as I am lucky.

Women are treated best by society when they are newborn children, young and hot, or pregnant. I Frankensteined them all together in the piece I call Forever Young, which depicts two bodies with reproductive organs stitched together from their waists down, pumping out innocent babies in an endless cycle. Reproduction still requires a womans organs to host a baby. Maybe this wont always be the case and in the future there will be technology beyond in vitro, surrogacy, and adoption. International adoption from Korea is viewed as humanitarian by most people, but it was also pioneering in terms of commodifying intimate relationships. It also allowed Korea to outsource social welfare so it could concentrate on strengthening its other cultural exports. I am an unreliable narrator of my own history. I feel like I am endlessly guest-starring in a bunch of bad TV shows. In one, Im a white girls assistant. In another, Im an orphan. In another, Im just another artist taking up space in Brooklyn! Im every Asian girl youve ever known! My work Flaming Wheel of Law, which shows a figure spinning manically out of control, is about the feeling of being trapped in someone elses narrative. Its a cycle that keeps going around. Making textiles is so maddeningly repetitive that language really lends itself to my concerns. Its hellish, but worth the ride.

As told to Vanessa Thill

Continued here:
Kim Westfall on traumatic cuteness and social reproduction - Artforum

Ted Cruz criticizes vasectomy bill, exposing his hypocrisy on reproduction rights – The Guardian

Ted Cruz, the Republican Texas senator, has given an unwitting boost to an Alabama lawmakers attempt to push back on restrictive abortion laws in her state, by tweeting about her proposal to force men to have vasectomies when they reach the age of 50.

Democratic representative Rolanda Hollis introduced the measure to the states House last week, intending it as protest against a law passed by the Alabama legislature last year to outlaw abortion in almost every case unless the life of the mother was at risk.

The responsibility is not always on the women. It takes two to tangle [sic], Hollis wrote in a tweet acknowledging that her long-shot House bill, which would also a mandate a vasectomy after the birth of a fathers third biological child, was intended to neutralize the abortion ban bill.

After an initial flare of mostly local publicity, the issue was set to fade back into obscurity until Cruz waded in with a tweet that placed it firmly before a national audience and his own 3.5 million Twitter followers, exposing his apparent hypocrisy over reproductive legislation at the same time.

Yikes. A government big enough to give you everything is big enough to take everything literally! Cruz wrote, linking to an Alabama news websites account of the story from three days previously.

Cruz is noted for his staunchly conservative views on abortion and has previously condemned the Democratic partys efforts to protect access to abortion as a war on women. Comments on his tweet, however, allude to his opposition to the governance of male reproduction while supporting laws that dictate what women can and cannot do with their bodies.

Its outrageous to have government involved in these personal reproductive decisions! So glad you are pro-choice, Ted! one commentator wrote.

The controversial Alabama abortion measures, signed into law by Governor Kay Ivey in May 2019, was struck down by a federal court judge in October, two weeks before they were due to take effect.

The law, which threatens doctors with up to 99 years in prison for performing abortions at any stage of pregnancy, is intended by its supporters to bolster efforts to have the US supreme court overturn its 1973 Roe v Wade ruling, the landmark case that legalized abortion across the country.

A number of right-leaning states, including Arkansas, Georgia, Kentucky and Louisiana, have passed stricter anti-abortion legislation in recent months as opponents grow in confidence that the supreme courts new conservative majority will reverse its 47-year-old ruling.

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Ted Cruz criticizes vasectomy bill, exposing his hypocrisy on reproduction rights - The Guardian

What is the evolutionary purpose of menopause? – University of Georgia

The Slow Moon Climbs delves into the science, history and meaning of this life shift

Menopausethat time in every womans life when the ovaries no longer release an egg each month and menstruation ceases foreveris a rare thing among Earths infinitely varied creatures. Humans and a few species of whales are the only mammals that experience menopause, where females live on for many decades in spite of the inability to reproduce. Scientists, psychologists and doctors have been puzzling over that fact for centurieswhat good are older women (or whales) once they lose their fertility? There must be some huge evolutionary benefit that renders womens lives so valuable post-reproduction that they actually live six to eight years longer than men everywhere around the world.

Indeed, the years after a woman experiences menopause can be incredibly productive and influential, according to Susan Mattern, Distinguished Research Professor of History at the University of Georgia and author of The Slow Moon Climbs: The Science, History, & Meaning of Menopause. She opens her book with an extraordinary example: that of Hoelun, the mother of the notorious Genghis Khan. Hoelun accomplished far more than simply giving birth to the notorious emperor of the Mongol Empire. Khan has more than 35 million direct male-line descendants. After Hoelan stopped having children she was critical in keeping her brood safe, leading them in a mission of revenge, and helping to turn the Mongols into a people.

Mattern contends that menopause emerged when we evolved away from chimpanzees millions of years ago. Longevity is what separates humans from chimpanzees and other apes, explained the 53-year-old historian. On average, we live twice as long as chimpanzees. After menopause, women could care for their grandchildren, nieces and nephews. They could forage and grow food, producing more than they consumed. This idea is often called the Grandmother Hypothesis, a concept that emerged in the 1990s, wherein older women are favored by evolution because they enhance human survival.

Yet today, said Mattern, we dont look kindly on menopause, seeing it primarily as a medical malady to be either stoically borne or treated with hormones, antidepressants and other medications. Thats just fundamentally wrong, she contended. People see the word menopause in the title of my book and they assume its a depressing book when in fact its full of good news.

Mattern reports that menopause wasnt even a concept in the ancient Mediterranean cultures she has spent her professional life studying: those of Mesopotamia, Egypt, Israel, Greece and Rome. Ancient physicians and writers didnt write or talk about menopause, she explained. There wasnt a word for it. In fact, one ancient Roman physician, Soranus, thought that menstruation, not menopause, was unhealthy for women and rendered them fragile.

It wasnt until the 18th century that menopause became a mainstream concept. The term itself was coined by a French physician in 1821. It was also referred to as womens hell and the death of sex. Sigmund Freud referred to menopausal women as quarrelsome, vexatious and overbearing. A 1966 best seller,Feminine Forever, called post-menopausal women castrates. By the 1920s the first hormones were synthesized in the laboratory, and by 1938 synthetic estrogen had been developed. Menopause was soon infused with this idea of a deficit of estrogen, said Mattern. It is still a medicalized condition today, although medical nuance has been added with large studies examining the risks and benefits of estrogen alone, or estrogen with progesterone, and even in some cases adding in a dollop of testosterone, all to treat menopause.

Of late, though, attitudes toward menopause have begun to shift. Last year, the popular streaming show Fleabag featured a bar-stool soliloquy on the magnificence and freedom of menopause by famed actress Kristin-Scott Thomas. As the Los Angeles Times noted, It may be the best three minutes of television ever; any woman over 45, or under 45, should have it on a loop. Salon joined in as well with a piece entitled TVs changing view of the change.

Menopause is a legitimate phase of life, said Mattern, and we wouldnt be human without it; its part of what makes us a super adaptable unique species. In agrarian societies, she says, midlife was a time when a woman became a mother-in-law and a grandmother and held more status and power in the family. Weve lost that, while weve gained status in other ways, she explained, through business and the workplace. But weve lost the idea that there is a midlife stage that is valuable in its own right.

Theres a casual ageism in our culture that we need to consciously shift, she believes. Mattern dove into this topic in part because of her own personal experience: her second husband is 20 years younger than she. That made me think about menopause, she said, and my supposed expiration date. Our culture has an antipathy to aging and to midlife, and I wondered, Once I transition through menopause, should I still be sexual? Is it OK to have a younger husband? Will I be ugly or unworthy somehow?

The answer, she found out, is just the opposite. Her marriage has remained good and close through menopause, she is productive, and I feel liberated. Post-reproductive life is useful because we transfer resources, knowledge and energy to younger generations. Thats good news for the more than the 100 million Americans over age 50.

Link:
What is the evolutionary purpose of menopause? - University of Georgia

Ted Cruz goes on Twitter tirade over proposed vasectomy bill – The Daily Dot

In a move blanketed with irony, Sen. Ted Cruz (R-Texas) unleashed his beliefs about bodily autonomy on Twitter in response to a proposed Alabama law that would require men to get a vasectomy once they reach 50 or have three children.

Vice reports the bill was proposed earlier this month by state Rep. Rolanda Hollis who, according to AL.com, said the bill is a response to last years abortion bill that passed the legislature and included anear-total ban on abortion.

In October, a federal judge blocked the abortion bill from going into effect.

The bills suggestion did not sit well with Cruz, prompting him to tweet A government big enough to give you everything is big enough to take everythingliterally!

Cruz is stridently anti-abortion and does believe a small government should still have the ability to take that right away.

Yikes. A government big enough to give you everything is big enough to take everything...literally! Alabama Democrat proposes bill mandating all men have vasectomy at age 50 or after third child. https://t.co/PeaNUg1Joc

Last night, Cruz doubled down even further on his remarks defending his stance in a chopped up thread.

Its been a sight to behold the last 24 hours of Lefties triggering over this tweet, Cruz said, distancing himself from being labeled as pro-choice.

Its been a sight to behold the last 24 hours of Lefties triggering over this tweet. Ah ha! Youre pro choice, they exclaim. No, I believe in BOTH life and individual liberty. Four points: (1) Too many on the Left believe the Malthusian nonsense that more children are bad. 1/x https://t.co/Pcm6xqRQv4

5/x ...(4) yes, every adultman or womanhas a right to do whatever you want with your body...but that doesnt mean you have a right to do something harmful to ANOTHER persons body. Leftists refuse to admit that an unborn child is a separate human being whose life is precious.

Cruz concluded his thread by saying: Yes, every adultman or womanhas a right to do whatever you want with your bodybut that doesnt mean you have a right to do something harmful to ANOTHER persons body. Leftists refuse to admit that an unborn child is a separate human being whose life is precious.

His response to the proposed bill prompted users to call out Cruzs hypocrisy.

Further proof that if men carried the babies, abortions would be as easily accessible as Viagra, @TheTNHoller tweeted.

BUT TED CRUZ THINKS ITS PERFECTLY OKAY YO TELL A WOMAN SHE HAS TO HAVE CHILDREN !

NO , RAFAEL , ITS NOT OKAY, AND YOU ARE , AS PER USUAL , WRONG

The Guardian: Ted Cruz criticizes vasectomy bill, exposing his hypocrisy on reproduction rights.https://t.co/pWxkJoedOY

Hey Ted Cruz - So, you dont like the government telling you what you can & cant do with your sperm. Mandatory vasectomy? #Karma - what goes around comes around. Stay out of womens health decisions. We can make our own choices ~ just like men supposedly can. https://t.co/yXBkcPBJA0

Ted Cruz is offended that a Democrat in Alabama proposed a bill mandating men have a vasectomy at age 50 or after their 3rd child! But he's okay with the government dictating a woman's decisions. pic.twitter.com/F45R3Ks99n

Yes @tedcruz, it's almost like this Alabama Democrat is proposing an outlandish bill mandating all men have a vasectomy at 50, or after a third child, to prove a point about the outlandish bullshit that men propose controlling women's reproductive rights and choices. https://t.co/bNsQTyr7g2

According to VICE, Hollis bill doesnt stand a chance of passing due to Alabamas majority Republican legislature.

Prior to Cruzs outburst, a Twitter user questioned Hollis on the reasoning behind the bill, in which she stated, The responsibility is not always on the women. It takes (two) to tangle.

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For Most People Infected With Coronavirus, Symptoms Will Be Mild. So What’s Happening In The Extreme Cases? – Kaiser Health News

Scientists explain how the virus is killing patients--mostly elderly or people with underlying medical conditions--when about 80 percent only have mild symptoms from the infection. In other news related to the science behind the outbreak: a forecast of an epidemic, the infection rate, how long the virus can linger on surfaces, a treatment option, and more.

WBUR:How COVID-19 Kills: The New Coronavirus Disease Can Take A Deadly TurnMore than 1,300 people, almost all in China, have now died from COVID-19 the newly minted name for the coronavirus disease first identified in Wuhan, China, that has infected more than 55,000 people. Yet according to the World Health Organization, the disease is relatively mild in about 80% of cases, based on preliminary data from China. (Godoy, 2/14)

Stat:Disease Modelers Gaze Into Their Computers To See The Future Of Covid-19, And It Isnt GoodAt least 550,000 cases. Maybe 4.4 million. Or something in between. Like weather forecasters, researchers who use mathematical equations to project how bad a disease outbreak might become are used to uncertainties and incomplete data, and Covid-19, the disease caused by the new-to-humans coronavirus that began circulating in Wuhan, China, late last year, has those everywhere you look. That can make the mathematical models of outbreaks, with their wide range of forecasts, seem like guesswork gussied up with differential equations; the eightfold difference in projected Covid-19 cases in Wuhan, calculated by a team from the U.S. and Canada, isnt unusual for the early weeks of an outbreak of a never-before-seen illness. (Begley, 2/14)

The Wall Street Journal:How Many People Might One Person With Coronavirus Infect?When an infection erupts the way coronavirus has exploded in Wuhan, China, and elsewhere in the world, public-health experts try to gauge the potential for an epidemicor, worse, a pandemicby calculating the pathogens basic reproduction number. The figure, generally written as R0 and pronounced R naught, is an estimate of how many healthy people one contagious person will infect. Because viruses spread exponentially, a few cases can quickly blow up to an overwhelming number. An R0 of two suggests a single infection will, on average, become two, then four, then eight. (McGinty, 2/16)

The Associated Press:Questions Complicate Efforts To Contain New Virus From ChinaReports one day suggest the respiratory outbreak in China might be slowing, the next brings word of thousands more cases. Even the experts have whiplash in trying to determine if the epidemic is getting worse, or if a backlog of the sick is finally getting counted. Continuing questions about the new virus are complicating health authorities' efforts to curtail its spread around the world. And the United States is taking the first steps to check that cases masquerading as the flu won't be missed, another safeguard on top of travel restrictions and quarantines. (Neergaard, 2/15)

CNN:How Long Coronaviruses May Linger On Contaminated Surfaces, According To ScienceConcerns are mounting about how long the novel coronavirus may survive on surfaces -- so much so that China's central bank has taken measures to deep clean and destroy its cash, which changes hands multiple times a day, in an effort to contain the virus. It is unknown exactly how long the novel coronavirus can linger on contaminated surfaces and objects with the potential of infecting people, but some researchers are finding clues by studying the elusive behaviors of other coronaviruses. (Howard, 2/18)

The Wall Street Journal:Gileads Coronavirus Drug Trial Slowed By Lack Of Eligible RecruitsClinical trials being conducted in Wuhan to test Gilead Sciences Inc.s antiviral drug, a promising remedy for the new coronavirus, are going more slowly than hoped for as the drugmaker struggles to recruit qualified patients, underscoring the challenges in quickly developing drugs during outbreaks. The trials, aimed at testing more than 700 patients infected with the Wuhan coronavirus, have succeeded in recruiting fewer than 200 people after 10 days. (2/18)

Boston Globe:Northeastern Students Target Rumors, Falsehoods On Coronavirus Via New On-Line MagazineWhile much of the world focuses on the rising death toll and infection rates from the coronavirus, a new on-line magazine produced by international students at Northeastern University aims to put a human face on the outbreak and challenge some of the falsehoods surrounding the crisis. In a recent post in the Global Observer, graduate student Yushu Tian painted an eerie picture of conditions in Wuhan, the city of 11 million at the center of the epidemic: Transportation in and out the city shut down; residents primarily confined to their homes. Included in her post were photos of a barren subway and vacant main road. (Sorensen, 2/16)

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For Most People Infected With Coronavirus, Symptoms Will Be Mild. So What's Happening In The Extreme Cases? - Kaiser Health News